
Browse content similar to The Delta Factor. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
SIREN BLARES | 0:00:47 | 0:00:50 | |
TYRES SCREECH | 0:00:53 | 0:00:57 | |
SIREN CONTINUES | 0:00:59 | 0:01:03 | |
SIREN CONTINUES | 0:01:07 | 0:01:10 | |
KNOCKING ON DOOR | 0:01:39 | 0:01:41 | |
No, you can't come in. | 0:01:41 | 0:01:43 | |
SNORING | 0:01:43 | 0:01:46 | |
Could you get out and close the door? | 0:01:46 | 0:01:49 | |
Isn't he conscious yet? | 0:01:49 | 0:01:51 | |
I don't care who sent you up here from Washington, Ames, | 0:01:51 | 0:01:55 | |
this is my patient. | 0:01:55 | 0:01:56 | |
He's not your patient... | 0:01:56 | 0:01:58 | |
he's Morgan. | 0:01:58 | 0:02:00 | |
And this time... he's staying in custody. | 0:02:00 | 0:02:05 | |
He already broke out of your maximum-security prison. | 0:02:05 | 0:02:08 | |
Do you think that'll do any good? | 0:02:08 | 0:02:10 | |
Mmm, that...and us. | 0:02:10 | 0:02:13 | |
You know, you look better when I don't see you too well, Ames. | 0:02:20 | 0:02:23 | |
Could be you'll see me through the bars for 27 more years, buddy boy. | 0:02:23 | 0:02:28 | |
You my doctor? | 0:02:28 | 0:02:31 | |
-Yes. -What the hell's the problem? | 0:02:31 | 0:02:33 | |
Subdural haematoma, Mr Morgan. There's temporary damage to the optic nerve. | 0:02:33 | 0:02:37 | |
Be on your feet in about three weeks | 0:02:37 | 0:02:40 | |
and then right back in a cell with five years added for the bust-out. | 0:02:40 | 0:02:45 | |
So, you ought to be boozing it up and bangin' the broads in, say, well... | 0:02:45 | 0:02:50 | |
-about 1995. -You want to bet on it?! | 0:02:50 | 0:02:53 | |
Damn right. | 0:02:53 | 0:02:54 | |
40 million bucks. | 0:02:54 | 0:02:57 | |
Leave us alone, doc. | 0:03:02 | 0:03:04 | |
-There are certain things... -I said "alone", doc. | 0:03:04 | 0:03:08 | |
Ames...I hope I'm on duty when they bring you in | 0:03:10 | 0:03:16 | |
after a little old lady has inserted her umbrella where it belongs. | 0:03:16 | 0:03:21 | |
I said "40 million bucks", Morgan. | 0:03:34 | 0:03:37 | |
I said it on the stand and I'll tell you while I'm flat on my back. | 0:03:37 | 0:03:41 | |
I didn't know a damn thing about that currency shipment... | 0:03:41 | 0:03:44 | |
until I saw it on TV. | 0:03:44 | 0:03:46 | |
Everything about that operation said "Morgan", like a Swiss watch. | 0:03:46 | 0:03:52 | |
Morgan to plan it, Morgan's old buddy Sal Dekker for the muscle. | 0:03:52 | 0:03:57 | |
Everything you presented was circumstantial. You haven't found ten bucks of that dough. | 0:03:57 | 0:04:02 | |
160,000 showed up in Miami banks a week after your bust-out. | 0:04:02 | 0:04:09 | |
-No shit. -Where'd ya fence it, Morgan? Brazil? Nueva Cadiz? | 0:04:09 | 0:04:16 | |
You know, if it was me, or Sal Dekker, I'd take a shot at Nueva Cadiz. | 0:04:16 | 0:04:21 | |
Nice little island, nice new government. | 0:04:22 | 0:04:26 | |
You can do anything you want as long as they get a cut. | 0:04:26 | 0:04:31 | |
Only 100 miles from Miami. | 0:04:31 | 0:04:33 | |
Yeah, if I had a bundle in the millions, | 0:04:33 | 0:04:37 | |
I'd fence it in Nueva Cadiz. | 0:04:37 | 0:04:41 | |
How'd you like to take a trip to Nueva Cadiz, buddy boy? | 0:04:41 | 0:04:46 | |
Must be the pills are shootin' me, but you just lost me, "buddy boy". | 0:04:47 | 0:04:53 | |
We'll make you a trade. | 0:04:53 | 0:04:55 | |
The government's damned interested in Nueva Cadiz, too. Oh, not for the money. | 0:04:55 | 0:05:00 | |
You remember an old political character named Victor Sable? | 0:05:00 | 0:05:05 | |
Oh, the one the military executed or something? | 0:05:05 | 0:05:09 | |
They had him under house arrest. Then they stuck him in Rose Castle - | 0:05:09 | 0:05:13 | |
the roughest prison in the Caribbean. | 0:05:13 | 0:05:16 | |
-So? -Washington wants to know if he's alive, | 0:05:17 | 0:05:21 | |
and if he is, they want him out... | 0:05:21 | 0:05:23 | |
alive. | 0:05:23 | 0:05:25 | |
Look at it this way, Morgan. | 0:05:25 | 0:05:27 | |
Instead of you busting out of the toughest boxes in the world, | 0:05:27 | 0:05:32 | |
we want you to bust in. | 0:05:32 | 0:05:34 | |
Oh, man, you gotta be kidding, Ames. | 0:05:37 | 0:05:40 | |
20 years off your sentence. | 0:05:40 | 0:05:43 | |
Tell Washington I don't like the odds. | 0:05:47 | 0:05:50 | |
I always said you were chicken, Morgan. | 0:05:52 | 0:05:56 | |
All your guts are in your ass! | 0:05:56 | 0:05:59 | |
All right, Ames... | 0:06:06 | 0:06:08 | |
I hope they send you along as my chaperone. | 0:06:09 | 0:06:13 | |
It'll be a lot more interesting that way. | 0:06:13 | 0:06:16 | |
Matter of fact, no chance. | 0:06:16 | 0:06:18 | |
The old man's got it set up so that Stacy gets the assignment. | 0:06:18 | 0:06:23 | |
You ever...run into Stacy? | 0:06:23 | 0:06:26 | |
Not yet. | 0:06:26 | 0:06:28 | |
But, you know, it might be interesting. I've, er... | 0:06:29 | 0:06:32 | |
I've never shacked up with a government agent before. | 0:06:32 | 0:06:35 | |
SIREN BLARES | 0:06:55 | 0:06:58 | |
If I'd known you were still hungry, I... | 0:07:11 | 0:07:13 | |
Well, we could have stayed where we were. | 0:07:13 | 0:07:15 | |
Well, you remember, I've been on a diet for three years and... | 0:07:15 | 0:07:19 | |
I don't want to overdo it right away. | 0:07:19 | 0:07:21 | |
Well, have a drink and then...overdo. | 0:07:21 | 0:07:25 | |
-Join me? -Natch. | 0:07:25 | 0:07:28 | |
Holy Toledo! | 0:07:30 | 0:07:32 | |
I've never seen him here before. Is he Valerie's. | 0:07:32 | 0:07:35 | |
If you hadn't spent your whole life in Nashville, you'd know Morgan. | 0:07:35 | 0:07:39 | |
My God! My first month in New York and I'm in the same room with Morgan! | 0:07:39 | 0:07:42 | |
And he IS Valerie's, but there's enough to go around. | 0:07:42 | 0:07:47 | |
You're not gonna take them up on that? | 0:07:47 | 0:07:50 | |
Morgan, we can get out of the country. | 0:07:50 | 0:07:53 | |
I've got tickets on a flight to... | 0:07:53 | 0:07:55 | |
Hell, yes, I'm gonna take him up on it. I want to go to Nueva Cadiz. | 0:07:55 | 0:08:00 | |
For Victor whathisname? | 0:08:00 | 0:08:02 | |
What the devil does he mean to you or anybody else? | 0:08:02 | 0:08:06 | |
If some of that money showed up...the rest is someplace around. | 0:08:06 | 0:08:10 | |
It's gotta be on that damn island. | 0:08:10 | 0:08:12 | |
Whoever did take that money will think I'm there to track it down, | 0:08:12 | 0:08:16 | |
and, one way or the other, | 0:08:16 | 0:08:17 | |
they're gonna crawl out of the woodwork. | 0:08:17 | 0:08:20 | |
Valerie. | 0:08:21 | 0:08:23 | |
Sorry. Mr J, do you know what he's got in mind? | 0:08:23 | 0:08:28 | |
Darling, whatever Mr J has in mind is what we're here for. | 0:08:28 | 0:08:33 | |
Really?! | 0:08:33 | 0:08:35 | |
I'd better get you out of here, so the kids can keep their minds on their work. | 0:08:37 | 0:08:41 | |
Whatever Valerie's kids are famous for... | 0:08:41 | 0:08:45 | |
