
Browse content similar to Enemy of the State. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains very strong language | 0:00:20 | 0:00:27 | |
Come on. | 0:00:44 | 0:00:46 | |
Look at that ball. All right. | 0:00:48 | 0:00:50 | |
Come on, get that ball. | 0:00:50 | 0:00:53 | |
There's no problem with that. | 0:00:53 | 0:00:55 | |
Oh, God damn it! | 0:00:55 | 0:00:57 | |
If it happens, let me know. | 0:00:57 | 0:00:59 | |
What the hell are you doing here? This is not the office. | 0:00:59 | 0:01:03 | |
-This is my private time. -Five minutes. | 0:01:03 | 0:01:06 | |
No! | 0:01:06 | 0:01:07 | |
I said no Tuesday, no last week. I'll keep saying no. | 0:01:07 | 0:01:10 | |
Five minutes, Mr Chairman. | 0:01:10 | 0:01:14 | |
It's all I ask, five minutes. | 0:01:14 | 0:01:16 | |
Want some coffee? | 0:01:16 | 0:01:17 | |
No, I don't want coffee. I want to play with my dog. | 0:01:17 | 0:01:20 | |
Look, I'm not asking you to vote for it, | 0:01:20 | 0:01:23 | |
I know you can't. | 0:01:23 | 0:01:25 | |
Just release your people. Let them go the way they want. | 0:01:25 | 0:01:29 | |
Telecommunications Security and Privacy Act. | 0:01:29 | 0:01:33 | |
Invasion of privacy is more like it. | 0:01:33 | 0:01:36 | |
Did you read the Post? | 0:01:36 | 0:01:38 | |
"This bill is not the first step, it IS the surveillance society." | 0:01:38 | 0:01:42 | |
A lot of liberal hysteria. | 0:01:42 | 0:01:44 | |
I'm not going to pass a law that lets the government | 0:01:44 | 0:01:48 | |
point a camera and microphone at any damn thing. | 0:01:48 | 0:01:52 | |
Phil? | 0:01:52 | 0:01:53 | |
I don't care who bangs who, what cabinet officers get stoned, | 0:01:54 | 0:01:59 | |
but this is the most powerful nation and the most hated. You and I know | 0:01:59 | 0:02:04 | |
what the average citizen does not, that we are at war 24 hours a day. | 0:02:04 | 0:02:08 | |
Yeah, yeah, yeah. | 0:02:08 | 0:02:10 | |
Do I have to itemise the number of lives we've saved | 0:02:10 | 0:02:13 | |
with judicious use of surveillance intelligence? | 0:02:13 | 0:02:16 | |
Thomas, cut the crap. | 0:02:16 | 0:02:18 | |
I've got three major employers in the Syracuse area alone | 0:02:18 | 0:02:22 | |
who will get killed by this bill. | 0:02:22 | 0:02:25 | |
I can get you funds equal to or greater than | 0:02:25 | 0:02:28 | |
what those companies gave your last campaign. | 0:02:28 | 0:02:31 | |
I'm not talking about contributions. | 0:02:31 | 0:02:34 | |
I'm talking about constituents being out of work. | 0:02:34 | 0:02:38 | |
Jesus, man! Wake up! | 0:02:38 | 0:02:40 | |
National security isn't the only thing going on. | 0:02:40 | 0:02:43 | |
God! This conversation is over. | 0:02:46 | 0:02:49 | |
I beg of you, Phil. Please don't. | 0:02:50 | 0:02:54 | |
I've been there for you in the past. | 0:02:54 | 0:02:56 | |
There have been times when you needed my assistance. | 0:02:56 | 0:03:00 | |
Don't blackmail me, you ambitious shit. | 0:03:00 | 0:03:03 | |
I'm sorry we can't find a common ground on this, Congressman. | 0:03:03 | 0:03:08 | |
You're a good man. | 0:03:08 | 0:03:10 | |
The people of your district are lucky to have you representing them. | 0:03:10 | 0:03:15 | |
Come on. Come on. | 0:03:19 | 0:03:21 | |
Come on. | 0:03:21 | 0:03:23 | |
Come on. | 0:03:23 | 0:03:25 | |
Wh...? | 0:03:34 | 0:03:36 | |
Ah! Ah! | 0:03:36 | 0:03:38 | |
DOG BARKS | 0:03:38 | 0:03:40 | |
DOG WHIMPERS | 0:04:12 | 0:04:15 | |
Fighting management, I can accept that. | 0:06:12 | 0:06:15 | |
But this is our goddamn union trying to railroad us | 0:06:15 | 0:06:18 | |
into signing some contract. | 0:06:18 | 0:06:21 | |
Look, | 0:06:21 | 0:06:22 | |
the mob has controlled these guys since as long as I can remember. | 0:06:22 | 0:06:27 | |
And now we got Pintero's goons tuning up my people. | 0:06:27 | 0:06:31 | |
That's a Hobbs Act violation, probably a RICO. | 0:06:31 | 0:06:34 | |
How you doing? | 0:06:34 | 0:06:36 | |
How you doing? Robert Dean. | 0:06:36 | 0:06:39 | |
Nice to meet you. | 0:06:39 | 0:06:40 | |
A Hobbs and a RICO? Oh, baby, don't stop! | 0:06:40 | 0:06:43 | |
Sounds like you guys need a labour lawyer. | 0:06:43 | 0:06:47 | |
What happened? | 0:06:47 | 0:06:48 | |
We were at Louie's two nights ago | 0:06:48 | 0:06:51 | |
and these two fucking Guidos jump me. | 0:06:51 | 0:06:53 | |
I prefer we use the term "Italian-Americans". | 0:06:53 | 0:06:57 | |
Whatever. But they were really going to work on me. | 0:06:57 | 0:07:01 | |
Larry Cash went after them. | 0:07:01 | 0:07:03 | |
Larry is in hospital with a broken jaw and ruptured kidney. | 0:07:03 | 0:07:07 | |
It's becoming a criminal investigation. | 0:07:07 | 0:07:10 | |
No, that'd take years. | 0:07:10 | 0:07:12 | |
These people's families live through this every day. | 0:07:12 | 0:07:16 | |
Send a case of Chianti to Larry Cash. | 0:07:18 | 0:07:20 | |
Larry Cash? | 0:07:20 | 0:07:22 | |
He's at St Luke's. And send some flowers to his wife, Brenda. | 0:07:22 | 0:07:26 | |
Yes, Mr Dean. | 0:07:26 | 0:07:29 | |
Well, why don't you guys just head on home? I'm your lawyer, | 0:07:29 | 0:07:34 | |
I'll deal with these Guido motherfuckers. | 0:07:34 | 0:07:37 | |
Pintero doesn't stand a chance. | 0:07:37 | 0:07:40 | |
So, how's the trout? | 0:07:42 | 0:07:44 | |
It tastes like fish. | 0:07:45 | 0:07:47 | |
It is fish. | 0:07:47 | 0:07:49 | |
No, it tastes like every fish I've ever had. | 0:07:49 | 0:07:52 | |
OK. | 0:07:52 | 0:07:54 | |
Brill's note said this is the video tape | 0:07:54 | 0:07:57 | |
you need to convince Pintero with. | 0:07:57 | 0:08:01 | |
Watch out for the FBI, the place is under surveillance. | 0:08:01 | 0:08:05 | |
When do I get to meet him? | 0:08:05 | 0:08:06 | |
Pintero? | 0:08:06 | 0:08:08 | |
Brill. | 0:08:08 | 0:08:10 | |
Never. | 0:08:10 | 0:08:12 | |
OK. | 0:08:12 | 0:08:14 | |
Um...wow. That's not exactly the answer I was hoping for. | 0:08:14 | 0:08:19 | |
And what were you hoping for? | 0:08:19 | 0:08:21 | |
I don't know. Soon. Definitely sooner than never. | 0:08:21 | 0:08:24 | |
Why do we always have to go through this? Brill talks to me, | 0:08:24 | 0:08:29 | |
I talk to you. That's how it works. | 0:08:29 | 0:08:30 | |
Pardon me for being uncomfortable with hiring someone I've never met. | 0:08:30 | 0:08:36 | |
Then don't hire him. | 0:08:36 | 0:08:38 | |
HE SIGHS | 0:08:38 | 0:08:40 | |
10,000. I'm also uncomfortable having to carry that kind of cash. | 0:08:42 | 0:08:48 | |
This should lighten your load. | 0:08:48 | 0:08:50 | |
Is it Brill's prices going up or your commission? | 0:08:50 | 0:08:53 | |
I take 15%, as always. His fee varies with risk. | 0:08:53 | 0:08:58 | |
Maybe you'd prefer to use someone else. | 0:08:58 | 0:09:01 | |
Other than Brill? | 0:09:01 | 0:09:02 | |
Other than me. | 0:09:02 | 0:09:04 | |
What's wrong with you? | 0:09:04 | 0:09:06 | |
There's nothing's wrong with me. | 0:09:06 | 0:09:09 | |
Just, someone with whom you don't have quite so complicated a history. | 0:09:09 | 0:09:13 | |
I like our history. | 0:09:14 | 0:09:16 | |
And I like you. | 0:09:16 | 0:09:18 | |
I like you too. | 0:09:18 | 0:09:21 | |
I just want to make sure I'm not breaking the law in any way. | 0:09:23 | 0:09:26 | |
You're not. | 0:09:26 | 0:09:28 | |
And how can I be so sure? | 0:09:28 | 0:09:31 | |
Because I wouldn't let you. | 0:09:31 | 0:09:34 | |
So, Mr Pintero, the guy on the left | 0:09:42 | 0:09:45 | |
is Carl Matthews, president of Local 6650. | 0:09:45 | 0:09:48 | |
This is Dave Early, secretary treasurer. | 0:09:48 | 0:09:51 | |
Oh, you see the guy right there? | 0:09:51 | 0:09:54 | |
Simic, administers the pension fund. | 0:09:54 | 0:09:57 | |
You'll recognise this fella. | 0:09:57 | 0:09:59 | |
Boop! | 0:09:59 | 0:10:01 | |
That's you. | 0:10:01 | 0:10:03 | |
-Am I correct, Mr Pintero? -It ain't me. | 0:10:03 | 0:10:05 | |
THEY CHUCKLE | 0:10:05 | 0:10:06 | |
Let's watch some more. | 0:10:06 | 0:10:08 | |
'Take a...take a picture. | 0:10:08 | 0:10:11 | |
'Say, "Money".' | 0:10:11 | 0:10:13 | |
Oh, here comes a great shot. | 0:10:13 | 0:10:15 | |
'Everybody say, "Not guilty".' | 0:10:15 | 0:10:18 | |
Here it comes. That's not you? | 0:10:18 | 0:10:21 | |
That ain't me. | 0:10:21 | 0:10:23 | |
Well, you know, that's actually really great news for me, | 0:10:23 | 0:10:27 | |
a weight off my shoulders. | 0:10:27 | 0:10:30 | |
Because the conditions of your parole forbid you from having | 0:10:30 | 0:10:34 | |
contact with union officials. | 0:10:34 | 0:10:36 | |
I know that. | 0:10:36 | 0:10:38 | |
Well, I'm saying, hypothetically, had that been you | 0:10:38 | 0:10:41 | |
you'd be headed back to prison for... | 0:10:41 | 0:10:44 | |
15, maybe 20 years. Even more. | 0:10:44 | 0:10:48 | |
But that ain't you, as you so eloquently put it. | 0:10:48 | 0:10:51 | |
You fucking with me? Eloquently? | 0:10:51 | 0:10:54 | |
That's not me. | 0:10:54 | 0:10:55 | |
Oh, that's not you. | 0:10:55 | 0:10:57 | |
I'm sorry I've wasted your time, since it's not you. | 0:10:57 | 0:11:01 | |
You know what? Maybe I'll just run this tape | 0:11:06 | 0:11:09 | |
past the federal prosecutor, they have great VCRs down there. | 0:11:09 | 0:11:14 | |
They can see things we can't see. | 0:11:14 | 0:11:16 | |
You ain't running this by nobody. | 0:11:16 | 0:11:19 | |
What do you want? | 0:11:21 | 0:11:23 | |
My clients want to vote their contract up or down as they see fit, | 0:11:23 | 0:11:27 | |
without any outside influences. | 0:11:27 | 0:11:29 | |
OK. Sit down. | 0:11:29 | 0:11:32 | |
-No, I'm fine. -No, you are not fine. | 0:11:32 | 0:11:35 | |
Now sit your ass... down. | 0:11:35 | 0:11:39 | |
I'd like my clients to be able to exercise | 0:11:46 | 0:11:49 | |
their constitutional rights. If that happens, | 0:11:49 | 0:11:53 | |
that tape will disappear into my private collection | 0:11:53 | 0:11:57 | |
with the Zapruder film and porno from Hitler's bunker. | 0:11:57 | 0:12:00 | |
You got any copies of this thing? | 0:12:00 | 0:12:03 | |
-Absolutely. -You make it? | 0:12:03 | 0:12:05 | |
I'm an attorney. I don't make video tapes. | 0:12:05 | 0:12:08 | |
Now, listen to me, you fucking eggplant. | 0:12:09 | 0:12:12 | |
This fucking video tape may save your clients' asses | 0:12:12 | 0:12:16 | |
but it ain't gonna save yours. | 0:12:16 | 0:12:18 | |
Who made the fucking video tape? | 0:12:20 | 0:12:22 | |
I don't know. | 0:12:22 | 0:12:24 | |
How'd you get it? | 0:12:24 | 0:12:27 | |
Through an acquaintance. | 0:12:27 | 0:12:28 | |
HE CHUCKLES | 0:12:28 | 0:12:30 | |
Mr Dean's got acquaintances. Me? I got friends. | 0:12:30 | 0:12:34 | |
See if there's any acquaintances outside of the black persuasion. | 0:12:34 | 0:12:38 | |
Carlos, get out of that chair. | 0:12:38 | 0:12:41 | |
Let me talk to Mr Dean. | 0:12:42 | 0:12:45 | |
Who's your fucking acquaintance? | 0:12:49 | 0:12:51 | |
Listen to me, | 0:12:54 | 0:12:56 | |
I want to know who made that tape but I want to know in a week, | 0:12:56 | 0:13:00 | |
or I'll kill you. | 0:13:00 | 0:13:02 | |
Hey! | 0:13:05 | 0:13:07 | |
-Smile. -What? | 0:13:07 | 0:13:09 | |
Smile for the FBI. | 0:13:09 | 0:13:11 | |
Who's the brother? | 0:13:16 | 0:13:18 | |
Doesn't look Italian to me. | 0:13:18 | 0:13:20 | |
Table Harvest to 101. Blue overcoat heading east. | 0:13:20 | 0:13:24 | |
Give me a loose one. See if we can get his plates. | 0:13:34 | 0:13:38 | |
'I'm standing by live at the Lockraven Reservoir | 0:13:42 | 0:13:46 | |
'where police and fire officials are removing | 0:13:46 | 0:13:49 | |
'a classic Mercedes, owned by Congressman...' | 0:13:49 | 0:13:52 | |
Phillip Hamersly of Syracuse. | 0:13:52 | 0:13:54 | |
'This accident comes at an untimely juncture, | 0:13:54 | 0:13:58 | |
'as he was working on legislation | 0:13:58 | 0:14:00 | |
'opposing the Telecommunications Security and Privacy Act. | 0:14:00 | 0:14:05 | |
'Fire officials do tell me that it appears | 0:14:05 | 0:14:08 | |
'he was by himself in the car. | 0:14:08 | 0:14:10 | |
'His favourite dog, Bob, is currently with police. | 0:14:10 | 0:14:15 | |
'Was there a history of heart problems? | 0:14:15 | 0:14:17 | |
'He had heart problems. | 0:14:17 | 0:14:19 | |
'He endured open-heart surgery a couple of years ago. | 0:14:19 | 0:14:23 | |
'Homicide investigators found | 0:14:23 | 0:14:26 | |
'a bottle of pills in his lap, that might mean that the Congressman | 0:14:26 | 0:14:31 | |
'had a heart attack before going in the reservoir. | 0:14:31 | 0:14:34 | |
'He leaves behind a family of four. | 0:14:34 | 0:14:37 | |
'We'll have more details as the story develops.' | 0:14:37 | 0:14:41 | |
I need a 10-27 on a brown and tan '75 GMC Jimmy. | 0:15:11 | 0:15:16 | |
DC tags. 8, Kilo, | 0:15:16 | 0:15:19 | |
6, 3, 9, 4 and a 10-28 on the registered owner. | 0:15:19 | 0:15:24 | |
Dick, don't give me optimistic numbers, I hate optimism. | 0:15:41 | 0:15:45 | |
Sir? | 0:15:45 | 0:15:46 | |
