
Browse content similar to Beyond a Reasonable Doubt. Check below for episodes and series from the same categories and more!
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DOCTOR: I pronounce this man dead. | 0:01:57 | 0:02:00 | |
Score another one for Thompson. | 0:02:03 | 0:02:06 | |
-Austin, you don't think much of the District Attorney, do you? -On the contrary. He's very able. | 0:02:06 | 0:02:14 | |
-Then why attack him in editorials? -Because he's aiming for Governor over the bodies of executed men. | 0:02:14 | 0:02:22 | |
I'm against capital punishment. That's why I wanted you to witness that execution. | 0:02:22 | 0:02:28 | |
After you've seen one, you've... | 0:02:28 | 0:02:31 | |
-Did you ever meet Thompson? -No. -He just came in. | 0:02:34 | 0:02:38 | |
-Guess I'd better talk to Spencer. -You looking for trouble? -Why wait? I might as well hear it now. | 0:02:42 | 0:02:49 | |
-Join me? -No, thanks. I'll read it in tomorrow's paper. | 0:02:49 | 0:02:54 | |
Roy! | 0:02:57 | 0:02:59 | |
-Austin! -I'd like you to meet Tom Garrett. Our District Attorney, Roy Thompson. | 0:02:59 | 0:03:05 | |
-Join us? -Thanks. | 0:03:05 | 0:03:08 | |
-Care for a drink? -No, not now. | 0:03:08 | 0:03:10 | |
-I enjoyed your novel, Mr Garrett. -Thank you. | 0:03:10 | 0:03:15 | |
-So, are you pleased with yourself? -Not particularly. Why should I be? | 0:03:15 | 0:03:20 | |
Oh... | 0:03:22 | 0:03:25 | |
-Peters committed a murder. -It doesn't bother you to send him to the electric chair? | 0:03:25 | 0:03:32 | |
I presented the facts to a jury. They decided, beyond a reasonable doubt, that Peters was guilty. | 0:03:32 | 0:03:40 | |
There were no eye witnesses... only circumstantial evidence which you handled masterfully. | 0:03:40 | 0:03:48 | |
-You think he was innocent? -Could be. -The jury didn't think so. | 0:03:48 | 0:03:53 | |
I've sat in enough courtrooms to know that an able prosecutor | 0:03:53 | 0:03:58 | |
can make a jury believe a thing is fact when it isn't, especially without a good defence. | 0:03:58 | 0:04:05 | |
-Would you have circumstantial evidence ignored? -No, I just don't think his life should be taken. | 0:04:05 | 0:04:13 | |
There are 6 states in this country that don't have capital punishment. | 0:04:13 | 0:04:19 | |
But THIS state does. I'm sworn to uphold the laws of THIS state. | 0:04:19 | 0:04:24 | |
-It's good to see you, Austin. I'm happy to have met you, Mr Garrett. -My pleasure, sir. | 0:04:24 | 0:04:30 | |
-He seems friendly enough. -Why not? I'm always fair to him. We just don't agree on capital punishment. | 0:04:32 | 0:04:39 | |
That's an argument that's been going on for centuries. Don't think you two will settle it. | 0:04:39 | 0:04:46 | |
I think I can. But not by talking about it. I must get back. Joe! | 0:04:46 | 0:04:51 | |
-Can I drop you anywhere? -Susan's meeting me here. -Getting serious?! | 0:04:53 | 0:04:58 | |
-Any objections? -No, or I wouldn't have let you leave the paper when you wrote that novel. | 0:04:58 | 0:05:04 | |
-What's that got to do with it? -My daughter has expensive tastes. | 0:05:04 | 0:05:09 | |
I don't think you'd have made progress on the salary I paid you. | 0:05:09 | 0:05:14 | |
Hello! | 0:05:14 | 0:05:16 | |
Hi! | 0:05:16 | 0:05:19 | |
-I couldn't reach the top of HIS head. -You didn't try hard! If you can spare me... -We'll manage. | 0:05:22 | 0:05:29 | |
See you later. | 0:05:29 | 0:05:32 | |
Sit down. | 0:05:32 | 0:05:34 | |
Thank you. | 0:05:39 | 0:05:41 | |
-Would you like a drink? -No, thanks. | 0:05:41 | 0:05:44 | |
Thanks. | 0:05:55 | 0:05:57 | |
Well, what would you like to do? | 0:05:58 | 0:06:01 | |
-I feel like dancing. -At 5 o'clock in the afternoon?! I'll take you dancing tonight. | 0:06:01 | 0:06:08 | |
-I feel like dancing NOW. -All right. Where? -I've never seen your apartment. | 0:06:08 | 0:06:14 | |
-Aren't we mixed up? That's supposed to me MY line. -But you've never used it! | 0:06:14 | 0:06:20 | |
# It all began the day I looked at you, | 0:06:20 | 0:06:25 | |
# You were just like the girl... # | 0:06:25 | 0:06:28 | |
Next month makes you a June bride. | 0:06:29 | 0:06:32 | |
PHONE RINGS | 0:06:32 | 0:06:34 | |
-Let it ring. -No, answer it. I have to go home. -I'll drive you. -PHONE RINGS | 0:06:34 | 0:06:40 | |
-Never mind. I'll take a cab. -Hold on, will you?... What time shall I pick you up? -About eight. | 0:06:40 | 0:06:47 | |
And tell her you're spoken for. | 0:06:49 | 0:06:52 | |
Hello?... Yes... | 0:06:58 | 0:07:04 | |
It works, too! | 0:07:09 | 0:07:11 | |
-Thanks. -I couldn't go through life watching you search for matches. | 0:07:11 | 0:07:16 | |
It's beautiful...and so are you! | 0:07:16 | 0:07:19 | |
I'm glad you two finally set a date. | 0:07:20 | 0:07:23 | |
-Er...I'm afraid we might have to postpone it for a while. -Oh? | 0:07:24 | 0:07:30 | |
The telephone call was my publisher. He hit the roof when he found out how much progress I HAVEN'T made! | 0:07:30 | 0:07:38 | |
-What's that got to do with being married? -Well, I'll have to buckle down and write it. | 0:07:38 | 0:07:45 | |
-There ARE successful writers who are married! -But I'm not successful yet, Susan. | 0:07:45 | 0:07:51 | |
One book proves nothing. The second is very important. I have to concentrate on it. | 0:07:51 | 0:07:57 | |
-You understand, Austin? -You can't afford a let-down now. | 0:07:57 | 0:08:02 | |
-I hope you understand? -Of course. I wouldn't DREAM of forcing you to do anything you don't want. | 0:08:02 | 0:08:10 | |
-Susan! -Yes? | 0:08:12 | 0:08:15 | |
Darling, I love you very much. I want our marriage to start right. | 0:08:15 | 0:08:20 | |
I'll have to finish the book first. I can't write if I'm distracted. | 0:08:20 | 0:08:25 | |
Being married to you WILL be distracting. | 0:08:25 | 0:08:29 | |
-Are you saying, if we were married you'd be too distracted to write? -Hope so! I'll try to get used to it. | 0:08:29 | 0:08:37 | |
All I'm asking is that we postpone it for a while. Then we can start with nothing on our minds but us. | 0:08:37 | 0:08:46 | |
Write fast, will you? | 0:08:46 | 0:08:49 | |
I've been thinking about what you said today about capital punishment. | 0:08:51 | 0:08:56 | |
-You get engaged and think about capital punishment?! -I'm serious. | 0:08:56 | 0:09:01 | |
-I haven't been able to get it out of my mind. -So you agree with me? | 0:09:01 | 0:09:07 | |
I'm not sure... But the idea that an innocent man could be executed, kind of bothers me. | 0:09:07 | 0:09:14 | |
-It might be a subject for a book. -A book wouldn't prove anything. | 0:09:14 | 0:09:19 | |
-It can only be proven by a fact that no-one can deny. -How? | 0:09:19 | 0:09:24 | |
By having someone whose innocence I could prove, arrested and tried for a murder he didn't commit. | 0:09:25 | 0:09:33 | |
-It wouldn't work if the police had any suspects. -In a city like this, homicides occur quite frequently. | 0:09:33 | 0:09:41 | |
Sometimes the police are completely baffled. | 0:09:41 | 0:09:46 | |
They have no clues, nothing to go on. | 0:09:46 | 0:09:50 | |
I believe, in such a case, it would be possible for an innocent man | 0:09:50 | 0:09:55 | |
-to plant evidence that would lead to his conviction. -A case like that NEVER comes up! | 0:09:55 | 0:10:02 | |
