Browse content similar to The Curse of Frankenstein. Check below for episodes and series from the same categories and more!
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BELL TOLLS | 0:01:43 | 0:01:48 | |
-Help us, Father, help us! -What about some food? | 0:03:11 | 0:03:13 | |
-Father, they're starving us! -Are you staying, Father? | 0:03:13 | 0:03:16 | |
This man's raving. | 0:03:18 | 0:03:20 | |
Are you quite sure you wish to see him on your own? | 0:03:20 | 0:03:22 | |
A visitor for you, Baron Frankenstein. | 0:03:44 | 0:03:46 | |
If you need any assistance, I shall be outside. | 0:03:47 | 0:03:49 | |
They told me you wanted to see me. | 0:03:58 | 0:04:00 | |
Is it spiritual comfort you want, my son? Is that it? | 0:04:03 | 0:04:06 | |
Keep your spiritual comfort for those who think they need it. | 0:04:08 | 0:04:11 | |
I sent for you because I could think of nobody else. | 0:04:11 | 0:04:14 | |
People trust you. | 0:04:15 | 0:04:16 | |
They listen to what you tell them. | 0:04:17 | 0:04:19 | |
Now you listen to me, and when I've finished you can pass it on to them. | 0:04:24 | 0:04:28 | |
Then perhaps they'll believe me. | 0:04:28 | 0:04:30 | |
-I have to tell you... -I'll tell you, you just listen! | 0:04:30 | 0:04:33 | |
I'm sorry. If you think my word will carry any authority, I'm afraid you're mistaken. | 0:04:33 | 0:04:36 | |
Perhaps you'd better not tell me what you consider so important. | 0:04:36 | 0:04:39 | |
-You'll stay. -Take your hands off me. | 0:04:39 | 0:04:42 | |
-Tell me you'll stay! -Do you want me to call the guard? | 0:04:42 | 0:04:45 | |
I apologise. Please, sit down. | 0:04:49 | 0:04:52 | |
I said I apologise. I'll not forget myself again. | 0:04:54 | 0:04:57 | |
As you wish. | 0:04:58 | 0:05:00 | |
Unless I can convince you... | 0:05:03 | 0:05:06 | |
that what I'm about to tell you is the absolute truth... | 0:05:06 | 0:05:09 | |
..then in one hour from now I shall be dead. | 0:05:10 | 0:05:12 | |
-I've told you... -And then perhaps you'll understand. | 0:05:12 | 0:05:15 | |
Perhaps you'd better start from the beginning. | 0:05:15 | 0:05:17 | |
Where did it all begin? | 0:05:20 | 0:05:22 | |
I suppose it was when I was a boy at school. | 0:05:24 | 0:05:26 | |
I always had a brilliant intellect. | 0:05:28 | 0:05:30 | |
That old fool who used to teach us may have been able to hoodwink the | 0:05:32 | 0:05:35 | |
others but what did he know? | 0:05:35 | 0:05:36 | |
He'd been teaching the same rubbish for 30 years | 0:05:36 | 0:05:39 | |
and I don't suppose he'd read a new book for 20 of those. | 0:05:39 | 0:05:42 | |
When my mother died, I inherited the Frankenstein fortune. | 0:05:43 | 0:05:47 | |
And this enabled me to begin the life and work | 0:05:47 | 0:05:50 | |
I had always planned for myself. | 0:05:50 | 0:05:53 | |
Victor, dear boy, | 0:05:53 | 0:05:55 | |
you are the sole remaining member of the Frankenstein family. | 0:05:55 | 0:05:59 | |
Now, I know you will conduct yourself... | 0:05:59 | 0:06:01 | |
in a manner which would make your poor, dear mother proud of you. | 0:06:01 | 0:06:05 | |
I shall do my best, Uncle. Thank you. | 0:06:05 | 0:06:07 | |
Thank you all for coming. | 0:06:08 | 0:06:10 | |
Goodbye. | 0:06:10 | 0:06:11 | |
What was it you wished to see me about, Aunt Sophie? | 0:06:17 | 0:06:20 | |
It is a matter of some delicacy, Victor. I... | 0:06:20 | 0:06:22 | |
-Was it about the allowance my mother made you? -Oh... | 0:06:22 | 0:06:25 | |
You needn't worry. I shall continue to pay it. | 0:06:25 | 0:06:28 | |
You're a good boy, Victor. Your poor mother would be proud... | 0:06:28 | 0:06:31 | |
-Yes, yes, yes. -Elizabeth, thank your cousin. | 0:06:31 | 0:06:34 | |
There's really no need. | 0:06:34 | 0:06:35 | |
Come along, Elizabeth. Say thank you nicely. | 0:06:35 | 0:06:38 | |
Thank you. | 0:06:38 | 0:06:39 | |
She's a good girl, Victor. She'll grow into a fine woman one day. | 0:06:39 | 0:06:42 | |
-I'm sure she will. -She'll make someone a good wife. | 0:06:42 | 0:06:46 | |
-Goodbye. -Well, goodbye. | 0:06:46 | 0:06:48 | |
Ooh, the first of the month, your mother used to... | 0:06:53 | 0:06:56 | |
-I understand perfectly. I shall do the same. -Thank you. | 0:06:56 | 0:06:59 | |
Good morning. Is this the home of the Frankenstein family? | 0:07:15 | 0:07:18 | |
It is. | 0:07:18 | 0:07:19 | |
I'm Paul Krempe. I have an appointment with Baron Frankenstein. | 0:07:20 | 0:07:23 | |
You must be Victor. I am going to be your tutor. | 0:07:23 | 0:07:27 | |
So I understand. | 0:07:27 | 0:07:28 | |
But surely it isn't settled yet. | 0:07:28 | 0:07:30 | |
I thought that this was just an interview to decide | 0:07:30 | 0:07:33 | |
whether you were suitable for the position. | 0:07:33 | 0:07:35 | |
Yes, but I've had correspondence with the Baron | 0:07:35 | 0:07:38 | |
and he seemed quite satisfied with my qualifications. | 0:07:38 | 0:07:40 | |
That's right, he did, didn't he? | 0:07:40 | 0:07:42 | |
-I expect he just wanted to see what I looked like. -That must have been it. | 0:07:42 | 0:07:46 | |
-Well, will you tell your father that I'm here? -My father is dead. | 0:07:46 | 0:07:50 | |
-That's quite ridiculous. I had a letter from your fath... -He's been dead for ten years. | 0:07:51 | 0:07:54 | |
It was I who advertised for a tutor. It was I who wrote to you. | 0:07:54 | 0:07:57 | |
You're the Baron, then, are you? | 0:07:59 | 0:08:01 | |
And have been since I was five years old. | 0:08:01 | 0:08:03 | |
And you want a tutor for your son? | 0:08:03 | 0:08:06 | |
I thought it would save a lot of explanation by letter. | 0:08:06 | 0:08:09 | |
A difficult thing at the best of times. | 0:08:09 | 0:08:11 | |
I fail to see that the disclosure of the facts can make any difference. | 0:08:11 | 0:08:15 | |
You were to be engaged as my tutor, subject to the Baron's approval. | 0:08:15 | 0:08:19 | |
You will take up the position. You will be paid as arranged. | 0:08:19 | 0:08:22 | |
By whom? | 0:08:22 | 0:08:24 | |
By the Baron. Well, I'm quite rich. | 0:08:24 | 0:08:27 | |
Now, do you still want the position? | 0:08:27 | 0:08:29 | |
I should be honoured, Herr Baron. | 0:08:29 | 0:08:31 | |
'My first opinion of Paul was soon confirmed. | 0:08:38 | 0:08:41 | |
'He turned out to be an admirable tutor. | 0:08:41 | 0:08:43 | |
'In two years I'd learned all he had to teach, but we went on together... | 0:08:43 | 0:08:48 | |
'probing into the unknown, | 0:08:48 | 0:08:50 | |
'investigating, recording, searching... | 0:08:50 | 0:08:53 | |
'..always searching... | 0:08:54 | 0:08:56 | |
