
Browse content similar to Indiana Jones and the Last Crusade. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Dismount! | 0:01:50 | 0:01:52 | |
Herman's horse-sick! | 0:01:58 | 0:02:00 | |
No-one wander off! | 0:02:07 | 0:02:09 | |
Some of these passages run for miles. | 0:02:09 | 0:02:12 | |
I don't think this is such a good idea. | 0:02:22 | 0:02:25 | |
CLATTER | 0:02:26 | 0:02:27 | |
LAUGHTER | 0:02:27 | 0:02:29 | |
What is it? | 0:02:29 | 0:02:30 | |
PANTING | 0:02:42 | 0:02:45 | |
-Get anything yet? -Nothing. | 0:02:55 | 0:02:58 | |
-I think he's got something. -Whoo! | 0:02:58 | 0:03:01 | |
I've got something! | 0:03:01 | 0:03:02 | |
I've got something! | 0:03:02 | 0:03:04 | |
MAN CHEERS | 0:03:05 | 0:03:08 | |
Look at that! Whoo! | 0:03:11 | 0:03:14 | |
We're rich! | 0:03:14 | 0:03:15 | |
(Indy.) | 0:03:19 | 0:03:22 | |
(Indy!) | 0:03:22 | 0:03:24 | |
What are they doing? | 0:03:24 | 0:03:26 | |
-Indiana? Indiana? -Sssshh! | 0:03:26 | 0:03:29 | |
It's the Cross of Coronado. | 0:03:35 | 0:03:37 | |
Cortes gave it to him in 1520. | 0:03:37 | 0:03:40 | |
-That cross is an important artefact, it -BELONGS -in a museum. | 0:03:46 | 0:03:50 | |
Go and find the others. | 0:03:50 | 0:03:52 | |
Tell Mr Havelock there are men looting in the caves. | 0:03:52 | 0:03:55 | |
Have him bring the Sheriff. It's only a snake! | 0:03:55 | 0:03:58 | |
-Did you hear what I said? -Right - run back...Mr Havelock...the Sheriff. | 0:03:58 | 0:04:03 | |
-What are you going to do? -I don't know, but I'll think of something. | 0:04:03 | 0:04:08 | |
MURMUR OF MEN'S VOICES | 0:04:08 | 0:04:13 | |
Dig with your hands, not your mouth! | 0:04:13 | 0:04:15 | |
CRACKS | 0:04:26 | 0:04:28 | |
-He's got our thing! -Come back here! | 0:04:29 | 0:04:33 | |
Mr Havelock! Anybody! | 0:04:38 | 0:04:41 | |
-Everybody's lost, but me. -There he is! | 0:04:41 | 0:04:44 | |
HE WHISTLES | 0:04:49 | 0:04:50 | |
HORSE WHINNIES | 0:04:53 | 0:04:54 | |
Hey! Hey, you! | 0:05:01 | 0:05:03 | |
Hyah! Hyah! | 0:05:06 | 0:05:08 | |
Hey! Come back here! | 0:05:08 | 0:05:09 | |
MAN WHISTLES | 0:05:09 | 0:05:10 | |
Come on! Get him! | 0:05:22 | 0:05:24 | |
Hey! Come back here! | 0:05:32 | 0:05:34 | |
ALLIGATORS GROWL | 0:06:07 | 0:06:09 | |
SNAKES HISS | 0:06:12 | 0:06:14 | |
HE SCREAMS | 0:06:28 | 0:06:30 | |
YEE-AAAGH! | 0:06:31 | 0:06:33 | |
Here, let me. | 0:06:37 | 0:06:38 | |
RHINO SNORTS | 0:06:59 | 0:07:01 | |
RHINO GROWLS | 0:07:04 | 0:07:07 | |
Holy smoke! | 0:07:16 | 0:07:18 | |
GUNSHOT | 0:07:20 | 0:07:21 | |
Come on, kid. | 0:07:40 | 0:07:41 | |
There's no way out of this. | 0:07:43 | 0:07:45 | |
LION ROARS | 0:07:57 | 0:08:00 | |
Toss up the whip. | 0:08:17 | 0:08:19 | |
You've got heart, kid, but that belongs to me. | 0:08:28 | 0:08:31 | |
-It belong to Coronado! -He and his ancestors are dead! | 0:08:31 | 0:08:34 | |
This should be in a museum! | 0:08:34 | 0:08:36 | |
Give it! | 0:08:36 | 0:08:38 | |
A snake! | 0:08:40 | 0:08:42 | |
Don't let him get away! | 0:08:42 | 0:08:45 | |
Magic? | 0:08:46 | 0:08:48 | |
Hold it. Make sure he doesn't double back. | 0:08:50 | 0:08:52 | |
OK, kid. Out of the box NOW! | 0:09:08 | 0:09:11 | |
Son of a...! | 0:09:12 | 0:09:14 | |
Damn! | 0:09:24 | 0:09:26 | |
Dad! | 0:09:36 | 0:09:37 | |
Dad! | 0:09:42 | 0:09:44 | |
-Dad. -Not now. -It's important. -It can wait, count to 20. | 0:09:45 | 0:09:48 | |
-No, Dad! Listen... -Junior! -One...two...three... | 0:09:48 | 0:09:52 | |
In Greek. | 0:09:52 | 0:09:54 | |
Enna...thio...thia... | 0:09:55 | 0:09:59 | |
BUGLE CALL | 0:09:59 | 0:10:01 | |
..tessera...pente... | 0:10:01 | 0:10:04 | |
May he who illuminated this, illuminate me. | 0:10:07 | 0:10:12 | |
I brought the Sheriff. | 0:10:15 | 0:10:18 | |
-Just the man I want to see. There were five or six... -All right. | 0:10:18 | 0:10:24 | |
-They came after me... -You still got it? -Yes, sir. | 0:10:24 | 0:10:27 | |
It's right here. | 0:10:27 | 0:10:28 | |
I'm glad to see that, | 0:10:28 | 0:10:30 | |
because the rightful owner of this cross | 0:10:30 | 0:10:33 | |
won't press charges if you give it back. | 0:10:33 | 0:10:35 | |
He's got witnesses - five or six of them. | 0:10:37 | 0:10:40 | |
Whoo! | 0:10:49 | 0:10:51 | |
Good day. | 0:11:01 | 0:11:03 | |
You lost today, kid, but that doesn't mean you have to like it. | 0:11:08 | 0:11:13 | |
Small world, Dr Jones. | 0:11:38 | 0:11:41 | |
Too small for two of us! | 0:11:41 | 0:11:43 | |
That's twice that I've had to reclaim my property from you. | 0:11:49 | 0:11:54 | |
It belongs in a museum! | 0:11:54 | 0:11:57 | |
SO DO YOU! | 0:11:57 | 0:11:59 | |
Throw him over the side! | 0:11:59 | 0:12:02 | |
He's getting away! Stop him! | 0:12:47 | 0:12:50 | |
Archaeology is the search for FACT, | 0:13:43 | 0:13:46 | |
not truth. | 0:13:46 | 0:13:49 | |
If you want truth, the philosophy class is down the hall. | 0:13:49 | 0:13:53 | |
So, forget any ideas you've got about lost cities or exotic travel. | 0:13:53 | 0:13:59 | |
We do not follow maps to buried treasure and X never marks the spot. | 0:13:59 | 0:14:04 | |
70% of all archaeology is done in the library - research, reading... | 0:14:07 | 0:14:13 | |
We cannot afford to take mythology at face value. | 0:14:13 | 0:14:17 | |
BELL RINGS | 0:14:17 | 0:14:18 | |
Next week, Egyptology - | 0:14:18 | 0:14:21 | |
the excavation of Naucratis by Flinders Petrie in 1885. | 0:14:21 | 0:14:25 | |
I will be in my office if you have any problems. | 0:14:25 | 0:14:29 | |
-Marcus...I did it. -You've got it?! | 0:14:35 | 0:14:39 | |
-Know how long I've been looking for that? -All your life? | 0:14:49 | 0:14:53 | |
-All my life. -Well done, indeed! | 0:14:53 | 0:14:56 | |
This will find a place of honour in our Spanish collection. | 0:14:56 | 0:15:01 | |
We'll discuss my honorarium over dinner and champagne tonight. | 0:15:01 | 0:15:05 | |
-Your treat. -Yes...my treat. | 0:15:05 | 0:15:08 | |
BABBLE OF VOICES | 0:15:09 | 0:15:12 | |
Dr Jones! Dr Jones! Please, sir! Please, sir... | 0:15:12 | 0:15:15 | |
EVERYONE SPEAKS AT ONCE | 0:15:15 | 0:15:19 | |
Shush! SHUSH! | 0:15:19 | 0:15:21 | |
Dr Jones, your mail is on your desk. Here are your messages. | 0:15:21 | 0:15:25 | |
These term papers still haven't been graded. | 0:15:25 | 0:15:29 | |
Irene, put everybody's name on a list, | 0:15:29 | 0:15:33 | |
and I'll see each and every one of them IN TURN. | 0:15:33 | 0:15:38 | |
BABBLE CONTINUES | 0:15:38 | 0:15:42 | |
"Venice, Italy." | 0:15:49 | 0:15:51 | |
CACOPHONY OF VOICES | 0:15:51 | 0:15:54 | |
Dr Jones! | 0:16:19 | 0:16:21 | |
Dr Jones. | 0:16:26 | 0:16:28 | |
I trust your trip was comfortable. | 0:16:43 | 0:16:46 | |
My men didn't alarm you, I hope. | 0:16:46 | 0:16:49 | |
-My name is Donovan. Walter Donovan. -I know who you are, sir. | 0:16:49 | 0:16:54 | |
You make generous contributions to the museum. | 0:16:54 | 0:16:57 | |
Some of the pieces here are very impressive. | 0:16:57 | 0:17:00 | |
Like you, I have a passion for antiquities. Look over here. | 0:17:00 | 0:17:05 | |
This might interest you. | 0:17:07 | 0:17:09 | |
Well, it's sandstone... Christian symbol, | 0:17:11 | 0:17:14 | |
