Browse content similar to Critical Assignment. Check below for episodes and series from the same categories and more!
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CLANKING | 0:01:32 | 0:01:34 | |
CAMERA SHUTTER WHIRRS | 0:01:53 | 0:01:56 | |
GUNFIRE Argh! | 0:02:24 | 0:02:26 | |
It seems certain that the militia will gain the upper hand in these hostilities... | 0:02:28 | 0:02:32 | |
The militia have taken over the main road leading into town... | 0:02:32 | 0:02:37 | |
GUNFIRE DROWNS OUT SPEECH | 0:02:37 | 0:02:39 | |
..Shows no sign of abating. | 0:02:39 | 0:02:40 | |
Reporting form the front line - this is Ed Johnson for GSN. | 0:02:40 | 0:02:44 | |
GUNFIRE | 0:02:44 | 0:02:47 | |
GUNFIRE RICOCHETS Argh! | 0:02:55 | 0:02:59 | |
Go! Go! | 0:03:09 | 0:03:11 | |
SHOUTING AND SHOOTING | 0:03:11 | 0:03:14 | |
GUNFIRE | 0:03:29 | 0:03:32 | |
-Come on, come on, come on. -You've gotta move! | 0:04:06 | 0:04:10 | |
-I've been hit. -There's a bomb. | 0:04:10 | 0:04:13 | |
Go, go, go! Get out of here. | 0:04:13 | 0:04:15 | |
BEEPING | 0:04:16 | 0:04:20 | |
The recipient has gone beyond the realms of journalism, | 0:04:39 | 0:04:43 | |
by showing that there is more to our sense of purpose | 0:04:43 | 0:04:46 | |
then just getting the scoop. | 0:04:46 | 0:04:50 | |
Ladies and gentlemen, fellow journalists, | 0:04:50 | 0:04:54 | |
the special Journalist Of Merit Award | 0:04:54 | 0:04:58 | |
goes to Africa's own... Michael Power. | 0:04:58 | 0:05:02 | |
WHISTLING | 0:05:02 | 0:05:06 | |
Congratulations. | 0:05:15 | 0:05:17 | |
Well done. | 0:05:20 | 0:05:21 | |
APPLAUSE Well deserved. | 0:05:21 | 0:05:23 | |
Thank you very much. Thank you. | 0:05:25 | 0:05:31 | |
Most of us, not just journalists, | 0:05:31 | 0:05:35 | |
everyone, we look, but we do not see. | 0:05:35 | 0:05:40 | |
We listen, but we do not hear. | 0:05:40 | 0:05:43 | |
We talk, wow! | 0:05:43 | 0:05:46 | |
How we talk... | 0:05:46 | 0:05:47 | |
but we do not always communicate. | 0:05:47 | 0:05:50 | |
To communicate what is true, what is valuable and right, | 0:05:50 | 0:05:56 | |
to believe in that - | 0:05:56 | 0:05:59 | |
that is the challenge we all share. | 0:05:59 | 0:06:02 | |
I'm very proud to be a journalist. | 0:06:02 | 0:06:06 | |
To be rewarded for it, well... | 0:06:06 | 0:06:09 | |
that's a wonderful and unexpected bonus. | 0:06:09 | 0:06:12 | |
I thank you all so very much. | 0:06:16 | 0:06:18 | |
CHEERING AND APPLAUSE | 0:06:18 | 0:06:21 | |
Congratulations. Good to see you. | 0:06:24 | 0:06:27 | |
Laura and I were hoping you'd stick around long enough to come over for dinner. | 0:06:34 | 0:06:38 | |
-I'd love to, but... -Another story? -Always. -Are you gonna tell me what? | 0:06:38 | 0:06:42 | |
Global water crisis, Time magazine. | 0:06:42 | 0:06:44 | |
That's some story, eh? | 0:06:44 | 0:06:46 | |
You know, half the world's population's affected by it. | 0:06:46 | 0:06:50 | |
The other half ought to do something about it. | 0:06:50 | 0:06:53 | |
So where do you start? | 0:06:53 | 0:06:54 | |
Hmm, a wonderful land. | 0:06:54 | 0:06:56 | |
A place with a future. | 0:06:56 | 0:06:59 | |
My own backyard, Africa. | 0:07:00 | 0:07:03 | |
# I've been away for so long I wonder | 0:07:06 | 0:07:09 | |
# If the sound of the drum still has its power | 0:07:11 | 0:07:15 | |
# Bam, bam, bam, bam | 0:07:17 | 0:07:19 | |
# I've been away for so long I wonder | 0:07:19 | 0:07:22 | |
# Bam, bam, bam, bam, bam | 0:07:22 | 0:07:24 | |
# If the sound of the drum still has its power | 0:07:24 | 0:07:28 | |
# Bam, bam, bam, bam, bam... # | 0:07:28 | 0:07:30 | |
MUSIC CONTINUES: "The Sound Of The Drums" by Angelique Kidjo | 0:07:34 | 0:07:38 | |
Now we come to the final matter on the agenda - | 0:07:58 | 0:08:00 | |
the defence budget contract... | 0:08:00 | 0:08:02 | |
..with a total of five hundred million US dollars. | 0:08:03 | 0:08:08 | |
Minister for Defence, honourable Patrick Lambert. | 0:08:08 | 0:08:11 | |
Mr President, after carefully assessing the tenders submitted, | 0:08:11 | 0:08:17 | |
the most competitive are from the companies De Facto and Arms Link. | 0:08:17 | 0:08:22 | |
However, as I explained to Secretary Ojuka, | 0:08:22 | 0:08:24 | |
I favour Arms Link due to their additional seven year service agreement. | 0:08:24 | 0:08:29 | |
I do endorse the view of the Minister. | 0:08:31 | 0:08:34 | |
What a travesty! | 0:09:03 | 0:09:05 | |
Five hundred million dollars... | 0:09:07 | 0:09:09 | |
to spend on stockpiling arms and weapons of destruction | 0:09:09 | 0:09:13 | |
when 60% of our population lacks clean water. | 0:09:13 | 0:09:17 | |
I have with my own eyes | 0:09:21 | 0:09:22 | |
seen the suffering of our people, the lack of basic amenities | 0:09:22 | 0:09:28 | |
such as drinking water... | 0:09:28 | 0:09:31 | |
causing illness, death and untold hardship. | 0:09:31 | 0:09:37 | |
At any one time, half of our people are suffering | 0:09:37 | 0:09:41 | |
from illnesses that come from the basic lack of clean water | 0:09:41 | 0:09:46 | |
and proper sanitation. | 0:09:46 | 0:09:50 | |
Minister, would you want to elaborate? | 0:09:51 | 0:09:55 | |
We simply haven't enough funds to meet the medical demands. | 0:09:55 | 0:09:59 | |
This is preventable. | 0:09:59 | 0:10:01 | |
Do you realise that for every ten armoured tanks that you have, | 0:10:01 | 0:10:06 | |
we can buy 50 bulldozers, | 0:10:06 | 0:10:08 | |
every fighter plane, we can lay 10,000 miles of pipe work | 0:10:08 | 0:10:15 | |
and for all the thousands of rifles that we have, | 0:10:15 | 0:10:20 | |
we can provide 10,000 water pumps? | 0:10:20 | 0:10:27 | |
In the absence of any threat to this country's stability, | 0:10:39 | 0:10:43 | |
I refuse to waste millions of dollars on arms. | 0:10:43 | 0:10:48 | |
As of now, the defence budget is shelved. | 0:10:52 | 0:10:56 | |
We'll reallocate the funds | 0:10:59 | 0:11:00 | |
towards the commissioning of the Water For All project. | 0:11:00 | 0:11:04 | |
Ladies and gentlemen, we can fill | 0:11:09 | 0:11:11 | |
our own glasses of water whenever we want. | 0:11:11 | 0:11:14 | |
Let's not take that for granted... | 0:11:14 | 0:11:17 | |
ever. | 0:11:17 | 0:11:20 | |
'Africa Airlines flight 343...' | 0:11:40 | 0:11:44 | |
-Good afternoon, ladies and gentlemen, and welcome. -> | 0:11:44 | 0:11:48 | |
-It is a great honour for me to address you this afternoon. -> | 0:11:48 | 0:11:51 | |
-My corporation is bringing the world together -> | 0:11:51 | 0:11:56 | |
by making technology available that will breach the gap | 0:11:56 | 0:11:59 | |
between cultures, peoples and languages. | 0:11:59 | 0:12:03 | |
When launching my scheme... | 0:12:03 | 0:12:05 | |
-Michael! -How are you doing? | 0:12:07 | 0:12:10 | |
Great, how was Chicago? | 0:12:10 | 0:12:12 | |
It was good. Ed sends his love. | 0:12:12 | 0:12:14 | |
-Oh! -I noticed Thomas Rhines | 0:12:14 | 0:12:15 | |
has managed to slip quietly into the country. | 0:12:15 | 0:12:18 | |
Quietly doesn't get you headlines, does it? | 0:12:18 | 0:12:21 | |
..The shortest distance between people. | 0:12:21 | 0:12:26 | |
-Where's Jomo? -One guess. | 0:12:27 | 0:12:29 | |
-Football? -Hh-hmm. | 0:12:29 | 0:12:31 | |
-Listen, I'll catch you later. -See you, baby. | 0:12:31 | 0:12:34 | |
..Will be the National Grammar School here. | 0:12:34 | 0:12:36 | |
I've always loved Mother Africa. | 0:12:36 | 0:12:39 | |
-She's always given me so much pleasure. -> | 0:12:39 | 0:12:41 | |
-And indeed, it feels good to give back. -> | 0:12:41 | 0:12:45 | |
I often say that in my heart, | 0:12:45 | 0:12:47 | |
I'm an African in European skin. | 0:12:47 | 0:12:50 | |
APPLAUSE | 0:12:50 | 0:12:52 | |
Michael, you're back! | 0:12:59 | 0:13:00 | |
Jomo, you're late. | 0:13:00 | 0:13:02 | |
Sorry, the match went into extra time and you know what? | 0:13:04 | 0:13:08 | |
-It was still a draw. -Oh, come on! You're telling me | 0:13:08 | 0:13:11 | |
-that I had to listen to Thomas Rhines for the sake of a draw? -No, no, no! | 0:13:11 | 0:13:15 | |
You had to stay and listen to Thomas Rhines in expectation of victory. | 0:13:15 | 0:13:18 | |
Mango Bar tonight, you, me and Anita. | 0:13:38 | 0:13:41 | |
-Six o'clock, OK? -Cool. | 0:13:41 | 0:13:43 | |
HE SINGS | 0:13:54 | 0:13:57 | |
# Oh, baby | 0:13:57 | 0:14:00 | |
# Do you really wanna fight? | 0:14:00 | 0:14:02 | |
# Are you sure you wanna see it? | 0:14:02 | 0:14:05 | |
# Ah, ah, oh-oh... # | 0:14:12 | 0:14:14 | |
Oh, no, welcome home. | 0:14:18 | 0:14:21 | |
CHEERING | 0:14:36 | 0:14:37 | |
You and Jomo set this up? | 0:14:43 | 0:14:45 | |
You have no idea how much trouble you're in. | 0:14:45 | 0:14:48 | |
You didn't expect to get away without a celebration, did you? | 0:14:48 | 0:14:51 | |
