Cat People


Cat People

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HURDY-GURDY PLAYING

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THROATY GROWLING

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Uh.

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Thank you.

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You've probably heard it a dozen times before,

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but I've never known any artists.

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I'm not an artist.

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Well, what's all this?

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I do sketches for fashion drawings.

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Oh. May I see it?

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Oh, no. It's not good.

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If I let you see it,

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you might not want to know any artists ever.

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It'd have to be pretty bad to do that.

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"Let no-one say,

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"and say it to your shame..."

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Irena Dubrovna. Is that a Russian name?

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No. I'm from Serbia.

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Oh, I see. Would you mind spelling it?

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Want to know how to spell my name?

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Are you going to write me a letter?

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I'd like to write you a letter.

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What about?

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I would say, "Dear Miss Dubrovna.

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"Will you have tea with me?"

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In that case, I'd have to write another letter.

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I'd say...

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Here's my house.

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Perhaps, Mr Reed,

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you would like to have tea

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in my apartment?

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Oh, ho! Miss Dubrovna, you make life so simple.

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You know...

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I never cease to marvel

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at what lies behind a brownstone front.

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Well, what's the matter?

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Nothing.

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But you... you looked at me

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in such a funny way.

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I've never had anyone here.

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You're the first friend I met in America.

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Oh, I know lots of people in business -

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editors, secretaries,

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other sketch artists, you know,

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but you might be my first real friend.

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Thank you.

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Nice.

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That's Lalage.

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Lalage?

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The perfume I use.

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I like it, perhaps too well.

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Maybe I use too much, living alone like this.

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It's hard to describe.

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Not like flowers, exactly.

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It's like something warm and living.

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IRENA HUMMING

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LIONS ROARING

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What's that?

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It's the lions in the zoo.

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One can hear them here often.

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Many people in this building complained.

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Their roaring keeps them awake.

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And you don't mind it?

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No. To me, it's the way

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the sound of the sea is to others -

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natural and soothing.

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I like it.

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Some nights, there is another sound - the panther.

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It screams like a woman.

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I don't like that.

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Oh, I hadn't realised

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how dark it was getting.

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I like the dark. It's friendly.

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No, keep still, please.

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Are you admiring my statue?

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Not exactly. Who's it supposed to be?

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King John.

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The Magna Carta and all that stuff?

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No. King John of Serbia. He was a fine king.

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He drove the Mamelukes out of Serbia and freed the people.

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Well, why have this around?

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Perhaps you have

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a picture of George Washington or Abraham Lincoln.

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Well, what does it mean?

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Why is he... why is he spearing that cat?

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Oh, it's not really a cat.

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It's meant to represent the evil ways

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into which my village had once fallen.

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You see,

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the Mamelukes came to Serbia long ago,

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and they made the people slaves.

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Well, at first, the people were good

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and worshiped God in a true Christian way,

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but, er,

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little by little, the people changed.

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When King John drove out the Mamelukes

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and came to our village,

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he found dreadful things.

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People bowed down to Satan and said their masses to him.

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They had become witches and were evil.

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But King John put some of them to the sword.

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But some - the wisest

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and the most wicked -

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escaped into the mountains.

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Now do you understand?

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Well, I still don't see

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what it has to do with you.

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Those who escaped, the wicked ones,

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their legend haunts the village

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where I was born.

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CLOCK CHIMES

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Boys who come to tea

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can't expect to stay to dinner.

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Some other time, perhaps.

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Tomorrow?

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Mm-hmm.

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Well, what time tomorrow?

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Dinner?

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A little more on the left, Harry.

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Easy. Just a hair.

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Afraid she's going to be all right, Alice.

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She's got what it takes, all right, Commodore.

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CAT CRYING

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MEOW

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MEOW

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MEOW

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MEOW

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MEOW

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Ah, isn't it a darling?

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MEOW

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Where'd you get it?

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I bought it.

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Going in for cats, Oliver?

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I bought it for a friend.

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We arrive at the inescapable conclusion

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that Oliver has a girl.

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Brilliant, Carver.

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A girlfriend?

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No. A girl.

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Anybody I know?

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Not yet, but you'll like her.

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If you like her, she's OK with me.

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MEOW

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MEOW

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Oh, hello.

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Look, Irena, I brought you a present.

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MEOW

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MEOW

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MEOW

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Why, you little devil.

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Oh, it's all right.

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It's just that cats don't seem to like me.

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Yeah, but this is only a kitten.

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It's very friendly.

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When I had it in the office,

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Alice - the girl in our department - it played with her.

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Cats just don't like me.

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Oh, I know what we can do.

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You got it at a pet store, didn't you?

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Yes.

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Good. We could exchange it for some other pet.

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I'll get my coat.

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BIRDS TWITTERING

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MONKEYS SCREECHING

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LOUD SCREECHING AND SQUAWKING

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RACKET CONTINUES

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I'd like to exchange this kitten.

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You'll have to talk louder!

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What did you say?

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I can't understand a word you say!

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Oh, landy, dear me.

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I can't imagine what got into them.

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All that caterwauling!

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The last time they did that was when an alley cat

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ate one of my nice finches.

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I wanted to exchange this kitten for a bird.

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Of course. I have some lovely canaries.

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One little lemon-coloured fellow

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with top notes like Caruso.

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SINGLE BIRD TWITTERS

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As peaceful as my dream of heaven.

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Shall we go back now and select just which little birdie?

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You go, please, Oliver.

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You pick the one you like.

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I'd rather stay here.

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Of course. I'll only be a minute.

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Animals are ever so psychic.

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There are some people who just can't come in here.

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My dear brother's wife, for instance.

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She's a very nice girl,

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but you just should see what happens

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when she puts her foot inside this place.

