
Browse content similar to Sirens. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains some strong language. | 0:00:00 | 0:00:04 | |
ETHEREAL FEMALE VOICES | 0:00:18 | 0:00:20 | |
# But the hardest part in a sailor's day | 0:00:30 | 0:00:37 | |
# Is to watch the sun as it dies away | 0:00:38 | 0:00:46 | |
# The finest ship that sailed the sea | 0:00:46 | 0:00:54 | |
# Is still a prison | 0:00:54 | 0:00:58 | |
# For the likes of me | 0:00:58 | 0:01:02 | |
# But give me wings like Noah's dove | 0:01:02 | 0:01:08 | |
# I'll fly above her | 0:01:10 | 0:01:12 | |
# To the girl I love. # | 0:01:12 | 0:01:18 | |
Woof! | 0:02:15 | 0:02:16 | |
The curator removed the paintings | 0:02:23 | 0:02:26 | |
and wrote to the artist inviting him to submit some alternatives. | 0:02:26 | 0:02:32 | |
The offer was refused point blank. He's threatened to go to the press. | 0:02:32 | 0:02:38 | |
This is Mr Norman Lindsay I take it. | 0:02:35 | 0:02:38 | |
You've heard of him. | 0:02:38 | 0:02:43 | |
I like to keep abreast. | 0:02:39 | 0:02:43 | |
The last thing we want is a scandal. | 0:02:41 | 0:02:43 | |
Anyway, here they are. | 0:02:45 | 0:02:47 | |
Yes. | 0:02:49 | 0:02:50 | |
The first three are merely vulgar | 0:02:54 | 0:02:57 | |
but this one is certainly blasphemous. | 0:02:57 | 0:03:01 | |
I gather you want me to try and talk him round? | 0:03:01 | 0:03:04 | |
It's on your way to your new parish. | 0:03:04 | 0:03:07 | |
To be honest, an outsider has more chance of getting through to him. | 0:03:07 | 0:03:13 | |
I gather you were a progressive at Oxford. | 0:03:13 | 0:03:17 | |
Well, yes, Your Grace... | 0:03:15 | 0:03:17 | |
element of truth in that. | 0:03:17 | 0:03:19 | |
You and your wife can stay the night. | 0:03:19 | 0:03:22 | |
I think he rather relishes the idea | 0:03:22 | 0:03:25 | |
of a good argument. | 0:03:25 | 0:03:32 | |
I'm sure he'd love to shock the socks off any churchman | 0:03:27 | 0:03:32 | |
that goes near him! Your Grace, | 0:03:32 | 0:03:34 | |
may I introduce my wife. I don't think you've met. | 0:03:34 | 0:03:39 | |
Estella, the Bishop of Sydney. My wife Estella. | 0:03:41 | 0:03:46 | |
Welcome to Australia. | 0:03:44 | 0:03:46 | |
Morning. | 0:04:35 | 0:04:38 | |
Tickets, please. | 0:04:36 | 0:04:38 | |
Do you know if there's a taxi waiting? | 0:04:38 | 0:04:41 | |
Yeah. There's not. | 0:04:41 | 0:04:43 | |
I, um... | 0:04:45 | 0:04:46 | |
I understand one was booked to go to Mr Lindsay's place. | 0:04:46 | 0:04:52 | |
Doing a bit of modelling? | 0:04:49 | 0:04:52 | |
No, I certainly am not. | 0:04:52 | 0:04:54 | |
Taxi's been a bit late, lately. You'd be better off at the pub. | 0:04:55 | 0:05:02 | |
May we leave our baggage here? | 0:04:59 | 0:05:02 | |
I'm about to knock off. It'd probably be pilfered. | 0:05:02 | 0:05:06 | |
Would you mind giving us a hand? | 0:05:06 | 0:05:09 | |
Oh, I'm awfully sorry. | 0:05:10 | 0:05:16 | |
I'll forgive you. Millions wouldn't. | 0:05:12 | 0:05:16 | |
Oh, dear. | 0:05:15 | 0:05:16 | |
Try the pub. It's just down the hill. | 0:05:16 | 0:05:19 | |
Morning. | 0:05:48 | 0:05:52 | |
Get fucked. Get fucked. | 0:05:49 | 0:05:52 | |
HE SINGS DRUNKENLY | 0:06:00 | 0:06:02 | |
< Gents only in the bar. | 0:06:09 | 0:06:11 | |
Ladies' lounge is through the door. | 0:06:11 | 0:06:16 | |
We don't want a drink, just a taxi. | 0:06:13 | 0:06:16 | |
Reg is at a funeral. | 0:06:16 | 0:06:19 | |
I see. | 0:06:19 | 0:06:20 | |
You could be in for a long wait. | 0:06:20 | 0:06:23 | |
Oh, yes? | 0:06:22 | 0:06:23 | |
It's his funeral. | 0:06:23 | 0:06:25 | |
Well, thanks. | 0:06:28 | 0:06:30 | |
Hey! I've got my eye on you! | 0:06:31 | 0:06:33 | |
Where youse going? | 0:06:33 | 0:06:36 | |
Mr Lindsay's place. | 0:06:35 | 0:06:36 | |
We're going out that way. We'll give you a lift. | 0:06:42 | 0:06:47 | |
Thank you very much. | 0:06:44 | 0:06:47 | |
After we've finished our beers. | 0:06:47 | 0:06:49 | |
BANGING | 0:07:03 | 0:07:06 | |
BANGING CONTINUES | 0:07:06 | 0:07:08 | |
TYRES SCREECH | 0:07:14 | 0:07:16 | |
Anthony? | 0:07:19 | 0:07:21 | |
They can't wait forever. | 0:07:28 | 0:07:31 | |
HE VOMITS | 0:07:31 | 0:07:33 | |
Right, come on, then. | 0:07:46 | 0:07:48 | |
# Praise my soul the King of Heaven | 0:07:48 | 0:07:53 | |
# To his feet thy tribute bring | 0:07:53 | 0:07:58 | |
# Ransomed, healed, restored, forgiven | 0:07:58 | 0:08:03 | |
# Who like thee His praise should sing? | 0:08:03 | 0:08:08 | |
# Praise Him, praise Him! | 0:08:08 | 0:08:11 | |
# Praise Him, praise Him! | 0:08:11 | 0:08:13 | |
# Praise the Everlasting King # | 0:08:13 | 0:08:18 | |
< Thanks for the lift. | 0:08:38 | 0:08:41 | |
I don't mean to be rude, but... | 0:08:39 | 0:08:41 | |
you've got some food on the side of your mouth. | 0:08:41 | 0:08:47 | |
Uh-huh. Thanks. | 0:08:45 | 0:08:47 | |
< See you later. | 0:08:50 | 0:08:52 | |
Sorry about that, Piglet. Are you all right? | 0:08:58 | 0:09:01 | |
They swear an awful lot. They tend to, types like that. | 0:09:01 | 0:09:08 | |
They didn't really say anything. | 0:09:05 | 0:09:08 | |
Where is everyone? | 0:09:08 | 0:09:12 | |
Maybe Mr Lindsay changed his mind. | 0:09:09 | 0:09:12 | |
Pooh, look, there's something here. | 0:09:23 | 0:09:26 | |
"Dear visitors, sorry, gone out for a picnic. Make yourselves at home." | 0:09:27 | 0:09:33 | |
I suppose we better not go in. | 0:09:35 | 0:09:37 | |
Let's sit over by the pond. | 0:09:39 | 0:09:41 | |
Mrs Campion? | 0:10:12 | 0:10:15 | |
Hello. | 0:10:13 | 0:10:15 | |
HE GRUNTS What? | 0:10:18 | 0:10:20 | |
Oh, fast asleep there! | 0:10:22 | 0:10:24 | |
You must be Mr Lindsay. | 0:10:25 | 0:10:27 | |
Anthony Campion, my wife Norman...Estella! | 0:10:27 | 0:10:31 | |
Just out from England? | 0:10:32 | 0:10:39 | |
Yes, arrived a couple of weeks ago. | 0:10:33 | 0:10:39 | |
They weren't game to send a local? | 0:10:36 | 0:10:39 | |
You're exactly on our way, so... | 0:10:39 | 0:10:41 | |
Oh, well. Glad you got here in one piece. | 0:10:41 | 0:10:45 | |
Excuse me. I've got to get back to work. | 0:10:45 | 0:10:48 | |
Giddy and Sheila will show you to your room so you can freshen up. | 0:10:48 | 0:10:53 | |
Thank you. | 0:10:51 | 0:10:53 | |
You take that for me. Thank you. | 0:10:57 | 0:11:01 | |
This way, ladies and gents! | 0:10:58 | 0:11:01 | |
Thank you. | 0:11:11 | 0:11:13 | |
Lovely. | 0:11:13 | 0:11:14 | |
You'll have trouble sleeping. | 0:11:14 | 0:11:17 | |
She sleeps next door and snores terribly. | 0:11:17 | 0:11:22 | |
I do not! | 0:11:20 | 0:11:22 | |
She sounds like two possums mating. | 0:11:23 | 0:11:28 | |
That's so horrible. It's not true. | 0:11:25 | 0:11:28 | |
Um...whereabouts is the, er... | 0:11:29 | 0:11:32 | |
Take him out to the thunder box. | 0:11:33 | 0:11:36 | |
Just a tick. | 0:11:36 | 0:11:37 | |
I've never snored in my life. | 0:11:40 | 0:11:43 | |
(I think snoring can be quite charming, actually.) > | 0:11:43 | 0:11:47 | |
