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This film contains very strong language. | 0:00:24 | 0:00:31 | |
ORDELL: So you done heard it now... | 0:00:37 | 0:00:39 | |
So... | 0:00:39 | 0:00:42 | |
what do you think? | 0:00:42 | 0:00:43 | |
LOUIS: What I don't see, I don't see a schedule of events. | 0:00:43 | 0:00:47 | |
It's a little loose. | 0:00:48 | 0:00:50 | |
But see, what we are right now is be flexible. You see what I mean? | 0:00:50 | 0:00:54 | |
And it can go down any time once the old man is gone. | 0:00:54 | 0:00:56 | |
And now that we know that he's going away and she going to be there all alone, | 0:00:56 | 0:00:59 | |
that might be too good to wait. | 0:00:59 | 0:01:02 | |
The guy's pulling about 50K a month out of Detroit. | 0:01:04 | 0:01:07 | |
Not declaring it, not paying taxes, any of that shit. | 0:01:07 | 0:01:10 | |
OK, why isn't that enough? Hold that over his head. | 0:01:10 | 0:01:13 | |
He pays you or you go to the Federal Building. | 0:01:13 | 0:01:15 | |
Because I know he's doing it, but I can't prove it. | 0:01:15 | 0:01:18 | |
I tell you, the man ain't dumb. It ain't like he got his name on no papers or nothing. | 0:01:18 | 0:01:22 | |
We take this man's wife... | 0:01:22 | 0:01:24 | |
OK, he's so scared that he gotta pay. | 0:01:24 | 0:01:28 | |
And it ain't like he can stall us out and tell us, | 0:01:28 | 0:01:30 | |
"It's going to take me a couple of weeks to get the money together." | 0:01:30 | 0:01:32 | |
Not if he want to see his wife again. | 0:01:32 | 0:01:36 | |
Hey, listen, Louis, you done heard all about it. | 0:01:36 | 0:01:39 | |
You with it or not? | 0:01:39 | 0:01:41 | |
DOOR OPENS | 0:01:51 | 0:01:53 | |
SIGHS | 0:01:56 | 0:01:57 | |
Guy come out behind me? | 0:02:13 | 0:02:15 | |
No. | 0:02:15 | 0:02:18 | |
Wait. | 0:02:18 | 0:02:19 | |
Yeah, you mean this big dude with the Borsalino? | 0:02:19 | 0:02:22 | |
Um, yeah. | 0:02:22 | 0:02:23 | |
I'm in the can, comes up, says, "Hey, loan me some money." | 0:02:23 | 0:02:26 | |
I say, "Loan you some money? You want a buck for a drink, what?" | 0:02:26 | 0:02:29 | |
He pulls a knife, says he wants to borrow whatever I got in my wallet. | 0:02:29 | 0:02:32 | |
Mother took 27. | 0:02:32 | 0:02:34 | |
Talk some shit to him. Try to get him out in the middle of the street. | 0:02:38 | 0:02:42 | |
-Nah, I don't think it'd work. -Try it. | 0:02:42 | 0:02:44 | |
If it don't, then keep running. | 0:02:44 | 0:02:47 | |
Hey, you! | 0:02:56 | 0:02:58 | |
The fuck you want? You want to take another 30 leak? | 0:02:58 | 0:03:01 | |
-What? -How about you quit hiding behind a knife | 0:03:01 | 0:03:03 | |
and a bunch of women, you fat tub of shit and come out here? | 0:03:03 | 0:03:07 | |
-What the... -That's right. | 0:03:07 | 0:03:10 | |
BOTH GRUNTING | 0:03:15 | 0:03:17 | |
Get your ass up. Come on! | 0:03:19 | 0:03:22 | |
HONKING | 0:03:30 | 0:03:32 | |
WOMAN: Damn! | 0:03:33 | 0:03:35 | |
PANTING | 0:03:44 | 0:03:46 | |
TYRES SQUEAL | 0:03:48 | 0:03:49 | |
GRUNTS | 0:03:49 | 0:03:50 | |
-Dropped this. -Yeah. | 0:04:10 | 0:04:12 | |
How much this cost him? | 0:04:12 | 0:04:14 | |
Couple hundred. | 0:04:14 | 0:04:16 | |
I hope he learned something, but I doubt it. | 0:04:16 | 0:04:19 | |
CHUCKLING | 0:04:21 | 0:04:24 | |
MUSIC PLAYING: Sunny by Michael Bradford feat. Michael North | 0:04:24 | 0:04:26 | |
# Sunny | 0:04:26 | 0:04:27 | |
# Yesterday my life was filled with rain... # | 0:04:27 | 0:04:31 | |
FRANK: 'Eighteenth hole. The guy's standing over | 0:04:34 | 0:04:36 | |
'his tee shot for what seems like an eternity.' | 0:04:36 | 0:04:38 | |
Finally his partner says, "What is taking you so long? | 0:04:38 | 0:04:41 | |
"Hit the damn ball!" | 0:04:41 | 0:04:43 | |
The guys says, "Well, my wife is up there watching from the clubhouse, | 0:04:43 | 0:04:46 | |
"and I want to make this a perfect shot." | 0:04:46 | 0:04:48 | |
His partner says, "Give me a break!" | 0:04:48 | 0:04:50 | |
"There ain't a snowball's chance in hell you're going to hit her from here!" | 0:04:50 | 0:04:53 | |
LAUGHTER | 0:04:53 | 0:04:55 | |
Hi. | 0:04:58 | 0:04:59 | |
-Hi. -Hi. | 0:04:59 | 0:05:01 | |
-How you doing, Marshall? -I'm great. | 0:05:01 | 0:05:03 | |
RAY: Mr and Mrs Frank Dawson. Tally-ho, everyone. | 0:05:06 | 0:05:09 | |
What happened, they couldn't find a bigger trophy? | 0:05:09 | 0:05:12 | |
I'm going to have to buy a bigger house to put it in. | 0:05:12 | 0:05:15 | |
-Have you met Mickey, my wife? -No. Hi, Mickey. | 0:05:15 | 0:05:17 | |
-Ray Shelby. -Nice to meet you. | 0:05:17 | 0:05:19 | |
She's the other trophy in my life. | 0:05:19 | 0:05:21 | |
RAY CHUCKLING | 0:05:21 | 0:05:23 | |
WOMEN TALKING INDISTINCTLY | 0:05:26 | 0:05:28 | |
-Hello, Mickey. -Hi. | 0:05:30 | 0:05:32 | |
MICKEY: Frank. | 0:05:38 | 0:05:40 | |
Hey, Frank. | 0:05:40 | 0:05:43 | |
I'll drive. I'd really like to. | 0:05:43 | 0:05:45 | |
FRANK: You know what's funny? | 0:05:47 | 0:05:48 | |
After 15 years, I still have to explain to you this is work, winning this thing. | 0:05:48 | 0:05:51 | |
-Frank... -You make remarks like it's a piece of shit. | 0:05:51 | 0:05:53 | |
I never said that! Frank. Watch the road! | 0:05:53 | 0:05:55 | |
HORN BLARING | 0:05:55 | 0:05:56 | |
This here is like the Statue of Liberty with a golfer on top! | 0:05:56 | 0:05:58 | |
Please watch the road. I did not say that. | 0:05:58 | 0:06:00 | |
An innocent little voice, "Cute little Mickey Dawson." | 0:06:02 | 0:06:05 | |
"Oh, my, isn't she precious. Such a skinny little thing." | 0:06:05 | 0:06:07 | |
"I wonder, how does she keep her figure?" | 0:06:07 | 0:06:10 | |
What she does is she watches her husband like a hawk! | 0:06:10 | 0:06:12 | |
-Pecking at him... -Careful! Stop! | 0:06:12 | 0:06:14 | |
-Counting his drinks. -Just leave the car out here, please. | 0:06:14 | 0:06:16 | |
Gets so wrapped in it, she burns calories. | 0:06:16 | 0:06:18 | |
-OK, slow down! It's fine. -I got this. | 0:06:18 | 0:06:21 | |
What the hell! | 0:06:21 | 0:06:23 | |
Why did you park in the middle of the driveway? | 0:06:23 | 0:06:25 | |
I'm never driving drunk with you again! | 0:06:34 | 0:06:38 | |
And now you're saying I'm drunk! | 0:06:38 | 0:06:41 | |
EXCLAIMS | 0:06:46 | 0:06:48 | |
DOOR SLAMS SHUT | 0:06:52 | 0:06:54 | |
This here, your Kentucky rifle. | 0:06:55 | 0:06:58 | |
Black powder musket, flintlock. | 0:06:58 | 0:07:02 | |
Winchester Mercury, 12-gauge, double barrel, short. | 0:07:02 | 0:07:06 | |
Blow a hole in you the size of a basketball, close in. | 0:07:06 | 0:07:09 | |
M1 Garand, Army, World War II. | 0:07:10 | 0:07:14 | |
-That's beautiful. -German standard issue. | 0:07:14 | 0:07:18 | |
M1 carbine, standard issue. | 0:07:18 | 0:07:21 | |
US Army, World War II. | 0:07:21 | 0:07:23 | |
Lot of people think this is a Luger. This is not. It's a Walther P38. | 0:07:23 | 0:07:27 | |
Your dad was in the war, right? | 0:07:27 | 0:07:30 | |
-Yeah, tank gunner. -Yeah, but... | 0:07:30 | 0:07:34 | |
Which side was he on? | 0:07:35 | 0:07:38 | |
So, Richard, you're telling me all these herbs come from your own garden? | 0:07:38 | 0:07:41 | |
-Yeah, from the fall. They're dried now. -Um, really good. | 0:07:41 | 0:07:45 | |
You went and pee in this, did you? I just fucking with you. | 0:07:45 | 0:07:48 | |
I know you ain't peed. I could tell if you did, though. | 0:07:48 | 0:07:51 | |
What? What's the matter? | 0:07:51 | 0:07:53 | |
Oh, that. That ain't... | 0:07:53 | 0:07:55 | |
It's actually my favourite. But you know, Richard don't think... | 0:07:55 | 0:07:59 | |
Some niggas is all right, ain't they? Right? | 0:07:59 | 0:08:02 | |
Some. | 0:08:02 | 0:08:03 | |
You like that Diahann Carroll, don't you? | 0:08:03 | 0:08:06 | |
Don't get cute for company. You talk about her all the time. | 0:08:06 | 0:08:10 | |
But the rest of them, and I tend to agree with him on this one, | 0:08:10 | 0:08:13 | |
he said they need to go back to Africa. | 0:08:13 | 0:08:15 | |
-The ones on welfare. -Right. Of course, the ones on welfare. | 0:08:15 | 0:08:18 | |
You know, they ain't doing shit. They ain't contributing to society. | 0:08:18 | 0:08:21 | |
He said I could stay, though. At least until we finish the job, you know. | 0:08:21 | 0:08:25 | |
We should get going. | 0:08:25 | 0:08:27 | |
Yeah, you don't... You don't want nothing? | 0:08:27 | 0:08:29 | |
-You don't want me to follow her today? -No. | 0:08:29 | 0:08:31 | |
No, no. No, that's fine. We're good today. We'll get in touch with you, Richard. | 0:08:31 | 0:08:35 | |
He's incredible. He's amazing. | 0:08:35 | 0:08:37 | |
Listen, all I got to do was tell him, "Hey, Richard, this a rich, big Jew." | 0:08:37 | 0:08:41 | |
And then it's like, "This is for the cause." | 0:08:41 | 0:08:43 | |
Then he would do it even if he didn't need the money so bad. | 0:08:43 | 0:08:45 | |
What's he need money for? Buy more guns? Hitler's underwear? | 0:08:45 | 0:08:49 | |
No. His old lady left him. | 0:08:49 | 0:08:52 | |
Ran off, took Richard Junior and everything. | 0:08:52 | 0:08:55 | |
-No kidding. -Yeah. | 0:08:55 | 0:08:56 | |
Now he think that they in California cos he got a postcard from Disneyland. | 0:08:56 | 0:09:01 | |
-Jesus. -He so dumb, it's adorable. | 0:09:01 | 0:09:05 | |
LOUIS: That's her? | 0:09:13 | 0:09:14 | |
-ORDELL: That's her. -Hmm. | 0:09:14 | 0:09:17 | |
I was expecting someone older. | 0:09:17 | 0:09:20 | |
Oh, that's her. | 0:09:20 | 0:09:22 | |
That's the one we want. That's Mickey. | 0:09:22 | 0:09:25 | |
BO: Why'd they have to choose us for this stupid article? | 0:09:25 | 0:09:27 | |
Because you won that day. | 0:09:27 | 0:09:29 | |
It's mostly about you. | 0:09:29 | 0:09:31 | |
"Children's games become their career. | 0:09:31 | 0:09:34 | |
"Proud mother Margaret 'Mickey' Dawson watches her son Bo smash a volley." | 0:09:34 | 0:09:39 | |
Bo, why don't we focus on today's game? | 0:09:39 | 0:09:42 | |
You didn't wake me up. | 0:09:42 | 0:09:44 | |
I didn't know you were playing today. You didn't say anything. | 0:09:44 | 0:09:46 | |
-I never play tennis on Sundays, huh? -Well... | 0:09:46 | 0:09:49 | |
-Why would I play tennis on Sundays? -I'm just... | 0:09:49 | 0:09:51 | |
Hey, Bo, what do I do every Sunday? | 0:09:51 | 0:09:53 | |
-Tennis. -Play tennis. | 0:09:53 | 0:09:56 | |
CHUCKLES. | 0:09:56 | 0:09:57 | |
OK. | 0:09:57 | 0:09:58 | |