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The cats, particularly, they seem to know.

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You can fool everybody,

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but, landy, deary me, you can't fool a cat.

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They seem to know who's not right,

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if you know what I mean.

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Here we are. Isn't he a ducky little angel?

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This is it.

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Thank you.

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What do you think of it?

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Oh, he is sweet!

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He will like me very much, you will see.

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I like to be liked.

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That ought to be easy. Real easy.

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Irena.

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Yes.

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I've been asleep.

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I know.

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Couldn't have been very entertaining for you.

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I was watching you.

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That was fun?

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Mm-hmm.

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Do you love me, Irena?

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Uh-huh.

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You know I love you, don't you?

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I've never kissed you.

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Do you know, that's funny?

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Why?

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Well, when people in America are in love,

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or even think they're in love,

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they've usually kissed long ago.

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Well?

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Irena, what's wrong?

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I've lived in dread of this moment.

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I've never wanted to love you.

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I've stayed away from people.

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I...

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I lived alone.

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I never wanted this to happen.

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But you just told me you loved me.

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I do.

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I do.

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I fled from the past,

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from things you could never know...

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or understand.

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Evil things.

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Evil.

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Irena, now, you've told me

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something of the past,

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about King John

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and the witches in the village

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and the cat people descended from them.

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They're fairy tales, Irena,

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fairy tales heard in your childhood,

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nothing more than that.

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They have nothing to do with you, really.

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You're Irena. You're here in America.

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You're so normal, you're even in love with me -

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Oliver Reed, a good plain Americano.

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You're so normal, you're going to marry me.

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And those fairy tales,

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you can tell them to our children. They'll love them.

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MUSIC PLAYS

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It's all right, this stuff, my boy.

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Why don't we get some more, heh?

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Ah-ha! Comitage!

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Oh! Mr Carver, you should not call a good man that.

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But it's Serbian. I got it from my father this afternoon.

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But you might insult him.

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Comitage means thief, bandit.

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I've been double-crossed.

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Ha ha ha! Ha ha ha!

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Oliver's bride seems to be

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a very nice girl,

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and a very pretty one, too.

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Carver tells me she's a bit odd.

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He's worried about the marriage.

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Nonsense. Irena's a grand girl.

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She and Oliver are going to be

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very happy together.

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I certainly hope so.

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MUSIC STOPPED

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To the bride.

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The bride. The bride.

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Look at that woman. Isn't she something?

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Looks like a cat.

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Thank you so much

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for this lovely party, Alice.

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I didn't know there was

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a Serbian restaurant.

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Anything you want to know about this city,

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ask me. I know all the unimportant details.

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Moia sestra.

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Moia sestra?

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Well, how do you like that?

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What did that woman say to you, darling?

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Well, what did she say?

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Now, wait a minute.

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It can't be that serious, just one single word.

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She greeted me.

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She called me sister.

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You saw her, Oliver.

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You saw what she looked like.

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Oh, she looks like a cat,

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so she must be one of the cat people,

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one of King John's pets.

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Oh, Irena, you crazy kid.

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Why would my wedding be a dollar-and-cents wedding?

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All right, why?

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I haven't a dollar, and the girl hasn't any sense.

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That's a corny joke even for you, doc.

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Come on, Carver.

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Huh? Oh.

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What is it, darling?

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I'm... I'm going to beg...

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Mrs Reed?

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It's nice to hear that. Nice.

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I want to be Mrs Reed.

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Well, you are.

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But I want to be Mrs Reed really.

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I want to be

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everything that name means to me,

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and I can't.

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I can't.

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Oliver, be kind. Be patient.

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Let me have time...

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time to get over that feeling

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there's something evil in me.

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Darling, you have all the time there is in the world

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if you want it

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and all the patience and kindness there's in me.

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Only a little time, Oliver.

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I don't want more than that.

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Good night, Irena.

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CAT'S YOWLING ECHOES

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Good night, Oliver.

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Good night, Irena.

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# Nothing else to do Nothing else to do

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# I straight went a-courtin' For I'd nothing else to do

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# Nothing else to do Nothing else to do

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# I straight... #

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Ain't seen you here in some time, ma'am.

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I've been married, been married for almost a month.

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That's what I tell this critter -

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nobody comes to see him when they're happy.

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The monkey house and the aviary

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gets all the happy customers.

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But he's beautiful.

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No, he ain't beautiful.

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He's an evil critter, ma'am.

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You read your Bible, Revelations,

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where the book's talking about

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the worst beast of them all.

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It says, "And the beast which I saw

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"was like unto a leopard."

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Like unto a leopard.

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Yes, ma'am.

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Like a leopard, but not a leopard.

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I guess that fits this fellow.

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Yes, it fits him.

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# Nothing else to do Nothing else to do

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# I straight went a-courtin' Cos I'd nothing... #

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Er, best wishes for your marriage, ma'am.

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# Nothing else to do, nothing else to do... #

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IRENA HUMMING

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BIRD WHISTLES

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WHISTLE

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WHISTLE

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SHE WHISTLES

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WHISTLE

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SNARL

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GROWL

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Would you like some sherry?

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If you're determined to mourn that bird,

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we'll have a regular wake.

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It's not just because the bird died.

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It's me.

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I envy every woman I see on the street.

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They can't match your little finger.

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I envy them.

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They're happy.

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They make their husbands happy.

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They lead normal, happy lives.

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They're free.

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Do you know what happened to the bird?

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It died.

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It died of fright when I tried to take it in my hand.

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That's nothing. I had a rabbit that hated me,

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yet I grew up to be quite a nice fella.

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Oliver...

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when I went past the panther's cage,

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I had to open the box.