I want to know how many votes we have who won't change their minds. | 0:15:46 | 0:15:51 | |
Thank you. | 0:15:51 | 0:15:53 | |
We may have a problem out at the lake. | 0:15:53 | 0:15:56 | |
This is Daniel Zavitz. He has a government grant | 0:15:56 | 0:15:59 | |
to monitor the migratory patterns of Canadian geese, | 0:15:59 | 0:16:04 | |
or lack thereof. | 0:16:04 | 0:16:06 | |
The box is called a hide. | 0:16:06 | 0:16:08 | |
It contains a motion-activated digital video camera. | 0:16:08 | 0:16:12 | |
It was aimed directly at the boat ramp. | 0:16:12 | 0:16:15 | |
We need two techs, Humpty Dumpties. Get Fiedler to organise it. | 0:16:27 | 0:16:33 | |
Call Kramer to get some ex-military cut-outs. | 0:16:33 | 0:16:37 | |
How do I describe the project? | 0:16:37 | 0:16:39 | |
Call it a training op, host it here. | 0:16:40 | 0:16:43 | |
Set up a link with the NRO. | 0:16:43 | 0:16:45 | |
That's good. | 0:16:45 | 0:16:47 | |
Falsify FBI approval. None of this goes beyond | 0:16:47 | 0:16:50 | |
our team. And get that video tape. | 0:16:50 | 0:16:53 | |
-Of course. -Wire our bird-watcher. | 0:16:53 | 0:16:56 | |
You got it. | 0:16:56 | 0:16:58 | |
'Fiedler, I need an intercept on Daniel Zavitz. | 0:17:00 | 0:17:03 | |
'202-555-0108.' | 0:17:03 | 0:17:05 | |
And what's our authorisation? | 0:17:05 | 0:17:08 | |
P-1 training op, FBI approval. | 0:17:08 | 0:17:10 | |
Krug and Jones. We were with the 22nd Marine Unit. Kramer sent us. | 0:17:10 | 0:17:16 | |
Nice haircut(!) | 0:17:16 | 0:17:17 | |
30 months in a penitentiary for GBH-1 on your gunnery sergeant? | 0:17:17 | 0:17:22 | |
The guy was an asshole and he deserved it, if you'll excuse me. | 0:17:22 | 0:17:27 | |
-TV: -'All new, designed for today. | 0:17:33 | 0:17:36 | |
'The electric car... | 0:17:36 | 0:17:39 | |
'is here. | 0:17:39 | 0:17:42 | |
'A sedan for you. | 0:17:42 | 0:17:44 | |
'I'm live at the Lockraven Reservoir | 0:17:44 | 0:17:46 | |
'where police and fire officials are removing a classic Mercedes | 0:17:46 | 0:17:51 | |
'owned by Congressman Philip Hamersly, | 0:17:51 | 0:17:54 | |
'you may be able to see it. | 0:17:54 | 0:17:56 | |
'Fire and police officials aren't saying much, but I do know | 0:17:56 | 0:18:01 | |
'the Congressman was alone in the vehicle | 0:18:01 | 0:18:03 | |
'when the accident happened, under an hour ago. | 0:18:03 | 0:18:07 | |
'The Congressman suffers from a heart condition. | 0:18:07 | 0:18:11 | |
'Homicide investigators found a bottle of pills. That might mean | 0:18:11 | 0:18:15 | |
'he suffered a heart attack before going in the reservoir. | 0:18:15 | 0:18:20 | |
'He was alone in the car at the time...' | 0:18:20 | 0:18:22 | |
Fuck...a duck. | 0:18:22 | 0:18:25 | |
Holy shit! | 0:18:26 | 0:18:28 | |
'..and is currently with police. | 0:18:28 | 0:18:31 | |
'He's from Syracuse, NY. | 0:18:31 | 0:18:33 | |
'He opposed the Telecommunications Security and Privacy Act.' | 0:18:33 | 0:18:37 | |
PHONE RINGS | 0:18:37 | 0:18:39 | |
News desk. | 0:18:39 | 0:18:41 | |
Lenny, you are not going to believe what I have in my possession. | 0:18:41 | 0:18:45 | |
Zavitz? Long time. | 0:18:45 | 0:18:47 | |
Lenny, I've got the Phil Hamersly murder on video tape. | 0:18:47 | 0:18:51 | |
Hamersly died of a heart attack. | 0:18:51 | 0:18:54 | |
He was professionally wasted under the direction of some anal retentive | 0:18:54 | 0:18:59 | |
with a vitamin-B deficiency. | 0:18:59 | 0:19:01 | |
'How did you get this tape? | 0:19:01 | 0:19:04 | |
-'My study. I filmed the murder. -You're kidding? | 0:19:04 | 0:19:07 | |
'My camera was aimed at the pier where he was killed. | 0:19:07 | 0:19:11 | |
'Can you get me that tape? | 0:19:11 | 0:19:12 | |
I'm making a copy right now.' | 0:19:12 | 0:19:15 | |
PHONE RINGS | 0:19:15 | 0:19:16 | |
Mark, I have to take this. | 0:19:16 | 0:19:18 | |
Good. Call if you need anything. | 0:19:18 | 0:19:20 | |
RINGING | 0:19:23 | 0:19:25 | |
Fiedler, is this line secure? | 0:19:26 | 0:19:28 | |
-Yes, it is, sir. -Go ahead. | 0:19:28 | 0:19:30 | |
Zavitz is speaking to Lenny Bloom, former anti-war activist. | 0:19:30 | 0:19:35 | |
He publishes left-wing newsletters. | 0:19:35 | 0:19:38 | |
'He's taking the tape to Bloom.' | 0:19:38 | 0:19:41 | |
Put a tap on Bloom. | 0:19:41 | 0:19:43 | |
'And get us a dedicated satellite.' | 0:19:43 | 0:19:45 | |
It's already done. | 0:19:45 | 0:19:47 | |
Julie, I'm going to take the rest of the day. | 0:19:47 | 0:19:50 | |
Finish my shopping, take my mind off things. | 0:19:50 | 0:19:53 | |
Hey, do chicks dig lingerie? | 0:19:53 | 0:19:55 | |
HE CHUCKLES | 0:19:55 | 0:19:57 | |
All right. I'll see you in the morning. | 0:19:57 | 0:19:59 | |
MUSIC: "Trigger Hippie" by Morcheeba | 0:19:59 | 0:20:02 | |
-Hi. -Hi. | 0:20:02 | 0:20:05 | |
-How you doing? -Why, hello. | 0:20:05 | 0:20:08 | |
-Hi. -Hey! Hi. | 0:20:08 | 0:20:10 | |
-Can I help you? -Er, yes. | 0:20:10 | 0:20:13 | |
Do you see something you like? | 0:20:13 | 0:20:15 | |
Er, I'm married. | 0:20:15 | 0:20:17 | |
That's allowed. | 0:20:17 | 0:20:18 | |
Um, I just need... I need some... a...a Christmas present. | 0:20:18 | 0:20:23 | |
-For your wife? -Of several years. Yes. | 0:20:23 | 0:20:26 | |
You want lingerie for your wife? | 0:20:26 | 0:20:29 | |
Yes, I would. | 0:20:29 | 0:20:30 | |
Do you like Christian Dior? | 0:20:30 | 0:20:33 | |
I have to be honest, I'm not really | 0:20:33 | 0:20:36 | |
-experienced in this. I don't... -Get out of town! | 0:20:36 | 0:20:40 | |
-Don't get me wrong, I'm experienced from a certain perspective. -Right. | 0:20:40 | 0:20:46 | |
I just... I don't want to look stupid. | 0:20:46 | 0:20:49 | |
Too late. | 0:20:49 | 0:20:51 | |
Yeah. What size? | 0:20:51 | 0:20:53 | |
I'm sorry? | 0:20:53 | 0:20:55 | |
Oh, my wife! Oh, she's...she's... | 0:20:55 | 0:20:58 | |
-She's about... -Size six. | 0:20:58 | 0:21:00 | |
Yeah, right. Sh-She's a six. | 0:21:00 | 0:21:03 | |
-Right. What about cup size? -Um... | 0:21:03 | 0:21:07 | |
Oh, she's way bigger than that. | 0:21:07 | 0:21:09 | |
I mean...not... I mean, not noticeably. | 0:21:09 | 0:21:13 | |
Oops. | 0:21:13 | 0:21:14 | |
Should've got her a watch. | 0:21:14 | 0:21:16 | |
-KNOCKING -Hello! | 0:21:16 | 0:21:18 | |
It's me, Ruthie. | 0:21:18 | 0:21:19 | |
Shit. | 0:21:19 | 0:21:21 | |
They disconnected my phone again. | 0:21:21 | 0:21:23 | |
Mine's not working either. | 0:21:23 | 0:21:26 | |
It's a problem with the line. | 0:21:26 | 0:21:28 | |
Let me borrow some change for the payphone, man. | 0:21:28 | 0:21:32 | |
Come on! I got to call Dr Mike. | 0:21:32 | 0:21:35 | |
Danny? | 0:21:41 | 0:21:42 | |
Danny, I always pay you back. Come on. | 0:21:44 | 0:21:49 | |
Danny? | 0:21:49 | 0:21:51 | |
Open the door. | 0:21:56 | 0:21:57 | |
ENGAGED TONE | 0:21:57 | 0:22:00 | |
Oh, shit. | 0:22:00 | 0:22:02 | |
-Come on, man. -Er, one minute. | 0:22:06 | 0:22:08 | |
-I'm going. -Come on, Danny. | 0:22:08 | 0:22:11 | |
Come on. | 0:22:14 | 0:22:15 | |
It's not working. | 0:22:29 | 0:22:31 | |
I got him. He's rabbiting. | 0:22:34 | 0:22:36 | |
He's out the back! | 0:22:38 | 0:22:40 | |
'Give me a real-time image at lat 38-55, long 77-00.' | 0:22:40 | 0:22:44 | |
'Base, this is local control.' | 0:22:44 | 0:22:46 | |
Request visual tasking. | 0:22:46 | 0:22:48 | |
-'Maximum resolution. Lat 38-55, long 77-00.' -Roger. | 0:22:48 | 0:22:52 | |
I need a minute on visual. Over. | 0:22:52 | 0:22:54 | |
Run! They got guns! | 0:22:54 | 0:22:56 | |
Where is he? | 0:22:56 | 0:22:58 | |
On the roof! | 0:22:58 | 0:23:00 | |
'Satellite imagery coming through.' | 0:23:01 | 0:23:04 | |
Patch visual, my location. | 0:23:04 | 0:23:06 | |
Confirm visual, thank you much. | 0:23:06 | 0:23:09 | |
'Target heading north.' | 0:23:09 | 0:23:11 | |
Request immediate visual support. | 0:23:12 | 0:23:15 | |
'Roger. We have visual.' | 0:23:15 | 0:23:17 | |
He jumped to adjacent building. | 0:23:29 | 0:23:32 | |
Entering rear entrance of Captain Ike's. | 0:23:37 | 0:23:40 | |
Roger. | 0:23:40 | 0:23:42 | |
Get out of the way! | 0:23:51 | 0:23:53 | |
Hey! | 0:23:58 | 0:24:00 | |
Be advised. Suspect heading toward front exit. | 0:24:04 | 0:24:08 | |
'Copy that.' | 0:24:08 | 0:24:10 | |
I got him! | 0:24:16 | 0:24:18 | |
Target entering barbershop. | 0:24:21 | 0:24:23 | |
It's locked! | 0:24:30 | 0:24:32 | |
Bullshit! We've lost him. | 0:24:32 | 0:24:34 | |
Target exiting rear of barbershop in alley. | 0:24:34 | 0:24:38 | |
BARKING | 0:24:44 | 0:24:46 | |
-I'm blank. -We lost visual. | 0:24:48 | 0:24:50 | |
Who's got him? | 0:24:50 | 0:24:52 | |
Danny Zavitz? | 0:24:54 | 0:24:56 | |
We were at Georgetown together. | 0:24:59 | 0:25:02 | |
-Are you OK? -Help me. | 0:25:02 | 0:25:03 | |
What do you think of this one? | 0:25:03 | 0:25:06 | |
This is Becky. Becky, say "Hi". | 0:25:06 | 0:25:08 | |
Can I have one second, please? | 0:25:08 | 0:25:10 | |
-He's on top of Pratt! -Turn around. | 0:25:13 | 0:25:16 | |
Got him! | 0:25:16 | 0:25:17 | |
Get out of the way! | 0:25:17 | 0:25:19 | |
I got him! | 0:25:26 | 0:25:27 | |
TYRES SCREECHING | 0:25:27 | 0:25:29 | |
Northbound on Connecticut. | 0:25:29 | 0:25:31 | |
'OK, got him.' | 0:25:31 | 0:25:33 | |
Go! Go! Go! | 0:25:33 | 0:25:35 | |
Target switching. Now heading southbound. | 0:25:46 | 0:25:49 | |
Stop! | 0:25:58 | 0:26:00 | |
SIREN WAILS | 0:26:07 | 0:26:09 | |
TYRES SCREECHING | 0:26:14 | 0:26:16 | |
Target down. Air One, confirm? | 0:26:18 | 0:26:21 | |
"Target is down. Target is down...permanently." | 0:26:21 | 0:26:25 | |
What happened? | 0:26:35 | 0:26:36 | |
A guy on a bike got creamed. | 0:26:36 | 0:26:39 | |
Oh, Jesus. | 0:26:42 | 0:26:45 | |
HE SIGHS | 0:27:11 | 0:27:13 | |
-I'm beating you. -Yeah, right! | 0:27:13 | 0:27:16 | |
Oh! You are. | 0:27:16 | 0:27:18 | |
-Ah! Shit. -Hey-hey! | 0:27:18 | 0:27:20 | |
-I'm beating you. -No, I am. | 0:27:20 | 0:27:22 | |
Hello? | 0:27:22 | 0:27:23 | |
Hi, Mr Dean. | 0:27:23 | 0:27:24 | |
Am I in the wrong house? | 0:27:24 | 0:27:26 | |
I'm looking for an eight-year-old, good-looking, allegedly my son. | 0:27:26 | 0:27:31 | |
No. | 0:27:31 | 0:27:33 | |
Maybe he's behind the TV. | 0:27:33 | 0:27:35 | |
-Mr Dean! -Dad! | 0:27:35 | 0:27:36 | |
-Eric? -Get out of the way! | 0:27:36 | 0:27:38 | |
What? What? Oh, I'm sorry. | 0:27:38 | 0:27:41 | |
Are they my Christmas presents? | 0:27:41 | 0:27:42 | |
Yep, some of them. | 0:27:42 | 0:27:44 | |
-Can I open them? -Yeah, sure. | 0:27:44 | 0:27:46 | |
Seriously? | 0:27:46 | 0:27:48 | |
In your dreams. Beat it. | 0:27:48 | 0:27:50 | |
-Are you staying for dinner? -If it's OK. | 0:27:50 | 0:27:52 | |
Got any money? | 0:27:52 | 0:27:53 | |
-Money? -He's kidding. | 0:27:53 | 0:27:55 | |
Can I sleep at Dylan's? | 0:27:55 | 0:27:57 | |
Did you ask Mom? | 0:27:57 | 0:27:58 | |
No, she's busy yelling at the TV. | 0:27:58 | 0:28:01 | |
There goes the Fourth Amendment! | 0:28:01 | 0:28:03 | |
What's left of it. | 0:28:03 | 0:28:05 | |
-Hey, Maria. -Hello, Mr Bobby. | 0:28:05 | 0:28:08 | |
DOG GROWLS AND YAPS | 0:28:09 | 0:28:11 | |
You're a bark away from being homeless. | 0:28:11 | 0:28:14 | |
Baby, listen to this fascist...gasbag. | 0:28:14 | 0:28:17 | |
Uh-oh. | 0:28:17 | 0:28:18 | |
'..exist in a very precarious balance. | 0:28:18 | 0:28:21 | |
'When buildings blow up people's priorities change.' | 0:28:21 | 0:28:25 | |
-He's got a point there. -Bobby! | 0:28:25 | 0:28:28 | |
I mean, who is this idiot? | 0:28:28 | 0:28:30 | |
He wants to end personal privacy. | 0:28:30 | 0:28:33 | |
Do you want your phone tapped? | 0:28:33 | 0:28:35 | |
I don't plan to blow anything up. | 0:28:35 | 0:28:37 | |
How do we know until we've heard your secrets? | 0:28:37 | 0:28:40 | |
You're just gonna have to trust me. | 0:28:40 | 0:28:43 | |
We'll just tap the criminals. | 0:28:43 | 0:28:45 | |
We won't suspend the rights of good people. | 0:28:45 | 0:28:48 | |
-Right. -Then, who decides which is which? | 0:28:48 | 0:28:52 | |
-I think you should. -You should take this more seriously. | 0:28:52 | 0:28:56 | |
You take it seriously enough for us both. | 0:28:56 | 0:28:58 | |
And half the people on the block. | 0:28:58 | 0:29:02 | |
'Many foreign nationals living here | 0:29:04 | 0:29:07 | |
'consider the USA their enemy, | 0:29:07 | 0:29:10 | |
'and they see terrorism...' | 0:29:10 | 0:29:12 | |
You remember Daniel Zavitz? We were at Georgetown together. | 0:29:12 | 0:29:16 | |
-Vaguely. -I saw him today. | 0:29:16 | 0:29:19 | |
How's he doing? | 0:29:19 | 0:29:21 | |
He's dead. | 0:29:21 | 0:29:22 | |
What? | 0:29:22 | 0:29:24 | |
He got hit by a fire engine before my eyes. | 0:29:24 | 0:29:26 | |
Oh, my God! | 0:29:26 | 0:29:28 | |
I saw him in a store, he was upset about something. | 0:29:28 | 0:29:31 | |
-About what? -I don't know. | 0:29:31 | 0:29:33 | |
He ran out before we had a chance to talk. | 0:29:33 | 0:29:36 | |
Next time I saw him, he was dead. | 0:29:36 | 0:29:38 | |
Oh, baby. | 0:29:38 | 0:29:40 | |
Come here. | 0:29:40 | 0:29:43 | |
