Chicago

Line	From	To
MUTED HORN PLAYS SULTRY JAZZ MELODY	0:00:16	0:00:21
Five, six, seven, eight... BAND STRIKES UP LIVELY JAZZ	0:00:31	0:00:36
Anybody seen the Kelly sisters?	0:00:56	0:00:58
You, you're up in five.	0:01:02	0:01:03
Keep the change, Charlie. Thanks.	0:01:10	0:01:12
Velma, where ya been? And where's Veronica?	0:01:30	0:01:33
She's not herself tonight.	0:01:33	0:01:35
But they paid to see a sister act.	0:01:35	0:01:38
Don't sweat it. I can do it alone.	0:01:38	0:01:40
(Shit!)	0:01:56	0:01:58
Come on, Velma. Move it! Move it! Hurry up!	0:02:08	0:02:10
Yeah. You're killing me here!	0:02:10	0:02:12
Ladies and gentlemen, the Onyx Club is proud to present	0:02:13	0:02:18
Chicago's hottest dancing duo,	0:02:18	0:02:21
two jazz babes moving as one -	0:02:21	0:02:24
the Kelly Sisters!	0:02:24	0:02:27
APPLAUSE	0:02:27	0:02:29
AUDIENCE MURMURS	0:02:32	0:02:36
# Come on, babe, why don't we paint the town?	0:02:40	0:02:44
# And all that jazz	0:02:45	0:02:47
# I'm gonna rouge my knees and roll my stockings down	0:02:47	0:02:51
# And all that jazz	0:02:53	0:02:56
# Start the car, I know a whoopee spot	0:02:56	0:02:59
# Where the gin is cold, but the piano's hot	0:02:59	0:03:03
# It's just a noisy hall where there's a nightly brawl	0:03:03	0:03:07
# And all...that...jazz... #	0:03:07	0:03:14
Skidoo.	0:03:14	0:03:16
# ..And all that jazz... #	0:03:16	0:03:18
(Hotcha!)	0:03:18	0:03:20
(Whoopee!)	0:03:20	0:03:21
# And all that jazz... #	0:03:24	0:03:26
# Slick your hair and wear your buckle shoes	0:03:47	0:03:50
# And all that jazz	0:03:51	0:03:54
# I hear that Father Dip is gonna blow the blues	0:03:54	0:03:58
# And all that jazz	0:03:59	0:04:01
# Hold on, hon, we're gonna bunny hug	0:04:01	0:04:04
# I bought some aspirin down at United Drug	0:04:04	0:04:08
# In case you shake apart and want a brand-new start	0:04:08	0:04:11
# To do...	0:04:11	0:04:13
# That...	0:04:13	0:04:14
# Jazz! #	0:04:14	0:04:18
MAN: Let's go, babe. But I didn't even meet your friend.	0:04:18	0:04:22
That manager guy. Don't worry, Roxie.	0:04:22	0:04:24
It's all taken care of.	0:04:24	0:04:26
You told him about me? Yeah, kid, it's all arranged.	0:04:26	0:04:30
# ..Find a flask, we're playing fast and loose	0:04:30	0:04:33
# And all that jazz	0:04:35	0:04:36
# Right up here is where I store the juice	0:04:36	0:04:39
# And all that jazz	0:04:41	0:04:43
# Come on, babe, we're gonna brush the sky	0:04:43	0:04:46
# I betcha Lucky Lindy never flew so high	0:04:46	0:04:49
# Cos in the stratosphere how could he lend an ear	0:04:49	0:04:53
# To all...that...jazz?	0:04:53	0:04:59
# Oh, you're gonna see your Sheba shimmy-shake	0:05:00	0:05:04
# And all that jazz	0:05:04	0:05:06
# Oh, she's gonna shimmy till her garters break	0:05:06	0:05:11
# And all that jazz	0:05:11	0:05:13
# Show her where to park her girdle	0:05:13	0:05:16
# Oh, her mother's blood'd curdle	0:05:16	0:05:19
# If she'd hear her baby's queer	0:05:19	0:05:22
# For all...	0:05:22	0:05:24
# That...	0:05:24	0:05:26
# Jazz. #	0:05:26	0:05:28
Oh!	0:05:30	0:05:31
GIGGLES Hello, Mrs Borusewicz.	0:05:31	0:05:34
Mrs Hart.	0:05:34	0:05:36
This is Fred.	0:05:36	0:05:37
He's my brother.	0:05:39	0:05:40
# All...	0:05:42	0:05:43
# That...	0:05:43	0:05:45
# Jazz	0:05:45	0:05:48
# Come on, babe, why don't we paint the town?	0:05:52	0:05:55
-# And all that jazz -And all that jazz	0:05:55	0:05:57
# I'm gonna rouge my knees and roll my stockings down	0:05:57	0:06:01
-# And all that jazz -And all that jazz	0:06:01	0:06:04
# Start the car, I know a whoopee spot	0:06:04	0:06:08
# Where the gin is cold, but the piano's hot	0:06:08	0:06:10
# It's just a noisy hall where there's a nightly brawl	0:06:10	0:06:13
# And all... # HE MOANS	0:06:13	0:06:15
# That... # THEY MOAN	0:06:15	0:06:17
(Jazz.)	0:06:17	0:06:19
ROXIE: Say it again, Fred.	0:06:19	0:06:21
You're a star, kid. My little shootin' star.	0:06:21	0:06:25
# ..No, I'm no-one's wife, but, oh, I love my life	0:06:27	0:06:33
# And all...	0:06:33	0:06:36
# That...	0:06:36	0:06:40
# Jazz That jazz. #	0:06:41	0:06:45
APPLAUSE	0:06:45	0:06:48
ROXIE: Oh, say it again, Fred.	0:06:48	0:06:50
Hey, where's the fire, huh? Amos ain't home till midnight.	0:06:56	0:07:01
Freddy?	0:07:03	0:07:05
Fred?	0:07:07	0:07:08
HE URINATES	0:07:11	0:07:14
Hey, um...I don't want you to feel like I'm naggin' or anything,	0:07:14	0:07:18
but don't you think it's about time that I met your friend at the Onyx?	0:07:18	0:07:22
I mean, it's been a month since you told him about me.	0:07:22	0:07:26
JAZZ PLAYS ON GRAMOPHONE And I know,	0:07:26	0:07:29
cos that was the night Velma Kelly plugged her husband and her sister.	0:07:29	0:07:33
TOILET FLUSHES	0:07:33	0:07:35
You know they say that she found 'em in the kip together?	0:07:35	0:07:38
Gosh, if I ever found Amos slippin' it to somebody else,	0:07:38	0:07:42
boy, I'd throw 'em a party! A great big goin' away party.	0:07:42	0:07:45
It's gettin' late.	0:07:45	0:07:47
I have been thinkin' about my act.	0:07:47	0:07:49
Whenever I get a good idea,	0:07:49	0:07:50
I write it in my diary before I forget it.	0:07:50	0:07:53
And it occurred to me the other day	0:07:53	0:07:55
that all the really, really knockout acts have,	0:07:55	0:07:59
you know, somethin' a little different goin' on.	0:07:59	0:08:02
Like a...a signature bit.	0:08:02	0:08:05
And I thought, I thought...	0:08:05	0:08:07
that my thing could be...	0:08:07	0:08:09
aloof, you know?	0:08:09	0:08:11
Give 'em just enough to get 'em good and hungry,	0:08:11	0:08:14
but always leave 'em wanting more.	0:08:14	0:08:16
Hey, and once I get a name for myself, well, maybe...	0:08:17	0:08:21
maybe we could open up a club of our own.	0:08:21	0:08:23
You could run it and I could be the headliner.	0:08:23	0:08:26
What's the idea? Wake up, kiddo. You ain't never gonna have an act.	0:08:27	0:08:32
Says who?	0:08:32	0:08:33
Face it, Roxie. You're a two-bit talent with skinny legs.	0:08:33	0:08:36
And I'm just a furniture salesman.	0:08:36	0:08:38
Yeah, but you got connections.	0:08:38	0:08:40
That guy down at the club. There is no guy.	0:08:40	0:08:42
Yeah, that night... It was the first time I set foot in that joint.	0:08:42	0:08:46
I was collectin' on a bet from the trombone player.	0:08:46	0:08:48
So you never told anyone about me?	0:08:48	0:08:51
Sugar, you were hot stuff. I woulda said anything	0:08:51	0:08:55
to get a piece of that.	0:08:55	0:08:57
And now? Now? We had some laughs. Let's just leave it at that.	0:08:57	0:09:02
Fred!	0:09:02	0:09:04
You can't do this to me. Would you get off?!	0:09:06	0:09:10
Huh?!	0:09:11	0:09:13
You touch me again, I'll put your lights out!	0:09:14	0:09:17
Wait... Your husband'll be home soon.	0:09:19	0:09:21
Wash yourself before you hit the sheets again.	0:09:21	0:09:23
You're a liar, Fred. Yeah, so what?	0:09:23	0:09:26
You lied to me.	0:09:26	0:09:28
You lied!	0:09:28	0:09:30
That's life, sweetheart. You lied to me, you son of a bitch!	0:09:30	0:09:35
You're a son of a bitch!	0:09:44	0:09:46
MUSIC ENDS	0:09:46	0:09:48
(Hotcha!)	0:09:52	0:09:53
(Whoopee!)	0:09:55	0:09:58
Why you botherin', Sal? This one's all wrapped up.	0:09:58	0:10:01