This way. | 0:11:47 | 0:11:49 | |
Why a thunder box? Because it's out in the wind and rain? | 0:11:49 | 0:11:54 | |
S'pose. | 0:11:54 | 0:11:55 | |
You need to keep your shoes on. | 0:11:55 | 0:11:58 | |
Stinging nettles? | 0:11:58 | 0:12:02 | |
Yes, and scorpions and centipedes. | 0:11:59 | 0:12:02 | |
Can you swim? | 0:12:04 | 0:12:07 | |
Not very well. | 0:12:05 | 0:12:07 | |
I'll wake you up in the morning. We go swimming every day. | 0:12:08 | 0:12:12 | |
I'm Sheela. | 0:12:12 | 0:12:14 | |
Estella. | 0:12:14 | 0:12:16 | |
Does he always take the Bible to the dunny? | 0:12:17 | 0:12:21 | |
It wasn't the Bible. He just doesn't like wasting time. | 0:12:21 | 0:12:26 | |
Well, from the size of it, he could be there all night. | 0:12:29 | 0:12:33 | |
I should've warned him about the redbacks. | 0:12:35 | 0:12:39 | |
What are they? | 0:12:37 | 0:12:39 | |
Small spiders with big teeth. | 0:12:39 | 0:12:41 | |
Live under toilet seats, usually. | 0:12:41 | 0:12:47 | |
How do you know if they're there? | 0:12:43 | 0:12:47 | |
By the screams. | 0:12:45 | 0:12:47 | |
There you are! | 0:13:18 | 0:13:19 | |
Mr Lindsay's wonderful, isn't he? | 0:13:19 | 0:13:22 | |
He said we were going to do The Sirens next. | 0:13:22 | 0:13:26 | |
They lived on the Island of Atlantis and sang songs from the cliffs. | 0:13:26 | 0:13:31 | |
Sailors were driven mad by these gorgeous voices. | 0:13:31 | 0:13:36 | |
The ships would be wrecked and the sailors would be dragged down | 0:13:36 | 0:13:41 | |
with the voices of The Sirens ringing in their ears. | 0:13:41 | 0:13:46 | |
Myths are a bit stupid, really. | 0:13:46 | 0:13:49 | |
I'll be wearing this. | 0:13:49 | 0:13:51 | |
You could pose too, if you like. He always needs more models. Try it. | 0:13:53 | 0:13:58 | |
There's some male ones too! | 0:13:58 | 0:14:01 | |
It's not quite for us. | 0:14:01 | 0:14:08 | |
You could always wear a dagger strategically placed. | 0:14:03 | 0:14:08 | |
Or a sword. | 0:14:09 | 0:14:11 | |
Whichever you need. | 0:14:11 | 0:14:13 | |
And dinner's ready. | 0:14:14 | 0:14:18 | |
Oh, that's right. I was sent to fetch you. | 0:14:15 | 0:14:18 | |
I don't like people thinking I'm like the other models. | 0:14:21 | 0:14:25 | |
I work here as a maid | 0:14:25 | 0:14:27 | |
but I said I'd pose if I could keep my clothes on. | 0:14:27 | 0:14:32 | |
I think it's important to keep one's mystique, don't you, Mr Campion? | 0:14:32 | 0:14:38 | |
Is it Mr Campion or Father Anthony? | 0:14:38 | 0:14:41 | |
It's, er...it's Tony. | 0:14:42 | 0:14:44 | |
Do you think it's a sin... | 0:14:45 | 0:14:47 | |
Tony? | 0:14:47 | 0:14:49 | |
There's nothing sinful about the human body. | 0:14:49 | 0:14:53 | |
The nude often appears in religious art. | 0:14:53 | 0:14:56 | |
I think it's how the artist uses the body... | 0:14:56 | 0:14:59 | |
that's important. | 0:14:59 | 0:15:01 | |
So, do you think Mr Lindsay's paintings are rude? | 0:15:01 | 0:15:05 | |
Mmm... | 0:15:05 | 0:15:07 | |
Some, I think, are profane. | 0:15:09 | 0:15:13 | |
Oh. Oh, that's good. | 0:15:10 | 0:15:13 | |
I'm starving. | 0:15:13 | 0:15:16 | |
I only eat once a day - my mother's very fat and it runs in the family. | 0:15:16 | 0:15:21 | |
My grandpa's like the Michelin man. | 0:15:21 | 0:15:24 | |
The one with all those tyres around him. He eats like a horse! | 0:15:24 | 0:15:29 | |
It was a very enlightened society. The artists made all the decisions. | 0:15:30 | 0:15:36 | |
That's why there's no record of the Atlantins being at war. | 0:15:36 | 0:15:41 | |
But where was it? | 0:15:41 | 0:15:43 | |
The Mediterranean, maybe. They're always digging up pottery | 0:15:43 | 0:15:48 | |
that doesn't belong to any known civilization. | 0:15:48 | 0:15:54 | |
How could they just disappear? | 0:15:51 | 0:15:54 | |
A cataclysm. They were all wiped out in a cataclysm. | 0:15:54 | 0:15:58 | |
The island sank in an earthquake. | 0:15:58 | 0:16:03 | |
You genuinely believe in Atlantis? | 0:16:00 | 0:16:03 | |
I lived there... in a former incarnation. | 0:16:03 | 0:16:06 | |
I ask, because the cataclysm can be seen as an image of moral collapse. | 0:16:06 | 0:16:12 | |
Many say that's happening again now. Is that what your art is exploring? | 0:16:12 | 0:16:19 | |
People have always been decaying, whenever they can. | 0:16:19 | 0:16:24 | |
-He's a very depraved man, I'm afraid. -No-one's safe. | 0:16:24 | 0:16:28 | |
I'm bloody bored! | 0:16:32 | 0:16:34 | |
Have you seen those fairies lately? | 0:16:36 | 0:16:39 | |
A couple of them were out last Friday. > | 0:16:39 | 0:16:42 | |
They were not! | 0:16:42 | 0:16:49 | |
They always come out on Fridays. | 0:16:43 | 0:16:49 | |
They do not, do they, Mummy? | 0:16:46 | 0:16:49 | |
Yes, but you don't see them cos you're asleep. | 0:16:49 | 0:16:53 | |
Tonight's Friday. | 0:16:51 | 0:16:53 | |
But then you'd be too bloody bored to see them! | 0:16:53 | 0:16:58 | |
I would not. | 0:16:56 | 0:16:58 | |
I promise I won't be bored. | 0:16:58 | 0:17:00 | |
Even bloody bored? | 0:17:00 | 0:17:04 | |
Promise! | 0:17:02 | 0:17:04 | |
If you're going to be up at midnight you better get to bed now. | 0:17:04 | 0:17:09 | |
Say goodnight to everybody. | 0:17:12 | 0:17:15 | |
Goodnight, everybody! | 0:17:13 | 0:17:15 | |
Do they really come, Mummy? | 0:17:15 | 0:17:20 | |
Fairies only live in books, silly! | 0:17:17 | 0:17:20 | |
With the building of factories, the fairies had nowhere else to live. | 0:17:20 | 0:17:26 | |
Except our imaginations. | 0:17:26 | 0:17:30 | |
Imaginations are a luxury. | 0:17:27 | 0:17:30 | |
I beg your pardon? | 0:17:30 | 0:17:31 | |
Most people can't afford them. | 0:17:31 | 0:17:37 | |
Imagination isn't dependent on economics. | 0:17:33 | 0:17:37 | |
What if you work in a factory, doing the same thing day after day? | 0:17:37 | 0:17:43 | |
An active imagination | 0:17:41 | 0:17:43 | |
is what allows people to do that. | 0:17:43 | 0:17:46 | |
You'd know, of course(!) | 0:17:46 | 0:17:51 | |
I just think that's what you have to do. | 0:17:47 | 0:17:51 | |
You'd have to be imagining other things. | 0:17:51 | 0:17:54 | |
Don't start telling us | 0:17:54 | 0:17:57 | |
what the working class does and doesn't think! | 0:17:57 | 0:18:01 | |
The bishop's hoping we can come to some kind of compromise on this, | 0:18:14 | 0:18:20 | |
find some other work you're happy with. | 0:18:20 | 0:18:23 | |
The great thing is no-one wants to see you excluded from the exhibition. | 0:18:23 | 0:18:29 | |
That is a comfort. | 0:18:29 | 0:18:34 | |
Such an interest by the church! | 0:18:30 | 0:18:34 | |
It's just The Crucified Venus they're uncomfortable with. > | 0:18:34 | 0:18:39 | |
KNOCKING | 0:18:39 | 0:18:40 | |
Pooh? | 0:18:40 | 0:18:43 | |
It's me! | 0:18:41 | 0:18:43 | |
Come in. | 0:18:43 | 0:18:44 | |
Poor old Piglet. That Pru gave you a bit of a working over. | 0:18:45 | 0:18:50 | |
I'll survive. | 0:18:50 | 0:18:52 | |