No, but didn't you guys ever stop and wonder what the hell you were doing | 0:14:51 | 0:14:56 | |
when all these bullets were zipping around? | 0:14:56 | 0:14:59 | |
-There were bullets zipping around? -Yes! | 0:14:59 | 0:15:01 | |
You should have told me. | 0:15:01 | 0:15:03 | |
The danger, you don't really feel it when you're in the middle of it. | 0:15:03 | 0:15:07 | |
Michael, I know the feeling, it's just like being an accountant. | 0:15:07 | 0:15:10 | |
THEY GUFFAW | 0:15:10 | 0:15:12 | |
If your time is up, it's up. Accidents do happen. | 0:15:12 | 0:15:15 | |
I never see them coming. | 0:15:15 | 0:15:18 | |
I'm so pleased you're here. | 0:15:18 | 0:15:21 | |
-You know Jomo. -Nice to see you again, Madam. | 0:15:24 | 0:15:26 | |
Guys, excuse us just a second. | 0:15:26 | 0:15:29 | |
And how's my favourite protege? | 0:15:29 | 0:15:32 | |
I'm fine. I've even brought you something back. | 0:15:32 | 0:15:37 | |
Chocolates? | 0:15:37 | 0:15:39 | |
This is for you. | 0:15:39 | 0:15:41 | |
Oh, no, Michael, I can't! | 0:15:41 | 0:15:43 | |
-You earned it. -I insist. | 0:15:43 | 0:15:45 | |
Anita, I sometimes worry that you guys are not coming back. | 0:15:49 | 0:15:52 | |
We will always come back, this is our home. | 0:15:52 | 0:15:55 | |
Yeah, I know it's our home but... | 0:15:55 | 0:15:57 | |
What if something happens to him? | 0:15:57 | 0:15:59 | |
-Or you? -Michael knows what he's doing. | 0:15:59 | 0:16:03 | |
Let's celebrate that. | 0:16:03 | 0:16:04 | |
Cheers! | 0:16:04 | 0:16:06 | |
So how are things at the Editor's desk? | 0:16:06 | 0:16:10 | |
Hectic. | 0:16:10 | 0:16:13 | |
The President's water project has caused quite a stir. | 0:16:13 | 0:16:17 | |
And so your water story could become quite controversial. | 0:16:17 | 0:16:20 | |
That's what makes headlines. | 0:16:20 | 0:16:23 | |
It's uncanny. | 0:16:23 | 0:16:26 | |
You're always in the right place at the right time. | 0:16:26 | 0:16:29 | |
A good teacher. | 0:16:29 | 0:16:31 | |
SHE CHUCKLES | 0:16:31 | 0:16:33 | |
I have been inundated with e-mails and phone calls | 0:16:33 | 0:16:37 | |
from all over the world. | 0:16:37 | 0:16:38 | |
I even got a call from some stressed-out American | 0:16:38 | 0:16:42 | |
demanding a meeting. | 0:16:42 | 0:16:44 | |
HORN BEEPS | 0:17:46 | 0:17:47 | |
-Benjy! -Michael! | 0:17:47 | 0:17:49 | |
Jump in. | 0:17:49 | 0:17:51 | |
-Uncle George. -Welcome home, Michael. | 0:18:34 | 0:18:39 | |
Oh, Michael. | 0:18:39 | 0:18:42 | |
Oh, you haven't been eating, you've lost weight again. | 0:18:42 | 0:18:47 | |
Auntie Comfort, I eat all the time, honestly. | 0:18:47 | 0:18:50 | |
No, no, no, you're way too thin. | 0:18:50 | 0:18:52 | |
You know I'm never happy if I can still get my arms around you. | 0:18:52 | 0:18:55 | |
-Welcome home. -> | 0:18:55 | 0:19:00 | |
-Chief. -Michael Power. -How are you, sir? | 0:19:00 | 0:19:07 | |
-Welcome... -Thank you. -..welcome home. | 0:19:07 | 0:19:09 | |
Mr Marshall? | 0:20:08 | 0:20:12 | |
Mr Marshall? | 0:20:24 | 0:20:25 | |
Mr Marshall? | 0:20:33 | 0:20:34 | |
Huh! | 0:20:43 | 0:20:45 | |
Be good. Children, don't forget to wash your hands. | 0:21:10 | 0:21:13 | |
-Nothing changes. -Cleanliness is next to Godliness. | 0:21:13 | 0:21:17 | |
So it is, can we eat? | 0:21:17 | 0:21:21 | |
Let us honour Comfort by eating well. | 0:21:21 | 0:21:23 | |
-Thank you, Chief. -This is great, Aunt Comfort. | 0:21:23 | 0:21:28 | |
-Thank you, Michael. -Your work takes you further and further away these days, Michael. | 0:21:28 | 0:21:34 | |
I follow the stories. It's not often that they come to you, | 0:21:34 | 0:21:37 | |
but you'll be glad to know that my present assignment starts here. | 0:21:37 | 0:21:41 | |
-Right here. -Then you will be able to attend the village bazaar? | 0:21:41 | 0:21:45 | |
I wouldn't miss it for the world. | 0:21:45 | 0:21:47 | |
Ah! Good. | 0:21:47 | 0:21:49 | |
No matter how long the tortoise's head is out, | 0:21:49 | 0:21:51 | |
it must go back inside its shell. | 0:21:51 | 0:21:53 | |
CHILDREN CHATTER | 0:21:53 | 0:21:58 | |
Michael, the President's water thing... | 0:21:58 | 0:22:01 | |
what does it mean? | 0:22:01 | 0:22:02 | |
Basically, the government will buy the equipment, | 0:22:02 | 0:22:05 | |
pipelines, water pumps, whatever's needed. | 0:22:05 | 0:22:08 | |
But the key thing is, it's to be driven by the local communities. | 0:22:08 | 0:22:12 | |
At last. | 0:22:12 | 0:22:13 | |
You know who fetches the water in the dry season? Us women and the children. | 0:22:13 | 0:22:17 | |
-It brings back memories. -Oh, not good ones. | 0:22:17 | 0:22:20 | |
-MOBILE RINGS -Oh, who is that? | 0:22:22 | 0:22:25 | |
He is eating with his family. | 0:22:25 | 0:22:28 | |
Excuse me, please. | 0:22:28 | 0:22:30 | |
I want one of those. | 0:22:33 | 0:22:35 | |
Anita! | 0:22:35 | 0:22:37 | |
What?! | 0:22:37 | 0:22:39 | |
SIREN BLARES | 0:22:39 | 0:22:43 | |
MONITOR BEEPS STEADILY | 0:22:59 | 0:23:02 | |
The doctor said she's in a deep coma. | 0:23:03 | 0:23:06 | |
And the American guy's dead. | 0:23:06 | 0:23:11 | |
Michael, what on earth was Madam Baka working on? | 0:23:11 | 0:23:14 | |
(I don't know...) | 0:23:14 | 0:23:15 | |
but I'm going to find out. | 0:23:15 | 0:23:18 | |
Mr John Marshall, 33 years old, a single bullet wound to the forehead | 0:23:29 | 0:23:35 | |
from a .22 calibre gun. | 0:23:35 | 0:23:37 | |
Single entry wound to the front indicates that the gun was fired | 0:23:37 | 0:23:41 | |
at point blank range. | 0:23:41 | 0:23:42 | |
Professional hit, I'd say. | 0:23:42 | 0:23:45 | |
He's lived in Africa for several years. | 0:23:45 | 0:23:48 | |
You can tell that from his body? | 0:23:48 | 0:23:50 | |
No, from his entry visa stamps. | 0:23:50 | 0:23:53 | |
-There's a lot of Air Miles there. -Do you know if this is all there was? | 0:23:54 | 0:24:00 | |
That's all there is. | 0:24:00 | 0:24:01 | |
Secretary Ojuka! | 0:24:03 | 0:24:04 | |
This is a government restricted area. | 0:24:16 | 0:24:18 | |
Michael Power, African News Bureau. I'm expected. | 0:24:18 | 0:24:21 | |
Thank you very much. | 0:24:26 | 0:24:28 | |
Mr Power, this way, please. | 0:24:58 | 0:25:00 | |
Thank you very much. | 0:25:00 | 0:25:01 | |
Excuse me, I didn't realise anyone was here. | 0:25:25 | 0:25:28 | |
I'm here to see Secretary Ojuka. | 0:25:28 | 0:25:30 | |
-I'm Michael Power. -Oh, the journalist. | 0:25:30 | 0:25:32 | |
-Yes. -It's good to finally put a face to such a renowned name. | 0:25:32 | 0:25:36 | |
-I'm Sabina Siko. -Sabina... | 0:25:36 | 0:25:38 | |
-Sabina means princess, doesn't it? -No, that's Sabrina. | 0:25:38 | 0:25:41 | |
I'm Secretary Ojuka's intern. He should be down shortly. | 0:25:41 | 0:25:44 | |
-Please, make yourself comfortable. -Thank you. | 0:25:44 | 0:25:47 | |
I've read some of your articles. | 0:25:52 | 0:25:54 | |
-Only some? -Well, between work here and my postgraduate studies | 0:25:54 | 0:25:59 | |
-I hardly have enough... -Time? -..time. Exactly. | 0:25:59 | 0:26:02 | |
Mr Power, I'm sorry for keeping you waiting. | 0:26:02 | 0:26:06 | |
I can see that Sabina's kept you entertained. | 0:26:06 | 0:26:09 | |
Sabina, are you sitting in on this? | 0:26:09 | 0:26:12 | |
No, Uncle, I have a lecture to attend, | 0:26:12 | 0:26:14 | |
but I'll be seeing you later. | 0:26:14 | 0:26:16 | |
Goodbye, Mr Power. | 0:26:16 | 0:26:17 | |
A pleasure meeting you. | 0:26:17 | 0:26:18 | |
Oh, congratulations on your prestigious award. | 0:26:20 | 0:26:23 | |
Thank you. | 0:26:23 | 0:26:24 | |
For a son of our soil to receive such a thing, | 0:26:24 | 0:26:28 | |
it sends a positive message about our country. | 0:26:28 | 0:26:32 | |
It wasn't lost on the President either. | 0:26:32 | 0:26:35 | |
But that is not why you're here. | 0:26:35 | 0:26:37 | |
No, I'm here regarding the John Marshall murder story. | 0:26:37 | 0:26:41 | |
Oh, the murder of an expatriate. | 0:26:41 | 0:26:44 | |
It's not good for tourist trade. | 0:26:44 | 0:26:46 | |
We all know how important the foreign exchange is... | 0:26:46 | 0:26:50 | |
to the country. | 0:26:50 | 0:26:51 | |
Yes. I was wondering, Secretary Ojuka... | 0:26:51 | 0:26:54 | |
How well did you know John Marshall? | 0:26:54 | 0:26:57 | |
Forgive me for saying, but you sound more like a detective than a journalist. | 0:26:57 | 0:27:02 | |
My apologies. It's just that one of your business cards | 0:27:02 | 0:27:05 | |
was found among John Marshall's personal effects. | 0:27:05 | 0:27:08 | |
I see. | 0:27:10 | 0:27:11 | |
But then...I AM a politician. | 0:27:11 | 0:27:16 | |
I meet different people all the time. | 0:27:16 | 0:27:19 | |
It wouldn't be unusual for my business card to get in the hands of... | 0:27:19 | 0:27:24 | |
relative strangers. | 0:27:24 | 0:27:26 | |
