Browse content similar to Six Days, Seven Nights. Check below for episodes and series from the same categories and more!
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Hey! | 0:01:05 | 0:01:07 | |
Oh! | 0:01:07 | 0:01:09 | |
Morning. | 0:01:13 | 0:01:15 | |
-MOBILE PHONE RINGS -Thank you. | 0:01:15 | 0:01:17 | |
No, thank you. | 0:01:17 | 0:01:19 | |
Hello? Hi. | 0:01:19 | 0:01:21 | |
I'm across the street. | 0:01:21 | 0:01:23 | |
Who? | 0:01:23 | 0:01:25 | |
No. There's nothing wrong with the ad layouts. I checked them myself. | 0:01:25 | 0:01:30 | |
Marjorie must have... | 0:01:30 | 0:01:33 | |
Hey, Robin. | 0:01:43 | 0:01:45 | |
Because we changed photographers. | 0:01:45 | 0:01:48 | |
'I double checked everything. What's wrong with the ad layouts?' | 0:01:48 | 0:01:52 | |
What's wrong with the ad layouts? | 0:01:52 | 0:01:54 | |
Practically everything. They're the wrong | 0:01:54 | 0:01:58 | |
-ad layouts. -'I have no idea.' | 0:01:58 | 0:02:00 | |
Why am I looking at 30 pages of wrong ad layouts, Leo? | 0:02:00 | 0:02:05 | |
I'll tell you. Because someone, LEO, didn't do their job. | 0:02:05 | 0:02:09 | |
The copy on the cover reads "Office Love Affairs - | 0:02:09 | 0:02:13 | |
-"how to get him and your raise." -Good. | 0:02:13 | 0:02:16 | |
-Yeah? -< Look at me. | 0:02:16 | 0:02:18 | |
Come in a little closer. OK, right here. | 0:02:18 | 0:02:22 | |
Great. Good, I think we got it. | 0:02:22 | 0:02:25 | |
Carry on. Papaya diet? | 0:02:25 | 0:02:27 | |
Big problem. They're changing the fruit. | 0:02:27 | 0:02:30 | |
-What kind of fruit? -Kiwi or something. | 0:02:30 | 0:02:33 | |
I don't like kiwi. | 0:02:33 | 0:02:37 | |
These came for you, from Frank. | 0:02:34 | 0:02:37 | |
He is so sweet. He's in London. | 0:02:37 | 0:02:39 | |
Yes. Very exotic and expensive. | 0:02:39 | 0:02:42 | |
"Can't wait to see you. It's been an eternity." How long's he been gone? | 0:02:42 | 0:02:47 | |
-Two days. -Two days? | 0:02:47 | 0:02:50 | |
-Yes. -Meet me here at 7.30. Good choice. | 0:02:50 | 0:02:53 | |
Bring doll. | 0:02:53 | 0:02:55 | |
Doll. He does this kind of thing all the time. | 0:02:55 | 0:02:59 | |
Hula dolls. | 0:03:07 | 0:03:09 | |
Polynesian restaurant. What are you up to? | 0:03:09 | 0:03:13 | |
It's part of the surprise. Thanks. | 0:03:13 | 0:03:16 | |
-Surprise? -Uh-huh. | 0:03:16 | 0:03:18 | |
You're not breaking up with me are you? | 0:03:18 | 0:03:21 | |
-No. -OK. Are you sure? | 0:03:21 | 0:03:23 | |
69% of relationships break up in restaurants. | 0:03:23 | 0:03:26 | |
-We're not breaking up. -OK. | 0:03:26 | 0:03:28 | |
I want to increase the romance in our lives. | 0:03:28 | 0:03:32 | |
-You do? -Uh-huh. | 0:03:32 | 0:03:34 | |
-First, close your eyes. -Now? | 0:03:34 | 0:03:37 | |
-Close them. -OK. | 0:03:37 | 0:03:39 | |
You say we never go anywhere | 0:03:39 | 0:03:43 | |
-and we never have fun. -Yeah. | 0:03:43 | 0:03:45 | |
Open your eyes and look where I'm taking you. | 0:03:45 | 0:03:49 | |
Come on. | 0:03:49 | 0:03:52 | |
Oh, you're kidding? | 0:03:54 | 0:03:57 | |
You and me | 0:03:55 | 0:03:57 | |
-in two weeks. -Two weeks? I can't. | 0:03:57 | 0:04:00 | |
-You can. -I can? | 0:04:00 | 0:04:02 | |
-I cleared it with Marjorie. -You're a sneak. | 0:04:02 | 0:04:05 | |
Yeah. Six days and seven nights, | 0:04:05 | 0:04:08 | |
on the secluded, tropical island paradise of Makatea. | 0:04:08 | 0:04:12 | |
Yeah. We arrived 15 minutes late. | 0:04:35 | 0:04:38 | |
-Is that a problem? -That's fine. | 0:04:38 | 0:04:40 | |
I'll find the bags. You get to find the charter. | 0:04:40 | 0:04:44 | |
-I do? -See you in a minute. | 0:04:44 | 0:04:46 | |
Sweetie? | 0:04:46 | 0:04:48 | |
-Love you. -Love you. | 0:04:48 | 0:04:51 | |
Er, excuse me? | 0:05:15 | 0:05:18 | |
Could you help me? I'm looking for Tropical Charters. | 0:05:20 | 0:05:24 | |
You going to Makatea? | 0:05:25 | 0:05:27 | |
Yes. | 0:05:27 | 0:05:28 | |
Well, we'll be ready in ten... twenty minutes. | 0:05:28 | 0:05:34 | |
But this...this isn't the plane. | 0:05:39 | 0:05:44 | |
What? | 0:05:44 | 0:05:48 | |
The plane? Where's its mommy? | 0:05:45 | 0:05:48 | |
Tropical's plane is laid up in Fiji. | 0:05:48 | 0:05:52 | |
We're filling in. You're in luck. I'm your pilot. | 0:05:52 | 0:05:57 | |
Er... | 0:05:57 | 0:05:58 | |
No, I ca... | 0:05:58 | 0:06:00 | |
I, er, I can't go in this. It's broken. | 0:06:00 | 0:06:04 | |
It's not broken. It's being maintained. | 0:06:04 | 0:06:07 | |
It's my plane. A De Havilland Beaver. One of the safest, most reliable | 0:06:07 | 0:06:12 | |
ever built. | 0:06:12 | 0:06:16 | |
Sweetie? There a problem? | 0:06:14 | 0:06:16 | |
Er, yes. | 0:06:16 | 0:06:18 | |
He thinks we're going to go in this old thing. | 0:06:18 | 0:06:22 | |
What? | 0:06:22 | 0:06:26 | |
We could find another charter. | 0:06:23 | 0:06:26 | |
Won't find one. There's a boat leaves from the port. | 0:06:26 | 0:06:31 | |
Takes three days. | 0:06:31 | 0:06:33 | |
-Honey, Frank. -All right. All right. | 0:06:33 | 0:06:35 | |
I'm sure the plane is perfectly safe | 0:06:35 | 0:06:38 | |
and I'm sure the pilot is a trained professional. | 0:06:38 | 0:06:42 | |
-He is the pilot. -He... | 0:06:42 | 0:06:44 | |
Well, if you're going, it'll be 20-30 minutes. Got to get some oil. | 0:06:44 | 0:06:50 | |
-He's getting oil. -How about this luggage? | 0:06:50 | 0:06:53 | |
-No, thanks. -We're good. | 0:06:53 | 0:06:55 | |
All right. Everybody tied down? | 0:06:59 | 0:07:01 | |
Are these really necessary? | 0:07:01 | 0:07:03 | |
Only if we crash. | 0:07:03 | 0:07:05 | |
Hi. | 0:07:08 | 0:07:10 | |
-Angelica is flight service director. -Hello. | 0:07:10 | 0:07:13 | |
Thank you. | 0:07:13 | 0:07:16 | |
Hi. I'm sorry. | 0:07:16 | 0:07:18 | |
Excuse me. Oh, I'm sorry. | 0:07:18 | 0:07:21 | |
Excuse me. Ooh. | 0:07:21 | 0:07:23 | |
Hey, baby. | 0:07:23 | 0:07:26 | |
Are you going to Makatea? | 0:07:24 | 0:07:26 | |
-We hope. -You'll love it. | 0:07:26 | 0:07:28 | |
Are you from the States? I lived there. It's fun. Look what I got. | 0:07:28 | 0:07:34 | |
-Check it out. -What's that? | 0:07:34 | 0:07:36 | |
-It's a bathing suit. -LAUGHS: | 0:07:36 | 0:07:38 | |
I thought it was an eye patch. | 0:07:38 | 0:07:41 | |
Welcome to Makatea. | 0:08:28 | 0:08:31 | |
Here we are. Thanks for flying Harris Freight. | 0:08:31 | 0:08:34 | |
Frequent flyers earn bonus points. Good for merchandise. | 0:08:34 | 0:08:38 | |
You're not stealing my vests. | 0:08:38 | 0:08:40 | |
Welcome to Hanaiti. | 0:08:48 | 0:08:51 | |
Thank you. | 0:08:49 | 0:08:51 | |
I'm Phillippe St Clair, general manager. Reservation for Mr Martin. | 0:08:51 | 0:08:56 | |
Oh. Oh, this is beautiful. | 0:09:02 | 0:09:05 | |
Wow. | 0:09:05 | 0:09:07 | |
Wow. | 0:09:07 | 0:09:09 | |
OK. All right, we're never leaving. | 0:09:12 | 0:09:14 | |
Yes. | 0:09:14 | 0:09:17 | |
I want this to be the most unforgettable vacation of our lives. | 0:09:17 | 0:09:22 | |
Having a good time? | 0:09:28 | 0:09:30 | |
Honey, I'm having a great time. | 0:09:30 | 0:09:33 | |
You know what today is? | 0:09:33 | 0:09:36 | |
What? | 0:09:34 | 0:09:36 | |
It's our anniversary. | 0:09:36 | 0:09:38 | |
-We have an anniversary? -Yeah. | 0:09:38 | 0:09:40 | |
Unofficially. Three years ago today, we first met. | 0:09:40 | 0:09:44 | |
-Today? -Today. | 0:09:44 | 0:09:46 | |
We fought over a cab. | 0:09:46 | 0:09:50 | |
