Browse content similar to Halloween: Resurrection. Check below for episodes and series from the same categories and more!
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This programme contains very strong language and prolonged violent scenes. | 0:00:11 | 0:00:18 | |
WHEELS SQUEAKING | 0:01:29 | 0:01:33 | |
Laurie: You've heard of the tunnel. | 0:01:36 | 0:01:39 | |
The one we all go through sooner or later. | 0:01:40 | 0:01:44 | |
RAT SQUEAKING | 0:01:44 | 0:01:47 | |
At the end, there's a door... | 0:01:47 | 0:01:49 | |
WOMAN SHOUTING FAINTLY | 0:01:49 | 0:01:51 | |
..And waiting for you on the other side of that door... | 0:01:51 | 0:01:56 | |
is either Heaven... | 0:01:56 | 0:01:57 | |
or Hell. | 0:01:57 | 0:02:00 | |
MUFFLED SHOUTING | 0:02:00 | 0:02:04 | |
This is that door. | 0:02:04 | 0:02:06 | |
CRICKETS CHIRPING | 0:02:37 | 0:02:40 | |
LOW TALKING | 0:02:43 | 0:02:46 | |
Why is this patient in lockdown? | 0:02:55 | 0:02:57 | |
They didn't tell you about Laurie Strode? No. | 0:02:57 | 0:03:00 | |
You must have heard of her. | 0:03:00 | 0:03:01 | |
Sister of Michael Myers? | 0:03:01 | 0:03:03 | |
Michael Myers, the serial killer? | 0:03:03 | 0:03:06 | |
You'll hear all the gossip soon enough. | 0:03:06 | 0:03:09 | |
Let's just... No, tell me about her. | 0:03:09 | 0:03:11 | |
She decapitated a man. | 0:03:11 | 0:03:13 | |
Aah! | 0:03:13 | 0:03:15 | |
Oh, my God. Wh-why? | 0:03:17 | 0:03:21 | |
Halloween. Three years ago. | 0:03:21 | 0:03:25 | |
20 years after the first murders, | 0:03:25 | 0:03:27 | |
her brother finally found her. | 0:03:27 | 0:03:29 | |
Tracked her down to the school where she was working. | 0:03:29 | 0:03:32 | |
There were several murders. | 0:03:32 | 0:03:36 | |
Lots of confusion. | 0:03:36 | 0:03:38 | |
RADIO CRACKLES | 0:03:39 | 0:03:41 | |
SIREN | 0:03:46 | 0:03:48 | |
Guys, over here! | 0:03:53 | 0:03:56 | |
RIPPING | 0:04:01 | 0:04:04 | |
Oh, my God. She killed the wrong person. | 0:04:08 | 0:04:11 | |
Uh! | 0:04:12 | 0:04:14 | |
Father of three. | 0:04:17 | 0:04:19 | |
Why didn't the paramedic say something? | 0:04:21 | 0:04:24 | |
GAGGING | 0:04:24 | 0:04:27 | |
His larynx had been crushed. | 0:04:31 | 0:04:35 | |
Don't let on you know. | 0:04:35 | 0:04:38 | |
Hello, Miss Strode. Did you enjoy your dinner? | 0:04:44 | 0:04:48 | |
She hasn't said a word in years. | 0:04:48 | 0:04:51 | |
Extreme disassociative disorder. | 0:04:51 | 0:04:55 | |
The doctors think she's a suicide threat. | 0:04:55 | 0:04:58 | |
They found her up on the roof more than once. | 0:04:58 | 0:05:02 | |
Must be the guilt. | 0:05:03 | 0:05:07 | |
All she does is stare out that window. | 0:05:07 | 0:05:09 | |
God know what she sees out there. | 0:05:09 | 0:05:12 | |
DOOR CLOSES | 0:05:14 | 0:05:16 | |
LOCK CLICKS | 0:05:16 | 0:05:19 | |
CRICKETS CHIRPING | 0:05:51 | 0:05:53 | |
Hello? | 0:06:16 | 0:06:18 | |
Anyone out there? | 0:06:23 | 0:06:25 | |
CLICKS LIGHTER | 0:06:39 | 0:06:41 | |
Boooo! | 0:06:41 | 0:06:43 | |
Holy shit! Ha ha ha! | 0:06:43 | 0:06:46 | |
Harold, are you trying to give me a heart attack? | 0:06:46 | 0:06:49 | |
How the hell did you get out again? | 0:06:49 | 0:06:53 | |
And who are you supposed to be today? | 0:06:53 | 0:06:56 | |
John Wayne Gacy. | 0:06:56 | 0:06:58 | |
Born in Chicago, Illinois in 1942. Come on, big guy. | 0:06:58 | 0:07:02 | |
Killed 33 people. Buried them under his house. | 0:07:02 | 0:07:06 | |
He was executed on May 7... I know, Harold. | 0:07:06 | 0:07:10 | |
Willie, I'm not trying to criticize your work, | 0:07:11 | 0:07:14 | |
but if you put Harold in his room... | 0:07:14 | 0:07:17 | |
how come I see him in the basement? | 0:07:17 | 0:07:19 | |
But...I just... Two seconds ago, he was... | 0:07:19 | 0:07:23 | |
Come on. Let's go get him. | 0:07:23 | 0:07:25 | |
How many times do I have to tell you? | 0:07:25 | 0:07:27 | |
You gotta be sure what you're doing. | 0:07:27 | 0:07:29 | |
What are you doing? I skipped dinner. | 0:07:50 | 0:07:53 | |
Hurry up. OK. | 0:07:53 | 0:07:55 | |
Harold? | 0:07:59 | 0:08:01 | |
What are you doing down here? | 0:08:04 | 0:08:06 | |
What's gotten into you? | 0:08:11 | 0:08:13 | |
SCREAMING | 0:08:13 | 0:08:16 | |
SQUEAKING | 0:08:19 | 0:08:22 | |
THUMPING | 0:08:34 | 0:08:37 | |
BANGING | 0:08:54 | 0:08:58 | |
Agh! Agh! | 0:09:19 | 0:09:21 | |
Agh! | 0:09:21 | 0:09:22 | |
GASPING | 0:09:25 | 0:09:28 | |
Hmm. Ted Bundy. Born November 24, 19... | 0:09:52 | 0:09:57 | |
SCRAPING | 0:09:57 | 0:09:59 | |
BANGING ON DOOR | 0:10:27 | 0:10:31 | |
Hello, Michael. | 0:11:42 | 0:11:45 | |
CLICK | 0:11:45 | 0:11:48 | |
I knew you'd come for me sooner or later. | 0:12:04 | 0:12:08 | |
What took you so long? | 0:12:08 | 0:12:11 | |
You failed, Michael. | 0:12:25 | 0:12:28 | |
You want to know why? | 0:12:29 | 0:12:31 | |
Because I'm not afraid of you. | 0:12:33 | 0:12:35 | |
But what about YOU? | 0:12:35 | 0:12:37 | |
Are you afraid of ME? | 0:12:40 | 0:12:42 | |
Are you afraid to die, Michael? | 0:12:45 | 0:12:47 | |
I just have to be sure. | 0:13:29 | 0:13:31 | |
Uh! | 0:13:44 | 0:13:46 | |
Aah...! | 0:13:54 | 0:13:56 | |
I'll see you in Hell... | 0:14:12 | 0:14:15 | |
HEAVY BREATHING | 0:14:35 | 0:14:39 | |
GIGGLING | 0:14:59 | 0:15:01 | |
Michael Myers. | 0:15:03 | 0:15:05 | |
Born October 19, 1957. | 0:15:06 | 0:15:09 | |
Killed his older sister, October 31, 1963. | 0:15:11 | 0:15:15 | |
Killed three high school students, October 31, 1978. | 0:15:15 | 0:15:20 | |
Also killed three nurses and a paramedic, same night. | 0:15:20 | 0:15:24 | |
CHUCKLES | 0:15:24 | 0:15:26 | |
Was believed to be dead, then killed four students, | 0:15:26 | 0:15:30 | |
Hillcrest Academy, 1998. | 0:15:30 | 0:15:33 | |
Has been missing, unheard of, last three years. | 0:15:33 | 0:15:37 | |