Did you get anywhere with Mr Lindsay? | 0:18:52 | 0:18:55 | |
He insists it's up to the public to decide if they want to see his work. | 0:18:55 | 0:19:01 | |
They have to see it to decide, by which time the damage is done. | 0:19:01 | 0:19:06 | |
A bit of logic which is lost on him. | 0:19:06 | 0:19:08 | |
Never mind. | 0:19:08 | 0:19:09 | |
I'll have another shot in the morning before we go. | 0:19:09 | 0:19:13 | |
Do you think the pictures actually damage people? | 0:19:13 | 0:19:18 | |
I think the sexual ones are rather childish. | 0:19:18 | 0:19:21 | |
But I do think that negative images don't do anyone much good. | 0:19:21 | 0:19:26 | |
I think The Crucified Venus is offensive and arrogant. | 0:19:26 | 0:19:31 | |
I'm coming! > | 0:19:31 | 0:19:32 | |
Hurry up, stupid! | 0:19:32 | 0:19:38 | |
I'm running as fast as I can, you disgusting thing! | 0:19:34 | 0:19:38 | |
Hmm! | 0:19:38 | 0:19:39 | |
Shall we? | 0:19:42 | 0:19:44 | |
Come on, then. | 0:19:44 | 0:19:46 | |
RUSTLING | 0:21:13 | 0:21:15 | |
GRUNTING | 0:21:15 | 0:21:16 | |
HE SNORES | 0:21:19 | 0:21:21 | |
CHILDREN SING | 0:22:01 | 0:22:03 | |
Swimming? | 0:22:27 | 0:22:28 | |
What's the time? | 0:22:28 | 0:22:34 | |
The train doesn't leave till twelve. | 0:22:30 | 0:22:34 | |
All right. | 0:22:32 | 0:22:34 | |
Anthony. | 0:22:41 | 0:22:42 | |
What'd you do to him? | 0:22:42 | 0:22:45 | |
He's exhausted. | 0:22:45 | 0:22:48 | |
Anthony! | 0:22:47 | 0:22:48 | |
Don't wake him up. He might be dreaming. | 0:22:48 | 0:22:51 | |
It's dangerous to wake somebody up if they're dreaming, because... | 0:22:51 | 0:22:57 | |
you leave part of your brain behind. You can go feeble in the head! | 0:22:57 | 0:23:04 | |
Yeah, you're living proof. | 0:23:01 | 0:23:04 | |
All right, I'll join you in a minute. | 0:23:06 | 0:23:09 | |
THEY SING | 0:23:27 | 0:23:29 | |
Are you rich? | 0:23:34 | 0:23:37 | |
Not very. | 0:23:35 | 0:23:37 | |
What does your father do? | 0:23:38 | 0:23:42 | |
Why do you ask? | 0:23:40 | 0:23:42 | |
Pru thinks you're bourgeois, that's all. | 0:23:42 | 0:23:46 | |
Mine was taken by a shark. | 0:23:46 | 0:23:48 | |
God, how awful! | 0:23:48 | 0:23:50 | |
Yeah. There wasn't much left of him. | 0:23:50 | 0:23:53 | |
I was brought up by my mum. She runs a sweet shop. | 0:23:53 | 0:23:57 | |
But I'm quite ambitious. | 0:23:57 | 0:23:59 | |
I was determined to stay slim. Hard, with chocolate wombats everywhere! | 0:23:59 | 0:24:05 | |
But as you can see, I succeeded. | 0:24:05 | 0:24:09 | |
You wanted to be a model? | 0:24:07 | 0:24:09 | |
No, modelling is just to get known. I'm going to be an actress. | 0:24:09 | 0:24:14 | |
I'll model for Mr Lindsay, then move on to stage and screen. | 0:24:14 | 0:24:19 | |
They're just doing it to show off. | 0:24:29 | 0:24:32 | |
They're very common. Sheela's got 10 brothers and sisters | 0:24:32 | 0:24:37 | |
She wants to be an artist like Norman | 0:24:37 | 0:24:40 | |
but, poor girl, she's hopeless! | 0:24:40 | 0:24:43 | |
And Pru wants to be an aviator! | 0:24:43 | 0:24:45 | |
Aviatrix. | 0:24:46 | 0:24:47 | |
Be careful of the water snakes! | 0:24:57 | 0:25:00 | |
There aren't any water snakes! | 0:25:00 | 0:25:03 | |
Quick! Someone's coming! | 0:25:16 | 0:25:18 | |
Hide! | 0:25:20 | 0:25:21 | |
It's all right. He can hardly see. | 0:25:21 | 0:25:24 | |
Devlin! | 0:25:25 | 0:25:31 | |
Come and have a swim! | 0:25:27 | 0:25:31 | |
Don't get him to come in. | 0:25:28 | 0:25:31 | |
He might brush against you. | 0:25:31 | 0:25:33 | |
Come in. | 0:25:46 | 0:25:48 | |
You shouldn't talk to him. He's a criminal! | 0:25:58 | 0:26:01 | |
You dream about him, don't you? | 0:26:01 | 0:26:04 | |
I do not! | 0:26:03 | 0:26:04 | |
You lie with your eyes closed while he licks your belly button. | 0:26:04 | 0:26:10 | |
You're disgusting... | 0:26:08 | 0:26:10 | |
flaunting yourselves at him! | 0:26:10 | 0:26:12 | |
He wouldn't know if we were dressed or not. | 0:26:12 | 0:26:16 | |
Do you have to do that | 0:26:14 | 0:26:16 | |
in front of Estella? | 0:26:16 | 0:26:22 | |
What's wrong with her? | 0:26:18 | 0:26:22 | |
She'll think we're barbarians! | 0:26:19 | 0:26:22 | |
We are! | 0:26:22 | 0:26:24 | |
Don't! Don't! | 0:26:24 | 0:26:26 | |
Morning. | 0:26:40 | 0:26:43 | |
Morning. | 0:26:41 | 0:26:43 | |
The papers got hold of it. | 0:26:45 | 0:26:47 | |
"The exhibition will convince the English that Australia | 0:26:47 | 0:26:51 | |
"is peopled by degenerates afflicted with sex mania." | 0:26:51 | 0:26:56 | |
Must be why they deported us. | 0:26:56 | 0:26:59 | |
The other news. | 0:26:57 | 0:26:59 | |
We'll be here for another day or so. The train was derailed. | 0:26:59 | 0:27:04 | |
The track has to be repaired. | 0:27:04 | 0:27:06 | |
Rose is going to give us a ride into town later to see how long it'll be. | 0:27:06 | 0:27:12 | |
These flies are remarkably persistent! | 0:27:13 | 0:27:17 | |
I just ate one. It came in on me honey. | 0:27:17 | 0:27:20 | |
Made me feel funny. | 0:27:20 | 0:27:22 | |
In me tummy! | 0:27:22 | 0:27:24 | |
May I speak? | 0:27:35 | 0:27:37 | |
Briefly. | 0:27:37 | 0:27:39 | |
I just wondered if you'd be interested in today's editorial. | 0:27:39 | 0:27:44 | |
I try to ignore the press. | 0:27:42 | 0:27:44 | |
Isn't it hard to sustain your vision | 0:27:44 | 0:27:47 | |
when it flies in the face of public opinion? | 0:27:47 | 0:27:51 | |
No. | 0:27:51 | 0:27:52 | |
The arrows of your detractors simply bounce off? | 0:27:52 | 0:27:58 | |
Vanity is a formidable armour. | 0:27:56 | 0:27:58 | |
Here we go. | 0:28:02 | 0:28:04 | |
"The excesses of Mr Lindsay are a source of consternation | 0:28:04 | 0:28:08 | |
"to clean-living citizens. He paints men and women who seem to be slaves | 0:28:08 | 0:28:14 | |
"of cocaine, which has reduced them to shameless morbidity. | 0:28:14 | 0:28:19 | |
"Today, not content with scorning all standards of decency | 0:28:19 | 0:28:24 | |
"he has chosen to profane the most sacred image, the crucifixion." | 0:28:24 | 0:28:30 | |
As if I give a damn about these Wesleyans and wowsers! | 0:28:30 | 0:28:35 | |
It's not just them. | 0:28:33 | 0:28:35 | |
Many people revere the crucifixion, but you're busy. | 0:28:35 | 0:28:41 | |
Mr Campion, I am an artist... | 0:28:38 | 0:28:41 | |
and I refuse to be compromised by the feeble scruples of the public. | 0:28:41 | 0:28:47 | |
Scruples or deeply-held beliefs? | 0:28:45 | 0:28:47 | |
Now, when I was a boy, | 0:28:47 | 0:28:49 | |
my mother instructed us on the sad story of Jesus. | 0:28:49 | 0:28:54 | |
How he died on the cross for us. | 0:28:54 | 0:28:56 | |
My whole being rose in revolt at the idea. | 0:28:56 | 0:28:59 | |
It's a vile notion that a god should sacrifice himself for us. | 0:28:59 | 0:29:04 | |
It's a pestilent notion! | 0:29:04 | 0:29:06 | |
I couldn't possibly agree with that. | 0:29:06 | 0:29:12 | |
Hang on! The suffering my pictures will cause | 0:29:08 | 0:29:12 | |
