
Browse content similar to Made in Dagenham. Check below for episodes and series from the same categories and more!
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This film contains strong language. | 0:00:02 | 0:00:09 | |
CHATTERING | 0:00:26 | 0:00:30 | |
KEYS RATTLING | 0:00:30 | 0:00:32 | |
MUSIC: "Israelites" by Desmond Dekker & The Aces | 0:00:37 | 0:00:41 | |
Dagenham, on London's River Thames, | 0:00:55 | 0:00:57 | |
is one of the great anvils of the motor industry. | 0:00:57 | 0:01:00 | |
At this and other plants, Ford of Britain | 0:01:00 | 0:01:03 | |
shape and fashion 3,000 cars every day. | 0:01:03 | 0:01:06 | |
The biggest single motor manufacturer in all Europe | 0:01:06 | 0:01:09 | |
and the fourth biggest in the world. | 0:01:09 | 0:01:11 | |
Ford of Britain can produce 3,100 vehicles a day | 0:01:11 | 0:01:14 | |
and 1.5 million of the Ford Cortinas... | 0:01:14 | 0:01:17 | |
Under the stylish bonnet, a smooth, silent V4 engine. | 0:01:17 | 0:01:20 | |
Luxurious seats. Handsome all around. | 0:01:20 | 0:01:23 | |
Slip away in style. | 0:01:23 | 0:01:25 | |
Located in five European countries, | 0:01:25 | 0:01:27 | |
Ford facilities now occupy more than seven square miles, | 0:01:27 | 0:01:30 | |
with a total covered floor space of almost 42 million square feet. | 0:01:30 | 0:01:34 | |
CHATTERING | 0:01:43 | 0:01:45 | |
Bloody hell, Eileen, you got more support there than the Arsenal. | 0:02:05 | 0:02:07 | |
-At least I ain't got bee stings for tits. -Oh, all right. Cheeky. | 0:02:07 | 0:02:11 | |
-RADIO: -'Desmond Dekker stirring up a storm with the Israelites | 0:02:11 | 0:02:15 | |
'on the hottest day of the year so far. | 0:02:15 | 0:02:17 | |
'So girls, don't forget your bikinis and try and stay cool.' | 0:02:17 | 0:02:20 | |
BUZZER BLARES | 0:02:22 | 0:02:24 | |
MACHINES WHIRRING | 0:02:24 | 0:02:26 | |
Here we go. | 0:02:26 | 0:02:27 | |
Connie? When you get a moment, can you just have a walkthrough? | 0:02:41 | 0:02:45 | |
Later, love. Just give me five minutes to settle in. | 0:02:45 | 0:02:47 | |
Morning. Morning, morning. | 0:02:47 | 0:02:49 | |
-Everything all right? -Yeah, I overslept. | 0:02:49 | 0:02:52 | |
How's George? | 0:02:52 | 0:02:54 | |
Don't ask. I've been up half the night. | 0:02:54 | 0:02:57 | |
You're all right, you've got time. | 0:02:57 | 0:02:59 | |
Man! | 0:03:19 | 0:03:20 | |
BUZZER BLARES | 0:03:20 | 0:03:22 | |
CHATTERING AND CHEERING | 0:03:22 | 0:03:25 | |
Ladies, if I could interrupt you a second... | 0:03:25 | 0:03:29 | |
-Come on. Get yourselves covered up. -Please, ladies. Behave. | 0:03:29 | 0:03:32 | |
Cover yourselves. Cover yourselves up. | 0:03:32 | 0:03:35 | |
-Oh, here he is. -What if your husbands saw you? | 0:03:35 | 0:03:38 | |
-WOMEN WHOOP -What would they say, eh? | 0:03:38 | 0:03:40 | |
Come on, girls, girls, girls, this is important! | 0:03:42 | 0:03:44 | |
Thank you, Connie. Thank you. | 0:03:44 | 0:03:46 | |
Shut up! Just shut up. | 0:03:46 | 0:03:51 | |
Do you want to hear what I've got to say or not? | 0:03:51 | 0:03:53 | |
-ALL: Yeah. -Right. | 0:03:53 | 0:03:55 | |
Now, listen. | 0:03:55 | 0:03:57 | |
To quote Winston Churchill himself, | 0:03:57 | 0:04:00 | |
this ain't the end. It ain't even the beginning of the end. | 0:04:00 | 0:04:04 | |
Oh, for fuck's sake, get on with it. | 0:04:04 | 0:04:05 | |
WOMEN LAUGH | 0:04:05 | 0:04:06 | |
-Get on! -Look, ladies, please. | 0:04:06 | 0:04:09 | |
-I'm doing me best. -Oh, come on. | 0:04:09 | 0:04:11 | |
Now, the deadline we set the management | 0:04:11 | 0:04:14 | |
to respond to our complaint | 0:04:14 | 0:04:17 | |
about how they've regraded you unskilled... | 0:04:17 | 0:04:19 | |
ANGRY CHATTERING Shh! | 0:04:19 | 0:04:22 | |
..has now passed. Shut up! | 0:04:22 | 0:04:26 | |
Which means you've got to vote, | 0:04:26 | 0:04:29 | |
on the threat we made in the original communique. | 0:04:31 | 0:04:35 | |
An immediate ban on all overtime. Right? | 0:04:35 | 0:04:38 | |
And a one-day stoppage to take place on the 29th of May. | 0:04:38 | 0:04:44 | |
All right? You got that? Right, now, | 0:04:44 | 0:04:48 | |
those for industrial action, hands up. | 0:04:48 | 0:04:52 | |
ALL: Yeah! | 0:04:52 | 0:04:54 | |
Against? | 0:05:00 | 0:05:02 | |
ALBERT LAUGHS | 0:05:03 | 0:05:05 | |
WOMEN CHEER | 0:05:05 | 0:05:08 | |
Full house! | 0:05:10 | 0:05:11 | |
I'm seeing the management first thing tomorrow morning, | 0:05:20 | 0:05:22 | |
and I shall inform them of your decision. | 0:05:22 | 0:05:25 | |
Isn't he gorgeous? | 0:05:25 | 0:05:27 | |
-We did it. -First time for everything, eh? | 0:05:30 | 0:05:32 | |
Fuck them. Every other bugger round here | 0:05:32 | 0:05:34 | |
goes on strike, why shouldn't we? | 0:05:34 | 0:05:35 | |
Just don't put it like that if you get interviewed by David Frost. | 0:05:35 | 0:05:39 | |
-Oooh, David Frost! -I know what you think about him. | 0:05:39 | 0:05:42 | |
It's a bit scary, isn't it? | 0:05:43 | 0:05:45 | |
-I feel quite proud of us. -You should. | 0:05:45 | 0:05:48 | |
I fought Rommel in the war, you know? | 0:05:48 | 0:05:51 | |
I wasn't once scared like I am when I walk in there, I tell you. | 0:05:51 | 0:05:56 | |
MUSIC: "Wolly Bully" by Sam The Sham And The Pharaoh | 0:05:56 | 0:06:01 | |
-Happy birthday, Sandra. -Thanks, Eddie. | 0:06:04 | 0:06:07 | |
-Isn't it lovely what they did? -Come on, get up. | 0:06:07 | 0:06:10 | |
Are you coming, George? | 0:06:10 | 0:06:12 | |
-No. -Go on then. | 0:06:12 | 0:06:14 | |
-Come on, you come. -Connie! -Spoilsport. | 0:06:14 | 0:06:17 | |
Happy birthday, darling. | 0:06:22 | 0:06:24 | |
-Thanks. -Happy birthday. | 0:06:24 | 0:06:26 | |
-Have a wonderful time. -Thanks, Albert. | 0:06:26 | 0:06:28 | |
MUSIC DIES | 0:06:34 | 0:06:36 | |
ALL GROAN | 0:06:36 | 0:06:37 | |
-Oh, leave it out, Dave! -It's all right, it's the fuse box. | 0:06:37 | 0:06:41 | |
-Calm down. -Of course it's the bleeding fuse box. | 0:06:41 | 0:06:45 | |
-ALBERT: -Right! -Oh, no, here he goes. | 0:06:45 | 0:06:47 | |
Altogether now. | 0:06:47 | 0:06:49 | |
HE PLAYS PIANO | 0:06:49 | 0:06:51 | |
It's bloody Liberace. | 0:06:51 | 0:06:53 | |
ALL: # My old man says follow the van | 0:06:53 | 0:06:56 | |
# And don't dilly-dally on the way... # | 0:06:56 | 0:06:59 | |
MUSIC RESUMES OVER SPEAKERS | 0:06:59 | 0:07:03 | |
Oh, gawd. | 0:07:03 | 0:07:04 | |
Where do you reckon Brenda's got to? | 0:07:07 | 0:07:09 | |
Where do you think? | 0:07:09 | 0:07:12 | |
-You're joking! -No. | 0:07:12 | 0:07:13 | |
MOANING | 0:07:17 | 0:07:20 | |
Your trim. That'll be hanging right off in a week or two. | 0:07:24 | 0:07:27 | |
And I bet I know the girl what sewed it, and all. | 0:07:27 | 0:07:30 | |
Come on, then. Chop-chop, or we'll miss the buffet. | 0:07:30 | 0:07:34 | |
LAUGHTER | 0:07:34 | 0:07:37 | |
-Want another one, anyone? -I'll have one. -Yeah. | 0:07:37 | 0:07:39 | |
-George? -No. | 0:07:39 | 0:07:41 | |
-I'll be up all night. -Come on, mate. | 0:07:41 | 0:07:43 | |
-Connie, yeah? -Yeah, yeah. Please. | 0:07:43 | 0:07:45 | |
Come on. Just a little one. | 0:07:46 | 0:07:48 | |
G&T, half a mild. Dave? Ta. | 0:07:48 | 0:07:51 | |
-Port and lemon. -Who's next on the dance floor? | 0:07:51 | 0:07:54 | |
You sure you don't want to sit down, Sandra? | 0:07:56 | 0:07:58 | |
Are you joking? I want a snowball. | 0:07:58 | 0:08:00 | |
Come on, George, you ain't even tripped the old, uh... Come on. | 0:08:00 | 0:08:03 | |
-No, no, no. It's all right. -Please! | 0:08:03 | 0:08:05 | |
Do you mind, George, if I have this one? | 0:08:05 | 0:08:07 | |
Like to keep me hand in. Jitterbug, twist, all them. | 0:08:07 | 0:08:10 | |
You be careful. We need you on top form tomorrow. | 0:08:10 | 0:08:13 | |
What you talking about? | 0:08:13 | 0:08:16 | |
Fantastic. | 0:08:16 | 0:08:17 | |
-No, no, no. Not being funny. -All right. All right. | 0:08:17 | 0:08:21 | |
-Good night. -Thanks, mate. | 0:08:21 | 0:08:23 | |
Sandra. Sandra! | 0:08:23 | 0:08:26 | |
-Happy birthday. -Shush! | 0:08:26 | 0:08:28 | |
-Good night. -Be good. | 0:08:28 | 0:08:31 | |
Hang on. I don't live here. | 0:08:31 | 0:08:33 | |
-Wait. -What? | 0:08:33 | 0:08:35 | |
-Now, what was that for? -Nothing. I just like you, that's all. | 0:08:39 | 0:08:42 | |
-Yeah? Come here. -Hey! | 0:08:42 | 0:08:45 | |
-Oi, oi, oi! -LAUGHING | 0:08:45 | 0:08:48 | |
-What are you doing? -Not out here. | 0:08:48 | 0:08:50 | |
-You're better than that, are you? -Actually, yeah, I am. | 0:08:50 | 0:08:53 | |
Ooof! | 0:08:54 | 0:08:56 | |
HE LAUGHS | 0:08:56 | 0:08:57 | |
BBC RADIO 1 JINGLE PLAYS ON RADIO | 0:08:57 | 0:09:00 | |
MUSIC ON RADIO: "Tiger" by Brian Auger and the Trinity | 0:09:06 | 0:09:09 | |
CLATTERING | 0:09:12 | 0:09:14 | |
RADIO RETUNES | 0:09:16 | 0:09:18 | |
Graham? Graham. Breakfast. | 0:09:18 | 0:09:23 | |
There you go. | 0:09:24 | 0:09:26 | |
-I don't feel very well. -Don't you? | 0:09:26 | 0:09:30 | |
-You're not hot, love. -It's my stomach. | 0:09:31 | 0:09:33 | |
OK, what's wrong with your hand? | 0:09:35 | 0:09:37 | |
Nothing. | 0:09:37 | 0:09:38 | |
Well, give us a look, then. | 0:09:38 | 0:09:40 | |
No. | 0:09:40 | 0:09:42 | |
I never done nothing. Honest. | 0:09:45 | 0:09:48 | |
Mr Clarke again? | 0:09:49 | 0:09:50 | |
It'll be fine, OK? | 0:09:52 | 0:09:54 | |
Now, eat some breakfast and get dressed. I'll deal with it. | 0:09:54 | 0:09:58 | |
Sharon? Chop-chop. | 0:09:58 | 0:10:01 | |
-Eddie. Come on, lover boy. -No, no, just clear off, I'm dying. | 0:10:03 | 0:10:09 | |
We're all dying. We've all got to go to work. | 0:10:09 | 0:10:11 | |
HE GRUNTS | 0:10:11 | 0:10:13 | |
Eddie? | 0:10:15 | 0:10:16 | |
BOTH YELLING | 0:10:19 | 0:10:21 | |
Oh, you cheeky cow. Come here! | 0:10:21 | 0:10:23 | |
God. | 0:10:29 | 0:10:31 | |
Balls. | 0:10:31 | 0:10:33 | |
Balls, balls, balls. Bollocks. | 0:10:33 | 0:10:36 | |
Yes? | 0:10:46 | 0:10:47 | |
Mr Clarke? Can I have a word? | 0:10:53 | 0:10:58 | |
Of course. How can I help? | 0:10:58 | 0:11:00 | |
You hit my son. | 0:11:02 | 0:11:03 | |
On his hand. Caned him. | 0:11:05 | 0:11:08 | |
And it ain't the first time. | 0:11:08 | 0:11:10 | |
Ah, yes. O'Grady. I remember. | 0:11:12 | 0:11:15 | |
Forgot his protractor. And it isn't the first ti... | 0:11:15 | 0:11:18 | |
Don't care whether it's the hundredth time. I don't want you doing it. | 0:11:18 | 0:11:22 | |
You live on the estate, don't you? | 0:11:23 | 0:11:26 | |
-I don't see what that's got... -We find that those boys | 0:11:27 | 0:11:30 | |
who come to us from the estate often have difficulty | 0:11:30 | 0:11:33 | |
in adjusting to the standards of behaviour | 0:11:33 | 0:11:35 | |
required in a school like this. | 0:11:35 | 0:11:37 | |
It isn't really their fault. | 0:11:37 | 0:11:40 | |
Their parents have never undergone the full rigour of academic life. | 0:11:41 | 0:11:46 | |
The boys can hardly look to them for guidance, can they? | 0:11:46 | 0:11:49 | |
But they do adapt in time. | 0:11:51 | 0:11:53 | |
And I'm sure your son will too, if he's just given the chance. | 0:11:53 | 0:11:57 | |
But thank you for your concern, Mrs O'Grady. | 0:11:59 | 0:12:03 | |
-Are you all right? -Fuck off. | 0:12:16 | 0:12:19 | |
THUNDER CRASHING | 0:12:23 | 0:12:26 | |
-Hold on, is this Sandra's? -Yeah, I know. | 0:12:29 | 0:12:32 | |
Connie? Con? | 0:12:32 | 0:12:35 | |
Sandra's at it again, look. | 0:12:35 | 0:12:37 | |
-You've got to say something. -She hasn't. | 0:12:37 | 0:12:40 | |
You've got to talk to her. | 0:12:40 | 0:12:42 | |
Don't wave at us, you silly cow. We're moaning about you. | 0:12:42 | 0:12:45 | |
-I'll do it. -No, you can't keep covering for her. | 0:12:45 | 0:12:47 | |
-I'll talk to her. -Will you? | 0:12:47 | 0:12:50 | |
RAIN PATTERS AGAINST ROOF | 0:12:51 | 0:12:53 | |
Here it comes. Oh, no. | 0:12:53 | 0:12:56 | |
-Look at that. -We might as well not have a roof. | 0:12:58 | 0:13:00 | |
How many times have we asked them to fix this? | 0:13:00 | 0:13:03 | |
It's not difficult, is it? | 0:13:03 | 0:13:04 | |
-Connie, listen. -Albert... | 0:13:04 | 0:13:07 | |
I'm sorry, I didn't realise. Oh, my God. | 0:13:07 | 0:13:10 | |
-I didn't realise. I'm sorry. Oh, God. -You were saying? | 0:13:11 | 0:13:14 | |
There's a meeting tomorrow. | 0:13:16 | 0:13:18 | |
At Ford's headquarters down in Warley. | 0:13:18 | 0:13:21 | |
-You're joking. -I'm not. | 0:13:21 | 0:13:24 | |