You said a case like this never comes up! | 0:10:02 | 0:10:08 | |
Here it is. A burlesque dancer found strangled with a stocking in a ravine just outside town. | 0:10:08 | 0:10:16 | |
Now, the police have no clues... | 0:10:16 | 0:10:19 | |
You think we could have someone who is innocent convicted and sentenced for this? | 0:10:19 | 0:10:25 | |
Don't you? | 0:10:25 | 0:10:28 | |
I don't know. | 0:10:28 | 0:10:30 | |
But I admit that it would make a great story. | 0:10:30 | 0:10:34 | |
Who could we get as guinea pig? | 0:10:34 | 0:10:37 | |
You. | 0:10:37 | 0:10:39 | |
Me?! | 0:10:39 | 0:10:40 | |
Well, why not? It requires someone with imagination, ingenuity... someone who would be believable. | 0:10:40 | 0:10:48 | |
A victim of circumstances. You could do it. | 0:10:48 | 0:10:52 | |
It's a weird, crazy idea. Maybe that's why it intrigues me. | 0:10:52 | 0:10:57 | |
What about the risks? | 0:10:57 | 0:10:59 | |
You might be acquitted, but, if we're lucky, you'll get the chair. | 0:10:59 | 0:11:06 | |
That's the part that bothers me! | 0:11:06 | 0:11:08 | |
That's where I'd come in. After you were sentenced, I'd reveal the details of our plan. | 0:11:08 | 0:11:15 | |
I have standing in this community. You'd be pardoned automatically. | 0:11:15 | 0:11:20 | |
-You make it sound VERY simple. -It would be! | 0:11:20 | 0:11:25 | |
I've being trying for years to have this law changed. | 0:11:25 | 0:11:29 | |
We'd be criticised for our methods, but if we accomplished something... | 0:11:29 | 0:11:34 | |
-How can you be sure the police have no suspects? -That's easy. | 0:11:34 | 0:11:39 | |
PHONE RINGS | 0:11:44 | 0:11:46 | |
Charlie Miller... Yes, sir... Just a moment... | 0:11:47 | 0:11:52 | |
..Yes... The Patty Gray case? Lieutenant Kennedy's handling it. | 0:11:56 | 0:12:01 | |
It looks like a good story. Do you think you can find out what they REALLY have on it? | 0:12:01 | 0:12:08 | |
-'I think so, but Kennedy may want it off the record for the time being.' -We'll cooperate. | 0:12:08 | 0:12:15 | |
-But I want to know everything. -'Yes, sir.' | 0:12:15 | 0:12:19 | |
If they haven't got a suspect, we'll give them one. | 0:12:19 | 0:12:23 | |
We've got 50 suspects! Guy at the stage door couldn't keep track! | 0:12:23 | 0:12:30 | |
Any prospects? Doesn't look good. | 0:12:30 | 0:12:34 | |
We've got a few descriptions we're checking out now. | 0:12:34 | 0:12:38 | |
The only thing we know is that she lived alone at a rooming house. | 0:12:38 | 0:12:43 | |
Strange... Why? | 0:12:43 | 0:12:46 | |
After her body was found, we went over her room. It had been ransacked. We couldn't find a thing! | 0:12:46 | 0:12:53 | |
No address book, no fingerprints... | 0:12:53 | 0:12:57 | |
Those club girls are here. Send in Joan Williams first. | 0:12:57 | 0:13:02 | |
Miss Williams? | 0:13:02 | 0:13:05 | |
Sit down, Miss Williams. | 0:13:09 | 0:13:11 | |
You once lived with Patty Gray. Is that correct? | 0:13:15 | 0:13:20 | |
For a little while. | 0:13:20 | 0:13:22 | |
You were good friends? I hardly knew her. But you lived with her? | 0:13:22 | 0:13:29 | |
I came to work at the club a few weeks ago... I didn't have any place to stay. | 0:13:29 | 0:13:35 | |
Patty offered to let me stay if I paid her 15 a week. | 0:13:35 | 0:13:40 | |
(I think she needed the money.) | 0:13:40 | 0:13:43 | |
You moved out just before the murder. | 0:13:43 | 0:13:46 | |
Why? Did you have a fight? No! | 0:13:46 | 0:13:50 | |
She told me to get out! Just like that...for no reason. | 0:13:50 | 0:13:55 | |
I thought she needed money. I did, too! | 0:13:55 | 0:14:00 | |
I asked her about it. She just laughed and said she didn't need my lousy 15! | 0:14:00 | 0:14:07 | |
She had an awful lot of money with her that night. | 0:14:07 | 0:14:11 | |
Did she say where she got it? No, she just said to get out. | 0:14:12 | 0:14:16 | |
Can you tell us anything to help us find her murderer? | 0:14:16 | 0:14:20 | |
I wish I could, but I can't help. I've only been here 2 weeks. This is my first job. | 0:14:20 | 0:14:28 | |
Thank you for coming in, Miss Williams. | 0:14:28 | 0:14:31 | |
Send in the other two. | 0:14:38 | 0:14:41 | |
What do you want with us? | 0:14:42 | 0:14:45 | |
I want to ask you... During the night?! It's 2.45! | 0:14:45 | 0:14:51 | |
We artists need our sleep. Gotta keep in shape. Doing a good job! | 0:14:51 | 0:14:57 | |
How about breakfast? Coffee? | 0:14:57 | 0:15:00 | |
What, no doughnuts? No doughnuts. Hmph! | 0:15:00 | 0:15:07 | |
Yuck! You need a knife and fork! | 0:15:08 | 0:15:11 | |
You shared Patty's dressing room. What was she like? | 0:15:11 | 0:15:16 | |
OK. OK?! A creep! | 0:15:16 | 0:15:19 | |
What? A tramp! And her private life? | 0:15:19 | 0:15:23 | |
Nobody knew much about that. She wouldn't have won popularity contests. | 0:15:23 | 0:15:29 | |
If nobody knew much about her, why was she so unpopular? | 0:15:29 | 0:15:33 | |
Knew her a little - you didn't like her. Knew her good - you despised her. | 0:15:33 | 0:15:40 | |
We're trying to find her killer. If there's any co-operation you can give us... | 0:15:40 | 0:15:47 | |
Oh, tell him! I can't drink more coffee. | 0:15:47 | 0:15:51 | |
I never got a good look at him! Who? | 0:15:51 | 0:15:54 | |
The guy who picked her up. That night? | 0:15:54 | 0:15:59 | |
We left the club together. There was a fella waiting for her. They drove off. | 0:15:59 | 0:16:06 | |
What did he look like? | 0:16:06 | 0:16:09 | |
Well...he was sort of average build. | 0:16:09 | 0:16:14 | |
He had a grey topcoat, a brown hat and smoked a pipe. | 0:16:14 | 0:16:19 | |
See his face? They drove off too quick. | 0:16:19 | 0:16:23 | |
What kind of car? A dark, new sedan. I don't know what kind. | 0:16:23 | 0:16:30 | |
Get the licence number? What for?! | 0:16:30 | 0:16:34 | |
-It's 6 days and the Police don't have much. -Only a vague description of the man who picked her up. | 0:16:34 | 0:16:42 | |
-Think they'll develop anything from that? -I doubt it. It's not much of a lead. | 0:16:42 | 0:16:48 | |
Well, I think I'm ready to risk it now. What about you? | 0:16:50 | 0:16:55 | |
I can easily make myself the man in the grey coat and brown hat. I even drive a dark car. | 0:16:55 | 0:17:03 | |
We must remember that any evidence we plant MUST be things that COULD happen to any innocent suspect. | 0:17:03 | 0:17:10 | |
-What about Susan? Do we let her in? -I'd rather not. | 0:17:10 | 0:17:15 | |
The police are certain to question her. Under pressure, she might let something slip. | 0:17:15 | 0:17:21 | |
-Seems like an awful thing to do! -She loves you. She'd NEVER believe you did it. -Hope you're right. | 0:17:21 | 0:17:28 | |
-She'd try to help. -Just you see she doesn't try hard or we might have trouble getting me convicted! | 0:17:28 | 0:17:36 | |
-What's the next move? -What about an evening of cultural entertainment? | 0:17:36 | 0:17:42 | |
Didn't some of these girls share a dressing room with Patty Gray? | 0:17:47 | 0:17:53 | |
-Yes...Terry Larue and this blonde, Dolly Moore. -How do you know? | 0:17:53 | 0:17:59 | |
-Charlie Miller said so. -Oh. | 0:17:59 | 0:18:02 | |
-May I take your things? -Any time! | 0:18:04 | 0:18:08 | |
-The HAT. -Oh(!) | 0:18:08 | 0:18:11 | |