It's a new city record. From killin' to confession in an hour flat.	0:10:01	0:10:05
Where did she get the murder weapon?	0:10:05	0:10:07
I keep a gun in the underwear drawer, just in case of trouble, you know.	0:10:07	0:10:10
Well, that's just fine. Sign right there, Mr Hart.	0:10:10	0:10:13
Freely and gladly. Mind you don't say we beat it out of you.	0:10:13	0:10:19
No, I gave myself up. Surrendered of my own free will.	0:10:19	0:10:22
Isn't he the cheerful murderer? Shootin' a burglar ain't murder.	0:10:22	0:10:25
Last week, a jury thanked a man.	0:10:25	0:10:27
I'm always grateful for citizens who know the law. Get in there.	0:10:27	0:10:30
You, too.	0:10:32	0:10:33
Sit down.	0:10:35	0:10:36
OK, from the top.	0:10:38	0:10:41
Well, a man's got a right to protect his home and his loved ones, right?	0:10:41	0:10:45
Of course he has.	0:10:45	0:10:46
I come home and see him climbing through the window,	0:10:46	0:10:49
with my wife, Roxie, layin' there,	0:10:49	0:10:51
sleepin' like an angel.	0:10:51	0:10:53
That true, Mrs Hart? I'm telling you, it's the God's honest truth.	0:10:53	0:10:57
My wife wouldn't hurt a worm.	0:10:57	0:10:59
SLOW PIANO INTRO BEGINS It wasn't till I fired the first shot she even opened her eyes.	0:10:59	0:11:04
She's some heavy sleeper. I always said she could sleep through the St Paddy's Day parade.	0:11:04	0:11:08
What would have happened if I went out for a beer instead of coming straight home?	0:11:08	0:11:13
Well, it makes you sick even thinkin' about it.	0:11:13	0:11:16
BANDLEADER: For her first number, Miss Roxie Hart would like to sing a song of love and devotion	0:11:16	0:11:21
dedicated to her dear husband, Amos.	0:11:21	0:11:24
# Sometimes I'm right, sometimes I'm wrong	0:11:27	0:11:31
# But he doesn't care, he'll string along	0:11:31	0:11:38
# He loves me so	0:11:38	0:11:40
# That funny honey of mine	0:11:40	0:11:45
# Sometimes I'm down, sometimes I'm up	0:11:49	0:11:53
# But he follows 'round like some droopy-eyed pup	0:11:53	0:12:00
# He loves me so	0:12:00	0:12:03
# That funny honey of mine... # AMOS: Even after I shot him,	0:12:03	0:12:07
he kept comin' at me, so I had to pull the trigger again.	0:12:07	0:12:10
# ..He ain't no sheik, that's no great physique	0:12:10	0:12:15
# And Lord knows, he ain't got the smarts	0:12:15	0:12:20
# But look at that soul, I tell you, that whole	0:12:20	0:12:26
# Is a whole lot greater than the sum of his parts	0:12:26	0:12:33
# And if you knew him like me, I know you'd agree	0:12:34	0:12:44
# What if the world slandered my name?	0:12:45	0:12:50
# Why, he'd be right there, taking the blame	0:12:50	0:12:56
# He loves me so	0:12:56	0:12:59
# And it all suits me fine	0:12:59	0:13:05
# That funny, sunny, honey hubby of mine... #	0:13:05	0:13:14
I mean, supposin' he had violated her, or somethin'.	0:13:14	0:13:18
You know what I mean, violated? I know.	0:13:18	0:13:20
That would have been terrible. It's a good thing I got home from work on time,	0:13:20	0:13:24
I'm tellin' ya that. # ..He loves me so... #	0:13:24	0:13:27
I say, I'm tellin' you that. # ..That funny honey of mine... #	0:13:27	0:13:31
- Name of deceased, Fred Casely. - Fred Casely?	0:13:31	0:13:34
He's not a burglar. My wife knows him. He sold us our furniture.	0:13:34	0:13:37
He gave us 10% off.	0:13:38	0:13:40
# ..Lord knows, he ain't got the smarts... #	0:13:40	0:13:44
You told me he was a burglar.	0:13:44	0:13:46
He was already dead? He's covered in a sheet	0:13:46	0:13:48
and she's talkin' about this burglar, and how I oughtta say I did it	0:13:48	0:13:52
cos I was sure to get off. "Help me, Amos," she says. "It's my goddamn hour of need."	0:13:52	0:13:57
# ..Now he's shot off his trap	0:13:57	0:13:59
# I can't stand that sap	0:13:59	0:14:02
- # Look at him go... # - I believed her.	0:14:02	0:14:04
- # ..Rattin' on me... # - Tramp!	0:14:04	0:14:06
- Two-timing me. - # ..With just one more brain... #	0:14:06	0:14:09
- She can swing for all I care. - # ..A half-wit he'd be... #	0:14:09	0:14:11
- I'm working 14 hours a day... - # ..If they string me up... #	0:14:11	0:14:15
# ..He'll bring the twine... # And she's up here tramping around	0:14:15	0:14:18
like some floozy! Thought she could fool me.	0:14:18	0:14:21
- # ..That scummy, crummy... # - I wasn't born yesterday.	0:14:21	0:14:23
- Some things, a man can't take. - # ..Dummy hubby... #	0:14:23	0:14:27
- # ..Of mine! # - The little chiseller.	0:14:27	0:14:29
Boy, what a sap I was!	0:14:29	0:14:31
You double-crosser! You big blabbermouth!	0:14:31	0:14:35
You promised you'd stick. You been stringin' me, Roxanne!	0:14:35	0:14:38
God damn it! You said he was a burglar! You been jazzin' him!	0:14:38	0:14:42
You are a disloyal husband!	0:14:42	0:14:44
Look, it's true, I shot him.	0:14:47	0:14:49
But it was self-defence. He was trying to burgle me.	0:14:49	0:14:52
From what I hear, he's been burgling you three times a week for a month.	0:14:52	0:14:56
So what do you say, missus? That's him, all right.	0:14:56	0:15:00
Thank you.	0:15:00	0:15:01
Your story doesn't wash, Mrs Hart, so try this on for size.	0:15:01	0:15:05
Fred Casely was a good time, with Goofy here	0:15:05	0:15:07
as a meal ticket. Meal ticket?	0:15:07	0:15:09
He couldn't buy my liquor. And Fred Casely could?	0:15:09	0:15:13
With a wife and five little Caselys? Or didn't he mention them?	0:15:13	0:15:16
W-w-what? All his.	0:15:17	0:15:21
ROXIE: (That bastard!)	0:15:21	0:15:23
That...	0:15:23	0:15:25
That bastard! Yeah, I killed him and I would kill him again.	0:15:25	0:15:29
Once was enough, dearie. Take her downtown. Come on!	0:15:29	0:15:32
MAN: This is it. 264½.	0:15:33	0:15:35
Here they come. This way, honey! It's a shame to hide such a beautiful face.	0:15:36	0:15:40
Why'd you shoot him? Give us a profile with a little smile.	0:15:40	0:15:45
Enjoy it while you can.	0:15:45	0:15:46
Take this down. "Assistant DA Harrison says it's a hanging case."	0:15:46	0:15:50
I'm ready to go to the jury. What do you mean, "hanging"?	0:15:50	0:15:53
Not so tough any more. Take her to Cook County jail.	0:15:53	0:15:55
Come on, we need a headline. Did he beat you? Was he fooling around?	0:15:55	0:15:59
Hey...! What do you mean, "hanging"?	0:15:59	0:16:02
REPORTERS SHOUT	0:16:02	0:16:06
Use morphine? Opium? Cocaine?	0:16:19	0:16:22
WOMAN: Arm length...31 inches.	0:16:23	0:16:25
MAN: Arm length, 31 inches.	0:16:25	0:16:27
WOMAN: Height, 66 inches...	0:16:27	0:16:29
The matron's on her way, so don't get too cosy.	0:16:31	0:16:34
Put out that cigarette!	0:16:35	0:16:38
Ever had Morton before?	0:16:40	0:16:42
She's fine... long as you keep her happy.	0:16:48	0:16:51
And now, ladies and gentlemen, the Keeper of the Keys,	0:16:53	0:16:58
the Countess of the Clink, the Mistress of Murderers' Row,	0:16:58	0:17:01
Matron Mama Morton! FANFARE PLAYS	0:17:01	0:17:07
CHEERS AND APPLAUSE	0:17:07	0:17:10
RAUNCHY INTRO PLAYS	0:17:10	0:17:14
# Ask any of the chickies in my pen	0:17:14	0:17:18
# They'll tell you I'm the biggest mother...	0:17:19	0:17:22
# Hen AUDIENCE WHOOPS	0:17:22	0:17:24
# I love them all, and all of them love me	0:17:24	0:17:29
# Because the system works	0:17:29	0:17:31
# The system called reciprocity... #	0:17:31	0:17:38
GUARD: On your feet!	0:17:38	0:17:40
