Browse content similar to A Study in Terror. Check below for episodes and series from the same categories and more!
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FOOTSTEPS ECHO | 0:00:23 | 0:00:25 | |
COCKNEY: 'Ello. Like a bit of fun? | 0:00:48 | 0:00:51 | |
SCREAM | 0:00:51 | 0:00:53 | |
RUNNING FOOTSTEPS | 0:00:56 | 0:00:59 | |
Police! Police! 'Elp! MURDER!! | 0:01:01 | 0:01:05 | |
WOMAN SINGS IN DISTANCE | 0:03:05 | 0:03:08 | |
# I'm not too young I'm not too old | 0:03:18 | 0:03:23 | |
# Not too timid, not too bold | 0:03:23 | 0:03:26 | |
# Just the kind you'd like to hold Just the kind for sport, I'm told | 0:03:26 | 0:03:32 | |
CROWD JOINS IN: # Ta...ra...ra...boom-de-ay! | 0:03:32 | 0:03:38 | |
# Ta-ra-ra-boom-de-ay | 0:03:38 | 0:03:40 | |
# Ta-ra-ra-boom-de-ay Ta-ra-ra-boom-de-ay | 0:03:40 | 0:03:44 | |
# Ta...ra...ra...boom-de-ay | 0:03:44 | 0:03:48 | |
# Ta-ra-ra-boom-de-ay | 0:03:48 | 0:03:50 | |
# Ta-ra-ra-boom-de-ay Ta-ra-ra-boom-de-ay | 0:03:50 | 0:03:54 | |
# I...won't be bullied Won't be bossed | 0:03:55 | 0:04:01 | |
# I always win, I've never lost | 0:04:01 | 0:04:04 | |
# So just keep your fingers crossed | 0:04:04 | 0:04:07 | |
# And hope you can afford the cost | 0:04:07 | 0:04:10 | |
# I'm game for almost anything | 0:04:10 | 0:04:14 | |
# That ends up with a diamond ring | 0:04:14 | 0:04:17 | |
# I love to have my little fling And when I do... | 0:04:17 | 0:04:23 | |
# I always...sing... | 0:04:23 | 0:04:27 | |
ALL JOIN IN: # Ta...ra...ra... | 0:04:27 | 0:04:32 | |
# ..boom-de-ay Ta-ra-ra-boom-de-ay | 0:04:32 | 0:04:36 | |
# Ta-ra-ra-boom-de-ay | 0:04:36 | 0:04:37 | |
# Ta-ra-ra-boom-de-ay! | 0:04:37 | 0:04:40 | |
# Ta...ra...ra...boom-de-ay Ta-ra-ra-boom-de-ay | 0:04:40 | 0:04:45 | |
# Ta-ra-ra-boom-de-ay Ta-ra-ra-boom-de-ay | 0:04:45 | 0:04:49 | |
# Ta...ra...ra...boom-de-ay | 0:04:49 | 0:04:53 | |
# Ta-ra-ra-boom-de-ay | 0:04:53 | 0:04:55 | |
# Ta-ra-ra-boom-de-ay Ta-ra-ra-boom-de-ay | 0:04:55 | 0:04:58 | |
# Ta-ra-ra-boom-de-ay Ta-ra-ra-boom-de-ay | 0:04:58 | 0:05:02 | |
# Ta-ra-ra-boom-de-ay | 0:05:02 | 0:05:04 | |
# Ta-ra-ra-boom-de-ay. # APPLAUSE | 0:05:04 | 0:05:09 | |
< Join me on the stage! | 0:05:09 | 0:05:12 | |
The old wine tastes the sweetest! | 0:05:18 | 0:05:21 | |
LOUD MERRIMENT | 0:05:21 | 0:05:24 | |
One and two, guv. | 0:05:51 | 0:05:53 | |
UPPER-CLASS ACCENT: What? ..Oh, yes, of course. It's Rupert's round. | 0:05:53 | 0:05:59 | |
Rupert, old boy - it's one and two. | 0:05:59 | 0:06:02 | |
This damn whore's lifted my purse. | 0:06:06 | 0:06:09 | |
What you talkin' about? Up and over with her! | 0:06:09 | 0:06:14 | |
No! No! No! Let me go! | 0:06:14 | 0:06:17 | |
Put me down! | 0:06:20 | 0:06:22 | |
Put her down. She's not a bloody money box! | 0:06:22 | 0:06:26 | |
Put me down! Let me down! | 0:06:30 | 0:06:33 | |
Give me a shilling anyway... Oh! | 0:06:36 | 0:06:40 | |
Give it to me! Give it to me! Shut up! | 0:06:40 | 0:06:44 | |
Let me go! | 0:06:44 | 0:06:46 | |
Let me go! Put me down! | 0:06:46 | 0:06:49 | |
Let me go! Oh! | 0:06:49 | 0:06:52 | |
Let me down! | 0:06:52 | 0:06:55 | |
No-one steals in my pub... except me. | 0:06:55 | 0:06:58 | |
You! | 0:06:58 | 0:07:00 | |
I could tell the coppers about you and your pub - about what's going on upstairs! | 0:07:00 | 0:07:07 | |
What did you say? | 0:07:10 | 0:07:12 | |
Nothing, Mr Steiner. I didn't say nothing. Honest, Mr Steiner! | 0:07:14 | 0:07:19 | |
You keep that big mouth of yours shut, else I'll maybe have you carved! | 0:07:19 | 0:07:25 | |
'Ave me carved? Like you did poor Emma Smith? You didn't think I knew. | 0:07:27 | 0:07:32 | |
Wouldn't the coppers... Oh! | 0:07:32 | 0:07:34 | |
You don't scare me, Steiner! I'll have you. I'll have you! | 0:07:35 | 0:07:41 | |
Dick! Hey, Dick. Take over. I'm going out. | 0:07:52 | 0:07:56 | |
SHE HUMS "TA-RA-RA-BOOM-DE-AY" | 0:08:04 | 0:08:08 | |
SHE SCREAMS | 0:08:44 | 0:08:47 | |
Disgusting! | 0:08:59 | 0:09:02 | |
HE TUTS | 0:09:05 | 0:09:07 | |
-Mrs Hudson, where have you put my confounded tobacco? -(..Revolting!) | 0:09:10 | 0:09:15 | |
-Try your violin case, Mr Holmes. > -Thank you, Mrs Hudson. | 0:09:15 | 0:09:20 | |
My God! | 0:09:20 | 0:09:21 | |
-A member of the medical profession caught red-handed, Dr Watson? -What? | 0:09:21 | 0:09:26 | |
Your indignation implies familiarity. | 0:09:26 | 0:09:29 | |
My dear Holmes, you cannot think me familiar with a maniac who stabs a woman in the street in Whitechapel! | 0:09:29 | 0:09:37 | |
-What was the name of the prostitute? -Polly Nichols. ..How did you know she was a prostitute? | 0:09:37 | 0:09:45 | |
-Where is my damn pipe? -You haven't seen a newspaper! | 0:09:45 | 0:09:49 | |
The stop press of the third edition of the Times is printed at 3.30am. | 0:09:49 | 0:09:54 | |
The news must have come in at about 3am. | 0:09:54 | 0:09:58 | |
In the street, her body cannot have remained undiscovered for long, | 0:09:58 | 0:10:03 | |
so I deduce that it happened about 1am. | 0:10:03 | 0:10:07 | |
It doesn't explain how you knew she was a prostitute. | 0:10:07 | 0:10:11 | |
No respectable woman would be out alone in Whitechapel at that hour, so she was not respectable. | 0:10:11 | 0:10:18 | |
You make it seem so simple. | 0:10:19 | 0:10:22 | |
Holmes. | 0:10:22 | 0:10:24 | |
-There was an identical murder of a woman in Whitechapel three days ago. -A second murder! | 0:10:24 | 0:10:31 | |
-That IS interesting. -Why? -Because it IS the second murder. | 0:10:31 | 0:10:35 | |
-Now, would you mind standing up? -Why? | 0:10:35 | 0:10:39 | |
Once the impossible is eliminated, whatever remains, however improbable, must be the solution. | 0:10:39 | 0:10:46 | |
-And? -Therefore, you are sitting on my pipe. -Mm? | 0:10:46 | 0:10:50 | |
-Incredible! -Elementary, my dear Watson. And now...Whitechapel! | 0:10:58 | 0:11:04 | |
-(Old cow!) -Who's that? | 0:11:22 | 0:11:25 | |
-It's me - Annie Chapman! -What do you want? | 0:11:26 | 0:11:30 | |
What do you think I want? I live here, don't I? | 0:11:30 | 0:11:34 | |
Not unless you pays your rent! | 0:11:34 | 0:11:37 | |
-I'll give it you in the morning! -Give it me now or you don't come in! | 0:11:37 | 0:11:42 | |
I ain't got it on me. But I'll get it in the morning, in me new bonnet. | 0:11:42 | 0:11:47 | |
You always find money for bonnets | 0:11:47 | 0:11:50 | |
but paying your rent's a different matter, innit? | 0:11:50 | 0:11:55 | |
I'll give it you in the morning! (Old cow!) | 0:11:55 | 0:11:59 | |
Let me in! | 0:12:01 | 0:12:03 | |
You old cow! You nearly ruined me new bonnet! | 0:12:05 | 0:12:09 | |
-Serves you right! Shove off out of it! -Yeah, and you know what YOU can shove! | 0:12:09 | 0:12:15 | |
DOG BARKS | 0:12:30 | 0:12:33 | |
Hello, darling. Feeling naughty? | 0:12:56 | 0:13:00 | |
Move along. Go on there, now. Go on. | 0:13:00 | 0:13:03 | |
-Wotcher, Cathy. Any luck? -No. I dunno what's the matter with the men. | 0:13:08 | 0:13:14 | |
Lend us the price of a bed for the night? I've been slung out me room. | 0:13:14 | 0:13:19 | |
Haven't even earned me old man's beer money yet. He's sitting with his tongue hanging out! | 0:13:19 | 0:13:26 | |
-Old cow. -Don't you call me an old cow. | 0:13:26 | 0:13:30 | |
-Hello, Chunky! -Hello, Annie. You're out late. | 0:13:54 | 0:13:58 | |
-I've been thrown out me place. -Why? -I knocked her for the rent. -You'll find somewhere. | 0:13:58 | 0:14:05 | |
I need some money first. 'Ere, you don't fancy four penn'orth, do you? | 0:14:05 | 0:14:10 | |
Sorry. Don't fancy it tonight. | 0:14:10 | 0:14:13 | |
What about you? Fancy cuddling something live for a change? | 0:14:15 | 0:14:20 | |
