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Can I help you, sir? Just help me steady this thing. | 0:02:09 | 0:02:14 | |
Thank you. | 0:02:17 | 0:02:19 | |
Oh... Could you give me some information? Yes, sir. | 0:02:21 | 0:02:26 | |
Thank you. | 0:02:26 | 0:02:28 | |
Don't wait up for me. | 0:02:31 | 0:02:33 | |
Call me when we get to the 18th floor. | 0:02:39 | 0:02:43 | |
18th floor, sir! | 0:02:57 | 0:02:59 | |
Thank you so much. | 0:02:59 | 0:03:02 | |
If you run into my stomach kindly have it sent up. | 0:03:02 | 0:03:06 | |
Mr Arden? Where's Tony Flagg? I want to see him. | 0:03:13 | 0:03:18 | |
Well, come in here, please... Dr Flagg's busy right now. | 0:03:18 | 0:03:23 | |
"JINGLE BELLS" BEING PLAYED ON MOUTH ORGAN | 0:03:25 | 0:03:28 | |
How do you feel now? | 0:03:37 | 0:03:40 | |
Just DIZZY. We'll unwind you. | 0:03:40 | 0:03:45 | |
You never drank like this before. How long have you been tight? | 0:03:45 | 0:03:48 | |
Three days - yesterday, today and tomorrow. | 0:03:48 | 0:03:51 | |
-All because What's-her-name broke the engagement. -Again! | 0:03:51 | 0:03:57 | |
I hope she changes her mind soon. | 0:03:57 | 0:04:00 | |
That's why I came to you, Tony. | 0:04:00 | 0:04:03 | |
He's the right man. He's straightened out some pips. | 0:04:03 | 0:04:08 | |
Steve, I'm no marriage broker. Now, this What's-her-name... | 0:04:08 | 0:04:13 | |
Her name's Amanda Cooper! | 0:04:13 | 0:04:16 | |
To me, she's just another maladjusted woman. | 0:04:16 | 0:04:19 | |
She's beautiful, Tony! | 0:04:19 | 0:04:22 | |
Perhaps she's trying to escape reality. | 0:04:22 | 0:04:26 | |
-Escape what reality? -In this case, you. | 0:04:26 | 0:04:29 | |
What...? | 0:04:29 | 0:04:30 | |
We all try to escape reality. | 0:04:30 | 0:04:32 | |
We all want to be different to what we really are. | 0:04:32 | 0:04:34 | |
-When I was a kid, I wanted to be a fireman. -I wanted to be a cop. | 0:04:34 | 0:04:39 | |
In college, I wanted to be a dancer. | 0:04:39 | 0:04:42 | |
Psychoanalysis showed me I was wrong. | 0:04:42 | 0:04:46 | |
It's how to find out what you want. | 0:04:46 | 0:04:49 | |
I want to marry Amanda and I know why. | 0:04:49 | 0:04:51 | |
If I psychoanalyse you, you won't want to marry Amanda. | 0:04:51 | 0:04:54 | |
I don't want to not want to! | 0:04:54 | 0:04:56 | |
-What do you want? -To MARRY Amanda! | 0:04:58 | 0:05:02 | |
He wants to marry What's-her-name. | 0:05:02 | 0:05:05 | |
Tony, you've GOT to see her. Why not, Doc? | 0:05:05 | 0:05:08 | |
-Maybe this Amanda What's-her-name... -Cooper! | 0:05:08 | 0:05:12 | |
-Maybe she prefers staying on the stage... -She wants to marry me. | 0:05:12 | 0:05:17 | |
-Why does she keep breaking the engagement? -She doesn't KNOW! | 0:05:17 | 0:05:22 | |
At least see her, Tony! | 0:05:22 | 0:05:26 | |
-Will she let me psychoanalyse her? -She will if I ask her to. | 0:05:26 | 0:05:30 | |
All right, tomorrow at 11. Now, what's her name? | 0:05:30 | 0:05:35 | |
Amanda What's-her-name! Cooper! | 0:05:35 | 0:05:39 | |
Memo to Dr Jones. Case history 3442, Mamie Fletcher. | 0:05:44 | 0:05:48 | |
Dr Jones, I am turning this case over to you. | 0:05:48 | 0:05:53 | |
She's a typical pampered female, | 0:05:53 | 0:05:56 | |
what she needs is a good spanking. | 0:05:56 | 0:05:59 | |
-INTERCOM BUZZES -Yes? | 0:05:59 | 0:06:02 | |
Could you come to my laboratory? | 0:06:02 | 0:06:05 | |
Well, I have a Miss Cooper waiting, | 0:06:05 | 0:06:08 | |
another dizzy silly female who can't make up her mind. | 0:06:08 | 0:06:13 | |
-I just need you for a moment. -I'll be right out. | 0:06:13 | 0:06:17 | |
How do you do, Miss Cooper? | 0:06:25 | 0:06:28 | |
I'm Miss Cooper. | 0:06:28 | 0:06:31 | |
Won't you come in, please? | 0:06:35 | 0:06:38 | |
Thank you, Doctor. | 0:06:38 | 0:06:40 | |
I've been looking forward to this meeting. | 0:06:44 | 0:06:47 | |
I'll have to leave you for a moment, | 0:06:47 | 0:06:49 | |
but then we can have a nice, friendly little visit. | 0:06:49 | 0:06:53 | |
I'm certain I'll enjoy it. Steve thinks so much of you. | 0:06:53 | 0:06:57 | |
Steve's a fine chap, yes indeed. | 0:06:57 | 0:07:00 | |
And very lucky, too. | 0:07:00 | 0:07:02 | |
'Memo to Dr Jones. Case history 3442, Mamie Fletcher. | 0:07:13 | 0:07:18 | |
'Jones, I'm turning this case over to you. | 0:07:18 | 0:07:20 | |
'She is a typical pampered female, what she needs is a good spanking.' | 0:07:20 | 0:07:27 | |
-INTERCOM BUZZES -'Yes? -Could you come to my laboratory? | 0:07:27 | 0:07:32 | |
'I have a Miss Cooper waiting, | 0:07:32 | 0:07:34 | |
'another dizzy, silly female who can't make up her mind.' | 0:07:34 | 0:07:41 | |
I don't want to be disturbed. | 0:07:44 | 0:07:47 | |
There'll be no more disturbances and we can have that friendly chat. | 0:07:49 | 0:07:53 | |
Won't you sit down? | 0:07:53 | 0:07:55 | |
-That's my chair. -Very comfortable. | 0:08:00 | 0:08:03 | |
-I planned for you to sit here and relax. -I'm perfectly relaxed. You'd better sit there. | 0:08:03 | 0:08:09 | |
Are you always this nervous? | 0:08:12 | 0:08:15 | |
No, only I usually sit in THAT chair. | 0:08:15 | 0:08:19 | |
You can sit here when I'm gone. | 0:08:19 | 0:08:22 | |
Now...now, Miss Cooper, first let's get to know each other. | 0:08:22 | 0:08:27 | |
-Why? -I have to know your mind as well as my own. -Why? | 0:08:27 | 0:08:33 | |
-You DO understand the principle of psychoanalysis? -No. | 0:08:35 | 0:08:39 | |
-We have two minds - the conscious and the subconscious. -Really(?) | 0:08:39 | 0:08:46 | |
The conscious mind is the ego - that says, "I am I, you are you." | 0:08:46 | 0:08:52 | |
Mine never did. | 0:08:52 | 0:08:55 | |
Let me put it this way... | 0:08:59 | 0:09:01 | |
Here is a jungle full of the most noble and horrible things. | 0:09:03 | 0:09:06 | |
I don't doubt that. | 0:09:06 | 0:09:10 | |
That's your subconscious. Even when you sleep, it dreams. It never forgets anything. | 0:09:10 | 0:09:16 | |
Is that so(?) | 0:09:16 | 0:09:19 | |
Your conscious mind lies here. It doesn't dream. It thinks. | 0:09:19 | 0:09:24 | |
We strive for co-ordination between the two. Do you understand? | 0:09:24 | 0:09:29 | |
No. And I don't believe I care to. | 0:09:29 | 0:09:33 | |
I wasn't sure if I wanted to be psychoanalysed. Now I'm positive. | 0:09:33 | 0:09:37 | |
Miss Cooper, to psychoanalyse you I must interpret your dreams. | 0:09:37 | 0:09:43 | |
What sort of things do you dream? | 0:09:43 | 0:09:46 | |
-I don't dream. -EVERYBODY dreams. -I don't. | 0:09:46 | 0:09:50 | |
I'm trying to help you FIND yourself. | 0:09:50 | 0:09:54 | |
If I ever get lost, I'll call. | 0:09:54 | 0:09:57 | |
TANNOY: Having tied on their scores, | 0:10:00 | 0:10:03 | |
'Judge Travers and Mr Arden will break the tie | 0:10:03 | 0:10:07 | |
'by a single bird.' | 0:10:07 | 0:10:10 | |
You've been shooting as if you'd been on a bender. | 0:10:16 | 0:10:20 | |
I feel as if I have. | 0:10:20 | 0:10:23 | |
-Tony, what did you do to Amanda? -What did I do? | 0:10:24 | 0:10:29 | |