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I had to throw the bird to him.

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Do you understand?

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I had to.

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I had to do it.

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That's what frightens me.

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Irena...

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I've been trying to kid you out of it.

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Maybe that's wrong.

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No-one could have been more gentle

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or more patient.

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Well, I tried to make you realise

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all these stories that worry you are so much nonsense.

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But now I see it's not the stories.

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It's the fact that you believe them.

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We've got to have help, Irena.

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Not that sort of help.

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There's something wrong,

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and we have to face it in an intelligent way.

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We don't need a King John with fire and sword.

0:25:200:25:23

We need someone who can find the reason

0:25:230:25:25

for your belief and cure it.

0:25:250:25:27

That's what we need.

0:25:290:25:31

A psychiatrist.

0:25:320:25:33

Find one for me, Oliver.

0:25:330:25:36

The best one...

0:25:360:25:38

the very best one.

0:25:380:25:40

You were saying, "The cats."

0:25:430:25:44

They torment me.

0:25:440:25:46

I wake in the night,

0:25:460:25:49

and the tread of their feet

0:25:490:25:51

whispers in my brain.

0:25:510:25:54

I have no peace...

0:25:540:25:58

for they are in me.

0:25:580:26:00

In me?

0:26:020:26:03

LOUDER: In me?

0:26:050:26:06

Hypnosis always tires me.

0:26:320:26:34

Some of my patients, too, find it exhausting.

0:26:340:26:37

It's only that I...

0:26:370:26:39

I remember nothing.

0:26:390:26:40

It's my duty to remember.

0:26:400:26:42

I have it all here.

0:26:420:26:44

Most interesting.

0:26:440:26:45

You told me of your village and the people

0:26:450:26:48

and their strange beliefs.

0:26:480:26:50

I'm so ashamed.

0:26:500:26:51

It must seem so childish.

0:26:510:26:53

And the cat women of your village, too.

0:26:530:26:55

You told me of them -

0:26:550:26:57

women who in jealousy or anger

0:26:570:26:58

or out of their own corrupt passions

0:26:580:27:00

can change into great cats like panthers.

0:27:000:27:02

And if one of these women were to fall in love

0:27:040:27:07

and if a lover were to kiss her,

0:27:070:27:09

take her into his embrace,

0:27:090:27:10

she would be driven by her own evil to kill him.

0:27:100:27:13

That's what you believe and fear,

0:27:130:27:15

isn't it?

0:27:150:27:18

These things are very simple to psychiatrists.

0:27:180:27:20

You told me about your childhood.

0:27:220:27:24

Perhaps we'll find this trouble stems

0:27:240:27:26

from some early experience.

0:27:260:27:28

You said you didn't know your father,

0:27:280:27:30

that he died in some mysterious accident in the forest

0:27:300:27:33

before your birth,

0:27:330:27:34

and because of that, the children teased you

0:27:340:27:37

and called your mother a witch, a cat woman.

0:27:370:27:40

These childhood tragedies

0:27:410:27:43

are inclined to corrode the soul,

0:27:430:27:45

to leave a canker in the mind.

0:27:450:27:47

But we'll try to repair the damage.

0:27:470:27:50

You're not to worry.

0:27:520:27:53

Well, what should I tell my husband?

0:27:530:27:55

Naturally, he's anxious to have some word.

0:27:550:27:58

What does one tell a husband?

0:27:580:28:00

One tells him nothing.

0:28:000:28:01

Alice, it's so nice to see you.

0:28:150:28:17

Hello, darling.

0:28:170:28:19

How'd you make out with Lewis?

0:28:190:28:20

Lewis?

0:28:200:28:22

Dr Judd.

0:28:220:28:23

Alice knows, darling.

0:28:230:28:25

ALICE: Didn't I suggest Dr Judd?

0:28:250:28:29

I met him on the Commodore's boat.

0:28:290:28:30

The way he goes around kissing hands

0:28:300:28:32

makes we want to spit cotton,

0:28:320:28:34

but I guess he knows all there is to know about psychiatry.

0:28:340:28:37

Uh-oh.

0:28:390:28:40

I told Alice.

0:28:400:28:41

I knew she'd know some good doctor.

0:28:410:28:43

I don't see why that was necessary.

0:28:430:28:47

Sorry.

0:28:490:28:50

I seem to have put my big foot in it.

0:28:500:28:53

I'm sorry, Irena.

0:28:570:28:58

I'm sure neither Oliver nor I

0:28:580:29:00

had any notion of offending you.

0:29:000:29:02

I'm dreadfully sorry.

0:29:020:29:04

Goodbye, Alice.

0:29:060:29:08

Darling, really. There's no reason to...

0:29:160:29:18

But, Oliver, how can you discuss such things,

0:29:180:29:21

such intimate things about me?

0:29:210:29:23

How much did you tell her?

0:29:230:29:25

Oh, you can tell Alice anything.

0:29:250:29:27

She can understand anything.

0:29:270:29:28

There are some things

0:29:280:29:30

a woman doesn't want other women to understand.

0:29:300:29:32

MEOWING

0:29:500:29:54

Irena...

0:30:350:30:36

I woke up. You were gone.

0:30:390:30:41

What's wrong, darling?

0:30:410:30:43

I couldn't sleep. I went out.

0:30:430:30:46

Where'd you go?

0:30:460:30:47

Just walked.

0:30:470:30:49

I'm sorry about this afternoon.

0:30:490:30:51

I...

0:30:510:30:52

I just didn't think.

0:30:520:30:54

Oliver...we should never quarrel.

0:30:540:30:58

Never let me feel jealousy or anger.

0:30:580:31:01

Whatever is in me is held in,

0:31:010:31:04

is kept harmless when I'm happy.