SMOOCHY MUSIC PLAYED ON CLARINET | 0:18:11 | 0:18:17 | |
APPRECIATIVE MALE LAUGHTER | 0:18:17 | 0:18:24 | |
-What impression did you get about her from Charlie? -No genius, but not stupid, either. | 0:18:24 | 0:18:31 | |
WOLF WHISTLES | 0:18:33 | 0:18:36 | |
LOUD APPLAUSE AND WOLF WHISTLES | 0:18:55 | 0:18:59 | |
What'll you have? | 0:18:59 | 0:19:01 | |
-Do you have any suggestions as to how I might meet Miss Moore? -The artists don't date customers. | 0:19:01 | 0:19:09 | |
The artists eat across the road. | 0:19:13 | 0:19:16 | |
Scotch and soda, please. | 0:19:27 | 0:19:30 | |
JAZZ MUSIC PLAYS | 0:20:11 | 0:20:16 | |
-Oh... -You drunken crumb! -I'm terribly sorry! | 0:20:17 | 0:20:21 | |
-Having a good time? -I was only trying to help... -Who? You or me? | 0:20:21 | 0:20:28 | |
-Well, could I pay for the damage I've done? -That's the least you can do. | 0:20:31 | 0:20:38 | |
-I don't seem to have much... -Wouldn't you know! | 0:20:40 | 0:20:45 | |
Atchoo!... I'm sorry! | 0:20:45 | 0:20:49 | |
-Well, could I get in touch? -You've touched enough already. | 0:20:49 | 0:20:54 | |
I apologise for the trouble I've caused you. | 0:20:54 | 0:20:58 | |
I think he's a doll! Crumb! | 0:21:01 | 0:21:05 | |
-Grey tweed looks particularly well on you, sir. -That's fine. | 0:21:05 | 0:21:10 | |
-I'll take it. How much is it? -That'll be 39.50. -I'll just wear it. | 0:21:10 | 0:21:17 | |
-There you are. -Thank you, sir. I'll get your change and receipt. | 0:21:19 | 0:21:24 | |
OK. | 0:21:27 | 0:21:29 | |
-Wait a minute. Why don't you get in the picture - in the mirror? -Good idea. | 0:21:29 | 0:21:36 | |
This ought to be about right. | 0:21:37 | 0:21:40 | |
-Can you direct me to Miss Moore's room, please? -Room 2. -Thank you. | 0:21:46 | 0:21:52 | |
-Hi! I'll be back in a minute. -I was looking for Dolly Moore. -Oh! | 0:22:01 | 0:22:07 | |
You again! Get lost! | 0:22:12 | 0:22:15 | |
I hate to bother you, but I told you I want to pay for that outfit I ruined. | 0:22:15 | 0:22:21 | |
-So, if you'd tell me how much it cost... -I don't remember, but it was very expensive, of course. | 0:22:26 | 0:22:34 | |
Of course! Would, say... 100 cover it? | 0:22:34 | 0:22:39 | |
Well, it probably cost more, but I'm not greedy like some girls. | 0:22:39 | 0:22:44 | |
I'm sorry I lost my temper, but... | 0:22:44 | 0:22:48 | |
-..my performances are VERY tiring. -I can imagine! | 0:22:48 | 0:22:53 | |
Just to show no hard feelings would you let me buy you dinner? | 0:22:53 | 0:22:58 | |
-I...don't usually... -I understand. Ever been to the Continental? | 0:22:58 | 0:23:03 | |
Hey... I hear that's a real CLASSY place! | 0:23:04 | 0:23:08 | |
-It's very nice. Would you like to go there tomorrow? -Say!... You're all right! | 0:23:08 | 0:23:15 | |
So are you. See you tomorrow. | 0:23:15 | 0:23:18 | |
-Good night. -> | 0:23:21 | 0:23:23 | |
Goodbyeee! | 0:23:23 | 0:23:25 | |
Cheers! | 0:23:27 | 0:23:30 | |
Hello. | 0:23:39 | 0:23:41 | |
You look ABSOLUTELY wonderful! | 0:23:41 | 0:23:44 | |
You've neglected me, so I'm showing you what you've been missing. | 0:23:44 | 0:23:49 | |
-What can I fix you to drink? -Oh...sherry. | 0:23:49 | 0:23:54 | |
-How's the book progressing? -Oh, it's...coming along. | 0:23:54 | 0:23:59 | |
-A lot of research involved. -I'll try to keep your mind off it. What do you want to do after dinner? | 0:23:59 | 0:24:06 | |
I know what I'd LIKE to do! | 0:24:06 | 0:24:09 | |
But I have to get back to work. You asked me to write fast. | 0:24:09 | 0:24:14 | |
-I wish it were finished! -So do I! I don't enjoy this anymore than you. | 0:24:14 | 0:24:20 | |
-Do you believe that, Father? -Hate to think he was having a good time. | 0:24:20 | 0:24:26 | |
-Hello. -Oh... Hi! | 0:24:29 | 0:24:32 | |
-All right if I wait here for Dolly? -If you're in a hurry, I'm ready. | 0:24:32 | 0:24:37 | |
-Thanks for the offer. -Anytime. | 0:24:37 | 0:24:40 | |
-Cigarette? -No, thanks. | 0:24:40 | 0:24:43 | |
-What's this? -Body make-up. | 0:24:44 | 0:24:47 | |
-Do you all use the same kind? -Uh-huh. Why? | 0:24:49 | 0:24:53 | |
-Did Patty Gray use this kind? -Yeah. Did you know Patty? -No. | 0:24:53 | 0:24:59 | |
Just curious. Her hair wasn't like yours and Dolly's. | 0:24:59 | 0:25:03 | |
How do you know it wasn't? | 0:25:03 | 0:25:05 | |
Her picture was all over the papers. | 0:25:05 | 0:25:08 | |
Lot of good her publicity does her now! | 0:25:08 | 0:25:12 | |
-Give me a hand with this. -Sure. Have more trouble getting into it than getting out, huh? -True! | 0:25:24 | 0:25:31 | |
-Hello, Dolly. -You two having a good time? Just entertaining him. | 0:25:31 | 0:25:37 | |
I can do my OWN entertaining! | 0:25:37 | 0:25:41 | |
Can't I? | 0:25:44 | 0:25:46 | |
SUSAN: "A rising young author, whose initials are Tom Garrett, | 0:25:46 | 0:25:51 | |
"was seen with a dazzling blonde last night at the Continental. | 0:25:51 | 0:25:56 | |
"We wonder what Susan Spencer thinks of this" | 0:25:56 | 0:26:00 | |
-Is this "research"? -Don't get upset... | 0:26:00 | 0:26:04 | |
It's natural for you to celebrate OUR engagement with some blonde(!) Have a good time? | 0:26:04 | 0:26:11 | |
-I'm trying to write a book. -About women? -That is part of it. | 0:26:11 | 0:26:17 | |
Oh, Tom! I'm hardly a prude and I think I'm...reasonably modern. | 0:26:17 | 0:26:21 | |
If you're giving your ego a fling, have fun. But dishonesty? Not with me! | 0:26:21 | 0:26:28 | |
-Susan, this is something I HAVE to do. -All right. Give me one good reason why. | 0:26:28 | 0:26:34 | |
I...can't explain it NOW. But you'll understand it later. Just trust me. | 0:26:34 | 0:26:41 | |
You were on Page 4 three weeks ago and you're on Page 4 now! | 0:26:41 | 0:26:46 | |
-Slow writer! You don't write at all. -Susan, there's a point to all this. | 0:26:46 | 0:26:51 | |
I've just got it. You're obviously distracted enough without me. | 0:26:51 | 0:26:57 | |
I'll make things easy for you. You wanted a postponement? Oh, dear boy...you've GOT ONE! | 0:26:57 | 0:27:04 | |
-She was pretty sore. -It's no fit of temper. She means it. -I know. What could I do? | 0:27:12 | 0:27:19 | |
-We agreed not to tell her. -But I don't want to see your happiness or hers jeopardized. | 0:27:19 | 0:27:25 | |
Neither do I! | 0:27:25 | 0:27:28 | |
But I think it will be all right when we tell her what we're doing. | 0:27:28 | 0:27:33 | |
-You're sure this is where they found her? -Oh, yes. | 0:27:39 | 0:27:43 | |
There were enough pictures of it in the newspapers. | 0:27:43 | 0:27:48 | |
They found the body down there. | 0:27:51 | 0:27:54 | |
I hope the police find this. I'm sentimental about it. | 0:27:59 | 0:28:04 | |
Can you get the paper's date in? | 0:28:09 | 0:28:12 | |
If I get close enough. | 0:28:12 | 0:28:14 | |
They ought to find it in there. | 0:28:23 | 0:28:25 | |
-When shall we work on the car? -Tonight, after dinner with Dolly. | 0:28:25 | 0:28:31 | |
Has she seen you in the coat yet? | 0:28:31 | 0:28:34 | |
She will tonight. | 0:28:34 | 0:28:37 | |
There you are. | 0:28:45 | 0:28:47 | |
Pretty good. | 0:28:47 | 0:28:50 | |
Thanks for dinner. Sorry I don't have more time. | 0:28:54 | 0:28:59 | |
-How about later? We could go for a drive. -Sounds great. Hey, we'll be late! | 0:28:59 | 0:29:05 | |