More importantly, how is Madam Baka? | 0:27:31 | 0:27:35 | |
Unfortunately, she's still in a coma. | 0:27:35 | 0:27:38 | |
Oh, sorry to hear that. | 0:27:38 | 0:27:40 | |
My thoughts are with her. | 0:27:40 | 0:27:42 | |
Mr Secretary, your next appointment, Mr Le Trois, has just arrived. | 0:27:42 | 0:27:46 | |
Thank you. | 0:27:46 | 0:27:48 | |
If that is all... I do have another pressing engagement. | 0:27:48 | 0:27:51 | |
I thank you for seeing me at such short notice. | 0:27:51 | 0:27:54 | |
Mr Power, this administration fully supports the freedom of the press. | 0:27:57 | 0:28:04 | |
Maybe these matters are best left in the hands of the police. | 0:28:04 | 0:28:08 | |
They investigate the crime and you write the story. | 0:28:08 | 0:28:12 | |
In my experience, sir, | 0:28:12 | 0:28:15 | |
sometimes the story solves the crime. | 0:28:15 | 0:28:18 | |
Good day. | 0:28:21 | 0:28:22 | |
I'm afraid you wasted your time coming here. | 0:29:21 | 0:29:24 | |
An American citizen's been murdered. Are you not concerned? | 0:29:24 | 0:29:27 | |
I've already been through this with the local police. | 0:29:27 | 0:29:30 | |
I'd be more concerned if Marshall was one of ours. | 0:29:30 | 0:29:33 | |
Fortunately, he wasn't. We ran his photo and prints through our system and came up with nothing. | 0:29:33 | 0:29:38 | |
-Marshall was not an American. -But he had an American passport. | 0:29:38 | 0:29:41 | |
Correction, he had a fake American passport. | 0:29:41 | 0:29:45 | |
As far as we're concerned, he doesn't exist - someone else's problem. | 0:29:45 | 0:29:49 | |
I'm sure he was stone-walling me. I need your help here, Ed. | 0:29:49 | 0:29:52 | |
You've got a dead body and a business card, | 0:29:52 | 0:29:55 | |
what do you want me to do? Call the marines? | 0:29:55 | 0:29:57 | |
When the US vice-consul tells me someone doesn't exist, | 0:29:57 | 0:30:00 | |
you can be sure of one thing - they exist. | 0:30:00 | 0:30:02 | |
Madam Baka wasn't just my editor-in-chief, she was my mentor. | 0:30:02 | 0:30:06 | |
I'll see what I can do. | 0:30:06 | 0:30:07 | |
How's your water story? | 0:30:07 | 0:30:09 | |
Under pressure. | 0:30:09 | 0:30:10 | |
All right. I'll get back to you. | 0:30:10 | 0:30:13 | |
ARGUING VOICES | 0:30:16 | 0:30:22 | |
Look, take Ojuka, for instance... | 0:30:22 | 0:30:24 | |
I'm not so sure. I took a photo of him during the primaries and let me tell you, | 0:30:24 | 0:30:28 | |
some overzealous intern faxed me, | 0:30:28 | 0:30:30 | |
accusing me of photographing him in a bad light. | 0:30:30 | 0:30:33 | |
Anita, come on! Ojuka's done a lot of good for this country. | 0:30:33 | 0:30:37 | |
Like getting the national youth squad sponsorship to compete in the Junior World Cup. | 0:30:37 | 0:30:41 | |
-That's true. -So he's OK in my book. | 0:30:41 | 0:30:43 | |
Anybody interested in football's OK in your books. | 0:30:43 | 0:30:46 | |
Besides, is there a good light in which to photograph a politician? | 0:30:46 | 0:30:50 | |
-Same again, guys, yeah? -No thanks, I'm driving. | 0:30:50 | 0:30:52 | |
-We're flying in the morning. I'll catch you later. -See you later. | 0:30:52 | 0:30:56 | |
Oh, and Anita... | 0:30:56 | 0:30:57 | |
Soccer is the thing cos soccer is the king, OK? | 0:30:57 | 0:31:01 | |
CLATTERING | 0:31:06 | 0:31:08 | |
Hey! Hey! | 0:31:11 | 0:31:12 | |
-Hey! -Careful, Michael. | 0:31:12 | 0:31:15 | |
METAL CLANGS | 0:31:33 | 0:31:34 | |
DRUMMING ON ROOF | 0:31:36 | 0:31:38 | |
CAR REVS | 0:31:47 | 0:31:49 | |
TYRES SCREECH | 0:31:50 | 0:31:52 | |
TYRES SQUEAL | 0:31:58 | 0:32:00 | |
They didn't take anything. | 0:32:32 | 0:32:34 | |
My laptop computer, TV, video, stereo... | 0:32:34 | 0:32:40 | |
is all here. | 0:32:40 | 0:32:42 | |
BLADES WHIRR | 0:32:52 | 0:32:55 | |
INAUDIBLE | 0:32:55 | 0:32:58 | |
What have we here? City dwellers in their big flying machines. | 0:33:52 | 0:33:56 | |
Harry Mogaji, Michael Power. | 0:33:56 | 0:33:58 | |
-Nice to have you here, Michael. -This is my photographer, Anita Chiama. | 0:33:58 | 0:34:02 | |
Mr Mogaji, it's a pleasure to meet you. How are things? | 0:34:02 | 0:34:05 | |
This is what I was talking about. | 0:34:21 | 0:34:23 | |
If we head right over here. | 0:34:23 | 0:34:25 | |
Do you see the scale of what I'm dealing with here, Michael? | 0:34:25 | 0:34:29 | |
This village is not unique... | 0:34:42 | 0:34:43 | |
at all. | 0:34:43 | 0:34:45 | |
In fact, the problem isn't even isolated to Africa. | 0:34:45 | 0:34:48 | |
It's a tragedy that's being repeated all over the world. | 0:34:48 | 0:34:53 | |
Disease is endemic, you name it, | 0:34:53 | 0:34:57 | |
malaria, diarrhoea, dengue fever... | 0:34:57 | 0:35:02 | |
hookworm, and they all originate from what? | 0:35:02 | 0:35:06 | |
Unclean water. | 0:35:06 | 0:35:08 | |
This is Cocoa Stream, the village's nearest water supply. | 0:35:34 | 0:35:39 | |
Only the water here is a cesspool of disease. | 0:35:39 | 0:35:43 | |
I wouldn't let wildlife drink it, let alone human beings. | 0:35:43 | 0:35:46 | |
-Good morning, ma'am. -Hello. How are you? | 0:35:46 | 0:35:49 | |
-How long has it been like this? -Too long. | 0:35:51 | 0:35:54 | |
And it just keeps getting worse over the years. | 0:35:54 | 0:35:56 | |
But this is their homeland. | 0:35:56 | 0:36:00 | |
This is the hard life they have become used to. | 0:36:00 | 0:36:04 | |
Did you know, every eight seconds somewhere in the world | 0:36:06 | 0:36:09 | |
a child like this dies from a water-related disease? | 0:36:09 | 0:36:14 | |
-How do you feel? -What? | 0:36:17 | 0:36:19 | |
How does it feel holding her? | 0:36:19 | 0:36:21 | |
She's only four years old. | 0:36:21 | 0:36:24 | |
There aren't words. | 0:36:24 | 0:36:26 | |
It's not much further now. | 0:36:53 | 0:36:55 | |
It took me more than a year to discover this place. | 0:36:55 | 0:36:59 | |
Come on. | 0:37:01 | 0:37:03 | |
Here it is. | 0:37:15 | 0:37:17 | |
Enough clean water to cater for communities within a 50-mile radius. | 0:37:17 | 0:37:21 | |
How long has this been under construction? | 0:37:21 | 0:37:24 | |
About five months. | 0:37:24 | 0:37:26 | |
We're planning to redirect a substantial amount | 0:37:26 | 0:37:30 | |
of the spring water through pipelines nearer to the villages. | 0:37:30 | 0:37:33 | |
That must be, what, ten miles? | 0:37:33 | 0:37:36 | |
About that. | 0:37:36 | 0:37:38 | |
We obviously don't have enough funds to make it all the way, | 0:37:38 | 0:37:42 | |
but we'll take it as far as our small funds can go. | 0:37:42 | 0:37:45 | |
Every mile we achieve is one less mile for the people around here to walk. | 0:37:45 | 0:37:50 | |
If we can save one life, we can save a generation. | 0:37:50 | 0:37:54 | |
It's beautiful here, Harry. | 0:38:18 | 0:38:20 | |
Peaceful, too. | 0:38:22 | 0:38:24 | |
And despite the hardship | 0:38:24 | 0:38:26 | |
there's a strong sense of community. | 0:38:26 | 0:38:28 | |
Do you miss the city life at all? | 0:38:28 | 0:38:31 | |
Like a fish misses dry land! | 0:38:32 | 0:38:35 | |
Years back I used to be an engineer with the Ministry of Works and Housing in the capital. | 0:38:36 | 0:38:41 | |
I couldn't get one damn thing done in that place. | 0:38:41 | 0:38:43 | |
But at least here I feel I can make a contribution. | 0:38:45 | 0:38:49 | |
This article you're writing... | 0:38:52 | 0:38:54 | |
will it really make a difference? | 0:38:54 | 0:38:56 | |
Well, the timing is right. | 0:38:56 | 0:38:59 | |
The President is launching his Water For All project | 0:38:59 | 0:39:02 | |
and it is an international issue. | 0:39:02 | 0:39:04 | |
So, you know, I really do believe the story will make a difference. | 0:39:04 | 0:39:08 | |
I hope you're right. | 0:39:08 | 0:39:10 | |
TURNS OFF TREADMILL | 0:39:22 | 0:39:25 | |
< DOOR OPENS | 0:40:03 | 0:40:05 | |
OK, I'll see you tomorrow. Take care! Bye! | 0:40:21 | 0:40:25 | |
-You know, when you concentrate your tongue sticks out between your lips. -Hey! | 0:40:25 | 0:40:29 | |
-Are you spying on me? -I graduated here. -Oh, really? -I've got a soft spot for the gym. | 0:40:29 | 0:40:34 | |
-Erm... Any of your old teachers still around? -One or two. | 0:40:34 | 0:40:37 | |
My old English teacher's about to retire. | 0:40:37 | 0:40:39 | |
She's finally given up on trying to mark my articles. | 0:40:39 | 0:40:43 | |
Listen, can I buy you a drink? | 0:40:43 | 0:40:45 | |
Erm, yeah, sure. | 0:40:45 | 0:40:47 | |
-Anyway, it's a habit I've had since I was a kid. -What is? | 0:40:47 | 0:40:51 | |
My tongue. | 0:40:51 | 0:40:53 | |
Your articles are oddly optimistic. | 0:40:55 | 0:40:57 | |
It's inspiring. | 0:40:57 | 0:40:59 | |
Most journalists are cynical, like they've seen it all before. | 0:40:59 | 0:41:02 | |