-Oh... This is Amanda's Aunt Cora. -How do you do? | 0:10:29 | 0:10:34 | |
Amanda's furious. What happened? | 0:10:34 | 0:10:36 | |
She's a very curious case. | 0:10:36 | 0:10:38 | |
At first she was charming, then became argumentative. | 0:10:38 | 0:10:43 | |
-What she said about you! -What? | 0:10:43 | 0:10:46 | |
-She thinks you're a quack. -She does? | 0:10:46 | 0:10:50 | |
Pull! | 0:10:50 | 0:10:53 | |
Ah, very good! Your shooting was superb. | 0:10:58 | 0:11:02 | |
-His Honour Judge Travers. -How do you do? | 0:11:03 | 0:11:07 | |
Well, I beat you today, Steven. We're 'Even-Stevens'. Just wait for the final. | 0:11:07 | 0:11:13 | |
-What do you think, Cora? -Pretty good I guess. | 0:11:13 | 0:11:17 | |
-If you could only play bridge like you play skat. -It's skeet and you don't play it. | 0:11:17 | 0:11:25 | |
That's what I mean, Joe. You don't play bridge either. | 0:11:25 | 0:11:29 | |
You're getting terrific length, Dr Flagg. | 0:11:42 | 0:11:45 | |
Thank you, Mr Macpherson, you're very encouraging. | 0:11:45 | 0:11:50 | |
It's about time, Mac. | 0:11:50 | 0:11:53 | |
Ha-ha. | 0:12:04 | 0:12:06 | |
Ha-ha-ha. | 0:12:13 | 0:12:15 | |
..Quack. Have you any suggestions? | 0:12:15 | 0:12:20 | |
Maybe you hit it with your subconscious mind. Smack it with your conscious! | 0:12:20 | 0:12:26 | |
It'll go when I hit it. | 0:12:26 | 0:12:28 | |
Whatever happened to that theory of co-ordination? | 0:12:28 | 0:12:33 | |
Oh, THAT? | 0:12:33 | 0:12:35 | |
Murph, set 'em up. | 0:12:35 | 0:12:38 | |
PLAYS "WHEN SWING CAME TO LOCH LOMOND" | 0:12:49 | 0:12:53 | |
UNDERTONES OF BAGPIPES | 0:12:53 | 0:12:56 | |
-Lose something, Aunt Cora? -Not that I know of. | 0:15:34 | 0:15:38 | |
-You keep looking back. -I was looking for Dr...Quack. | 0:15:38 | 0:15:44 | |
-Flagg. -Is HE coming, Steve? | 0:15:44 | 0:15:48 | |
He said he wanted to psychoanalyse you on your bike. | 0:15:48 | 0:15:53 | |
So that's why we came. | 0:15:53 | 0:15:55 | |
I wouldn't mind being analysed by him on my bike, or anywhere. | 0:15:55 | 0:16:01 | |
Well, well, what luck! | 0:16:05 | 0:16:08 | |
-None. -Well, Tony(!) What a surprise! | 0:16:08 | 0:16:12 | |
Steve, can't you see Dr Flagg wants to ride with me alone? | 0:16:14 | 0:16:18 | |
Want to drop back with me, Aunt Cora? | 0:16:18 | 0:16:21 | |
Well, all right. | 0:16:21 | 0:16:23 | |
-Well? -Will you please tell me something? Why were you suddenly so unfriendly yesterday? | 0:16:27 | 0:16:34 | |
Quote: "Just another silly female who can't make up her mind." | 0:16:34 | 0:16:40 | |
Oh... Well, of c-course that was BEFORE I met you. | 0:16:40 | 0:16:44 | |
I can forgive you for saying I have no mind - I'm afraid I may be maladjusted. | 0:16:44 | 0:16:51 | |
We're never really afraid of anything we understand. | 0:16:51 | 0:16:55 | |
That sounds as if it makes sense. | 0:16:55 | 0:16:57 | |
If we know the reasons for fears, we can dispel them. Fear is often just a simple phobia - | 0:16:57 | 0:17:03 | |
afraid of darkness, great heights, afraid of...marriage. | 0:17:03 | 0:17:10 | |
-Better put on your brakes! -What? | 0:17:19 | 0:17:22 | |
It's getting steep! | 0:17:22 | 0:17:24 | |
-Hey, look out! -Take it easy, Doctor! | 0:17:30 | 0:17:34 | |
-I can't. -Don't show off! | 0:17:34 | 0:17:38 | |
-My chain's broken! -Oh-h-h. | 0:17:38 | 0:17:42 | |
Please, Miss Cooper, look out! | 0:17:42 | 0:17:45 | |
-Doctor, are you all right? -Yes, I guess so. | 0:17:55 | 0:17:59 | |
QUA-A-ACK ! | 0:17:59 | 0:18:02 | |
You win. | 0:18:02 | 0:18:05 | |
WALTZ MUSIC PLAYS | 0:18:16 | 0:18:20 | |
Will you order now? We'll wait for Miss Cooper and Dr Flagg. | 0:18:23 | 0:18:29 | |
-Is this one of your silent treatments? -I was trying to think of a prescription to induce dreams. | 0:18:29 | 0:18:35 | |
-Here we go again. -I'm trying to help you and Steve. | 0:18:35 | 0:18:40 | |
And I HAVE to dream? | 0:18:40 | 0:18:42 | |
It would simplify matters and it's possible to make you dream. | 0:18:42 | 0:18:48 | |
-I'll try, if you can guarantee the dream. -Good. | 0:18:48 | 0:18:53 | |
I imagine women find Dr Flagg very charming... | 0:18:53 | 0:18:57 | |
-especially girls. -Tony's a doctor. Amanda's his patient. | 0:18:57 | 0:19:03 | |
He's all wrapped up in his work(!) | 0:19:03 | 0:19:06 | |
-And you'll eat whatever I order? -You're the doctor. | 0:19:08 | 0:19:12 | |
-Behold the guinea pig! -I -am on a diet to dream. | 0:19:20 | 0:19:25 | |
Marvellous! Who's the lucky man? | 0:19:25 | 0:19:27 | |
Now, we need dream-provoking food. Tomorrow I'll explain her dream. | 0:19:27 | 0:19:32 | |
I'd eat anything to make my dream come true. | 0:19:32 | 0:19:36 | |
-May I recommend the filet mignon? -No, thank you. | 0:19:36 | 0:19:41 | |
Seafood cocktail for Miss Cooper... | 0:19:41 | 0:19:43 | |
-with whipped cream. -Pardon! With whipped cream!? | 0:19:43 | 0:19:48 | |
Not too much, just a soupcon. | 0:19:48 | 0:19:50 | |
-Next, I'd like a Welsh rarebit. -Instead of the seafood cocktail? | 0:19:51 | 0:19:55 | |
-No. -You mean Madam, she wishes to eat them BOTH? -Yes. | 0:19:55 | 0:20:01 | |
Plenty of cheese. | 0:20:01 | 0:20:03 | |
-I know something vile. -What is it? -Lobster with mayonnaise. -Wonderful! | 0:20:05 | 0:20:11 | |
INSTEAD of the Welsh rarebit and seafood cocktail? | 0:20:11 | 0:20:16 | |
-No, all of them. -I'll have lobster. | 0:20:16 | 0:20:19 | |
-Pardon, madam, that all makes a very bad combination. -I know. | 0:20:19 | 0:20:24 | |
Now all you need is a solid dessert. | 0:20:24 | 0:20:28 | |
-May I suggest cucumbers and buttermilk(?) -Yes! | 0:20:28 | 0:20:35 | |
And some strawberry shortcake. | 0:20:35 | 0:20:39 | |
-You got all that? -..Yes. | 0:20:39 | 0:20:41 | |
Seafood with whipped cream... | 0:20:43 | 0:20:45 | |
Welsh rarebit... | 0:20:45 | 0:20:47 | |
Lobster with gobs of mayonnaise... | 0:20:47 | 0:20:50 | |
Cucumbers and buttermilk... | 0:20:50 | 0:20:53 | |
I think I better go home to bed. | 0:21:04 | 0:21:08 | |
-The fun's just beginning. -Oh, that second Welsh rarebit! | 0:21:08 | 0:21:12 | |
Please, let's forget the experiment. | 0:21:12 | 0:21:14 | |
-Don't you feel sleepy? -No. In fact, I could have had that second lobster. | 0:21:14 | 0:21:21 | |
Are you sure you're not sleepy? | 0:21:21 | 0:21:24 | |
Not a bit. I'll mix some drinks. | 0:21:24 | 0:21:27 | |
Ohhhh... Oh! | 0:21:27 | 0:21:31 | |
Well, as long as your niece feels so well, and Steve is obviously not so good, | 0:21:33 | 0:21:37 | |
I think I better see him home. Good night, Miss Cooper. | 0:21:37 | 0:21:42 | |
Good night. | 0:21:42 | 0:21:44 | |
Come on, Steve. Think you're all right and you'll be all right. | 0:21:46 | 0:21:52 | |
Oh, cucumbers and buttermilk, lobsters and shortcake... Ohhhh... | 0:21:52 | 0:21:57 | |
See what I mean? | 0:22:00 | 0:22:02 | |
Doctor, here's the sedative you asked me to bring. | 0:22:02 | 0:22:06 | |
Connors, go in there, give Miss Cooper a spoonful. | 0:22:09 | 0:22:12 | |
It's important. Make her take it. | 0:22:12 | 0:22:16 | |