-See you later. Night. -Night. | 0:29:05 | 0:29:08 | |
Want a candy? Uh uh. | 0:29:08 | 0:29:11 | |
Hey, Terry! Quit digging the scenery. | 0:29:32 | 0:29:36 | |
I thought we were late! | 0:29:36 | 0:29:38 | |
How much do you know about HIM? Best score I've made in ages. | 0:29:38 | 0:29:44 | |
Maybe you shouldn't get so chummy with him. And watch YOU move in?! | 0:29:44 | 0:29:51 | |
No kidding. Remember poor Patty. Come on! | 0:29:51 | 0:29:57 | |
You notice what he was wearing? | 0:30:01 | 0:30:04 | |
Grey tweed coat, brown hat, and how about that new black car? | 0:30:04 | 0:30:11 | |
Your head's draughty! He's got class. | 0:30:11 | 0:30:15 | |
So, why's he with you? Why not me? | 0:30:15 | 0:30:18 | |
I didn't mean... No?! | 0:30:18 | 0:30:21 | |
Aw, you figure it. His looks and dough - what's he shopping around the basement for? | 0:30:21 | 0:30:29 | |
You got...! Here's the aspirin I owe you. I like to keep my credit good. | 0:30:29 | 0:30:36 | |
She for real?! | 0:30:36 | 0:30:39 | |
He DID ask me to go for a ride later. | 0:30:39 | 0:30:44 | |
Remember that last ride Patty took! | 0:30:44 | 0:30:48 | |
I guess it won't hurt to play safe. | 0:30:48 | 0:30:53 | |
But if you try to move in, I'll put you in bandages. | 0:30:57 | 0:31:02 | |
I'll call that Lieutenant Kennedy. | 0:31:02 | 0:31:05 | |
The police will naturally look for Patty Gray's fingerprints. | 0:31:13 | 0:31:18 | |
-We can't give them hers, but it may make them suspicious to find none. -Give them something to think about. | 0:31:18 | 0:31:25 | |
I bought this body make-up today. Here's a dated sales slip. Better keep it with the pictures. | 0:31:32 | 0:31:39 | |
Ready? | 0:31:52 | 0:31:54 | |
Just a second. | 0:31:54 | 0:31:57 | |
OK. | 0:31:57 | 0:31:59 | |
I'll rub most of this stuff off. | 0:32:04 | 0:32:07 | |
I'm sure enough of it will stick in the seams. | 0:32:07 | 0:32:13 | |
-All through? -Not quite. | 0:32:23 | 0:32:25 | |
Hey... | 0:32:31 | 0:32:33 | |
Pretty good! | 0:32:36 | 0:32:38 | |
This is a very important item(!) I hope it's the right size. | 0:32:38 | 0:32:43 | |
Now, hold it! | 0:32:51 | 0:32:54 | |
Well...that should do it. | 0:32:58 | 0:33:01 | |
Oh, Austin, you'd better take that bottle, the rag and the gloves. | 0:33:03 | 0:33:08 | |
-I can't have those found here. -OK. | 0:33:08 | 0:33:13 | |
Tom, are you SURE you want to go through with this? | 0:33:16 | 0:33:21 | |
We're into it too far. | 0:33:21 | 0:33:24 | |
I couldn't back out now if I wanted to. | 0:33:24 | 0:33:29 | |
Gee, if the guy's OK, I don't want him sore at me! | 0:33:36 | 0:33:41 | |
We'll be very discreet. You just act normal and don't be afraid. | 0:33:41 | 0:33:47 | |
We'll be watching you. | 0:33:47 | 0:33:50 | |
-What are we doing here? -It's a nice view up here. I thought you might like it. | 0:34:28 | 0:34:34 | |
Yeah... It's very pretty. Let's go back! | 0:34:34 | 0:34:39 | |
-What's your hurry? -Er... I'm tired. | 0:34:39 | 0:34:43 | |
Now just relax. You'll feel better. | 0:34:43 | 0:34:48 | |
I don't want to. | 0:34:49 | 0:34:51 | |
You will! | 0:34:51 | 0:34:54 | |
STOP IT! Let me go! | 0:34:54 | 0:34:57 | |
All right. Unwind! | 0:34:58 | 0:35:01 | |
What do you want? | 0:35:02 | 0:35:04 | |
Lieutenant Kennedy - Homicide. | 0:35:04 | 0:35:07 | |
-You've been asking me questions for 4 hours now. -We're investigating a homicide! | 0:35:08 | 0:35:14 | |
I told you, I never knew the girl, | 0:35:14 | 0:35:17 | |
or anything about her! | 0:35:17 | 0:35:19 | |
What were you doing Wednesday evening, the 9th of this month? | 0:35:19 | 0:35:24 | |
-That was 3 weeks ago! -Not a long time. | 0:35:24 | 0:35:28 | |
-Can you remember what YOU were doing that night? -I -am asking the questions. | 0:35:28 | 0:35:35 | |
-I can't recall what I did. -Try. | 0:35:35 | 0:35:38 | |
I think I went to the movies. | 0:35:45 | 0:35:48 | |
-At what time? -I went to the late show - about 11 o'clock. | 0:35:48 | 0:35:55 | |
Then I went home to bed. What's that got to do with it? | 0:35:55 | 0:35:59 | |
-Did you go alone? -Yes. | 0:35:59 | 0:36:02 | |
-Can you substantiate it? -How can I? I went alone! You'll just have to take my word for it. | 0:36:02 | 0:36:09 | |
Thank you, Mr Garrett. Please wait outside. | 0:36:09 | 0:36:14 | |
-Are you through with Dolly Moore, Roy? -You can send her home. | 0:36:19 | 0:36:26 | |
-Watch your step on this case, Roy. -Meaning what? | 0:36:29 | 0:36:34 | |
He's Spencer's future son-in-law. | 0:36:34 | 0:36:36 | |
Everyone knows Spencer opposes you on capital punishment. | 0:36:36 | 0:36:41 | |
If the idea ever gets started that you're prosecuting Garrett to get back at Spencer... | 0:36:41 | 0:36:48 | |
This case can be the biggest step I've ever made, if handled right. | 0:36:48 | 0:36:53 | |
And I WILL handle it right. | 0:36:55 | 0:36:57 | |
-I'll send out for coffee if you want some. -I don't expect to be here long. | 0:37:10 | 0:37:17 | |
Take him downstairs, Joe. Pete's waiting to book him. | 0:37:18 | 0:37:23 | |
-You're booking me, Thompson? -That's right, Mr Garrett. -For what? -Suspicion of murder. | 0:37:30 | 0:37:38 | |
I wear a grey topcoat, drive a black car and a dancer gets suspicious. | 0:37:38 | 0:37:44 | |
-So, you're booking me for murder?! -There's more to it. -What more? | 0:37:44 | 0:37:49 | |
I'm not going to try the case here, Mr Garrett. I'll do that in court. | 0:37:49 | 0:37:54 | |
Let's go, Garrett. | 0:37:54 | 0:37:57 | |
SUSAN: You know Tom had nothing to do with this! | 0:37:59 | 0:38:03 | |
-If you're going to be honest, insist the police find the REAL murderer. -No newspaper can do that. | 0:38:03 | 0:38:10 | |
-Once a case starts, we only report. -I can't understand your attitude. | 0:38:10 | 0:38:15 | |
I can't pre-judge. That's what trials are for. | 0:38:15 | 0:38:20 | |
Did you run down his background? | 0:38:20 | 0:38:22 | |
Yeah. He went to college in Michigan. | 0:38:22 | 0:38:25 | |
Apparently ran out of money and had to quit. | 0:38:25 | 0:38:29 | |
Worked on a Chicago newpaper, then for Spencer. Quit to write a novel. But none of this helps us much. | 0:38:29 | 0:38:37 | |
Maybe you'd better have a talk with Austin Spencer and daughter. | 0:38:37 | 0:38:42 | |
-I wish you'd ask someone else to do that, Roy. -Why? | 0:38:42 | 0:38:47 | |
Well, I used to know Susan Spencer. We went together for a while. | 0:38:47 | 0:38:52 | |
-What happened? -Nothing happened. I guess she just wasn't interested. | 0:38:52 | 0:38:58 | |
Were you?... And still? | 0:38:58 | 0:39:02 | |
Well then, she'll understand you're just doing your job. | 0:39:04 | 0:39:09 | |
Sure. | 0:39:09 | 0:39:12 | |
This is very difficult for all of us. But if you can shed any light... | 0:39:14 | 0:39:19 | |
-Did you know, or suspect, Garrett's relationship with Patty Gray? -No! | 0:39:19 | 0:39:25 | |
I knew nothing. I'm not protecting him. | 0:39:25 | 0:39:29 | |
But you're engaged. We broke it off. Why? | 0:39:29 | 0:39:35 | |
Nothing to do with the case, but I realised that he wasn't for me. | 0:39:35 | 0:39:41 | |
What reason had he for this crime? | 0:39:41 | 0:39:43 | |
Thompson believes he had some sort of clandestine affair with the girl. | 0:39:43 | 0:39:49 | |