Why do I have to wake up to that neighbour's dog? | 0:09:58 | 0:10:00 | |
How many times have we told him? "Keep it locked up." | 0:10:00 | 0:10:03 | |
Hey, Frank, your name's in the paper. | 0:10:03 | 0:10:06 | |
For the Club Championship? | 0:10:06 | 0:10:08 | |
No, it's actually about the kids. You know, the kids playing tennis? | 0:10:08 | 0:10:10 | |
Oh, oh, look at that! It's the two of you there. | 0:10:10 | 0:10:13 | |
-Yeah. -That's a nice picture of Bo. | 0:10:13 | 0:10:16 | |
You look stressed, honey. | 0:10:18 | 0:10:19 | |
Listen, since I'm, uh, going down to Freeport the end of the week... | 0:10:21 | 0:10:24 | |
I told you about that, right? | 0:10:25 | 0:10:27 | |
-I don't know. You might have. -Yeah, I'm sure I did. | 0:10:27 | 0:10:30 | |
Group of investors coming all the way from Japan. | 0:10:30 | 0:10:33 | |
Can you believe it? | 0:10:33 | 0:10:34 | |
So, I figured, why not fly down to South Beach. | 0:10:34 | 0:10:38 | |
Tonight. | 0:10:39 | 0:10:41 | |
With Bo? See your folks. | 0:10:41 | 0:10:43 | |
Get him settled, then I'll hop on the shuttle to Freeport. | 0:10:43 | 0:10:46 | |
What do you think, Bo? Sound like fun? | 0:10:46 | 0:10:49 | |
I just don't see why all of a sudden he has to go. | 0:10:52 | 0:10:54 | |
How many times? You don't say "he". | 0:10:54 | 0:10:57 | |
-You know who I mean. -That's not the point, all right? | 0:10:57 | 0:11:00 | |
He, your father, will be in Freeport, and he thought it would be | 0:11:00 | 0:11:03 | |
nice for you guys to fly down together and spend some quality time. | 0:11:03 | 0:11:08 | |
He'll probably check out the camp. You know, he loves watching you. So... | 0:11:08 | 0:11:12 | |
He loves to tell me what to do. He doesn't know shit. | 0:11:12 | 0:11:15 | |
Well, does he? | 0:11:17 | 0:11:19 | |
PHONE RINGING | 0:11:19 | 0:11:21 | |
Hello. This is the residence of Ordell Robbie. | 0:11:24 | 0:11:27 | |
-What you got? -OK. | 0:11:27 | 0:11:29 | |
So, the builder man you sent us out to? | 0:11:29 | 0:11:31 | |
-Yeah. Shelby. -Hmm, that's right, Mr Ray Shelby. | 0:11:31 | 0:11:34 | |
He told me Frank going to be gone all this week starting tomorrow. | 0:11:34 | 0:11:37 | |
-Tomorrow? That fast? -I asked him something like, | 0:11:37 | 0:11:40 | |
"Hey, let's make it a party. Why don't you bring your friend Frank?" | 0:11:40 | 0:11:43 | |
He told me, "Frank? Frank's leaving town tomorrow with his son." | 0:11:43 | 0:11:46 | |
-"We got a party right here, don't we?" -Whoa, whoa, whoa. | 0:11:46 | 0:11:49 | |
You saying that Frank is leaving town with his son? | 0:11:49 | 0:11:52 | |
SIGHS | 0:11:56 | 0:11:57 | |
Listen, Bo. | 0:12:01 | 0:12:02 | |
What? | 0:12:02 | 0:12:04 | |
When you get back... | 0:12:04 | 0:12:07 | |
Not now, cos we don't have enough time, but... Um... | 0:12:07 | 0:12:10 | |
For what? | 0:12:10 | 0:12:12 | |
A talk. | 0:12:13 | 0:12:15 | |
You know, cut all the baloney and just tell each other... | 0:12:17 | 0:12:22 | |
..how we really feel. | 0:12:23 | 0:12:26 | |
Hmm? | 0:12:26 | 0:12:27 | |
OK. | 0:12:29 | 0:12:31 | |
SOFT MUSIC PLAYING | 0:12:38 | 0:12:40 | |
What are you thinking about? | 0:12:47 | 0:12:50 | |
How are you? | 0:12:50 | 0:12:51 | |
I'm fine. How are you? | 0:12:52 | 0:12:55 | |
You know, I seem to recall saying something to you last night. | 0:12:55 | 0:12:58 | |
You remember? | 0:12:58 | 0:13:00 | |
What? | 0:13:00 | 0:13:01 | |
I asked if you'd have lunch with me. | 0:13:01 | 0:13:04 | |
Marshall, you were drunk. We all were. | 0:13:04 | 0:13:07 | |
-You say things... -Mmm-hmm, and what if I meant it? | 0:13:07 | 0:13:10 | |
SIGHS | 0:13:10 | 0:13:12 | |
-Isn't Tyra waiting for you somewhere? -If she asks, | 0:13:12 | 0:13:15 | |
we're just talking about the piece in the paper. | 0:13:15 | 0:13:17 | |
Haven't read it yet. | 0:13:17 | 0:13:18 | |
Don't. | 0:13:18 | 0:13:19 | |
What I'm going to do is cut out the picture and keep it in my wallet. | 0:13:19 | 0:13:23 | |
Marshall, come on! | 0:13:23 | 0:13:24 | |
There's nothing too bad about lunch. | 0:13:26 | 0:13:27 | |
-What is the point? -(I'd like to talk to you.) | 0:13:27 | 0:13:30 | |
We're talking right now. | 0:13:30 | 0:13:32 | |
Do you remember any of the things I said last night? | 0:13:32 | 0:13:34 | |
Marshall. | 0:13:34 | 0:13:35 | |
-How I've been thinking about you? -OK, I gotta go. | 0:13:35 | 0:13:38 | |
Bo's match is in a moment, so I'm late for that. | 0:13:38 | 0:13:40 | |
I hear Frank's off to the Bahamas. | 0:13:40 | 0:13:43 | |
Just for a few days. | 0:13:43 | 0:13:44 | |
I asked him if he wanted to play next Saturday | 0:13:44 | 0:13:46 | |
and he said he'd be gone the whole week. | 0:13:46 | 0:13:48 | |
When... | 0:13:52 | 0:13:54 | |
Lunch tomorrow? Scalintella, 1:00? | 0:13:54 | 0:13:56 | |
No, no, no, when did he... | 0:13:56 | 0:13:58 | |
-This is really not a good idea. -You're right. | 0:13:58 | 0:14:00 | |
-OK? -You're right. | 0:14:00 | 0:14:01 | |
-I'll just come over. -Oh, there's Frank. Hi. | 0:14:01 | 0:14:04 | |
-OK. Frank is coming, so lets just... -OK, I'll see you. | 0:14:04 | 0:14:08 | |
Hey, you keep your wife out here, someone's liable to steal her. | 0:14:08 | 0:14:10 | |
CHUCKLES: You promise? See you inside. | 0:14:10 | 0:14:13 | |
You bet. | 0:14:13 | 0:14:15 | |
You sent a waitress back to come get me? | 0:14:15 | 0:14:19 | |
I asked her if she'd seen you. | 0:14:19 | 0:14:21 | |
DOORMAN: Having lunch with us today, sir? | 0:14:24 | 0:14:26 | |
Tennis. Maybe tomorrow. | 0:14:26 | 0:14:28 | |
UMPIRE: Out! | 0:14:54 | 0:14:55 | |
LOUIS: OK, we send the guy a note, we call him? | 0:15:12 | 0:15:15 | |
No, we call him. We call him. | 0:15:15 | 0:15:18 | |
UMPIRE: Game, Mithen. | 0:15:19 | 0:15:21 | |
LOUIS: She never sees us or knows who we are. | 0:15:21 | 0:15:23 | |
ORDELL: No. No. | 0:15:23 | 0:15:24 | |
We got masks. She got a mask with tape covering the eye hole. | 0:15:24 | 0:15:29 | |
LOUIS: And how do you know the money's still in Freeport? | 0:15:29 | 0:15:31 | |
ORDELL: That's where my partner, Mr Walker, comes in, see. | 0:15:31 | 0:15:34 | |
He is connected to one Lisabeth Cooper, | 0:15:34 | 0:15:37 | |
who happens to be the manager of the Providence Saving & Trust Bank, | 0:15:37 | 0:15:42 | |
where Frank keeps his money. | 0:15:42 | 0:15:44 | |
And she also happens to have the second biggest set of titties on the island. | 0:15:44 | 0:15:46 | |
LOUIS: Who has the biggest set? | 0:15:46 | 0:15:48 | |
ORDELL: Grace Brown. Older woman. | 0:15:48 | 0:15:51 | |
Good friend of Mr Walker, too. | 0:15:51 | 0:15:52 | |
LOUIS: Let's say he don't see any choice. | 0:15:52 | 0:15:55 | |
He's scared enough, doesn't call the cops and he goes through with it, he pays up. | 0:15:55 | 0:15:58 | |
ORDELL: That's how it's supposed to work. | 0:15:58 | 0:16:00 | |
And then we take that check and we deposit it in another numbered account in Nassau. | 0:16:00 | 0:16:06 | |
So you're thinking tonight? | 0:16:06 | 0:16:07 | |
No. | 0:16:07 | 0:16:09 | |
No, I gotta call Mr Walker, make sure everything's straight. | 0:16:09 | 0:16:12 | |
I don't see nothing wrong with tomorrow. | 0:16:19 | 0:16:21 | |
Excuse me. | 0:16:33 | 0:16:35 | |
I'm so sorry. Thank you. | 0:16:35 | 0:16:37 | |
Mrs Dawson? | 0:16:38 | 0:16:40 | |
Yes? | 0:16:40 | 0:16:42 | |
I think this is your son's racket. | 0:16:43 | 0:16:45 | |
I found it there. I was going to hand it in at the desk. | 0:16:45 | 0:16:49 | |
Oh, it is. Thanks. | 0:16:49 | 0:16:51 | |
That's OK. | 0:16:52 | 0:16:54 | |
OK. | 0:16:54 | 0:16:56 | |
HAMMERING | 0:17:21 | 0:17:23 | |
DRILLING | 0:17:33 | 0:17:35 | |
MICKEY'S MOTHER: No. They got in so late last night. I was really so tired. | 0:17:55 | 0:17:58 | |
I'm so sorry, Mom. | 0:17:58 | 0:17:59 | |
Frank had a meeting at the club and he missed his flight. | 0:17:59 | 0:18:02 | |
I don't understand. Why didn't you just come down with Bo? | 0:18:02 | 0:18:05 | |
MICKEY: Tidying up and doing the house. It's nice to have a little break actually. | 0:18:05 | 0:18:08 | |
WOMAN: And Bo's so thin. Doesn't he eat anything? | 0:18:08 | 0:18:11 | |
MICKEY: He's eating. You know, he's been playing a lot of tennis. | 0:18:11 | 0:18:15 | |
He's all set up in the guest room. | 0:18:33 | 0:18:35 | |
How is Bo? | 0:18:35 | 0:18:36 | |
Oh, he's fine. He said something happened with your car. | 0:18:36 | 0:18:40 | |
Oh, nothing. Just, somebody crashed into it, | 0:18:40 | 0:18:42 | |
but no-one was in the car, so it's all good. | 0:18:42 | 0:18:45 | |
So, were Dad and Frank up all night talking? | 0:19:07 | 0:19:10 | |
Frank? No. He's not here. | 0:19:10 | 0:19:11 | |
We offered to drive him to the airport in the morning, but he didn't want to. | 0:19:11 | 0:19:15 | |
He said it was too much trouble. | 0:19:15 | 0:19:17 | |
He was on the 7:00 shuttle to Freeport. | 0:19:17 | 0:19:19 | |
He said we'd just get home and have to drive him back. | 0:19:19 | 0:19:22 | |
So why bother? | 0:19:22 | 0:19:23 | |
Yeah, well, you know Frank. He doesn't... | 0:19:23 | 0:19:25 | |
Everything's fine. | 0:19:25 | 0:19:28 | |
OK. | 0:19:28 | 0:19:29 | |
I don't understand. Why didn't you just come down with Bo? | 0:19:29 | 0:19:33 | |
Why don't you ever call? I've always wondered. | 0:19:33 | 0:19:36 | |
-I have so much to do here. -You never call Dad. | 0:19:36 | 0:19:38 | |
OK, I'm putting away some groceries, so I'm going to go. | 0:19:38 | 0:19:42 | |
I love you. Give my love to Bo. | 0:19:42 | 0:19:44 | |
I will, dear. I'll talk to you later. | 0:19:44 | 0:19:46 | |
-OK. -Bye. | 0:19:46 | 0:19:47 | |
MUMBLING | 0:19:56 | 0:19:59 | |
SCREAMS | 0:19:59 | 0:20:01 | |
GASPING | 0:20:01 | 0:20:02 | |
LOUIS: It's OK. | 0:20:05 | 0:20:07 | |
You're all right. | 0:20:07 | 0:20:09 | |
-What happened? -Let's go. | 0:20:09 | 0:20:10 | |
Aw, shit, she don't have any shoes on. She's bleeding. | 0:20:10 | 0:20:13 | |
She don't need no shoes. Let's go. | 0:20:13 | 0:20:14 | |
SHE SCREAMS | 0:20:14 | 0:20:16 | |
All right. Come on. | 0:20:16 | 0:20:17 | |
If you want money, my purse is on the table. I have... | 0:20:17 | 0:20:19 | |
SHUSHING | 0:20:19 | 0:20:21 | |
Get down. | 0:20:23 | 0:20:24 | |
MICKEY WHIMPERS | 0:20:24 | 0:20:25 | |
-Are you expecting somebody? -My husband is coming home. He's... | 0:20:30 | 0:20:34 | |
-No. -Ain't your husband. | 0:20:34 | 0:20:36 | |
-Come on, get up. Get up. -Ah! | 0:20:39 | 0:20:41 | |