Now he's back. | 0:15:37 | 0:15:39 | |
CHUCKLING | 0:15:39 | 0:15:42 | |
Carl Jung tells us that the human psyche contains | 0:16:04 | 0:16:09 | |
a figment of ourselves that even the collective unconscious denies. | 0:16:09 | 0:16:13 | |
Good morning, Paul. It's nice to see you in class. Am I keeping you up? | 0:16:13 | 0:16:18 | |
What do I mean by all this, people? | 0:16:18 | 0:16:21 | |
I mean that inside all of us | 0:16:21 | 0:16:24 | |
there lurks a dark, malevolent figure. | 0:16:24 | 0:16:29 | |
A kind of boogeyman, if you will, | 0:16:29 | 0:16:32 | |
that Jung called what? | 0:16:32 | 0:16:34 | |
Come on, stick with me, people. | 0:16:34 | 0:16:37 | |
Take that Kierkegaardian leap of faith. | 0:16:37 | 0:16:40 | |
Jung said we must face down our fears | 0:16:42 | 0:16:46 | |
and face up to the figure he called...what? | 0:16:46 | 0:16:50 | |
The shadow. | 0:16:50 | 0:16:53 | |
Yes, Sara, very good. Thank you. | 0:16:53 | 0:16:56 | |
I'm glad somebody was awake. BELL RINGS | 0:16:56 | 0:16:58 | |
Hey, Sara! | 0:17:02 | 0:17:05 | |
Sara, wait up! | 0:17:05 | 0:17:07 | |
I've been looking for you everywhere. | 0:17:07 | 0:17:10 | |
Guess what? | 0:17:10 | 0:17:11 | |
Uh-uh. What did you sign us up for this time? | 0:17:11 | 0:17:15 | |
We gotta find Rudy. Come on! | 0:17:15 | 0:17:18 | |
Hey, Rudy. | 0:17:31 | 0:17:33 | |
Don't distract me. | 0:17:33 | 0:17:35 | |
I can't help myself. | 0:17:35 | 0:17:37 | |
I am distracting. | 0:17:37 | 0:17:40 | |
Have you checked your email? | 0:17:40 | 0:17:42 | |
No. Why? Did you send me something? | 0:17:42 | 0:17:46 | |
We're in! They picked all three of us! | 0:17:46 | 0:17:49 | |
What? Are you serious? | 0:17:49 | 0:17:51 | |
Uh-huh! | 0:17:51 | 0:17:53 | |
Yes! | 0:17:54 | 0:17:56 | |
That is all good. This isn't one of your little jokes, is it? No... | 0:17:56 | 0:18:00 | |
but Sara doesn't want to go. I haven't decided yet. | 0:18:00 | 0:18:05 | |
No, no, no. That is unacceptable. It is unacceptable. | 0:18:05 | 0:18:09 | |
We're gonna be bigger than the Osbournes. We're gonna be large. | 0:18:09 | 0:18:13 | |
Every time I let you two talk me into something, I regret it. | 0:18:13 | 0:18:17 | |
Without me, you would die of boredom. | 0:18:17 | 0:18:19 | |
Us! Without US, you would die of boredom. | 0:18:19 | 0:18:23 | |
Whatever. | 0:18:23 | 0:18:25 | |
Are you sure they're not just putting us in some house with hidden cameras in the shower? | 0:18:28 | 0:18:32 | |
No. It's like we're investigative reporters | 0:18:32 | 0:18:36 | |
searching a crime scene. And look at the scholarship. | 0:18:36 | 0:18:40 | |
Yeah. | 0:18:40 | 0:18:41 | |
Besides that, thousands of people | 0:18:41 | 0:18:44 | |
are gonna see my face... | 0:18:44 | 0:18:46 | |
OUR face. | 0:18:46 | 0:18:49 | |
Don't do it. > | 0:18:49 | 0:18:52 | |
That's the house where it all started. | 0:18:52 | 0:18:55 | |
He walked its hallways, hid in its closets, | 0:18:55 | 0:18:58 | |
dreamed in its bedrooms, helped his mother in the kitchen, | 0:18:58 | 0:19:01 | |
watched TV in the living room with his dad, | 0:19:01 | 0:19:05 | |
played in his sister's bedroom. | 0:19:05 | 0:19:08 | |
Then one day, he picked up a knife... | 0:19:08 | 0:19:12 | |
..and he never put it down again. | 0:19:14 | 0:19:17 | |
MA...H! | 0:19:20 | 0:19:22 | |
MA...A...A...AH...! | 0:19:23 | 0:19:27 | |
That guy's fucking weird. | 0:19:27 | 0:19:31 | |
Don't pay any attention to him. He's just trying to scare us. | 0:19:31 | 0:19:35 | |
I just need to send a quick email. | 0:19:35 | 0:19:37 | |
"Deckard...you'll never believe what I got myself into." | 0:19:42 | 0:19:47 | |
Deckard? Who's Deckard? | 0:19:49 | 0:19:51 | |
Oh, it's my screen name. | 0:19:51 | 0:19:53 | |
Sara needed some tech support setting up her offline reader, so I... | 0:19:53 | 0:19:58 | |
You said you're a graduate student? Graduate of what? Junior high? | 0:19:58 | 0:20:01 | |
Shut up, all right? We talk every day. I don't know... | 0:20:01 | 0:20:05 | |
It's like we're dating. She's never even seen you. | 0:20:05 | 0:20:09 | |
And Yahoo chat rooms do not count. Yes, they do count. | 0:20:09 | 0:20:12 | |
In the old days, knights used to spend their entire lives | 0:20:12 | 0:20:16 | |
courting ladies that they would never even touch? | 0:20:16 | 0:20:19 | |
They'd send each other sonnets and stuff. That's before internet porn! | 0:20:19 | 0:20:23 | |
Whatever. | 0:20:23 | 0:20:25 | |
Now what are you doing? Just give me a second, all right? | 0:20:25 | 0:20:29 | |
REVS ENGINE | 0:20:34 | 0:20:37 | |
I hope Sara shows up wearing something acceptable. | 0:20:43 | 0:20:47 | |
She can't still be mad at us for the last time. | 0:20:47 | 0:20:50 | |
Oh, here she is. Hey! | 0:20:50 | 0:20:53 | |
OK, everybody, listen up! | 0:20:53 | 0:20:55 | |
Sara, are you gonna wear this? | 0:20:55 | 0:20:58 | |
I thought I told you we were gonna be on camera. | 0:20:58 | 0:21:01 | |
I'd like to start this off | 0:21:01 | 0:21:03 | |
by saying the search is over. | 0:21:03 | 0:21:05 | |
You six have been selected to explore | 0:21:05 | 0:21:08 | |
America's worst nightmare. | 0:21:08 | 0:21:10 | |
Tomorrow night, Halloween, | 0:21:10 | 0:21:12 | |
live, in front of the whole entire internet universe... | 0:21:12 | 0:21:17 | |
you six will enter the birthplace of evil in its purest form. | 0:21:17 | 0:21:21 | |
The childhood home of our most brutal mass murderer, Michael Myers. | 0:21:21 | 0:21:27 | |
Thank you. Thank you. | 0:21:28 | 0:21:32 | |
What do YOU hope to find in the house tomorrow? | 0:21:32 | 0:21:35 | |
My way into network broadcasting. | 0:21:35 | 0:21:38 | |
Michael Myers is not just a man behind a mask. | 0:21:38 | 0:21:42 | |
He's a legend. | 0:21:42 | 0:21:44 | |
I'm interested in how Michael Myers embodies | 0:21:44 | 0:21:46 | |