He couldn't get rid of her and... | 0:39:49 | 0:39:51 | |
Ridiculous. I AM disillusioned about Tom for personal reasons, but he's certainly no murderer! | 0:39:51 | 0:39:58 | |
Then, I have to tell you that a gold cigarette lighter, inscribed, "To Tom from Susan", | 0:39:58 | 0:40:04 | |
has been found by the police. | 0:40:04 | 0:40:07 | |
It was near where the body was discovered. Do you know anything about the lighter? | 0:40:07 | 0:40:13 | |
I gave it to him. Now, will you help me if you can? | 0:40:13 | 0:40:20 | |
Neither of us has any information that would substantiate Tom Garrett's guilt. | 0:40:20 | 0:40:27 | |
Forgive me for troubling you. I'm sorry, Susan. Goodbye. | 0:40:28 | 0:40:34 | |
Murder, after all, can be committed by anyone: rich or poor; successful or unsuccessful; famous or unknown. | 0:40:36 | 0:40:44 | |
But I will demonstrate | 0:40:44 | 0:40:46 | |
that Tom Garrett IS a murderer beneath his intellectual, cultured exterior. | 0:40:46 | 0:40:52 | |
He was moved by brutal impulses which induced him to commit, | 0:40:52 | 0:40:57 | |
deliberately and premeditatedly, a brutal murder. | 0:40:57 | 0:41:01 | |
I will prove it as the law requires, beyond a reasonable doubt. | 0:41:01 | 0:41:06 | |
Before the murder, Patty Gray said she didn't want to room with you. | 0:41:06 | 0:41:11 | |
-You also testified that she had lots of money. Correct? -Yes, sir. | 0:41:11 | 0:41:16 | |
She took it out of her purse and flashed it around in front of me. | 0:41:16 | 0:41:21 | |
How much money did she have? | 0:41:21 | 0:41:24 | |
I couldn't say for sure, but there must have been at least 2 or 3,000 dollars! | 0:41:24 | 0:41:30 | |
-Did she say where she got it? -No. I asked, but all she said was, "Wouldn't you like to know?" | 0:41:30 | 0:41:38 | |
I said I would, but she didn't say! | 0:41:38 | 0:41:40 | |
PEOPLE LAUGH | 0:41:40 | 0:41:43 | |
There you are. It didn't go too badly today. | 0:41:44 | 0:41:48 | |
I made it clear Tom's grey coat is a popular model worn by thousands of other men. | 0:41:48 | 0:41:55 | |
The dancers didn't help Thompson! | 0:41:55 | 0:41:58 | |
I pointed out that Terry Larue's description of the man could apply to lots of men. | 0:41:58 | 0:42:06 | |
I think you made your point. They're showing highlights on TV. | 0:42:06 | 0:42:11 | |
Let's see how it looked today. | 0:42:11 | 0:42:14 | |
'Following Miss Larue's testimony, | 0:42:20 | 0:42:24 | |
'District Attorney Thompson put John Higgins, a police laboratory technician, on the stand...' | 0:42:24 | 0:42:30 | |
You're an expert on fingerprints. Is it likely, in the ordinary cleaning of a car, | 0:42:30 | 0:42:37 | |
-that ALL fingerprints would be removed? -I think that would be VERY unusual. | 0:42:37 | 0:42:44 | |
So, cleaning a car in such a way would indicate a desire to remove fingerprints | 0:42:44 | 0:42:50 | |
-more than a cleanliness fixation? -< Objection! | 0:42:50 | 0:42:55 | |
Mr Thompson is attempting to draw conclusions. | 0:42:55 | 0:42:59 | |
I withdraw the question. This is a conclusion which should be made by the jury. | 0:42:59 | 0:43:06 | |
Thompson is talented at making minor points seem important. | 0:43:09 | 0:43:14 | |
'Later in the day... | 0:43:14 | 0:43:16 | |
'..Dolly Moore came to the stand.' | 0:43:16 | 0:43:18 | |
The police laboratory technician has testified that make-up traces were found in the defendant's car. | 0:43:18 | 0:43:26 | |
It has been identified as Foster's Make-up Number 9. | 0:43:26 | 0:43:31 | |
-Do you know which brand Miss Gray used? -Foster's Number 9. | 0:43:31 | 0:43:36 | |
-Did she ever use another kind? -No, sir. | 0:43:36 | 0:43:40 | |
'The defendant didn't seem too concerned by this testimony. | 0:43:40 | 0:43:45 | |
'He maintained the same calm that he has displayed from the start. | 0:43:45 | 0:43:50 | |
'We have presented highlights of today's session at the Garrett trial. Be with us...' | 0:43:50 | 0:43:57 | |
Thompson didn't make much of the body make-up. | 0:43:58 | 0:44:03 | |
Yes, that worries me. | 0:44:03 | 0:44:05 | |
I didn't expect him to make so little of it. | 0:44:05 | 0:44:10 | |
He must have something up his sleeve. | 0:44:10 | 0:44:13 | |
-And when did you give this lighter to the defendant, Miss Spencer? -May 7th. -Two days before the murder. | 0:44:13 | 0:44:21 | |
Mmmm... | 0:44:21 | 0:44:24 | |
-What did the lighter cost? -275 dollars. | 0:44:24 | 0:44:28 | |
Do you recall when you last saw it in the possession of the defendant? | 0:44:28 | 0:44:33 | |
Miss Spencer, I ask you again: when did you last see this lighter in the defendant's possession? | 0:44:41 | 0:44:48 | |
I don't remember. | 0:44:48 | 0:44:51 | |
I don't know how it got there. I'd lost it... Whoever found it must have dropped it there. | 0:44:52 | 0:44:59 | |
Patty Gray used a brand of make-up, particles of which were in your car. | 0:44:59 | 0:45:04 | |
-Was Patty Gray ever in your car? -No. I never met her. | 0:45:04 | 0:45:08 | |
Dolly Moore has been in my car. She has to wear body make-up. It must have rubbed off her. | 0:45:08 | 0:45:15 | |
I'm sure that explains it(!) | 0:45:16 | 0:45:19 | |
It was also testified that the man who drove off with Patty was smoking a pipe. | 0:45:19 | 0:45:25 | |
Have you ever smoked a pipe? | 0:45:25 | 0:45:28 | |
I have never smoked a pipe - at any time. | 0:45:28 | 0:45:33 | |
You want us to believe you lost the lighter | 0:45:33 | 0:45:37 | |
-between the time Miss Spencer gave it you and the murder - a space of 2 DAYS? -It's true. | 0:45:37 | 0:45:44 | |
-And you and Susan became engaged 2 DAYS before the murder? -I don't see the connection. | 0:45:44 | 0:45:50 | |
Might there not be a connection? | 0:45:50 | 0:45:53 | |
If you had to be rid of Miss Gray to fulfil obligations to Miss Spencer? | 0:45:53 | 0:45:59 | |
-Your Honour, I object STRONGLY... -OK, Mr Wilson! Question withdrawn. | 0:45:59 | 0:46:04 | |
Did you file an insurance claim | 0:46:04 | 0:46:07 | |
for the loss of this valuable lighter which you now allege to have lost so innocently? | 0:46:07 | 0:46:14 | |
Er...no, I guess not. | 0:46:14 | 0:46:18 | |
Oh...yesterday's transcript. | 0:46:21 | 0:46:24 | |
Mr Garrett, yesterday, attempting to explain the absence of fingerprints in your car, | 0:46:24 | 0:46:31 | |
you testified - and I quote... | 0:46:31 | 0:46:35 | |
"What's so unusual about that? I am VERY fussy about my car and keep it clean at all times." | 0:46:37 | 0:46:45 | |
That's true. | 0:46:45 | 0:46:48 | |
With such a fetish for neatness, | 0:46:48 | 0:46:51 | |
how do you explain the fact that a woman's stocking was found in your car's glove compartment? | 0:46:51 | 0:46:58 | |
Well...some time ago, a lady friend got a run in her stocking. She took it off and put it in there. | 0:46:58 | 0:47:06 | |
-Who was the lady? -I don't remember. | 0:47:06 | 0:47:10 | |
I believe it was someone I met at a party. I merely drove her home. | 0:47:10 | 0:47:16 | |
-You testified you never smoked a pipe. -That's right. | 0:47:16 | 0:47:20 | |
-You may have forgotten. -I certainly remember if I ever smoked a pipe. -Really? Perhaps not. | 0:47:20 | 0:47:27 | |
-But you can't remember what you did the night of the murder? -I went to the movies! -Oh, the movies! | 0:47:27 | 0:47:34 | |