Machinists threatening strike action, they couldn't believe it. | 0:13:24 | 0:13:27 | |
-Oh, yes! -Yeah. | 0:13:27 | 0:13:28 | |
We'll have to make a good strategy. | 0:13:28 | 0:13:30 | |
They'll have Hopkins and Jones and Grant, miserable sod. | 0:13:30 | 0:13:35 | |
Now, who have we got on our side? We've got, um, | 0:13:35 | 0:13:38 | |
Monty Taylor from the head office, he's coming. | 0:13:38 | 0:13:41 | |
There's me, two. You, Con, three. | 0:13:41 | 0:13:44 | |
-Well, that leaves us one short. -Why? | 0:13:44 | 0:13:47 | |
Little principle I picked up in the war, Eileen. | 0:13:47 | 0:13:50 | |
Turn up with more on your side than they've got on their side | 0:13:50 | 0:13:54 | |
and turn up when they're least expecting it. | 0:13:54 | 0:13:56 | |
So who's going to make the fourth man? | 0:13:56 | 0:13:58 | |
-Oh, not me. -I'm not going. | 0:13:58 | 0:14:00 | |
Any takers? No? | 0:14:00 | 0:14:04 | |
-You want it? -Fuck off! -THEY LAUGH | 0:14:04 | 0:14:07 | |
Come on. It's a day off. | 0:14:07 | 0:14:10 | |
-Oh, actually... -Yeah, you all want to go now. | 0:14:10 | 0:14:12 | |
Yeah. I ain't having that. | 0:14:12 | 0:14:15 | |
What? | 0:14:18 | 0:14:20 | |
-Yeah! -Go on, Rita. Day off. | 0:14:20 | 0:14:23 | |
-Go on, Rita. -You'd be great, Rita. | 0:14:23 | 0:14:26 | |
Go on, then. | 0:14:29 | 0:14:31 | |
Yeah, right. What do you have to do? | 0:14:31 | 0:14:34 | |
-All right, Gordon? -Hello, Sandra. | 0:14:34 | 0:14:37 | |
-Don't know where you're going with them. -It's the new Escort. | 0:14:37 | 0:14:40 | |
-They've finally designed something people like. -They can get fucked. | 0:14:40 | 0:14:43 | |
-That's right. -We ain't working no overtime. | 0:14:43 | 0:14:45 | |
Me and the boys were saying we'd have gone on strike | 0:14:45 | 0:14:48 | |
just having to turn up in a pig hole like this. | 0:14:48 | 0:14:51 | |
-You know it's raining in here, don't you? -Yeah, yeah. Whatever. | 0:14:51 | 0:14:55 | |
-See you tomorrow, Connie. -I think he likes you. | 0:14:55 | 0:14:58 | |
-TV: -'It's going, it's going. The police are being pushed backwards. | 0:14:58 | 0:15:01 | |
'There's screaming now. Absolute hysteria. | 0:15:01 | 0:15:04 | |
'Now you can see the banners are being used as clubs...' | 0:15:04 | 0:15:07 | |
SHE CHANGES CHANNEL | 0:15:07 | 0:15:09 | |
'No, look what you're doing!' | 0:15:09 | 0:15:11 | |
-Sharon? -'It's all over my shirt.' | 0:15:11 | 0:15:13 | |
-Turn the telly off now, there's a good girl. -Mum... -Now, please. | 0:15:13 | 0:15:16 | |
Wake your dad up. | 0:15:16 | 0:15:18 | |
Wake up, Dad. | 0:15:21 | 0:15:23 | |
MUSIC PLAYING ON TV | 0:15:23 | 0:15:24 | |
Right. Come on, you two. Pull your finger out. Help your mum. | 0:15:24 | 0:15:28 | |
Oi, square eyes, what have I told you? | 0:15:28 | 0:15:30 | |
Dad, Martine Clarke's got colour. I've seen it. | 0:15:32 | 0:15:35 | |
Martine Clarke's got colour, has she? | 0:15:35 | 0:15:37 | |
We'll have to go round her house and watch it after tea, won't we? | 0:15:37 | 0:15:41 | |
Her mum'll be pleased. | 0:15:41 | 0:15:43 | |
Look, we'll have colour soon. Once you can rent them. | 0:15:43 | 0:15:46 | |
Eddie, don't go promising colour. | 0:15:46 | 0:15:48 | |
We haven't even paid for the fridge yet. | 0:15:48 | 0:15:50 | |
And the three piece is still on tick. | 0:15:50 | 0:15:53 | |
-Now we've got all this unrest at work. -What unrest? | 0:15:53 | 0:15:56 | |
Oh, that? You had a vote, Rita. | 0:15:59 | 0:16:02 | |
Unrest is when you actually come out and strike. Blimey. | 0:16:02 | 0:16:06 | |
No, don't look like that. I'm only joking. | 0:16:06 | 0:16:09 | |
All right. | 0:16:09 | 0:16:10 | |
I'm proud of you. We all are, aren't we? | 0:16:10 | 0:16:13 | |
Sticking to your guns. We had a book going on the shop floor. | 0:16:13 | 0:16:16 | |
No-one thought you'd even take the vote, so... | 0:16:16 | 0:16:18 | |
Yeah, good on you. Well done. | 0:16:18 | 0:16:21 | |
Ain't just a vote now. | 0:16:23 | 0:16:25 | |
Got a meeting tomorrow, all the bosses. | 0:16:27 | 0:16:31 | |
And I'm going. | 0:16:32 | 0:16:34 | |
Eh? | 0:16:36 | 0:16:37 | |
It's all right, I'll plate your tea up in the morning | 0:16:37 | 0:16:40 | |
and then if I'm back late, you can just heat it through. | 0:16:40 | 0:16:43 | |
Apparently, you go to a Berni Inn on the way there. | 0:16:45 | 0:16:49 | |
-That's snazzy. -Isn't it? | 0:16:54 | 0:16:57 | |
It'll be all right, won't it? | 0:17:00 | 0:17:02 | |
Yeah, of course. | 0:17:02 | 0:17:04 | |
We don't have to do anything. The men will do all the talking. | 0:17:04 | 0:17:08 | |
No, I mean, it's not too posh in there, is it? | 0:17:08 | 0:17:12 | |
-I'm wearing the right stuff? -No, you'll be fine. | 0:17:12 | 0:17:16 | |
I'm so glad you're here. | 0:17:16 | 0:17:19 | |
-After you, ladies. -Gentlemen. | 0:17:19 | 0:17:22 | |
Thank you. | 0:17:22 | 0:17:23 | |
-Here you are, sir. -Lovely. | 0:17:23 | 0:17:26 | |
-Do you ever worry about your waist? -You're joking! | 0:17:30 | 0:17:33 | |
(That's steak. Bearnaise sauce.) | 0:17:33 | 0:17:38 | |
It's Monty. He always insists on coming here. | 0:17:38 | 0:17:40 | |
As long as the union's paying. | 0:17:40 | 0:17:42 | |
LAUGHING | 0:17:42 | 0:17:44 | |
HE CLEARS THROAT | 0:17:44 | 0:17:46 | |
-Rita. -Yeah? | 0:17:46 | 0:17:48 | |
Word of advice. | 0:17:48 | 0:17:49 | |
When we get there, don't let them lure you in. | 0:17:49 | 0:17:53 | |
If they seem to be asking you a question, | 0:17:53 | 0:17:56 | |
keep your head down. I'll handle it. | 0:17:56 | 0:17:58 | |
Above all, if I nod, you nod. Got that? | 0:17:58 | 0:18:02 | |
Right. | 0:18:04 | 0:18:06 | |
-That nice, was it? -It's lovely, thank you. | 0:18:06 | 0:18:08 | |
I couldn't eat another thing. | 0:18:08 | 0:18:11 | |
Oh. Mr Dawson. I'm sorry, we weren't expecting you until... | 0:18:11 | 0:18:15 | |
It's quite all right. It's no problem. | 0:18:15 | 0:18:17 | |
Oh, and there's four of us. You might need an extra chair. | 0:18:17 | 0:18:22 | |
Right. | 0:18:23 | 0:18:24 | |
Two teas. | 0:18:28 | 0:18:30 | |
On a previous occasion, | 0:18:32 | 0:18:33 | |
in a free vote, the girls agreed to the new grading structure. | 0:18:33 | 0:18:37 | |
They did not agree, however, as to where they would end up on it. | 0:18:37 | 0:18:41 | |
Which is why we're sitting round this table. | 0:18:41 | 0:18:43 | |
Look, I understand what the girls are saying. I just don't... | 0:18:46 | 0:18:51 | |
I'd rather you didn't speak for the girls, Mr Hopkins. | 0:18:51 | 0:18:54 | |
None of us here knows what's in their heads. | 0:18:54 | 0:18:57 | |
The fact remains there's a formal grievance procedure in place | 0:18:57 | 0:19:00 | |
and the machinists' case will be heard. | 0:19:00 | 0:19:02 | |
What we can't do is let them jump the queue. | 0:19:02 | 0:19:05 | |
Peter, look, | 0:19:05 | 0:19:07 | |
you know me. I ain't got no axe to grind with Ford. | 0:19:07 | 0:19:11 | |
-Am I right or am I right? -You've always been very fair. | 0:19:11 | 0:19:14 | |
Exactly. Ah, we're all men of the world. | 0:19:14 | 0:19:18 | |
Let's cut to the chase, shall we? We'll reconvene in two weeks' time. | 0:19:18 | 0:19:23 | |
-Monty... -Listen. | 0:19:23 | 0:19:26 | |
We'll reconvene, we'll come back down here again for the day | 0:19:26 | 0:19:30 | |
and then at that point you can guarantee | 0:19:30 | 0:19:33 | |
to look into the girls' complaint. | 0:19:33 | 0:19:35 | |
-The thing is, Monty... -That way | 0:19:35 | 0:19:38 | |
you can go back to your bosses and say that the strike's off | 0:19:38 | 0:19:42 | |
because of how you've handled today's negotiations. | 0:19:42 | 0:19:45 | |
We can go back to the girls and say they're now your number-one priority | 0:19:45 | 0:19:50 | |
in a few weeks' time. | 0:19:50 | 0:19:52 | |
That seems very fair. | 0:19:55 | 0:19:56 | |
Yeah, well, I'm not so sure the girls'll be too happy. | 0:19:56 | 0:19:59 | |
The girls will be fine. | 0:19:59 | 0:20:01 | |
As long as they know they're not being fobbed off by the management. | 0:20:01 | 0:20:04 | |
The union's setting the terms. That's what's important. | 0:20:04 | 0:20:08 | |
-(Bollocks.) -What? | 0:20:08 | 0:20:09 | |
I'm sorry, Albert, but it is. | 0:20:13 | 0:20:15 | |
Three hours we've been sat here. | 0:20:17 | 0:20:19 | |
"That's what matters to the girls"? | 0:20:19 | 0:20:21 | |
How you're qualified to talk about that, I do not know. | 0:20:21 | 0:20:24 | |
Here. Have a look at this. | 0:20:26 | 0:20:28 | |
There. | 0:20:31 | 0:20:33 | |
You put them together. Go on. | 0:20:36 | 0:20:38 | |
-It's Ford property, I believe. -Oh, stop it. | 0:20:38 | 0:20:42 | |
We have to take all these different pieces | 0:20:42 | 0:20:44 | |
and work out how they go together. | 0:20:44 | 0:20:47 | |
Because there ain't no template, is there? | 0:20:47 | 0:20:49 | |
We have to take them and sew them all freehand into the finished article. | 0:20:49 | 0:20:53 | |
The same with the door trim and God knows what else. | 0:20:53 | 0:20:56 | |
That is not unskilled work, which is how you've regraded us. | 0:20:56 | 0:21:00 | |
Christ, you need to take an exam to get on our line. | 0:21:02 | 0:21:05 | |
-Please, miss, I... -No, it's Mrs O'Grady. | 0:21:05 | 0:21:08 | |
Mrs O'Grady, I understand your grievance... | 0:21:08 | 0:21:11 | |
Well, I really don't think you do. It's not difficult, though. | 0:21:11 | 0:21:16 | |
We're entitled to semi-skilled and the wages what go with it. | 0:21:16 | 0:21:20 | |
-Why don't you bring this to the meeting... -Hang on. I haven't finished. | 0:21:20 | 0:21:22 | |
And as regards to this queue-jumping business, well, | 0:21:22 | 0:21:26 | |
we put this complaint in months ago, didn't we? | 0:21:26 | 0:21:30 | |
It's just you've done nothing about it. | 0:21:30 | 0:21:33 | |
And we all know why. | 0:21:33 | 0:21:34 | |
It's because women have never been on strike before, isn't it? | 0:21:34 | 0:21:38 | |
You just thought you could forget it and we'd all go away. | 0:21:38 | 0:21:40 | |
Well, I'm sorry, | 0:21:40 | 0:21:42 | |
but it isn't going to be that easy because we're not going anywhere. | 0:21:42 | 0:21:45 | |
We're going to do what we said we would. | 0:21:45 | 0:21:48 | |
No more overtime and an immediate 24-hour stoppage. | 0:21:48 | 0:21:53 | |
And where it goes from there, well, it's up to you. | 0:22:00 | 0:22:03 | |
If you'll excuse me, I've really got to be going. Thank you very much. | 0:22:05 | 0:22:09 | |
Thank you. | 0:22:12 | 0:22:13 | |
Good afternoon, gentlemen. Thank you. | 0:22:15 | 0:22:18 | |
Do you think I like looking stupid? | 0:22:31 | 0:22:32 | |
I didn't know what she was going to do! | 0:22:32 | 0:22:34 | |
You didn't know they were stuck in her handbag, she'd pull them out? | 0:22:34 | 0:22:38 | |
-Look at his face. -Oh, don't worry, you were great. | 0:22:38 | 0:22:41 | |
Thank you very much, Albert. Thank you very much(!) | 0:22:41 | 0:22:44 | |
I knew, I knew. It's up here, you see. | 0:22:52 | 0:22:54 | |
I wanted clever, Rita, that's why I picked you. | 0:22:54 | 0:22:57 | |
-Oh, stop it. -When you pulled out these cuttings, | 0:22:57 | 0:23:00 | |
oh, that was amazing. | 0:23:00 | 0:23:02 | |
It was. I never expected that, that you'd come prepared. | 0:23:02 | 0:23:06 | |
Oh, no, he was right. I was nicking them. | 0:23:06 | 0:23:08 | |
Yeah, Eddie uses them to patch the tent up for when we go camping. | 0:23:11 | 0:23:14 | |
HE CHUCKLES | 0:23:14 | 0:23:16 | |
All the same. Listen, don't worry about Monty, I'll handle him. | 0:23:16 | 0:23:20 | |
-Don't worry. -Can I have them back? -Oh, yeah. | 0:23:20 | 0:23:23 | |
Cheers. | 0:23:23 | 0:23:24 | |
MACHINES WHIRRING | 0:23:24 | 0:23:27 | |
What are you going to say to them? | 0:23:29 | 0:23:32 | |
-You tell them. -You what? | 0:23:32 | 0:23:34 | |
This is your bloody fault. | 0:23:34 | 0:23:35 | |
All right. Hold that. | 0:23:36 | 0:23:39 | |
Right. | 0:23:49 | 0:23:51 | |
Everybody out. | 0:23:56 | 0:23:57 | |
I can't believe it! | 0:23:59 | 0:24:00 | |
THEY CHATTER EXCITEDLY | 0:24:00 | 0:24:03 | |
I could do with a cup of tea. | 0:24:20 | 0:24:22 | |
I could do with something a lot stronger than that. | 0:24:22 | 0:24:24 | |
DOOR SLAMS CLOSED | 0:24:24 | 0:24:27 | |
BIG BEN TOLLS | 0:24:27 | 0:24:29 | |
Now, I realise this is my first day in the job | 0:24:32 | 0:24:37 | |
and it may be that I am missing something here, | 0:24:37 | 0:24:41 | |