I called you a jerk. | 0:09:48 | 0:09:50 | |
-Yes. -Great that you remember. | 0:09:50 | 0:09:52 | |
It was all part of love's odyssey. | 0:09:52 | 0:09:55 | |
-Odyssey? -Uh-huh. | 0:09:55 | 0:09:57 | |
If I asked, would you wear something special for me tonight? | 0:09:57 | 0:10:02 | |
What do you have in mind? | 0:10:02 | 0:10:05 | |
This. | 0:10:05 | 0:10:07 | |
Will you marry me? | 0:10:11 | 0:10:14 | |
MUSIC PLAYS | 0:10:19 | 0:10:21 | |
# The Calypsonians were all gathered together | 0:10:29 | 0:10:33 | |
# Singing such a mournful tune | 0:10:33 | 0:10:36 | |
# I don't know if it was in the summertime | 0:10:36 | 0:10:41 | |
# It could be the month of May or June... # | 0:10:41 | 0:10:45 | |
I'll be back in a sec, OK? | 0:10:45 | 0:10:48 | |
Ah, wait. | 0:10:48 | 0:10:50 | |
# ..Over loving | 0:10:52 | 0:10:54 | |
# Over, over, over, over loving you. # | 0:10:54 | 0:10:58 | |
I always thought this was a beautiful island, | 0:11:15 | 0:11:18 | |
with you here it is even more beautiful. | 0:11:18 | 0:11:22 | |
How long have you been on Makatea? | 0:11:22 | 0:11:25 | |
You're kidding, right? | 0:11:25 | 0:11:27 | |
No. | 0:11:27 | 0:11:29 | |
Well, you brought me here... Today? | 0:11:29 | 0:11:33 | |
Five hours ago? | 0:11:33 | 0:11:35 | |
Oh. | 0:11:35 | 0:11:37 | |
So much has happened since then. | 0:11:37 | 0:11:41 | |
Oops. Oopsie. | 0:11:39 | 0:11:41 | |
Wow. Here you go. | 0:11:41 | 0:11:43 | |
-Slipped. -Yeah. | 0:11:43 | 0:11:45 | |
So, where's your, er, co-pilot? | 0:11:45 | 0:11:48 | |
Oh, she's busy with the tourists. | 0:11:48 | 0:11:51 | |
Sounds like you don't like us. | 0:11:51 | 0:11:53 | |
Oh, no, no. Never bite the hand that feeds...your mouth. | 0:11:53 | 0:11:59 | |
Whatever. | 0:11:59 | 0:12:01 | |
Besides, you know, they're good for a laugh. | 0:12:01 | 0:12:05 | |
You're a big laugher, are you? | 0:12:05 | 0:12:08 | |
-Oh, yeah. -Oh, yeah. | 0:12:08 | 0:12:10 | |
They come here looking for the magic. | 0:12:10 | 0:12:15 | |
Expecting to find romance, when they can't find it any other place. | 0:12:15 | 0:12:20 | |
Maybe they will. | 0:12:21 | 0:12:24 | |
It's an island, babe. | 0:12:25 | 0:12:27 | |
If you don't bring it here, you won't find it. | 0:12:27 | 0:12:31 | |
Oh. Heavy. Pilot and philosopher. | 0:12:31 | 0:12:35 | |
Let me buy you a drink. | 0:12:35 | 0:12:39 | |
I'm with somebody. Remember? He came in with me. | 0:12:39 | 0:12:44 | |
I meant both of you. | 0:12:44 | 0:12:47 | |
No, you didn't. | 0:12:47 | 0:12:49 | |
You're from New York, aren't you? | 0:12:49 | 0:12:53 | |
Hey! Is everything OK? | 0:12:53 | 0:12:55 | |
Hi. Nice to see you again. | 0:12:55 | 0:12:58 | |
You too. | 0:12:56 | 0:12:58 | |
Let me buy you a drink. | 0:12:58 | 0:13:01 | |
That's very... Oh, we're leaving. | 0:13:01 | 0:13:03 | |
Some other time I'll buy you a drink. | 0:13:03 | 0:13:07 | |
Ta-ta. | 0:13:05 | 0:13:07 | |
OK. Bye. | 0:13:07 | 0:13:10 | |
-Was he bothering you? -No. | 0:13:10 | 0:13:12 | |
Was he hitting on you? It looked like he was. | 0:13:12 | 0:13:16 | |
-A little. -He was? | 0:13:16 | 0:13:18 | |
Want me to do something about it? | 0:13:18 | 0:13:22 | |
Like what? | 0:13:20 | 0:13:22 | |
I don't go to the gym to watch guys shower. You know I will... Yeah. | 0:13:22 | 0:13:26 | |
Well done, ocean. | 0:13:31 | 0:13:33 | |
Well done, sky. | 0:13:33 | 0:13:36 | |
Well done, mai tais. | 0:13:36 | 0:13:38 | |
HE LAUGHS | 0:13:38 | 0:13:40 | |
Well done, silicone. Oh, my. | 0:13:40 | 0:13:42 | |
Hey. | 0:13:42 | 0:13:44 | |
I'm getting a little toasty here. | 0:13:44 | 0:13:47 | |
Want me to put cream on you? | 0:13:47 | 0:13:50 | |
You'd do that? You'd cream me up? | 0:13:50 | 0:13:53 | |
Only for you. Where is it? | 0:13:53 | 0:13:56 | |
Ms Monroe? You have a phone call. | 0:13:56 | 0:13:59 | |
-I do? -Take it at the bar. | 0:13:59 | 0:14:01 | |
Who would be calling you? | 0:14:01 | 0:14:04 | |
I have no idea. I'll be right back. | 0:14:04 | 0:14:07 | |
Can I get two mai tais, please? | 0:14:07 | 0:14:11 | |
-Yes, ma'am. -Thank you. | 0:14:11 | 0:14:13 | |
Hello? | 0:14:13 | 0:14:15 | |
I know you're on vacation, it's an emergency. | 0:14:15 | 0:14:18 | |
-Oh, no. -'The shoot's on, it's an availability' | 0:14:18 | 0:14:21 | |
nightmare. Vendela and Evander Holyfield have a 17-hour window. | 0:14:21 | 0:14:26 | |
If we don't get them now, nobody's available | 0:14:26 | 0:14:28 | |
'for four months and we lose them for the May cover.' | 0:14:28 | 0:14:30 | |
Isn't there someone closer whose life you can screw up? | 0:14:30 | 0:14:33 | |
That's the ironic thing - there's not. | 0:14:33 | 0:14:36 | |
Vendela's in Sydney, Evander's in Osaka. I threw Taylor on a plane | 0:14:36 | 0:14:40 | |
-'to Papeete.' -Tahiti? | 0:14:40 | 0:14:43 | |
'They're coming to you. All you do' | 0:14:43 | 0:14:46 | |
is fly to Tahiti, baby-sit the shoot. 15 hours at most. | 0:14:46 | 0:14:51 | |
This is complicated. | 0:14:51 | 0:14:53 | |
Frank proposed to me last night. | 0:14:53 | 0:14:58 | |
'Oh, my God!' | 0:14:56 | 0:14:58 | |
It's so exciting. I'm so happy. | 0:14:58 | 0:15:00 | |
I'm glad. What message am I sending to Frank | 0:15:00 | 0:15:04 | |
if the day after our betrothal I'm leaving him to go on a photo shoot? | 0:15:04 | 0:15:08 | |
An excellent message. | 0:15:11 | 0:15:13 | |
'An opportunity to establish parameters.' | 0:15:13 | 0:15:16 | |
(Oh, God.) | 0:15:16 | 0:15:18 | |
I read that 38.6% of all women are pressured into quitting their jobs | 0:15:18 | 0:15:23 | |
in the first year of marriage. | 0:15:23 | 0:15:26 | |
You read that in our magazine. We made it up. | 0:15:26 | 0:15:29 | |
'Please, Robin. Please.' | 0:15:29 | 0:15:31 | |
Please. Please, Robin, please. | 0:15:31 | 0:15:34 | |
-Deal. -'Oh, good.' | 0:15:34 | 0:15:36 | |
'Do you have a way back to Tahiti?' | 0:15:36 | 0:15:42 | |
Oh, yeah. I can... | 0:15:39 | 0:15:42 | |
Uhhhh! | 0:15:42 | 0:15:44 | |
Good? Yeah? | 0:15:44 | 0:15:47 | |
HE MOANS | 0:15:57 | 0:15:59 | |
Don't move a muscle. Lay down. Stay. | 0:15:59 | 0:16:02 | |
Hi. | 0:16:04 | 0:16:07 | |
Oh, hi. | 0:16:05 | 0:16:07 | |
I'm looking for... | 0:16:07 | 0:16:11 | |
Quinny, it's for you. | 0:16:09 | 0:16:11 | |
Hi, there. | 0:16:11 | 0:16:13 | |
Sorry. I have an emergency. | 0:16:15 | 0:16:17 | |
What sort of emergency? | 0:16:17 | 0:16:19 | |
What's going on? | 0:16:19 | 0:16:21 | |
My boss wants me to go to Tahiti tonight. | 0:16:21 | 0:16:25 | |
I'm, er, sort of on my layover here. | 0:16:25 | 0:16:29 | |
Right. Would 500 cut your labour short? | 0:16:29 | 0:16:33 | |
Er... | 0:16:33 | 0:16:35 | |
Baby, want to go to Papeete? | 0:16:35 | 0:16:38 | |
I can't. I have a show tonight, Tamure night. | 0:16:38 | 0:16:41 | |
Oh, it's Tamure night. My hands are tied. That's for later! | 0:16:41 | 0:16:47 | |
I'm stuck. This is really important, you'd be doing me a favour. | 0:16:47 | 0:16:52 | |
How would 700 be? | 0:16:52 | 0:16:55 | |
OK. | 0:16:56 | 0:16:58 | |
-Great. -I'll meet you at the plane in... | 0:16:58 | 0:17:01 | |
Give me an hour. | 0:17:01 | 0:17:05 | |
Great. Thank you. | 0:17:03 | 0:17:05 | |
It's a known fact that 38.6% of women are pressured | 0:17:05 | 0:17:09 | |
into quitting work the first year of marriage. | 0:17:09 | 0:17:12 | |
You made that up for your magazine. | 0:17:12 | 0:17:14 | |
If you had to work, I'd understand. | 0:17:19 | 0:17:22 | |
