
Browse content similar to West Is West. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This film contains very strong language. | 0:00:17 | 0:00:22 | |
Chalo. | 0:00:29 | 0:00:30 | |
Do two basket potatoes, then phone a fish man. | 0:00:34 | 0:00:37 | |
-Hello, Mrs. -Hello. | 0:01:01 | 0:01:02 | |
Hello, Mrs! HE CHUCKLES | 0:01:02 | 0:01:03 | |
-All right, Charlie? -Hiya. | 0:01:24 | 0:01:26 | |
I'll go, all right? Just leave me here. I promise I'll go in. | 0:01:40 | 0:01:43 | |
You think I stupid? I not your mam, mister. | 0:01:43 | 0:01:46 | |
I give you to teacher and he bloody walk you in a school. | 0:01:46 | 0:01:49 | |
SCHOOL BELL RINGING | 0:01:49 | 0:01:53 | |
Mr Khan. | 0:01:54 | 0:01:56 | |
SPEAKING URDU | 0:01:56 | 0:01:58 | |
Uh... | 0:01:58 | 0:01:59 | |
Go with your teacher and stay in the school. Or I bloody fixing you. | 0:02:00 | 0:02:03 | |
Don't worry, Mr Khan. | 0:02:03 | 0:02:04 | |
-Come here, you Paki bastard! -Get him! | 0:02:09 | 0:02:12 | |
ALL EXCLAIM | 0:02:15 | 0:02:17 | |
Oh, no. | 0:02:20 | 0:02:21 | |
Nowhere to run now, Kid Curry. | 0:02:23 | 0:02:25 | |
HE GRUNTS | 0:02:25 | 0:02:26 | |
THEY LAUGH | 0:02:28 | 0:02:30 | |
-Oi, Gunga Din! -Oh, shit! | 0:02:33 | 0:02:35 | |
To me, boy. To me. | 0:02:38 | 0:02:40 | |
Kya bloody baje do you call this to be leaving us? | 0:02:41 | 0:02:44 | |
Sir? | 0:02:44 | 0:02:45 | |
The baje, lad! The skenning time. Can you not speak Urdu? | 0:02:45 | 0:02:50 | |
No. I'm English, sir. | 0:02:50 | 0:02:52 | |
Rawalpindi. Do you know Rawalpindi, Khan? Pakistan? | 0:02:54 | 0:02:59 | |
Never been, sir. | 0:02:59 | 0:03:00 | |
I was stationed out there just before the outbreak of hostilities in '39. | 0:03:00 | 0:03:04 | |
Khushi thi bahut it were and all. | 0:03:04 | 0:03:07 | |
Can you show me Pakistan on that map, Khan? | 0:03:08 | 0:03:10 | |
Poland. | 0:03:18 | 0:03:20 | |
Switzerland. | 0:03:20 | 0:03:21 | |
Prestatyn. | 0:03:21 | 0:03:23 | |
Never mind. Sit yourself down, lad. | 0:03:23 | 0:03:26 | |
Tropical warfare. Not a pretty sight. | 0:03:27 | 0:03:31 | |
The jungle is a killer. | 0:03:32 | 0:03:34 | |
You get bitten by the wrong type of mosquito out there | 0:03:34 | 0:03:37 | |
and before you know it, elephantitis. | 0:03:37 | 0:03:39 | |
Testicles swell up the size of mangoes | 0:03:41 | 0:03:42 | |
-and explode. -Really, sir? | 0:03:42 | 0:03:44 | |
Two-minute check in the morning, just to be sure. | 0:03:45 | 0:03:49 | |
Remember that, Khan, if you're ever in the tropics. | 0:03:49 | 0:03:52 | |
-I will, sir. Two minutes, sir. -But don't linger, lad. | 0:03:52 | 0:03:55 | |
Or you'll go blind. | 0:03:55 | 0:03:57 | |
JORDAN CLEARS HIS THROAT | 0:03:57 | 0:03:58 | |
Your ignorance is a crime, Khan. | 0:03:58 | 0:04:00 | |
I shall endeavour to remedy it. | 0:04:02 | 0:04:04 | |
"He sat, in defiance of municipal orders, | 0:04:08 | 0:04:12 | |
"astride the gun Zam-Zammah | 0:04:12 | 0:04:14 | |
"on the brick platform opposite the old Ajaib-Gher, | 0:04:14 | 0:04:19 | |
"the Wonder House, as the natives call the Lahore Museum." | 0:04:21 | 0:04:26 | |
HE GRUNTS, INHALES DEEPLY | 0:04:26 | 0:04:28 | |
It's a pungent place, Khan. | 0:04:28 | 0:04:30 | |
Pungent. Sultry. | 0:04:31 | 0:04:33 | |
Sir? | 0:04:33 | 0:04:35 | |
Does it not conjure up the heat for you, lad? Eh? | 0:04:35 | 0:04:38 | |
Can you not smell those spices? | 0:04:38 | 0:04:40 | |
I can when my dad makes a curry. | 0:04:43 | 0:04:45 | |
HE GRUNTS | 0:04:46 | 0:04:47 | |
I can't make head nor bleedin' tail of this. It's all squiggles. | 0:04:50 | 0:04:53 | |
GEORGE: Is it in Urdu? | 0:04:53 | 0:04:55 | |
No. Maneer's writing. A chimpanzee with a crayon would be clearer. | 0:04:55 | 0:05:00 | |
-ANNIE: -Give it here. -Can I go out now? | 0:05:00 | 0:05:01 | |
GEORGE: You go nowhere. It's a letter from your brother in Pakistan. | 0:05:01 | 0:05:04 | |
-"Salam alaikum." -Wa alaikum salam. | 0:05:04 | 0:05:08 | |
What do you say? | 0:05:08 | 0:05:09 | |
-Wa alaikum as-salam. -"Hiya, all. | 0:05:11 | 0:05:13 | |
"Everyone here in Pakistan sends you their salams." | 0:05:13 | 0:05:16 | |
Wa alaikum salam. | 0:05:16 | 0:05:19 | |
-Hey! -It's only a letter. | 0:05:19 | 0:05:21 | |
I'll letter you in a minute, baster. He's your brother. | 0:05:21 | 0:05:24 | |
You should show respect to him. He in Pakistan! | 0:05:24 | 0:05:28 | |
Wa alaikum as-salam. | 0:05:30 | 0:05:31 | |
GEORGE: All my family in Pakistan happy. | 0:05:31 | 0:05:34 | |
Because Maneer is there, you see? | 0:05:34 | 0:05:36 | |
Yeah, I'll say. He took enough cash for them. | 0:05:36 | 0:05:38 | |
"It's got dead hot over here at the moment. | 0:05:38 | 0:05:41 | |
"And I've been working my | 0:05:41 | 0:05:43 | |
"bullocks"? | 0:05:46 | 0:05:48 | |
George just bought a new pair for you-know-who. | 0:05:48 | 0:05:50 | |
-What she say? -Bought Mrs Khan number one | 0:05:50 | 0:05:53 | |
a new pair of bullocks, have you, George? | 0:05:53 | 0:05:55 | |
-First she's seen in years. -STIFLING LAUGHTER | 0:05:55 | 0:05:57 | |
GEORGE: Oh, stupy. | 0:05:57 | 0:05:59 | |
All work farm together. See? Sharing. | 0:05:59 | 0:06:02 | |
If I'd have known I'd be sharing me bullocks, | 0:06:02 | 0:06:04 | |
I wouldn't have married him in the first place. | 0:06:04 | 0:06:05 | |
It's a man's job, see, Annie? Having to be strong. | 0:06:05 | 0:06:10 | |
Holding like this. | 0:06:10 | 0:06:11 | |
ROLLING R's | 0:06:11 | 0:06:13 | |
It's good. Maneer working in the fields. | 0:06:14 | 0:06:17 | |
All my family, see? He just like them. | 0:06:17 | 0:06:20 | |
Just like a Pakistani. He can do, in'it? | 0:06:20 | 0:06:24 | |
Why didn't you buy him a tractor? | 0:06:24 | 0:06:25 | |
Why are you always a bloody stupy? | 0:06:28 | 0:06:30 | |
"Who holds Zam-Zammah, that fire-breathing dragon, | 0:06:37 | 0:06:40 | |
"holds the Punjab." | 0:06:40 | 0:06:42 | |
Bollocks to the Punjab! | 0:06:42 | 0:06:44 | |
HE SIGHS | 0:06:48 | 0:06:50 | |
MOUTHING | 0:06:59 | 0:07:00 | |
INAUDIBLE | 0:07:27 | 0:07:28 | |
So what part of India are you from then, Shanti? | 0:07:35 | 0:07:37 | |
Oh, me dad, he's from Paki... | 0:07:37 | 0:07:38 | |
Um, Pakidilistan. | 0:07:38 | 0:07:40 | |
-Oh! -It's a very spiritual place. | 0:07:40 | 0:07:43 | |
You know, these look good on you. | 0:07:43 | 0:07:45 | |
Oh, yeah, you were right. Mmm, I find them really relaxing. | 0:07:45 | 0:07:49 | |
They're considered sacred in my father's country. | 0:07:49 | 0:07:52 | |
-He sounds dead spiritual, your dad. -Mmm. | 0:07:52 | 0:07:55 | |
(He's practically Gandhi.) | 0:07:55 | 0:07:57 | |
BOTH CHUCKLE | 0:07:57 | 0:07:59 | |
Do you think these are good for me chakras? | 0:07:59 | 0:08:01 | |
Oh, aye, yeah. It, um, | 0:08:02 | 0:08:05 | |
transen-tit-ises them. | 0:08:05 | 0:08:08 | |
BOTH CHUCKLE | 0:08:08 | 0:08:09 | |
You know, I give mine a good going-over every night. | 0:08:09 | 0:08:12 | |
-Which is a blast. -Shanti... | 0:08:12 | 0:08:14 | |
All right, our Tariq? | 0:08:16 | 0:08:18 | |
What the fuck are you doing here? | 0:08:19 | 0:08:21 | |
That doesn't sound very Pakidilistani now, does it? | 0:08:21 | 0:08:23 | |
-I've come to see our Nazir. -He's in Bradford buying stock. | 0:08:24 | 0:08:27 | |
-Why aren't you at school? -We're on a trip. It's half day. | 0:08:27 | 0:08:30 | |