-Chunky... -Yes, Annie? -You can have it for nothing. I'm feeling real lonely tonight. | 0:14:24 | 0:14:31 | |
No, thanks, love. I'm too busy, honest. | 0:14:31 | 0:14:35 | |
Oh. | 0:14:35 | 0:14:36 | |
Oh, well. | 0:14:36 | 0:14:39 | |
Mind you don't let that knife slip! | 0:14:46 | 0:14:50 | |
SHE SCREAMS LOUDLY | 0:15:20 | 0:15:23 | |
SCREAM IS CUT SHORT | 0:15:26 | 0:15:29 | |
DOG BARKS | 0:15:30 | 0:15:33 | |
HORSE'S HOOVES | 0:15:44 | 0:15:47 | |
Inspector Lestrade! I've found something! | 0:15:50 | 0:15:54 | |
No. Annie Chapman's purse was found with her body. | 0:16:04 | 0:16:08 | |
LIQUID BUBBLES GENTLY | 0:16:13 | 0:16:16 | |
"Police baffled. Jack the Ripper vanished into thin air." | 0:16:19 | 0:16:23 | |
The desperate authorities will come running to Baker Street. | 0:16:23 | 0:16:28 | |
-BELL RINGS They're here! -But not running. | 0:16:28 | 0:16:31 | |
The person who rang does not desire entry. He is deliberately slow. | 0:16:31 | 0:16:36 | |
-"He"? It might be a woman. -The British postman is not a woman. | 0:16:36 | 0:16:41 | |
A parcel for you, Mr Holmes. Incredible, Holmes! | 0:16:41 | 0:16:45 | |
Thank you, Mrs Hudson. | 0:16:45 | 0:16:48 | |
Postmarked "Whitechapel". | 0:16:50 | 0:16:53 | |
Ah. Surgical instruments. | 0:17:00 | 0:17:03 | |
-Who sent those? -What is missing? -The large scalpel. | 0:17:03 | 0:17:07 | |
The postmortem knife. There's no greater satisfaction than to have a theory confirmed. | 0:17:07 | 0:17:14 | |
-Do they tell you anything? -First, the obvious. | 0:17:14 | 0:17:18 | |
-A medical man has fallen on hard times. -Is that obvious? | 0:17:18 | 0:17:23 | |
-Instruments of one's trade are pawned last. -How do you know they were pawned? -This fleck of white. | 0:17:23 | 0:17:31 | |
Silver polish. No surgeon would clean his instruments with it. | 0:17:31 | 0:17:36 | |
Someone else was concerned only with appearance. This is substantiated by these chalk marks. | 0:17:36 | 0:17:43 | |
-This is the ticket number. -They were stolen, then pawned. | 0:17:43 | 0:17:48 | |
The pawnbroker would not have put them in a window. It faces south in a narrow street. Business is bad. | 0:17:48 | 0:17:55 | |
-The pawnbroker is a foreigner. -I cannot see... -On the contrary! You see everything but observe nothing. | 0:17:55 | 0:18:03 | |
This faded when the sun was at its height, able to shine over the roofs opposite. | 0:18:03 | 0:18:09 | |
A narrow street, facing south. | 0:18:09 | 0:18:12 | |
-Business is bad. The case lay undisturbed. -How can you tell the pawnbroker was foreign? | 0:18:12 | 0:18:18 | |
The 7 is crossed, Continental-style. | 0:18:18 | 0:18:21 | |
The address is scrawled with difficulty - the writing of a woman who seldom puts pen to paper. | 0:18:21 | 0:18:28 | |
-A woman? -Undoubtedly a female hand. | 0:18:28 | 0:18:31 | |
Ah, but I am slow! This has more secrets! Where are my tweezers? | 0:18:31 | 0:18:37 | |
The velvet on the lid has been added recently. | 0:18:37 | 0:18:41 | |
-The coat of arms of an elder son of a duke. Bring Burke's Peerage. -Yes. | 0:18:45 | 0:18:50 | |
-Wait here, cabbie. -Right, sir. | 0:19:20 | 0:19:23 | |
This way, gentlemen. | 0:19:40 | 0:19:42 | |
-His grace will be with you in a moment. -Thank you. | 0:19:50 | 0:19:54 | |
To what do I owe the dubious pleasure of this visit? | 0:20:13 | 0:20:17 | |
No doubt you will recognise this coat of arms, your grace. | 0:20:17 | 0:20:23 | |
-Where did you get this? -I believe it to have come from a Whitechapel pawnshop. -Pawnshop. | 0:20:25 | 0:20:32 | |
No more than I predicted for him. | 0:20:32 | 0:20:35 | |
-For whom, sir? -My elder son Michael. | 0:20:35 | 0:20:38 | |
Do you know his present address? | 0:20:38 | 0:20:40 | |
-He is dead. Oh. -Of what accident? | 0:20:40 | 0:20:43 | |
Disobedience. From the day he left, against my wishes, he has been dead. | 0:20:43 | 0:20:49 | |
-You mean disowned. -Was he a doctor, your grace? | 0:20:49 | 0:20:52 | |
No, but that was his ridiculous ambition. | 0:20:52 | 0:20:56 | |
The medical profession is honourable. | 0:20:56 | 0:20:59 | |
To a certain class - not to one of the Osborne family, a man who would have become the 10th Duke of Shires. | 0:20:59 | 0:21:08 | |
- Any trade must be dishonourable. - A TRADE, sir?! - The servants will show you out. | 0:21:08 | 0:21:15 | |
Pompous ass! | 0:21:21 | 0:21:24 | |
Trade, indeed! | 0:21:42 | 0:21:44 | |
-Did not Burke's Peerage say there were two sons? -Yes. -Give me that. | 0:22:04 | 0:22:08 | |
How clumsy of me! | 0:22:09 | 0:22:12 | |
Allow me. | 0:22:12 | 0:22:14 | |
This belongs to Michael! Where is he? | 0:22:23 | 0:22:26 | |
I'm afraid I don't know, Lord... | 0:22:26 | 0:22:28 | |
-Lord Carfax. -Sherlock Holmes. My colleague, Dr Watson. | 0:22:28 | 0:22:33 | |
Why have you got my brother's instruments? | 0:22:33 | 0:22:36 | |
They came into my possession in a singular fashion. Your father... | 0:22:36 | 0:22:41 | |
-My father is still very bitter. -When did you last see your brother? | 0:22:41 | 0:22:47 | |
Two years ago. He went to study in Paris. These were my gift to him. He wrote a couple of times, then... | 0:22:47 | 0:22:55 | |
-You tried to trace him? -I went to Paris but he'd left and returned to England. -And you've heard nothing? | 0:22:55 | 0:23:03 | |
No. ..No. | 0:23:03 | 0:23:06 | |
-Or seen him? -Of course not. | 0:23:06 | 0:23:09 | |
Thank you. Good day, Lord Carfax. | 0:23:09 | 0:23:12 | |
-Come, Watson. -May I? | 0:23:12 | 0:23:15 | |
Good day. | 0:23:16 | 0:23:18 | |
-Whitechapel, cabbie. -Yes, sir. | 0:23:27 | 0:23:30 | |
-Why Whitechapel? -To find the pawnshop. | 0:23:33 | 0:23:36 | |
The instruments were sent after the murder of the third prostitute. | 0:23:36 | 0:23:41 | |
A woman wishes to interest me in the crimes. I find that provocative. | 0:23:41 | 0:23:46 | |
Oi! | 0:24:06 | 0:24:08 | |
CHILDREN SHOUT: Give us a penny, Mister! | 0:24:12 | 0:24:15 | |
-COINS CLINK -Here. | 0:24:17 | 0:24:20 | |
A narrow street facing south. | 0:24:22 | 0:24:25 | |
-Observe, Watson - a foreign name. -Uncanny. | 0:24:25 | 0:24:29 | |
BELL TINKLES | 0:24:32 | 0:24:34 | |
Gentlemen, can I help you? | 0:24:37 | 0:24:39 | |
I want information on an article you had in your possession. | 0:24:39 | 0:24:43 | |
-No, I don't think... -Come, Mr Beck. | 0:24:45 | 0:24:48 | |
Your face reacts faster than your brain. You remember. | 0:24:48 | 0:24:53 | |
I would like to know who pawned this. | 0:24:53 | 0:24:57 | |
-Who are you, to demand information? -Sherlock Holmes. | 0:24:57 | 0:25:01 | |
Who pledged this case? The pawn ticket number was 872. | 0:25:01 | 0:25:06 | |
Well... | 0:25:07 | 0:25:09 | |
The name given to me was...Osborne. | 0:25:10 | 0:25:14 | |
Osborne? That's the name that... | 0:25:14 | 0:25:17 | |
Angela Osborne. | 0:25:17 | 0:25:20 | |
-Did the lady leave an address? -"Lady"! Two years ago. Yes. | 0:25:20 | 0:25:25 | |
The Montague Street Hostel. It's a soup kitchen run by Dr Murray. | 0:25:25 | 0:25:30 | |
When did you sell this case? | 0:25:30 | 0:25:33 | |
A few days ago. Yes, yes. It was last Saturday. Ah - the night of the... | 0:25:33 | 0:25:40 | |
-Of what, sir? -To whom did you sell it? | 0:25:40 | 0:25:44 | |
A man. I never saw him before. | 0:25:44 | 0:25:47 | |
-Was the missing instrument here when you sold it? -I think so. -You are sure? | 0:25:47 | 0:25:53 | |
Of course! | 0:25:53 | 0:25:56 | |
I have reason to assume a connection between this and your local murders. | 0:25:56 | 0:26:01 | |
Murders? You don't think I have...? That's slander. Talk like that can get you sued. | 0:26:01 | 0:26:07 | |