early Latin text... | 0:17:14 | 0:17:17 | |
-mid-12th century, I think. -That was our assessment. | 0:17:17 | 0:17:21 | |
-Where did it come from? -The mountain region north of Ankara. | 0:17:21 | 0:17:27 | |
Can you translate the inscription? | 0:17:27 | 0:17:30 | |
"Who drinks the water I shall give him, says the Lord... | 0:17:31 | 0:17:36 | |
"will have a spring inside him... | 0:17:36 | 0:17:38 | |
"welling up for...eternal life. | 0:17:38 | 0:17:42 | |
"Let them bring me to your Holy Mountain | 0:17:44 | 0:17:46 | |
"in the place where you dwell. Across the desert, | 0:17:46 | 0:17:49 | |
"and through the mountain... | 0:17:49 | 0:17:51 | |
"to the Canyon of the Crescent Moon, to the temple where the cup... | 0:17:51 | 0:17:56 | |
"..where the cup | 0:17:59 | 0:18:01 | |
"that holds the blood of Jesus Christ resides forever." | 0:18:01 | 0:18:04 | |
The Holy Grail, Dr Jones. | 0:18:05 | 0:18:09 | |
The chalice used by Christ at the Last Supper. | 0:18:09 | 0:18:13 | |
The cup that caught his blood at the Crucifixion, | 0:18:13 | 0:18:17 | |
and was entrusted to Joseph of Arimathea. | 0:18:17 | 0:18:20 | |
The Arthur Legend. I've heard this bedtime story before! | 0:18:20 | 0:18:25 | |
Eternal life! The gift of youth to whoever drinks from it! | 0:18:25 | 0:18:29 | |
-That's a bedtime story I'd like to wake up to! -An old man's dream. | 0:18:29 | 0:18:33 | |
EVERY man's dream... including your father's, I believe. | 0:18:33 | 0:18:37 | |
Grail lore is his hobby. | 0:18:39 | 0:18:42 | |
He's a teacher of Medieval Literature, | 0:18:42 | 0:18:44 | |
the one the students hope they don't get. | 0:18:44 | 0:18:46 | |
Walter, you're neglecting our guests. | 0:18:46 | 0:18:49 | |
I'll be along in a moment, dear. | 0:18:49 | 0:18:52 | |
Hard to resist? The Grail's final resting place described in detail. | 0:18:56 | 0:19:01 | |
What good is it? | 0:19:01 | 0:19:03 | |
This tablet speaks of deserts and mountains and canyons. | 0:19:03 | 0:19:07 | |
Pretty vague. Where do you start? | 0:19:07 | 0:19:10 | |
Maybe if the tablet were intact | 0:19:10 | 0:19:12 | |
but the entire top portion of it is missing. | 0:19:12 | 0:19:14 | |
An attempt to recover the Grail is currently under way. | 0:19:14 | 0:19:17 | |
Let me tell you another bedtime story. | 0:19:20 | 0:19:23 | |
After the Grail was entrusted to Joseph, | 0:19:23 | 0:19:26 | |
it disappeared and was lost for 1,000 years. | 0:19:26 | 0:19:29 | |
It was found again by three knights - brothers... | 0:19:29 | 0:19:33 | |
I've heard this one, too. | 0:19:33 | 0:19:36 | |
Two of these brothers walked out of the desert 150 years later | 0:19:36 | 0:19:41 | |
and started back to France, but only one of them made it. | 0:19:41 | 0:19:46 | |
Before dying of extreme old age, | 0:19:46 | 0:19:49 | |
he supposedly imparted his tale to a Franciscan friar, I think. | 0:19:49 | 0:19:53 | |
Not "supposedly", Dr Jones. | 0:19:53 | 0:19:56 | |
This is the manuscript in which the friar chronicled the knight's story. | 0:19:56 | 0:20:01 | |
It doesn't give the Grail's location, | 0:20:01 | 0:20:04 | |
but it promises two markers. | 0:20:04 | 0:20:07 | |
This tablet is one of those markers. It proves the knight's story is true. | 0:20:07 | 0:20:13 | |
The second marker is entombed with the knight's dead brother. | 0:20:13 | 0:20:18 | |
Our project leader believes that tomb to be located in Venice, Italy. | 0:20:18 | 0:20:24 | |
As you can now see, Dr Jones, | 0:20:26 | 0:20:28 | |
we're about to complete a great quest that began almost 2,000 years ago. | 0:20:28 | 0:20:34 | |
-We're one step away. -That's when the ground falls from under your feet. | 0:20:34 | 0:20:40 | |
You're more right than you know. | 0:20:40 | 0:20:42 | |
Yes? | 0:20:42 | 0:20:43 | |
We've hit a snag. | 0:20:43 | 0:20:46 | |
Our project leader has vanished, along with all his research. | 0:20:46 | 0:20:51 | |
We got a cable from his colleague, Dr Schneider, | 0:20:51 | 0:20:54 | |
who has no idea where he is or what's become of him. | 0:20:54 | 0:20:57 | |
I want you to pick up the trail. | 0:20:57 | 0:21:00 | |
Find the man, and you will find the Grail. | 0:21:00 | 0:21:04 | |
You've got the wrong Jones, Mr Donovan. | 0:21:04 | 0:21:08 | |
Why don't you try my father? | 0:21:08 | 0:21:12 | |
We already have. Your father is the man who has disappeared. | 0:21:12 | 0:21:17 | |
Your father and I have been friends since time began. | 0:21:28 | 0:21:31 | |
You've never been so concerned about him before. | 0:21:31 | 0:21:34 | |
Dad? | 0:21:34 | 0:21:36 | |
He's an academic, not a field man. | 0:21:36 | 0:21:39 | |
Dad! | 0:21:39 | 0:21:40 | |
Dear God! | 0:21:41 | 0:21:43 | |
What's the old fool got himself into now? | 0:21:45 | 0:21:48 | |
Whatever it is, he's in over his head. | 0:21:48 | 0:21:52 | |
Dad! | 0:21:52 | 0:21:54 | |
This is today's mail and it's been opened. | 0:21:54 | 0:21:58 | |
Mail! That's it, Marcus! | 0:21:59 | 0:22:02 | |
"Venice, Italy." | 0:22:05 | 0:22:07 | |
What is it? | 0:22:09 | 0:22:11 | |
It's Dad's Grail diary. | 0:22:14 | 0:22:17 | |
Every clue, every discovery - a complete record of his search. | 0:22:17 | 0:22:23 | |
This is his whole life. | 0:22:23 | 0:22:26 | |
Why would he have sent this to me? | 0:22:26 | 0:22:29 | |
I don't know, but someone must want it pretty badly. | 0:22:29 | 0:22:34 | |
Do you believe, Marcus? | 0:22:43 | 0:22:45 | |
Do you believe the Grail actually exists? | 0:22:56 | 0:23:00 | |
The search for the Cup of Christ is the search for the divine in us all. | 0:23:00 | 0:23:05 | |
But, if you want facts, I have none. | 0:23:05 | 0:23:08 | |
At my age, I'm prepared to take a few things on faith. | 0:23:08 | 0:23:13 | |
Call Donovan. Tell him I'll take that ticket to Venice. | 0:23:18 | 0:23:22 | |
I'll tell him we'll take two. | 0:23:24 | 0:23:26 | |
-What about...? -Dr Schneider will be in Venice to meet you. | 0:23:31 | 0:23:35 | |
-My apartment there is at your disposal. -Thank you. | 0:23:35 | 0:23:40 | |
Dr Jones. | 0:23:42 | 0:23:44 | |
Good luck. Be very careful. Don't trust anybody. | 0:23:44 | 0:23:48 | |
Ah, Venice! | 0:24:30 | 0:24:32 | |
How will we recognise this Dr Schneider when we see him? | 0:24:32 | 0:24:37 | |
I don't know. Maybe he'll know us. | 0:24:37 | 0:24:40 | |
Dr Jones? | 0:24:40 | 0:24:42 | |
Yes. | 0:24:42 | 0:24:44 | |
I knew it was you. You have your father's eyes. | 0:24:44 | 0:24:48 | |
And my mother's ears, but the rest belongs to you. | 0:24:50 | 0:24:54 | |
But the best parts are spoken for. | 0:24:54 | 0:24:57 | |
-Marcus Brody? -That's right. | 0:24:57 | 0:25:00 | |
-Dr Elsa Schneider. -How do you do? | 0:25:00 | 0:25:02 | |
I last saw your father in the library. | 0:25:02 | 0:25:06 | |
He was very close to the knight's tomb. | 0:25:06 | 0:25:09 | |
He was so excited. He was as giddy as a schoolboy. | 0:25:09 | 0:25:13 | |
Attila the Professor was never giddy, even when he WAS a schoolboy. | 0:25:13 | 0:25:18 | |
May I? | 0:25:18 | 0:25:21 | |
-I usually don't. -I usually don't, either. -Then you may. | 0:25:21 | 0:25:25 | |
