Browse content similar to Cat People. Check below for episodes and series from the same categories and more!
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HURDY-GURDY PLAYING | 0:01:08 | 0:01:10 | |
THROATY GROWLING | 0:01:16 | 0:01:18 | |
Uh. | 0:02:03 | 0:02:05 | |
Thank you. | 0:02:05 | 0:02:06 | |
You've probably heard it a dozen times before, | 0:02:15 | 0:02:18 | |
but I've never known any artists. | 0:02:18 | 0:02:20 | |
I'm not an artist. | 0:02:20 | 0:02:21 | |
Well, what's all this? | 0:02:21 | 0:02:23 | |
I do sketches for fashion drawings. | 0:02:23 | 0:02:25 | |
Oh. May I see it? | 0:02:25 | 0:02:27 | |
Oh, no. It's not good. | 0:02:27 | 0:02:29 | |
If I let you see it, | 0:02:29 | 0:02:31 | |
you might not want to know any artists ever. | 0:02:31 | 0:02:33 | |
It'd have to be pretty bad to do that. | 0:02:33 | 0:02:36 | |
"Let no-one say, | 0:02:36 | 0:02:38 | |
"and say it to your shame..." | 0:02:38 | 0:02:40 | |
Irena Dubrovna. Is that a Russian name? | 0:03:04 | 0:03:06 | |
No. I'm from Serbia. | 0:03:06 | 0:03:08 | |
Oh, I see. Would you mind spelling it? | 0:03:08 | 0:03:10 | |
Want to know how to spell my name? | 0:03:10 | 0:03:13 | |
Are you going to write me a letter? | 0:03:13 | 0:03:15 | |
I'd like to write you a letter. | 0:03:15 | 0:03:17 | |
What about? | 0:03:17 | 0:03:19 | |
I would say, "Dear Miss Dubrovna. | 0:03:19 | 0:03:20 | |
"Will you have tea with me?" | 0:03:20 | 0:03:22 | |
In that case, I'd have to write another letter. | 0:03:22 | 0:03:25 | |
I'd say... | 0:03:25 | 0:03:26 | |
Here's my house. | 0:03:26 | 0:03:28 | |
Perhaps, Mr Reed, | 0:03:31 | 0:03:33 | |
you would like to have tea | 0:03:33 | 0:03:35 | |
in my apartment? | 0:03:35 | 0:03:36 | |
Oh, ho! Miss Dubrovna, you make life so simple. | 0:03:36 | 0:03:40 | |
You know... | 0:03:51 | 0:03:53 | |
I never cease to marvel | 0:03:53 | 0:03:54 | |
at what lies behind a brownstone front. | 0:03:54 | 0:03:57 | |
Well, what's the matter? | 0:04:05 | 0:04:07 | |
Nothing. | 0:04:07 | 0:04:08 | |
But you... you looked at me | 0:04:08 | 0:04:10 | |
in such a funny way. | 0:04:10 | 0:04:11 | |
I've never had anyone here. | 0:04:11 | 0:04:13 | |
You're the first friend I met in America. | 0:04:13 | 0:04:17 | |
Oh, I know lots of people in business - | 0:04:17 | 0:04:19 | |
editors, secretaries, | 0:04:19 | 0:04:20 | |
other sketch artists, you know, | 0:04:20 | 0:04:23 | |
but you might be my first real friend. | 0:04:23 | 0:04:26 | |
Thank you. | 0:04:26 | 0:04:28 | |
Nice. | 0:04:36 | 0:04:37 | |
That's Lalage. | 0:04:37 | 0:04:39 | |
Lalage? | 0:04:39 | 0:04:40 | |
The perfume I use. | 0:04:40 | 0:04:41 | |
I like it, perhaps too well. | 0:04:41 | 0:04:44 | |
Maybe I use too much, living alone like this. | 0:04:44 | 0:04:46 | |
It's hard to describe. | 0:04:46 | 0:04:48 | |
Not like flowers, exactly. | 0:04:48 | 0:04:49 | |
It's like something warm and living. | 0:04:49 | 0:04:52 | |
IRENA HUMMING | 0:04:54 | 0:04:56 | |
LIONS ROARING | 0:05:15 | 0:05:16 | |
What's that? | 0:05:16 | 0:05:18 | |
It's the lions in the zoo. | 0:05:18 | 0:05:20 | |
One can hear them here often. | 0:05:20 | 0:05:22 | |
Many people in this building complained. | 0:05:22 | 0:05:24 | |
Their roaring keeps them awake. | 0:05:24 | 0:05:26 | |
And you don't mind it? | 0:05:26 | 0:05:27 | |
No. To me, it's the way | 0:05:27 | 0:05:29 | |
the sound of the sea is to others - | 0:05:29 | 0:05:32 | |
natural and soothing. | 0:05:32 | 0:05:34 | |
I like it. | 0:05:34 | 0:05:35 | |
Some nights, there is another sound - the panther. | 0:05:37 | 0:05:40 | |
It screams like a woman. | 0:05:40 | 0:05:43 | |
I don't like that. | 0:05:43 | 0:05:45 | |
Oh, I hadn't realised | 0:05:45 | 0:05:47 | |
how dark it was getting. | 0:05:47 | 0:05:49 | |
I like the dark. It's friendly. | 0:05:49 | 0:05:53 | |
No, keep still, please. | 0:05:58 | 0:06:00 | |
Are you admiring my statue? | 0:06:18 | 0:06:20 | |
Not exactly. Who's it supposed to be? | 0:06:20 | 0:06:22 | |
King John. | 0:06:22 | 0:06:23 | |
The Magna Carta and all that stuff? | 0:06:23 | 0:06:26 | |
No. King John of Serbia. He was a fine king. | 0:06:26 | 0:06:30 | |
He drove the Mamelukes out of Serbia and freed the people. | 0:06:30 | 0:06:33 | |
Well, why have this around? | 0:06:33 | 0:06:35 | |
Perhaps you have | 0:06:35 | 0:06:37 | |
a picture of George Washington or Abraham Lincoln. | 0:06:37 | 0:06:39 | |
Well, what does it mean? | 0:06:39 | 0:06:41 | |
Why is he... why is he spearing that cat? | 0:06:41 | 0:06:44 | |
Oh, it's not really a cat. | 0:06:44 | 0:06:46 | |
It's meant to represent the evil ways | 0:06:46 | 0:06:49 | |
into which my village had once fallen. | 0:06:49 | 0:06:51 | |
You see, | 0:06:51 | 0:06:53 | |
the Mamelukes came to Serbia long ago, | 0:06:53 | 0:06:55 | |
and they made the people slaves. | 0:06:55 | 0:06:57 | |
Well, at first, the people were good | 0:06:57 | 0:07:00 | |
and worshiped God in a true Christian way, | 0:07:00 | 0:07:03 | |
but, er, | 0:07:03 | 0:07:04 | |
little by little, the people changed. | 0:07:04 | 0:07:08 | |
When King John drove out the Mamelukes | 0:07:08 | 0:07:11 | |
and came to our village, | 0:07:11 | 0:07:14 | |
he found dreadful things. | 0:07:14 | 0:07:17 | |
People bowed down to Satan and said their masses to him. | 0:07:17 | 0:07:23 | |
They had become witches and were evil. | 0:07:23 | 0:07:28 | |
But King John put some of them to the sword. | 0:07:28 | 0:07:32 | |
But some - the wisest | 0:07:32 | 0:07:36 | |
and the most wicked - | 0:07:36 | 0:07:38 | |
escaped into the mountains. | 0:07:38 | 0:07:41 | |
Now do you understand? | 0:07:41 | 0:07:42 | |
Well, I still don't see | 0:07:42 | 0:07:44 | |
what it has to do with you. | 0:07:44 | 0:07:46 | |
Those who escaped, the wicked ones, | 0:07:49 | 0:07:52 | |
their legend haunts the village | 0:07:52 | 0:07:54 | |
where I was born. | 0:07:54 | 0:07:56 | |
CLOCK CHIMES | 0:07:56 | 0:07:58 | |
Boys who come to tea | 0:08:03 | 0:08:05 | |
can't expect to stay to dinner. | 0:08:05 | 0:08:07 | |
Some other time, perhaps. | 0:08:07 | 0:08:09 | |
Tomorrow? | 0:08:13 | 0:08:15 | |
Mm-hmm. | 0:08:15 | 0:08:16 | |
Well, what time tomorrow? | 0:08:19 | 0:08:21 | |
Dinner? | 0:08:21 | 0:08:22 | |
A little more on the left, Harry. | 0:08:49 | 0:08:51 | |
Easy. Just a hair. | 0:08:51 | 0:08:53 | |
Afraid she's going to be all right, Alice. | 0:08:53 | 0:08:55 | |
She's got what it takes, all right, Commodore. | 0:08:55 | 0:08:58 | |
CAT CRYING | 0:09:04 | 0:09:06 | |
MEOW | 0:09:06 | 0:09:08 | |
MEOW | 0:09:10 | 0:09:11 | |
MEOW | 0:09:11 | 0:09:12 | |
MEOW | 0:09:16 | 0:09:18 | |
MEOW | 0:09:19 | 0:09:21 | |