the politics of violence embedded in pop mythology. | 0:21:46 | 0:21:50 | |
Never underestimate the effect of a poor diet. | 0:21:50 | 0:21:53 | |
Too much protein, not enough zinc. | 0:21:53 | 0:21:56 | |
Next, you're cutting up bodies in the bathtub. Hitler was a vegetarian. | 0:21:56 | 0:21:59 | |
He was seriously malnourished. | 0:21:59 | 0:22:01 | |
You don't have to go far to find Michael Myers. | 0:22:01 | 0:22:04 | |
He is the great white shark of our unconscious. | 0:22:04 | 0:22:08 | |
He is the dark-eyed child of our spirits. | 0:22:08 | 0:22:11 | |
He's every murderous impulse we've ever had. | 0:22:11 | 0:22:13 | |
He's the little voice that whispers to us | 0:22:13 | 0:22:16 | |
to strangle the old lady taking too long at the checkout counter. | 0:22:16 | 0:22:20 | |
Get to know him, baby. He's you. | 0:22:20 | 0:22:24 | |
So, tell us, Sara, | 0:22:24 | 0:22:25 | |
why do ordinary people turn to murder? | 0:22:25 | 0:22:27 | |
Well, I, um... | 0:22:27 | 0:22:30 | |
I think it has something to do with upbringing. | 0:22:30 | 0:22:34 | |
A-A-AGH...! | 0:22:34 | 0:22:35 | |
Damn! That girl can sing. | 0:22:37 | 0:22:39 | |
That's what I'm looking for. Ooh. | 0:22:42 | 0:22:46 | |
TV: Ha-ya! | 0:22:49 | 0:22:51 | |
Get his ass! Get his ass! Get his ass! | 0:22:51 | 0:22:55 | |
Who's better than Wat Chun Lee? Whoopin' everybody's ass while he's smokin' a cigarette. | 0:22:55 | 0:23:00 | |
KNOCK ON DOOR | 0:23:00 | 0:23:06 | |
Oh, shit. Who's knockin' on my door this late? | 0:23:01 | 0:23:06 | |
They're distracting me from seeing Wat Chun Lee whoop some ass. | 0:23:06 | 0:23:10 | |
Sara? Ooh. | 0:23:10 | 0:23:12 | |
Sara, what are you doing here? It's late. | 0:23:13 | 0:23:15 | |
I'm dropping out. | 0:23:15 | 0:23:17 | |
..What? | 0:23:17 | 0:23:18 | |
I'm sorry. It's just I'm so freaked out, I can't even sleep. | 0:23:18 | 0:23:22 | |
Slow down, slow down. What's the problem? | 0:23:22 | 0:23:26 | |
I'm not like the others. | 0:23:26 | 0:23:28 | |
I know you're not like the others. | 0:23:28 | 0:23:31 | |
You know you're not like the others. | 0:23:31 | 0:23:34 | |
The others ain't nothin' but a bunch Of smart-ass, wise-crackin', posin' wannabes. | 0:23:34 | 0:23:39 | |
You are the real deal. Every existing element about you is what the internet audience really wants. | 0:23:39 | 0:23:44 | |
I don't want to be famous. | 0:23:44 | 0:23:46 | |
What do you mean, you don't want to be famous? | 0:23:46 | 0:23:49 | |
That's the American dream. | 0:23:49 | 0:23:51 | |
I think I'm just scared. | 0:23:51 | 0:23:53 | |
It's OK to be scared. Being scared is good. Fear is good. | 0:23:53 | 0:23:57 | |
Fear motivates. Fear gives you the feeling of being alive. | 0:23:57 | 0:24:02 | |
Fear makes me want to throw up. | 0:24:02 | 0:24:05 | |
You'll be surprised at how much you surprise yourself. | 0:24:05 | 0:24:09 | |
Look, I'm sorry to bother you. I just... | 0:24:09 | 0:24:12 | |
It's OK. Sleep on it. We'll talk about it tomorrow. You can sweat it tonight, man. | 0:24:12 | 0:24:17 | |
Now take your tail on outta here and go to bed. | 0:24:17 | 0:24:22 | |
Ol' Freddie boy, damn, you good. | 0:24:22 | 0:24:25 | |
Shit you come up with off the top of your head, boy. | 0:24:25 | 0:24:28 | |
Why don't you just pat yourself on your back? | 0:24:28 | 0:24:31 | |
Oh, Wat Chun Lee! Oh! | 0:24:31 | 0:24:35 | |
HORN TOOTS | 0:24:35 | 0:24:36 | |
Are you coming out soon or are you planning on sub-letting? | 0:24:44 | 0:24:47 | |
Mmm! Sexy girl! | 0:24:48 | 0:24:51 | |
Don't you think it's a bit too revealing? | 0:24:53 | 0:24:55 | |
I think it's perfectly revealing. | 0:24:55 | 0:24:58 | |
Aah! | 0:24:58 | 0:24:59 | |
What? | 0:25:02 | 0:25:03 | |
Are you OK? | 0:25:03 | 0:25:05 | |
Did you see the boogeyman or something? | 0:25:05 | 0:25:07 | |
The boogeyman? How very Jungian. | 0:25:07 | 0:25:11 | |
Dr Mixter's class? I'm taking that course, too. | 0:25:11 | 0:25:14 | |
I hope they have this in black. | 0:25:14 | 0:25:17 | |
Ah, there she is. | 0:25:19 | 0:25:22 | |
Oh, my God, you've been pussy-whipped. | 0:25:22 | 0:25:26 | |
What's worse, you've been cyber-whipped. Where's your costume? | 0:25:26 | 0:25:29 | |
Oh, I can't go out tonight. I promised Sara I would watch her first episode. | 0:25:29 | 0:25:34 | |
She's really nervous. | 0:25:34 | 0:25:36 | |
No. No, Mickey Stern's party is tonight, and you know that. | 0:25:36 | 0:25:40 | |
Oh, yeah. I'm sorry, man. I guess I forgot. | 0:25:40 | 0:25:43 | |
Forgot?! Do you have any idea what it means for two freshmen to get invited? | 0:25:43 | 0:25:47 | |
It's never happened before! | 0:25:47 | 0:25:49 | |
Your sister invited us so you wouldn't tell your mother about her tattoo. | 0:25:49 | 0:25:52 | |
OK, that's besides the point, Myles Barton. | 0:25:52 | 0:25:55 | |
You can either sit here in your little dream fantasy world, | 0:25:55 | 0:25:58 | |
or you can come to this party and learn to walk like a man. | 0:25:58 | 0:26:02 | |
What's it gonna be? | 0:26:02 | 0:26:04 | |
All right, let's go. | 0:26:05 | 0:26:08 | |
Ah, chat-room romance? | 0:26:08 | 0:26:11 | |
He's just a friend. | 0:26:11 | 0:26:13 | |
He's probably 50 and bald, with a bad toupee. | 0:26:13 | 0:26:15 | |
Jen. | 0:26:15 | 0:26:17 | |
He probably collects human skin. | 0:26:17 | 0:26:20 | |
Give me a break, Jen. OK, everybody listen up. > | 0:26:20 | 0:26:24 | |
The home that you will be entering tonight | 0:26:24 | 0:26:27 | |
has been rigged up with several cameras, | 0:26:27 | 0:26:30 | |
but for the most part, the audience will see only what you see. | 0:26:30 | 0:26:34 | |
See these cameras here? | 0:26:34 | 0:26:36 | |
I kinda like these cameras. | 0:26:36 | 0:26:38 | |
They can pretty much be clipped on to anything. | 0:26:38 | 0:26:41 | |