-Alone? That's your claim, isn't it? -It's the truth. | 0:47:34 | 0:47:39 | |
Is there a pipe-smoker among the gentlemen of the jury? | 0:47:39 | 0:47:43 | |
Will you please fill and light your pipe for us? Stand up so they can all see. | 0:47:43 | 0:47:51 | |
One moment, please. May I? | 0:48:02 | 0:48:04 | |
You will recall it's been testified the man last seen with Patty Gray was smoking a pipe. | 0:48:07 | 0:48:14 | |
Note the circular stain on the back of this match cover used by your fellow juror. | 0:48:14 | 0:48:20 | |
You'll notice similar stains | 0:48:20 | 0:48:22 | |
on these match covers found in the garage of the defendant. | 0:48:22 | 0:48:28 | |
And you have NEVER smoked a pipe, Mr Garrett? | 0:48:28 | 0:48:33 | |
I've told you that. I DO have visitors occasionally, however. Some of them smoke pipes. | 0:48:33 | 0:48:40 | |
-I guess that would explain how the match covers became stained. -I doubt it very much, Mr Garrett. | 0:48:40 | 0:48:48 | |
Now, Miss Williams has testified that Patty Gray had a large sum of money with her, maybe 3,000. | 0:48:48 | 0:48:56 | |
Have you any idea how she might have obtained it? | 0:48:56 | 0:49:00 | |
How would I know? I've told you, I know nothing about Patty Gray. | 0:49:00 | 0:49:05 | |
But our investigation of your bank records | 0:49:05 | 0:49:09 | |
discloses that 2 days before the murder, you withdrew 3,000 from your account. | 0:49:09 | 0:49:16 | |
-Did you give it to Patty Gray? -I certainly did not! | 0:49:16 | 0:49:21 | |
Then why did you withdraw 3,000? | 0:49:21 | 0:49:24 | |
Not that it concerns you, but I withdrew the money to purchase an engagement ring. | 0:49:24 | 0:49:30 | |
So why did you re-deposit 2,800 three days later? | 0:49:30 | 0:49:35 | |
-Did you purchase a ring for 200? -I didn't puchase an engagement ring. | 0:49:35 | 0:49:40 | |
My engagement was...postponed. | 0:49:40 | 0:49:44 | |
You didn't withdraw the money to give to Miss Gray | 0:49:44 | 0:49:49 | |
-then later ransack her apartment and re-deposit the money? -No! It was a coincidence. | 0:49:49 | 0:49:55 | |
Another coincidence, Mr Garrett?! That's your explanation for ALL the evidence in this case. | 0:49:55 | 0:50:02 | |
Well, now let's move on to another...er...coincidence. | 0:50:02 | 0:50:07 | |
Other than Miss Gray and Miss Moore can you say which other performers have been in your car? | 0:50:07 | 0:50:13 | |
-Miss Gray was never in my car. I NEVER met her. -Ah, yes. Yes. | 0:50:13 | 0:50:18 | |
Well, other than Dolly Moore, how many others? | 0:50:18 | 0:50:22 | |
There were no others. | 0:50:22 | 0:50:25 | |
-With the Court's permission, I would like to excuse this witness and recall Miss Moore. -You may. | 0:50:25 | 0:50:32 | |
Miss Moore, please. | 0:50:32 | 0:50:35 | |
HER STILETTO HEELS CLICK ACROSS THE FLOOR | 0:50:35 | 0:50:39 | |
You realise that you're still testifying under oath? Yes, sir. | 0:50:39 | 0:50:45 | |
Miss Moore, the defendant has said that the particles of body make-up, found in his car, rubbed off you. | 0:50:45 | 0:50:53 | |
-Don't you believe it. I always take off my body make-up BEFORE I leave the club. -I see. | 0:50:53 | 0:51:01 | |
-Was this Miss Gray's habit also? -No, just the opposite. She waited until she got home to take it off. | 0:51:01 | 0:51:08 | |
The body make-up, I mean. TITTERS | 0:51:08 | 0:51:12 | |
Thank you. | 0:51:12 | 0:51:14 | |
MUTTERING FROM THE JURY | 0:51:14 | 0:51:20 | |
RADIO: 'The jury resumed their deliberations this morning. | 0:51:23 | 0:51:31 | |
'Although there is no indication of when they'll deliver their verdict, | 0:51:31 | 0:51:36 | |
'most observers think a decision may be expected this morning. | 0:51:36 | 0:51:41 | |
'Court sessions usually open at 10am. | 0:51:41 | 0:51:44 | |
'But, before 9am, spectators and the press had already begun congregating outside the court-house. | 0:51:44 | 0:51:52 | |
'The trial of Tom Garrett has been attracting increasingly wide attention... | 0:51:52 | 0:51:58 | |
'..At the time of his arrest, Garrett was working on his second novel.' | 0:52:11 | 0:52:16 | |
Aaaagh! | 0:52:18 | 0:52:20 | |
'..And so the fate of Tom Garrett today rests solely in the hearts and minds of 12 jurors.' | 0:52:28 | 0:52:35 | |
-Hello, Jonathan. -Hello, don't get up. | 0:52:37 | 0:52:41 | |
-Jury still out? -Yes. | 0:52:41 | 0:52:44 | |
Relax Jonathan. You're not on trial. Getting upset won't help at all. | 0:52:44 | 0:52:49 | |
-They've been out 2 days. I'm worried. -So am I, but I can't do anything. Neither can you. So, take it easy. | 0:52:49 | 0:52:57 | |
What's the trouble, Jonathan? I've never seen you like this. | 0:52:58 | 0:53:03 | |
-You've got enough troubles. -Come on...something's on your mind. What is it? | 0:53:03 | 0:53:12 | |
I didn't want to burden you with it, but you'll have to know sooner or later. | 0:53:12 | 0:53:18 | |
Austin Spencer was killed today in an automobile accident. | 0:53:18 | 0:53:23 | |
That's impossible! | 0:53:23 | 0:53:27 | |
It's a great shock to me, too! | 0:53:27 | 0:53:29 | |
-But he's GOT to be alive! -We just have to face it... -No! Everything depends on him! | 0:53:29 | 0:53:36 | |
-I don't... -Austin's the only one who knows I didn't kill that girl! -What? | 0:53:36 | 0:53:42 | |
He was in on the whole thing. We planted the evidence together, AFTER the murder! | 0:53:42 | 0:53:49 | |
The lighter, the stocking... everything. It was all a plan... | 0:53:49 | 0:53:53 | |
In view of this extraordinary revelation by Mr Garrett, | 0:53:53 | 0:53:58 | |
I move that the case be re-opened for the submission of new evidence. | 0:53:58 | 0:54:03 | |
This is OBVIOUSLY the frantic effort of a desperate man. | 0:54:04 | 0:54:10 | |
It is HIGHLY significant that Mr Garrett comes up with this story NOW after Mr Spencer's death. | 0:54:10 | 0:54:18 | |
To re-open the trial at this point would be a travesty of our judicial process. | 0:54:18 | 0:54:24 | |
-The State opposes such a motion. -I am inclined to agree with you. | 0:54:24 | 0:54:29 | |
However, the Court is cognisant that a man's life is at stake here. | 0:54:29 | 0:54:35 | |
I'll give the defence the chance to present | 0:54:35 | 0:54:38 | |
tangible, corroborative evidence in support of this motion. The jury's verdict will be withheld. | 0:54:38 | 0:54:47 | |
He said the pictures would be in here! Are you sure he said the safe? | 0:54:47 | 0:54:54 | |
He saw your father put them in. But we'd better check Austin's office, too. | 0:54:54 | 0:55:00 | |
Let's check this desk first. | 0:55:00 | 0:55:03 | |
Rise! | 0:55:21 | 0:55:23 | |
This Court is now in session. | 0:55:24 | 0:55:26 | |
Be seated. | 0:55:26 | 0:55:29 | |
The defence has failed to indicate that it is able to present any further testimony | 0:55:30 | 0:55:37 | |
which could properly be considered new evidence. | 0:55:37 | 0:55:42 | |
The motion to re-open is denied. | 0:55:42 | 0:55:45 | |
WILSON'S WHISPERS ARE INAUDIBLE | 0:55:45 | 0:55:51 | |
Have you reached a verdict? We have, Your Honour. | 0:56:09 | 0:56:13 | |
What is your verdict? | 0:56:13 | 0:56:16 | |
JUROR: We find the defendant guilty of murder in the first degree. | 0:56:16 | 0:56:22 | |
Tom, I've got to know the truth. I can't take any more lies. | 0:56:51 | 0:56:56 | |