'until gradually the great sweep of our research | 0:08:56 | 0:08:58 | |
'began to assume a single direction... | 0:08:58 | 0:09:00 | |
'and to this aim we finally turned all our energies. | 0:09:00 | 0:09:04 | |
'It took us years of unrelenting work to discover | 0:09:06 | 0:09:09 | |
'what we were seeking. | 0:09:09 | 0:09:10 | |
'And then, one night... | 0:09:10 | 0:09:13 | |
'out of sight and sound of the rest of the house... | 0:09:13 | 0:09:16 | |
'our efforts were rewarded.' | 0:09:16 | 0:09:19 | |
MACHINE HUMS | 0:09:39 | 0:09:42 | |
MACHINE CRACKLES | 0:09:55 | 0:09:59 | |
WATER GURGLES | 0:10:54 | 0:10:58 | |
Paul, it's alive. | 0:12:19 | 0:12:20 | |
Paul, Paul, we've done it! | 0:12:22 | 0:12:25 | |
Paul, we've done it! | 0:12:29 | 0:12:31 | |
There seemed to be a definite lag between the cardiac reaction and the first visible signs of life. | 0:12:33 | 0:12:37 | |
That'll be the time necessary for the first heartbeats | 0:12:39 | 0:12:41 | |
to circulate the bloodstream throughout the entire body. | 0:12:41 | 0:12:44 | |
Now, if we could delay or prolong the period in which the body is apparently dead... | 0:12:46 | 0:12:52 | |
while the heart is alive... | 0:12:52 | 0:12:54 | |
we'd have a living body with only the barest life spark present. | 0:12:54 | 0:12:57 | |
Think what that would mean when it came to performing major surgery! | 0:12:57 | 0:13:00 | |
We could save hundreds of lives. | 0:13:02 | 0:13:04 | |
Reducing shock to a minimum, no loss of blood. | 0:13:05 | 0:13:07 | |
Victor, the Medical Federation meets next month in Berne. | 0:13:07 | 0:13:10 | |
Can we have our paper ready by then? | 0:13:10 | 0:13:12 | |
We could. | 0:13:12 | 0:13:14 | |
-But we're not going to. -But why not? | 0:13:14 | 0:13:17 | |
The Federation doesn't meet again for a year. Why wait that long? | 0:13:17 | 0:13:20 | |
We must wait, Paul. | 0:13:20 | 0:13:21 | |
What we've done up to now is nothing to what we will do. | 0:13:21 | 0:13:24 | |
We've only just started, just opened the door. | 0:13:24 | 0:13:27 | |
Now's the time to go through that door and find what lies beyond it. | 0:13:27 | 0:13:31 | |
Don't you see, Paul? | 0:13:31 | 0:13:33 | |
We've discovered the source of life itself... | 0:13:33 | 0:13:35 | |
and we've used it to restore a creature that was dead. | 0:13:35 | 0:13:38 | |
This is a-a tremendous discovery, but we mustn't share it yet. | 0:13:38 | 0:13:43 | |
We must move on to the next stage. | 0:13:43 | 0:13:45 | |
We've restored life where life was extinct. | 0:13:47 | 0:13:50 | |
It's no longer sufficient to bring the dead back to life. | 0:13:52 | 0:13:55 | |
We must create from the beginning. We must build up our own creature... | 0:13:55 | 0:13:59 | |
build it up from nothing. | 0:13:59 | 0:14:01 | |
From what? | 0:14:01 | 0:14:03 | |
What on earth are you talking about? | 0:14:03 | 0:14:05 | |
Forget the whole. Now we must take the parts... | 0:14:05 | 0:14:08 | |
limbs, organs, and then we must build. | 0:14:08 | 0:14:12 | |
Build what? | 0:14:13 | 0:14:15 | |
The most complex thing known to man... | 0:14:15 | 0:14:17 | |
Man himself. | 0:14:18 | 0:14:20 | |
We must create a human being. | 0:14:20 | 0:14:22 | |
A man with perfect physique, with the hands of an artist and the matured brain of a genius. | 0:14:22 | 0:14:26 | |
-We can do it, don't you see? -No, I don't. | 0:14:26 | 0:14:29 | |
What you're saying is nonsense. A revolt against nature. | 0:14:29 | 0:14:33 | |
Such a thing could only end in evil. | 0:14:33 | 0:14:35 | |
Oh, come, what's the matter with you? | 0:14:35 | 0:14:37 | |
You haven't shown any scruples up to now. | 0:14:37 | 0:14:39 | |
As for revolting against nature, haven't we done so already and succeeded? | 0:14:39 | 0:14:43 | |
Isn't the thing that's dead supposed to be dead for all time? | 0:14:43 | 0:14:45 | |
Yet we've brought it back to life. | 0:14:45 | 0:14:48 | |
We hold in the palms of our hands | 0:14:48 | 0:14:50 | |
such secrets that had never been dreamed of. | 0:14:50 | 0:14:53 | |
Where nature puts up her own barriers to confine the scope of man, | 0:14:53 | 0:14:56 | |
we've broken through those barriers! | 0:14:56 | 0:14:58 | |
-There's nothing to stop us now. -What is it you want to do? | 0:14:58 | 0:15:01 | |
First we need the framework, the body. | 0:15:05 | 0:15:08 | |
Last week they hanged a man at Engelstadt, a highwayman. | 0:15:08 | 0:15:12 | |
He'd been terrifying the countryside for months. | 0:15:12 | 0:15:14 | |
As a warning to others his body's been left on a gibbet, just outside the town. | 0:15:14 | 0:15:19 | |
It'll hang there till it rots... | 0:15:19 | 0:15:20 | |
..or till it's stolen. | 0:15:22 | 0:15:23 | |
The birds didn't waste much time, did they? | 0:16:51 | 0:16:53 | |
The eyes... | 0:16:55 | 0:16:56 | |
Half the head's eaten away. | 0:16:56 | 0:16:58 | |
What are you going to do? | 0:17:06 | 0:17:07 | |
Take the head off. It's no use to me anyway. | 0:17:08 | 0:17:10 | |
In the acid. A few minutes and there'll be no trace. | 0:18:24 | 0:18:27 | |
Now, Paul, give me a hand with his clothes, will you? | 0:18:31 | 0:18:34 | |
Just look at those hands. | 0:18:49 | 0:18:51 | |
Great clodhopping things. No wonder he was a robber. | 0:18:51 | 0:18:54 | |
With hands like those, he couldn't have been anything else. | 0:18:54 | 0:18:57 | |
Except perhaps a gorilla. | 0:18:57 | 0:19:00 | |
I don't think we should continue with this, Victor. | 0:19:00 | 0:19:02 | |
We should wait and present our findings at the Federation. | 0:19:02 | 0:19:05 | |
-Should anything go wrong with that... -I've got it. | 0:19:05 | 0:19:08 | |
-What? -You look after things while I'm gone. | 0:19:08 | 0:19:11 | |
Gone where? | 0:19:11 | 0:19:12 | |
If I leave tonight, I should get back by tomorrow evening. | 0:19:12 | 0:19:15 | |
-Yes, that's what I'll do. -Victor! -Yes, Paul, what is it? | 0:19:15 | 0:19:18 | |
What are you talking about? Where are you going? | 0:19:18 | 0:19:21 | |
Going? Oh, I'm going away for a little while. | 0:19:21 | 0:19:23 | |
I'll tell you about it when I get back. | 0:19:23 | 0:19:25 | |
Better not touch our friend here while I'm gone. | 0:19:25 | 0:19:28 | |
Let him rest in peace... | 0:19:28 | 0:19:30 | |
while he can. Let's have some food, I'm hungry. | 0:19:30 | 0:19:32 | |
Oh, I thought it was the master. | 0:19:49 | 0:19:51 | |
-No, he hasn't come back yet, Justine. -Will he be in time for dinner, sir? | 0:19:51 | 0:19:55 | |
I don't know, he didn't say. | 0:19:56 | 0:19:58 | |
KNOCK AT THE DOOR | 0:19:59 | 0:20:01 | |