Welcome, ladies.	0:17:43	0:17:45
# ..Got a little motto, always sees me through	0:17:45	0:17:50
# When you're good to Mama, Mama's good to you... #	0:17:50	0:17:55
You might think I'm here to make your life hell, but that's not true.	0:17:55	0:17:59
# ..There's a lot of favours I'm prepared to do	0:18:00	0:18:05
# You do one for Mama, she'll do one for you... #	0:18:05	0:18:10
I'd like to be your friend. So if something upsets you,	0:18:10	0:18:13
or makes you unhappy in any way...	0:18:13	0:18:16
don't shoot your mouth off to me cos I don't give a shit! Move it out!	0:18:16	0:18:19
# ..They say that life is tit for tat	0:18:19	0:18:22
# And that's the way I live	0:18:22	0:18:24
# So I deserve a lot of tat	0:18:24	0:18:27
# For what I've got to give	0:18:27	0:18:29
# Don't you know that this hand washes that one, too?	0:18:30	0:18:35
# When you're good to Mama	0:18:35	0:18:38
# Mama's good to you! #	0:18:38	0:18:44
Let's go!	0:18:47	0:18:48
You must be Hart.	0:18:49	0:18:50
Ain't you the pretty one?	0:18:50	0:18:52
Thank you, ma'am.	0:18:52	0:18:54
Oh, no, call me Mama.	0:18:54	0:18:56
I'm here to take care of you.	0:18:56	0:18:59
You'll be habitating in the east block. Murderess Row, we call it.	0:18:59	0:19:02
Oh... Is that nicer?	0:19:02	0:19:05
MUSIC CONTINUES AUDIENCE WHISTLES AND HOOTS	0:19:06	0:19:10
I don't belong in here. I didn't actually do anything wrong.	0:19:15	0:19:18
Don't tell me, honey. I ain't never heard of a man getting killed	0:19:18	0:19:22
who didn't deserve it.	0:19:22	0:19:23
Hey, Mama! Come here. Come here.	0:19:23	0:19:26
Velma Kelly. You're THE Velma Kelly.	0:19:26	0:19:30
You know, I was there the night that you got arrested.	0:19:30	0:19:34
Yeah, you and half of Chicago. Look at this, Mama.	0:19:34	0:19:37
Ooh! An editorial denouncing me in Redbook magazine.	0:19:37	0:19:41
"Not in memory do we recall so fiendish and horrible a double homicide."	0:19:41	0:19:46
You couldn't buy that kind of publicity. No?	0:19:46	0:19:49
I guess I can keep this, then.	0:19:52	0:19:54
Nice try.	0:19:55	0:19:57
# ..If you want my gravy	0:19:57	0:20:00
# Pepper my ragout	0:20:00	0:20:02
# Spice it up for Mama	0:20:02	0:20:05
# She'll get hot for you	0:20:05	0:20:08
# When they pass that basket	0:20:12	0:20:14
# Folks contribute to	0:20:14	0:20:17
# You put in for Mama	0:20:17	0:20:19
# She'll put out for you	0:20:19	0:20:22
# The folks atop the ladder	0:20:26	0:20:29
# Are the ones the world adores	0:20:29	0:20:31
# So boost me up my ladder, kid	0:20:31	0:20:34
# And I'll boost you up yours	0:20:34	0:20:37
# Let's all stroke together	0:20:37	0:20:40
# Like the Princeton crew	0:20:40	0:20:43
# When you're strokin' Mama	0:20:43	0:20:46
# Mama's strokin' you	0:20:46	0:20:49
# So what's the one conclusion I can bring this number to?	0:20:49	0:20:54
# When you're good to Mama	0:20:54	0:20:58
# Mama's good to you! #	0:20:58	0:21:09
Ah...yes! CHEERING	0:21:09	0:21:13
ROXIE: Mama?	0:21:13	0:21:15
Um...it's kind of, er... freezing in here.	0:21:15	0:21:18
You think maybe there's something wrong with the heat?	0:21:18	0:21:21
Not that I'm complaining, mind you.	0:21:21	0:21:23
But, you know, if you got a couple extra blankets tucked away...	0:21:23	0:21:27
MAMA: Lights out, ladies.	0:21:30	0:21:32
Oh...	0:21:43	0:21:44
HER BREATH QUIVERS	0:21:44	0:21:47
(OK.)	0:21:47	0:21:48
SHE SNIFFLES	0:21:52	0:21:54
STIFLING SOBS: OK...	0:21:58	0:22:00
LOUD DRIP	0:22:02	0:22:04
DRIP!	0:22:12	0:22:13
DRIP! DRIP!	0:22:16	0:22:18
DRIP! DRIP!	0:22:19	0:22:20
THUD! DRIP! DRIP!	0:22:20	0:22:22
THUD! DRIP! DRIP!	0:22:22	0:22:24
THUD! DRIP! DRIP!	0:22:24	0:22:26
THUD! DRIP! DRIP!	0:22:26	0:22:28
DRUMMING THUD! DRIP! DRIP!	0:22:28	0:22:30
DRUMMING THUD! DRIP! DRIP!	0:22:30	0:22:32
DRUMMING Pop! DRIP! DRIP!	0:22:32	0:22:34
DRUMMING Six.	0:22:34	0:22:35
DRIP! DRIP! Squish.	0:22:35	0:22:37
DRUMMING Uh-uh.	0:22:37	0:22:39
DRIP! DRIP! Cicero.	0:22:39	0:22:41
DRUMMING Lipschitz.	0:22:41	0:22:43
DRUMS TAKE UP THE RHYTHM	0:22:43	0:22:47
And now, the six merry murderesses	0:22:47	0:22:50
of the Cook County jail in their rendition of...	0:22:50	0:22:54
the Cell Block Tango.	0:22:54	0:22:56
Cicero.	0:22:56	0:22:57
Lipschitz.	0:22:57	0:22:59
DRUMS PLAY TANGO BEAT	0:22:59	0:23:03
Pop.	0:23:03	0:23:04
Six.	0:23:05	0:23:06
Squish.	0:23:07	0:23:08
Uh-uh.	0:23:09	0:23:09
Cicero.	0:23:10	0:23:12
Lipschitz.	0:23:13	0:23:14
Pop.	0:23:14	0:23:15
Six.	0:23:15	0:23:16
Squish.	0:23:16	0:23:17
Uh-uh.	0:23:17	0:23:18
Cicero.	0:23:18	0:23:20
Lipschitz.	0:23:20	0:23:22
- Pop. - Six.	0:23:22	0:23:23
- Squish. - Uh-uh.	0:23:23	0:23:24
- Cicero. - Lipschitz.	0:23:24	0:23:26
- Pop. - Six.	0:23:26	0:23:27
- Squish. - Uh-uh.	0:23:27	0:23:28
- Cicero. - Lipschitz.	0:23:28	0:23:29
ALL: # He had it comin'	0:23:30	0:23:31
# He had it comin'	0:23:32	0:23:33
# He only had himself to blame	0:23:33	0:23:37
# If you'd have been there	0:23:37	0:23:39
# If you'd have seen it	0:23:39	0:23:41
# I betcha you would have done the same! #	0:23:41	0:23:44
Pop. Six.	0:23:44	0:23:45
Squish. Uh-uh.	0:23:45	0:23:46
Cicero. Lipschitz.	0:23:46	0:23:48
Pop. Six.	0:23:48	0:23:49
Squish. Uh-uh.	0:23:49	0:23:49
Cicero. Lipschitz.	0:23:49	0:23:51
WOMEN SING QUIETLY You know how people have little habits that get you down?	0:23:51	0:23:55
Like Bernie.	0:23:55	0:23:57
Bernie liked to chew gum. ..No, not chew.	0:23:57	0:24:01
Pop.	0:24:01	0:24:02
So I came home this one day, and I am really irritated,	0:24:02	0:24:06
and I'm looking for sympathy, and there's Bernie,	0:24:06	0:24:08
lyin' on the couch, drinkin' a beer and chewin'.	0:24:08	0:24:11
No, not chewin'.	0:24:11	0:24:13
Poppin'!	0:24:13	0:24:14
So I said to him, I said, "You pop that gum one more time..."	0:24:14	0:24:19
And he did.	0:24:20	0:24:22
So I took the shotgun off the wall, and I fired two warning shots...	0:24:22	0:24:26
..into his head.	0:24:27	0:24:30
ALL: # He had it comin' He had it comin'	0:24:31	0:24:34
# He only had himself to blame	0:24:34	0:24:38
# If you'd have been there If you'd have heard it	0:24:38	0:24:42
# I betcha you would have done the same... #	0:24:42	0:24:45
WOMEN SING QUIETLY I met Ezekial Young from Salt Lake City about two years ago.	0:24:50	0:24:55
He told me he was single and we hit it off right away.	0:24:55	0:24:59
So we started living together.	0:24:59	0:25:01
He'd go to work. He'd come home.	0:25:01	0:25:03
I'd fix him a drink. We'd have dinner.	0:25:03	0:25:05
And then I found out.	0:25:05	0:25:07
Single, he told me.	0:25:07	0:25:09
Single, my ass! Not only was he married...	0:25:09	0:25:13
Oh, no. He had six wives.	0:25:13	0:25:15
One of those Mormons, you know?	0:25:15	0:25:18
So that night, when he came home from work,	0:25:18	0:25:21
I fixed him his drink, as usual.	0:25:21	0:25:23
You know, some guys just can't hold their arsenic.	0:25:25	0:25:29
-ALL: # He had it comin' -Pop -Six	0:25:29	0:25:31
-# He had it comin' -Cicero -Lipschitz	0:25:31	0:25:33
-# He took a flower in its prime -Pop -Six -Squish -Uh-uh -Cicero -Lipschitz	0:25:33	0:25:37
# And then he used it	0:25:37	0:25:38
-Pop -# And he abused it	0:25:38	0:25:39
-Six -# It was a murder	0:25:39	0:25:41