Ah, isn't it a darling? | 0:09:21 | 0:09:24 | |
MEOW | 0:09:24 | 0:09:26 | |
Where'd you get it? | 0:09:26 | 0:09:27 | |
I bought it. | 0:09:27 | 0:09:28 | |
Going in for cats, Oliver? | 0:09:28 | 0:09:30 | |
I bought it for a friend. | 0:09:30 | 0:09:32 | |
We arrive at the inescapable conclusion | 0:09:32 | 0:09:34 | |
that Oliver has a girl. | 0:09:34 | 0:09:35 | |
Brilliant, Carver. | 0:09:35 | 0:09:37 | |
A girlfriend? | 0:09:37 | 0:09:38 | |
No. A girl. | 0:09:38 | 0:09:40 | |
Anybody I know? | 0:09:40 | 0:09:41 | |
Not yet, but you'll like her. | 0:09:41 | 0:09:43 | |
If you like her, she's OK with me. | 0:09:43 | 0:09:46 | |
MEOW | 0:09:46 | 0:09:47 | |
MEOW | 0:09:53 | 0:09:55 | |
Oh, hello. | 0:09:55 | 0:09:56 | |
Look, Irena, I brought you a present. | 0:09:56 | 0:10:00 | |
MEOW | 0:10:00 | 0:10:02 | |
MEOW | 0:10:05 | 0:10:07 | |
MEOW | 0:10:11 | 0:10:12 | |
Why, you little devil. | 0:10:14 | 0:10:16 | |
Oh, it's all right. | 0:10:18 | 0:10:20 | |
It's just that cats don't seem to like me. | 0:10:20 | 0:10:23 | |
Yeah, but this is only a kitten. | 0:10:23 | 0:10:25 | |
It's very friendly. | 0:10:25 | 0:10:27 | |
When I had it in the office, | 0:10:27 | 0:10:29 | |
Alice - the girl in our department - it played with her. | 0:10:29 | 0:10:32 | |
Cats just don't like me. | 0:10:34 | 0:10:35 | |
Oh, I know what we can do. | 0:10:35 | 0:10:37 | |
You got it at a pet store, didn't you? | 0:10:37 | 0:10:40 | |
Yes. | 0:10:40 | 0:10:42 | |
Good. We could exchange it for some other pet. | 0:10:42 | 0:10:44 | |
I'll get my coat. | 0:10:44 | 0:10:46 | |
BIRDS TWITTERING | 0:10:49 | 0:10:51 | |
MONKEYS SCREECHING | 0:10:51 | 0:10:52 | |
LOUD SCREECHING AND SQUAWKING | 0:10:56 | 0:10:59 | |
RACKET CONTINUES | 0:11:10 | 0:11:12 | |
I'd like to exchange this kitten. | 0:11:14 | 0:11:16 | |
You'll have to talk louder! | 0:11:16 | 0:11:17 | |
What did you say? | 0:11:17 | 0:11:19 | |
I can't understand a word you say! | 0:11:19 | 0:11:21 | |
Oh, landy, dear me. | 0:11:29 | 0:11:31 | |
I can't imagine what got into them. | 0:11:31 | 0:11:34 | |
All that caterwauling! | 0:11:34 | 0:11:35 | |
The last time they did that was when an alley cat | 0:11:35 | 0:11:38 | |
ate one of my nice finches. | 0:11:38 | 0:11:40 | |
I wanted to exchange this kitten for a bird. | 0:11:40 | 0:11:43 | |
Of course. I have some lovely canaries. | 0:11:43 | 0:11:45 | |
One little lemon-coloured fellow | 0:11:45 | 0:11:47 | |
with top notes like Caruso. | 0:11:47 | 0:11:49 | |
SINGLE BIRD TWITTERS | 0:11:49 | 0:11:51 | |
As peaceful as my dream of heaven. | 0:11:51 | 0:11:54 | |
Shall we go back now and select just which little birdie? | 0:11:54 | 0:11:57 | |
You go, please, Oliver. | 0:11:57 | 0:11:59 | |
You pick the one you like. | 0:11:59 | 0:12:01 | |
I'd rather stay here. | 0:12:01 | 0:12:03 | |
Of course. I'll only be a minute. | 0:12:03 | 0:12:06 | |
Animals are ever so psychic. | 0:12:06 | 0:12:08 | |
There are some people who just can't come in here. | 0:12:08 | 0:12:11 | |
My dear brother's wife, for instance. | 0:12:11 | 0:12:13 | |
She's a very nice girl, | 0:12:13 | 0:12:14 | |
but you just should see what happens | 0:12:14 | 0:12:17 | |
when she puts her foot inside this place. | 0:12:17 | 0:12:19 | |
The cats, particularly, they seem to know. | 0:12:19 | 0:12:21 | |
You can fool everybody, | 0:12:21 | 0:12:23 | |
but, landy, deary me, you can't fool a cat. | 0:12:23 | 0:12:26 | |
They seem to know who's not right, | 0:12:26 | 0:12:28 | |
if you know what I mean. | 0:12:28 | 0:12:30 | |
Here we are. Isn't he a ducky little angel? | 0:12:30 | 0:12:34 | |
This is it. | 0:12:36 | 0:12:37 | |
Thank you. | 0:12:37 | 0:12:39 | |
What do you think of it? | 0:12:51 | 0:12:53 | |
Oh, he is sweet! | 0:12:53 | 0:12:54 | |
He will like me very much, you will see. | 0:12:54 | 0:12:57 | |
I like to be liked. | 0:12:57 | 0:12:59 | |
That ought to be easy. Real easy. | 0:12:59 | 0:13:01 | |
Irena. | 0:13:14 | 0:13:15 | |
Yes. | 0:13:15 | 0:13:16 | |
I've been asleep. | 0:13:16 | 0:13:17 | |
I know. | 0:13:17 | 0:13:19 | |
Couldn't have been very entertaining for you. | 0:13:19 | 0:13:22 | |
I was watching you. | 0:13:22 | 0:13:24 | |
That was fun? | 0:13:24 | 0:13:26 | |
Mm-hmm. | 0:13:26 | 0:13:27 | |
Do you love me, Irena? | 0:13:27 | 0:13:31 | |
Uh-huh. | 0:13:31 | 0:13:33 | |
You know I love you, don't you? | 0:13:33 | 0:13:36 | |
I've never kissed you. | 0:13:41 | 0:13:43 | |
Do you know, that's funny? | 0:13:45 | 0:13:47 | |
Why? | 0:13:47 | 0:13:49 | |
Well, when people in America are in love, | 0:13:49 | 0:13:52 | |
or even think they're in love, | 0:13:52 | 0:13:54 | |
they've usually kissed long ago. | 0:13:54 | 0:13:56 | |
Well? | 0:14:00 | 0:14:01 | |
Irena, what's wrong? | 0:14:05 | 0:14:07 | |
I've lived in dread of this moment. | 0:14:09 | 0:14:12 | |
I've never wanted to love you. | 0:14:12 | 0:14:16 | |
I've stayed away from people. | 0:14:17 | 0:14:19 | |
I... | 0:14:19 | 0:14:21 | |
I lived alone. | 0:14:21 | 0:14:23 | |
I never wanted this to happen. | 0:14:23 | 0:14:25 | |
But you just told me you loved me. | 0:14:25 | 0:14:28 | |
I do. | 0:14:28 | 0:14:31 | |
I do. | 0:14:31 | 0:14:32 | |
I fled from the past, | 0:14:32 | 0:14:36 | |
from things you could never know... | 0:14:36 | 0:14:39 | |
or understand. | 0:14:39 | 0:14:41 | |
Evil things. | 0:14:41 | 0:14:44 | |
Evil. | 0:14:44 | 0:14:45 | |
Irena, now, you've told me | 0:14:46 | 0:14:49 | |
something of the past, | 0:14:49 | 0:14:51 | |
about King John | 0:14:51 | 0:14:52 | |
and the witches in the village | 0:14:52 | 0:14:54 | |
and the cat people descended from them. | 0:14:54 | 0:14:55 | |
They're fairy tales, Irena, | 0:14:55 | 0:14:57 | |
fairy tales heard in your childhood, | 0:14:57 | 0:14:59 | |
nothing more than that. | 0:14:59 | 0:15:00 | |
They have nothing to do with you, really. | 0:15:00 | 0:15:02 | |
You're Irena. You're here in America. | 0:15:02 | 0:15:04 | |
You're so normal, you're even in love with me - | 0:15:04 | 0:15:07 | |
Oliver Reed, a good plain Americano. | 0:15:07 | 0:15:09 | |
You're so normal, you're going to marry me. | 0:15:09 | 0:15:12 | |
And those fairy tales, | 0:15:12 | 0:15:13 | |
you can tell them to our children. They'll love them. | 0:15:13 | 0:15:16 | |
MUSIC PLAYS | 0:15:21 | 0:15:23 | |
It's all right, this stuff, my boy. | 0:15:30 | 0:15:33 | |
Why don't we get some more, heh? | 0:15:33 | 0:15:35 | |
Ah-ha! Comitage! | 0:15:35 | 0:15:38 | |
Oh! Mr Carver, you should not call a good man that. | 0:15:38 | 0:15:41 | |
But it's Serbian. I got it from my father this afternoon. | 0:15:41 | 0:15:45 | |
But you might insult him. | 0:15:45 | 0:15:47 | |