Just because you've seen it all before doesn't mean things can't change. | 0:41:02 | 0:41:07 | |
If I didn't believe things could change, I wouldn't write. | 0:41:07 | 0:41:10 | |
It's about belief and believing. | 0:41:10 | 0:41:12 | |
Imagine if we all did it. Believed. | 0:41:12 | 0:41:15 | |
The world would be a better place, | 0:41:15 | 0:41:18 | |
and there'd be no need for journalists. | 0:41:18 | 0:41:20 | |
-I think I could cope with that. -Really? Hmm. | 0:41:20 | 0:41:24 | |
Then why do you write? | 0:41:24 | 0:41:27 | |
-I graduated here, went to America... -Harvard, I imagine. -You can tell? | 0:41:27 | 0:41:31 | |
Mm-hm. | 0:41:31 | 0:41:33 | |
I used to write home to my mother and father from America, | 0:41:33 | 0:41:36 | |
before they died in the drought. | 0:41:36 | 0:41:38 | |
Oh... | 0:41:38 | 0:41:40 | |
Sometimes I think I write as though I'm still writing home. | 0:41:40 | 0:41:43 | |
The articles? They're just letters that happen to be published for everyone to see. | 0:41:43 | 0:41:48 | |
And you? Why an intern? | 0:41:48 | 0:41:50 | |
Sure. Well, erm... | 0:41:50 | 0:41:53 | |
Secretary Ojuka was a really close friend of my parents. | 0:41:55 | 0:41:58 | |
-They died too, in a car crash. -I'm sorry. | 0:41:58 | 0:42:01 | |
And he took me in, raised me as his own daughter. | 0:42:01 | 0:42:04 | |
He even sponsored my studies overseas. | 0:42:04 | 0:42:07 | |
-I'm only working as an intern until I finish my postgraduate studies. -We have a lot in common. | 0:42:07 | 0:42:12 | |
And so after you graduate? | 0:42:12 | 0:42:14 | |
I'm hoping to join the Foreign Service | 0:42:14 | 0:42:16 | |
and if everything goes my way, | 0:42:16 | 0:42:18 | |
I'll get a post with our embassy in London. | 0:42:18 | 0:42:21 | |
Look, I know you're very busy, | 0:42:21 | 0:42:24 | |
but do you ever have an evening free? | 0:42:24 | 0:42:27 | |
You mean...for a date? | 0:42:27 | 0:42:29 | |
LAUGHTER | 0:42:31 | 0:42:33 | |
-You look stunning. -Thank you! | 0:42:33 | 0:42:35 | |
Now, have yourself a wonderful evening. | 0:42:36 | 0:42:39 | |
-Great. And don't work too hard. -Oh, not at all. | 0:42:39 | 0:42:41 | |
Good evening. | 0:42:43 | 0:42:46 | |
Bye, Uncle! | 0:42:48 | 0:42:49 | |
SHOUTING | 0:43:39 | 0:43:40 | |
TYRES SQUEAL | 0:43:57 | 0:43:58 | |
Michael, are you OK? Are you hurt? | 0:44:01 | 0:44:04 | |
-Talk to me, my brother. -Jomo, stop shouting in my ear. | 0:44:04 | 0:44:07 | |
-It's just my shoulder. -You've been hit! -It's nothing. Just glass. | 0:44:07 | 0:44:11 | |
Michael! Michael, are you OK? | 0:44:11 | 0:44:13 | |
-I'm fine. -No, he's not fine. Somebody tried to kill him. I'm calling the police. | 0:44:13 | 0:44:17 | |
-No, Jomo. -Look, Michael, we need to go to the hospital. You're bleeding. -No, I can take care of it. OK? | 0:44:17 | 0:44:22 | |
I'm OK. Really. | 0:44:22 | 0:44:24 | |
-We'll do whatever we can, Mr Power. -Thanks, officers. -Take care. -Cheers. | 0:44:26 | 0:44:30 | |
I'm lucky they were bad shots. | 0:44:31 | 0:44:33 | |
Some first date, huh? | 0:44:37 | 0:44:39 | |
Sorry... | 0:44:58 | 0:45:00 | |
Anita... | 0:45:00 | 0:45:03 | |
I heard what happened. | 0:45:03 | 0:45:05 | |
Sabina, meet Anita Chiama, a photographer friend of mine. | 0:45:09 | 0:45:14 | |
This is Sabina Siko. She works in Secretary Ojuka's office. | 0:45:14 | 0:45:18 | |
Hi. | 0:45:18 | 0:45:19 | |
Hello. | 0:45:19 | 0:45:21 | |
A drink, anyone? | 0:45:26 | 0:45:27 | |
No, I'm still busy. If you're fine, fine. | 0:45:27 | 0:45:29 | |
You can come and check out the photos when you're ready. | 0:45:29 | 0:45:32 | |
-Nice meeting you. -You too. | 0:45:32 | 0:45:36 | |
I'm sorry about that. | 0:45:40 | 0:45:41 | |
We'll get it right next time, huh? | 0:45:44 | 0:45:47 | |
-I'll call you? -Do that. | 0:45:47 | 0:45:49 | |
Look, I'm sorry if Anita felt a little like... | 0:45:49 | 0:45:53 | |
She gets over-protective. | 0:45:53 | 0:45:55 | |
And? | 0:45:55 | 0:45:57 | |
And she's a dear friend and my photographer. | 0:45:57 | 0:46:00 | |
That's it. | 0:46:00 | 0:46:02 | |
OK. | 0:46:03 | 0:46:05 | |
-Talk to you soon, then. -OK. -Bye. | 0:46:07 | 0:46:10 | |
Hi. | 0:46:35 | 0:46:36 | |
I'm sure spending too much time in this red light makes you crazy. | 0:46:54 | 0:46:58 | |
So you're seeing Sabina now? | 0:47:01 | 0:47:03 | |
We're just friends. | 0:47:03 | 0:47:06 | |
SHE LAUGHS | 0:47:06 | 0:47:07 | |
What? | 0:47:07 | 0:47:09 | |
-You could have told me. -Tell you what? | 0:47:09 | 0:47:13 | |
Don't get me wrong - I'm very happy for you, | 0:47:13 | 0:47:16 | |
but if you're falling for her when people are clearly trying to kill you... | 0:47:16 | 0:47:20 | |
-We don't want you losing concentration, do we? -There's nothing to tell. -Your new friend? | 0:47:20 | 0:47:25 | |
She's the one who sent me the fax. You know what that is? | 0:47:25 | 0:47:28 | |
That is manipulation of the press. I almost got fired. | 0:47:28 | 0:47:31 | |
So is kissing you. That's manipulation of the press. | 0:47:31 | 0:47:36 | |
Anita, don't shoot the messenger. | 0:47:36 | 0:47:38 | |
She was probably just following instructions. | 0:47:38 | 0:47:40 | |
With the fax, I mean. | 0:47:40 | 0:47:43 | |
Obviously. | 0:47:43 | 0:47:45 | |
Obviously. | 0:47:45 | 0:47:46 | |
The number of times I've complained to editors about the photos they select. | 0:47:50 | 0:47:55 | |
Let me see that one. | 0:47:58 | 0:48:00 | |
-Are these the photos you took at the airport? -Yes. | 0:48:00 | 0:48:03 | |
I know who that is. | 0:48:04 | 0:48:06 | |
It's Jon Marshall. | 0:48:06 | 0:48:08 | |
Sorry, sir, you have a visitor. | 0:48:37 | 0:48:39 | |
-Mr Power! It's a great pleasure to meet you. -Thank you. | 0:48:40 | 0:48:43 | |
You write inspiring articles. When my Log On Africa project is launched I hope you'll cover it. | 0:48:43 | 0:48:48 | |
It's in my diary. | 0:48:48 | 0:48:50 | |
-What's your handicap? -That I've never played. -You should, my friend. | 0:48:50 | 0:48:53 | |
All the best deals are done on the golf course. | 0:48:53 | 0:48:56 | |
You know, if you get your swing right, you use every muscle in your body. | 0:48:56 | 0:49:00 | |
So I understand Jon Marshall worked for you. | 0:49:03 | 0:49:05 | |
He was a consultant on African business affairs. | 0:49:05 | 0:49:10 | |
-Was he with you long? -On and off. | 0:49:10 | 0:49:12 | |
If it's important you can get the office to give you the exact dates. | 0:49:12 | 0:49:16 | |
-I spoke to the US embassy and they have no record of a Jon Marshall ever existing. -Really? | 0:49:16 | 0:49:21 | |
-Yes. -Extraordinary. | 0:49:21 | 0:49:23 | |
Well, whoever he was he had a wealth of experience in Africa, | 0:49:23 | 0:49:28 | |
which is why we hired him. | 0:49:28 | 0:49:29 | |
It's, er... | 0:49:29 | 0:49:31 | |
-It's all in the grip. -Oh. Yes. Course. | 0:49:31 | 0:49:34 | |
What sort of person was he? | 0:49:38 | 0:49:40 | |
Michael, do you know what a consultant does? | 0:49:40 | 0:49:44 | |
Basically, they borrow your watch and tell you the time. | 0:49:44 | 0:49:47 | |
But the fact still remains that a member of your staff has been murdered. | 0:49:47 | 0:49:52 | |
You can't write that, Michael. | 0:49:52 | 0:49:54 | |
It's inaccurate. | 0:49:54 | 0:49:56 | |
Was that a good swing? | 0:49:58 | 0:50:00 | |
Perfect. | 0:50:00 | 0:50:02 | |
At the time of Marshall's death, his contract had expired. | 0:50:02 | 0:50:05 | |
Strange. | 0:50:05 | 0:50:07 | |
This is a picture of him with you at the airport last week. | 0:50:07 | 0:50:10 | |
He was there, but he wasn't with me. | 0:50:10 | 0:50:14 | |
-Didn't he talk to you? -I was busy dealing with a more important matter, | 0:50:14 | 0:50:17 | |
like my Log On Africa project. | 0:50:17 | 0:50:21 | |
Oh, right! | 0:50:21 | 0:50:22 | |
-You don't have to mention it... -Of course not! | 0:50:22 | 0:50:25 | |
..but if you do, it's L-O-G... | 0:50:25 | 0:50:27 | |
I'm there, Mr Rhines. | 0:50:27 | 0:50:29 | |
Every muscle in your body, you say, huh? | 0:50:30 | 0:50:33 | |
INDISTINCT CHATTER | 0:50:36 | 0:50:39 | |
..It's just about... just about a week or so. | 0:50:45 | 0:50:48 | |
..I think we're doing well... | 0:50:51 | 0:50:52 | |
Madam Baka... | 0:50:52 | 0:50:55 | |
Oh, they're lovely, Michael. | 0:50:55 | 0:50:57 | |
Thank you. | 0:50:57 | 0:50:58 | |
Sssh. | 0:50:58 | 0:51:00 | |
PHONE RINGS | 0:51:02 | 0:51:04 | |
Hello? | 0:51:06 | 0:51:08 | |
..You're where? | 0:51:15 | 0:51:16 | |
Halfway round the world for a few days? | 0:51:32 | 0:51:35 | |
-Come on, Ed! -Give me a break! | 0:51:35 | 0:51:38 | |
I got a call from Anita. | 0:51:38 | 0:51:39 | |
-Look, I'm fine. -Yeah! Yeah, right(!) | 0:51:39 | 0:51:42 | |
Your guy Jon Marshall gets killed, | 0:51:42 | 0:51:44 | |