Yes, sir. | 0:22:16 | 0:22:18 | |
Steve...maybe we better walk down. | 0:22:18 | 0:22:21 | |
-Are you Miss Cooper? -Yes. | 0:22:25 | 0:22:28 | |
-Dr Flagg sent me to take care of you. -Well! How nice of him. | 0:22:28 | 0:22:33 | |
Come in. | 0:22:33 | 0:22:35 | |
-What does he think should be done? -I'll give you something to relax you completely. | 0:22:39 | 0:22:46 | |
Sit down. | 0:22:46 | 0:22:49 | |
Perhaps we better talk this over first. | 0:22:49 | 0:22:52 | |
You need to have confidence in me. | 0:22:52 | 0:22:55 | |
-I'll have COMPLETE confidence in you. -That's fine. | 0:22:55 | 0:23:00 | |
So glad you're a friend of Dr Flagg's. I've no confidence in strangers. | 0:23:02 | 0:23:07 | |
-Doctor Flagg is a remarkable man. -Doctor Flagg always knows... what's best. | 0:23:07 | 0:23:13 | |
-I can believe that. -Now... | 0:23:13 | 0:23:16 | |
-I want you to take a sip of this. -All right. What is it? | 0:23:18 | 0:23:23 | |
It...it'll help...relax you. | 0:23:23 | 0:23:26 | |
All right. But I'm not at all nervous. | 0:23:28 | 0:23:32 | |
Now, go right in. Go to bed. | 0:23:35 | 0:23:38 | |
-# -Strange how a dreary world can suddenly change | 0:24:43 | 0:24:49 | |
-# -To a world as bright as the evening star | 0:24:49 | 0:24:53 | |
-# -Queer what a difference when your vision is clear | 0:24:55 | 0:25:00 | |
-# -And you see things as they really are | 0:25:00 | 0:25:06 | |
-# -I used to be colour blind but I met you | 0:25:08 | 0:25:14 | |
-# -And now I find there's green in the grass, | 0:25:14 | 0:25:18 | |
-# -There's gold in the moon there's blue in the skies | 0:25:18 | 0:25:22 | |
-# -That semi-circle that was always hanging about | 0:25:22 | 0:25:27 | |
-# -Is not a storm cloud it's a rainbow | 0:25:27 | 0:25:34 | |
-# -You brought the colours out | 0:25:34 | 0:25:37 | |
-# -Believe me, it's really true | 0:25:37 | 0:25:40 | |
-# -Till I met you I never knew | 0:25:40 | 0:25:44 | |
-# -A setting sun could paint such beautiful skies | 0:25:44 | 0:25:50 | |
-# -I never knew there were such lovely colours | 0:25:50 | 0:25:55 | |
-# -And the big SURPRISE | 0:25:55 | 0:25:58 | |
-# -Is the red in your cheeks | 0:25:58 | 0:26:01 | |
-# -The gold in your hair | 0:26:01 | 0:26:03 | |
-# -The blue in your eyes. -# | 0:26:03 | 0:26:06 | |
Aunt Cora, do you believe in dreams? | 0:28:17 | 0:28:19 | |
Certainly! I had a humdinger last night. If it was a dream. | 0:28:19 | 0:28:24 | |
I had the loveliest time in mine. Everything happened. | 0:28:24 | 0:28:29 | |
-I wasn't so lucky. Nothing happened. -Lobster? | 0:28:29 | 0:28:33 | |
I want to pick up from where I left off in my dream, if I can. | 0:28:33 | 0:28:40 | |
-A gob of mayonnaise. -Mayonnaise? -Yes, for the lobster. | 0:28:41 | 0:28:45 | |
I dreamt I was with a wonderful man. | 0:28:48 | 0:28:52 | |
Me too. It was so real. He was all in white. | 0:28:52 | 0:28:56 | |
-It WAS a dream? -Nothing like that really happens. | 0:28:56 | 0:29:00 | |
-Can you fall in love with a man in a dream? -Oh, yes. | 0:29:00 | 0:29:05 | |
-KNOCKING -Come in. | 0:29:05 | 0:29:07 | |
Good morning. | 0:29:07 | 0:29:09 | |
Amanda, how do you feel? | 0:29:09 | 0:29:13 | |
-Marvellous! -Sleep well? -Marvellous! -Good. | 0:29:13 | 0:29:16 | |
-I'll drive you to Dr Flagg's. -Marvellous! | 0:29:16 | 0:29:19 | |
You're being repetitious. | 0:29:19 | 0:29:22 | |
I hate to mention that awful food you ate, but I was worried about you. | 0:29:22 | 0:29:28 | |
-Mayonnaise! -Marvellous! | 0:29:28 | 0:29:32 | |
Ohhh... | 0:29:32 | 0:29:34 | |
Tony, it happened. Congratulate us. | 0:29:41 | 0:29:43 | |
-Did you get married? -Not quite. Amanda dreamed. | 0:29:43 | 0:29:46 | |
-So our experiment worked? -Yes. | 0:29:46 | 0:29:49 | |
-Sit right down and tell us ALL about it. -Steve, this is private. | 0:29:49 | 0:29:56 | |
-Why? We're all in on it. -Women tell their doctors things they don't want anyone else to hear. | 0:29:56 | 0:30:02 | |
-I'm going to be her husband. -Especially husbands. | 0:30:02 | 0:30:06 | |
Now, Miss Cooper, tell me all about your dream. | 0:30:09 | 0:30:13 | |
-Did you dream of anyone in particular? -Yes. -Who? | 0:30:15 | 0:30:20 | |
Oh, I can't. | 0:30:22 | 0:30:26 | |
Now, just think of me as a doctor. You must have confidence in me. | 0:30:26 | 0:30:31 | |
-Oh, I have. -Tell me all about it. | 0:30:31 | 0:30:35 | |
..I can't. | 0:30:38 | 0:30:41 | |
Very well. | 0:30:41 | 0:30:43 | |
Thank you very much. That's all. | 0:30:43 | 0:30:46 | |
-When do you want to see me again? -There's no point in that. | 0:30:46 | 0:30:50 | |
Oh, but you MUST. I mean... | 0:30:50 | 0:30:53 | |
I'll recommend some other doctors. You may find one in whom you trust. | 0:30:53 | 0:30:59 | |
-But I don't want another doctor. -Miss Cooper, from what I see, there's nothing very wrong. | 0:30:59 | 0:31:07 | |
Oh... Are you SURE? | 0:31:07 | 0:31:11 | |
Compared to complex cases which really need me, no. | 0:31:11 | 0:31:16 | |
Oh. Well, then... I guess I better tell you my dream. | 0:31:16 | 0:31:21 | |
I've had it for 11 straight years! | 0:31:23 | 0:31:26 | |
Tell me about it. | 0:31:28 | 0:31:30 | |
Well, you've heard of Red Riding Hood and the Wolf? | 0:31:43 | 0:31:46 | |
-Yes, I have. -Well, that's what I dream about. | 0:31:46 | 0:31:50 | |
-You dreamed you were Little Red Riding Hood? -No. The wolf. | 0:31:50 | 0:31:56 | |
What did you do? | 0:31:56 | 0:31:58 | |
I snarled. | 0:31:58 | 0:32:01 | |
And then I...eh... | 0:32:05 | 0:32:07 | |
all of a sudden I became Little Red Riding Hood. | 0:32:07 | 0:32:12 | |
And then...suddenly I was a lot of numbers. | 0:32:12 | 0:32:17 | |
-Numbers? -Yes. I... I was a radio dial. | 0:32:17 | 0:32:21 | |
You sing on the radio, don't you? | 0:32:21 | 0:32:25 | |
Yes. But you haven't heard it all. | 0:32:25 | 0:32:27 | |
It seemed that all night long people kept turning me off and on, | 0:32:27 | 0:32:33 | |
turning me off, turning me on. | 0:32:33 | 0:32:36 | |
Half the time I was singing, the other half advertising. | 0:32:36 | 0:32:40 | |
Then, then...there were voices. | 0:32:40 | 0:32:43 | |
Thousands of voices, and then... | 0:32:43 | 0:32:48 | |
-They started to chase me, to persecute me. -Who? | 0:32:48 | 0:32:52 | |
-My persecutors. -Persecution complex. -Yes. | 0:32:52 | 0:32:56 | |
And then...I was running away from them and... | 0:32:56 | 0:33:01 | |
I was getting ahead of them when all of a sudden... I turned into a maple tree. | 0:33:01 | 0:33:08 | |
And, eh...I took a shortcut across a stream. | 0:33:08 | 0:33:12 | |
And a huge fish reared up and... | 0:33:12 | 0:33:15 | |
snapped at me. It was a dogfish. | 0:33:15 | 0:33:18 | |
Then I looked behind me | 0:33:18 | 0:33:21 | |
and thousands of squirrels - like a pack of hungry wolves - were rushing at me! | 0:33:21 | 0:33:28 | |
-They were coming closer! -Yes? | 0:33:28 | 0:33:31 | |
-Coming from every side! -Yes? | 0:33:31 | 0:33:33 | |
-The front, the back... -Yes? | 0:33:33 | 0:33:36 | |