Comitage means thief, bandit. | 0:15:47 | 0:15:49 | |
I've been double-crossed. | 0:15:49 | 0:15:51 | |
Ha ha ha! Ha ha ha! | 0:15:51 | 0:15:53 | |
Oliver's bride seems to be | 0:15:53 | 0:15:55 | |
a very nice girl, | 0:15:55 | 0:15:57 | |
and a very pretty one, too. | 0:15:57 | 0:15:58 | |
Carver tells me she's a bit odd. | 0:15:58 | 0:16:01 | |
He's worried about the marriage. | 0:16:01 | 0:16:02 | |
Nonsense. Irena's a grand girl. | 0:16:02 | 0:16:04 | |
She and Oliver are going to be | 0:16:04 | 0:16:06 | |
very happy together. | 0:16:06 | 0:16:07 | |
I certainly hope so. | 0:16:07 | 0:16:09 | |
MUSIC STOPPED | 0:16:11 | 0:16:12 | |
To the bride. | 0:16:12 | 0:16:14 | |
The bride. The bride. | 0:16:14 | 0:16:16 | |
Look at that woman. Isn't she something? | 0:16:25 | 0:16:28 | |
Looks like a cat. | 0:16:30 | 0:16:33 | |
Thank you so much | 0:16:35 | 0:16:37 | |
for this lovely party, Alice. | 0:16:37 | 0:16:38 | |
I didn't know there was | 0:16:38 | 0:16:40 | |
a Serbian restaurant. | 0:16:40 | 0:16:41 | |
Anything you want to know about this city, | 0:16:41 | 0:16:43 | |
ask me. I know all the unimportant details. | 0:16:43 | 0:16:46 | |
Moia sestra. | 0:16:49 | 0:16:50 | |
Moia sestra? | 0:16:55 | 0:16:56 | |
Well, how do you like that? | 0:17:11 | 0:17:14 | |
What did that woman say to you, darling? | 0:17:14 | 0:17:17 | |
Well, what did she say? | 0:17:17 | 0:17:19 | |
Now, wait a minute. | 0:17:19 | 0:17:20 | |
It can't be that serious, just one single word. | 0:17:20 | 0:17:23 | |
She greeted me. | 0:17:23 | 0:17:25 | |
She called me sister. | 0:17:25 | 0:17:28 | |
You saw her, Oliver. | 0:17:28 | 0:17:30 | |
You saw what she looked like. | 0:17:30 | 0:17:32 | |
Oh, she looks like a cat, | 0:17:32 | 0:17:34 | |
so she must be one of the cat people, | 0:17:34 | 0:17:37 | |
one of King John's pets. | 0:17:37 | 0:17:38 | |
Oh, Irena, you crazy kid. | 0:17:38 | 0:17:40 | |
Why would my wedding be a dollar-and-cents wedding? | 0:17:46 | 0:17:49 | |
All right, why? | 0:17:49 | 0:17:51 | |
I haven't a dollar, and the girl hasn't any sense. | 0:17:51 | 0:17:54 | |
That's a corny joke even for you, doc. | 0:17:54 | 0:17:56 | |
Come on, Carver. | 0:17:56 | 0:17:57 | |
Huh? Oh. | 0:17:57 | 0:17:59 | |
What is it, darling? | 0:18:15 | 0:18:18 | |
I'm... I'm going to beg... | 0:18:18 | 0:18:21 | |
Mrs Reed? | 0:18:23 | 0:18:24 | |
It's nice to hear that. Nice. | 0:18:26 | 0:18:29 | |
I want to be Mrs Reed. | 0:18:29 | 0:18:31 | |
Well, you are. | 0:18:31 | 0:18:33 | |
But I want to be Mrs Reed really. | 0:18:33 | 0:18:36 | |
I want to be | 0:18:36 | 0:18:38 | |
everything that name means to me, | 0:18:38 | 0:18:40 | |
and I can't. | 0:18:40 | 0:18:42 | |
I can't. | 0:18:42 | 0:18:43 | |
Oliver, be kind. Be patient. | 0:18:43 | 0:18:48 | |
Let me have time... | 0:18:48 | 0:18:50 | |
time to get over that feeling | 0:18:50 | 0:18:52 | |
there's something evil in me. | 0:18:52 | 0:18:53 | |
Darling, you have all the time there is in the world | 0:18:53 | 0:18:57 | |
if you want it | 0:18:57 | 0:18:58 | |
and all the patience and kindness there's in me. | 0:18:58 | 0:19:02 | |
Only a little time, Oliver. | 0:19:02 | 0:19:04 | |
I don't want more than that. | 0:19:04 | 0:19:07 | |
Good night, Irena. | 0:19:20 | 0:19:21 | |
CAT'S YOWLING ECHOES | 0:19:31 | 0:19:34 | |
Good night, Oliver. | 0:19:40 | 0:19:43 | |
Good night, Irena. | 0:19:43 | 0:19:45 | |
# Nothing else to do Nothing else to do | 0:19:54 | 0:19:57 | |
# I straight went a-courtin' For I'd nothing else to do | 0:19:57 | 0:20:03 | |
# Nothing else to do Nothing else to do | 0:20:03 | 0:20:07 | |
# I straight... # | 0:20:07 | 0:20:08 | |
Ain't seen you here in some time, ma'am. | 0:20:08 | 0:20:11 | |
I've been married, been married for almost a month. | 0:20:11 | 0:20:14 | |
That's what I tell this critter - | 0:20:14 | 0:20:16 | |
nobody comes to see him when they're happy. | 0:20:16 | 0:20:19 | |
The monkey house and the aviary | 0:20:19 | 0:20:21 | |
gets all the happy customers. | 0:20:21 | 0:20:22 | |
But he's beautiful. | 0:20:22 | 0:20:24 | |
No, he ain't beautiful. | 0:20:24 | 0:20:26 | |
He's an evil critter, ma'am. | 0:20:26 | 0:20:28 | |
You read your Bible, Revelations, | 0:20:28 | 0:20:31 | |
where the book's talking about | 0:20:31 | 0:20:33 | |
the worst beast of them all. | 0:20:33 | 0:20:36 | |
It says, "And the beast which I saw | 0:20:36 | 0:20:39 | |
"was like unto a leopard." | 0:20:39 | 0:20:41 | |
Like unto a leopard. | 0:20:41 | 0:20:43 | |
Yes, ma'am. | 0:20:43 | 0:20:44 | |
Like a leopard, but not a leopard. | 0:20:44 | 0:20:46 | |
I guess that fits this fellow. | 0:20:46 | 0:20:48 | |
Yes, it fits him. | 0:20:48 | 0:20:51 | |
# Nothing else to do Nothing else to do | 0:20:51 | 0:20:56 | |
# I straight went a-courtin' Cos I'd nothing... # | 0:20:56 | 0:20:58 | |
Er, best wishes for your marriage, ma'am. | 0:20:58 | 0:21:02 | |
# Nothing else to do, nothing else to do... # | 0:21:02 | 0:21:05 | |
IRENA HUMMING | 0:21:07 | 0:21:09 | |
BIRD WHISTLES | 0:21:28 | 0:21:29 | |
WHISTLE | 0:21:29 | 0:21:31 | |
WHISTLE | 0:21:31 | 0:21:32 | |
SHE WHISTLES | 0:21:34 | 0:21:36 | |
WHISTLE | 0:21:38 | 0:21:40 | |
SNARL | 0:23:05 | 0:23:07 | |
GROWL | 0:23:09 | 0:23:11 | |
Would you like some sherry? | 0:23:21 | 0:23:23 | |
If you're determined to mourn that bird, | 0:23:31 | 0:23:33 | |
we'll have a regular wake. | 0:23:33 | 0:23:35 | |
It's not just because the bird died. | 0:23:35 | 0:23:38 | |
It's me. | 0:23:38 | 0:23:39 | |
I envy every woman I see on the street. | 0:23:39 | 0:23:43 | |
They can't match your little finger. | 0:23:43 | 0:23:45 | |
I envy them. | 0:23:45 | 0:23:46 | |
They're happy. | 0:23:46 | 0:23:48 | |
They make their husbands happy. | 0:23:48 | 0:23:50 | |
They lead normal, happy lives. | 0:23:50 | 0:23:54 | |
They're free. | 0:23:54 | 0:23:56 | |
Do you know what happened to the bird? | 0:24:03 | 0:24:05 | |
It died. | 0:24:05 | 0:24:06 | |
It died of fright when I tried to take it in my hand. | 0:24:06 | 0:24:10 | |
That's nothing. I had a rabbit that hated me, | 0:24:10 | 0:24:13 | |
yet I grew up to be quite a nice fella. | 0:24:13 | 0:24:16 | |
Oliver... | 0:24:19 | 0:24:20 | |
when I went past the panther's cage, | 0:24:21 | 0:24:24 | |
I had to open the box. | 0:24:24 | 0:24:27 | |
I had to throw the bird to him. | 0:24:27 | 0:24:30 | |
Do you understand? | 0:24:30 | 0:24:31 | |
I had to. | 0:24:31 | 0:24:33 | |
I had to do it. | 0:24:33 | 0:24:35 | |
That's what frightens me. | 0:24:39 | 0:24:41 | |
Irena... | 0:24:50 | 0:24:51 | |
I've been trying to kid you out of it. | 0:24:51 | 0:24:54 | |
Maybe that's wrong. | 0:24:54 | 0:24:56 | |