There he is now, sir. | 0:20:01 | 0:20:02 | |
Good evening, Baron Frankenstein is expecting me. May I come in? | 0:20:08 | 0:20:12 | |
I shall need some assistance with my luggage. | 0:20:14 | 0:20:17 | |
-Luggage? -Yes, I'm coming to stay. | 0:20:17 | 0:20:20 | |
Well, I'm sorry, miss, but the Baron told no-one of this. | 0:20:20 | 0:20:23 | |
But he must've done. I wrote him some weeks ago. | 0:20:23 | 0:20:26 | |
Victor, how happy I am to see you. | 0:20:28 | 0:20:30 | |
I'm afraid there's some mistake. | 0:20:30 | 0:20:32 | |
Mistake? | 0:20:32 | 0:20:33 | |
But...didn't you get my letter? | 0:20:33 | 0:20:35 | |
I'm not Victor. I'm Paul Krempe. | 0:20:35 | 0:20:38 | |
Oh, Paul Krempe. | 0:20:38 | 0:20:41 | |
Oh, I'm so sorry. | 0:20:41 | 0:20:43 | |
-It's just that... Well, I haven't seen Victor for so long. -Now that you know who I am... | 0:20:43 | 0:20:47 | |
why not tell me who you are? | 0:20:47 | 0:20:49 | |
I'm Elizabeth, Victor's cousin. Didn't he tell you about me? | 0:20:49 | 0:20:52 | |
No, he did not. | 0:20:52 | 0:20:54 | |
For which he'll be severely reprimanded when he returns. | 0:20:54 | 0:20:57 | |
-Oh, he's away? -Yes, but he's expected back at any moment. | 0:20:57 | 0:21:00 | |
So we shan't have long to wait. | 0:21:00 | 0:21:02 | |
Are you going to stay with us long? | 0:21:03 | 0:21:05 | |
I'm coming to live here. | 0:21:05 | 0:21:08 | |
-This is to be my home. -Live here? But... | 0:21:08 | 0:21:10 | |
Paul, I... | 0:21:10 | 0:21:12 | |
-Elizabeth. -Victor. | 0:21:13 | 0:21:16 | |
Elizabeth. | 0:21:17 | 0:21:19 | |
I received your letter. I was so sorry to hear about your mother. | 0:21:20 | 0:21:23 | |
How are you, my dear? The maid will show you to your room. | 0:21:23 | 0:21:26 | |
Paul, come see what I've got. Elizabeth, we'll see you at dinner. | 0:21:26 | 0:21:30 | |
-Yes, but... -Paul, come on. | 0:21:30 | 0:21:32 | |
As he said, we will see you at dinner. | 0:21:32 | 0:21:34 | |
Lock the door, Paul. Come and look at these. | 0:21:46 | 0:21:48 | |
What about these, eh? Have you ever seen anything so beautiful? | 0:22:02 | 0:22:06 | |
Bardello's hands. | 0:22:07 | 0:22:09 | |
The hands of the world's greatest sculptor. | 0:22:09 | 0:22:11 | |
-Where did you get them? -Leipzig. | 0:22:11 | 0:22:13 | |
I'd heard that Bardello died there last week. | 0:22:13 | 0:22:15 | |
-All it needed was a little bribery. -You realise what this means? | 0:22:15 | 0:22:19 | |
It means that our friend here will be reborn with the finest hands ever possessed by any man... | 0:22:19 | 0:22:23 | |
I mean your cousin's arrival. | 0:22:23 | 0:22:25 | |
We can't continue with this experiment. Not here, anyway. | 0:22:25 | 0:22:28 | |
-What are you talking about? -Elizabeth. She might find out. | 0:22:28 | 0:22:32 | |
What if she does? Where's the harm? | 0:22:32 | 0:22:34 | |
She's young, Victor. | 0:22:35 | 0:22:37 | |
Her mind would be incapable of receiving such a shock. | 0:22:37 | 0:22:40 | |
All right! You can't see the horror of what you're doing. | 0:22:40 | 0:22:44 | |
At first I was blind to it. | 0:22:44 | 0:22:46 | |
And now? | 0:22:47 | 0:22:49 | |
When you were away, I decided I could not continue with this experiment. | 0:22:49 | 0:22:53 | |
I hope I can convince you I'm right, change your mind, too. | 0:22:53 | 0:22:56 | |
You'll never do that, Paul. | 0:22:56 | 0:22:58 | |
In six months' time, you'll rejoice in the fact that you helped me present this achievement. | 0:22:59 | 0:23:03 | |
-You'll be as famous as I will... -No, Victor. Infamous! | 0:23:03 | 0:23:06 | |
I will not help you, not any more. And I beseech you, | 0:23:06 | 0:23:09 | |
give this up, if not for your own sake, for the sake of the girl. | 0:23:09 | 0:23:12 | |
You're wasting your time, Paul. | 0:23:12 | 0:23:14 | |
Come, help me graft these hands on. It'll be interesting to see if they take. | 0:23:14 | 0:23:18 | |
Can't you understand? I will not help you any more. | 0:23:18 | 0:23:21 | |
And I shall try and make Elizabeth leave here. | 0:23:21 | 0:23:23 | |
Elizabeth won't leave, Paul. | 0:23:25 | 0:23:27 | |
Now, if you're really not going to help me, I'd be glad if you'd leave me alone. | 0:23:29 | 0:23:33 | |
I've work to do. | 0:23:33 | 0:23:34 | |
I shan't be down for dinner. | 0:23:37 | 0:23:38 | |
Make my excuses to Elizabeth, will you? | 0:23:38 | 0:23:41 | |
-Will you require anything else? -No, thank you, Justine, that'll be all. | 0:23:57 | 0:24:00 | |
Very well, sir. | 0:24:00 | 0:24:02 | |
I shall take the master's dinner up now. | 0:24:02 | 0:24:04 | |
Leave it outside the door. | 0:24:04 | 0:24:06 | |
Of course, Herr Krempe, I always do. | 0:24:06 | 0:24:08 | |
Do you take your coffee black or white, Paul? | 0:24:10 | 0:24:13 | |
Elizabeth, I don't know you very well, but... | 0:24:13 | 0:24:15 | |
I want you to do something for me. | 0:24:15 | 0:24:17 | |
Yes? | 0:24:17 | 0:24:18 | |
Leave here. | 0:24:18 | 0:24:20 | |
Leave? | 0:24:20 | 0:24:22 | |
Yes, leave this house at once and never come back. | 0:24:22 | 0:24:25 | |
That's impossible. Why do you ask it? | 0:24:25 | 0:24:27 | |
I can't explain, but... it will not be safe here. | 0:24:28 | 0:24:32 | |
Not safe? | 0:24:33 | 0:24:34 | |
-Victor will be here all the time, won't he? -Oh, yes. | 0:24:35 | 0:24:38 | |
-Victor will be here. -Then I fail to see... | 0:24:38 | 0:24:40 | |
It is because of Victor that I'm asking you to leave. | 0:24:40 | 0:24:42 | |
He's conducting a series of experiments which could be extremely dangerous. | 0:24:42 | 0:24:45 | |
What sort of experiments? | 0:24:45 | 0:24:47 | |
You wouldn't understand. Sufficient to say... | 0:24:49 | 0:24:51 | |
I would understand, I'm sure I would. Please tell me. | 0:24:51 | 0:24:55 | |
Believe me, I can't tell you. I would if I could. | 0:24:55 | 0:24:58 | |
Then I shall have to ask Victor. | 0:24:59 | 0:25:01 | |
If I am to marry him then I have a right to know. | 0:25:01 | 0:25:03 | |
Marry? | 0:25:03 | 0:25:05 | |
Of course. We're engaged. Didn't he tell you? | 0:25:05 | 0:25:08 | |
How can you be engaged to someone you don't even know? | 0:25:08 | 0:25:11 | |
It was an arrangement between Victor and my mother. | 0:25:12 | 0:25:14 | |
That's absurd. You can't be expected to honour an arrangement of that sort. | 0:25:14 | 0:25:19 | |
My mother and I were entirely dependent upon Victor. | 0:25:19 | 0:25:22 | |
We would have starved without him. | 0:25:22 | 0:25:24 | |
Now perhaps you understand. | 0:25:24 | 0:25:27 | |
I understand you're confusing gratitude with affection. | 0:25:27 | 0:25:30 | |