but when we were elected two years ago, | 0:24:41 | 0:24:44 | |
it was on a wave of optimism | 0:24:44 | 0:24:46 | |
that Labour would utilise its close relationship with the unions | 0:24:46 | 0:24:50 | |
to develop manufacturing industry so that it would better serve | 0:24:50 | 0:24:55 | |
the employer and the employee. | 0:24:55 | 0:24:58 | |
Yes, I think that was in the manifesto. | 0:24:58 | 0:25:00 | |
It was. Trust me. | 0:25:00 | 0:25:02 | |
So what have you been doing since 1966? | 0:25:02 | 0:25:06 | |
-I... -Two years this department has had | 0:25:08 | 0:25:10 | |
in which to make a difference! | 0:25:10 | 0:25:13 | |
Shall we see what has been achieved in the last 12 months? | 0:25:15 | 0:25:19 | |
26,000 strikes in the United Kingdom, | 0:25:20 | 0:25:24 | |
with the resulting loss of 5 million working days. | 0:25:24 | 0:25:28 | |
Unions and management barely talking to each other, | 0:25:30 | 0:25:33 | |
productivity levels through the floor, | 0:25:33 | 0:25:37 | |
and our balance of payments the wrong side of catastrophic. | 0:25:37 | 0:25:42 | |
It's hardly the stuff to set the champagne corks popping, is it? | 0:25:43 | 0:25:46 | |
Thank you. See yourselves out. | 0:25:54 | 0:25:57 | |
Here you are, babes, you forgot your flask. | 0:26:01 | 0:26:03 | |
-Aw! Love you, babe, cheers. -You too, darling. Good luck. | 0:26:03 | 0:26:07 | |
You get stuck in, girls. | 0:26:07 | 0:26:08 | |
-Thank you. -Thank you! | 0:26:08 | 0:26:10 | |
-Monica, that's yours. -Cheers, love. | 0:26:10 | 0:26:12 | |
-Yeah, I'm happy with that. -It's a holiday, innit? | 0:26:15 | 0:26:18 | |
What's this? A mothers' meeting? | 0:26:18 | 0:26:20 | |
Hey, cheeky sod. Are you all right? | 0:26:20 | 0:26:22 | |
-How you getting on? -Give us half a chance. | 0:26:22 | 0:26:24 | |
-Good luck. -See you later. | 0:26:24 | 0:26:26 | |
Come on, ladies, let's hear you. | 0:26:26 | 0:26:28 | |
-ALL: Bye. See you later. -Cheers, Eddie. | 0:26:28 | 0:26:33 | |
What have you done to your eyes? | 0:26:33 | 0:26:34 | |
It's amazing, isn't it? My friend showed me how. | 0:26:34 | 0:26:37 | |
Scouts everywhere. That's how Twiggy got discovered, on the street. | 0:26:37 | 0:26:40 | |
Up west, you dozy sod, not Dagenham. | 0:26:40 | 0:26:42 | |
You never know. | 0:26:42 | 0:26:44 | |
We'd better shut this gate. | 0:26:44 | 0:26:45 | |
I've spelt it right, haven't I? | 0:26:45 | 0:26:48 | |
Close the gate. | 0:26:49 | 0:26:51 | |
CHEERING | 0:26:51 | 0:26:53 | |
I know. At least they know we're serious, eh? | 0:26:53 | 0:26:56 | |
Not quite as helpless as they thought we were. | 0:26:56 | 0:26:58 | |
Come on then, girls. | 0:26:58 | 0:27:00 | |
No more seats today, Mr Ford. | 0:27:00 | 0:27:02 | |
-Come on, girls, let's get together. -What if we form a line or something? | 0:27:02 | 0:27:06 | |
-Line up there. -Yeah. | 0:27:06 | 0:27:08 | |
Hold the banners up. | 0:27:08 | 0:27:09 | |
-We need some in the back. -Standing? | 0:27:09 | 0:27:11 | |
-Like that. -Come on, then. | 0:27:11 | 0:27:13 | |
That's it. | 0:27:14 | 0:27:16 | |
Here we go. | 0:27:16 | 0:27:17 | |
-Like this? -Yeah. | 0:27:17 | 0:27:20 | |
They're running low on finished seats. | 0:27:39 | 0:27:41 | |
So get these down to the Cortina line, | 0:27:41 | 0:27:44 | |
then come back for the Escorts. | 0:27:44 | 0:27:46 | |
They're calling. Come on. | 0:27:49 | 0:27:52 | |
-Anyone fancy a cuppa? -Yeah. | 0:28:11 | 0:28:13 | |
-Tea's up, ladies. -Come on. | 0:28:13 | 0:28:16 | |
Yeah, put that down a bit. | 0:28:18 | 0:28:20 | |
That's going to hurt your arms. | 0:28:20 | 0:28:22 | |
Get me Tooley. | 0:28:28 | 0:28:30 | |
Stand by, girls, could be trouble. | 0:28:35 | 0:28:38 | |
-Hello, girls. -What's Brenda got? | 0:28:39 | 0:28:42 | |
Tea's up. Bananas, apples, pears, the lot. | 0:28:42 | 0:28:46 | |
Thanks for the ride, Arthur. | 0:28:48 | 0:28:50 | |
-He's lovely. -Brenda, you never! | 0:28:53 | 0:28:55 | |
-Why not? He's gorgeous. -I would. | 0:28:55 | 0:28:57 | |
Just as I was leaving with the fruit, he goes, | 0:28:57 | 0:28:59 | |
"I believe all the workers of the world should unite." So I thought, | 0:28:59 | 0:29:03 | |
"I can help you with that one straight away, mate." | 0:29:03 | 0:29:05 | |
-So I did. -THEY LAUGH | 0:29:05 | 0:29:08 | |
Hey, Peter. Bobby here. What can I do for you? | 0:29:15 | 0:29:18 | |
We've got another dispute, I'm afraid. | 0:29:18 | 0:29:21 | |
Another one? Who is it this week? | 0:29:21 | 0:29:23 | |
It's the women. | 0:29:26 | 0:29:27 | |
THUNDER CRASHING | 0:29:27 | 0:29:30 | |
GROANING | 0:29:30 | 0:29:32 | |
Quick. Quick, quick. | 0:29:33 | 0:29:36 | |
Come along, girls. | 0:29:36 | 0:29:37 | |
You're going to get soaked, love. | 0:29:37 | 0:29:40 | |
Oh, no. They're going to drip, aren't they? | 0:29:44 | 0:29:47 | |
-It'll be fine. It'll pass. -What are we going to do now? | 0:29:47 | 0:29:49 | |
-Pubs ain't even open. -Monica! | 0:29:49 | 0:29:51 | |
Just want to have some chips. | 0:29:52 | 0:29:54 | |
I suppose we've done a full day, haven't we? | 0:29:54 | 0:29:56 | |
-We have, haven't we? -Yeah. | 0:29:56 | 0:29:58 | |
I have got to get down the dogs later. | 0:29:58 | 0:30:00 | |
Yeah. I did promise my mum I'd cook her tea. | 0:30:00 | 0:30:03 | |
-Did you? -Yeah. | 0:30:03 | 0:30:04 | |
Oh, sod it. We've registered the protest, haven't we? | 0:30:05 | 0:30:09 | |
Yeah. | 0:30:09 | 0:30:11 | |
-Go on. School's out. -Yeah! | 0:30:11 | 0:30:14 | |
Home time. | 0:30:14 | 0:30:16 | |
Onwards and upwards, Rita. | 0:30:16 | 0:30:18 | |
-Well done, girls. -See you! | 0:30:18 | 0:30:21 | |
-Hey, and Rita, well done. -Eh? | 0:30:21 | 0:30:25 | |
It was your gob what got us here, wasn't it? | 0:30:25 | 0:30:28 | |
LAUGHING | 0:30:28 | 0:30:30 | |
Sandra? | 0:30:31 | 0:30:33 | |
I've just been round your house. | 0:30:58 | 0:31:00 | |
INAUDIBLE | 0:31:00 | 0:31:02 | |
-I've just been round your house. -Why? | 0:31:05 | 0:31:07 | |
I thought you would've gone home ages ago. | 0:31:07 | 0:31:10 | |
No. | 0:31:10 | 0:31:11 | |
I'm lucky if I can get the lads to hold out for a full hour. | 0:31:11 | 0:31:15 | |
Look, I wanted a little chat. | 0:31:15 | 0:31:18 | |
You fancy a cup of tea? | 0:31:18 | 0:31:20 | |
-I can't. I'm sorry, I've got stuff to... -I'm buying. | 0:31:20 | 0:31:23 | |
Go on, then. Seeing as it's pelting it down, a quick cuppa won't hurt. | 0:31:24 | 0:31:28 | |
Over there by the window. Over there. | 0:31:28 | 0:31:31 | |
I'm dripping all over the floor. | 0:31:31 | 0:31:34 | |
Come on, Albert, spit it out. | 0:31:38 | 0:31:40 | |
Yeah. | 0:31:40 | 0:31:42 | |
-Sorry. -It's all right. | 0:31:43 | 0:31:45 | |
This dispute's got nothing to do with what skill level you are. | 0:31:45 | 0:31:50 | |
Ford decided to give you less money because they can. | 0:31:50 | 0:31:54 | |
They're allowed to pay women a lower wage than men. | 0:31:54 | 0:31:58 | |
All over the country, Rita, women are getting less | 0:31:58 | 0:32:01 | |
because they're women. | 0:32:01 | 0:32:04 | |
You'll always come second. | 0:32:04 | 0:32:07 | |
You'll always be fighting over the scraps from the top table. | 0:32:07 | 0:32:10 | |
-Until you... -We get equal pay, yeah. | 0:32:10 | 0:32:13 | |
Yeah. | 0:32:17 | 0:32:18 | |
What I don't get is why it's so important to you. | 0:32:20 | 0:32:23 | |
I got brought up by my mum. Me and me brothers. | 0:32:23 | 0:32:28 | |
She worked all her life | 0:32:28 | 0:32:30 | |
and she paid my Aunt Lil to take care of us during the day. | 0:32:30 | 0:32:34 | |
And it was hard. | 0:32:34 | 0:32:35 | |
Especially as she was getting less than half | 0:32:37 | 0:32:41 | |
what the blokes at the factory was getting | 0:32:41 | 0:32:43 | |
for doing the same work. | 0:32:43 | 0:32:45 | |
And there was never any question that it could be any different. | 0:32:47 | 0:32:50 | |
Not for her. | 0:32:50 | 0:32:52 | |
Yeah. | 0:32:53 | 0:32:54 | |
Someone has got to stop these exploiting bastards | 0:32:55 | 0:32:59 | |
getting away with what they've been doing for years. | 0:32:59 | 0:33:02 | |
And you can. | 0:33:02 | 0:33:04 | |
You can, Rita, believe me. | 0:33:04 | 0:33:06 | |
What about Connie? I mean, she's shop steward. We voted for her. | 0:33:10 | 0:33:14 | |
But this needs a leader. | 0:33:14 | 0:33:17 | |
Someone to inspire the girls, to make the points clear. | 0:33:17 | 0:33:22 | |
And that ain't Connie. Not at the moment. | 0:33:22 | 0:33:25 | |
Not with George the way he is. | 0:33:25 | 0:33:28 | |
I've already spoke to her. She's more than happy for you to have a go. | 0:33:30 | 0:33:34 | |
More than. | 0:33:34 | 0:33:36 | |
Um... | 0:33:36 | 0:33:38 | |
Look, don't say nothing now. | 0:33:42 | 0:33:45 | |
Just sleep on it. Will you? | 0:33:45 | 0:33:49 | |
-Do you want to wait in here? -Eh? | 0:34:08 | 0:34:11 | |
-Do you want to wait in here? -No, you're all right. | 0:34:11 | 0:34:14 | |
-Come on, it's tipping it down. Please. -I'm dripping. | 0:34:14 | 0:34:16 | |
I know. Get in. | 0:34:16 | 0:34:19 | |
-I'll get it all over your car. -Come in, quick, quick, quick. | 0:34:19 | 0:34:22 | |
Thank you. | 0:34:22 | 0:34:25 | |
-Oh, my God. -Gosh, you're soaked. | 0:34:25 | 0:34:27 | |
-I'm so sorry. -It's fine. | 0:34:27 | 0:34:28 | |
-I'll ruin your car. -We met before, actually. | 0:34:28 | 0:34:31 | |
-Do you remember, in the corridor? -Yeah. | 0:34:31 | 0:34:35 | |
I've been hoping to run into you for a day or two, actually. | 0:34:37 | 0:34:40 | |
-Oh, yeah? -Um... | 0:34:40 | 0:34:43 | |
I was wondering if you'd care to sign a letter. | 0:34:43 | 0:34:46 | |
I'm making a formal complaint | 0:34:46 | 0:34:47 | |
to the headmaster about Mr Clarke's use of the cane. | 0:34:47 | 0:34:50 | |
What? | 0:34:50 | 0:34:51 | |
-He seems to think my son... -Sorry, I mean... | 0:34:51 | 0:34:54 | |
You were there for the same reason I was? | 0:34:54 | 0:34:56 | |
Yes. He was indiscreet enough to mention why you'd been there. | 0:34:56 | 0:34:59 | |
Of course. | 0:34:59 | 0:35:00 | |
I think he was suggesting we were both hysterical | 0:35:00 | 0:35:03 | |
and desperately needed to calm down. | 0:35:03 | 0:35:05 | |
I had it all straight in my head what I was going to tell him | 0:35:05 | 0:35:08 | |
and what I was going to say. | 0:35:08 | 0:35:10 | |
-It's just... -Oh, you can't talk to Mr Clarke. | 0:35:10 | 0:35:13 | |
I mean, nobody can. He... You have to listen. | 0:35:13 | 0:35:15 | |
He's a bully. Which is why he beats them. | 0:35:16 | 0:35:19 | |
Yeah. | 0:35:20 | 0:35:22 | |
Yeah. Go on, then. Give us a pen. | 0:35:22 | 0:35:25 | |
Um... | 0:35:25 | 0:35:27 | |
Thanks. | 0:35:27 | 0:35:28 | |
-It's stopped. -Yeah. That's just my luck, isn't it? | 0:35:30 | 0:35:34 | |
Thanks. | 0:35:37 | 0:35:39 | |
Look, um... | 0:35:39 | 0:35:41 | |
I know you're not mentioning it | 0:35:43 | 0:35:45 | |
because you're being polite. It's just... | 0:35:45 | 0:35:48 | |
You know, when we met in the corridor, I was really upset, | 0:35:48 | 0:35:52 | |
and I never usually use that type of language. | 0:35:52 | 0:35:55 | |
-Don't you? -No. | 0:35:55 | 0:35:56 | |
Because I called Mr Clarke a complete cock. | 0:35:56 | 0:35:59 | |
Oh. Oh! Did you? Fair enough. | 0:35:59 | 0:36:03 | |
-Well, he is. -BOTH LAUGH | 0:36:03 | 0:36:07 | |
-Here they come. -Left a bit of a puddle, now. | 0:36:08 | 0:36:11 | |
It's all right, David's getting in the back. | 0:36:11 | 0:36:14 | |
That dress, I've seen it before, it's lovely. In Vogue. | 0:36:23 | 0:36:27 | |
Oh, thanks. It's, um...it's Biba. | 0:36:27 | 0:36:30 | |
Is it? Well... Well, it's still gorgeous. | 0:36:30 | 0:36:33 | |
MUSIC: "Green Tambourine" by The Lemon Pipers | 0:36:33 | 0:36:37 | |
-Have a good day, yeah? -You too. Be good. | 0:36:42 | 0:36:46 | |
And you. | 0:36:46 | 0:36:47 | |
Bloody hell, Sandra. I think you've had a bit of shrinkage in the wash. | 0:37:00 | 0:37:04 | |
Hot pants. Mary Quant's. | 0:37:04 | 0:37:06 | |
You should give them back to her, they look fucking painful. | 0:37:06 | 0:37:08 | |
-I think they look lovely. -Thanks. | 0:37:08 | 0:37:11 | |
It's like what Brenda said, isn't it? | 0:37:11 | 0:37:13 | |
This ain't Knightsbridge, it's Dagenham. | 0:37:13 | 0:37:16 | |
If you want to get spotted, you've got to stand out that bit more. | 0:37:16 | 0:37:18 | |
And that's exactly what I'm going to do. | 0:37:18 | 0:37:21 | |
-Yesterday were great, weren't it? -Being on strike? | 0:37:21 | 0:37:24 | |