I'm not lying, Susan. There WERE pictures. Your father even wrote dates on. | 0:56:56 | 0:57:02 | |
But whose idea was it? | 0:57:02 | 0:57:05 | |
I believe he mentioned it first, then the idea began to intrigue me. | 0:57:05 | 0:57:10 | |
Don't you believe me? | 0:57:10 | 0:57:12 | |
I don't know what to believe now. | 0:57:13 | 0:57:16 | |
You think I could have killed her? | 0:57:16 | 0:57:19 | |
No...I never thought so, but... | 0:57:19 | 0:57:23 | |
Perhaps I can't face the possibility that someone who had been so close might have done such a thing. | 0:57:23 | 0:57:30 | |
I've done nothing to make you doubt me. Find the pictures and you'll know I'm being truthful. | 0:57:30 | 0:57:38 | |
I hope so. | 0:57:40 | 0:57:42 | |
Come to think of it, Father DID behave rather strangely at the time of Tom's arrest. | 0:57:58 | 0:58:05 | |
He was very fond of Tom and yet... he didn't seem as surprised or disturbed as he should have been. | 0:58:05 | 0:58:13 | |
It was almost as if he were... confident - as if he knew something. | 0:58:13 | 0:58:18 | |
If what Tom says is true, that could explain it. | 0:58:19 | 0:58:24 | |
It might be. | 0:58:24 | 0:58:27 | |
But the pictures? What happened to them? We searched everywhere. | 0:58:27 | 0:58:33 | |
Father would never have destroyed them, unless... | 0:58:33 | 0:58:39 | |
..he had them in the car before the accident. | 0:58:39 | 0:58:43 | |
HALE: They were photographs, all right - but charred beyond recognition. | 0:58:43 | 0:58:49 | |
< The lab couldn't determine what was on them. But there must be negatives. | 0:58:49 | 0:58:57 | |
He used a self-developing camera - no negatives. | 0:58:57 | 0:59:02 | |
Isn't this enough? No, they're just remnants. But now we know he isn't lying. | 0:59:02 | 0:59:08 | |
These could be of anything. But Tom COULDN'T have known about the pictures in the car. | 0:59:08 | 0:59:15 | |
That's more than just a coincidence, Bob. You might be right. | 0:59:15 | 0:59:21 | |
But officially the situation hasn't changed. You don't have REAL evidence. | 0:59:21 | 0:59:27 | |
If you love someone, you must believe in him. | 0:59:27 | 0:59:32 | |
I know, but these remains do not prove his innocence legally. | 0:59:32 | 0:59:37 | |
They do for me. I MUST see him, Bob. | 0:59:37 | 0:59:42 | |
He's gone to the State Prison. That's only an hour away. | 0:59:42 | 0:59:46 | |
A new prisoner in...death row | 0:59:46 | 0:59:51 | |
can't have visitors the first week. | 0:59:51 | 0:59:55 | |
You didn't run much of a story on the denial of Mr Garrett's appeal. | 1:00:27 | 1:00:33 | |
We could only report they denied it. | 1:00:33 | 1:00:36 | |
I want more than that. Use the newspaper - editorials, features... | 1:00:36 | 1:00:42 | |
Anything to raise support. | 1:00:42 | 1:00:45 | |
Miss Spencer, your father said to handle this case normally. | 1:00:45 | 1:00:50 | |
How would he have felt about our taking sides? I own this paper now. | 1:00:50 | 1:00:57 | |
My father's will made provision for a committee to run it, but the executor is away. | 1:00:57 | 1:01:05 | |
The will can't be probated. That leaves things with me. | 1:01:05 | 1:01:09 | |
I'll take responsibility, but you MUST do as I say. | 1:01:09 | 1:01:14 | |
That's quite an editorial. Even Austin never went THAT far! That's the girl you liked? | 1:01:21 | 1:01:28 | |
-I still do! -After this?! | 1:01:28 | 1:01:31 | |
-Don't you have any doubts about Garrett's guilt? -None at all! | 1:01:31 | 1:01:36 | |
-I've NEVER doubted it - neither did the jury. -They do now. | 1:01:36 | 1:01:41 | |
Oh, I've read the interviews with the jurors. I know about the petitions pouring in. | 1:01:41 | 1:01:47 | |
That's because that girl has used the paper to arouse emotions. | 1:01:47 | 1:01:52 | |
She's even got you all steamed up! | 1:01:52 | 1:01:55 | |
But she may get under the Governor's skin. I hear he's been following closely. | 1:01:55 | 1:02:01 | |
I mustn't be swayed emotionally. | 1:02:01 | 1:02:04 | |
Whatever happens has to be based on facts and the law, not feelings. | 1:02:04 | 1:02:09 | |
Perhaps, but it may be that you're hanging yourself politically. | 1:02:09 | 1:02:14 | |
-You may end up as popular as poison-ivy at a picnic. -I can't help that. | 1:02:14 | 1:02:20 | |
-Retreat now and I'm dead. -Wounded, maybe. You're not dead until the Governor pardons him. | 1:02:20 | 1:02:26 | |
We've still got another week before the execution. I want to know more about Miss Gray. | 1:02:27 | 1:02:34 | |
Her last job was in Kansas City. Start there and work back. | 1:02:34 | 1:02:40 | |
-Why? -If we could find any possible connection between Garrett and Patty in the past, | 1:02:40 | 1:02:46 | |
-the Governor COULDN'T pardon him, despite Susan Spencer's stirrings. -You're beating a dead horse. | 1:02:46 | 1:02:54 | |
Nothing about this will be dead until Garrett's executed. Get started. | 1:02:54 | 1:03:01 | |
I've tried everything. I talked to the Governor personally. | 1:03:03 | 1:03:08 | |
He wouldn't do anything? | 1:03:08 | 1:03:11 | |
He'd like to, but he can't do it without new evidence, or some other valid reason for him to step in. | 1:03:11 | 1:03:19 | |
I even tried to get him to postpone it to give us more time, | 1:03:19 | 1:03:24 | |
but he wouldn't do it without a recommendation from Thompson. | 1:03:24 | 1:03:29 | |
Thompson (!) | 1:03:29 | 1:03:31 | |
He wouldn't lift a finger to help me. | 1:03:31 | 1:03:36 | |
Maybe Susan can do something through the paper. | 1:03:37 | 1:03:42 | |
I'm afraid not. Allan Kirk, her father's executor, has returned. He's in charge now. | 1:03:42 | 1:03:48 | |
Tomorrow night? | 1:04:05 | 1:04:08 | |
What time? | 1:04:09 | 1:04:12 | |
11 o'clock. | 1:04:12 | 1:04:15 | |
PIANIST PLAYS JAZZ MUSIC | 1:04:17 | 1:04:22 | |
Out of your territory in Miami, ain't you? A little. | 1:04:25 | 1:04:31 | |
Do you remember a Patty Gray? I don't remember their names. | 1:04:31 | 1:04:37 | |
She worked here once. | 1:04:37 | 1:04:39 | |
What did this mouse look like? | 1:04:39 | 1:04:43 | |
Oh, yeah...her! 6 or 7 years ago. Some dish! She sure threw it around. | 1:04:45 | 1:04:52 | |
What did she do? Waitress. With her build I said it was a waste. | 1:04:52 | 1:04:58 | |
I gave her a chance to show what she had. It was great! Guys drooling all over! | 1:04:58 | 1:05:05 | |
Patty Gray! This was her first dancing job? I gave her her start. | 1:05:05 | 1:05:12 | |
I even named her. She wasn't Patty Gray? You kiddin'? | 1:05:12 | 1:05:18 | |
She was really "Emma Blooker"! A burly queen named Emma Blooker! Ha! | 1:05:18 | 1:05:25 | |
She have family? No. Friends? | 1:05:25 | 1:05:29 | |
Friends?! Emma?! She was out to take everybody. She even tried squeezing me! | 1:05:29 | 1:05:36 | |
I gave her a fast brush. | 1:05:36 | 1:05:39 | |
Served her right - getting mixed up with Robinson. Robinson? > | 1:05:39 | 1:05:45 | |
Who was he? Played the drums in a band. Emma played him for a sucker. | 1:05:45 | 1:05:52 | |
But he was too much for her. He gave her a real rough time. | 1:05:52 | 1:05:56 | |
In what way? Oh, he'd rough her up. | 1:05:56 | 1:06:00 | |
Sometimes for nothing, just to keep in practice. | 1:06:00 | 1:06:04 | |