You have no right to speak to me like that. How dare you! | 0:25:30 | 0:25:33 | |
I'm sorry. It's entirely your own affair and nothing to do with me. | 0:25:34 | 0:25:38 | |
I still think you should leave. Believe me, it's for your own good. | 0:25:38 | 0:25:42 | |
Really, Paul, I can't imagine why you make this idiotic request. | 0:25:42 | 0:25:45 | |
It is not a request. | 0:25:45 | 0:25:46 | |
It's a demand. You must not stay here! | 0:25:46 | 0:25:49 | |
Perhaps we should let Victor decide that. After all, it is his house. | 0:25:49 | 0:25:53 | |
Or had you forgotten? | 0:25:53 | 0:25:55 | |
No, I haven't forgotten. | 0:25:56 | 0:25:58 | |
I'm sorry. | 0:25:59 | 0:26:00 | |
Perhaps I shouldn't have spoken to you like this. | 0:26:00 | 0:26:03 | |
I'm sorry, too. | 0:26:04 | 0:26:06 | |
I lost my temper. | 0:26:06 | 0:26:08 | |
Please forgive me. | 0:26:08 | 0:26:09 | |
But, really, Paul... | 0:26:10 | 0:26:12 | |
just because it was arranged years ago... | 0:26:12 | 0:26:14 | |
that's no reason for my not marrying Victor. | 0:26:14 | 0:26:18 | |
It has always been my dearest wish. | 0:26:18 | 0:26:20 | |
His, too. | 0:26:21 | 0:26:22 | |
-Victor... -How many times have I told you? -Baron, then. | 0:26:35 | 0:26:38 | |
-Herr Baron. -That's better. | 0:26:38 | 0:26:40 | |
How much longer is this to go on? | 0:26:40 | 0:26:42 | |
Meeting like this in dark corridors. | 0:26:42 | 0:26:45 | |
Making love in secret. | 0:26:45 | 0:26:47 | |
When are you going to marry me? | 0:26:48 | 0:26:50 | |
What makes you so sure that I'll marry you? | 0:26:50 | 0:26:52 | |
Because you promised! | 0:26:52 | 0:26:54 | |
And because of this. | 0:26:55 | 0:26:57 | |
Herr Baron Victor... | 0:27:10 | 0:27:12 | |
..this woman... | 0:27:13 | 0:27:14 | |
..what is she doing here? | 0:27:15 | 0:27:17 | |
-Are you jealous? -No. | 0:27:18 | 0:27:20 | |
Yes. | 0:27:22 | 0:27:24 | |
Yes, I am jealous. | 0:27:24 | 0:27:25 | |
She's not your mistress? | 0:27:27 | 0:27:29 | |
-If I thought she was... -On the contrary, Justine. | 0:27:29 | 0:27:31 | |
She's to be YOUR mistress. | 0:27:31 | 0:27:33 | |
It'll be your duty to serve my cousin Elizabeth. | 0:27:33 | 0:27:36 | |
And see to her every need just as thoroughly as you have mine. | 0:27:36 | 0:27:40 | |
-But in a different way, of course. -Of course. | 0:27:41 | 0:27:44 | |
Victor, you're not going away again, are you? | 0:27:51 | 0:27:54 | |
I'm afraid I must. But I'll be back tomorrow evening. | 0:27:54 | 0:27:57 | |
Elizabeth... | 0:27:57 | 0:27:59 | |
Well, what's the matter? | 0:27:59 | 0:28:01 | |
It's just that I'm disappointed. I see so little of you these days. | 0:28:01 | 0:28:05 | |
And there are the household accounts to see. You should check them with me. | 0:28:05 | 0:28:09 | |
They'll soon be your department and I'm sure you'll handle them admirably. | 0:28:09 | 0:28:12 | |
But I'd like you to see them. I'd like your assistance with them. | 0:28:12 | 0:28:15 | |
You'll be asking soon if you can help me with my experiments. | 0:28:15 | 0:28:18 | |
But I would. I would like that more than anything in the world. | 0:28:18 | 0:28:21 | |
Well, who knows, my dear, perhaps you will. | 0:28:23 | 0:28:25 | |
One day. | 0:28:27 | 0:28:28 | |
Now I have to go. I have some materials to buy. | 0:28:29 | 0:28:32 | |
Materials for my work. | 0:28:32 | 0:28:33 | |
Well? | 0:28:58 | 0:28:59 | |
-Here you are, sir. -Careful, man! | 0:28:59 | 0:29:02 | |
Not often we get them perfect in here, sir. | 0:29:04 | 0:29:07 | |
HE COUGHS VIOLENTLY | 0:29:07 | 0:29:09 | |
Eyes is generally the first to go. | 0:29:09 | 0:29:12 | |
What do you think, sir? | 0:29:19 | 0:29:21 | |
They'll do. | 0:29:21 | 0:29:22 | |
Ten, we said, didn't we? | 0:29:28 | 0:29:30 | |
-Each. -The pair. | 0:29:30 | 0:29:32 | |
The pair. Just like you said. | 0:29:32 | 0:29:34 | |
KNOCK AT THE DOOR | 0:29:46 | 0:29:47 | |
-Who is it? -Paul. | 0:29:47 | 0:29:49 | |
I'm just coming. | 0:29:51 | 0:29:52 | |
Come in, Paul. | 0:30:05 | 0:30:06 | |
You wanted to see me? | 0:30:12 | 0:30:14 | |
It's been a long time since you've been up here. Why is that? | 0:30:14 | 0:30:17 | |
-You know you're always welcome. -I told you I would not help you. | 0:30:17 | 0:30:20 | |
In that case, why do you continue to live here? | 0:30:20 | 0:30:23 | |
Of course, it's Elizabeth you're worrying about, isn't it? | 0:30:23 | 0:30:26 | |
What is it you want? | 0:30:26 | 0:30:27 | |
Haven't you found it difficult keeping away... | 0:30:29 | 0:30:32 | |
just guessing what I was doing? | 0:30:32 | 0:30:34 | |
Never knowing just how well I was getting on, hmm? | 0:30:34 | 0:30:36 | |
I've decided to let you see my progress. | 0:30:37 | 0:30:40 | |
Then you can judge for yourself whether I shall succeed or not. | 0:30:40 | 0:30:43 | |
I'm at the last stage but one, come and see. | 0:30:43 | 0:30:45 | |
-What do you think? -It's horrible! | 0:30:52 | 0:30:55 | |
Paul, the features are not important. | 0:30:55 | 0:30:58 | |
What matters is I'm creating a being that will live and breathe. | 0:30:58 | 0:31:01 | |
Once the scars on the face heal, it won't look so bad... | 0:31:01 | 0:31:04 | |
Victor, I appeal to you. | 0:31:04 | 0:31:06 | |
Stop what you're doing before it's too late. | 0:31:06 | 0:31:09 | |
But what am I doing? I'm harming nobody. | 0:31:09 | 0:31:12 | |
Just robbing a few graves. What doctor or scientist doesn't? | 0:31:12 | 0:31:16 | |
How else are we to learn the complexities of the human animal? | 0:31:16 | 0:31:18 | |
Doctors rob for the eventual GOOD of mankind. | 0:31:18 | 0:31:21 | |
This can... This can never end in anything but evil. | 0:31:21 | 0:31:25 | |
Now, why do you say that? | 0:31:25 | 0:31:26 | |
I admit he isn't a particularly good-looking specimen at present. | 0:31:27 | 0:31:31 | |
One's facial character is built up by what lies behind it... | 0:31:31 | 0:31:34 | |
in the brain. | 0:31:34 | 0:31:36 | |
A benevolent mind, and the face assumes the patterns of benevolence. | 0:31:36 | 0:31:39 | |
An evil mind, then an evil face. For this... | 0:31:39 | 0:31:43 | |
the brain of a genius will be used. | 0:31:43 | 0:31:45 | |
And when that brain starts to function within the frame... | 0:31:45 | 0:31:48 | |
then the face and features will assume wisdom and understanding. | 0:31:48 | 0:31:52 | |
I told you I was at the last stage but one- the brain. | 0:31:56 | 0:31:59 | |
A brain of superior intellect. | 0:32:00 | 0:32:02 | |
And a lifetime of knowledge already behind it. | 0:32:03 | 0:32:05 | |
Imagine that, Paul. | 0:32:06 | 0:32:08 | |