Yeah. | 0:37:24 | 0:37:26 | |
It's a glimpse, isn't it? Of how it could be. | 0:37:26 | 0:37:30 | |
Well, that's what it's about, isn't it? | 0:37:31 | 0:37:34 | |
Pitch bleeding black. I couldn't see me hand in front of me face. | 0:37:37 | 0:37:41 | |
Finally when he turns the lights on, it was actually stuck to me bottom lash. | 0:37:41 | 0:37:45 | |
-She got fired? -Blimey. | 0:37:52 | 0:37:55 | |
-I'm here, just. Oh, Christ. -Connie? Con? | 0:38:00 | 0:38:04 | |
-Rita, I... -No, I just want to say something. | 0:38:04 | 0:38:06 | |
Sorry, I just, um... | 0:38:08 | 0:38:10 | |
If I was to get a bit more involved, you know, with Albert, | 0:38:11 | 0:38:15 | |
it's only because I've got a gob on me. | 0:38:15 | 0:38:18 | |
You're the heartbeat of this place, you always have been. | 0:38:18 | 0:38:21 | |
Rita, look at me, all at sixes and sevens. | 0:38:21 | 0:38:24 | |
You can do this. And you should. | 0:38:25 | 0:38:29 | |
BUZZER BLARES | 0:38:31 | 0:38:33 | |
Here we go. | 0:38:33 | 0:38:35 | |
MACHINES WHIRRING | 0:38:35 | 0:38:37 | |
CHATTERING | 0:38:37 | 0:38:41 | |
Man! | 0:38:53 | 0:38:54 | |
WOMEN WHISTLING AND HOOTING | 0:38:56 | 0:38:59 | |
Oi, oi, Brian! | 0:39:04 | 0:39:07 | |
Hello, Brian. | 0:39:08 | 0:39:09 | |
Is that a cotton bob in your pocket or is it a hard-on? | 0:39:10 | 0:39:13 | |
RAUCOUS LAUGHTER | 0:39:13 | 0:39:15 | |
-What's he doing? -Having a fiddle. | 0:39:17 | 0:39:20 | |
Here, Con. Pass them out, girls. | 0:39:34 | 0:39:36 | |
-Yeah, come on, Rita. -Go on, Rita. Give them hell. | 0:39:58 | 0:40:02 | |
WOMEN SHOUT IN SUPPORT | 0:40:02 | 0:40:04 | |
-Ignore it. -Ignore it? | 0:40:10 | 0:40:13 | |
Standard issue, day after a walkout. | 0:40:13 | 0:40:17 | |
Have you seen the language? | 0:40:17 | 0:40:18 | |
"Your flagrant and aggressive disregard for the existing complaints procedure." | 0:40:18 | 0:40:22 | |
-Tone of that? -They don't mean it. | 0:40:22 | 0:40:25 | |
-So why are they saying it? -Cos that's how we've always done it. | 0:40:25 | 0:40:28 | |
All the other strikes. It's like the rules. | 0:40:28 | 0:40:31 | |
Oh, no, no, no. I'm sorry. | 0:40:31 | 0:40:34 | |
Sorry, we ain't playing that game. We ain't your men, remember? | 0:40:34 | 0:40:38 | |
We're us. And we certainly won't be addressed in this manner. | 0:40:38 | 0:40:41 | |
No. | 0:40:41 | 0:40:43 | |
All those in favour of not only maintaining | 0:40:43 | 0:40:46 | |
but increasing our current action | 0:40:46 | 0:40:48 | |
by going to an immediate all-out stoppage | 0:40:48 | 0:40:50 | |
until we get the same rates of pay as the men? | 0:40:50 | 0:40:53 | |
-What?! -Equal pay? | 0:40:53 | 0:40:55 | |
Well, why not? Because that's what this is really about, isn't it? | 0:40:55 | 0:40:59 | |
We're on the lowest rate in the whole of the bleeding factory | 0:40:59 | 0:41:01 | |
despite the fact we've got considerable skill. | 0:41:01 | 0:41:04 | |
And there's only one possible reason for that. | 0:41:04 | 0:41:07 | |
-It's cos we're women. ALL: -Yeah. | 0:41:07 | 0:41:09 | |
And in the workplace, women get paid less than men | 0:41:09 | 0:41:12 | |
no matter what skill they got. | 0:41:12 | 0:41:13 | |
Which is why, from now on, we've got to demand a level playing field | 0:41:13 | 0:41:18 | |
and rates of pay which reflect the job you do, | 0:41:18 | 0:41:21 | |
not whether you've got a dick or not. | 0:41:21 | 0:41:23 | |
WOMEN LAUGHING | 0:41:23 | 0:41:26 | |
This strike is about one thing and one thing only - fairness. | 0:41:26 | 0:41:30 | |
-Yeah. -That's right. | 0:41:30 | 0:41:32 | |
-Equal pay or nothing. ALL: -Yeah. | 0:41:32 | 0:41:35 | |
All those in favour? ALL CHEER | 0:41:35 | 0:41:38 | |
Everybody out. | 0:41:41 | 0:41:43 | |
Well, it's got nothing to do with me. | 0:41:56 | 0:41:59 | |
ALBERT CHUCKLES | 0:41:59 | 0:42:02 | |
An all-out stoppage? | 0:42:02 | 0:42:04 | |
Also, the specifics of this strike, they've widened out a bit. | 0:42:04 | 0:42:08 | |
Christ. | 0:42:09 | 0:42:10 | |
Shit. | 0:42:12 | 0:42:13 | |
Fucking Ada. Equal pay? What were you thinking, Monty? | 0:42:13 | 0:42:18 | |
It wasn't me, it was Albert. He went behind me back. | 0:42:18 | 0:42:22 | |
-Really, Monty? -He's a loose cannon. | 0:42:22 | 0:42:24 | |
You want to haul someone over the coals, he's your man. | 0:42:24 | 0:42:27 | |
A bloody troublemaker. | 0:42:27 | 0:42:30 | |
Get him in. | 0:42:30 | 0:42:31 | |
I tried to protect you, Albert. | 0:42:41 | 0:42:44 | |
But you're going to get such a fucking bollocking. | 0:42:44 | 0:42:47 | |
Come on, then. | 0:42:47 | 0:42:49 | |
This is awkward, Albert. You know that, don't you? | 0:42:53 | 0:42:57 | |
It jeopardises a whole raft of other negotiations | 0:42:57 | 0:43:02 | |
that the unions are already at loggerheads with management over. | 0:43:02 | 0:43:06 | |
Look, comrade, | 0:43:06 | 0:43:08 | |
basically, you encouraging these women to get all militant... | 0:43:08 | 0:43:13 | |
It shifts the resources away from the blokes, | 0:43:13 | 0:43:15 | |
who, let's be straight, are the ones at the coalface. | 0:43:15 | 0:43:17 | |
We ain't unsympathetic, | 0:43:17 | 0:43:20 | |
but as a union, we have to remember who comes first. | 0:43:20 | 0:43:25 | |
The Communist Party and Marx himself said, | 0:43:26 | 0:43:29 | |
"Men write their own history." That's "men," Albert. | 0:43:29 | 0:43:33 | |
But didn't he also say, | 0:43:33 | 0:43:36 | |
"Progress can be measured by the social position of the female sex"? | 0:43:36 | 0:43:40 | |
Or was that a different Marx? That was Groucho, was it? | 0:43:40 | 0:43:44 | |
Equal pay across the board. | 0:43:46 | 0:43:50 | |
You telling me that ain't worth fighting for? | 0:43:50 | 0:43:53 | |
Of course it is. And you know it. | 0:43:53 | 0:43:56 | |
I'll tell you something. | 0:43:56 | 0:43:58 | |
This Rita has got a bigger set of balls than you three put together. | 0:43:58 | 0:44:02 | |
And she ain't scared to lay 'em on the line neither. | 0:44:02 | 0:44:05 | |
And I, for one, am going to help her. | 0:44:06 | 0:44:08 | |
And if you are what you say you are, | 0:44:10 | 0:44:12 | |
an organisation pledged to support its members, | 0:44:12 | 0:44:16 | |
then you'll get off your lazy, fat arses and you'll help her too. | 0:44:16 | 0:44:21 | |
Good fucking evening. | 0:44:23 | 0:44:25 | |
They can't expect us to carry on being graded unskilled. | 0:44:28 | 0:44:31 | |
Unskilled, my arse. | 0:44:31 | 0:44:32 | |
MUSIC: "All Or Nothing" by Small Faces | 0:44:32 | 0:44:36 | |
CHATTERING | 0:44:36 | 0:44:39 | |
We're here to put across our point of view | 0:44:45 | 0:44:48 | |
about what's going on and how it ain't fair. | 0:44:48 | 0:44:50 | |
And also about how it's a part of something bigger, much bigger. | 0:44:50 | 0:44:54 | |
What about a little bit of support this way? | 0:44:54 | 0:44:56 | |
Come on, mate. | 0:44:58 | 0:44:59 | |
You might learn something if you just listened. | 0:44:59 | 0:45:03 | |
'The time has come for all women to say enough.' | 0:45:07 | 0:45:10 | |
We do not and we will not accept this any longer. | 0:45:10 | 0:45:15 | |
-Ow! -Dad, the pan. | 0:45:18 | 0:45:21 | |
Oh... Bollocks! Ow! | 0:45:21 | 0:45:23 | |
No, Daddy didn't mean that. | 0:45:23 | 0:45:24 | |
Thank you. Thank you very much. | 0:45:26 | 0:45:27 | |
That was magnificent. That was wonderful. | 0:45:29 | 0:45:32 | |
Be back in a minute. | 0:45:33 | 0:45:35 | |
RITA: You're doing the same work for Ford here in Liverpool | 0:45:40 | 0:45:43 | |
that we're doing for them down in Dagenham. | 0:45:43 | 0:45:46 | |
So you know that our job is skilled. | 0:45:46 | 0:45:49 | |
Oi. She's a bit of all right. | 0:45:49 | 0:45:50 | |
I'm asking you to think beyond that. | 0:45:53 | 0:45:55 | |
I'm asking you to strike now for all women, not just machinists. | 0:45:55 | 0:45:59 | |
Leave him alone. He's got to concentrate. You've got work to do. | 0:45:59 | 0:46:01 | |
-Go, get back. -Have a word with him, eh? | 0:46:01 | 0:46:04 | |
And what is right is that every single one of us | 0:46:04 | 0:46:07 | |
is entitled to the same pay as men. | 0:46:07 | 0:46:09 | |
-WOMEN: -Yeah! | 0:46:09 | 0:46:11 | |
That's my girl. | 0:46:11 | 0:46:13 | |
Will all those in favour please put your hands in the air now? | 0:46:13 | 0:46:16 | |
-ALL: -Yeah! | 0:46:16 | 0:46:18 | |
RITA: Hiya. | 0:46:23 | 0:46:26 | |
How'd you get on? | 0:46:26 | 0:46:28 | |
We slaughtered them. Every single one of them came out. | 0:46:30 | 0:46:34 | |
It was incredible though, Eddie. | 0:46:37 | 0:46:39 | |
Well done. | 0:46:39 | 0:46:41 | |
I'll go and check on the kids. Give them a quick kiss good night. | 0:46:43 | 0:46:46 | |
VACUUM CLEANER HUMMING | 0:46:57 | 0:46:59 | |
Going to take some money, all right? | 0:46:59 | 0:47:02 | |
Oh, no. What happened? | 0:47:03 | 0:47:05 | |
Dad. | 0:47:06 | 0:47:08 | |
Tell him to give it another go, yeah? | 0:47:08 | 0:47:10 | |
I'm off. See you later. You're all right taking them to school, aren't you? | 0:47:10 | 0:47:14 | |
-Of course. -You're all right with that? | 0:47:14 | 0:47:17 | |
-Everything's all right, isn't it? -Yeah, why wouldn't it be? | 0:47:18 | 0:47:22 | |
No reason. Have a good day. See you later. | 0:47:22 | 0:47:25 | |
This is me last one. | 0:47:26 | 0:47:28 | |
-Eh? -The shirt, I just noticed. | 0:47:28 | 0:47:31 | |
Oh, yeah. Sorry, I forgot. | 0:47:33 | 0:47:36 | |
Forgot washing Monday. I'll do it tonight, yeah? | 0:47:36 | 0:47:38 | |
Right. | 0:47:38 | 0:47:40 | |
-Take care of your dad. -Bye, Mum. | 0:47:42 | 0:47:44 | |
Have a good day. | 0:47:44 | 0:47:46 | |
CLATTERING Oh, dear. | 0:47:46 | 0:47:49 | |
Come on. Come on, girls. | 0:47:49 | 0:47:50 | |
WOMEN CHANTING: Equal pay! | 0:47:50 | 0:47:52 | |
Equal pay! | 0:47:52 | 0:47:54 | |
Equal pay! | 0:47:54 | 0:47:56 | |
-Which way? -Wait a minute. | 0:47:59 | 0:48:01 | |
No, Ri, it's here. It's down this way. | 0:48:01 | 0:48:03 | |
-It must be up here. -Anyone got a map? | 0:48:03 | 0:48:06 | |
There. | 0:48:06 | 0:48:07 | |
-There it is. -Oh, my God. | 0:48:09 | 0:48:12 | |
Oh, here we are. Here we go. | 0:48:12 | 0:48:15 | |
CHANTING: We want respect. We want respect. | 0:48:16 | 0:48:20 | |
We want respect. We want respect. | 0:48:20 | 0:48:24 | |
Get the banner up. Look, get that... | 0:48:24 | 0:48:26 | |
-There. -Equal pay for women! | 0:48:26 | 0:48:28 | |
CAR HORNS HONKING | 0:48:28 | 0:48:29 | |
-MAN: -I'll support you. -WOMAN: -Thank you for your support. | 0:48:29 | 0:48:31 | |
Equal pay for women. | 0:48:31 | 0:48:32 | |
Women workers for equal pay. | 0:48:32 | 0:48:34 | |
-We want respect. -MAN: Darling, over here. | 0:48:34 | 0:48:38 | |
WOMAN SHOUTS: We want respect! | 0:48:40 | 0:48:43 | |
-Hey! -Hello. | 0:48:44 | 0:48:46 | |
I finish at 4. Give us a call, love? | 0:48:46 | 0:48:49 | |
This is unbelievable. I never thought we'd get this backing. | 0:48:49 | 0:48:52 | |
Show us what you got. | 0:48:52 | 0:48:54 | |
Hold on, girls! | 0:48:58 | 0:49:00 | |
We're not entirely unfurled, look. | 0:49:00 | 0:49:01 | |
-MAN: -Don't we all? | 0:49:03 | 0:49:05 | |
I know the feeling. | 0:49:07 | 0:49:08 | |
Don't look, boys. | 0:49:08 | 0:49:09 | |
NEWSREADER: 'In their campaign for equal pay, | 0:49:11 | 0:49:13 | |
'striking women workers at Ford's Dagenham factory | 0:49:13 | 0:49:16 | |
'brought their protest to Westminster today. | 0:49:16 | 0:49:18 | |
'Some didn't need much persuasion | 0:49:18 | 0:49:20 | |
'to demonstrate their feminine charms for the photographers.' | 0:49:20 | 0:49:23 | |
It's interesting, all this politics, when you get down to it. Oh, sorry. | 0:49:23 | 0:49:27 | |
-How long are the girls prepared to stay out? -It must be starting to bite. | 0:49:27 | 0:49:30 | |
-As long as it takes. -Does your husband support you? | 0:49:30 | 0:49:33 | |
-He has to. -Yeah. | 0:49:33 | 0:49:35 | |
Yes, of course he does. | 0:49:35 | 0:49:36 | |
-And we all supported the men when they went out on strike. -Yeah. | 0:49:36 | 0:49:40 | |
Does it bother you that you've been described as the Revlon revolutionary? | 0:49:40 | 0:49:44 | |
WOMEN LAUGHING | 0:49:44 | 0:49:45 | |
Have they been in touch about doing some modelling? | 0:49:45 | 0:49:48 | |
I don't think so. I think you're talking to the wrong girl, | 0:49:48 | 0:49:51 | |
'actually... | 0:49:51 | 0:49:53 | |
'No, I prefer to focus on the issues of the strike, if that's all right. | 0:49:53 | 0:49:57 | |