..it's not their minds. | 0:08:46 | 0:08:48 | |
How tall are you, anyway? | 0:08:49 | 0:08:51 | |
With heels? | 0:08:51 | 0:08:53 | |
With anybody. | 0:08:53 | 0:08:55 | |
Oh, I'm big enough. No complaints yet. | 0:08:57 | 0:09:00 | |
Guaranteed? | 0:09:00 | 0:09:02 | |
Um...what kind of guarantee would you like? | 0:09:03 | 0:09:07 | |
Six months or 20,000 miles of comfortable riding? | 0:09:08 | 0:09:14 | |
Who is this Stacy they got to bird-dog you? | 0:09:14 | 0:09:16 | |
Sorry, darling, but I, er...never married her before. | 0:09:16 | 0:09:20 | |
You've got to marry her?! Wow! That's a switch! | 0:09:20 | 0:09:24 | |
It has something to do with the cover story they set up. | 0:09:24 | 0:09:27 | |
Qu'est-ce-que voulez-vous, Monsieur? | 0:09:33 | 0:09:36 | |
Une plume de ma tante, s'il vous plait. | 0:09:36 | 0:09:39 | |
WOMAN SPEAKS CHINESE | 0:09:39 | 0:09:41 | |
So, this damned sales girl kept saying, | 0:09:43 | 0:09:46 | |
"No, madame. Madame would definitely take a size 38C. | 0:09:46 | 0:09:50 | |
"Madame's size IS 38." | 0:09:50 | 0:09:52 | |
So, I finally said to her, "Hey, baby, just whose are they, anyway?" | 0:09:52 | 0:09:57 | |
Morgan, you're terrible. | 0:10:02 | 0:10:05 | |
-That's not what you said this afternoon. -Well, this afternoon you WEREN'T terrible. | 0:10:05 | 0:10:10 | |
Why don't you come down to Nueva Cadiz in about a month? | 0:10:10 | 0:10:14 | |
We'd have about 40 million laughs. | 0:10:14 | 0:10:16 | |
I don't want to think about it. I'll... | 0:10:16 | 0:10:18 | |
I'll worry about you all the time you're there. | 0:10:18 | 0:10:21 | |
Well, if it makes you feel any better, I'll... I'll worry, too. | 0:10:21 | 0:10:25 | |
WOLF WHISTLE | 0:10:52 | 0:10:54 | |
I'm a son of a bitch! | 0:11:00 | 0:11:02 | |
I'm Kimberley Stacy. | 0:11:02 | 0:11:04 | |
State Department. Special Agent. | 0:11:04 | 0:11:06 | |
So, you're the monster. | 0:11:07 | 0:11:11 | |
Sorry, I, er... didn't hear you come in. | 0:11:11 | 0:11:14 | |
You know, you cost me 20 bucks. I was stupid enough to make a bet you wouldn't come back. | 0:11:14 | 0:11:19 | |
-Why did you, Morgan? -Uh... Curiosity. | 0:11:19 | 0:11:24 | |
Oh, that's not good enough. I know that reduced sentence doesn't mean a thing to you. | 0:11:24 | 0:11:28 | |
No. | 0:11:29 | 0:11:31 | |
Why, I mean, you never seriously considered serving it, did you? | 0:11:31 | 0:11:35 | |
Not if I can help it. But I was curious... | 0:11:35 | 0:11:38 | |
curious what was happening in Nueva Cadiz... | 0:11:38 | 0:11:42 | |
and curious about the child bride they've sentenced me to. | 0:11:42 | 0:11:46 | |
By the way, | 0:11:46 | 0:11:48 | |
when does this consummation take place - | 0:11:48 | 0:11:51 | |
before or after our elopement? | 0:11:51 | 0:11:52 | |
When I take a man for keeps, I'LL do the choosing. | 0:11:53 | 0:11:57 | |
Thank you. | 0:12:00 | 0:12:02 | |
Any time! | 0:12:02 | 0:12:03 | |
You would have to have only one damn name! | 0:12:16 | 0:12:19 | |
I'm sorry about that, but, you see, I am a bastard. | 0:12:21 | 0:12:24 | |
What next, genius? | 0:12:25 | 0:12:28 | |
Well, I thought we'd whip down to the Florida Keys, register in a motel and... | 0:12:28 | 0:12:33 | |
you know, get some sleep. | 0:12:33 | 0:12:34 | |
It's an old, old custom, sweetheart. | 0:12:49 | 0:12:52 | |
Bull! | 0:12:52 | 0:12:54 | |
Why don't you, er, take a swim or, er, something? | 0:13:04 | 0:13:07 | |
Art Keefer, please. | 0:13:08 | 0:13:11 | |
Art? ..Yeah, we're here. Moored. | 0:13:11 | 0:13:15 | |
What? | 0:13:17 | 0:13:19 | |
What?! | 0:13:21 | 0:13:23 | |
All right. | 0:13:26 | 0:13:28 | |
I'll see you later. | 0:13:32 | 0:13:33 | |
Just great(!) Just great(!) | 0:13:37 | 0:13:40 | |
Your Federal pals spread the word on our arrival. | 0:13:40 | 0:13:45 | |
-Those stupid sons of... -I wouldn't, er, underestimate them, Morgan. | 0:13:45 | 0:13:49 | |
I think they've arranged all this pretty well so far. | 0:13:49 | 0:13:53 | |
Oh, you mean the marriage? That was good thinking. | 0:13:53 | 0:13:55 | |
Non-consummation is, er... good grounds for annulment. | 0:13:55 | 0:13:59 | |
Except they forgot one thing. | 0:14:00 | 0:14:03 | |
There's no law against a man raping his own wife. | 0:14:03 | 0:14:06 | |
Forget it, Morgan. | 0:14:09 | 0:14:11 | |
You know, er...one day you're gonna pull that | 0:14:11 | 0:14:15 | |
and I'm gonna have to take it away from you. | 0:14:15 | 0:14:17 | |
And you know what I'm gonna do with it? | 0:14:17 | 0:14:21 | |
What? | 0:14:21 | 0:14:22 | |
Well, on, er...second thoughts, I think it's a physical impossibility. | 0:14:25 | 0:14:31 | |
Hey! | 0:14:47 | 0:14:49 | |
-How are you, jailbird? -In and out. | 0:14:53 | 0:14:55 | |
How did you do it? | 0:14:55 | 0:14:57 | |
-Would you believe rubber bars? -KEEFER WHISTLES | 0:14:57 | 0:15:01 | |
Man, check that one out. | 0:15:01 | 0:15:03 | |
That one...is my wife. | 0:15:08 | 0:15:11 | |
Kim Stac... Mrs Morgan, meet Art Keefer. | 0:15:13 | 0:15:17 | |
-Don't bother. -How do you do, ma'am? | 0:15:17 | 0:15:20 | |
At least you get a bonus. | 0:15:26 | 0:15:28 | |
How much does she know? | 0:15:29 | 0:15:30 | |
-Everything. -You are crazy, buddy. | 0:15:30 | 0:15:34 | |
-Oh, I like it like that. -You shove off from Raymond's at 0600. | 0:15:34 | 0:15:38 | |
Uh-huh. Er, where's my contact? | 0:15:38 | 0:15:42 | |
The Orino Bar. Our old barracks song'll be the recognition gimmick. | 0:15:42 | 0:15:46 | |
Any heavies in the act? | 0:15:46 | 0:15:48 | |
Two, Russo Sabine, who's hatchet man for Carlos Ortega. | 0:15:48 | 0:15:51 | |
-How's it look? -Well, right now, all his way, but you'll be a 40-million-times welcome addition. | 0:15:51 | 0:15:57 | |
Fat chance he's got. I'm working on a government budget, | 0:15:57 | 0:16:00 | |
stashed in a Miami bank under a phony name - MA Winters. | 0:16:00 | 0:16:04 | |
For you, one way or the other, Uncle Whiskers always picks up the tab. | 0:16:04 | 0:16:08 | |
Some guys just got it. | 0:16:08 | 0:16:10 | |
-See ya. -Take care, buddy. | 0:16:10 | 0:16:12 | |
Who's Art Keefer? | 0:16:29 | 0:16:32 | |
Art Keefer - one of the guys you thought was dead. | 0:16:36 | 0:16:39 | |
We were part of a team that, er... | 0:16:40 | 0:16:42 | |
worked behind the lines during the war. | 0:16:42 | 0:16:46 | |
-There was no Art Keefer. Changed his name, of course. -Of course. | 0:16:47 | 0:16:52 | |
Let me do that. | 0:16:52 | 0:16:53 | |
-What about the others? -The what? | 0:16:55 | 0:16:58 | |
Oh, the others, yeah. Two of them are dead all right. | 0:16:58 | 0:17:01 | |
Art Keefer had nothing to do with that 40 million deal, honey. | 0:17:02 | 0:17:05 | |
Damn you! | 0:17:07 | 0:17:10 | |
I was NOT! All I was trying to do was dry you off. | 0:17:11 | 0:17:14 | |
PORTER SPEAKS SPANISH | 0:19:25 | 0:19:27 | |
This way, senor. | 0:19:42 | 0:19:44 | |
Zero, zero, dos. | 0:19:52 | 0:19:54 | |
-Put the suitcases in the bedroom. -Si, senor. | 0:19:59 | 0:20:02 | |