And I've spent my bus money on chips. I need... | 0:08:30 | 0:08:32 | |
-Whoa. You spent your money on chips? -Yeah. | 0:08:32 | 0:08:35 | |
We've got a fucking chippy at home, you knobhead. | 0:08:35 | 0:08:37 | |
Out now. | 0:08:37 | 0:08:39 | |
-Just my little brother. -All right? | 0:08:41 | 0:08:43 | |
-Hiya. What's your name? -Ravi Shankar. | 0:08:43 | 0:08:46 | |
Bye! | 0:08:47 | 0:08:49 | |
That's the little bastard. | 0:09:17 | 0:09:19 | |
-Mr Jordan, what's happening? -I'll kill him, baster. | 0:09:20 | 0:09:24 | |
Life, oh, best beloved, is difficult for all men, | 0:09:24 | 0:09:27 | |
especially when we go from being a man cub to a man, | 0:09:27 | 0:09:30 | |
and walk in a man's world. | 0:09:30 | 0:09:32 | |
-Baster! You make me ashamed! -George, you've made your point. | 0:09:44 | 0:09:48 | |
-Point? I'll pucking kill him! Baster! -That's enough, George. | 0:09:48 | 0:09:52 | |
Not even his bloody brothers gave me trouble with the police. | 0:09:52 | 0:09:54 | |
-Yeah, and where are they now? -Sajid. | 0:09:54 | 0:09:56 | |
I hate you! Why don't you just fuck off? | 0:09:56 | 0:09:58 | |
What you... What you say to me? | 0:09:59 | 0:10:01 | |
-Get off me! -Stop it! | 0:10:01 | 0:10:03 | |
Get away from me, you dirty Paki bastard! | 0:10:03 | 0:10:05 | |
You want to know why I don't want to go to school? | 0:10:05 | 0:10:07 | |
It's 'cause they all know you're a fucking Paki! | 0:10:07 | 0:10:09 | |
You listen to me. | 0:10:39 | 0:10:41 | |
I don't care what your dad does. | 0:10:41 | 0:10:44 | |
Don't let me ever catch you using that word to him again. | 0:10:44 | 0:10:48 | |
-But he started it. -Never! Do you hear me? | 0:10:48 | 0:10:51 | |
I've had enough of this behaviour and it's got to stop. | 0:10:51 | 0:10:54 | |
It will stop. | 0:10:55 | 0:10:56 | |
-ELLA: -It's the kids at school, George. The name-calling he gets. | 0:11:04 | 0:11:07 | |
How can my son say this to me? | 0:11:08 | 0:11:11 | |
Maybe he doesn't want to... | 0:11:14 | 0:11:16 | |
-To be a Pakistani? -I'm not saying that. | 0:11:17 | 0:11:20 | |
But you're meaning this. | 0:11:20 | 0:11:22 | |
Is same with all my children. | 0:11:22 | 0:11:24 | |
Now all bloody English. | 0:11:24 | 0:11:26 | |
Well, so am I. Or have you forgotten that? | 0:11:26 | 0:11:29 | |
You always take their side against me. Why? | 0:11:29 | 0:11:32 | |
I your husband. You should support me. | 0:11:32 | 0:11:35 | |
-I'm still here with you, aren't I? -It's no same thing. | 0:11:35 | 0:11:38 | |
Christ, George, what do you want from me? | 0:11:38 | 0:11:40 | |
I no want it go wrong again. | 0:11:40 | 0:11:42 | |
Ella, he my last one. | 0:11:43 | 0:11:46 | |
This has to be done. | 0:11:46 | 0:11:48 | |
I know. | 0:11:48 | 0:11:49 | |
Don't mean I like it, though. | 0:11:51 | 0:11:53 | |
He not know who he is. Not know who I am. | 0:11:53 | 0:11:57 | |
I tell you, he listen to me this time. I bloody show him. | 0:11:58 | 0:12:02 | |
See? Bloody lovelies. | 0:12:07 | 0:12:10 | |
Pakistan. | 0:12:14 | 0:12:15 | |
-Yours? -All mine. | 0:12:22 | 0:12:24 | |
Check. Check. Check. Check. | 0:12:25 | 0:12:30 | |
Check! | 0:12:30 | 0:12:32 | |
Yeah. Dead funny. | 0:12:32 | 0:12:33 | |
ALL CHATTERING | 0:12:42 | 0:12:44 | |
Uncle! Over here! Here, here. | 0:12:44 | 0:12:46 | |
-Salam alaikum. -Wa alaikum as-salam. | 0:12:51 | 0:12:54 | |
-Everything OK? -Good, good, good. | 0:12:54 | 0:12:56 | |
ALL GREET IN PUNJABI | 0:12:56 | 0:13:00 | |
WOMAN CHATTERING | 0:13:02 | 0:13:05 | |
Salam alaikum. | 0:13:05 | 0:13:07 | |
Are you daft? She not with us. | 0:13:07 | 0:13:09 | |
SPEAKS SHARPLY IN PUNJABI | 0:13:09 | 0:13:11 | |
ALL LAUGH | 0:13:19 | 0:13:21 | |
SHOUTS IN PUNJABI | 0:13:25 | 0:13:26 | |
-Sajid. You go other car. POPPA: -I take care. Come. | 0:13:32 | 0:13:35 | |
-Have you been to our chip shop? -No. | 0:13:57 | 0:13:59 | |
I been your chippy chop. I live in Bradford. | 0:13:59 | 0:14:02 | |
One year. Work in bloody mill. | 0:14:02 | 0:14:05 | |
Were bloody horrible. I bloody come back here quick. | 0:14:05 | 0:14:08 | |
I you cousin. You daddy is my chacha. Uncle. | 0:14:08 | 0:14:11 | |
My mummy, your daddy's sister. | 0:14:11 | 0:14:13 | |
I'm your first cousin. | 0:14:13 | 0:14:14 | |
-But I'm married to your sister, Rehana. -Who? | 0:14:14 | 0:14:17 | |
Oh, your dad's other daughter, isn't it? From his proper... | 0:14:17 | 0:14:20 | |
You know, his first wife. | 0:14:20 | 0:14:23 | |
-He related to us also as well. -My daddy, his chacha. Uncle. | 0:14:23 | 0:14:26 | |
-Yeah, yeah. -My grandmother's sister was married | 0:14:26 | 0:14:29 | |
-to your grandfather's cousin. -Got it? | 0:14:29 | 0:14:31 | |
CHATTERING IN PUNJABI | 0:14:43 | 0:14:45 | |
Camel! | 0:15:02 | 0:15:03 | |
It's a camel! | 0:15:05 | 0:15:07 | |
Loads of them! Camels! | 0:15:08 | 0:15:10 | |
ALL LAUGH | 0:15:10 | 0:15:12 | |
PUNJABI MUSIC PLAYS ON STEREO | 0:15:20 | 0:15:23 | |
HE SINGS ALONG IN PUNJABI | 0:15:23 | 0:15:26 | |
MEN GRUNT | 0:15:40 | 0:15:41 | |
Wedge. Tanvir, wedge, wedge. Needing wedge for wedging. | 0:15:41 | 0:15:46 | |
ALL GRUNT | 0:15:52 | 0:15:55 | |
HORN HONKS | 0:16:17 | 0:16:18 | |
Home. | 0:16:26 | 0:16:28 | |
EXCLAIMS IN SURPRISE, MOOING | 0:16:29 | 0:16:31 | |
SHE SOBS | 0:16:45 | 0:16:46 | |
Rehana. | 0:16:57 | 0:16:58 | |
Are they all related to us? | 0:17:27 | 0:17:29 | |
GEORGE CHUCKLES | 0:17:58 | 0:17:59 | |
Maneer, Sajid. | 0:18:09 | 0:18:11 | |
Take these out. | 0:18:14 | 0:18:16 | |
-What have you come here for? -Blackpool were fully booked. | 0:18:33 | 0:18:36 | |
Well, I'm not looking after you. I'm going home soon. | 0:18:36 | 0:18:38 | |
Don't have to. We're only here for a few weeks. | 0:18:38 | 0:18:40 | |
He's come to sort out your engagement. | 0:18:40 | 0:18:42 | |
He'll be lucky. No one will fucking have me. | 0:18:42 | 0:18:44 | |
Can't think why. | 0:18:44 | 0:18:46 | |
Did me mam not send me Nana Mouskouri tapes? | 0:18:47 | 0:18:49 | |
Then again... | 0:18:49 | 0:18:51 | |
Oh, great! I love this album. | 0:18:51 | 0:18:54 | |
Ain't she beautiful? | 0:18:55 | 0:18:57 | |
Poof. | 0:18:57 | 0:18:59 | |
MUSIC: "Over and Over" by Nana Mouskouri | 0:19:46 | 0:19:50 | |
Maneer! | 0:19:59 | 0:20:01 | |
Maneer! | 0:20:02 | 0:20:04 | |
-DISTANTLY: -What? -Where are you? | 0:20:04 | 0:20:06 | |
We sleep up here. | 0:20:12 | 0:20:13 | |
He dragged me all the way from Salford to sleep on a fucking roof? | 0:20:14 | 0:20:17 | |
Some people might say that were a step up. | 0:20:17 | 0:20:20 | |
I need the bog. | 0:20:20 | 0:20:21 | |
-Help yourself. -Shit in a field? | 0:20:25 | 0:20:28 | |
Not the fields. They like you to go in the scrub. | 0:20:28 | 0:20:31 | |
Bit fucking choosy, aren't they? | 0:20:31 | 0:20:33 | |
# Over and over I whisper your name | 0:20:40 | 0:20:44 | |
# Over and over I love you again | 0:20:44 | 0:20:48 | |
# I see the light of love in your eyes | 0:20:48 | 0:20:52 | |
# Love is forever No more goodbyes... # | 0:20:52 | 0:20:55 | |
DOOR OPENS | 0:21:00 | 0:21:01 | |
CLEARS THROAT WEARILY | 0:21:33 | 0:21:35 | |
DISTANT CLANKING | 0:22:10 | 0:22:12 | |
-SAJID: -Maneer. | 0:22:14 | 0:22:16 | |
Maneer! | 0:22:16 | 0:22:17 | |
-What? -What's that noise? | 0:22:20 | 0:22:22 | |
It's the djinn. | 0:22:23 | 0:22:25 | |