'What makes this strike different is it's not about a specific pay...' | 0:49:57 | 0:50:01 | |
-Ain't that something, eh? -Yeah, she's doing all right. | 0:50:01 | 0:50:05 | |
'This is Laurie Cannon, BBC News, at Westmin...' | 0:50:05 | 0:50:08 | |
She mentioned you on the telly there, Ed. | 0:50:08 | 0:50:10 | |
I tell you what, that's some woman you got there. | 0:50:10 | 0:50:13 | |
-Right. I've got to get going. -What, already? | 0:50:16 | 0:50:18 | |
I've got to fetch the kids. | 0:50:18 | 0:50:19 | |
Rita reckons they ain't going to be back till gone six, | 0:50:19 | 0:50:21 | |
-so I need to get them sorted. -Yeah, yeah. Get your apron. | 0:50:21 | 0:50:24 | |
Shut up, you. | 0:50:24 | 0:50:26 | |
Tell her to get her finger out. It's gone on long enough now. | 0:50:26 | 0:50:29 | |
I don't think they're deliberately dragging it out. | 0:50:29 | 0:50:33 | |
It's all right for you and him, | 0:50:33 | 0:50:34 | |
it's different for me. | 0:50:34 | 0:50:35 | |
I can't be doing with this blasted strike. | 0:50:35 | 0:50:37 | |
Yeah, I know that, and they'll settle it. | 0:50:37 | 0:50:40 | |
Soon as they can. | 0:50:41 | 0:50:42 | |
-See you tomorrow. -Yeah. See you later, Ed. | 0:50:43 | 0:50:46 | |
Top it up, would you, Pete, please? | 0:50:47 | 0:50:50 | |
There's nothing I can do about it. Come and have a look for yourself. | 0:50:57 | 0:51:02 | |
That's what I'm saying, you've had them all. | 0:51:02 | 0:51:04 | |
There are no more finished seats. Full stop. | 0:51:04 | 0:51:09 | |
Frank, what do you want me to do? | 0:51:09 | 0:51:12 | |
-We're going home, mate. -You what? | 0:51:12 | 0:51:15 | |
No more seats, no more jobs. | 0:51:15 | 0:51:18 | |
For any of us. | 0:51:18 | 0:51:19 | |
BUZZER BLARES | 0:51:23 | 0:51:25 | |
You lot are a bit early, aren't you? | 0:51:39 | 0:51:42 | |
-Hey, what's going on? -You've shut the factory. | 0:51:42 | 0:51:45 | |
Well done(!) | 0:51:45 | 0:51:47 | |
NEWSREADER: 'Ford's Dagenham. The vast plant is mainly idle. | 0:51:56 | 0:52:00 | |
'With thousands laid off, strike bound, and production barely ticking over, | 0:52:00 | 0:52:05 | |
'millions of vital pounds being lost in export orders. | 0:52:05 | 0:52:08 | |
'And until there's a satisfactory answer to the rift | 0:52:08 | 0:52:10 | |
'between management and Ford's women machinists, | 0:52:10 | 0:52:12 | |
'the factory gates will remain closed indefinitely | 0:52:12 | 0:52:15 | |
'to the entire workforce.' | 0:52:15 | 0:52:17 | |
-You all right? -Yeah. | 0:52:22 | 0:52:24 | |
Been busy, have you? | 0:52:26 | 0:52:27 | |
Yeah. | 0:52:29 | 0:52:30 | |
It's the final push, Eddie. | 0:52:36 | 0:52:37 | |
Entire main plant closed down. | 0:52:39 | 0:52:43 | |
Ford can't afford that, so... | 0:52:43 | 0:52:45 | |
I mean, I'm sorry about you and the lads and everything. | 0:52:51 | 0:52:55 | |
Oh, no, don't worry about us, Rita. We was only saying on the way out, | 0:52:55 | 0:52:58 | |
it's nice warm weather at the moment. | 0:52:58 | 0:53:00 | |
If they cut the gas off, we'll hardly notice. | 0:53:00 | 0:53:02 | |
Yeah. | 0:53:08 | 0:53:09 | |
Well, the thing is, Eddie, you know...I know how you feel. | 0:53:18 | 0:53:23 | |
All them times you've been on strike | 0:53:23 | 0:53:25 | |
and us girls come out in support of you men. | 0:53:25 | 0:53:28 | |
It's meant no work for us either. | 0:53:29 | 0:53:32 | |
Yeah. | 0:53:34 | 0:53:35 | |
-Have you got something on your mind, Eddie? -Eh? | 0:53:41 | 0:53:43 | |
Have you got something on your mind? | 0:53:43 | 0:53:45 | |
No, got nothing on me mind. | 0:53:45 | 0:53:46 | |
I'm fine. I'd say. | 0:53:46 | 0:53:49 | |
Good. | 0:53:49 | 0:53:50 | |
It ain't been the easiest day for me either. | 0:53:52 | 0:53:56 | |
'Thank you for waiting. I have Mr Ford for you, gentlemen. | 0:54:06 | 0:54:09 | |
'I thought your boy said he could handle this. | 0:54:09 | 0:54:12 | |
'Do we even know what we're dealing with? | 0:54:12 | 0:54:14 | |
'Socialist Workers Party? Workers Revolutionary Party? | 0:54:14 | 0:54:17 | |
'Revolutionary Communist fucking Party? | 0:54:17 | 0:54:20 | |
'Who's she with?' | 0:54:20 | 0:54:21 | |
Well, we don't actually think she's with anyone, sir. | 0:54:21 | 0:54:24 | |
We actually don't even think she's a communist. She looks... | 0:54:24 | 0:54:27 | |
'I don't care if she looks like Jane fucking Fonda. | 0:54:27 | 0:54:29 | |
'I want to know why she's acting like this.' | 0:54:29 | 0:54:32 | |
As a matter of fact, sir, she hasn't got a political background | 0:54:32 | 0:54:36 | |
either inside or outside the union. Her husband is a moderate. | 0:54:36 | 0:54:40 | |
We just think she's got a beef. | 0:54:40 | 0:54:42 | |
'A beef? Ha! Have you tried getting a decent steak in England? | 0:54:42 | 0:54:47 | |
'If this woman gets what she wants, | 0:54:47 | 0:54:49 | |
'we'll end up having to do it right across the world. | 0:54:49 | 0:54:53 | |
'Do you understand that?' | 0:54:53 | 0:54:54 | |
-Yes, sir, I do. -'Good. | 0:54:54 | 0:54:57 | |
-'So deal with it.' -FORD HANGS UP | 0:54:57 | 0:55:01 | |
Guess you'll be getting the next flight, huh, Bobby? | 0:55:01 | 0:55:04 | |
Yeah. | 0:55:04 | 0:55:06 | |
Prime Minister, I don't think you appreciate the urgency... | 0:55:06 | 0:55:10 | |
..the urgency of the situation. | 0:55:12 | 0:55:14 | |
Fetch. Good dog, Barry. | 0:55:14 | 0:55:16 | |
-That's it. -Prime Minister? | 0:55:16 | 0:55:19 | |
Until you help me, until I can regulate the unions, | 0:55:19 | 0:55:21 | |
I cannot get this country back to work. | 0:55:21 | 0:55:23 | |
I understand that, but we need to tread carefully. Draw the unions in. | 0:55:23 | 0:55:28 | |
Minister, we have to acknowledge that without the unions, | 0:55:28 | 0:55:30 | |
-there would be no Labour Party. -Hm. | 0:55:30 | 0:55:33 | |
Young man, I was a member of the trade union movement | 0:55:33 | 0:55:36 | |
while you were still at your mother's breast. | 0:55:36 | 0:55:38 | |
So unless you've got something to add beyond the blindingly obvious, | 0:55:38 | 0:55:41 | |
I'd prefer it if you keep quiet. Harold, you asked me to do this job. | 0:55:41 | 0:55:46 | |
You appointed me. | 0:55:46 | 0:55:47 | |
You're the best man in my cabinet, Barbara, I often say that. | 0:55:47 | 0:55:50 | |
Harold, I cannot do it without you. | 0:55:50 | 0:55:54 | |
-I need you. -Jack Scamp, he's your man. | 0:55:54 | 0:55:57 | |
Any impasse, get Jack in. | 0:55:57 | 0:56:00 | |
Sits them all round a table, beer and pork pie. | 0:56:00 | 0:56:03 | |
Straight-talking negotiation. He's the way forward. | 0:56:03 | 0:56:06 | |
-Beer and pork pie? -Mm-hm. | 0:56:06 | 0:56:08 | |
Might not do for the latest one down at Ford. | 0:56:08 | 0:56:12 | |
187 machinists, all women. | 0:56:12 | 0:56:15 | |
Well, perhaps we can get them a finger buffet in, eh? | 0:56:15 | 0:56:19 | |
Finger buffet? Good. | 0:56:19 | 0:56:22 | |
-So how was the flight? -It was long. | 0:56:24 | 0:56:28 | |
I'm so sorry to drag you over. | 0:56:29 | 0:56:31 | |
Well, they're taking this very seriously, right at the top. | 0:56:31 | 0:56:35 | |
Come in, my wife's cooking dinner. | 0:56:35 | 0:56:37 | |
Well, I don't want to be any trouble. | 0:56:37 | 0:56:40 | |
Honestly, it's the least I can do. | 0:56:40 | 0:56:42 | |
Lisa, this is Robert Tooley. | 0:56:42 | 0:56:45 | |
-Pleasure to meet you. -Likewise. | 0:56:45 | 0:56:47 | |
At last. | 0:56:47 | 0:56:48 | |
I was telling Peter that I'm perfectly happy to eat later at the hotel so... | 0:56:48 | 0:56:52 | |
-It's really no problem. -She loves to cook, don't you? | 0:56:52 | 0:56:56 | |
-Let me take your hat and coat. -Thank you. | 0:56:56 | 0:56:58 | |
Come through, have a drink. | 0:57:00 | 0:57:02 | |
I'll run you back when we're finished. | 0:57:02 | 0:57:04 | |
Thank you. It was delicious. | 0:57:06 | 0:57:09 | |
Lovely. Thank you. | 0:57:09 | 0:57:11 | |
Can you bring some brandy glasses back in with you? | 0:57:11 | 0:57:14 | |
-Absolutely. -Lisa? Do you mind if I call you Lisa? | 0:57:14 | 0:57:17 | |
You must have quite a head on your shoulders. | 0:57:18 | 0:57:21 | |
Peter tells me that you read history at Cambridge? | 0:57:21 | 0:57:25 | |
-Yes, I did. -Do you mind if I ask, | 0:57:25 | 0:57:27 | |
what do you think of our little problem over at the factory? | 0:57:27 | 0:57:31 | |
Do you think maybe he's a bit too much velvet glove? | 0:57:31 | 0:57:35 | |
-Not enough iron fist? -Oh, not at all, no. | 0:57:35 | 0:57:38 | |
No, quite the opposite actually. Look at Vauxhall. | 0:57:38 | 0:57:42 | |
They don't have any problems with the unions and that seems to me to be | 0:57:42 | 0:57:45 | |
because General Motors has a more collaborative approach to management. | 0:57:45 | 0:57:49 | |
Whereas at Ford, you... | 0:57:49 | 0:57:52 | |
Well, you only deal with the unions because you have to. | 0:57:52 | 0:57:56 | |
You tolerate them. And as a result, they're more entrenched | 0:57:56 | 0:58:00 | |
and they're aggressive in their dealings with you. | 0:58:00 | 0:58:03 | |
Well, that's a very progressive point of view. | 0:58:07 | 0:58:13 | |
Don't you think? | 0:58:13 | 0:58:15 | |
-Cheese. -What? | 0:58:15 | 0:58:19 | |
We have some Stilton. Why don't you get that out? | 0:58:19 | 0:58:22 | |
-Right. -Some grapes. | 0:58:22 | 0:58:25 | |
-Yes, good idea. -That'll be terrific, thank you. | 0:58:25 | 0:58:28 | |
Come on, girls. There's a cauliflower or cabbage for everyone. | 0:58:38 | 0:58:42 | |
Cauliflower again? Haven't you got anything else? | 0:58:42 | 0:58:44 | |
Blimey, he must love you. | 0:58:46 | 0:58:47 | |
I've never had real pineapple. | 0:58:47 | 0:58:50 | |
-Let her know it's yours. -Go on, Mum. | 0:58:50 | 0:58:53 | |
-Sandra, here's your strike pay. -Thanks. | 0:58:53 | 0:58:56 | |
-Three quid? -Yeah, I know it's not much. | 0:58:58 | 0:59:01 | |
-It's all the union can afford, I'm afraid. -Better than nothing. | 0:59:01 | 0:59:05 | |
-I'll take it back if you don't want it. -No, I'll have it. | 0:59:05 | 0:59:08 | |
Oh, all right then. | 0:59:08 | 0:59:09 | |
Sandra, cauliflower or cabbage? | 0:59:09 | 0:59:11 | |
-I'm fine, thanks. -Come on, take one. | 0:59:13 | 0:59:15 | |
No, I'm all right. | 0:59:15 | 0:59:17 | |
I've got to go, actually. | 0:59:19 | 0:59:21 | |
-So I'll see you all later. -See you. | 0:59:21 | 0:59:24 | |
See you later. | 0:59:24 | 0:59:25 | |
-This one's for Connie, you seen her? -I haven't. | 0:59:25 | 0:59:28 | |
-I'll give it to her. -Monica? | 0:59:28 | 0:59:31 | |
-Oh, is that Connie's? I'll take it. -No, Rita, it ain't all your responsibility. | 0:59:31 | 0:59:35 | |
Yeah, I know. I want to see her anyway. | 0:59:35 | 0:59:39 | |
-Is that real pineapple? -You bet. | 0:59:39 | 0:59:41 | |
-Can I have some? -Go on, help yourself. | 0:59:41 | 0:59:43 | |
-See you. -See you. -Bye. -See you later, Rita. | 0:59:44 | 0:59:47 | |
Come on, girls, get stuck in. | 0:59:47 | 0:59:49 | |
There you go. Go on. | 0:59:49 | 0:59:50 | |
-So sweet. -Yeah, it's just like him. | 0:59:51 | 0:59:54 | |
Connie? Connie, are you there? | 0:59:54 | 0:59:58 | |
Got you a present. | 0:59:58 | 1:00:00 | |
It's from Brenda's fella. Makes a change from potatoes, eh? | 1:00:01 | 1:00:04 | |
Albert's been in touch. There's a meeting down the union. | 1:00:06 | 1:00:09 | |
Sounds important. Thinks we should both be there. | 1:00:09 | 1:00:12 | |
No, I don't think so. | 1:00:12 | 1:00:13 | |
What are you talking about? | 1:00:14 | 1:00:17 | |
Connie? | 1:00:17 | 1:00:18 | |
George is ill, Rita. You know that. | 1:00:24 | 1:00:27 | |
He's touched. | 1:00:27 | 1:00:30 | |
The strike's just whipping everything up. | 1:00:32 | 1:00:34 | |
I've got to put him first. | 1:00:34 | 1:00:36 | |
-Look, Connie, I know it's hard... -No, you don't. | 1:00:37 | 1:00:41 | |
I'm not his wife anymore. I'm more like his sister or his... | 1:00:45 | 1:00:49 | |
But I'm his. | 1:00:50 | 1:00:52 | |
That's all he's got left. | 1:00:54 | 1:00:56 | |
Connie, I ain't saying you've got to give up on him. | 1:00:57 | 1:01:01 | |
You've got a life too, you know. | 1:01:03 | 1:01:06 | |
You've got to live it. | 1:01:06 | 1:01:08 | |
Or the war's going to end up destroying two people. | 1:01:08 | 1:01:11 | |
GEORGE GASPS | 1:01:20 | 1:01:24 | |
GEORGE GASPS AND GROANS | 1:01:27 | 1:01:31 | |
George. George. Shh, shh. | 1:01:33 | 1:01:35 | |