No-one could have been more gentle | 0:24:56 | 0:24:58 | |
or more patient. | 0:24:58 | 0:24:59 | |
Well, I tried to make you realise | 0:24:59 | 0:25:01 | |
all these stories that worry you are so much nonsense. | 0:25:01 | 0:25:04 | |
But now I see it's not the stories. | 0:25:04 | 0:25:06 | |
It's the fact that you believe them. | 0:25:06 | 0:25:09 | |
We've got to have help, Irena. | 0:25:09 | 0:25:11 | |
Not that sort of help. | 0:25:14 | 0:25:17 | |
There's something wrong, | 0:25:17 | 0:25:18 | |
and we have to face it in an intelligent way. | 0:25:18 | 0:25:20 | |
We don't need a King John with fire and sword. | 0:25:20 | 0:25:23 | |
We need someone who can find the reason | 0:25:23 | 0:25:25 | |
for your belief and cure it. | 0:25:25 | 0:25:27 | |
That's what we need. | 0:25:29 | 0:25:31 | |
A psychiatrist. | 0:25:32 | 0:25:33 | |
Find one for me, Oliver. | 0:25:33 | 0:25:36 | |
The best one... | 0:25:36 | 0:25:38 | |
the very best one. | 0:25:38 | 0:25:40 | |
You were saying, "The cats." | 0:25:43 | 0:25:44 | |
They torment me. | 0:25:44 | 0:25:46 | |
I wake in the night, | 0:25:46 | 0:25:49 | |
and the tread of their feet | 0:25:49 | 0:25:51 | |
whispers in my brain. | 0:25:51 | 0:25:54 | |
I have no peace... | 0:25:54 | 0:25:58 | |
for they are in me. | 0:25:58 | 0:26:00 | |
In me? | 0:26:02 | 0:26:03 | |
LOUDER: In me? | 0:26:05 | 0:26:06 | |
Hypnosis always tires me. | 0:26:32 | 0:26:34 | |
Some of my patients, too, find it exhausting. | 0:26:34 | 0:26:37 | |
It's only that I... | 0:26:37 | 0:26:39 | |
I remember nothing. | 0:26:39 | 0:26:40 | |
It's my duty to remember. | 0:26:40 | 0:26:42 | |
I have it all here. | 0:26:42 | 0:26:44 | |
Most interesting. | 0:26:44 | 0:26:45 | |
You told me of your village and the people | 0:26:45 | 0:26:48 | |
and their strange beliefs. | 0:26:48 | 0:26:50 | |
I'm so ashamed. | 0:26:50 | 0:26:51 | |
It must seem so childish. | 0:26:51 | 0:26:53 | |
And the cat women of your village, too. | 0:26:53 | 0:26:55 | |
You told me of them - | 0:26:55 | 0:26:57 | |
women who in jealousy or anger | 0:26:57 | 0:26:58 | |
or out of their own corrupt passions | 0:26:58 | 0:27:00 | |
can change into great cats like panthers. | 0:27:00 | 0:27:02 | |
And if one of these women were to fall in love | 0:27:04 | 0:27:07 | |
and if a lover were to kiss her, | 0:27:07 | 0:27:09 | |
take her into his embrace, | 0:27:09 | 0:27:10 | |
she would be driven by her own evil to kill him. | 0:27:10 | 0:27:13 | |
That's what you believe and fear, | 0:27:13 | 0:27:15 | |
isn't it? | 0:27:15 | 0:27:18 | |
These things are very simple to psychiatrists. | 0:27:18 | 0:27:20 | |
You told me about your childhood. | 0:27:22 | 0:27:24 | |
Perhaps we'll find this trouble stems | 0:27:24 | 0:27:26 | |
from some early experience. | 0:27:26 | 0:27:28 | |
You said you didn't know your father, | 0:27:28 | 0:27:30 | |
that he died in some mysterious accident in the forest | 0:27:30 | 0:27:33 | |
before your birth, | 0:27:33 | 0:27:34 | |
and because of that, the children teased you | 0:27:34 | 0:27:37 | |
and called your mother a witch, a cat woman. | 0:27:37 | 0:27:40 | |
These childhood tragedies | 0:27:41 | 0:27:43 | |
are inclined to corrode the soul, | 0:27:43 | 0:27:45 | |
to leave a canker in the mind. | 0:27:45 | 0:27:47 | |
But we'll try to repair the damage. | 0:27:47 | 0:27:50 | |
You're not to worry. | 0:27:52 | 0:27:53 | |
Well, what should I tell my husband? | 0:27:53 | 0:27:55 | |
Naturally, he's anxious to have some word. | 0:27:55 | 0:27:58 | |
What does one tell a husband? | 0:27:58 | 0:28:00 | |
One tells him nothing. | 0:28:00 | 0:28:01 | |
Alice, it's so nice to see you. | 0:28:15 | 0:28:17 | |
Hello, darling. | 0:28:17 | 0:28:19 | |
How'd you make out with Lewis? | 0:28:19 | 0:28:20 | |
Lewis? | 0:28:20 | 0:28:22 | |
Dr Judd. | 0:28:22 | 0:28:23 | |
Alice knows, darling. | 0:28:23 | 0:28:25 | |
ALICE: Didn't I suggest Dr Judd? | 0:28:25 | 0:28:29 | |
I met him on the Commodore's boat. | 0:28:29 | 0:28:30 | |
The way he goes around kissing hands | 0:28:30 | 0:28:32 | |
makes we want to spit cotton, | 0:28:32 | 0:28:34 | |
but I guess he knows all there is to know about psychiatry. | 0:28:34 | 0:28:37 | |
Uh-oh. | 0:28:39 | 0:28:40 | |
I told Alice. | 0:28:40 | 0:28:41 | |
I knew she'd know some good doctor. | 0:28:41 | 0:28:43 | |
I don't see why that was necessary. | 0:28:43 | 0:28:47 | |
Sorry. | 0:28:49 | 0:28:50 | |
I seem to have put my big foot in it. | 0:28:50 | 0:28:53 | |
I'm sorry, Irena. | 0:28:57 | 0:28:58 | |
I'm sure neither Oliver nor I | 0:28:58 | 0:29:00 | |
had any notion of offending you. | 0:29:00 | 0:29:02 | |
I'm dreadfully sorry. | 0:29:02 | 0:29:04 | |
Goodbye, Alice. | 0:29:06 | 0:29:08 | |
Darling, really. There's no reason to... | 0:29:16 | 0:29:18 | |
But, Oliver, how can you discuss such things, | 0:29:18 | 0:29:21 | |
such intimate things about me? | 0:29:21 | 0:29:23 | |
How much did you tell her? | 0:29:23 | 0:29:25 | |
Oh, you can tell Alice anything. | 0:29:25 | 0:29:27 | |
She can understand anything. | 0:29:27 | 0:29:28 | |
There are some things | 0:29:28 | 0:29:30 | |
a woman doesn't want other women to understand. | 0:29:30 | 0:29:32 | |
MEOWING | 0:29:50 | 0:29:54 | |
Irena... | 0:30:35 | 0:30:36 | |
I woke up. You were gone. | 0:30:39 | 0:30:41 | |
What's wrong, darling? | 0:30:41 | 0:30:43 | |
I couldn't sleep. I went out. | 0:30:43 | 0:30:46 | |
Where'd you go? | 0:30:46 | 0:30:47 | |
Just walked. | 0:30:47 | 0:30:49 | |
I'm sorry about this afternoon. | 0:30:49 | 0:30:51 | |
I... | 0:30:51 | 0:30:52 | |
I just didn't think. | 0:30:52 | 0:30:54 | |
Oliver...we should never quarrel. | 0:30:54 | 0:30:58 | |
Never let me feel jealousy or anger. | 0:30:58 | 0:31:01 | |
Whatever is in me is held in, | 0:31:01 | 0:31:04 | |
is kept harmless when I'm happy. | 0:31:04 | 0:31:06 | |
I'd turn handsprings, darling. | 0:31:06 | 0:31:09 | |
I'd dance in the streets to make you happy. | 0:31:09 | 0:31:11 | |
Toward the sheer line... | 0:31:20 | 0:31:23 | |
62 degrees. | 0:31:23 | 0:31:25 | |
Hey! | 0:31:26 | 0:31:28 | |
Oh, I'm sorry. | 0:31:29 | 0:31:30 | |
I must have given you the wrong figure. | 0:31:30 | 0:31:32 | |
Let me try again. | 0:31:32 | 0:31:34 | |
Wait. Let's have a cigarette first. | 0:31:34 | 0:31:36 | |
That's the third wrong figure | 0:31:36 | 0:31:37 | |
you've given me this morning. | 0:31:37 | 0:31:39 | |
Getting careless in my old age. | 0:31:39 | 0:31:41 | |
Something's on your mind. | 0:31:41 | 0:31:42 | |
Anything wrong? | 0:31:42 | 0:31:44 | |
No. | 0:31:44 | 0:31:46 | |
Must be marriage. | 0:31:49 | 0:31:51 | |
Well, in a way, it is. | 0:31:52 | 0:31:54 | |