That's because you're not as romantic as I am. | 0:17:22 | 0:17:26 | |
Awww. | 0:17:26 | 0:17:28 | |
So come with me. | 0:17:28 | 0:17:32 | |
-No. -How come? | 0:17:33 | 0:17:35 | |
If I go, I'll resent that I'm there. | 0:17:35 | 0:17:38 | |
I'll miss you, you'll feel guilty. I prefer that. | 0:17:38 | 0:17:42 | |
Come on. It's only for one night. | 0:17:42 | 0:17:45 | |
Hubby. | 0:17:45 | 0:17:47 | |
Say that again. | 0:17:47 | 0:17:49 | |
My hubby. | 0:17:49 | 0:17:52 | |
I like that. Say it. | 0:17:52 | 0:17:54 | |
Hubby. | 0:17:54 | 0:17:56 | |
Ready to go? | 0:18:03 | 0:18:05 | |
-Is it safe? -It is with me. | 0:18:05 | 0:18:07 | |
You're that good? | 0:18:07 | 0:18:11 | |
Best you've been with. | 0:18:09 | 0:18:11 | |
I'm not sure I trust your equipment. | 0:18:11 | 0:18:14 | |
We may be old, but we're sturdy. | 0:18:14 | 0:18:17 | |
Uh-huh. | 0:18:15 | 0:18:17 | |
What's all this? | 0:18:17 | 0:18:19 | |
Stocks, local trinkets. I plan to fly them to Tahiti. With your job... | 0:18:19 | 0:18:24 | |
I got a two-for. | 0:18:24 | 0:18:26 | |
How handy for you. | 0:18:26 | 0:18:28 | |
I'll just keep this from flying out here. | 0:18:28 | 0:18:32 | |
Here we go. | 0:18:32 | 0:18:34 | |
Do you have my, er, money? | 0:18:34 | 0:18:37 | |
Oh, yes. | 0:18:35 | 0:18:37 | |
Thank you. | 0:18:37 | 0:18:39 | |
It's all there. | 0:18:39 | 0:18:42 | |
I trust you. | 0:18:40 | 0:18:42 | |
So, what kind of work do you do back there in New York? | 0:19:16 | 0:19:21 | |
I'm assistant editor for Dazzle magazine. | 0:19:21 | 0:19:25 | |
-Dazzle? -Yeah. | 0:19:25 | 0:19:27 | |
-Never heard of that. -You're not | 0:19:27 | 0:19:30 | |
the demographic we shoot for. | 0:19:30 | 0:19:32 | |
Er, this is it. | 0:19:32 | 0:19:35 | |
"Dazzle. Your derriere." | 0:19:35 | 0:19:39 | |
"Five exercises to tame the beast. Ten ways | 0:19:39 | 0:19:43 | |
"to light his fire." | 0:19:43 | 0:19:47 | |
For Pete's sake. | 0:19:47 | 0:19:49 | |
Ten ways to light his fire? | 0:19:49 | 0:19:52 | |
-Know how a woman gets a man excited? -How? | 0:19:52 | 0:19:56 | |
She shows up. That's it. We're guys, we're easy. | 0:19:56 | 0:20:00 | |
For that you can't charge six bucks an issue, can you? | 0:20:00 | 0:20:04 | |
Is that advice with the 700 or do I pay extra? | 0:20:04 | 0:20:09 | |
It's on the house. | 0:20:09 | 0:20:11 | |
Thanks. | 0:20:11 | 0:20:13 | |
MUSIC PLAYS | 0:20:29 | 0:20:31 | |
INAUDIBLE | 0:20:40 | 0:20:42 | |
MUSIC CONTINUES | 0:20:57 | 0:20:59 | |
I'm Island Flightwatch Beaver 0318, | 0:21:32 | 0:21:36 | |
at 3,500 on a heading of 110. | 0:21:36 | 0:21:38 | |
I'm looking for a weather update, please, along our route of flight. | 0:21:38 | 0:21:43 | |
-'Be advised...' -STATIC ON RADIO | 0:21:43 | 0:21:48 | |
STATIC DROWNS OUT VOICE | 0:21:48 | 0:21:52 | |
Say again. | 0:21:52 | 0:21:54 | |
THUNDER CRASHES | 0:21:58 | 0:22:01 | |
I'm sorry. This weather came up quicker than anybody anticipated. | 0:22:01 | 0:22:06 | |
We're going to have to turn back to Makatea. | 0:22:06 | 0:22:10 | |
It's just not worth the risk. | 0:22:10 | 0:22:14 | |
All right. | 0:22:12 | 0:22:14 | |
A line of squalls has us boxed in. | 0:22:30 | 0:22:32 | |
Tighten your seat belt. It'll get bumpy. | 0:22:32 | 0:22:36 | |
Wha...? Er... | 0:22:36 | 0:22:38 | |
You don't mind if I just sit up here with you. | 0:22:38 | 0:22:42 | |
Wah! | 0:22:42 | 0:22:45 | |
Get your seat belt on. | 0:22:45 | 0:22:47 | |
-What are those? -Xanax. | 0:22:57 | 0:22:59 | |
Prescribed for situations of tension. This qualifies. | 0:22:59 | 0:23:02 | |
Give me a couple. | 0:23:02 | 0:23:05 | |
You just drive. | 0:23:03 | 0:23:05 | |
What are you taking now? | 0:23:35 | 0:23:37 | |
-SLURRED: -Xanax. My doctor prescribed them for situations of tension. | 0:23:37 | 0:23:42 | |
Give me those. | 0:23:40 | 0:23:42 | |
-SHE SCREAMS -Hey! That was close. Wooh! | 0:23:50 | 0:23:54 | |
It was more than close. That hit us. | 0:23:56 | 0:24:00 | |
It fried the radios. | 0:24:00 | 0:24:02 | |
Oh, no. That's bad, huh? | 0:24:02 | 0:24:03 | |
Mayday, Mayday, Mayday. Beaver 0318... | 0:24:07 | 0:24:11 | |
unable to maintain altitude. | 0:24:11 | 0:24:14 | |
Can anybody hear this? | 0:24:14 | 0:24:16 | |
Mayday, Mayday, Mayday. | 0:24:17 | 0:24:21 | |
Attention K-Mart shoppers! | 0:24:19 | 0:24:21 | |
Snow shovels are on sale for 12.99 | 0:24:21 | 0:24:24 | |
Put that down. Unable to maintain altitude. | 0:24:24 | 0:24:28 | |
40 miles south southeast of Makatea. | 0:24:28 | 0:24:31 | |
SHE SINGS | 0:24:31 | 0:24:33 | |
# Mayday, Mayday, Mayday. # | 0:24:33 | 0:24:35 | |
How many of those did you take? | 0:24:35 | 0:24:38 | |
Er... You know, I just don't know. | 0:24:38 | 0:24:42 | |
Look. We're in trouble here. | 0:24:42 | 0:24:45 | |
Sit back, be quiet, | 0:24:45 | 0:24:48 | |
keep your seat belt tight, let me fly. | 0:24:48 | 0:24:51 | |
(Yes, sir.) | 0:24:51 | 0:24:54 | |
There's an island down there. | 0:25:07 | 0:25:09 | |
I can see a beach. | 0:25:09 | 0:25:12 | |
I'm going to set us down. | 0:25:12 | 0:25:16 | |
Okey-dokey. | 0:25:13 | 0:25:16 | |
-Rock on the beach! -Son of a bitch. | 0:25:49 | 0:25:52 | |
APPLAUSE | 0:26:03 | 0:26:07 | |
Good morning. | 0:26:47 | 0:26:49 | |
Could you get me a cup of coffee? | 0:26:50 | 0:26:53 | |
Sure. I'll get right on it, ma'am. | 0:26:53 | 0:26:57 | |
Oh, God. Wha... | 0:26:57 | 0:27:00 | |
Where are we? | 0:27:00 | 0:27:02 | |
-Here. -Where? | 0:27:02 | 0:27:04 | |
Where? | 0:27:04 | 0:27:06 | |
Between Makatea and Tahiti, that's... | 0:27:06 | 0:27:10 | |
..the best I can do for you. | 0:27:10 | 0:27:13 | |
Whoah! What happened? | 0:27:13 | 0:27:17 | |
It crumpled the landing gear when we hit. | 0:27:17 | 0:27:20 | |
Aren't you going to fix it? Can't we reattach it somehow? | 0:27:20 | 0:27:25 | |
Oh, sure. We'll like glue it back on. | 0:27:25 | 0:27:28 | |
How's that? | 0:27:28 | 0:27:31 | |
Aren't you one of those guys? | 0:27:29 | 0:27:31 | |
What guys? | 0:27:31 | 0:27:34 | |
Those guy-guys. Guys with skills. | 0:27:34 | 0:27:36 | |
Skills? | 0:27:36 | 0:27:39 | |
Yeah. | 0:27:37 | 0:27:39 | |
Send them into the wilderness with a knife and they build a mall. | 0:27:39 | 0:27:44 | |
You can't do that? | 0:27:44 | 0:27:48 | |
No. No, I can't do that. | 0:27:45 | 0:27:48 | |
But I can do this... Does that help? | 0:27:48 | 0:27:52 | |
I can get us out of here. | 0:27:55 | 0:27:57 | |
-Oh, good. -Yeah. | 0:27:57 | 0:27:59 | |
Hey. | 0:27:59 | 0:28:02 | |
Right? Huh? Phone. | 0:28:02 | 0:28:04 | |
I'm going to get us out of here. | 0:28:04 | 0:28:07 | |
Pronto. | 0:28:07 | 0:28:09 | |
Come on, phone. | 0:28:10 | 0:28:13 | |
So, what are we, like, shipwrecked? | 0:28:26 | 0:28:29 | |
-How do you want it? -Excuse me? | 0:28:29 | 0:28:32 | |
-Sugar-coated or between the eyes? -You pick. | 0:28:32 | 0:28:37 | |
We've only got one wheel, | 0:28:40 | 0:28:42 | |
so we can't take off. | 0:28:42 | 0:28:45 | |
Lightning fried the radio and emergency location transmitter. | 0:28:45 | 0:28:49 | |
Air-Sea will try a rescue but without a beacon, | 0:28:49 | 0:28:52 | |
it's like finding a flea on an elephant's ass. | 0:28:52 | 0:28:55 | |
The only thing we got is | 0:28:55 | 0:28:58 | |
this flare gun and a single flare. | 0:28:58 | 0:29:01 | |
Is it too late to get it sugar-coated? | 0:29:01 | 0:29:04 | |
That was sugar-coated. | 0:29:04 | 0:29:06 | |