-The what? -A ghost that lives down by the stream. | 0:22:25 | 0:22:28 | |
-Fuck off. -I'm not kidding. | 0:22:28 | 0:22:31 | |
He's letting you know he knows you're here. | 0:22:31 | 0:22:33 | |
Fuck off. | 0:22:33 | 0:22:35 | |
Just make sure you're not down there of a night-time by yourself. | 0:22:35 | 0:22:38 | |
-Why? -Djinns can possess you. | 0:22:38 | 0:22:41 | |
-You see anybody, just look at his feet. -Why? | 0:22:42 | 0:22:44 | |
'Cause a djinn's feet will be on backwards. | 0:22:44 | 0:22:47 | |
Night-night! | 0:22:49 | 0:22:51 | |
-What are you doing now? -Checking for elephant balls. | 0:22:59 | 0:23:02 | |
ROOSTER CROWS | 0:23:05 | 0:23:08 | |
Oi! Come. Eat breakfast. | 0:23:21 | 0:23:25 | |
It's paratha. Good for you. Eat. | 0:23:35 | 0:23:38 | |
She made tea too sweet for her. | 0:24:07 | 0:24:11 | |
She always bloody doing it. | 0:24:11 | 0:24:13 | |
LAUGHS NERVOUSLY | 0:24:13 | 0:24:14 | |
Everything OK? Home? Everybody happy? | 0:24:19 | 0:24:23 | |
Probably are, now my dad isn't there. | 0:24:23 | 0:24:26 | |
Hey, you be no cheeky, huh? | 0:24:26 | 0:24:30 | |
I hear what you up to in England. | 0:24:30 | 0:24:33 | |
I go be keeping very close eye on you. | 0:24:34 | 0:24:37 | |
I not take bloody any trouble from you. | 0:24:37 | 0:24:39 | |
Fuck off, you fat twat. | 0:24:39 | 0:24:40 | |
Hey! Come here! | 0:24:42 | 0:24:45 | |
-STAMMERING: -I'll tell your father about this, man! | 0:24:45 | 0:24:48 | |
HE STAMMERS | 0:24:48 | 0:24:50 | |
Why you wearing that? | 0:24:55 | 0:24:57 | |
-'Cause I want to. -Well, take it off. | 0:24:57 | 0:24:59 | |
You said it were for Pakistan. | 0:24:59 | 0:25:02 | |
I no bloody mean now. It's too hot wearing this thing. | 0:25:02 | 0:25:05 | |
Where are the Pakistani clothes I gave you? | 0:25:05 | 0:25:07 | |
I'm not wearing them. | 0:25:07 | 0:25:08 | |
Why not? You looking smart like us? | 0:25:08 | 0:25:11 | |
I've already told you what you look like. | 0:25:11 | 0:25:13 | |
-Go put on. -No. | 0:25:17 | 0:25:19 | |
-Go, baster, put on! -No. | 0:25:19 | 0:25:21 | |
I warn you, mister... CLATTERING | 0:25:21 | 0:25:24 | |
Go. | 0:25:32 | 0:25:33 | |
All this, mine. Here, all the way back to village. | 0:25:42 | 0:25:46 | |
Uh, except that bit there on the right. | 0:25:46 | 0:25:49 | |
-Is mine from my father. -TUTTING: -Not much, eh? | 0:25:50 | 0:25:53 | |
-All family work together, see? -Yes, this is all for family. | 0:25:54 | 0:25:59 | |
All the time I send money. Buy more land. All for family. | 0:25:59 | 0:26:03 | |
And I working all land. | 0:26:05 | 0:26:06 | |
GEORGE: All for family. For future, you see. | 0:26:06 | 0:26:09 | |
POPPA CHUCKLES | 0:26:09 | 0:26:11 | |
FOOTSTEPS APPROACH | 0:26:39 | 0:26:42 | |
PIR NASEEM SINGS IN HINDI | 0:26:42 | 0:26:43 | |
-GROAN: -Oh... | 0:26:46 | 0:26:47 | |
CHATTER IN PUNJABI | 0:27:02 | 0:27:06 | |
MEN LAUGH | 0:27:06 | 0:27:09 | |
-Popular, isn't he? -So was Hitler. | 0:27:16 | 0:27:18 | |
CHILDREN CHANT LESSONS IN PUNJABI | 0:27:20 | 0:27:22 | |
POPPA SPEAKS PUNJABI | 0:27:24 | 0:27:25 | |
Grundig C 6000 Automatic. | 0:27:28 | 0:27:30 | |
Automatic VHF fine-tuning. | 0:27:30 | 0:27:32 | |
SPEAKS PUNJABI | 0:27:32 | 0:27:34 | |
..compact tape recorder. Automatic recording. | 0:27:34 | 0:27:37 | |
HE STAMMERS | 0:27:37 | 0:27:38 | |
Short wave, medium wave, long wave. | 0:27:38 | 0:27:41 | |
-All waves. -Always. | 0:27:41 | 0:27:43 | |
POPPA SPEAKING PUNJABI | 0:27:43 | 0:27:46 | |
See? They're having a party. | 0:27:46 | 0:27:48 | |
Here. | 0:27:50 | 0:27:51 | |
HE CHUCKLES | 0:27:54 | 0:27:57 | |
Sajid? Come here. | 0:27:57 | 0:28:00 | |
Master-ji Eyaz. | 0:28:05 | 0:28:06 | |
Say, "Salam alaikum". | 0:28:07 | 0:28:09 | |
-Salam alaikum. -Wa alaikum as-salam. | 0:28:09 | 0:28:11 | |
And this is Pir Naseem. | 0:28:14 | 0:28:16 | |
We've met. | 0:28:17 | 0:28:19 | |
Ah, yes, yes! We have met! HE LAUGHS | 0:28:19 | 0:28:23 | |
We have been waiting for your father's return for a long time. | 0:28:23 | 0:28:26 | |
Your mummy, Basheera, and your sisters are very happy. | 0:28:26 | 0:28:30 | |
She's not me mam. | 0:28:30 | 0:28:31 | |
-Like mum though, isn't it? -It's not. | 0:28:31 | 0:28:35 | |
Is in Pakistan. | 0:28:35 | 0:28:37 | |
Me mam's me mam, Pakistan or Salford. | 0:28:37 | 0:28:39 | |
-Sajid. EYAZ: -I have a brother in England. | 0:28:39 | 0:28:41 | |
He works in the mill, in Ramsbottom. Do you know Ramsbottom? | 0:28:41 | 0:28:46 | |
Ramsbottom? Is there such a place, Sajid? | 0:28:46 | 0:28:49 | |
I don't know. | 0:28:49 | 0:28:51 | |
And if there were, would you freely admit to coming from it? | 0:28:51 | 0:28:54 | |
HE SNIGGERS, GRUNTS IN DISAPPROVAL | 0:28:54 | 0:28:57 | |
Your father wishes to entrust me with your spiritual and academic education | 0:28:57 | 0:29:01 | |
-here in Pakistan. -You what? | 0:29:01 | 0:29:04 | |
You're going to bloody school, isn't it? | 0:29:04 | 0:29:07 | |
You said it was a holiday! | 0:29:08 | 0:29:10 | |
-Baster, don't you start that with me. -You can't make me. | 0:29:10 | 0:29:12 | |
I didn't want to come to this fucking dump in the first place! | 0:29:12 | 0:29:15 | |
I in charge here. Your mum not here now. | 0:29:15 | 0:29:18 | |
She doesn't need to be. You've got a slave here already. | 0:29:18 | 0:29:21 | |
-Sajid! Sajid! MANEER: -Sajid! | 0:29:23 | 0:29:25 | |
Sajid. | 0:29:28 | 0:29:30 | |
Carry on the way you're going, you'll be here a lot longer than you think. | 0:29:30 | 0:29:33 | |
Fuck off! Just fuck off! | 0:29:33 | 0:29:35 | |
You can fuck off and all, Mowgli. | 0:29:52 | 0:29:55 | |
Are you deaf, twat head? | 0:29:58 | 0:30:00 | |
SINGS IN HINDI | 0:30:09 | 0:30:13 | |
Come with me. | 0:30:16 | 0:30:17 | |
Here. Dead peoples. | 0:30:49 | 0:30:51 | |
-You want looky? -Yeah, all right. | 0:30:51 | 0:30:53 | |
Bloody Nora! Dead bodies! | 0:30:58 | 0:31:00 | |
Who are they? | 0:31:00 | 0:31:02 | |
I think perhaps they're Moghul soldiers. You know Moghul soldiers? | 0:31:02 | 0:31:05 | |
Fighting here, long time ago. | 0:31:05 | 0:31:08 | |
-Your English is all right. -Hmm? | 0:31:08 | 0:31:11 | |
-ENUNCIATING: -I mean, you speak good English. | 0:31:11 | 0:31:13 | |
Better than you, yes. I do, true. Pir Naseem's teaching me. | 0:31:13 | 0:31:17 | |
You speak Punjabi? | 0:31:18 | 0:31:20 | |
-No. -Speak. | 0:31:20 | 0:31:22 | |
-It's not very good. -Speaking, speaking. | 0:31:22 | 0:31:24 | |
EXHALES UNCERTAINLY | 0:31:24 | 0:31:26 | |
No, no, no. Don't say these words. Very bad words. | 0:31:28 | 0:31:31 | |
Who say these words? | 0:31:31 | 0:31:32 | |
Me dad on the phone. You know, the telephone. | 0:31:32 | 0:31:35 | |
CURSES IN PUNJABI, THEY LAUGH | 0:31:35 | 0:31:38 | |
ALL GREET IN PUNJABI | 0:31:40 | 0:31:43 | |
Maneer, you be respectful all the time. | 0:31:43 | 0:31:46 | |
-Right, Dad. -And you, | 0:31:46 | 0:31:48 | |
say nothing. | 0:31:48 | 0:31:50 | |
No touch anyone. No look anybody. | 0:31:50 | 0:31:53 | |
MALE WORKER: Maneer! | 0:31:53 | 0:31:54 | |
Why don't you just try? | 0:32:02 | 0:32:03 | |
You know I can't speak Pun-fucking-jabi. | 0:32:03 | 0:32:06 | |
Sajid! Answer him. | 0:32:06 | 0:32:09 | |
Chigi-chigi-chigi! | 0:32:09 | 0:32:10 | |
All right! Fucking hell. | 0:32:10 | 0:32:11 | |
Bloody stupy! | 0:32:16 | 0:32:17 | |
REPEATS SAME PHRASE IN PUNJABI, GRUNTS IN ANNOYANCE | 0:32:17 | 0:32:19 | |