SHE SIGHS | 0:29:43 | 0:29:45 | |
I love you so much. | 0:29:45 | 0:29:46 | |
I love you too, sweetie. | 0:29:46 | 0:29:49 | |
Oh, not to mention the gangster that threatened to kill me. | 0:29:50 | 0:29:54 | |
-Oh, very funny. -You think? | 0:29:54 | 0:29:56 | |
Hilarious. | 0:29:56 | 0:29:58 | |
What'd you get me? | 0:29:58 | 0:30:00 | |
A bowling ball. | 0:30:00 | 0:30:02 | |
No more MSNBC terrorist talk. | 0:30:02 | 0:30:04 | |
You're scaring the kids. | 0:30:04 | 0:30:06 | |
'We'll be back right after this.' | 0:30:06 | 0:30:09 | |
Tell me. | 0:30:10 | 0:30:11 | |
Zavitz is dead. So is Lenny. | 0:30:11 | 0:30:13 | |
-And the tape? -We found the original. | 0:30:13 | 0:30:16 | |
-Original? -There was a copy. | 0:30:16 | 0:30:18 | |
-A copy? -I think so. | 0:30:18 | 0:30:19 | |
More good news? | 0:30:19 | 0:30:21 | |
There was a private-sector contact. | 0:30:21 | 0:30:23 | |
-Who was that? -One primary. | 0:30:23 | 0:30:26 | |
Robert Dean, a lawyer, lives in Georgetown with his wife, | 0:30:26 | 0:30:30 | |
also an attorney. She's with the ACLU, as it happens. | 0:30:30 | 0:30:34 | |
Give it to Bob Woodward(!) | 0:30:34 | 0:30:36 | |
Maybe we dodged the bullet. | 0:30:36 | 0:30:38 | |
Find out what Dean knows. | 0:30:38 | 0:30:40 | |
Make contact. | 0:30:40 | 0:30:42 | |
-Yes, sir. -I hate doing this at Christmas. | 0:30:42 | 0:30:45 | |
We need a complete FinCEN, EPIC and DRD workup on a Robert Clayton Dean. | 0:30:49 | 0:30:54 | |
The social is 986-26-0901. | 0:30:54 | 0:30:57 | |
Pull up keyhole data files. | 0:30:57 | 0:30:59 | |
Let's get this show on the road! | 0:30:59 | 0:31:02 | |
Eric, call me in the morning when you want me to pick you up. | 0:31:02 | 0:31:06 | |
If you decide you want to stay | 0:31:06 | 0:31:09 | |
till the end of the week or end of the century, | 0:31:09 | 0:31:12 | |
it'll be difficult at first but we think we can live with it. | 0:31:12 | 0:31:17 | |
Dad's kidding. He'll miss you, just like me. | 0:31:17 | 0:31:20 | |
Honey! Hurry back. | 0:31:22 | 0:31:24 | |
You know what that means. | 0:31:24 | 0:31:26 | |
You'll be asleep when I get back. | 0:31:26 | 0:31:28 | |
That only happened one time, sweetie. | 0:31:28 | 0:31:31 | |
We're running a database search. | 0:31:31 | 0:31:33 | |
Brian did a preliminary analysis and comparison | 0:31:33 | 0:31:37 | |
and he came up with some pretty interesting stuff. | 0:31:37 | 0:31:41 | |
Thanks, Brian. | 0:31:42 | 0:31:44 | |
Thank you. | 0:31:44 | 0:31:46 | |
Prioritise his phone bill. | 0:31:47 | 0:31:50 | |
Who's he been calling? | 0:31:50 | 0:31:52 | |
Oh, check this one. | 0:31:54 | 0:31:56 | |
Rachel F, for you know what, Banks. | 0:31:56 | 0:31:59 | |
-I'd love her to ruin my life. -Do a cross. | 0:31:59 | 0:32:02 | |
They were at Georgetown, sophomore year. | 0:32:02 | 0:32:05 | |
Same address, same phone number. Many calls, regardless of marriage. | 0:32:05 | 0:32:11 | |
Oh, here we go. | 0:32:12 | 0:32:14 | |
What? | 0:32:14 | 0:32:15 | |
Dean, over the past 18 months, has 4, 5, 7... | 0:32:15 | 0:32:19 | |
cash withdrawals of 4,000, 5,000. | 0:32:19 | 0:32:22 | |
And up...and up. | 0:32:22 | 0:32:24 | |
Each time, Miss Banks makes large cash deposits | 0:32:24 | 0:32:28 | |
-within a day or two. -Blackmail? | 0:32:28 | 0:32:31 | |
Well, her deposits aren't the same. | 0:32:31 | 0:32:34 | |
They're exactly, EXACTLY 15 per cent of the amount Dean withdrew. | 0:32:34 | 0:32:39 | |
Brian, can we get some more? | 0:32:39 | 0:32:42 | |
I mean, we got the blimp cam, | 0:32:42 | 0:32:45 | |
we got the police-officer cam, two ATM cameras... | 0:32:45 | 0:32:48 | |
But this shows promise, this is the security camera | 0:32:48 | 0:32:52 | |
at the underwear store. Freeze there. | 0:32:52 | 0:32:55 | |
Rotate 75 degrees around the vertical. | 0:32:55 | 0:32:58 | |
Freeze there. | 0:32:58 | 0:33:00 | |
Times ten. | 0:33:00 | 0:33:02 | |
Focus on the drop. | 0:33:03 | 0:33:05 | |
Enhance, then frame by frame. | 0:33:08 | 0:33:10 | |
Before the view's blocked | 0:33:13 | 0:33:15 | |
there's a shape change in Dean's bag. See the shadow? | 0:33:15 | 0:33:19 | |
Zavitz changed the configuration of Dean's packages. | 0:33:19 | 0:33:23 | |
-Is it a tape? -It's hard to say for sure. | 0:33:23 | 0:33:26 | |
Can it show the other side? | 0:33:26 | 0:33:29 | |
It can hypothesise. Chris, can you rotate us 75 degrees | 0:33:29 | 0:33:33 | |
around the vertical? | 0:33:33 | 0:33:35 | |
What do you think it is? | 0:33:38 | 0:33:40 | |
It's bigger than a tape. | 0:33:40 | 0:33:42 | |
Zavitz could have downloaded it to anything. | 0:33:42 | 0:33:45 | |
Or maybe the bag twisted | 0:33:45 | 0:33:47 | |
or the shadow was altered. Maybe it's nothing. | 0:33:47 | 0:33:51 | |
Maybe it's everything. Let's find out. | 0:33:51 | 0:33:54 | |
Beat it, I got work to do. Go. | 0:33:57 | 0:34:00 | |
Porsche! | 0:34:00 | 0:34:02 | |
Oh! | 0:34:02 | 0:34:03 | |
DOORBELL RINGS | 0:34:03 | 0:34:04 | |
Go away! | 0:34:04 | 0:34:06 | |
Damn it, Porsche. | 0:34:07 | 0:34:11 | |
-Hello. Mr Dean? -Yes, can I help you? | 0:34:11 | 0:34:13 | |
Det Bingham and I'm Pratt. We're with DC Metro. | 0:34:13 | 0:34:17 | |
-Sssh! -Sorry to bother you, | 0:34:17 | 0:34:19 | |
it's about Daniel Zavitz. | 0:34:19 | 0:34:21 | |
-Can I see your badges? -Certainly, sir. | 0:34:21 | 0:34:24 | |
DOG YAPS AND GROWLS | 0:34:24 | 0:34:26 | |
YAPPING | 0:34:26 | 0:34:27 | |
Come on in. Back up, Porsche. | 0:34:27 | 0:34:30 | |
Nice and smooth. Come on, boys. | 0:34:34 | 0:34:36 | |
I didn't see the accident, I don't know... | 0:34:36 | 0:34:39 | |
It's not about the accident. | 0:34:39 | 0:34:40 | |
I thought you said... | 0:34:40 | 0:34:42 | |
Sorry for the confusion. | 0:34:42 | 0:34:44 | |
We're handling a different inquiry. Zavitz was involved | 0:34:44 | 0:34:48 | |
in an extortion scheme. | 0:34:48 | 0:34:50 | |
What kind of watch is that? | 0:34:50 | 0:34:52 | |
It's an Omega. | 0:34:52 | 0:34:54 | |
You have no attorney-client privilege? | 0:34:54 | 0:34:57 | |
Sssh! Yeah, that's correct. | 0:34:57 | 0:34:59 | |
We believe Mr Zavitz passed sensitive materials to you. | 0:34:59 | 0:35:03 | |
What kind of materials? | 0:35:03 | 0:35:05 | |
'We were hoping you could tell us that.' | 0:35:05 | 0:35:09 | |
'He didn't pass me anything.' | 0:35:09 | 0:35:11 | |
His voice indicates a high degree of anxiety. | 0:35:11 | 0:35:14 | |
Anxiety about what? | 0:35:14 | 0:35:16 | |
That's physics. If he'd given me something, I would've known. | 0:35:16 | 0:35:21 | |
He's lying! | 0:35:21 | 0:35:22 | |
What about your packages, sir? | 0:35:22 | 0:35:25 | |
'Could he have slipped something in?' | 0:35:25 | 0:35:28 | |
'He did not give me anything.' | 0:35:28 | 0:35:30 | |
-That's a Parker pen. -It's a Mont Blanc. | 0:35:30 | 0:35:33 | |
..into my bodily orifices. Whatever it is, I don't have it. | 0:35:33 | 0:35:38 | |
-May we look at them? -Not without a warrant. | 0:35:38 | 0:35:41 | |
-Oh, Christ. -This guy's good. | 0:35:41 | 0:35:43 | |
Why were you at Ruby's today? | 0:35:43 | 0:35:45 | |
I was shopping for lingerie. | 0:35:45 | 0:35:47 | |
For your wife? | 0:35:47 | 0:35:50 | |
No, for myself. I do a little cross-dressing. | 0:35:50 | 0:35:53 | |
You'd be surprised how edible panties can make a guy feel sexy. | 0:35:53 | 0:35:57 | |
We thought it might be for Rachel Banks. | 0:35:57 | 0:36:00 | |
Good night, gentlemen. | 0:36:00 | 0:36:02 | |
-Good night, sir. -Good night, Mr Dean. | 0:36:04 | 0:36:07 | |
PORSCHE YAPS | 0:36:10 | 0:36:12 | |
What are they talking about? | 0:36:23 | 0:36:25 | |
There's nothing here. | 0:36:25 | 0:36:27 | |
Honey, I'm home! | 0:36:33 | 0:36:36 | |
Yeah. Just a second, sweetie! | 0:36:37 | 0:36:39 | |
He's either going to use it or doesn't know he has it. | 0:36:47 | 0:36:50 | |
Or he doesn't have it. | 0:36:50 | 0:36:53 | |
You know what I've seen? | 0:36:53 | 0:36:56 | |
Killers go free because of an alcoholic witness, | 0:36:56 | 0:36:59 | |
sex offenders acquitted because the victim was a call girl. | 0:36:59 | 0:37:03 | |
Credibility is the only currency that means anything. | 0:37:03 | 0:37:07 | |
Dean has the tape and he's gonna come out with it. | 0:37:07 | 0:37:10 | |
And when he does, I want his credibility. | 0:37:10 | 0:37:14 | |
I want people to know he's lying. | 0:37:14 | 0:37:16 | |
He'd give it up for his family. | 0:37:16 | 0:37:19 | |
We'd have the police and FBI all over this in 24 hours. | 0:37:19 | 0:37:23 | |
Tap his telephone, get into his life. | 0:37:23 | 0:37:25 | |
The union situation sounds like the mob. | 0:37:25 | 0:37:28 | |
He's vulnerable on Rachel Banks. I want to know about his wife, | 0:37:28 | 0:37:33 | |
gambling problems, porno rentals. | 0:37:33 | 0:37:36 | |
Use any means to get what we need. | 0:37:36 | 0:37:38 | |
This son of a bitch is not going to be the final chapter of my life. | 0:37:38 | 0:37:44 | |
-Tell me something. -Uh-oh. | 0:37:47 | 0:37:49 | |
How did you find out Pintero was with union officials? | 0:37:49 | 0:37:52 | |
I'm just that good. | 0:37:52 | 0:37:55 | |
No, I hired an investigator. | 0:37:55 | 0:37:58 | |
DOG YAPS | 0:38:02 | 0:38:04 | |
Hey. | 0:38:07 | 0:38:09 | |
-Shut up the dog! -My mom had one of these. | 0:38:09 | 0:38:12 | |
Ow! The dog bit me. | 0:38:12 | 0:38:14 | |
Who was the investigator? | 0:38:14 | 0:38:16 | |
What do you mean? His name? | 0:38:16 | 0:38:18 | |
You know what I'm asking. Is it the guy Rachel knows? | 0:38:18 | 0:38:22 | |
Carla, why do we have to go through this every time? | 0:38:22 | 0:38:26 | |
Bobby, I'm just asking, OK? | 0:38:26 | 0:38:28 | |
Rachel is not an issue any more. | 0:38:28 | 0:38:31 | |
You are the only woman for me. | 0:38:45 | 0:38:48 | |
You and Janet Jackson. | 0:38:50 | 0:38:52 | |
I have to be honest, if Janet called me | 0:38:53 | 0:38:56 | |
I might have to change my last name to Jackson. | 0:38:56 | 0:38:59 | |
Yeah, right! I'd have to break that woman's legs too. | 0:38:59 | 0:39:03 | |
Lower, like kids would do it! | 0:39:10 | 0:39:13 | |
-You sound like a fucking old lady. -Sensitive. | 0:39:13 | 0:39:17 | |
Jones has some issues we need to resolve. | 0:39:17 | 0:39:20 | |
-Oh! Control, they are home. -Uh-oh. | 0:39:23 | 0:39:26 | |
Move, guys! | 0:39:30 | 0:39:32 | |
Oh, nice blender. | 0:39:34 | 0:39:36 | |
Oh, my God. | 0:39:40 | 0:39:43 | |
Oh, Porsche. | 0:39:48 | 0:39:50 | |
Sssh! | 0:39:50 | 0:39:51 | |
Oh, damn. | 0:39:51 | 0:39:53 | |
The dog is green. | 0:39:53 | 0:39:55 | |
Jones painted the...the dog. | 0:39:55 | 0:39:59 | |
I'd like to report a break-in at 2811 Sutton. | 0:39:59 | 0:40:02 | |
'It's been vandalised.' | 0:40:02 | 0:40:04 | |
Looks like kids. I need a squad car immediately. | 0:40:04 | 0:40:08 | |
Here we go. | 0:40:16 | 0:40:18 | |
'We'll check the house, sir.' | 0:40:18 | 0:40:20 | |
At least they left me one. | 0:40:25 | 0:40:27 | |
How do you know it wasn't Pintero? | 0:40:34 | 0:40:36 | |
I don't. It was just kind of frivolous. | 0:40:36 | 0:40:39 | |
I guess I'm just hoping it was kids. | 0:40:39 | 0:40:43 | |
John. | 0:40:51 | 0:40:52 | |
What have we here? | 0:41:04 | 0:41:05 | |
I think we have a winner. | 0:41:05 | 0:41:08 | |
Phone for phone. | 0:41:12 | 0:41:14 | |
They take any of your clothes? | 0:41:14 | 0:41:16 | |
No. They threw my shoes and suits in the tub and painted my damn dog. | 0:41:16 | 0:41:22 | |
Black. | 0:41:22 | 0:41:24 | |
Black. Perfect. | 0:41:24 | 0:41:26 | |
How's that look? Paging Mr Dean. | 0:41:26 | 0:41:30 | |
We have you bugged, Mr Dean. | 0:41:30 | 0:41:33 | |
They thrashed my computers, my big-screen TV. Took my blender! | 0:41:33 | 0:41:38 | |
-Jewellery? -No. | 0:41:38 | 0:41:40 | |
-Silverware? -No, just my blender. | 0:41:40 | 0:41:43 | |
-Blender, huh? -I loved that blender. | 0:41:43 | 0:41:47 | |
You know, I did stuff when I was a kid, | 0:41:47 | 0:41:50 | |
but not breaking and entering. | 0:41:50 | 0:41:52 | |
We all did stuff. I just wish they hadn't got my blender. | 0:41:52 | 0:41:56 | |
You seem a little attached to this blender. | 0:41:56 | 0:41:58 | |
Well, some people meditate, | 0:41:58 | 0:42:01 | |
some people get massages, I blend. | 0:42:01 | 0:42:04 | |
You're weird, you know? | 0:42:04 | 0:42:06 | |
On top of it, the only suit they leave me is three years old. | 0:42:06 | 0:42:10 | |
Hasn't gotten any better with age. | 0:42:10 | 0:42:13 | |
I'm not going to wait for this to blow over! | 0:42:15 | 0:42:18 | |
I'm suing their right-wing asses into chapter 11! | 0:42:18 | 0:42:22 | |
They never even called to hear my side of the story! | 0:42:22 | 0:42:25 | |
They have no Sullivan protection. | 0:42:25 | 0:42:27 | |
Mr Dean? Rachel Banks is on line one. | 0:42:27 | 0:42:30 | |
And Silverberg and Blake would like to see you in the conference room. | 0:42:30 | 0:42:35 | |
I got to take this call. Hey, what's up? | 0:42:35 | 0:42:38 | |
My firm told me not to go in today. | 0:42:38 | 0:42:41 | |