Well then, what's the bad news? | 0:29:09 | 0:29:12 | |
The bad news is... | 0:29:14 | 0:29:16 | |
we may be here for a long time. | 0:29:16 | 0:29:20 | |
You and me. | 0:29:20 | 0:29:22 | |
For a long...long... | 0:29:22 | 0:29:26 | |
..long, long, long, long time. | 0:29:26 | 0:29:32 | |
Well, I want my 700 back. | 0:29:37 | 0:29:39 | |
What? | 0:29:39 | 0:29:42 | |
My 700, I want it back. | 0:29:42 | 0:29:44 | |
You said you'd take me to Tahiti, you didn't. | 0:29:44 | 0:29:49 | |
Give it back. | 0:29:49 | 0:29:51 | |
Come on. | 0:29:51 | 0:29:53 | |
One...two...three... | 0:29:57 | 0:30:02 | |
Wha...? | 0:30:04 | 0:30:06 | |
-I got you halfway. -Halfway? | 0:30:06 | 0:30:09 | |
-Halfway? Halfway? Whooh! -Halfway. | 0:30:09 | 0:30:12 | |
Halfway! Oh, boy. You're good! | 0:30:12 | 0:30:15 | |
Whooh! You got me halfway. That's fantastic. | 0:30:15 | 0:30:19 | |
What are you doing? Get away from my plane! Get out of there! | 0:30:19 | 0:30:23 | |
I'm going to do something. | 0:30:23 | 0:30:25 | |
-Leave that alone! -Shut up! | 0:30:25 | 0:30:28 | |
What are you doing? Leave my stuff! Hey! | 0:30:28 | 0:30:31 | |
What's this? It's a boat. | 0:30:31 | 0:30:35 | |
-Life raft. -We can get off the island. | 0:30:35 | 0:30:38 | |
You don't know where you are. | 0:30:38 | 0:30:40 | |
You don't want to bounce around the ocean on an 8ft blow-up boat. | 0:30:40 | 0:30:44 | |
Don't tell me what I want! | 0:30:44 | 0:30:48 | |
Give it to me! | 0:30:46 | 0:30:48 | |
Don't pull on that. Leave it alone. Hey! | 0:30:48 | 0:30:52 | |
Wait! Wait! | 0:30:53 | 0:30:56 | |
SHE MOANS | 0:31:05 | 0:31:08 | |
Please. Get me out of here. | 0:31:08 | 0:31:12 | |
Get me... Get me out of here! | 0:31:12 | 0:31:17 | |
SHE GROANS | 0:31:17 | 0:31:20 | |
You going to stop acting like a lunatic? | 0:31:22 | 0:31:25 | |
Mr Martin? There's a telephone call for Ms Monroe. | 0:31:29 | 0:31:33 | |
I'll take it. | 0:31:33 | 0:31:36 | |
Hello? Hello? | 0:31:36 | 0:31:38 | |
This is Frank Martin. Who is...? | 0:31:38 | 0:31:41 | |
Hi, Marjorie, it's Frank. | 0:31:41 | 0:31:43 | |
No. She-she left yesterday. | 0:31:43 | 0:31:46 | |
What? | 0:31:48 | 0:31:50 | |
It's Phillippe at Makatea. Quinn flew a lady back to you last night. | 0:31:50 | 0:31:55 | |
See if the De Havilland is at the gate. I'll wait. | 0:31:55 | 0:31:58 | |
Tony said Quinny didn't make Tahiti. | 0:31:58 | 0:32:01 | |
Angelica, we don't know anything yet. Yes, right here. | 0:32:01 | 0:32:06 | |
< HE SIGHS | 0:32:06 | 0:32:08 | |
Bon. Get Air-Sea rescue. Call me back. | 0:32:08 | 0:32:11 | |
-Oh, my God. -Oh, no. | 0:32:11 | 0:32:13 | |
Come on. You want to drink water, you got to haul water. Let's go. | 0:32:16 | 0:32:21 | |
-What are you looking at? -Nothing. | 0:32:26 | 0:32:29 | |
-Something. -Nothing. | 0:32:29 | 0:32:31 | |
Don't give me that. You were ogling. | 0:32:31 | 0:32:33 | |
-Ogling? Let me ask you something. -What? | 0:32:33 | 0:32:37 | |
You go into a store, say, "Give me that outfit so no-one looks at me?" | 0:32:37 | 0:32:42 | |
I like people looking. Just not you. | 0:32:42 | 0:32:45 | |
If it makes you feel better, you're not my type. | 0:32:50 | 0:32:54 | |
Oh, good. Why? | 0:32:54 | 0:32:57 | |
Why? | 0:32:55 | 0:32:57 | |
Yeah. I'm making conversation. Why? | 0:32:57 | 0:33:01 | |
You talk too much, you're opinionated, | 0:33:03 | 0:33:06 | |
you're stubborn, sarcastic and stuck-up. | 0:33:06 | 0:33:10 | |
Your ass is too narrow and your tits are too small! | 0:33:10 | 0:33:15 | |
Want to know why you're not my type? | 0:33:17 | 0:33:20 | |
Nope! | 0:33:20 | 0:33:22 | |
Bonjour, nous sommes prets pour partir. | 0:33:27 | 0:33:29 | |
Bonjour. Bonjour. Er, parlez-vous... | 0:33:29 | 0:33:32 | |
I'm American. Tom, I'll take you up. | 0:33:32 | 0:33:35 | |
How do we find them? | 0:33:33 | 0:33:35 | |
We fly over the water and look out the window. | 0:33:35 | 0:33:39 | |
That's it? What about the modern technology? | 0:33:39 | 0:33:42 | |
Don't you have satellites? Lasers? | 0:33:42 | 0:33:46 | |
Mr Martin, take a seat. | 0:33:44 | 0:33:46 | |
-I'm Ricky. -Great, I'm Frank. | 0:33:46 | 0:33:48 | |
-Money is no object. -Just get in. | 0:33:48 | 0:33:51 | |
Try breathing very deeply. I find that helpful. | 0:33:53 | 0:33:58 | |
They went in the water, it's been 12 hours. Good chance we'll find them. | 0:33:58 | 0:34:03 | |
Hey, Bwana, | 0:34:22 | 0:34:25 | |
why don't you let me lead? | 0:34:25 | 0:34:28 | |
OK. This will be interesting. | 0:34:28 | 0:34:31 | |
Oh. | 0:34:41 | 0:34:43 | |
Now there. You see? | 0:34:43 | 0:34:46 | |
I found it. | 0:34:46 | 0:34:48 | |
Come on, Quinny. | 0:34:55 | 0:34:57 | |
Oof. | 0:34:58 | 0:35:01 | |
Oh, my God. | 0:35:01 | 0:35:04 | |
Oh, it's beautiful. | 0:35:09 | 0:35:12 | |
GRUNTS | 0:35:12 | 0:35:14 | |
Quinny, this is... Whoah! Whoah! | 0:35:14 | 0:35:17 | |
Oh, God! | 0:35:19 | 0:35:21 | |
Hey! Hold on. What are you doing? | 0:35:21 | 0:35:24 | |
What the hell's that? | 0:35:24 | 0:35:26 | |
It's a pig. What you worried about? He's more afraid of us... Watch. | 0:35:26 | 0:35:31 | |
Hah! Go on. Go on. Get out of here. | 0:35:31 | 0:35:35 | |
Hah! Hah! | 0:35:35 | 0:35:36 | |
SHOCKED GASP | 0:35:36 | 0:35:39 | |
Come on. Grrr! > | 0:35:39 | 0:35:41 | |
Hey, Quinn? | 0:35:41 | 0:35:43 | |
Huh? What? | 0:35:43 | 0:35:46 | |
What? | 0:35:46 | 0:35:48 | |
I'm sorry to interrupt you but, er, I'm having a bit of a problem. | 0:35:48 | 0:35:53 | |
What's the problem? | 0:35:53 | 0:35:56 | |
Some sort of creature has just swum up my pants. | 0:35:56 | 0:36:01 | |
I'm guessing... I'm guessing a snake. | 0:36:04 | 0:36:07 | |
Oh. | 0:36:08 | 0:36:10 | |
That's bad. | 0:36:10 | 0:36:13 | |
So, er, what do I do? | 0:36:13 | 0:36:16 | |
I mean, I could reach down and... | 0:36:16 | 0:36:19 | |
..grab it. | 0:36:19 | 0:36:23 | |
No. That-that could be risky. | 0:36:21 | 0:36:23 | |
It might be poisonous. | 0:36:23 | 0:36:25 | |
Right. If it's poisonous and will bite, do I want to allow it to swim | 0:36:25 | 0:36:31 | |
in my shorts?! | 0:36:31 | 0:36:33 | |
All good questions. | 0:36:33 | 0:36:36 | |
Would you give me some advice? | 0:36:34 | 0:36:36 | |
Advice, input, anything. Give it to me. I'm very open at this juncture. | 0:36:36 | 0:36:42 | |
-Just stand still. -Still? | 0:36:42 | 0:36:44 | |
Stand still. | 0:36:44 | 0:36:45 | |
What are you doing? | 0:36:45 | 0:36:47 | |
-Relax. -All right. | 0:36:47 | 0:36:50 | |
Oh, God. Oh. | 0:36:53 | 0:36:56 | |
-No. Not good. -What? | 0:36:56 | 0:36:59 | |
SHE WHIMPERS | 0:36:59 | 0:37:01 | |
Ssh. I'm trying to concentrate here. | 0:37:01 | 0:37:04 | |
OK. OK. | 0:37:04 | 0:37:06 | |
Let's see. | 0:37:06 | 0:37:08 | |
Better not catch you smiling. | 0:37:20 | 0:37:23 | |
Ooh-ooh. | 0:37:23 | 0:37:25 | |
SHE YELLS | 0:37:25 | 0:37:28 | |
Thanks. | 0:37:37 | 0:37:39 | |
I'm not without skills. | 0:37:39 | 0:37:43 | |
HE WHISTLES | 0:38:17 | 0:38:19 | |
Oh. You're going on a date? | 0:38:27 | 0:38:31 | |
Do you like it? | 0:38:31 | 0:38:33 | |
Why the fashion statement? | 0:38:33 | 0:38:35 | |
-I'm going hunting. -Oh? For what? | 0:38:35 | 0:38:38 | |
No. | 0:38:40 | 0:38:42 | |
You wouldn't. | 0:38:42 | 0:38:44 | |
They are magnificent creatures. | 0:38:44 | 0:38:47 | |
I hear they taste like chicken. | 0:38:47 | 0:38:50 | |
(Chicken.) | 0:38:50 | 0:38:53 | |
HE SINGS | 0:38:53 | 0:38:57 | |