-# But not a crime -Squish -Uh-uh -Cicero -Lipschitz... #	0:25:41	0:25:44
Now I'm standing in the kitchen, carvin' the chicken for dinner,	0:25:44	0:25:48
minding my own business.	0:25:48	0:25:49
In storms my husband, Wilbur, in a jealous rage.	0:25:49	0:25:53
"You been screwin' the milkman," he says.	0:25:53	0:25:55
He was crazy. He kept on screamin', "You been screwin' the milkman!"	0:25:55	0:25:59
And then he ran into my knife.	0:25:59	0:26:01
He ran into my knife ten times.	0:26:01	0:26:04
DRUM ROLL	0:26:04	0:26:06
CHORD	0:26:06	0:26:07
ALL: # ..If you'd have been there	0:26:07	0:26:08
# If you'd have seen it	0:26:08	0:26:10
# I betcha you would have done the same... #	0:26:10	0:26:13
Mit keresek, en itt?	0:26:13	0:26:15
Azt mondjok, hogy a hires lakem lefogta a ferjemet	0:26:15	0:26:18
en meg lecsaptam a fejet.	0:26:18	0:26:21
De nem igaz,	0:26:21	0:26:23
en artatlan vagyok.	0:26:23	0:26:24
Nem tudom...	0:26:24	0:26:26
mert mondja Uncle Sam hogy en tettem.	0:26:26	0:26:29
Probaltam a rendorsegen megmagyarazni	0:26:29	0:26:31
de nem ertettek meg...	0:26:31	0:26:34
Yeah, but did you do it?	0:26:34	0:26:36
Uh-uh...not guilty.	0:26:36	0:26:39
# ..He had it comin'... #	0:26:39	0:26:42
My sister Veronica and I had this double act,	0:26:42	0:26:45
and my husband Charlie travelled around with us.	0:26:45	0:26:50
For our last number, we did 20 acrobatic tricks in a row - one, two,	0:26:50	0:26:54
three, four, five - splits, back flips, flip-flops, one right after the other.	0:26:54	0:26:59
So this one night before the show,	0:26:59	0:27:01
we're down at the Hotel Cicero,	0:27:01	0:27:02
the three of us boozin', havin' a few laughs,	0:27:02	0:27:06
and we'd run out of ice, so I go out to get some.	0:27:06	0:27:10
I come back, open the door,	0:27:10	0:27:13
and there's Veronica and Charlie doing number 17...	0:27:13	0:27:17
the spread eagle.	0:27:17	0:27:19
Well, I was in such a state of shock,	0:27:20	0:27:23
I completely blacked out. I can't remember a thing.	0:27:23	0:27:26
It wasn't until later, when I was washin' the blood off my hands,	0:27:26	0:27:30
I even knew they were dead.	0:27:30	0:27:32
-# They had it comin' -They had it comin'	0:27:32	0:27:34
-# They had it comin' -They had it comin'	0:27:34	0:27:36
# They had it comin' all along	0:27:36	0:27:39
-# I didn't do it -She didn't do it	0:27:39	0:27:41
-# But if I'd done it -But if she'd done it	0:27:41	0:27:43
# How could you tell me that I was wrong?	0:27:43	0:27:47
-# They had it comin' -They had it comin'	0:27:48	0:27:50
-# They had it comin' -They had it comin'	0:27:50	0:27:52
-# They had it comin' all along -They took a flower in its prime	0:27:52	0:27:56
-# I didn't do it -And then they used it	0:27:56	0:27:57
# But if I'd done it	0:27:57	0:27:58
-# And they abused it -How could you tell me that I was wrong?	0:27:58	0:28:03
WOMEN SING QUIETLY I loved Al Lipschitz more than I could say.	0:28:03	0:28:07
He was a real artistic guy... sensitive...a painter. WHISTLE BLOWS	0:28:07	0:28:11
But he was always trying to find himself.	0:28:11	0:28:14
He'd go out every night looking for himself and on the way... WHISTLE	0:28:14	0:28:17
..he found Ruth, Gladys, Rosemary...	0:28:17	0:28:20
and Irving.	0:28:20	0:28:22
I guess you could say we broke up because of artistic differences.	0:28:22	0:28:25
He saw himself as alive,	0:28:25	0:28:28
and I saw him dead.	0:28:28	0:28:30
ALL: # The dirty bum	0:28:30	0:28:31
# Bum, bum, bum, bum, bum	0:28:31	0:28:34
# The dirty bum, bum, bum, bum, bum	0:28:34	0:28:37
# They had it comin'	0:28:37	0:28:39
# They had it comin'	0:28:39	0:28:41
# They had it coming all along	0:28:41	0:28:44
# Cos if they used us	0:28:44	0:28:46
# And they abused us	0:28:46	0:28:48
# Don't you tell us that we were wrong	0:28:48	0:28:50
# He had it comin'	0:28:51	0:28:53
# He had it comin'	0:28:53	0:28:55
# He only had himself to blame	0:28:55	0:28:58
# If you'd have been there	0:28:58	0:29:00
# If you'd have seen it	0:29:00	0:29:02
# I betcha you would have done the same! #	0:29:02	0:29:04
- You pop that gum... - Single, my ass!	0:29:04	0:29:07
- Ten times! - Miert csukott Uncle Sam bortonbe.	0:29:07	0:29:09
- The spread eagle. - Artistic differences.	0:29:09	0:29:12
Pop.	0:29:12	0:29:12
Six.	0:29:13	0:29:14
Squish.	0:29:15	0:29:16
Uh-uh.	0:29:17	0:29:18
Cicero.	0:29:19	0:29:20
Lipschitz.	0:29:21	0:29:22
SONG ENDS WITH A CRASH	0:29:22	0:29:25
STEAM HISSES	0:29:25	0:29:26
Who belongs to them? What's it to you?	0:29:29	0:29:31
Nothin'. I heard they were Velma's.	0:29:31	0:29:34
Yeah, the Hunyak does all her laundry for a buck a week.	0:29:34	0:29:37
Fresh towels for the can. Make it quick.	0:29:47	0:29:50
WOMEN CONVERSING INDISTINCTLY	0:29:52	0:29:55
MAMA: Hear me out on this.	0:29:55	0:29:57
Now, Billy Flynn's set your trial date for March 5th.	0:29:57	0:30:00
March 7th, you'll be acquitted, and March 8th...	0:30:00	0:30:02
Do you know what Mama's gonna do? Put you back on the vaudeville circuit.	0:30:02	0:30:07
VELMA: So now you're an agent?	0:30:07	0:30:08
MAMA: Until you get a private line in your cell, all calls go through me.	0:30:08	0:30:12
What kinda dough are we talking about?	0:30:12	0:30:14
It's a crazy world.	0:30:14	0:30:16
Babe Ruth is wearing rouge and playing the Palace for 5,000 a week.	0:30:16	0:30:19
And what about someone with REAL talent?	0:30:19	0:30:22
MAMA: I been talkin' to the boys at William Morris.	0:30:22	0:30:24
Due to your recent sensational activities, they think they can get you 2,500.	0:30:24	0:30:29
2,500!	0:30:29	0:30:30
The most me and Veronica made was 350.	0:30:30	0:30:33
MAMA: Well, that's what happens with the right representation.	0:30:33	0:30:36
VELMA: I always wanted to play Big Jim Colisimo's.	0:30:36	0:30:39
Do you think you can get me that?	0:30:39	0:30:41
- Big Jim's? - Yeah.	0:30:41	0:30:42
I don't know.	0:30:42	0:30:44
That'll take another phone call.	0:30:44	0:30:45
How much is that gonna cost?	0:30:45	0:30:48
Come on, Vel, you know how I feel about you. You're like family to me.	0:30:48	0:30:51
Oh, yeah(!) I'll do it for 50 bucks.	0:30:51	0:30:53
VELMA: Fifty bucks for a phone call?!	0:30:53	0:30:56
You must get a lot of wrong numbers, Mama.	0:30:56	0:30:59
FOOTSTEPS APPROACH	0:30:59	0:31:01
Oh, Miss Kelly.	0:31:03	0:31:05
Got your personals. Freshly pressed by yours truly.	0:31:05	0:31:08
No, no, it's my pleasure.	0:31:08	0:31:09
Hey, listen, um... can I ask you somethin'?	0:31:11	0:31:13
You know that Harrison guy?	0:31:14	0:31:16
Well, he said that what I done is a hanging case, and that he's prepared to ask for the maximum penalty.	0:31:16	0:31:22
Yeah, so?	0:31:22	0:31:23
So...I'm scared, and I sure would appreciate some advice.	0:31:23	0:31:27
I mean, especially from someone I admire as much as you. See,	0:31:27	0:31:31
I always wanted to be on the stage. Really?	0:31:31	0:31:34
What's your talent? Washing?	0:31:34	0:31:36
No, no. I-I danced in the chorus.	0:31:36	0:31:39
Oh. That was before I met my husband.	0:31:39	0:31:41
Look, honey, you want some advice?	0:31:41	0:31:43
Here it is, direct from me to you.	0:31:43	0:31:46
Keep your paws off my underwear. OK?	0:31:46	0:31:49