No, sir. It can get YOU hanged! | 0:26:07 | 0:26:10 | |
Accessory before the fact. Supplying a weapon for murder. | 0:26:10 | 0:26:15 | |
-A very good day to you, sir. -BELL TINKLES | 0:26:15 | 0:26:19 | |
-Holmes! Where are you rushing to? -To examine the body of Annie Chapman. | 0:26:22 | 0:26:27 | |
-The dead girl? Why? -To confirm that the instrument used was a surgeon's scalpel. | 0:26:27 | 0:26:33 | |
Give us a penny! | 0:26:33 | 0:26:35 | |
-Lestrade! -Mr Holmes - what are you doing here? | 0:26:46 | 0:26:49 | |
-The Inspector will help us through officialdom. -Hmm. What do you want? | 0:26:49 | 0:26:55 | |
-To look at Miss Chapman's body. -Out of the question. | 0:26:55 | 0:26:59 | |
I will not argue. I hoped to help prevent the fourth murder. Watson. | 0:26:59 | 0:27:05 | |
-Just a moment. What makes you think he'll do it again? -I think he will, Lestrade. I think he will. | 0:27:05 | 0:27:12 | |
Oh. All right. | 0:27:13 | 0:27:16 | |
May I? | 0:27:30 | 0:27:32 | |
My God! Could a human being have done this? | 0:27:34 | 0:27:38 | |
-You see, Watson. -Hmm. | 0:27:38 | 0:27:41 | |
We are right in assuming that two weapons were used? | 0:27:41 | 0:27:46 | |
That's correct, Mr Holmes. A long, bayonet-type knife and a sharper, more meticulous instrument. | 0:27:46 | 0:27:53 | |
A razor, or perhaps a surgeon's scalpel? | 0:27:53 | 0:27:56 | |
A scalpel would be more probable. | 0:27:56 | 0:27:58 | |
I agree. You know my name, although I do not believe we have met. | 0:27:58 | 0:28:04 | |
I heard your lecture to the Royal Society on forensic medicine. Brilliant. My name is Murray. | 0:28:04 | 0:28:11 | |
Dr Murray. You run a soup kitchen nearby. | 0:28:11 | 0:28:15 | |
A hostel for the destitute. There's plenty of them in Whitechapel. | 0:28:15 | 0:28:20 | |
I also overwork as a police surgeon. | 0:28:20 | 0:28:23 | |
-Did you say a bayonet? -I think so. | 0:28:23 | 0:28:26 | |
Without a doubt. ..I was a military surgeon in Afghanistan. | 0:28:26 | 0:28:31 | |
Oh, aye. | 0:28:31 | 0:28:34 | |
-The idea of a bayonet appeals to you. -It narrows things down. Soldiers have bayonets, don't they? | 0:28:34 | 0:28:41 | |
Plenty of soldiers come down to Whitechapel for fun with the girls. | 0:28:41 | 0:28:46 | |
I would hardly refer to this as fun. | 0:28:46 | 0:28:48 | |
Before you arrest the entire garrison of the Tower of London, | 0:28:48 | 0:28:52 | |
remember a scalpel was also used. | 0:28:52 | 0:28:55 | |
You can't arrest all the doctors. | 0:28:55 | 0:28:58 | |
-Discount the military theory. -Why? | 0:28:58 | 0:29:01 | |
The killer would be covered in blood. | 0:29:01 | 0:29:05 | |
A soldier would be detected at once. | 0:29:05 | 0:29:09 | |
No - look for someone living alone close to the scene of the murders, | 0:29:09 | 0:29:14 | |
who can either return home quickly, | 0:29:14 | 0:29:16 | |
or hide his outer clothes safely. | 0:29:16 | 0:29:19 | |
-Prepare yourself for more murders. -You keep saying that! | 0:29:19 | 0:29:24 | |
There is no motive for the murders so there is no reason to stop. | 0:29:24 | 0:29:29 | |
That is only conjecture. | 0:29:29 | 0:29:32 | |
-All circumstantial evidence is conjecture. It is often right. -Mr Holmes is usually right. | 0:29:32 | 0:29:39 | |
221b Baker Street, please, cabbie. | 0:29:40 | 0:29:43 | |
-Someone should have sent for us. -Someone has - the woman who sent the case. | 0:29:52 | 0:29:58 | |
-Why isn't she in the open? -She uses a woman's art - intrigues us to Whitechapel. | 0:29:58 | 0:30:05 | |
-There is a small service I would like you to do for me. -Yes? | 0:30:05 | 0:30:10 | |
Visit Murray's hostel to see Angela Osborne. They will say she is not there. Say she is. Create a scene. | 0:30:10 | 0:30:17 | |
Create a scene? What do I do then? | 0:30:17 | 0:30:20 | |
Then, Watson, you leave, of course. | 0:30:20 | 0:30:23 | |
# Guide me, O thou great Redeemer | 0:30:26 | 0:30:32 | |
# Pilgrim through this barren land | 0:30:32 | 0:30:38 | |
# I am weak but thou art mighty | 0:30:38 | 0:30:43 | |
# Hold me with thy powerful hand | 0:30:43 | 0:30:49 | |
# Bread of heaven | 0:30:49 | 0:30:52 | |
# Bread of heaven | 0:30:52 | 0:30:55 | |
# Feed me now and evermore | 0:30:55 | 0:30:59 | |
# Feed me now and evermore. # | 0:31:01 | 0:31:07 | |
You have to sing for your supper here. | 0:31:07 | 0:31:10 | |
# ..the verge of Jordan | 0:31:10 | 0:31:14 | |
# Bid my anxious fears subside... # | 0:31:14 | 0:31:18 | |
Be told, mate. If you don't sing, they don't give you no grub. | 0:31:18 | 0:31:23 | |
# ..and hell's destruction | 0:31:23 | 0:31:26 | |
# Lead me safe on Canaan's side... # Go on! | 0:31:26 | 0:31:30 | |
If you don't know the words, make a noise. | 0:31:30 | 0:31:34 | |
# ..Songs of praises | 0:31:34 | 0:31:38 | |
# I will ever give to thee Give to thee | 0:31:38 | 0:31:43 | |
# I will ever give to thee. Amen. # | 0:31:43 | 0:31:49 | |
You won't get no soup. I did not come to partake of the soup. | 0:31:49 | 0:31:55 | |
God has sent you down his manna! | 0:31:55 | 0:31:57 | |
We'll fit you in somewhere. | 0:31:59 | 0:32:02 | |
Will you please stop this unwarranted interest in my diet! | 0:32:02 | 0:32:07 | |
I do not want any soup! | 0:32:07 | 0:32:09 | |
Can I help you? | 0:32:14 | 0:32:17 | |
Yes, I'm sure you can. | 0:32:17 | 0:32:20 | |
..Sorry. My name is Watson. | 0:32:20 | 0:32:23 | |
Dr John Watson of Baker Street. | 0:32:23 | 0:32:25 | |
I am looking for a woman who is staying here. | 0:32:25 | 0:32:29 | |
Her name is Angela Osborne. | 0:32:29 | 0:32:31 | |
There's no-one of that name here. She IS here. I am certain of it. | 0:32:31 | 0:32:37 | |
You'd better speak to my uncle. Mary! | 0:32:37 | 0:32:41 | |
This way. | 0:32:41 | 0:32:42 | |
Hello, Watson! What are you doing here? | 0:32:49 | 0:32:53 | |
-Come to help us? Good! -Dr Watson is looking for someone called Angela Osborne. | 0:32:53 | 0:32:59 | |
-I said I've never heard of her. -What makes you think she is here? | 0:32:59 | 0:33:05 | |
-She gave this hostel as her address in a business transaction. -When? | 0:33:05 | 0:33:10 | |
-About two years ago. -Names mean nothing here, Watson! | 0:33:10 | 0:33:15 | |
Girls change their names as often as they change their clothes. I can't help. | 0:33:15 | 0:33:21 | |
-I'm certain she's here. -I'M certain she's not! | 0:33:21 | 0:33:25 | |
You saw the people outside. I'm their only doctor. | 0:33:25 | 0:33:29 | |
I haven't time to answer questions about lost women. | 0:33:29 | 0:33:33 | |
I know she is here. I demand to see her! | 0:33:33 | 0:33:37 | |
-"Demand" be damned! Will you leave my surgery?! -But... | 0:33:37 | 0:33:41 | |
Please, Dr Watson! Well! | 0:33:41 | 0:33:45 | |
Forgive my uncle. He works even at night. His work IS these people. | 0:33:47 | 0:33:52 | |
I insist on seeing Angela Osborne! I will not be put off! | 0:33:52 | 0:33:56 | |
Please! Something is very wrong! Saying you haven't heard of Angela Osborne! | 0:33:56 | 0:34:02 | |
You haven't seen the last of me! | 0:34:02 | 0:34:05 | |
I will not rest till I have found out what you have done to this girl! | 0:34:05 | 0:34:10 | |
CLATTER | 0:34:10 | 0:34:13 | |
(Dear, dear...) | 0:34:21 | 0:34:23 | |
-What are you doing? -I've come to converse, not for fisticuffs! | 0:35:30 | 0:35:35 | |
-Who the devil are you? -Sherlock Holmes. You may remember we met yesterday. | 0:35:35 | 0:35:42 | |
-Sherlock Holmes? -Wouldn't we be more comfortable in here? | 0:35:42 | 0:35:47 | |
What's all this about, Holmes? | 0:35:51 | 0:35:54 | |
-How did you get here? -I followed this young lady. -I saw no-one. | 0:35:54 | 0:35:58 | |