-Why not? -Reporters are calling, asking me about | 0:42:41 | 0:42:44 | |
my relationship with you and how long I've worked for the mob. | 0:42:44 | 0:42:49 | |
-'The mob, Bobby.' -Oh, Jesus. | 0:42:49 | 0:42:51 | |
I worked so hard to get this job. | 0:42:51 | 0:42:53 | |
Yeah, I know. I know. | 0:42:53 | 0:42:55 | |
Silverberg and Blake are waiting. | 0:42:55 | 0:42:57 | |
I heard you the first time. | 0:42:57 | 0:43:00 | |
Look, you got your own problems. | 0:43:00 | 0:43:01 | |
No, it's fine. | 0:43:01 | 0:43:03 | |
DIALLING TONE | 0:43:03 | 0:43:05 | |
I just got off the phone with a source that I trust. | 0:43:10 | 0:43:14 | |
A grand jury is being convened to look into your practice | 0:43:14 | 0:43:19 | |
in the electrical workers' strike. | 0:43:19 | 0:43:21 | |
Why is that? | 0:43:21 | 0:43:22 | |
They claim you helped create a company for Vollotti in Zurich | 0:43:22 | 0:43:27 | |
and that, through you, the Peitso family has been able | 0:43:27 | 0:43:30 | |
to exert influence and provide witness to discredit our case. | 0:43:30 | 0:43:35 | |
-Well, that's true. -You admit it? | 0:43:35 | 0:43:37 | |
Sure. Everything except setting up a company in Zurich | 0:43:37 | 0:43:42 | |
or even knowing anyone named Vollotti, | 0:43:42 | 0:43:45 | |
or having any relationship to the Peitso family. | 0:43:45 | 0:43:49 | |
Robert, the... | 0:43:49 | 0:43:51 | |
This is Pintero coming after me. | 0:43:51 | 0:43:53 | |
Give me one week and four guys from litigation | 0:43:53 | 0:43:56 | |
and we'll have him begging us... | 0:43:56 | 0:43:59 | |
Tell us about Rachel Banks. | 0:43:59 | 0:44:01 | |
Tell you what? She was my girlfriend in law school. We keep in touch. | 0:44:03 | 0:44:08 | |
We toss one another some work once in a while. That's it. | 0:44:08 | 0:44:12 | |
Did you have an affair with her four years ago? | 0:44:12 | 0:44:15 | |
You ever beat off in the shower? | 0:44:17 | 0:44:19 | |
You ever have any homosexual thoughts? | 0:44:19 | 0:44:22 | |
Bobby, that is... | 0:44:22 | 0:44:24 | |
None of my fucking business, you're damn right! | 0:44:24 | 0:44:27 | |
I love my wife and I love my son! | 0:44:27 | 0:44:29 | |
Absolutely! That's none of your fucking business either. | 0:44:29 | 0:44:33 | |
We think you should take a leave of absence until we sort all this out. | 0:44:33 | 0:44:38 | |
-Are you firing me? -You fired yourself. | 0:44:38 | 0:44:41 | |
Carla? | 0:44:52 | 0:44:54 | |
Where is she, Jen? | 0:44:56 | 0:44:58 | |
Don't go in there, she doesn't want to talk to you. | 0:44:59 | 0:45:03 | |
-Why not? -Because she's reading the paper. | 0:45:03 | 0:45:06 | |
Asshole. | 0:45:09 | 0:45:11 | |
Carla? | 0:45:11 | 0:45:13 | |
How could you let me find out like this? | 0:45:13 | 0:45:15 | |
I'm finding out like this. | 0:45:15 | 0:45:17 | |
This is all lies, none of this is true. | 0:45:17 | 0:45:20 | |
You weren't with her? | 0:45:20 | 0:45:22 | |
I have lunch with her once a month. | 0:45:22 | 0:45:24 | |
She's the contact for the investigator. | 0:45:24 | 0:45:27 | |
This was taken off of a security camera outside. | 0:45:27 | 0:45:31 | |
-So, she's "not an issue"(?) -She's not! I see her for business. | 0:45:31 | 0:45:35 | |
-I knew if I told... -You had an affair with this woman! | 0:45:35 | 0:45:38 | |
We went to a counsellor for a year! | 0:45:38 | 0:45:41 | |
And now you're lying about even seeing her. | 0:45:41 | 0:45:44 | |
You make me sick. | 0:45:44 | 0:45:47 | |
I am smeared all over the newspapers for money laundering, | 0:45:47 | 0:45:52 | |
mob ties, I lost my job. | 0:45:52 | 0:45:54 | |
I am asking you, asking you to just trust me on this Rachel Banks thing. | 0:45:54 | 0:46:00 | |
How in God's name can I trust you? | 0:46:00 | 0:46:03 | |
Bobby, I want you to leave. | 0:46:03 | 0:46:05 | |
-This is all bullshit! -I don't want to hear it. I cannot think with you in my face! | 0:46:05 | 0:46:10 | |
I want you to leave. | 0:46:10 | 0:46:12 | |
Think about what? It's bullshit! | 0:46:12 | 0:46:14 | |
Just leave so I can think! For me! | 0:46:14 | 0:46:17 | |
Just go, Bobby, go! | 0:46:17 | 0:46:20 | |
'Go!' | 0:46:20 | 0:46:21 | |
HE SIGHS | 0:46:21 | 0:46:24 | |
You want a blend? | 0:46:24 | 0:46:25 | |
Yeah. | 0:46:25 | 0:46:27 | |
Thanks. | 0:46:27 | 0:46:29 | |
Hi. | 0:46:35 | 0:46:37 | |
Hi. I'd like a room for the evening, please. | 0:46:37 | 0:46:40 | |
OK. Thank you. | 0:46:40 | 0:46:43 | |
I'm sorry, sir. This card was declined. | 0:46:45 | 0:46:48 | |
-It's a brand-new card. Try again. -Yes, sir. | 0:46:48 | 0:46:52 | |
Maybe it's not activated yet. | 0:46:54 | 0:46:57 | |
Thank you. | 0:46:57 | 0:46:59 | |
-Run this one, please. -Yes, sir. | 0:46:59 | 0:47:01 | |
No, it didn't go through. | 0:47:03 | 0:47:06 | |
-I'll try again. -No. Thanks. | 0:47:06 | 0:47:08 | |
-My briefcase is gone. -Excuse me? | 0:47:10 | 0:47:12 | |
-It was right here. -Did you bring it in? | 0:47:12 | 0:47:15 | |
Yes! | 0:47:15 | 0:47:17 | |
TYRES SCREECH / CAR HORN | 0:47:17 | 0:47:19 | |
'This is Rachel. Leave a message after the beep.' | 0:47:20 | 0:47:23 | |
Hey, Rachel. | 0:47:23 | 0:47:25 | |
It's Bobby. I need to talk to you, | 0:47:25 | 0:47:28 | |
face to face. Meet me tomorrow at 11am, Mount Vernon Square. | 0:47:28 | 0:47:32 | |
I'll see you then. | 0:47:32 | 0:47:34 | |
Yes. | 0:47:34 | 0:47:36 | |
We're moving into phase two. Selby will brief you on it. | 0:47:46 | 0:47:50 | |
We'll follow the subjects. We have three listening stations | 0:47:50 | 0:47:54 | |
and two video-surveillance units. | 0:47:54 | 0:47:57 | |
Pratt, you're three. Jones, Fiedler, Krug, at ground level. | 0:47:57 | 0:48:01 | |
You move when I say, go when I say. All hand-offs go on my command. | 0:48:01 | 0:48:06 | |
Now, for the uninitiated, | 0:48:06 | 0:48:08 | |
if we don't have line of sight, we can't hear what they say. | 0:48:08 | 0:48:12 | |
-Right? -Yeah, got it. | 0:48:12 | 0:48:15 | |
You guys clear? | 0:48:15 | 0:48:16 | |
PHONE RINGS | 0:48:16 | 0:48:18 | |
You guys from communications? | 0:48:18 | 0:48:20 | |
No, we're ops. | 0:48:20 | 0:48:22 | |
You can tell by their haircuts. | 0:48:22 | 0:48:24 | |
I would like to see Mr Pintero in private, | 0:48:31 | 0:48:34 | |
so he and I can discuss what's happening to me. | 0:48:34 | 0:48:37 | |
Mr Pintero would like to help you. | 0:48:37 | 0:48:40 | |
HE LAUGHS | 0:48:40 | 0:48:42 | |
But he won't. | 0:48:42 | 0:48:44 | |
And why not? | 0:48:44 | 0:48:45 | |
First, you haven't told him who made the tape. And second, | 0:48:45 | 0:48:49 | |
we've spent hundreds of thousands of dollars on shyster lawyers like you | 0:48:49 | 0:48:55 | |
because of shyster lawyers just like you. | 0:48:55 | 0:49:00 | |
Actually, I believe the slur "shyster" | 0:49:00 | 0:49:03 | |
is generally reserved for Jewish attorneys. | 0:49:03 | 0:49:06 | |
The proper slur for someone like myself would be "eggplant". | 0:49:06 | 0:49:12 | |
Boom! He gets brighter every time I see him. | 0:49:12 | 0:49:15 | |
-You said eleven sharp. -I know. | 0:49:19 | 0:49:22 | |
The Christmas traffic is horrible. | 0:49:22 | 0:49:26 | |
It's not so smart us being seen together in public like this. | 0:49:26 | 0:49:30 | |
Do we have anything to hide? | 0:49:30 | 0:49:32 | |
Can we do better on audio two? | 0:49:32 | 0:49:34 | |
-'Unfortunately not.' -Better. | 0:49:34 | 0:49:36 | |
IRS contacted me this morning. | 0:49:36 | 0:49:39 | |
Hold position. | 0:49:39 | 0:49:40 | |
They say my lifestyle exceeds my income. | 0:49:40 | 0:49:44 | |
Oh. You're being audited? | 0:49:44 | 0:49:46 | |
For the last four years. What's going on, Bobby? | 0:49:46 | 0:49:49 | |
Don't worry. My firm will represent you, free of charge. | 0:49:49 | 0:49:54 | |
80%. | 0:49:54 | 0:49:55 | |
You don't work there any more. | 0:49:55 | 0:49:57 | |
It's a temporary situation. | 0:49:57 | 0:49:59 | |
-Your 80's becoming a 20. -On three. Much better. | 0:49:59 | 0:50:03 | |
-We're screwed. -Wake up, one. | 0:50:03 | 0:50:05 | |
We are out. | 0:50:05 | 0:50:08 | |
Rachel, I'm gonna fix this. | 0:50:08 | 0:50:12 | |
-How? -Tell me about Brill. | 0:50:12 | 0:50:14 | |
-Did he say "Bill"? -Brill, with an R. | 0:50:14 | 0:50:16 | |
I can't do that. | 0:50:16 | 0:50:18 | |
-Check her file for a Brill. -Got it. | 0:50:18 | 0:50:21 | |
Don't you see that he is the key to this whole mess? | 0:50:21 | 0:50:24 | |
Since you gave me the tape my life is falling apart. | 0:50:24 | 0:50:28 | |
You assured me this was legit. | 0:50:28 | 0:50:30 | |
Two's good. Hold position. | 0:50:30 | 0:50:32 | |
Three is good. | 0:50:32 | 0:50:34 | |
This conversation is over. | 0:50:34 | 0:50:37 | |
'Good. OK, here we go.' | 0:50:37 | 0:50:39 | |
You gonna wander around the park? | 0:50:39 | 0:50:42 | |
-Two, you got to do better. -Shit. | 0:50:42 | 0:50:44 | |
-'You want your life back?' -I don't have a life. | 0:50:44 | 0:50:47 | |
I'm in love with a married man. | 0:50:48 | 0:50:51 | |
OK, I have him on the bench. | 0:50:55 | 0:50:58 | |
Rachel? | 0:50:58 | 0:51:00 | |
I'm sorry. There's nothing I can do about that. | 0:51:00 | 0:51:03 | |
What makes you think it's you? | 0:51:03 | 0:51:06 | |
It's not me? | 0:51:07 | 0:51:10 | |
I j-just as-assumed from... | 0:51:12 | 0:51:14 | |
You're a moron, you know? | 0:51:14 | 0:51:16 | |
Yes. I know. | 0:51:16 | 0:51:18 | |
You're going to have to tell me about Brill. | 0:51:21 | 0:51:25 | |
Let's get out here. | 0:51:27 | 0:51:29 | |
They're on the move. | 0:51:29 | 0:51:31 | |
Coming to three. | 0:51:31 | 0:51:32 | |
Stay with them. | 0:51:32 | 0:51:34 | |
I got 40, 20. | 0:51:34 | 0:51:36 | |
We're out. | 0:51:36 | 0:51:38 | |
You're following through trees. Two? | 0:51:38 | 0:51:40 | |
I have lost line of sight. | 0:51:40 | 0:51:43 | |
-Three, you've got nothing. -I'm out. | 0:51:43 | 0:51:45 | |
We lost audio but we still have tracers. | 0:51:45 | 0:51:48 | |
When I need to reach Brill, | 0:51:48 | 0:51:51 | |
I chalk the mailbox outside my house. | 0:51:51 | 0:51:54 | |
'When he crosses the mark. I make the drop.' | 0:51:54 | 0:51:57 | |
'Location's always the same. Same time, same place.' | 0:51:57 | 0:52:01 | |
'3pm ferry to Gibson Island.' | 0:52:01 | 0:52:03 | |
'You ever see him in person?' | 0:52:03 | 0:52:05 | |
'He's cautious. He won't like you tracking him down.' | 0:52:05 | 0:52:09 | |
'The drop is behind seat 32.' | 0:52:11 | 0:52:14 | |
'I leave something, he picks it up.' | 0:52:14 | 0:52:17 | |
Sorry I took so long, I had to make sure you weren't followed. | 0:53:08 | 0:53:12 | |
Brill? | 0:53:12 | 0:53:14 | |
Brill died of smallpox when he was two. Buried in a field in Kansas. | 0:53:14 | 0:53:19 | |
-What is that? -Bug sweeper. | 0:53:19 | 0:53:20 | |
BLEEP | 0:53:20 | 0:53:22 | |
Take off your left shoe. | 0:53:22 | 0:53:25 | |
-What does... -I don't have time to explain. | 0:53:25 | 0:53:28 | |
Take off your shoe, right now. Come on. | 0:53:28 | 0:53:31 | |
It's a beacon transmitter. | 0:53:40 | 0:53:42 | |
1,000-yard range. They're close. | 0:53:42 | 0:53:45 | |
Let's go. | 0:53:45 | 0:53:47 | |
Who's "they"? | 0:53:47 | 0:53:49 | |
Why'd they put things in my shoes? | 0:53:51 | 0:53:54 | |
CAR HORNS | 0:53:54 | 0:53:56 | |
No, get in the back, like you're a customer. | 0:53:59 | 0:54:04 | |
Everything's gone. The wife, job, bank accounts...everything. | 0:54:08 | 0:54:12 | |
-You said Zavitz was behind an extortion scheme? -No, they did. | 0:54:12 | 0:54:17 | |
-You spoke to him last? -Yes. | 0:54:17 | 0:54:19 | |
-What did he say? -He said, "Help me, Bobby." | 0:54:19 | 0:54:22 | |
Help me with what? | 0:54:22 | 0:54:24 | |
We never got around to that. | 0:54:24 | 0:54:26 | |
What'd he give you? | 0:54:27 | 0:54:28 | |
He didn't give me anything. | 0:54:28 | 0:54:31 | |
TYRES SCREECH | 0:54:31 | 0:54:33 | |
-If you bullshit me, I can't help. -He didn't give me anything! | 0:54:38 | 0:54:43 | |
-A name? A phone number? -No, nothing! | 0:54:43 | 0:54:46 | |
-Who's that? -He wants to get our attention. | 0:54:54 | 0:54:57 | |
Well, he's doing a good job. | 0:54:57 | 0:55:00 | |
2-0-9 to anybody. I need help. | 0:55:02 | 0:55:05 | |
I thought you worked alone. | 0:55:05 | 0:55:08 | |
Just shut up a second. | 0:55:08 | 0:55:10 | |
Stay exactly where you are. | 0:55:25 | 0:55:27 | |
Hey! | 0:55:27 | 0:55:28 | |
Look what you did to my car! | 0:55:28 | 0:55:31 | |
BEEPING Shit! | 0:55:38 | 0:55:41 | |
Subject entering the northeast corner of Chambers And Light. | 0:55:49 | 0:55:53 | |
That's 105 Chambers Avenue. | 0:55:53 | 0:55:56 | |
Run a check on tracers. | 0:55:56 | 0:55:59 | |
All six tracers are operative. | 0:55:59 | 0:56:00 | |
-Call up geo-position? -No problem. | 0:56:00 | 0:56:03 | |
Lat 39 degrees, 14 minutes. Long 74 degrees, 39 minutes. | 0:56:03 | 0:56:07 | |
PHONE RINGS | 0:56:18 | 0:56:20 | |
Hello? | 0:56:22 | 0:56:23 | |
Carla, don't hang up on me. | 0:56:23 | 0:56:25 | |