Yeah, OK.	0:31:52	0:31:53
Thanks...	0:31:54	0:31:55
..for nothin'.	0:31:57	0:31:58
She's something, ain't she?	0:31:58	0:32:00
No matter how big she gets,	0:32:00	0:32:02
she's still as common as ever.	0:32:02	0:32:04
I'd like to help you, dearie.	0:32:04	0:32:05
Take a load off.	0:32:08	0:32:10
So, what do you figure on using for grounds?	0:32:11	0:32:15
What grounds? What are you gonna tell the jury?	0:32:15	0:32:17
I just figured I'd tell them the truth.	0:32:17	0:32:19
- The truth? - Yeah.	0:32:19	0:32:21
That's a ticket to the death house. Holy Mother of God!	0:32:21	0:32:25
Oh, relax. I mean, in this town, murder's a form of entertainment.	0:32:25	0:32:28
Besides, in 47 years, Cook County ain't never hung a woman yet.	0:32:28	0:32:32
So the odds are 47-1 that they won't hang you. Jesus, Mary and Joseph!	0:32:32	0:32:37
You're talking to the wrong people. What you need is Billy Flynn.	0:32:37	0:32:41
Who?	0:32:41	0:32:42
Billy Flynn - the best criminal lawyer in all of Illinois.	0:32:42	0:32:45
What he don't know about juries and women!	0:32:45	0:32:48
How do you get this Billy Flynn?	0:32:48	0:32:50
Well, not by praying, dearie. First, you give me 100.	0:32:50	0:32:53
Then I make a phone call. 100? Well, you just...	0:32:53	0:32:56
I mean, it seems pretty steep for a phone call.	0:32:56	0:33:00
Oh, but he's worth every cent.	0:33:00	0:33:02
I mean, he's never lost a case for a female client yet.	0:33:02	0:33:06
And with a sweet little puss like yours, well...	0:33:06	0:33:09
justice ain't so blind in Chicago.	0:33:09	0:33:11
He's never lost a case? Never.	0:33:11	0:33:14
Every girl in this place would kill to have Billy Flynn represent her.	0:33:14	0:33:18
# Give us Billy	0:33:18	0:33:21
# We want Billy	0:33:21	0:33:28
# B-I-double-L-Y	0:33:28	0:33:34
# We're all his	0:33:34	0:33:41
# He's our kind of a guy	0:33:41	0:33:47
# And, ooh, what luck!	0:33:47	0:33:50
# Cos here he is... #	0:33:50	0:33:58
Ladies and gentlemen,	0:33:58	0:33:59
presenting the silver-tongued prince of the courtroom -	0:33:59	0:34:03
the one...the only...Billy Flynn!	0:34:03	0:34:05
BAND PLAYS LIVELY INTRO	0:34:06	0:34:09
# I don't care about expensive things	0:34:13	0:34:15
# Cashmere coats, diamond rings	0:34:15	0:34:20
# Don't mean a thing All I care about is love	0:34:20	0:34:24
-# That's what I'm here for -That's what he's here for	0:34:24	0:34:27
# I don't care for wearing silk cravats	0:34:27	0:34:30
# Ruby studs, satin spats	0:34:30	0:34:33
# Don't mean a thing	0:34:33	0:34:35
-# All I care about is love -All he cares about is love	0:34:35	0:34:40
# Give me two eyes of blue softly saying...	0:34:40	0:34:45
# "I need you"	0:34:45	0:34:47
# Let me see her standin' there	0:34:47	0:34:50
# And honest, mister, I'm a millionaire... #	0:34:50	0:34:54
INSTRUMENTAL INTERLUDE	0:34:54	0:34:57
# ..I don't care for any fine attire	0:35:01	0:35:04
# Vanderbilt might admire	0:35:04	0:35:07
# No, no, not me... # GEARS RATCHET	0:35:07	0:35:10
-# ..All I care about is love -All he cares about is love. #	0:35:10	0:35:15
HE WHISTLES MELODY	0:35:15	0:35:18
Good morning, ladies.	0:35:19	0:35:21
HUNYAK: Mr Flynn, not guilty! You tell 'em, sweetheart.	0:35:21	0:35:24
SHE SPEAKS HUNGARIAN	0:35:24	0:35:26
DOOR CLOSES	0:35:26	0:35:27
# That's what he's here for... #	0:35:27	0:35:29
REPORTERS SHOUT QUESTIONS Excuse me, gentlemen.	0:35:29	0:35:32
Miss Kelly, do you remember anything at all about that night?	0:35:32	0:35:36
I passed out, Miss Sunshine. I can't remember a thing.	0:35:36	0:35:39
Only that I didn't do it. Any idea who did?	0:35:39	0:35:41
No, but there's a reward for anyone with information about this crime.	0:35:41	0:35:45
How much is the reward, Miss Kelly? I dunno. How much?	0:35:45	0:35:48
We'll work it out after the trial. Now, Miss Kelly and I have a lot of work to do.	0:35:48	0:35:52
REPORTERS SHOUT	0:35:52	0:35:54
What's this about a reward?	0:35:55	0:35:57
Awfully dumb, reporters. They'll write it up wrong. You deny it later on. Thank you.	0:35:57	0:36:02
One more question!	0:36:02	0:36:03
# ..All he cares about is love. #	0:36:03	0:36:06
Mr Flynn, I'm Roxie Hart. Who? Mama talked to you about me.	0:36:06	0:36:09
Oh, right - the cute one. I was hoping that you might represent me.	0:36:09	0:36:13
You got 5,000?	0:36:13	0:36:15
Gee, that's a lot of money!	0:36:15	0:36:18
- Mmm. - Mama didn't say anything about 5,000.	0:36:18	0:36:21
Well... Lookit, um...Mr Flynn...	0:36:21	0:36:23
I'm not very good at this sort of thing.	0:36:23	0:36:25
Maybe we could, er...make some sort of arrangement between us?	0:36:25	0:36:30
I can be an awfully good sport.	0:36:30	0:36:33
Good, that's out of your system.	0:36:33	0:36:35
Now, listen - you mean just one thing to me.	0:36:35	0:36:38
You call me when you got 5,000.	0:36:38	0:36:40
# ..All he cares about is love	0:36:41	0:36:44
# Show me long raven hair	0:36:44	0:36:47
# Flowin' down, about to there	0:36:47	0:36:51
# When I see her runnin' free	0:36:51	0:36:54
# Keep your money, that's enough for me	0:36:54	0:36:58
# I don't care for drivin' Packard cars	0:37:01	0:37:04
# Or smoking long buck cigars	0:37:04	0:37:09
# No, no, not me... #	0:37:09	0:37:11
GIRLS: Whoo! # ..All I care about	0:37:11	0:37:13
# Is doin' the guy in Who's pickin' on you	0:37:13	0:37:17
# Twistin' the wrist that's turnin' the screw	0:37:17	0:37:22
# All I care about is	0:37:23	0:37:31
# Love! #	0:37:31	0:37:38
Oh. Oh, he'll see you now.	0:37:43	0:37:45
Well, hello, Andy.	0:37:49	0:37:51
- Amos. My name is Amos. - That's right. Take a seat.	0:37:51	0:37:54
You know, you're a remarkable man.	0:37:56	0:37:59
Huh? Your wife two-times you,	0:37:59	0:38:01
plugs the guy, then tries to pin it on you. Most men'd let her swing. But, no, you're sticking by her.	0:38:01	0:38:06
That makes you a hero in my eyes. That's right. I'm a hero.	0:38:06	0:38:10
- Did you bring the money? - I didn't do as well as I hoped,	0:38:10	0:38:14
but I will, Mr Flynn, I will.	0:38:14	0:38:18
This is only a thousand.	0:38:20	0:38:21
Plus there's 300 I borrowed from the guys down at the garage and then there's seven...	0:38:21	0:38:26
700 from the building and loan fund.	0:38:26	0:38:29
2,000?	0:38:29	0:38:30
And that's all I got so far, but I'll give you 20 off my salary every week.	0:38:30	0:38:36
I'll give you interest till every cent is paid.	0:38:36	0:38:38
- I promise. - Yesterday, I didn't ask you if she was guilty or innocent.	0:38:38	0:38:42
I didn't ask if she was a drunk or a dope fiend. No.	0:38:42	0:38:45
All I said was, "Do you have 5,000?" You said yes.	0:38:45	0:38:48
But you don't HAVE 5,000,	0:38:48	0:38:50
so I figure you're a dirty liar, and I don't waste my time with dirty liars.	0:38:50	0:38:55
Look...I'm real sorry, Mr Flynn.	0:38:59	0:39:03
On the other hand,	0:39:05	0:39:06
your devotion to your wife is really very, very touching.	0:39:06	0:39:10
I took your wife's case, and I'll keep it,	0:39:10	0:39:12
because I play square.	0:39:12	0:39:14
DRAWER SLAMS Now, look, Hart,	0:39:15	0:39:17
I don't like to blow my own horn, but believe me,	0:39:17	0:39:20
if Jesus Christ had lived in Chicago today,	0:39:20	0:39:23