-It will fade. -I'll steal another... | 0:25:25 | 0:25:28 | |
-I hate to interrupt, but... -Yes, I have something to show you. | 0:25:28 | 0:25:33 | |
Your father sent me to fetch an ancient plan of the city. | 0:25:33 | 0:25:37 | |
When I got back, he'd gone, with all his papers, except for that scrap. | 0:25:37 | 0:25:42 | |
Roman numerals. | 0:25:42 | 0:25:44 | |
Here is the library. | 0:25:44 | 0:25:47 | |
-It doesn't look like one. -Looks like a converted church. | 0:25:47 | 0:25:51 | |
In this case, it is the truth. We are on holy ground. | 0:25:51 | 0:25:55 | |
These columns were brought back as spoils of war | 0:25:55 | 0:25:58 | |
after the sacking of Byzantium during the Crusades. | 0:25:58 | 0:26:02 | |
Excuse me. The library is closing, but I'll see if we can stay longer. | 0:26:02 | 0:26:08 | |
-Marcus. I've seen this window before. -Where? | 0:26:11 | 0:26:16 | |
Right here. In Dad's diary. | 0:26:16 | 0:26:19 | |
-See? -Look at the Roman numerals. | 0:26:27 | 0:26:30 | |
Dad was on to something here. | 0:26:30 | 0:26:33 | |
But we still don't know what the numbers mean... | 0:26:33 | 0:26:37 | |
Until we know why Dad sent this, let's keep it quiet. | 0:26:37 | 0:26:41 | |
-Find something? -Yes. Three, seven and ten - the Roman numerals. | 0:26:41 | 0:26:46 | |
Dad wasn't looking for a book - he was looking for the tomb itself. | 0:26:46 | 0:26:53 | |
The tomb is in the library. It used to be a church! | 0:26:53 | 0:26:58 | |
Look... Three. | 0:26:58 | 0:27:01 | |
Three. | 0:27:03 | 0:27:04 | |
Seven...seven. | 0:27:04 | 0:27:07 | |
Ten...and ten. | 0:27:07 | 0:27:10 | |
Now, where's the ten? | 0:27:10 | 0:27:13 | |
Look around for the ten. | 0:27:13 | 0:27:16 | |
Three and seven... Seven and three... | 0:27:24 | 0:27:30 | |
Ten. | 0:27:49 | 0:27:51 | |
X marks the spot! | 0:27:53 | 0:27:55 | |
CRASH | 0:28:19 | 0:28:21 | |
CRASH | 0:28:25 | 0:28:27 | |
CRASH | 0:28:30 | 0:28:32 | |
-Bingo! -You don't disappoint, Dr Jones. You're like your father. | 0:28:49 | 0:28:54 | |
-Except he's lost and I'm not. -Lower me down. | 0:28:54 | 0:28:57 | |
Look after this for me. | 0:29:07 | 0:29:09 | |
Come on. | 0:29:22 | 0:29:24 | |
Pagan symbols - 4th or 5th century. | 0:29:30 | 0:29:33 | |
Great(!) 600 years before the Crusades. | 0:29:33 | 0:29:37 | |
Christians would have dug their own passages centuries later. | 0:29:37 | 0:29:42 | |
That's right. There's a knight of the First Crusade down here. | 0:29:42 | 0:29:46 | |
THUD MARCUS GROANS | 0:30:03 | 0:30:05 | |
-What's this? -The Ark of the Covenant. | 0:30:18 | 0:30:21 | |
-Are you sure? -Pretty sure. | 0:30:21 | 0:30:24 | |
Watch out. | 0:30:40 | 0:30:42 | |
GLUGS AND GURGLES | 0:30:49 | 0:30:52 | |
It's petroleum. I should sink a well down here and retire! | 0:30:57 | 0:31:01 | |
Give me the light. | 0:31:16 | 0:31:18 | |
Oh, rats! | 0:31:28 | 0:31:29 | |
ELSA SCREAMS | 0:31:41 | 0:31:44 | |
Come here. | 0:32:32 | 0:32:34 | |
It must be one of these. | 0:32:41 | 0:32:45 | |
Look at the artistry of these carvings! | 0:32:45 | 0:32:49 | |
It's this one. | 0:33:04 | 0:33:06 | |
This is it. We found it! | 0:33:20 | 0:33:23 | |
Look...the writing on the shield. | 0:33:27 | 0:33:30 | |
It's the same as on the Grail Tablet. | 0:33:30 | 0:33:33 | |
The shield is the second marker! | 0:33:33 | 0:33:37 | |
What's that? | 0:33:37 | 0:33:39 | |
It's a rubbing Dad made of the Grail Tablet. | 0:33:39 | 0:33:43 | |
Just like your father - giddy as a schoolboy. | 0:33:43 | 0:33:47 | |
Wouldn't it be great if he could see this? | 0:33:47 | 0:33:50 | |
He'd never have made it past the rats. | 0:33:50 | 0:33:54 | |
He hates rats. He's scared to death of them. | 0:33:54 | 0:33:57 | |
RATS SQUEAL | 0:34:07 | 0:34:09 | |
Get back against the wall! | 0:34:17 | 0:34:20 | |
Quick! Under it! | 0:34:25 | 0:34:26 | |
-Don't wander off. -What? What?! | 0:34:32 | 0:34:36 | |
RATS SQUEAL | 0:34:36 | 0:34:37 | |
SHE SCREAMS | 0:34:47 | 0:34:51 | |
I think I've found a way out. Deep breath! | 0:34:54 | 0:34:57 | |
DINERS GASP | 0:35:07 | 0:35:10 | |
Ah...Venice! | 0:35:14 | 0:35:16 | |
GUNSHOTS | 0:36:05 | 0:36:08 | |
Don't go between them! | 0:36:19 | 0:36:22 | |
Go between them? Are you crazy?! | 0:36:22 | 0:36:24 | |
I said, go around! | 0:36:34 | 0:36:36 | |
-You said, go between them! -I said, DON'T go between them! | 0:36:36 | 0:36:40 | |
No! | 0:37:40 | 0:37:42 | |
-Why are you trying to kill us? -You're looking for the Holy Grail. | 0:37:47 | 0:37:50 | |
-So was my father. Did you kill him? -No. | 0:37:50 | 0:37:54 | |
Where is he? | 0:37:54 | 0:37:57 | |
Talk, or you're dead. Tell me! | 0:37:57 | 0:38:00 | |
Tell me! | 0:38:00 | 0:38:02 | |
-If you don't let go, we'll both die. -Then, we'll die! | 0:38:02 | 0:38:06 | |
My soul is prepared. How is yours? | 0:38:06 | 0:38:09 | |
-This is your last chance! -No, Dr Jones. It's yours! | 0:38:11 | 0:38:15 | |
-All right. Where's my father? -If you let me go, I'll tell you. | 0:38:30 | 0:38:35 | |
-Who are you? -My name is Kazim. -Why were you trying to kill me? | 0:38:35 | 0:38:41 | |
The secret of the Grail has been safe for 1,000 years. | 0:38:41 | 0:38:45 | |
All that time, The Brotherhood of the Cruciform Sword | 0:38:45 | 0:38:50 | |
have been prepared to do anything to keep it safe. | 0:38:50 | 0:38:54 | |
Let me off at this jetty. | 0:38:54 | 0:38:57 | |
Ask yourself, why do you seek the Cup of Christ? | 0:39:00 | 0:39:05 | |
Is it for His glory... | 0:39:05 | 0:39:07 | |
-or for yours? -I came to find my father. | 0:39:07 | 0:39:12 | |
In that case, God be with you in your quest. | 0:39:12 | 0:39:16 | |
Your father is being held in the Castle of Grunwald | 0:39:16 | 0:39:19 | |
on the Austrian-German border. | 0:39:19 | 0:39:21 | |
-How's the head? -Better, now I've seen this. | 0:39:29 | 0:39:32 | |
It's the name of a city... Alexandretta? | 0:39:32 | 0:39:37 | |
The knights of the First Crusade | 0:39:40 | 0:39:42 | |
laid siege to Alexandretta for a year - it was destroyed. | 0:39:42 | 0:39:47 | |
The present city of Iskenderun is built on its ruins. | 0:39:49 | 0:39:53 | |
Marcus, you remember what the Grail Tablet said? | 0:39:53 | 0:39:57 | |
"Across the desert, through the mountain | 0:39:57 | 0:39:59 | |
"to the Canyon of the Crescent Moon." | 0:39:59 | 0:40:01 | |
-But where exactly? -Your father would know. | 0:40:03 | 0:40:07 | |
Your father DID know. Look, he made a map. | 0:40:09 | 0:40:13 | |
It's pieced together from clues from the history of the Grail quest. | 0:40:13 | 0:40:18 | |
He knew there was a city with an oasis due east. Here. | 0:40:18 | 0:40:23 | |
He knew the course turned south to the desert, then into the mountains. | 0:40:23 | 0:40:28 | |
He knew everything except where to begin - the name of the city. | 0:40:28 | 0:40:33 | |
Alexandretta. | 0:40:33 | 0:40:35 | |
-Now we know. -Yes, we know. | 0:40:35 | 0:40:38 | |
-Sallah can meet you in Iskenderun. -What about you? -I'm going after Dad. | 0:40:38 | 0:40:43 | |
JAZZ MUSIC PLAYS ON GRAMOPHONE | 0:40:46 | 0:40:50 | |
Elsa. | 0:41:04 | 0:41:06 | |
Elsa. | 0:41:10 | 0:41:12 | |