DOG BARKING | 0:20:44 | 0:20:46 | |
Come on. Go upstairs. Let's go. | 0:20:46 | 0:20:48 | |
Ouch. | 0:20:48 | 0:20:50 | |
Last step. Here you go. | 0:20:54 | 0:20:57 | |
Keep moving. Keep your mouth shut. | 0:20:58 | 0:20:59 | |
-It's all right. Go. -Ah. | 0:21:11 | 0:21:13 | |
Turn around. Sit. | 0:21:13 | 0:21:15 | |
KNOCKS ON DOOR | 0:21:17 | 0:21:19 | |
Frank? | 0:21:23 | 0:21:24 | |
Frank? | 0:21:29 | 0:21:31 | |
You on your trip? | 0:21:32 | 0:21:34 | |
MUSIC PLAYING: I'm Not Afraid Of Love by Sharen Clark | 0:21:58 | 0:22:00 | |
Fuck. | 0:22:02 | 0:22:03 | |
# I'm not afraid of love | 0:22:09 | 0:22:15 | |
# No, I'm not afraid of love | 0:22:18 | 0:22:23 | |
# Just because I run away | 0:22:25 | 0:22:27 | |
# When you say you need me... # | 0:22:27 | 0:22:31 | |
Shit. | 0:22:33 | 0:22:35 | |
Ouch. | 0:22:38 | 0:22:39 | |
Oh, God. | 0:22:39 | 0:22:41 | |
Hold still. | 0:22:41 | 0:22:42 | |
Ah! Ow! | 0:22:42 | 0:22:45 | |
Got it. | 0:22:45 | 0:22:47 | |
Shh! Not a peep. | 0:23:09 | 0:23:12 | |
BREATHING DEEPLY | 0:23:14 | 0:23:17 | |
Did somebody say they wanted an ice-cold martini? | 0:23:24 | 0:23:28 | |
-What the heck? -Marshall? | 0:23:29 | 0:23:31 | |
GRUNTS | 0:23:31 | 0:23:32 | |
Oh! Shit. | 0:23:34 | 0:23:37 | |
-It's just him? -Just him. | 0:23:39 | 0:23:41 | |
-Who the fuck is this? -Marshall. | 0:23:45 | 0:23:48 | |
Who the fuck is that? | 0:23:48 | 0:23:50 | |
Listen. He's going to wake up at some point. | 0:23:50 | 0:23:52 | |
I know that. | 0:23:52 | 0:23:54 | |
So we call the husband, tell him not to call the cops. | 0:23:54 | 0:23:58 | |
It doesn't matter, this guy's already been here. | 0:23:58 | 0:24:00 | |
Correct. | 0:24:00 | 0:24:02 | |
Dawson comes home, finds him, he's gotta call the cops. | 0:24:02 | 0:24:06 | |
So, what are you saying? We just quit? Just leave? | 0:24:06 | 0:24:10 | |
PANTING | 0:24:11 | 0:24:12 | |
No. | 0:24:15 | 0:24:17 | |
GASPS | 0:24:17 | 0:24:18 | |
We're this far. | 0:24:19 | 0:24:22 | |
We take her. | 0:24:22 | 0:24:24 | |
-There, step up. Step up! -Ah. | 0:24:51 | 0:24:52 | |
Up. There you go. | 0:24:52 | 0:24:55 | |
There you go. Step. | 0:24:55 | 0:24:57 | |
Almost there. Keep going. Three more. | 0:25:02 | 0:25:06 | |
-Go on. -Oh, God. | 0:25:06 | 0:25:08 | |
Turn around. Sit. | 0:25:14 | 0:25:17 | |
When you hear the door close, you can take the mask off. | 0:25:17 | 0:25:20 | |
I'll come up later and bandage your foot. | 0:25:20 | 0:25:23 | |
-(Excuse me.) -No talking. | 0:25:25 | 0:25:27 | |
Need to use the bathroom, | 0:25:27 | 0:25:29 | |
knock on the door and put your mask back on. | 0:25:29 | 0:25:32 | |
DOOR RATTLING | 0:25:56 | 0:25:57 | |
Mickey? | 0:26:47 | 0:26:48 | |
DIAL TONE | 0:26:53 | 0:26:55 | |
DOG BARKING IN DISTANCE | 0:27:19 | 0:27:21 | |
-MELANIE: Giancarlo Giannini? -FRANK: Uh. | 0:27:29 | 0:27:32 | |
-Opera singer. -MELANIE SCOFFS | 0:27:32 | 0:27:35 | |
-Frank, incorrect. -I don't know. | 0:27:35 | 0:27:37 | |
Niki Lauda? | 0:27:37 | 0:27:38 | |
-I don't know who that is. -You get a grape. | 0:27:38 | 0:27:40 | |
Betty Bacall, or Lauren Bacall? | 0:27:40 | 0:27:42 | |
I know her. Yeah, she's an actress. | 0:27:42 | 0:27:44 | |
-Oh. -All right. You get a grape. | 0:27:44 | 0:27:46 | |
Yves Saint Laurent? | 0:27:46 | 0:27:48 | |
-Yeah, he makes women's clothes. -Very impressive. | 0:27:48 | 0:27:51 | |
-Alain Delon? -Alain Delon. | 0:27:51 | 0:27:55 | |
-Uh. -No? | 0:27:55 | 0:27:57 | |
Georgia O'Keeffe? She's a stripper. | 0:27:57 | 0:27:59 | |
SCOFFS | 0:27:59 | 0:28:01 | |
Please, Frank! I'm giving you the easy ones. | 0:28:01 | 0:28:04 | |
These are people with style, like you, baby. | 0:28:04 | 0:28:06 | |
Jack Nicholson you know. Anyone with a brain cell knows him. | 0:28:06 | 0:28:09 | |
-Lelous Delafilace. -For Christ's sake. | 0:28:09 | 0:28:13 | |
Jean Renoir? | 0:28:13 | 0:28:15 | |
-I don't want to play any more. -Meanie. | 0:28:15 | 0:28:18 | |
OK. What do you want to do? | 0:28:18 | 0:28:20 | |
You want to fuck? | 0:28:20 | 0:28:22 | |
The mouth on you! | 0:28:22 | 0:28:24 | |
Since we're going to bed, yeah. | 0:28:24 | 0:28:26 | |
-Do you want to do the Florentine thing again? -Which one is that? | 0:28:26 | 0:28:30 | |
BOTH GRUNTING | 0:28:30 | 0:28:32 | |
Whoo! | 0:28:37 | 0:28:39 | |
WOMAN ON TV: News 4 Detroit, with John Blunt and Jennifer Moore. | 0:28:43 | 0:28:46 | |
Don Shane with sports, and Larry Shannon with the weather. | 0:28:46 | 0:28:50 | |
-Good evening. -Americans are beginning to understand... | 0:28:52 | 0:28:54 | |
I'll leave you a couple of smokes. | 0:28:54 | 0:28:56 | |
-..we are disliked by much of the Muslim world. -Thank you. | 0:28:56 | 0:29:01 | |
-Phones have been ringing off the hook... -TYRA: Why is it so loud? | 0:29:01 | 0:29:04 | |
..all night tonight here in our newsroom. | 0:29:04 | 0:29:06 | |
-People asking about a recall... -Yoo-hoo, Marsh? | 0:29:06 | 0:29:07 | |
You call Mickey to see when Frank will be back? | 0:29:07 | 0:29:09 | |
I told you, no-one answered. | 0:29:09 | 0:29:12 | |
So, this is the Lucy Anne. Which one do you like? | 0:29:12 | 0:29:15 | |
-That one. -I thought you liked the green. | 0:29:15 | 0:29:19 | |
-Can I please go to the mall? -The mall? It's 8:30 at night. | 0:29:19 | 0:29:22 | |
-No. Nothing's open. -How many rings? | 0:29:22 | 0:29:24 | |
-What? -What? | 0:29:24 | 0:29:26 | |
How many rings did you give it when you called? | 0:29:26 | 0:29:28 | |
Oh, my God, what is the matter with you? | 0:29:28 | 0:29:30 | |
Did that car accident turn my husband into a crazy person? | 0:29:30 | 0:29:33 | |
ORDELL: So this is the same girl you're talking about? | 0:29:33 | 0:29:36 | |
'See her every day.' | 0:29:36 | 0:29:37 | |
-She's not an island girl? -'American girl.' | 0:29:37 | 0:29:40 | |
Long hair, very good-looking. | 0:29:40 | 0:29:42 | |
No, I hear you. I hear you, bro. I hear you. | 0:29:42 | 0:29:44 | |
Sexy. I think she's connected to the guy. | 0:29:44 | 0:29:46 | |
TV: There are 14 hospitals in the Detroit area | 0:29:46 | 0:29:49 | |
which are prime candidates on the commission's list. | 0:29:49 | 0:29:51 | |
Most of the hospitals on the list are smaller hospitals, | 0:29:51 | 0:29:54 | |
among them Dearborn Medical Centre. | 0:29:54 | 0:29:56 | |
Centre Administrator William Harris claims having fewer hospitals... | 0:29:56 | 0:29:59 | |
You done playing doctor? | 0:29:59 | 0:30:01 | |
You going to tell me or keep it to yourself? | 0:30:01 | 0:30:05 | |
So Walker said he's staying at his place by the golf course. | 0:30:05 | 0:30:09 | |
-What else? -And he's got a lady with him. | 0:30:09 | 0:30:13 | |
NEWS PLAYING ON TV | 0:30:13 | 0:30:15 | |
LOUIS: You said you seen him with women before. | 0:30:27 | 0:30:30 | |
See, I knew he liked the ladies, | 0:30:30 | 0:30:31 | |
but I didn't know he was going down there to see the same lady every time. | 0:30:31 | 0:30:35 | |
I'm thinking he got, you know, couple of friends, couple of birds around town, | 0:30:35 | 0:30:38 | |
but no. | 0:30:38 | 0:30:40 | |
No. Walker says the same one all the time. | 0:30:40 | 0:30:44 | |
Melanie. | 0:30:44 | 0:30:46 | |
I don't see the problem. So he's got something on the side. | 0:30:46 | 0:30:48 | |
I didn't say it was a problem. | 0:30:48 | 0:30:50 | |
I just like to know this man's shit. | 0:30:50 | 0:30:52 | |
Like, you know, what he up to, what he doing down there. Like... | 0:30:52 | 0:30:55 | |
Who's this Melanie? | 0:30:55 | 0:30:58 | |
So let's call and ask him. | 0:30:58 | 0:31:00 | |
Not yet. | 0:31:02 | 0:31:03 | |
MELANIE CHUCKLES | 0:31:07 | 0:31:09 | |
I filed. | 0:31:10 | 0:31:12 | |
You have? Why didn't you tell me? | 0:31:15 | 0:31:18 | |
Talked to the lawyer on Friday. | 0:31:18 | 0:31:19 | |
He said the papers would be delivered to the house on Tuesday. | 0:31:19 | 0:31:23 | |
So you came down here early. | 0:31:23 | 0:31:25 | |
Give her some time to think about it. | 0:31:25 | 0:31:28 | |
And what's she going to do? | 0:31:30 | 0:31:32 | |
Oh, she'll probably go along with it. | 0:31:32 | 0:31:34 | |
She'll say things to her friends, suck around for sympathy. | 0:31:34 | 0:31:37 | |
"Poor little thing." | 0:31:37 | 0:31:40 | |
"The prick." | 0:31:40 | 0:31:42 | |
What's she like? What's she interested in? | 0:31:42 | 0:31:45 | |
-Do you mind me asking? -No, I don't mind. | 0:31:45 | 0:31:47 | |
Uh, my drinking, that's a popular subject. | 0:31:47 | 0:31:50 | |
LAUGHTER | 0:31:50 | 0:31:52 | |
MIMICKING MICKEY: "How many drinks have you had, Frank?" | 0:31:52 | 0:31:55 | |
Or, "Where's Bo? It's late. He's not home yet." | 0:31:55 | 0:31:58 | |
Bo, that's something I'm going to have to deal with in the settlement. | 0:31:59 | 0:32:03 | |
She is his mother. I'm not going to argue that. | 0:32:03 | 0:32:06 | |
But it's all right. He and I'll see each other. | 0:32:06 | 0:32:10 | |
I'd like to meet your son. | 0:32:10 | 0:32:12 | |
Well, someday you will, | 0:32:12 | 0:32:14 | |
if you don't take that big canvas bag of yours and take off somewhere. | 0:32:14 | 0:32:17 | |
-I'm not going to take off. -Hmm. | 0:32:17 | 0:32:19 | |
KNOCKING ON DOOR | 0:32:21 | 0:32:22 | |
-Yeah? -I want to go to the bathroom. | 0:32:35 | 0:32:38 | |
You got the mask? | 0:32:38 | 0:32:41 | |
Oh, yeah. Hold on. | 0:32:41 | 0:32:44 | |
You think that dude is still in the closet? | 0:32:47 | 0:32:49 | |
You hit him. | 0:32:49 | 0:32:51 | |
I didn't hit him that hard. | 0:32:53 | 0:32:56 | |
You hope you didn't. | 0:32:56 | 0:32:58 | |
Oh. | 0:33:06 | 0:33:07 | |
OK. | 0:33:07 | 0:33:09 | |
FOOTSTEPS CREAKING | 0:33:13 | 0:33:15 | |
-All right. -Oh, God. | 0:33:19 | 0:33:21 | |
OK. Now, when you get in here and the door's closing, | 0:33:21 | 0:33:25 | |
you can take off the mask and do your business. | 0:33:25 | 0:33:29 | |
There you go. | 0:33:30 | 0:33:32 | |
FLUSHING | 0:33:42 | 0:33:44 | |
LOUIS: What in the hell are you doing? | 0:33:52 | 0:33:54 | |
-Jesus Christ. -It's my house, ain't it? | 0:33:58 | 0:34:02 | |
-LOUIS: What's the matter with you? -Don't like it? | 0:34:02 | 0:34:05 | |
RICHARD: You two can go somewhere else for all I care. | 0:34:05 | 0:34:08 | |
BANGING, SHE GASPS | 0:34:08 | 0:34:09 | |
Let's hurry up in there. You done? | 0:34:09 | 0:34:11 | |
No, not yet. My mask is off. | 0:34:11 | 0:34:14 | |
SIGHS | 0:34:18 | 0:34:19 | |
Hey, Richard. Come here, man. | 0:34:22 | 0:34:25 | |