My creature will be born with a lifetime of knowledge. | 0:32:08 | 0:32:12 | |
Victor, where is this brain to come from? | 0:32:12 | 0:32:15 | |
I'll get it. | 0:32:20 | 0:32:21 | |
-Now, Professor. -Dear, oh, dear. | 0:32:29 | 0:32:32 | |
Your hospitality is too generous, my dear Baron. | 0:32:32 | 0:32:35 | |
On the contrary, Professor Bernstein, it is we who are in your debt. | 0:32:35 | 0:32:39 | |
When Victor told me you had accepted our invitation, I was overjoyed. | 0:32:39 | 0:32:42 | |
You honour me, Miss Elizabeth. | 0:32:42 | 0:32:44 | |
Not only overjoyed because you were to stay with us, but because... | 0:32:44 | 0:32:47 | |
your presence at dinner tonight would ensure my Victor's presence. | 0:32:47 | 0:32:51 | |
Elizabeth thinks I spend too much time in my laboratory. | 0:32:51 | 0:32:53 | |
He's locked in his old laboratory for hours on end, Professor. | 0:32:53 | 0:32:56 | |
He doesn't eat and he doesn't sleep. | 0:32:56 | 0:32:58 | |
I, for one, think the world would be a far better place without research. | 0:32:58 | 0:33:02 | |
At least...my world would be. | 0:33:02 | 0:33:05 | |
She may be right, Baron. | 0:33:06 | 0:33:08 | |
One can spend too much of one's life locked in stuffy rooms | 0:33:08 | 0:33:13 | |
seeking out obscure truths. | 0:33:13 | 0:33:16 | |
Searching, researching... | 0:33:16 | 0:33:19 | |
until one is too old to enjoy life. | 0:33:19 | 0:33:22 | |
You see, Victor, the Professor's on my side. | 0:33:22 | 0:33:25 | |
You've failed me, Professor. | 0:33:25 | 0:33:27 | |
Now I shall have Elizabeth quoting you every time she wants me to leave my work... | 0:33:27 | 0:33:31 | |
and idle away the time with her. | 0:33:31 | 0:33:33 | |
Indeed, you shall. | 0:33:33 | 0:33:34 | |
I shall say, "Victor, you are only a little scientist. | 0:33:34 | 0:33:36 | |
"I shall not listen to you. | 0:33:36 | 0:33:38 | |
"On the authority of the greatest brain in Europe, | 0:33:38 | 0:33:40 | |
"you must leave your stuffy old laboratory... | 0:33:40 | 0:33:43 | |
"and come out into the sunshine with me." | 0:33:43 | 0:33:45 | |
Women, Professor, you see. | 0:33:45 | 0:33:47 | |
How cleverly they twist our words to suit their own ends. | 0:33:47 | 0:33:50 | |
She'll only be happy if I give up my work entirely. | 0:33:52 | 0:33:55 | |
Is the world ready for the revelation you scientists make? | 0:33:55 | 0:34:00 | |
There's a great difference between knowing that a thing is so... | 0:34:00 | 0:34:05 | |
and knowing how to use that knowledge for the good of mankind. | 0:34:05 | 0:34:10 | |
The trouble with us scientists is... | 0:34:10 | 0:34:13 | |
we quickly tire of our discoveries. | 0:34:13 | 0:34:17 | |
We hand them over to people who are not ready for them... | 0:34:17 | 0:34:22 | |
while we go off again into the darkness of ignorance, | 0:34:22 | 0:34:26 | |
searching for other discoveries... | 0:34:26 | 0:34:30 | |
which will be mishandled in just the same way when the time comes. | 0:34:30 | 0:34:35 | |
It's not as bad as that, surely. | 0:34:35 | 0:34:37 | |
Would you have us give up research, too? | 0:34:37 | 0:34:39 | |
Good evening. | 0:34:39 | 0:34:41 | |
Paul, I'm so glad you arrived in time to meet Professor Bernstein. | 0:34:41 | 0:34:45 | |
Professor Bernstein? | 0:34:45 | 0:34:46 | |
Yes, indeed. May I introduce my friend Paul Krempe. | 0:34:46 | 0:34:50 | |
-Good evening, sir. -How do you do? | 0:34:50 | 0:34:52 | |
The Professor is staying with us tonight. | 0:34:52 | 0:34:54 | |
I'm proud to meet you. I had no idea such an honour awaited my return. | 0:34:54 | 0:34:59 | |
We didn't expect you back until the morning, Paul. | 0:34:59 | 0:35:02 | |
I thought it best to come back. | 0:35:02 | 0:35:04 | |
I've heard a great deal about you from Baron Frankenstein. | 0:35:04 | 0:35:09 | |
And I look forward to a talk with you in the morning. | 0:35:09 | 0:35:13 | |
I shall be delighted, sir. | 0:35:13 | 0:35:14 | |
-I feel we have exhausted the Professor. -No, no, no, no. | 0:35:14 | 0:35:18 | |
I have enjoyed every minute of this delightful evening. | 0:35:18 | 0:35:22 | |
But old age comes not alone. | 0:35:22 | 0:35:26 | |
Good night, young lady. | 0:35:26 | 0:35:28 | |
Good night, Professor. I trust that you will sleep well. | 0:35:28 | 0:35:30 | |
-Good night, sir. -Good night. | 0:35:30 | 0:35:32 | |
-I'll show you to your room. -Thank you. | 0:35:32 | 0:35:34 | |
I really am most honoured to have you here, sir. | 0:35:44 | 0:35:46 | |
I'm most grateful to you, my boy. | 0:35:46 | 0:35:49 | |
You know, I'm alone in the world. | 0:35:49 | 0:35:52 | |
And to be guest in someone's home, especially... | 0:35:52 | 0:35:57 | |
such a charming home like this with such a wonderful atmosphere... | 0:35:57 | 0:36:02 | |
-It's very precious to me. -You are too kind, sir. | 0:36:02 | 0:36:05 | |
I would like to show you a painting just before you retire. | 0:36:07 | 0:36:10 | |
It's this one at the top of the staircase here. | 0:36:10 | 0:36:12 | |
It was purchased by my father and illustrates one of the early operations. | 0:36:12 | 0:36:17 | |
If you step back a little, you'll see it better. | 0:36:20 | 0:36:23 | |
Look out, Professor! Look out! | 0:36:25 | 0:36:27 | |
BELL TOLLS | 0:36:38 | 0:36:42 | |
Baron Frankenstein... | 0:36:57 | 0:36:58 | |
..I'm sure I'm expressing the feelings of all of us | 0:37:00 | 0:37:03 | |
when I say how much we appreciate your kindness and consideration | 0:37:03 | 0:37:06 | |
in allowing the body of our poor colleague | 0:37:06 | 0:37:09 | |
to find its last resting place in your family vault. | 0:37:09 | 0:37:12 | |
As you know, Professor Bernstein had no living relatives. | 0:37:12 | 0:37:16 | |
It was the least I could do. He was a guest in my house. | 0:37:16 | 0:37:19 | |
I thought I'd find you here. | 0:39:05 | 0:39:07 | |
That was very intelligent of you. | 0:39:07 | 0:39:09 | |
Now that you've found me, what do you want? | 0:39:09 | 0:39:11 | |
You killed the old man, didn't you? | 0:39:11 | 0:39:13 | |
You killed him and now you're mutilating his body. | 0:39:13 | 0:39:15 | |
Mutilating? I've removed his brain. Mutilating has nothing to do with it. | 0:39:15 | 0:39:19 | |
I can't prove you murdered him, but I can stop you using his brain. | 0:39:19 | 0:39:23 | |
Why? He has no further use for it. | 0:39:23 | 0:39:25 | |
-Give me that! -Don't be a fool! Be careful! | 0:39:25 | 0:39:28 | |
You'll damage it! | 0:39:28 | 0:39:29 | |
Get away from here, leave me alone! Get out of here! | 0:39:32 | 0:39:35 | |