You know, a hat, shirt collar, your coat collar. | 0:26:41 | 0:26:44 | |
The viewers can pretty much control what they want to watch, | 0:26:44 | 0:26:49 | |
switch around from camera to camera, | 0:26:49 | 0:26:52 | |
depending on what seems the most intriguing to them. | 0:26:52 | 0:26:55 | |
So if you guys want to be stars for the night, | 0:26:55 | 0:26:58 | |
I suggest you do something very interesting | 0:26:58 | 0:27:01 | |
so that it's worth the while of the viewers | 0:27:01 | 0:27:04 | |
to keep their cameras on you. | 0:27:04 | 0:27:06 | |
Cameras are so phallic. | 0:27:06 | 0:27:08 | |
Is that good or bad? | 0:27:08 | 0:27:10 | |
Depends who's watching. | 0:27:10 | 0:27:12 | |
HIP-HOP MUSIC PLAYING | 0:27:12 | 0:27:15 | |
GENERATOR RUNNING | 0:27:22 | 0:27:25 | |
Hey, Orson Welles, pick a placement and move on. | 0:27:31 | 0:27:34 | |
Look... | 0:27:36 | 0:27:38 | |
Low angles - scary. | 0:27:38 | 0:27:40 | |
High angles - scary. | 0:27:40 | 0:27:43 | |
Medium angles - boring. | 0:27:43 | 0:27:47 | |
You learned that shooting all those weddings and Bar Mitzvahs. | 0:27:47 | 0:27:50 | |
Hey, hey! I went to Long Beach State - same as Spielberg. | 0:27:50 | 0:27:55 | |
Charley, we're on a schedule here, OK? | 0:27:55 | 0:27:57 | |
Tell Max to rig a camera in the sister's room. | 0:27:57 | 0:27:59 | |
Max is back at the hotel helping Freddie. | 0:27:59 | 0:28:02 | |
OK. | 0:28:02 | 0:28:04 | |
MUSIC CONTINUES TO PLAY | 0:28:04 | 0:28:07 | |
BREATHING | 0:28:20 | 0:28:23 | |
STEAM HISSES | 0:28:43 | 0:28:46 | |
GAGGING | 0:28:59 | 0:29:02 | |
Freddie! | 0:29:29 | 0:29:30 | |
baby, calm down. It's all good. Just relax. I got it under control. | 0:29:30 | 0:29:34 | |
There was this Firebird parked right in front of the house, | 0:29:34 | 0:29:38 | |
totally about to ruin the establishing shot, | 0:29:38 | 0:29:41 | |
but I called a tow truck. Yep, it's on its way. | 0:29:41 | 0:29:45 | |
All right. Bye. | 0:29:45 | 0:29:47 | |
Look at you, Charley. That's a nice angle, boy. | 0:29:50 | 0:29:54 | |
REPORTER: Look, there he is now. | 0:29:58 | 0:30:00 | |
Here we go. | 0:30:00 | 0:30:02 | |
Mr Harris! Can we ask you a few questions, Mr Harris? | 0:30:02 | 0:30:05 | |
I got one word for you. What's that? Product placement. | 0:30:06 | 0:30:09 | |
Oh, yeah? Yeah. | 0:30:09 | 0:30:10 | |
I like the sound of that. | 0:30:10 | 0:30:11 | |
While we're going around the house discovering the secrets of Michael Myers, | 0:30:11 | 0:30:16 | |
we could be drinking Pepsi or sporting the Gap, right? | 0:30:16 | 0:30:20 | |
How's everyone doing? | 0:30:25 | 0:30:27 | |
'We're gonna get it started like this.' | 0:30:27 | 0:30:29 | |
In the next ten minutes, we're going to enter a mystery | 0:30:29 | 0:30:32 | |
wrapped up inside of a riddle inside of an enigma. | 0:30:32 | 0:30:36 | |
Everything you see, | 0:30:36 | 0:30:38 | |
absolutely everything you see is real. | 0:30:38 | 0:30:42 | |
There's no actors, none of the components or contents in the house | 0:30:42 | 0:30:45 | |
have been messed with, mixed up, diluted or tampered with in any shape, form, or fashion whatsoever. | 0:30:45 | 0:30:50 | |
Now, I'm not exactly sure what's gonna happen, | 0:30:50 | 0:30:53 | |
but no-one will be allowed to leave until the show is over. | 0:30:53 | 0:30:57 | |
Our state-of-the-art camera surveillance system will pick up anyone who tries to sneak out. | 0:30:57 | 0:31:02 | |
SNAP | 0:31:02 | 0:31:03 | |
SNAP | 0:31:04 | 0:31:05 | |
Let the dangertainment begin... | 0:31:06 | 0:31:11 | |
(motherfucker). | 0:31:11 | 0:31:12 | |
Well, people, let's do it. | 0:31:12 | 0:31:15 | |
HONK | 0:31:15 | 0:31:18 | |
CREAK AND SLAM | 0:31:35 | 0:31:37 | |
Rudy! | 0:31:37 | 0:31:39 | |
Way to go. This is gonna be fun. | 0:31:42 | 0:31:46 | |
Looks like nothing's been touched in years. | 0:32:00 | 0:32:02 | |
I read that after the murders, the family just sealed it up | 0:32:07 | 0:32:11 | |
and left without taking anything with them. | 0:32:11 | 0:32:14 | |
It's not exactly a house you put on the market. | 0:32:14 | 0:32:16 | |
But I'll bet it has one of those big, nice, old kitchens. | 0:32:16 | 0:32:21 | |
Where are you going? I'm gonna check it out. | 0:32:23 | 0:32:26 | |
What are we gonna do? | 0:32:26 | 0:32:28 | |
We don't have to do anything. | 0:32:28 | 0:32:30 | |
Technically, we just have to be in the house. | 0:32:30 | 0:32:33 | |
Shouldn't we be looking for answers? | 0:32:33 | 0:32:35 | |
All right. The devil made him do it. I'm done. | 0:32:35 | 0:32:38 | |
We owe it to the people watching to at least take a look around. | 0:32:38 | 0:32:43 | |
Oh, that's cute. You're already worried about your fan base? | 0:32:44 | 0:32:48 | |
You are, like, this close to getting voted off the island. | 0:32:51 | 0:32:55 | |
Hey, check this out. | 0:32:59 | 0:33:01 | |
Want something tasty and delicious? | 0:33:01 | 0:33:03 | |
Tasted 40-year-old fennel? Eww, don't. It's gotta be rotten. | 0:33:05 | 0:33:10 | |
That's strange. What? | 0:33:10 | 0:33:12 | |
It smells fresh. | 0:33:12 | 0:33:14 | |
Yeah, it does. Yeah. | 0:33:14 | 0:33:16 | |
You know, Donna, you got great legs. | 0:33:19 | 0:33:22 | |
What time do they open? | 0:33:22 | 0:33:23 | |
One o'clock? | 0:33:24 | 0:33:26 | |
Goddamn. | 0:33:28 | 0:33:30 | |
Sara... | 0:33:33 | 0:33:34 | |
You think this is the one he used to do his thing? | 0:33:37 | 0:33:40 | |
No. They'd keep that in an evidence locker somewhere. | 0:33:40 | 0:33:43 | |
Whew. | 0:33:43 | 0:33:45 | |
Boo. Aah! | 0:33:52 | 0:33:54 | |
Are you scared? | 0:33:55 | 0:33:56 | |
No. | 0:33:56 | 0:33:58 | |
What's in here? | 0:33:58 | 0:33:59 | |
What is that? | 0:34:04 | 0:34:07 | |
METAL SQUEAKING | 0:34:08 | 0:34:11 | |