-That happens when I follow people. -Why did you follow Miss Young? | 0:35:58 | 0:36:04 | |
-She left when Angela Osborne was mentioned, as I expected. -YOU sent Dr Watson! | 0:36:04 | 0:36:11 | |
-You'd better tell me the whole story. -It's none of your damned business. -There's nothing to hide. | 0:36:11 | 0:36:19 | |
As I said, I went to Paris and found my brother had thrown up his studies and returned to England. | 0:36:19 | 0:36:26 | |
For weeks I tried to find him, but... | 0:36:26 | 0:36:31 | |
Then, one night, a man came to see me. He said that Michael had married a prostitute. | 0:36:31 | 0:36:37 | |
Blackmail. | 0:36:37 | 0:36:40 | |
-He threatened to tell the papers? -He was far cleverer than that. | 0:36:40 | 0:36:45 | |
He threatened to tell my father, who had just suffered a severe heart attack. | 0:36:45 | 0:36:51 | |
You've met my father. The family name is the meaning of his life. | 0:36:51 | 0:36:56 | |
-Surely he is a man of the world? -The OLD world. The shock would kill him. -So you paid? | 0:36:56 | 0:37:05 | |
-Are you still? -The blackmailer came back three times. | 0:37:05 | 0:37:09 | |
I refused to pay until he told me the whereabouts of my brother and his... | 0:37:09 | 0:37:14 | |
That woman he married. | 0:37:14 | 0:37:16 | |
He said if I visited the hostel, Michael would be waiting. | 0:37:16 | 0:37:21 | |
-Was he waiting? -No. But I met Dr Murray, and...I met Miss Young. | 0:37:21 | 0:37:28 | |
I told them my story. Michael had been helping Dr Murray. | 0:37:28 | 0:37:32 | |
He gave me the address of his lodgings but I found that he'd left. | 0:37:32 | 0:37:37 | |
-No-one has seen them since. -And your blackmailer? -He bought himself a tavern - the Angel and Crown. | 0:37:37 | 0:37:44 | |
-Did YOU know Michael Osborne? -He left the day before I came to the hostel. -It's a wretched story. | 0:37:44 | 0:37:51 | |
The good thing was that Edward - Lord Carfax - became interested in my uncle's work. | 0:37:51 | 0:37:58 | |
His money has kept the hostel going. | 0:37:58 | 0:38:00 | |
I saw Dr Murray's fight against the poverty and sin. It was the least I could do. | 0:38:00 | 0:38:07 | |
He bought this house, to be near. | 0:38:07 | 0:38:10 | |
I'd be grateful if you would mention none of this to my father. | 0:38:10 | 0:38:15 | |
There is one more thing. | 0:38:15 | 0:38:18 | |
-What branch of medicine was your brother studying? -His ambition was to be a surgeon. | 0:38:18 | 0:38:24 | |
PIANO AND SINGING | 0:38:32 | 0:38:35 | |
# ..Food is dear, rent is dear Love is cheap for the time of year | 0:38:39 | 0:38:44 | |
# So grab the nearest miss And whisper while you kiss | 0:38:44 | 0:38:48 | |
# In...these hard times You've got to put up with anything | 0:38:48 | 0:38:54 | |
# In these hard times You mustn't pick and choose | 0:38:54 | 0:38:58 | |
# If you'renice and squeeze her tight She'll ask you round tomorrow night | 0:38:58 | 0:39:02 | |
# If you don't mind sitting without a light In these hard times | 0:39:02 | 0:39:05 | |
# Farmer Brown came to town To the cattle show | 0:39:05 | 0:39:09 | |
# Went to wet his whistle In the Hotel Cecil | 0:39:09 | 0:39:13 | |
# Lady fair saw him there All her neck and shoulders bare | 0:39:13 | 0:39:17 | |
# Said Farmer Brown, "Alack!" As he saw her dainty back | 0:39:17 | 0:39:22 | |
# In...these hard times | 0:39:22 | 0:39:25 | |
# You've got to put up with anything You mustn't pick and choose | 0:39:25 | 0:39:31 | |
# This dress you wear Leaves your neck and shoulders bare | 0:39:31 | 0:39:34 | |
# Lucky to be dressed up to there In these hard times | 0:39:34 | 0:39:38 | |
# Mrs Green, rather mean Went out last Saturday marketing | 0:39:38 | 0:39:42 | |
# And saw right in the gutter A codfish on a shutter | 0:39:42 | 0:39:46 | |
# Felt its gums, poked her thumbs All round the fish | 0:39:46 | 0:39:49 | |
# And said, "Oh, crumbs! It don't look nice at all!" | 0:39:49 | 0:39:52 | |
# Then the coster had to bawl: In...these hard times | 0:39:52 | 0:39:57 | |
# You've got to put up with anything | 0:39:57 | 0:40:00 | |
# In these hard times You mustn't pick and choose | 0:40:00 | 0:40:04 | |
# The codfish there's a sacrifice | 0:40:04 | 0:40:06 | |
# And, Ma'am, would YOU look nice | 0:40:06 | 0:40:09 | |
# If you had been torpedoed twice? | 0:40:09 | 0:40:11 | |
# In these...hard...times. # | 0:40:11 | 0:40:16 | |
< Come on, out you go. I've had enough of you. Out! | 0:40:21 | 0:40:26 | |
Holmes, you delight in embarrassing me! You invite me to dine then bring me to a low East End pub! | 0:40:27 | 0:40:34 | |
You'll bring light into their drab lives. | 0:40:34 | 0:40:38 | |
Welcome to the Angel and Crown. This way. | 0:40:38 | 0:40:41 | |
Sit down, please. We have always a warm welcome for guests. | 0:40:45 | 0:40:50 | |
-So I see(!) -What would you have? -Cognac. | 0:40:50 | 0:40:53 | |
< WHISTLE | 0:41:20 | 0:41:22 | |
Coo-ee! | 0:41:22 | 0:41:24 | |
You see the interest you're causing in the fair sex. | 0:41:24 | 0:41:29 | |
BLOWS RASPBERRY | 0:41:29 | 0:41:32 | |
Here you are, gents. | 0:41:34 | 0:41:36 | |
-Will you join us in a drink, Mr...? -Steiner. Max Steiner. Dick - a glass. | 0:41:36 | 0:41:41 | |
A bad night. Everyone's scared off the street after dark. | 0:41:41 | 0:41:46 | |
These ladies come in for safety? | 0:41:46 | 0:41:48 | |
Here is always a selection - if you're so inclined. | 0:41:48 | 0:41:53 | |
A selection. | 0:41:53 | 0:41:55 | |
A selection? We did not come here for this reason! | 0:41:55 | 0:42:00 | |
-Then I can do nothing. -You can give us some information. | 0:42:00 | 0:42:05 | |
-Information? What about? -About the disappearance of Michael Osborne. | 0:42:05 | 0:42:10 | |
What did you say your name was? | 0:42:10 | 0:42:13 | |
-My name would alarm you, Mr Steiner. -You're a copper. | 0:42:13 | 0:42:17 | |
Consulting detective. My friends at Scotland Yard would be interested in you. | 0:42:17 | 0:42:23 | |
-Watch what you say. -Answer me or my friends will put you in the dock! | 0:42:23 | 0:42:28 | |
-Who are you? -Sherlock Holmes. | 0:42:28 | 0:42:31 | |
-Seen Lord Carfax, have you? -You know Angela Osborne well, I take it? | 0:42:34 | 0:42:39 | |
-How did you know? -You had to have an accomplice in blackmail. | 0:42:39 | 0:42:43 | |
Compensation. I could have opened my mouth and collected from the press, | 0:42:43 | 0:42:48 | |
or kept it shut and collected from Lord Carfax. | 0:42:48 | 0:42:53 | |
I did the nobility of England a service. | 0:42:53 | 0:42:57 | |
Lord Carfax compensated me for my loss of business from the newspapers. | 0:42:57 | 0:43:02 | |
The governor of Brixton Prison will not call it compensation. | 0:43:02 | 0:43:07 | |
-Angela was on the streets when you met her? -Born to it. Loved the game. | 0:43:07 | 0:43:13 | |
Most of them start because they have to. Not Angela. | 0:43:13 | 0:43:17 | |
Met her at the gangway when my ship tied up. I took up with her. | 0:43:17 | 0:43:22 | |
-And again when she returned from Paris with Osborne? -His wife! | 0:43:22 | 0:43:26 | |
I always said she got her face and name from the angels and her heart from the devil. | 0:43:26 | 0:43:33 | |
-You don't know what happened to her? -Disappeared from the face of the earth. | 0:43:33 | 0:43:40 | |
Well, gentlemen... | 0:43:40 | 0:43:42 | |
That's all I can tell you. | 0:43:42 | 0:43:45 | |
What possessed Michael Osborne to marry such a creature? | 0:43:48 | 0:43:52 | |
Because she got her face from the angels. | 0:43:52 | 0:43:56 | |
One of the most attractive women I ever met was hanged for murdering three children for insurance money. | 0:43:56 | 0:44:04 | |