is nothing compared to the suffering the church has caused. | 0:29:12 | 0:29:17 | |
The witch trials, the Spanish Inquisition, the slaughter of pagan tribes... | 0:29:17 | 0:29:23 | |
Anyway, there we are. Must get back to work. | 0:29:23 | 0:29:27 | |
FLY BUZZES | 0:29:27 | 0:29:29 | |
The church can't be blamed for everything done in...in... | 0:29:29 | 0:29:33 | |
in its name, but we'll talk later. | 0:29:33 | 0:29:37 | |
TWACK! | 0:29:36 | 0:29:37 | |
Well, now, here's a thing. | 0:29:42 | 0:29:45 | |
Did you see the article on Atlantis? Now they reckon it sank off Norway. | 0:29:45 | 0:29:51 | |
It must've caused a most gigantic tidal wave. | 0:29:51 | 0:29:55 | |
They're looking at the old Nordic texts for evidence. | 0:29:55 | 0:29:59 | |
You're disgusting, Sheela. You should be in a sty. | 0:30:02 | 0:30:06 | |
Watch this. > | 0:30:09 | 0:30:11 | |
Watch Giddy's skin. | 0:30:11 | 0:30:13 | |
Don't you dare! | 0:30:13 | 0:30:15 | |
Don't, Sheela. | 0:30:15 | 0:30:22 | |
One day we're going to tickle you. We're going to keep tickling you... | 0:30:16 | 0:30:22 | |
all over. | 0:30:22 | 0:30:26 | |
Stop it. | 0:30:23 | 0:30:26 | |
Look at her arms and legs. | 0:30:24 | 0:30:26 | |
Look at the goose pimples. | 0:30:26 | 0:30:30 | |
Sheela, keep quiet! | 0:30:28 | 0:30:30 | |
Know who else will be doing it? | 0:30:30 | 0:30:33 | |
Shut up! | 0:30:32 | 0:30:33 | |
He'll be tickling you too. | 0:30:33 | 0:30:37 | |
He will not. | 0:30:35 | 0:30:37 | |
He'll tickle you... | 0:30:37 | 0:30:39 | |
there! | 0:30:39 | 0:30:41 | |
Shush! | 0:30:40 | 0:30:41 | |
If he tickled her, her insides'd go everywhere. | 0:30:41 | 0:30:47 | |
When sea slugs get attacked... | 0:30:44 | 0:30:47 | |
they spit their insides out. You can eat them and go all night. | 0:30:47 | 0:30:52 | |
There are islands where women ambush their favourite men... | 0:30:52 | 0:30:56 | |
and feed them the longest sea slugs. | 0:30:56 | 0:30:59 | |
The men get so incredibly hard... | 0:30:59 | 0:31:02 | |
you can hang heavy clothes and necklaces from their erections. | 0:31:02 | 0:31:08 | |
Doesn't it hurt? | 0:31:06 | 0:31:08 | |
Excruciatingly! | 0:31:08 | 0:31:09 | |
Giddy's guts'd be good for that. | 0:31:09 | 0:31:16 | |
They would not! My giblets are pure and innocent. | 0:31:12 | 0:31:16 | |
< Like my mind! | 0:31:16 | 0:31:18 | |
I hope it's good news, then we can get out of your hair. | 0:31:30 | 0:31:35 | |
Coupla heads more is no bother. | 0:31:35 | 0:31:38 | |
That's very kind of you. | 0:31:36 | 0:31:38 | |
Rose, I suppose I can't prevail on you | 0:31:41 | 0:31:44 | |
to use your influence to help persuade Norman | 0:31:44 | 0:31:48 | |
to withdraw that particular picture? | 0:31:48 | 0:31:52 | |
Mr Campion... | 0:31:51 | 0:31:52 | |
Tony. | 0:31:52 | 0:31:57 | |
Have you actually seen it? | 0:31:53 | 0:31:57 | |
Briefly, in the gallery. | 0:31:55 | 0:31:57 | |
I was the model for it, you see... | 0:31:57 | 0:32:00 | |
Tony. | 0:32:01 | 0:32:03 | |
Ah. | 0:32:05 | 0:32:06 | |
KIDS: One, two, three...charge! | 0:32:14 | 0:32:17 | |
Stop it! | 0:32:22 | 0:32:24 | |
Stop it at once! | 0:32:24 | 0:32:26 | |
Anthony! | 0:32:32 | 0:32:34 | |
Hey! What do you think you're doing?! | 0:32:34 | 0:32:37 | |
Come on, clear off! Get away! | 0:32:38 | 0:32:40 | |
Go on, shoo! All of you. Go away. | 0:32:42 | 0:32:45 | |
What on earth was all that about? | 0:32:46 | 0:32:48 | |
They're just acting out what their parents say. | 0:32:48 | 0:32:52 | |
That Norman's the devil, and we're all witches. | 0:32:52 | 0:32:56 | |
GIRL CACKLES | 0:32:54 | 0:32:56 | |
Go on now, shoo! | 0:32:56 | 0:33:00 | |
You eat sheep poo! | 0:32:57 | 0:33:00 | |
You disgusting things! | 0:32:58 | 0:33:00 | |
SHE BLASTS ON TRUMPET | 0:33:04 | 0:33:06 | |
How do I look? | 0:33:38 | 0:33:41 | |
Very nice. | 0:33:41 | 0:33:44 | |
Can I wear it tonight? | 0:33:42 | 0:33:44 | |
Pru and I are going out with a couple of blokes. | 0:33:44 | 0:33:47 | |
I suppose so. | 0:33:50 | 0:33:52 | |
Do you often try on other people's clothes | 0:33:52 | 0:33:56 | |
without asking? | 0:33:56 | 0:33:58 | |
All the clothes I've ever worn are other people's. | 0:33:58 | 0:34:02 | |
Is this the ship you came out on? | 0:34:05 | 0:34:08 | |
Yes. | 0:34:06 | 0:34:08 | |
My dad was a sailor. | 0:34:10 | 0:34:12 | |
What does he do now? | 0:34:13 | 0:34:15 | |
He's dead. | 0:34:19 | 0:34:22 | |
Oh. | 0:34:20 | 0:34:22 | |
I'm sorry. | 0:34:23 | 0:34:25 | |
A shark took him. They found an arm with his watch. | 0:34:25 | 0:34:29 | |
That's what they buried - the arm. | 0:34:29 | 0:34:32 | |
Still used a normal sized coffin. Just for appearances. | 0:34:32 | 0:34:37 | |
I hadn't realised sharks were so... | 0:34:37 | 0:34:40 | |
Successful? | 0:34:40 | 0:34:42 | |
Do you like your husband? | 0:34:49 | 0:34:51 | |
Do people usually marry people they don't like? | 0:34:51 | 0:34:55 | |
Quite often, I'd say. | 0:34:55 | 0:34:57 | |
VOICES > | 0:34:58 | 0:35:00 | |
Is he the chap you're going out with? | 0:35:02 | 0:35:06 | |
God, no. | 0:35:05 | 0:35:06 | |
He just does odd jobs around the place. | 0:35:06 | 0:35:10 | |
But he can't see. | 0:35:10 | 0:35:15 | |
Can't see much. Norman says it's all a blur. | 0:35:11 | 0:35:15 | |
There was a big fight in the bush. | 0:35:15 | 0:35:17 | |
Went on for hours. Blood everywhere. | 0:35:17 | 0:35:21 | |
In the end, they had to stop cos Devlin was blind. | 0:35:21 | 0:35:25 | |
He can see a bit, but he can't recognise anyone until they speak. | 0:35:25 | 0:35:31 | |
But Giddy thinks he's the best thing... | 0:35:31 | 0:35:34 | |
since Valentino. | 0:35:34 | 0:35:36 | |
It'll be routine for you, I would have thought. | 0:35:36 | 0:35:40 | |
See you tomorrow night, all right? > | 0:35:40 | 0:35:43 | |
For too long, you've kept the sensual side of life in the gloom! | 0:35:48 | 0:35:53 | |
You've made it furtive and guilty! | 0:35:53 | 0:36:00 | |
The church has never denied that sex has an important role! | 0:35:55 | 0:36:00 | |
"Vaginal pessaries require a manipulation | 0:36:00 | 0:36:03 | |
"of her own genital organs which must be repugnant to every woman." | 0:36:03 | 0:36:09 | |
God makes us feel so guilty! | 0:36:09 | 0:36:11 | |
When Dolly Rogers allowed me to play with her, | 0:36:11 | 0:36:15 | |
I seriously thought I'd be struck by lightning! | 0:36:15 | 0:36:19 | |
ALL ARGUE | 0:36:19 | 0:36:22 | |
That's not my point! | 0:36:26 | 0:36:28 | |
If God didn't want us to play with these parts, | 0:36:28 | 0:36:32 | |
why did he make them so much fun? | 0:36:32 | 0:36:35 | |
ARGUING CONTINUES | 0:36:35 | 0:36:37 | |
Here come your lovers. > | 0:36:38 | 0:36:40 | |
Jesus never said anything about chastity. | 0:36:40 | 0:36:44 | |
Some old men on a godforsaken island | 0:36:44 | 0:36:46 | |
suddenly decided the body was bad for the soul. | 0:36:46 | 0:36:50 | |
Atlantis? | 0:36:49 | 0:36:50 | |