Do you know what I'm looking at? | 0:56:25 | 0:56:27 | |
Carla, listen. | 0:56:27 | 0:56:29 | |
Photos of you and Rachel taken today. Is this true? | 0:56:29 | 0:56:32 | |
Carla! Carla, how did you get the pictures? | 0:56:32 | 0:56:36 | |
By messenger! By messenger. | 0:56:36 | 0:56:38 | |
-'What does it matter?' -Look, all right. | 0:56:38 | 0:56:41 | |
Something's going on. I don't know who it is. | 0:56:41 | 0:56:44 | |
'Robert, I went to the store today. | 0:56:44 | 0:56:46 | |
'And my credit cards didn't work.' | 0:56:46 | 0:56:49 | |
-Mine either. -'I couldn't buy food.' | 0:56:49 | 0:56:52 | |
-I got to go. -What do you mean you got to go? | 0:56:54 | 0:56:57 | |
Carla, I got... I got to go. | 0:56:57 | 0:56:59 | |
Wait a minute. | 0:56:59 | 0:57:01 | |
Get on the fucking elevator. | 0:57:09 | 0:57:11 | |
Oh, really? | 0:57:16 | 0:57:18 | |
I was at the house all day. | 0:57:18 | 0:57:20 | |
Ah. | 0:57:20 | 0:57:22 | |
Got vertical movement here. | 0:57:24 | 0:57:26 | |
He's in an elevator. | 0:57:28 | 0:57:30 | |
-We've lost tracking. -Visual? | 0:57:30 | 0:57:32 | |
-We need to move. -Are you guys there? | 0:57:32 | 0:57:35 | |
'Negative.' | 0:57:35 | 0:57:37 | |
What the fuck is going on? | 0:57:47 | 0:57:50 | |
Sssh. | 0:57:52 | 0:57:54 | |
They stopped. | 0:57:54 | 0:57:56 | |
Hold that. | 0:58:01 | 0:58:03 | |
-I don't know what your problem... -Sssh. | 0:58:07 | 0:58:10 | |
High-frequency clutter. We lost tracers 1, 2, and 6. | 0:58:29 | 0:58:33 | |
Their signals are dead. Something's wrong. | 0:58:33 | 0:58:36 | |
Get up. | 0:58:48 | 0:58:51 | |
Tracers are on their way up. | 0:58:55 | 0:58:57 | |
He's getting help. | 0:58:57 | 0:58:59 | |
We had an arrangement! No contact! You broke the rules! | 0:58:59 | 0:59:02 | |
Air One, we need visual on the rooftop, Chambers And Light. | 0:59:02 | 0:59:07 | |
'Copy. Rooftop, Chambers And Light.' | 0:59:07 | 0:59:10 | |
-You know how many agents were following you? -I don't... | 0:59:10 | 0:59:13 | |
-Who are you working for? -I'm not... | 0:59:13 | 0:59:16 | |
Am I a target? Do they know me? | 0:59:16 | 0:59:17 | |
Who's "they"? | 0:59:17 | 0:59:20 | |
-Do they know me? -What are you talking about? | 0:59:20 | 0:59:23 | |
You're either very smart | 0:59:24 | 0:59:26 | |
or incredibly stupid. Get off. | 0:59:26 | 0:59:29 | |
Come on. | 0:59:29 | 0:59:31 | |
-Tracer three's going down. four and five are together. -Where did he go? | 0:59:35 | 0:59:39 | |
How'd you find out about the ferry? | 0:59:39 | 0:59:42 | |
Rachel. Who was that guy? | 0:59:42 | 0:59:44 | |
What did he say, exactly? | 0:59:44 | 0:59:46 | |
He said he was Brill. | 0:59:46 | 0:59:48 | |
Did he say it or did you say it? | 0:59:48 | 0:59:50 | |
-Come on, think. -Shit, I said it. | 0:59:50 | 0:59:52 | |
Damn! That's why I have rules. | 0:59:52 | 0:59:55 | |
-Is it Pintero? -You think the mob has these? | 0:59:55 | 0:59:58 | |
-Where are your elevators? -Over there. | 1:00:03 | 1:00:06 | |
In your phone was a GPS sat tracker. | 1:00:06 | 1:00:08 | |
I don't know what that means. | 1:00:08 | 1:00:10 | |
Like a LoJack, only two generations better. | 1:00:10 | 1:00:14 | |
-What? -You speak English? | 1:00:14 | 1:00:16 | |
Obviously not well! | 1:00:16 | 1:00:17 | |
You're kind of a jerk. | 1:00:17 | 1:00:19 | |
The NSA can see your fucking watch. | 1:00:19 | 1:00:22 | |
All right, either shoot me or tell me what the fuck is going on! | 1:00:22 | 1:00:27 | |
Jones, take the stairs. | 1:00:27 | 1:00:29 | |
Krug, hold the perimeter. | 1:00:29 | 1:00:31 | |
The NSA conducts surveillance - | 1:00:31 | 1:00:33 | |
faxes, phones, satellites. | 1:00:33 | 1:00:36 | |
They're the only ones with anything like this. | 1:00:36 | 1:00:39 | |
-Why do they want me? -I don't want to know. | 1:00:39 | 1:00:42 | |
I thought the dishes would scramble their signal. | 1:00:42 | 1:00:46 | |
'Repeat coordinates.' | 1:00:46 | 1:00:48 | |
105 Chambers Avenue. | 1:00:48 | 1:00:50 | |
You're transmitting, they have a signal on you. | 1:00:50 | 1:00:54 | |
Get rid of your clothes. | 1:00:54 | 1:00:55 | |
Then what am I supposed to do? | 1:00:55 | 1:00:57 | |
You live another day, I'll be impressed. | 1:00:57 | 1:01:00 | |
'Two targets, rooftop.' | 1:01:00 | 1:01:02 | |
Understood. Maintain visual. | 1:01:02 | 1:01:05 | |
-You have something they want! -I don't! | 1:01:05 | 1:01:07 | |
Maybe you don't know it. Stay away from Rachel and me | 1:01:07 | 1:01:11 | |
or I'll kill you. | 1:01:11 | 1:01:13 | |
-Get rid of your watch! -My wife gave me this. | 1:01:13 | 1:01:16 | |
Then, keep it. Stay off the phone. | 1:01:16 | 1:01:19 | |
-Either he just committed suicide... -Or he learned to fly. | 1:01:26 | 1:01:30 | |
-Stay with him. -'He's on the move.' | 1:01:30 | 1:01:33 | |
'Satellite imagery coming through. | 1:01:33 | 1:01:36 | |
'One-metre res wireframe coming your way.' | 1:01:36 | 1:01:39 | |
OK, gentlemen, we're back on line. | 1:01:39 | 1:01:42 | |
Wireframe download complete. | 1:01:42 | 1:01:45 | |
We have a tracer on the stairs. | 1:01:45 | 1:01:47 | |
Travelling down. 19, 18... | 1:01:47 | 1:01:50 | |
'..17.' | 1:01:52 | 1:01:53 | |
Coming up! | 1:01:53 | 1:01:56 | |
He's out of the stairwell on 17. | 1:02:02 | 1:02:04 | |
LIFT PINGS | 1:02:07 | 1:02:09 | |
Oh, shit. | 1:02:10 | 1:02:12 | |
KNOCKS ON DOOR | 1:02:19 | 1:02:21 | |
Shit. Mr Wu? | 1:02:25 | 1:02:27 | |
Target is holding on 17. Zoom. | 1:02:27 | 1:02:29 | |
Zooming. | 1:02:29 | 1:02:31 | |
Mr Wu? | 1:02:31 | 1:02:32 | |
Thank you very much. | 1:02:36 | 1:02:38 | |
You're welcome. | 1:02:38 | 1:02:39 | |
I'm from hotel hospitality. | 1:02:39 | 1:02:42 | |
Oh, no. No tip. I'm fine. | 1:02:42 | 1:02:44 | |
-Hello. -Hi. | 1:02:44 | 1:02:46 | |
I'm making sure you have everything you need. | 1:02:46 | 1:02:49 | |
I got something here. | 1:02:49 | 1:02:52 | |
We got him. | 1:02:53 | 1:02:54 | |
Get your asses up here to the 17th floor now. | 1:02:54 | 1:02:57 | |
That's important to us here. | 1:02:57 | 1:03:00 | |
-KNOCK ON DOOR -Mr Dean? | 1:03:00 | 1:03:02 | |
-I'd like to talk... -Oh, shit. | 1:03:02 | 1:03:04 | |
My clothes. | 1:03:04 | 1:03:07 | |
Shit. | 1:03:07 | 1:03:09 | |
-KNOCKING -Mr Dean? | 1:03:09 | 1:03:12 | |
THEY SPEAK IN CHINESE | 1:03:12 | 1:03:15 | |
Woo! | 1:03:15 | 1:03:16 | |
Mr Dean? > | 1:03:16 | 1:03:18 | |
Could you come to the door, sir? | 1:03:18 | 1:03:21 | |
I can't, I got rabies or something. | 1:03:22 | 1:03:25 | |
Give me this. | 1:03:25 | 1:03:27 | |
It's a go. | 1:03:38 | 1:03:40 | |
SHE SCREAMS | 1:03:44 | 1:03:46 | |
OK, that's our last tracer. | 1:03:49 | 1:03:51 | |
Mr Dean? | 1:03:51 | 1:03:53 | |
Let's not involve the hotel guests. | 1:03:53 | 1:03:56 | |
Sit down, please. | 1:03:59 | 1:04:01 | |
Door! | 1:04:04 | 1:04:06 | |
Everything's gonna be all right. | 1:04:06 | 1:04:08 | |
Balcony! | 1:04:11 | 1:04:13 | |
Air One and Control, he's dropped to the 16th floor. | 1:04:14 | 1:04:18 | |
Air One, check south side of the building. | 1:04:18 | 1:04:21 | |
'10-4, Control. We have visual.' | 1:04:21 | 1:04:24 | |
-He jumped to 15! Go to 15! -Go! | 1:04:30 | 1:04:33 | |
Grab his clothes! | 1:04:35 | 1:04:37 | |
Let's go, gentlemen. Weapons away. | 1:04:37 | 1:04:40 | |
Go! | 1:04:46 | 1:04:47 | |
Move! | 1:04:50 | 1:04:51 | |
Open this door, God damn it! | 1:04:58 | 1:05:00 | |
The door is jammed! | 1:05:00 | 1:05:03 | |
Open the door! | 1:05:05 | 1:05:07 | |
Dean, come on out. | 1:05:13 | 1:05:14 | |
Open the door! | 1:05:14 | 1:05:16 | |
ALARM BELL | 1:05:21 | 1:05:22 | |
Open that door! | 1:05:29 | 1:05:30 | |
Our partner's trapped! | 1:05:37 | 1:05:39 | |
Evacuate this building! | 1:05:39 | 1:05:41 | |
'Approaching emergency vehicles.' | 1:05:47 | 1:05:49 | |
The show's going public. Stand down. Maintain visual. | 1:05:49 | 1:05:53 | |
'This is Air One, we're out of here.' | 1:05:53 | 1:05:56 | |
This is Chavez on 15th. | 1:05:59 | 1:06:01 | |
-We got one man trapped. -Get these people out! | 1:06:01 | 1:06:05 | |
You're going to be OK, all right? | 1:06:15 | 1:06:18 | |
Travelling. Destination? | 1:06:22 | 1:06:24 | |
St Elizabeth's. | 1:06:24 | 1:06:26 | |
-We need sat backup now. -It's done. | 1:06:26 | 1:06:28 | |
Hey, take it easy, guy. | 1:06:36 | 1:06:38 | |
You're gonna be all right. OK? | 1:06:38 | 1:06:41 | |
Easy, fella. | 1:06:42 | 1:06:44 | |
I'm sorry. Stop the ambulance. | 1:06:44 | 1:06:47 | |
Tell him to stop it now! | 1:06:47 | 1:06:49 | |
Stop. | 1:06:49 | 1:06:51 | |
-He's getting out! -Son of a bitch! | 1:06:54 | 1:06:56 | |
He's escaped the ambulance, he's on foot. | 1:06:58 | 1:07:01 | |
Coordinates? | 1:07:01 | 1:07:04 | |
Lat 39 degrees, 27 minutes. Long 74 degrees, 42 minutes. | 1:07:04 | 1:07:08 | |
Move, guys. | 1:07:10 | 1:07:12 | |
Go! Go, damn it! | 1:07:12 | 1:07:14 | |
You're on. Go. | 1:07:20 | 1:07:23 | |
Tunnel Control, DC Metro in pursuit, armed felon. Request video help. | 1:07:23 | 1:07:28 | |
This is Tunnel Control. | 1:07:30 | 1:07:32 | |
-We have your suspect, heading south in tunnel 6. -Copy. | 1:07:32 | 1:07:36 | |
Yeah, we got him. He's right in front of us. | 1:07:38 | 1:07:41 | |
He's got nowhere to go. | 1:07:41 | 1:07:44 | |
He crossed over! He's on the wrong side. | 1:07:48 | 1:07:51 | |
Stop! Stop! | 1:07:55 | 1:07:57 | |
We lost him. Son of a bitch! Pull over! | 1:08:00 | 1:08:03 | |
He's entering stairwell five. | 1:08:05 | 1:08:08 | |
-Where does that lead? -To the subventilation tunnel. | 1:08:08 | 1:08:12 | |
Request closest access. | 1:08:12 | 1:08:14 | |
Adjacent utility entrance, south side. | 1:08:14 | 1:08:17 | |
Boys, proceed to utility entrance on the south side. | 1:08:17 | 1:08:21 | |
-'No visual.' -He's in a ventilation tunnel! | 1:08:21 | 1:08:24 | |
In a service entrance at the south end! Let's go! | 1:08:24 | 1:08:27 | |
Go, go! | 1:08:27 | 1:08:29 | |
HORN BEEPS | 1:09:08 | 1:09:10 | |
# Politician prob-lem | 1:09:18 | 1:09:21 | |
# Because they're guilty. # | 1:09:21 | 1:09:23 | |
Normally I wouldn't do this. | 1:09:23 | 1:09:25 | |
Do you guys have him? Talk to me. | 1:09:25 | 1:09:28 | |
Shit! | 1:09:39 | 1:09:40 | |
Shit. | 1:09:40 | 1:09:42 | |
I don't know why this is so difficult. | 1:09:47 | 1:09:50 | |
He shed the sensors and he's had help. | 1:09:50 | 1:09:53 | |
Maybe it's the real Brill. | 1:09:53 | 1:09:55 | |
There's 23 in DC, none check out. We're running it through EPIC. | 1:09:55 | 1:10:00 | |
-Think it's a setup? -Someone in the agency? | 1:10:00 | 1:10:03 | |
I don't know. | 1:10:03 | 1:10:05 | |
Just...tastes a little off, doesn't it? | 1:10:06 | 1:10:09 | |
I know what you mean. | 1:10:09 | 1:10:11 | |
Let's make things a bit more serious for Mr Dean. | 1:10:11 | 1:10:15 | |
Think about how, OK? | 1:10:15 | 1:10:16 | |
OK, good. | 1:10:16 | 1:10:18 | |
Anything wrong? | 1:10:22 | 1:10:24 | |
No. | 1:10:24 | 1:10:26 | |
You should've made deputy director | 1:10:28 | 1:10:30 | |
two years ago, maybe three. | 1:10:30 | 1:10:33 | |
Once this bill passes, that'll be it for you. | 1:10:33 | 1:10:36 | |
'Thanks, Marie.' | 1:10:44 | 1:10:46 | |
DOG YAPS | 1:10:49 | 1:10:51 | |
Porsche, what are you barking at, boy? | 1:10:54 | 1:10:57 | |
Georgie? | 1:11:08 | 1:11:10 | |
Sssh! | 1:11:10 | 1:11:12 | |
-It's me. -You scared the shit out of me. | 1:11:12 | 1:11:15 | |
The house is bugged, everything you say they can hear. | 1:11:15 | 1:11:19 | |
Listen to me. Listen. | 1:11:19 | 1:11:21 | |
I never, I swear to God, | 1:11:21 | 1:11:23 | |
I never, since the problem, I never touched Rachel like that. | 1:11:23 | 1:11:27 | |
I never even looked at her like that, honey. I love you. | 1:11:27 | 1:11:31 | |
I love you, that is it. That is it. Only you. | 1:11:31 | 1:11:34 | |
What about Eric? | 1:11:34 | 1:11:37 | |
And Eric. | 1:11:37 | 1:11:39 | |
And I love your family. Except for your dad. | 1:11:39 | 1:11:42 | |
I need you. I need you. Real bad. I need you, OK? | 1:11:45 | 1:11:48 | |
OK. | 1:11:50 | 1:11:52 | |
I told you they had this type | 1:11:55 | 1:11:57 | |
of capability and the privacy bill's a way for them to expand the power. | 1:11:57 | 1:12:03 | |
-Ssh! -Don't "ssh" me. | 1:12:03 | 1:12:05 | |
You were right, but we've no time for "I told you so". | 1:12:08 | 1:12:12 | |
That day Daniel Zavitz got hit by the fire truck he was being chased, | 1:12:12 | 1:12:17 | |
the same people are chasing me. | 1:12:17 | 1:12:19 | |
Are you serious? | 1:12:19 | 1:12:21 | |
I need you to go stay with your family. | 1:12:21 | 1:12:24 | |
I don't think so. | 1:12:24 | 1:12:26 | |
They're not chasing me out of my house. | 1:12:26 | 1:12:29 | |
I picked those drapes! | 1:12:29 | 1:12:31 | |
Ssh. Nobody cares about the drapes. | 1:12:31 | 1:12:33 | |
Can I make some decisions around here? | 1:12:33 | 1:12:36 | |
Just go to Philadelphia, OK? | 1:12:36 | 1:12:39 | |
OK. | 1:12:39 | 1:12:41 | |
I missed you. | 1:12:41 | 1:12:43 | |
Oh, God. | 1:12:44 | 1:12:46 | |