0:31:040:31:06

I'd turn handsprings, darling.

0:31:060:31:09

I'd dance in the streets to make you happy.

0:31:090:31:11

Toward the sheer line...

0:31:200:31:23

62 degrees.

0:31:230:31:25

Hey!

0:31:260:31:28

Oh, I'm sorry.

0:31:290:31:30

I must have given you the wrong figure.

0:31:300:31:32

Let me try again.

0:31:320:31:34

Wait. Let's have a cigarette first.

0:31:340:31:36

That's the third wrong figure

0:31:360:31:37

you've given me this morning.

0:31:370:31:39

Getting careless in my old age.

0:31:390:31:41

Something's on your mind.

0:31:410:31:42

Anything wrong?

0:31:420:31:44

No.

0:31:440:31:46

Must be marriage.

0:31:490:31:51

Well, in a way, it is.

0:31:520:31:54

I'm worried about Irena.

0:31:540:31:56

But I thought she was going to Dr Judd.

0:31:560:31:59

Yeah. That's what I thought,

0:31:590:32:01

but I ran into Dr Judd this morning.

0:32:010:32:03

She hasn't been back since the first visit.

0:32:030:32:05

But you told me she seemed so anxious to be cured.

0:32:050:32:09

Apparently not.

0:32:090:32:10

I'm sorry, Ollie.

0:32:100:32:12

Must make you very unhappy.

0:32:120:32:14

You know, it's a funny thing.

0:32:160:32:18

I've never been unhappy before.

0:32:180:32:21

Things have always gone swell for me.

0:32:210:32:23

I had a grand time as a kid -

0:32:230:32:26

lots of fun at school

0:32:260:32:27

and here at the office with you

0:32:270:32:30

and Commodore and doc.

0:32:300:32:31

That's why I don't know

0:32:330:32:34

what to do about all this.

0:32:340:32:36

I've just never been unhappy.

0:32:360:32:38

SNIFFLING

0:32:380:32:41

Hey.

0:32:410:32:43

Now wait a minute.

0:32:450:32:47

I can't help it.

0:32:520:32:54

I just can't help it.

0:32:540:32:57

I can't bear to see you unhappy.

0:32:570:32:59

I love you too darn much,

0:32:590:33:01

and I don't care if you do know it, Ollie.

0:33:010:33:04

I love you.

0:33:040:33:06

I'm sorry.

0:33:070:33:08

Forget it.

0:33:080:33:10

There's Irena.

0:33:100:33:11

You're in love with her.

0:33:110:33:13

I don't know.

0:33:130:33:15

All this trouble has made me think.

0:33:150:33:18

I don't know what love really is.

0:33:190:33:22

I don't know

0:33:220:33:23

even whether I'm in love with Irena.

0:33:230:33:26

I know what love is.

0:33:260:33:27

It's understanding.

0:33:270:33:29

It's you and me and let the rest of the world go by.

0:33:290:33:33

It's just the two of us

0:33:330:33:35

living our lives together

0:33:350:33:37

happily and proudly.

0:33:370:33:38

No self-torture, no doubt.

0:33:380:33:40

It's enduring, and it's everlasting.

0:33:400:33:42

Nothing can change it.

0:33:420:33:45

Nothing can change us, Ollie.

0:33:450:33:47

That's what I think love is.

0:33:470:33:50

Well, that isn't the way

0:33:500:33:52

I feel about Irena.

0:33:520:33:55

It's a different feeling.

0:33:550:33:57

I'm drawn to her.

0:33:590:34:00

There's a warmth from her that...

0:34:000:34:04

pulls at me.

0:34:040:34:06

I have to watch her when she's in the room.

0:34:060:34:09

I have to touch her when she's near.

0:34:090:34:12

But I don't really know her.

0:34:140:34:15

In many ways, we're strangers.

0:34:150:34:18

You and I...

0:34:190:34:22

we'll never be strangers.

0:34:220:34:23

# Parted sweetly in June

0:34:270:34:29

# I straight went a-courtin'

0:34:290:34:31

# For I'd nothing else to do

0:34:310:34:34

# Nothing else to do

0:34:340:34:36

# Nothing else to do... #

0:34:360:34:38

GROWLING

0:34:420:34:44

GROWLING

0:34:500:34:51

HISSES

0:34:510:34:53

You forgot your key.

0:34:530:34:55

Oh, I'm always forgetting it.

0:34:550:34:57

Ain't no worry in it.

0:34:570:34:59

Nobody would want to steal one of them critters.

0:34:590:35:01

You resist temptation admirably.

0:35:080:35:11

Temptation?

0:35:110:35:12

The, er, key.

0:35:120:35:13

Well, why would I want it?

0:35:130:35:15

For many reasons.

0:35:150:35:17

There is, in some cases, a psychic need

0:35:170:35:19

to loose evil upon the world.

0:35:190:35:21

And all of us carry within us

0:35:210:35:23

a desire for death.

0:35:230:35:25

You fear the panther,

0:35:250:35:26

yet you're drawn to him again and again.

0:35:260:35:29

Couldn't you turn to him

0:35:290:35:30

as an instrument of death?

0:35:300:35:33

You didn't come back to see me Friday.

0:35:330:35:34

I've to come to you.

0:35:340:35:36

Well, how did you know where to find me?

0:35:360:35:39

You told me many things.

0:35:390:35:41

Why didn't you come back?

0:35:420:35:43

I don't feel you can help me.

0:35:430:35:46

You're very wise, you know a great deal,

0:35:460:35:49

yet when you speak of the soul,

0:35:490:35:51

you mean the mind,

0:35:510:35:52

and it is not my mind that is troubled.