We going to need you to get back in the uniform | 0:34:25 | 0:34:28 | |
and get back out in the field and do some reconnaissance work. | 0:34:28 | 0:34:31 | |
Go to the lady's house, gain access to the premises. | 0:34:31 | 0:34:36 | |
Just go to Dawson's house and make sure the guy Marshall's not dead. | 0:34:36 | 0:34:40 | |
Basically. | 0:34:42 | 0:34:43 | |
OK. | 0:34:43 | 0:34:45 | |
He was upstairs, in the closet. | 0:34:45 | 0:34:47 | |
-Oh, this is unbelievable. -Yeah, I know. | 0:35:23 | 0:35:25 | |
It's a little strange. | 0:35:25 | 0:35:28 | |
You watch the news? | 0:35:30 | 0:35:31 | |
SIGHS: Yes. | 0:35:31 | 0:35:34 | |
ORDELL: There's nothing about you on the 7:30 or the 8:00. Why you think? | 0:35:34 | 0:35:38 | |
What are you asking me for? | 0:35:38 | 0:35:39 | |
LOUIS: You got something going with that guy? | 0:35:39 | 0:35:42 | |
He's a friend of the family. | 0:35:44 | 0:35:46 | |
Well, he must be the godfather, | 0:35:46 | 0:35:47 | |
bringing you martinis to your bedroom while your husband's away. | 0:35:47 | 0:35:50 | |
How come he didn't call the police? | 0:35:50 | 0:35:52 | |
I don't know! He could be dead or in a coma. | 0:35:52 | 0:35:56 | |
You hit him with something, right? | 0:35:56 | 0:35:58 | |
We checked. | 0:36:01 | 0:36:04 | |
He let himself out. | 0:36:04 | 0:36:05 | |
So now, we waiting on the 11:00 news. | 0:36:06 | 0:36:10 | |
What we mean is, | 0:36:10 | 0:36:13 | |
we don't know Marshall, | 0:36:13 | 0:36:16 | |
or what he's got to lose, | 0:36:16 | 0:36:17 | |
but is he the kind of guy who'd stick his neck out for you? | 0:36:17 | 0:36:21 | |
CHUCKLES | 0:36:23 | 0:36:25 | |
Honestly, guys, I don't know. | 0:36:28 | 0:36:31 | |
I don't know. | 0:36:31 | 0:36:33 | |
PHONE RINGING | 0:36:37 | 0:36:38 | |
-MELANIE: Are you going to get that? -FRANK: I don't know. | 0:36:38 | 0:36:41 | |
-Did you want me to get it? -No, I got it. I'll get it. | 0:36:41 | 0:36:45 | |
You stay in bed. Go back to sleep. | 0:36:45 | 0:36:48 | |
Yeah. | 0:36:58 | 0:36:59 | |
ORDELL: Good evening, Frank. | 0:36:59 | 0:37:00 | |
Hope I'm not disturbing your lovely evening. | 0:37:00 | 0:37:03 | |
Who is this? | 0:37:03 | 0:37:04 | |
Hold the line. Your wife would like to speak with you. | 0:37:04 | 0:37:06 | |
My wife? | 0:37:06 | 0:37:08 | |
LOUIS: No, he's got it. Go ahead. | 0:37:09 | 0:37:11 | |
Frank? Frank. | 0:37:11 | 0:37:13 | |
-Who was that? -I don't know! | 0:37:13 | 0:37:15 | |
-Where are you? -I don't know, Frank. | 0:37:15 | 0:37:17 | |
-Is this some kind of joke? -No. They want you... | 0:37:17 | 0:37:19 | |
Are you all right? | 0:37:19 | 0:37:21 | |
-No, I'm... -Who was I just talking to? | 0:37:21 | 0:37:23 | |
Shh! Frank, stop. Would you just please listen to me? | 0:37:23 | 0:37:25 | |
Are you all right? | 0:37:25 | 0:37:27 | |
They want you to hear my voice, that's all that I know. | 0:37:27 | 0:37:29 | |
Who's they? What's going on? | 0:37:29 | 0:37:31 | |
Good. | 0:37:31 | 0:37:32 | |
You're OK. You're OK. You did good. | 0:37:32 | 0:37:34 | |
SHE WHIMPERS | 0:37:34 | 0:37:35 | |
Hello? Hello? What... Hello? | 0:37:35 | 0:37:39 | |
Who the fuck is this? | 0:37:41 | 0:37:43 | |
Hello? Mickey? | 0:37:43 | 0:37:45 | |
-Mr Dawson, how you doing? -What the fuck is going on? | 0:37:45 | 0:37:48 | |
And how's Melanie? We understand she's got a great bod. | 0:37:48 | 0:37:51 | |
-Who the fuck is this? -Who am I? | 0:37:51 | 0:37:54 | |
Well, I'm not allowed to tell you that, Mr Dawson. | 0:37:54 | 0:37:57 | |
But I can tell you this. | 0:37:57 | 0:37:59 | |
Tomorrow morning, you're going to go to the Providence Bank & Trust | 0:37:59 | 0:38:02 | |
and draw 1 million out of your account. | 0:38:02 | 0:38:05 | |
You know what I can tell you? You're out of your fucking mind. | 0:38:05 | 0:38:10 | |
Dawson, I think you better quit talking and listen cos you're in deep shit, man. | 0:38:10 | 0:38:14 | |
Are you listening? | 0:38:14 | 0:38:15 | |
You draw the one million in a cashier's check | 0:38:15 | 0:38:17 | |
and deposit it at the same bank... | 0:38:17 | 0:38:18 | |
-Are you kidding me? -Are you listening? | 0:38:18 | 0:38:21 | |
..to account number 8950039. | 0:38:21 | 0:38:24 | |
Hello? You write it down? | 0:38:28 | 0:38:31 | |
-No. I don't have a pen. What are you going to do about that? -Jesus Christ! | 0:38:31 | 0:38:34 | |
-Get a fucking pen, Frank! -Put my wife back on the goddamn phone. | 0:38:34 | 0:38:36 | |
-How hard can it be? Shut up! -Who the fuck do you think you're talking to? | 0:38:36 | 0:38:39 | |
-Shut up and listen! -I'm going to call the cops! | 0:38:39 | 0:38:41 | |
If you go to the police, listen to me, you will never see your wife again! | 0:38:41 | 0:38:44 | |
You do anything but put the money in that account, | 0:38:44 | 0:38:46 | |
you'll never see her alive again! | 0:38:46 | 0:38:49 | |
She's gone! Plus, we know about the money! | 0:38:49 | 0:38:51 | |
-We know about Dynamic, Ray Shelby, the whores on Webster Avenue! Everything! -I need a pen. | 0:38:51 | 0:38:56 | |
We know about Melanie. We know everything you do! | 0:38:56 | 0:38:58 | |
Don't fuck with us! Write it down! | 0:38:58 | 0:38:59 | |
(Who is it?) | 0:38:59 | 0:39:01 | |
-89500... -Slow down! What am I, a stenographer? | 0:39:01 | 0:39:04 | |
8950039! | 0:39:04 | 0:39:08 | |
Repeat it back to me! | 0:39:11 | 0:39:13 | |
-8950039. -Correct. | 0:39:13 | 0:39:16 | |
-How did it sound? -Shit! | 0:39:21 | 0:39:24 | |
Shit, yeah! | 0:39:24 | 0:39:26 | |
Who was that? | 0:39:26 | 0:39:27 | |
I don't know. | 0:39:28 | 0:39:30 | |
SIGHS | 0:39:32 | 0:39:34 | |
Only thing that... | 0:39:48 | 0:39:50 | |
What? | 0:39:51 | 0:39:53 | |
What's he tell this Melanie? How tight you think he is with her? | 0:39:53 | 0:39:57 | |
She ain't nothing but some ass. Just some ass. Don't worry about that. | 0:39:57 | 0:40:02 | |
SCREAMING | 0:40:47 | 0:40:49 | |
RICHARD: You fucking bitch! I'm going to kill you! | 0:40:53 | 0:40:56 | |
LOUIS: What's going on up there? | 0:40:56 | 0:40:57 | |
SCREAMING | 0:40:57 | 0:41:00 | |
Hey, hey, hey! | 0:41:00 | 0:41:02 | |
-Richard! -Fuck! | 0:41:02 | 0:41:04 | |
Richard! | 0:41:04 | 0:41:06 | |
-The fuck are you doing! -Put my eye out with a cigarette. | 0:41:07 | 0:41:10 | |
-Shit. How'd she... -You peep through the walls. | 0:41:10 | 0:41:12 | |
What did you expect? He thinks he's in the fucking Gestapo. | 0:41:12 | 0:41:15 | |
-Who gave her those cigarettes? -I did. | 0:41:15 | 0:41:17 | |
Just relax. Let me take a look. | 0:41:17 | 0:41:19 | |
I'm blind! I can't see! | 0:41:19 | 0:41:21 | |
-No, you're good. -Blind? You got the other eye. | 0:41:21 | 0:41:23 | |
Shut up! Shut up. | 0:41:23 | 0:41:25 | |
I'm cool. I'm cool. | 0:41:25 | 0:41:27 | |
-I'll take a look at it. -Oh, shut up! | 0:41:27 | 0:41:30 | |
Get you some ice. Just cool out. | 0:41:30 | 0:41:32 | |
(Whoa.) | 0:41:32 | 0:41:33 | |
Mickey, you OK? | 0:41:33 | 0:41:35 | |
Uh-huh. | 0:41:35 | 0:41:37 | |
(Shut up.) | 0:41:38 | 0:41:39 | |
So, Richard, I got a joke for you. You might like this one. | 0:41:43 | 0:41:45 | |
You too, Louis. | 0:41:45 | 0:41:47 | |
Dude goes to the doctor, right? | 0:41:47 | 0:41:49 | |
Doctor says, "Sir, you have to stop masturbating." | 0:41:49 | 0:41:54 | |
Patient goes, "Why?" Doctor goes, | 0:41:54 | 0:41:56 | |
"Because I'm trying to examine you." | 0:41:56 | 0:42:00 | |
ORDELL LAUGHS | 0:42:00 | 0:42:02 | |
Oh, what's the matter? What, that too close to home? | 0:42:02 | 0:42:05 | |
All right, how about this one? | 0:42:05 | 0:42:07 | |
A nigger, a Jew and a Nazi get in a Volkswagen... | 0:42:07 | 0:42:11 | |
KNOCKING ON DOOR | 0:42:11 | 0:42:12 | |
EXHALES | 0:42:12 | 0:42:14 | |
I got some food for you. | 0:42:22 | 0:42:23 | |
I got chicken and noodles cooked in chicken soup | 0:42:23 | 0:42:26 | |
with onions and some other things. Looks pretty good. | 0:42:26 | 0:42:29 | |
-You got your mask on? Can't tell. -Yes. | 0:42:29 | 0:42:31 | |
Yes. | 0:42:31 | 0:42:32 | |
OK. | 0:42:32 | 0:42:34 | |
You can turn around. It doesn't matter. | 0:42:36 | 0:42:39 | |
Oh, come on! | 0:42:42 | 0:42:44 | |
No! Take it off! | 0:42:44 | 0:42:47 | |
-Don't look. -I used that tape to cover up the hole in the wall. | 0:42:47 | 0:42:50 | |
You guys are going to have to get your kicks another way, OK. | 0:42:50 | 0:42:52 | |
You don't have to worry about that. We'll cover the holes. | 0:42:52 | 0:42:54 | |
What is wrong with that guy? | 0:42:54 | 0:42:56 | |
He's disgusting. He stinks. | 0:42:56 | 0:42:59 | |
Yeah. Well, he's got a few problems, but who hasn't, right? | 0:42:59 | 0:43:03 | |
Shit. | 0:43:03 | 0:43:05 | |
What are you going to do to me? | 0:43:06 | 0:43:09 | |
Your son, he didn't go with him, did he? | 0:43:09 | 0:43:12 | |
-No, he went to Florida. -Yeah. | 0:43:13 | 0:43:16 | |
You know, your husband has a girl with him down there. | 0:43:17 | 0:43:21 | |
-No. -You never suspected it? | 0:43:24 | 0:43:27 | |
-No. -You guys get along all right? | 0:43:33 | 0:43:35 | |
-Why? -I'm just asking. | 0:43:36 | 0:43:38 | |
Most men, they go away, they pick up something. | 0:43:38 | 0:43:41 | |
It isn't unusual. | 0:43:41 | 0:43:43 | |
How do you know that? | 0:43:47 | 0:43:50 | |
I can't tell you. | 0:43:50 | 0:43:51 | |
You know about his personal bank account in Freeport? | 0:43:51 | 0:43:55 | |
Hey. | 0:43:55 | 0:43:57 | |
Face forward. | 0:43:57 | 0:43:59 | |
I know he does business down there. I would assume that... | 0:44:00 | 0:44:03 | |
With over a million in it? | 0:44:03 | 0:44:05 | |
-How do you know that? -We know. | 0:44:06 | 0:44:10 | |
-Maybe that's... -It's 50 grand a month | 0:44:10 | 0:44:12 | |
he's been taking out of his apartments in Detroit and putting it away. | 0:44:12 | 0:44:16 | |
FRANK: So the building cost me 100 grand. | 0:44:23 | 0:44:25 | |
I put about 40 grand worth of materials and appliances in it | 0:44:25 | 0:44:28 | |
and have it reappraised for 200 grand. | 0:44:28 | 0:44:31 | |
-Wow. -OK. Now, I've only put 10% down, right? | 0:44:31 | 0:44:34 | |
And the 40 grand of materials actually only really cost me about four or five grand. | 0:44:34 | 0:44:38 | |
But I'm writing off depreciation on... | 0:44:38 | 0:44:41 | |
-200 grand. -Right. | 0:44:41 | 0:44:43 | |
And on the rentals, I only declare 60% occupancy. | 0:44:43 | 0:44:47 | |
-And that's all paid in cash. -Jeez. | 0:44:47 | 0:44:49 | |