-Where you going? -What? | 0:32:25 | 0:32:26 | |
In. | 0:32:26 | 0:32:28 | |
REPEATS SAME PHRASE IN PUNJABI | 0:32:28 | 0:32:31 | |
SCOLDS IN PUNJABI | 0:32:31 | 0:32:33 | |
REPEATS SAME PHRASE IN PUNJABI | 0:32:33 | 0:32:37 | |
GOAT BLEATS, REPEATS SAME PHRASE IN PUNJABI | 0:32:38 | 0:32:40 | |
Ah, this is the one. | 0:32:49 | 0:32:51 | |
Are you sure, Dad? It was 30-odd years ago. | 0:32:51 | 0:32:54 | |
He was good friend. He at my wedding. | 0:32:54 | 0:32:57 | |
Abdullah! Jahangir. | 0:32:59 | 0:33:02 | |
He's a good boy. | 0:33:04 | 0:33:06 | |
She would live in England, | 0:33:07 | 0:33:09 | |
my wife will welcome her into our home as if she were her own daughter. | 0:33:09 | 0:33:13 | |
You are my friend, Jahangir. | 0:33:14 | 0:33:16 | |
But there cannot be marriage between my daughter and your son. | 0:33:17 | 0:33:22 | |
-But why? -I mean you no disrespect. | 0:33:22 | 0:33:25 | |
But in England your life is | 0:33:27 | 0:33:29 | |
different. | 0:33:29 | 0:33:31 | |
Different from whose? | 0:33:31 | 0:33:33 | |
Girls here marry in England all the time. | 0:33:33 | 0:33:36 | |
Your own eldest daughter lives in England now. | 0:33:36 | 0:33:38 | |
I said YOUR life, Jahangir. | 0:33:38 | 0:33:40 | |
I take it that were a "no", then. | 0:33:53 | 0:33:54 | |
No one want their daughter marry you. I bloody ashamed! | 0:33:56 | 0:34:00 | |
Dad. | 0:34:00 | 0:34:01 | |
Oh! I'll just find me own way back, then, shall I? | 0:34:02 | 0:34:06 | |
It's not like I'm in the middle of fucking nowhere, is it? | 0:34:06 | 0:34:08 | |
All right! Chigi-chigi-chigi! | 0:34:11 | 0:34:13 | |
ALL LAUGH | 0:34:13 | 0:34:14 | |
DOOR OPENS | 0:34:20 | 0:34:22 | |
Are you all right, Dad? | 0:34:46 | 0:34:48 | |
It's all your fault, baster. | 0:34:52 | 0:34:54 | |
You and you family pucking giving me trouble all the time. | 0:34:56 | 0:35:00 | |
Why you no go to your mam? | 0:35:03 | 0:35:06 | |
Get out of my house. | 0:35:06 | 0:35:08 | |
I no want you here. | 0:35:09 | 0:35:11 | |
Go home! | 0:35:12 | 0:35:13 | |
You no belong here. | 0:35:13 | 0:35:15 | |
You always said we do belong here. | 0:35:15 | 0:35:17 | |
-Go! -What's changed your mind now, eh? | 0:35:17 | 0:35:19 | |
Don't talk to me like this. | 0:35:20 | 0:35:22 | |
You swan around here like nothing's ever happened. | 0:35:22 | 0:35:24 | |
Jahangir Khan, the King of England, returned. | 0:35:24 | 0:35:26 | |
-Shut up! Shut up! -Too near the truth, is it? | 0:35:26 | 0:35:29 | |
You make me laugh. | 0:35:30 | 0:35:32 | |
Bringing Sajid here to teach him a lesson? | 0:35:32 | 0:35:34 | |
I warn you, mister. | 0:35:34 | 0:35:36 | |
What were you going to teach him, eh, Dad? | 0:35:36 | 0:35:37 | |
How to dump his wife and kids for 30 fucking years? | 0:35:37 | 0:35:40 | |
It's not me your friends won't let their daughters marry. | 0:35:42 | 0:35:44 | |
It's you. | 0:35:44 | 0:35:46 | |
Get out! | 0:35:46 | 0:35:48 | |
HE URGES STEER | 0:36:07 | 0:36:09 | |
I mean, he's dead Pakistani and everything, our Maneer is. | 0:36:10 | 0:36:12 | |
You can't fault him on that. | 0:36:12 | 0:36:15 | |
It's difficult. | 0:36:15 | 0:36:17 | |
And he's not THAT ugly. | 0:36:18 | 0:36:19 | |
-People worried. -What about? | 0:36:20 | 0:36:23 | |
HE GRUNTS | 0:36:23 | 0:36:24 | |
Go on. Tell me. | 0:36:24 | 0:36:26 | |
They think he will be like his father. | 0:36:27 | 0:36:31 | |
That maybe he will leave his wife here and marry English woman. | 0:36:32 | 0:36:36 | |
-Like your father did. -Maneer wouldn't do that. | 0:36:36 | 0:36:39 | |
Tanvir and Rehana tell people this will happen. | 0:36:40 | 0:36:43 | |
They don't want you or Maneer to live here. | 0:36:43 | 0:36:45 | |
I don't fucking want to live here! | 0:36:45 | 0:36:47 | |
They say your father will give all the lands to his son, | 0:36:48 | 0:36:51 | |
and his daughters nothing. | 0:36:51 | 0:36:53 | |
Is that what all this is about? Who gets left what? | 0:36:53 | 0:36:57 | |
They say you're not Pakistani. Only half. | 0:36:57 | 0:37:00 | |
-And this is bad. -Bad for me, all right. | 0:37:00 | 0:37:02 | |
I keep getting my fucking head kicked in for it in England. | 0:37:02 | 0:37:05 | |
What a pair of bastards! | 0:37:05 | 0:37:07 | |
Fuck 'em. And me dad. I'll find Maneer a wife. | 0:37:09 | 0:37:12 | |
-SCOFFS: -You? -Yeah. | 0:37:12 | 0:37:14 | |
He's good enough for any of them around here. | 0:37:15 | 0:37:18 | |
Bit of a twat, mind. But, you know, I'll fucking show 'em. | 0:37:18 | 0:37:21 | |
-You can't do this. -Yeah, I can. | 0:37:21 | 0:37:24 | |
You're gonna help me. | 0:37:24 | 0:37:26 | |
Sajid! | 0:37:26 | 0:37:27 | |
Baster. | 0:37:28 | 0:37:29 | |
Sajid! | 0:37:29 | 0:37:31 | |
He's a long way from home, Jahangir. | 0:37:31 | 0:37:34 | |
He learn. Is why I bring here. | 0:37:34 | 0:37:38 | |
Sajid! | 0:37:38 | 0:37:39 | |
He run wild in England. | 0:37:41 | 0:37:44 | |
-He's just a boy. -You don't know him, Pir-ji. | 0:37:44 | 0:37:46 | |
He not know who he is. | 0:37:48 | 0:37:50 | |
All he know is he hate me. | 0:37:50 | 0:37:53 | |
-It's time he needs. -He have that here, huh? | 0:37:53 | 0:37:56 | |
Master-ji Eyaz will teach him everything else. | 0:37:57 | 0:38:00 | |
You brought him here to teach him about your life. | 0:38:00 | 0:38:04 | |
Let him discover it for himself. | 0:38:04 | 0:38:06 | |
And if he no like what he sees? | 0:38:06 | 0:38:07 | |
What if you don't like what you see? | 0:38:07 | 0:38:09 | |
Send the boy to me. I'll settle him down. | 0:38:12 | 0:38:15 | |
Then he will be ready for Master-ji Eyaz and his books. | 0:38:16 | 0:38:19 | |
He needs discipline. | 0:38:19 | 0:38:21 | |
Then, with your permission, | 0:38:21 | 0:38:23 | |
I'll beat him regularly. | 0:38:23 | 0:38:25 | |
WOMEN CHATTER | 0:38:27 | 0:38:29 | |
In Pakistan, they've got the juiciest mangoes in the world. | 0:38:38 | 0:38:41 | |
What's that got to do with getting Maneer a wife? | 0:38:41 | 0:38:44 | |
-Mangoes grows on trees, and a woman... -Oh! | 0:38:44 | 0:38:48 | |
When we pick a woman, we have to remember how we pick mangoes. | 0:38:48 | 0:38:51 | |
Yank them off a branch, don't you? | 0:38:51 | 0:38:53 | |
You have to take time. Pick the ripest fruit. | 0:38:53 | 0:38:57 | |
Best size, soft skin, but firm to touch. | 0:38:57 | 0:39:01 | |
And then, give them a little squeeze. | 0:39:01 | 0:39:03 | |
They'd chop me bleeding hands off if you get caught. | 0:39:03 | 0:39:05 | |
Yeah. | 0:39:05 | 0:39:07 | |
What about her? | 0:39:07 | 0:39:09 | |
Too old. Left on trees too long. | 0:39:10 | 0:39:13 | |
And the one in the red? | 0:39:13 | 0:39:15 | |
Too much colour. Too much sun. Very sour inside. | 0:39:15 | 0:39:19 | |
And the one next to her? | 0:39:19 | 0:39:21 | |
No. Taubah, taubah, taubah. | 0:39:21 | 0:39:23 | |
Never, never, never pick up fallen mangoes. | 0:39:23 | 0:39:25 | |
She shouts all the time. Talks too much. Listens to the radio all night. | 0:39:27 | 0:39:31 | |
I think she makes a very bad wife. | 0:39:32 | 0:39:33 | |
Turned you down, did she? | 0:39:33 | 0:39:36 | |
Yeah. | 0:39:36 | 0:39:38 | |
Have you, uh, ever had it off? Shut up! | 0:39:38 | 0:39:40 | |
Now get a move on. Pir Naseem's waiting. | 0:39:40 | 0:39:43 | |
-What kind of woman do you fancy? -Shut up! | 0:39:44 | 0:39:47 | |