Nice honeymoon spot. | 0:20:02 | 0:20:05 | |
Beautiful. | 0:20:05 | 0:20:06 | |
Hey, honey. | 0:20:27 | 0:20:29 | |
Mmm? | 0:20:29 | 0:20:31 | |
Not a bad-looking print. | 0:20:31 | 0:20:33 | |
Terrific(!) | 0:20:33 | 0:20:35 | |
-There you go. -Gracias, senor. | 0:20:43 | 0:20:45 | |
Quite all right. | 0:20:45 | 0:20:47 | |
Gotta get a load of the nightlife in this town. | 0:20:51 | 0:20:53 | |
Really great. | 0:20:53 | 0:20:55 | |
-They have more clubs per square metre... -I'm dying to! | 0:20:55 | 0:20:59 | |
-I've got a little shopping to do first. -Get a load of that bathroom. | 0:21:01 | 0:21:06 | |
You think they...redecorated this place? | 0:21:10 | 0:21:13 | |
Well, I am gonna get cleaned up. | 0:21:18 | 0:21:21 | |
Can't wait to take a shower. Care to join me? | 0:21:29 | 0:21:31 | |
-Are you kidding?! -Will you remember one thing? We're on our honeymoon... -RUNNING WATER | 0:21:31 | 0:21:36 | |
-WHISPERS: -..and Big Brother's watching. | 0:21:36 | 0:21:39 | |
Yeah. | 0:21:52 | 0:21:54 | |
Well, if, er, you're going shopping... | 0:21:59 | 0:22:03 | |
I guess you need some money. | 0:22:03 | 0:22:06 | |
You're awfully generous, sweetheart... | 0:22:14 | 0:22:17 | |
..with our expense account. | 0:22:19 | 0:22:22 | |
OK, the lady's coming out. | 0:22:33 | 0:22:36 | |
MAN: Come on, baby, seven, 11! | 0:22:36 | 0:22:38 | |
Come on! | 0:22:38 | 0:22:40 | |
Four. Tray ace. Four. | 0:22:40 | 0:22:42 | |
Mark four. Four's the point. Anybody want the hard four? | 0:22:42 | 0:22:45 | |
Hard four? | 0:22:45 | 0:22:47 | |
-Seven, the loser. Seven, the loser. -Oh, that's all she wrote. | 0:22:54 | 0:22:59 | |
Care to shoot 'em, sir? | 0:23:00 | 0:23:02 | |
I never tried it before, but, what the hell? That's what I'm here for. | 0:23:02 | 0:23:06 | |
Hey, we've got a virgin. Beginner's luck, man! I'm gonna ride with you! | 0:23:06 | 0:23:11 | |
I think I'll take a ride on this one myself. | 0:23:11 | 0:23:14 | |
Hey, comin' up, beginner baby. Comin' up. | 0:23:14 | 0:23:17 | |
..You got it! | 0:23:17 | 0:23:18 | |
-You're marvellous! -I win, right? -Yeah! All the way, baby! | 0:23:18 | 0:23:22 | |
I'm going to have to try to spend some time. What do we want? | 0:23:22 | 0:23:26 | |
Seven or 11. Either one, baby. Either one. | 0:23:26 | 0:23:30 | |
11. PEOPLE CHEER | 0:23:31 | 0:23:34 | |
Hey! Oh! Put it right there. Yes, please. There. | 0:23:34 | 0:23:39 | |
-OK, comin' up, baby. Comin' up. -OK? You want? -Seven or 11. -Seven or 11? -Yeah. Every time, baby. Every time. | 0:23:39 | 0:23:46 | |
All right, come on, you mother! | 0:23:46 | 0:23:48 | |
ALL: Ah-h! | 0:23:49 | 0:23:51 | |
Four. Tray ace. Part four. | 0:23:51 | 0:23:53 | |
-What's wrong with that? -Gotta get another four, baby. -So? | 0:23:53 | 0:23:57 | |
Anybody want the hard four? | 0:23:57 | 0:23:59 | |
Hard four. Two hard fours. | 0:23:59 | 0:24:01 | |
Four. THEY ALL YELL | 0:24:07 | 0:24:10 | |
A hard four. Two deuces. Two deuces on the hard four. | 0:24:10 | 0:24:15 | |
MAN: How's it going, man? | 0:24:15 | 0:24:18 | |
What's wrong? | 0:24:18 | 0:24:20 | |
He'll try anything to break your luck, my friend. | 0:24:22 | 0:24:24 | |
There we go. | 0:24:27 | 0:24:28 | |
Come on, baby, come on! | 0:24:28 | 0:24:30 | |
-What do you need? -Seven or 11, either way! | 0:24:30 | 0:24:33 | |
Here we go! | 0:24:33 | 0:24:35 | |
Six, hard six. Six to fly. | 0:24:36 | 0:24:39 | |
Come on, son of a... | 0:24:39 | 0:24:42 | |
..Six. | 0:24:42 | 0:24:43 | |
Six! Oh, you did it! Oh, you're tremendous! I love you! I love you! | 0:24:43 | 0:24:47 | |
Two threes, the hard way. Two threes. Six, the hard way. | 0:24:47 | 0:24:51 | |
You can't quit now. You're red-hot. | 0:24:54 | 0:24:58 | |
I sure am. I need a cold drink. | 0:24:58 | 0:25:01 | |
PEOPLE: Ah-h-h! | 0:25:01 | 0:25:03 | |
Hey, buddy, here you go. | 0:25:03 | 0:25:05 | |
12,000 American dollars. There. Congratulations, Senor Winters. | 0:25:08 | 0:25:14 | |
-Thank you very much. -Mind if I join you in that drink? | 0:25:14 | 0:25:17 | |
My pleasure, ma'am. | 0:25:17 | 0:25:20 | |
-Credit that to my account, Jimmy. -Si. | 0:25:20 | 0:25:23 | |
I'm Lisa Gordot, and you're a life-saver, unless you hadn't guessed. | 0:25:23 | 0:25:27 | |
-How'd you do, ma'am? -I was doing all right until you decided to quit. | 0:25:27 | 0:25:31 | |
-I could have killed you! -Tall rum drink, please. | 0:25:31 | 0:25:35 | |
Yours? | 0:25:35 | 0:25:37 | |
Oh, I've done all right following you so far. I'll have the same. | 0:25:37 | 0:25:41 | |
But not quite enough for what I need. | 0:25:41 | 0:25:44 | |
-Well, better luck next time. -I have a feeling you're a born winner. | 0:25:44 | 0:25:49 | |
Ergo, I choose to string along with you. | 0:25:49 | 0:25:52 | |
I hear luck coming. | 0:25:52 | 0:25:53 | |
Well, that doesn't do very much for my ego. | 0:25:53 | 0:25:56 | |
All right, then let's say you AND your luck. | 0:25:56 | 0:25:59 | |
Thanks again. | 0:25:59 | 0:26:01 | |
Hasta la vista! | 0:26:01 | 0:26:03 | |
SHE WOLF-WHISTLES | 0:26:06 | 0:26:09 | |
-Wow! Aren't you something?! -Who's your girlfriend? | 0:26:09 | 0:26:12 | |
Oh, Lisa Gordot. She congratulated me. I won. | 0:26:12 | 0:26:16 | |
Lisa Gordot. International jetsetter. | 0:26:16 | 0:26:19 | |
Raised hell on two continents by causing scandals in government upper echelons. Nice friends you have. | 0:26:19 | 0:26:26 | |
I just met the broad. Oh, did you get a rundown on the situation? | 0:26:26 | 0:26:30 | |
Yes, but this isn't the place to talk about it. | 0:26:30 | 0:26:33 | |
Keep it. | 0:26:37 | 0:26:39 | |
-Orino Bar. -Orino Bar. | 0:26:44 | 0:26:48 | |
# ..will say he wants me | 0:27:12 | 0:27:17 | |
# What will he see in me? | 0:27:17 | 0:27:23 | |
# Make him stay for ever... | 0:27:23 | 0:27:29 | |
# Nothing but tenderness... # | 0:27:35 | 0:27:40 | |
-Your pleasure, senor? -Yeah, my pleasure(!) Well, I am on my honeymoon. | 0:27:40 | 0:27:45 | |
Champagne. Buckets of champagne. | 0:27:45 | 0:27:48 | |
We are newly-weds. You could smile occasionally. | 0:27:50 | 0:27:56 | |
You really are a bastard! | 0:27:57 | 0:28:00 | |
Oh! Well, I hate to change the subject, but the tail's still on us. | 0:28:00 | 0:28:05 | |
-Why this place, Morgan? -Well, Keefer has a contact here he does business with. | 0:28:13 | 0:28:18 | |
-Now, that wouldn't be in the 40 million bracket, would it?! -I told you he had nothing to do with it. | 0:28:18 | 0:28:24 | |
Cheers. | 0:28:33 | 0:28:35 | |
Mmm. | 0:28:36 | 0:28:38 | |
-What about Sal Dekker? -Oh, you know about that, too, baby. | 0:28:38 | 0:28:42 | |
Sal Dekker had the lousy luck to run into a mine. | 0:28:42 | 0:28:44 | |
He went to an army hospital for two years and then to Australia. | 0:28:44 | 0:28:48 | |
..Well, you still could have had one of your old team help you with that robbery, couldn't you? | 0:28:48 | 0:28:54 | |
Uh-oh. Not Dekker. He was the only one of us | 0:28:54 | 0:28:57 | |