Hey. | 0:39:08 | 0:39:10 | |
Maybe I should have a taste. | 0:39:13 | 0:39:15 | |
In case somebody asks, "Have you had peacock?" I'll say, "Yes, I have." | 0:39:15 | 0:39:21 | |
You won't regret it. | 0:39:21 | 0:39:23 | |
OK. Perfect. | 0:39:23 | 0:39:26 | |
Whoah! Ow. | 0:39:28 | 0:39:30 | |
Oh. Oh, my God. | 0:39:37 | 0:39:42 | |
Mmmm. Mmmm. Wow. | 0:39:42 | 0:39:46 | |
Chicken. OK, chicken. | 0:39:48 | 0:39:51 | |
Have you always been a pilot? | 0:39:54 | 0:39:58 | |
All my grown-up life. | 0:39:56 | 0:39:58 | |
Like doing what? | 0:39:58 | 0:40:01 | |
All kinds of flying. | 0:39:59 | 0:40:01 | |
I had my own successful business. | 0:40:01 | 0:40:04 | |
What happened? | 0:40:04 | 0:40:08 | |
Well... | 0:40:06 | 0:40:08 | |
I found a better way of life. That's all. | 0:40:08 | 0:40:13 | |
Like what? | 0:40:13 | 0:40:15 | |
Came out here, | 0:40:15 | 0:40:17 | |
got a nice little house on a beautiful beach. Got my plane. | 0:40:17 | 0:40:22 | |
Uh-huh. | 0:40:22 | 0:40:24 | |
Doing what I want to do. Got peace and quiet. | 0:40:26 | 0:40:31 | |
Living the life every man dreams of. | 0:40:31 | 0:40:34 | |
Well, yeah, until they're 12. | 0:40:34 | 0:40:37 | |
I'm sorry. That was out of line. | 0:40:40 | 0:40:43 | |
-No. -I'm just... | 0:40:43 | 0:40:45 | |
..just cranky, you know? From being shipwrecked. | 0:40:45 | 0:40:49 | |
Look at that sky. You don't see a sky like that in New York City. | 0:41:07 | 0:41:12 | |
No. That's a good sky. | 0:41:12 | 0:41:14 | |
-Whoah. -All right. | 0:41:14 | 0:41:16 | |
-I'm sorry. -SHE LAUGHS | 0:41:16 | 0:41:19 | |
I'm just a little tipsy. | 0:41:19 | 0:41:22 | |
Good night. | 0:41:26 | 0:41:28 | |
Good night. | 0:41:31 | 0:41:34 | |
Suave. | 0:41:42 | 0:41:44 | |
Really suave. | 0:41:44 | 0:41:47 | |
ENGINE ROARS | 0:42:05 | 0:42:07 | |
Oh, my God. It's a plane. | 0:42:13 | 0:42:16 | |
Oh. A plane. | 0:42:16 | 0:42:19 | |
What do we... Er, flare, we need the flare. Er, Quinn. | 0:42:19 | 0:42:24 | |
Quinn. Get up! | 0:42:24 | 0:42:27 | |
There's a plane. | 0:42:27 | 0:42:29 | |
Quinn... | 0:42:29 | 0:42:32 | |
OK. | 0:42:32 | 0:42:35 | |
Oh. Oof. | 0:42:35 | 0:42:38 | |
Flare! | 0:42:40 | 0:42:42 | |
Jesus. OK. | 0:42:42 | 0:42:45 | |
SCREAMS | 0:42:45 | 0:42:49 | |
Hey, baby. | 0:42:49 | 0:42:51 | |
Uh-oh. Oh, boy. Oh. | 0:42:58 | 0:43:01 | |
Oh. Uh-oh. Oh, no. | 0:43:05 | 0:43:07 | |
-Wh-? -Oh, nuts. | 0:43:07 | 0:43:10 | |
What? | 0:43:16 | 0:43:19 | |
What the hell did you do? | 0:43:20 | 0:43:23 | |
You wasted our only goddamn flare | 0:43:23 | 0:43:26 | |
to shoot a goddamn palm tree? | 0:43:26 | 0:43:29 | |
I wouldn't have if you hadn't rolled into me. I was signalling the plane. | 0:43:29 | 0:43:33 | |
W-What goddamn plane? | 0:43:33 | 0:43:37 | |
That goddamn plane. | 0:43:37 | 0:43:40 | |
That goddamn plane?! | 0:43:40 | 0:43:43 | |
Yeah. | 0:43:43 | 0:43:45 | |
It's five-miles high, 600 miles an hour. | 0:43:45 | 0:43:48 | |
They wouldn't see an explosion if they looked for it much less a flare! | 0:43:48 | 0:43:54 | |
How was I to know? If you weren't in a coma, you could've told me. | 0:43:54 | 0:43:58 | |
Know what you've done? | 0:43:58 | 0:44:00 | |
Taken our chance of being found. | 0:44:00 | 0:44:04 | |
Don't blame me. If you were half a pilot, we wouldn't be here. | 0:44:04 | 0:44:08 | |
I'm the best pilot you'll meet! | 0:44:08 | 0:44:10 | |
I've flown with you twice, you've crashed half the time! | 0:44:10 | 0:44:14 | |
And there is nothing wrong with my tits! | 0:44:16 | 0:44:20 | |
There's so much water. | 0:44:34 | 0:44:37 | |
Don't worry. | 0:44:37 | 0:44:39 | |
Wherever they are, Quinny will take good care of your girlfriend. | 0:44:39 | 0:44:44 | |
What do you mean by that? | 0:44:44 | 0:44:46 | |
Come on. Let's pick up the pace a little. | 0:44:46 | 0:44:51 | |
I want to get to the top before dark. | 0:44:51 | 0:44:54 | |
CRACKING | 0:44:59 | 0:45:01 | |
Wha-? Aargh! | 0:45:07 | 0:45:08 | |
SHE SCREAMS | 0:45:11 | 0:45:13 | |
Goddamn it. | 0:45:17 | 0:45:20 | |
I've had as much vacation as I can stand. | 0:45:20 | 0:45:25 | |
SHE GROANS | 0:45:32 | 0:45:34 | |
SHOCKED YELLS | 0:45:36 | 0:45:38 | |
-Stop. Stop. Stop! -Stop? | 0:45:38 | 0:45:41 | |
-What? -Stop. | 0:45:41 | 0:45:44 | |
What? | 0:45:46 | 0:45:49 | |
SHE YELPS | 0:45:50 | 0:45:53 | |
I'm going to find the beacon. | 0:45:59 | 0:46:02 | |
This way. | 0:46:06 | 0:46:08 | |
SHE GRUNTS | 0:46:08 | 0:46:11 | |
That beacon better be up here. | 0:46:11 | 0:46:15 | |
The storm blew us south-west 40 minutes. Chance this is Tamitange. | 0:46:15 | 0:46:21 | |
Tamitange? Well, that explains everything(!) | 0:46:21 | 0:46:24 | |
There's a radio navigation beacon on the top. | 0:46:24 | 0:46:28 | |
We find it, shut it down. They come out, fix it. We're rescued. | 0:46:28 | 0:46:32 | |
It took them two years to fix the streetlight outside my apartment. | 0:46:32 | 0:46:37 | |
Wow. This is beautiful. | 0:47:02 | 0:47:05 | |
So, where's the beacon? | 0:47:12 | 0:47:16 | |
Huh? | 0:47:19 | 0:47:21 | |
Oh, let me see. | 0:47:21 | 0:47:24 | |
This one? Tamitange with the funny shaped peninsula to the north. | 0:47:24 | 0:47:29 | |
Yeah. | 0:47:29 | 0:47:31 | |
Oh, but, that's north, right? | 0:47:31 | 0:47:33 | |
-Right? -Yeah. | 0:47:33 | 0:47:35 | |
There's no peninsula. | 0:47:39 | 0:47:43 | |
Who stole the peninsula? | 0:47:43 | 0:47:45 | |
HE MUMBLES | 0:47:45 | 0:47:48 | |
This isn't Tamitange? | 0:47:48 | 0:47:51 | |
HE MUMBLES | 0:47:51 | 0:47:53 | |
There is no beacon that we turn off and they come to fix it and find us? | 0:47:56 | 0:48:01 | |
Well... Er, we could be, er... | 0:48:04 | 0:48:08 | |
We could be further to the south. | 0:48:08 | 0:48:13 | |
This could be Mata Nui. | 0:48:13 | 0:48:16 | |
Mata Nui? | 0:48:16 | 0:48:19 | |
And what's on Mata Nui? | 0:48:19 | 0:48:22 | |
Us. | 0:48:26 | 0:48:29 | |
What? W-W... | 0:48:32 | 0:48:35 | |
What are you doing? | 0:48:35 | 0:48:38 | |
Son of a bitch! | 0:48:42 | 0:48:44 | |
UNINTELLIGIBLE SHOUTS > | 0:48:44 | 0:48:47 | |
Please don't do that again. | 0:49:04 | 0:49:07 | |
I just want one goddamn thing to go right. | 0:49:07 | 0:49:12 | |
I know. Come on. | 0:49:12 | 0:49:14 | |
Since we've been here, you've been confident. You have all the answers. | 0:49:14 | 0:49:20 | |
Well, I'm the captain. | 0:49:20 | 0:49:22 | |
That's my job. | 0:49:22 | 0:49:24 | |
It's no good me waving, screaming, "Oh shit, we're going to die." | 0:49:24 | 0:49:29 | |
It doesn't evoke much confidence, does it? | 0:49:29 | 0:49:32 | |
No, no. That does not. | 0:49:32 | 0:49:35 | |
I need you | 0:49:35 | 0:49:37 | |
to be my confident captain. | 0:49:37 | 0:49:39 | |
I can't tell you | 0:49:39 | 0:49:42 | |
how difficult this will be for me if you lose it. | 0:49:42 | 0:49:47 | |
OK. | 0:49:49 | 0:49:51 | |
OK. | 0:49:56 | 0:49:58 | |
I'm all right now. | 0:49:58 | 0:50:02 | |
Good, good. | 0:50:00 | 0:50:02 | |
-Quinn. -What? | 0:50:10 | 0:50:12 | |
What? What do you need? Get out of there. | 0:50:12 | 0:50:15 | |
What do you want? | 0:50:15 | 0:50:17 | |
(Look, look, look.) Oh, yes. | 0:50:17 | 0:50:20 | |
It's a boat. | 0:50:20 | 0:50:22 | |
They're putting in to that cove. | 0:50:26 | 0:50:28 | |
Yeah? How do we signal them? | 0:50:28 | 0:50:31 | |
A flare would be nice. | 0:50:31 | 0:50:33 | |
Don't start. How do we get down? | 0:50:33 | 0:50:36 | |