-I'm only asking, that's all. -It's none of your business. | 0:39:47 | 0:39:50 | |
'Cause if people knew, they'd know what to look for, wouldn't they? | 0:39:50 | 0:39:52 | |
Come on, will you? | 0:39:52 | 0:39:54 | |
Tall, small? Dark, light? With plait, without plait? | 0:39:54 | 0:39:57 | |
-Get a move on. -I'm not going. He's madder than me. | 0:39:58 | 0:40:02 | |
OK. Make your own flippin' mind up. I've had enough. | 0:40:02 | 0:40:06 | |
Hello? Anyone there? | 0:40:19 | 0:40:21 | |
Hello! | 0:40:22 | 0:40:24 | |
FLUTE PLAYS DISTANTLY | 0:40:24 | 0:40:28 | |
You're early. | 0:40:45 | 0:40:46 | |
-I'm not staying. -You don't have to. | 0:40:46 | 0:40:48 | |
You're supposed to teach me something, aren't you? | 0:40:49 | 0:40:51 | |
What do you want to know? | 0:40:51 | 0:40:53 | |
Never make friends with an elephant keeper | 0:41:01 | 0:41:04 | |
if you have no room in your house to entertain his elephant. | 0:41:04 | 0:41:07 | |
What's that supposed to mean? | 0:41:08 | 0:41:10 | |
If you're not staying, what's the point in telling you? | 0:41:10 | 0:41:14 | |
Not very good, are you? | 0:41:20 | 0:41:21 | |
No. | 0:41:22 | 0:41:23 | |
I never have been. | 0:41:25 | 0:41:26 | |
But it occupies the time and helps me to think. | 0:41:27 | 0:41:31 | |
And anything that stimulates thinking is a good thing. | 0:41:31 | 0:41:35 | |
-What do you think about? -Oh. | 0:41:35 | 0:41:37 | |
Entertaining elephants. | 0:41:38 | 0:41:40 | |
HE LAUGHS | 0:41:42 | 0:41:43 | |
Come. Are you afraid of an old man? | 0:41:49 | 0:41:51 | |
I ain't scared of anything. | 0:41:51 | 0:41:53 | |
You could be a head-the-ball, for all I know. | 0:41:53 | 0:41:55 | |
-What's a "head-the-ball"? -A nutter. | 0:41:55 | 0:41:57 | |
-Someone that's poggled. -Poggled. Yes, yes, yes. | 0:41:57 | 0:42:00 | |
It has been said of me before. HE LAUGHS | 0:42:00 | 0:42:03 | |
Head-the-ball! | 0:42:05 | 0:42:07 | |
-Bleedin' hell! -That's as good a phrase as any. | 0:42:17 | 0:42:20 | |
Go. Go and explore. Go on, I'll be here. | 0:42:22 | 0:42:26 | |
PIR NASEEM: Time. That's time, Sajid, | 0:44:37 | 0:44:40 | |
spread out before you. | 0:44:41 | 0:44:44 | |
Thousands of people populated those stones, | 0:44:44 | 0:44:46 | |
each one leaving a trace of themselves on the other. | 0:44:46 | 0:44:49 | |
All leading to you. | 0:44:49 | 0:44:52 | |
-Me? -Yes, of course. | 0:44:52 | 0:44:53 | |
We're all part of the same story. | 0:44:54 | 0:44:57 | |
And we, in our turn, will leave traces of ourselves, too. | 0:44:57 | 0:45:00 | |
But what we leave, and how we choose to leave it, | 0:45:01 | 0:45:05 | |
is entirely up to us. | 0:45:05 | 0:45:07 | |
That's what makes life so interesting. | 0:45:07 | 0:45:10 | |
CLATTERING | 0:45:15 | 0:45:20 | |
Huh? | 0:45:41 | 0:45:42 | |
SHE LAMENTS IN PUNJABI | 0:46:37 | 0:46:39 | |
SHE SOBS | 0:46:50 | 0:46:53 | |
We did lot of repair recently, Uncle. | 0:47:29 | 0:47:32 | |
The roof, the wall was falling down. But I took care of it. | 0:47:32 | 0:47:36 | |
Mmm. | 0:47:36 | 0:47:38 | |
It is looking good, hai na, Uncle? | 0:47:38 | 0:47:41 | |
You can go to England next week, | 0:47:43 | 0:47:45 | |
with no worries about what is happening here. | 0:47:45 | 0:47:48 | |
Everything is in safe hands. | 0:47:48 | 0:47:50 | |
I no going back yet. | 0:47:52 | 0:47:55 | |
Huh? | 0:47:55 | 0:47:56 | |
POPPA CHUCKLES NERVOUSLY | 0:47:56 | 0:47:58 | |
Time we had new house. Modern. | 0:48:00 | 0:48:02 | |
New house? But Uncle, that is very expensive. | 0:48:02 | 0:48:06 | |
And time. What about chippy chop? | 0:48:06 | 0:48:08 | |
-I worry about time and money. -Auntie Ella in England? | 0:48:09 | 0:48:12 | |
We build there. | 0:48:15 | 0:48:17 | |
Pull that damn thing down. | 0:48:17 | 0:48:19 | |
Here. | 0:48:26 | 0:48:27 | |
Nice. | 0:48:29 | 0:48:31 | |
Good. | 0:48:31 | 0:48:33 | |
HINDI SONG PLAYS ON RADIO | 0:48:37 | 0:48:40 | |
I think I would like to get married soon. | 0:48:40 | 0:48:42 | |
-SAJID: -Me, too. | 0:48:43 | 0:48:45 | |
I want... You know. Soon. | 0:48:45 | 0:48:49 | |
Me, too. | 0:48:49 | 0:48:50 | |
Will you get married to a Pakistani girl? | 0:48:53 | 0:48:55 | |
If they all milk cows like that, I might. | 0:48:55 | 0:48:57 | |
Lucky cow. | 0:48:59 | 0:49:01 | |
BOTH LAUGH | 0:49:01 | 0:49:02 | |
INDISTINCT CHATTER | 0:49:04 | 0:49:07 | |
Oh, my God. | 0:49:17 | 0:49:19 | |
-Come on. -What is it? | 0:49:21 | 0:49:23 | |
It's Nana Mouskouri. | 0:49:23 | 0:49:25 | |
Quick! We're gonna lose her. You take that roof, I'll take this one. | 0:49:29 | 0:49:32 | |
Oh, shit. | 0:49:54 | 0:49:55 | |
INAUDIBLE | 0:50:20 | 0:50:22 | |
That one'll turn on you if you're not careful. | 0:50:54 | 0:50:56 | |
He's right, chacha. Maybe you start off with the water buffalo? | 0:50:56 | 0:51:00 | |
I know what I bloody doing. | 0:51:00 | 0:51:02 | |
HE SCOFFS | 0:51:02 | 0:51:03 | |
I doing this when I same size as Sajid. | 0:51:07 | 0:51:11 | |
HE URGES STEER | 0:51:14 | 0:51:17 | |
No, no, no. | 0:51:19 | 0:51:21 | |
What a dickhead. | 0:51:22 | 0:51:23 | |
HE CONTINUES URGING STEER | 0:51:24 | 0:51:26 | |
-LAUGHING: See? POPPA LAUGHING: -Very good, chacha. | 0:51:36 | 0:51:39 | |
GEORGE: No, no, no, no! | 0:51:40 | 0:51:42 | |
Move, basters! | 0:51:46 | 0:51:49 | |
GEORGE BARKS ORDERS IN GROWING FRUSTRATION | 0:51:49 | 0:51:51 | |
HE SIGHS | 0:52:00 | 0:52:02 | |
You are just a bit out of practice, chacha. | 0:52:05 | 0:52:08 | |
I go back to house. | 0:52:16 | 0:52:18 | |
HE GROANS SOFTLY | 0:53:27 | 0:53:28 | |
PIR NASEEM: How does it feel? | 0:54:02 | 0:54:03 | |
-Looks all right. -But how does it feel? | 0:54:04 | 0:54:07 | |
Comfortable. I feel comfortable. | 0:54:07 | 0:54:10 | |
Good. | 0:54:11 | 0:54:12 | |
"He sat, in defiance of municipal orders, | 0:54:13 | 0:54:16 | |
"astride the gun Zam-Zammah | 0:54:17 | 0:54:20 | |
"on her brick platform opposite the old Ajaib-Gher, | 0:54:20 | 0:54:24 | |
"the Wonder House, as the natives call the Lahore Museum." | 0:54:24 | 0:54:29 | |
"Natives"? | 0:54:31 | 0:54:33 | |
-What Imperialist rubbish! IMPATIENTLY: -Pir-ji! | 0:54:33 | 0:54:36 | |
Very well. | 0:54:37 | 0:54:39 | |
"Who holds Zam-Zammah, that fire-breathing cannon..." | 0:54:39 | 0:54:43 | |
-Holds the Punjab! -Holds the Punjab! | 0:54:43 | 0:54:45 | |
GEORGE DISTANTLY: Sajid! Come now! | 0:54:45 | 0:54:49 | |
Come. I'll walk with you. | 0:54:49 | 0:54:51 | |
He's been asking me what you've been teaching me all this time. | 0:54:57 | 0:54:59 | |
-Ah? And what did you tell him? -That you won't tell me anything. | 0:54:59 | 0:55:02 | |
HE LAUGHS | 0:55:02 | 0:55:04 | |
Very good. Very good! | 0:55:04 | 0:55:05 | |
I wish you to remain ignorant. | 0:55:05 | 0:55:07 | |
He's still going on about me being more Pakistani and that. | 0:55:07 | 0:55:10 | |
-You know, traditional. -Mmm. | 0:55:10 | 0:55:12 | |
Your father, and many like him, | 0:55:12 | 0:55:14 | |
have made better lives for themselves abroad. | 0:55:14 | 0:55:17 | |
But do you think you can move to another country | 0:55:17 | 0:55:19 | |
and expect to find everything the same? | 0:55:19 | 0:55:23 | |
That your new world will not affect your life? | 0:55:23 | 0:55:26 | |
As for tradition, well, | 0:55:28 | 0:55:30 | |
I walk to my hut every night by the same path. | 0:55:30 | 0:55:34 | |