that really disliked the business. | 0:28:57 | 0:28:59 | |
# I'm playin' it cool It's not my way to worry | 0:28:59 | 0:29:03 | |
# I'm nobody's fool It doesn't pay to hurry | 0:29:03 | 0:29:07 | |
# I'm takin' my time I haven't even entered my prime | 0:29:07 | 0:29:14 | |
# He'll come to me | 0:29:14 | 0:29:16 | |
# My first true love And he'll... # | 0:29:16 | 0:29:23 | |
-You know what I think, Morgan? -Guess what? | 0:29:23 | 0:29:26 | |
-What? -They're playing our song. | 0:29:26 | 0:29:29 | |
It's recognition singing. Something left over from the war. | 0:29:30 | 0:29:35 | |
-That girl. She's our contact. -# Must be intuition that makes me behave | 0:29:35 | 0:29:39 | |
# In such an unconventional way... # | 0:29:39 | 0:29:43 | |
Now, don't tell me SHE'S something left over from the war. | 0:29:43 | 0:29:47 | |
Uh, wait, wait, could you ask that girl if she'll join us for a drink? | 0:29:48 | 0:29:52 | |
-Well, I'm sorry, senor, but the management... -Uno momento. | 0:29:52 | 0:29:55 | |
# ..that he wants me near And wants the world to know it | 0:29:55 | 0:29:59 | |
# And that's when I'll stop... # | 0:29:59 | 0:30:01 | |
Si, senor. As la senora is here, I'm sure it can be. | 0:30:01 | 0:30:05 | |
Just a minute. If I demand a drink... | 0:30:05 | 0:30:09 | |
# I'm playin' it cool | 0:30:09 | 0:30:12 | |
# It's just my disposition I'm playin' it cool | 0:30:12 | 0:30:16 | |
# Must be intuition That makes me behave | 0:30:16 | 0:30:20 | |
# In such an unconventional way | 0:30:20 | 0:30:24 | |
# One thing I know | 0:30:24 | 0:30:28 | |
# Life's a groove if you Take it slow | 0:30:28 | 0:30:32 | |
# I know he'll appear | 0:30:32 | 0:30:35 | |
# And when he does he'll show it | 0:30:35 | 0:30:37 | |
# That he wants me near And wants the world to know it | 0:30:37 | 0:30:41 | |
# And that's when I'll stop... | 0:30:41 | 0:30:43 | |
# Playin' it cool | 0:30:43 | 0:30:47 | |
# Playin' it cool | 0:30:47 | 0:30:50 | |
# Play with me! # | 0:30:50 | 0:30:53 | |
Cool! | 0:30:55 | 0:30:57 | |
CHEERS AND APPLAUSE | 0:30:57 | 0:31:00 | |
< Psst! | 0:31:08 | 0:31:10 | |
Rosa Lee! This is my wife Kim. | 0:31:32 | 0:31:35 | |
-And I'm Morgan Winters. Please sit down. -Thank you. | 0:31:35 | 0:31:39 | |
You're really wonderful. You really are. Can I get you a drink? | 0:31:39 | 0:31:43 | |
-Your Manhattan, senorita? -Grazie. | 0:31:43 | 0:31:46 | |
You know, when I saw you singing, it really brought back old memories. | 0:31:46 | 0:31:51 | |
An old buddy of mine, Art Keefer. | 0:31:51 | 0:31:53 | |
-He contact you? -Mm-hm. | 0:31:57 | 0:31:59 | |
I think we'd better make this look like a toast to your future happiness. | 0:31:59 | 0:32:05 | |
What do you need? | 0:32:09 | 0:32:11 | |
A radiotransmitter. | 0:32:11 | 0:32:13 | |
177 Palm Drive. | 0:32:17 | 0:32:20 | |
You'll find everything you need. | 0:32:20 | 0:32:22 | |
-When? -Tomorrow night. | 0:32:22 | 0:32:26 | |
-Around midnight. -Anything else? | 0:32:27 | 0:32:30 | |
Any news of Victor Sable? | 0:32:30 | 0:32:32 | |
Yes. | 0:32:33 | 0:32:35 | |
The Rose Castle. Very important prisoner, with the personal attention of Carlos Ortega. | 0:32:35 | 0:32:42 | |
I'll need someone who knows complete prison routine. | 0:32:42 | 0:32:46 | |
I have one. | 0:32:46 | 0:32:48 | |
-You wanna see him tomorrow night? -Yeah. -Well... | 0:32:48 | 0:32:53 | |
Oh, I must warn you, the Rose Castle is impregnable. | 0:32:54 | 0:32:58 | |
And they'll kill Sable rather than let him escape. | 0:32:58 | 0:33:02 | |
And by the way, | 0:33:02 | 0:33:05 | |
Angelo, the captain at the Monteban - you can trust him. | 0:33:05 | 0:33:09 | |
Thank you. | 0:33:13 | 0:33:15 | |
Adios. | 0:33:17 | 0:33:20 | |
Madame... | 0:33:24 | 0:33:26 | |
Senor, salud y pesetas, | 0:33:35 | 0:33:37 | |
y viste al toro! | 0:33:37 | 0:33:40 | |
You said it, buddy! | 0:33:40 | 0:33:42 | |
THEY CHEER | 0:33:42 | 0:33:44 | |
GUNSHOT | 0:33:47 | 0:33:49 | |
GUNFIRE | 0:33:50 | 0:33:53 | |
Looks like we...have guests. | 0:34:49 | 0:34:52 | |
-This is a private suite. -Only as long as we wish it to be so, Mr Morgan. | 0:35:09 | 0:35:14 | |
-You let this clown talk for you, Ortega? -Ah, you know who I am. | 0:35:14 | 0:35:18 | |
Don't play games with me. I'm not a damn amateur. | 0:35:18 | 0:35:22 | |
Morgan, darling, you must be tired. | 0:35:22 | 0:35:24 | |
-I'm tired of being pushed around. What the hell are you doing in here? -Precisely what Senor Sabine... | 0:35:24 | 0:35:31 | |
..our official Director of Police, | 0:35:32 | 0:35:35 | |
is here to ask you, Mr Morgan. | 0:35:35 | 0:35:37 | |
-There's no record of your entry into this country. -I could care less. | 0:35:37 | 0:35:42 | |
-I am sure that will not be necessary. -I'm tired. Excuse me. | 0:35:42 | 0:35:46 | |
Don't keep him too long. | 0:35:47 | 0:35:50 | |
-You caused a serious disturbance tonight. -I -caused a disturbance?! | 0:35:54 | 0:35:58 | |
-I was shot at, pal! -You were carrying a large amount of money! | 0:36:01 | 0:36:05 | |
-Ah, crap! -You chose to dine in some out-of-the-way spot, thus presenting an attractive robbery target! | 0:36:05 | 0:36:11 | |
Quiet, Nino, Mr Morgan knows that from across the street, | 0:36:11 | 0:36:15 | |
robbery as a motive is ridiculous. | 0:36:15 | 0:36:17 | |
In fact, I have an idea the astute Mr Morgan | 0:36:17 | 0:36:21 | |
has a rather clearly defined understanding of the special service | 0:36:21 | 0:36:25 | |
our country might be able to offer him. | 0:36:25 | 0:36:29 | |
Like converting hot stuff into negotiable currency. | 0:36:31 | 0:36:35 | |
-Frankly, it can be arranged. -I'll think about it. -Bueno. | 0:36:35 | 0:36:40 | |
Mr Ortega... | 0:36:42 | 0:36:45 | |
You don't mind if I yank the bugs out of these rooms? | 0:36:46 | 0:36:50 | |
-After all, it is my honeymoon. -Not at all, and I apologise for the clumsy installation. | 0:36:50 | 0:36:56 | |
Also, I'd can whoever shook the rooms down. They weren't very good, either. | 0:36:56 | 0:37:02 | |
It is very difficult when amateurs deal with professionals. | 0:37:02 | 0:37:05 | |
Goodnight, sir. And our apologies to the senora | 0:37:05 | 0:37:10 | |
for our intrusion. | 0:37:10 | 0:37:12 | |
Morgan, how did you...? | 0:37:19 | 0:37:21 | |
-How did you know they searched the place, I didn't see a thing? -Neither did I. It figures, that's all. | 0:37:27 | 0:37:33 | |
You were pretty rough on him. | 0:37:35 | 0:37:38 | |
He didn't mind. Besides, something's got him worried. | 0:37:39 | 0:37:43 | |
-The shooting. -Yeah, he'd like to know who did it. | 0:37:43 | 0:37:47 | |
He wants me alive if he expects to see any part of that 40m. | 0:37:47 | 0:37:52 | |
I wonder who did it. | 0:37:52 | 0:37:53 | |
That's what I'm gonna find out. | 0:37:55 | 0:37:57 | |
-Nightcap? -After all that champagne we had? No, thanks. | 0:37:57 | 0:38:02 | |
And you stay there! | 0:39:12 | 0:39:15 | |
-Morgan, what are you doing? -What's it look like I'm doing? | 0:39:26 | 0:39:30 | |