If you've damaged it... If you've damaged it...! | 0:39:36 | 0:39:39 | |
KNOCK AT THE DOOR | 0:39:54 | 0:39:56 | |
Who is this? | 0:39:56 | 0:39:57 | |
What's the matter, Paul? | 0:39:59 | 0:40:00 | |
I've come to appeal to you to leave here. | 0:40:02 | 0:40:04 | |
-What are you talking about? Leave here? -Now. | 0:40:04 | 0:40:08 | |
This very minute, before it's too late. | 0:40:08 | 0:40:10 | |
Paul, we've been through all this before. | 0:40:10 | 0:40:13 | |
Won't you understand you're in real danger? | 0:40:13 | 0:40:15 | |
What Victor is doing is dangerous to everyone in the house. | 0:40:15 | 0:40:17 | |
Then why do you stay here? You're not helping him any longer. | 0:40:17 | 0:40:20 | |
I'll tell you why I stay here. | 0:40:20 | 0:40:22 | |
I will not leave you alone in this house with him. | 0:40:23 | 0:40:25 | |
Believe me, Paul. You're wrong about Victor. | 0:40:26 | 0:40:29 | |
Am I? | 0:40:29 | 0:40:30 | |
-(You must be.) -How do you know? | 0:40:31 | 0:40:34 | |
Have you ever been in that laboratory of his? No. | 0:40:34 | 0:40:38 | |
You cannot possibly conceive the dreadful thing he's proposing to do. | 0:40:39 | 0:40:43 | |
What are you trying to tell me, Paul? That Victor's wicked, insane? | 0:40:43 | 0:40:47 | |
Neither wicked nor insane. | 0:40:49 | 0:40:51 | |
Just so dedicated to his work that | 0:40:51 | 0:40:53 | |
he can't see the terrible consequences that could result. | 0:40:53 | 0:40:56 | |
Elizabeth... | 0:40:58 | 0:40:59 | |
I can't bear the thought of any harm to you. | 0:40:59 | 0:41:02 | |
I'd do anything to avoid hurt to you both, but... | 0:41:03 | 0:41:06 | |
Victor's so wrapped up in his experiments that... | 0:41:06 | 0:41:08 | |
Paul, please. | 0:41:08 | 0:41:10 | |
Please, leave me, Paul. | 0:41:12 | 0:41:13 | |
THUNDER PEALS | 0:42:04 | 0:42:06 | |
THUNDER CRASHES | 0:42:30 | 0:42:35 | |
THUNDER CRASHES | 0:43:05 | 0:43:09 | |
MACHINE HUMS | 0:43:13 | 0:43:16 | |
MACHINE CRACKLES | 0:43:16 | 0:43:20 | |
THUNDER CRASHES | 0:43:49 | 0:43:52 | |
THUNDER CRASHES | 0:44:51 | 0:44:55 | |
I want you to help me. | 0:45:14 | 0:45:16 | |
You must be mad. | 0:45:17 | 0:45:19 | |
That apparatus was constructed for dual operation. You know that. | 0:45:22 | 0:45:26 | |
I thought I could work it myself but I can't. | 0:45:26 | 0:45:28 | |
I'm delighted. | 0:45:30 | 0:45:32 | |
That means your experiment will not succeed. | 0:45:34 | 0:45:36 | |
You're going to help me, Paul, whatever you say. | 0:45:38 | 0:45:42 | |
THUNDER CRASHES | 0:46:33 | 0:46:37 | |
If you help me, Paul, I promise | 0:46:47 | 0:46:48 | |
once I've proved my theories, I'll dispose of this creature. | 0:46:48 | 0:46:51 | |
-How long will that take? -A month, two at the outside. | 0:46:51 | 0:46:54 | |
And have that thing alive up there all the time? No, Victor! | 0:46:54 | 0:46:57 | |
If you don't help me, Paul, then I make no such promise. | 0:46:58 | 0:47:01 | |
Somehow I'll manage on my own. | 0:47:01 | 0:47:03 | |
However difficult, I'll do it. | 0:47:03 | 0:47:05 | |
And when I've succeeded... | 0:47:05 | 0:47:07 | |
I'll introduce Elizabeth to the world of science and see how she likes it. | 0:47:07 | 0:47:10 | |
There is nothing more important to me than the success of this experiment! | 0:47:10 | 0:47:14 | |
It's what I've worked for all my life. | 0:47:14 | 0:47:16 | |
All right, Victor... | 0:47:19 | 0:47:21 | |
..I'll help you. | 0:47:23 | 0:47:24 | |
GLASS SHATTERS | 0:47:32 | 0:47:34 | |
Victor! | 0:48:28 | 0:48:30 | |
(I did it, Paul.) | 0:48:37 | 0:48:39 | |
This thing must be destroyed before it regains consciousness. | 0:48:40 | 0:48:43 | |
Do you hear me, Victor? | 0:48:43 | 0:48:45 | |
-What did you say? -You must destroy this thing now. | 0:48:46 | 0:48:50 | |
Paul, don't you see? I've succeeded! | 0:48:50 | 0:48:52 | |
Succeeded, yes. Nearly succeeded in getting yourself killed. | 0:48:52 | 0:48:54 | |
-Another ten seconds and you... -This is my creation. | 0:48:54 | 0:48:57 | |
Yes, a criminal lunatic. It tried to kill you. | 0:48:57 | 0:49:00 | |
That's the brain. When you attacked me, it was damaged. | 0:49:00 | 0:49:03 | |
That makes it your fault, Paul. | 0:49:03 | 0:49:05 | |
Your fault that it's not what I intended it to be. | 0:49:05 | 0:49:07 | |
But I can repair the brain. | 0:49:07 | 0:49:09 | |
It's what I've done that counts. I've created a being. | 0:49:09 | 0:49:13 | |
-You promised to destroy it, Victor. -When I've carried out my research. | 0:49:13 | 0:49:17 | |
-But don't you see you've created a monster? -That doesn't matter. | 0:49:17 | 0:49:20 | |
I shall operate on the brain tomorrow. It shouldn't take long. | 0:49:20 | 0:49:23 | |
Very well, Victor. | 0:49:23 | 0:49:25 | |
Goodbye. | 0:49:25 | 0:49:26 | |
Paul! Paul! | 0:49:53 | 0:49:55 | |
-Paul, he's gone! -He's what? | 0:49:56 | 0:49:59 | |
I've searched the house. Heaven knows where he's got to. | 0:49:59 | 0:50:01 | |
It's true, Paul, we must get out and find him! | 0:50:01 | 0:50:04 | |
-I'll go to the village for some help. -No, I'll send word them. | 0:50:04 | 0:50:07 | |
We must pick up his trail before he gets too far. If he gets into the woods, we'll never find him. | 0:50:07 | 0:50:11 | |
I'll meet you downstairs. | 0:50:11 | 0:50:12 | |
Hold on, boy. You're going too fast for your old grandpa. | 0:50:52 | 0:50:55 | |
You sit here, then, Grandpa. | 0:50:55 | 0:50:57 | |
-Where? -Here. | 0:50:57 | 0:50:59 | |
I'll go on now. It's not far. | 0:51:03 | 0:51:06 | |
Aye, thank you, boy. | 0:51:06 | 0:51:08 | |
-Do be careful, now. Go on. -Yes, Grandpa. | 0:51:08 | 0:51:11 | |
That was quick. You can't have picked many. | 0:51:40 | 0:51:43 | |
What's the matter? Can't you find your way? | 0:51:48 | 0:51:51 | |
I'm here, son. | 0:51:51 | 0:51:52 | |
I've lost my stick. Help me find it, son. | 0:51:57 | 0:52:00 | |
You're quiet. | 0:52:06 | 0:52:08 | |
Cat got your tongue? | 0:52:08 | 0:52:09 | |
Who are you? | 0:52:20 | 0:52:22 | |
Tell me who you are. | 0:52:23 | 0:52:24 | |
What do you want with me? | 0:52:26 | 0:52:27 | |
Can't you see I'm only a poor blind man? | 0:52:27 | 0:52:30 | |
I've got nothing for you! | 0:52:30 | 0:52:32 | |
I can't harm you. | 0:52:33 | 0:52:34 | |
Somebody help me! Help me! | 0:52:48 | 0:52:51 | |
HE SCREAMS | 0:53:15 | 0:53:19 | |
Grandpa! | 0:53:19 | 0:53:20 | |
Grandpa! | 0:53:21 | 0:53:23 | |
Look, he must've stopped here. | 0:53:47 | 0:53:50 | |
The villagers should've been alerted by now. Where did you tell them to make for? | 0:53:51 | 0:53:55 | |
The south lakeshore. I said we'd meet them there in half an hour. Or as soon as we spotted it. | 0:53:55 | 0:53:59 | |