She finally beat it just to get away from him. But she took off with his dough! | 1:06:04 | 1:06:12 | |
Said he'd get her if it was his last act. Drink? Coke, thanks. | 1:06:12 | 1:06:18 | |
Did he ever find her? Don't know. Never heard from 'em again. | 1:06:18 | 1:06:26 | |
Is this Robinson? | 1:06:29 | 1:06:31 | |
Nah, he was kind of blonde - a little skinny guy, but REAL rough. | 1:06:35 | 1:06:42 | |
You don't remember this guy? Nope...never seen him. | 1:06:42 | 1:06:46 | |
What's this about? Just curious about Patty. She in trouble? | 1:06:46 | 1:06:53 | |
Not any more. | 1:06:53 | 1:06:55 | |
I couldn't find ANY connection between Garrett and this girl, Patty Gray or Emma Blooker. | 1:06:56 | 1:07:04 | |
Might the Governor postpone? If Thompson recommends it. | 1:07:04 | 1:07:09 | |
The first suspect with a motive! | 1:07:09 | 1:07:11 | |
Tom will be set free? No, but it WILL give us time. I've put a tracer on Robinson. | 1:07:11 | 1:07:20 | |
It's strange. I never thought I'd be relying on you like this. | 1:07:20 | 1:07:26 | |
I'm not sure I deserve it, but I'm very grateful. Forget it. | 1:07:26 | 1:07:31 | |
BUZZER | 1:07:31 | 1:07:34 | |
-Yes? -'Are you alone, Bob?' -No, Roy. | 1:07:39 | 1:07:44 | |
Miss Spencer's here. | 1:07:44 | 1:07:46 | |
SOUND OF FOOTSTEPS | 1:07:46 | 1:07:51 | |
-What is it? -Mike Robinson died 4 years ago in Chicago. | 1:07:53 | 1:07:59 | |
I'm sorry, Miss Spencer. | 1:08:03 | 1:08:05 | |
Excuse me, but Mr Wilson is very anxious to see you. | 1:08:12 | 1:08:16 | |
You must forgive me for barging in. Oh, Susan, too! | 1:08:16 | 1:08:20 | |
This is Allan Kirk, Austin Spencer's executor. You tell them. | 1:08:20 | 1:08:26 | |
Mr Spencer's affairs were involved, as you might imagine. | 1:08:26 | 1:08:31 | |
We had to get court orders to open various deposit vaults. We found this, addressed to you. | 1:08:31 | 1:08:38 | |
"This document is handwritten by me, | 1:08:57 | 1:09:01 | |
"to be delivered in the event of Garrett's conviction after my death. | 1:09:01 | 1:09:07 | |
HE CONTINUES READING BUT UNDER HIS BREATH | 1:09:07 | 1:09:11 | |
Is there any question about this being the handwriting of Austin? | 1:09:14 | 1:09:19 | |
Absolutely none. It's definitely his. | 1:09:22 | 1:09:25 | |
Well, it's all here - the dates, the places, the explanations. | 1:09:34 | 1:09:39 | |
He kept a written and photographic record of everything they did. | 1:09:39 | 1:09:44 | |
Garrett has been telling the truth. | 1:09:44 | 1:09:47 | |
-He sent a recommendation to the Governor, notified the press. -Trying to save face at the last(!) | 1:09:47 | 1:09:54 | |
-No, he was sincere. He even arranged for us to meet here, so that I could tell you about the pardon. -Very big! | 1:09:54 | 1:10:02 | |
-Don't be bitter. -But if Thompson had had his way, he'd have kept this pinned on me. -It's over now. | 1:10:02 | 1:10:10 | |
I told him from the start that I'd never even met this girl! | 1:10:10 | 1:10:14 | |
If he hadn't tried so hard to make his name... | 1:10:14 | 1:10:19 | |
He should have said long ago. He should have tried to discover who really killed Emma. | 1:10:19 | 1:10:24 | |
Instead, he put me through this! | 1:10:24 | 1:10:27 | |
-I have nothing to be grateful... -How did you know her name was Emma? | 1:10:27 | 1:10:33 | |
I...read it in the newspaper. | 1:10:34 | 1:10:37 | |
It hasn't been in the newspaper. | 1:10:38 | 1:10:40 | |
I must have heard it from someone! | 1:10:40 | 1:10:43 | |
You killed that girl, didn't you? | 1:10:45 | 1:10:47 | |
You did, didn't you? | 1:10:50 | 1:10:53 | |
Well, this girl... A long time ago. I was just a kid... | 1:10:58 | 1:11:04 | |
We... I had to marry her. I found out later that it was just a trap. | 1:11:04 | 1:11:11 | |
I never lived with her. I gave her lots of money and she promised to go to Mexico and get a divorce. | 1:11:11 | 1:11:19 | |
I never saw or heard of her again until she came back after my book was published. | 1:11:19 | 1:11:26 | |
She hadn't divorced me at all! | 1:11:26 | 1:11:30 | |
But all you thought of was murder? | 1:11:30 | 1:11:33 | |
I didn't at first... I didn't even think about it! | 1:11:33 | 1:11:37 | |
Then your father started talking about capital punishment. He was showing me a way to get rid of her! | 1:11:37 | 1:11:45 | |
Without any risk! | 1:11:45 | 1:11:48 | |
We had our whole lives ahead of us. That's what I was trying to save. And I did. | 1:11:48 | 1:11:54 | |
-I thought you were innocent. -You would have fought anyway, if you'd known WHY I did it. | 1:11:54 | 1:12:01 | |
I...don't know WHAT I would have done. | 1:12:01 | 1:12:06 | |
Darling... | 1:12:08 | 1:12:10 | |
..I know what you've done for me, what you've been through. | 1:12:10 | 1:12:14 | |
Please...let me go. I can't think. Please...let me go! | 1:12:14 | 1:12:20 | |
DOOR OPENS | 1:12:45 | 1:12:46 | |
HALE RUSTLES PAPER | 1:12:50 | 1:12:53 | |
I called the prison but they said you'd left. The Governor has called a press conference at 9 o'clock. | 1:12:53 | 1:13:00 | |
He'll officially announce and sign the pardon then. In an hour it will be over. | 1:13:00 | 1:13:06 | |
How did he take it? I'm glad you're here, Bob. | 1:13:06 | 1:13:12 | |
You've done a lot for me. | 1:13:12 | 1:13:15 | |
I wanted to help if I could. | 1:13:15 | 1:13:18 | |
Why? For the same reason you helped Garrett. You know how I feel. | 1:13:18 | 1:13:26 | |
If I were... accused of a crime, | 1:13:27 | 1:13:32 | |
if you thought I might be guilty, | 1:13:32 | 1:13:35 | |
if I wasn't the same person you thought I was, would you still help me? | 1:13:35 | 1:13:40 | |
How could I love you and not do anything I could? Anything? | 1:13:40 | 1:13:45 | |
Even if you believed I committed murder? | 1:13:45 | 1:13:50 | |
What is it? What's wrong? | 1:13:50 | 1:13:52 | |
You've helped save the man you love. You should be happy. | 1:13:52 | 1:13:58 | |
That man I saw in prison wasn't the man I loved. He was a stranger! | 1:13:58 | 1:14:04 | |
What happened at the prison, Susan? If something happened, you can't keep it to yourself. | 1:14:05 | 1:14:12 | |
Bob, please... If he's pardoned, Garrett can never be tried or punished again. | 1:14:12 | 1:14:18 | |
If you know something, you must speak now - no matter how much it hurts. | 1:14:18 | 1:14:24 | |
'State Prison...' | 1:15:03 | 1:15:05 | |
I can't! I can't do it! I can't... | 1:15:05 | 1:15:10 | |
SHE SOBS PITIABLY | 1:15:10 | 1:15:12 | |
'Hello? This is the State Prison?' | 1:15:12 | 1:15:16 | |
A nice smile, Governor! | 1:15:26 | 1:15:28 | |
-Will you write again? -That's the way I make my living. | 1:15:28 | 1:15:33 | |
And Miss Spencer... | 1:15:33 | 1:15:35 | |
PHONE RINGS | 1:15:35 | 1:15:36 | |
Hello?... Yes... Who is this talking? | 1:15:37 | 1:15:42 | |
Yes... It's for you, Governor. | 1:15:42 | 1:15:45 | |
GOVERNOR: Hello?... | 1:15:45 | 1:15:48 | |
Are you quite sure about this? | 1:15:51 | 1:15:54 | |
Is Miss Spencer with you now? | 1:15:57 | 1:15:59 | |
I see... Thank you. | 1:16:04 | 1:16:07 | |
Take Mr Garrett back to his cell. There will be no pardon. | 1:16:16 | 1:16:21 | |
Guard! | 1:16:21 | 1:16:23 | |
Subtitles by Selma Boyd - 1987 | 1:16:40 | 1:16:43 | |
E-mail us at [email protected] | 1:16:43 | 1:16:47 |