your editor gets put in a coma, you get shot at, all in one week. | 0:51:44 | 0:51:47 | |
And...? | 0:51:47 | 0:51:48 | |
And you're fine? | 0:51:48 | 0:51:50 | |
-You got shot at, Michael. -Well, I must be doing something right. | 0:51:50 | 0:51:53 | |
That's why I'm here. | 0:51:53 | 0:51:56 | |
'Jon Marshall's passport.' | 0:52:00 | 0:52:02 | |
He's the real McCoy. | 0:52:02 | 0:52:04 | |
It had a secret code number. | 0:52:04 | 0:52:07 | |
It's standard issue to deep-cover agents. | 0:52:07 | 0:52:09 | |
These guys...Michael, they live and breathe in the shadows. | 0:52:09 | 0:52:13 | |
It was under the radar. | 0:52:13 | 0:52:15 | |
So when things go wrong, no-one holds up their hand. | 0:52:15 | 0:52:18 | |
What I do know is that Jon Marshall worked as a consultant for the Rhinestone Corporation. | 0:52:18 | 0:52:22 | |
Rhinestone, as in Thomas Rhines, the millionaire philanthropist? | 0:52:22 | 0:52:27 | |
THUNDERCLAP | 0:52:27 | 0:52:29 | |
Apart from you, who else knew Bucker was meeting with Marshall? | 0:52:29 | 0:52:33 | |
Someone must have known. | 0:52:34 | 0:52:35 | |
Jon Marshall wasn't just murdered. He was silenced. | 0:52:35 | 0:52:38 | |
Listen... | 0:52:38 | 0:52:41 | |
we both know Jon Marshall was an agent. | 0:52:41 | 0:52:44 | |
What I need to find out is what got him killed. | 0:52:44 | 0:52:46 | |
The case is closed, it's ashes. Forget it. | 0:52:46 | 0:52:50 | |
Forget it? | 0:52:50 | 0:52:52 | |
You know Michael Power? | 0:52:52 | 0:52:53 | |
He won't let it go, Colonel - not gonna happen. | 0:52:53 | 0:52:56 | |
Off the record. | 0:52:56 | 0:52:58 | |
OK. | 0:52:59 | 0:53:01 | |
Listen, | 0:53:01 | 0:53:02 | |
recent events changed everything. | 0:53:02 | 0:53:04 | |
Marshall focused on tracking financial transactions | 0:53:04 | 0:53:08 | |
to do with arms deals to terrorists. | 0:53:08 | 0:53:10 | |
-What was he doing in Thomas Rhines' corporation? -Come on, Ed. | 0:53:10 | 0:53:14 | |
Hey, you tell me, there's a chance this information can be controlled. | 0:53:14 | 0:53:17 | |
It was just a cover to keep him in Africa. | 0:53:17 | 0:53:20 | |
-That cost him his life? -Can't confirm that. | 0:53:20 | 0:53:24 | |
HE SIGHS | 0:53:24 | 0:53:25 | |
Unfortunately, | 0:53:25 | 0:53:27 | |
he was killed before he could be debriefed. | 0:53:27 | 0:53:30 | |
To tell you the truth, Ed, it's one hell of a mess. | 0:53:30 | 0:53:32 | |
To compound the problem, | 0:53:32 | 0:53:35 | |
vital information was missing from his personal effects. | 0:53:35 | 0:53:38 | |
-Like what? -Classified. | 0:53:38 | 0:53:39 | |
HE LAUGHS | 0:53:39 | 0:53:41 | |
One thing for sure... | 0:53:41 | 0:53:43 | |
Marshall got caught in the firing line. | 0:53:43 | 0:53:46 | |
So, you warn your friend Michael Power | 0:53:46 | 0:53:48 | |
to walk away. | 0:53:48 | 0:53:51 | |
This is a story he doesn't want to write. | 0:53:51 | 0:53:53 | |
Good evening, Mr Power. You're expected. | 0:53:56 | 0:53:59 | |
Wow! You look great! | 0:54:36 | 0:54:38 | |
Thank you! | 0:54:38 | 0:54:40 | |
-So, where are we going? -Surprise. | 0:54:42 | 0:54:44 | |
I love surprises, but just not like the last time. | 0:54:44 | 0:54:47 | |
Look, you're quite early. Can I show you around? | 0:54:47 | 0:54:50 | |
OK. | 0:54:50 | 0:54:52 | |
Secretary Ojuka's a great patron of the arts. | 0:54:53 | 0:54:57 | |
He has one of the largest private collections of African art. | 0:54:57 | 0:55:00 | |
Quite unique. | 0:55:00 | 0:55:02 | |
This is exquisite. It must be priceless. | 0:55:03 | 0:55:06 | |
Not too close, though - you'll set off the alarm. | 0:55:06 | 0:55:08 | |
The only way we could insure this | 0:55:08 | 0:55:11 | |
was to install a new state-of-the-art security system. | 0:55:11 | 0:55:14 | |
Excuse me, ma'am. You have a phone call. | 0:55:14 | 0:55:17 | |
Oh, thanks. I'll take it in the drawing room. | 0:55:17 | 0:55:19 | |
Excuse me, Michael. I won't be long. | 0:55:19 | 0:55:21 | |
But, please, take a look around. | 0:55:21 | 0:55:23 | |
Hm! | 0:55:38 | 0:55:40 | |
..The funds will be transferred a week before the troops are deployed. | 0:56:00 | 0:56:04 | |
And the artillery? | 0:56:04 | 0:56:06 | |
We'll need enough to overcome any federal forces. | 0:56:06 | 0:56:09 | |
I have already taken care of that. | 0:56:09 | 0:56:11 | |
They will be transferred from airport hanger four. | 0:56:11 | 0:56:14 | |
It is imperative that my name is kept out of this whole affair. | 0:56:14 | 0:56:18 | |
We can't afford any further mistakes, | 0:56:18 | 0:56:20 | |
like Marshall. | 0:56:20 | 0:56:23 | |
I'll make sure that he can never talk again. | 0:56:23 | 0:56:25 | |
So sorry to have kept you waiting. | 0:56:30 | 0:56:32 | |
-No problem. Shall we go, then? -Um, yeah. | 0:56:32 | 0:56:34 | |
AFRICAN MUSIC PLAYS | 0:56:47 | 0:56:51 | |
'We'll need enough to overcome any federal forces.' | 0:57:17 | 0:57:22 | |
'It is imperative that my name is kept out of this whole affair.' | 0:57:24 | 0:57:28 | |
'We can't afford any further mistakes... | 0:57:28 | 0:57:31 | |
'like Marshall.' | 0:57:31 | 0:57:33 | |
INAUDIBLE | 0:57:37 | 0:57:39 | |
APPLAUSE | 0:57:39 | 0:57:43 | |
The piece on the water crisis is gonna have to wait. | 0:57:58 | 0:58:01 | |
-What? -I think there's gonna be a coup. | 0:58:01 | 0:58:03 | |
You sure about this? | 0:58:20 | 0:58:22 | |
-Uh. -You OK? -Yeah, I'll survive. -Come on, let's go. | 0:58:38 | 0:58:42 | |
Michael, there's not much security for an armoury. | 0:58:56 | 0:58:59 | |
Sh, keep it down, Ed. | 0:58:59 | 0:59:01 | |
Let's go. | 0:59:01 | 0:59:03 | |
WINGS FLUTTER | 0:59:11 | 0:59:12 | |
Oh, shit. | 0:59:19 | 0:59:20 | |
They've already moved out. | 0:59:20 | 0:59:23 | |
They are going for the coup sooner rather than later. | 0:59:23 | 0:59:26 | |
The only way to stop it now is to blow the conspiracy wide open. | 0:59:26 | 0:59:30 | |
'OK.' | 0:59:33 | 0:59:34 | |
OK, maybe we've got something. | 0:59:34 | 0:59:36 | |
This guy... This guy Will Le Trois is a rogue financer | 0:59:36 | 0:59:39 | |
currently involved in negotiating deals | 0:59:39 | 0:59:42 | |
for an arms firm called Arms Link. | 0:59:42 | 0:59:44 | |
Arms Link is a major supplier here in Africa. | 0:59:44 | 0:59:47 | |
Are you sure it was Ojuka you heard? | 0:59:50 | 0:59:53 | |
Yes, I recognised his voice. | 0:59:53 | 0:59:55 | |
They were meeting as I left Ojuka's house the other day. | 0:59:55 | 0:59:58 | |
Well, if Ojuka's involved, we don't know how far this reaches. | 0:59:58 | 1:00:02 | |
What is it, Michael? | 1:00:04 | 1:00:06 | |
Something doesn't feel right... | 1:00:08 | 1:00:10 | |
but I need to be sure. | 1:00:10 | 1:00:13 | |
Why don't you check out this photo of Jon Marshall | 1:00:13 | 1:00:16 | |
from the press conference the other day. | 1:00:16 | 1:00:18 | |
Can you zoom in a little closer? | 1:00:24 | 1:00:26 | |
Marshall's on a cell phone. | 1:00:30 | 1:00:32 | |
That certainly wasn't among his personal effects. | 1:00:32 | 1:00:36 | |
I am going to give the President's first secretary a chance to respond. | 1:00:46 | 1:00:51 | |
Michael, | 1:00:53 | 1:00:55 | |
exposing a coup and naming names will have serious repercussions, | 1:00:55 | 1:00:58 | |
so you should keep a low profile until you hear from me. | 1:00:58 | 1:01:02 | |
Hm? | 1:01:02 | 1:01:04 | |
Well, as it happens, we plan to be out of town. | 1:01:04 | 1:01:06 | |
Good. | 1:01:06 | 1:01:08 | |
We'd better be going. | 1:01:08 | 1:01:09 | |
Good luck. | 1:01:11 | 1:01:13 | |
Nurse... | 1:01:23 | 1:01:25 | |
I need a phone that works. | 1:01:25 | 1:01:28 | |
MAN SINGS IN DIALECT | 1:01:30 | 1:01:33 | |
WOMEN SING IN DIALECT | 1:01:33 | 1:01:35 | |
THEY SING IN DIALECT | 1:01:42 | 1:01:44 | |
This is a speciality of the country. You're gonna love it. | 1:01:59 | 1:02:04 | |
LAUGHS | 1:02:04 | 1:02:06 | |
SINGS IN DIALECT | 1:02:06 | 1:02:09 | |
SINGING DROWNS SPEECH | 1:02:11 | 1:02:14 | |
You're gonna love it. You're gonna love it. | 1:02:14 | 1:02:17 | |
-Oh! -What's wrong?! | 1:02:17 | 1:02:19 | |
Ahh! | 1:02:19 | 1:02:21 | |
You've got to be kidding me! | 1:02:21 | 1:02:23 | |
Woah! | 1:02:23 | 1:02:24 | |
SHE LAUGHS | 1:02:24 | 1:02:27 | |
LAUGHS | 1:02:33 | 1:02:35 | |
Woo-hoo! | 1:02:35 | 1:02:37 | |
It's a great atmosphere here. | 1:02:53 | 1:02:56 | |
Ah! | 1:02:56 | 1:02:58 | |
This is my family. | 1:02:58 | 1:02:59 | |
They mean everything to me. | 1:02:59 | 1:03:02 | |
Cheers. | 1:03:02 | 1:03:03 | |
If Laura could see this... she'd love it. | 1:03:08 | 1:03:11 | |
Next time, bring her. You know you're always welcome. | 1:03:11 | 1:03:14 | |
She wants a divorce. | 1:03:19 | 1:03:21 | |
I'm sorry. | 1:03:24 | 1:03:25 | |
No, it's... | 1:03:25 | 1:03:27 | |
You know, er... the real problem... | 1:03:28 | 1:03:31 | |