OK, so I admit that this place is a little creepy, OK? | 0:34:11 | 0:34:17 | |
No, no, no, no, no. You have no idea. | 0:34:17 | 0:34:19 | |
Look at this. | 0:34:19 | 0:34:21 | |
Wow, a chair. | 0:34:21 | 0:34:23 | |
My God, do you think they actually kept him in this? | 0:34:23 | 0:34:26 | |
What is that? Looks like the key to Sara's chastity belt. | 0:34:29 | 0:34:32 | |
Rudy! | 0:34:32 | 0:34:33 | |
Maybe we should poke around a bit, | 0:34:35 | 0:34:37 | |
see what else we can find. | 0:34:37 | 0:34:39 | |
Ha! Aye-aye, captain. | 0:34:39 | 0:34:42 | |
Why are you touching me? | 0:34:42 | 0:34:47 | |
Don't. | 0:34:47 | 0:34:48 | |
Go poke. | 0:34:50 | 0:34:52 | |
BREATHING | 0:35:02 | 0:35:05 | |
SHRIEKING | 0:35:15 | 0:35:17 | |
LOUD MUSIC PLAYING | 0:35:17 | 0:35:19 | |
Hey, what's going on? | 0:35:22 | 0:35:24 | |
Scott, what are we doing here? | 0:35:34 | 0:35:36 | |
Hey, man, be cool, all right? | 0:35:36 | 0:35:39 | |
Relax. Have fun. Shit. | 0:35:39 | 0:35:42 | |
Think anyone will know we're supposed to be from Pulp Fiction? | 0:35:42 | 0:35:47 | |
CHILDREN LAUGHING | 0:36:49 | 0:36:52 | |
Ah! Shit! | 0:37:51 | 0:37:53 | |
Careful, Jen. | 0:37:53 | 0:37:55 | |
Hands off, Bud. | 0:37:55 | 0:37:57 | |
Bet this is Judith's room. | 0:38:16 | 0:38:17 | |
You know, the older sister. | 0:38:17 | 0:38:20 | |
The one he killed when he was six years old. | 0:38:23 | 0:38:27 | |
Hey! Keep the camera on the money here. | 0:38:27 | 0:38:30 | |
I think it happened when she was right there. | 0:38:30 | 0:38:32 | |
Poor little Judith - helpless... | 0:38:32 | 0:38:36 | |
brushing her hair... | 0:38:36 | 0:38:39 | |
..young... | 0:38:41 | 0:38:43 | |
and naked. | 0:38:43 | 0:38:45 | |
Cos that's gonna happen, right? Come on, Jen. | 0:38:47 | 0:38:50 | |
One flash and you could light up a thousand computer screens. | 0:38:50 | 0:38:55 | |
Launch your whole career. | 0:38:55 | 0:38:57 | |
You think? | 0:39:04 | 0:39:05 | |
You crack me up. | 0:39:32 | 0:39:35 | |
It's a good wardrobe for you, Jen. | 0:39:38 | 0:39:42 | |
FLOOR CREAKS | 0:39:45 | 0:39:48 | |
Wait! No, somebody else is in the hall! | 0:39:52 | 0:39:56 | |
Come on. | 0:39:58 | 0:39:59 | |
DOOR OPENS | 0:40:06 | 0:40:08 | |
Come here, lover boy. | 0:40:08 | 0:40:11 | |
Aah! | 0:40:11 | 0:40:13 | |
What are you doing, you big perv?! | 0:40:13 | 0:40:16 | |
They're exploring the house of a mass murderer, live. Wanna watch? | 0:40:16 | 0:40:21 | |
No way. Sure. | 0:40:21 | 0:40:22 | |
Oh, OK. | 0:40:22 | 0:40:24 | |
Impulse control disorder. | 0:40:24 | 0:40:26 | |
Huh? | 0:40:26 | 0:40:28 | |
That's my theory. | 0:40:28 | 0:40:30 | |
I think Michael Myers had fits of rage | 0:40:30 | 0:40:34 | |
that he could not control. | 0:40:34 | 0:40:36 | |
Kind of like a klepto or a nympho or a pyro. | 0:40:36 | 0:40:41 | |
So, instead of stealing silverware, | 0:40:44 | 0:40:47 | |
he slashes the necks of teenage girls? | 0:40:47 | 0:40:50 | |
Oh, come on... | 0:40:50 | 0:40:52 | |
Haven't you ever had an impulse that you just could not control? | 0:40:52 | 0:40:57 | |
Continuously. You mean "continually". | 0:40:57 | 0:41:00 | |
"Continuous" means continuing uninterrupted, | 0:41:00 | 0:41:03 | |
while "continual" means reoccurring periodically. | 0:41:03 | 0:41:06 | |
Donna, when are you gonna get out of your head and start thinking with your body? | 0:41:06 | 0:41:10 | |
Please. Does that line ever actually work on the chicks in the music department? | 0:41:10 | 0:41:15 | |
Art history, too. Sometimes even poli-sci. | 0:41:15 | 0:41:19 | |
Well, it doesn't cut it with critical studies. Bummer. | 0:41:19 | 0:41:23 | |
Besides, screwing a music major | 0:41:25 | 0:41:28 | |
would be tantamount to lesbianism. | 0:41:28 | 0:41:32 | |
I could get into that. | 0:41:32 | 0:41:33 | |
I'm telling you, it's in the food. | 0:41:40 | 0:41:42 | |
Remember that guy who was on trial for murder in San Francisco? | 0:41:42 | 0:41:46 | |
All he ate was Twinkies. | 0:41:46 | 0:41:47 | |
Rudy, do you ever think about anything other than food? | 0:41:47 | 0:41:51 | |
Wouldn't you like to know?! | 0:41:51 | 0:41:52 | |
WOMAN SCREAMING | 0:41:52 | 0:41:55 | |
Jen? | 0:41:54 | 0:41:55 | |
Jen? | 0:42:01 | 0:42:03 | |
What's goin' on? | 0:42:03 | 0:42:04 | |
What happened? I don't know. | 0:42:04 | 0:42:07 | |
I turned my back and she was gone. Jen! | 0:42:07 | 0:42:09 | |
Jen? | 0:42:09 | 0:42:10 | |
Jen? | 0:42:16 | 0:42:19 | |
Jen. | 0:42:19 | 0:42:21 | |
Jen? > | 0:42:22 | 0:42:23 | |
Jen? | 0:42:30 | 0:42:32 | |
Jen? | 0:42:33 | 0:42:35 | |
AGH...! | 0:42:35 | 0:42:38 | |
Turn it down! | 0:42:38 | 0:42:41 | |
Gotcha! God, you bitch. | 0:42:41 | 0:42:44 | |
Slut! | 0:42:44 | 0:42:46 | |
You know what? That's not right, | 0:42:46 | 0:42:48 | |
OK? You're foul. So foul. | 0:42:48 | 0:42:51 | |
Yeah, this is to us, | 0:42:51 | 0:42:54 | |
for successfully - let me give you a little more - | 0:42:54 | 0:42:58 | |
puttin' together something collectively | 0:42:58 | 0:43:00 | |
so ingenious as a team and a duo, | 0:43:00 | 0:43:03 | |
that we should definitely be able to secure a lot of food on the table | 0:43:03 | 0:43:07 | |
as long as everything goes as nicely as it's goin' right now. | 0:43:07 | 0:43:10 | |
FLOOR CREAKS | 0:43:10 | 0:43:13 | |
I'm gonna get her back for that. | 0:43:17 | 0:43:19 | |
Watch me... | 0:43:20 | 0:43:21 | |
AGH! | 0:43:21 | 0:43:23 | |
Oh, my God! | 0:43:23 | 0:43:25 | |
Cheers. | 0:43:25 | 0:43:27 | |
Mm. | 0:43:35 | 0:43:37 | |
What just happened? | 0:43:38 | 0:43:40 | |
We just lost Bill's camera. Oh, shit. | 0:43:40 | 0:43:43 | |
He must've just dropped it. Fuckin' idiot. | 0:43:43 | 0:43:46 | |
Find another view quickly, please. Freddie, relax. | 0:43:46 | 0:43:50 | |
I think this is going really well. Really, baby? | 0:43:50 | 0:43:53 | |