if he had 5,000 and he'd come to me, things would have turned out differently.	0:39:23	0:39:27
Right, this is what we do.	0:39:28	0:39:30
I'm gonna have Roxie's name on the front page of every newspaper.	0:39:30	0:39:34
Sweetest little jazz killer ever to hit Chicago.	0:39:34	0:39:37
LIVELY JAZZ STARTS That's my angle.	0:39:37	0:39:39
We'll announce an auction to raise some money for her defence.	0:39:39	0:39:43
They'll buy everything she's ever touched. Everything!	0:39:43	0:39:46
BILLY: Your shoes, dresses, perfume, underwear.	0:39:46	0:39:49
ROXIE: Victrola records. Like the one I was playing when I shot the bastard.	0:39:49	0:39:53
I didn't hear that. Not that I didn't have grounds.	0:39:53	0:39:56
What are they? That's for the trial.	0:39:56	0:39:58
Look, nobody's going to care what your defence is unless they care about YOU.	0:39:58	0:40:02
So we gotta work up some sympathy from the press.	0:40:02	0:40:05
They're not all pushovers like Mary Sunshine. But one thing they can never resist	0:40:05	0:40:09
is a reformed sinner.	0:40:09	0:40:13
So tell me, what was your favourite subject in school?	0:40:13	0:40:15
Oh, I was a real dummy. There must have been something you were good at.	0:40:15	0:40:19
I got high marks in courtesy and hygiene.	0:40:19	0:40:22
- Perfect. You wanted to be a nun. - A nun!?	0:40:22	0:40:25
Where were you born? On a chicken farm outside of Lubbock.	0:40:25	0:40:28
A home of luxury and refinement. Where are your parents now?	0:40:28	0:40:32
- Probably on the front porch in their rocking chairs. - Parents dead.	0:40:32	0:40:36
Family fortune swept away, you were educated at the Sacred Heart.	0:40:36	0:40:40
You fell into a runaway marriage - left you miserable, alone, unhappy.	0:40:40	0:40:44
And of course you got all swept up in the mad whirl of the city - jazz, cabarets, liquor -	0:40:44	0:40:48
drawn like a moth to the flame.	0:40:48	0:40:50
- A moth. - Now the mad whirl	0:40:50	0:40:52
has ceased and you are a butterfly crushed on the wheel.	0:40:52	0:40:56
So, which is it? Is it the moth or the butterfly?	0:40:56	0:40:59
- You have sinned and you are sorry. - God, that's beautiful!	0:40:59	0:41:02
Cut out God. Stay where you're better acquainted.	0:41:03	0:41:07
FLYNN: Kid, when I'm through, not only will you be acquitted,	0:41:07	0:41:10
every man on that jury'll want to take you home to meet his mother.	0:41:10	0:41:14
I was born on a beautiful southern convent. What?	0:41:14	0:41:18
Oh, holy shit! I'm never gonna get this straight!	0:41:18	0:41:21
Pipe down on the swearing. You say nothing rougher than, "Oh, dear."	0:41:21	0:41:25
Now try again. I was born on a...	0:41:25	0:41:29
BILLY: Come on, come on, come on!	0:41:29	0:41:30
LIVELY JAZZ PLAYS	0:41:30	0:41:32
VELMA: I came up with some more things to do on the witness stand.	0:41:56	0:42:00
I thought I'd get all teary, then ask to borrow your handkerchief.	0:42:00	0:42:03
Then I thought I'd take a peek at the jury - flash 'em a bit of thigh.	0:42:03	0:42:07
What do you think?	0:42:07	0:42:09
Sounds great.	0:42:09	0:42:10
Don't you want to hear the rest?	0:42:16	0:42:18
Tomorrow, kiddo. You're at the top of my list.	0:42:18	0:42:21
Well, well, well, well.	0:42:21	0:42:23
Sorry to be late... Mr Flynn.	0:42:23	0:42:25
Uh-huh. Hope you weren't too bored.	0:42:25	0:42:27
BILLY: I like it.	0:42:27	0:42:29
I like it.	0:42:33	0:42:35
Hey, Pollyanna.	0:42:35	0:42:38
I heard your press conference is tomorrow.	0:42:38	0:42:41
Yeah. What's it to you?	0:42:41	0:42:42
Well, you wanted my advice, right?	0:42:42	0:42:44
Well, here it is.	0:42:44	0:42:46
Don't forget Billy Flynn's number one client is Billy Flynn.	0:42:46	0:42:50
Meaning what?	0:42:50	0:42:51
Meaning...don't let him hog the spotlight.	0:42:52	0:42:56
You're the one they pay to see.	0:42:56	0:42:59
BILLY: Remember, we can only sell them one idea at a time.	0:43:02	0:43:05
ROXIE: I still see him comin' at me with that awful look in his eyes.	0:43:05	0:43:08
And?	0:43:08	0:43:09
We both reached for the gun.	0:43:09	0:43:11
Right. You both reached for the gun. Ready?	0:43:11	0:43:14
Yeah.	0:43:15	0:43:16
REPORTERS SHOUT	0:43:17	0:43:19
Good day, gentlemen, Miss Sunshine.	0:43:24	0:43:27
My client has just entered a plea of not guilty,	0:43:27	0:43:30
and we look forward to a trial at the earliest possible date. Questions?	0:43:30	0:43:33
ALL SHOUT	0:43:33	0:43:36
Miss Sunshine.	0:43:36	0:43:38
As you know, my paper is dry.	0:43:38	0:43:40
Can you advise girls seeking to avoid a life of jazz and drink?	0:43:40	0:43:44
Absolutely. Yes. Mrs Hart feels it was	0:43:44	0:43:46
the combination of liquor and jazz which led to her downfall. Next question?	0:43:46	0:43:50
SOUTHERN ACCENT: I would just like to say how flattered I am that y'all came to see me.	0:43:50	0:43:55
Yes, Mrs Hart...	0:43:55	0:43:56
You see, I was a moth... crushed on the wheel. You know, a butterfly drawn to the...	0:43:56	0:44:01
to the... ROXIE SIGHS	0:44:01	0:44:03
I bet you wanna know why I shot the bastard.	0:44:03	0:44:06
CROWD LAUGHS Shut up, dummy.	0:44:06	0:44:09
Mr Billy Flynn and the Press Conference Rag.	0:44:10	0:44:12
Notice how his mouth never moves.	0:44:12	0:44:14
Almost.	0:44:15	0:44:16
Where'd you come from?	0:44:16	0:44:18
MAN'S VOICE: # Mississippi... #	0:44:18	0:44:20
And your parents?	0:44:20	0:44:21
# Very wealthy... #	0:44:21	0:44:23
Where are they now?	0:44:23	0:44:25
# Six feet under... #	0:44:25	0:44:27
But she was granted one more start.	0:44:27	0:44:29
# The convent of the Sacred Heart... #	0:44:29	0:44:31
ALL SHOUT	0:44:31	0:44:33
SWANEE WHISTLE	0:44:33	0:44:34
TICK! TOCK! TICK! TOCK!	0:44:34	0:44:35
CLOCKWORK WINDS	0:44:35	0:44:37
# When'd you get here?	0:44:37	0:44:39
# 1920	0:44:39	0:44:40
# How old were you?	0:44:40	0:44:42
# Don't remember	0:44:42	0:44:44
# Then what happened?	0:44:44	0:44:46
# I met Amos, and he stole my heart away	0:44:46	0:44:49
# Convinced me to elope one day... #	0:44:49	0:44:51
Poor dear! I can't believe what you've been through!	0:44:51	0:44:53
A convent girl. A runaway marriage! Now tell us, Roxie...	0:44:53	0:44:57
# Who's Fred Casely?	0:44:57	0:44:59
# My ex-boyfriend	0:44:59	0:45:01
# Why'd you shoot him?	0:45:01	0:45:03
# I was leavin'	0:45:03	0:45:04
# Was he angry?	0:45:04	0:45:06
# Like a madman	0:45:06	0:45:07
# Still I said, "Fred, move along..." #	0:45:07	0:45:09
She knew that she was doing wrong.	0:45:09	0:45:11
# ..Then describe it	0:45:11	0:45:13
# He came toward me	0:45:13	0:45:14
# With the pistol?	0:45:14	0:45:16
# From my bureau	0:45:16	0:45:18
# Did you fight him?	0:45:18	0:45:19
# Like a tiger... #	0:45:19	0:45:21
He had strength and she had none.	0:45:21	0:45:23
# ..Yet we both reached for the gun	0:45:23	0:45:24
# Oh, yes, oh, yes, oh, yes, we both, oh, yes, we both	0:45:24	0:45:27
# Oh, yes, we both reached for the gun, the gun, the gun, the gun	0:45:27	0:45:30
# Oh, yes, we both reached for the gun, for the gun	0:45:30	0:45:32
# Oh, yes, oh, yes, oh, yes, they both	0:45:32	0:45:34
# They both, oh, yes, they both reached for the gun, the gun	0:45:34	0:45:36
# The gun, oh, yes, they both reached for the gun, for the gun	0:45:36	0:45:39
# Understandable	0:45:39	0:45:41
# Understandable	0:45:41	0:45:44
# Yes, it's perfectly understandable	0:45:44	0:45:48
# Comprehensible, comprehensible	0:45:48	0:45:52
# Not a bit reprehensible	0:45:52	0:45:55
# It's so defensible	0:45:55	0:46:01
# How ya feelin'?	0:46:02	0:46:04
# Very frightened	0:46:04	0:46:05
# Are you sorry...? #	0:46:05	0:46:07
Are you kidding?	0:46:07	0:46:09