-Elsa... -Oh! | 0:41:12 | 0:41:14 | |
-My room! -Mine, too. | 0:41:23 | 0:41:26 | |
-What were they looking for? -This. | 0:41:26 | 0:41:29 | |
-The Grail diary. -Uh-huh. | 0:41:29 | 0:41:32 | |
YOU had it? | 0:41:32 | 0:41:34 | |
-You didn't trust me. -I didn't know you. At least I let you tag along. | 0:41:34 | 0:41:40 | |
Give them a flower and they'll follow you anywhere! | 0:41:40 | 0:41:45 | |
DOOR SLAMS | 0:41:45 | 0:41:46 | |
Knock it off. You're not mad. | 0:41:46 | 0:41:49 | |
-No? -No! | 0:41:49 | 0:41:51 | |
You like the way I do things. | 0:41:51 | 0:41:53 | |
It's lucky I don't do things the same way, | 0:41:53 | 0:41:55 | |
I could have left you at the pier! | 0:41:55 | 0:41:57 | |
Listen. What is going on here? | 0:41:57 | 0:42:00 | |
I've nearly been incinerated, drowned, shot and made into bait! | 0:42:00 | 0:42:05 | |
My guess is Dad found out more than he was looking for. | 0:42:05 | 0:42:10 | |
Until I'm sure, I'll continue to do things the way I want to do them. | 0:42:10 | 0:42:15 | |
How dare you kiss me! | 0:42:18 | 0:42:21 | |
Leave me alone. I don't like fast women. | 0:42:26 | 0:42:29 | |
I hate arrogant men. | 0:42:31 | 0:42:34 | |
GONDOLIER SERENADES | 0:42:37 | 0:42:40 | |
Ah...Venice! | 0:42:43 | 0:42:45 | |
What do you know about this place? | 0:43:16 | 0:43:18 | |
I know the Grunwalds are famous art collectors. | 0:43:18 | 0:43:20 | |
What are you going to do? | 0:43:22 | 0:43:24 | |
Don't know. I'll think of something. | 0:43:24 | 0:43:27 | |
BANGING | 0:43:31 | 0:43:34 | |
Yes? | 0:43:34 | 0:43:35 | |
-SCOTTISH ACCENT: -About time! Were you gonnae leave us in the rain? | 0:43:35 | 0:43:41 | |
ATCHOO! Look! I've gone and caught a sniffle. | 0:43:41 | 0:43:45 | |
-Are you expected? -Dinnae take that tone with me! | 0:43:45 | 0:43:49 | |
Tell Baron Grunwald that Lord Clarence McDonald | 0:43:49 | 0:43:52 | |
and his lovely assistant are here to view the tapestries. | 0:43:52 | 0:43:56 | |
Tapestries? | 0:43:56 | 0:43:58 | |
The man is dense! This is a castle? There are tapestries? | 0:43:58 | 0:44:02 | |
This IS a castle. | 0:44:02 | 0:44:04 | |
We have MANY tapestries. | 0:44:04 | 0:44:07 | |
-And if you are a Scottish Lord, then -I -am Mickey Mouse! | 0:44:07 | 0:44:12 | |
How dare he?! | 0:44:12 | 0:44:14 | |
GENERAL HUBBUB | 0:44:30 | 0:44:33 | |
Nazis! I hate these guys. | 0:44:40 | 0:44:43 | |
THUNDER CRACKS | 0:44:46 | 0:44:49 | |
-He's in here. -How do you know? | 0:44:55 | 0:44:58 | |
Because it's wired. | 0:44:58 | 0:45:01 | |
HE KNOCKS GENTLY | 0:45:06 | 0:45:09 | |
Indy? | 0:45:27 | 0:45:28 | |
Indy! | 0:45:28 | 0:45:29 | |
Don't worry, this is kids' play. I'll be right back. | 0:45:29 | 0:45:34 | |
Junior? | 0:45:57 | 0:45:58 | |
Yes, sir! | 0:45:59 | 0:46:01 | |
-It is you, Junior! -Don't call me that, please! -What are you doing? | 0:46:01 | 0:46:06 | |
I came to get you... | 0:46:06 | 0:46:08 | |
GERMAN VOICES ECHO OUTSIDE | 0:46:08 | 0:46:10 | |
Late 14th-century Ming dynasty. | 0:46:17 | 0:46:21 | |
It breaks the heart. | 0:46:21 | 0:46:23 | |
-And the head! You hit me! -I'll never forgive myself. | 0:46:23 | 0:46:28 | |
Don't worry. I'm fine. | 0:46:28 | 0:46:30 | |
Thank God... | 0:46:32 | 0:46:33 | |
It's a fake! | 0:46:35 | 0:46:38 | |
You can tell with the cross-sections. | 0:46:38 | 0:46:41 | |
No...! Dad, get your stuff. We're going. | 0:46:43 | 0:46:46 | |
Sorry about your head. I thought you were one of them. | 0:46:46 | 0:46:51 | |
-Dad, they come in through the doors. -Good point. | 0:46:51 | 0:46:55 | |
Better safe than sorry. | 0:46:55 | 0:46:57 | |
I was wrong this time, but I wasn't wrong when I mailed you my diary. | 0:46:57 | 0:47:02 | |
You obviously got it. | 0:47:02 | 0:47:04 | |
I got it and I used it... We found the entrance to the catacombs. | 0:47:07 | 0:47:12 | |
-Through the library? -Right. | 0:47:12 | 0:47:15 | |
I knew it. And the tomb of Sir Richard? | 0:47:18 | 0:47:21 | |
Found it. | 0:47:22 | 0:47:24 | |
He was actually there? | 0:47:26 | 0:47:28 | |
-You saw him? -Well, what was left of him. | 0:47:29 | 0:47:33 | |
And his shield? | 0:47:33 | 0:47:36 | |
The inscription on his shield? | 0:47:36 | 0:47:39 | |
Alexandretta. | 0:47:39 | 0:47:41 | |
Alexandretta! Of course! | 0:47:41 | 0:47:45 | |
On the Pilgrim Trail from the eastern empire. | 0:47:45 | 0:47:48 | |
Oh! | 0:47:48 | 0:47:49 | |
Junior, you did it! | 0:47:51 | 0:47:53 | |
No, Dad, you did. 40 years. | 0:47:53 | 0:47:58 | |
If only I could have been with you. | 0:47:58 | 0:48:00 | |
-There were rats, Dad. -Rats? -Yeah. Big ones. | 0:48:00 | 0:48:05 | |
-What do the Nazis want with you, Dad? -They wanted my diary. -Yeah? | 0:48:05 | 0:48:09 | |
I had to get that book as far away from me as I possibly could! | 0:48:09 | 0:48:14 | |
Yeah... | 0:48:16 | 0:48:18 | |
Dr Jones? | 0:48:22 | 0:48:23 | |
BOTH: Yes. | 0:48:23 | 0:48:25 | |
I'll take the book now. | 0:48:27 | 0:48:29 | |
BOTH: What book? | 0:48:31 | 0:48:33 | |
The diary in your pocket. | 0:48:33 | 0:48:35 | |
You dolt! Do you think my son would be that stupid? | 0:48:37 | 0:48:40 | |
That he'd bring my diary back here?! | 0:48:40 | 0:48:44 | |
You didn't, did you? | 0:48:44 | 0:48:47 | |
-You didn't bring it, did you? -Well... | 0:48:47 | 0:48:50 | |
-You did! -Look, can we discuss this later? | 0:48:50 | 0:48:54 | |
I should have mailed it to the Marx Brothers! | 0:48:54 | 0:48:56 | |
-Will you take it easy?! -Take it easy?! | 0:48:56 | 0:48:59 | |
-I mailed it to you so they wouldn't get it! -I came here to save you! | 0:48:59 | 0:49:04 | |
-Yeah? Who's going to save you, JUNIOR? -I told you... | 0:49:04 | 0:49:09 | |
..DON'T call me Junior! | 0:49:16 | 0:49:18 | |
Look what you did! | 0:49:20 | 0:49:22 | |
I can't believe what you did. | 0:49:24 | 0:49:26 | |
Elsa. Elsa! | 0:49:28 | 0:49:30 | |
That's far enough. Put down the gun, or she dies. | 0:49:30 | 0:49:34 | |
-She's one of them. -Indy! | 0:49:34 | 0:49:37 | |
-She's a Nazi. -What? -Trust me. | 0:49:37 | 0:49:39 | |
-Indy, no! -I'll kill her! | 0:49:39 | 0:49:41 | |
-Go ahead. -NO! Don't shoot! | 0:49:41 | 0:49:43 | |
Don't worry, he won't. | 0:49:43 | 0:49:46 | |
-Please do as he says. -Don't listen to her. | 0:49:46 | 0:49:50 | |
Enough! She dies! | 0:49:50 | 0:49:52 | |
Wait! Wait! | 0:49:52 | 0:49:54 | |
I'm sorry. | 0:50:00 | 0:50:02 | |
No... | 0:50:02 | 0:50:04 | |
don't be. | 0:50:04 | 0:50:06 | |
But you should have listened to your father. | 0:50:17 | 0:50:21 | |
She ransacked her own room and I fell for it. | 0:50:37 | 0:50:41 | |
-How did you know she was a Nazi? -Hmm? | 0:50:41 | 0:50:45 | |
How did you know she was a Nazi? | 0:50:45 | 0:50:48 | |
She talks in her sleep. | 0:50:48 | 0:50:51 | |
I didn't trust her. Why did you? | 0:51:00 | 0:51:02 | |
Because he didn't take my advice. | 0:51:02 | 0:51:05 | |
Donovan. | 0:51:11 | 0:51:13 | |
Didn't I warn you not to trust anybody? | 0:51:13 | 0:51:17 | |
I misjudged you. I knew you'd sell your mother for an Etruscan vase, | 0:51:17 | 0:51:22 | |
but I didn't know you'd sell your soul to the slime of humanity. | 0:51:22 | 0:51:28 | |