0:35:520:35:55

What a clever girl.

0:35:550:35:57

All the psychologists have tried for years

0:35:570:35:59

to find that subtle difference between mind and soul,

0:35:590:36:01

and you found it.

0:36:010:36:03

It does seem presumptuous of me, doesn't it?

0:36:030:36:05

Goodbye, Doctor.

0:36:050:36:07

Irena...

0:36:250:36:27

I'm worried. What's happening to us?

0:36:350:36:36

I love you, Oliver.

0:36:360:36:38

I know, but people can love,

0:36:380:36:41

and people can still drift apart.

0:36:410:36:43

And that's what I feel is happening to us.

0:36:430:36:46

We don't talk together openly.

0:36:470:36:49

You're not frank with me.

0:36:490:36:50

I've never lied to you.

0:36:500:36:52

I ran into Dr Judd today.

0:36:540:36:56

You haven't been back to see him.

0:36:580:37:00

He cannot help me.

0:37:000:37:01

You won't let him help you.

0:37:010:37:03

You won't let me help you.

0:37:030:37:05

You won't even help yourself.

0:37:050:37:07

It's what I said to Alice this afternoon.

0:37:070:37:08

You're content to...

0:37:080:37:10

Alice.

0:37:100:37:11

Oh, I promised you we'd never quarrel.

0:37:150:37:18

Let's calm down a bit.

0:37:180:37:21

I'll go back to the office.

0:37:230:37:25

I've got some work to do.

0:37:250:37:27

Do you want to go up to the office, Mr Reed?

0:37:510:37:53

I'll go around the corner to Sally Lung's

0:37:530:37:55

to get a cup of coffee. I'll be back.

0:37:550:37:58

Hello, Mr Reed.

0:38:120:38:14

Minnie.

0:38:140:38:15

Maybe you'd like some nice chicken gumbo today.

0:38:150:38:17

No, thanks, Minnie.

0:38:170:38:19

How about some apple pie

0:38:190:38:20

and a cup of coffee?

0:38:200:38:22

Yes, sir.

0:38:220:38:23

My goodness. Don't nobody like chicken gumbo?

0:38:230:38:26

TELEPHONE RINGS

0:38:400:38:42

Hello.

0:38:450:38:47

Hello?

0:38:480:38:49

Hello? Hello!

0:38:500:38:52

John Paul Jones,

0:38:590:39:00

don't you hate people who do that?

0:39:000:39:02

Good night, John Paul.

0:39:090:39:10

Here, Miss Agnew.

0:39:260:39:27

A couple new matchbooks for your collection.

0:39:270:39:29

Oh, thank you, Miss Moore.

0:39:290:39:31

Hmm, Chartreuse. Ain't that elegant?

0:39:310:39:33

Too bad you wasn't here just a minute ago.

0:39:330:39:35

Mr Reed looked in.

0:39:350:39:36

Oh, where'd he go?

0:39:360:39:37

Around the corner to Sally Lung's.

0:39:370:39:39

I'll see if I can catch him.

0:39:390:39:41

Good night.

0:39:410:39:43

Could you squeeze a coffee pot for me, Minnie?

0:39:510:39:53

I sure could,

0:39:530:39:55

only this coffee's been working so long,

0:39:550:39:57

it's got muscles.

0:39:570:39:58

What are you doing in this part of town

0:39:580:40:01

at this hour of night?

0:40:010:40:03

Ooh. Stormy weather.

0:40:030:40:04

You'll have to solve your problems your own way.

0:40:180:40:21

I'm going to drink up and go home.

0:40:210:40:23

I think you'd better go home, too,

0:40:230:40:25

and make it up with Irena.

0:40:250:40:27

Alice, you're very swell.

0:40:270:40:29

That's what makes me dangerous.

0:40:290:40:31

I'm the new type of other woman.

0:40:310:40:33

Night, Minnie.

0:40:330:40:34

Good night.

0:40:340:40:36

You cold?

0:40:450:40:46

A cat just walked over my grave.

0:40:460:40:48

Don't you want me to walk you home?

0:40:560:40:58

No, thanks. I'm a big girl now,

0:40:580:41:00

and I'm not afraid.

0:41:000:41:01

Well, good night.

0:41:010:41:03

Good night.

0:41:030:41:04

FOOTSTEPS ECHO

0:41:490:41:52

FOOTSTEPS STOP

0:41:520:41:54

GROWLING

0:42:260:42:28

Climb on, sister.

0:42:350:42:37

Are you riding with me, or ain't you?

0:42:370:42:40

You look as if you'd seen a ghost.

0:42:420:42:43

Did you see it?

0:42:430:42:45

SHEEP BLEATING

0:42:550:42:58

WHISTLE BLOWS

0:43:190:43:21

WHISTLE BLOWS

0:43:270:43:29

WHISTLE BLOWING

0:43:330:43:38

Taxi, lady?

0:43:390:43:41

No. Please don't.

0:44:060:44:07

Don't touch me.

0:44:070:44:09

Irena...

0:44:110:44:13

I'm sorry.

0:44:130:44:14

I've been worried to death.

0:44:140:44:16

I didn't know where you were. I thought...

0:44:160:44:19

What happened tonight happens in every family.

0:44:210:44:24

I was all on edge.

0:44:240:44:26

You've got to understand,

0:44:260:44:27

and you've got to forgive me.

0:44:270:44:29

I forgive you.

0:44:330:44:35

Irena?

0:44:580:44:59

What?

0:44:590:45:01

Are you all right?

0:45:010:45:02

I'm all right.

0:45:020:45:04

SOBBING

0:45:080:45:10

DR JUDD: 'To loose evil upon the world.