there have been three of us in our marriage. | 1:03:31 | 1:03:34 | |
Her and me and... | 1:03:34 | 1:03:36 | |
and GSN. | 1:03:36 | 1:03:38 | |
But do you know what you want, Ed? | 1:03:41 | 1:03:43 | |
I still want Laura. | 1:03:46 | 1:03:48 | |
But...Michael, it's easier said than done. | 1:03:48 | 1:03:51 | |
We've already separated. | 1:03:51 | 1:03:53 | |
I moved into an apartment on Westside. | 1:03:55 | 1:03:57 | |
Ed, if it's Laura you want, | 1:03:59 | 1:04:01 | |
go for it. | 1:04:01 | 1:04:03 | |
It's never too late. | 1:04:03 | 1:04:05 | |
GSN can look after itself. | 1:04:06 | 1:04:08 | |
BELL CHIMES | 1:04:10 | 1:04:11 | |
Mr President, I was with you in Bahrain yesterday. | 1:04:11 | 1:04:16 | |
I could never be party to a rebellion against your government. | 1:04:16 | 1:04:20 | |
If William Le Trois being a guest at my house is a problem, | 1:04:20 | 1:04:25 | |
-you're sure to get my resignation in the morning. -Charles... | 1:04:25 | 1:04:28 | |
I don't want your resignation... | 1:04:37 | 1:04:39 | |
and I do not doubt your loyalty. | 1:04:39 | 1:04:43 | |
I need answers about William Le Trois. | 1:04:43 | 1:04:45 | |
I've known William since I served in the Ministry of Defence. | 1:04:45 | 1:04:49 | |
He's the financial advisor to Arms Link. | 1:04:51 | 1:04:53 | |
But I had no idea what he was planning. | 1:04:53 | 1:04:58 | |
HE SIGHS | 1:04:58 | 1:05:00 | |
Mr President, | 1:05:00 | 1:05:01 | |
I can order William Le Trois' immediate arrest. | 1:05:01 | 1:05:04 | |
Mr President, | 1:05:04 | 1:05:06 | |
apprehending William Le Trois may stop the coup in this instance, | 1:05:06 | 1:05:10 | |
but our armed forces are presently ill-equipped to counter an attack. | 1:05:10 | 1:05:14 | |
SIGHS | 1:05:16 | 1:05:18 | |
What was the name of the other arms company that submitted a tender? | 1:05:20 | 1:05:25 | |
De Facto. | 1:05:25 | 1:05:27 | |
Hm. | 1:05:29 | 1:05:30 | |
PHONE RINGS | 1:05:32 | 1:05:34 | |
Excuse me. | 1:05:34 | 1:05:35 | |
AFRICAN MUSIC PLAYS | 1:05:35 | 1:05:38 | |
Michael. | 1:05:38 | 1:05:39 | |
Michael. | 1:05:39 | 1:05:41 | |
'I just received a phone call from the President.' | 1:05:41 | 1:05:45 | |
I'm afraid I'm going to have to kill your story. | 1:05:45 | 1:05:47 | |
I'm sorry. | 1:05:47 | 1:05:49 | |
Come on, let's not beat ourselves up here. | 1:05:49 | 1:05:52 | |
The only part of our story that was questionable was Secretary Ojuka's involvement. | 1:05:52 | 1:05:57 | |
We were right about William Le Trois. | 1:05:57 | 1:05:59 | |
But how did Ojuka manage to be in two places at the same time? | 1:05:59 | 1:06:02 | |
Come on, let's look on the bright side, huh? | 1:06:02 | 1:06:05 | |
By exposing the coup, at least we saved some innocent lives. | 1:06:05 | 1:06:08 | |
OK, so we foiled a coup. | 1:06:10 | 1:06:12 | |
But now the President is going to reinstate the defence budget, | 1:06:12 | 1:06:15 | |
at the expense of what? The water project. | 1:06:15 | 1:06:17 | |
-People still lose. -Anita. | 1:06:17 | 1:06:19 | |
-Are you ready to go? -Yeah, Jomo. | 1:06:19 | 1:06:22 | |
-Hey, Benjy! -Hey, Mr Jomo. | 1:06:22 | 1:06:24 | |
You've done a great job on this car, huh? | 1:06:24 | 1:06:27 | |
OK, listen. | 1:06:31 | 1:06:32 | |
Now, don't spend this all at once, OK? | 1:06:34 | 1:06:37 | |
Thank you, Mr Jomo. | 1:06:37 | 1:06:39 | |
My pleasure! | 1:06:39 | 1:06:42 | |
-Michael, great party. -Thanks for coming. | 1:06:42 | 1:06:45 | |
Hey, stay strong, my brother. | 1:06:47 | 1:06:49 | |
Ed, I'll see you soon. | 1:06:52 | 1:06:54 | |
All right. | 1:06:54 | 1:06:55 | |
Mr Ed. | 1:06:58 | 1:06:59 | |
Yeah, Benjy! | 1:06:59 | 1:07:01 | |
Show us the shots the video took. | 1:07:01 | 1:07:03 | |
Yeah. Yeah, I remember. | 1:07:03 | 1:07:05 | |
I thought I'd show him the stuff I shot at the party. | 1:07:05 | 1:07:07 | |
Sure, go ahead. I'm gonna go and break the bad news to the chief. | 1:07:07 | 1:07:11 | |
Come on, let's go. | 1:07:11 | 1:07:13 | |
INAUDIBLE | 1:07:25 | 1:07:28 | |
MUSIC PLAYS ON LAPTOP | 1:07:35 | 1:07:37 | |
That looks like you. | 1:07:37 | 1:07:39 | |
I can tell. | 1:07:39 | 1:07:41 | |
They're loving it. | 1:07:43 | 1:07:45 | |
Look! There's me from yesterday. | 1:07:46 | 1:07:49 | |
Play it again, Mr Ed, play it again. | 1:07:49 | 1:07:51 | |
OK. | 1:07:51 | 1:07:52 | |
There you go. | 1:07:55 | 1:07:57 | |
CHILDREN LAUGH | 1:08:00 | 1:08:02 | |
It was recorded! | 1:08:09 | 1:08:11 | |
You've lost me. | 1:08:14 | 1:08:15 | |
It was pre-recorded. | 1:08:15 | 1:08:17 | |
That's how Ojuka was in two places at the same time. | 1:08:18 | 1:08:21 | |
Run... Run that by me again. | 1:08:21 | 1:08:23 | |
-The meeting. -Yeah. | 1:08:23 | 1:08:25 | |
Ojuka pre-recorded it for my benefit. | 1:08:25 | 1:08:27 | |
What better alibi to have than the President himself? | 1:08:27 | 1:08:31 | |
Michael, why would they want you to know about the coup? | 1:08:31 | 1:08:34 | |
There never was a coup, Ed. | 1:08:34 | 1:08:36 | |
Look at the facts. | 1:08:36 | 1:08:38 | |
My apartment gets burgled. | 1:08:38 | 1:08:40 | |
Hey! Hey! | 1:08:40 | 1:08:42 | |
Nothing taken. | 1:08:42 | 1:08:43 | |
I get shot at. | 1:08:43 | 1:08:45 | |
They miss. | 1:08:47 | 1:08:50 | |
TYRES SCREECH | 1:08:50 | 1:08:51 | |
Then I see the meeting on the security screen. | 1:08:51 | 1:08:55 | |
'That makes me believe there's a coup.' | 1:08:55 | 1:08:58 | |
'I've taken care of that. They'll be...' | 1:08:58 | 1:09:01 | |
That leads us to hanger four, and what do we really find there? | 1:09:01 | 1:09:05 | |
Nothing. | 1:09:05 | 1:09:08 | |
Ed, it's been a set-up. | 1:09:11 | 1:09:14 | |
I've been the right man in the right place | 1:09:14 | 1:09:18 | |
at the right time. | 1:09:18 | 1:09:20 | |
But for who? | 1:09:21 | 1:09:23 | |
So, we have all been victims of an elaborate conspiracy | 1:09:23 | 1:09:26 | |
to manipulate the press. | 1:09:26 | 1:09:28 | |
But why? | 1:09:28 | 1:09:29 | |
You know, initially, I thought this was all about power. | 1:09:29 | 1:09:32 | |
But now I'm convinced it's about money. | 1:09:32 | 1:09:34 | |
How did you figure that out? | 1:09:34 | 1:09:36 | |
Hear me out. | 1:09:36 | 1:09:37 | |
It's all connected to the President's decision. | 1:09:37 | 1:09:40 | |
William Le Trois is involved with Arms Link. | 1:09:40 | 1:09:43 | |
Arms Link lost a defence contract | 1:09:43 | 1:09:46 | |
when the President opted for the water project. | 1:09:46 | 1:09:49 | |
Now, they wanted me to write the story about the coup | 1:09:49 | 1:09:52 | |
in order to scare the President into believing the country was in danger | 1:09:52 | 1:09:56 | |
so he would reinstate the arms deal. | 1:09:56 | 1:09:58 | |
The President's won't give a contract to Arms Link | 1:09:58 | 1:10:01 | |
if they're implicated in the coup. | 1:10:01 | 1:10:03 | |
He's already offered the contract to De Facto. | 1:10:03 | 1:10:06 | |
Mm. | 1:10:06 | 1:10:07 | |
A rival arms company. | 1:10:07 | 1:10:09 | |
Michael, | 1:10:09 | 1:10:11 | |
your instincts are usually right. | 1:10:11 | 1:10:14 | |
But I simply can't afford to get it wrong twice. | 1:10:14 | 1:10:17 | |
If you think it's about the money, it is the money! | 1:10:17 | 1:10:20 | |
Can I use your phone? I don't think this one is mine. | 1:10:22 | 1:10:26 | |
The police must have returned the wrong one to me. | 1:10:26 | 1:10:30 | |
When is a phone that looks like a phone not just a phone? | 1:10:32 | 1:10:36 | |
When it belongs to the CIA. | 1:10:38 | 1:10:42 | |
Jon Marshall's phone. | 1:10:42 | 1:10:44 | |
I'll bet every piece of information that Silverman wants is in my hand. | 1:10:44 | 1:10:49 | |
CAR DOORS SHUT | 1:11:13 | 1:11:16 | |
Let's get this over with. | 1:11:34 | 1:11:36 | |
Our information first. | 1:11:36 | 1:11:38 | |
Let's see it. | 1:11:38 | 1:11:40 | |
I don't have to remind you that it's US Government property. | 1:11:43 | 1:11:48 | |
Who was Marshall investigating? | 1:11:56 | 1:11:58 | |
That's classified. You should know better, Ed. | 1:11:58 | 1:12:01 | |
-That's not what we agreed, Colonel. -Next time, | 1:12:01 | 1:12:04 | |
make sure you get your information first. | 1:12:04 | 1:12:06 | |
It won't be much use to you without the SIM card. | 1:12:06 | 1:12:10 | |
New deal, Colonel. | 1:12:14 | 1:12:16 | |
No information, no SIM card. | 1:12:16 | 1:12:18 | |
You told me that Marshall working for Rhines was just his cover. | 1:12:18 | 1:12:23 | |
So I lied. Shoot me. | 1:12:23 | 1:12:25 | |
The card. | 1:12:25 | 1:12:28 | |
Just one more thing. | 1:12:28 | 1:12:30 | |
The connection between Thomas Rhines and William Le Trois. | 1:12:30 | 1:12:33 | |
What do you think? | 1:12:33 | 1:12:35 | |
Le Trois deals for Rhines. | 1:12:35 | 1:12:37 | |
You're saying Rhines owns Arms Link? | 1:12:38 | 1:12:41 | |