That's a Christmas present! | 1:12:52 | 1:12:54 | |
I know, but I missed you. I was lonely. | 1:12:54 | 1:12:58 | |
You can't go through my stuff. Until I give it to you, it's mine. | 1:12:58 | 1:13:02 | |
Looks better on me, don't you think? | 1:13:02 | 1:13:05 | |
Baby, you're as bad as Eric. | 1:13:05 | 1:13:08 | |
I missed you so much. | 1:13:09 | 1:13:11 | |
What?! | 1:13:14 | 1:13:17 | |
It was the night I came home with the presents. | 1:13:17 | 1:13:20 | |
Where is Eric? | 1:13:20 | 1:13:22 | |
He's probably on the way to school. What's going on? | 1:13:22 | 1:13:26 | |
What are you doing with that? No! | 1:13:27 | 1:13:29 | |
-No, I don't want it. -Take it. | 1:13:29 | 1:13:31 | |
I need money and clothes. | 1:13:31 | 1:13:34 | |
Get Maria's car, it won't be bugged. | 1:13:34 | 1:13:36 | |
Oh, shit, Eric. | 1:13:36 | 1:13:39 | |
The nanny is leaving. Advise. | 1:13:48 | 1:13:50 | |
Stay put. We have tracking and Bingham at the school. | 1:13:50 | 1:13:54 | |
Oh, let me follow the nanny. | 1:14:03 | 1:14:05 | |
She doesn't shave her legs, Jesus! | 1:14:07 | 1:14:10 | |
Women like that are hot. | 1:14:10 | 1:14:12 | |
Is anybody following us? | 1:14:12 | 1:14:14 | |
No. No, Mr Bobby. | 1:14:14 | 1:14:16 | |
Go faster, before they get to school. | 1:14:16 | 1:14:19 | |
There they are. | 1:14:24 | 1:14:26 | |
Tell them to get in the car. | 1:14:26 | 1:14:28 | |
OK. | 1:14:28 | 1:14:30 | |
Eric? Dylan? | 1:14:30 | 1:14:32 | |
Get in the car. | 1:14:32 | 1:14:33 | |
No, we're OK. | 1:14:33 | 1:14:35 | |
But school's right down the block. | 1:14:35 | 1:14:38 | |
Didn't you hear me? Now get in. | 1:14:38 | 1:14:41 | |
-What's up, fellas? -Dad? | 1:14:51 | 1:14:53 | |
No, no, sit down. Face forward. | 1:14:53 | 1:14:55 | |
-But... -What did I say? | 1:14:55 | 1:14:57 | |
We're going to play a game. Pick a spot and look right at it. | 1:14:57 | 1:15:02 | |
We can't let anyone know I'm here. | 1:15:02 | 1:15:04 | |
So, how you been? I missed you, man. | 1:15:04 | 1:15:07 | |
I missed you too. Where did you go? | 1:15:07 | 1:15:09 | |
Oh, they're trying to work me to death on this case. | 1:15:09 | 1:15:14 | |
-You and Mom getting a divorce? -Face forward! | 1:15:14 | 1:15:17 | |
What? No, we're not getting a divorce. | 1:15:17 | 1:15:21 | |
Sometimes married couples have fights. | 1:15:21 | 1:15:24 | |
-It's nothing to worry about. -Who won? | 1:15:24 | 1:15:27 | |
You know when I put my foot down, that's it. | 1:15:27 | 1:15:30 | |
-Mom won. -I need to ask you something. | 1:15:30 | 1:15:33 | |
It is absolutely imperative that you tell me the truth. | 1:15:33 | 1:15:37 | |
No matter what you say I swear you won't get in trouble. | 1:15:37 | 1:15:41 | |
-All right? You ready? -Yeah. | 1:15:41 | 1:15:43 | |
That night I came home with Christmas presents... | 1:15:43 | 1:15:45 | |
I just looked in the bag, Dad. | 1:15:45 | 1:15:47 | |
I wouldn't have taken it, but it was open. | 1:15:47 | 1:15:51 | |
All right, but I need it. I promise I'll get you another one. | 1:15:51 | 1:15:55 | |
-Dad? -What's the matter? -It's broken. | 1:15:55 | 1:15:58 | |
It's not Eric's fault. | 1:15:58 | 1:16:00 | |
It was always broken. | 1:16:00 | 1:16:02 | |
The screen scrambles when you turn it on. | 1:16:02 | 1:16:04 | |
I need it. Do you have it here? | 1:16:04 | 1:16:06 | |
-Yeah, we have it. -Pass it around the side to me. | 1:16:06 | 1:16:10 | |
Yes, hello. Hi, my name's Leon Newman. | 1:16:31 | 1:16:34 | |
I'm sorry, what's your name? | 1:16:34 | 1:16:36 | |
Sgt Miller, yes. We live at 454 Beaumont Terrace. | 1:16:36 | 1:16:40 | |
There's been a van sitting outside all day. | 1:16:40 | 1:16:43 | |
I'm not trying to get anyone in trouble, | 1:16:43 | 1:16:46 | |
but I think they might be doing drugs in there. | 1:16:46 | 1:16:50 | |
I hoped you could send a car by. | 1:16:50 | 1:16:52 | |
BEEPING | 1:16:52 | 1:16:56 | |
'All available units, | 1:16:54 | 1:16:56 | |
'check a white van at 454 Beaumont for a possible narcotics violation.' | 1:16:56 | 1:17:01 | |
-Oh, eat me. That's us. -Yep. | 1:17:01 | 1:17:03 | |
KNOCKS ON DOOR | 1:17:25 | 1:17:27 | |
HE KNOCKS | 1:17:30 | 1:17:32 | |
Rachel? | 1:17:38 | 1:17:40 | |
Rachel? | 1:17:41 | 1:17:43 | |
Oh, shit. | 1:18:59 | 1:19:00 | |
Open the door. Open the door! | 1:19:29 | 1:19:32 | |
I thought I told you to stay the fuck away from me. | 1:19:40 | 1:19:43 | |
Please, not now. Just drive. | 1:19:43 | 1:19:45 | |
All right, what happened? | 1:19:50 | 1:19:53 | |
Rachel's dead. | 1:19:53 | 1:19:55 | |
I told you not to contact her. | 1:19:59 | 1:20:02 | |
I told you! | 1:20:02 | 1:20:04 | |
Get out of the car. | 1:20:08 | 1:20:10 | |
I found what they're looking for, my son had it. | 1:20:10 | 1:20:13 | |
Get out of the fucking car! | 1:20:13 | 1:20:16 | |
Give me the toy. | 1:20:56 | 1:20:58 | |
You know why they killed her? | 1:21:06 | 1:21:08 | |
To make it look like it was me. My stuff was all over her house. | 1:21:08 | 1:21:12 | |
If you're a murder suspect, you'll be easier to find. | 1:21:12 | 1:21:16 | |
And to discredit you, in case you go public against them. | 1:21:16 | 1:21:20 | |
The NSA set you up. It had nothing to do with Rachel. | 1:21:20 | 1:21:25 | |
-HE BANGS WHEEL -Absolutely nothing. | 1:21:25 | 1:21:28 | |
What do we got? | 1:21:34 | 1:21:35 | |
We got nothing. | 1:21:35 | 1:21:37 | |
Pull up everything we have on tape so far. | 1:21:37 | 1:21:40 | |
The square, house, sat imagery of the hotel roof. | 1:21:40 | 1:21:44 | |
OK. | 1:21:44 | 1:21:46 | |
Look at the parametrics for the space vehicle. | 1:21:46 | 1:21:50 | |
Can we see the guy who's helping him? | 1:21:50 | 1:21:52 | |
-Can you get a feature match on him? -Uh-uh. | 1:21:55 | 1:21:58 | |
-He never looks up. -He's smart. | 1:21:58 | 1:22:01 | |
Why must he look up? | 1:22:01 | 1:22:03 | |
The satellite's 155 miles away, it looks straight down. | 1:22:03 | 1:22:06 | |
-That's limited. -Design a new one. | 1:22:06 | 1:22:08 | |
Maybe I will, idiot. | 1:22:08 | 1:22:10 | |
Stay put. I need some food. | 1:22:13 | 1:22:15 | |
# Rockin' around the Christmas tree | 1:22:15 | 1:22:19 | |
# Let the Christmas spirit ring | 1:22:19 | 1:22:22 | |
# Later we'll have some pumpkin pie and do some carolling | 1:22:23 | 1:22:28 | |
# You will get a sentimental... # | 1:22:29 | 1:22:32 | |
-Hello? -Yeah, it's me. | 1:22:35 | 1:22:37 | |
-Why are you calling me, asshole? -Shut up and listen. | 1:22:37 | 1:22:41 | |
'Rachel Banks is dead. | 1:22:41 | 1:22:43 | |
'The papers will make it sound like I killed her. | 1:22:43 | 1:22:47 | |
'Tell Carla that I didn't do it. | 1:22:47 | 1:22:50 | |
'Get her out of there. And tell them I love them.' | 1:22:50 | 1:22:53 | |
The call is from McClean-Baltimore, between Hood and St Anne's. | 1:22:53 | 1:22:59 | |
Copy that. Yes! | 1:22:59 | 1:23:01 | |
What's up? We need to look at your surveillance tapes | 1:23:18 | 1:23:22 | |
for the last 20 minutes. | 1:23:22 | 1:23:25 | |
Hey, Larry. | 1:23:25 | 1:23:26 | |
Surveillance footage is coming in. | 1:23:26 | 1:23:29 | |
Process it for face recognition. | 1:23:29 | 1:23:32 | |
Do we see which way the car went? | 1:23:39 | 1:23:42 | |
No, sir. This kid here thinks it might have went south. | 1:23:42 | 1:23:46 | |
Unfortunately, the shot's too tight. | 1:23:46 | 1:23:49 | |
I got make, model and colour. | 1:23:49 | 1:23:51 | |
The plates are phoney. | 1:23:51 | 1:23:53 | |
-Get satellite coverage. -Already done. | 1:23:53 | 1:23:56 | |
You planning a quick getaway? | 1:24:09 | 1:24:11 | |
Yeah, ever since I met you. | 1:24:11 | 1:24:14 | |
MEOWING | 1:24:23 | 1:24:25 | |
Hate to see the chicken that lives in this coop. | 1:24:34 | 1:24:37 | |
This is where I work. | 1:24:37 | 1:24:39 | |
It may seem strange but this has been my office for 15 years. | 1:24:39 | 1:24:44 | |
It's completely secure. Copper-wire mesh keeps the radio signals out. | 1:24:44 | 1:24:49 | |
This is the satellite imagery 20 minutes ago. | 1:24:52 | 1:24:56 | |
They're in an El Camino. | 1:24:56 | 1:24:59 | |
There it is. | 1:25:01 | 1:25:02 | |
John, give us lat 30, 64 minutes, long 72, 29 minutes. | 1:25:02 | 1:25:06 | |
There they are. | 1:25:08 | 1:25:10 | |
It's coming, top left. | 1:25:10 | 1:25:12 | |
Let's go and get them. | 1:25:15 | 1:25:17 | |
I call it the jar. | 1:25:19 | 1:25:21 | |
No phone or utility lines coming in. | 1:25:21 | 1:25:24 | |
Self-contained, unplugged from the world. | 1:25:24 | 1:25:27 | |
Nothing for a wire bug to piggyback in on. | 1:25:27 | 1:25:30 | |
And it's easy to signal sweep for transmitters. | 1:25:30 | 1:25:33 | |
Sweeping for transmitters, you're a party animal. | 1:25:33 | 1:25:37 | |
The government's been in bed | 1:25:37 | 1:25:39 | |
with the telecommunications industry since the '40s. | 1:25:39 | 1:25:43 | |
They can get into your bank statements, | 1:25:43 | 1:25:47 | |
your computer files, your E-mail, listen to your phone calls. | 1:25:47 | 1:25:51 | |
My wife's said that for years. | 1:25:51 | 1:25:53 | |
Every wire, every airwave. | 1:25:53 | 1:25:56 | |
The more technology you use, | 1:25:56 | 1:25:58 | |
the easier it is to keep tabs. It's a brave new world out there. | 1:25:58 | 1:26:03 | |
At least it better be. | 1:26:03 | 1:26:05 | |
There it goes. It's some kind of simple encryption. | 1:26:21 | 1:26:25 | |
Conspiracy theorists of the world unite. | 1:26:25 | 1:26:29 | |
It's more than a theory, I was a conspirer. | 1:26:29 | 1:26:32 | |
I used to work for the NSA as a communication analyst. | 1:26:33 | 1:26:37 | |
Listened to international calls. | 1:26:37 | 1:26:39 | |
That device we found in your phone, I designed one of the first models. | 1:26:39 | 1:26:44 | |
Fort Meade has 18 acres of mainframe computers underground. | 1:26:53 | 1:26:58 | |
If you're on the phone and say "Bomb", "President", "Allah", | 1:26:58 | 1:27:02 | |
or any key words, the computer red flags it for analysis. | 1:27:02 | 1:27:06 | |
And that was 20 years ago. | 1:27:06 | 1:27:08 | |
They've got over a hundred spy satellites looking down at us. | 1:27:15 | 1:27:20 | |
That's classified. | 1:27:20 | 1:27:22 | |
We used to have to tap a wire into your phone line, | 1:27:22 | 1:27:26 | |
now they snatch them out of the air. | 1:27:26 | 1:27:28 | |
What's this? | 1:27:31 | 1:27:33 | |
That's Phil Hamersly. | 1:27:38 | 1:27:40 | |
Jesus Christ. | 1:27:40 | 1:27:41 | |
Who's he? I'll check the executive NSA files. | 1:27:50 | 1:27:53 | |
Let's run a photo ID on him. | 1:27:53 | 1:27:55 | |
Reynolds, Thomas Brian, born 9-11-40. Harvard, PhD Princeton. | 1:28:06 | 1:28:11 | |
On loan from the state department since '95. | 1:28:11 | 1:28:15 | |
He's not a professional, he's a politician. | 1:28:15 | 1:28:18 | |
BEEPING | 1:28:20 | 1:28:21 | |
Oh, shit! | 1:28:21 | 1:28:23 | |
Take that. | 1:28:23 | 1:28:25 | |
-When did you last contact somebody? -When we stopped. | 1:28:25 | 1:28:29 | |
-Didn't I tell you not to? -It was a payphone! | 1:28:29 | 1:28:32 | |
-What'd I tell you? -You told me no calls. | 1:28:32 | 1:28:36 | |
I told you no calls. | 1:28:36 | 1:28:38 | |
Get the cat. Get the cat. Shit! | 1:28:38 | 1:28:42 | |
-What's the cat's name? -Babe. | 1:28:42 | 1:28:44 | |
Come here, Baby. | 1:28:44 | 1:28:46 | |
Come here, Baby. Come. Come here! | 1:28:46 | 1:28:48 | |
God damn it! | 1:29:00 | 1:29:03 | |
All right, what do we got? | 1:29:12 | 1:29:14 | |
What the...? | 1:29:17 | 1:29:20 | |
CAT MEOWS | 1:29:21 | 1:29:23 | |
Subjects exiting. | 1:29:27 | 1:29:28 | |
Williams! Get the hell out, this place is gonna blow! | 1:29:28 | 1:29:32 | |
Go! Go! Go! | 1:29:32 | 1:29:34 | |
Move! | 1:29:34 | 1:29:36 | |
TAPPING | 1:29:40 | 1:29:42 | |
CAT MEOWS | 1:29:42 | 1:29:44 | |
Come on, let's get out! | 1:29:52 | 1:29:55 | |
Move it! Move it! | 1:29:58 | 1:30:00 | |
Whoa! Whoa! | 1:30:04 | 1:30:05 | |
Move! Move! | 1:30:08 | 1:30:10 | |
What the hell is happening? | 1:30:18 | 1:30:20 | |
I blew up the building! | 1:30:20 | 1:30:22 | |
-Why? -You made a phone call! | 1:30:22 | 1:30:24 | |
-Tell him to pull over! -Pull over now! | 1:30:34 | 1:30:37 | |
Pull over! | 1:30:42 | 1:30:43 | |
Pump-action! | 1:30:59 | 1:31:00 | |
Gosh it is! | 1:31:18 | 1:31:20 | |
The fuel line must be broken. | 1:31:22 | 1:31:25 | |
-Get it out! God damn! -Stop the car! | 1:31:27 | 1:31:30 | |
-Where's the disk? -Oh, shit! | 1:31:38 | 1:31:41 | |
No! | 1:31:41 | 1:31:42 | |
-Shit! Look, is there any way to save it? -It's ruined! | 1:31:42 | 1:31:46 | |
-What do we do? -I'm leaving. | 1:31:46 | 1:31:49 | |
'They're heading west.' | 1:31:49 | 1:31:51 | |
-What? -The disk is gone. | 1:31:51 | 1:31:53 | |
We got nothing! It's over! | 1:31:53 | 1:31:55 | |
-TANNOY: -'Put down your weapons.' | 1:32:06 | 1:32:09 | |
You think I wanted that idiot to put that goddamn disk in my bag? | 1:32:16 | 1:32:20 | |
Who gives a fuck what you wanted?! | 1:32:20 | 1:32:22 | |
Now Rachel's dead and the NSA's onto me! | 1:32:22 | 1:32:26 | |