0:45:350:45:37

'There is in some cases a psychic need

0:45:370:45:40

'to loose evil upon the world.

0:45:400:45:42

'There is in some cases a psychic need...

0:45:420:45:45

'A desire for death...

0:45:450:45:48

'To loose evil...

0:45:480:45:49

'A desire for death...

0:45:490:45:51

'A psychic need...

0:45:510:45:53

'The, er, key...

0:45:530:45:55

'The, er, key...

0:45:550:45:56

The, er, key.

0:45:560:45:58

'The, er, key.'

0:45:580:46:00

I'm afraid this is dull for Irena.

0:46:390:46:42

Look, darling, there's some beautiful moderns upstairs.

0:46:420:46:45

But I like these little boats.

0:46:450:46:47

I want to be with you.

0:46:470:46:49

Do not send me away.

0:46:490:46:50

We're not. We just don't want you to be bored.

0:46:500:46:54

We'll meet you in the main lobby in an hour.

0:46:550:46:58

Oh, Ollie.

0:46:580:47:00

Look, a drawing of the Victory.

0:47:000:47:02

You know, that's the last man-of-war

0:47:020:47:05

with a lateen sail on it?

0:47:050:47:07

Could I have the key to the swimming pool?

0:47:490:47:52

What a darling kitten.

0:47:520:47:53

That's one of four.

0:47:530:47:55

Tabby had them about a month ago.

0:47:550:47:57

Don't forget to turn the lights out

0:47:590:48:01

when you're through. I won't forget.

0:48:010:48:03

TELEPHONE BUZZES: Hello?

0:48:030:48:05

Yeah. Mm-hmm.

0:48:090:48:11

Just a moment, deary. ..Yes?

0:48:110:48:13

Is Miss Moore in?

0:48:130:48:15

She went downstairs to the swimming pool.

0:48:150:48:17

Would it be all right if I went down?

0:48:170:48:20

Of course, deary. Right down them steps there.

0:48:200:48:22

Aw, gee, I can't tonight.

0:48:220:48:24

MEOW

0:48:290:48:31

MEOW

0:48:310:48:33

CAT SPITS

0:48:330:48:34

MEOW

0:48:380:48:40

LOW SNARLING

0:48:560:48:59

SNARL

0:49:040:49:07

SNARLING SOFTLY

0:49:170:49:20

SNARLING STOPS

0:49:410:49:42

SNARLING CONTINUES

0:49:490:49:50

SCREECHING

0:49:540:49:56

Aaah!

0:49:560:49:58

Help!

0:49:580:50:00

SCREAMS ECHOING

0:50:000:50:03

Help!

0:50:030:50:05

Help!

0:50:050:50:06

Gee whiz, Mrs Hanson.

0:50:060:50:09

SPEAKS IN FOREIGN LANGUAGE

0:50:090:50:11

Aah!

0:50:170:50:19

What is the matter, Alice?

0:50:220:50:25

What bothers Miss Moore?

0:50:280:50:30

Are you all right?

0:50:300:50:31

It's nothing. It was dark down here,

0:50:310:50:34

and Mrs Reed coming in unexpectedly frightened me.

0:50:340:50:36

I'm terribly sorry.

0:50:360:50:38

No, don't go. I'm coming right out.

0:50:390:50:43

Sorry to have disturbed you, Alice.

0:50:470:50:49

I missed you and Oliver and thought you might know where he is.

0:50:490:50:53

We waited for you at the museum.

0:50:530:50:55

You'll probably find him at home.

0:50:550:50:57

If you don't mind then, I'll run on.

0:50:570:51:00

Could I have my robe, please?

0:51:140:51:16

Sure.

0:51:160:51:17

Gee whiz, honey, it's torn to ribbons.

0:51:180:51:22

Thank you for coming, Dr Judd.

0:51:340:51:36

I'm troubled. I think you can help me.

0:51:360:51:40

How much do you believe about the cat people?

0:51:400:51:43

Cat people? The story Mrs Reed told me?

0:51:430:51:45

Yes.

0:51:450:51:47

I believe, my dear Miss Moore,

0:51:470:51:49

exactly as I told Mrs Reed.

0:51:490:51:50

The story is a product of her own fear,

0:51:500:51:53

her own overworked imagination.

0:51:530:51:55

What would you say, Dr Judd,

0:51:550:51:57

if I were to tell you

0:51:570:51:59

I believe Irena's story?

0:51:590:52:00

Yes?

0:52:000:52:01

Twice I've been followed by something

0:52:010:52:03

that was not human,

0:52:030:52:05

something that attempted to take my life.

0:52:050:52:07

I believe that was

0:52:070:52:09

the cat form of Irena.

0:52:090:52:11

But why should she wish to harm you?

0:52:110:52:13

Because I'm in love with her husband.

0:52:130:52:15

Oh! My dear Miss Moore,

0:52:150:52:18

this story grows more and more charming...

0:52:180:52:20

simpler, too, all the time.

0:52:200:52:24

You're both victims of fear.

0:52:240:52:26

Mrs Reed fears the past,

0:52:260:52:28

and you fear the present.

0:52:280:52:30

Mrs Reed has a very strong imagination,

0:52:300:52:32

and you have an equally strong conscience.

0:52:320:52:35

Dr Judd, the danger that threatened me

0:52:350:52:37

was very real.

0:52:370:52:39

You disappoint me, Miss Moore.

0:52:390:52:40

Here is my robe.

0:52:420:52:44

To understand this,

0:52:480:52:49

I should first have to hear

0:52:490:52:51

Mrs Reed's version of the story myself.

0:52:510:52:54

That should be a most interesting interview.

0:52:540:52:56

I shouldn't advise you to see her alone.