-On all sides of me! Their teeth snapping at me! I couldn't escape! -What happened? | 0:33:36 | 0:33:42 | |
They got me. | 0:33:42 | 0:33:45 | |
Doctor, could I have some water? | 0:33:47 | 0:33:49 | |
Yes, of course. | 0:33:49 | 0:33:51 | |
-'Yes, Dr Flagg?' -Dr Powers, please come over. | 0:33:56 | 0:34:00 | |
Oh, thank you, Doctor. | 0:34:05 | 0:34:08 | |
-Are you all right? -Quite all right. | 0:34:10 | 0:34:14 | |
Then, excuse me. I'll be a moment. | 0:34:14 | 0:34:17 | |
-She's wonderful, Steve. -I know. | 0:34:22 | 0:34:25 | |
-She's a perfect mass of neuroses and inhibitions. -What? | 0:34:25 | 0:34:30 | |
Dr Powers, I have a beautiful case of maladjustments. | 0:34:30 | 0:34:35 | |
-Where? -In my office. | 0:34:35 | 0:34:37 | |
-What did you find? -Vulpine complex. Child psychosis. -No! -Ye-es! | 0:34:37 | 0:34:44 | |
Congratulations. I envy you. | 0:34:44 | 0:34:47 | |
-Tony! -I'll find a million more complexes. | 0:34:47 | 0:34:50 | |
Follow it through. How long will it take? | 0:34:50 | 0:34:54 | |
Years! Dr Powers, will you assist? | 0:34:54 | 0:34:58 | |
Delighted! | 0:34:58 | 0:35:01 | |
What IS wrong with Miss Cooper? She sounds like a textbook case. | 0:35:01 | 0:35:06 | |
-How do we feel now? -A little tired, Doctor. But SO relieved. | 0:35:09 | 0:35:15 | |
Now, there's nothing to fear. | 0:35:15 | 0:35:18 | |
I know, Doctor. I'm in your hands. | 0:35:18 | 0:35:20 | |
-Now, first, I'll give you an anaesthetic. -What for? | 0:35:20 | 0:35:26 | |
It'll effect a temporary release of any inhibitions. | 0:35:26 | 0:35:31 | |
But is an anaesthetic necessary? | 0:35:31 | 0:35:34 | |
It's the simplest way. Meanwhile, I'll talk to you. | 0:35:34 | 0:35:39 | |
-But why put me to sleep? -To talk to your subconscious mind. | 0:35:39 | 0:35:45 | |
Under anaesthetic we very often do or say things we normally wouldn't. | 0:35:45 | 0:35:51 | |
Well...if YOU think it's all right. | 0:35:54 | 0:35:57 | |
It gives the doctor a clue to the patient's personality. | 0:35:57 | 0:36:00 | |
-Dr Powers, this is Miss Cooper. -It is a pleasure, a GREAT pleasure. | 0:36:04 | 0:36:10 | |
I'll take your things. | 0:36:13 | 0:36:15 | |
Just lie here, Miss Cooper. | 0:36:20 | 0:36:23 | |
Try to make your mind a blank. | 0:36:23 | 0:36:26 | |
That'll be very easy for me to do, Doctor(!) | 0:36:26 | 0:36:30 | |
Just relax. | 0:36:38 | 0:36:40 | |
Mustn't be nervous. | 0:36:40 | 0:36:42 | |
Breathe slowly. | 0:36:42 | 0:36:45 | |
Inhale. | 0:36:53 | 0:36:55 | |
Exhale. | 0:36:55 | 0:36:57 | |
When you come out of this, do and say whatever you want to say. | 0:37:03 | 0:37:10 | |
For the time being release yourself completely. Act on the impulse of the moment. | 0:37:10 | 0:37:17 | |
That'll be all for now. Let her sleep a bit. | 0:37:22 | 0:37:25 | |
-Come to my office and tell me all about it. -With pleasure. | 0:37:32 | 0:37:38 | |
Would you like a drink? I'd LOVE one. | 0:37:38 | 0:37:42 | |
No thanks. | 0:37:50 | 0:37:53 | |
PHONE RINGS | 0:37:53 | 0:37:55 | |
Yes? It's for you, Mr Arden. | 0:37:55 | 0:37:58 | |
He-ello... I mean, hello? | 0:37:58 | 0:38:02 | |
Yes, Aunt Cora? Amanda's here. | 0:38:02 | 0:38:06 | |
Get Amanda over to that broadcasting station. | 0:38:06 | 0:38:10 | |
I'll get her there! | 0:38:10 | 0:38:14 | |
Tony! | 0:38:14 | 0:38:15 | |
TONY! | 0:38:15 | 0:38:17 | |
Tony... | 0:38:19 | 0:38:20 | |
Amanda! | 0:38:22 | 0:38:24 | |
Amanda! | 0:38:24 | 0:38:25 | |
Ohhh...Tony. | 0:38:27 | 0:38:30 | |
This isn't Tony, it's Steve! | 0:38:30 | 0:38:33 | |
-Go 'way, Steve. -Amanda, you have a broadcast in ten minutes! | 0:38:33 | 0:38:39 | |
Oh, yes, I'm looking forward to that. | 0:38:39 | 0:38:42 | |
Amanda, come on! | 0:38:44 | 0:38:47 | |
Don't rush me... | 0:38:47 | 0:38:50 | |
Hey, Steve...what's that? | 0:38:50 | 0:38:54 | |
Oh, Amanda! | 0:38:56 | 0:38:58 | |
BUTTONS FALL OFF | 0:38:58 | 0:39:00 | |
Button, button... | 0:39:00 | 0:39:03 | |
WHISTLES | 0:39:06 | 0:39:08 | |
-Oh, boy! -Oh, boy. | 0:39:08 | 0:39:11 | |
-Oh, Amanda! -Oh, Amanda. | 0:39:11 | 0:39:15 | |
Ha-ha-hah. | 0:39:26 | 0:39:29 | |
AMANDA CLICKS "CLICKER" | 0:39:41 | 0:39:44 | |
Amanda! Are you all right? | 0:39:47 | 0:39:50 | |
Simply marvellous. Have a present. | 0:39:50 | 0:39:52 | |
Very funny. | 0:39:55 | 0:39:57 | |
Goo' day. | 0:39:57 | 0:39:59 | |
Will you get us a cab, please? | 0:40:03 | 0:40:06 | |
Taxi! Taxi! Amalgamated Broadcasting Company. | 0:40:06 | 0:40:10 | |
Take Madison Avenue, and hurry! | 0:40:10 | 0:40:13 | |
CAR HORNS BEEP FURIOUSLY | 0:40:20 | 0:40:23 | |
-Steve. Where's Miss Cooper? -I don't know, she's gone! | 0:40:44 | 0:40:46 | |
-She's under an anaesthetic! -Huh?! -Why did you take her away? | 0:40:46 | 0:40:49 | |
She has a broadcast in ten minutes! | 0:40:49 | 0:40:51 | |
She's in no condition to broadcast. She's not normal. | 0:40:51 | 0:40:54 | |
-She might even act a little odd. -"Might"?! | 0:40:54 | 0:40:56 | |
Heh. Thank you. | 0:41:25 | 0:41:27 | |
Oh, that's cute. | 0:41:39 | 0:41:41 | |
Do you mind if I try it? | 0:41:41 | 0:41:43 | |
Well... | 0:41:43 | 0:41:45 | |
All right. Here. | 0:41:48 | 0:41:49 | |
Now, swing it. | 0:41:51 | 0:41:52 | |
Like that. Swing it. | 0:41:54 | 0:41:55 | |
SMA-A-ASH! | 0:41:59 | 0:42:02 | |
Amanda, darling! Where have you been? | 0:42:06 | 0:42:08 | |
Don't you know we're on the air in ten seconds? | 0:42:08 | 0:42:11 | |
-Miss Cooper's script! -Script... -Script! Here. -Miss Cooper's... | 0:42:14 | 0:42:18 | |
Smile for the sponsor, dear. | 0:42:20 | 0:42:22 | |
BAND STRIKES A CHORD | 0:42:33 | 0:42:35 | |
The Sentella Toothpaste Hour presents It's Melody Time. | 0:42:35 | 0:42:39 | |
CHORD! | 0:42:39 | 0:42:41 | |
Starring Amanda Cooper! | 0:42:41 | 0:42:44 | |
CHORD! | 0:42:44 | 0:42:45 | |
He-ello, you. | 0:42:49 | 0:42:51 | |
ALL of you. | 0:42:51 | 0:42:52 | |
CHORD! | 0:42:52 | 0:42:54 | |
And a distinguished supporting cast. | 0:42:54 | 0:42:57 | |
This is Franklin Harrison Junior, | 0:42:57 | 0:42:59 | |
speaking on the Amalgamated Network for Sentella. | 0:42:59 | 0:43:03 | |
If you want a kissable mouth, | 0:43:03 | 0:43:05 | |
all you have to do is use Sentella toothpaste. | 0:43:05 | 0:43:08 | |
It makes your teeth happy. | 0:43:08 | 0:43:11 | |
Now before I hand Miss Cooper over to her million listeners, | 0:43:11 | 0:43:14 | |
I want to give you some serious information about toothpaste. | 0:43:14 | 0:43:18 | |
-If you want to preserve your teeth... -Use anything BUT Sentella. | 0:43:18 | 0:43:22 | |
HE LAUGHS NERVOUSLY | 0:43:22 | 0:43:23 | |
-Miss Cooper, you do say the funniest things. -Oh, thank you very much. | 0:43:23 | 0:43:28 | |
BAND STRIKES UP | 0:43:28 | 0:43:29 | |
-You'll be all right, Miss Cooper. -Call me Amanda! -Miss Cooper! | 0:43:37 | 0:43:42 | |
I'm going to sue you for damages. | 0:43:42 | 0:43:43 | |
Now don't worry about damages. Mr Arden will pay for everything. | 0:43:43 | 0:43:47 | |
-Why... ye-es. -Amanda, what's happened? | 0:43:47 | 0:43:49 | |