I feel violent when I see a villain like Steiner enjoying the rewards of his skullduggery. | 0:44:20 | 0:44:27 | |
-Rewards? -He ended up owning that pub. | 0:44:27 | 0:44:31 | |
Watson, though not luminous, you're an excellent conductor of light. | 0:44:31 | 0:44:36 | |
I am? | 0:44:36 | 0:44:38 | |
-What do you think became of Angela Osborne? -That scoundrel said she disappeared from the earth. | 0:44:39 | 0:44:46 | |
And yet... And yet... | 0:44:46 | 0:44:49 | |
-Do you think Michael Osborne is dead? -I never theorise without evidence, Watson. | 0:44:49 | 0:44:55 | |
It puts the estate in a mess - if the duke should die with no proof the elder son was alive or dead. | 0:44:55 | 0:45:03 | |
Watch your back. I saw movement in the shadow a moment ago. | 0:45:03 | 0:45:07 | |
RUNNING FOOTSTEPS GET FAINTER | 0:45:53 | 0:45:56 | |
Brisk work, Watson! Brisk work! | 0:45:59 | 0:46:02 | |
Upon my soul, Holmes! When you take a guest out for the evening you really do it! | 0:46:02 | 0:46:09 | |
-My apologies. Next time I'll take you to a quiet table at the Cafe Royal. -I should jolly well think so. | 0:46:09 | 0:46:17 | |
Nothing like a piece of cold steel, eh, Holmes? | 0:46:19 | 0:46:23 | |
< DRUNKEN SINGING | 0:47:30 | 0:47:34 | |
< 'Ere we are. | 0:47:34 | 0:47:36 | |
Here's one. Two legs, even! | 0:47:36 | 0:47:39 | |
Wotcher! Cor! Sailor's rest! | 0:47:39 | 0:47:42 | |
We've walked a mile for that. Working up an appetite. | 0:47:42 | 0:47:47 | |
The girls are indoors. Scared to come out! | 0:47:47 | 0:47:50 | |
Must've known we was in port! | 0:47:50 | 0:47:53 | |
Don't worry. Jack and me, we'll look after you! | 0:47:53 | 0:47:57 | |
'Ere, don't fight over it, lads! | 0:47:57 | 0:48:00 | |
You girls were told to clear off the streets. I've got to earn a living! | 0:48:00 | 0:48:04 | |
Clear off, lads - go on. Miss - don't you live that way? | 0:48:04 | 0:48:10 | |
You coppers are ruining everything! Push off! | 0:48:10 | 0:48:13 | |
Aah! | 0:48:22 | 0:48:23 | |
WHISTLE BLASTS | 0:48:27 | 0:48:29 | |
Thanks to Jack the Ripper - yes, thanks to this brutal killer - the world is watching Whitechapel. | 0:48:31 | 0:48:39 | |
It's not the killings by a demented hand that the world finds horrible. It's the murder by poverty. | 0:48:39 | 0:48:46 | |
-The murder by misery, the murder by hunger! -SHOUTS OF AGREEMENT | 0:48:46 | 0:48:53 | |
In Whitechapel... Whitechapel... | 0:48:53 | 0:48:56 | |
the cry of the starving, the moan of the sick! | 0:48:56 | 0:49:00 | |
We've tried to get one paragraph in the papers to expose what happens. | 0:49:00 | 0:49:06 | |
I've been myself to editors, hat in hand. It's not news, they said. | 0:49:06 | 0:49:11 | |
Pah! | 0:49:11 | 0:49:13 | |
Well, now it is news! One man has made us news! | 0:49:13 | 0:49:18 | |
SOME SHOUT AGREEMENT, SOME BOO | 0:49:18 | 0:49:21 | |
We'll have a riot. He's putting up this murderer as a deliverer of Whitechapel. | 0:49:23 | 0:49:29 | |
To seize a defenceless female, to stifle her cries and then... | 0:49:29 | 0:49:35 | |
How can anyone do this? Someone does. | 0:49:35 | 0:49:38 | |
Why? Why?! | 0:49:38 | 0:49:41 | |
A motive, sir? I'll tell you. | 0:49:41 | 0:49:44 | |
His motive is the punishment of Whitechapel, | 0:49:44 | 0:49:48 | |
as God destroyed Sodom and Gomorrah! | 0:49:48 | 0:49:51 | |
-I'll have to shut him up. -No - you'll have to rescue him. | 0:49:51 | 0:49:55 | |
It is the social and moral crimes that must be ended in Whitechapel, | 0:49:55 | 0:50:00 | |
-not just the killings! -ANGRY SHOUTING | 0:50:00 | 0:50:04 | |
Yes! It is the dealers in vice and the purveyors of sex | 0:50:06 | 0:50:11 | |
that the police must throw their force against, not just the killer! | 0:50:11 | 0:50:16 | |
I tell you there can be no peace in Whitechapel | 0:50:16 | 0:50:20 | |
-while licensed dens like the Angel and Crown... -BOOING INTENSIFIES | 0:50:20 | 0:50:25 | |
..cater to the dissolute and the debauched! | 0:50:25 | 0:50:29 | |
BOOS AND ANGRY SHOUTS | 0:50:29 | 0:50:34 | |
WHISTLE BLASTS LOUDLY | 0:50:41 | 0:50:44 | |
BELL CHIMES HALF-HOUR | 0:50:51 | 0:50:54 | |
-Prime Minister - the Home Secretary. -How's the battle? | 0:50:57 | 0:51:02 | |
The Leader of the Opposition has found the culprit. You. | 0:51:02 | 0:51:08 | |
Gladstone is in form. I was afraid of that. | 0:51:08 | 0:51:12 | |
I could see you were in for trouble. | 0:51:12 | 0:51:15 | |
Not just me. He'll demand that the Commissioner of Police resigns. | 0:51:15 | 0:51:20 | |
If he calls for a vote of no confidence, he might get it. | 0:51:20 | 0:51:25 | |
-You mean YOU might have to resign? -Not I - just some of my ministers. | 0:51:25 | 0:51:31 | |
-Should we go down? -As you please. I'm expecting a visit from Mr Holmes. | 0:51:31 | 0:51:37 | |
-That charlatan! -Mr Mycroft Holmes is an valuable servant of the Crown. | 0:51:37 | 0:51:43 | |
-As long as he doesn't bring in his brother Sherlock. -I shall ask him to. | 0:51:43 | 0:51:48 | |
-Why not approach him direct? -Your department has antagonised him. | 0:51:48 | 0:51:53 | |
HE has antagonised THEM. He has been grossly offensive. | 0:51:53 | 0:51:58 | |
-Mr Mycroft Holmes. -Show him in. | 0:51:59 | 0:52:02 | |
Please try to be discreet. It isn't going to be easy. | 0:52:02 | 0:52:06 | |
Mr Mycroft Holmes will wish to take charge of the investigation. | 0:52:06 | 0:52:11 | |
-Prime Minister. -You know the Home Secretary. | 0:52:11 | 0:52:14 | |
And I will soon know your successor, unless the police do a better job. | 0:52:14 | 0:52:20 | |
I have confidence in them. There are none in the Commons. | 0:52:20 | 0:52:24 | |
-I sent for you because you have the tidiest brain in the Civil Service. -I cannot deny it. | 0:52:24 | 0:52:31 | |
Knowing that you are engaged on the most delicate negotiations about the Peruvian copper concession... | 0:52:31 | 0:52:39 | |
You wish me to ask my brother to help apprehend the Whitechapel murderer. | 0:52:39 | 0:52:45 | |
- How did you know? - The early hour of the summons suggested a personal matter. | 0:52:45 | 0:52:51 | |
The Home Secretary's presence suggested a connection with the murders. | 0:52:51 | 0:52:56 | |
The fact that the Peruvian matter has been settled for three days | 0:52:56 | 0:53:02 | |
made me suppose you wished to consult my brother, so I have arranged to meet him. | 0:53:02 | 0:53:09 | |
-You mean you had anticipated my request? -That, Prime Minister, is my business. | 0:53:09 | 0:53:15 | |
My Indian vase! Just look at it! I wish you'd find some other way of solving cases! | 0:53:20 | 0:53:27 | |
My dear Mycroft! This is a surprise! Watson, some sherry. | 0:53:27 | 0:53:32 | |
-I expected you to ask me about the Manor House case. I thought you'd be out of your depth. -No, I solved it. | 0:53:32 | 0:53:39 | |
-It was Adams, of course? -Yes. -I knew that from the start. | 0:53:39 | 0:53:44 | |
-Thank you. -Mycroft, is this a social call? -Oh, yes. Purely social. | 0:53:44 | 0:53:49 | |
-How are you? -Very well. | 0:53:52 | 0:53:55 | |
-Now the social call is over, let's get to business. I see you have come from the Prime Minister. -Why? | 0:53:56 | 0:54:04 | |
You are not at your desk. You are dressed for Buckingham Palace but the Queen is at Balmoral. | 0:54:04 | 0:54:11 | |
This must be urgent. What does the Prime Minister want? | 0:54:11 | 0:54:15 | |
To find the Whitechapel murderer before he brings down the government. | 0:54:15 | 0:54:20 | |
-But... -Any government which allows such poverty deserves riddance. | 0:54:20 | 0:54:25 | |