I'm worried about Irena. | 0:31:54 | 0:31:56 | |
But I thought she was going to Dr Judd. | 0:31:56 | 0:31:59 | |
Yeah. That's what I thought, | 0:31:59 | 0:32:01 | |
but I ran into Dr Judd this morning. | 0:32:01 | 0:32:03 | |
She hasn't been back since the first visit. | 0:32:03 | 0:32:05 | |
But you told me she seemed so anxious to be cured. | 0:32:05 | 0:32:09 | |
Apparently not. | 0:32:09 | 0:32:10 | |
I'm sorry, Ollie. | 0:32:10 | 0:32:12 | |
Must make you very unhappy. | 0:32:12 | 0:32:14 | |
You know, it's a funny thing. | 0:32:16 | 0:32:18 | |
I've never been unhappy before. | 0:32:18 | 0:32:21 | |
Things have always gone swell for me. | 0:32:21 | 0:32:23 | |
I had a grand time as a kid - | 0:32:23 | 0:32:26 | |
lots of fun at school | 0:32:26 | 0:32:27 | |
and here at the office with you | 0:32:27 | 0:32:30 | |
and Commodore and doc. | 0:32:30 | 0:32:31 | |
That's why I don't know | 0:32:33 | 0:32:34 | |
what to do about all this. | 0:32:34 | 0:32:36 | |
I've just never been unhappy. | 0:32:36 | 0:32:38 | |
SNIFFLING | 0:32:38 | 0:32:41 | |
Hey. | 0:32:41 | 0:32:43 | |
Now wait a minute. | 0:32:45 | 0:32:47 | |
I can't help it. | 0:32:52 | 0:32:54 | |
I just can't help it. | 0:32:54 | 0:32:57 | |
I can't bear to see you unhappy. | 0:32:57 | 0:32:59 | |
I love you too darn much, | 0:32:59 | 0:33:01 | |
and I don't care if you do know it, Ollie. | 0:33:01 | 0:33:04 | |
I love you. | 0:33:04 | 0:33:06 | |
I'm sorry. | 0:33:07 | 0:33:08 | |
Forget it. | 0:33:08 | 0:33:10 | |
There's Irena. | 0:33:10 | 0:33:11 | |
You're in love with her. | 0:33:11 | 0:33:13 | |
I don't know. | 0:33:13 | 0:33:15 | |
All this trouble has made me think. | 0:33:15 | 0:33:18 | |
I don't know what love really is. | 0:33:19 | 0:33:22 | |
I don't know | 0:33:22 | 0:33:23 | |
even whether I'm in love with Irena. | 0:33:23 | 0:33:26 | |
I know what love is. | 0:33:26 | 0:33:27 | |
It's understanding. | 0:33:27 | 0:33:29 | |
It's you and me and let the rest of the world go by. | 0:33:29 | 0:33:33 | |
It's just the two of us | 0:33:33 | 0:33:35 | |
living our lives together | 0:33:35 | 0:33:37 | |
happily and proudly. | 0:33:37 | 0:33:38 | |
No self-torture, no doubt. | 0:33:38 | 0:33:40 | |
It's enduring, and it's everlasting. | 0:33:40 | 0:33:42 | |
Nothing can change it. | 0:33:42 | 0:33:45 | |
Nothing can change us, Ollie. | 0:33:45 | 0:33:47 | |
That's what I think love is. | 0:33:47 | 0:33:50 | |
Well, that isn't the way | 0:33:50 | 0:33:52 | |
I feel about Irena. | 0:33:52 | 0:33:55 | |
It's a different feeling. | 0:33:55 | 0:33:57 | |
I'm drawn to her. | 0:33:59 | 0:34:00 | |
There's a warmth from her that... | 0:34:00 | 0:34:04 | |
pulls at me. | 0:34:04 | 0:34:06 | |
I have to watch her when she's in the room. | 0:34:06 | 0:34:09 | |
I have to touch her when she's near. | 0:34:09 | 0:34:12 | |
But I don't really know her. | 0:34:14 | 0:34:15 | |
In many ways, we're strangers. | 0:34:15 | 0:34:18 | |
You and I... | 0:34:19 | 0:34:22 | |
we'll never be strangers. | 0:34:22 | 0:34:23 | |
# Parted sweetly in June | 0:34:27 | 0:34:29 | |
# I straight went a-courtin' | 0:34:29 | 0:34:31 | |
# For I'd nothing else to do | 0:34:31 | 0:34:34 | |
# Nothing else to do | 0:34:34 | 0:34:36 | |
# Nothing else to do... # | 0:34:36 | 0:34:38 | |
GROWLING | 0:34:42 | 0:34:44 | |
GROWLING | 0:34:50 | 0:34:51 | |
HISSES | 0:34:51 | 0:34:53 | |
You forgot your key. | 0:34:53 | 0:34:55 | |
Oh, I'm always forgetting it. | 0:34:55 | 0:34:57 | |
Ain't no worry in it. | 0:34:57 | 0:34:59 | |
Nobody would want to steal one of them critters. | 0:34:59 | 0:35:01 | |
You resist temptation admirably. | 0:35:08 | 0:35:11 | |
Temptation? | 0:35:11 | 0:35:12 | |
The, er, key. | 0:35:12 | 0:35:13 | |
Well, why would I want it? | 0:35:13 | 0:35:15 | |
For many reasons. | 0:35:15 | 0:35:17 | |
There is, in some cases, a psychic need | 0:35:17 | 0:35:19 | |
to loose evil upon the world. | 0:35:19 | 0:35:21 | |
And all of us carry within us | 0:35:21 | 0:35:23 | |
a desire for death. | 0:35:23 | 0:35:25 | |
You fear the panther, | 0:35:25 | 0:35:26 | |
yet you're drawn to him again and again. | 0:35:26 | 0:35:29 | |
Couldn't you turn to him | 0:35:29 | 0:35:30 | |
as an instrument of death? | 0:35:30 | 0:35:33 | |
You didn't come back to see me Friday. | 0:35:33 | 0:35:34 | |
I've to come to you. | 0:35:34 | 0:35:36 | |
Well, how did you know where to find me? | 0:35:36 | 0:35:39 | |
You told me many things. | 0:35:39 | 0:35:41 | |
Why didn't you come back? | 0:35:42 | 0:35:43 | |
I don't feel you can help me. | 0:35:43 | 0:35:46 | |
You're very wise, you know a great deal, | 0:35:46 | 0:35:49 | |
yet when you speak of the soul, | 0:35:49 | 0:35:51 | |
you mean the mind, | 0:35:51 | 0:35:52 | |
and it is not my mind that is troubled. | 0:35:52 | 0:35:55 | |
What a clever girl. | 0:35:55 | 0:35:57 | |
All the psychologists have tried for years | 0:35:57 | 0:35:59 | |
to find that subtle difference between mind and soul, | 0:35:59 | 0:36:01 | |
and you found it. | 0:36:01 | 0:36:03 | |
It does seem presumptuous of me, doesn't it? | 0:36:03 | 0:36:05 | |
Goodbye, Doctor. | 0:36:05 | 0:36:07 | |
Irena... | 0:36:25 | 0:36:27 | |
I'm worried. What's happening to us? | 0:36:35 | 0:36:36 | |
I love you, Oliver. | 0:36:36 | 0:36:38 | |
I know, but people can love, | 0:36:38 | 0:36:41 | |
and people can still drift apart. | 0:36:41 | 0:36:43 | |
And that's what I feel is happening to us. | 0:36:43 | 0:36:46 | |
We don't talk together openly. | 0:36:47 | 0:36:49 | |
You're not frank with me. | 0:36:49 | 0:36:50 | |
I've never lied to you. | 0:36:50 | 0:36:52 | |
I ran into Dr Judd today. | 0:36:54 | 0:36:56 | |
You haven't been back to see him. | 0:36:58 | 0:37:00 | |
He cannot help me. | 0:37:00 | 0:37:01 | |
You won't let him help you. | 0:37:01 | 0:37:03 | |
You won't let me help you. | 0:37:03 | 0:37:05 | |
You won't even help yourself. | 0:37:05 | 0:37:07 | |
It's what I said to Alice this afternoon. | 0:37:07 | 0:37:08 | |
You're content to... | 0:37:08 | 0:37:10 | |
Alice. | 0:37:10 | 0:37:11 | |
Oh, I promised you we'd never quarrel. | 0:37:15 | 0:37:18 | |
Let's calm down a bit. | 0:37:18 | 0:37:21 | |
I'll go back to the office. | 0:37:23 | 0:37:25 | |
I've got some work to do. | 0:37:25 | 0:37:27 | |
Do you want to go up to the office, Mr Reed? | 0:37:51 | 0:37:53 | |
I'll go around the corner to Sally Lung's | 0:37:53 | 0:37:55 | |
to get a cup of coffee. I'll be back. | 0:37:55 | 0:37:58 | |
Hello, Mr Reed. | 0:38:12 | 0:38:14 | |
Minnie. | 0:38:14 | 0:38:15 | |
Maybe you'd like some nice chicken gumbo today. | 0:38:15 | 0:38:17 | |
No, thanks, Minnie. | 0:38:17 | 0:38:19 | |