YES! We are doin' our thing. OK. | 0:43:53 | 0:43:56 | |
To dangertainment. | 0:43:56 | 0:43:58 | |
Salute. | 0:43:58 | 0:44:00 | |
And this must be the bed where he was conceived. | 0:44:01 | 0:44:05 | |
Stop showing off, Jen. | 0:44:05 | 0:44:08 | |
FLOOR CREAKS | 0:44:13 | 0:44:17 | |
Aaaah! | 0:44:33 | 0:44:36 | |
Rudy! | 0:44:36 | 0:44:38 | |
Jen, help me! | 0:44:38 | 0:44:39 | |
Are you OK? | 0:44:39 | 0:44:41 | |
Rudy, help. | 0:44:42 | 0:44:44 | |
What happened? What is that thing? | 0:44:51 | 0:44:54 | |
MUSIC PLAYING | 0:44:54 | 0:44:57 | |
Hey, is this that Michael Myers thing? Yeah. | 0:45:00 | 0:45:04 | |
All right. Cool. | 0:45:04 | 0:45:07 | |
What is this? | 0:45:21 | 0:45:23 | |
Oh...sorry. | 0:45:27 | 0:45:31 | |
Are you? | 0:45:31 | 0:45:32 | |
You're such a lothario. | 0:45:32 | 0:45:35 | |
Um... | 0:45:35 | 0:45:36 | |
I don't know what that means exactly, but, uh... | 0:45:36 | 0:45:39 | |
Just go with it. | 0:45:39 | 0:45:41 | |
Hold on. I just thought of something. | 0:45:42 | 0:45:46 | |
"Hold on"? | 0:45:47 | 0:45:49 | |
You've got to be kidding me. | 0:45:49 | 0:45:51 | |
Are you looking for Playboys? | 0:45:51 | 0:45:54 | |
This ain't right. | 0:46:01 | 0:46:03 | |
Well, it's obvious that the boy was subject to emotional and physical abuse. | 0:46:03 | 0:46:10 | |
No, I mean, all of this. It's not right. | 0:46:10 | 0:46:13 | |
It's too easy. | 0:46:13 | 0:46:15 | |
Why is all this stuff still here? | 0:46:15 | 0:46:17 | |
Answer that, Nancy Drew. | 0:46:17 | 0:46:19 | |
Where's Bill? | 0:46:19 | 0:46:21 | |
He's probably still mad at me. | 0:46:21 | 0:46:25 | |
He's gonna jump out of somewhere | 0:46:25 | 0:46:27 | |
and try and scare me. | 0:46:27 | 0:46:29 | |
You watch. | 0:46:29 | 0:46:31 | |
You watch. | 0:46:34 | 0:46:36 | |
METAL CLINKS | 0:46:57 | 0:46:59 | |
Jim? | 0:46:59 | 0:47:01 | |
HEAVY BREATHING | 0:47:05 | 0:47:08 | |
You know, if I'm keeping you from something, just let me know. | 0:47:15 | 0:47:20 | |
Look. | 0:47:20 | 0:47:21 | |
Voila. | 0:47:28 | 0:47:29 | |
Clever boy. | 0:47:29 | 0:47:31 | |
FLOOR CREAKS | 0:47:31 | 0:47:34 | |
They're looking for clues. | 0:47:41 | 0:47:43 | |
Something that might explain why Michael Myers went bad. | 0:47:43 | 0:47:46 | |
Jeez. | 0:47:46 | 0:47:48 | |
Hey, Scott. What's up? Nice costume. | 0:47:48 | 0:47:52 | |
Whoa. | 0:48:20 | 0:48:22 | |
Hey, you think they kept him down here? | 0:48:24 | 0:48:28 | |
Maybe. Look at this. | 0:48:28 | 0:48:31 | |
What? | 0:48:31 | 0:48:33 | |
What is it? | 0:48:33 | 0:48:35 | |
It's some sort of weird harness. | 0:48:35 | 0:48:38 | |
This whole place looks like some sort of sadistic playpen. | 0:48:38 | 0:48:43 | |
And you know what that makes me think? What? | 0:48:49 | 0:48:52 | |
There's definitely no cameras down here. | 0:48:52 | 0:48:56 | |
CHEERING | 0:49:19 | 0:49:22 | |
I could be a camera. | 0:49:23 | 0:49:24 | |
Say something smart. | 0:49:30 | 0:49:32 | |
Existence precedes essence. | 0:49:33 | 0:49:36 | |
God, you are sexy. | 0:49:42 | 0:49:44 | |
RUMBLING | 0:49:51 | 0:49:53 | |
CRASH | 0:49:59 | 0:50:01 | |
Aah! | 0:50:01 | 0:50:03 | |
Whoa! | 0:50:04 | 0:50:06 | |
Oh, shit! | 0:50:06 | 0:50:09 | |
Aah! | 0:50:09 | 0:50:10 | |
AGH! | 0:50:13 | 0:50:14 | |
That worked perfectly! That is what I'm talkin' about. | 0:50:15 | 0:50:20 | |
Oh, my God! Oh, my God! All his victims! It's a mass grave! | 0:50:20 | 0:50:25 | |
Animal! | 0:50:26 | 0:50:29 | |
Oh, God. | 0:50:33 | 0:50:35 | |
All of his victims. Oh! | 0:50:35 | 0:50:37 | |
Shit. Look at this. | 0:50:40 | 0:50:42 | |
I don't fucking believe this. | 0:50:42 | 0:50:44 | |
What? | 0:50:44 | 0:50:45 | |
Made in fucking Taiwan. | 0:50:45 | 0:50:48 | |
DOOR CREAKS | 0:50:52 | 0:50:55 | |
HEAVY BREATHING | 0:51:34 | 0:51:37 | |
Oh, shit, man! Charley, where the fuck you been at, man? | 0:51:54 | 0:51:58 | |
Don't you know we've been lookin' all over this motherfucker for you? | 0:51:58 | 0:52:02 | |
And why the hell are you dressed like me anyway? | 0:52:02 | 0:52:05 | |
I ain't payin' you to be Michael Myers. I'M playin' Michael Myers! | 0:52:05 | 0:52:08 | |
If them kids come around and see us dressed up in the same shit, you're gonna ruin the whole effect! | 0:52:08 | 0:52:13 | |
What the hell is wrong with you? | 0:52:13 | 0:52:15 | |
I said, what you lookin' at me like that for? | 0:52:15 | 0:52:18 | |
You don't get it? You don't get it?! | 0:52:18 | 0:52:21 | |
Your shit ain't workin' up there, or somethin'? | 0:52:21 | 0:52:24 | |
Take your ass in the garage with Nora. That's your job. | 0:52:24 | 0:52:28 | |
Go back there with Nora and help her out. Go do your job. | 0:52:28 | 0:52:31 | |
I left the back door unlocked for your ass | 0:52:31 | 0:52:35 | |
to go out the back into the garage. | 0:52:35 | 0:52:38 | |
That's what I did. You need to get the hell outta here. | 0:52:38 | 0:52:41 | |
Go on, scoot! Skedaddle! | 0:52:41 | 0:52:43 | |
Get the fuck out of Dodge! | 0:52:43 | 0:52:46 | |
God damn. What the hell's somebody gotta do to get a little decent help up in this motherfucker? | 0:52:52 | 0:52:57 | |
God damn it. Come on. | 0:52:57 | 0:53:00 | |
Let's go find Freddie. | 0:53:00 | 0:53:02 | |
This is bullshit. | 0:53:04 | 0:53:06 | |
RUBBLE FALLS | 0:53:16 | 0:53:20 | |
Hey, Jim? | 0:53:22 | 0:53:25 | |
You gotta see this. | 0:53:28 | 0:53:31 | |
RAT SQUEAKS | 0:54:14 | 0:54:16 | |
Gross. | 0:54:16 | 0:54:18 | |
Hey, Freddie. Is this all part of the setup? | 0:54:22 | 0:54:26 | |
"Laurie Strode, sister of Michael Myers, | 0:54:42 | 0:54:45 | |
"survives Halloween night massacre." | 0:54:45 | 0:54:48 | |
GASP | 0:54:53 | 0:54:55 | |
Nice prop. | 0:54:59 | 0:55:01 | |
RAT SQUEALS | 0:55:01 | 0:55:04 | |
Oh, my God! | 0:55:06 | 0:55:09 | |