Now give me the card. | 1:12:41 | 1:12:43 | |
It's in the phone. | 1:12:43 | 1:12:45 | |
So I lied. | 1:12:46 | 1:12:50 | |
Shoot me. | 1:12:50 | 1:12:51 | |
Son of a...! | 1:12:51 | 1:12:54 | |
HE SIGHS This is crazy. | 1:13:00 | 1:13:02 | |
Everybody's connected to Arms Link. | 1:13:02 | 1:13:04 | |
But where is the payoff? | 1:13:05 | 1:13:08 | |
Look...Rhines is launching his scheme this afternoon | 1:13:10 | 1:13:14 | |
at the National Grammar School. | 1:13:14 | 1:13:15 | |
Stick with him until you hear from me. | 1:13:15 | 1:13:17 | |
No problem. | 1:13:17 | 1:13:20 | |
Where are you gonna be? | 1:13:20 | 1:13:21 | |
There's a girl I gotta see. | 1:13:21 | 1:13:23 | |
Right. | 1:13:23 | 1:13:24 | |
Hey! What are you doing here? | 1:13:53 | 1:13:55 | |
At last... HE SNIFFS | 1:13:55 | 1:13:57 | |
..some peace and quiet. | 1:13:59 | 1:14:01 | |
You can't come in here. | 1:14:01 | 1:14:03 | |
I don't have any books overdue, | 1:14:03 | 1:14:05 | |
and somehow I think that the gun pointing at you under the table | 1:14:05 | 1:14:10 | |
counts for more than some petty library card, don't you? | 1:14:10 | 1:14:15 | |
What do you want? | 1:14:17 | 1:14:18 | |
If Ojuka thought he could double-cross me, he thought wrong. | 1:14:18 | 1:14:22 | |
When I get my money, | 1:14:23 | 1:14:25 | |
he might see you again. | 1:14:25 | 1:14:27 | |
Michael. | 1:14:45 | 1:14:46 | |
What are you doing here? | 1:14:46 | 1:14:48 | |
-Surprised to see me? -Um, yeah. | 1:14:48 | 1:14:51 | |
I'm afraid you caught me at an awkward time. | 1:14:51 | 1:14:53 | |
I've got a tutorial in five minutes. | 1:14:53 | 1:14:55 | |
Look, I'm sorry, but can we meet up later? | 1:14:55 | 1:14:57 | |
Michael? | 1:15:05 | 1:15:06 | |
What were you promised to set me up? | 1:15:06 | 1:15:08 | |
The posting in the London embassy? | 1:15:09 | 1:15:11 | |
Sorry? | 1:15:13 | 1:15:15 | |
You know, I can understand Ojuka, William Le Trois... | 1:15:15 | 1:15:19 | |
and even Thomas Rhines. | 1:15:19 | 1:15:21 | |
But you. | 1:15:21 | 1:15:22 | |
-Why you? -I don't know what you're talking about. | 1:15:22 | 1:15:26 | |
-You set me up. -I don't need to listen to this. | 1:15:26 | 1:15:28 | |
Michael, will you leave? | 1:15:30 | 1:15:32 | |
Now. | 1:15:32 | 1:15:33 | |
I want you to leave, Michael. Please just leave. | 1:15:35 | 1:15:37 | |
You are going to serve just as many years in prison... | 1:15:37 | 1:15:40 | |
as Secretary Ojuka, for murder. | 1:15:40 | 1:15:42 | |
-I didn't kill anyone. -You're an accessory. | 1:15:42 | 1:15:45 | |
It's just as good as murder. | 1:15:45 | 1:15:47 | |
And for what? For what, Sabina? | 1:15:47 | 1:15:50 | |
Arms Link has lost out on the contract to De Facto. | 1:15:50 | 1:15:53 | |
That means no money for Rhines, | 1:15:53 | 1:15:55 | |
no money for Ojuka, no money for you. | 1:15:55 | 1:15:58 | |
You've won nothing. | 1:15:58 | 1:16:00 | |
And who do you think owns De Facto? | 1:16:00 | 1:16:03 | |
Thomas Rhines. | 1:16:10 | 1:16:12 | |
Thomas Rhines. | 1:16:14 | 1:16:16 | |
Why did you have to get so involved, Michael? | 1:16:18 | 1:16:20 | |
Give me your car keys. | 1:16:23 | 1:16:26 | |
No! | 1:16:32 | 1:16:33 | |
GUNSHOT | 1:16:33 | 1:16:34 | |
SCREAMING | 1:16:34 | 1:16:37 | |
GUNSHOTS | 1:16:37 | 1:16:40 | |
MAN SHOUTS | 1:16:40 | 1:16:43 | |
Let go of me. | 1:16:45 | 1:16:47 | |
Let go of me. | 1:16:50 | 1:16:52 | |
SHE GROANS | 1:16:52 | 1:16:53 | |
Somebody stole my car. | 1:16:54 | 1:16:57 | |
..Black jeep, registration... | 1:17:19 | 1:17:20 | |
TYRES SCREECH | 1:17:20 | 1:17:22 | |
HORN BLARES | 1:17:22 | 1:17:25 | |
Aaah! | 1:17:49 | 1:17:51 | |
You'll get us killed! Aaah! | 1:17:51 | 1:17:53 | |
Don't! | 1:18:23 | 1:18:25 | |
ENGINES REV | 1:18:52 | 1:18:55 | |
DRUMBEATS PLAY | 1:19:09 | 1:19:13 | |
HORN BLARES Oh! | 1:19:32 | 1:19:34 | |
ENGINE REVS | 1:19:38 | 1:19:40 | |
CARNIVAL MUSIC PLAYS | 1:19:41 | 1:19:45 | |
Come on. | 1:19:45 | 1:19:46 | |
BLOWS WHISTLE | 1:19:46 | 1:19:50 | |
Move! | 1:20:02 | 1:20:05 | |
Move! | 1:20:06 | 1:20:08 | |
Move. | 1:20:10 | 1:20:11 | |
INAUDIBLE | 1:20:13 | 1:20:19 | |
HONKS HORN Come on! | 1:20:28 | 1:20:30 | |
Off the car! | 1:20:33 | 1:20:36 | |
Come on! Dance with us. | 1:20:36 | 1:20:38 | |
Move! | 1:20:40 | 1:20:42 | |
No, no. | 1:20:42 | 1:20:43 | |
Ah, ah, ah! | 1:20:50 | 1:20:52 | |
Shit! Shit! | 1:20:58 | 1:21:01 | |
HE GRUNTS | 1:21:47 | 1:21:49 | |
HE SCREAMS | 1:21:59 | 1:22:02 | |
Michael! | 1:22:26 | 1:22:29 | |
Michael, I'm sorry. I'm so sorry. I had no idea they'd kill someone. | 1:22:32 | 1:22:37 | |
Michael, you've got to believe me. Ojuka told me | 1:22:39 | 1:22:42 | |
-it was a matter of national security. -I need that videotape. | 1:22:42 | 1:22:46 | |
How many more people must die before enough is enough? | 1:22:50 | 1:22:53 | |
The availability of these computers | 1:23:01 | 1:23:04 | |
in high schools across the country is sure to encourage | 1:23:04 | 1:23:07 | |
literacy among the young generation... | 1:23:07 | 1:23:09 | |
-MOBILE RINGS -..who are Africa's future. Log On Africa! | 1:23:09 | 1:23:15 | |
Yeah, Michael? | 1:23:15 | 1:23:17 | |
OK, no problem. It's what I do best. | 1:23:19 | 1:23:22 | |
-Give me time for a couple more. -OK. | 1:24:05 | 1:24:08 | |
Any questions? | 1:24:08 | 1:24:10 | |
REPORTERS ALL SHOUT | 1:24:10 | 1:24:11 | |
Ed Johnson, GSN. Are you aware, Mr Rhines, that as of today, | 1:24:13 | 1:24:17 | |
the President has recommissioned the Water For All project? | 1:24:17 | 1:24:20 | |
With this putting a definite end to speculation regarding the defence budget being reinstated, | 1:24:20 | 1:24:25 | |
what are your thoughts on this? | 1:24:25 | 1:24:27 | |
Well, I... I think it's good. | 1:24:28 | 1:24:31 | |
It shows that the President and I are on the same page, | 1:24:31 | 1:24:36 | |
bettering the lives of the ordinary people in this country. | 1:24:36 | 1:24:39 | |
And...are you also aware that a conspiracy's been unearthed, | 1:24:41 | 1:24:46 | |
in which the banker, William Le Trois, | 1:24:46 | 1:24:48 | |
Federal Secretary Charles Ojuka, and an international businessman | 1:24:48 | 1:24:52 | |
have attempted to defraud the government? | 1:24:52 | 1:24:56 | |
Excuse me, I have to leave. | 1:24:57 | 1:25:00 | |
REPORTERS SHOUT | 1:25:00 | 1:25:02 | |
Mr Rhines! | 1:25:03 | 1:25:05 | |
Michael? | 1:25:09 | 1:25:11 | |
-'He's on the move.' -Thanks. | 1:25:11 | 1:25:13 | |
-ON TV: -'What took you so long? -The traffic was horrendous.' | 1:25:31 | 1:25:35 | |
'Monsieur?' | 1:25:52 | 1:25:53 | |
HE LAUGHS | 1:25:53 | 1:25:55 | |
HE CLEARS HIS THROAT | 1:26:03 | 1:26:06 | |
'I hope there won't be any delays | 1:26:07 | 1:26:09 | |
-'with the money. -The funds will be transferred | 1:26:09 | 1:26:12 | |
'a week before the troops are deployed.' | 1:26:12 | 1:26:16 | |
'It is imperative that my name is kept out of this whole affair.' | 1:26:24 | 1:26:28 | |
'We can't afford any further mistakes like Marshall.' | 1:26:30 | 1:26:34 | |
'Ensure that he won't talk again.' | 1:26:36 | 1:26:38 | |
DOOR SLAMS IN DISTANCE | 1:26:38 | 1:26:40 | |
Sabina! You home early. | 1:26:47 | 1:26:50 | |
Yeah, I'm just studying. | 1:26:50 | 1:26:52 | |
SAFE BEEPS AND OPENS | 1:26:55 | 1:26:59 | |
-I'll be at Rhines' house. -OK. | 1:27:14 | 1:27:18 | |
Sabina? | 1:27:19 | 1:27:21 | |
Are you all right? | 1:27:25 | 1:27:26 | |
Yeah, I'm just a little bit tired. | 1:27:26 | 1:27:29 | |
Take care. | 1:27:29 | 1:27:31 | |
Here it is. | 1:28:14 | 1:28:16 | |
Thank you. | 1:28:16 | 1:28:18 | |
-You OK? -It wasn't easy betraying Ojuka. | 1:28:18 | 1:28:24 | |
Where's he gone? | 1:28:25 | 1:28:27 | |
I'm sorry, but you don't understand everything about me, you know. | 1:28:28 | 1:28:32 | |
Where's he gone? | 1:28:32 | 1:28:34 | |
Where's he gone, Sabina? | 1:28:35 | 1:28:37 | |
Thomas Rhines' house. | 1:28:38 | 1:28:41 | |
Prove to me I'm not crazy for believing in you. | 1:28:44 | 1:28:48 | |
I warned you that William could become a liability! | 1:29:07 | 1:29:11 | |
But you...you didn't listen. | 1:29:11 | 1:29:13 | |
Shut up. You were supposed to make sure he was paid his cut. | 1:29:13 | 1:29:16 | |
There were delays in the transaction! | 1:29:16 | 1:29:18 | |
Did you think he would leave without his money, you idiot? | 1:29:39 | 1:29:43 | |
Be careful how you talk. I'm the Federal Secretary to the president! | 1:29:43 | 1:29:46 | |
Presidents! They are only as powerful as men like me allow them to be. | 1:29:46 | 1:29:50 | |
You're just another corrupt politician. | 1:29:50 | 1:29:53 | |
HE DIALS PHONE | 1:30:06 | 1:30:08 | |
Hello? Police Commissioner? | 1:30:10 | 1:30:13 | |
You have lost nothing. You don't come from here. | 1:30:13 | 1:30:16 | |