You're a genius, baby. | 0:44:49 | 0:44:52 | |
Somehow, though, these guys that called, they know about this. | 0:44:52 | 0:44:57 | |
What's fucked up here, besides the obvious, | 0:45:00 | 0:45:04 | |
is here you are filing for divorce, and then this happens. | 0:45:04 | 0:45:07 | |
Not wanting to be married, | 0:45:07 | 0:45:08 | |
but, I mean, gosh, don't want anything awful to happen to her, either. | 0:45:08 | 0:45:12 | |
Yeah. Yeah, right. | 0:45:12 | 0:45:13 | |
I mean, you may pay the million bucks, and they still might... | 0:45:13 | 0:45:17 | |
I mean, let me rephrase that. You still might not see her again, honey. | 0:45:17 | 0:45:21 | |
Or if I couldn't get to the bank for some reason | 0:45:21 | 0:45:23 | |
and didn't make the payment on time, then what? | 0:45:23 | 0:45:25 | |
Do you know what? We don't even know if she's alive or dead. | 0:45:25 | 0:45:28 | |
We know she's alive. I talked to her on the phone. | 0:45:28 | 0:45:30 | |
-But was that really her? -That was her. It was definitely her. | 0:45:30 | 0:45:33 | |
Gosh, I don't know. | 0:45:33 | 0:45:36 | |
I mean, we could call their bluff and see what happens. | 0:45:37 | 0:45:40 | |
-No, we can't do that. -No, we can't do that. | 0:45:40 | 0:45:43 | |
-It's too risky. -Yeah. | 0:45:43 | 0:45:46 | |
SIGHS | 0:45:46 | 0:45:47 | |
Huh? | 0:45:47 | 0:45:48 | |
I mean, they might be bluffing. | 0:45:48 | 0:45:51 | |
Although, let's put ourselves in their place. | 0:45:51 | 0:45:54 | |
Where would you be if she were dead? | 0:45:56 | 0:45:58 | |
Where would I be if she was dead? | 0:45:58 | 0:46:00 | |
-Where would you be if she were dead? -Where would I be? | 0:46:00 | 0:46:02 | |
Not you, sweetie. | 0:46:02 | 0:46:03 | |
I mean, where would they be if she were dead? | 0:46:03 | 0:46:06 | |
-You mean if I were them? -Yeah. | 0:46:06 | 0:46:09 | |
Where would you be if she were dead? | 0:46:09 | 0:46:11 | |
PHONE RINGING | 0:46:12 | 0:46:14 | |
Hello, Mr Taylor. Welcome back. | 0:46:37 | 0:46:39 | |
Rodney, have you seen Mr or Mrs Dawson the last few days? | 0:46:39 | 0:46:42 | |
Frank and Mickey? | 0:46:42 | 0:46:44 | |
Not since Sunday night. | 0:46:44 | 0:46:45 | |
-Mickey either? -No, sir. | 0:46:45 | 0:46:48 | |
MAN: Detroit Police Department. Please state your emergency. | 0:47:06 | 0:47:08 | |
I think perhaps a woman's been taken. | 0:47:08 | 0:47:11 | |
May I have your name, sir? | 0:47:11 | 0:47:12 | |
She's a family friend. Her name is Mickey... | 0:47:12 | 0:47:15 | |
-Marsh! -(Just a minute, please.) | 0:47:15 | 0:47:18 | |
Marshmallow, what are you doing here? | 0:47:18 | 0:47:20 | |
-Just making a phone call. -Dad, why aren't you at work? | 0:47:20 | 0:47:23 | |
Would you stop that? Your father's on the phone. | 0:47:23 | 0:47:26 | |
MAN: Hello? Are you there? | 0:47:26 | 0:47:28 | |
Why? What am I doing? | 0:47:28 | 0:47:29 | |
Just be clear about what you want so I can understand you. | 0:47:29 | 0:47:31 | |
I would like you to stop bouncing your ball against the door, so I can talk to Daddy. | 0:47:31 | 0:47:34 | |
Please. | 0:47:34 | 0:47:36 | |
MAN: Hey, man, are you there? Are you there? | 0:47:36 | 0:47:39 | |
-OK, that'd be great. -Hello? Sir... | 0:47:39 | 0:47:41 | |
-Please. -You, too. Bye now. | 0:47:41 | 0:47:43 | |
SIGHS | 0:47:45 | 0:47:46 | |
THUMPING | 0:47:50 | 0:47:51 | |
You almost finished in there? | 0:48:01 | 0:48:03 | |
-Where'd you learn to bandage like this? -The Navy. | 0:48:04 | 0:48:08 | |
You were a doctor? | 0:48:09 | 0:48:11 | |
CHUCKLES: No, I was the one getting bandaged. | 0:48:11 | 0:48:15 | |
Oh. | 0:48:15 | 0:48:16 | |
Now this is what you do? Kidnap people? | 0:48:17 | 0:48:22 | |
No, you're my first. | 0:48:22 | 0:48:24 | |
Ow. | 0:48:28 | 0:48:30 | |
All right. | 0:48:35 | 0:48:37 | |
Hey! Hey! Put the mask on! | 0:48:37 | 0:48:39 | |
-Jesus! -I've already... I've already seen you. | 0:48:39 | 0:48:42 | |
With both of my eyes. | 0:48:42 | 0:48:45 | |
At the country club. | 0:48:45 | 0:48:47 | |
SIGHS | 0:48:48 | 0:48:49 | |
OK? | 0:48:49 | 0:48:52 | |
Come on. | 0:48:52 | 0:48:53 | |
Oh, my... | 0:49:01 | 0:49:03 | |
Oh, my gosh. Wow. Oh, my God. | 0:49:05 | 0:49:07 | |
What, you don't like history? | 0:49:07 | 0:49:10 | |
I hear this stuff's worth a lot of money, what I'm told. | 0:49:11 | 0:49:15 | |
When am I going home? | 0:49:18 | 0:49:21 | |
He hasn't paid yet. | 0:49:21 | 0:49:23 | |
Can I ask how much are you asking for? | 0:49:28 | 0:49:32 | |
A million. | 0:49:32 | 0:49:35 | |
-A million dollars? -He's got it. | 0:49:35 | 0:49:38 | |
I told you that. Unless you can think of a reason he won't pay. | 0:49:38 | 0:49:41 | |
LAUGHING: God. Oh, gosh, a million dollars. | 0:49:41 | 0:49:46 | |
-It's just not going to happen. -What do you mean? | 0:49:46 | 0:49:49 | |
-He's got it. I told you that. -Oh, God. | 0:49:49 | 0:49:52 | |
Tell me more about those apartments. | 0:50:04 | 0:50:07 | |
PHONE RINGING | 0:50:21 | 0:50:23 | |
Should I get it? Should we get it? | 0:50:32 | 0:50:35 | |
-Do you want me to get it? -Maybe you should get it. | 0:50:35 | 0:50:37 | |
I can get it. | 0:50:37 | 0:50:39 | |
I got it. | 0:50:39 | 0:50:40 | |
Mr Dawson's residence. How can I help you? | 0:50:45 | 0:50:47 | |
ORDELL: Put the man on. | 0:50:47 | 0:50:48 | |
I'm afraid Mr Dawson isn't here right now. Would you care to leave a message? | 0:50:48 | 0:50:51 | |
You tell the man get on the phone if he wants to speak to his wife. | 0:50:51 | 0:50:54 | |
Actually, Mr Dawson left the island this morning on a boat | 0:50:54 | 0:50:56 | |
and didn't mention when he'd be back. Have a good day. | 0:50:56 | 0:50:58 | |
HANGS UP PHONE | 0:50:58 | 0:51:00 | |
I used to be a receptionist for this PR guy in LA. | 0:51:00 | 0:51:03 | |
The guy was a real asshole, but actually I made a lot of interesting friends. | 0:51:03 | 0:51:05 | |
So it was a good experience overall, I mean. | 0:51:05 | 0:51:07 | |
-What did he say? -He didn't really say anything. | 0:51:07 | 0:51:10 | |
He just asked for you, and then he said he knew you were here. | 0:51:10 | 0:51:13 | |
-How would he know that? -He's just guessing. | 0:51:13 | 0:51:16 | |
He doesn't know shit. | 0:51:16 | 0:51:18 | |
-Motherfucker. -Call again. | 0:51:18 | 0:51:20 | |
Well, what happen when I call and she don't put him on again? | 0:51:21 | 0:51:24 | |
How the fuck we look then? | 0:51:24 | 0:51:27 | |
-I'll call him. -Don't get cute. | 0:51:27 | 0:51:31 | |
This shit is not a game. | 0:51:31 | 0:51:32 | |
-Then, I'll call. -I got it! I got it! | 0:51:32 | 0:51:35 | |
SIGHS | 0:51:35 | 0:51:36 | |
Shit is not a game, ma'am. | 0:51:36 | 0:51:38 | |
PHONE RINGING | 0:51:52 | 0:51:55 | |
-I'll get it. I'll get it! -I'm getting it! | 0:52:01 | 0:52:03 | |
Sit down, Frank! Sit! | 0:52:03 | 0:52:06 | |
-Hello. -Yeah, put the man on. | 0:52:07 | 0:52:09 | |
I can't very well put him on if he's not here, now, can I, sport? | 0:52:09 | 0:52:12 | |
Who this? This Melanie with the big titties? | 0:52:12 | 0:52:15 | |
Well, yes, it is, and who am I speaking to? | 0:52:15 | 0:52:17 | |
You tell Frank that if he want to speak to his wife again, | 0:52:17 | 0:52:20 | |
he need to get on the phone right now. | 0:52:20 | 0:52:21 | |
Well, he can't get on the phone right now, cos he's not here. | 0:52:21 | 0:52:24 | |
-Ciao. -Look, I... | 0:52:24 | 0:52:26 | |
He knew my name. | 0:52:26 | 0:52:29 | |
What'd he want? | 0:52:29 | 0:52:31 | |
Didn't really say anything. He just wanted to talk to you. | 0:52:31 | 0:52:35 | |
He sounded like a black guy. | 0:52:35 | 0:52:37 | |
Well, I might know the guy, recognise his voice. | 0:52:37 | 0:52:40 | |
-Maybe I should get it next time. -Mmm-mmm. | 0:52:40 | 0:52:42 | |
You don't have anything to say, Frank, do you? | 0:52:42 | 0:52:44 | |
-You know what I'm thinking? -What? | 0:52:44 | 0:52:46 | |
Unplug the phone. | 0:52:46 | 0:52:47 | |
Officer? | 0:53:44 | 0:53:46 | |
Sir. | 0:53:49 | 0:53:50 | |
Live in these premises? | 0:53:52 | 0:53:54 | |
I'm a friend of the family. Is there a problem...Officer? | 0:53:54 | 0:53:59 | |
Oh. | 0:53:59 | 0:54:01 | |
No. | 0:54:01 | 0:54:02 | |
Just, uh... | 0:54:02 | 0:54:04 | |
You know, doing an investigation into a possible burglary... | 0:54:05 | 0:54:10 | |
..in the neighbourhood. | 0:54:12 | 0:54:14 | |
Uh... | 0:54:14 | 0:54:16 | |
You hear any disturbances lately? | 0:54:16 | 0:54:19 | |
Well, maybe. Not personally, but no. I really don't think so. | 0:54:19 | 0:54:24 | |
Those suits were mine. | 0:54:25 | 0:54:28 | |
Uh-huh. | 0:54:28 | 0:54:30 | |
BANGING | 0:54:37 | 0:54:38 | |
Love these Furies. | 0:54:48 | 0:54:50 | |
-My friend lives here, Frank Dawson. -Who? | 0:54:54 | 0:54:57 | |
Frank Dawson. He asked me to stop by and walk his dog. | 0:54:57 | 0:55:01 | |
That's why I'm here. | 0:55:01 | 0:55:03 | |
Really? | 0:55:04 | 0:55:06 | |
What, uh... | 0:55:09 | 0:55:11 | |
-That's a... -What happened to your head there? | 0:55:11 | 0:55:14 | |
A car accident. Damn buck jumped out at me. | 0:55:14 | 0:55:16 | |
I'm, uh... | 0:55:16 | 0:55:19 | |
-I'm going to have to ask you... -What happened to your eye? | 0:55:19 | 0:55:21 | |
I'm going to have to ask you to turn off the car. | 0:55:21 | 0:55:22 | |
DOG BARKING | 0:55:22 | 0:55:23 | |
-Why? -I said turn off the car. | 0:55:23 | 0:55:26 | |
-Step out of the vehicle. -Why? | 0:55:26 | 0:55:28 | |
Turn off the car. Step out of the goddamn vehicle! | 0:55:28 | 0:55:32 | |
GROWLING | 0:55:32 | 0:55:33 | |
Ow, ow. Oh! | 0:55:33 | 0:55:36 | |
GUNSHOT FIRED | 0:55:45 | 0:55:47 | |
HISSING | 0:56:06 | 0:56:08 | |
PHONE RINGING | 0:56:12 | 0:56:14 | |
PIANO PLAYING | 0:56:27 | 0:56:30 | |
I don't know. I had a feeling, but you're the one had it first. | 0:56:46 | 0:56:51 | |
Somebody that you hadn't planned on, you didn't know about. | 0:56:51 | 0:56:56 | |
She's down there picking up that phone. We're not going to get through to him. | 0:56:56 | 0:56:59 | |
So we know they're up there, but what are they saying? | 0:56:59 | 0:57:01 | |
Checking our temperature, that's what they doing. | 0:57:01 | 0:57:04 | |
Seeing if we serious. | 0:57:04 | 0:57:06 | |
We should go down there, show him something. | 0:57:06 | 0:57:10 | |
Like his wife's fingers. | 0:57:10 | 0:57:12 | |
Just like maybe the wedding ring finger. | 0:57:12 | 0:57:14 | |
He already knows we got her. | 0:57:14 | 0:57:16 | |