Oh, my God! | 0:55:09 | 0:55:11 | |
Is anybody else seeing this? | 0:55:11 | 0:55:14 | |
Jim? | 0:55:17 | 0:55:19 | |
Aaah! | 0:55:22 | 0:55:24 | |
Aaah! | 0:55:26 | 0:55:27 | |
Aah! Oh, my God! | 0:55:29 | 0:55:31 | |
No! AGH...! | 0:55:35 | 0:55:38 | |
Help! Somebody! | 0:55:38 | 0:55:41 | |
Someone help! Oh, my God! | 0:55:41 | 0:55:43 | |
This isn't funny any more! | 0:55:43 | 0:55:46 | |
Help me! | 0:55:48 | 0:55:49 | |
Somebody help! | 0:55:49 | 0:55:52 | |
Stay away from me! | 0:55:59 | 0:56:01 | |
Aah! | 0:56:01 | 0:56:03 | |
Aah! Aah! | 0:56:03 | 0:56:05 | |
Aah! | 0:56:07 | 0:56:09 | |
That was so fake. | 0:56:39 | 0:56:41 | |
No, no, wait. Wait, you guys. That really just happened. She was just killed. | 0:56:41 | 0:56:46 | |
Man, you're gullible. | 0:56:48 | 0:56:50 | |
WATER BUBBLING | 0:56:53 | 0:56:56 | |
It's a good thing there's no cameras in here. | 0:57:00 | 0:57:04 | |
We're wearing cameras. | 0:57:04 | 0:57:06 | |
Aaaah! | 0:57:41 | 0:57:42 | |
Michael's here! I saw him! He's in the house! | 0:57:42 | 0:57:47 | |
He's here! | 0:57:47 | 0:57:48 | |
COUGHING | 0:57:48 | 0:57:51 | |
What's goin' on? What you talkin' about here? | 0:57:51 | 0:57:54 | |
There's nobody here. You're just buggin' out again. | 0:57:56 | 0:57:59 | |
It's not funny, OK? He's down in that room. | 0:57:59 | 0:58:02 | |
There is 1, 2, 3, 4, 5, 6 people in the house. | 0:58:02 | 0:58:06 | |
There's no Michael Myers here. | 0:58:06 | 0:58:08 | |
Listen, I saw him right over there. | 0:58:08 | 0:58:11 | |
He's in here? Ooh. Michael Myers. | 0:58:11 | 0:58:14 | |
Where's Michael Myers? I don't see nothin'. He was in here. | 0:58:14 | 0:58:17 | |
Bringin' me down. I saw... | 0:58:17 | 0:58:19 | |
AGH! | 0:58:19 | 0:58:21 | |
Agh! | 0:58:21 | 0:58:22 | |
Fucker! Whoa! Turn off the cameras! | 0:58:25 | 0:58:28 | |
Turn off the cameras! | 0:58:28 | 0:58:30 | |
Get it back online. What's wrong? | 0:58:30 | 0:58:32 | |
Cut to a different camera angle. | 0:58:32 | 0:58:34 | |
It's me. It's me. Freddie. | 0:58:34 | 0:58:37 | |
Freddie? What the fuck are you doing? | 0:58:37 | 0:58:40 | |
Damn, man, you hit me like I murdered your fuckin' mother or somethin'. | 0:58:40 | 0:58:44 | |
Relax, man. I'm only tryin' to give America a good show. | 0:58:44 | 0:58:48 | |
OK, so none of this shit is real, right? | 0:58:48 | 0:58:51 | |
Like, the the furniture, | 0:58:51 | 0:58:52 | |
the photos, the fucked up toys? | 0:58:52 | 0:58:54 | |
It's all fake. We've been set up. | 0:58:54 | 0:58:56 | |
You didn't have a show anyone would watch, | 0:58:56 | 0:58:59 | |
so you set us all up at our fucking expense? What expense? | 0:58:59 | 0:59:03 | |
You ain't contributed a dime to settin' up none of this shit. | 0:59:03 | 0:59:06 | |
Besides, don't nobody want to see any of y'all runnin' around no empty house, | 0:59:06 | 0:59:11 | |
possibly comin' up with nothin' any-damn-way. America don't like reality, first of all. | 0:59:11 | 0:59:16 | |
Second, they think the shit is boring. | 0:59:16 | 0:59:18 | |
They want a little razzle-dazzle, a little pizazz. | 0:59:18 | 0:59:21 | |
And us being the ones that give it to 'em, I don't see nothin' wrong with that. | 0:59:21 | 0:59:26 | |
I so did not sign up for this. | 0:59:26 | 0:59:28 | |
Y'all need to do me a favour, all right? | 0:59:28 | 0:59:31 | |
Just go along with this shit. Don't blow it. Not now. | 0:59:31 | 0:59:35 | |
You really have no idea of how nicely I worked things out, | 0:59:35 | 0:59:39 | |
so that we all can receive somewhat of a robust back end when this shit is all over. | 0:59:39 | 0:59:44 | |
I don't know what you wanna do about your share, but don't fuck it up for me. | 0:59:44 | 0:59:48 | |
I want my money. Now, if you don't mind, I'd like to go scare the shit | 0:59:48 | 0:59:52 | |
out of some more of these motherfuckers, | 0:59:52 | 0:59:54 | |
so, I'm gonna get it crackin'. | 0:59:54 | 0:59:57 | |
Y'all do what the fuck y'all gotta do. See y'all. | 0:59:57 | 1:00:01 | |
Turn up the sound. Where'd everybody go? | 1:00:04 | 1:00:06 | |
DOOR CREAKS | 1:00:06 | 1:00:09 | |
COUGHING | 1:00:09 | 1:00:11 | |
There you are, Bill. | 1:00:30 | 1:00:32 | |
What do you guys want to do? | 1:00:32 | 1:00:34 | |
I don't know. I could use the money. | 1:00:34 | 1:00:37 | |
No. Fuck that. | 1:00:37 | 1:00:39 | |
I'm out. Me too. I quit. | 1:00:39 | 1:00:42 | |
Boo! | 1:00:46 | 1:00:47 | |
AGH! AGH...! AGH-AGH...! | 1:00:47 | 1:00:52 | |
She must be going for the first internet Emmy. | 1:00:52 | 1:00:55 | |
You can't scare us, Jen. You're gonna have to do better than that. | 1:00:55 | 1:00:59 | |
You too, Freddie. | 1:01:06 | 1:01:07 | |
Aaaaaaah! | 1:01:09 | 1:01:12 | |
Uhh! Eww! How'd they do that? | 1:01:24 | 1:01:26 | |
Some digital effects. No, it isn't! | 1:01:26 | 1:01:29 | |
Hello. 911? | 1:01:29 | 1:01:31 | |
Oh, my God. | 1:01:34 | 1:01:36 | |
It's locked! | 1:01:40 | 1:01:41 | |
Fuck! | 1:01:41 | 1:01:43 | |
Go! Go in there! Go in there now! | 1:01:43 | 1:01:45 | |
Jim, run! | 1:02:04 | 1:02:05 | |
Run! | 1:02:05 | 1:02:07 | |
Ah...! | 1:02:22 | 1:02:24 | |
Oh! | 1:02:36 | 1:02:37 | |
Hey, Michael! | 1:02:41 | 1:02:42 | |
Yeah, I'm talkin' to you. You want a piece of me? | 1:02:42 | 1:02:45 | |
You should try a little less protein in your diet, you know? | 1:03:02 | 1:03:06 | |
Control some of that aggression! | 1:03:06 | 1:03:08 | |
Want some of this, huh? | 1:03:24 | 1:03:27 | |
SHOUTS OF ENCOURAGEMENT | 1:03:27 | 1:03:29 | |
I know what 911 is for! It's an emergency. It's not a hoax. | 1:03:29 | 1:03:32 | |
Motherfucker, come on. You tryin' to fuckin' kill me? | 1:03:35 | 1:03:39 | |
You like sushi, motherfucker?! You gonna fuckin' kill me? | 1:03:39 | 1:03:43 | |
Oh, shit. | 1:03:43 | 1:03:44 | |
CHEERING | 1:04:04 | 1:04:06 | |