I've been accused of a lot of things, but never sleeping with a woman on my honeymoon. | 0:39:30 | 0:39:35 | |
What would May think? | 0:39:35 | 0:39:37 | |
Oh, hold this for me, will you, hon? | 0:39:41 | 0:39:44 | |
Oh, Senor Winters, a mutual friend was speaking of you last night. | 0:39:58 | 0:40:04 | |
-How may I help you? -Oh, uh, what about the hurricane? | 0:40:04 | 0:40:08 | |
The chart, senor. It is correct - up to the minute. | 0:40:08 | 0:40:11 | |
Of course, senor, I would be happy to help you find your number. | 0:40:13 | 0:40:17 | |
There are so many different languages spoken among our guests. | 0:40:17 | 0:40:21 | |
How may I be of assistance? | 0:40:21 | 0:40:24 | |
Gimme a rundown on one of your guests. Lisa Gordot. | 0:40:24 | 0:40:27 | |
Oh, that one's trouble, senor. Big trouble. | 0:40:29 | 0:40:32 | |
Director of Police regards her as his personal property. | 0:40:32 | 0:40:37 | |
And he's making sure she does not leave before he is through with her. | 0:40:37 | 0:40:41 | |
-Ahh... -Careful, senor. | 0:40:41 | 0:40:43 | |
That snake can get you killed in the blink of an eye. He will tolerate no interference with his pleasures. | 0:40:43 | 0:40:49 | |
Is there anything else I can do for you, senor? | 0:40:49 | 0:40:53 | |
-No, that oughta do it. Thank you. -De nada! | 0:40:53 | 0:40:57 | |
Hi, beautiful. | 0:41:02 | 0:41:04 | |
-Hi. My white knight has returned to the war? -Not right now. | 0:41:04 | 0:41:10 | |
But I might be able to help you in another way. | 0:41:10 | 0:41:13 | |
Must we talk here? My suite is amply stocked with all the necessities. | 0:41:13 | 0:41:17 | |
Room 310. If you'll excuse me. | 0:41:17 | 0:41:20 | |
-You're sure no-one saw you come up here? -Huh? I went to great lengths to MAKE sure. | 0:41:30 | 0:41:35 | |
-Intimate. -It's supposed to be. | 0:41:37 | 0:41:40 | |
Are you sure it's safe for you, my being here? | 0:41:40 | 0:41:43 | |
-No-one's apt to pop in? -In the daytime, perfectly safe, I believe. | 0:41:43 | 0:41:48 | |
In any case, no-one owns me. | 0:41:48 | 0:41:51 | |
Russo Sabine thinks so. | 0:41:51 | 0:41:53 | |
Russo Sabine is a pig. | 0:41:53 | 0:41:56 | |
But you probably heard the whole sordid story. | 0:41:56 | 0:42:00 | |
Wanna try it on me for size? | 0:42:00 | 0:42:03 | |
I came here as a tourist. | 0:42:04 | 0:42:07 | |
Well, actually, I was ducking the consequences of some dumb things I'd gotten myself messed up with. | 0:42:07 | 0:42:12 | |
Well, if you'd rather skip it. | 0:42:14 | 0:42:16 | |
Frankly, it is embarrassing. | 0:42:16 | 0:42:19 | |
Oh, hell, I was trying to find a sponsor who would help me to get to South America. | 0:42:21 | 0:42:27 | |
And you made the mistake of meeting Senor Sabine. | 0:42:27 | 0:42:30 | |
And Sabine has arranged it so no sponsor appeared. | 0:42:30 | 0:42:34 | |
It's a campaign of attrition. | 0:42:34 | 0:42:36 | |
Until you showed up and Lady Luck continued to smile upon you, | 0:42:36 | 0:42:40 | |
it was really disastrous. | 0:42:40 | 0:42:43 | |
Well, maybe if you help me, we can switch that luck. | 0:42:43 | 0:42:47 | |
Just ask. | 0:42:47 | 0:42:49 | |
Play Sabine along. | 0:42:58 | 0:43:01 | |
See what he has on me. | 0:43:02 | 0:43:05 | |
What he's interested in. | 0:43:05 | 0:43:09 | |
If he thinks I'm interested, you and our luck are shot. | 0:43:09 | 0:43:13 | |
I'll make sure my luck rubs off on you. | 0:43:13 | 0:43:16 | |
That kind of rubbing, I could take! | 0:43:16 | 0:43:20 | |
Like what? | 0:43:22 | 0:43:24 | |
You name it, lovely Mr Lucky. | 0:43:24 | 0:43:27 | |
Damn YOU! YOU BITCH! | 0:43:30 | 0:43:32 | |
Stacy, what in the hell?! ..Obviously, I was wrong. | 0:43:34 | 0:43:37 | |
You were born wrong, Casanova, all I had to do was stake out this room! | 0:43:37 | 0:43:42 | |
Bye, now. | 0:43:42 | 0:43:44 | |
That's all I need, you playing house with some dumb broad. | 0:43:45 | 0:43:49 | |
You could have chosen somebody instead of that...that tramp! | 0:43:49 | 0:43:53 | |
Thanks, pussycat. | 0:43:54 | 0:43:56 | |
-What for? -For being jealous of my lovely wife. | 0:43:56 | 0:43:59 | |
Downstairs, you were just plain jealous. | 0:43:59 | 0:44:03 | |
Don't try taking a powder, Morgan. | 0:44:03 | 0:44:07 | |
With a wife like you, waiting, panting her heart out? | 0:44:07 | 0:44:10 | |
Don't be silly. | 0:44:10 | 0:44:12 | |
How do I get out of the hotel without being seen? | 0:44:23 | 0:44:27 | |
Oh, I think I have that information, senor. | 0:44:28 | 0:44:31 | |
LOW VOICE: Through the men's room. | 0:44:31 | 0:44:33 | |
The wall is unfinished. There is a plywood panel that covers it. | 0:44:33 | 0:44:37 | |
Behind there are stairs leading to a rear service exit. | 0:44:37 | 0:44:40 | |
-LOUDER: Er, you may keep this brochure, senor. -No, thanks. | 0:44:40 | 0:44:44 | |
Eh, les cojones. | 0:44:47 | 0:44:50 | |
KNOCK | 0:45:19 | 0:45:21 | |
Rosa? | 0:45:30 | 0:45:32 | |
-Hi. -Hi. | 0:45:34 | 0:45:37 | |
Sorry I can't offer you a drink, but there aren't many luxuries for us ordinary people. | 0:45:43 | 0:45:47 | |
Ortega keeps a pretty tight austerity lid on his peasants. | 0:45:47 | 0:45:51 | |
-Why don't you do something about it? -Are you kidding? It's like Germany when Hitler first took over! | 0:45:51 | 0:45:57 | |
Their time is coming... | 0:45:57 | 0:45:59 | |
-You contacted Art Keefer? -Yeah, he's standing by waiting for my call. | 0:46:02 | 0:46:07 | |
That your husband? | 0:46:09 | 0:46:11 | |
Was my husband. | 0:46:12 | 0:46:14 | |
Killed him, those bastards... | 0:46:16 | 0:46:18 | |
No! | 0:46:18 | 0:46:20 | |
You can get killed like that, friend. What did you tell him? | 0:46:22 | 0:46:27 | |
That you're interested in supplying forbidden items to the inmates of Rose Castle. | 0:46:27 | 0:46:32 | |
What's the deal? | 0:46:44 | 0:46:46 | |
Usually, it is 50/50 on my share... | 0:46:46 | 0:46:49 | |
-60/40 with me. Take it or leave it, pal. -You drive a hard bargain, senor, | 0:46:49 | 0:46:55 | |
but...perhaps there can still be a profit. | 0:46:55 | 0:46:59 | |
You can supply narcotics, perhaps? | 0:46:59 | 0:47:03 | |
No sweat. Who pays? | 0:47:03 | 0:47:05 | |
Most of those in the Rose Castle are political prisoners from wealthy families. | 0:47:05 | 0:47:10 | |
-How are they addicted? -Deliberately. | 0:47:16 | 0:47:19 | |
Prisoners believe they were being administered medicine. | 0:47:19 | 0:47:23 | |
Oh, it was a cute trick! Once they were hooked, it was unlikely they'd become politically active again. | 0:47:23 | 0:47:28 | |
Nice guy, Carlos Ortega, hmm? | 0:47:28 | 0:47:30 | |
Yeah... | 0:47:33 | 0:47:36 | |
OK, buster, it's a deal. | 0:47:38 | 0:47:40 | |
-When will you be prepared to deliver? -Sample for quality tomorrow. Where do I meet you? | 0:47:45 | 0:47:51 | |
A red Volkswagen in the hotel parking lot, at 4. | 0:47:51 | 0:47:55 | |
Watch it, Morgan, it could be dangerous. | 0:48:02 | 0:48:05 | |
Oh, they'll get their sample. | 0:48:05 | 0:48:08 | |