Now, if a cobra decides to sit in the middle of that path, | 0:55:34 | 0:55:37 | |
do I walk on and get bitten? | 0:55:37 | 0:55:39 | |
Or do I take the other path and live? | 0:55:39 | 0:55:42 | |
We have to adapt to the situations and worlds we find ourselves in. | 0:55:43 | 0:55:48 | |
The alternative... | 0:55:48 | 0:55:49 | |
Is you'll get your arse bitten by a snake. | 0:55:49 | 0:55:51 | |
LAUGHING: Yes. Amongst other things. | 0:55:51 | 0:55:54 | |
GEORGE: Sajid! | 0:55:54 | 0:55:56 | |
Ah! Go. Your father's waiting for you. | 0:55:56 | 0:55:58 | |
Have you just taught me something? | 0:56:01 | 0:56:03 | |
HE GRUNTS | 0:56:13 | 0:56:14 | |
EXCLAIMING | 0:56:18 | 0:56:19 | |
-SAJID: -Who holds Zam-Zammah holds the Punjab! | 0:56:23 | 0:56:26 | |
Who holds Zam-Zammah holds the Punjab! | 0:56:34 | 0:56:37 | |
Oh! | 0:56:38 | 0:56:39 | |
HE CHUCKLES | 0:56:46 | 0:56:52 | |
You see all life at the Khari Sharif, Sajid. | 0:58:56 | 0:58:59 | |
People from all over the world | 0:58:59 | 0:59:01 | |
travel to worship at the shrine of the Saint. | 0:59:01 | 0:59:04 | |
All are welcome who are in search of the light, | 0:59:04 | 0:59:07 | |
no matter what path they follow. | 0:59:07 | 0:59:10 | |
WHISPERING CONSPIRATORIALLY: Come. Let me show you something. | 0:59:11 | 0:59:13 | |
-What's the point of this one? -What do you see? | 0:59:26 | 0:59:29 | |
Nothing. | 0:59:29 | 0:59:30 | |
Really? | 0:59:30 | 0:59:32 | |
Is it the same rude boy who didn't like my flute playing? | 0:59:32 | 0:59:36 | |
I don't know any more. I don't know what they want. | 0:59:37 | 0:59:41 | |
I don't know who I'm supposed to be. | 0:59:41 | 0:59:43 | |
But you still look like you. | 0:59:43 | 0:59:44 | |
What needs changing? | 0:59:45 | 0:59:47 | |
The boy? | 0:59:47 | 0:59:48 | |
Or the world around him? | 0:59:48 | 0:59:50 | |
TRADITIONAL MUSIC | 0:59:52 | 0:59:55 | |
Sajid. | 1:00:34 | 1:00:36 | |
Thank you for looking after him. | 1:00:56 | 1:00:58 | |
Sajid needs no looking after. | 1:00:59 | 1:01:01 | |
No, he has changed. I see it. | 1:01:01 | 1:01:04 | |
He not the boy I brought here. | 1:01:05 | 1:01:08 | |
That boy will always be there. | 1:01:08 | 1:01:10 | |
You just have to learn to accept him. | 1:01:10 | 1:01:12 | |
He's part of you, Jahangir. | 1:01:14 | 1:01:17 | |
Of your past, your future. | 1:01:17 | 1:01:19 | |
Part of the world you created for him. | 1:01:19 | 1:01:22 | |
When Sajid look at you, | 1:01:24 | 1:01:26 | |
there's love in his eyes. | 1:01:26 | 1:01:28 | |
If only he'd do the same to me. | 1:01:29 | 1:01:32 | |
Just once. | 1:01:32 | 1:01:33 | |
MUSIC: "Main Ho Gaee Dildar Ki" | 1:01:40 | 1:01:41 | |
HE LIP-SYNCHS LYRICS | 1:01:48 | 1:01:50 | |
HORN HONKING | 1:02:11 | 1:02:13 | |
MUSICIANS SING | 1:02:16 | 1:02:20 | |
INAUDIBLE | 1:02:28 | 1:02:30 | |
-Come on! -Where? | 1:02:31 | 1:02:32 | |
We're going to a wedding. | 1:02:32 | 1:02:34 | |
THEY SING | 1:02:38 | 1:02:40 | |
ALL CHEER IN TIME | 1:02:46 | 1:02:51 | |
Come on, now's our chance. | 1:03:11 | 1:03:13 | |
-Salam alaikum. -Wa alaikum as-salam. | 1:03:22 | 1:03:25 | |
-Say exactly what I say, all right? -Yeah. | 1:03:25 | 1:03:28 | |
Massi-ji, I hope you do not think | 1:03:28 | 1:03:29 | |
that I am being disrespectful to you or your family. | 1:03:29 | 1:03:32 | |
We are from the same village. | 1:03:35 | 1:03:37 | |
I am the son of Jahangir Khan. The fish fryer. | 1:03:38 | 1:03:42 | |
From long way across the big water, in Salford, England. | 1:03:47 | 1:03:51 | |
Near Bradford? | 1:03:53 | 1:03:55 | |
THEY MURMUR IN SUDDEN COMPREHENSION | 1:03:57 | 1:03:59 | |
I have seen your daughter, | 1:04:01 | 1:04:03 | |
though I haven't been looking at her | 1:04:03 | 1:04:05 | |
in the way that you are thinking. | 1:04:05 | 1:04:07 | |
-You know... -IN LANCASHIRE ACCENT: -Aye, | 1:04:07 | 1:04:09 | |
and you're gonna get yourself in heap big bleedin' trouble | 1:04:09 | 1:04:11 | |
as well, pale face, if you keep following me about. | 1:04:11 | 1:04:13 | |
-Where are you from? -Japan. | 1:04:13 | 1:04:16 | |
Where do you think, knobhead? Rochdale. | 1:04:16 | 1:04:18 | |
-What you doing here? -After a husband. | 1:04:18 | 1:04:20 | |
-What about you? -After a wife. | 1:04:20 | 1:04:22 | |
SPEAKS PUNJABI | 1:04:22 | 1:04:24 | |
GIRLS GIGGLE | 1:04:24 | 1:04:26 | |
Do you think I'm a cradle snatcher? | 1:04:26 | 1:04:27 | |
I'd like to talk to your dad, actually. I've got a proposition for him. | 1:04:27 | 1:04:30 | |
He's dead. Tell us. We make all the decisions now. | 1:04:31 | 1:04:35 | |
CHATTERS IN PUNJABI | 1:04:35 | 1:04:36 | |
SAJID URGES GOATS | 1:04:55 | 1:04:56 | |
HORN HONKS | 1:05:03 | 1:05:04 | |
MURMURING: Ella? | 1:05:23 | 1:05:25 | |
Hiya, George. Bet I'm the last person you thought you'd see. | 1:05:34 | 1:05:37 | |
SHE EXCLAIMS SOFTLY | 1:05:52 | 1:05:53 | |
I knew crimplene would be wrong for this weather. | 1:05:53 | 1:05:56 | |
SHE SIGHS | 1:05:57 | 1:05:59 | |
Mmm! These are the best kebabs I have ever tasted. | 1:06:06 | 1:06:09 | |
And I know my kebabs. | 1:06:09 | 1:06:12 | |
Try them, Ella, they're bleedin' gorgeous. | 1:06:12 | 1:06:14 | |
-ENUNCIATING LOUDLY: -Did you make them, love? | 1:06:16 | 1:06:19 | |
I'll have to get your recipe. Swap you with one of mine. | 1:06:19 | 1:06:22 | |
Has she ever had roly-poly pudding? | 1:06:24 | 1:06:25 | |
Oh, no, ta, cock. I'm stuffed. | 1:06:27 | 1:06:29 | |
Um... Hmm? No? No? Mmm? | 1:06:32 | 1:06:37 | |
CIGARETTE LIGHTER CLICKS | 1:06:43 | 1:06:45 | |
-ANNIE: -Mmm! | 1:06:47 | 1:06:50 | |
CLEARS THROAT: So, Annie, | 1:06:53 | 1:06:55 | |
who look after your Peter while you're here? | 1:06:55 | 1:06:57 | |
-LOUDLY: -That's my husband. | 1:06:59 | 1:07:01 | |
Husband. | 1:07:03 | 1:07:05 | |
No, he's fine, George. I got a load of baked beans in for him. | 1:07:05 | 1:07:08 | |
-ENUNCIATES LOUDLY: -My husband is bloody useless. | 1:07:09 | 1:07:13 | |
-CHUCKLES: -He's only good for one thing. | 1:07:14 | 1:07:16 | |
And he's never been very good at that! | 1:07:16 | 1:07:18 | |
SHE SNIGGERS | 1:07:18 | 1:07:19 | |
How is chippy chop? | 1:07:21 | 1:07:23 | |
Shut. | 1:07:28 | 1:07:30 | |
Mam? | 1:07:31 | 1:07:34 | |
Maneer! | 1:07:34 | 1:07:35 | |
CHUCKLES EXCITEDLY | 1:07:35 | 1:07:37 | |
-Flower. Flower! -Auntie Annie. | 1:07:40 | 1:07:42 | |
ANNIE GRUNTS AFFECTIONATELY | 1:07:42 | 1:07:44 | |
Hello, love! Well, come here and give us a kiss. | 1:07:44 | 1:07:47 | |
I've missed you! | 1:07:47 | 1:07:49 | |
You look so different. | 1:07:51 | 1:07:52 | |
-What are you doing here? -I... | 1:07:52 | 1:07:55 | |
I've come to take you home. | 1:07:55 | 1:07:57 | |
I'm not going! | 1:07:57 | 1:07:59 | |
Sajid? | 1:08:01 | 1:08:02 | |
So, this is where he keeps the harem, then. | 1:08:10 | 1:08:14 | |
Piss off, you. | 1:08:14 | 1:08:15 | |
Don't worry about Sajid, Mam. A lot's happened. | 1:08:15 | 1:08:18 | |
Right! Maneer, you were gonna show me the loo? | 1:08:21 | 1:08:25 | |
Uh, everything all right? | 1:08:31 | 1:08:34 | |
You can make it more lighting if you wanting. | 1:08:34 | 1:08:36 | |
CHUCKLES: You make me a bloody surprise seeing you here. | 1:08:40 | 1:08:43 | |
Yeah? | 1:08:43 | 1:08:45 | |
Think how surprised I was when I didn't see you after four weeks. | 1:08:45 | 1:08:48 | |