Everything, darling! You should've been with me. | 0:43:49 | 0:43:54 | |
-There you are, young lady. -Just a minute, Officer, this young lady is my patient. | 0:43:54 | 0:43:57 | |
That doesn't give her any right to destroy private property! | 0:43:57 | 0:44:00 | |
Mr Arden will pay for any damage she's done. | 0:44:00 | 0:44:04 | |
Er...ye-es. | 0:44:04 | 0:44:05 | |
Are you sure she's all right? | 0:44:09 | 0:44:12 | |
-I'll assume every responsibility for her actions. -Well, all right. | 0:44:12 | 0:44:17 | |
-As long as everything's square, there's no reason to arrest her. -Thank you. | 0:44:17 | 0:44:22 | |
Amanda, striking an officer is a VERY serious offence. | 0:44:36 | 0:44:40 | |
-She didn't strike him, Joe, she kicked him. -Yeah, and a beaut! | 0:44:40 | 0:44:44 | |
STEVE: Aunt Cora, please. | 0:44:44 | 0:44:46 | |
I already explained that it was largely my fault. | 0:44:46 | 0:44:49 | |
I'm beginning to gather that, Doctor Flagg. | 0:44:49 | 0:44:52 | |
Amanda, I've known you all your life. | 0:44:53 | 0:44:55 | |
There's nothing wrong with you. | 0:44:55 | 0:44:57 | |
My advice, as a friend, is to give up these treatments. | 0:44:57 | 0:45:02 | |
My advice as a physician is that Miss Cooper should continue them. | 0:45:02 | 0:45:05 | |
My advice, Joe, is to call the whole silly thing off, before everyone gets sore. | 0:45:05 | 0:45:09 | |
Cora, will you please recognise that this is an official enquiry? | 0:45:09 | 0:45:13 | |
All right, I recognise it. But it doesn't alter my opinion. | 0:45:13 | 0:45:17 | |
Dr Flagg, it is not within my rights to prescribe your duties to you | 0:45:19 | 0:45:25 | |
but I can warn you that unless these experiments are confined to your laboratory, | 0:45:25 | 0:45:30 | |
I will hold you responsible for Miss Cooper's actions. | 0:45:30 | 0:45:33 | |
-Have I made myself clear? -Quite. | 0:45:33 | 0:45:35 | |
I'd like to know something, Joe. | 0:45:35 | 0:45:37 | |
Now, wait a minute, Aunt Cora. I think the Judge has been VERY lenient. | 0:45:37 | 0:45:41 | |
-Yes, he's been a dear. -Let it wait for another time. -Oh, all right. | 0:45:41 | 0:45:45 | |
I just wanted to ask him if he'd have dinner with us. | 0:45:45 | 0:45:48 | |
I'd be delighted. | 0:45:48 | 0:45:50 | |
There. You see? | 0:45:51 | 0:45:52 | |
-Well, Steve, here's to you and Amanda. -Thanks. | 0:46:00 | 0:46:03 | |
Here's hoping your treatments will be successful. | 0:46:03 | 0:46:06 | |
In my day, women didn't ask their doctor when to get married. | 0:46:06 | 0:46:11 | |
-You're a bachelor, Judge? -Yeah! | 0:46:11 | 0:46:13 | |
Were you ever anxious to dance with a man you dreamed you danced with? | 0:46:21 | 0:46:25 | |
Don't be silly. I never dream about DANCING. | 0:46:25 | 0:46:27 | |
-Miss Cooper and Miss Cooper. I'll tell the gentlemen you're here. -Thank you. | 0:46:27 | 0:46:31 | |
Amanda, what in the world are you grinning at? | 0:46:33 | 0:46:37 | |
Don't tell anyone, but I'm in love. | 0:46:37 | 0:46:40 | |
-Well, get the agony over and marry him quickly. -He doesn't know it. | 0:46:40 | 0:46:45 | |
I think you're very nasty to say that, Amanda. Steve isn't that dumb. | 0:46:45 | 0:46:50 | |
-I'm in love with my doctor. -Oh. | 0:46:50 | 0:46:52 | |
-You invited me to dinner. Where is it? -Over there. | 0:46:58 | 0:47:01 | |
I'd like to dance. Right now. | 0:47:09 | 0:47:12 | |
Shouldn't you dance the first one with Steve? | 0:47:12 | 0:47:15 | |
You'd better let me have my own way, Doctor Flagg. | 0:47:18 | 0:47:21 | |
Remember, Judge Travers is holding you responsible for my actions. | 0:47:21 | 0:47:25 | |
I'd be flattered to dance the second dance with you. | 0:47:25 | 0:47:30 | |
If I find out who threw that, I'll give them 90 days! | 0:47:34 | 0:47:38 | |
Dance? | 0:47:39 | 0:47:41 | |
Well, it'll take less time than 90 days. | 0:47:41 | 0:47:44 | |
DANCE MUSIC ENDS | 0:47:52 | 0:47:55 | |
Well, I was willing. | 0:47:55 | 0:47:56 | |
Lou, please play another number. | 0:48:03 | 0:48:05 | |
-I will, if you will sing it. -Oh... | 0:48:05 | 0:48:09 | |
All right. | 0:48:12 | 0:48:13 | |
DRUM BEATS | 0:48:13 | 0:48:19 | |
# Ra-ta tah-tah, ta ta | 0:48:24 | 0:48:26 | |
DRUM BEATS | 0:48:26 | 0:48:29 | |
# Come and hear the yam man cry | 0:48:29 | 0:48:32 | |
# Any ya-am today? | 0:48:32 | 0:48:35 | |
# The sweet potato that he'll fry will be ya-am today | 0:48:35 | 0:48:41 | |
# The little step that you see him do | 0:48:41 | 0:48:44 | |
# With every yam that he sells to you | 0:48:44 | 0:48:46 | |
# It's something that you ought to try | 0:48:46 | 0:48:48 | |
# Come and ya-am, ya-am | 0:48:48 | 0:48:54 | |
# Come on and yam today | 0:48:54 | 0:48:57 | |
# Come get what I got | 0:48:57 | 0:49:00 | |
# It will hit the spot | 0:49:00 | 0:49:02 | |
# Get your sweet and hot ya-am! | 0:49:02 | 0:49:06 | |
# Raise your hand and sway | 0:49:08 | 0:49:10 | |
# Like you hold a tray | 0:49:10 | 0:49:13 | |
# When you're on your way, ya-a-am! | 0:49:13 | 0:49:18 | |
# Come on shake your depression | 0:49:18 | 0:49:21 | |
# And let's have a ya-am session | 0:49:21 | 0:49:24 | |
# There's that long note one, two, three...ya-am | 0:49:24 | 0:49:29 | |
# Every or-ches-tra | 0:49:29 | 0:49:32 | |
# In Am-er-ica | 0:49:32 | 0:49:34 | |
# Will be doing the... | 0:49:34 | 0:49:37 | |
# Ya-am... # | 0:49:37 | 0:49:41 | |
# I didn't come to do the Charleston | 0:52:25 | 0:52:27 | |
# I didn't come to Ball the Jack | 0:52:27 | 0:52:30 | |
# I didn't come to do the Suzy Q | 0:52:30 | 0:52:32 | |
# Or the Bottom they call Black | 0:52:32 | 0:52:35 | |
# I didn't come to do Big Apple | 0:52:35 | 0:52:37 | |
# I didn't come to do the Shag | 0:52:37 | 0:52:39 | |
# Well, honey, here I am to do the Yam | 0:52:39 | 0:52:42 | |
# Because the Yam is in the bag. # | 0:52:42 | 0:52:44 | |
Funny that I should envy a man who should really envy me. | 0:53:58 | 0:54:02 | |
I mean Tony. I was really jealous, the way you two danced together. | 0:54:02 | 0:54:05 | |
Steve, I want to talk to you about Tony. | 0:54:07 | 0:54:11 | |
-What's the matter with him? -Nothing. | 0:54:11 | 0:54:14 | |
-I think he's wonderful. -You don't have to tell me about Tony. | 0:54:14 | 0:54:17 | |
-I've known him for years. He's a swell guy. -Yes, I know. | 0:54:17 | 0:54:21 | |
What I wanted to say, Steve, is... | 0:54:21 | 0:54:24 | |
..since I've known Tony, I'm convinced for the first time that... | 0:54:25 | 0:54:30 | |
I'm in love. | 0:54:30 | 0:54:31 | |
Are you sure? | 0:54:33 | 0:54:35 | |
Yes. I shouldn't have told you like that, | 0:54:36 | 0:54:39 | |
but I didn't know how else to say it. | 0:54:39 | 0:54:41 | |
Good old Tony! I knew he wouldn't let me down! | 0:54:41 | 0:54:43 | |
I don't know what to say except I'll make you a wonderful husband! | 0:54:43 | 0:54:48 | |
Steve! | 0:54:48 | 0:54:49 | |
Tony! Aunt Cora! | 0:54:49 | 0:54:52 | |
-Prepare yourselves for a shock. -She told you? -Yes. | 0:54:55 | 0:54:58 | |