We go down the mountain, up the mountain, down... | 0:50:36 | 0:50:40 | |
get to our raft. Hope they'll be there tomorrow. | 0:50:40 | 0:50:44 | |
SHE PANTS | 0:51:26 | 0:51:28 | |
Oh, God. | 0:51:29 | 0:51:31 | |
Come on. I'll take over. | 0:51:44 | 0:51:48 | |
So, what's the deal with you and, er...? | 0:51:52 | 0:51:56 | |
Angelica. | 0:51:56 | 0:51:58 | |
Yeah. | 0:51:58 | 0:52:00 | |
No deal. We're friends. | 0:52:00 | 0:52:03 | |
She works at the hotel a couple of months a year. We have some laughs. | 0:52:03 | 0:52:08 | |
Keep it simple. | 0:52:08 | 0:52:10 | |
Has it always been simple or has there ever been anyone complicated? | 0:52:10 | 0:52:15 | |
That's a yes. Yes? | 0:52:17 | 0:52:20 | |
How complicated? Scale from one to ten. | 0:52:20 | 0:52:23 | |
Twelve. | 0:52:23 | 0:52:25 | |
Twelve? Ah-ha. What happened? | 0:52:25 | 0:52:28 | |
Well... | 0:52:28 | 0:52:31 | |
..tragically she, er... | 0:52:31 | 0:52:33 | |
Died? Oh, my God. I'm so... | 0:52:33 | 0:52:36 | |
She didn't die. Let me tell a story? | 0:52:36 | 0:52:40 | |
-Sure. Tell it. -She, er... | 0:52:40 | 0:52:43 | |
..fell in love with somebody else. | 0:52:43 | 0:52:46 | |
Not just somebody else, | 0:52:46 | 0:52:48 | |
my best friend. My partner. The guy I was in business with. | 0:52:48 | 0:52:52 | |
God. What did you do? | 0:52:52 | 0:52:54 | |
Well, I, er... | 0:52:54 | 0:52:56 | |
..bought out. Gave them my blessing. | 0:52:56 | 0:53:00 | |
Are they still together? | 0:53:00 | 0:53:02 | |
No. They broke up. | 0:53:02 | 0:53:06 | |
Not before I sold them my half of the business. | 0:53:06 | 0:53:10 | |
I came out here, got my plane. | 0:53:10 | 0:53:13 | |
Best thing that happened to me. | 0:53:13 | 0:53:15 | |
There are two boats. | 0:53:15 | 0:53:17 | |
What? Two boats? | 0:53:17 | 0:53:20 | |
Two boats. Oh! | 0:53:20 | 0:53:22 | |
Look. | 0:53:22 | 0:53:25 | |
God, this is great, huh? Hello! | 0:53:25 | 0:53:28 | |
Hello! | 0:53:33 | 0:53:35 | |
DISTANT GUNSHOT | 0:53:35 | 0:53:37 | |
Whoo-ooh! | 0:53:37 | 0:53:41 | |
We got to get out of here! | 0:53:39 | 0:53:41 | |
-Why? -We got to get out of here. | 0:53:41 | 0:53:42 | |
What? | 0:53:42 | 0:53:44 | |
Oh, my God. | 0:53:46 | 0:53:47 | |
Er... Who are they? | 0:53:50 | 0:53:52 | |
Pirates. | 0:53:52 | 0:53:54 | |
Pirates? As in "Arggh"? | 0:53:54 | 0:53:57 | |
Smugglers, thieves. | 0:53:57 | 0:53:59 | |
They rob boats. | 0:53:59 | 0:54:02 | |
Wha..? | 0:54:00 | 0:54:02 | |
Rob boats? They just killed a guy. | 0:54:02 | 0:54:05 | |
Kill us too. | 0:54:03 | 0:54:05 | |
Just for being here. Just for seeing them. | 0:54:05 | 0:54:09 | |
He saw me. | 0:54:30 | 0:54:33 | |
We got company. | 0:54:31 | 0:54:33 | |
Oh. Oh, no. | 0:54:38 | 0:54:40 | |
They just lowered a boat. | 0:54:40 | 0:54:43 | |
What kind of a boat? | 0:54:43 | 0:54:45 | |
A motorboat. | 0:54:45 | 0:54:49 | |
Shit. Shit. Shit. | 0:54:46 | 0:54:49 | |
SHOUTING | 0:54:50 | 0:54:55 | |
Oh, God. Row faster. | 0:54:58 | 0:55:01 | |
Go! Go! | 0:55:15 | 0:55:16 | |
I can't. | 0:56:04 | 0:56:06 | |
Yes, you can. | 0:56:06 | 0:56:08 | |
-Go. -Where? Where? | 0:56:19 | 0:56:21 | |
Oof. | 0:56:27 | 0:56:29 | |
HE GRUNTS | 0:56:51 | 0:56:52 | |
Aargh! | 0:56:55 | 0:56:57 | |
SHE SCREAMS | 0:57:00 | 0:57:03 | |
Let's not make this difficult. | 0:57:05 | 0:57:08 | |
That was a very stupid thing to do. | 0:57:11 | 0:57:15 | |
Now I'll have to kill you. | 0:57:15 | 0:57:17 | |
Say goodbye. | 0:57:17 | 0:57:20 | |
We've got gold. | 0:57:18 | 0:57:20 | |
Up. | 0:57:26 | 0:57:28 | |
Gold? | 0:57:31 | 0:57:32 | |
-Gold. -Yeah. | 0:57:32 | 0:57:35 | |
We've got gold. I'm a jewellery designer. | 0:57:35 | 0:57:39 | |
I design with gold and precious stones. | 0:57:40 | 0:57:43 | |
-Precious stones, like... -I have | 0:57:43 | 0:57:46 | |
sold to the finest stores. | 0:57:46 | 0:57:48 | |
We've got display cases | 0:57:48 | 0:57:51 | |
on the boat. We're expanding in the Far East. That's my husband's | 0:57:51 | 0:57:55 | |
end of the business. | 0:57:55 | 0:57:57 | |
I'm in marketing. | 0:57:57 | 0:57:59 | |
Whiz. You're a whiz. | 0:57:59 | 0:58:01 | |
PIRATES SPEAK POLYNESIAN | 0:58:03 | 0:58:06 | |
Take us to the boat. | 0:58:15 | 0:58:17 | |
PIRATES CHATTER IN POLYNESIAN | 0:58:17 | 0:58:19 | |
Hey! | 0:58:42 | 0:58:44 | |
SHE YELLS | 0:59:11 | 0:59:13 | |
Oh, my God. Now what? | 0:59:17 | 0:59:19 | |
We go on three. One, two... | 0:59:19 | 0:59:22 | |
I can't. You go. Save yourself. | 0:59:22 | 0:59:26 | |
-Sorry. -For kissing me? | 0:59:30 | 0:59:32 | |
No. For this. | 0:59:32 | 0:59:34 | |
SHE SCREAMS | 0:59:34 | 0:59:36 | |
HE SHOUTS IN MAORI | 0:59:44 | 0:59:46 | |
Damn! | 0:59:55 | 0:59:57 | |
Damn. | 0:59:57 | 1:00:00 | |
Some people say, "You don't know what you had until you lose it." | 1:00:07 | 1:00:12 | |
Uh-huh. | 1:00:12 | 1:00:13 | |
It's a lot of crap. I knew what I had. I-I... | 1:00:13 | 1:00:18 | |
God, I loved her. | 1:00:18 | 1:00:21 | |
Love her. | 1:00:21 | 1:00:23 | |
Love her. | 1:00:23 | 1:00:25 | |
Not to insult you, but I don't think men know what love is. I mean... | 1:00:25 | 1:00:30 | |
-I do. I do. -Yeah? | 1:00:30 | 1:00:32 | |
Guys always tell me they love me. | 1:00:32 | 1:00:35 | |
I'm sure some of them mean it. | 1:00:35 | 1:00:39 | |
No, they don't. | 1:00:37 | 1:00:39 | |
SHE PANTS | 1:01:02 | 1:01:04 | |
Do you think they gave up? | 1:01:40 | 1:01:42 | |
I don't know. | 1:01:42 | 1:01:44 | |
We shouldn't go to the camp. The plane's easy to spot. | 1:01:44 | 1:01:49 | |
I am so scared. | 1:01:49 | 1:01:51 | |
If it makes you feel better, I'm a little scared. | 1:01:51 | 1:01:55 | |
No, that doesn't. | 1:01:55 | 1:01:57 | |
I thought that's what women wanted. | 1:01:57 | 1:02:01 | |
What? | 1:01:59 | 1:02:01 | |
Men who cry and are in touch with their feminine side. | 1:02:01 | 1:02:05 | |
Not when being chased by pirates. They like them mean and armed. | 1:02:05 | 1:02:10 | |
Whoah. | 1:02:27 | 1:02:29 | |
It's not a good island for airplanes. | 1:02:32 | 1:02:35 | |
It's a Japanese World War Two float plane. It's been there for 50 years. | 1:02:35 | 1:02:41 | |
(Jesus.) | 1:02:42 | 1:02:44 | |
You don't think there's any way that you could... Nah. | 1:02:44 | 1:02:48 | |
This looks like a safe place to spend the night. | 1:02:48 | 1:02:52 | |
I'll see if there's anything I can use | 1:02:52 | 1:02:56 | |
up there. | 1:02:56 | 1:02:58 | |
Hi. | 1:03:03 | 1:03:05 | |
Hey. | 1:03:05 | 1:03:07 | |
This is me, here. | 1:03:07 | 1:03:10 | |
We got to meet them at 6am. | 1:03:12 | 1:03:16 | |
They're going to widen the search. | 1:03:16 | 1:03:18 | |
I may be too drunk to wake at six. | 1:03:18 | 1:03:21 | |
I know. | 1:03:19 | 1:03:21 | |
I-I... | 1:03:21 | 1:03:24 | |
Are you sure you're OK? You're fine? | 1:03:26 | 1:03:29 | |
Yeah. | 1:03:29 | 1:03:31 | |
I'm going to take a shower and get into bed. | 1:03:31 | 1:03:36 | |
Are you OK? | 1:03:36 | 1:03:39 | |
I'm good. Yeah. | 1:03:39 | 1:03:41 | |
Do you want to stay here tonight? | 1:03:41 | 1:03:44 | |
-Stay? -Yeah. With me. | 1:03:44 | 1:03:48 | |
You probably think I'm being slutty | 1:03:48 | 1:03:51 | |
but I'm feeling bad and you're feeling bad. I'd like you to stay. | 1:03:51 | 1:03:57 | |
I-I just don't... | 1:03:57 | 1:03:59 | |
Yeah, sure. Why not? I... | 1:03:59 | 1:04:02 | |
-Yeah? -No, no. I can't. | 1:04:02 | 1:04:04 | |
I mean, I'm still clinging to hope. | 1:04:04 | 1:04:08 | |