-Nor will I be engaged in political manoeuvres. Another glass of sherry? -Thank you. | 0:54:25 | 0:54:32 | |
-QUICK FOOTSTEPS -Inspector Lestrade must have urgent news. | 0:54:32 | 0:54:36 | |
He's written to us! A letter! | 0:54:36 | 0:54:38 | |
-Try to be coherent. Who has written? -Jack the Ripper! | 0:54:38 | 0:54:43 | |
-You're already involved! -A case of detection means more than any politician's career. Read it. | 0:54:43 | 0:54:50 | |
"Dear Boss, I keep hearing that the police have caught me. | 0:54:53 | 0:54:57 | |
"They won't fix me yet. I have to laugh when they talk about being on the right track. | 0:54:57 | 0:55:04 | |
"I am down on whores and won't rest until I do get buckled. | 0:55:04 | 0:55:09 | |
"I love my work. My knife is sharp. I want to get... | 0:55:09 | 0:55:13 | |
"to work right away. Good luck. Yours truly, Jack the Ripper." | 0:55:13 | 0:55:18 | |
-It was sent to the police? -A news agency. -It will be in tomorrow's papers. -No - orders from up top. | 0:55:18 | 0:55:26 | |
-Every crank in the country would write to the papers. -If it does not appear, there will be more killings. | 0:55:26 | 0:55:33 | |
-Why do you suppose he sent it to the news agency? -For publication. | 0:55:33 | 0:55:38 | |
-Perhaps he's sickening of his crimes. -Is he bluffing? -No. | 0:55:38 | 0:55:42 | |
If his motive is to create fear, he's trying to achieve it without further killings. | 0:55:42 | 0:55:48 | |
If we publish it we add to the fear. The government wants to avoid that. | 0:55:48 | 0:55:53 | |
-You are asking them to aid him. -If it does not appear, he will return to the knife. They MUST publish! | 0:55:53 | 0:56:01 | |
Orders - it cannot be published. | 0:56:01 | 0:56:03 | |
Then put every man you have on the streets of Whitechapel. | 0:56:03 | 0:56:08 | |
We've come to view the body of Miss Elizabeth Stride. | 0:56:23 | 0:56:27 | |
-With your permission. -Be careful. Her head is almost severed. | 0:56:34 | 0:56:39 | |
-Have you found any clues yet? -We've scoured Whitechapel, but nothing. | 0:56:39 | 0:56:44 | |
He left no bloodstained garments? | 0:56:44 | 0:56:47 | |
-No - if it is a he. -A woman? | 0:56:47 | 0:56:50 | |
-The constable who found the body saw a woman... -Correction. | 0:56:50 | 0:56:54 | |
-He reported seeing a woman's shape. -What difference? | 0:56:54 | 0:56:59 | |
What he said is not what you said. A woman's shape in the fog could be a man in woman's clothes. | 0:56:59 | 0:57:06 | |
I hardly think it likely... | 0:57:06 | 0:57:09 | |
There is no pattern of behaviour in a deranged mind. | 0:57:09 | 0:57:13 | |
What can you tell us, Dr Murray? | 0:57:14 | 0:57:17 | |
Each murder is by the same hand. | 0:57:18 | 0:57:21 | |
-What about of the knifework? -What? -Does it not show surgical skill? | 0:57:21 | 0:57:27 | |
Hmm... | 0:57:28 | 0:57:29 | |
-It's the work of a doctor? -Anyone with a modicum of medical training could do it. | 0:57:29 | 0:57:35 | |
A medical student, perhaps? | 0:57:35 | 0:57:39 | |
These murders are the work of a madman, but with medical skills, intelligence and education. | 0:57:39 | 0:57:46 | |
Intelligence? Education? This? | 0:57:46 | 0:57:49 | |
Yes. Take that letter. The grammar and syntax, though concealed, were the work of an educated man. | 0:57:49 | 0:57:56 | |
The writing was deliberately scrawled. We must not take the mask for the face. | 0:57:56 | 0:58:03 | |
-If you're right, Mr Holmes, it brings us back to the doctors. -Don't be too sure, Lestrade. | 0:58:03 | 0:58:10 | |
Oh, well, I'd better be off. | 0:58:10 | 0:58:14 | |
I suppose he'll arrest the entire staff of the London Hospital. | 0:58:14 | 0:58:19 | |
Would YOU look for a doctor, Dr Murray? | 0:58:25 | 0:58:29 | |
-There is one medical student who will soon be under suspicion. -Oh? | 0:58:30 | 0:58:35 | |
-Michael Osborne. -What's he got to do with it? | 0:58:35 | 0:58:39 | |
Medical student who lived locally, had good cause to hate prostitutes, and has vanished. | 0:58:39 | 0:58:46 | |
-He has nothing to do with the murders. -That may have to be proved. | 0:58:46 | 0:58:51 | |
The newspapers will relish the heir of the Duchy of Shires denying he is Jack the Ripper. | 0:58:51 | 0:58:58 | |
Consider his family and tell me what happened. | 0:58:58 | 0:59:02 | |
I have every consideration for his family, so I must say nothing. | 0:59:02 | 0:59:06 | |
SCRAPING ON VIOLIN I should have refused the request to call in my brother. | 0:59:12 | 0:59:18 | |
He was already engaged, with what result? Stalemate. | 0:59:18 | 0:59:23 | |
I should have realised only one person could solve this - myself. | 0:59:23 | 0:59:28 | |
I should have ditched the Abyssinian detente and the Nigerian loan. I... | 0:59:28 | 0:59:33 | |
Stop sawing away on that! It was a sad day when Mother gave it to you. | 0:59:33 | 0:59:38 | |
A sad day for all of us! It's his method. Method?! | 0:59:38 | 0:59:43 | |
This butcher boy has us all on the edge of a knife! This morning three more men were attacked in the street. | 0:59:43 | 0:59:51 | |
Carrying bags? Carrying Gladstone bags! They say he's a Russian. | 0:59:51 | 0:59:58 | |
Rubbish...! < SCRAPE! | 0:59:58 | 1:00:00 | |
Military intelligence has found no truth in the rumour. | 1:00:01 | 1:00:06 | |
How long has this been going on? Hasn't spoken since yesterday. | 1:00:06 | 1:00:10 | |
How long does it usually last? Sometimes days. I'm wasting my time! | 1:00:10 | 1:00:15 | |
I shall never understand why you've had that violin so long but never learnt to play it! | 1:00:15 | 1:00:23 | |
Act, Sherlock, act! Go to the scene of the crime! Use your powers! | 1:00:23 | 1:00:28 | |
Interview people! As Mother used to say, stir your stumps! | 1:00:28 | 1:00:32 | |
Don't bother to see me out, Watson. | 1:00:32 | 1:00:35 | |
Remind my brother he has never had so great a chance to serve his country, | 1:00:35 | 1:00:40 | |
or seemed so unaware of his responsibilities! | 1:00:40 | 1:00:44 | |
Or of the intention of the composer when he wrote that tune! | 1:00:44 | 1:00:49 | |
-He's quite right. -You've rejoined the human race! | 1:00:52 | 1:00:56 | |
-I should be in Whitechapel. There will be another murder tonight. -Eh? | 1:00:56 | 1:01:02 | |
-Come. We will scour the streets. -What for? -The detail that matters. | 1:01:02 | 1:01:07 | |
TWO SETS OF FOOTSTEPS | 1:01:07 | 1:01:10 | |
This is hopeless, Holmes. | 1:01:15 | 1:01:17 | |
If he were ten feet away, we wouldn't see him. | 1:01:17 | 1:01:21 | |
Fog to the murderer is like jungle to the tiger. It conceals him until he pounces. | 1:01:21 | 1:01:28 | |
-What do we do? -We must continue. Jack the Ripper will not allow these conditions to go unused. | 1:01:28 | 1:01:35 | |
He is out now, Watson. | 1:01:35 | 1:01:38 | |
CLOCK CHIMES | 1:01:38 | 1:01:41 | |
MALE AND FEMALE LAUGHTER | 1:01:46 | 1:01:49 | |
APPROACHING FOOTSTEPS | 1:01:57 | 1:02:00 | |
'Ello, love! | 1:02:01 | 1:02:04 | |
You look like a sport. Do you fancy coming up? | 1:02:04 | 1:02:07 | |
Couple of shillings'll do it. | 1:02:07 | 1:02:10 | |
'Ang on a minute. I'll throw you down the key. | 1:02:10 | 1:02:14 | |
Catch! | 1:02:16 | 1:02:17 | |
Shut the door behind you. Can't take no chances with Jack the Ripper about. | 1:02:28 | 1:02:34 | |
You know something? I ain't been out in the dark for a month cos of him! | 1:02:38 | 1:02:43 | |
Come on in, then! | 1:02:54 | 1:02:57 | |
Come on. | 1:02:57 | 1:02:59 | |
'Ere. | 1:03:12 | 1:03:14 | |
That's a lovely coat you've got on, innit? | 1:03:14 | 1:03:18 | |
Could you make that ten bob for a special, Mister? | 1:03:19 | 1:03:24 | |
I do want to please you. | 1:03:24 | 1:03:26 | |