No. No. | 0:57:16 | 0:57:19 | |
We need to make an impression. They think it's a game. | 0:57:20 | 0:57:23 | |
Hey, he knows. | 0:57:23 | 0:57:26 | |
It's just a lot of money. It's not a decision you make in an hour. | 0:57:26 | 0:57:29 | |
It's been two days, Louis, going on three. | 0:57:29 | 0:57:33 | |
Her time is up. | 0:57:35 | 0:57:37 | |
Hey. | 0:57:37 | 0:57:39 | |
Don't start no shit you can't finish, Louis. | 0:57:39 | 0:57:41 | |
You need to calm down. You're not thinking this through. | 0:57:41 | 0:57:43 | |
What you think we doing here? We ain't boosting no car. | 0:57:43 | 0:57:47 | |
We took a woman. Now what? You want to be nice? | 0:57:47 | 0:57:50 | |
Oh, you got some other shit on your mind. | 0:57:50 | 0:57:52 | |
-Fuck you. -Fuck you! It ain't about what you feel. It's about what you're going to do. | 0:57:52 | 0:57:55 | |
How you handle yourself in a situation like this. | 0:57:55 | 0:57:57 | |
The man want to take his time, and the woman want to hang up the phone on us. | 0:57:57 | 0:58:00 | |
The fuck we supposed to do? Come on, man. Stop touching me! | 0:58:00 | 0:58:03 | |
Either he cares what happens to her, or he doesn't give a shit! | 0:58:03 | 0:58:06 | |
Finger isn't going to do anything! | 0:58:06 | 0:58:08 | |
He gives us the finger, tells us to shove it up our ass! | 0:58:08 | 0:58:11 | |
I'm not disagreeing with you. | 0:58:11 | 0:58:14 | |
You're right. | 0:58:14 | 0:58:17 | |
We need to find a way to put him against the wall. | 0:58:17 | 0:58:21 | |
So, we go down there and leave Richard here with her? | 0:58:21 | 0:58:25 | |
I thought about it, too. | 0:58:26 | 0:58:28 | |
Yeah, and what you think? | 0:58:28 | 0:58:31 | |
You go. I'll stay. You got Cedric. | 0:58:31 | 0:58:35 | |
I think one of us has gotta stay here, not just Richard. | 0:58:35 | 0:58:39 | |
In fact, I'm going to insist on it. | 0:58:39 | 0:58:42 | |
All right, that's cool. I'll go. | 0:58:42 | 0:58:45 | |
Me and Cedric got it. | 0:58:45 | 0:58:46 | |
You going to be all right, just you and Richard here? | 0:58:49 | 0:58:52 | |
Yeah, we get along, if I don't have to talk to him. | 0:58:52 | 0:58:56 | |
You all right, man? | 0:58:58 | 0:59:00 | |
Look like you got things on your mind. You worried about something? | 0:59:00 | 0:59:03 | |
Oh, no, I'm not worried about anything. | 0:59:03 | 0:59:06 | |
Never been happier in my life. | 0:59:08 | 0:59:11 | |
Ah! | 0:59:36 | 0:59:38 | |
Do you mind? It's my bag. | 0:59:39 | 0:59:41 | |
No, I don't, actually. | 0:59:41 | 0:59:43 | |
All right. Well, you can take my money, my Coppertone, and Kleenex, | 0:59:45 | 0:59:48 | |
but leave my driver's licence. | 0:59:48 | 0:59:50 | |
Took me months to get. | 0:59:54 | 0:59:57 | |
Melanie. | 0:59:57 | 0:59:59 | |
Is he upstairs? | 0:59:59 | 1:00:02 | |
Or did he leave the island? | 1:00:02 | 1:00:05 | |
Oh. | 1:00:05 | 1:00:07 | |
Yeah. "Oh." | 1:00:07 | 1:00:10 | |
SCREAMING | 1:00:12 | 1:00:14 | |
Help! I can't swim! | 1:00:17 | 1:00:21 | |
Help! | 1:00:21 | 1:00:22 | |
Please! | 1:00:23 | 1:00:25 | |
You want to tell us where he at now? | 1:00:25 | 1:00:26 | |
YELLING | 1:00:26 | 1:00:28 | |
Yes! Please! | 1:00:28 | 1:00:30 | |
GASPING | 1:00:30 | 1:00:31 | |
SOFT MUSIC PLAYING | 1:00:50 | 1:00:52 | |
Ta-da. | 1:00:55 | 1:00:57 | |
Abracadabra. | 1:00:57 | 1:00:58 | |
-You want a drink? -Yeah, screwdriver. | 1:00:58 | 1:01:01 | |
-Coming right up. -Why don't you give him a call, sweetie? | 1:01:01 | 1:01:05 | |
All right. I got something to tell you first. | 1:01:05 | 1:01:08 | |
Think it's going to mess up your scam, but don't blame me, OK? | 1:01:08 | 1:01:12 | |
It's the timing. | 1:01:12 | 1:01:14 | |
What timing? | 1:01:14 | 1:01:15 | |
He filed for divorce two days before he came down here. | 1:01:15 | 1:01:19 | |
When she gets back, if she gets back, | 1:01:19 | 1:01:22 | |
the divorce papers are waiting for her. | 1:01:22 | 1:01:25 | |
Huh. | 1:01:25 | 1:01:27 | |
You tell him he's never going to see his wife again. | 1:01:27 | 1:01:29 | |
He doesn't want to see his wife again. | 1:01:29 | 1:01:32 | |
You just saved him maybe 100 grand a year in alimony. | 1:01:32 | 1:01:37 | |
-He said that to you? -He didn't have to. I know him. | 1:01:37 | 1:01:41 | |
You told him not to go to the cops, so he won't. | 1:01:41 | 1:01:45 | |
And legally, he's not supposed to deal with extortionists. | 1:01:45 | 1:01:48 | |
So he's in the free and clear. | 1:01:48 | 1:01:52 | |
So we just let her go home? | 1:01:52 | 1:01:53 | |
And then he goes home and gets divorced, but where does that leave you? | 1:01:53 | 1:01:57 | |
Look, I'm willing to cooperate with you cos I like you. | 1:01:57 | 1:02:00 | |
-I feel bad for you. -Aw, you do? | 1:02:00 | 1:02:02 | |
And I don't want to end up in the fucking ocean again. | 1:02:02 | 1:02:06 | |
Cooperate how? | 1:02:06 | 1:02:08 | |
What about if you... | 1:02:08 | 1:02:10 | |
You disappeared for 100 grand? | 1:02:10 | 1:02:14 | |
-100 grand? -100,000. | 1:02:14 | 1:02:16 | |
I think that's a good choice for you right now. | 1:02:16 | 1:02:19 | |
It ain't a million. | 1:02:19 | 1:02:20 | |
No, but it's not a sack of wet shit either. Do you want my help? | 1:02:20 | 1:02:23 | |
Listen, you're not getting a million bucks from him. | 1:02:23 | 1:02:26 | |
You couldn't even get it out of the country. | 1:02:26 | 1:02:29 | |
All I'm saying is quit dreaming and get realistic. | 1:02:29 | 1:02:33 | |
You might as well get something. | 1:02:33 | 1:02:36 | |
But if she were dead, I could get you more. | 1:02:36 | 1:02:39 | |
Oh. | 1:02:41 | 1:02:43 | |
Yeah. "Oh." | 1:02:43 | 1:02:45 | |
MUSIC: Dreadlock Holiday by 10CC | 1:02:48 | 1:02:50 | |
PHONE RINGING | 1:02:59 | 1:03:01 | |
-Hello. -Hey, Richard, it's me. Where Louis? | 1:03:05 | 1:03:09 | |
SIGHS | 1:03:09 | 1:03:11 | |
-I'll get him. -No, hold on. Hold on, Richard. | 1:03:11 | 1:03:13 | |
Listen, Richard. I got something to tell you and I need you to tell Louis, all right? | 1:03:13 | 1:03:17 | |
We all set here, man. | 1:03:17 | 1:03:19 | |
-You going to California. -Don't kid me. | 1:03:19 | 1:03:21 | |
You teasing me? Don't tease me on this one. | 1:03:21 | 1:03:23 | |
No. I'm not kidding you. I'm not kidding you at all. | 1:03:23 | 1:03:25 | |
-For real? It's all set? -Yeah, we all set. | 1:03:25 | 1:03:29 | |
Now Louis upstairs, yeah? | 1:03:29 | 1:03:31 | |
He's always upstairs. I think he's fucking her. | 1:03:31 | 1:03:34 | |
He's fucking us by fucking her. | 1:03:34 | 1:03:37 | |
But you know, I go up there, and they're not doing it. | 1:03:37 | 1:03:40 | |
Hey, Richard, listen, uh... | 1:03:40 | 1:03:42 | |
I need you to take the lady home tonight. | 1:03:42 | 1:03:44 | |
I think he fucks her fast, but he keeps... | 1:03:44 | 1:03:47 | |
Richard, listen to me, man. Listen very carefully. | 1:03:47 | 1:03:50 | |
I need you to tell Louis to go and get a car. | 1:03:50 | 1:03:53 | |
Put the woman in the trunk of the car. You take her on home, OK? | 1:03:53 | 1:03:57 | |
Uh-huh. | 1:03:57 | 1:03:58 | |
You tell Louis to follow you. | 1:03:58 | 1:04:00 | |
You take the woman in the house. You put her in the closet. You lock her up. | 1:04:00 | 1:04:06 | |
Cut the phone wires, so you got time to get away from the house. | 1:04:06 | 1:04:08 | |
Matter of fact, tie her with them same phone wires. | 1:04:08 | 1:04:10 | |
You understand? | 1:04:10 | 1:04:12 | |
-Richard? -Huh, what? | 1:04:13 | 1:04:15 | |
OK. Now, Richard, this next part is very important. | 1:04:15 | 1:04:20 | |
You got to do it without Louis knowing, too. | 1:04:20 | 1:04:23 | |
When he's gone, I need you to go back to the house. | 1:04:23 | 1:04:27 | |
I need you to kill the lady. | 1:04:29 | 1:04:32 | |
-I do? -Yeah, you do. You need to kill her. | 1:04:32 | 1:04:36 | |
The whole cigarette burn incident shit. | 1:04:36 | 1:04:38 | |
-She knows who you are, man. -She told you that? | 1:04:38 | 1:04:41 | |
She heard your name, she saw your face. That's what the Jew lady told me, man. | 1:04:41 | 1:04:44 | |
She said she knows who you are. | 1:04:44 | 1:04:46 | |
You know, I wondered about that. I did. I wondered about that. | 1:04:46 | 1:04:49 | |
You ain't got no choice, man. | 1:04:49 | 1:04:50 | |
I don't want to see you, I don't want to see nobody go to jail behind this, man. | 1:04:50 | 1:04:54 | |
So, you know, you gotta take the Jew lady out. | 1:04:54 | 1:04:57 | |
But listen. You cannot tell Louis. | 1:04:57 | 1:05:00 | |
-You know something? -What's that? | 1:05:00 | 1:05:02 | |
I knew she was a Jew. I could tell. | 1:05:03 | 1:05:07 | |
AUDIENCE LAUGHTER | 1:05:08 | 1:05:09 | |
Hey, Rollo. What's happening, man? | 1:05:09 | 1:05:11 | |
Look here, I want to ask you a question. Uh... | 1:05:11 | 1:05:14 | |
Does that look like wild parsley to you? | 1:05:15 | 1:05:18 | |
You mean that marijuana? | 1:05:18 | 1:05:20 | |
Say, look there, baby. It's just about ready to be harvested, too. | 1:05:20 | 1:05:24 | |
Yeah, I know. Get a car. What else did he say? | 1:05:24 | 1:05:28 | |
-I told you. -I mean his exact words. | 1:05:28 | 1:05:31 | |
His exact words were, "It's all set." | 1:05:31 | 1:05:35 | |
What does that mean? Why didn't he ask to talk to me? | 1:05:35 | 1:05:38 | |
Because he said I could tell you. | 1:05:38 | 1:05:41 | |
It was all set about taking the woman home, about you going and getting a car, | 1:05:41 | 1:05:46 | |
about you putting her in the trunk. | 1:05:46 | 1:05:48 | |
That's all he goddamn said, man! | 1:05:48 | 1:05:51 | |
What are you getting mad for? | 1:05:51 | 1:05:52 | |
I ain't mad. | 1:05:54 | 1:05:56 | |
It's just when I say something, it's the truth. | 1:05:58 | 1:06:01 | |
Yeah. That's cool, Richard. Nothing to be upset about, man. | 1:06:01 | 1:06:04 | |
I just want to make sure I understand it. | 1:06:04 | 1:06:07 | |
You know what I mean? | 1:06:07 | 1:06:10 | |
He said it's all set and he had the money. | 1:06:10 | 1:06:13 | |
Ah. | 1:06:13 | 1:06:15 | |
I must have missed that part. He did get the money. | 1:06:16 | 1:06:20 | |
Good. See, I was wondering about that. | 1:06:20 | 1:06:23 | |
-Where you going? -To get a car, like he said. | 1:06:23 | 1:06:26 | |
Line up transportation for tonight. I'll be back in a half-hour. | 1:06:26 | 1:06:30 | |
LOUIS: Guess what. | 1:06:34 | 1:06:35 | |
You're going home. | 1:06:37 | 1:06:39 | |