-What's up? -My congratulations, Tony. | 0:54:58 | 0:55:00 | |
You accomplished more in a week than I did in two years! | 0:55:00 | 0:55:03 | |
I admire the way you're taking it, Steve. | 0:55:03 | 0:55:06 | |
Why not? Amanda just told me she's ready to marry me. | 0:55:06 | 0:55:09 | |
-Amanda's going to what?! -Judge, I want you to marry us. | 0:55:09 | 0:55:12 | |
-Delighted! -Congratulations! | 0:55:12 | 0:55:14 | |
Put that water down! | 0:55:15 | 0:55:17 | |
Henry, champagne for my friends! Come dance with me. | 0:55:17 | 0:55:21 | |
Would you mind if I danced with Tony? | 0:55:21 | 0:55:23 | |
Good old Tony! I should say I don't mind! We'll have time to dance later! | 0:55:23 | 0:55:28 | |
-Come on, Aunt Cora. -Oh, sit down, Joe! | 0:55:28 | 0:55:31 | |
Hold me close, Tony. | 0:55:38 | 0:55:40 | |
I have something to tell you. | 0:55:42 | 0:55:44 | |
Now, no matter what I say, or how it may affect you, smile. | 0:55:44 | 0:55:49 | |
-Smile? -And keep smiling. | 0:55:51 | 0:55:53 | |
All right. | 0:55:55 | 0:55:56 | |
Something...very unfortunate has happened. | 0:56:00 | 0:56:04 | |
And YOU'RE mixed up in it. | 0:56:04 | 0:56:06 | |
It's my fault, entirely. | 0:56:07 | 0:56:09 | |
I was trying to tell Steve I didn't want to marry him because... | 0:56:14 | 0:56:18 | |
..I wasn't in love with him. | 0:56:19 | 0:56:21 | |
Because... | 0:56:22 | 0:56:24 | |
I'm in love with you. | 0:56:24 | 0:56:26 | |
Smile, there's Steve. | 0:56:27 | 0:56:29 | |
What am I going to do? | 0:56:32 | 0:56:34 | |
I don't know. | 0:56:36 | 0:56:37 | |
I can't hurt Steve and... | 0:56:38 | 0:56:41 | |
-I just CAN'T marry him. -Of course not. | 0:56:41 | 0:56:44 | |
In the meantime, we'd BOTH better smile. | 0:56:46 | 0:56:48 | |
DANCE MUSIC ENDS | 0:56:53 | 0:56:55 | |
Sit down, Joe! | 0:56:58 | 0:57:00 | |
Steve, I think you and Amanda should see me tomorrow in my office. | 0:57:03 | 0:57:07 | |
Say about 11 o'clock? | 0:57:07 | 0:57:09 | |
Oh, no. No more treatments. Let well enough alone. | 0:57:09 | 0:57:12 | |
I think we'd better, Steve. | 0:57:15 | 0:57:17 | |
No, Tony, you've served your purpose beautifully as a scientific Cupid. | 0:57:17 | 0:57:21 | |
I'm afraid I'll have to insist. | 0:57:23 | 0:57:26 | |
Well, if you insist, and to make you happy, | 0:57:26 | 0:57:30 | |
Amanda can see you. | 0:57:30 | 0:57:32 | |
Good evening, Judge Travers. | 0:57:32 | 0:57:33 | |
Good evening, Grace. | 0:57:33 | 0:57:35 | |
Oh, sit down, Joe! | 0:57:35 | 0:57:38 | |
The Doctor will be right out. | 0:57:41 | 0:57:43 | |
-Morning, Amanda. -Tony. -Hello, Connors. -Hi. | 0:57:45 | 0:57:49 | |
Well, Doctor Flagg, you were right to have us all here | 0:57:49 | 0:57:52 | |
so you could explain to Steve. | 0:57:52 | 0:57:54 | |
It's a pity he had to shoot the Judge... | 0:57:54 | 0:57:56 | |
at the skat meet finals. | 0:57:56 | 0:57:57 | |
Miss Cooper, would you mind if I spoke to your niece alone? | 0:57:57 | 0:58:00 | |
Certainly not. | 0:58:00 | 0:58:02 | |
Connors, escort Miss Cooper to her car and wait for Amanda. | 0:58:02 | 0:58:06 | |
She won't be long. | 0:58:06 | 0:58:07 | |
Don't hurry. Since Mr Connors is no longer confused, | 0:58:07 | 0:58:11 | |
-maybe he'll prove entertaining. -Sure. I have a deck of cards. | 0:58:11 | 0:58:15 | |
Please sit down. | 0:58:24 | 0:58:25 | |
Amanda... | 0:58:30 | 0:58:31 | |
That...dream you told me about, it wasn't true, was it? | 0:58:32 | 0:58:37 | |
No, Tony. | 0:58:39 | 0:58:40 | |
You, erm...dreamed about me, didn't you? | 0:58:42 | 0:58:45 | |
Yes, Tony. | 0:58:47 | 0:58:49 | |
And as a result of that dream, you thought you loved me? | 0:58:49 | 0:58:52 | |
Yes, Tony. | 0:58:53 | 0:58:55 | |
Dreams are very curious things, Amanda. | 0:58:57 | 0:59:00 | |
Very often, the dream fantasy makes things seem true | 0:59:01 | 0:59:04 | |
when they have no basis in fact. | 0:59:04 | 0:59:08 | |
When we first met, you were confused about Steve. | 0:59:09 | 0:59:13 | |
When you agreed to our experiment, you felt you could be helped by me. | 0:59:13 | 0:59:18 | |
Now, since we learn to depend on those we think can help us, | 0:59:18 | 0:59:21 | |
it's not unusual for that dependence to be mistaken for love. | 0:59:21 | 0:59:26 | |
In your frame of mind, you would have fallen in love with any doctor. | 0:59:27 | 0:59:32 | |
That's understandable, isn't it? | 0:59:32 | 0:59:35 | |
What's wrong, Amanda? | 0:59:36 | 0:59:38 | |
I guess I'm worried about Steve, that's all. | 0:59:43 | 0:59:46 | |
-Do you still have confidence in me? -Yes, Tony. | 0:59:47 | 0:59:51 | |
-Will you do as I ask? -Yes, Tony. | 0:59:51 | 0:59:54 | |
If you'll sit here. | 1:00:05 | 1:00:07 | |
Keep your eyes fixed on this light. | 1:00:12 | 1:00:14 | |
Now you're feeling sleepy. | 1:00:24 | 1:00:27 | |
Very sleepy. | 1:00:28 | 1:00:30 | |
Yes, Tony. | 1:00:31 | 1:00:32 | |
Your eyes are growing heavy. | 1:00:35 | 1:00:38 | |
Close them. | 1:00:38 | 1:00:39 | |
Close them. | 1:00:41 | 1:00:42 | |
Now you're asleep. | 1:00:46 | 1:00:49 | |
You're fast asleep. | 1:00:49 | 1:00:50 | |
You're in a trance now. | 1:00:56 | 1:00:59 | |
I will bring you out of it shortly. | 1:00:59 | 1:01:01 | |
You'll act and be perfectly normal in every respect. | 1:01:01 | 1:01:05 | |
Except you will have these new thoughts which I will now give you. | 1:01:05 | 1:01:10 | |
You will remember everything I say. | 1:01:10 | 1:01:14 | |
Now repeat everything I say... | 1:01:14 | 1:01:18 | |
I love Steven. | 1:01:21 | 1:01:24 | |
I'm going to marry Steven. | 1:01:24 | 1:01:26 | |
I love Steven. I'm going to marry Steven. | 1:01:26 | 1:01:29 | |
Dr Flagg is a horrible monster. | 1:01:29 | 1:01:32 | |
Dr Flagg is a horrible monster. | 1:01:32 | 1:01:35 | |
Men like him should be shot down like dogs. | 1:01:35 | 1:01:38 | |
Men like him should be shot down like dogs. | 1:01:38 | 1:01:41 | |
I love Steven. I DON'T love Tony. | 1:01:41 | 1:01:45 | |
I love Steven. I DON'T love Tony. | 1:01:45 | 1:01:50 | |
Tony doesn't love me. | 1:01:50 | 1:01:51 | |
Tony...doesn't love me. | 1:01:51 | 1:01:55 | |
Tony doesn't love me. | 1:01:55 | 1:01:58 | |
-Tony doesn't love me... -That's enough. | 1:01:58 | 1:02:01 | |
That's enough. | 1:02:01 | 1:02:03 | |
I'll be right back. | 1:02:14 | 1:02:16 | |
I'll be right back. | 1:02:17 | 1:02:19 | |
Why are you acting so silly? You don't love that girl. | 1:02:27 | 1:02:30 | |
Oh, yes, you do! > | 1:02:30 | 1:02:32 | |
WHO said that? | 1:02:33 | 1:02:35 | |
Your subconscious mind. You know, the one that never sleeps? | 1:02:36 | 1:02:40 | |
If you had any sense, you'd admit you love her. | 1:02:40 | 1:02:43 | |
Nonsense! | 1:02:43 | 1:02:45 | |
What a cluck you are, Tony. | 1:02:47 | 1:02:49 | |
Why? Why? | 1:02:49 | 1:02:51 | |
You're so dumb, you didn't notice she was crying | 1:02:51 | 1:02:54 | |
because she's in love with you! | 1:02:54 | 1:02:57 | |
You believe that? Certainly. | 1:02:57 | 1:02:59 | |
If you doctors weren't such wiseguys, | 1:02:59 | 1:03:01 | |