Well, his trail is easy to follow anyway. | 0:53:59 | 0:54:01 | |
No, Paul! | 0:54:25 | 0:54:26 | |
-You shoot well. -I've done what had to be done. | 0:55:04 | 0:55:08 | |
-We'll bury him before the villagers arrive. -They won't arrive. | 0:55:08 | 0:55:12 | |
I didn't send the message. | 0:55:12 | 0:55:13 | |
You madman! | 0:55:13 | 0:55:16 | |
You risked just two of us against that? | 0:55:16 | 0:55:18 | |
-We might've been killed! -We might. But we weren't. | 0:55:18 | 0:55:21 | |
Now he's dead, so it doesn't matter. | 0:55:23 | 0:55:25 | |
Well, it's done and I hope you're satisfied. | 0:55:41 | 0:55:43 | |
I'm satisfied we were in time to stop | 0:55:43 | 0:55:45 | |
this monstrous act before it was too late. | 0:55:45 | 0:55:47 | |
If that's what you mean. | 0:55:47 | 0:55:49 | |
I don't think I shall ever forgive you for what you've done. Ever. | 0:55:49 | 0:55:53 | |
KNOCK AT THE DOOR | 0:56:06 | 0:56:08 | |
-Who's there? -It's me. Paul. | 0:56:08 | 0:56:10 | |
Just a minute. | 0:56:12 | 0:56:14 | |
Well? | 0:56:25 | 0:56:27 | |
I'm leaving now. | 0:56:27 | 0:56:28 | |
-I shall send for my things in a few days. -As you wish, Paul. | 0:56:30 | 0:56:33 | |
-Where are you going? What will you do? -I have no idea. | 0:56:33 | 0:56:37 | |
Sufficient that it's no longer necessary for me to remain here. | 0:56:37 | 0:56:40 | |
What do you mean "necessary"? | 0:56:40 | 0:56:42 | |
Of course, there's Elizabeth. You stayed to protect her. | 0:56:42 | 0:56:45 | |
You've done what you set out to do, | 0:56:45 | 0:56:47 | |
you can leave with a clear conscience. | 0:56:47 | 0:56:49 | |
I'll give you life again. | 0:57:34 | 0:57:36 | |
-Justine, you can serve dinner. -Just a minute. | 0:57:46 | 0:57:49 | |
Is it true? | 0:57:50 | 0:57:52 | |
-I beg your pardon? -About you marrying that... | 0:57:58 | 0:58:00 | |
that woman? | 0:58:00 | 0:58:02 | |
-Aren't you forgetting yourself? -You promised to marry me. | 0:58:02 | 0:58:05 | |
I'm not forgetting that. | 0:58:05 | 0:58:07 | |
-HE LAUGHS -Yes, so I did. | 0:58:09 | 0:58:11 | |
-Don't you laugh at me. -HE CONTINUES LAUGHING | 0:58:11 | 0:58:13 | |
-Stop it! Stop it or I'll... -What? | 0:58:13 | 0:58:16 | |
-What will you do? -I'll kill you! | 0:58:17 | 0:58:19 | |
You stupid little fool! | 0:58:19 | 0:58:21 | |
-Did you really think I'd marry you? -You're hurting! | 0:58:21 | 0:58:24 | |
Get back to your work! | 0:58:24 | 0:58:25 | |
But you've got to marry me! You've got to! | 0:58:26 | 0:58:30 | |
I'm going to have a child. | 0:58:30 | 0:58:32 | |
Since when is this? | 0:58:34 | 0:58:35 | |
It doesn't matter. | 0:58:35 | 0:58:37 | |
It's true, that's all. | 0:58:37 | 0:58:39 | |
Why choose me as the father? Pick any man in the village. | 0:58:40 | 0:58:44 | |
The chances are it'd be the right one. | 0:58:44 | 0:58:46 | |
She won't think so. Not when I tell her. | 0:58:47 | 0:58:51 | |
And I'll tell her about what you're doing in that laboratory of yours. | 0:58:51 | 0:58:54 | |
And then I'll go to the authorities and tell them. | 0:58:54 | 0:58:57 | |
Tell them what? | 0:58:57 | 0:58:59 | |
Oh...I know plenty, if I care to tell. | 0:59:00 | 0:59:03 | |
-What do you know? -You wouldn't like that, would you? | 0:59:11 | 0:59:14 | |
Well, if you don't marry me, I'll tell. | 0:59:14 | 0:59:18 | |
Tell what? | 0:59:22 | 0:59:23 | |
You know what I'm talking about. | 0:59:24 | 0:59:26 | |
Proof, my dear. That's all the authorities would be interested in. | 0:59:28 | 0:59:32 | |
Proof. | 0:59:33 | 0:59:34 | |
-I want you out of this house by tomorrow morning. -I'll get proof! | 0:59:36 | 0:59:39 | |
Just you see. I'll get it. | 0:59:39 | 0:59:42 | |
SHE SCREAMS | 1:02:56 | 1:02:59 | |
Pass the marmalade, will you, Elizabeth? | 1:03:13 | 1:03:15 | |
Thank you. | 1:03:15 | 1:03:17 | |
-Victor? -Mm-hm? | 1:03:20 | 1:03:21 | |
I'm worried about Justine. | 1:03:23 | 1:03:24 | |
It's a week since she went away and we still have no word from her. | 1:03:24 | 1:03:28 | |
I told you not to worry. | 1:03:28 | 1:03:30 | |
I expect some village Lothario eloped with her. | 1:03:30 | 1:03:32 | |
She always was a romantic little thing. | 1:03:32 | 1:03:35 | |
How are the wedding invitations coming along? | 1:03:37 | 1:03:39 | |
-Had any replies yet? -Yes, quite a few. -Oh. | 1:03:39 | 1:03:41 | |
-Victor. -Yes, Elizabeth? | 1:03:44 | 1:03:46 | |
I've invited Paul to the wedding. | 1:03:46 | 1:03:48 | |
After all, he was a very good friend of yours. | 1:03:48 | 1:03:50 | |
I'm sorry if I've done wrongly. | 1:03:53 | 1:03:55 | |
He hasn't accepted yet, so... | 1:03:59 | 1:04:02 | |
maybe he won't come. | 1:04:02 | 1:04:04 | |
I hope he does come. | 1:04:07 | 1:04:08 | |
There's something I'd like him to see. | 1:04:11 | 1:04:13 | |
To the bride and bridegroom. | 1:04:29 | 1:04:31 | |
To the happy couple. | 1:04:35 | 1:04:36 | |
To the bridesmaids. | 1:04:43 | 1:04:45 | |
What are you gibbering about? | 1:04:47 | 1:04:48 | |
I was just rehearsing my speech, my dear. | 1:04:48 | 1:04:51 | |
Fool! That's not until tomorrow, after the wedding. | 1:04:51 | 1:04:54 | |
Yes, I know, my dear, but these things take time. | 1:04:54 | 1:04:57 | |
Come on. We're going home. | 1:04:57 | 1:05:00 | |
So soon? | 1:05:00 | 1:05:02 | |
Come on. | 1:05:02 | 1:05:04 | |
Thank heavens they've gone. I've work to do upstairs. | 1:05:11 | 1:05:14 | |
But, Victor, this is our wedding eve. I thought... | 1:05:14 | 1:05:16 | |
Oh, come, Elizabeth. We are not sentimental young lovers. | 1:05:16 | 1:05:19 | |
Can I come and watch you working in your laboratory? | 1:05:20 | 1:05:23 | |
Oh, no, my dear. Not yet. But one day very soon. | 1:05:24 | 1:05:28 | |
I promise you. | 1:05:32 | 1:05:33 | |
It's a pity that Paul didn't come. | 1:05:38 | 1:05:39 | |
Leave those for the morning, Ellen. | 1:06:02 | 1:06:04 | |
Yes, Miss Elizabeth. | 1:06:04 | 1:06:06 | |
Good evening. I'm Herr Krempe. | 1:06:18 | 1:06:21 | |
Are the Baron and Miss Elizabeth at home? | 1:06:21 | 1:06:23 | |
-Yes, sir. -Paul! | 1:06:23 | 1:06:24 | |
-Paul, how marvellous to see you! -Elizabeth! | 1:06:25 | 1:06:28 | |
-We thought you weren't coming. -Why, you look wonderful! | 1:06:28 | 1:06:31 | |
-And Victor? -Oh, he's in his laboratory. | 1:06:31 | 1:06:34 | |
He's been almost living up there for the past few weeks. | 1:06:34 | 1:06:37 | |
-What's he doing? -Oh! As if I should know. | 1:06:37 | 1:06:39 | |
I won't ever know what goes on behind that locked laboratory door. | 1:06:39 | 1:06:42 | |