GEORGE YELLS | 1:01:35 | 1:01:37 | |
It's all right, it's all right, I'm here, I'm here, I'm here. | 1:01:37 | 1:01:42 | |
It doesn't matter. I'll change it, come on. | 1:01:42 | 1:01:45 | |
-Out you come. -What the hell do you care? | 1:01:45 | 1:01:49 | |
I know what you're up to. You're going to put me away! | 1:01:49 | 1:01:52 | |
George! Stop it. Stop. Stop. Stop! | 1:01:52 | 1:01:56 | |
GEORGE SOBS | 1:01:59 | 1:02:01 | |
I'm sorry. | 1:02:05 | 1:02:07 | |
I'm sorry. | 1:02:08 | 1:02:10 | |
-Monty, this is Mr Tooley, he's from... -Good afternoon, Mr Taylor. | 1:02:16 | 1:02:20 | |
Go break the strike, please. As soon as possible. | 1:02:20 | 1:02:22 | |
I'm not sure you appreciate whose side I'm on. | 1:02:25 | 1:02:28 | |
Oh, yes, I do. See, I've been going through your file here. | 1:02:28 | 1:02:31 | |
File? | 1:02:31 | 1:02:32 | |
You seem to be on YOUR side, Mr Taylor. | 1:02:32 | 1:02:35 | |
I beg your pardon? I don't have to listen to this. | 1:02:36 | 1:02:40 | |
Yeah, that's it, keep walking. | 1:02:40 | 1:02:42 | |
And in six months' time, your union won't exist. | 1:02:42 | 1:02:44 | |
Industry cannot afford to pay women the same rates as men, gentlemen. | 1:02:45 | 1:02:49 | |
That is a fact. If it is forced to, it will collapse, | 1:02:49 | 1:02:53 | |
under the weight of the extra wages. Its workers will get laid off. | 1:02:53 | 1:02:56 | |
Their union subscriptions will disappear | 1:02:56 | 1:02:59 | |
and so too, then, will the unions which collect them. | 1:02:59 | 1:03:01 | |
That means you, Monty. | 1:03:01 | 1:03:03 | |
You would no longer have any reason to visit these gentlemen via the... | 1:03:04 | 1:03:08 | |
What is it? Berni Inn, is it? | 1:03:08 | 1:03:11 | |
The Queen's Head? The Chequers? Wow, that's a lot of restaurants. | 1:03:11 | 1:03:15 | |
Not to mention the all-expenses-paid trips to the party conferences, | 1:03:15 | 1:03:20 | |
to the union conferences. In Paris, no less. | 1:03:20 | 1:03:23 | |
The Gallic rank and file. Good on you, Monty. | 1:03:24 | 1:03:29 | |
These women get what they want and you're fucked. | 1:03:29 | 1:03:33 | |
So I'd start thinking a little less about what your union can do for you | 1:03:33 | 1:03:36 | |
and a little more about what you can do for your union. | 1:03:36 | 1:03:40 | |
Go break the strike. | 1:03:40 | 1:03:42 | |
Please. | 1:03:42 | 1:03:44 | |
Personnel files, gentlemen. | 1:03:50 | 1:03:53 | |
Everyone's got a weakness, you just have to find it. | 1:03:53 | 1:03:56 | |
PHONE RINGS | 1:03:59 | 1:04:02 | |
-SANDRA: -Hello? | 1:04:02 | 1:04:05 | |
Yeah, hello, yes. Yeah, it is. | 1:04:05 | 1:04:08 | |
It's all right. I got your note. Thank you. | 1:04:08 | 1:04:12 | |
Sorry, I was busy when you came round. | 1:04:12 | 1:04:15 | |
What? | 1:04:18 | 1:04:19 | |
Really? | 1:04:21 | 1:04:23 | |
Hello, Gordon. You all right? | 1:04:26 | 1:04:28 | |
-Yeah, I'm all right. You all right? -Yeah, I'm all right. | 1:04:28 | 1:04:31 | |
Yeah? Course you are. Well, you don't have to work, do you? | 1:04:31 | 1:04:34 | |
Eh? | 1:04:34 | 1:04:35 | |
You can afford to have principles. I mean, you ain't the breadwinner. | 1:04:35 | 1:04:39 | |
It's nice. It's a bit extra, but you don't have to. | 1:04:39 | 1:04:41 | |
I have to fucking work. | 1:04:41 | 1:04:43 | |
You know, pay the electric and the food and the coal, | 1:04:43 | 1:04:45 | |
the fucking basics. Only now I can't. | 1:04:45 | 1:04:48 | |
Fucking idiot. | 1:04:48 | 1:04:50 | |
Do you believe in this women's strike? | 1:04:57 | 1:05:00 | |
-No, I don't. -They shouldn't get the same as lads. | 1:05:00 | 1:05:03 | |
-You don't believe in equal pay? -No, no, no. Not for women. | 1:05:03 | 1:05:06 | |
The men are the breadwinners. The women shouldn't strike | 1:05:06 | 1:05:09 | |
because a lot of them husbands work here. | 1:05:09 | 1:05:12 | |
Now that all the lads have been made redundant, they're going to be nervous. | 1:05:12 | 1:05:15 | |
And Monty, Ford's has rattled him, I can tell. | 1:05:15 | 1:05:19 | |
So be careful what news you share with him, right? | 1:05:19 | 1:05:22 | |
-That's our fridge. -Bingo. | 1:05:27 | 1:05:29 | |
-Excuse me. -What's going on? | 1:05:29 | 1:05:31 | |
-We ain't paid the HP. -Eh? | 1:05:31 | 1:05:33 | |
Last of mine went in the electric bill. How are you set? | 1:05:33 | 1:05:38 | |
What, you want me to hold the door open for you now? | 1:05:41 | 1:05:44 | |
Go on. I'll make life a little bit easier for you. | 1:05:44 | 1:05:46 | |
-You spent the money. -Eh? | 1:05:48 | 1:05:51 | |
Spent the last of the emergency, out of the repair kit. | 1:05:51 | 1:05:53 | |
I had to pay the milkman. Not that it matters, we ain't got a fridge. | 1:05:53 | 1:05:57 | |
-Why? -What do you mean, why? | 1:05:57 | 1:05:59 | |
-Could have put him off till next week. -He wanted paying. | 1:05:59 | 1:06:03 | |
-You should've told him we didn't have it. -Right. | 1:06:03 | 1:06:05 | |
I'm in charge of the money. | 1:06:05 | 1:06:07 | |
You ain't much fucking good at it, are you? We might have some left. | 1:06:07 | 1:06:10 | |
Welcome to the real world, Rita. This is being on strike. | 1:06:12 | 1:06:15 | |
You run out of cash and you end up screaming at each other. | 1:06:15 | 1:06:18 | |
-What happened to you? -Oh, shut up. | 1:06:18 | 1:06:21 | |
-Don't you tell me "shut up." Eddie... -Hi, Rita. | 1:06:21 | 1:06:24 | |
-All right, Marge? -I thought yous lot were back at work. | 1:06:24 | 1:06:26 | |
-Can you come in now? -In a minute, love. | 1:06:26 | 1:06:28 | |
-No, no, we're still on strike. -Oh, right. -Please? | 1:06:28 | 1:06:31 | |
-Sharon... -It's just I was sure I saw your Sandra down the factory. | 1:06:31 | 1:06:34 | |
-Sandra? -Yeah, it was her. | 1:06:40 | 1:06:42 | |
-Love, in a minute. -I'll see you later, all right? | 1:06:42 | 1:06:45 | |
All right. | 1:06:45 | 1:06:47 | |
I'm sorry, love. Mummy's got to sort something. | 1:06:50 | 1:06:52 | |
-But you said... -Yeah, I know I did. | 1:06:52 | 1:06:54 | |
Eddie? Eddie, can you look after Sharon? | 1:06:54 | 1:06:58 | |
I'll be back later, love. It's all right, sweetheart. | 1:06:58 | 1:07:01 | |
Yes. I like this. This is beautiful. Hi. Sally, is it? | 1:07:05 | 1:07:11 | |
-Sandra. -Sandra, yes. | 1:07:11 | 1:07:13 | |
OK, chin up for me. Find this light up here. | 1:07:13 | 1:07:15 | |
Find the birdie. There we go. | 1:07:15 | 1:07:18 | |
That's a little bit sexy. OK, there we go. | 1:07:18 | 1:07:20 | |
Fabulous, you're a natural. Let's go down on the floor, here. | 1:07:21 | 1:07:25 | |
I like that. I like that. | 1:07:25 | 1:07:27 | |
And I fucking well like that. | 1:07:27 | 1:07:30 | |
I don't know about you guys, I've forgotten about the car. | 1:07:30 | 1:07:33 | |
That's great. Let's go up here. Let's go nice and high now, guys. | 1:07:38 | 1:07:41 | |
Straight into the camera. | 1:07:41 | 1:07:44 | |
Sandra... | 1:07:44 | 1:07:46 | |
Keep that. Just keep the pose going there, Sandra. | 1:07:46 | 1:07:49 | |
I'm sorry, can I just take a minute? | 1:07:51 | 1:07:55 | |
-Do you want to get back...? -I need a minute, I'm sorry. | 1:07:55 | 1:07:57 | |
Sure. | 1:07:57 | 1:07:58 | |
-This is something I've always wanted. -I know. | 1:08:05 | 1:08:10 | |
I mean, I don't even know if I really care about equal pay. | 1:08:11 | 1:08:15 | |
I mean, it's still a shitty factory. | 1:08:15 | 1:08:18 | |
This is just a brochure, but, you know... | 1:08:18 | 1:08:22 | |
It's only trade, but it'll lead on. | 1:08:22 | 1:08:25 | |
Get my foot in the door, you know? | 1:08:25 | 1:08:28 | |
-I just don't want to let you down. -You haven't let us down. | 1:08:31 | 1:08:35 | |
You haven't gone back to work, have you? | 1:08:35 | 1:08:37 | |
Because that's the deal here, isn't it? | 1:08:38 | 1:08:41 | |
They set up this shoot, and you go back to work? | 1:08:41 | 1:08:43 | |
Only you haven't gone back to work, have you? So... | 1:08:44 | 1:08:47 | |
-Yeah, but if they don't use these photos unless I... -Sandra. | 1:08:51 | 1:08:54 | |
Look at you. | 1:08:57 | 1:08:58 | |
You are a model. | 1:09:00 | 1:09:03 | |
You're a natural. | 1:09:03 | 1:09:05 | |
They couldn't get better. | 1:09:07 | 1:09:09 | |
You could, though. | 1:09:12 | 1:09:14 | |
There she is. Up against the clock now, my love. | 1:09:19 | 1:09:23 | |
Come along. Drape yourself across this vehicle. I shall avert my eyes. | 1:09:23 | 1:09:28 | |
How's this look? | 1:09:30 | 1:09:31 | |
Ah... | 1:09:32 | 1:09:33 | |
No? | 1:09:36 | 1:09:37 | |
Hi, Mum. | 1:09:47 | 1:09:48 | |
Mum, we've got to go. | 1:09:51 | 1:09:54 | |
Yes. Sorry, darling. | 1:09:54 | 1:09:56 | |
-You're going, are you? -You know I am. I said. | 1:10:03 | 1:10:07 | |
Rita asked me to go special. | 1:10:07 | 1:10:09 | |
You've got to fight for what you believe in, George. | 1:10:10 | 1:10:13 | |
You know that more than anyone. | 1:10:13 | 1:10:14 | |
You think I'd do the same again? If another war come round? | 1:10:16 | 1:10:19 | |
I know you would. | 1:10:21 | 1:10:23 | |
I love you. | 1:10:26 | 1:10:28 | |
Go. | 1:10:31 | 1:10:32 | |
-Minister! -The unions are turning. | 1:10:45 | 1:10:48 | |
The other unions. Normally, they all band together. | 1:10:48 | 1:10:51 | |
Yes, I gather that's called solidarity. | 1:10:51 | 1:10:53 | |
Only, they're not being solid. The men want to return to work. | 1:10:53 | 1:10:56 | |
So they're telling their unions to withdraw support, | 1:10:56 | 1:10:59 | |
to put pressure on the women. | 1:10:59 | 1:11:01 | |
-They'll be back within the week. -We'll see. | 1:11:01 | 1:11:03 | |
You're assuming the girls will do as they're told. | 1:11:03 | 1:11:07 | |
It's not my fault. | 1:11:11 | 1:11:13 | |
-Connie! -You said it was important. | 1:11:17 | 1:11:20 | |
-Thanks. -Listen, I'm sorry I'm late. | 1:11:21 | 1:11:23 | |
We've got to talk before this meeting. | 1:11:23 | 1:11:25 | |
-They're ready for you now. -This way, ladies. | 1:11:25 | 1:11:29 | |
They've hung you out to dry. | 1:11:32 | 1:11:33 | |
The lads in the other unions have had enough. | 1:11:33 | 1:11:36 | |
So whatever they say to you now, don't believe it. | 1:11:36 | 1:11:39 | |
We'll sort it out later, all right? | 1:11:39 | 1:11:41 | |
We're absolutely behind you still, Rita. You and the girls. | 1:11:42 | 1:11:47 | |
We're not saying otherwise. | 1:11:47 | 1:11:49 | |
We've got other representatives from other unions to pledge their support. | 1:11:49 | 1:11:54 | |
You haven't got them all though, have you? The important ones. | 1:11:54 | 1:11:57 | |
No, but we're very confident we'll prevail. | 1:11:57 | 1:12:00 | |
The thing is though, we've got the national conference coming up. | 1:12:00 | 1:12:05 | |
The most sensible thing, probably, would be just go to a vote. | 1:12:05 | 1:12:09 | |
Which would be the actual final and binding position, I believe, comrade. | 1:12:09 | 1:12:14 | |
-After which, it'd be out of our hands. -That's right, Monty. | 1:12:14 | 1:12:18 | |
As I say, we're expecting full support. | 1:12:18 | 1:12:21 | |
HE COUGHS | 1:12:21 | 1:12:23 | |
We've got to go to Eastbourne and talk to them first, before he does. | 1:12:28 | 1:12:31 | |
"Actual final and binding position, comrade." Cheeky sod. | 1:12:31 | 1:12:35 | |
That Monty is a sly one though, isn't he? | 1:12:35 | 1:12:37 | |
I can't wait to see his face when we turn up down there. | 1:12:37 | 1:12:40 | |
-See you tomorrow. -We can deal with him, Con. | 1:12:40 | 1:12:44 | |
-We can deal with anyone. -That's right, comrade. | 1:12:44 | 1:12:47 | |
-CONNIE: -No! No, George! | 1:12:54 | 1:12:58 | |
No! | 1:12:58 | 1:13:00 | |
Connie! Connie! | 1:13:00 | 1:13:02 | |
Connie... | 1:13:04 | 1:13:06 | |
-Oh, George! -Connie! Connie, let me in! | 1:13:08 | 1:13:12 | |
It's OK. Dear God! | 1:13:16 | 1:13:19 | |
May the blessing of God Almighty, | 1:13:36 | 1:13:39 | |
the Father, the Son and the Holy Spirit | 1:13:39 | 1:13:42 | |
be with you always. Amen. | 1:13:42 | 1:13:45 | |
ALL: Amen. | 1:13:45 | 1:13:47 | |
I'm so sorry, Connie. | 1:14:23 | 1:14:25 | |
No, you're not. | 1:14:25 | 1:14:27 | |
What? | 1:14:29 | 1:14:30 | |
You thought he was a millstone. You thought he was keeping me back. | 1:14:30 | 1:14:34 | |
Hey, Con, that's enough. | 1:14:34 | 1:14:36 | |
I should've been there. | 1:14:36 | 1:14:38 | |
-Yeah, I'm all right. -It's all right. | 1:14:43 | 1:14:45 | |
I know. | 1:14:45 | 1:14:46 | |