No! | 0:48:08 | 0:48:10 | |
Sample only. It's my ticket into the castle. | 0:48:12 | 0:48:15 | |
-I've got to get in there and check it out myself. -To extricate Victor Sable? What about the others? | 0:48:15 | 0:48:22 | |
All in time. | 0:48:22 | 0:48:24 | |
-OK. What do you want me to tell Art? -Tell Art | 0:48:26 | 0:48:29 | |
I need a pat on the back tomorrow. | 0:48:29 | 0:48:32 | |
-And it's urgent. -Pat on the back? | 0:48:32 | 0:48:34 | |
Yeah. Means two ounces of pure heroin. | 0:48:34 | 0:48:38 | |
Right. A pat on the back tomorrow. | 0:49:27 | 0:49:30 | |
Urgent! | 0:49:30 | 0:49:32 | |
My bride has really missed me! | 0:49:50 | 0:49:53 | |
She's trying to drown out her loneliness! | 0:49:53 | 0:49:56 | |
I'm trying to drown out the thought of what I'd say if you failed to show up! | 0:49:56 | 0:50:01 | |
You know, I signed a receipt for your body. | 0:50:01 | 0:50:04 | |
Well, I hope I'm worth it. | 0:50:04 | 0:50:07 | |
Unfortunately, you are the X-factor. The essential unknown quantity. | 0:50:07 | 0:50:13 | |
And you smell funny. | 0:50:13 | 0:50:15 | |
A girl smell. | 0:50:15 | 0:50:17 | |
Mm-hm? Nice. | 0:50:17 | 0:50:20 | |
I was wrong, it isn't the X-factor at all, it's the delta factor. | 0:50:20 | 0:50:25 | |
Sorry, but that's all Greek to me. | 0:50:25 | 0:50:28 | |
Delta, the Greek letter "d". | 0:50:28 | 0:50:30 | |
The phallic symbol for "woman". | 0:50:30 | 0:50:33 | |
The geometric design that identifies the female for the male. | 0:50:33 | 0:50:36 | |
You and your damn broads! | 0:50:38 | 0:50:40 | |
Hey. | 0:50:47 | 0:50:50 | |
I thought you were leaving. | 0:50:50 | 0:50:53 | |
My protector took care of that. | 0:50:53 | 0:50:55 | |
He confiscated my passport and all my money. | 0:50:55 | 0:50:59 | |
-Suppose I show you a way. -Is there a way, Morgan? -I have an idea. | 0:51:02 | 0:51:06 | |
I'd be very grateful, and I always pay my debts. | 0:51:06 | 0:51:10 | |
Don't tempt me. | 0:51:10 | 0:51:13 | |
-Go up to your room, and stay there. -OK. | 0:51:13 | 0:51:15 | |
Morgan, thanks for everything, | 0:51:15 | 0:51:19 | |
and even if you can't arrange things, I'll still be grateful. | 0:51:19 | 0:51:22 | |
Any time. | 0:51:22 | 0:51:24 | |
-I'll see you later. -OK. | 0:51:26 | 0:51:28 | |
-You are leaving, senor? -Hell, no, Mr Director. | 0:51:33 | 0:51:36 | |
I've weathered out hurricanes before. | 0:51:36 | 0:51:38 | |
Perhaps you have a few minutes. | 0:51:38 | 0:51:41 | |
Why not? | 0:51:43 | 0:51:45 | |
This way, please. | 0:51:45 | 0:51:47 | |
-You know, I'm getting a little fed up with all this attention. -Account for your whereabouts tonight. | 0:51:59 | 0:52:05 | |
I had six witnesses watch me consummate my marriage. | 0:52:05 | 0:52:09 | |
This is no time to make jokes. | 0:52:09 | 0:52:11 | |
-If you've got anything to say, say it, otherwise... -Last night at the Orino Bar, | 0:52:11 | 0:52:15 | |
-you entertained a singer at your table, no? -Anything wrong with that? | 0:52:15 | 0:52:19 | |
That is a distinct possibility, Senor Morgan, inasmuch as the young lady was found...dead a short time ago. | 0:52:19 | 0:52:26 | |
Tough. But I don't see what that has to do with me. | 0:52:26 | 0:52:31 | |
Suppose I tell you that you were seen leaving the hotel from an exit normally unknown to guests. | 0:52:31 | 0:52:37 | |
And suppose I tell you the driver later identified you as a fare he drove to a spot | 0:52:37 | 0:52:42 | |
-not far from the murdered woman's! -I don't care WHAT you tell me! | 0:52:42 | 0:52:46 | |
If I set out to knock off a broad, I wouldn't let no taxi driver see me! | 0:52:46 | 0:52:52 | |
I've made a lot of enemies in my lifetime. Some guy bumps a broad, | 0:52:54 | 0:52:58 | |
dumps it in my lap, and you're idiot enough to believe it! | 0:52:58 | 0:53:03 | |
You need some training in police techniques! | 0:53:03 | 0:53:06 | |
-That is not what we are talking about, Senor Morgan! -Oh, yeah? | 0:53:06 | 0:53:11 | |
Or am I getting some heat cos I... got friendly with your broad? | 0:53:11 | 0:53:16 | |
I think that will be all, Senor Sabine. | 0:53:16 | 0:53:20 | |
Bingo! | 0:53:22 | 0:53:24 | |
And now, there is another matter. | 0:53:28 | 0:53:31 | |
Oh, that, yeah. I thought it had slipped your mind. | 0:53:31 | 0:53:34 | |
It is a pity not to see so much fine currency in circulation! | 0:53:34 | 0:53:38 | |
Especially where it can be useful to a cause. | 0:53:38 | 0:53:43 | |
And there are ways of distributing it so we can all profit. | 0:53:43 | 0:53:47 | |
This country is autonomous, | 0:53:47 | 0:53:50 | |
and one can be perfectly safe within its confines. | 0:53:50 | 0:53:54 | |
As long as one pleases you. | 0:53:54 | 0:53:57 | |
Exactly. | 0:53:57 | 0:53:59 | |
And there are 40 million ways of pleasing me. | 0:53:59 | 0:54:02 | |
I would not take too long to think it over, Morgan. | 0:54:03 | 0:54:07 | |
Nor would I try leaving the country, if I were you. | 0:54:09 | 0:54:13 | |
Hell, I like it here - everyone's so damn friendly! | 0:54:13 | 0:54:17 | |
Obviously, I was tailed. | 0:54:22 | 0:54:25 | |
And it had to be a real pro. | 0:54:26 | 0:54:29 | |
Folowed me to Rose's, | 0:54:30 | 0:54:32 | |
saw me go in, saw me leave, | 0:54:32 | 0:54:35 | |
then killed her. | 0:54:35 | 0:54:37 | |
Call Angelo, tell him to bring up some champagne or something. | 0:54:37 | 0:54:42 | |
Bill Captain. | 0:54:44 | 0:54:46 | |
If someone wanted to kill you, they had the perfect chance when you were at Rose's. | 0:54:46 | 0:54:51 | |
No point exposing himself when there's an easier way, like hanging this killing on me. | 0:54:51 | 0:54:56 | |
Angelo, bring up a magnum, please. Right away. | 0:54:56 | 0:55:00 | |
Well, looks like they're closing in on us, anyway. | 0:55:02 | 0:55:05 | |
If Art got that message, we might still keep this machine in motion. | 0:55:05 | 0:55:10 | |
If this damn storm doesn't louse us up. | 0:55:10 | 0:55:13 | |
Any news about it? Have you heard? | 0:55:13 | 0:55:16 | |
Let me check. | 0:55:16 | 0:55:18 | |
TICKING | 0:55:23 | 0:55:25 | |
What was that? | 0:55:40 | 0:55:43 | |
That was age, experience, a good heat, and a lousy booby trap. | 0:55:45 | 0:55:50 | |
You think someone has a grudge against me? | 0:55:50 | 0:55:55 | |
KNOCKING | 0:56:02 | 0:56:04 | |
-Don't answer that! -KNOCKING | 0:56:04 | 0:56:08 | |
Come in! | 0:56:08 | 0:56:11 | |
Senor, what happened? | 0:56:20 | 0:56:22 | |
Woodpeckers! | 0:56:22 | 0:56:24 | |
Rosa Lee was killed, Angelo. | 0:56:31 | 0:56:34 | |
Yes, I know. Ad you were accused. | 0:56:34 | 0:56:37 | |
What about the radiotransmitter? | 0:56:37 | 0:56:39 | |
Moved to a safer place, right here, under their very noses. | 0:56:39 | 0:56:44 | |
It is a self-contained unit. | 0:56:44 | 0:56:47 | |
-Senor Keefer awaits your call. -Angelo, you amaze me. | 0:56:47 | 0:56:51 | |
Many of us would amaze you, senor. | 0:56:51 | 0:56:53 | |
Whiskey One, Whiskey One, this is Whiskey Two. Do you read me? Over. | 0:56:55 | 0:56:59 | |