And if I, I mean, if we, you know... | 1:04:08 | 1:04:11 | |
Holy... | 1:04:12 | 1:04:14 | |
No. | 1:04:14 | 1:04:16 | |
No? | 1:04:16 | 1:04:18 | |
No. I... | 1:04:18 | 1:04:20 | |
Are you sure? | 1:04:20 | 1:04:24 | |
Oh, yeah. Yeah. | 1:04:24 | 1:04:28 | |
No. See? I'm leaving the room. | 1:04:28 | 1:04:32 | |
Bread fruit. | 1:04:38 | 1:04:40 | |
It's not bread. | 1:04:42 | 1:04:44 | |
It's not fruit. | 1:04:44 | 1:04:45 | |
I'm going to kiss you. | 1:04:58 | 1:05:00 | |
I really liked kissing you. | 1:05:04 | 1:05:07 | |
I liked kissing you. | 1:05:07 | 1:05:09 | |
But? | 1:05:14 | 1:05:16 | |
But if I start I'm not going to be able to stop. | 1:05:16 | 1:05:22 | |
Sounds good. | 1:05:24 | 1:05:27 | |
Doesn't it? | 1:05:25 | 1:05:27 | |
I-I... | 1:05:27 | 1:05:30 | |
I can't. | 1:05:30 | 1:05:32 | |
We should get some sleep. | 1:05:49 | 1:05:52 | |
Come here. | 1:05:59 | 1:06:01 | |
This feels good. | 1:06:11 | 1:06:14 | |
And safe. Feels good and safe. | 1:06:14 | 1:06:18 | |
SAWING | 1:06:37 | 1:06:43 | |
Oh! Oh! | 1:06:46 | 1:06:48 | |
Wh...? | 1:06:53 | 1:06:56 | |
Good morning. | 1:06:56 | 1:06:58 | |
Wh-What are you doing? | 1:06:58 | 1:07:03 | |
-I got a plan. -Good. | 1:07:03 | 1:07:05 | |
Anything I can do to help? | 1:07:05 | 1:07:08 | |
Yeah. | 1:07:08 | 1:07:11 | |
Yeah. Just a second. | 1:07:11 | 1:07:13 | |
What is it? What's wrong? | 1:07:20 | 1:07:22 | |
The helicopter is going up in 20 minutes. If you're going, vite. | 1:07:22 | 1:07:27 | |
I didn't realise... OK. I'm on my way. | 1:07:27 | 1:07:31 | |
The helicopter's going up in 20 minutes. | 1:07:37 | 1:07:40 | |
Oh, God. What did I do? How many times did I do it? | 1:07:40 | 1:07:45 | |
Are you OK? | 1:07:45 | 1:07:49 | |
No. No. This was all wrong. | 1:07:46 | 1:07:49 | |
Excuse me, how could you say that? | 1:07:49 | 1:07:52 | |
I mean, everything you did was very right. | 1:07:52 | 1:07:55 | |
But what I did was wrong. This is wrong. | 1:07:55 | 1:07:59 | |
No. No. Just we are going through | 1:07:59 | 1:08:02 | |
a terrible ordeal. It's like... | 1:08:02 | 1:08:05 | |
..when after a funeral, everybody has sex. | 1:08:05 | 1:08:09 | |
Not everybody. | 1:08:09 | 1:08:11 | |
No? | 1:08:11 | 1:08:15 | |
No. | 1:08:13 | 1:08:15 | |
What? | 1:08:42 | 1:08:44 | |
Nothing. | 1:08:48 | 1:08:50 | |
You know that woman I was telling you about? | 1:08:50 | 1:08:54 | |
The heartbreaker? | 1:08:54 | 1:08:57 | |
She was my wife. | 1:08:57 | 1:08:59 | |
Oh. | 1:08:59 | 1:09:01 | |
Twelve years. | 1:09:01 | 1:09:04 | |
Do you have any kids? | 1:09:04 | 1:09:07 | |
No, we didn't have any kids, thank God. | 1:09:07 | 1:09:10 | |
I always wanted kids. | 1:09:10 | 1:09:13 | |
Bunches of them. | 1:09:13 | 1:09:16 | |
Really? | 1:09:14 | 1:09:16 | |
There's still time. | 1:09:16 | 1:09:19 | |
HE CHUCKLES | 1:09:19 | 1:09:21 | |
Look, come on. | 1:09:21 | 1:09:24 | |
How old are you? | 1:09:24 | 1:09:26 | |
How old do you think I am? | 1:09:26 | 1:09:30 | |
Hm, let me think. | 1:09:30 | 1:09:34 | |
Guess. | 1:09:34 | 1:09:37 | |
Forty-five? | 1:09:35 | 1:09:37 | |
Forty-eight? | 1:09:40 | 1:09:42 | |
Fifty? You're fifty? | 1:09:43 | 1:09:45 | |
You still look good. | 1:09:50 | 1:09:52 | |
I still am good. | 1:09:52 | 1:09:55 | |
Get these apart, take them one by one. | 1:10:03 | 1:10:06 | |
You first. | 1:10:06 | 1:10:08 | |
Careful. | 1:10:13 | 1:10:16 | |
HE GRUNTS | 1:10:37 | 1:10:39 | |
You all right? | 1:10:48 | 1:10:50 | |
I'm fine! OK, | 1:10:50 | 1:10:53 | |
-your turn. -Ooh. | 1:10:53 | 1:10:56 | |
Mmm. Mmm. | 1:11:02 | 1:11:04 | |
How can I eat? | 1:11:04 | 1:11:06 | |
I'm scum. I'm garbage. | 1:11:06 | 1:11:09 | |
This experience has tested me and has revealed no character at all. | 1:11:09 | 1:11:14 | |
You're a guy, you can't help it. | 1:11:14 | 1:11:17 | |
Mr Martin, forgive me. | 1:11:22 | 1:11:24 | |
I just heard they decided to call off the search. I'm sorry. | 1:11:24 | 1:11:29 | |
What? That's it? Wh..? | 1:11:29 | 1:11:33 | |
OK! | 1:12:40 | 1:12:42 | |
It's working! | 1:12:49 | 1:12:52 | |
Keep coming. | 1:13:44 | 1:13:46 | |
Push. | 1:13:49 | 1:13:51 | |
Ready? | 1:14:17 | 1:14:19 | |
All right! | 1:14:19 | 1:14:22 | |
Put her down. | 1:14:20 | 1:14:22 | |
GUNSHOT | 1:14:57 | 1:14:59 | |
MISSILE WHOOSHES | 1:14:59 | 1:15:01 | |
Look! | 1:15:02 | 1:15:04 | |
Oh... | 1:15:04 | 1:15:05 | |
SCREAMS | 1:15:25 | 1:15:27 | |
Get out of here! | 1:15:27 | 1:15:29 | |
Too far. Back right. | 1:15:32 | 1:15:33 | |
Argh! | 1:15:39 | 1:15:42 | |
Oh... | 1:15:42 | 1:15:44 | |
Oh, God. Are you OK? | 1:15:46 | 1:15:48 | |
-Aarrggghhh! -Oh... | 1:15:48 | 1:15:50 | |
OK. | 1:15:53 | 1:15:54 | |
It's OK. It's OK. | 1:15:54 | 1:15:58 | |
HE GROANS | 1:15:58 | 1:15:59 | |
Come on! Come on! | 1:16:01 | 1:16:03 | |
I'm in. Get in the plane. Hurry. | 1:16:03 | 1:16:07 | |
Hurry. | 1:16:07 | 1:16:09 | |
All right! Hurry up! | 1:16:17 | 1:16:20 | |
Take it all. Come on. | 1:16:34 | 1:16:37 | |
Fire! | 1:16:40 | 1:16:42 | |
Damn! Out of the way! | 1:16:45 | 1:16:48 | |
Reload. Quickly. | 1:16:50 | 1:16:53 | |
-Argh! -Take off! | 1:17:03 | 1:17:07 | |
Take off! | 1:17:07 | 1:17:09 | |
HE GRUNTS | 1:17:09 | 1:17:12 | |
We're going to hit them. | 1:17:12 | 1:17:14 | |
We're going to hit them! | 1:17:15 | 1:17:20 | |
Give me a hand. Pull! | 1:17:20 | 1:17:22 | |
-Pull! -Pull? | 1:17:22 | 1:17:23 | |
Abandon ship! | 1:17:40 | 1:17:41 | |
Come on. | 1:17:53 | 1:17:55 | |
Stay with me. Stay with me. You're doing great. | 1:17:55 | 1:17:58 | |
Come on. | 1:17:58 | 1:18:00 | |
Look, I should tell you a few things about airplanes. | 1:18:00 | 1:18:05 | |
Why's that? | 1:18:05 | 1:18:07 | |
I may not be conscious when we land. | 1:18:07 | 1:18:11 | |
Oh... | 1:18:11 | 1:18:13 | |
Take the controls. Get a feel for the yoke. | 1:18:13 | 1:18:17 | |
You're serious, aren't you? | 1:18:17 | 1:18:20 | |
OK. | 1:18:24 | 1:18:26 | |
Hang on. Small corrections. | 1:18:26 | 1:18:29 | |
Sorry. | 1:18:27 | 1:18:29 | |
Small corrections. Just look at the horizon. | 1:18:29 | 1:18:33 | |
When we get there, you'll line up 100 feet from the beach. | 1:18:33 | 1:18:38 | |
(100 feet from the beach.) | 1:18:38 | 1:18:40 | |
SHOUTS IN POLYNESIAN | 1:18:47 | 1:18:49 | |
We are here today | 1:19:05 | 1:19:07 | |
to honour two fine people, Ms Robin Monroe | 1:19:07 | 1:19:11 | |
and an old friend... | 1:19:11 | 1:19:13 | |
Father, please forgive me for I have sinned. I've been very bad. | 1:19:13 | 1:19:17 | |
Oh, God. | 1:19:29 | 1:19:31 | |
Quinn? | 1:19:31 | 1:19:33 | |
Quinn, don't make me do this alone, please. | 1:19:33 | 1:19:37 | |
I will say a few words about our friend... | 1:19:44 | 1:19:47 | |
PLANE ENGINE | 1:19:47 | 1:19:51 | |
It's Quinny. It's Quinny. Look! | 1:20:00 | 1:20:04 | |
All right. | 1:20:08 | 1:20:10 | |
I'm lined up with the beach. | 1:20:10 | 1:20:13 | |
Er, throttle to 65 knots. | 1:20:13 | 1:20:17 | |
What the hell's a knot? | 1:20:17 | 1:20:19 | |
It's Quinny. Look. | 1:20:19 | 1:20:22 | |
Thank you, God! | 1:20:22 | 1:20:25 | |
Flaps. Flaps. Flaps. | 1:20:27 | 1:20:30 | |
All right. Nose slightly elevated for landing. Here we go. | 1:20:30 | 1:20:35 | |
Oh, my God. | 1:20:35 | 1:20:39 | |
SHE SCREAMS | 1:20:50 | 1:20:52 | |
I'm coming, sweetie! | 1:21:04 | 1:21:06 | |
Hurry. Hurry. | 1:21:06 | 1:21:09 | |
Oh. | 1:21:11 | 1:21:13 | |