How about some apple pie | 0:38:19 | 0:38:20 | |
and a cup of coffee? | 0:38:20 | 0:38:22 | |
Yes, sir. | 0:38:22 | 0:38:23 | |
My goodness. Don't nobody like chicken gumbo? | 0:38:23 | 0:38:26 | |
TELEPHONE RINGS | 0:38:40 | 0:38:42 | |
Hello. | 0:38:45 | 0:38:47 | |
Hello? | 0:38:48 | 0:38:49 | |
Hello? Hello! | 0:38:50 | 0:38:52 | |
John Paul Jones, | 0:38:59 | 0:39:00 | |
don't you hate people who do that? | 0:39:00 | 0:39:02 | |
Good night, John Paul. | 0:39:09 | 0:39:10 | |
Here, Miss Agnew. | 0:39:26 | 0:39:27 | |
A couple new matchbooks for your collection. | 0:39:27 | 0:39:29 | |
Oh, thank you, Miss Moore. | 0:39:29 | 0:39:31 | |
Hmm, Chartreuse. Ain't that elegant? | 0:39:31 | 0:39:33 | |
Too bad you wasn't here just a minute ago. | 0:39:33 | 0:39:35 | |
Mr Reed looked in. | 0:39:35 | 0:39:36 | |
Oh, where'd he go? | 0:39:36 | 0:39:37 | |
Around the corner to Sally Lung's. | 0:39:37 | 0:39:39 | |
I'll see if I can catch him. | 0:39:39 | 0:39:41 | |
Good night. | 0:39:41 | 0:39:43 | |
Could you squeeze a coffee pot for me, Minnie? | 0:39:51 | 0:39:53 | |
I sure could, | 0:39:53 | 0:39:55 | |
only this coffee's been working so long, | 0:39:55 | 0:39:57 | |
it's got muscles. | 0:39:57 | 0:39:58 | |
What are you doing in this part of town | 0:39:58 | 0:40:01 | |
at this hour of night? | 0:40:01 | 0:40:03 | |
Ooh. Stormy weather. | 0:40:03 | 0:40:04 | |
You'll have to solve your problems your own way. | 0:40:18 | 0:40:21 | |
I'm going to drink up and go home. | 0:40:21 | 0:40:23 | |
I think you'd better go home, too, | 0:40:23 | 0:40:25 | |
and make it up with Irena. | 0:40:25 | 0:40:27 | |
Alice, you're very swell. | 0:40:27 | 0:40:29 | |
That's what makes me dangerous. | 0:40:29 | 0:40:31 | |
I'm the new type of other woman. | 0:40:31 | 0:40:33 | |
Night, Minnie. | 0:40:33 | 0:40:34 | |
Good night. | 0:40:34 | 0:40:36 | |
You cold? | 0:40:45 | 0:40:46 | |
A cat just walked over my grave. | 0:40:46 | 0:40:48 | |
Don't you want me to walk you home? | 0:40:56 | 0:40:58 | |
No, thanks. I'm a big girl now, | 0:40:58 | 0:41:00 | |
and I'm not afraid. | 0:41:00 | 0:41:01 | |
Well, good night. | 0:41:01 | 0:41:03 | |
Good night. | 0:41:03 | 0:41:04 | |
FOOTSTEPS ECHO | 0:41:49 | 0:41:52 | |
FOOTSTEPS STOP | 0:41:52 | 0:41:54 | |
GROWLING | 0:42:26 | 0:42:28 | |
Climb on, sister. | 0:42:35 | 0:42:37 | |
Are you riding with me, or ain't you? | 0:42:37 | 0:42:40 | |
You look as if you'd seen a ghost. | 0:42:42 | 0:42:43 | |
Did you see it? | 0:42:43 | 0:42:45 | |
SHEEP BLEATING | 0:42:55 | 0:42:58 | |
WHISTLE BLOWS | 0:43:19 | 0:43:21 | |
WHISTLE BLOWS | 0:43:27 | 0:43:29 | |
WHISTLE BLOWING | 0:43:33 | 0:43:38 | |
Taxi, lady? | 0:43:39 | 0:43:41 | |
No. Please don't. | 0:44:06 | 0:44:07 | |
Don't touch me. | 0:44:07 | 0:44:09 | |
Irena... | 0:44:11 | 0:44:13 | |
I'm sorry. | 0:44:13 | 0:44:14 | |
I've been worried to death. | 0:44:14 | 0:44:16 | |
I didn't know where you were. I thought... | 0:44:16 | 0:44:19 | |
What happened tonight happens in every family. | 0:44:21 | 0:44:24 | |
I was all on edge. | 0:44:24 | 0:44:26 | |
You've got to understand, | 0:44:26 | 0:44:27 | |
and you've got to forgive me. | 0:44:27 | 0:44:29 | |
I forgive you. | 0:44:33 | 0:44:35 | |
Irena? | 0:44:58 | 0:44:59 | |
What? | 0:44:59 | 0:45:01 | |
Are you all right? | 0:45:01 | 0:45:02 | |
I'm all right. | 0:45:02 | 0:45:04 | |
SOBBING | 0:45:08 | 0:45:10 | |
DR JUDD: 'To loose evil upon the world. | 0:45:35 | 0:45:37 | |
'There is in some cases a psychic need | 0:45:37 | 0:45:40 | |
'to loose evil upon the world. | 0:45:40 | 0:45:42 | |
'There is in some cases a psychic need... | 0:45:42 | 0:45:45 | |
'A desire for death... | 0:45:45 | 0:45:48 | |
'To loose evil... | 0:45:48 | 0:45:49 | |
'A desire for death... | 0:45:49 | 0:45:51 | |
'A psychic need... | 0:45:51 | 0:45:53 | |
'The, er, key... | 0:45:53 | 0:45:55 | |
'The, er, key... | 0:45:55 | 0:45:56 | |
The, er, key. | 0:45:56 | 0:45:58 | |
'The, er, key.' | 0:45:58 | 0:46:00 | |
I'm afraid this is dull for Irena. | 0:46:39 | 0:46:42 | |
Look, darling, there's some beautiful moderns upstairs. | 0:46:42 | 0:46:45 | |
But I like these little boats. | 0:46:45 | 0:46:47 | |
I want to be with you. | 0:46:47 | 0:46:49 | |
Do not send me away. | 0:46:49 | 0:46:50 | |
We're not. We just don't want you to be bored. | 0:46:50 | 0:46:54 | |
We'll meet you in the main lobby in an hour. | 0:46:55 | 0:46:58 | |
Oh, Ollie. | 0:46:58 | 0:47:00 | |
Look, a drawing of the Victory. | 0:47:00 | 0:47:02 | |
You know, that's the last man-of-war | 0:47:02 | 0:47:05 | |
with a lateen sail on it? | 0:47:05 | 0:47:07 | |
Could I have the key to the swimming pool? | 0:47:49 | 0:47:52 | |
What a darling kitten. | 0:47:52 | 0:47:53 | |
That's one of four. | 0:47:53 | 0:47:55 | |
Tabby had them about a month ago. | 0:47:55 | 0:47:57 | |
Don't forget to turn the lights out | 0:47:59 | 0:48:01 | |
when you're through. I won't forget. | 0:48:01 | 0:48:03 | |
TELEPHONE BUZZES: Hello? | 0:48:03 | 0:48:05 | |
Yeah. Mm-hmm. | 0:48:09 | 0:48:11 | |
Just a moment, deary. ..Yes? | 0:48:11 | 0:48:13 | |
Is Miss Moore in? | 0:48:13 | 0:48:15 | |
She went downstairs to the swimming pool. | 0:48:15 | 0:48:17 | |
Would it be all right if I went down? | 0:48:17 | 0:48:20 | |
Of course, deary. Right down them steps there. | 0:48:20 | 0:48:22 | |
Aw, gee, I can't tonight. | 0:48:22 | 0:48:24 | |
MEOW | 0:48:29 | 0:48:31 | |
MEOW | 0:48:31 | 0:48:33 | |
CAT SPITS | 0:48:33 | 0:48:34 | |
MEOW | 0:48:38 | 0:48:40 | |
LOW SNARLING | 0:48:56 | 0:48:59 | |
SNARL | 0:49:04 | 0:49:07 | |
SNARLING SOFTLY | 0:49:17 | 0:49:20 | |
SNARLING STOPS | 0:49:41 | 0:49:42 | |
SNARLING CONTINUES | 0:49:49 | 0:49:50 | |
SCREECHING | 0:49:54 | 0:49:56 | |
Aaah! | 0:49:56 | 0:49:58 | |
Help! | 0:49:58 | 0:50:00 | |
SCREAMS ECHOING | 0:50:00 | 0:50:03 | |
Help! | 0:50:03 | 0:50:05 | |
Help! | 0:50:05 | 0:50:06 | |
Gee whiz, Mrs Hanson. | 0:50:06 | 0:50:09 | |
SPEAKS IN FOREIGN LANGUAGE | 0:50:09 | 0:50:11 | |
Aah! | 0:50:17 | 0:50:19 | |
What is the matter, Alice? | 0:50:22 | 0:50:25 | |
What bothers Miss Moore? | 0:50:28 | 0:50:30 | |
Are you all right? | 0:50:30 | 0:50:31 | |
It's nothing. It was dark down here, | 0:50:31 | 0:50:34 | |
and Mrs Reed coming in unexpectedly frightened me. | 0:50:34 | 0:50:36 | |
I'm terribly sorry. | 0:50:36 | 0:50:38 | |
No, don't go. I'm coming right out. | 0:50:39 | 0:50:43 | |
Sorry to have disturbed you, Alice. | 0:50:47 | 0:50:49 | |
I missed you and Oliver and thought you might know where he is. | 0:50:49 | 0:50:53 | |
We waited for you at the museum. | 0:50:53 | 0:50:55 | |
You'll probably find him at home. | 0:50:55 | 0:50:57 | |