# ..That's your statement?	0:46:09	0:46:11
# All I'd say is	0:46:11	0:46:12
# Though my choo-choo jumped the track I'd give my life to bring him back	0:46:12	0:46:15
-# And? -Stay away from	0:46:15	0:46:17
-# What? -Jazz and liquor	0:46:17	0:46:19
-# And? -And the men who	0:46:19	0:46:20
-# What? -Play for fun	0:46:20	0:46:22
-# And what? -That's the thought that	0:46:22	0:46:24
-# Yeah? -Came upon me	0:46:24	0:46:26
-# When...? # -When we both reached for the gun!	0:46:26	0:46:29
# Understandable	0:46:29	0:46:31
# Understandable	0:46:31	0:46:33
# Yes, it's perfectly understandable	0:46:33	0:46:37
# Comprehensible, comprehensible	0:46:37	0:46:42
# Not a bit reprehensible	0:46:42	0:46:45
# It's so defensible... #	0:46:45	0:46:52
TING!	0:46:52	0:46:53
# Oh, yes, oh, yes, oh, yes, they both	0:46:53	0:46:59
# Oh, yes, they both, oh, yes, they both reached for... #	0:46:59	0:47:03
Let me hear it.	0:47:03	0:47:04
# The gun, the gun, the gun, the gun	0:47:04	0:47:05
# Oh, yes, they both reached for the gun, for the gun... #	0:47:05	0:47:08
Louder.	0:47:08	0:47:09
# Oh, yes, oh, yes, oh, yes, they both	0:47:09	0:47:12
# Oh, yes, they both, oh, yes, they both... #	0:47:12	0:47:13
Oh, yeah!	0:47:13	0:47:14
# The gun, the gun, the gun, oh, yes, they both	0:47:14	0:47:16
# Reached for the gun, for the gun. # Now you got it!	0:47:16	0:47:19
# Oh, yes, oh, yes, oh, yes, they both, oh, yes, they both	0:47:19	0:47:23
# Reached for the gun, the gun, the gun, the gun, oh, yes, they both	0:47:23	0:47:25
# Reached for the gun, for the gun	0:47:25	0:47:28
# Oh, yes, oh, yes, oh, yes, they both, oh, yes, they both	0:47:28	0:47:30
# Oh, yes, they both reached for the gun, the gun, the gun	0:47:30	0:47:33
# The gun, the gun, the gun, the gun, the gun	0:47:33	0:47:35
# The gun, the gun, the gun, the gun, the gun, the gun, the gun, the gun	0:47:35	0:47:38
# Both reached for the...	0:47:38	0:47:45
# Gun...	0:47:45	0:47:50
The gun, the gun, the gun, the gun, the gun, the gun, the gun, the gun	0:47:47	0:47:50
-# Gun... -The gun, the gun, the gun, the gun, the gun, the gun, the gun, the gun	0:47:50	0:47:53
# Both reached for the gun! #	0:47:53	0:47:55
NEWSREEL: 'Move over, Al Capone. The Windy City has taken a new criminal to its heart.	0:47:59	0:48:04
'Roxie Hart is the sweetest little lady ever accused of murder in Chicago.	0:48:04	0:48:09
'Women want to look like her. Fellas want to go out with her.	0:48:09	0:48:13
'Some little girls even want to take her home. Don't get any ideas, little lady!	0:48:13	0:48:17
'On the other side of town, the assistant DA promises	0:48:17	0:48:20
'the game little sharpshooter will swing before the year is out.	0:48:20	0:48:24
'If he lives up to his word, assistant DA Harrison might become Governor Harrison someday.	0:48:24	0:48:30
'Back at the scene of the crime, everybody wants a little piece of Roxie Hart.	0:48:30	0:48:35
'This jar of cold cream set her husband back 20!	0:48:35	0:48:38
'Maybe this pretty little lady will get some of that famous Roxie style.	0:48:38	0:48:42
'It seems everybody these days is rooting for Roxie Hart.'	0:48:42	0:48:47
MAMA: Take those wiltin' flowers over to the orphanage.	0:48:50	0:48:53
So, kiddo...	0:48:55	0:48:57
given any thought to what you wanna do after Billy gets you off?	0:48:57	0:49:00
Yeah. I think I'd like to go on the stage.	0:49:00	0:49:02
I figured as much. I already called the Morris office.	0:49:02	0:49:05
Really? How much is that gonna cost me?	0:49:05	0:49:09
My standard deal. 10% of all your takings.	0:49:09	0:49:12
Yeah, well, we'll see, Mama. Besides,	0:49:12	0:49:15
I don't even have an act yet.	0:49:15	0:49:16
Killing Fred Casely WAS your act.	0:49:16	0:49:19
All the audience want is to see somebody famous.	0:49:19	0:49:21
That's a freak act.	0:49:21	0:49:23
And besides...	0:49:23	0:49:25
-I -am better than that. Of course you are, cupcake.	0:49:25	0:49:28
I mean, you could be as big as Sophie Tucker.	0:49:28	0:49:31
You really think so? Bigger than Cantor and Jolson combined.	0:49:31	0:49:35
I always wanted to have my name in all the papers.	0:49:35	0:49:38
You know, before I met Amos, I used to date this well-to-do, ugly bootlegger.	0:49:38	0:49:43
He used to like to take me out and show me off.	0:49:43	0:49:45
Ugly guys like to do that.	0:49:45	0:49:47
AN AUDIENCE LAUGHS	0:49:47	0:49:50
ROXIE: Once it said in the paper, "Gangland's Al Capelli seen at Chez Vito	0:49:50	0:49:55
"with cute blonde chorine."	0:49:55	0:49:57
That was me.	0:49:57	0:49:58
I clipped it and I saved it.	0:49:58	0:50:01
You know, all my life, I wanted to have my own act.	0:50:01	0:50:06
But, no.	0:50:06	0:50:07
No, no, no, no. It was always no. They always turned me down.	0:50:07	0:50:11
One big world full of "no".	0:50:11	0:50:13
SULTRY, VAMPING INTRO	0:50:13	0:50:16
And then Amos came along. AUDIENCE: Ah!	0:50:16	0:50:19
Safe, sweet Amos...	0:50:19	0:50:22
..who never says no.	0:50:24	0:50:26
MUTED TRUMPET PLAYS Oh, lookit...	0:50:27	0:50:30
I've never done this before.	0:50:30	0:50:33
But, you know, it is such a special night,	0:50:33	0:50:36
and you are such a great audience. APPLAUSE AND CHEERING	0:50:36	0:50:39
And...	0:50:39	0:50:40
and I just... I really feel like I can...	0:50:40	0:50:43
I can talk to you, you know?	0:50:43	0:50:45
So forget what you've read in the papers,	0:50:46	0:50:48
and forget what you've heard on the radio, because...because...	0:50:48	0:50:52
well, because I'm gonna tell you the truth.	0:50:52	0:50:55
Not that the truth really matters...	0:50:55	0:50:58
LAUGHTER	0:50:58	0:50:59
But I'm gonna tell you, anyway.	0:50:59	0:51:02
SULTRY VAMP CONTINUES In the bed department...	0:51:02	0:51:05
..Amos was...	0:51:06	0:51:08
..zero.	0:51:09	0:51:10
LAUGHTER I mean, when he made love to me,	0:51:10	0:51:14
it was like...it was like he was fixin' a carburettor or somethin'.	0:51:14	0:51:18
LOW, SHAKY VOICE: "I love ya, honey. I love ya."	0:51:18	0:51:21
LAUGHTER	0:51:21	0:51:23
Anyway... I started foolin' around.	0:51:23	0:51:26
Then I started screwin' around,	0:51:27	0:51:29
which is foolin' around without dinner.	0:51:29	0:51:32
RIM SHOT	0:51:32	0:51:34
LAUGHTER Then I met Fred Casely, who said that he could get me into vaudeville.	0:51:34	0:51:39
But that didn't quite work out like I planned.	0:51:40	0:51:43
It didn't really work out too great for Fred, either.	0:51:44	0:51:47
So I gave up on the whole vaudeville idea,	0:51:48	0:51:51
cos you kinda figure, after all those years...	0:51:51	0:51:54
opportunity's just passed you by.	0:51:54	0:51:57
# But it ain't	0:51:57	0:51:59
# Oh, no, no, no, no	0:51:59	0:52:00
# Well, it ain't... #	0:52:00	0:52:02
And now?	0:52:02	0:52:04
Well, if this Flynn guy gets me off,	0:52:04	0:52:07
with all this publicity,	0:52:07	0:52:09
I got me a world full of "YES"!	0:52:09	0:52:12