Somebody... Somebody out there, please help us! | 1:04:38 | 1:04:42 | |
Somebody, please help us. | 1:04:42 | 1:04:45 | |
She really is a very talented actress. | 1:04:45 | 1:04:49 | |
Deckard. Deckard, if you're there, please let me know. | 1:05:01 | 1:05:05 | |
Who's Deckard? | 1:05:05 | 1:05:07 | |
Myles is Deckard! | 1:05:07 | 1:05:09 | |
Deckard, he's... He's killing all of us. | 1:05:15 | 1:05:19 | |
He's killing us. | 1:05:20 | 1:05:21 | |
There he is! | 1:05:21 | 1:05:23 | |
Zoom in! Zoom in! | 1:05:23 | 1:05:24 | |
Tell her he's coming up the stairs. This isn't funny any more, guys. | 1:05:24 | 1:05:29 | |
Aah... | 1:05:47 | 1:05:49 | |
Look, he heard her! | 1:05:50 | 1:05:53 | |
He's at the door! | 1:05:56 | 1:05:57 | |
Get out! | 1:05:57 | 1:05:59 | |
No! It's too high! | 1:06:32 | 1:06:34 | |
Aaah! | 1:06:55 | 1:06:57 | |
ALL SHOUTING | 1:07:03 | 1:07:05 | |
I can't see you! | 1:07:07 | 1:07:09 | |
BEEP! | 1:07:09 | 1:07:11 | |
(Deckard... Where is he?) | 1:07:20 | 1:07:23 | |
BEEP! | 1:07:39 | 1:07:41 | |
Tell her to go! Now's her chance. Come on, go! | 1:07:45 | 1:07:49 | |
(My God. Everybody's dead! | 1:08:32 | 1:08:35 | |
(Where is he?) | 1:08:35 | 1:08:38 | |
(I don't know.) | 1:08:38 | 1:08:40 | |
(We got to get the fuck outta here now. | 1:08:40 | 1:08:44 | |
(Come on. Let's go.) | 1:08:44 | 1:08:46 | |
FREDDIE SCREAMS | 1:09:00 | 1:09:03 | |
Oh, shit! | 1:09:04 | 1:09:06 | |
Aaah! | 1:09:06 | 1:09:08 | |
So, you want to be on dangertainment? | 1:09:21 | 1:09:24 | |
Let's see what you got. | 1:09:24 | 1:09:28 | |
Waa-hyah! | 1:09:28 | 1:09:30 | |
Yo, Mike, come see me. Michael, come and see me! | 1:09:53 | 1:09:57 | |
Look at me! | 1:09:57 | 1:09:58 | |
MAKING KUNG FU NOISES | 1:09:58 | 1:10:02 | |
You wanna fuck with me, huh? | 1:10:02 | 1:10:05 | |
You motherfucker! | 1:10:05 | 1:10:07 | |
Haaa-yah! | 1:10:07 | 1:10:09 | |
Let's get outta here. | 1:10:40 | 1:10:42 | |
Come on. | 1:10:42 | 1:10:43 | |
You all right? | 1:10:43 | 1:10:46 | |
I saw his room. | 1:10:46 | 1:10:48 | |
He's been livin' underneath this fuckin' house | 1:10:48 | 1:10:51 | |
for who knows how long. | 1:10:51 | 1:10:53 | |
Probably the last 20 years. Come on. | 1:10:53 | 1:10:56 | |
I swear on my soul... | 1:10:58 | 1:11:01 | |
I had no idea. | 1:11:01 | 1:11:04 | |
I swear. BEEP | 1:11:04 | 1:11:07 | |
Aw, shit! | 1:11:12 | 1:11:14 | |
Come on. Let's go. | 1:11:14 | 1:11:16 | |
Oh, my God. He cut the cable. | 1:11:20 | 1:11:23 | |
Where the fuck is he? | 1:11:23 | 1:11:25 | |
This is bad. | 1:11:26 | 1:11:28 | |
Deckard... | 1:11:29 | 1:11:31 | |
where is he? | 1:11:31 | 1:11:33 | |
BEEP | 1:11:33 | 1:11:35 | |
NO...! | 1:11:43 | 1:11:45 | |
AGH! | 1:11:59 | 1:12:01 | |
Oh, no... | 1:12:54 | 1:12:56 | |
AGH! | 1:13:20 | 1:13:22 | |
You bastard! | 1:14:53 | 1:14:55 | |
This is for Jen! | 1:14:55 | 1:14:57 | |
MOTOR REVS | 1:14:57 | 1:14:59 | |
This is for Rudy! | 1:14:59 | 1:15:02 | |
For all of them! | 1:15:03 | 1:15:06 | |
MOTOR STOPS | 1:15:15 | 1:15:17 | |
Oh, shit. | 1:15:17 | 1:15:19 | |
Aah! | 1:15:24 | 1:15:26 | |
Trick or treat...motherfucker! | 1:16:36 | 1:16:39 | |
No! | 1:16:55 | 1:16:57 | |
No! | 1:16:57 | 1:16:59 | |
Burn, motherfucker! | 1:17:33 | 1:17:35 | |
Burn! | 1:17:35 | 1:17:37 | |
Sara! | 1:17:38 | 1:17:40 | |
Come on, come on! | 1:17:42 | 1:17:44 | |
Hey, Mikey! Happy fuckin' Halloween! | 1:17:44 | 1:17:48 | |
SIRENS | 1:17:56 | 1:17:59 | |
BEEP | 1:18:20 | 1:18:23 | |
Sara? Sara Moyer? | 1:18:36 | 1:18:39 | |
Sara? | 1:18:39 | 1:18:41 | |
Sara, can we get a statement? | 1:18:41 | 1:18:44 | |
Over here. | 1:18:44 | 1:18:46 | |
Thank you, Deckard. | 1:18:46 | 1:18:47 | |
You saved my life. | 1:18:47 | 1:18:50 | |
CHEERING | 1:18:50 | 1:18:54 | |
What's it feel like to be a hero? | 1:18:57 | 1:18:59 | |
How does it feel now it's over? | 1:18:59 | 1:19:01 | |
What makes you so sure it's over? | 1:19:01 | 1:19:04 | |
Excuse me. No more cameras! | 1:19:04 | 1:19:06 | |
Dangertainment is off the air. | 1:19:06 | 1:19:08 | |
Why don't y'all show some respect? | 1:19:08 | 1:19:11 | |
Make a statement. Tell us about Michael Myers. | 1:19:11 | 1:19:14 | |
Michael Myers is not a sound bite, | 1:19:14 | 1:19:16 | |
a spin-off, a tie-in, | 1:19:16 | 1:19:19 | |
some kind of celebrity scandal. | 1:19:19 | 1:19:21 | |
Michael Myers is a killer shark | 1:19:21 | 1:19:23 | |
in baggy-ass overalls | 1:19:23 | 1:19:26 | |
that gets his kicks off of killing everything and everyone that he comes across. | 1:19:26 | 1:19:30 | |
That's all. | 1:19:30 | 1:19:32 | |
We're done dancin' for these cameras. Let's get outta here, Sara. | 1:19:32 | 1:19:36 | |
But how are you feeling right now? | 1:19:36 | 1:19:39 | |
How am I feelin' now? You wanna know how I'm feelin' right now? | 1:19:41 | 1:19:45 | |
Feel this! | 1:19:45 | 1:19:46 | |
That's him, isn't it? I want to see his face. | 1:19:58 | 1:20:01 | |
I want to warn you, ma'am, it's not a pretty sight. | 1:20:01 | 1:20:04 | |
All right. | 1:20:08 | 1:20:11 | |
Come on, back it off. Let's go. | 1:20:19 | 1:20:22 | |
Wow. You're lookin' a little crispy, Mikey. | 1:20:22 | 1:20:25 | |
Like some chicken-fried motherfucker. | 1:20:25 | 1:20:27 | |
Well, may he never, ever rest in peace. | 1:20:27 | 1:20:32 | |
Hey, how's it goin'? | 1:20:41 | 1:20:44 | |
You've gotta be kidding me. Another one? | 1:20:44 | 1:20:47 | |
It's your lucky night. You got a celebrity. | 1:20:47 | 1:20:50 | |
Ooh, let me get my autograph book. | 1:20:50 | 1:20:53 | |
I'm not kidding. It's Michael Myers. | 1:20:53 | 1:20:57 | |
Get me a copy of that autograph. | 1:21:01 | 1:21:03 | |
It's crackin' me up. | 1:21:03 | 1:21:06 | |
SCREAM | 1:21:44 | 1:21:47 | |
Subtitles by Red Bee Media Ltd | 1:22:21 | 1:22:25 | |
E-mail [email protected] | 1:22:25 | 1:22:31 |