If you don't mind then, I'll run on. | 0:50:57 | 0:51:00 | |
Could I have my robe, please? | 0:51:14 | 0:51:16 | |
Sure. | 0:51:16 | 0:51:17 | |
Gee whiz, honey, it's torn to ribbons. | 0:51:18 | 0:51:22 | |
Thank you for coming, Dr Judd. | 0:51:34 | 0:51:36 | |
I'm troubled. I think you can help me. | 0:51:36 | 0:51:40 | |
How much do you believe about the cat people? | 0:51:40 | 0:51:43 | |
Cat people? The story Mrs Reed told me? | 0:51:43 | 0:51:45 | |
Yes. | 0:51:45 | 0:51:47 | |
I believe, my dear Miss Moore, | 0:51:47 | 0:51:49 | |
exactly as I told Mrs Reed. | 0:51:49 | 0:51:50 | |
The story is a product of her own fear, | 0:51:50 | 0:51:53 | |
her own overworked imagination. | 0:51:53 | 0:51:55 | |
What would you say, Dr Judd, | 0:51:55 | 0:51:57 | |
if I were to tell you | 0:51:57 | 0:51:59 | |
I believe Irena's story? | 0:51:59 | 0:52:00 | |
Yes? | 0:52:00 | 0:52:01 | |
Twice I've been followed by something | 0:52:01 | 0:52:03 | |
that was not human, | 0:52:03 | 0:52:05 | |
something that attempted to take my life. | 0:52:05 | 0:52:07 | |
I believe that was | 0:52:07 | 0:52:09 | |
the cat form of Irena. | 0:52:09 | 0:52:11 | |
But why should she wish to harm you? | 0:52:11 | 0:52:13 | |
Because I'm in love with her husband. | 0:52:13 | 0:52:15 | |
Oh! My dear Miss Moore, | 0:52:15 | 0:52:18 | |
this story grows more and more charming... | 0:52:18 | 0:52:20 | |
simpler, too, all the time. | 0:52:20 | 0:52:24 | |
You're both victims of fear. | 0:52:24 | 0:52:26 | |
Mrs Reed fears the past, | 0:52:26 | 0:52:28 | |
and you fear the present. | 0:52:28 | 0:52:30 | |
Mrs Reed has a very strong imagination, | 0:52:30 | 0:52:32 | |
and you have an equally strong conscience. | 0:52:32 | 0:52:35 | |
Dr Judd, the danger that threatened me | 0:52:35 | 0:52:37 | |
was very real. | 0:52:37 | 0:52:39 | |
You disappoint me, Miss Moore. | 0:52:39 | 0:52:40 | |
Here is my robe. | 0:52:42 | 0:52:44 | |
To understand this, | 0:52:48 | 0:52:49 | |
I should first have to hear | 0:52:49 | 0:52:51 | |
Mrs Reed's version of the story myself. | 0:52:51 | 0:52:54 | |
That should be a most interesting interview. | 0:52:54 | 0:52:56 | |
I shouldn't advise you to see her alone. | 0:52:56 | 0:52:59 | |
Do you think I'm afraid of so charming a lady? | 0:52:59 | 0:53:02 | |
I know you don't believe me, | 0:53:02 | 0:53:04 | |
but you must be careful. | 0:53:04 | 0:53:05 | |
You want me to carry some means of protection? | 0:53:05 | 0:53:08 | |
A gun, perhaps, with a silver bullet. | 0:53:08 | 0:53:10 | |
If you're lucky enough to have one. | 0:53:10 | 0:53:13 | |
Hmm. | 0:53:13 | 0:53:14 | |
Of course, er... | 0:53:14 | 0:53:17 | |
this isn't silver. | 0:53:17 | 0:53:19 | |
Good night, Miss Moore. | 0:53:21 | 0:53:23 | |
You have lapses of memory for which you cannot account. | 0:53:29 | 0:53:32 | |
They're becoming more frequent, and you're afraid. | 0:53:32 | 0:53:35 | |
Help me. | 0:53:35 | 0:53:36 | |
I can't. You're not truthful with me. | 0:53:36 | 0:53:38 | |
But I am. I have not lied to you. | 0:53:38 | 0:53:42 | |
Do you sincerely believe | 0:53:42 | 0:53:44 | |
that if your husband were to kiss you, | 0:53:44 | 0:53:47 | |
you would change into a cat | 0:53:47 | 0:53:48 | |
and rend him to bits? | 0:53:48 | 0:53:49 | |
I don't know. I'm only afraid. | 0:53:49 | 0:53:53 | |
And if I were to kiss you? | 0:53:54 | 0:53:56 | |
I only know | 0:53:56 | 0:53:58 | |
that I should not like to be kissed by you. | 0:53:58 | 0:54:01 | |
My dear Mrs Reed, | 0:54:04 | 0:54:06 | |
sometimes in my profession, | 0:54:06 | 0:54:07 | |
there comes a contest of wills | 0:54:07 | 0:54:09 | |
between doctor and patient. | 0:54:09 | 0:54:11 | |
The patients are clever - | 0:54:11 | 0:54:12 | |
oh, very clever - | 0:54:12 | 0:54:14 | |
and they can fool the doctor... | 0:54:14 | 0:54:16 | |
sometimes. | 0:54:16 | 0:54:18 | |
You're very clever, | 0:54:21 | 0:54:22 | |
and perhaps you enjoy this little game | 0:54:22 | 0:54:24 | |
you're having with me, | 0:54:24 | 0:54:26 | |
but I shall discover your secret. | 0:54:26 | 0:54:28 | |
Dr Judd, believe me. | 0:54:28 | 0:54:30 | |
I beg you to believe me. | 0:54:30 | 0:54:32 | |
I have no secret. | 0:54:32 | 0:54:33 | |
I told you everything. I have not lied to you. | 0:54:33 | 0:54:36 | |
I need your help. | 0:54:36 | 0:54:38 | |
I can't help you. | 0:54:38 | 0:54:41 | |
But I can warn you. | 0:54:41 | 0:54:44 | |
These hallucinations approach insanity. | 0:54:44 | 0:54:46 | |
This nonsense about Miss Moore, | 0:54:46 | 0:54:48 | |
at the park and in the swimming pool - | 0:54:48 | 0:54:50 | |
it's a deterioration of the mind, | 0:54:50 | 0:54:52 | |
the escape into fantasy, | 0:54:52 | 0:54:54 | |
and it's dangerous. | 0:54:54 | 0:54:56 | |
At this moment, | 0:54:56 | 0:54:58 | |
I could go before a board | 0:54:58 | 0:55:00 | |
and have you put away for observation. | 0:55:00 | 0:55:02 | |
You're that close to real insanity. | 0:55:02 | 0:55:06 | |
I can't help you. | 0:55:10 | 0:55:11 | |
You can only help yourself. | 0:55:11 | 0:55:13 | |
You keep going back | 0:55:13 | 0:55:14 | |
to the mad legends of your birthplace. | 0:55:14 | 0:55:17 | |
Forget them. | 0:55:17 | 0:55:18 | |
You surround yourself with cat objects, | 0:55:18 | 0:55:21 | |
pictures. | 0:55:21 | 0:55:22 | |
Get rid of them. | 0:55:22 | 0:55:24 | |
Lead a normal life. | 0:55:24 | 0:55:26 | |
You know, for the first time, | 0:55:26 | 0:55:27 | |
you really helped me. | 0:55:27 | 0:55:29 | |
Maybe it's because you interest me. | 0:55:29 | 0:55:31 | |
Oliver, I went back to Dr Judd's office. | 0:55:54 | 0:55:59 | |
I'm no longer afraid. | 0:55:59 | 0:56:02 | |
I'd have been the happiest man in the world | 0:56:02 | 0:56:04 | |
if you'd told me that a little while ago, | 0:56:04 | 0:56:07 | |
but things have changed. | 0:56:07 | 0:56:10 | |
I had to learn, | 0:56:10 | 0:56:12 | |
maybe through this marriage of ours... | 0:56:12 | 0:56:14 | |
I didn't want to tell you this, | 0:56:14 | 0:56:17 | |
but now, you see, I have to. | 0:56:17 | 0:56:20 | |
I love Alice. | 0:56:20 | 0:56:22 | |
Irena, it's too late. | 0:56:22 | 0:56:24 | |
Too late? | 0:56:24 | 0:56:26 | |
There seems only one decent thing for me to do. | 0:56:28 | 0:56:31 | |
I'll give you a divorce. | 0:56:31 | 0:56:33 | |
Believe me, it's better this way. | 0:56:33 | 0:56:35 | |
Better? | 0:56:35 | 0:56:37 | |
Better for whom? | 0:56:37 | 0:56:38 | |
Irena, I... | 0:56:38 | 0:56:40 | |
Speak. | 0:56:40 | 0:56:42 | |
You can't speak. | 0:56:42 | 0:56:44 | |
There's nothing you can say. | 0:56:44 | 0:56:46 | |
There's only silence. | 0:56:48 | 0:56:50 | |
But I love silence. | 0:56:55 | 0:56:57 | |