you'd forget your textbooks once in a while. | 1:03:01 | 1:03:04 | |
What should I do? | 1:03:04 | 1:03:05 | |
Go in there and take back those ideas you put in her head. | 1:03:05 | 1:03:09 | |
Yes. Then what? | 1:03:09 | 1:03:12 | |
Then KISS her, you dope! | 1:03:12 | 1:03:14 | |
Maybe you've got something there. | 1:03:16 | 1:03:19 | |
I must go to Steven. I must drive to Steven. | 1:03:19 | 1:03:23 | |
All right, but Dr Flagg told me to stick around. | 1:03:23 | 1:03:28 | |
Medwick Country Club. And fast! | 1:03:43 | 1:03:45 | |
Quiet. Please... | 1:03:59 | 1:04:01 | |
Qui-et, please. | 1:04:01 | 1:04:02 | |
Plea-ease. Please, please, please. | 1:04:03 | 1:04:06 | |
Thank you. | 1:04:06 | 1:04:08 | |
Good luck, Judge. | 1:04:08 | 1:04:09 | |
Thank you, Steve. Same to you. You'll need it. | 1:04:09 | 1:04:12 | |
Steven. I MUST see Steven. | 1:04:15 | 1:04:18 | |
Are you ready, gentlemen? | 1:04:28 | 1:04:30 | |
Pull! | 1:04:30 | 1:04:31 | |
GUNSHOTS | 1:04:31 | 1:04:34 | |
Got a pair. | 1:04:34 | 1:04:35 | |
KNOCKING | 1:04:37 | 1:04:40 | |
Connors! Of all the silly things. | 1:04:46 | 1:04:50 | |
Come out of there. | 1:04:50 | 1:04:52 | |
Honestly, men are such cowards. Hiding like that. | 1:04:55 | 1:04:59 | |
You'll feel better after you buy me a drink. | 1:05:00 | 1:05:03 | |
-Pull! -Steven! | 1:05:12 | 1:05:14 | |
This is no place for you. | 1:05:14 | 1:05:16 | |
-From now on, my place is with Steven. -Amanda, darling. | 1:05:16 | 1:05:20 | |
Oh, fiddle-fuddle! | 1:05:20 | 1:05:21 | |
He's a monster. Men like him should be shot down like dogs. | 1:05:21 | 1:05:25 | |
Judge, I don't think she meant YOU. | 1:05:25 | 1:05:29 | |
-Steven, I want to do everything you do. -Fine! But -I -want to shoot! | 1:05:29 | 1:05:34 | |
< Pull! | 1:05:37 | 1:05:38 | |
-Amanda, you're wonderful! -So are you. -Did you see that? | 1:05:42 | 1:05:46 | |
Those are my birds! | 1:05:46 | 1:05:48 | |
Don't lose your temper, there are plenty more. | 1:05:48 | 1:05:50 | |
Don't lose my temper?! | 1:05:50 | 1:05:52 | |
GUNSHOT | 1:05:52 | 1:05:53 | |
My best hat! A real Tyrolean! | 1:05:56 | 1:05:59 | |
This is no time to shoot hats. | 1:05:59 | 1:06:02 | |
I'm sorry, Judge. | 1:06:02 | 1:06:04 | |
Thank you, sir. | 1:06:12 | 1:06:14 | |
Amanda! | 1:06:14 | 1:06:16 | |
Men like him should be shot down like dogs. | 1:06:16 | 1:06:19 | |
Put that gun down. | 1:06:19 | 1:06:21 | |
That's my gun! It's loaded! | 1:06:21 | 1:06:22 | |
Look out, Steven. I don't want to shoot YOU. | 1:06:22 | 1:06:25 | |
Put that gun down, Amanda! | 1:06:25 | 1:06:29 | |
That gun's loaded. Look out! | 1:06:29 | 1:06:31 | |
Put that gun DOWN! Take it away from her! | 1:06:31 | 1:06:35 | |
What's that? | 1:06:39 | 1:06:40 | |
It's a thing called "skat" - they play it with guns. | 1:06:40 | 1:06:43 | |
SCREAMING AND SHOUTING | 1:06:45 | 1:06:48 | |
-Why's everybody running? -Probably one of the silly rules. | 1:06:50 | 1:06:54 | |
Ohhh! Please, please! | 1:06:58 | 1:07:00 | |
What's the matter with her? She's never acted like this before! | 1:07:01 | 1:07:05 | |
-She's never been hypnotised before! -Hypnotised?! | 1:07:05 | 1:07:07 | |
I put a couple of wrong ideas in her mind. I've got to get them out. | 1:07:07 | 1:07:11 | |
Well, get them OUT! | 1:07:11 | 1:07:12 | |
GUNSHOT | 1:07:14 | 1:07:16 | |
Shot down like dogs. | 1:07:24 | 1:07:26 | |
Shot down like dogs. Shot down like dogs. | 1:07:26 | 1:07:30 | |
It's empty. Why are we hiding? | 1:07:30 | 1:07:32 | |
Right, she's fired both shots. | 1:07:32 | 1:07:35 | |
-Amanda. I want to talk to you. -I'm going to shoot! | 1:07:36 | 1:07:40 | |
- You sure the gun's empty? - Yes, yes. | 1:07:40 | 1:07:42 | |
Oh, it is? | 1:07:42 | 1:07:43 | |
GUNSHOT | 1:07:43 | 1:07:46 | |
Amanda! | 1:07:46 | 1:07:47 | |
-HE CLAPS -Wake up! | 1:07:47 | 1:07:49 | |
-HE CLAPS AGAIN -Wake up! | 1:07:51 | 1:07:53 | |
Wake up, Amanda. | 1:07:53 | 1:07:54 | |
-Is she out of it? -Yes. | 1:07:54 | 1:07:56 | |
JUDGE: Dr Flagg, you and Steve appear in my chambers tomorrow. | 1:07:56 | 1:07:59 | |
Amanda, you had a gun and went crazy! | 1:07:59 | 1:08:02 | |
What are you talking about? How did I get here? Oh, Steven. | 1:08:02 | 1:08:05 | |
A-are... Are you sure there's no more danger? | 1:08:05 | 1:08:09 | |
-She's all right now. -Thank heavens, thank hea-vens... | 1:08:09 | 1:08:13 | |
Don't be nervous. | 1:08:25 | 1:08:27 | |
I'll explain your treatment has been so successful | 1:08:27 | 1:08:30 | |
-that Amanda has set a wedding date. -She has? -Tomorrow. | 1:08:30 | 1:08:35 | |
I hate to hurt your feelings, Tony, | 1:08:35 | 1:08:38 | |
but Amanda's made it quite clear she never wants to see you again. | 1:08:38 | 1:08:42 | |
She keeps mumbling something strange about shooting you down like a dog. | 1:08:42 | 1:08:46 | |
Steve... | 1:08:47 | 1:08:49 | |
-I have to hypnotise her again. -What!? For what? | 1:08:50 | 1:08:53 | |
I put those terrible thoughts about me into her head | 1:08:54 | 1:08:57 | |
before I realised that... | 1:08:57 | 1:08:59 | |
I love her. | 1:08:59 | 1:09:00 | |
You WHAT? | 1:09:00 | 1:09:03 | |
I'm sorry, I didn't realise until after she told me that... | 1:09:03 | 1:09:06 | |
-she loved me. -She WHAT?! | 1:09:06 | 1:09:09 | |
It's only fair for me to remove those unnatural thoughts | 1:09:09 | 1:09:14 | |
and then she can... choose between us. | 1:09:14 | 1:09:17 | |
What happens if you don't remove them? | 1:09:17 | 1:09:19 | |
She'd marry you, be unhappy, | 1:09:19 | 1:09:22 | |
and go through her life hating me. | 1:09:22 | 1:09:25 | |
You wouldn't want that to happen? | 1:09:25 | 1:09:26 | |
No-o. I should say not. | 1:09:26 | 1:09:29 | |
Amanda has to be happy. | 1:09:29 | 1:09:31 | |
As long as she loves you, I'll just step out of the picture. | 1:09:35 | 1:09:40 | |
Thanks, Steve. | 1:09:42 | 1:09:43 | |
-Just let me handle everything with the Judge. -All right. | 1:09:44 | 1:09:48 | |
- My Tyrolean hat! - Morning, Judge Travers. | 1:09:48 | 1:09:50 | |
-How's Amanda? -Fine. -I didn't ask you. | 1:09:50 | 1:09:54 | |
Tell him the news, Steve. | 1:09:54 | 1:09:56 | |
Before anybody tells me anything, I'LL tell both something. | 1:09:56 | 1:09:59 | |
It's only because of my consideration for Steve and Amanda | 1:09:59 | 1:10:02 | |
that this case is not in open court! | 1:10:02 | 1:10:05 | |
- May I suggest we conduct it as such in here? - Granted. | 1:10:05 | 1:10:09 | |
Before I begin, Your Honour, | 1:10:14 | 1:10:16 | |
I apologise for any lack of eloquence. | 1:10:16 | 1:10:19 | |
It is with difficulty that I speak because friendships are involved. | 1:10:19 | 1:10:24 | |
My heart is full. | 1:10:24 | 1:10:26 | |
Tony, I want you to answer these questions, yes or no. | 1:10:26 | 1:10:31 | |
Isn't it true that the other night you heard me announce my marriage? | 1:10:31 | 1:10:36 | |
-Yes, but... -Just answer yes or no. | 1:10:36 | 1:10:39 | |
I'm pleading for my own happiness and Amanda's. | 1:10:39 | 1:10:43 | |