Quinn. Quinn? | 1:21:13 | 1:21:16 | |
Quinn. Quinn? | 1:21:16 | 1:21:18 | |
We did it. | 1:21:21 | 1:21:24 | |
-< -I'm coming, Robin. | 1:21:26 | 1:21:29 | |
Sweetie... | 1:21:29 | 1:21:32 | |
Robin. Oh, my God, you're alive. | 1:21:32 | 1:21:35 | |
You're hurt. You're hurt. | 1:21:35 | 1:21:37 | |
I'm fine. Get him a doctor. | 1:21:37 | 1:21:40 | |
We need a doctor! | 1:21:40 | 1:21:43 | |
Come on, sweetie. | 1:21:45 | 1:21:46 | |
Quinny. | 1:21:46 | 1:21:48 | |
Can you move your legs? | 1:21:48 | 1:21:51 | |
Be careful. | 1:21:49 | 1:21:51 | |
Are you OK, baby? | 1:21:51 | 1:21:54 | |
Slowly, slowly. | 1:21:54 | 1:21:59 | |
Be careful. | 1:21:57 | 1:21:59 | |
They brought the tea. | 1:22:11 | 1:22:13 | |
Oh, great. | 1:22:13 | 1:22:15 | |
You want some, honey, Sweetie? | 1:22:15 | 1:22:19 | |
Sure. | 1:22:17 | 1:22:19 | |
The hotel's offered us a month's free stay any time we want. | 1:22:19 | 1:22:23 | |
Probably afraid I'm going to sue them. | 1:22:23 | 1:22:26 | |
HE LAUGHS NERVOUSLY | 1:22:26 | 1:22:28 | |
Are you all right? | 1:22:28 | 1:22:31 | |
Oh, yeah. I'm just, you know, tired. | 1:22:31 | 1:22:34 | |
Here we go. | 1:22:36 | 1:22:38 | |
I'm sorry. | 1:22:38 | 1:22:40 | |
Are you OK? | 1:22:40 | 1:22:43 | |
Yeah. I didn't get much sleep. | 1:22:43 | 1:22:47 | |
Poor Frank. Come here, come here. | 1:22:47 | 1:22:50 | |
It was terrible. | 1:22:55 | 1:22:57 | |
I mean... | 1:22:57 | 1:23:00 | |
..deep down, I never expected to see you again. | 1:23:00 | 1:23:04 | |
You know, I was... | 1:23:04 | 1:23:06 | |
I was lost, I was... | 1:23:06 | 1:23:09 | |
We're just people. | 1:23:09 | 1:23:11 | |
You know? You know? Robin, we're not perfect. | 1:23:11 | 1:23:15 | |
Under that kind of pressure, I mean people do things. You know... | 1:23:15 | 1:23:20 | |
Y-You don't know right, wrong. You're cr... You're nuts. You-you... | 1:23:20 | 1:23:25 | |
Hi. | 1:23:51 | 1:23:53 | |
Hi. | 1:23:53 | 1:23:56 | |
Keeping busy? | 1:23:56 | 1:23:59 | |
Yeah. | 1:23:59 | 1:24:01 | |
How are you? | 1:24:03 | 1:24:05 | |
Good, thanks. This is not so bad. How about you? | 1:24:05 | 1:24:09 | |
-Fine. -Good. | 1:24:09 | 1:24:11 | |
What's the deal here? | 1:24:16 | 1:24:18 | |
Deal? | 1:24:18 | 1:24:20 | |
With us? | 1:24:20 | 1:24:23 | |
What do you mean? | 1:24:26 | 1:24:28 | |
You know what I mean. | 1:24:28 | 1:24:30 | |
Was what happened on that island anything? | 1:24:38 | 1:24:42 | |
Or was it something that happens if two people are alone on an island? | 1:24:44 | 1:24:49 | |
It was something. | 1:24:49 | 1:24:52 | |
Something? | 1:24:54 | 1:24:56 | |
Yeah. | 1:24:56 | 1:24:58 | |
So...? | 1:24:58 | 1:25:01 | |
Now what? | 1:25:01 | 1:25:05 | |
Look, I'm pretty set in my ways and... | 1:25:07 | 1:25:10 | |
..you got all kinds of possibilities. | 1:25:10 | 1:25:14 | |
You deserve someone...fresher. | 1:25:14 | 1:25:18 | |
Don't you think that's up to me to decide? | 1:25:18 | 1:25:23 | |
Let's be smart about this. | 1:25:23 | 1:25:25 | |
You won't move here and be my co-pilot. | 1:25:25 | 1:25:28 | |
I won't go to New York and be your receptionist. | 1:25:28 | 1:25:32 | |
Where does that leave us? | 1:25:36 | 1:25:39 | |
I guess it leaves us nowhere. | 1:25:39 | 1:25:41 | |
So, let's not complicate things. | 1:25:41 | 1:25:45 | |
I forgot you liked things simple. | 1:25:45 | 1:25:49 | |
Right. | 1:25:49 | 1:25:52 | |
All right. | 1:25:52 | 1:25:54 | |
Well, good luck. | 1:26:04 | 1:26:08 | |
Good luck to you too. | 1:26:08 | 1:26:11 | |
I hope everything works out... | 1:26:11 | 1:26:15 | |
..for you. | 1:26:15 | 1:26:17 | |
How's that shoulder today? | 1:26:23 | 1:26:25 | |
Need something for the pain? | 1:26:25 | 1:26:28 | |
Yeah. | 1:26:28 | 1:26:30 | |
Well, 14 more hours and then back to reality. | 1:26:52 | 1:26:56 | |
-Frank? -Hm? | 1:27:01 | 1:27:03 | |
I don't think we should get married. | 1:27:03 | 1:27:06 | |
What? | 1:27:06 | 1:27:08 | |
How come? | 1:27:08 | 1:27:11 | |
I think it's wrong for two people | 1:27:11 | 1:27:14 | |
to get married when something is hanging over their heads. | 1:27:14 | 1:27:19 | |
Oh, my God. | 1:27:17 | 1:27:19 | |
Robin, I'm sorry. I was, | 1:27:19 | 1:27:21 | |
I was distraught. She took off her blouse and I was like, "Oh, my God." | 1:27:21 | 1:27:27 | |
I walked away. I went to our room. | 1:27:27 | 1:27:30 | |
I tried to sleep, I thought of you. I didn't know if you were dead or... | 1:27:30 | 1:27:35 | |
I went back to her bungalow, just... | 1:27:35 | 1:27:38 | |
And she, Robin, she answered the door with...on. | 1:27:38 | 1:27:43 | |
-Who? -Angelica. | 1:27:43 | 1:27:45 | |
You slept with Angelica? | 1:27:45 | 1:27:48 | |
Who slept? Are you ki... | 1:27:48 | 1:27:50 | |
Didn't you know? | 1:27:50 | 1:27:53 | |
How would I know? | 1:27:53 | 1:27:55 | |
Wait, you said there was something hanging... What do you mean? | 1:27:55 | 1:28:00 | |
Quinn and me. | 1:28:00 | 1:28:03 | |
-Ah-ha. -Frank, | 1:28:03 | 1:28:06 | |
something happened. | 1:28:06 | 1:28:08 | |
Something that shouldn't have if you and I were really... | 1:28:08 | 1:28:12 | |
In love? | 1:28:12 | 1:28:14 | |
PA: 'Embarquement immediat du vol numero 38, destination Honolulu. | 1:28:27 | 1:28:31 | |
'Tous passagers doivent monter a bord immediatement. Merci.' | 1:28:31 | 1:28:36 | |
'Boarding, flight number 38 to Honolulu. | 1:28:37 | 1:28:40 | |
'All passengers board immediately.' | 1:28:40 | 1:28:43 | |
Bon voyage, madame. | 1:28:45 | 1:28:47 | |
Monsieur. | 1:28:47 | 1:28:49 | |
Bon voyage. | 1:28:49 | 1:28:52 | |
Madame? | 1:28:52 | 1:28:55 | |
Bon voyage. | 1:28:55 | 1:28:58 | |
Sorry! | 1:29:29 | 1:29:31 | |
Hey, hey? | 1:29:40 | 1:29:43 | |
Where's the plane to New York? | 1:29:43 | 1:29:47 | |
Right there. | 1:29:45 | 1:29:47 | |
I-I'm sorry. I had to get off. I'm sorry! | 1:30:17 | 1:30:21 | |
I'm sorry I delayed the flight... | 1:30:21 | 1:30:24 | |
Please don't search my bags. It's just important that I stay here. | 1:30:40 | 1:30:46 | |
You're here. | 1:30:53 | 1:30:56 | |
Bonjour, Quinn. Tu la connais? | 1:30:56 | 1:30:59 | |
Jean-Claude, un moment, s'il vous plait? | 1:30:59 | 1:31:02 | |
Mon amie, merci. | 1:31:02 | 1:31:05 | |
Why-why did you get off the plane? | 1:31:07 | 1:31:11 | |
Why didn't... Why did you come here? | 1:31:11 | 1:31:15 | |
I decided my life is too simple. | 1:31:15 | 1:31:19 | |
It is? | 1:31:19 | 1:31:22 | |
Yeah. I want to complicate the hell out of it. | 1:31:22 | 1:31:26 | |
So, where we going? | 1:31:41 | 1:31:43 | |
Er, your place is in New York, right? | 1:31:43 | 1:31:48 | |
Uh-huh. | 1:31:46 | 1:31:48 | |
I can't wait that long. My place? | 1:31:48 | 1:31:51 | |
Your house on the beach? | 1:31:51 | 1:31:54 | |
It's more like a shack. | 1:31:54 | 1:31:57 | |
A shack? | 1:31:55 | 1:31:57 | |
-It's not much. -Uh-huh. | 1:31:57 | 1:32:00 | |
You do have a bed? | 1:32:00 | 1:32:02 | |
You this fussy about everything? | 1:32:02 | 1:32:04 | |
# I wanna love you | 1:32:04 | 1:32:07 | |
# And treat you right | 1:32:07 | 1:32:10 | |
# I wanna love you | 1:32:10 | 1:32:12 | |
# Every day and every night | 1:32:13 | 1:32:16 | |
# We'll be together | 1:32:16 | 1:32:19 | |
# With a roof right over our heads | 1:32:21 | 1:32:24 | |
# We'll share the shelter | 1:32:24 | 1:32:27 | |
# Of my single bed | 1:32:29 | 1:32:32 | |
# We'll share the same room... # | 1:32:32 | 1:32:34 |