I haven't had a real gentleman like you since I started. | 1:03:32 | 1:03:37 | |
Don't think I've been on the game that long. | 1:03:37 | 1:03:40 | |
I'm proper new, I am! | 1:03:40 | 1:03:43 | |
SCREAMS | 1:04:21 | 1:04:24 | |
-SCREAM Holmes! -Quickly, Watson. | 1:04:24 | 1:04:28 | |
Lemon Street Police Station. Tell Inspector Lestrade to cordon off the area. | 1:04:28 | 1:04:34 | |
Hello! What are you doing here? | 1:07:29 | 1:07:32 | |
-Chasing a shadow. How long have you been here? -Since midnight. | 1:07:32 | 1:07:36 | |
-No-one's passed through here? -Here? | 1:07:36 | 1:07:41 | |
Hello, Edward. Sorry I'm late. | 1:07:41 | 1:07:43 | |
-Mr Holmes? -I came to see your uncle. | 1:07:43 | 1:07:46 | |
-Dr Murray is in the surgery. He asked not to be disturbed. -Did he? | 1:07:46 | 1:07:52 | |
I'll take you home. | 1:07:54 | 1:07:56 | |
-MOANING -Just a minute. | 1:07:56 | 1:07:59 | |
Dr Murray? | 1:08:45 | 1:08:46 | |
Oh, Holmes! | 1:08:48 | 1:08:50 | |
I'm sorry. I had a long postmortem on a poison case. I'm a bit tired. | 1:08:50 | 1:08:55 | |
-What are you doing here? -Following Jack the Ripper. -Here? | 1:08:55 | 1:09:00 | |
-He eluded me in the mortuary. -The mortuary? | 1:09:00 | 1:09:04 | |
-He could have got into the hostel. -He did. We will wait here for the police. | 1:09:04 | 1:09:11 | |
What makes you think they are coming here? | 1:09:11 | 1:09:14 | |
-You are the police surgeon. They will bring the body. -Another prostitute? | 1:09:14 | 1:09:20 | |
-I would welcome the opportunity of a little chat. -What about? | 1:09:20 | 1:09:25 | |
-About Michael Osborne. -I told you before... -He wasn't wanted under suspicion of murder before. | 1:09:25 | 1:09:32 | |
-What do you mean? -It all leads to his knowledge of surgery. | 1:09:32 | 1:09:36 | |
-He could not have murdered anybody! -Prove it! | 1:09:36 | 1:09:41 | |
Tell me about the night he found out his wife and Max Steiner were blackmailing his family. | 1:09:41 | 1:09:48 | |
You know about that? | 1:09:51 | 1:09:54 | |
Michael Osborne was one of the finest young men I've ever met. | 1:10:01 | 1:10:05 | |
In the six months he was here, I came to respect him as I've respected few other men. | 1:10:05 | 1:10:12 | |
You've heard about his wife - vicious, depraved creature! | 1:10:12 | 1:10:16 | |
He stayed with her in spite of everything. | 1:10:16 | 1:10:19 | |
One night, she brought Steiner here, to this very room. | 1:10:19 | 1:10:24 | |
-Michael heard from his wife's mouth their plan of blackmail. He was to be part of it. -What happened? | 1:10:24 | 1:10:31 | |
Michael refused to have anything to do with it. There was a quarrel. Steiner attacked him. | 1:10:31 | 1:10:38 | |
He had no chance. | 1:10:38 | 1:10:40 | |
The sight of her husband being beaten wasn't enough for that woman. | 1:10:40 | 1:10:45 | |
-She was about to throw a bottle of acid at Michael. -She didn't? | 1:10:45 | 1:10:51 | |
It's hard to know what happened. Maybe Steiner flung out an arm. | 1:10:51 | 1:10:56 | |
But the acid... | 1:10:56 | 1:10:58 | |
went into her own face. | 1:10:58 | 1:11:00 | |
When Steiner saw the horror of it, he rushed out to get me. | 1:11:00 | 1:11:05 | |
Her angel face was a diabolical sight. | 1:11:05 | 1:11:09 | |
I did the best I could for her. | 1:11:09 | 1:11:11 | |
A week later, Steiner took her away. I've not seen or heard of her since. | 1:11:11 | 1:11:16 | |
Michael Osborne got away? | 1:11:16 | 1:11:19 | |
Then why weren't the family, the police informed? | 1:11:19 | 1:11:23 | |
He didn't die, Holmes. Not quite. | 1:11:23 | 1:11:27 | |
Go on. Finish your story, Dr Murray. | 1:11:29 | 1:11:31 | |
Come and see, Holmes. Finish the story yourself. | 1:11:34 | 1:11:38 | |
You wanted Michael Osborne. | 1:11:48 | 1:11:51 | |
Here he is. | 1:11:52 | 1:11:54 | |
Whether it was Steiner's blows to the head, | 1:11:59 | 1:12:02 | |
or whether his mind could suffer no more of the world, I don't know. | 1:12:02 | 1:12:08 | |
This is how he's been since that night. | 1:12:08 | 1:12:12 | |
How can Lord Carfax let his brother remain here in that condition? | 1:12:27 | 1:12:32 | |
He doesn't know, Holmes. Nobody could recognise that poor creature. | 1:12:32 | 1:12:37 | |
-Why keep it to yourself? You should inform his father! -What father? | 1:12:37 | 1:12:42 | |
He disowned him for wanting to do good instead of wasting his life in the pleasures of the aristocracy! | 1:12:42 | 1:12:49 | |
-He had a right to know. -What about Michael? He must be happier here than in a padded cell! | 1:12:49 | 1:12:56 | |
No - his life is over. | 1:12:56 | 1:12:59 | |
-Let the world leave him in peace. -That may not be possible. -Why? | 1:12:59 | 1:13:03 | |
-You can't suspect that poor lunatic! -All possibilities have to be considered. | 1:13:03 | 1:13:10 | |
-Dr Murray? -Yes? -Inspector Lestrade sent me for you, sir. | 1:13:10 | 1:13:14 | |
Lestrade, my dear fellow! Are you not well? | 1:13:35 | 1:13:38 | |
You'll see nothing like it this side of hell. What animal could have done this? | 1:13:38 | 1:13:44 | |
Prepare yourself for a shock, Dr Murray. | 1:13:44 | 1:13:48 | |
Come, Watson. | 1:13:57 | 1:13:59 | |
-Aren't you going to examine the body? -There is a more important examination. | 1:14:02 | 1:14:08 | |
LOUD BANGING | 1:14:12 | 1:14:14 | |
I'm coming! Stop! | 1:14:27 | 1:14:30 | |
Always these drunk people! | 1:14:30 | 1:14:32 | |
What the hell do you want? You're asking for trouble! No. We're giving it! | 1:14:39 | 1:14:44 | |
I want to see the owner of this doubtful establishment. | 1:14:44 | 1:14:48 | |
You've got a nerve, coming to see me at this time in the morning! | 1:14:48 | 1:14:53 | |
The owner, not the hired help! Tell Angela Osborne I want to see her. | 1:14:53 | 1:14:58 | |
You are not going upstairs. | 1:15:00 | 1:15:03 | |
-Now there are several things I may do, Mr Steiner! -All right. | 1:15:14 | 1:15:18 | |
But give her a chance. Let me warn her. | 1:15:18 | 1:15:22 | |
Warn her? | 1:15:22 | 1:15:24 | |
You can't just walk in on her. Not the way she is. | 1:15:24 | 1:15:28 | |
Come up. | 1:15:46 | 1:15:47 | |
Please sit down, Mr Holmes. Dr Watson. | 1:16:01 | 1:16:05 | |
You will forgive the inconvenience of the hour. | 1:16:12 | 1:16:17 | |
Night and day are indistinguishable here. A lamp turned down is my morning sun. | 1:16:17 | 1:16:23 | |
What do you want, Holmes? Out with it. | 1:16:23 | 1:16:26 | |
Excuse Mr Steiner's lack of hospitality. We never receive guests. | 1:16:26 | 1:16:31 | |
Mr Steiner's hospitality is noted for the lengths he will go to to provide comfort for his guests. | 1:16:31 | 1:16:39 | |
-It is profitable. I hope you won't spoil it. -It is of no interest to me. | 1:16:39 | 1:16:44 | |
-Then why are you here? -To ask the lady what she did with the knife. | 1:16:44 | 1:16:50 | |
-Knife? -The one you removed from the set of instruments you sent me. | 1:16:50 | 1:16:55 | |
You are all I expected of you. Give it to him, Max. | 1:16:55 | 1:17:00 | |
It is a limited life in these rooms and I spend hours reading your cases. | 1:17:02 | 1:17:08 | |
I am grateful for the excellence of your narrative, Dr Watson. | 1:17:08 | 1:17:12 | |
Can you tell an admirer, Mr Holmes, how you knew I sent the instruments? | 1:17:12 | 1:17:17 | |
Someone wanted to interest me in Michael Osborne. | 1:17:17 | 1:17:21 | |
-The writing on the label was that of a woman with little education. -How did you know I was here? | 1:17:24 | 1:17:32 | |
-I was told that you had been... -Mutilated. | 1:17:32 | 1:17:35 | |
-Made odious to myself and to the world. -It was obvious why you'd gone into hiding. | 1:17:35 | 1:17:42 | |