I love loneliness. | 0:56:57 | 0:56:59 | |
SHE WHISPERS | 0:56:59 | 0:57:01 | |
They're soft... | 0:57:06 | 0:57:07 | |
Irena, you're talking like an insane woman. | 0:57:07 | 0:57:09 | |
Please, go. | 0:57:09 | 0:57:11 | |
I want you to go. | 0:57:11 | 0:57:13 | |
Please. | 0:57:13 | 0:57:14 | |
Go. | 0:57:14 | 0:57:16 | |
Go! | 0:57:16 | 0:57:18 | |
Bavarian cream? | 0:57:43 | 0:57:45 | |
Roquefort. | 0:57:47 | 0:57:49 | |
And you get the apple pie. | 0:57:51 | 0:57:53 | |
I have pointed out | 0:57:53 | 0:57:55 | |
two alternatives, Mr Reed. | 0:57:55 | 0:57:57 | |
Either have her put away | 0:57:57 | 0:57:58 | |
for observation and restraint | 0:57:58 | 0:58:00 | |
or have your marriage annulled. | 0:58:00 | 0:58:02 | |
It's tough for Oliver either way, Doctor. | 0:58:02 | 0:58:04 | |
As a psychiatrist, | 0:58:04 | 0:58:06 | |
I should recommend that you have her put away. | 0:58:06 | 0:58:08 | |
As your friend, however, | 0:58:08 | 0:58:10 | |
I have much more reasonable advice. | 0:58:10 | 0:58:11 | |
You should have your marriage annulled. | 0:58:11 | 0:58:13 | |
You're free of responsibility. You two could marry. | 0:58:13 | 0:58:16 | |
And if Irena's sent away? | 0:58:16 | 0:58:18 | |
The law is explicit - one cannot divorce an insane person. | 0:58:18 | 0:58:22 | |
If she's not well, I'm going to take care of her. | 0:58:22 | 0:58:25 | |
It's the only right thing, Ollie. | 0:58:25 | 0:58:27 | |
As you will. | 0:58:27 | 0:58:28 | |
I'll have the commitment papers drawn up | 0:58:28 | 0:58:31 | |
and arrange an interview | 0:58:31 | 0:58:32 | |
with Mrs Reed at her apartment tonight - 6.00? | 0:58:32 | 0:58:35 | |
MUSIC PLAYS | 0:58:37 | 0:58:40 | |
Let's not play that. | 0:58:51 | 0:58:53 | |
I don't think Irena's coming. | 0:58:53 | 0:58:55 | |
We've waited an hour and a half. | 0:58:55 | 0:58:58 | |
Perhaps it's useless to wait. | 0:58:58 | 0:59:00 | |
OLIVER: I don't think she intends coming. | 0:59:01 | 0:59:04 | |
She's probably walking in the park. | 0:59:04 | 0:59:06 | |
Ollie, let's get back to the office. | 0:59:10 | 0:59:12 | |
We've had a broken-up day, | 0:59:12 | 0:59:14 | |
and there's work to be done. | 0:59:14 | 0:59:16 | |
Suits me. | 0:59:16 | 0:59:18 | |
Oh...how stupid. I left my walking stick in the apartment. | 0:59:37 | 0:59:41 | |
I'll get it for you. | 0:59:41 | 0:59:42 | |
Oh, no. Give me the key. I shall only be a moment. | 0:59:42 | 0:59:46 | |
Five and a half. | 1:00:12 | 1:00:14 | |
Five and a half. | 1:00:14 | 1:00:16 | |
And...one and...three-eights. | 1:00:17 | 1:00:21 | |
And one and three-eighths. | 1:00:21 | 1:00:25 | |
There. TELEPHONE RINGS | 1:00:25 | 1:00:27 | |
I'll get it. | 1:00:27 | 1:00:29 | |
Hello? | 1:00:35 | 1:00:36 | |
Hello? | 1:00:37 | 1:00:39 | |
Hello? | 1:00:40 | 1:00:41 | |
They hung up on me. | 1:00:43 | 1:00:45 | |
That's funny. | 1:00:46 | 1:00:48 | |
What? | 1:00:48 | 1:00:49 | |
It happened once before like that. | 1:00:49 | 1:00:51 | |
The telephone rang, and I answered. | 1:00:51 | 1:00:53 | |
There was someone on the other end of the line. | 1:00:53 | 1:00:56 | |
You could almost hear them listening. | 1:00:56 | 1:00:58 | |
Then there was a little click | 1:00:58 | 1:01:00 | |
as they hung up the receiver. | 1:01:00 | 1:01:02 | |
That was the night | 1:01:02 | 1:01:03 | |
I was followed on the transverse. | 1:01:03 | 1:01:06 | |
Ollie. | 1:01:06 | 1:01:07 | |
Let's get out of here. I'm afraid. | 1:01:07 | 1:01:09 | |
That was Irena. I know it was. | 1:01:09 | 1:01:11 | |
She could call from downstairs. | 1:01:11 | 1:01:13 | |
She may be on her way up now. | 1:01:13 | 1:01:16 | |
Get your things. | 1:01:16 | 1:01:17 | |
The door's open. | 1:01:22 | 1:01:23 | |
We can see to get out into the hall. | 1:01:23 | 1:01:26 | |
I'll turn off the table lights. | 1:01:29 | 1:01:31 | |
It's shut now. | 1:01:34 | 1:01:36 | |
Just a minute ago, it was open. | 1:01:36 | 1:01:38 | |
It's locked. | 1:01:44 | 1:01:46 | |
GROWL | 1:01:46 | 1:01:48 | |
SNARLING | 1:02:09 | 1:02:11 | |
Irena. | 1:02:11 | 1:02:13 | |
Irena. | 1:02:13 | 1:02:15 | |
Leave us, Irena! | 1:02:19 | 1:02:21 | |
In the name of God, leave us in peace. | 1:02:30 | 1:02:34 | |
SILENCE | 1:02:36 | 1:02:39 | |
Come on. | 1:02:49 | 1:02:51 | |
Let's go down the stairs. | 1:03:10 | 1:03:12 | |
Don't, Alice. It's gone. | 1:03:20 | 1:03:21 | |
Everything's all right. Don't be afraid. | 1:03:21 | 1:03:23 | |
I'm not afraid. | 1:03:23 | 1:03:25 | |
Look. | 1:03:25 | 1:03:26 | |
Irena's perfume. | 1:03:30 | 1:03:32 | |
Strong, sweet. | 1:03:32 | 1:03:34 | |
I need a drink. | 1:03:44 | 1:03:46 | |
MUSIC PLAYS | 1:03:49 | 1:03:51 | |
TELEPHONE RINGS | 1:04:00 | 1:04:03 | |
RING | 1:04:05 | 1:04:07 | |
Yes? | 1:04:07 | 1:04:08 | |
Dr Judd? Miss Moore. | 1:04:08 | 1:04:10 | |
We've been trying to get you on the phone. | 1:04:10 | 1:04:13 | |
I called your hotel. | 1:04:13 | 1:04:15 | |
That's what I want to talk about. | 1:04:15 | 1:04:17 | |
Are you alone? | 1:04:17 | 1:04:18 | |
You'd better leave, then. | 1:04:18 | 1:04:20 | |
She may be on her way back now. | 1:04:20 | 1:04:22 | |
But she is dangerous, Dr Judd. | 1:04:22 | 1:04:24 | |
Hello? | 1:04:26 | 1:04:28 | |
Hello, Dr Judd? | 1:04:28 | 1:04:29 | |
Dr Judd. | 1:04:32 | 1:04:34 | |
I think Irena just came in. | 1:04:34 | 1:04:36 | |
He hung up on me. | 1:04:36 | 1:04:38 | |
Come on. We'll get a taxi. | 1:04:38 | 1:04:41 | |
You're late. | 1:04:43 | 1:04:45 | |
I kept my appointment. | 1:04:45 | 1:04:48 | |
You see, I've never believed your story. | 1:04:48 | 1:04:50 | |
I'm not afraid of you. | 1:04:52 | 1:04:54 | |
I'll take you in my arms. | 1:04:55 | 1:04:58 | |
So little... | 1:04:58 | 1:04:59 | |
so soft... | 1:04:59 | 1:05:01 | |
such warm perfume in your hair, | 1:05:01 | 1:05:04 | |
your body. | 1:05:04 | 1:05:06 | |
Don't be afraid of me, Irena. | 1:05:07 | 1:05:10 | |
GROWLING | 1:05:37 | 1:05:39 | |
Dr Judd: Aah! | 1:06:02 | 1:06:04 | |
Mr Reed. > | 1:06:35 | 1:06:37 | |
Oh, Mr Reed. | 1:06:37 | 1:06:39 | |
Don't worry, Mr Reed. | 1:06:45 | 1:06:46 | |
Sue Ellen and I phoned the police | 1:06:46 | 1:06:49 | |
as soon as we heard the racket. | 1:06:49 | 1:06:51 | |
Thank you. | 1:06:54 | 1:06:55 | |
Sue Ellen, you know better. | 1:07:05 | 1:07:07 | |
You're not supposed to touch anything | 1:07:07 | 1:07:09 | |
until the police get here. | 1:07:09 | 1:07:11 | |
ALICE: The sword cane. | 1:07:11 | 1:07:12 | |
OLIVER: Half of it's gone. | 1:07:12 | 1:07:14 | |
We've got to find her. Come on. | 1:07:14 | 1:07:16 | |
SNARLING | 1:08:04 | 1:08:07 | |
TYRES SKID | 1:08:23 | 1:08:26 | |
She never lied to us. | 1:09:01 | 1:09:04 | |
E-mail [email protected] | 1:09:17 | 1:09:19 |