Pity for women it wasn't. | 0:36:50 | 0:36:55 | |
The gloomy God of the Old Testament | 0:36:52 | 0:36:55 | |
still has us by the scruff of the neck. | 0:36:55 | 0:36:58 | |
When he was invented, a lot of the pagan religions celebrated sexuality. | 0:36:58 | 0:37:04 | |
So how was this new religion to compete with something so popular? | 0:37:04 | 0:37:10 | |
By saying sex was evil, and that women were, in fact, responsible | 0:37:10 | 0:37:15 | |
for the downfall of mankind! | 0:37:15 | 0:37:19 | |
We've been second class ever since. | 0:37:19 | 0:37:25 | |
Mrs Pankhurst would be proud of you. | 0:37:21 | 0:37:25 | |
Why can't we be priests? | 0:37:23 | 0:37:25 | |
Or popes. | 0:37:25 | 0:37:33 | |
Because we're deafened by the din of our bodies to hear God's word. | 0:37:27 | 0:37:33 | |
May I answer that question? | 0:37:33 | 0:37:35 | |
May I speak? | 0:37:35 | 0:37:40 | |
Come in, boys. | 0:37:36 | 0:37:40 | |
Thanks. Evening, all. > | 0:37:37 | 0:37:40 | |
You're late. | 0:37:47 | 0:37:50 | |
Yeah. | 0:37:48 | 0:37:50 | |
We had to fix up a couple of flyblown sheep. | 0:37:50 | 0:37:54 | |
D'you wash your hands? | 0:37:54 | 0:37:57 | |
-Yeah! -Twice. | 0:37:55 | 0:37:57 | |
It looks horrible! | 0:38:00 | 0:38:03 | |
Whose side are you on? | 0:38:02 | 0:38:03 | |
You got sheep poo in your fingernails! | 0:38:03 | 0:38:07 | |
CHILDREN GIGGLE | 0:38:07 | 0:38:08 | |
Don't worry, you'll be wearing gloves. | 0:38:08 | 0:38:12 | |
Well, better get going, I suppose. | 0:38:12 | 0:38:15 | |
See youse later. | 0:38:15 | 0:38:18 | |
Try one of these. | 0:38:28 | 0:38:30 | |
They're Turkish. | 0:38:30 | 0:38:32 | |
Don't worry, Giddy. Your time will come. | 0:38:40 | 0:38:43 | |
Any luck? | 0:38:54 | 0:38:56 | |
No. | 0:38:56 | 0:38:58 | |
Is there a piglet in the house said Pooh? | 0:38:58 | 0:39:03 | |
Um? | 0:39:03 | 0:39:05 | |
They're trying to shock us, aren't they? | 0:39:07 | 0:39:10 | |
Church baiting's always been a popular pastime. | 0:39:10 | 0:39:14 | |
I got a lot of it at university. | 0:39:14 | 0:39:17 | |
Atheists think it's funny to roast the dusty old Christian. | 0:39:17 | 0:39:22 | |
The great thing is not to be too dusty. | 0:39:22 | 0:39:25 | |
You should've seen Lindsay's face when I started quoting Joyce! | 0:39:25 | 0:39:30 | |
Something wrong, Piglet? | 0:39:30 | 0:39:33 | |
No. | 0:39:33 | 0:39:35 | |
Those girls are certainly perfect models for Lindsay's orgies. | 0:39:36 | 0:39:42 | |
Shame about Giddy. I think there's hope for her. | 0:39:42 | 0:39:46 | |
She was sticking up for me at dinner. Did you notice? | 0:39:46 | 0:39:50 | |
Oh, dear. I probably shouldn't have brought you here. | 0:39:54 | 0:39:59 | |
Pooh... | 0:39:59 | 0:40:01 | |
Piglet? | 0:40:01 | 0:40:03 | |
I think... | 0:40:05 | 0:40:07 | |
sometimes you have too high an opinion of me. | 0:40:07 | 0:40:11 | |
What on earth makes you say that? | 0:40:11 | 0:40:14 | |
Oh, I don't know. | 0:40:14 | 0:40:16 | |
You are a funny, little thing! | 0:40:16 | 0:40:19 | |
Brrr! Freezing. | 0:40:23 | 0:40:25 | |
Come on, then. | 0:40:26 | 0:40:28 | |
Mmm! | 0:40:31 | 0:40:33 | |
Do you want to? | 0:40:40 | 0:40:42 | |
I'm not sure. | 0:40:42 | 0:40:44 | |
Well, you don't have to decide now. You wake me up if you do. | 0:40:44 | 0:40:49 | |
All right. | 0:40:49 | 0:40:50 | |
Mr Lindsay thinks we should be in a state of perpetual tumescence. | 0:40:50 | 0:40:55 | |
LAUGHTER | 0:41:15 | 0:41:17 | |
LAUGHTER | 0:41:23 | 0:41:25 | |
What are you doing? | 0:43:06 | 0:43:09 | |
Watching you sleep. | 0:43:07 | 0:43:09 | |
Looks like you both had another punishing night. | 0:43:09 | 0:43:14 | |
I wish you wouldn't creep into our room every morning! | 0:43:14 | 0:43:19 | |
We've just been for a swim. I just wanted to tell you how nice it was. | 0:43:19 | 0:43:24 | |
DOG GROWLS | 0:44:37 | 0:44:38 | |
SHE GASPS | 0:44:44 | 0:44:45 | |
Woof! Woof! Woof! | 0:44:52 | 0:44:54 | |
Ugh! | 0:45:08 | 0:45:09 | |
SINGING | 0:45:35 | 0:45:37 | |
CAR APPROACHES | 0:45:49 | 0:45:51 | |
Hello! Stop! | 0:45:51 | 0:45:53 | |
HORN BEEPS | 0:45:54 | 0:45:55 | |
HELLO! | 0:45:55 | 0:45:57 | |
What happened to you? | 0:46:08 | 0:46:11 | |
You're a terrible mess. | 0:46:09 | 0:46:11 | |
I went for a walk. | 0:46:11 | 0:46:13 | |
Stupidly got lost. | 0:46:13 | 0:46:17 | |
Come on. | 0:46:15 | 0:46:17 | |
Plenty of room. | 0:46:17 | 0:46:19 | |
Here, put this on. | 0:46:27 | 0:46:32 | |
I don't want to dress up. | 0:46:29 | 0:46:32 | |
You look as if you've been in an orgy. Who were you with? | 0:46:32 | 0:46:36 | |
No-one. | 0:46:36 | 0:46:39 | |
Don't be a spoilsport. | 0:46:38 | 0:46:39 | |
Please! | 0:46:39 | 0:46:41 | |
Oh... | 0:46:44 | 0:46:46 | |
All right, then. | 0:46:46 | 0:46:48 | |
CONVERSATION STOPS | 0:46:54 | 0:46:56 | |
You get fucked. | 0:46:56 | 0:46:58 | |
You too. You get fucked. | 0:46:58 | 0:47:00 | |
And you. You get fucked too. | 0:47:01 | 0:47:03 | |
You all get fucked. | 0:47:04 | 0:47:06 | |
Three beers and a creme de menthe. | 0:47:07 | 0:47:11 | |
LOUD BURP | 0:47:09 | 0:47:11 | |
Hello. | 0:47:11 | 0:47:12 | |
Hello! | 0:47:12 | 0:47:14 | |
Sorry, lounge is closed. | 0:47:14 | 0:47:17 | |
What about them? | 0:47:17 | 0:47:21 | |
Just closed, a few minutes ago. > | 0:47:19 | 0:47:21 | |
Well, the main bar's open. | 0:47:21 | 0:47:27 | |
The main bar's reserved for men. | 0:47:22 | 0:47:27 | |
Don't worry. Let's go! | 0:47:25 | 0:47:27 | |
We came here for a drink. > | 0:47:27 | 0:47:30 | |
Hey, Tom! | 0:47:32 | 0:47:33 | |
Lewis! | 0:47:33 | 0:47:35 | |
Get us some drinks, will you? | 0:47:35 | 0:47:38 | |
Tom! | 0:47:38 | 0:47:39 | |
They're pretending they don't know us. | 0:47:44 | 0:47:47 | |
That boil on your bum, you should get it looked at by doctor, Tom. | 0:47:47 | 0:47:53 | |
Might go sceptic. Your whole bum might fall off. | 0:47:53 | 0:47:56 | |
ALL LAUGH | 0:47:56 | 0:47:58 | |
What if we drink outside? | 0:48:01 | 0:48:05 | |
It's against the law. | 0:48:03 | 0:48:05 | |
It's against the law to be open on a Sunday. | 0:48:05 | 0:48:08 | |
Get fucked. | 0:48:10 | 0:48:12 | |
Your mother's a trade unionist. | 0:48:26 | 0:48:28 | |
She'd put people like you against a wall | 0:48:28 | 0:48:31 | |
and shoot 'em. | 0:48:31 | 0:48:37 | |
My family aren't wealthy. | 0:48:33 | 0:48:37 | |
What does your father do? | 0:48:34 | 0:48:37 | |
He's an antiques dealer. | 0:48:37 | 0:48:40 | |
Mine was a sailor. | 0:48:38 | 0:48:40 | |
He's dead. | 0:48:40 | 0:48:41 | |
Taken by a shark? | 0:48:44 | 0:48:46 | |
Blown to bits in a battle. | 0:48:46 | 0:48:48 | |
They only ever found his foot. | 0:48:49 | 0:48:52 | |
What's funny? | 0:48:53 | 0:48:56 | |
I'm sorry! | 0:48:54 | 0:48:56 | |
One, two... | 0:49:22 | 0:49:24 | |
three! | 0:49:24 | 0:49:26 | |
You haven't caught us yet! | 0:49:38 | 0:49:40 | |
All right, girls! | 0:49:41 | 0:49:44 | |
This will be piss easy! | 0:49:42 | 0:49:44 | |