Why remove the scalpel from the case? | 1:17:42 | 1:17:45 | |
- To intrigue Mr Holmes. - We have only your word for that. | 1:17:45 | 1:17:50 | |
I believe the doctor thinks I am Jack the Ripper. | 1:17:50 | 1:17:53 | |
Why should Angela murder those women? | 1:17:53 | 1:17:56 | |
Of course, Dr Watson is observant. I hate all women. He knows why. | 1:17:56 | 1:18:01 | |
They're all prettier than I am. That's why. | 1:18:01 | 1:18:05 | |
The woman with the ugliest face in the world. Want to see? | 1:18:05 | 1:18:10 | |
But I WAS beautiful. | 1:18:15 | 1:18:17 | |
Eh, Max? | 1:18:17 | 1:18:19 | |
Ja. You were. | 1:18:21 | 1:18:23 | |
You can say it, Mr Holmes, that I hate women. | 1:18:24 | 1:18:28 | |
But I am not your killer. | 1:18:28 | 1:18:31 | |
As you can see, I am incapable of even stepping into the street. | 1:18:31 | 1:18:37 | |
-Why did you hate your husband so much? -Who told you that? | 1:18:37 | 1:18:41 | |
Dr Murray. | 1:18:41 | 1:18:43 | |
To him, Michael was a saint. To me, a man who tired easily. | 1:18:43 | 1:18:47 | |
He seemed unbalanced. He couldn't take the discipline of medical study, or marriage. | 1:18:47 | 1:18:54 | |
-He tired of me and sent me back to work. -You mean on the streets? | 1:18:54 | 1:18:59 | |
His father had cut him off. | 1:18:59 | 1:19:02 | |
I didn't earn enough. He thought up a way to get money from his brother. | 1:19:02 | 1:19:07 | |
-His was the blackmailing scheme? -Who else? | 1:19:07 | 1:19:11 | |
He sent Max to Carfax because his father would never give him a penny. | 1:19:11 | 1:19:16 | |
Michael's father knew him for what he was - a vicious, worthless libertine. | 1:19:16 | 1:19:23 | |
-Vicious? -If you call a man who throws acid into his wife's face vicious, | 1:19:23 | 1:19:29 | |
because she can bear him no more and is leaving him. Wasn't that vicious? | 1:19:29 | 1:19:35 | |
By God, Holmes, there's a woman of great character. | 1:19:35 | 1:19:39 | |
I'm afraid you're not probing deeply enough. Her scars extend beyond the surface. | 1:19:39 | 1:19:45 | |
-What do you mean? -She may well believe her story to be the truth. | 1:19:45 | 1:19:51 | |
-Now let us pick up Michael Osborne. -You know where he is? -Come along, Watson. | 1:19:51 | 1:19:58 | |
Father, Mr Sherlock Holmes is here. | 1:20:34 | 1:20:36 | |
-I was not aware I had an appointment. -You must prepare yourself for a shock. | 1:20:36 | 1:20:43 | |
-Mr Holmes has brought Michael back. -I have forbidden your brother this house, Edward. | 1:20:43 | 1:20:49 | |
-I have not altered that. -But... -Do not argue. | 1:20:49 | 1:20:53 | |
-Your grace. -You were shown out of my house on your last uninvited visit, Mr Holmes. | 1:20:53 | 1:20:59 | |
-I have come to save your family name. -Tell him to get himself out of the mess. | 1:20:59 | 1:21:06 | |
I cannot do that, your grace. He is not capable of understanding. | 1:21:06 | 1:21:10 | |
-Of course he can understand! -Your son is a pathetic imbecile, | 1:21:10 | 1:21:15 | |
incapable of understanding the smallest action. | 1:21:15 | 1:21:19 | |
He has suffered for his sins. He is outside that door. | 1:21:19 | 1:21:23 | |
I have brought him home. | 1:21:23 | 1:21:26 | |
-Edward. -Yes, Father? | 1:21:28 | 1:21:31 | |
Have Michael put into his old room. | 1:21:31 | 1:21:35 | |
Of course. | 1:21:35 | 1:21:37 | |
Do it yourself. It's better. Not the servants. | 1:21:37 | 1:21:40 | |
And tell him... | 1:21:40 | 1:21:43 | |
I shall come and see him presently. | 1:21:43 | 1:21:45 | |
-Mr Holmes. -Your grace. | 1:21:47 | 1:21:49 | |
-How did you find him? -His identity was revealed by a doctor in a hostel for the destitute, | 1:21:50 | 1:21:58 | |
his mind by a lady in a public house, the Angel and Crown. | 1:21:58 | 1:22:02 | |
-I am indebted to them both. -Thank you, Mr Holmes. | 1:22:02 | 1:22:08 | |
Holmes... | 1:22:30 | 1:22:31 | |
you know, don't you? | 1:22:31 | 1:22:34 | |
You know who Jack the Ripper is. | 1:22:34 | 1:22:36 | |
Who is he? | 1:22:36 | 1:22:38 | |
-I must keep that from you a little longer. -Won't you arrest him? | 1:22:38 | 1:22:43 | |
-Knowing is not proving. -We can't let him roam the streets. | 1:22:43 | 1:22:46 | |
No. We have work to do before the final curtain can be brought down. | 1:22:46 | 1:22:52 | |
We have been setting the scene for the last act of Jack the Ripper. | 1:22:52 | 1:22:57 | |
I wondered what we'd been doing. | 1:22:59 | 1:23:02 | |
DOG BARKS | 1:23:10 | 1:23:13 | |
- Anything? - No, nothing. | 1:23:19 | 1:23:22 | |
AAHH! | 1:25:37 | 1:25:39 | |
Good evening, Lord Carfax. | 1:25:41 | 1:25:44 | |
SHOT | 1:25:47 | 1:25:48 | |
AHHH! | 1:26:08 | 1:26:09 | |
AAHH! | 1:26:12 | 1:26:13 | |
HE SCREAMS WILDLY | 1:26:44 | 1:26:47 | |
MAX! | 1:27:06 | 1:27:07 | |
MAX! | 1:27:08 | 1:27:09 | |
MAX! | 1:27:11 | 1:27:12 | |
Angela! | 1:27:12 | 1:27:15 | |
AHH! | 1:27:21 | 1:27:23 | |
BOTH SCREAM | 1:27:23 | 1:27:26 | |
HE SCREAMS | 1:27:32 | 1:27:34 | |
How did you get out, Holmes? | 1:27:43 | 1:27:46 | |
I am well-known to be indestructible. | 1:27:46 | 1:27:49 | |
-I would not miss this excellent partridge. -How did you know...? | 1:27:49 | 1:27:54 | |
DOOR CLOSES | 1:27:54 | 1:27:55 | |
How did you know it was Carfax? | 1:27:57 | 1:28:00 | |
Oh, Holmes! | 1:28:03 | 1:28:05 | |
His medical knowledge. | 1:28:06 | 1:28:08 | |
-When I dropped the case of instruments in his father's house, he picked it up. -Natural politeness. | 1:28:08 | 1:28:15 | |
He put the instruments into the right niches. How odd, I thought. | 1:28:15 | 1:28:20 | |
A layman might ponder for a moment. Carfax did not hesitate. | 1:28:20 | 1:28:25 | |
But isn't it obvious Dr Murray...? | 1:28:25 | 1:28:27 | |
Nothing is more deceptive than an obvious fact. The letter was obvious AND revealing. | 1:28:27 | 1:28:34 | |
That harum-scarum diatribe in red ink - revealing? | 1:28:34 | 1:28:38 | |
Precisely. The writer described his murders as his work - "I love my work". | 1:28:38 | 1:28:44 | |
He was obviously a man of means who had no need of ordinary employment. | 1:28:44 | 1:28:51 | |
Dr Murray, who works hard, might have put "pastime". I ruled him out. | 1:28:51 | 1:28:55 | |
-You make it sound simple. -It was. | 1:28:55 | 1:28:58 | |
In the Osborne family, I found insanity through four generations. | 1:28:58 | 1:29:03 | |
Carfax's reason hung on a thread. | 1:29:03 | 1:29:05 | |
That his brother should give the Osborne name to a common prostitute broke that thread. | 1:29:05 | 1:29:13 | |
Carfax was protecting the family name. | 1:29:13 | 1:29:16 | |
He'd never seen Angela but thought he could kill her by elimination. | 1:29:16 | 1:29:21 | |
He searched for her with his knife. | 1:29:21 | 1:29:24 | |
But Lestrade and the police...? | 1:29:24 | 1:29:27 | |
They do not know the identity of Jack the Ripper. | 1:29:27 | 1:29:31 | |
We need not disclose it. The Osborne family have suffered enough. | 1:29:31 | 1:29:37 | |
Lestrade has three buckets of ash but we will keep the name. | 1:29:37 | 1:29:41 | |
KNOCK ON DOOR Parcel for you, Mr Holmes. | 1:29:41 | 1:29:46 | |
Postmarked "Nottingham". | 1:29:47 | 1:29:49 | |
A-ha, the game's afoot again. | 1:29:56 | 1:30:00 | |
This is three years old. The flat brim with curled edges came in then. | 1:30:04 | 1:30:09 | |
It belongs to a man who has suddenly gone down in the world. | 1:30:09 | 1:30:13 | |
He is middle-aged, goes out little, with grizzled hair which has been cut in the last few days. Also... | 1:30:13 | 1:30:21 | |
MUSIC DROWNS SPEECH | 1:30:21 | 1:30:24 | |
Subtitles by Veronica Simpson BBC 1996 | 1:30:27 | 1:30:33 |