0:52:560:52:59

Do you think I'm afraid of so charming a lady?

0:52:590:53:02

I know you don't believe me,

0:53:020:53:04

but you must be careful.

0:53:040:53:05

You want me to carry some means of protection?

0:53:050:53:08

A gun, perhaps, with a silver bullet.

0:53:080:53:10

If you're lucky enough to have one.

0:53:100:53:13

Hmm.

0:53:130:53:14

Of course, er...

0:53:140:53:17

this isn't silver.

0:53:170:53:19

Good night, Miss Moore.

0:53:210:53:23

You have lapses of memory for which you cannot account.

0:53:290:53:32

They're becoming more frequent, and you're afraid.

0:53:320:53:35

Help me.

0:53:350:53:36

I can't. You're not truthful with me.

0:53:360:53:38

But I am. I have not lied to you.

0:53:380:53:42

Do you sincerely believe

0:53:420:53:44

that if your husband were to kiss you,

0:53:440:53:47

you would change into a cat

0:53:470:53:48

and rend him to bits?

0:53:480:53:49

I don't know. I'm only afraid.

0:53:490:53:53

And if I were to kiss you?

0:53:540:53:56

I only know

0:53:560:53:58

that I should not like to be kissed by you.

0:53:580:54:01

My dear Mrs Reed,

0:54:040:54:06

sometimes in my profession,

0:54:060:54:07

there comes a contest of wills

0:54:070:54:09

between doctor and patient.

0:54:090:54:11

The patients are clever -

0:54:110:54:12

oh, very clever -

0:54:120:54:14

and they can fool the doctor...

0:54:140:54:16

sometimes.

0:54:160:54:18

You're very clever,

0:54:210:54:22

and perhaps you enjoy this little game

0:54:220:54:24

you're having with me,

0:54:240:54:26

but I shall discover your secret.

0:54:260:54:28

Dr Judd, believe me.

0:54:280:54:30

I beg you to believe me.

0:54:300:54:32

I have no secret.

0:54:320:54:33

I told you everything. I have not lied to you.

0:54:330:54:36

I need your help.

0:54:360:54:38

I can't help you.

0:54:380:54:41

But I can warn you.

0:54:410:54:44

These hallucinations approach insanity.

0:54:440:54:46

This nonsense about Miss Moore,

0:54:460:54:48

at the park and in the swimming pool -

0:54:480:54:50

it's a deterioration of the mind,

0:54:500:54:52

the escape into fantasy,

0:54:520:54:54

and it's dangerous.

0:54:540:54:56

At this moment,

0:54:560:54:58

I could go before a board

0:54:580:55:00

and have you put away for observation.

0:55:000:55:02

You're that close to real insanity.

0:55:020:55:06

I can't help you.

0:55:100:55:11

You can only help yourself.

0:55:110:55:13

You keep going back

0:55:130:55:14

to the mad legends of your birthplace.

0:55:140:55:17

Forget them.

0:55:170:55:18

You surround yourself with cat objects,

0:55:180:55:21

pictures.

0:55:210:55:22

Get rid of them.

0:55:220:55:24

Lead a normal life.

0:55:240:55:26

You know, for the first time,

0:55:260:55:27

you really helped me.

0:55:270:55:29

Maybe it's because you interest me.

0:55:290:55:31

Oliver, I went back to Dr Judd's office.

0:55:540:55:59

I'm no longer afraid.

0:55:590:56:02

I'd have been the happiest man in the world

0:56:020:56:04

if you'd told me that a little while ago,

0:56:040:56:07

but things have changed.

0:56:070:56:10

I had to learn,

0:56:100:56:12

maybe through this marriage of ours...

0:56:120:56:14

I didn't want to tell you this,

0:56:140:56:17

but now, you see, I have to.

0:56:170:56:20

I love Alice.

0:56:200:56:22

Irena, it's too late.

0:56:220:56:24

Too late?

0:56:240:56:26

There seems only one decent thing for me to do.

0:56:280:56:31

I'll give you a divorce.

0:56:310:56:33

Believe me, it's better this way.

0:56:330:56:35

Better?

0:56:350:56:37

Better for whom?

0:56:370:56:38

Irena, I...

0:56:380:56:40

Speak.

0:56:400:56:42

You can't speak.

0:56:420:56:44

There's nothing you can say.

0:56:440:56:46

There's only silence.

0:56:480:56:50

But I love silence.

0:56:550:56:57

I love loneliness.

0:56:570:56:59

SHE WHISPERS

0:56:590:57:01

They're soft...

0:57:060:57:07

Irena, you're talking like an insane woman.

0:57:070:57:09

Please, go.

0:57:090:57:11

I want you to go.

0:57:110:57:13

Please.

0:57:130:57:14

Go.

0:57:140:57:16

Go!

0:57:160:57:18

Bavarian cream?

0:57:430:57:45

Roquefort.

0:57:470:57:49

And you get the apple pie.

0:57:510:57:53

I have pointed out

0:57:530:57:55

two alternatives, Mr Reed.

0:57:550:57:57

Either have her put away

0:57:570:57:58

for observation and restraint

0:57:580:58:00

or have your marriage annulled.

0:58:000:58:02

It's tough for Oliver either way, Doctor.

0:58:020:58:04

As a psychiatrist,

0:58:040:58:06

I should recommend that you have her put away.

0:58:060:58:08

As your friend, however,

0:58:080:58:10

I have much more reasonable advice.

0:58:100:58:11

You should have your marriage annulled.

0:58:110:58:13

You're free of responsibility. You two could marry.

0:58:130:58:16

And if Irena's sent away?

0:58:160:58:18

The law is explicit - one cannot divorce an insane person.

0:58:180:58:22

If she's not well, I'm going to take care of her.