-Hello. -Hello. | 1:15:32 | 1:15:34 | |
-This is a surprise. -Yes, I'm sorry. I'm sorry it's so late. | 1:15:35 | 1:15:38 | |
-I nearly didn't come at all. -It's all right. | 1:15:38 | 1:15:41 | |
I... | 1:15:41 | 1:15:42 | |
Sorry, yeah. Do you want a cup of tea? | 1:15:43 | 1:15:47 | |
Listen, to be honest, I'm not feeling the most chatty today. I'm sorry. | 1:15:47 | 1:15:50 | |
No, it's fine, really. | 1:15:50 | 1:15:51 | |
I really don't want to keep you. It's just, um... | 1:15:51 | 1:15:54 | |
Mr Clarke's been asked to leave the school. | 1:15:55 | 1:15:58 | |
We won. They're getting rid of him. | 1:16:00 | 1:16:02 | |
Right. Of course, yeah. Oh, that's great. | 1:16:05 | 1:16:10 | |
-I just... -That's brilliant. | 1:16:10 | 1:16:12 | |
-Well, I wanted to tell you. -Well, cheers. Thanks. | 1:16:12 | 1:16:15 | |
-Anyway, I'm sorry to bother you. -Not at all, thanks. | 1:16:15 | 1:16:18 | |
I'm married to Peter Hopkins. | 1:16:22 | 1:16:23 | |
-Sorry, what? -At the factory. | 1:16:25 | 1:16:27 | |
I had a feeling that you didn't know. | 1:16:28 | 1:16:31 | |
And I didn't know who you were. | 1:16:31 | 1:16:34 | |
With the strike. | 1:16:34 | 1:16:35 | |
Sorry, I don't understand. | 1:16:38 | 1:16:40 | |
I'm sorry, if you've come here to tell me to back off, | 1:16:42 | 1:16:46 | |
I wasn't joking. I've had a hell of a day and... | 1:16:46 | 1:16:48 | |
Oh, no. Oh, no. | 1:16:48 | 1:16:51 | |
Keep going. Please, keep going. | 1:16:51 | 1:16:54 | |
Do you know who I am? Who I actually am? | 1:16:54 | 1:16:57 | |
-No. -I'm Lisa Burnett, I'm 31 years old. | 1:16:57 | 1:17:01 | |
I have a first-class honours degree | 1:17:01 | 1:17:03 | |
from one of the finest universities in the world. | 1:17:03 | 1:17:06 | |
And my husband treats me like I'm a fool. | 1:17:06 | 1:17:08 | |
And when I was studying for my degree, | 1:17:11 | 1:17:14 | |
I was very, very happy. | 1:17:15 | 1:17:18 | |
And mostly because of the work. Because I loved reading | 1:17:18 | 1:17:22 | |
about all these extraordinary people making history. | 1:17:22 | 1:17:26 | |
And... | 1:17:26 | 1:17:28 | |
And I just wondered what it felt like. | 1:17:28 | 1:17:31 | |
So let me know, will you, when you finish doing it? | 1:17:33 | 1:17:37 | |
I... | 1:17:37 | 1:17:39 | |
Don't give up. | 1:17:42 | 1:17:44 | |
Don't let me down. | 1:17:48 | 1:17:50 | |
-Rita, wait! Where are you going? -Eastbourne. I left you a note. | 1:18:19 | 1:18:23 | |
-I thought you changed your mind. -I've got to go. | 1:18:23 | 1:18:25 | |
Rita? Look, Rita, just stop. | 1:18:29 | 1:18:31 | |
-What, Eddie? -Just listen to me. Just... | 1:18:31 | 1:18:33 | |
We've got to sort this out. | 1:18:34 | 1:18:36 | |
-Eddie... -No, no, no, we have, right? Just... | 1:18:36 | 1:18:40 | |
Look, I know it ain't been good between us lately, | 1:18:40 | 1:18:43 | |
which I ain't about to make worse, I promise you. | 1:18:43 | 1:18:45 | |
-Eddie... -Just listen to me. | 1:18:45 | 1:18:47 | |
Look, if I ain't appreciated what you've done recently... | 1:18:51 | 1:18:54 | |
-Got to catch a bus. -Rita, I really am sorry, | 1:18:54 | 1:18:57 | |
but you ain't been perfect either. | 1:18:57 | 1:18:59 | |
-This really ain't the time, Eddie. -Yes, it is, because it needs saying. | 1:18:59 | 1:19:03 | |
I know you reckon I ain't bothered about the important things. | 1:19:04 | 1:19:07 | |
And I bloody well drift along | 1:19:07 | 1:19:09 | |
and I'm more interested in fiddling with motorbikes | 1:19:09 | 1:19:11 | |
or making tents out of seat covers, but, you know, I try me best. | 1:19:11 | 1:19:16 | |
You know? I have a go. | 1:19:17 | 1:19:19 | |
I mean, Christ, I like a drink, but I ain't out on the beer every night | 1:19:21 | 1:19:24 | |
or screwing other women or... | 1:19:24 | 1:19:27 | |
And I've never once raised me hand to you. | 1:19:27 | 1:19:29 | |
Ever. Or the kids. | 1:19:29 | 1:19:32 | |
-Christ... -What? | 1:19:32 | 1:19:34 | |
Why you looking like that? | 1:19:35 | 1:19:37 | |
Right. You're a saint now, is that what you're telling me, Eddie? | 1:19:37 | 1:19:42 | |
You're a bleeding saint? Because you give us an even break? | 1:19:42 | 1:19:45 | |
-What are you saying? -That is as it should be. Jesus, Eddie! | 1:19:45 | 1:19:49 | |
What do you think this strike's all been about? | 1:19:49 | 1:19:52 | |
Yeah, no, actually, you're right. You don't go on the drink. | 1:19:53 | 1:19:56 | |
You don't gamble, you join in with the kids, | 1:19:56 | 1:19:58 | |
you don't knock us about. Oh, lucky me. | 1:19:58 | 1:20:00 | |
For Christ's sake, Eddie, that's as it should be! | 1:20:00 | 1:20:03 | |
You try and understand that. | 1:20:05 | 1:20:07 | |
Rights, it's not privileges. It's that easy. It really bloody is. | 1:20:09 | 1:20:14 | |
CHATTERING | 1:20:28 | 1:20:31 | |
-I didn't think you were coming. -Hey. | 1:20:39 | 1:20:41 | |
Very good, gentlemen. | 1:21:06 | 1:21:08 | |
Can I call on Monty Taylor, | 1:21:08 | 1:21:10 | |
Senior Convener, Ford Dagenham? | 1:21:10 | 1:21:12 | |
CROWD APPLAUDING | 1:21:12 | 1:21:14 | |
-Thank you, Mr Chairman, I shall try to be brief. -If you would. | 1:21:14 | 1:21:18 | |
The great achievements of civilisation | 1:21:22 | 1:21:26 | |
depended on slow progress. | 1:21:26 | 1:21:30 | |
Step by step. | 1:21:30 | 1:21:33 | |
Hence, I am here because I feel that my union, in backing... | 1:21:33 | 1:21:40 | |
..these... | 1:21:42 | 1:21:43 | |
these lovely, brave ladies, | 1:21:43 | 1:21:47 | |
these Boadiceas in hairnets... | 1:21:47 | 1:21:52 | |
MEN CHUCKLING | 1:21:52 | 1:21:53 | |
..on their way to a fight for equal pay, no matter what. | 1:21:53 | 1:21:59 | |
'But we have to think about the trade union struggle as a whole. | 1:22:03 | 1:22:07 | |
'Therefore, gentlemen, I ask you' | 1:22:07 | 1:22:10 | |
to consider these ladies' demands too much, too soon. | 1:22:10 | 1:22:14 | |
Monty Taylor, you two-faced, hypocritical toe-rag! | 1:22:14 | 1:22:18 | |
You fucking piece of... | 1:22:18 | 1:22:19 | |
-Hang on. -No, you hang on! | 1:22:19 | 1:22:22 | |
Sorry, gentlemen. | 1:22:22 | 1:22:24 | |
Hey, we'll sort this out between ourselves later, eh? | 1:22:24 | 1:22:28 | |
Monty, I've seen more of their mugs on the front pages the past few weeks | 1:22:28 | 1:22:32 | |
than you've managed in 20 years. | 1:22:32 | 1:22:34 | |
MEN CHUCKLING | 1:22:34 | 1:22:35 | |
I wouldn't mind hearing from them. | 1:22:35 | 1:22:39 | |
Go on. Go on. | 1:22:39 | 1:22:42 | |
My best friend lost her husband recently. | 1:23:07 | 1:23:10 | |
He was... | 1:23:12 | 1:23:14 | |
He was a gunner in the 50 Squadron in the RAF. | 1:23:16 | 1:23:18 | |
Got shot down one time on a raid to Essen. | 1:23:20 | 1:23:23 | |
And even though he was badly injured, he managed to bail out. | 1:23:25 | 1:23:29 | |
I asked him why he joined the RAF and he said: | 1:23:31 | 1:23:35 | |
"Well, they got the best women, haven't they?" | 1:23:37 | 1:23:39 | |
MEN CHUCKLING | 1:23:39 | 1:23:41 | |
Which they did. | 1:23:41 | 1:23:43 | |
And then he said, "Well, you've got to do something, ain't you?" | 1:23:43 | 1:23:48 | |
You had to do something. That was a given. | 1:23:49 | 1:23:53 | |
Because it was a matter of principle. | 1:23:53 | 1:23:57 | |
You had to stand up, you had to do what was right. | 1:23:57 | 1:24:01 | |
Otherwise you wouldn't be able to look at yourself in the mirror. | 1:24:03 | 1:24:06 | |
When did that change, eh? | 1:24:12 | 1:24:15 | |
When did we, in this country, decide to stop fighting? | 1:24:16 | 1:24:23 | |
I don't think we ever did. | 1:24:27 | 1:24:29 | |
But you've got to back us up. | 1:24:32 | 1:24:34 | |
You've got to stand up with us. | 1:24:34 | 1:24:37 | |
We are the working classes. The men and the women. | 1:24:39 | 1:24:45 | |
We're not separated by sex. | 1:24:47 | 1:24:50 | |
But only by those who are willing to accept injustice | 1:24:50 | 1:24:54 | |
and those, like our friend George, | 1:24:54 | 1:24:58 | |
who are prepared to go into battle for what is right. | 1:25:01 | 1:25:05 | |
And equal pay for women is right. | 1:25:06 | 1:25:11 | |
Thank you. | 1:25:19 | 1:25:20 | |
CHATTERING | 1:25:20 | 1:25:22 | |
I never even knew you could talk like that! | 1:25:22 | 1:25:25 | |
Scorch marks all the way up the curtains where Monty's arse caught fire. | 1:25:25 | 1:25:29 | |
Hello. Excuse me. | 1:25:29 | 1:25:31 | |
Gin! | 1:25:31 | 1:25:33 | |
I need to calm my nerves. They might vote against us. | 1:25:33 | 1:25:36 | |
-How long we got to wait? -They said half an hour. | 1:25:36 | 1:25:40 | |
You know what we can do? Stick it on Monty's room. | 1:25:42 | 1:25:44 | |
-Brilliant. -You're a genius. | 1:25:44 | 1:25:46 | |
In that case, I'll have a double. | 1:25:46 | 1:25:48 | |
-Babycham. -Double gin. -Eddie! | 1:25:48 | 1:25:51 | |
-Excuse me. -What do you want, Rita? | 1:25:51 | 1:25:53 | |
-Where's she gone? -Most probably needs some air. | 1:25:53 | 1:25:56 | |
Can we have Babycham? | 1:25:56 | 1:25:57 | |
I've come to say sorry. | 1:26:08 | 1:26:10 | |
I mean, I thought about what you said and... | 1:26:12 | 1:26:15 | |
..you were right, I suppose. | 1:26:16 | 1:26:18 | |
You are right. | 1:26:20 | 1:26:22 | |
And it's amazing what you've done, Rita O'Grady. | 1:26:25 | 1:26:28 | |
And I want to back you. See, I was going to tell you that. | 1:26:31 | 1:26:34 | |
Only then when I come in and you were speaking | 1:26:35 | 1:26:39 | |
and I heard you up there, and you was...huge. | 1:26:39 | 1:26:44 | |
You was... | 1:26:44 | 1:26:46 | |
I don't know. | 1:26:46 | 1:26:48 | |
Like a force. | 1:26:48 | 1:26:50 | |
Then I thought, I thought... | 1:26:54 | 1:26:56 | |
..I'm not sure me backing you makes that much difference, to be honest. | 1:26:58 | 1:27:02 | |
Where you are now. | 1:27:03 | 1:27:04 | |
Anyway, you go back to your meeting or whatever you've got to do. | 1:27:08 | 1:27:11 | |
I'm going to... I should... | 1:27:11 | 1:27:15 | |
Eddie? | 1:27:17 | 1:27:19 | |
You've said some pretty stupid things in your time. | 1:27:22 | 1:27:26 | |
Of course you backing me makes a difference. | 1:27:43 | 1:27:46 | |
It makes all the difference in the world. | 1:27:49 | 1:27:52 | |
Very good, gentlemen. | 1:27:58 | 1:27:59 | |
The results of the vote are as follows. | 1:28:01 | 1:28:04 | |
Delegates in favour of support for the women machinists: | 1:28:05 | 1:28:08 | |
79. | 1:28:08 | 1:28:09 | |
Delegates against: | 1:28:11 | 1:28:12 | |
48. | 1:28:12 | 1:28:14 | |
MEN APPLAUDING AND CHATTERING | 1:28:14 | 1:28:16 | |
I declare the motion carried in favour of the Dagenham machinists. | 1:28:16 | 1:28:19 | |
Their bloody unions are back in line. | 1:28:20 | 1:28:23 | |
It's verbatim. Our man was there. | 1:28:23 | 1:28:26 | |
Well, well, well. | 1:28:26 | 1:28:28 | |
It really does seem time to call in Sir Jack. | 1:28:28 | 1:28:32 | |
Good. I'll do that, then. | 1:28:32 | 1:28:34 | |
I'll set up a court of inquiry which he can oversee | 1:28:34 | 1:28:37 | |
and let's hope that does the trick. | 1:28:37 | 1:28:39 | |
Oh, yes. One more thing. Set up a meeting, will you? | 1:28:41 | 1:28:44 | |
-Minister? -With the machinists. | 1:28:44 | 1:28:47 | |
-Their leaders. -Pardon me? | 1:28:47 | 1:28:50 | |
I want to meet them. At the earliest opportunity. | 1:28:51 | 1:28:54 | |
-But... -Yes? | 1:28:54 | 1:28:55 | |
The minister doesn't do that. Never has done. | 1:28:55 | 1:28:59 | |
-It'll just encourage them. -Give credence to their cause. | 1:28:59 | 1:29:02 | |
I am what is known as a fiery redhead. | 1:29:06 | 1:29:10 | |
Now, I hate to make this a matter of appearance | 1:29:10 | 1:29:13 | |
and go all womanly on you, but there you have it. | 1:29:13 | 1:29:16 | |
And me standing up like this is, in fact, | 1:29:16 | 1:29:18 | |
just that redheaded fieriness leaping to the fore. | 1:29:18 | 1:29:22 | |
Credence? I will give credence to their cause? | 1:29:22 | 1:29:26 | |
My God, their cause already has credence! | 1:29:26 | 1:29:30 | |
It is equal pay. Equal pay is common justice | 1:29:30 | 1:29:34 | |
and if you two weren't such a pair of egotistical, chauvinistic, | 1:29:34 | 1:29:38 | |
bigoted dunderheads, you would realise that. | 1:29:38 | 1:29:41 | |
Oh, my office is run by incompetents. | 1:29:41 | 1:29:44 | |
And I am sick of being patronised, spoken down to | 1:29:44 | 1:29:47 | |
and generally treated as if I was the May Queen. | 1:29:47 | 1:29:51 | |