Dr Schneider. | 0:51:29 | 0:51:31 | |
There are pages torn out of this. | 0:51:31 | 0:51:33 | |
This book contained a map - a map with no names. | 0:51:42 | 0:51:46 | |
Directions from the unknown city to the Canyon of the Crescent Moon. | 0:51:46 | 0:51:50 | |
-So it did. -Where are these missing pages? | 0:51:50 | 0:51:54 | |
You're wasting your breath - he won't tell us. | 0:51:54 | 0:51:58 | |
And he doesn't HAVE to. It's obvious where the pages are. | 0:51:58 | 0:52:03 | |
He's given them to Marcus Brody. | 0:52:03 | 0:52:06 | |
You didn't drag poor Marcus along, did you? | 0:52:06 | 0:52:10 | |
He sticks out like a sore thumb. We'll find him. | 0:52:10 | 0:52:13 | |
The hell you will! He's got a two-day head start on you. | 0:52:13 | 0:52:17 | |
Brody has friends everywhere. | 0:52:17 | 0:52:21 | |
He speaks a dozen languages and knows local customs. | 0:52:21 | 0:52:24 | |
He'll blend in and disappear. | 0:52:24 | 0:52:27 | |
He's probably got the Grail already. | 0:52:27 | 0:52:31 | |
Does anyone speak English? No water, thank you. Fish make love in it. | 0:52:31 | 0:52:37 | |
No, I really don't want that, thank you. | 0:52:39 | 0:52:42 | |
No, thank you. I'm a vegetarian. | 0:52:42 | 0:52:45 | |
Does anyone understand a word I'm saying...? | 0:52:45 | 0:52:49 | |
-Mr Brody! -Oh, Sallah, what a relief! | 0:52:49 | 0:52:51 | |
-Marcus Brody, sir! Where's Indy? -He's in Austria. A slight detour. | 0:52:51 | 0:52:56 | |
-You're alone? -Yes, but everything's under control. | 0:52:56 | 0:53:00 | |
-You've arranged our supplies? -Yes, but where are we going? | 0:53:00 | 0:53:05 | |
This map will show you. It's... | 0:53:05 | 0:53:08 | |
Mr Brody. Welcome to Iskenderun. | 0:53:08 | 0:53:11 | |
The Museum Director has sent a car. | 0:53:11 | 0:53:15 | |
-Your servant, sir. -And I am his. | 0:53:15 | 0:53:18 | |
Follow me. | 0:53:18 | 0:53:20 | |
-My reputation precedes me. -There is no museum here. | 0:53:20 | 0:53:24 | |
-Papers, please. -Papers? Of course. | 0:53:24 | 0:53:28 | |
-(Run.) -Yes. | 0:53:28 | 0:53:30 | |
I've just finished reading it myself. | 0:53:30 | 0:53:33 | |
-(Run!) -Yes. | 0:53:33 | 0:53:35 | |
-Egyptian Mail... Run! -Did you say...? -RUN! | 0:53:35 | 0:53:39 | |
Up there! Quick! Quick! Find the back door! | 0:53:54 | 0:53:58 | |
Intolerable. | 0:54:11 | 0:54:13 | |
Dr Schneider, you must return immediately to Berlin | 0:54:15 | 0:54:19 | |
for a rally at the Institute of Aryan Culture. | 0:54:19 | 0:54:22 | |
-Your presence has been requested at the highest level. -Thank you. | 0:54:22 | 0:54:28 | |
Take this diary to Berlin. | 0:54:28 | 0:54:31 | |
It will show them our progress. | 0:54:31 | 0:54:33 | |
Without the map, it's only a souvenir. | 0:54:33 | 0:54:36 | |
-Let me kill them now. -No. | 0:54:36 | 0:54:38 | |
If we fail to recover the pages from Brody, we'll need them alive. | 0:54:38 | 0:54:41 | |
Always do what the Doctor orders. | 0:54:41 | 0:54:44 | |
Don't look at me like that. | 0:54:51 | 0:54:53 | |
We both wanted the Grail. I would have done anything to get it. | 0:54:53 | 0:54:57 | |
-YOU would have done the same. -I'm sorry you think so. | 0:54:57 | 0:55:01 | |
I can't forget how wonderful it was. | 0:55:12 | 0:55:16 | |
Thank you. It was rather wonderful. | 0:55:16 | 0:55:18 | |
Dr Schneider. | 0:55:27 | 0:55:29 | |
Your car is waiting. | 0:55:29 | 0:55:32 | |
That's how Austrians say goodbye. | 0:55:39 | 0:55:42 | |
This is how we say goodbye in Germany, Dr Jones. | 0:55:47 | 0:55:52 | |
-I liked the Austrian way better. -So did I. | 0:55:59 | 0:56:03 | |
Let's get these ropes loose. We've got to get to Marcus. | 0:56:03 | 0:56:08 | |
You said he would blend in and disappear. | 0:56:08 | 0:56:11 | |
I made that up. You know Marcus - he got lost once in his own museum. | 0:56:11 | 0:56:16 | |
Try to reach my left pocket. | 0:56:18 | 0:56:22 | |
-What am I looking for? -A lucky charm. | 0:56:22 | 0:56:25 | |
It's a cigarette lighter. | 0:56:25 | 0:56:28 | |
Try to burn through the ropes. | 0:56:28 | 0:56:30 | |
Ow! | 0:56:38 | 0:56:40 | |
-I must say something... -Don't get sentimental. | 0:56:57 | 0:57:01 | |
The floor's on fire. | 0:57:01 | 0:57:03 | |
-What? -And the chair. | 0:57:03 | 0:57:06 | |
Move! Move! | 0:57:06 | 0:57:08 | |
It's scorching the table! | 0:57:08 | 0:57:11 | |
Das Wichtiges, mein Herr. | 0:57:21 | 0:57:23 | |
We have Marcus Brody... | 0:57:25 | 0:57:28 | |
and we have the map! | 0:57:28 | 0:57:30 | |
Aus Berlin, mein Herr. | 0:57:30 | 0:57:33 | |
"By the personal command of the Fuhrer, | 0:57:33 | 0:57:35 | |
"secrecy essential to success, eliminate the American conspirators." | 0:57:35 | 0:57:40 | |
Germany has declared war on the Jones boys. | 0:57:40 | 0:57:44 | |
Losfahren! | 0:57:44 | 0:57:46 | |
-Dad! -What? -Dad! -What? -Dad! -WHAT? | 0:57:49 | 0:57:52 | |
Head for the fireplace. | 0:57:52 | 0:57:55 | |
I think I can get these ropes off. | 0:58:06 | 0:58:09 | |
CLUNK | 0:58:09 | 0:58:10 | |
MECHANICAL WHIRRING | 0:58:10 | 0:58:12 | |
Neun, zwo, vier... | 0:58:12 | 0:58:16 | |
sechs, eins, drei. Dreiunddreiszig... | 0:58:16 | 0:58:19 | |
Our situation has not improved. | 0:58:21 | 0:58:24 | |
I'm almost free. | 0:58:24 | 0:58:26 | |
CLUNK | 0:58:26 | 0:58:28 | |
Sechs, eins, drei, ja? Jetzt! | 0:58:28 | 0:58:31 | |
ALARM! | 0:58:40 | 0:58:43 | |
CLUNK ALARM WAILS | 0:58:43 | 0:58:45 | |
Die Gewehre! | 0:58:45 | 0:58:47 | |
-This is intolerable! -I'm out, Dad! | 0:58:50 | 0:58:54 | |
Well done! | 0:58:54 | 0:58:56 | |
Hinterher! Hinterher! | 0:58:56 | 0:58:59 | |
Folgen Sie mir. | 0:59:24 | 0:59:27 | |
Come on, Dad! | 0:59:30 | 0:59:32 | |
Dead end. There's got to be a secret door... | 0:59:38 | 0:59:42 | |
or a passageway somewhere! | 0:59:42 | 0:59:45 | |
I find that, if I sit and think... | 0:59:45 | 0:59:49 | |
..the solution presents itself. | 0:59:56 | 0:59:59 | |
Great(!) More boats. | 1:00:06 | 1:00:08 | |
Would you say this has been a typical day for you? | 1:00:11 | 1:00:15 | |
No! It's better than most! | 1:00:17 | 1:00:19 | |
-Come on, Dad! -What about the boat? | 1:00:22 | 1:00:24 | |
We're not going by boat? | 1:00:24 | 1:00:27 | |
Herein! Kommt! Schnell! | 1:00:35 | 1:00:38 | |
Ihn folgen! | 1:00:46 | 1:00:49 | |
Stop! | 1:02:55 | 1:02:57 | |
You're going the wrong way. We want Berlin. | 1:02:57 | 1:03:00 | |
-Brody's this way. -My diary's in Berlin. | 1:03:00 | 1:03:04 | |
We don't need the diary, Dad. Marcus has the map! | 1:03:04 | 1:03:07 | |
The diary has more than just the map. | 1:03:07 | 1:03:11 | |
All right, Dad. Tell me. | 1:03:11 | 1:03:14 | |
-He who finds the Grail must face the final challenge. -What challenge? | 1:03:15 | 1:03:21 | |
Three devices of lethal cunning. | 1:03:21 | 1:03:24 | |
-Booby traps? -Oh, yes. | 1:03:24 | 1:03:27 | |
But I found the clues to take us safely through | 1:03:27 | 1:03:31 | |
-in the Chronicles of St Anselm. -What are they? | 1:03:31 | 1:03:34 | |
Can't you remember? | 1:03:37 | 1:03:39 | |
I wrote them down so I wouldn't HAVE to remember! | 1:03:41 | 1:03:45 | |
-Half the German army's on our tail and you want to go to Berlin?! -Yes! | 1:03:45 | 1:03:50 | |