What do you mean "onto you"? | 1:32:29 | 1:32:31 | |
About what? You're not the target, I am! | 1:32:31 | 1:32:34 | |
He's right in front of us. | 1:32:46 | 1:32:48 | |
Come on! Come on! | 1:32:51 | 1:32:53 | |
We got him. He's got nowhere to go. | 1:32:55 | 1:32:58 | |
WHISTLE BLOWS | 1:32:58 | 1:33:00 | |
'They're between the trains.' | 1:33:08 | 1:33:11 | |
Get the fuck away from me. | 1:33:11 | 1:33:13 | |
Damn it! | 1:33:16 | 1:33:18 | |
'We're coming back round.' | 1:33:18 | 1:33:20 | |
You're blowing my life! | 1:33:20 | 1:33:21 | |
What life? You live in a fucking jar! | 1:33:21 | 1:33:24 | |
And Rachel? You didn't give a shit about Rachel! | 1:33:24 | 1:33:27 | |
Just a package under seat 32 to you! | 1:33:27 | 1:33:30 | |
Come on! Do you have a problem? | 1:33:33 | 1:33:34 | |
Do it! Go on. Do it! | 1:33:34 | 1:33:36 | |
I'm all you've got and you're all I've got! | 1:33:37 | 1:33:41 | |
'Heading to the freeway.' | 1:33:48 | 1:33:50 | |
CAR HORN | 1:33:57 | 1:33:59 | |
-Get out the fucking car! -All right. | 1:34:01 | 1:34:04 | |
Come on, get out! | 1:34:04 | 1:34:06 | |
-Please! -Tell your story walking. | 1:34:06 | 1:34:08 | |
Hey, wait a minute. Don't... | 1:34:08 | 1:34:10 | |
Thanks for your help back at the train. | 1:34:10 | 1:34:14 | |
Don't! | 1:34:14 | 1:34:16 | |
Oh, Jesus! | 1:34:16 | 1:34:18 | |
'I think we lost them. | 1:34:18 | 1:34:20 | |
'They're beneath the overpass.' | 1:34:20 | 1:34:22 | |
Well, you certainly carjacked a really nice car. | 1:34:30 | 1:34:34 | |
This is a piece of shit, what are you talking about? | 1:34:34 | 1:34:38 | |
I need sugar. I'm getting cranky. | 1:34:39 | 1:34:42 | |
"Getting"? | 1:34:42 | 1:34:44 | |
I'm hypoglycaemic, my body can't metabolise the sugar so... | 1:34:44 | 1:34:47 | |
So, you're a pain in the ass when you don't eat, | 1:34:47 | 1:34:51 | |
basically? | 1:34:51 | 1:34:53 | |
Yeah. Right. | 1:34:53 | 1:34:55 | |
We should eat. | 1:34:55 | 1:34:56 | |
Let's do that. | 1:34:56 | 1:34:58 | |
His real name is Edward Lyle. | 1:34:58 | 1:35:01 | |
Graduated from Drexel University. Enlisted in the army, 1953. | 1:35:01 | 1:35:05 | |
Excelled at intelligence and communications. Joined NSA in '65. | 1:35:05 | 1:35:10 | |
Of course. | 1:35:10 | 1:35:11 | |
He was in the Agency till 1980. Hasn't been seen since. | 1:35:11 | 1:35:16 | |
That's a long time. | 1:35:16 | 1:35:18 | |
Lots of black bags and deleteds. He's familiar with explosives. | 1:35:18 | 1:35:23 | |
His last assignment was in Iran, late '78, | 1:35:23 | 1:35:26 | |
-after the Shah. -This is our problem. | 1:35:26 | 1:35:29 | |
This man. | 1:35:29 | 1:35:31 | |
We were helping the secret police supply weapons to the Afghani rebels | 1:35:33 | 1:35:38 | |
fighting the Soviets. My partner and I | 1:35:38 | 1:35:41 | |
were monitoring Soviet transmissions. | 1:35:41 | 1:35:44 | |
It was kind of fun. I liked the Iranians. | 1:35:44 | 1:35:47 | |
Then back in Tehran, | 1:35:47 | 1:35:49 | |
the hardliners seized the embassy and the whole country changed. | 1:35:49 | 1:35:53 | |
People we'd worked with turned on us. | 1:35:53 | 1:35:56 | |
I got out. My partner didn't. | 1:35:56 | 1:35:59 | |
The whole mission became a press disaster waiting to happen. | 1:35:59 | 1:36:03 | |
Aiding and abetting the new enemy. The Agency | 1:36:03 | 1:36:07 | |
conveniently forgot I existed. | 1:36:07 | 1:36:10 | |
I don't blame them, that's what they had to do. | 1:36:10 | 1:36:13 | |
I loved the Agency. | 1:36:13 | 1:36:15 | |
I loved the work, I loved the people. | 1:36:17 | 1:36:20 | |
It was my whole life. | 1:36:20 | 1:36:22 | |
Your partner was Rachel's father? | 1:36:22 | 1:36:26 | |
Yeah. The idea was... | 1:36:26 | 1:36:28 | |
The idea always was that if one of us got out, | 1:36:28 | 1:36:31 | |
he'd take care of the other's family. | 1:36:31 | 1:36:34 | |
Rachel was all he had. | 1:36:34 | 1:36:37 | |
So she became my promise to him. | 1:36:37 | 1:36:39 | |
Here you go, hon. | 1:36:39 | 1:36:41 | |
Thank you. | 1:36:41 | 1:36:42 | |
Maybe we can still keep that promise in a way. | 1:36:45 | 1:36:48 | |
You're a threat, just like I was. | 1:36:48 | 1:36:51 | |
But to whom? To them? | 1:36:51 | 1:36:53 | |
To your family, your friends, everyone you know. | 1:36:53 | 1:36:57 | |
That's why I went away. | 1:36:57 | 1:36:59 | |
You ought to go away. | 1:36:59 | 1:37:01 | |
No. I don't think so. | 1:37:01 | 1:37:03 | |
I worked hard for my life and I want it back. | 1:37:03 | 1:37:06 | |
I grew up without a father. | 1:37:06 | 1:37:09 | |
I will not put my family through that. | 1:37:09 | 1:37:12 | |
-< -Mommy. | 1:37:12 | 1:37:14 | |
I don't want to go home. | 1:37:14 | 1:37:16 | |
You want to take a poke at me? | 1:37:22 | 1:37:24 | |
Come on. | 1:37:24 | 1:37:26 | |
I don't hit senior citizens. | 1:37:26 | 1:37:29 | |
Come here, Babe. | 1:37:29 | 1:37:31 | |
Come on. | 1:37:31 | 1:37:33 | |
Come up here. Come on. | 1:37:33 | 1:37:35 | |
-In guerilla warfare you use your weaknesses as strengths. -Such as? | 1:37:35 | 1:37:40 | |
Well, if they're big and you're small, | 1:37:40 | 1:37:43 | |
then you're mobile and they're slow. | 1:37:43 | 1:37:46 | |
You're hidden and they're exposed. | 1:37:46 | 1:37:49 | |
'You only fight battles you can win. | 1:37:49 | 1:37:51 | |
'The Vietcong did it. You capture their weapons | 1:37:51 | 1:37:55 | |
'and use them against them next time, so they supply you. | 1:37:55 | 1:37:59 | |
'You grow stronger as they grow weaker.' | 1:37:59 | 1:38:02 | |
-Try these. -Can I have something else? | 1:38:02 | 1:38:05 | |
-Yeah, here. -Never mind. | 1:38:05 | 1:38:07 | |
That's my best Aloha shirt. | 1:38:08 | 1:38:11 | |
Say, "Aloha" to it. | 1:38:11 | 1:38:13 | |
-Hi, Steve. -Howdy. | 1:38:22 | 1:38:23 | |
-I need some gear. -Help yourself. | 1:38:23 | 1:38:25 | |
This is Bill. | 1:38:25 | 1:38:27 | |
-Hi, Bill. -Hi, Bill. | 1:38:27 | 1:38:28 | |
Steve, where's the two-gigahertz video transmitters? | 1:38:28 | 1:38:32 | |
Right behind you. Second shelf. | 1:38:32 | 1:38:34 | |
Steve? I thought you said his name was Bill. | 1:38:34 | 1:38:37 | |
No, you're Bill. | 1:38:37 | 1:38:39 | |
-You have to let me know I'm Bill. -I just did. | 1:38:39 | 1:38:43 | |
-TV: -'The President has not committed himself | 1:38:43 | 1:38:46 | |
'but he recognises that we need something in this area | 1:38:46 | 1:38:50 | |
'and I think he will see that this bill | 1:38:50 | 1:38:53 | |
'will provide the security this country...' | 1:38:53 | 1:38:56 | |
What security? | 1:38:56 | 1:38:58 | |
The kind he's going to need. | 1:38:58 | 1:39:00 | |
Oh, here we go. | 1:39:03 | 1:39:05 | |
Modified cellphone interfaced with a computer | 1:39:05 | 1:39:09 | |
creates a powerful tool. | 1:39:09 | 1:39:11 | |
What is that? | 1:39:11 | 1:39:12 | |
It's Congressman Albert's home address and his cellular ESN. | 1:39:12 | 1:39:17 | |
We reprogramme our phone with Congressman Albert's ESN | 1:39:17 | 1:39:21 | |
and you know what we got? | 1:39:21 | 1:39:23 | |
'Hi, sweetie. | 1:39:23 | 1:39:25 | |
-'How are the kids? -Melissa has a fever.' | 1:39:25 | 1:39:28 | |
Is she OK? | 1:39:28 | 1:39:29 | |
'She's fine. When can we talk?' | 1:39:29 | 1:39:31 | |
'In 30 minutes. Suite 59, Lincoln Hotel.' | 1:39:31 | 1:39:34 | |
You're a dangerous man. | 1:39:34 | 1:39:36 | |
Oh, shit. | 1:39:42 | 1:39:44 | |
-(Say something.) -Excuse me? | 1:39:58 | 1:40:00 | |
-Louder. -What do you mean? | 1:40:00 | 1:40:03 | |
Good. | 1:40:03 | 1:40:04 | |
-Won't they look there? -That's the idea. | 1:40:06 | 1:40:08 | |
Great plan(!) | 1:40:08 | 1:40:11 | |
I've always been a law-abiding citizen. | 1:40:12 | 1:40:15 | |
One day with you, I'm shooting and... | 1:40:15 | 1:40:18 | |
I have to go to the bathroom. | 1:40:18 | 1:40:20 | |
-'Rest well. -'Thanks. | 1:40:20 | 1:40:22 | |
'Bye. | 1:40:22 | 1:40:24 | |
'Good work, guys.' | 1:40:24 | 1:40:26 | |
KNOCK ON DOOR | 1:40:30 | 1:40:32 | |
Hmm. | 1:40:33 | 1:40:35 | |
Mmm. | 1:40:41 | 1:40:44 | |
We got him. | 1:40:44 | 1:40:46 | |
Go for it, Mr Congressman. | 1:40:47 | 1:40:49 | |
-You're too young to watch this. -Yeah, so is she. | 1:40:55 | 1:40:59 | |
STATIC | 1:41:04 | 1:41:06 | |
Yeah, could you send somebody up to my room? | 1:41:11 | 1:41:14 | |
It's Christa, the Congressman's aide. | 1:41:14 | 1:41:17 | |
How the hell am I supposed to know | 1:41:17 | 1:41:20 | |
what it is? I'm a Congressman, for God's sake. | 1:41:20 | 1:41:23 | |
It's like a PX-73 burst transmitter, whatever the hell that is. | 1:41:23 | 1:41:29 | |
Except it's more sophisticated. | 1:41:29 | 1:41:32 | |
Of course I'll send it down, but that's not the... | 1:41:32 | 1:41:35 | |
I want to know who in the hell put it there, Jim. | 1:41:35 | 1:41:39 | |
KNOCK AT DOOR | 1:41:43 | 1:41:45 | |
-Hi, there. -Hola. Si? | 1:41:50 | 1:41:52 | |
La electricidad? | 1:41:57 | 1:41:59 | |
Ah, si. | 1:41:59 | 1:42:00 | |
SOUND OF CHANNELS CHANGING | 1:42:04 | 1:42:07 | |
You know, this is very irritating. | 1:42:09 | 1:42:12 | |
Stay with one channel. | 1:42:12 | 1:42:14 | |
-Stop jumping... -We're on TV! | 1:42:16 | 1:42:19 | |
-I told you to... -We're on TV! | 1:42:19 | 1:42:21 | |
OK, these are the ones they wanted us to find. | 1:42:36 | 1:42:41 | |
They're all ours. We made them. | 1:42:41 | 1:42:43 | |
Thomas, could I see you a second? | 1:42:43 | 1:42:46 | |
There's 140,000 here, I have no idea where it came from. | 1:42:52 | 1:42:56 | |
What? An extra 140? | 1:42:56 | 1:42:57 | |
Yeah. | 1:42:57 | 1:42:59 | |
Look, it's right here. | 1:42:59 | 1:43:01 | |
Two separate 70,000 deposits on the same...day. | 1:43:01 | 1:43:05 | |
Yes, I see the deposits, thank you. | 1:43:05 | 1:43:08 | |
-I have no idea where they came from. -Tom? | 1:43:08 | 1:43:11 | |
Sorry. Shaffer wants to see all department heads at 0800. | 1:43:11 | 1:43:15 | |
You're going in on Sunday? | 1:43:17 | 1:43:20 | |
That's just great. | 1:43:20 | 1:43:22 | |
Emily, this is your separate account. | 1:43:22 | 1:43:25 | |
I have no idea... | 1:43:25 | 1:43:26 | |
By the way, who is Christa? | 1:43:26 | 1:43:29 | |
"Eternally yours"? | 1:43:30 | 1:43:33 | |
I want the entire history of this device, | 1:43:35 | 1:43:38 | |
from birth to abortion, on my desk | 1:43:38 | 1:43:41 | |
in two hours. | 1:43:41 | 1:43:43 | |
I want the name of the tech who made it. | 1:43:43 | 1:43:46 | |
I want to know who authorised its use, | 1:43:49 | 1:43:52 | |
who checked it out from inventory, | 1:43:52 | 1:43:56 | |
and for what purpose. | 1:43:56 | 1:43:58 | |
Most important, | 1:44:00 | 1:44:02 | |
how on God's green earth it got into Congressman Albert's hotel room. | 1:44:02 | 1:44:07 | |
Everyone knows where this is going. | 1:44:07 | 1:44:10 | |
Now, if this was a legit op... | 1:44:10 | 1:44:13 | |
If this was a legit op, | 1:44:17 | 1:44:21 | |
and I can't possibly see how it could be, then so be it. | 1:44:21 | 1:44:24 | |
But if this was someone's unilateral wet dream... | 1:44:27 | 1:44:30 | |
then that somebody is going to prison. | 1:44:30 | 1:44:34 | |
It's him. | 1:44:36 | 1:44:38 | |
Yes? | 1:44:39 | 1:44:41 | |
'Thomas Reynolds?' | 1:44:41 | 1:44:42 | |
Who is this? | 1:44:42 | 1:44:44 | |
I have that environmental study. | 1:44:44 | 1:44:47 | |
Can we discuss this in person? | 1:44:47 | 1:44:50 | |
Be at the corner of Iowa and 3rd at 3.00. | 1:44:50 | 1:44:53 | |
I'll be there at four. | 1:44:53 | 1:44:55 | |
We have to get a confession out of him on tape. | 1:44:58 | 1:45:01 | |
And we have to get it fast, OK? | 1:45:01 | 1:45:03 | |
You shouldn't have, it must've cost 12 bucks, easy. | 1:45:05 | 1:45:09 | |
Now, they expect me to be wired. | 1:45:09 | 1:45:11 | |
So what they'll do is they'll sweep me. | 1:45:11 | 1:45:14 | |
Once they're done I'll give you the signal and you turn the mike on. | 1:45:14 | 1:45:19 | |
What's the signal? | 1:45:19 | 1:45:21 | |
Putting gum in my mouth. | 1:45:21 | 1:45:23 | |
After the signal, turn the mike on. Turn it on now. | 1:45:23 | 1:45:27 | |
-Try it. -FEEDBACK | 1:45:27 | 1:45:28 | |
OK, off. Good. | 1:45:28 | 1:45:31 | |
Now, to be safe, they'll also try | 1:45:31 | 1:45:34 | |
to scan all frequencies to track you down. | 1:45:34 | 1:45:37 | |
Now, if these guys are good, | 1:45:37 | 1:45:39 | |
they'll have you in five, six minutes. | 1:45:39 | 1:45:41 | |
Four minutes after you turn the tape on, | 1:45:41 | 1:45:44 | |
regardless of what's happening, | 1:45:44 | 1:45:47 | |
you get out. Now, you got that? | 1:45:47 | 1:45:49 | |
No. | 1:45:49 | 1:45:51 | |
Record. On-off. | 1:46:05 | 1:46:08 | |
Let the games begin. | 1:46:08 | 1:46:11 | |
Hey, there. | 1:46:12 | 1:46:14 | |
Edward Lyle? | 1:46:17 | 1:46:19 | |
A policeman? | 1:46:19 | 1:46:21 | |
Very clever. | 1:46:21 | 1:46:23 | |
Call your friends over. | 1:46:23 | 1:46:25 | |
Pratt? | 1:46:25 | 1:46:27 | |
Step towards the fence. | 1:46:31 | 1:46:34 | |