You can simply pack your bags and move on to another deal. | 1:30:16 | 1:30:20 | |
But me? This is my home. | 1:30:22 | 1:30:25 | |
My life. I've lost everything. | 1:30:25 | 1:30:29 | |
Everything. | 1:30:30 | 1:30:32 | |
SIRENS WAIL OUTSIDE | 1:30:32 | 1:30:35 | |
Open the door! Open the door! | 1:31:01 | 1:31:03 | |
What are you doing? Open the door, you piece of shit! | 1:31:03 | 1:31:07 | |
VOICE DROWNED OUT BY HELICOPTER | 1:31:07 | 1:31:11 | |
Get me out of here, quickly! | 1:31:20 | 1:31:22 | |
Let's go! | 1:31:25 | 1:31:27 | |
Do your job. Do it now! | 1:31:43 | 1:31:45 | |
Shit. Don't shoot! | 1:31:50 | 1:31:52 | |
-Don't shoot! I'm Secretary Ojuka. -Hold fire! > | 1:31:53 | 1:31:57 | |
Hold fire! | 1:31:57 | 1:31:59 | |
I've been held hostage. | 1:32:04 | 1:32:07 | |
Secretary Ojuka, we received information that William Le Trois was hiding here. | 1:32:07 | 1:32:11 | |
I need a police escort. Immediately. | 1:32:11 | 1:32:14 | |
This is a matter of national secur... | 1:32:14 | 1:32:16 | |
Sabina? | 1:32:22 | 1:32:24 | |
Secretary Ojuka, | 1:32:31 | 1:32:33 | |
I am arresting you for murder, and grand conspiracy | 1:32:33 | 1:32:38 | |
to defraud the government. | 1:32:38 | 1:32:40 | |
This... | 1:32:40 | 1:32:42 | |
This has got to be a big mistake. | 1:32:42 | 1:32:45 | |
I need to contact the President now! | 1:32:45 | 1:32:47 | |
What have you done? | 1:32:57 | 1:32:58 | |
Sabina. | 1:33:04 | 1:33:07 | |
What have you done? | 1:33:07 | 1:33:09 | |
Kelvin, this is not the way to the coast, we're circling around. | 1:33:28 | 1:33:32 | |
Kelvin. | 1:33:32 | 1:33:34 | |
Kelvin! | 1:33:34 | 1:33:36 | |
Michael Power. | 1:33:43 | 1:33:45 | |
OK, let's talk business. What's your price? | 1:33:53 | 1:33:58 | |
-Sorry? -Everyone has a price, my friend. | 1:33:58 | 1:34:00 | |
I need you to fly me to the coast, what's your price? | 1:34:00 | 1:34:03 | |
A million dollars, two? Give me a number. | 1:34:03 | 1:34:06 | |
You know, I've often wondered how people like you sleep at night, | 1:34:06 | 1:34:09 | |
-but I don't suppose you have a conscience. -I'm a traitor, | 1:34:09 | 1:34:13 | |
there's no profit in a conscience. | 1:34:13 | 1:34:15 | |
-I'm a journalist, a conscience pays my rent. -What's your price? | 1:34:15 | 1:34:19 | |
What's my price(?) | 1:34:21 | 1:34:23 | |
I have covered wars all over the world, | 1:34:26 | 1:34:29 | |
I have watched people die just feet away from me, | 1:34:29 | 1:34:32 | |
staring at me with their last gaze, | 1:34:32 | 1:34:35 | |
hoping...praying for an answer, | 1:34:35 | 1:34:38 | |
an explanation as to why it was necessary for them to die. | 1:34:38 | 1:34:42 | |
That you, Thomas Rhines, stood to make vast sums of money | 1:34:42 | 1:34:48 | |
was just not an answer I could bring myself to give them. | 1:34:48 | 1:34:52 | |
You can't afford my price. | 1:34:52 | 1:34:55 | |
I think you'll find my previous offer was a lot more attractive. | 1:35:00 | 1:35:05 | |
Oh, you're a very smart man, Mr Power. | 1:35:15 | 1:35:17 | |
Perhaps smarter than I am. | 1:35:17 | 1:35:19 | |
But I have wisdom, that's what age gives you. | 1:35:22 | 1:35:26 | |
At my age I know I'm far too old to go to prison. | 1:35:26 | 1:35:30 | |
I don't see you have a choice. | 1:35:30 | 1:35:33 | |
Oh! | 1:35:33 | 1:35:35 | |
I've just made my choice. | 1:35:35 | 1:35:38 | |
-Michael Power. -Mr Commissioner. | 1:36:37 | 1:36:40 | |
Odd that an anonymous tip-off about an alleged sighting of | 1:36:40 | 1:36:44 | |
William Le Trois led to all this. | 1:36:44 | 1:36:46 | |
Thank you. | 1:36:53 | 1:36:55 | |
I knew I wasn't a fool. | 1:36:55 | 1:36:57 | |
Well, it's the least I could do. | 1:37:03 | 1:37:06 | |
It's over between us, isn't it? | 1:37:08 | 1:37:10 | |
We didn't exactly start off on the right foot. | 1:37:10 | 1:37:14 | |
Mitigating circumstances? | 1:37:14 | 1:37:16 | |
If things were different... | 1:37:20 | 1:37:22 | |
I understand. | 1:37:25 | 1:37:27 | |
Goodbye, Michael. | 1:37:27 | 1:37:29 | |
Don't forget to write to your parents. | 1:37:35 | 1:37:38 | |
So, Michael, are you telling me you wrote this? | 1:38:04 | 1:38:07 | |
No, seriously, good work, my brother. | 1:38:10 | 1:38:12 | |
-Thanks, man. Is our surprise ready? -Yeah. -Cool. | 1:38:12 | 1:38:16 | |
I can't believe you put in a good word for the intern. | 1:38:16 | 1:38:19 | |
It's an inspiring piece of work - arms and water. | 1:38:19 | 1:38:23 | |
Too much of one, too little of the other. Well done. | 1:38:23 | 1:38:26 | |
Thanks ma'am. | 1:38:26 | 1:38:27 | |
A toast. Well, unfortunately Ed is leaving us tomorrow. | 1:38:31 | 1:38:35 | |
ALL: Ah, Ed! | 1:38:35 | 1:38:38 | |
Please join me in raising a toast to the man from GSN. | 1:38:38 | 1:38:41 | |
A colleague and a true friend. | 1:38:41 | 1:38:44 | |
He'll be sorely missed. Ed! | 1:38:44 | 1:38:47 | |
-ALL: Ed! -Speech. | 1:38:47 | 1:38:50 | |
Thanks, thanks. It's, er... It's been some trip. | 1:38:50 | 1:38:53 | |
-I feel like part of a family now. -So listen, um... | 1:38:53 | 1:38:56 | |
as a member of the family why don't you get the rest of your family... | 1:38:56 | 1:39:00 | |
a round of drinks, hey? | 1:39:00 | 1:39:02 | |
-JOMO LAUGHS -There's me thinking I could slip away quietly. | 1:39:02 | 1:39:06 | |
-Oh yeah, you think so. -Mike. | 1:39:06 | 1:39:09 | |
I talked to Laura last night, | 1:39:12 | 1:39:14 | |
-Yeah? -Yeah, she's picking me up at the airport, so... -Really? -Yeah. | 1:39:14 | 1:39:19 | |
Well, have I got a surprise for you. | 1:39:19 | 1:39:22 | |
Laura. | 1:39:35 | 1:39:37 | |
CHEERING AND CLAPPING | 1:39:43 | 1:39:46 | |
You're something else, Michael. | 1:39:48 | 1:39:50 | |
Jomo will be driving you down to my village, | 1:39:50 | 1:39:53 | |
my family will take care of both of you for the next couple of days. | 1:39:53 | 1:39:58 | |
Enjoy it, OK. | 1:39:58 | 1:39:59 | |
Hey, guys, we have a long journey, so let's make tracks, hey? | 1:39:59 | 1:40:02 | |
Oh, by the way, | 1:40:02 | 1:40:04 | |
give this to George, he'll understand. | 1:40:04 | 1:40:07 | |
-You not coming? -Are you kidding? I still have to write my water story. | 1:40:07 | 1:40:11 | |
-Good morning, Mr President. -Hello, Harry. | 1:41:47 | 1:41:49 | |
-Welcome to our small town. -Thank you | 1:41:49 | 1:41:51 | |
Mr President, Michael Power. | 1:41:53 | 1:41:55 | |
-Mr President. -Michael. | 1:41:55 | 1:41:57 | |
-Thank you very much, Mr President. -No, Michael, thank you. | 1:41:57 | 1:42:00 | |
You were formidable this day. | 1:42:00 | 1:42:04 | |
Thank you very much, it's been my honour. | 1:42:04 | 1:42:07 | |
My people, | 1:42:11 | 1:42:13 | |
I am proud to be in your village, | 1:42:13 | 1:42:16 | |
proud because I stand among my people | 1:42:16 | 1:42:18 | |
who have shown the inner strength of Africa. | 1:42:18 | 1:42:22 | |
Ordinary people have managed an extraordinary achievement. | 1:42:22 | 1:42:26 | |
I may be your president, | 1:42:29 | 1:42:30 | |
but I am also an ordinary African man, | 1:42:30 | 1:42:34 | |
and I'm inspired by what I see. | 1:42:34 | 1:42:37 | |
If anyone ever doubts whether we can triumph over adversity, | 1:42:37 | 1:42:42 | |
let them come to this village. The whole of Africa | 1:42:42 | 1:42:45 | |
will look to you, and, for that, I'm eternally grateful. | 1:42:45 | 1:42:50 | |
not just as your president, but as an African man. | 1:42:50 | 1:42:55 | |
What you have achieved here today is just the beginning, | 1:42:55 | 1:42:59 | |
together we can, and together we will | 1:42:59 | 1:43:01 | |
build a bright new future for our country...and our people. | 1:43:01 | 1:43:07 | |
APPLAUSE | 1:43:07 | 1:43:10 | |
I now declare stage one | 1:43:22 | 1:43:26 | |
of the Water For All project | 1:43:26 | 1:43:28 | |
officially open. | 1:43:28 | 1:43:30 | |
CHEERING AND WHOOPING | 1:43:30 | 1:43:34 | |
MUSIC: "Goddess Of The Sea" by Angelique Kidjo | 1:43:34 | 1:43:39 | |
# Spread out the water | 1:43:39 | 1:43:43 | |
# Give out the water | 1:43:43 | 1:43:46 | |
# Spread out the water | 1:43:46 | 1:43:48 | |
# Ooh ooh ooh ooh ooh... # | 1:43:50 | 1:43:54 | |
Michael! | 1:43:59 | 1:44:02 | |
Michael! | 1:44:08 | 1:44:10 | |
# Give out the water | 1:44:15 | 1:44:18 | |
# Spread out the water! # | 1:44:18 | 1:44:21 | |
# Give out the water | 1:44:23 | 1:44:26 | |
# Spread out the water | 1:44:26 | 1:44:29 | |
# Give out the water | 1:44:29 | 1:44:33 | |
# Spread out the water | 1:44:33 | 1:44:35 | |
# Give out the water | 1:44:36 | 1:44:39 | |
# Spread out the water | 1:44:39 | 1:44:43 | |
# Give out the water | 1:44:43 | 1:44:46 | |
# Spread out the water... # | 1:44:46 | 1:44:48 | |
Subtitles by Red Bee Media Ltd 2006 | 1:45:07 | 1:45:10 | |
E-mail [email protected] | 1:45:10 | 1:45:13 |