Charge! | 0:49:54 | 0:49:56 | |
Pitiful! | 0:50:04 | 0:50:06 | |
Penny O'Hara! | 0:50:06 | 0:50:08 | |
Sean Connolly! | 0:50:08 | 0:50:09 | |
Seamus O'Hearn! | 0:50:09 | 0:50:11 | |
Patrick O'Shaugnessy! | 0:50:11 | 0:50:13 | |
ACCORDION PLAYS | 0:50:24 | 0:50:26 | |
I'm going to be honest with you. | 0:50:32 | 0:50:35 | |
I find your relentlessly lustful women preposterous. | 0:50:35 | 0:50:40 | |
That doesn't surprise me. | 0:50:37 | 0:50:40 | |
I do have some experience of the opposite sex. | 0:50:40 | 0:50:43 | |
My wife is as far from your debauched harridans... | 0:50:43 | 0:50:47 | |
as animal is from vegetable. | 0:50:47 | 0:50:50 | |
And which is she, Mr Campion? | 0:50:51 | 0:50:55 | |
Mmm? Sorry. | 0:50:53 | 0:50:55 | |
Animal or vegetable? | 0:50:56 | 0:50:58 | |
What are you doing, Giddy? | 0:51:07 | 0:51:10 | |
Dancing away all my impure thoughts. You should be doing it. | 0:51:10 | 0:51:15 | |
You need to more than me. | 0:51:15 | 0:51:17 | |
Oh, not you, Estella. | 0:51:17 | 0:51:21 | |
She needs to more than anyone. | 0:51:19 | 0:51:21 | |
Oh, the world's going round! | 0:51:26 | 0:51:29 | |
What are you picturing in your mind, Giddy? | 0:51:35 | 0:51:38 | |
Nothing. | 0:51:39 | 0:51:41 | |
You're getting slippery, aren't you? | 0:51:41 | 0:51:45 | |
What do you mean? | 0:51:43 | 0:51:45 | |
I know somewhere... | 0:51:47 | 0:51:49 | |
where she'd be really ticklish. | 0:51:49 | 0:51:52 | |
Don't. | 0:51:52 | 0:51:54 | |
(Oh, God!) | 0:52:11 | 0:52:13 | |
He leaps from rock to rock with the grace of a mountain goat. | 0:52:29 | 0:52:34 | |
CHUCKLING > | 0:52:36 | 0:52:38 | |
Are you all right? | 0:53:24 | 0:53:28 | |
Rose... | 0:53:25 | 0:53:28 | |
I'm fine, thank you. | 0:53:28 | 0:53:30 | |
Just a bit out of breath. | 0:53:30 | 0:53:35 | |
Were you running? | 0:53:31 | 0:53:35 | |
Walking. | 0:53:33 | 0:53:35 | |
Briskly. | 0:53:35 | 0:53:37 | |
It's time you visited Mr Devlin. | 0:53:49 | 0:53:54 | |
I don't chase men, it's undignified. | 0:53:51 | 0:53:54 | |
What's that in his hand? | 0:53:58 | 0:54:00 | |
It looks like Estella's hat! | 0:54:01 | 0:54:04 | |
Yes. I lost it when I went out for a walk. He must've picked it up. | 0:54:04 | 0:54:09 | |
So that's why you were blushing! | 0:54:09 | 0:54:13 | |
I was feeling ill! | 0:54:11 | 0:54:13 | |
SHOUTING | 0:54:16 | 0:54:19 | |
You ticklish?! | 0:54:24 | 0:54:26 | |
THEY SHRIEK | 0:54:29 | 0:54:31 | |
Excuse me... | 0:54:43 | 0:54:45 | |
..would you please untie me? | 0:54:46 | 0:54:49 | |
Please will you untie me? | 0:54:51 | 0:54:53 | |
My hands are going to sleep. | 0:54:58 | 0:55:00 | |
Thank you. | 0:55:33 | 0:55:35 | |
# But that's all right, cos I don't mind | 0:55:41 | 0:55:44 | |
# She is handsome | 0:55:44 | 0:55:46 | |
# She is pretty, she is the belle of Brisbane city | 0:55:46 | 0:55:49 | |
# Please won't you tell me who he be... # | 0:55:49 | 0:55:52 | |
That tunic suits you. | 0:55:52 | 0:55:54 | |
I thought we might go to evensong. | 0:55:55 | 0:55:58 | |
All right, I'll go and change. | 0:55:59 | 0:56:02 | |
# Out she comes as white as snow | 0:56:02 | 0:56:04 | |
# Rings on her fingers and bells on her toes... # | 0:56:04 | 0:56:06 | |
So must I. | 0:56:06 | 0:56:08 | |
SINGING CONTINUES | 0:56:11 | 0:56:13 | |
Where were you? | 0:56:17 | 0:56:19 | |
We went into the town. | 0:56:19 | 0:56:21 | |
You went to the pub. I can smell it on your breath. | 0:56:21 | 0:56:26 | |
Why are you wearing that ridiculous outfit? | 0:56:26 | 0:56:29 | |
It's part of what they're using in the latest paintings. | 0:56:29 | 0:56:34 | |
I realise that. So you'll be doing some modelling? | 0:56:34 | 0:56:38 | |
There's no need to be offensive! | 0:56:38 | 0:56:40 | |
Estella, what's wrong? | 0:56:43 | 0:56:47 | |
Nothing is wrong! | 0:56:45 | 0:56:47 | |
In its long history, one of the enduring strengths of the church, | 0:56:59 | 0:57:04 | |
has been its capacity to withstand persecution, insult, and ridicule. | 0:57:04 | 0:57:10 | |
Those who have to sought to mock Christians | 0:57:10 | 0:57:14 | |
have been legion. | 0:57:14 | 0:57:16 | |
Even Christ himself felt their lash - on the street... | 0:57:16 | 0:57:21 | |
in the market place, even at the end, on the cross. | 0:57:21 | 0:57:25 | |
"Where are you now, you King of the Jews?"... | 0:57:25 | 0:57:29 | |
they called out to him in his agony. In every age... | 0:57:29 | 0:57:34 | |
still more come forward to scorn his name, and to defame | 0:57:34 | 0:57:38 | |
his most sacred images. But true Christians... | 0:57:38 | 0:57:43 | |
secure in their faith, can identify... | 0:57:43 | 0:57:47 | |
such detractors for what they are. | 0:57:47 | 0:57:50 | |
The disciples of the devil, the destroyers of all that is precious | 0:57:50 | 0:57:56 | |
in family life. The harbingers of darkness and chaos. | 0:57:56 | 0:58:01 | |
# Faint not, nor fear, His arms are near | 0:58:11 | 0:58:16 | |
# He changeth not, and Thou art here | 0:58:17 | 0:58:22 | |
# Only believe and thou shalt see | 0:58:23 | 0:58:28 | |
# That Christ by his love is all to thee. # | 0:58:28 | 0:58:35 | |
Please be seated. | 0:58:38 | 0:58:40 | |
(What on earth is wrong with you?) | 0:58:43 | 0:58:46 | |
Nothing. | 0:58:46 | 0:58:47 | |
What strange, deluded, conceited creatures | 0:58:47 | 0:58:51 | |
we human beings are. | 0:58:51 | 0:58:53 | |
We think we have secrets, but how can we have secrets from God | 0:58:54 | 0:59:00 | |
who knows our innermost thoughts every moment of the day. | 0:59:00 | 0:59:05 | |
THUNDER RUMBLES | 0:59:05 | 0:59:06 | |
Giddy, what's wrong? | 0:59:15 | 0:59:17 | |
He's in the studio. | 0:59:18 | 0:59:20 | |
He's staying there tonight. | 0:59:20 | 0:59:22 | |
I'm going to seduce him. | 0:59:23 | 0:59:25 | |
You're drunk. | 0:59:25 | 0:59:27 | |
Did he say anything about me... | 0:59:29 | 0:59:32 | |
when he untied you? | 0:59:32 | 0:59:34 | |
No. | 0:59:34 | 0:59:37 | |
He's too shy, you see. | 0:59:38 | 0:59:40 | |
You should lie down for a while. | 0:59:40 | 0:59:43 | |
We're so out of touch with our passions. | 0:59:43 | 0:59:46 | |
I mean... I'm such a bourgeois little thing, | 0:59:46 | 0:59:50 | |
too scared to reveal myself to a painter! | 0:59:50 | 0:59:53 | |
Giddy... | 0:59:53 | 0:59:55 | |
I'm going to walk around without any clothes on. Clothes are just ost... | 0:59:56 | 1:00:03 | |
"ostentatious figments of middle class imagination." | 1:00:03 | 1:00:09 | |
That's Pru's nonsense. | 1:00:07 | 1:00:09 | |
It's just a bit cold tonight. | 1:00:11 | 1:00:13 | |
Well, I better go and get ready. | 1:00:17 | 1:00:19 | |
This is the first day of my new life | 1:00:19 | 1:00:22 | |
No, the first night of my new life. | 1:00:22 | 1:00:25 | |
THUNDER RUMBLES | 1:00:25 | 1:00:27 | |
DOG GROWLS | 1:00:47 | 1:00:49 | |
Next, you'll have to cross the Arafura Sea. | 1:01:03 | 1:01:08 | |
She'll be here in a few days. | 1:01:06 | 1:01:08 | |