-The Grail is what matters. -What about Marcus? -He'd agree with me. | 1:03:50 | 1:03:55 | |
Two selfless martyrs(!) Jesus Christ! | 1:03:55 | 1:04:00 | |
That's for blasphemy. | 1:04:02 | 1:04:05 | |
The quest for the Grail is not archaeology. | 1:04:07 | 1:04:12 | |
It's a race against evil. | 1:04:13 | 1:04:15 | |
If it's captured by the Nazis, | 1:04:15 | 1:04:18 | |
the armies of darkness will march all over the face of the Earth. | 1:04:18 | 1:04:22 | |
Do you understand? | 1:04:22 | 1:04:24 | |
-This is an obsession. I -NEVER -understood it. | 1:04:24 | 1:04:28 | |
Never! | 1:04:28 | 1:04:30 | |
-Neither did Mom. -Oh, yes, she did! | 1:04:31 | 1:04:35 | |
Only too well. | 1:04:35 | 1:04:37 | |
Unfortunately, she kept her illness from me. | 1:04:38 | 1:04:43 | |
All I could do was mourn her. | 1:04:43 | 1:04:45 | |
DRUMS AND FAINT "SIEG HEILS" | 1:04:55 | 1:05:00 | |
PATRIOTIC GERMANIC MUSIC | 1:05:04 | 1:05:09 | |
Well, boy, we are pilgrims in an unholy land. | 1:05:44 | 1:05:48 | |
Fraulein Doctor, where is it? | 1:06:17 | 1:06:20 | |
-How did you get here? -I want it! | 1:06:20 | 1:06:23 | |
You came back for the book? Why? | 1:06:25 | 1:06:28 | |
Dad didn't want it burnt. | 1:06:28 | 1:06:31 | |
Is that what you think? I believe in the Grail, not the Swastika! | 1:06:31 | 1:06:35 | |
You're against everything the Grail stands for! | 1:06:35 | 1:06:38 | |
-Who gives a damn what you think?! -You do! | 1:06:38 | 1:06:42 | |
All I have to do is squeeze. | 1:06:42 | 1:06:45 | |
All I have to do is scream. | 1:06:45 | 1:06:48 | |
I've got it. Let's get the hell out. | 1:06:56 | 1:06:59 | |
TANNOY: 'Der Flug aus Danzig... Frankfurt an der Oder...' | 1:07:55 | 1:07:59 | |
-What did you get? -The first available flight out of Germany. | 1:08:09 | 1:08:13 | |
Well, we made it! | 1:08:38 | 1:08:41 | |
When we're airborne, with Germany behind us, | 1:08:41 | 1:08:45 | |
-THEN -I'll share that sentiment. | 1:08:45 | 1:08:47 | |
Relax. | 1:08:47 | 1:08:49 | |
Wir steigen ein! | 1:08:55 | 1:08:59 | |
Haben Sie diesen Mann gesehen? | 1:09:13 | 1:09:16 | |
Nein. | 1:09:23 | 1:09:24 | |
Nein. | 1:09:25 | 1:09:27 | |
Ich habe ihn nicht gesehen. | 1:09:27 | 1:09:29 | |
Tickets, please... Fahrscheine, meine Dame. | 1:09:33 | 1:09:37 | |
Guten Tag, Herr Jones! | 1:09:45 | 1:09:48 | |
Fahrschein, mein Herr. | 1:09:48 | 1:09:51 | |
-Weg. -Tickets, please. | 1:09:51 | 1:09:54 | |
Was...? | 1:09:54 | 1:09:56 | |
No ticket. | 1:10:09 | 1:10:11 | |
Sie werden noch mal horen von mir! | 1:10:21 | 1:10:25 | |
You know, sharing your adventures is an interesting experience. | 1:10:33 | 1:10:39 | |
-It's not -ALL -we share. It's disgraceful. | 1:10:39 | 1:10:43 | |
You're old enough to be her grandfather. | 1:10:43 | 1:10:45 | |
-I'm as human as the next man. -I -WAS -the next man! | 1:10:45 | 1:10:49 | |
Ships that pass in the night. | 1:10:53 | 1:10:56 | |
I remember the last time we had a quiet drink. | 1:10:56 | 1:10:59 | |
I had a milkshake. | 1:11:01 | 1:11:04 | |
What did we talk about? | 1:11:04 | 1:11:07 | |
We didn't talk. | 1:11:07 | 1:11:09 | |
We never talked. | 1:11:09 | 1:11:11 | |
Do I detect a rebuke? | 1:11:13 | 1:11:15 | |
A regret. It was just the two of us. It was a lonely way to grow up. | 1:11:15 | 1:11:20 | |
If you'd been an ordinary, average father, you'd have understood that. | 1:11:20 | 1:11:26 | |
-Actually, I was a wonderful father. -When? | 1:11:26 | 1:11:29 | |
Did I ever tell you to eat up, go to bed, wash your ears? | 1:11:31 | 1:11:35 | |
No. I respected your privacy. | 1:11:35 | 1:11:37 | |
And I taught you self-reliance. | 1:11:37 | 1:11:40 | |
You taught me that I was less important to you | 1:11:40 | 1:11:42 | |
than people who had been dead for 500 years! | 1:11:42 | 1:11:46 | |
And I learned it so well that we've hardly spoken for 20 years. | 1:11:46 | 1:11:50 | |
-You left just when you were becoming interesting! -Oh, Dad! | 1:11:50 | 1:11:55 | |
I'm here now. What do you want to talk about? | 1:11:55 | 1:12:00 | |
Well, I... | 1:12:01 | 1:12:04 | |
I... | 1:12:05 | 1:12:07 | |
I can't think of anything. | 1:12:10 | 1:12:13 | |
Then what are you complaining about? | 1:12:13 | 1:12:16 | |
We have work to do. | 1:12:16 | 1:12:18 | |
When we get to Alexandretta, we will face three challenges. | 1:12:20 | 1:12:25 | |
First, the Breath of God. Only the penitent man will pass. | 1:12:25 | 1:12:30 | |
Second... | 1:12:30 | 1:12:31 | |
the Word of God. Only in the footsteps of God will he proceed. | 1:12:31 | 1:12:36 | |
Third, the Path of God. | 1:12:36 | 1:12:38 | |
Only in the leap from the lion's head will he prove his worth. | 1:12:38 | 1:12:43 | |
-What does that mean? -I don't know. We'll find out. | 1:12:45 | 1:12:50 | |
ZEPPELIN ENGINE WHIRRS | 1:12:50 | 1:12:53 | |
We're turning around. They're taking us back to Germany. | 1:12:57 | 1:13:02 | |
I thought it'd take them longer to figure out the radio was dead! | 1:13:08 | 1:13:13 | |
Come on, Dad. Come on! | 1:13:16 | 1:13:19 | |
-I didn't know you could fly a plane. -Fly? Yes. | 1:13:32 | 1:13:36 | |
Land? No. | 1:13:38 | 1:13:40 | |
PLANE ENGINES APPROACH | 1:13:48 | 1:13:50 | |
MACHINE-GUN FIRE | 1:13:57 | 1:14:00 | |
Dad, you'll have to use the machine gun! | 1:14:02 | 1:14:07 | |
11 o'clock! | 1:14:07 | 1:14:09 | |
11 o'clock! | 1:14:09 | 1:14:11 | |
What happens at 11 o'clock? | 1:14:12 | 1:14:15 | |
12! 11! 10! 11 o'clock! Fire! | 1:14:15 | 1:14:19 | |
SUSTAINED MACHINE-GUN FIRE | 1:14:28 | 1:14:31 | |
-Dad? Are we hit? -More or less. | 1:14:44 | 1:14:49 | |
Son, I'm sorry. | 1:14:49 | 1:14:50 | |
They got us. | 1:14:50 | 1:14:52 | |
Hang on! We're going in. | 1:14:54 | 1:14:56 | |
-Nice landing. -Thanks. | 1:15:08 | 1:15:10 | |
-They're trying to kill us! -I KNOW! | 1:15:26 | 1:15:29 | |
-It's a new experience for me. -It happens to me all the time! | 1:15:29 | 1:15:32 | |
PLANE ENGINE APPROACHES | 1:15:48 | 1:15:50 | |
This is intolerable! | 1:16:03 | 1:16:05 | |
This could be close! | 1:16:06 | 1:16:08 | |
Faster, boy! Faster! | 1:16:16 | 1:16:18 | |
Well, they don't come any closer than that! | 1:16:33 | 1:16:36 | |
Dad! He's coming back! | 1:16:50 | 1:16:53 | |
HE CLUCKS | 1:17:18 | 1:17:20 | |
PILOT SCREAMS | 1:17:26 | 1:17:28 | |
EXPLOSION | 1:17:31 | 1:17:32 | |
I suddenly remembered my Charlemagne. | 1:17:38 | 1:17:41 | |
"Let my armies be the rocks and the trees and the birds in the sky." | 1:17:41 | 1:17:46 | |
These pages are taken from Professor Jones' diary, Your Highness. | 1:18:02 | 1:18:07 | |
They include a map that pinpoints the exact location of the Grail. | 1:18:07 | 1:18:12 | |
The Grail is all but in our hands, | 1:18:12 | 1:18:14 | |
but we wouldn't cross your soil without your permission | 1:18:14 | 1:18:17 | |
or remove the Grail without...compensation. | 1:18:17 | 1:18:22 | |
What have you brought? | 1:18:25 | 1:18:27 | |
Bring den Schatz! | 1:18:28 | 1:18:30 | |
Precious valuables, Your Highness, | 1:18:33 | 1:18:37 | |
donated by some of the finest families in Germany... | 1:18:37 | 1:18:42 | |