This won't take a second. | 1:46:34 | 1:46:36 | |
He's clear, sir. | 1:46:41 | 1:46:43 | |
'So, do you have the tape?' | 1:46:43 | 1:46:46 | |
'Yes, I have.' | 1:46:47 | 1:46:49 | |
'Here?' | 1:46:49 | 1:46:51 | |
-'No.' -'Then, what's to discuss?' | 1:46:51 | 1:46:53 | |
-Money. -Money? | 1:46:53 | 1:46:55 | |
I wondered why I hadn't seen it on CNN. | 1:46:55 | 1:46:58 | |
Have you looked at the tape? | 1:46:58 | 1:47:01 | |
What's on it? | 1:47:01 | 1:47:02 | |
Your ugly-ass face. | 1:47:02 | 1:47:04 | |
Shows the death of Congressman Hamersly. | 1:47:04 | 1:47:08 | |
The needle behind the ear. | 1:47:08 | 1:47:10 | |
Three faces are visible. | 1:47:10 | 1:47:12 | |
How much do you want? | 1:47:12 | 1:47:14 | |
1.8 million dollars. | 1:47:14 | 1:47:15 | |
What? | 1:47:15 | 1:47:17 | |
My file cleared and my life back. | 1:47:17 | 1:47:19 | |
My 1980 salary with increases for 18 years, plus interest. | 1:47:19 | 1:47:23 | |
Shit. | 1:47:23 | 1:47:25 | |
Plus retirement package, level E-16, comes to 1.85. | 1:47:25 | 1:47:29 | |
I rounded it down. | 1:47:29 | 1:47:30 | |
For this I get the tape and Mr Dean? | 1:47:30 | 1:47:33 | |
-It's Dean that has the tape. -Oh, shit! | 1:47:33 | 1:47:36 | |
What does he want? | 1:47:36 | 1:47:37 | |
To know why you killed the girl. | 1:47:37 | 1:47:40 | |
'What girl?' | 1:47:40 | 1:47:41 | |
I can't figure it out. | 1:47:41 | 1:47:43 | |
Are you getting self-righteous on me? | 1:47:43 | 1:47:45 | |
Your file's not exactly a beacon of light. | 1:47:45 | 1:47:49 | |
Yeah, I agree. It's just that... you killed Hamersly. OK. | 1:47:49 | 1:47:53 | |
I understand the argument. | 1:47:53 | 1:47:55 | |
But why the girl? Just to get to some schmuck? | 1:47:55 | 1:47:59 | |
Schmuck? | 1:47:59 | 1:48:01 | |
'We always dealt with war, not domestic.' | 1:48:01 | 1:48:03 | |
You won the war. The peace is a lot more volatile. | 1:48:03 | 1:48:07 | |
Does he take this long doing everything? | 1:48:07 | 1:48:10 | |
Now we've got crackpots with sniper scopes, sarin gas and C-4. | 1:48:10 | 1:48:15 | |
Kids go on the net, download encryption we can barely break. | 1:48:15 | 1:48:19 | |
-Oh, shit. -..How to make a nuclear device. | 1:48:19 | 1:48:22 | |
Privacy's been dead 30 years, we can't risk it. | 1:48:22 | 1:48:25 | |
-The only privacy is the inside of your head. -Get him to say something. | 1:48:25 | 1:48:30 | |
Keep him talking. | 1:48:30 | 1:48:32 | |
You think we're democracy's enemy? We're its last hope. | 1:48:32 | 1:48:36 | |
You shouldn't be there, | 1:48:36 | 1:48:38 | |
but if you are, get out. They're onto us. | 1:48:38 | 1:48:42 | |
'Follow procedure.' | 1:48:42 | 1:48:44 | |
'Get out now, Robert. Get out!' | 1:48:45 | 1:48:48 | |
CAR HORN | 1:48:51 | 1:48:53 | |
You're going to shoot a policeman? | 1:49:05 | 1:49:07 | |
Get in. | 1:49:07 | 1:49:09 | |
PHONE RINGS | 1:49:11 | 1:49:13 | |
-Yeah? -'Tom?' | 1:49:13 | 1:49:15 | |
-Emily? -'Our Visa card's been cancelled.' | 1:49:15 | 1:49:18 | |
Did you try the AmEx? | 1:49:18 | 1:49:20 | |
'I tried that too. It's not...' | 1:49:20 | 1:49:22 | |
-I'll call you back. -'No, Tom...' | 1:49:22 | 1:49:25 | |
Credit cards not working? Yeah, | 1:49:25 | 1:49:27 | |
that can be a real pain in the ass, can't it? | 1:49:27 | 1:49:31 | |
Come in. | 1:49:37 | 1:49:39 | |
Asshole. | 1:49:42 | 1:49:44 | |
Great plan. | 1:49:44 | 1:49:45 | |
Ask him to give me the tape. | 1:49:53 | 1:49:55 | |
What guarantees do we have if you... | 1:49:55 | 1:49:58 | |
None. | 1:49:58 | 1:50:00 | |
None? | 1:50:00 | 1:50:02 | |
Do you all know he killed Hamersly and Rachel Banks? | 1:50:02 | 1:50:06 | |
This guy is going down and he'll take all of you with him! | 1:50:06 | 1:50:10 | |
Trust me on this! | 1:50:10 | 1:50:12 | |
God damn! | 1:50:12 | 1:50:14 | |
You son of a bitch! | 1:50:14 | 1:50:15 | |
Rachel is not the issue, Hamersly is. | 1:50:15 | 1:50:18 | |
Now, where's the tape? | 1:50:18 | 1:50:20 | |
HE GROANS | 1:50:22 | 1:50:23 | |
Oh, shit. | 1:50:23 | 1:50:25 | |
Where's the tape? | 1:50:25 | 1:50:27 | |
Tom! | 1:50:29 | 1:50:30 | |
All right, I'll give it to you. | 1:50:30 | 1:50:32 | |
Thank you. | 1:50:32 | 1:50:34 | |
What are you doing, moron? It's our only leverage. | 1:50:34 | 1:50:37 | |
I'm the moron? Me? | 1:50:37 | 1:50:40 | |
No, you're the moron! | 1:50:40 | 1:50:42 | |
-Where is it? -Washington and 4th. | 1:50:42 | 1:50:44 | |
Washington and 4th. | 1:50:44 | 1:50:46 | |
-That's my blender. -So? | 1:50:53 | 1:50:56 | |
4th and Washington. | 1:50:56 | 1:50:58 | |
-Where is it? -The restaurant. | 1:51:05 | 1:51:07 | |
11-169, 4th Street. Stand by to enter. | 1:51:07 | 1:51:11 | |
Wait a second. | 1:51:22 | 1:51:24 | |
See if you can get the plate on that van. | 1:51:24 | 1:51:27 | |
TS 18-785. | 1:51:27 | 1:51:31 | |
Go with Pratt and bring it out. | 1:51:31 | 1:51:33 | |
I don't think so. | 1:51:33 | 1:51:35 | |
Oh, you don't think so? | 1:51:37 | 1:51:39 | |
If I go in and bring that tape out, I'm a dead man. | 1:51:39 | 1:51:43 | |
We go together. You view the tape, | 1:51:43 | 1:51:45 | |
you sign off on it, they let Brill go. | 1:51:45 | 1:51:48 | |
Everyone has a merry Christmas. | 1:51:48 | 1:51:50 | |
What assurances do I have that you haven't copied the tape? | 1:51:50 | 1:51:54 | |
You think I want copies? | 1:51:54 | 1:51:57 | |
It's the bane of my existence. | 1:51:57 | 1:51:59 | |
I wish it was at the bottom of the Chesapeake. | 1:51:59 | 1:52:02 | |
I want to go home. | 1:52:02 | 1:52:05 | |
Give me a piece. | 1:52:09 | 1:52:11 | |
Yes, sir. | 1:52:11 | 1:52:14 | |
All right, you and me. | 1:52:15 | 1:52:18 | |
And Pratt and Bingham. | 1:52:19 | 1:52:21 | |
Fiedler, get one of those little cameras on Bingham. | 1:52:22 | 1:52:26 | |
Guess what? | 1:52:32 | 1:52:34 | |
It's a government vehicle. Shit! | 1:52:34 | 1:52:36 | |
I'll go in cold. If I need you, Hicks will call. | 1:52:36 | 1:52:39 | |
You guys got some food or something here? | 1:52:43 | 1:52:46 | |
Well, behind you. | 1:52:46 | 1:52:49 | |
(You're either incredibly smart or incredibly stupid.) | 1:52:58 | 1:53:03 | |
(We'll see in a minute.) | 1:53:03 | 1:53:05 | |
(Watch out for the FBI.) | 1:53:05 | 1:53:07 | |
I'll be back to get my blender. | 1:53:14 | 1:53:16 | |
Yeah, I'll have it gift wrapped. | 1:53:16 | 1:53:19 | |
It's your show. | 1:53:22 | 1:53:23 | |
-Isn't that the labour lawyer? -You're right. | 1:53:25 | 1:53:28 | |
No, thanks. | 1:53:37 | 1:53:38 | |
-You guys like the food? -Yes. | 1:53:38 | 1:53:40 | |
It's good food. I made it. | 1:53:40 | 1:53:42 | |
Sure you made it. | 1:53:42 | 1:53:44 | |
Come on, eat your food. | 1:53:44 | 1:53:46 | |
Boss, black guy's back with a couple of creeps. | 1:53:46 | 1:53:49 | |
Yeah, show him in. | 1:53:49 | 1:53:51 | |
Hey. How you doing? | 1:53:57 | 1:54:00 | |
What? Is this the FBI? | 1:54:00 | 1:54:02 | |
No, sir, Mr Pintero. | 1:54:02 | 1:54:05 | |
-It's the man you wanted to meet. -Him? | 1:54:05 | 1:54:07 | |
Yup, that's him. | 1:54:07 | 1:54:09 | |
You make the tape? | 1:54:09 | 1:54:11 | |
What? | 1:54:11 | 1:54:13 | |
Did...you... make...the...video...tape? | 1:54:13 | 1:54:16 | |
Look, look...he wants it back. | 1:54:16 | 1:54:19 | |
'Really? I don't give a shit what he wants.' | 1:54:19 | 1:54:22 | |
Could we have some privacy, please? | 1:54:25 | 1:54:27 | |
Yeah, maybe we should. | 1:54:29 | 1:54:32 | |
-Get the kids out of here. -Come on, boys. | 1:54:32 | 1:54:35 | |
Get them out of here. | 1:54:36 | 1:54:38 | |
'Go on. Maria, come on. | 1:54:38 | 1:54:40 | |
'Get them out.' | 1:54:40 | 1:54:42 | |
HE COUGHS AND RETCHES | 1:54:42 | 1:54:44 | |
Ooh. Ooh, Hicks! | 1:54:44 | 1:54:47 | |
What the hell's the matter? | 1:54:47 | 1:54:48 | |
No, not on the equipment. Get him out. | 1:54:48 | 1:54:51 | |
Check this out. Come here. | 1:55:00 | 1:55:02 | |
They pulled a guy out of a van. He's puking and bleeding all over. | 1:55:04 | 1:55:09 | |
Shit, it's a city cop. | 1:55:11 | 1:55:13 | |
MEOWS | 1:55:13 | 1:55:14 | |
Hey, Babe. Come on. | 1:55:14 | 1:55:16 | |
Oh, yeah. OK. | 1:55:19 | 1:55:21 | |
Tell your friend to give us the tape. | 1:55:21 | 1:55:23 | |
Hey, look, | 1:55:23 | 1:55:25 | |
number one, he's not my friend. | 1:55:25 | 1:55:28 | |
Number two, it's not his tape. | 1:55:28 | 1:55:30 | |
-Whose is it? -It's mine. | 1:55:30 | 1:55:32 | |
OK? It's mine. I bought it. | 1:55:32 | 1:55:34 | |
You sold it to him? | 1:55:34 | 1:55:37 | |
Now, you listen to me. | 1:55:40 | 1:55:42 | |
Who are you? What the fuck you trying to do? | 1:55:45 | 1:55:48 | |
This is bad. | 1:55:48 | 1:55:50 | |
-'I'm with the government. -They made the tape?' | 1:55:50 | 1:55:53 | |
You guys ought to get in there. | 1:55:53 | 1:55:55 | |
Wait! We can go get a warrant and take anything we want! | 1:55:55 | 1:56:00 | |
Arrest anybody we want. Give him the tape! | 1:56:00 | 1:56:03 | |
You'll be arrested for felonious cocksucking | 1:56:03 | 1:56:06 | |
with attempt to swallow evidence. | 1:56:06 | 1:56:08 | |
You, get the fuck out of here! | 1:56:08 | 1:56:11 | |
Get a warrant and get out of my joint. | 1:56:11 | 1:56:13 | |
Get in there or there will be dead bodies... | 1:56:13 | 1:56:16 | |
Shut up! | 1:56:16 | 1:56:17 | |
-Get in there. Come on! -Shit. Forget it. Let's go. | 1:56:17 | 1:56:20 | |
This is it! | 1:56:20 | 1:56:22 | |
Take the rear. Jones, side entrance. | 1:56:22 | 1:56:25 | |
What are we waiting for? Let's go! | 1:56:26 | 1:56:28 | |
Tony says we wait till they show up. | 1:56:28 | 1:56:31 | |
Put the guns away. | 1:56:31 | 1:56:32 | |
You put your guns away. | 1:56:32 | 1:56:34 | |
Put it away. | 1:56:34 | 1:56:36 | |
CREAKING | 1:56:36 | 1:56:38 | |
Put it away. Put it away. | 1:56:39 | 1:56:42 | |
All right, I'm putting it away. | 1:56:47 | 1:56:49 | |
What will it take for us to get that tape? | 1:56:54 | 1:56:57 | |
The end of the world. | 1:56:57 | 1:57:00 | |
We're leaving. Put the guns down. | 1:57:03 | 1:57:05 | |
Everybody drop your weapons! | 1:57:05 | 1:57:07 | |
No! | 1:57:07 | 1:57:09 | |
Go! Go! Go! | 1:57:39 | 1:57:41 | |
SIRENS | 1:57:42 | 1:57:44 | |
Get your hands up! | 1:57:49 | 1:57:50 | |
You get your hands up! Drop the gun. | 1:57:50 | 1:57:53 | |
Easy, he's not one of them. Get up. | 1:57:53 | 1:57:56 | |
'Get up. | 1:57:56 | 1:57:57 | |
'Get this cleaned up.' | 1:57:57 | 1:57:59 | |
Not too stupid after all. | 1:57:59 | 1:58:01 | |
'Let's go. Let's move it. | 1:58:01 | 1:58:04 | |
'Get the paramedics. Get the paramedics in here.' | 1:58:04 | 1:58:07 | |
We got thirteen bodies. Let's go. | 1:58:07 | 1:58:10 | |
Get some IDs on these guys, get the guns out of here. | 1:58:22 | 1:58:26 | |
'This guy is going down and he'll take you all with him. God damn! | 1:58:55 | 1:58:59 | |
'Rachel Banks is not the issue. Hamersly is. | 1:58:59 | 1:59:03 | |
'Now, where's the tape?' | 1:59:03 | 1:59:05 | |
Why did you record it? | 1:59:07 | 1:59:09 | |
OK, first of all, we were there for technical support. | 1:59:09 | 1:59:14 | |
And we had no idea until... | 1:59:14 | 1:59:16 | |
Do they know that Reynolds is dead? | 1:59:16 | 1:59:19 | |
Yeah, but they're still stalling. | 1:59:19 | 1:59:22 | |
A tape. | 1:59:22 | 1:59:23 | |
A tape of it. | 1:59:23 | 1:59:25 | |
-What did you think? -I thought it was an STO. | 1:59:25 | 1:59:28 | |
-STO? -Standard Training Op. | 1:59:28 | 1:59:31 | |
Congressman, does this mean the privacy bill is dead? | 1:59:35 | 1:59:39 | |
In its current form, but the issue is still alive, | 1:59:39 | 1:59:42 | |
unless no-one worries about national security. | 1:59:42 | 1:59:46 | |
-TV: -'We knew we had to monitor our enemies, | 1:59:55 | 1:59:58 | |
'we also have to monitor the people who are monitoring them.' | 1:59:58 | 2:00:03 | |
Who's gonna monitor the monitors of the monitors? | 2:00:03 | 2:00:07 | |
I wouldn't mind doing some monitoring myself. | 2:00:07 | 2:00:10 | |
Me and you got lots and lots of monitoring to do. | 2:00:10 | 2:00:14 | |
Are you guys talking about sex? | 2:00:14 | 2:00:17 | |
Boy! | 2:00:17 | 2:00:18 | |
It's time for dinner. | 2:00:18 | 2:00:20 | |
Eat your dinner. | 2:00:20 | 2:00:22 | |
No more hanging with Dylan. | 2:00:22 | 2:00:24 | |
-TV: -'I'm Doug Hill, outside Broadcast House...' | 2:00:27 | 2:00:31 | |
SOUND OF CHANNELS CHANGING | 2:00:31 | 2:00:34 | |
Brill, you are one sick man. | 2:00:56 | 2:00:59 | |
Yeah. Me too. | 2:01:02 | 2:01:04 | |
Oh, you gonna need to get a tan on those things. | 2:01:06 | 2:01:10 | |
'Congressman, how do we draw the line between | 2:01:14 | 2:01:17 | |
'protection of national security, | 2:01:17 | 2:01:20 | |
'obtaining intelligence data, and a protection of civil liberties, | 2:01:20 | 2:01:25 | |
'particularly the sanctity of my home? | 2:01:25 | 2:01:28 | |
'You've got no right to come into my home.' | 2:01:28 | 2:01:31 | |
Subtitles by Red Bee Media Ltd | 2:02:08 | 2:02:13 | |
Email [email protected] | 2:02:13 | 2:02:19 |