-'Whiskey Two, I read you.' -You get my merchandise? | 0:56:59 | 0:57:02 | |
'I blew a sonar block on the plane, so the stuff went out on the only boat available. You're damn lucky. | 0:57:02 | 0:57:08 | |
'Nothing is moving with this hurricane coming in. | 0:57:08 | 0:57:11 | |
'The guy with the stuff is doing a personal favour. Angelo should have it any time now.' | 0:57:11 | 0:57:16 | |
-How do we cut out? -'The boat will wait till the last minute. | 0:57:16 | 0:57:21 | |
'Then you're on your own. Can you handle a straight bust-out?' | 0:57:21 | 0:57:24 | |
Hell, man, who's got a choice? | 0:57:24 | 0:57:27 | |
-'Roger, out.' -Thanks(!) | 0:57:27 | 0:57:31 | |
Er, senor, watch out for the...woodpeckers. | 0:57:40 | 0:57:44 | |
-Oh, er, gimme your passport, hon. -It's in the bedroom. I'll get it. | 0:57:44 | 0:57:49 | |
Take care of this. | 0:57:53 | 0:57:56 | |
-Where to now? -Favour to a friend. | 0:57:56 | 0:57:59 | |
-I'll help get Lisa Gordot out of this place. -If you think | 0:57:59 | 0:58:03 | |
-I'll give my passport to that... -Oh, knock it off, Kim! I want to throw Sabine off balance. | 0:58:03 | 0:58:08 | |
I want him as far from that castle as I can get him. It's a diversionary tactic. | 0:58:08 | 0:58:13 | |
And call Angelo back - tell him to bring his camera and champagne to Lisa's room right away. | 0:58:13 | 0:58:18 | |
Another diversionary tactic, no doubt. | 0:58:18 | 0:58:21 | |
You said "diversion"! | 0:58:21 | 0:58:24 | |
KNOCK | 0:58:24 | 0:58:26 | |
Answer it, it's probably Angelo. I ordered champagne. | 0:58:26 | 0:58:29 | |
Senorita. | 0:58:38 | 0:58:41 | |
That's OK, Angelo, do you have the camera? | 0:58:44 | 0:58:48 | |
We need a passport photo of Miss Gordot - I need an altered passport by tomorrow morning. Can do? | 0:58:48 | 0:58:54 | |
Can do. | 0:58:55 | 0:58:58 | |
Senorita, if you will stand there, please. | 0:59:07 | 0:59:09 | |
Very nice! | 0:59:16 | 0:59:18 | |
Una mas. | 0:59:20 | 0:59:21 | |
Bueno. | 0:59:22 | 0:59:24 | |
And now, Senor, if you will excuse me... Senorita. | 0:59:24 | 0:59:27 | |
Thank you, Angelo. | 0:59:27 | 0:59:29 | |
Getting out of here won't be that hard. | 0:59:45 | 0:59:48 | |
OK? | 0:59:48 | 0:59:50 | |
OK. | 0:59:50 | 0:59:51 | |
Set it up right over here. That looks like a good place. | 1:00:01 | 1:00:04 | |
-Did somebody get hurt? -No, we're setting up an emergency aid station. | 1:00:04 | 1:00:08 | |
With this storm, we're going to need it. | 1:00:08 | 1:00:11 | |
TOILET FLUSHES | 1:00:45 | 1:00:48 | |
Is it near town, this Rose Castle? | 1:00:53 | 1:00:56 | |
No, Senor, on the other side of the mountain, overlooking the sea. | 1:00:56 | 1:01:01 | |
Our friends are very punctual. | 1:01:48 | 1:01:50 | |
I trust everything is up to expectations. | 1:01:50 | 1:01:54 | |
De lo mejor, Capitan Romero. | 1:01:54 | 1:01:56 | |
How much can you supply and at what price? | 1:02:19 | 1:02:22 | |
One pound and a half. | 1:02:22 | 1:02:24 | |
20,000, US currency. | 1:02:24 | 1:02:26 | |
-Your supply - it is at a safe place, Senor? -Well, not against hurricanes. | 1:02:26 | 1:02:32 | |
-Then it is better we take delivery quickly, Capitan Romero. -Mmm. | 1:02:32 | 1:02:36 | |
Perhaps you have brought some with you? | 1:02:36 | 1:02:39 | |
I'm not that stupid, Captain. I have to get back to town and pick it up. | 1:02:39 | 1:02:43 | |
Certainly. | 1:02:43 | 1:02:45 | |
Senor's car is at your command. | 1:02:45 | 1:02:47 | |
I will instruct the guards to admit you. | 1:02:47 | 1:02:51 | |
Now, when can we expect delivery? | 1:02:51 | 1:02:54 | |
Well, I'd say some time before dawn. | 1:02:56 | 1:02:59 | |
Oh... | 1:03:00 | 1:03:02 | |
-do you mind? -No, go right ahead. | 1:03:02 | 1:03:06 | |
So this is the famous Rose Cracker Box. I just don't believe it. | 1:03:33 | 1:03:38 | |
Cracker box, Senor? | 1:03:38 | 1:03:40 | |
Yeah, level with me, Captain. How many breakouts do you have a year? | 1:03:40 | 1:03:44 | |
Some have tried. | 1:03:44 | 1:03:46 | |
The lucky ones were shot by my guards. | 1:03:46 | 1:03:49 | |
The others... guests of the sharks. | 1:03:49 | 1:03:53 | |
Oh, come on! I could kick my way out of this old dump with a pair of... | 1:03:53 | 1:03:58 | |
-moccasins on. -Not even with atomic moccasins, Senor. | 1:03:58 | 1:04:02 | |
Are you kidding me? | 1:04:02 | 1:04:04 | |
If you would care to accompany me, I'm sure I can convince you | 1:04:04 | 1:04:08 | |
that Rose Castle in no way resembles a cracker box. | 1:04:08 | 1:04:12 | |
Convince me. | 1:04:12 | 1:04:13 | |
Dope peddlers. | 1:04:56 | 1:04:58 | |
It is against the law. | 1:04:58 | 1:05:00 | |
That's one way of getting rid of your competition. | 1:05:02 | 1:05:05 | |
Captain...what's this? | 1:05:28 | 1:05:31 | |
This is a cistern, an ancient water supply in case of siege. | 1:05:31 | 1:05:36 | |
In the old days, of course. | 1:05:37 | 1:05:40 | |
In here are the lesser criminals - thieves, pickpockets, burglars... | 1:05:53 | 1:05:58 | |
Among them are newspaper men whose newspaper ridiculed Senor Ortega... | 1:06:20 | 1:06:26 | |
a former secretary of defence - | 1:06:26 | 1:06:28 | |
he publicly accused our leader of corruption. | 1:06:28 | 1:06:32 | |
Traitors. | 1:06:32 | 1:06:33 | |
Traitors, all of them. | 1:06:33 | 1:06:35 | |
Mata el de la camisa verde. | 1:06:38 | 1:06:40 | |
GUNSHOT > | 1:06:45 | 1:06:47 | |
In here...perhaps our most famous guest. | 1:06:52 | 1:06:56 | |
His name is Victor Sable. | 1:06:59 | 1:07:01 | |
You may recall your gullible countrymen considered him a defector. | 1:07:01 | 1:07:05 | |
Victor Sable. | 1:07:05 | 1:07:07 | |
-OK, I'm convinced. -No cracker box, Senor? | 1:07:07 | 1:07:11 | |
No cracker box. Lots of crumbs, no cracker box. | 1:07:12 | 1:07:16 | |
Senor Winters? ..Perdone, Senora. | 1:07:44 | 1:07:47 | |
I am sorry, Senor, but flight 51 at midnight is the last one out. | 1:07:47 | 1:07:51 | |
All passengers have already boarded. | 1:07:51 | 1:07:53 | |
It takes off in twenty minutes. | 1:07:53 | 1:07:56 | |
(Your boat cannot wait. One hour at the most.) | 1:07:56 | 1:07:59 | |
Not enough time. Tell them to clear out. Added problem. | 1:08:01 | 1:08:05 | |
-Can you give me a pound and a half of baking soda? -Si. | 1:08:05 | 1:08:08 | |
Wrap it. Put it in the back of a red Volkswagen in the parking lot. | 1:08:08 | 1:08:12 | |
-Si. -Then ask Mrs Winters to meet me in the casino bar, ready to travel. | 1:08:12 | 1:08:17 | |
-Si. -Uh...no luggage. | 1:08:17 | 1:08:19 | |
Bien. | 1:08:19 | 1:08:21 | |
Morgan, my friend! | 1:08:21 | 1:08:23 | |
Well, no more boats, no more planes. It looks like we're...stuck. | 1:08:23 | 1:08:29 | |
Hell, man, I'm never stuck. | 1:08:29 | 1:08:31 | |
The same, buddy. | 1:08:42 | 1:08:44 | |
Make that two. What's up? | 1:08:44 | 1:08:46 | |
Oh, I was just thinking I'm going to...cry a lot. | 1:08:46 | 1:08:50 | |
The boat's sailed. Barring a miracle, we've had it. | 1:08:50 | 1:08:54 | |