Rolls-Royce Phantom II, 4.3 litre, 30 horsepower, six-cylinder engine, | 1:18:45 | 1:18:52 | |
with Stromberg downdraught carburettor. | 1:18:52 | 1:18:55 | |
It can go from 0 to 100km an hour in 12.5 seconds. | 1:18:55 | 1:19:01 | |
And I even like the colour! | 1:19:01 | 1:19:03 | |
The keys are in the ignition, Highness. | 1:19:03 | 1:19:06 | |
Ha! | 1:19:06 | 1:19:08 | |
You shall have camels, horses, | 1:19:08 | 1:19:10 | |
an armed escort, provisions, desert vehicles and tanks. | 1:19:10 | 1:19:15 | |
You're welcome(!) | 1:19:15 | 1:19:17 | |
We have no time to lose. | 1:19:32 | 1:19:33 | |
Indiana Jones and his father have escaped. | 1:19:33 | 1:19:36 | |
HORN BLARES | 1:19:36 | 1:19:39 | |
We go this way! | 1:19:39 | 1:19:40 | |
Get that camel out of the way! | 1:19:40 | 1:19:42 | |
-What happened to Marcus, Sallah? -They left this afternoon. | 1:19:44 | 1:19:49 | |
I believe they took Mr Brody with them. | 1:19:49 | 1:19:52 | |
-Now -THEY -have the map! | 1:19:52 | 1:19:55 | |
In this sort of race, there's no silver medal for second. | 1:19:56 | 1:20:01 | |
Care to wet your whistle, Marcus? | 1:20:22 | 1:20:25 | |
I'd rather spit at you, but as I haven't any spit... | 1:20:25 | 1:20:29 | |
We must be within three or four miles, or we're off the map. | 1:20:31 | 1:20:36 | |
Well, we're on the brink of the recovery of the greatest artefact | 1:20:38 | 1:20:44 | |
-in man's history. -You're meddling with powers you cannot comprehend. | 1:20:44 | 1:20:50 | |
Ah! I see Brody. | 1:20:54 | 1:20:57 | |
He seems OK. | 1:20:57 | 1:20:59 | |
They've got a tank! | 1:21:02 | 1:21:04 | |
-A 6lb gun! -What are you doing? Get down! | 1:21:09 | 1:21:14 | |
Dad, we're well out of range! | 1:21:14 | 1:21:17 | |
GUN ROARS | 1:21:17 | 1:21:19 | |
-That was my brother-in-law's car! -Come on! | 1:21:26 | 1:21:29 | |
I can't see anyone up there. | 1:21:29 | 1:21:32 | |
-Maybe it wasn't Jones. -It was him. | 1:21:32 | 1:21:35 | |
-He's here somewhere. -Put Brody in the tank. | 1:21:35 | 1:21:40 | |
MAN BARKS ORDERS IN GERMAN | 1:21:40 | 1:21:44 | |
In this sun, without transportation, they're as good as dead. | 1:21:46 | 1:21:51 | |
GUNFIRE | 1:21:51 | 1:21:54 | |
It's Jones! | 1:22:00 | 1:22:02 | |
-Who are all these people? -Who cares?! They're keeping Donovan busy. | 1:22:05 | 1:22:11 | |
Dad, stay here. Sallah and I will organise transport. | 1:22:11 | 1:22:15 | |
-I'll get horses. -I'll get camels. | 1:22:37 | 1:22:40 | |
-I don't need camels. -But, Indy... -No camels! | 1:22:40 | 1:22:43 | |
Who is he? | 1:22:52 | 1:22:55 | |
A messenger from God. | 1:22:56 | 1:22:59 | |
For the unrighteous, | 1:22:59 | 1:23:02 | |
the Cup of Life holds everlasting damnation. | 1:23:02 | 1:23:06 | |
-Marcus! -Ah! | 1:23:23 | 1:23:26 | |
"That genius of the Restoration... | 1:23:26 | 1:23:30 | |
"ARO resuscitation!" Henry! | 1:23:30 | 1:23:33 | |
-What are you doing? -It's a rescue, old boy. | 1:23:33 | 1:23:36 | |
Search him. | 1:23:41 | 1:23:43 | |
Where is the book? That miserable little diary of yours. | 1:23:43 | 1:23:48 | |
We have the map, the book is useless. | 1:23:48 | 1:23:51 | |
And yet you come to Berlin to get it. Why? | 1:23:51 | 1:23:55 | |
What are you hiding? | 1:23:55 | 1:23:58 | |
What does the diary tell you, but not us? | 1:23:58 | 1:24:01 | |
It tells me that goose-stepping morons like you | 1:24:02 | 1:24:06 | |
should try reading books instead of burning them! | 1:24:06 | 1:24:09 | |
'Colonel!' | 1:24:09 | 1:24:11 | |
-Jones is getting away! -I think not. | 1:24:11 | 1:24:14 | |
-Not -THAT -Jones, the other Jones! | 1:24:15 | 1:24:17 | |
-Sallah! I said -NO -camels. That's five! Can't you count? | 1:24:26 | 1:24:31 | |
Compensation for the car. Your father and Brody... | 1:24:31 | 1:24:35 | |
-Where's my father? -They have them in the belly of that steel beast. | 1:24:35 | 1:24:40 | |
Get Jones! | 1:24:57 | 1:24:59 | |
Fire! | 1:25:02 | 1:25:04 | |
Nach links! | 1:25:37 | 1:25:39 | |
Sehr gut! | 1:25:44 | 1:25:45 | |
Schnell! | 1:26:03 | 1:26:05 | |
Nach links! | 1:26:15 | 1:26:17 | |
Dem Kuppelwagen sprengen! | 1:26:20 | 1:26:23 | |
WO IST JONES?! | 1:26:34 | 1:26:37 | |
Hinsetzen! | 1:26:45 | 1:26:47 | |
Keine Bewegung! | 1:26:47 | 1:26:49 | |
Dad! Dad! Dad! | 1:27:00 | 1:27:03 | |
Junior? | 1:27:03 | 1:27:04 | |
Junior! | 1:27:04 | 1:27:05 | |
Junior! | 1:27:05 | 1:27:07 | |
HE COUGHS | 1:27:11 | 1:27:13 | |
GUNFIRE | 1:27:27 | 1:27:29 | |
GUN CLICKS | 1:27:30 | 1:27:31 | |
Schlag ihn, Gott! | 1:27:54 | 1:27:57 | |
GUNSHOT | 1:28:00 | 1:28:02 | |
Dad! | 1:28:18 | 1:28:21 | |
Dad! | 1:28:21 | 1:28:23 | |
Dad... | 1:28:23 | 1:28:24 | |
Die Amerikaner kampfen wie Weibe! | 1:29:01 | 1:29:04 | |
-Henry, the pen... -What? -Don't you see? | 1:29:40 | 1:29:44 | |
The pen is mightier than the sword! | 1:29:44 | 1:29:47 | |
-Look what you did! -It's war! | 1:30:08 | 1:30:11 | |
I said it was a rescue! | 1:30:17 | 1:30:19 | |
Gegen die Mauer! | 1:30:38 | 1:30:40 | |
BULLET RICOCHETS | 1:31:01 | 1:31:03 | |
Dad! | 1:31:20 | 1:31:21 | |
-Call this archaeology?! -Get out! | 1:31:23 | 1:31:26 | |
How does one get off this thing? | 1:31:37 | 1:31:40 | |
Where's Marcus? | 1:31:45 | 1:31:46 | |
Hang on, Dad! | 1:31:55 | 1:31:57 | |
HE GROANS IN PAIN | 1:31:57 | 1:31:58 | |
Give me your hand. | 1:32:03 | 1:32:05 | |
Sallah! Get Dad! | 1:32:05 | 1:32:09 | |
Give me your hand! | 1:32:09 | 1:32:10 | |
Arghhh! | 1:32:33 | 1:32:36 | |
Arghhhhhhh! | 1:32:36 | 1:32:38 | |
Junior! | 1:32:53 | 1:32:56 | |
HUGE EXPLOSION | 1:32:56 | 1:32:58 | |
Indy! | 1:32:58 | 1:32:59 | |
Oh, God, I've lost him. | 1:33:08 | 1:33:11 | |
And I never told him anything. | 1:33:15 | 1:33:18 | |
I just wasn't ready, Marcus. | 1:33:20 | 1:33:23 | |
Five minutes would have been enough. | 1:33:24 | 1:33:27 | |
RUSTLING | 1:33:27 | 1:33:29 | |
I thought I'd lost you, boy! | 1:34:01 | 1:34:04 | |
I thought you had, too, sir. | 1:34:04 | 1:34:08 | |
Well... | 1:34:20 | 1:34:21 | |
Well done. Come on. | 1:34:24 | 1:34:27 | |
Let's go! | 1:34:30 | 1:34:31 | |
Why are you resting when we're so near? | 1:34:33 | 1:34:37 | |
Come on! Let's go! | 1:34:37 | 1:34:38 | |
The Canyon of the Crescent Moon. | 1:34:51 | 1:34:54 | |
BIRDS CRY | 1:35:43 | 1:35:45 | |
'Los! Du bist der nachste Freiwillige.' | 1:36:16 | 1:36:19 | |
Der Zweite! Du bist der naechste Freiwillige! Weiter! | 1:36:19 | 1:36:23 | |
MAN BREATHES NERVOUSLY | 1:36:32 | 1:36:35 | |
'Another volunteer.' | 1:37:10 | 1:37:11 | |
I never expected to see you again. | 1:37:39 | 1:37:42 | |
-I turn up like a bad penny. -Step back, Dr Schneider. | 1:37:42 | 1:37:46 | |
Give Dr Jones some room. He's going to recover the Grail for us. | 1:37:46 | 1:37:51 | |
INDY LAUGHS | 1:37:51 | 1:37:54 | |
What do you say? Are you ready to go down in history? | 1:37:54 | 1:37:58 | |
As what? A Nazi stooge like you? | 1:37:58 | 1:38:00 | |
Nazis? Is that the limit of your vision? | 1:38:00 | 1:38:04 | |
The Nazis want to write themselves into the Grail legend, | 1:38:04 | 1:38:08 | |
take on the world. | 1:38:08 | 1:38:10 | |
They're welcome. | 1:38:10 | 1:38:13 | |