-When? -Later on. | 1:06:40 | 1:06:42 | |
-He paid you? -We're to drop you home in a little bit. | 1:06:48 | 1:06:52 | |
Wait a second. Wait. | 1:06:52 | 1:06:54 | |
My husband paid you? | 1:06:54 | 1:06:57 | |
I guess he must have. | 1:07:00 | 1:07:02 | |
-But you're not sure. -Yeah, I'm sure. | 1:07:02 | 1:07:04 | |
Eat your dinner. It's ham and cabbage with creamed corn. | 1:07:04 | 1:07:07 | |
No. Something's not right. | 1:07:07 | 1:07:09 | |
-I don't believe you. -I gotta go downstairs. I'll be back. | 1:07:09 | 1:07:12 | |
Wait a second. Listen. | 1:07:12 | 1:07:13 | |
Are you going to kill me? | 1:07:13 | 1:07:15 | |
No. | 1:07:15 | 1:07:17 | |
Come on. I will not say a word. | 1:07:17 | 1:07:20 | |
I will not go to the police. I won't say anything. | 1:07:20 | 1:07:22 | |
-Won't help your husband any. -Wait! | 1:07:22 | 1:07:25 | |
This doesn't happen this way! | 1:07:25 | 1:07:27 | |
Mickey, take it easy. | 1:07:27 | 1:07:30 | |
I say you're going home, you're going home. | 1:07:30 | 1:07:33 | |
MUSIC: Show Me A Man by Tony Sandler | 1:07:38 | 1:07:41 | |
# Show me a man | 1:07:53 | 1:07:56 | |
# Who has eyes to see | 1:07:56 | 1:07:58 | |
# Just a glitter of gold | 1:07:58 | 1:08:02 | |
# In his mind | 1:08:02 | 1:08:04 | |
# Who will turn from the sight | 1:08:05 | 1:08:08 | |
# Of the guiding light | 1:08:08 | 1:08:11 | |
# And I'll show you a man | 1:08:11 | 1:08:14 | |
# Who is blind | 1:08:14 | 1:08:18 | |
# Show me a man... # | 1:08:18 | 1:08:21 | |
Thank you. Great meal as always. | 1:08:24 | 1:08:27 | |
Hey, kid. That's me over there, black Chevelle, white stripe. | 1:08:34 | 1:08:38 | |
-Just a sec, boss. -Be careful with it. | 1:08:38 | 1:08:40 | |
DOOR OPENING | 1:09:01 | 1:09:02 | |
Oh, God. | 1:09:09 | 1:09:10 | |
SIGHS | 1:09:10 | 1:09:12 | |
Didn't eat your ham. | 1:09:17 | 1:09:19 | |
No, I didn't. I wasn't hungry. | 1:09:19 | 1:09:23 | |
I forgot. | 1:09:23 | 1:09:25 | |
You're not allowed to eat it. | 1:09:25 | 1:09:28 | |
Sorry. Why am I not allowed to eat it? | 1:09:30 | 1:09:33 | |
Your religion. | 1:09:36 | 1:09:38 | |
If you want to call it that. | 1:09:40 | 1:09:42 | |
What? | 1:09:44 | 1:09:47 | |
He tell you? Louis? | 1:09:47 | 1:09:50 | |
You're going home. | 1:09:51 | 1:09:53 | |
Mmm-hmm. Yeah, he did. He told me. | 1:09:53 | 1:09:56 | |
So I guess | 1:09:58 | 1:10:00 | |
you guys got your money, huh? | 1:10:00 | 1:10:03 | |
I'm going to miss you around here. | 1:10:06 | 1:10:09 | |
It's been such a lovely time. | 1:10:12 | 1:10:14 | |
What? | 1:10:16 | 1:10:17 | |
What'd you say? | 1:10:19 | 1:10:22 | |
Nothing. I didn't say anything. | 1:10:22 | 1:10:24 | |
-What'd you say? -(Nothing.) | 1:10:24 | 1:10:27 | |
-Huh? -SHE SCREAMS | 1:10:27 | 1:10:29 | |
No. | 1:10:29 | 1:10:30 | |
Please, please, no! | 1:10:30 | 1:10:32 | |
-Kiss me. Kiss me. -No! No! | 1:10:32 | 1:10:34 | |
-You don't like me? -SOBBING: Please, no! | 1:10:34 | 1:10:37 | |
Kiss me. Kiss me! | 1:10:37 | 1:10:39 | |
What, I'm not good enough for you? | 1:10:39 | 1:10:41 | |
SCREAMING | 1:10:41 | 1:10:43 | |
-Please. Please. -Take your clothes off. | 1:10:45 | 1:10:47 | |
Take them off, or I will rip them off! | 1:10:47 | 1:10:50 | |
Stop! | 1:10:50 | 1:10:51 | |
Now the brassiere. | 1:10:53 | 1:10:55 | |
Do it. Do it. | 1:10:55 | 1:10:58 | |
SCREAMING | 1:11:03 | 1:11:05 | |
DOOR OPENS | 1:11:05 | 1:11:08 | |
-Hey! -Huh? | 1:11:08 | 1:11:09 | |
GRUNTS | 1:11:09 | 1:11:10 | |
What's going on up there? | 1:11:10 | 1:11:12 | |
GRUNTS | 1:11:15 | 1:11:17 | |
-Come on! Let's go! Let's go! -OK! | 1:11:21 | 1:11:23 | |
Let's go. Come on. This way. | 1:11:24 | 1:11:27 | |
Hold on. | 1:11:39 | 1:11:40 | |
MICKEY SCREAMING | 1:11:47 | 1:11:50 | |
SIREN WAILING | 1:11:52 | 1:11:54 | |
EXCLAIMS | 1:11:55 | 1:11:56 | |
-You all right? -No. | 1:11:59 | 1:12:02 | |
-You shot? -No. | 1:12:02 | 1:12:05 | |
INDISTINCT RADIO CHATTER | 1:12:05 | 1:12:08 | |
SIGHS | 1:12:13 | 1:12:14 | |
COUGHING | 1:12:18 | 1:12:20 | |
-7-442. -WOMAN: Yeah, go ahead, 442. | 1:12:21 | 1:12:24 | |
Yeah, I'm at 1,000 block, State and Fair, east of Woodward. | 1:12:24 | 1:12:29 | |
Requesting immediate backup. | 1:12:29 | 1:12:31 | |
I got some wild-looking asshole here, firing a handgun. | 1:12:31 | 1:12:35 | |
Where are you taking me? | 1:13:01 | 1:13:03 | |
Where am I taking you? I'm taking you home. | 1:13:04 | 1:13:08 | |
Right here, this stretch of Northwood, | 1:13:21 | 1:13:23 | |
where it used to be called the street-racing capital of the world. | 1:13:23 | 1:13:27 | |
I don't want to go home. | 1:13:42 | 1:13:44 | |
ORDELL: So that's the Florentine, huh? What else you got? | 1:14:07 | 1:14:12 | |
Listen, Ordell, we got a minor problem. | 1:14:12 | 1:14:15 | |
Actually, we've got some good news and some not such good news. | 1:14:15 | 1:14:19 | |
SIGHS: Had a feeling you had some news. | 1:14:19 | 1:14:21 | |
He's going back tomorrow. He's leaving. | 1:14:21 | 1:14:24 | |
And now that he's out of the casino and back on the wagon, | 1:14:24 | 1:14:26 | |
he's in a pretty good place, all things considered. | 1:14:26 | 1:14:29 | |
That's the not-so-good news. | 1:14:29 | 1:14:31 | |
He wants to get back, make an appearance, see his wife, call off the divorce, | 1:14:31 | 1:14:34 | |
but he wants me to come back to Detroit with him. | 1:14:34 | 1:14:36 | |
I just reminded him that I'm the only person he has to talk to about this, | 1:14:36 | 1:14:40 | |
you know, the sympathetic listener. | 1:14:40 | 1:14:43 | |
This is the good news? | 1:14:43 | 1:14:44 | |
Well, the bad isn't exactly bad and the good isn't exactly sensational. | 1:14:44 | 1:14:47 | |
But what it does do is it gets things back to normal. | 1:14:47 | 1:14:50 | |
You've got little Mickey back with hubby, assuming she's alive. | 1:14:50 | 1:14:53 | |
Oh, which reminds me, you should really call your friend. | 1:14:53 | 1:14:56 | |
It actually gives you time to set this up and do it right. | 1:14:56 | 1:14:59 | |
I mean, you're a hunk, | 1:14:59 | 1:15:00 | |
but you are a piss-poor extortionist, if you don't mind me saying. | 1:15:00 | 1:15:03 | |
Let's be honest. This could've been set up a whole lot better. | 1:15:03 | 1:15:07 | |
NAZI RALLY MUSIC BLARING | 1:15:07 | 1:15:09 | |
This motherfucker's got way too many guns | 1:15:09 | 1:15:11 | |
and from what I can tell, no shortage of ammo. | 1:15:11 | 1:15:14 | |
When we first saw him, | 1:15:14 | 1:15:16 | |
he had on a T-shirt and long johns, armed with a revolver. | 1:15:16 | 1:15:18 | |
Now he got on some kind of damn uniform. | 1:15:18 | 1:15:20 | |
Busted in all the windows, except the ones boarded up on the second floor. | 1:15:20 | 1:15:23 | |
Turn off the music and put down the weapon. | 1:15:23 | 1:15:25 | |
Did he say anything? | 1:15:25 | 1:15:27 | |
He keeps saying something about the Fury or the Fuhrer, maybe. I don't know. | 1:15:27 | 1:15:31 | |
It wasn't making much sense, and he was crying through most of it. | 1:15:31 | 1:15:34 | |
OK. | 1:15:34 | 1:15:36 | |
Ray, where you going? | 1:15:36 | 1:15:38 | |
Sir, you have two minutes to exit the premises! | 1:15:38 | 1:15:41 | |
Get back! Take cover! Take cover! | 1:15:44 | 1:15:47 | |
SIREN WAILING | 1:15:52 | 1:15:54 | |
SCREAMING | 1:15:55 | 1:15:57 | |
FOOTSTEPS APPROACHING | 1:16:14 | 1:16:16 | |
RICHARD LAUGHS | 1:16:17 | 1:16:20 | |
-Hey. -What? | 1:16:25 | 1:16:26 | |
MUSIC PLAYING: Let Your Love Flow by Bellamy Brothers | 1:16:37 | 1:16:39 | |
Louis? | 1:16:43 | 1:16:45 | |
Smoked grass, and I'm drinking beer. | 1:16:46 | 1:16:49 | |
And I don't even like beer. | 1:16:50 | 1:16:52 | |
And that pizza, it was delicious. | 1:16:52 | 1:16:55 | |
Jesus Christ. How did you know my name? | 1:16:55 | 1:16:58 | |
Oh. | 1:16:58 | 1:16:59 | |
The fat guy told me, that fake police guy. | 1:16:59 | 1:17:03 | |
-He's not a real cop, right? -He told you? | 1:17:05 | 1:17:08 | |
Yeah. He did. | 1:17:08 | 1:17:10 | |
You know, I was thinking about something else. | 1:17:10 | 1:17:13 | |
-Yeah? -The other guy, the black one. | 1:17:13 | 1:17:16 | |
-Oh, "The black one." -Yeah. | 1:17:16 | 1:17:17 | |
Everyone knows everyone. That's good. | 1:17:17 | 1:17:19 | |
He went down to Freeport, right? | 1:17:19 | 1:17:21 | |
Cos I haven't heard his voice for a couple of days. | 1:17:21 | 1:17:25 | |
Where is he now? | 1:17:25 | 1:17:27 | |
He just called this afternoon. | 1:17:27 | 1:17:29 | |
He's still there, on his way back. | 1:17:29 | 1:17:32 | |
He called, but you didn't speak to him. The other guy spoke to him, right? | 1:17:32 | 1:17:36 | |
Because when I asked you if my husband had paid you, | 1:17:36 | 1:17:39 | |
you said, "I think so." | 1:17:39 | 1:17:42 | |
Yeah. Richard told me, so I didn't talk to him. | 1:17:42 | 1:17:44 | |
Richard. Is that that guy's name? That fat guy's name's Richard? | 1:17:44 | 1:17:47 | |
That's right, but I'll tell you something. | 1:17:47 | 1:17:50 | |
You need to forget everything | 1:17:50 | 1:17:51 | |
that you have seen and heard over the last few days. | 1:17:51 | 1:17:54 | |
Louis, you're not sure if your partner was paid. | 1:17:54 | 1:17:59 | |
Oh, God, a million dollars? | 1:17:59 | 1:18:01 | |
Don't worry about it. | 1:18:04 | 1:18:06 | |
Don't worry about it. | 1:18:07 | 1:18:09 | |
Hmm. | 1:18:16 | 1:18:17 | |
# Just let your love flow | 1:18:26 | 1:18:28 | |
# Like a mountain stream | 1:18:28 | 1:18:30 | |
# And let your love grow | 1:18:30 | 1:18:32 | |
# With the smallest of dreams... # | 1:18:32 | 1:18:35 | |
Louis. | 1:18:37 | 1:18:38 | |
Yeah? | 1:18:38 | 1:18:40 | |
I think I'm ready to go home now. | 1:18:43 | 1:18:46 | |
OK. | 1:18:58 | 1:19:00 | |
EXHALES | 1:19:22 | 1:19:24 | |
TYRA: Two days before her recital, Shelly asked me if she can quit. | 1:19:47 | 1:19:50 | |
I'd try and talk her out of it, but I know she's scared. | 1:19:50 | 1:19:54 | |
We just had to do the same thing with Andrew. | 1:19:54 | 1:19:55 | |
Taking him out of private school. Too much pressure. | 1:19:55 | 1:19:58 | |
I think it sends the wrong message. | 1:19:58 | 1:20:00 | |
But I asked Marsh, and he says, "It's a ballet recital. Who friggin' cares?" | 1:20:00 | 1:20:04 | |
That was really helpful. Thanks, Marsh(!) | 1:20:04 | 1:20:07 | |
Where you been all week, celebrity? | 1:20:07 | 1:20:09 | |
I was kidnapped. | 1:20:09 | 1:20:11 | |
ALL LAUGH | 1:20:11 | 1:20:12 | |