Set up the meeting! | 1:29:51 | 1:29:52 | |
-Morning, Ed. -All right, Albert? | 1:30:06 | 1:30:08 | |
Yeah. | 1:30:08 | 1:30:09 | |
Now, listen. Listen to me. Oh, ta. | 1:30:09 | 1:30:13 | |
Now, there's no reason to panic, Rita. | 1:30:13 | 1:30:16 | |
OK. | 1:30:16 | 1:30:17 | |
Only, I've had a call from Barbara Castle's office. | 1:30:17 | 1:30:21 | |
Oh, my God! | 1:30:21 | 1:30:23 | |
-Eddie! -What's happened now? | 1:30:23 | 1:30:26 | |
Barbara Castle wants to talk to me. | 1:30:29 | 1:30:31 | |
Well done. | 1:30:32 | 1:30:33 | |
Cheers. | 1:30:35 | 1:30:36 | |
The secretary of state is seeing the women? On whose authority? | 1:30:36 | 1:30:40 | |
On her own, apparently. I gather Mrs Castle is quite a forceful woman. | 1:30:40 | 1:30:44 | |
-Is she? -What are you doing? | 1:30:44 | 1:30:46 | |
I represent Ford Motor Company. We are the biggest car manufacturer in the world. | 1:30:46 | 1:30:49 | |
We pump millions of pounds into the UK economy. | 1:30:49 | 1:30:52 | |
I think it's time my bosses reminded one or two people of that fact. | 1:30:54 | 1:30:59 | |
Have you or have you not invited the Ford women to your offices? | 1:31:01 | 1:31:05 | |
-Prime Minister... -I've just spent the last half-hour | 1:31:05 | 1:31:08 | |
on the phone to Henry Ford II, reassuring him that my government | 1:31:08 | 1:31:11 | |
-is not on the side of the strikers. -It isn't a question of taking sides. | 1:31:11 | 1:31:14 | |
-We have to grasp the nettle. -Now is not the time. | 1:31:14 | 1:31:17 | |
Ten years ago, you were adamant. | 1:31:17 | 1:31:22 | |
I wasn't running the country then. | 1:31:22 | 1:31:24 | |
See the women if that's what you want to do. | 1:31:27 | 1:31:30 | |
But whatever you do, do not upset Ford. | 1:31:30 | 1:31:34 | |
I've got enough trouble with the Americans as it is. | 1:31:34 | 1:31:37 | |
It's all right. It's your missus I'm after. Is she in? | 1:31:43 | 1:31:47 | |
Rita? What are you doing here? | 1:31:47 | 1:31:50 | |
Rita?! | 1:31:50 | 1:31:52 | |
I need a favour. | 1:31:52 | 1:31:53 | |
-Come in. -Thanks. | 1:31:53 | 1:31:54 | |
-Lisa? -What? | 1:31:54 | 1:31:56 | |
Come inside. | 1:31:57 | 1:31:58 | |
Everything all right? Do you want a cup of tea? | 1:31:58 | 1:32:00 | |
Yeah. | 1:32:00 | 1:32:02 | |
REPORTERS CLAMOUR | 1:32:12 | 1:32:14 | |
Excuse me, can we just get through? | 1:32:17 | 1:32:19 | |
Rita! Wait for me. | 1:32:24 | 1:32:27 | |
-Connie! -Sorry I'm late. | 1:32:27 | 1:32:29 | |
You made it. | 1:32:33 | 1:32:34 | |
-What if Mrs Castle says "no deal"? -How will you cope? | 1:32:35 | 1:32:38 | |
Cope? How will we cope? | 1:32:38 | 1:32:42 | |
We're women. Now, don't ask such stupid questions. | 1:32:42 | 1:32:46 | |
Ladies, ladies. Come up. This way, please. | 1:32:48 | 1:32:51 | |
-Come on, this is it. -All right. See you later. | 1:32:51 | 1:32:54 | |
Stay back, please, gentlemen. | 1:32:54 | 1:32:56 | |
Follow me. | 1:32:56 | 1:32:58 | |
-Mr Tooley. -Madam Secretary. | 1:33:00 | 1:33:02 | |
-I wasn't expecting you. -But you are meeting with the women. | 1:33:02 | 1:33:06 | |
I think it is time I heard their argument, yes. | 1:33:07 | 1:33:10 | |
But if you would care to wait, | 1:33:10 | 1:33:12 | |
I will inform you of any decisions we make. | 1:33:12 | 1:33:15 | |
I think we both want the same thing, Mrs Castle, you and I. | 1:33:15 | 1:33:19 | |
I think we want to see Ford Motors employing British workers. | 1:33:19 | 1:33:23 | |
Ford is a vital part of our economy. I am well aware of that. | 1:33:23 | 1:33:27 | |
Then don't make us build our cars elsewhere. | 1:33:27 | 1:33:30 | |
Help us hold the line here. | 1:33:30 | 1:33:32 | |
Support our efforts to combat these constant strikes | 1:33:32 | 1:33:35 | |
which undermine our ability to build cars at a profit, | 1:33:35 | 1:33:39 | |
which is in fact why we are in business in the first place. | 1:33:39 | 1:33:41 | |
Otherwise, we will take our factories elsewhere. | 1:33:41 | 1:33:44 | |
Are you threatening me, Mr Tooley? | 1:33:48 | 1:33:51 | |
I'm trying to stop 40,000 people from losing their jobs, Mrs Castle. | 1:33:51 | 1:33:55 | |
That's how many workers Ford employs in this country. | 1:33:55 | 1:33:57 | |
Not to mention tens of thousands of peripheral jobs sacrificed. | 1:33:57 | 1:34:01 | |
Now, I don't think that either one of us | 1:34:01 | 1:34:04 | |
wants to take that risk, surely. | 1:34:04 | 1:34:07 | |
Look, look. Eileen and Monica. I wonder if they can see us. | 1:34:12 | 1:34:16 | |
Get me the prime minister. | 1:34:20 | 1:34:23 | |
Yes. Put me through to Number 10. | 1:34:26 | 1:34:29 | |
Yes. Yes. Fine. | 1:34:36 | 1:34:39 | |
Thank you. | 1:34:39 | 1:34:41 | |
Um, I'm afraid he's on a plane. Won't land until this evening. | 1:34:43 | 1:34:48 | |
Thanks for coming. | 1:35:00 | 1:35:01 | |
-Connie, I'm so sorry. -No, don't. | 1:35:04 | 1:35:08 | |
-It's me who needs to apologise. -Don't be silly. Course you don't. | 1:35:08 | 1:35:10 | |
The minister will see you now. | 1:35:13 | 1:35:15 | |
Here we go. | 1:35:17 | 1:35:18 | |
You all right? | 1:35:24 | 1:35:26 | |
Ready? | 1:35:27 | 1:35:29 | |
-Good afternoon. -Good afternoon. | 1:35:31 | 1:35:33 | |
Mrs O'Grady, I recognise you from the news. | 1:35:33 | 1:35:36 | |
-Rita, please. -Rita. | 1:35:36 | 1:35:38 | |
-Very pleased to meet you. -Well, and me, you. Er... | 1:35:38 | 1:35:42 | |
-Sorry. This is Connie. -Connie. | 1:35:42 | 1:35:45 | |
-How do you do? -Brenda. | 1:35:45 | 1:35:46 | |
How do you do? | 1:35:46 | 1:35:48 | |
Sandra. | 1:35:48 | 1:35:49 | |
Well, I'm delighted you could all come. Please, take a seat. | 1:35:51 | 1:35:57 | |
Would you care for a sherry? | 1:36:02 | 1:36:04 | |
Be lovely, thank you. | 1:36:04 | 1:36:05 | |
Thank you. | 1:36:10 | 1:36:11 | |
You ain't got any whiskey, have you? | 1:36:11 | 1:36:13 | |
-SHE LAUGHS -Here's a woman after my own heart. | 1:36:13 | 1:36:16 | |
Make that two. | 1:36:16 | 1:36:18 | |
Thank you. | 1:36:21 | 1:36:23 | |
Well, cheers. | 1:36:23 | 1:36:25 | |
-Cheers. -Cheers. | 1:36:25 | 1:36:27 | |
Now, I've been following your dispute very closely | 1:36:31 | 1:36:35 | |
and I want to say how proud I am of the battle that you fought. | 1:36:35 | 1:36:39 | |
I fully support the struggle for equal pay and you will have it. | 1:36:39 | 1:36:44 | |
-But in time. -What? | 1:36:44 | 1:36:47 | |
Industry'll object, the lords will kick up a fuss, | 1:36:47 | 1:36:51 | |
the press will have a field day. It's not going to be easy. | 1:36:51 | 1:36:55 | |
Well, what is, what's worth fighting for? | 1:36:55 | 1:36:57 | |
Return to work. Go back to your machines | 1:37:01 | 1:37:04 | |
and you have my word I will push forward with your fight. | 1:37:04 | 1:37:08 | |
-No. -Mrs O'Grady... | 1:37:08 | 1:37:10 | |
No, we need something solid. Something now. | 1:37:10 | 1:37:12 | |
You've got the authority. You know, we thought seeing you, we'd... | 1:37:15 | 1:37:20 | |
In politics, you sometimes have to play the long game... | 1:37:21 | 1:37:25 | |
We ain't politicians, we're working women. | 1:37:25 | 1:37:27 | |
And so are you. | 1:37:27 | 1:37:29 | |
Very well. | 1:37:34 | 1:37:35 | |
What would it take to get you back? | 1:37:37 | 1:37:41 | |
Excuse me? | 1:37:41 | 1:37:43 | |
The "something solid." | 1:37:43 | 1:37:46 | |
And mark well, I say something, not everything. | 1:37:46 | 1:37:50 | |
Well, we'd need... | 1:37:51 | 1:37:53 | |
We'd need a guarantee that we're going to get equal pay. | 1:37:58 | 1:38:01 | |
And in the meantime, | 1:38:01 | 1:38:03 | |
we need to move much closer to the male rate. Now. At Ford. | 1:38:05 | 1:38:10 | |
75%? | 1:38:13 | 1:38:14 | |
90. | 1:38:16 | 1:38:18 | |
90. | 1:38:24 | 1:38:26 | |
At least. | 1:38:26 | 1:38:28 | |
You're putting me in a very difficult position. | 1:38:29 | 1:38:34 | |
I wasn't too aggressive, was I? | 1:38:57 | 1:39:00 | |
No. | 1:39:00 | 1:39:02 | |
Mr Tooley, that risk you were talking about? | 1:39:06 | 1:39:09 | |
I'm going to have to take it. | 1:39:09 | 1:39:11 | |
RADIO: 'And from Whitehall we're getting news that talks between Mrs Castle | 1:39:17 | 1:39:21 | |
'and the striking Ford machinists are nearing a conclusion. | 1:39:21 | 1:39:25 | |
'And a statement is expected in the next few minutes. | 1:39:25 | 1:39:28 | |
'Intense interest here...' | 1:39:28 | 1:39:30 | |
-Just a moment please, minister. -Yes, of course. | 1:39:32 | 1:39:34 | |
That's Biba, isn't it? I saw that in a magazine. | 1:39:40 | 1:39:43 | |
Yeah. I have to give it back at the end of the day. | 1:39:43 | 1:39:47 | |
LAUGHS | 1:39:47 | 1:39:50 | |
-Is that C&A? -Yes. | 1:39:50 | 1:39:53 | |
-Why pay more? That's what I say. -Well, exactly. | 1:39:53 | 1:39:57 | |
-I've got the same one at home. -Have you really? | 1:39:57 | 1:39:59 | |
They're ready for you now, Minister. | 1:39:59 | 1:40:02 | |
Girls? | 1:40:03 | 1:40:05 | |
-REPORTERS: -Rita? Rita? | 1:40:05 | 1:40:07 | |
-Ladies. -No, after you. | 1:40:07 | 1:40:09 | |
Oh, no, no. After you. | 1:40:09 | 1:40:12 | |
Oh, gosh. | 1:40:12 | 1:40:14 | |
Come on, then. Thank you. | 1:40:14 | 1:40:17 | |
REPORTERS ALL SHOUT QUESTIONS | 1:40:17 | 1:40:20 | |
Now, then, ladies, can I help? | 1:40:32 | 1:40:33 | |
Thank you, gentlemen. Thank you very much. | 1:40:36 | 1:40:38 | |
I am delighted to announce that following our talks this afternoon, | 1:40:38 | 1:40:44 | |
the 187 Ford machinists | 1:40:44 | 1:40:48 | |
will be going back to work on 1st July. | 1:40:48 | 1:40:51 | |
They will receive an immediate pay rise of 7 pence an hour. | 1:40:51 | 1:40:55 | |
Which will put them at 92% of the male rate. | 1:40:55 | 1:41:00 | |
However... However, this is not all. | 1:41:00 | 1:41:03 | |
As a result of our discussion, I can confirm that the government | 1:41:03 | 1:41:09 | |
is in full support of the creation of an Equal Pay Act. | 1:41:09 | 1:41:13 | |
And by the autumn of this year, I guarantee appropriate legislation | 1:41:13 | 1:41:18 | |
to ensure that that act becomes law. Thank you. | 1:41:18 | 1:41:24 | |
Yeah! | 1:41:24 | 1:41:26 | |
CHEERING | 1:41:26 | 1:41:28 | |
Support from the back there! | 1:41:28 | 1:41:31 | |
MUSIC: "You Can Get It If You Really Want" by Desmond Dekker | 1:42:02 | 1:42:05 | |
To celebrate, they let us have the canteen, and we had a party. | 1:42:37 | 1:42:43 | |
-I don't remember much of that. -No, I remember you didn't, no. | 1:42:43 | 1:42:47 | |
And I thought to myself, there is some of the old spirit | 1:42:47 | 1:42:51 | |
that gave us the success of the suffragettes. | 1:42:51 | 1:42:56 | |
-We are on strike. -All of you? | 1:42:56 | 1:42:58 | |
All of us. All us machinists, anyway. | 1:42:58 | 1:43:01 | |
-So no car seat covers for Ford? -No, not from us, anyway. | 1:43:01 | 1:43:04 | |
-You're still staying out? -Yeah. | 1:43:04 | 1:43:06 | |
-You're not going back at all? -No. | 1:43:06 | 1:43:08 | |
Nobody expected us to come out on strike. Nobody. | 1:43:08 | 1:43:11 | |
What we're fighting for, we'll stay there until we get it. | 1:43:13 | 1:43:16 | |
Women don't make a habit of coming out on strike for nothing. | 1:43:16 | 1:43:19 | |
Well, we didn't think we were that strong. | 1:43:23 | 1:43:25 | |
We didn't think we would bring Ford's to a standstill. | 1:43:25 | 1:43:29 | |
It was all down to us. Us ladies. | 1:43:31 | 1:43:34 | |
And we are ladies, whatever anybody else may say. | 1:43:34 | 1:43:37 | |
We are ladies. | 1:43:37 | 1:43:39 | |
MUSIC: "Made In Dagenham" by Sandie Shaw | 1:43:50 | 1:43:54 | |
# Here we are | 1:44:02 | 1:44:06 | |
# I never thought that we could get this far | 1:44:06 | 1:44:12 | |
# And I know | 1:44:12 | 1:44:18 | |
# That now we're here, I'm never letting go | 1:44:18 | 1:44:24 | |
# Don't let them tell you that it won't ever fly | 1:44:24 | 1:44:30 | |
# Don't let them tell you that it's not worth a try | 1:44:30 | 1:44:35 | |
# Don't listen to them whatever you do | 1:44:35 | 1:44:40 | |
# They believe that dreams don't come true | 1:44:40 | 1:44:46 | |
# Hold on | 1:44:46 | 1:44:50 | |
# Together we can find a better way | 1:44:50 | 1:44:56 | |
# You and me | 1:44:56 | 1:45:01 | |
# Side by side no matter what they say | 1:45:01 | 1:45:07 | |
# Don't let them tell you that it's not worth a fight | 1:45:07 | 1:45:13 | |
# Don't let them tell you that it won't turn out right... # | 1:45:13 | 1:45:18 |