KNOCK AT DOOR | 1:01:08 | 1:01:09 | |
What are you trying to do? | 1:01:13 | 1:01:15 | |
This is where Amy Johnson's got to. She was almost eaten by cannibals. | 1:01:15 | 1:01:21 | |
What are you doing to Giddy? She'll make a real fool of herself. | 1:01:21 | 1:01:28 | |
She's about to burst out of her skin | 1:01:25 | 1:01:28 | |
She doesn't know what she's doing. | 1:01:28 | 1:01:32 | |
Why the sudden concern? | 1:01:30 | 1:01:32 | |
Are you jealous? | 1:01:32 | 1:01:36 | |
Don't be ridiculous. | 1:01:34 | 1:01:36 | |
But you like him too. | 1:01:35 | 1:01:36 | |
I didn't even speak to him when he untied me. | 1:01:36 | 1:01:42 | |
You didn't need to. | 1:01:39 | 1:01:42 | |
You're really shocking! | 1:01:42 | 1:01:44 | |
SHE SNORES | 1:01:48 | 1:01:50 | |
Your characters seem so ravenous. Can't love ever be a gentle thing? | 1:02:21 | 1:02:26 | |
Of course, but I'm not painting love scenes. | 1:02:26 | 1:02:30 | |
Sorry, yes, lust scenes. | 1:02:30 | 1:02:33 | |
There is a fierceness in desire. It's one of life's great conundrums. | 1:02:33 | 1:02:42 | |
The only one according to your work. | 1:02:39 | 1:02:42 | |
I admit that the human universe is infinitely richer than my palette. | 1:02:42 | 1:02:47 | |
But, I do absolutely no justice at all to the nervous nellies... | 1:02:47 | 1:02:53 | |
the shrinking violets... | 1:02:53 | 1:02:57 | |
You're very contemptuous of them. | 1:02:54 | 1:02:57 | |
My dear Estella, I am a shrinking violet myself. | 1:02:57 | 1:03:01 | |
I live not in the real world, but in here. | 1:03:01 | 1:03:04 | |
I flee from the real world to my studio. | 1:03:04 | 1:03:08 | |
There before me is the canvas of my imagination. | 1:03:08 | 1:03:12 | |
But your paintings... | 1:03:12 | 1:03:14 | |
do go out into the real world. People's imaginations are stunted, | 1:03:14 | 1:03:19 | |
and you have no idea what your work may incite them to. Rape? | 1:03:19 | 1:03:26 | |
Mr Campion... | 1:03:24 | 1:03:26 | |
the female body is the most beautiful thing in the world. | 1:03:26 | 1:03:31 | |
If it turns you into a ravenous maniac... | 1:03:31 | 1:03:34 | |
then your wife should take the greatest care to undress... | 1:03:34 | 1:03:39 | |
behind a screen. | 1:03:39 | 1:03:41 | |
Estella's seen the pictures too. Are we in danger from her? | 1:03:41 | 1:03:46 | |
Everyone has a rich imagination. What stunts it is | 1:03:46 | 1:03:51 | |
capitalist exploitation. In Russia, there's an explosion of creativity! | 1:03:51 | 1:03:57 | |
Have you been, Pru? | 1:03:57 | 1:03:59 | |
Have you? | 1:03:59 | 1:04:00 | |
I thought for a moment you knew what you were talking about. | 1:04:00 | 1:04:05 | |
Communism has exploded every value, leaving a vacuum of moral anarchy! | 1:04:05 | 1:04:11 | |
Anarchy is freedom! | 1:04:10 | 1:04:11 | |
Balls! | 1:04:11 | 1:04:13 | |
Sorry. | 1:04:13 | 1:04:14 | |
Freedom for the strong to oppress the weak. | 1:04:14 | 1:04:18 | |
It's the same as before, just a different set of bullies! | 1:04:18 | 1:04:24 | |
Where's Giddy? | 1:04:21 | 1:04:24 | |
I thought you'd lost that hat. | 1:04:42 | 1:04:44 | |
Yes. One of the girls must have found it. | 1:04:44 | 1:04:48 | |
So, um...where was Giddy tonight? | 1:04:50 | 1:04:53 | |
You like her, don't you? | 1:04:55 | 1:04:57 | |
"Try one of these, they're Turkish." | 1:04:59 | 1:05:02 | |
No, I just, er... | 1:05:03 | 1:05:05 | |
worry about her with those other two. | 1:05:05 | 1:05:09 | |
She's drunk herself into a stupor, | 1:05:09 | 1:05:12 | |
planning to throw herself at... that odd job man. | 1:05:12 | 1:05:17 | |
He's quite a character, isn't he? | 1:05:19 | 1:05:21 | |
I hear he used to have quite a dangerous reputation. | 1:05:21 | 1:05:27 | |
This whole country's dangerous. | 1:05:24 | 1:05:27 | |
You know... | 1:05:28 | 1:05:30 | |
I've been mulling over what you said to me about... | 1:05:30 | 1:05:34 | |
me thinking too highly of you. I don't see either of as saints. | 1:05:34 | 1:05:40 | |
That's a relief. | 1:05:39 | 1:05:40 | |
I've done many things I'm ashamed of, stretching way back. | 1:05:40 | 1:05:45 | |
What sort of things? | 1:05:45 | 1:05:49 | |
Um... | 1:05:47 | 1:05:49 | |
When I was at school we had this ridiculous initiation ceremony | 1:05:49 | 1:05:54 | |
for the new boys, the "scum" as we called them. | 1:05:54 | 1:05:58 | |
What happened? | 1:05:58 | 1:06:04 | |
We used to stand them on a chair, take their trousers down... | 1:05:59 | 1:06:04 | |
whip them with wet towels. You know the sort of thing. | 1:06:04 | 1:06:09 | |
Do I? | 1:06:09 | 1:06:11 | |
Anyway, that's just something I wanted you to know. | 1:06:13 | 1:06:17 | |
In view of... | 1:06:25 | 1:06:27 | |
today's activities. | 1:06:27 | 1:06:29 | |
What are you talking about? | 1:06:31 | 1:06:37 | |
I think you know. I'd rather not put it into words. | 1:06:33 | 1:06:37 | |
RHYTHMIC SQUEAKING | 1:06:55 | 1:06:57 | |
SQUEAKING CONTINUES | 1:06:59 | 1:07:01 | |
(Sorry it's so noisy.) | 1:07:07 | 1:07:09 | |
(It's all right. They'll all be asleep.) | 1:07:09 | 1:07:12 | |
SHE GASPS | 1:07:54 | 1:07:56 | |
SHE GROANS | 1:08:38 | 1:08:39 | |
Oh... | 1:09:01 | 1:09:03 | |
You are the Winnie the Pooh sleeping in today. | 1:10:07 | 1:10:11 | |
What's the time? | 1:10:11 | 1:10:14 | |
Nearly three. | 1:10:12 | 1:10:14 | |
Message from Sheela. | 1:10:14 | 1:10:16 | |
She didn't wake you for a swim, she felt you needed your rest. | 1:10:16 | 1:10:21 | |
She seemed quite smug about it. | 1:10:21 | 1:10:25 | |
I might have one now, then. | 1:10:23 | 1:10:25 | |
To wake me up. | 1:10:28 | 1:10:30 | |
Right. Good idea. | 1:10:30 | 1:10:32 | |
How are you feeling? | 1:11:00 | 1:11:03 | |
Buggered. | 1:11:01 | 1:11:03 | |
I woke up stuck to the blanket. I'd spilt that horrible drink. | 1:11:03 | 1:11:08 | |
I looked like a huge emerald mint! | 1:11:08 | 1:11:11 | |
Oh! | 1:11:10 | 1:11:11 | |
Not that it mattered. | 1:11:11 | 1:11:13 | |
Why? What do you mean? | 1:11:13 | 1:11:20 | |
I went to the studio to see him, and he was doing it with somebody else! | 1:11:15 | 1:11:20 | |
Who was it? | 1:11:20 | 1:11:23 | |
Oh... | 1:11:21 | 1:11:23 | |
It was dark. I suppose it was Sheela or Pru. | 1:11:25 | 1:11:28 | |
They've got absolutely no morals at all! | 1:11:28 | 1:11:32 | |
I just feel so stupid. | 1:11:32 | 1:11:34 | |
I thought he liked me. | 1:11:34 | 1:11:37 | |
I'm not going to have anything to do with men. | 1:11:40 | 1:11:44 | |
I've made a big decision. | 1:11:44 | 1:11:46 | |
What decision? | 1:11:46 | 1:11:50 | |
You'll see. So will Norman. | 1:11:47 | 1:11:50 | |
Giddy! | 1:11:51 | 1:11:53 | |
Change your mind? | 1:12:15 | 1:12:18 | |
Yes. | 1:12:17 | 1:12:18 | |
Disappointing news. | 1:12:18 | 1:12:20 | |
The exhibition's going ahead with all the original paintings. | 1:12:20 | 1:12:26 | |
Still, we did our best. | 1:12:26 | 1:12:28 | |
I wish we could leave now. | 1:12:29 | 1:12:31 | |