This man, with subtle scientific witchcraft, | 1:10:43 | 1:10:46 | |
has tried to worm his way into the affections | 1:10:46 | 1:10:49 | |
of my sweet, simple wife-to-be, Amanda Cooper. | 1:10:49 | 1:10:52 | |
- Sit down! - Now he has the unmitigated gall | 1:10:52 | 1:10:55 | |
to seek to get to her subconscious once more! | 1:10:55 | 1:11:00 | |
But I protest! SHE has suffered enough. I ask... | 1:11:00 | 1:11:04 | |
No, I DEMAND a court order, restraining this "gentleman" | 1:11:04 | 1:11:08 | |
from ever seeing or even speaking to Amanda Cooper again, | 1:11:08 | 1:11:11 | |
- under the extreme penalty of law! - Granted! | 1:11:11 | 1:11:15 | |
JUDGE: And so, my friends, tomorrow, at this same time | 1:11:19 | 1:11:23 | |
the case of Amanda Cooper versus Steven Arden will have been closed. | 1:11:23 | 1:11:28 | |
And I shall take personal delight | 1:11:28 | 1:11:31 | |
in sentencing you both to life imprisonment... | 1:11:31 | 1:11:34 | |
marriage. HE LAUGHS | 1:11:34 | 1:11:37 | |
Sit down, Joe! | 1:11:37 | 1:11:40 | |
Remind me a little later to speak to you about those corny jokes. | 1:11:41 | 1:11:45 | |
STRING MUSIC PLAYS | 1:11:45 | 1:11:48 | |
Cora? | 1:11:52 | 1:11:54 | |
Joe, you know I don't dance at YOUR age. | 1:11:54 | 1:11:57 | |
-Good evening, Judge Travers. -Good evening. | 1:12:12 | 1:12:15 | |
-Would you mind if I had this dance with Aunt Cora? -He wouldn't! | 1:12:15 | 1:12:19 | |
-Amanda, may I have this dance? -NO. | 1:12:25 | 1:12:27 | |
If you want to get arrest, keep on talking. | 1:12:27 | 1:12:31 | |
He's a horrible monster. | 1:12:31 | 1:12:33 | |
I've GOT to tell her something. | 1:12:33 | 1:12:35 | |
Forget it for a while. If you can't talk, you can't tell her. | 1:12:35 | 1:12:39 | |
# Must you dance | 1:12:48 | 1:12:49 | |
# Every dance | 1:12:51 | 1:12:53 | |
# With the same fortunate man? | 1:12:55 | 1:12:59 | |
# You have da-anced with him since the music began | 1:13:00 | 1:13:05 | |
# Won't you cha-ange partners | 1:13:06 | 1:13:10 | |
# And dance with me? | 1:13:11 | 1:13:14 | |
# Must you dance | 1:13:14 | 1:13:15 | |
# Quite so close | 1:13:17 | 1:13:18 | |
# With your lips touching his face? | 1:13:20 | 1:13:25 | |
# Can't you see I'm longing to be in his place? | 1:13:25 | 1:13:31 | |
# Won't you change partners | 1:13:31 | 1:13:35 | |
# And da-ance with me? | 1:13:36 | 1:13:39 | |
# Ask him to sit this one out and while you're alone | 1:13:39 | 1:13:44 | |
# I'll tell the waiter to tell him | 1:13:46 | 1:13:48 | |
# He's wanted on the telephone | 1:13:48 | 1:13:52 | |
# You've been locked in his arms | 1:13:53 | 1:13:57 | |
# Ever since Heaven knows when | 1:13:58 | 1:14:03 | |
# Oh, won't you change partners and the-en | 1:14:03 | 1:14:09 | |
# You may never want to change partners again. # | 1:14:10 | 1:14:16 | |
-Could we go outside? It's awfully stuffy in here. -Sure, sweetheart. | 1:14:16 | 1:14:21 | |
I'm sorry he upset you, dear. | 1:14:31 | 1:14:33 | |
There's no reason to let him spoil our whole evening. | 1:14:33 | 1:14:36 | |
-I think he's contemptible. -Don't say that. | 1:14:36 | 1:14:40 | |
Tony's all right...except he's a dirty, double-crossing scientist. | 1:14:40 | 1:14:45 | |
-Mr Arden. Telephone, sir. -Just take a message. | 1:14:45 | 1:14:49 | |
But it's long distance, person to person. | 1:14:49 | 1:14:51 | |
-Come along. -No, I'll meet you in the pavilion. -I won't be long. | 1:14:51 | 1:14:55 | |
- Hello? - Mr Arden, long distance. | 1:15:09 | 1:15:11 | |
One moment, please. Go ahead with Honolulu. | 1:15:11 | 1:15:14 | |
Crr-ee-chh... | 1:15:14 | 1:15:18 | |
Scree-ee-eech! | 1:15:18 | 1:15:22 | |
HIGH PITCHED VOICE: Mr Steve Arden? | 1:15:22 | 1:15:24 | |
Yes, who's this? | 1:15:24 | 1:15:25 | |
This is Miss Satsuma Naguchi, please. | 1:15:25 | 1:15:28 | |
- Who? - Miss Satsuma Naguchi, please. | 1:15:28 | 1:15:31 | |
I would like information about your marriage to Honourable Lady Miss Cooper. | 1:15:31 | 1:15:35 | |
I'm editor of woman's column, Honolulu Daily Bugle. | 1:15:35 | 1:15:39 | |
- Honolulu Daily what? - Bugle. | 1:15:39 | 1:15:42 | |
What? | 1:15:42 | 1:15:43 | |
Bugle, you know - ta-tata, ta-tata! | 1:15:43 | 1:15:46 | |
Amanda, may I speak to you? | 1:15:49 | 1:15:52 | |
-Certainly not. -Please, Amanda. | 1:15:52 | 1:15:54 | |
I'm sorry, Miss Satsumi, but I don't understand a word you're saying. | 1:17:48 | 1:17:52 | |
Not Satsumi, Miss Naguchi, please. | 1:17:52 | 1:17:55 | |
And if you do not understand, you must be stupid man, I think so. | 1:17:55 | 1:17:59 | |
I call you up like polite lady to get simple information. | 1:17:59 | 1:18:03 | |
Now you make a big fuss about nothing, I think so. | 1:18:03 | 1:18:06 | |
I say again. This is Miss Satsuma Naguchi of Honolu-LOO! | 1:18:06 | 1:18:11 | |
-Amanda, I want you to repeat everything I say... -Amanda! | 1:18:21 | 1:18:26 | |
JUDGE: Dr Flagg, stop that now! | 1:18:26 | 1:18:29 | |
Amanda, wake up! | 1:18:29 | 1:18:32 | |
Oh, Steven. | 1:18:35 | 1:18:36 | |
Hattie, have you ever been married? | 1:18:52 | 1:18:54 | |
No, ma'am, but I've been engaged. | 1:18:54 | 1:18:56 | |
-Just as good. -No, ma'am. It's a lot better. | 1:18:56 | 1:19:00 | |
Hattie! | 1:19:00 | 1:19:02 | |
I've opened the door for you five times in the last ten minutes. | 1:19:41 | 1:19:45 | |
Steve has caught me every time. | 1:19:45 | 1:19:47 | |
You'd better come in the window. Don't let Joe see you. He's issued an arrest warrant. | 1:19:47 | 1:19:52 | |
In case you don't know it, the ceremony starts in five minutes. | 1:19:52 | 1:19:56 | |
-Doesn't give us much time. -I guess it's too late. | 1:19:58 | 1:20:01 | |
After all the trouble we had getting you a marriage licence? | 1:20:01 | 1:20:04 | |
It's no good unless I can get to her unconscious mind | 1:20:04 | 1:20:07 | |
That would take longer than five minutes. | 1:20:07 | 1:20:09 | |
I could get her unconscious in five minutes. | 1:20:09 | 1:20:11 | |
-I'd bust her in the jaw. I guarantee she'd be unconscious. -Don't be rid... | 1:20:11 | 1:20:16 | |
Let's find that open window. | 1:20:22 | 1:20:24 | |
Oh, hello, Steve. We just came in through the window. | 1:20:39 | 1:20:42 | |
I guess we're in the wrong room. | 1:20:42 | 1:20:44 | |
BANGING ON DOOR | 1:20:48 | 1:20:50 | |
Hi, kids. | 1:20:52 | 1:20:53 | |
Get out of here before I call Steve. | 1:20:58 | 1:21:00 | |
Amanda, darling, for what I am about to do, please forgive me. | 1:21:00 | 1:21:05 | |
I'm sorry, I just can't do it. | 1:21:10 | 1:21:12 | |
Hey, doc! | 1:21:12 | 1:21:13 | |
Amanda, darling... | 1:21:18 | 1:21:21 | |
Hurry up, Doc. Get to her unconscious before she comes to. | 1:21:21 | 1:21:24 | |
Repeat after me... | 1:21:24 | 1:21:26 | |
Tony loves Amanda. | 1:21:26 | 1:21:28 | |
Tony loves Amanda... | 1:21:31 | 1:21:34 | |
MUSIC: "HERE COMES THE BRIDE" | 1:21:34 | 1:21:38 | |
Stand UP, Joe! | 1:21:48 | 1:21:50 | |
Subtitles by Red Bee Media Ltd | 1:22:02 | 1:22:05 | |
Email [email protected] | 1:22:05 | 1:22:08 |