One miracle coming up - I hope. The department has a sleeper agent here. | 1:08:55 | 1:08:59 | |
Why the hell didn't you tell me? | 1:09:01 | 1:09:03 | |
I just found out myself. They're doing a snoop job on us. | 1:09:03 | 1:09:07 | |
If they want us to complete this mission, they better get us a plane. | 1:09:07 | 1:09:11 | |
What time do you need it? | 1:09:11 | 1:09:13 | |
About dawn if we're lucky. | 1:09:13 | 1:09:15 | |
Don't go away. | 1:09:15 | 1:09:18 | |
How I feel...they ain't got nothing in London I want. | 1:09:22 | 1:09:26 | |
(Watch it, pal. The word's out.) | 1:09:26 | 1:09:28 | |
-Why me? -Somebody sprung Lisa Gordot loose. | 1:09:30 | 1:09:34 | |
Anybody friendly with her is gonna get stretched. | 1:09:34 | 1:09:37 | |
OK. Thanks. | 1:09:37 | 1:09:39 | |
Guess I'll never get back in time to see that Los Angeles Rams game. | 1:09:52 | 1:09:57 | |
A pity. You're a betting woman, ma'am. | 1:09:57 | 1:10:00 | |
I wouldn't bet an angel could fly at dawn in this weather. | 1:10:00 | 1:10:04 | |
But they can make the attempt. | 1:10:04 | 1:10:06 | |
Got a stamp? (It's all set.) | 1:10:16 | 1:10:18 | |
Here's to it. | 1:10:20 | 1:10:22 | |
WHISTLING AND SHOUTING | 1:10:22 | 1:10:25 | |
Close up all exits. Search the area. | 1:10:25 | 1:10:28 | |
GUNSHOT | 1:10:37 | 1:10:39 | |
All clear. That was close. | 1:10:53 | 1:10:56 | |
Go straight across the field, get to the edge of the downwind runway, | 1:11:12 | 1:11:16 | |
wait for me there - and please stay out of sight. | 1:11:16 | 1:11:20 | |
Morgan, I... | 1:11:22 | 1:11:24 | |
If anything should happen... | 1:11:24 | 1:11:28 | |
I didn't ice that 40 million dollars. | 1:11:28 | 1:11:32 | |
Be careful. I really do care. | 1:11:34 | 1:11:37 | |
< Entra, por favor. | 1:12:04 | 1:12:06 | |
Ah! | 1:12:11 | 1:12:12 | |
It is good to see you, my sceptical friend. We were getting worried. | 1:12:12 | 1:12:17 | |
They evacuated the place where I kept the stuff. | 1:12:17 | 1:12:20 | |
Had a hell of a time getting in. | 1:12:20 | 1:12:22 | |
But you do have it. | 1:12:25 | 1:12:27 | |
Oh, the money. It's right here. | 1:12:27 | 1:12:31 | |
20,000 in US currency. | 1:12:32 | 1:12:35 | |
Oh, the stuff. | 1:12:44 | 1:12:46 | |
-In the bushes behind the Volkswagen. -Lieutenant, if you please. | 1:12:46 | 1:12:51 | |
With pleasure, sir. | 1:12:51 | 1:12:53 | |
Abra la puerta. | 1:12:53 | 1:12:55 | |
Perhaps you should wait here until the Lieutenant returns. | 1:13:02 | 1:13:05 | |
I'm curious. Why did you give me this? | 1:13:07 | 1:13:11 | |
Do you enjoy taking money off a dead man's body? | 1:13:11 | 1:13:14 | |
Drop it, Lieutenant. | 1:13:40 | 1:13:42 | |
Nothing but baking soda. | 1:13:42 | 1:13:44 | |
Turn around. | 1:13:44 | 1:13:46 | |
Turn around! | 1:13:46 | 1:13:48 | |
-Please, Senor... -Shut up. | 1:13:51 | 1:13:54 | |
Who's got the keys to Victor Sable's cell? | 1:14:00 | 1:14:04 | |
You play along with me | 1:14:14 | 1:14:16 | |
and I'll leave you with nothing more than a bump on the head. | 1:14:16 | 1:14:19 | |
You'll be a bloody hero. | 1:14:19 | 1:14:21 | |
Si, Senor. | 1:14:23 | 1:14:24 | |
PRISONERS LAUGH | 1:14:42 | 1:14:45 | |
You're on your own. The arsenal's wide open but keep it quiet. | 1:14:50 | 1:14:54 | |
Estan en libertad, el arsenal esta abierto - pero en silencio. Vamos. | 1:14:54 | 1:14:58 | |
Vamos. | 1:14:59 | 1:15:01 | |
-All right, out. -What's going on here? Who are you? | 1:15:21 | 1:15:25 | |
-Don't worry. This gentleman is taking you out of here. -Move. | 1:15:25 | 1:15:29 | |
Look out behind! | 1:15:36 | 1:15:39 | |
You'll do, old buddy. | 1:15:53 | 1:15:55 | |
It's daylight, senor. You must hurry. | 1:15:55 | 1:15:59 | |
Oh...I understand. | 1:16:01 | 1:16:04 | |
If you don't mind, perhaps... with the scar here? | 1:16:04 | 1:16:08 | |
The ladies, you know. | 1:16:08 | 1:16:10 | |
Don't weaken, pal. You're doing great. | 1:16:46 | 1:16:48 | |
I got it right down to the floor! | 1:21:00 | 1:21:02 | |
He's getting awful close! | 1:22:12 | 1:22:16 | |
That's a hell of an idea you have there, pal. | 1:22:26 | 1:22:30 | |
Morgan! | 1:24:30 | 1:24:32 | |
I've been waiting for you. | 1:24:32 | 1:24:34 | |
Get in the plane. | 1:24:35 | 1:24:37 | |
-Dekker. -Yeah. | 1:24:45 | 1:24:48 | |
-I thought I lost you back at the river. -Oh, Morgan, you've slipped. | 1:24:48 | 1:24:52 | |
You missed four cracks at me, buddy. | 1:24:52 | 1:24:54 | |
-You're playing for high stakes. -That's right. 40 million, Morgan, and it's all mine! | 1:24:56 | 1:25:01 | |
I used all the techniques you taught me. | 1:25:01 | 1:25:04 | |
I nearly laughed my head off when I found out you got rapped for the job. | 1:25:04 | 1:25:08 | |
-Why? -You didn't get your face blown off by a lousy mine. | 1:25:08 | 1:25:12 | |
You know what happened when a broad looked at my face? I saw one vomit. | 1:25:12 | 1:25:16 | |
I got me a new face and I made your stinking government pay me for it. | 1:25:16 | 1:25:21 | |
-Too bad you won't get a chance to spend that loot. -Oh, but I will. | 1:25:21 | 1:25:25 | |
I got it hidden where your namesake Captain Henry Morgan hid his pile | 1:25:25 | 1:25:30 | |
-and I'm the only one who knows how to get to it. -You're a crazy man. | 1:25:30 | 1:25:34 | |
-You're crazy. -Shut up...! | 1:25:34 | 1:25:36 | |
You'll want this, Miss Stacy - sorry, Mrs Morgan. He's mine now. | 1:26:23 | 1:26:27 | |
What's that? | 1:26:30 | 1:26:33 | |
It's a receipt for your body. | 1:26:33 | 1:26:35 | |
You're no longer my responsibility. | 1:26:35 | 1:26:37 | |
I'm going to tell them what Dekker said. They'll have to release you. | 1:26:37 | 1:26:42 | |
-You don't know your own people. -They've got to. | 1:26:42 | 1:26:45 | |
Uh-uh. They won't believe you. | 1:26:45 | 1:26:48 | |
To them, you're just a housewife trying to protect her husband. | 1:26:48 | 1:26:51 | |
If Sal Dekker had only told us | 1:26:51 | 1:26:54 | |
-where he planted that money. -Morgan, he did! | 1:26:54 | 1:26:57 | |
They didn't find that Morgan's money either. | 1:26:57 | 1:27:00 | |
-It could have been great. -What? | 1:27:02 | 1:27:05 | |
If I could have turned in that 40 million. | 1:27:05 | 1:27:08 | |
What would you have done about it? | 1:27:08 | 1:27:12 | |
I wouldn't have to do anything. We're already married. | 1:27:12 | 1:27:15 | |
You mean I wouldn't have to rape you? | 1:27:15 | 1:27:17 | |
I love you, Morgan. | 1:27:17 | 1:27:20 | |
I love you. | 1:27:28 | 1:27:30 | |
-You know, it might take a while. You'd have to wait. -I can wait. | 1:27:32 | 1:27:36 | |
Yeah. | 1:27:37 | 1:27:39 | |
I think it would be great. | 1:27:39 | 1:27:41 | |
The best. | 1:27:41 | 1:27:44 | |
Hey... | 1:28:11 | 1:28:12 | |
This thing's starting to bug me. Can I go take care of it? | 1:28:14 | 1:28:18 | |
-He can help me. -All right. | 1:28:18 | 1:28:21 | |
Subtitles by Red Bee Media Ltd 2006 | 1:30:18 | 1:30:22 | |
Email: [email protected] | 1:30:22 | 1:30:28 |