I had it all worked out, what I was going to say to you when I saw you. | 1:08:58 | 1:09:02 | |
Now I'm here, | 1:09:02 | 1:09:03 | |
I don't know what I'm more angry about. | 1:09:05 | 1:09:08 | |
That you've been gone months, | 1:09:08 | 1:09:10 | |
or that you cleaned the bank account out. | 1:09:10 | 1:09:13 | |
I needing more money for house. | 1:09:17 | 1:09:19 | |
And what was I supposed to live on? | 1:09:19 | 1:09:21 | |
Scotch bleedin' mist? | 1:09:21 | 1:09:24 | |
A month we said, George. | 1:09:24 | 1:09:25 | |
-Ella... -We agreed. | 1:09:25 | 1:09:28 | |
I don't remember anyone talking about you building a bastard house out here! | 1:09:28 | 1:09:32 | |
I was to go write letter, but, uh... | 1:09:32 | 1:09:34 | |
Did I deserve this, did I? | 1:09:34 | 1:09:37 | |
All these years, doing things your way? | 1:09:37 | 1:09:40 | |
Trying to make the kids understand you. | 1:09:40 | 1:09:44 | |
And you do this to me? | 1:09:44 | 1:09:45 | |
What? | 1:09:45 | 1:09:47 | |
-I... I only... -You made me look stupid | 1:09:47 | 1:09:51 | |
-in front of everyone. -No, Ella. | 1:09:51 | 1:09:54 | |
Oh, what's the bleedin' point? | 1:09:54 | 1:09:57 | |
Basheera, my daughters... When I see how things are here... | 1:09:57 | 1:10:02 | |
-Ella, I having to... -Or was it my turn, was it, George? | 1:10:02 | 1:10:06 | |
To hang about, waiting for you to come home? | 1:10:06 | 1:10:09 | |
Like that poor cow out there? | 1:10:09 | 1:10:12 | |
I never mean to hurt you, Ella. | 1:10:12 | 1:10:14 | |
I only come to help with Sajid. Then, uh... | 1:10:14 | 1:10:17 | |
Then what? | 1:10:19 | 1:10:20 | |
We'll not be here long. | 1:10:29 | 1:10:31 | |
I just came for Sajid. | 1:10:31 | 1:10:33 | |
-Ella... -Just leave me, George. | 1:10:35 | 1:10:37 | |
HE SIGHS | 1:10:43 | 1:10:46 | |
SHE SNORES FITFULLY | 1:10:54 | 1:10:56 | |
SHE GRUNTS | 1:11:00 | 1:11:02 | |
Annie! | 1:11:02 | 1:11:04 | |
STOMACH RUMBLES | 1:11:06 | 1:11:07 | |
-Annie. -LOUD GURGLING | 1:11:08 | 1:11:10 | |
Oh! | 1:11:10 | 1:11:11 | |
It's probably wind. | 1:11:11 | 1:11:13 | |
Probably kebabs. I need the little girls' field. | 1:11:13 | 1:11:16 | |
Quick! | 1:11:16 | 1:11:18 | |
(Told you the food was going to be richer over here.) | 1:11:21 | 1:11:24 | |
STOMACH GURGLES Ow! Ooh! | 1:11:25 | 1:11:27 | |
Good Jesus tonight, that was close. | 1:11:27 | 1:11:29 | |
I don't think I can hold it in any longer. | 1:11:34 | 1:11:36 | |
Don't you dare shit yourself in front of this lot. | 1:11:36 | 1:11:38 | |
NERVOUSLY: Hi. | 1:11:42 | 1:11:44 | |
March on. Think of Salford. | 1:11:44 | 1:11:46 | |
GURGLING CONTINUES | 1:11:46 | 1:11:47 | |
ANNIE GROANS | 1:11:50 | 1:11:53 | |
Nearly finished, Uncle, huh? | 1:12:12 | 1:12:14 | |
GEORGE GRUNTS EQUIVOCALLY | 1:12:14 | 1:12:16 | |
Maybe. | 1:12:17 | 1:12:19 | |
Good work. | 1:12:21 | 1:12:22 | |
Have you thought about what you're going to do, now it is finished? | 1:12:24 | 1:12:29 | |
Only, the family were wondering if you would be staying here, | 1:12:31 | 1:12:35 | |
or going back to England with Auntie Ella and the boys. | 1:12:35 | 1:12:39 | |
QUIETLY: Perhaps we can't go back. | 1:12:43 | 1:12:45 | |
You, the boys and Auntie, is that, Uncle? | 1:12:46 | 1:12:50 | |
Maybe I should never have left. | 1:12:53 | 1:12:56 | |
Uh... | 1:13:02 | 1:13:03 | |
Does this look like burnt copper to you? | 1:13:16 | 1:13:18 | |
More like tandoori red. | 1:13:20 | 1:13:22 | |
SHE EXHALES FORCEFULLY | 1:13:27 | 1:13:28 | |
-POPPA: -This house was built for everybody, you know? | 1:13:40 | 1:13:42 | |
Yeah, well, I'm living in it now and will be till I decide to leave. | 1:13:42 | 1:13:46 | |
-Oh, no, me mam. Here we go. Come on. -Leave them to it! | 1:13:46 | 1:13:49 | |
REHANA SHOUTS | 1:13:49 | 1:13:51 | |
Mam. Come on. | 1:13:52 | 1:13:54 | |
-Come on, Ella, leave it. -No! | 1:13:54 | 1:13:55 | |
England, is it, love? Well, don't knock it, | 1:13:57 | 1:13:59 | |
'cause it's kept you for the past 30 years! | 1:13:59 | 1:14:01 | |
But actually, Auntie, we have worked very hard here, isn't it, Uncle? | 1:14:01 | 1:14:04 | |
You? You haven't done a hard day's work in your life, you bone-idle bastard. | 1:14:04 | 1:14:08 | |
And don't you start, either, 'cause I'm ready for you as well. | 1:14:08 | 1:14:11 | |
No, enough. | 1:14:20 | 1:14:21 | |
She had a terrible life. A hard life with no husband. | 1:14:25 | 1:14:29 | |
Do you think mine was any easier, do you? | 1:14:29 | 1:14:31 | |
Watching every penny we made being sent over here, | 1:14:31 | 1:14:33 | |
to buy more bleedin' land than none of my kids will ever see? | 1:14:33 | 1:14:37 | |
Your kids have never seen a real father, is it, love? | 1:14:38 | 1:14:40 | |
Well, nor have mine. | 1:14:40 | 1:14:42 | |
They won't come near my house because of him. | 1:14:42 | 1:14:45 | |
So don't you tell me what a hard life you've had, | 1:14:45 | 1:14:47 | |
'cause I've had it in spades. And what have I got to show for it? | 1:14:47 | 1:14:50 | |
-Nothing! Not even my kids! -Shut it! Shut up, will you? | 1:14:50 | 1:14:54 | |
MOOING | 1:15:02 | 1:15:03 | |
Maneer! Have you seen our Sajid? | 1:15:26 | 1:15:28 | |
No! | 1:15:30 | 1:15:32 | |
What matter? | 1:15:32 | 1:15:34 | |
It's Sajid! He's still out in this somewhere! | 1:15:34 | 1:15:37 | |
HE URGES CATTLE | 1:15:42 | 1:15:45 | |
I go looking. You stay here. Go inside! | 1:15:48 | 1:15:51 | |
Find him, George! | 1:15:52 | 1:15:53 | |
SHUTTERS BANG | 1:15:59 | 1:16:00 | |
Jesus. | 1:16:04 | 1:16:06 | |
Not now. | 1:16:13 | 1:16:14 | |
I can't do this now. | 1:16:14 | 1:16:15 | |
Oh, you were... | 1:16:43 | 1:16:45 | |
You were very beautiful. | 1:16:47 | 1:16:49 | |
You, | 1:16:51 | 1:16:53 | |
beautiful. | 1:16:53 | 1:16:55 | |
Jahangir... | 1:17:38 | 1:17:39 | |
I didn't know about you, | 1:17:44 | 1:17:47 | |
either. | 1:17:48 | 1:17:50 | |
I... | 1:18:21 | 1:18:23 | |
I don't know what you're saying. | 1:18:23 | 1:18:25 | |
But you sound very kind. | 1:18:26 | 1:18:28 | |
You shouldn't be. | 1:18:31 | 1:18:33 | |
He's been with me all these years, | 1:18:33 | 1:18:36 | |
and I've never really asked him about you and your girls. | 1:18:36 | 1:18:39 | |
I don't think I wanted to know. | 1:18:41 | 1:18:43 | |
I didn't care. | 1:18:45 | 1:18:47 | |
Do you understand me? | 1:18:48 | 1:18:50 | |
Jahangir... | 1:19:13 | 1:19:14 | |
HE SIGHS | 1:19:55 | 1:19:56 | |
-OK? -Yeah, yeah. | 1:19:56 | 1:19:58 | |
Open your eyes. | 1:19:59 | 1:20:01 | |
HE BLOWS | 1:20:01 | 1:20:02 | |
HE SIGHS | 1:20:07 | 1:20:09 | |
I always wanting going those villages up there in the hills. | 1:20:13 | 1:20:17 | |
And villages after them, and after them, and after them. | 1:20:19 | 1:20:22 | |
No one believe I would go do this thing. | 1:20:23 | 1:20:26 | |
My father laugh at me. | 1:20:26 | 1:20:28 | |
And did you? | 1:20:29 | 1:20:31 | |
CHUCKLES: What you thinking? | 1:20:31 | 1:20:33 | |
I reckon you probably did it. | 1:20:33 | 1:20:35 | |
Everyone in the village stand there and watch me go. | 1:20:36 | 1:20:39 | |
I only maybe same age as you. | 1:20:39 | 1:20:42 | |
Weren't you scared? | 1:20:42 | 1:20:45 | |
Only when I was walking out of a village and then walking back in. | 1:20:45 | 1:20:48 | |
And one day, | 1:20:52 | 1:20:54 | |