The track's been repaired. We can get the first train tomorrow. | 1:12:31 | 1:12:37 | |
Thank goodness. | 1:12:35 | 1:12:37 | |
I'll tell Lindsay. | 1:12:40 | 1:12:42 | |
Sorry to interrupt. Just to let you know we're off first thing tomorrow. | 1:12:57 | 1:13:03 | |
Right. | 1:13:01 | 1:13:03 | |
Right. | 1:13:10 | 1:13:11 | |
You're very naughty today, so I'm not giving you this chocolate. | 1:13:26 | 1:13:31 | |
Honey, come quick. | 1:13:31 | 1:13:34 | |
THEY GIGGLE | 1:13:36 | 1:13:38 | |
This lamb is absolutely delicious. | 1:13:39 | 1:13:42 | |
Nearly as good as Welsh lamb and that's saying something! | 1:13:42 | 1:13:47 | |
Well, um... | 1:13:49 | 1:13:51 | |
Thank you very much for your hospitality. | 1:13:51 | 1:13:54 | |
Bottoms up. > | 1:13:54 | 1:13:55 | |
We've enjoyed ourselves. | 1:13:55 | 1:13:58 | |
I like a little opposition. It clears the mind. It's fortifying. | 1:13:58 | 1:14:03 | |
Yes. | 1:14:04 | 1:14:06 | |
I gather you're a boxer, Mr Devlin? | 1:14:07 | 1:14:10 | |
I used to do a bit of boxing myself. Quite a keen pugilist once. | 1:14:13 | 1:14:18 | |
Lost an enormous part of this tooth from a haymaker someone gave me. | 1:14:18 | 1:14:23 | |
I expect you've got some bad scabs to show from your travails too. | 1:14:23 | 1:14:29 | |
Apart, obviously, from the, er... | 1:14:29 | 1:14:32 | |
eye thing, which is beastly. | 1:14:32 | 1:14:35 | |
SNIGGERING | 1:14:35 | 1:14:36 | |
Unfortunately, during his last fight... | 1:14:38 | 1:14:41 | |
Mr Devlin had his tongue hanging out. | 1:14:41 | 1:14:45 | |
He got an enormous upper cut and lost most of it. | 1:14:45 | 1:14:48 | |
Balldust, Norman! | 1:14:48 | 1:14:50 | |
He makes a brilliant Ulysses anyhow. | 1:14:52 | 1:14:57 | |
But he never comes into the water. | 1:14:54 | 1:14:57 | |
Wouldn't matter who he was, you'd try to get him in. | 1:14:57 | 1:15:01 | |
You'd get in the whole army if you could! | 1:15:01 | 1:15:05 | |
I'd like to do some more research for the Atlantis series. | 1:15:05 | 1:15:09 | |
How about mounting an expedition to find it? | 1:15:09 | 1:15:13 | |
You might like to come. | 1:15:13 | 1:15:16 | |
Um-hmm! | 1:15:14 | 1:15:16 | |
Devlin could be the pilot. | 1:15:16 | 1:15:19 | |
Giddy could be the navigator. | 1:15:19 | 1:15:24 | |
I'm not going if they're going. | 1:15:21 | 1:15:24 | |
Why not ? | 1:15:23 | 1:15:24 | |
I wouldn't trust you as far as I could kick you! | 1:15:24 | 1:15:28 | |
Thanks! | 1:15:27 | 1:15:28 | |
What are you talking about? > | 1:15:30 | 1:15:33 | |
You know! | 1:15:32 | 1:15:33 | |
You always eat that cheese when you feel guilty. | 1:15:33 | 1:15:38 | |
Excuse me. | 1:15:36 | 1:15:38 | |
GIGGLING AND YELPING | 1:15:38 | 1:15:40 | |
Sorry, I better go and see if she's all right | 1:15:40 | 1:15:44 | |
What? | 1:15:48 | 1:15:50 | |
Nothing. | 1:15:51 | 1:15:52 | |
Piglet, are you all right? | 1:15:56 | 1:15:58 | |
Yes, I'm fine, thank you. | 1:15:58 | 1:16:00 | |
Feeling a bit funny? | 1:16:02 | 1:16:05 | |
Probably all that Stilton. | 1:16:06 | 1:16:08 | |
Really packing it down, weren't you? | 1:16:09 | 1:16:12 | |
Well, I'll go back. | 1:16:16 | 1:16:19 | |
Pooh... | 1:16:17 | 1:16:19 | |
I think we should talk. | 1:16:22 | 1:16:24 | |
Right you are. | 1:16:26 | 1:16:28 | |
What about? | 1:16:29 | 1:16:33 | |
Ever since we got here, I've... | 1:16:30 | 1:16:33 | |
Well, now you see... | 1:16:34 | 1:16:36 | |
some things are best left unsaid. | 1:16:36 | 1:16:41 | |
But then we'll always be strangers. | 1:16:38 | 1:16:41 | |
No, not really. | 1:16:41 | 1:16:43 | |
Only small parts of us. | 1:16:46 | 1:16:48 | |
The bad parts. | 1:16:48 | 1:16:53 | |
No, it's good to have a few secrets. | 1:16:50 | 1:16:53 | |
Do you? | 1:16:55 | 1:16:57 | |
Mmm. | 1:16:57 | 1:16:59 | |
That way, in fifty years' time we'll still be able to surprise each other. | 1:17:00 | 1:17:06 | |
Perhaps you're right. | 1:17:08 | 1:17:10 | |
I love you, Piglet. | 1:17:16 | 1:17:18 | |
What's the matter? | 1:17:50 | 1:17:55 | |
You must've dreamt you saw someone with Devlin. | 1:17:51 | 1:17:55 | |
You were so drunk. I looked in here, | 1:17:55 | 1:17:57 | |
and you were absolutely sozzled. | 1:17:57 | 1:18:00 | |
But it was so real. | 1:18:00 | 1:18:04 | |
Dreams always are! | 1:18:02 | 1:18:04 | |
I spoke to the other two and they swear it wasn't them. | 1:18:04 | 1:18:09 | |
Do you still like him? | 1:18:10 | 1:18:12 | |
I suppose so. | 1:18:14 | 1:18:19 | |
You should go in and see him, then. | 1:18:16 | 1:18:19 | |
Now? | 1:18:19 | 1:18:24 | |
That's what your dream was telling you. | 1:18:20 | 1:18:24 | |
Yeah. | 1:18:24 | 1:18:26 | |
Here. | 1:18:26 | 1:18:27 | |
Put this on. | 1:18:28 | 1:18:33 | |
But it's your wedding ring. | 1:18:30 | 1:18:33 | |
It's always brought me luck. | 1:18:31 | 1:18:33 | |
You can wear these. | 1:18:35 | 1:18:37 | |
And try some of this. | 1:18:40 | 1:18:42 | |
And we'll have to fix your hair. | 1:18:46 | 1:18:49 | |
Good luck. | 1:19:04 | 1:19:06 | |
THUNDER RUMBLES | 1:21:06 | 1:21:08 | |
THUNDER RUMBLES | 1:21:50 | 1:21:52 | |
I want to wake up now. | 1:22:13 | 1:22:15 | |
Oh! | 1:22:27 | 1:22:28 | |
Estella. | 1:22:28 | 1:22:30 | |
It was night. | 1:22:30 | 1:22:36 | |
You were shouting loudly. I heard you from the garden. | 1:22:31 | 1:22:36 | |
Let me tell you about last night. It was wonderful! | 1:22:36 | 1:22:40 | |
I didn't do everything with him. | 1:22:40 | 1:22:43 | |
He's not good enough for me, but we did some things which were just... | 1:22:43 | 1:22:49 | |
Gosh! | 1:22:51 | 1:22:53 | |
But you didn't ask her permission! | 1:23:01 | 1:23:09 | |
I wasn't aware I needed permission. | 1:23:04 | 1:23:09 | |
It infers that she modelled for you! | 1:23:06 | 1:23:09 | |
You cannot just put someone in one of your paintings! | 1:23:09 | 1:23:13 | |
She'll be outraged! I'm outraged! | 1:23:13 | 1:23:19 | |
Perhaps we ought to ask her. | 1:23:16 | 1:23:19 | |
I don't need to ask her! | 1:23:17 | 1:23:19 | |
Anthony? | 1:23:19 | 1:23:20 | |
What's the matter? | 1:23:20 | 1:23:22 | |
Mr Lindsay has put you in his latest painting. | 1:23:22 | 1:23:26 | |
Oh. | 1:23:25 | 1:23:26 | |
I've told him he has to paint over you, or we'll take legal action. | 1:23:26 | 1:23:32 | |
You better have a look. | 1:23:32 | 1:23:34 | |
Well? | 1:23:58 | 1:23:59 | |
It's a good likeness. | 1:24:22 | 1:24:23 | |
< Devlin. | 1:25:02 | 1:25:03 | |
Better get back to work. | 1:25:03 | 1:25:05 | |
Catch! | 1:25:05 | 1:25:07 | |
TRAIN WHISTLES | 1:25:21 | 1:25:22 | |
They're asleep. | 1:26:12 | 1:26:13 | |
For goodness sake! | 1:26:15 | 1:26:17 | |
Estella! | 1:26:17 | 1:26:18 | |
We'll be arrested. | 1:26:21 | 1:26:23 | |
We'll be excommunicated! | 1:26:26 | 1:26:29 | |
HE GIGGLES | 1:26:38 | 1:26:40 | |
HE GIGGLES | 1:26:49 | 1:26:51 | |
Subtitles by IMS | 1:27:47 | 1:27:50 | |
E-mail us at [email protected] | 1:27:50 | 1:27:52 |