0:58:220:58:25

It's the only right thing, Ollie.

0:58:250:58:27

As you will.

0:58:270:58:28

I'll have the commitment papers drawn up

0:58:280:58:31

and arrange an interview

0:58:310:58:32

with Mrs Reed at her apartment tonight - 6.00?

0:58:320:58:35

MUSIC PLAYS

0:58:370:58:40

Let's not play that.

0:58:510:58:53

I don't think Irena's coming.

0:58:530:58:55

We've waited an hour and a half.

0:58:550:58:58

Perhaps it's useless to wait.

0:58:580:59:00

OLIVER: I don't think she intends coming.

0:59:010:59:04

She's probably walking in the park.

0:59:040:59:06

Ollie, let's get back to the office.

0:59:100:59:12

We've had a broken-up day,

0:59:120:59:14

and there's work to be done.

0:59:140:59:16

Suits me.

0:59:160:59:18

Oh...how stupid. I left my walking stick in the apartment.

0:59:370:59:41

I'll get it for you.

0:59:410:59:42

Oh, no. Give me the key. I shall only be a moment.

0:59:420:59:46

Five and a half.

1:00:121:00:14

Five and a half.

1:00:141:00:16

And...one and...three-eights.

1:00:171:00:21

And one and three-eighths.

1:00:211:00:25

There. TELEPHONE RINGS

1:00:251:00:27

I'll get it.

1:00:271:00:29

Hello?

1:00:351:00:36

Hello?

1:00:371:00:39

Hello?

1:00:401:00:41

They hung up on me.

1:00:431:00:45

That's funny.

1:00:461:00:48

What?

1:00:481:00:49

It happened once before like that.

1:00:491:00:51

The telephone rang, and I answered.

1:00:511:00:53

There was someone on the other end of the line.

1:00:531:00:56

You could almost hear them listening.

1:00:561:00:58

Then there was a little click

1:00:581:01:00

as they hung up the receiver.

1:01:001:01:02

That was the night

1:01:021:01:03

I was followed on the transverse.

1:01:031:01:06

Ollie.

1:01:061:01:07

Let's get out of here. I'm afraid.

1:01:071:01:09

That was Irena. I know it was.

1:01:091:01:11

She could call from downstairs.

1:01:111:01:13

She may be on her way up now.

1:01:131:01:16

Get your things.

1:01:161:01:17

The door's open.

1:01:221:01:23

We can see to get out into the hall.

1:01:231:01:26

I'll turn off the table lights.

1:01:291:01:31

It's shut now.

1:01:341:01:36

Just a minute ago, it was open.

1:01:361:01:38

It's locked.

1:01:441:01:46

GROWL

1:01:461:01:48

SNARLING

1:02:091:02:11

Irena.

1:02:111:02:13

Irena.

1:02:131:02:15

Leave us, Irena!

1:02:191:02:21

In the name of God, leave us in peace.

1:02:301:02:34

SILENCE

1:02:361:02:39

Come on.

1:02:491:02:51

Let's go down the stairs.

1:03:101:03:12

Don't, Alice. It's gone.

1:03:201:03:21

Everything's all right. Don't be afraid.

1:03:211:03:23

I'm not afraid.

1:03:231:03:25

Look.

1:03:251:03:26

Irena's perfume.

1:03:301:03:32

Strong, sweet.

1:03:321:03:34

I need a drink.

1:03:441:03:46

MUSIC PLAYS

1:03:491:03:51

TELEPHONE RINGS

1:04:001:04:03

RING

1:04:051:04:07

Yes?

1:04:071:04:08

Dr Judd? Miss Moore.

1:04:081:04:10

We've been trying to get you on the phone.

1:04:101:04:13

I called your hotel.

1:04:131:04:15

That's what I want to talk about.

1:04:151:04:17

Are you alone?

1:04:171:04:18

You'd better leave, then.

1:04:181:04:20

She may be on her way back now.

1:04:201:04:22

But she is dangerous, Dr Judd.

1:04:221:04:24

Hello?

1:04:261:04:28

Hello, Dr Judd?

1:04:281:04:29

Dr Judd.

1:04:321:04:34

I think Irena just came in.

1:04:341:04:36

He hung up on me.

1:04:361:04:38

Come on. We'll get a taxi.

1:04:381:04:41

You're late.

1:04:431:04:45

I kept my appointment.

1:04:451:04:48

You see, I've never believed your story.

1:04:481:04:50

I'm not afraid of you.

1:04:521:04:54

I'll take you in my arms.

1:04:551:04:58

So little...

1:04:581:04:59

so soft...

1:04:591:05:01

such warm perfume in your hair,

1:05:011:05:04

your body.

1:05:041:05:06

Don't be afraid of me, Irena.

1:05:071:05:10

GROWLING

1:05:371:05:39

Dr Judd: Aah!

1:06:021:06:04

Mr Reed. >

1:06:351:06:37

Oh, Mr Reed.

1:06:371:06:39

Don't worry, Mr Reed.

1:06:451:06:46

Sue Ellen and I phoned the police

1:06:461:06:49

as soon as we heard the racket.

1:06:491:06:51

Thank you.

1:06:541:06:55

Sue Ellen, you know better.

1:07:051:07:07

You're not supposed to touch anything

1:07:071:07:09

until the police get here.

1:07:091:07:11

ALICE: The sword cane.

1:07:111:07:12

OLIVER: Half of it's gone.

1:07:121:07:14

We've got to find her. Come on.

1:07:141:07:16

SNARLING

1:08:041:08:07

TYRES SKID

1:08:231:08:26

She never lied to us.

1:09:011:09:04

E-mail [email protected]

1:09:171:09:19

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