I walk out and no come back. | 1:20:54 | 1:20:56 | |
No see my parents again. | 1:21:00 | 1:21:02 | |
Never see my children grow up. | 1:21:03 | 1:21:06 | |
No see Basheera. | 1:21:06 | 1:21:08 | |
It's terrible thing I do, Sajid. | 1:21:11 | 1:21:13 | |
But you found your way back, didn't you? | 1:21:16 | 1:21:18 | |
That's the important thing. You came back. | 1:21:18 | 1:21:21 | |
HE CHUCKLES SOFTLY | 1:21:21 | 1:21:22 | |
Come, let's go back home. | 1:21:28 | 1:21:29 | |
Here. | 1:21:37 | 1:21:38 | |
Sajid. | 1:21:50 | 1:21:51 | |
Who are you waving at? | 1:22:04 | 1:22:05 | |
Oh, I thought I saw Pir Naseem. | 1:22:05 | 1:22:07 | |
Aye up, Mam, they're coming. | 1:22:07 | 1:22:09 | |
Quick, bend. | 1:22:13 | 1:22:15 | |
Mam! | 1:22:15 | 1:22:17 | |
He'll be more impressed with three. | 1:22:17 | 1:22:19 | |
He'd better be, | 1:22:19 | 1:22:21 | |
'cause I'm only going to be turning the bleedin' tap on in England. | 1:22:21 | 1:22:24 | |
All right, Sajid? | 1:22:28 | 1:22:29 | |
All right, Nelly? This is our Maneer. | 1:22:31 | 1:22:33 | |
All right, Maneer? | 1:22:33 | 1:22:35 | |
-NERVOUSLY: -Yeah. Yeah, hiya. | 1:22:35 | 1:22:38 | |
-STAMMERING: -I mean, salam alaikum. -Wa alaikum salam. | 1:22:38 | 1:22:41 | |
Been here long have you? | 1:22:41 | 1:22:43 | |
Um, about... | 1:22:43 | 1:22:45 | |
Year or so, eh, Maneer? | 1:22:46 | 1:22:48 | |
Yeah, year or so. | 1:22:48 | 1:22:49 | |
And you're looking to get married, I hear. | 1:22:49 | 1:22:51 | |
-Am I? -TENSELY: -Yes, you are. | 1:22:52 | 1:22:54 | |
-Yes, I am. -So am I. | 1:22:54 | 1:22:56 | |
-Did he say... -Is he all there, | 1:22:58 | 1:23:00 | |
-or does he want it in sign language? -Sorry. | 1:23:00 | 1:23:02 | |
-STAMMERING: -Excuse me, I've got... | 1:23:02 | 1:23:05 | |
Oi! I've got three pots on me head, you know! | 1:23:05 | 1:23:09 | |
-So what do you think, then? -I love a decisive man, me. | 1:23:12 | 1:23:15 | |
-Is that a yes, then? -Not pushy or owt, are you? | 1:23:15 | 1:23:18 | |
You better bring him round to meet me mam. | 1:23:19 | 1:23:21 | |
Now sod off so I can get rid of these bleedin' pots | 1:23:21 | 1:23:23 | |
before they do me neck in. | 1:23:23 | 1:23:24 | |
Yes! | 1:23:25 | 1:23:27 | |
Who is she? Where does she come from? How do you know her? | 1:23:30 | 1:23:32 | |
Her name's Neelam Haqq. She's from Rochdale | 1:23:32 | 1:23:35 | |
-and she works in the dentist's. -What else? | 1:23:35 | 1:23:36 | |
She's got nice teeth, ain't she? | 1:23:36 | 1:23:38 | |
She's not engaged or married or owt, is she? | 1:23:38 | 1:23:39 | |
Keep your hair on. I've arranged for everything, all right? | 1:23:39 | 1:23:42 | |
We'll go and meet her mam, who I know quite well, | 1:23:42 | 1:23:44 | |
so I don't foresee any problems. | 1:23:44 | 1:23:46 | |
So does she meet with your satisfaction, or shall I tell her you don't fancy her? | 1:23:51 | 1:23:54 | |
No! I like her. She looks... | 1:23:54 | 1:23:56 | |
She looks like... | 1:23:56 | 1:23:58 | |
I know. | 1:23:58 | 1:23:59 | |
I'm great, me, aren't I? | 1:23:59 | 1:24:01 | |
DOOR CREAKS | 1:24:09 | 1:24:10 | |
Well, come in, if you're coming in. | 1:24:15 | 1:24:16 | |
Uh... HE CLEARS HIS THROAT | 1:24:22 | 1:24:24 | |
I wanted, uh, ask you | 1:24:24 | 1:24:28 | |
for help me. | 1:24:28 | 1:24:29 | |
Oh, yeah? | 1:24:31 | 1:24:33 | |
Maneer, he tell me he see girl in village. | 1:24:33 | 1:24:36 | |
Our Sajid said. | 1:24:37 | 1:24:39 | |
He ask if possible arrange engagement. | 1:24:39 | 1:24:43 | |
Will you come with me? | 1:24:46 | 1:24:48 | |
If you think it'll help. | 1:24:48 | 1:24:50 | |
Yeah? | 1:24:51 | 1:24:53 | |
HE SIGHS | 1:24:53 | 1:24:54 | |
All years in England, I think about Pakistan. | 1:24:56 | 1:25:00 | |
Wife and the children. | 1:25:01 | 1:25:03 | |
You don't have to say anything. | 1:25:03 | 1:25:05 | |
No, Ella. | 1:25:05 | 1:25:07 | |
All years I send money, | 1:25:07 | 1:25:08 | |
I think I good man, | 1:25:10 | 1:25:11 | |
look after family here. | 1:25:13 | 1:25:15 | |
But I not really think about them. You know? | 1:25:16 | 1:25:19 | |
What happening. How their lives are. | 1:25:21 | 1:25:24 | |
When I bring Sajid here, | 1:25:26 | 1:25:27 | |
when I see them, | 1:25:29 | 1:25:31 | |
it make me feel so bad inside. | 1:25:31 | 1:25:34 | |
It make me feel like I wanting die. | 1:25:36 | 1:25:39 | |
Is why I stay here so long. | 1:25:41 | 1:25:43 | |
I ashamed myself. | 1:25:44 | 1:25:46 | |
I know, George. | 1:25:46 | 1:25:48 | |
VOICE BREAKING: You good woman, Ella. | 1:25:49 | 1:25:51 | |
Always looking after me, | 1:25:53 | 1:25:55 | |
believing in me. | 1:25:55 | 1:25:57 | |
Even when people call you name on a street | 1:25:59 | 1:26:02 | |
because you are with a Pakistani man. | 1:26:02 | 1:26:04 | |
I see how they make you feel. | 1:26:06 | 1:26:08 | |
But you never care. | 1:26:10 | 1:26:13 | |
STIFLING SOBS: You take my arm and walk with me. | 1:26:13 | 1:26:15 | |
And I treat you like this. | 1:26:17 | 1:26:19 | |
I sorry. I'm... I wrong. | 1:26:21 | 1:26:24 | |
HE CRIES SOFTLY | 1:26:26 | 1:26:27 | |
George. | 1:26:31 | 1:26:32 | |
I love you, Ella. | 1:26:33 | 1:26:35 | |
I love you, too, you daft bugger. | 1:26:40 | 1:26:43 | |
BOTH CRY SOFTLY | 1:26:46 | 1:26:48 | |
CHILDREN SHOUT EXCITEDLY | 1:26:51 | 1:26:53 | |
INDISTINCT | 1:26:58 | 1:27:02 | |
-Salam alaikum, Ji. -GEORGE: Wa alaikum as-salam. | 1:27:07 | 1:27:10 | |
BREATHING DEEPLY | 1:27:15 | 1:27:16 | |
Oh, God. I didn't think you were gonna come. | 1:27:16 | 1:27:20 | |
Hot, isn't it? Did you find it hot when you got here? | 1:27:20 | 1:27:22 | |
I was sweating cobs, me, when I first came. Weren't I, Mam? | 1:27:22 | 1:27:26 | |
Drenched in it, I was. I know your Sajid were and all. | 1:27:26 | 1:27:29 | |
Oh, he's dead nice, him, isn't he? I bet he's a handful, though. | 1:27:29 | 1:27:32 | |
Told me all he'd been up to. God, what a little bleeder... | 1:27:32 | 1:27:36 | |
Sorry. I'm dead nervous, me. I just run off at the mouth | 1:27:36 | 1:27:38 | |
-like I'm doing now. -CHUCKLES NERVOUSLY | 1:27:38 | 1:27:40 | |
-HESITANTLY: -Mrs Khan? | 1:27:41 | 1:27:43 | |
Oh, God! "Mrs Khan"! | 1:27:43 | 1:27:45 | |
I'll be Mrs Khan and all, soon! | 1:27:45 | 1:27:47 | |
Funny that, isn't it? Mrs Khan number two. | 1:27:47 | 1:27:50 | |
Uh, three. | 1:27:50 | 1:27:52 | |
Oh, yeah? 'Cause of, um... | 1:27:52 | 1:27:54 | |
Thingmebob. | 1:27:56 | 1:27:57 | |
Very good. | 1:28:05 | 1:28:06 | |
ALL CHEER | 1:28:37 | 1:28:41 | |
INDISTINCT | 1:29:02 | 1:29:04 | |
ALL CHEER | 1:29:04 | 1:29:07 | |
INDISTINCT | 1:29:08 | 1:29:09 | |
HE SIGHS | 1:30:49 | 1:30:51 | |
BOTH BID FAREWELL | 1:31:59 | 1:32:01 | |
BASHEERA CHATTERS INDISTINCTLY | 1:32:07 | 1:32:09 | |
Thank you very much. | 1:32:22 | 1:32:23 | |
Write to me, knobhead. | 1:32:45 | 1:32:47 | |
Sajid. | 1:32:51 | 1:32:53 | |
Who holds Zam-Zammah... | 1:32:53 | 1:32:55 | |
Holds the Punjab. | 1:32:58 | 1:32:59 | |
You all right, Eunice? | 1:33:50 | 1:33:52 | |
Ah, ta. | 1:33:52 | 1:33:53 | |
Eh, my lot can't get enough of your kebabs, Annie. | 1:33:53 | 1:33:57 | |
Well, it's an old family recipe. | 1:33:57 | 1:33:58 | |
Isn't it, George? | 1:34:01 | 1:34:02 | |
Uh-huh. | 1:34:02 | 1:34:03 | |
Want a cup of tea? | 1:34:05 | 1:34:06 | |
I'll have a half a cup. | 1:34:07 | 1:34:09 |