Of course, I forgot. | 1:06:42 | 1:06:44 | |
He'll be pleased to see you because he was saying only yesterday | 1:06:44 | 1:06:47 | |
that he wished you were here because he has something he wants you to see. | 1:06:47 | 1:06:51 | |
-Has he? -Why don't you go up and surprise him now? | 1:06:51 | 1:06:54 | |
I will. | 1:06:56 | 1:06:57 | |
KNOCK AT THE DOOR | 1:07:14 | 1:07:16 | |
-Who's there? -Paul. | 1:07:16 | 1:07:18 | |
Paul? | 1:07:18 | 1:07:19 | |
Paul... | 1:07:21 | 1:07:22 | |
Still keeping the door locked. Is that necessary? | 1:07:33 | 1:07:37 | |
You can judge for yourself in a moment. | 1:07:37 | 1:07:40 | |
Elizabeth said you had something to show me. | 1:07:40 | 1:07:42 | |
Yes. | 1:07:42 | 1:07:44 | |
Yes, Paul...I have. | 1:07:44 | 1:07:47 | |
I've started on brain surgery, Paul. | 1:07:48 | 1:07:50 | |
Nothing to say? | 1:08:09 | 1:08:10 | |
-So it wasn't killed. -Oh, it was. | 1:08:12 | 1:08:14 | |
At least, life had passed from its body. But don't forget, | 1:08:14 | 1:08:17 | |
I was the one who put it there in the first place. It was comparatively easy to restore it. | 1:08:17 | 1:08:21 | |
No, wait, Paul. I want to show you something else. | 1:08:21 | 1:08:24 | |
-I've seen enough. -Wait, Paul! | 1:08:25 | 1:08:27 | |
Watch this. | 1:08:28 | 1:08:29 | |
Get up! | 1:08:32 | 1:08:33 | |
Come on, get up! | 1:08:36 | 1:08:37 | |
That's right. | 1:08:49 | 1:08:51 | |
Now come here. | 1:08:53 | 1:08:54 | |
Come on now. | 1:08:55 | 1:08:56 | |
Come here! | 1:08:58 | 1:08:59 | |
Sit. | 1:09:08 | 1:09:09 | |
Sit down. | 1:09:11 | 1:09:12 | |
Sit down! | 1:09:13 | 1:09:15 | |
Is this your creature of superior intellect? | 1:09:24 | 1:09:27 | |
Your perfect physical being, this animal! | 1:09:27 | 1:09:30 | |
Ask it a question of advanced physics. | 1:09:32 | 1:09:34 | |
It's got a brain with a lifetime of knowledge behind it, | 1:09:34 | 1:09:37 | |
it should find it simple. | 1:09:37 | 1:09:38 | |
Shall I tell you something, Paul? | 1:09:40 | 1:09:43 | |
There you see the result of your handiwork as much as mine. | 1:09:43 | 1:09:46 | |
Oh, yes, I gave him life. I put a brain in his head. | 1:09:46 | 1:09:50 | |
But I chose a good brain, a brilliant one. | 1:09:50 | 1:09:52 | |
It was you who damaged it. You put a bullet in the wretched thing. | 1:09:52 | 1:09:56 | |
This is your fault, Paul. Do you understand that? | 1:09:57 | 1:10:00 | |
Your fault. | 1:10:00 | 1:10:02 | |
Yes, I understand. | 1:10:03 | 1:10:05 | |
But you won't win, Paul. Shall I tell you why you won't win? | 1:10:05 | 1:10:09 | |
Because I shall carry on. | 1:10:09 | 1:10:11 | |
If I can't cure it by brain surgery, then I'll get another brain. | 1:10:11 | 1:10:15 | |
And another. And another! | 1:10:15 | 1:10:17 | |
No, Victor. | 1:10:17 | 1:10:19 | |
No, you will not. | 1:10:19 | 1:10:21 | |
Paul! | 1:10:23 | 1:10:24 | |
Paul, what are you going to do? | 1:10:24 | 1:10:25 | |
Paul, what are you going to do? | 1:10:27 | 1:10:30 | |
For your sake, and to protect Elizabeth, I've so far kept silent. | 1:10:30 | 1:10:34 | |
Now I shall go to the authorities and have them destroy that creature. | 1:10:34 | 1:10:37 | |
-And see that you pay for these atrocities. -No! | 1:10:37 | 1:10:41 | |
Paul, where are you going...? | 1:10:55 | 1:10:57 | |
Paul, wait a minute! Paul! What are you going to gain by this? | 1:11:12 | 1:11:16 | |
You're as much a part of it as I. | 1:11:16 | 1:11:18 | |
-I've had nothing to do with it for months. -Listen. | 1:11:18 | 1:11:20 | |
I've got something to say to you. | 1:11:20 | 1:11:22 | |
Who's there? | 1:13:17 | 1:13:19 | |
So I warn you...if you tell the authorities, | 1:13:19 | 1:13:22 | |
-Elizabeth will be the first to suffer. -Why, you... | 1:13:22 | 1:13:25 | |
Victor! On the roof. | 1:13:27 | 1:13:29 | |
We must get up there. | 1:13:32 | 1:13:33 | |
Not this time. I'm going to the village for help. | 1:13:33 | 1:13:36 | |
Elizabeth! Come back! | 1:14:46 | 1:14:48 | |
Get back! Get back! | 1:14:59 | 1:15:02 | |
No! No! | 1:15:10 | 1:15:12 | |
Get away from me! | 1:15:15 | 1:15:16 | |
HE SCREAMS | 1:15:34 | 1:15:36 | |
My life's work...destroyed. | 1:15:39 | 1:15:41 | |
Destroyed in a moment. | 1:15:43 | 1:15:44 | |
And by the same hand that gave it life. | 1:15:46 | 1:15:48 | |
Within half an hour there was nothing left of him. | 1:15:50 | 1:15:52 | |
And that is my story, that is what happened. | 1:15:53 | 1:15:56 | |
You don't believe me, do you? | 1:15:58 | 1:16:00 | |
You must believe me, do you hear? | 1:16:01 | 1:16:03 | |
A visitor for you, Frankenstein. A Herr Krempe. Will you see him? | 1:16:06 | 1:16:10 | |
Oh, yes! Yes! I knew it! Paul wouldn't fail me. | 1:16:10 | 1:16:14 | |
He'll tell you it's true! He knows. | 1:16:14 | 1:16:17 | |
He'll tell you it's true! | 1:16:17 | 1:16:19 | |
All right, he'll see you. | 1:16:24 | 1:16:25 | |
I knew Paul wouldn't fail me. He's been a good friend. | 1:16:31 | 1:16:34 | |
He'll prove everything I said is true. He knows. | 1:16:34 | 1:16:37 | |
Oh, Paul! Paul! | 1:16:38 | 1:16:40 | |
Paul, my dear friend, Paul! | 1:16:40 | 1:16:42 | |
Paul! | 1:16:48 | 1:16:49 | |
Paul. Paul, my friend. Tell them, Paul. | 1:16:53 | 1:16:57 | |
-Tell them what, Victor? -About him. About the creature I made. | 1:16:58 | 1:17:02 | |
Go on, Paul, tell them. | 1:17:02 | 1:17:03 | |
You were the only person to see him apart from myself and Justine. | 1:17:03 | 1:17:06 | |
The girl you murdered. | 1:17:06 | 1:17:08 | |
But I didn't. That's what I've been saying. It was him. | 1:17:09 | 1:17:13 | |
-He did it. -Who? | 1:17:13 | 1:17:16 | |
Who did it, Victor? | 1:17:16 | 1:17:18 | |
The creature I made. | 1:17:18 | 1:17:19 | |
You know - the man. Tell them. | 1:17:19 | 1:17:22 | |
Oh, no! No, Paul! | 1:17:27 | 1:17:29 | |
Paul, you must tell them. | 1:17:29 | 1:17:31 | |
You know what's going to happen. Only you can save me. | 1:17:31 | 1:17:33 | |
You must tell them. | 1:17:33 | 1:17:35 | |
Paul, I'll make you! I'll make you! | 1:17:37 | 1:17:40 | |
Paul! Paul, you must tell them! Paul! | 1:17:40 | 1:17:43 | |
Paul! You must tell them. Paul! | 1:17:43 | 1:17:47 | |
I'm sorry, Paul, but you must tell them. | 1:17:47 | 1:17:50 | |
You must save me, Paul! | 1:17:50 | 1:17:52 | |
Paul! You've got to save me! | 1:17:52 | 1:17:54 | |
No! Paul! Paul! | 1:17:55 | 1:17:58 | |
Paul...! | 1:17:58 | 1:18:00 | |
There is nothing we can do for him now. | 1:18:11 | 1:18:13 | |
Come on, I'll take you home. | 1:18:17 | 1:18:20 | |
WINDING NOISE | 1:18:38 | 1:18:41 | |
A THUD | 1:18:47 | 1:18:49 |