But I want the Grail itself - the Cup that gives Everlasting Life. | 1:38:13 | 1:38:19 | |
Hitler cannot take the world with him. | 1:38:19 | 1:38:22 | |
I'll be drinking my own health when he's gone the way of the dodo. | 1:38:22 | 1:38:27 | |
The Grail is mine and you're going to get it for me. | 1:38:30 | 1:38:34 | |
Shooting me won't help. | 1:38:34 | 1:38:36 | |
Dr Jones, you're absolutely right. | 1:38:36 | 1:38:40 | |
GUNSHOT | 1:38:40 | 1:38:41 | |
Dad! | 1:38:43 | 1:38:45 | |
Dad! | 1:38:45 | 1:38:46 | |
Junior... | 1:38:46 | 1:38:48 | |
-No! -Get back! | 1:38:48 | 1:38:50 | |
You can't save him when you're dead! Only the Grail can save him now. | 1:39:07 | 1:39:12 | |
It's time to ask yourself what you believe. | 1:39:12 | 1:39:16 | |
The Breath of God... | 1:39:50 | 1:39:52 | |
Only a penitent man will pass. | 1:39:52 | 1:39:55 | |
A penitent man will pass. | 1:39:57 | 1:39:59 | |
A penitent man will pass. | 1:40:16 | 1:40:19 | |
Penitent man... | 1:40:20 | 1:40:22 | |
Only the penitent man will pass. | 1:40:24 | 1:40:27 | |
Only the penitent man... | 1:40:27 | 1:40:29 | |
The penitent man will pass. Penitent...penitent. | 1:40:29 | 1:40:33 | |
Penitent. | 1:40:33 | 1:40:35 | |
The penitent man... | 1:40:35 | 1:40:37 | |
A penitent man is humble before God. | 1:40:37 | 1:40:40 | |
Penitent... | 1:40:40 | 1:40:42 | |
Penitent man... | 1:40:42 | 1:40:44 | |
The penitent man is humble. | 1:40:44 | 1:40:47 | |
Kneels before God... KNEEL! | 1:40:47 | 1:40:49 | |
I'm through! | 1:40:58 | 1:40:59 | |
We're through. | 1:41:00 | 1:41:03 | |
-He's all right! -No... | 1:41:05 | 1:41:08 | |
The second challenge is the Word of God. | 1:41:08 | 1:41:11 | |
Only in the footsteps of God will he proceed. | 1:41:11 | 1:41:14 | |
The Word of God... | 1:41:18 | 1:41:21 | |
Proceed in the footsteps of the Word. | 1:41:24 | 1:41:28 | |
-The Word of God... -Henry, try not to talk. | 1:41:28 | 1:41:32 | |
The Name of God. | 1:41:38 | 1:41:40 | |
The Name of God. | 1:41:40 | 1:41:44 | |
Jehovah. | 1:41:46 | 1:41:48 | |
But, in the Latin alphabet, Jehovah begins with an I. | 1:41:48 | 1:41:53 | |
J... | 1:41:53 | 1:41:55 | |
Oh, dear! | 1:42:01 | 1:42:02 | |
Idiot! In Latin, Jehovah starts with an I. | 1:42:06 | 1:42:10 | |
I... | 1:42:13 | 1:42:14 | |
..E... | 1:42:15 | 1:42:18 | |
H... | 1:42:18 | 1:42:19 | |
O, oh! | 1:42:19 | 1:42:22 | |
A. | 1:42:23 | 1:42:25 | |
The Path of God. | 1:42:46 | 1:42:48 | |
Only in the leap from the lion's head will he prove his worth. | 1:42:50 | 1:42:56 | |
It's impossible. | 1:42:59 | 1:43:02 | |
Nobody can jump this. | 1:43:02 | 1:43:04 | |
HE YELLS IN PAIN | 1:43:04 | 1:43:05 | |
Indy! | 1:43:05 | 1:43:07 | |
You must hurry! | 1:43:07 | 1:43:09 | |
Come quickly! | 1:43:09 | 1:43:11 | |
It's a leap of faith... | 1:43:16 | 1:43:19 | |
Oh...! | 1:43:19 | 1:43:20 | |
You must believe, boy. You must...believe. | 1:43:20 | 1:43:25 | |
I knew you'd come. | 1:45:07 | 1:45:09 | |
-My strength has left me. -Who are you? | 1:45:09 | 1:45:14 | |
The last of three brothers | 1:45:14 | 1:45:16 | |
who swore an oath to find the Grail and to guard it. | 1:45:16 | 1:45:22 | |
700 years ago! | 1:45:22 | 1:45:24 | |
A long time to wait. | 1:45:24 | 1:45:26 | |
You are strangely dressed, for a knight. | 1:45:28 | 1:45:32 | |
I'm not exactly a knight... What do you mean? | 1:45:32 | 1:45:37 | |
I was chosen because I was the bravest and most worthy. | 1:45:37 | 1:45:42 | |
The honour was mine until another challenged me to single combat. | 1:45:42 | 1:45:48 | |
I pass it to you... | 1:45:50 | 1:45:53 | |
who vanquished me. | 1:45:53 | 1:45:56 | |
I don't have time to explain... | 1:45:59 | 1:46:00 | |
FOOTSTEPS APPROACH | 1:46:00 | 1:46:02 | |
Which one is it? | 1:46:16 | 1:46:19 | |
You must choose, but choose wisely. | 1:46:19 | 1:46:22 | |
For as the true Grail will bring you life... | 1:46:22 | 1:46:26 | |
the false Grail will take it from you. | 1:46:26 | 1:46:30 | |
DONOVAN: I'm not a historian. What does it look like? | 1:46:34 | 1:46:38 | |
Which one is it? | 1:46:38 | 1:46:41 | |
Let me choose. | 1:46:41 | 1:46:44 | |
Thank you, Doctor. | 1:46:44 | 1:46:46 | |
Oh, yes. | 1:46:59 | 1:47:01 | |
It's more beautiful than I'd thought. | 1:47:06 | 1:47:09 | |
This certainly is the cup of the King of Kings. | 1:47:19 | 1:47:24 | |
Eternal life. | 1:47:29 | 1:47:32 | |
HE GASPS | 1:47:55 | 1:47:56 | |
What is happening to me? | 1:48:04 | 1:48:07 | |
SHE SCREAMS | 1:48:10 | 1:48:13 | |
WIND HOWLS | 1:48:24 | 1:48:27 | |
He chose...poorly. | 1:48:29 | 1:48:33 | |
It would not be made out of gold. | 1:48:43 | 1:48:45 | |
That's the cup of a carpenter. | 1:48:45 | 1:48:48 | |
There's only one way to find out. | 1:48:56 | 1:48:59 | |
You have chosen...wisely. | 1:49:12 | 1:49:16 | |
But the Grail cannot pass beyond the great seal. | 1:49:18 | 1:49:22 | |
That is the boundary and the price of immortality. | 1:49:22 | 1:49:24 | |
HISSING | 1:49:52 | 1:49:53 | |
VOICES SHOUTING IN GERMAN APPROACH | 1:50:45 | 1:50:48 | |
Drop your guns...please. | 1:50:49 | 1:50:52 | |
Dad, get to your feet. | 1:50:55 | 1:50:57 | |
We have it! Come on! | 1:51:10 | 1:51:13 | |
Elsa! Don't move! | 1:51:14 | 1:51:17 | |
It's ours! | 1:51:17 | 1:51:19 | |
-Yours and mine! -Don't cross the seal! | 1:51:19 | 1:51:21 | |
The knight warned us not to take the Grail from here! | 1:51:21 | 1:51:24 | |
RUMBLING | 1:51:24 | 1:51:25 | |
SHE SCREAMS | 1:51:48 | 1:51:49 | |
Junior! | 1:51:49 | 1:51:51 | |
Elsa! | 1:51:55 | 1:51:57 | |
Elsa, don't! | 1:51:57 | 1:51:59 | |
Elsa, your other hand, honey. I can't hold you! | 1:51:59 | 1:52:03 | |
I can reach it. | 1:52:03 | 1:52:05 | |
Elsa, give me your other hand! | 1:52:05 | 1:52:08 | |
Elsa! | 1:52:10 | 1:52:12 | |
SHE SCREAMS | 1:52:12 | 1:52:14 | |
-Junior! Give me your other hand. -I can get it. | 1:52:22 | 1:52:26 | |
I can almost reach it, Dad. | 1:52:26 | 1:52:28 | |
Indiana. | 1:52:28 | 1:52:30 | |
Indiana. | 1:52:31 | 1:52:33 | |
Let it go. | 1:52:36 | 1:52:38 | |
Dad... | 1:52:56 | 1:52:58 | |
Please, Dad... | 1:53:04 | 1:53:06 | |
RUMBLING | 1:53:20 | 1:53:23 | |
Elsa never really believed in the Grail. | 1:53:36 | 1:53:39 | |
She thought she'd found a prize. | 1:53:39 | 1:53:42 | |
What did you find, Dad? | 1:53:48 | 1:53:50 | |
Me? | 1:53:50 | 1:53:52 | |
Illumination. | 1:53:54 | 1:53:56 | |
What did you find, Junior? | 1:54:05 | 1:54:07 | |
Junior! Dad... | 1:54:07 | 1:54:09 | |
What does "Junior" mean? | 1:54:09 | 1:54:12 | |
That's his name, Henry Jones Junior. | 1:54:12 | 1:54:14 | |
-I like Indiana. -We named the dog Indiana. | 1:54:14 | 1:54:18 | |
May we go home? | 1:54:18 | 1:54:20 | |
The dog! You are named after the dog?! | 1:54:20 | 1:54:24 | |
HE LAUGHS | 1:54:24 | 1:54:26 | |
I've got a lot of fond memories of that dog. | 1:54:26 | 1:54:30 | |
Ready? | 1:54:30 | 1:54:32 | |
Ready. | 1:54:33 | 1:54:35 | |
Indy, Henry, follow me! I know the way! | 1:54:35 | 1:54:38 | |
He got lost in his own museum, huh? | 1:54:41 | 1:54:44 | |
-Uh-huh. -After you, Junior. | 1:54:44 | 1:54:47 | |
Yes, sir! Ha! | 1:54:49 | 1:54:50 |