-What you thinking about? -Mickey! | 1:20:24 | 1:20:27 | |
-How are you? Oh, my God. -I'm fine. | 1:20:27 | 1:20:31 | |
You know, I've been worried sick about you. Mick, what happened? | 1:20:31 | 1:20:35 | |
Did you even try to find out? | 1:20:35 | 1:20:37 | |
SCOFFS | 1:20:37 | 1:20:38 | |
When I didn't hear anything, of course I did. | 1:20:38 | 1:20:41 | |
I tried to call you. I came by. | 1:20:41 | 1:20:44 | |
-I looked for you at the club. You look good. -Mmm-hmm. | 1:20:44 | 1:20:47 | |
Marshall, there is a hole in my closet door the size of you. | 1:20:47 | 1:20:51 | |
Jesus, I know. Maybe if we hurry up, we can get it fixed. | 1:20:51 | 1:20:54 | |
The suits, I came by and took them in. They're all clean. | 1:20:54 | 1:20:57 | |
Marshall, do you even know where I've been all week? | 1:20:57 | 1:21:01 | |
-Mickey, listen. -Talk. | 1:21:03 | 1:21:06 | |
I'll pick up the suits. You call a guy about the door. | 1:21:06 | 1:21:08 | |
All right. I think I'll just let you and Frank handle it. | 1:21:08 | 1:21:11 | |
What do you mean? Frank? Mickey. | 1:21:11 | 1:21:14 | |
Roll down the window. | 1:21:14 | 1:21:16 | |
Just for one second. | 1:21:16 | 1:21:17 | |
You all right? | 1:21:47 | 1:21:49 | |
I'm fine. | 1:21:49 | 1:21:51 | |
You want a drink? | 1:21:51 | 1:21:53 | |
Sure. | 1:21:53 | 1:21:55 | |
When'd you get back? | 1:21:56 | 1:21:59 | |
I just walked in. | 1:21:59 | 1:22:01 | |
Oh, you mean the flight. | 1:22:01 | 1:22:04 | |
Did you stop and see Bo on your way back? | 1:22:04 | 1:22:06 | |
Way back? No. Didn't have the time. | 1:22:06 | 1:22:09 | |
There's been a few problems on that Grandview job. | 1:22:09 | 1:22:12 | |
All the sod that was supposed to be in a month ago? | 1:22:12 | 1:22:14 | |
I come back, none of the landscaping is done. | 1:22:14 | 1:22:18 | |
-Unbelievable. -Or would you rather talk about golf? | 1:22:19 | 1:22:22 | |
You asked me why I didn't see Bo. I'm telling you. | 1:22:25 | 1:22:29 | |
Did you pay them? | 1:22:29 | 1:22:31 | |
Didn't have to. They backed off. | 1:22:31 | 1:22:34 | |
-When did they back off? -When I wouldn't pay them. | 1:22:38 | 1:22:41 | |
It was a bluff. I called it. That's all. | 1:22:45 | 1:22:49 | |
-What if they weren't bluffing? -But they were. | 1:22:51 | 1:22:55 | |
GLASS BREAKS | 1:22:57 | 1:22:59 | |
-What the hell's wrong with you? -What if they weren't bluffing, Frank? | 1:22:59 | 1:23:03 | |
OK, you're getting a little hysterical here. | 1:23:03 | 1:23:05 | |
I told them right from the start I wasn't going to pay. | 1:23:05 | 1:23:07 | |
OK. Did you go to the police? | 1:23:07 | 1:23:09 | |
No. I couldn't. They said if I did... That's when they threatened your life. | 1:23:09 | 1:23:12 | |
But I thought they were bluffing, honey. | 1:23:12 | 1:23:14 | |
This isn't simple to explain. | 1:23:14 | 1:23:17 | |
-OK. -At first, I didn't do anything. | 1:23:17 | 1:23:19 | |
And then I knew, as soon as I talked to them again, I knew that they'd back off. | 1:23:19 | 1:23:24 | |
And that there wasn't really anything serious to worry about. | 1:23:24 | 1:23:28 | |
Other than, of course, what you went through. | 1:23:28 | 1:23:31 | |
I imagine it was a pretty frightening experience. | 1:23:31 | 1:23:35 | |
You're not going to tell me. | 1:23:38 | 1:23:41 | |
But I know what you did, you know what you did, | 1:23:41 | 1:23:43 | |
and that's all that matters, isn't it? So... | 1:23:43 | 1:23:46 | |
Isn't it? | 1:23:48 | 1:23:50 | |
I got the divorce papers. They were waiting for me when I got home. | 1:23:54 | 1:23:57 | |
Now, obviously they were sent way | 1:23:57 | 1:23:59 | |
before I knew anything about a kidnapping. | 1:23:59 | 1:24:02 | |
EXHALES: Are you going to marry her? | 1:24:05 | 1:24:07 | |
Listen, instead of discussing what I feel is personal, | 1:24:07 | 1:24:10 | |
I think it was Henry Kissinger that said, | 1:24:10 | 1:24:13 | |
"Never complain. Never explain." | 1:24:13 | 1:24:15 | |
SCOFFS | 1:24:15 | 1:24:16 | |
That was Henry Ford, | 1:24:16 | 1:24:19 | |
when he was arrested for drunk driving in California, | 1:24:19 | 1:24:22 | |
with another woman in his car. | 1:24:22 | 1:24:24 | |
So... | 1:24:27 | 1:24:29 | |
What do I get? What's my part of the settlement? | 1:24:29 | 1:24:32 | |
Well, we sell the house, split the equity. | 1:24:32 | 1:24:35 | |
It's about 200,000, plus alimony, child support. | 1:24:35 | 1:24:38 | |
And then we divide the money you're sneaking into the Freeport account? | 1:24:38 | 1:24:43 | |
There is no Freeport bank account in my name | 1:24:43 | 1:24:45 | |
and there is no possible way anyone can prove it. | 1:24:45 | 1:24:48 | |
You want to look in my books? | 1:24:48 | 1:24:50 | |
Mmm-mmm. | 1:24:50 | 1:24:52 | |
No, but I would like to see your apartment buildings. | 1:24:52 | 1:24:55 | |
Your refrigerators, ranges, all of your appliances. | 1:24:55 | 1:25:00 | |
-How you save money on stolen materials. -How do you know about that? | 1:25:00 | 1:25:04 | |
And how you pay your old buddy Ray Shelby to front you. | 1:25:04 | 1:25:09 | |
And without even getting into the kidnapping, | 1:25:09 | 1:25:11 | |
I could stir up enough to just nail your ass. | 1:25:11 | 1:25:13 | |
Look, I don't know what you think you know. | 1:25:13 | 1:25:15 | |
Couldn't I? | 1:25:15 | 1:25:17 | |
I mean, if I was the type of person that wanted to see you go to jail. | 1:25:18 | 1:25:22 | |
-Frank. -What? | 1:25:26 | 1:25:30 | |
Are you going to marry... what's her name? | 1:25:30 | 1:25:32 | |
I hope to. | 1:25:34 | 1:25:35 | |
-You mean, if you don't go to jail. -No, that's not what I meant. | 1:25:35 | 1:25:40 | |
Oh, we're just wasting time. | 1:25:40 | 1:25:42 | |
Let's wait till I get a lawyer. | 1:25:42 | 1:25:44 | |
Fine. | 1:25:44 | 1:25:46 | |
But before you get an expensive divorce lawyer, | 1:25:46 | 1:25:49 | |
just know it comes out of the settlement. | 1:25:49 | 1:25:51 | |
Just so much in the kitty, kitty. | 1:25:51 | 1:25:53 | |
Watch it. | 1:25:53 | 1:25:55 | |
-Can I ask you a question? -Yeah, sure. Go ahead. | 1:25:56 | 1:25:59 | |
Did they... | 1:26:01 | 1:26:03 | |
..take advantage of you or... | 1:26:04 | 1:26:08 | |
Mmm-mmm. | 1:26:11 | 1:26:13 | |
Something happened to you. | 1:26:13 | 1:26:15 | |
You're different. | 1:26:16 | 1:26:18 | |
Hey. | 1:26:22 | 1:26:24 | |
Finally changed your clothes. You look nice. | 1:26:25 | 1:26:28 | |
Fancy pants. | 1:26:28 | 1:26:31 | |
These are my culottes. | 1:26:31 | 1:26:33 | |
Well, they're pretty cool. | 1:26:33 | 1:26:35 | |
SHE CHUCKLES | 1:26:35 | 1:26:36 | |
-And no bra? -I have one on. | 1:26:36 | 1:26:39 | |
I have more than one bra. | 1:26:39 | 1:26:41 | |
Anyway, I gotta tell you somethin'. | 1:26:43 | 1:26:45 | |
-Hear that? -What? | 1:26:46 | 1:26:49 | |
"I gotta tell you somethin'." I sound like you. | 1:26:49 | 1:26:52 | |
I say that? | 1:26:52 | 1:26:53 | |
SHE CHUCKLES | 1:26:53 | 1:26:54 | |
Anyway, what I was going to say was, I didn't come for this bra. | 1:26:54 | 1:26:57 | |
I just... I needed somebody to talk to, and, you know... | 1:26:57 | 1:27:01 | |
Is it all right that I just invited myself? | 1:27:01 | 1:27:03 | |
Yeah, sure. Sure, it is, but there's one problem. | 1:27:03 | 1:27:05 | |
See, I was trying to talk to my husband finally and... | 1:27:05 | 1:27:08 | |
Wait. What problem? | 1:27:08 | 1:27:11 | |
Oh, Ordell is back. I know that. | 1:27:11 | 1:27:15 | |
Yeah, but he's not alone. | 1:27:15 | 1:27:17 | |
MELANIE LAUGHING | 1:27:17 | 1:27:18 | |
ORDELL: They expressing themselves. | 1:27:18 | 1:27:20 | |
MELANIE: Enchante. | 1:27:28 | 1:27:29 | |
Hello, Mickey. | 1:27:32 | 1:27:33 | |
Ordell. | 1:27:35 | 1:27:37 | |
Oh, please. | 1:27:38 | 1:27:40 | |
Make yourself comfortable. Have a seat. | 1:27:41 | 1:27:44 | |
I just was in the neighbourhood, thought I'd stop by, say hi to the old gang. | 1:27:44 | 1:27:49 | |
Oh, no, we ain't no gang. We just, you know, some folks. | 1:27:49 | 1:27:53 | |
Uh. | 1:27:55 | 1:27:56 | |
Mickey, meet Melanie. Melanie, Mickey. | 1:27:56 | 1:28:00 | |
Hi. | 1:28:00 | 1:28:02 | |
Hi. | 1:28:02 | 1:28:03 | |
-How's Frank? -Frank's great. | 1:28:06 | 1:28:08 | |
Guys, what's going on? Mickey? | 1:28:10 | 1:28:14 | |
Louis, who's your friend? | 1:28:14 | 1:28:17 | |
I thought you two were introduced. Melanie, Mickey. | 1:28:17 | 1:28:20 | |
-Bullshit. -Mickey says her old man's divorcing her. | 1:28:22 | 1:28:25 | |
Really? | 1:28:27 | 1:28:28 | |
MICKEY: Mmm. | 1:28:28 | 1:28:30 | |
And I don't want to interfere with his new life. | 1:28:31 | 1:28:34 | |
Mine, either. | 1:28:34 | 1:28:36 | |
This is the part where I say what? | 1:28:36 | 1:28:39 | |
What, you don't believe me? | 1:28:39 | 1:28:41 | |
MELANIE: Uh-uh. | 1:28:41 | 1:28:43 | |
Do you want me to describe the apartment in Freeport? | 1:28:43 | 1:28:45 | |
Ordell's been there. | 1:28:45 | 1:28:47 | |
All right. | 1:28:47 | 1:28:49 | |
Well, how about the birthmark two inches from the base of his spine? | 1:28:49 | 1:28:53 | |
Assuming, of course, that you've been there. | 1:28:53 | 1:28:57 | |
-I gotta take a leak. -Just sit still. Sit still. | 1:28:59 | 1:29:02 | |
Hold on. Hmm. | 1:29:03 | 1:29:07 | |
Now the woman said that the man is going to divorce her. | 1:29:07 | 1:29:11 | |
He's not coming back. He don't want to make a new start. | 1:29:11 | 1:29:14 | |
-Mmm-mmm. -Hmm. | 1:29:14 | 1:29:16 | |
So I got it wrong, baby. I mean, | 1:29:16 | 1:29:18 | |
I can't help if he tells her one thing and then tells me another. | 1:29:18 | 1:29:21 | |
Or if she's pissed. | 1:29:21 | 1:29:24 | |
Are you mad at anybody? | 1:29:24 | 1:29:27 | |
No, not at all. | 1:29:27 | 1:29:29 | |
No, she's not mad. | 1:29:30 | 1:29:33 | |
This is bullshit. Would you mind terribly...? | 1:29:33 | 1:29:36 | |
Hmm. | 1:29:41 | 1:29:43 | |
There she goes, future Mrs Dawson. | 1:29:43 | 1:29:47 | |
She looks like a million bucks. | 1:29:47 | 1:29:49 | |
-Did he tell you he was going to marry her? -Mmm-hmm. | 1:29:58 | 1:30:02 | |
And live with her until he does. | 1:30:03 | 1:30:05 | |
Hmm. | 1:30:08 | 1:30:10 | |
Hmm! | 1:30:10 | 1:30:12 | |
FLUSHING | 1:30:16 | 1:30:18 | |
MELANIE: You know, guys, I was thinking we should call Frank | 1:30:19 | 1:30:22 | |
and then we'd all be together. | 1:30:22 | 1:30:24 | |
ORDELL: Yeah. | 1:30:25 | 1:30:28 | |
Sure. | 1:30:28 | 1:30:29 | |
Let's call the motherfucker. | 1:30:31 | 1:30:34 |