# The name on everybody's lips	0:52:12	0:52:16
# Is gonna be Roxie	0:52:16	0:52:18
# The lady rakin' in the chips	0:52:19	0:52:23
# Is gonna be Roxie	0:52:23	0:52:25
# I'm gonna be a celebrity	0:52:26	0:52:28
# That means somebody everyone knows	0:52:28	0:52:32
# They're gonna recognise my eyes	0:52:33	0:52:35
# My hair, my teeth, my boobs, my nose	0:52:35	0:52:39
# From just some dumb mechanic's wife	0:52:43	0:52:47
# I'm gonna be Roxie	0:52:47	0:52:50
# Who says that murder's not an art?	0:52:50	0:52:57
# And who, in case she doesn't hang	0:52:57	0:53:00
# Can say she started with a bang?	0:53:00	0:53:04
# Roxie Hart... #	0:53:06	0:53:09
JAZZY HORN INTERLUDE	0:53:13	0:53:18
Boys...	0:53:26	0:53:28
# They're gonna wait outside in line	0:53:29	0:53:32
# To get to see Roxie	0:53:32	0:53:35
# Think of those autographs I'll sign, "Good luck to ya	0:53:36	0:53:41
# "Roxie"	0:53:41	0:53:42
# And I'll appear in a lavaliere	0:53:43	0:53:45
# That goes all the way down to my waist	0:53:45	0:53:48
# Here a ring, there a ring Everywhere a ring-a-ling	0:53:49	0:53:52
# But always in the best of taste... #	0:53:52	0:53:56
Mmm... I'm a star!	0:53:57	0:54:01
And the audience loves me,	0:54:01	0:54:04
and I love them.	0:54:04	0:54:06
And they love me for lovin' them, and I love them for lovin' me.	0:54:07	0:54:12
And we love each other.	0:54:12	0:54:15
And that's cos none of us got enough love in our childhoods.	0:54:15	0:54:20
And that's showbiz...	0:54:20	0:54:23
kid.	0:54:23	0:54:24
UP-TEMPO JAZZY HORNS PLAY	0:54:24	0:54:26
# She's givin' up her humdrum life	0:54:26	0:54:30
# I'm gonna be... #	0:54:30	0:54:31
Sing it! # ..Roxie	0:54:31	0:54:33
# She made a scandal and a start	0:54:33	0:54:39
# And Sophie Tucker'll shit, I know	0:54:39	0:54:43
# To see her name get billed below	0:54:43	0:54:47
# Roxie Hart!	0:54:48	0:54:51
(Roxie)	0:54:50	0:54:51
# Roxie Hart!	0:54:51	0:54:53
(Roxie)	0:54:53	0:54:55
(Roxie)	0:54:57	0:54:59
(Roxie)	0:55:00	0:55:03
(Rox...ie)	0:55:03	0:55:05
(Roxie...)	0:55:07	0:55:10
(Roxie.)	0:55:10	0:55:13
I can't take it any more! Everyone's talking about that dumb tomato!	0:55:18	0:55:22
Oh, no, Mama. Not you, too.	0:55:24	0:55:28
I have some bad news, kid. The tour's been cancelled.	0:55:28	0:55:31
What? Your name's been out of the papers too long.	0:55:31	0:55:34
All you read about today is that Hart kid. She's hot.	0:55:34	0:55:38
And, er...what am I supposed to do, huh?	0:55:39	0:55:42
Suck up to her like everybody else?	0:55:42	0:55:45
- It couldn't hurt. - Over my dead body.	0:55:45	0:55:49
Mind if I join you?	0:55:49	0:55:51
GUARD OVER TANNOY: Lights out in ten minutes.	0:55:52	0:55:55
Smoke?	0:55:55	0:55:56
Look what some Johnny sent me.	0:55:59	0:56:01
Triple cream caramels, all the way from San Francisco.	0:56:01	0:56:06
Oh, I'm watching my figure.	0:56:06	0:56:08
You know, the trial.	0:56:08	0:56:10
Hey, great mention of you in the Trib today, huh?	0:56:13	0:56:16
You know, there have been so many, I just can't keep track.	0:56:16	0:56:20
Hey, did I ever tell you, you are exactly the same size as my sister?	0:56:22	0:56:25
You'd fit into her costumes perfectly.	0:56:25	0:56:28
Really(?) Yeah.	0:56:28	0:56:30
And I was thinking, with all the publicity that's piled up between us,	0:56:30	0:56:34
and when Billy gets us off, we'd be a natural to do an act together.	0:56:34	0:56:38
You think so, huh?	0:56:38	0:56:39
BANDLEADER OVER TANNOY: Ladies and gentlemen,	0:56:40	0:56:44
Miss Velma Kelly, in an act of desperation.	0:56:44	0:56:50
# My sister and I had an act that couldn't flop	0:56:50	0:56:53
# My sister and I were headed straight for the top	0:56:54	0:56:58
# My sister and I earned a thou a week, at least	0:56:59	0:57:03
# Oh, yeah	0:57:03	0:57:04
# But my sister is now, unfortunately, deceased	0:57:04	0:57:08
# I know it's sad, of course, but a fact is still a fact	0:57:09	0:57:14
# And now all that remains is the remains	0:57:15	0:57:19
# Of a perfect	0:57:19	0:57:21
# Double act... #	0:57:22	0:57:24
Watch this.	0:57:26	0:57:27
Now, you have to imagine it with two people.	0:57:27	0:57:30
It's swell with two people. # First, I'd... #	0:57:30	0:57:33
UPBEAT JAZZ PLAYS	0:57:33	0:57:36
# ..Then she'd... #	0:57:36	0:57:37
TORRID MUSIC	0:57:37	0:57:40
# ..Then we'd... #	0:57:40	0:57:41
UPBEAT JAZZ	0:57:41	0:57:43
# ..But I can't do it alone	0:57:44	0:57:46
# Then she'd...	0:57:46	0:57:47
BOUNCY MUSIC	0:57:47	0:57:49
# ..Then I'd... #	0:57:50	0:57:51
BOUNCY MUSIC	0:57:51	0:57:53
# ..Then we'd... #	0:57:54	0:57:55
SWIRLING MUSIC	0:57:55	0:57:57
# ..But I can't do it alone	0:57:58	0:58:00
# She'd say, "What's your sister like?"	0:58:00	0:58:03
# I'd say, "Men"	0:58:03	0:58:04
# She'd say, "You're the cat's meow"	0:58:05	0:58:08
# Then we'd wow the crowd again, when she'd go... #	0:58:08	0:58:12
EXOTIC MUSIC	0:58:12	0:58:14
# ..I'd go... #	0:58:14	0:58:16
EXOTIC MUSIC	0:58:16	0:58:17
# ..We'd go... #	0:58:17	0:58:19
EXOTIC MUSIC	0:58:19	0:58:22
# ..Then those ding-dong daddies started to roar	0:58:24	0:58:27
# Whistled, stomped, and stamped on the floor	0:58:27	0:58:30
# Yelling, screamin', beggin' for more	0:58:30	0:58:33
# And we'd say, "OK, fellas, keep your socks up	0:58:33	0:58:36
# "Cos you ain't seen nothin' yet..." #	0:58:36	0:58:38
DRUMBEATS	0:58:38	0:58:40
UPBEAT JAZZ	0:58:40	0:58:42
# ..But I simply cannot do it	0:58:47	0:58:50
# Alone. #	0:58:50	0:58:53
So what do you think, huh?	0:58:53	0:58:55
Come on, you can say.	0:58:55	0:58:57
BLOWS RASPBERRY	0:59:00	0:59:02
I know, you're right, the first part's shit.	0:59:02	0:59:04
But the second part, the second part	0:59:04	0:59:07
is really nifty.	0:59:07	0:59:09
OK.	0:59:09	0:59:11
# She'd go...	0:59:11	0:59:12
# I'd go...	0:59:17	0:59:19
# We'd go...	0:59:23	0:59:26
# And then those two-bit Johnnies did it up brown	0:59:35	0:59:39
# To cheer the best attraction in town	0:59:39	0:59:41
# They nearly tore the balcony down... #	0:59:41	0:59:44
And we'd say, "OK boys, we're going home,	0:59:44	0:59:47
"but before we go, here's a few more partin' shots!"	0:59:47	0:59:51
And this, this we did in perfect unison.	0:59:51	0:59:54
DRUMBEATS	0:59:54	0:59:55
LIVELY MUSIC	0:59:55	0:59:58
# Now you've seen me goin' through it	1:00:02	1:00:05
# You may think there's nothin' to it	1:00:05	1:00:08
# But I simply cannot do it	1:00:08	1:00:13
# Alone! #	1:00:13	1:00:18
So where was the part where you blew her brains out?	1:00:20	1:00:23
OK, Roxie, I'll level with you...	1:00:23	1:00:26
Oh, no, no, no. Don't bother.	1:00:26	1:00:28
You think you're foolin' me?	1:00:28	1:00:29
You're all washed up, and it's me they want now.	1:00:29	1:00:32
And I'm a BIG star...	1:00:32	1:00:35
single.	1:00:35	1:00:37
Oh, I almost forgot. You were in the paper today, too.	1:00:37	1:00:40
In the back,	1:00:40	1:00:42
with the obituaries.	1:00:42	1:00:44
"Velma Kelly's trial has been postponed...	1:00:44	1:00:47
"indefinitely."	1:00:47	1:00:48
Aw(!)	1:00:48	1:00:49
Seven words. Wow!	1:00:51	1:00:53
Oh...	1:00:54	1:00:56
and here's a little piece of advice,	1:00:56	1:00:58
direct from me to you.	1:00:58	1:01:01
Lay off the caramels.	1:01:01	1:01:03
SOULFUL MUSIC PLAYS	1:01:04	1:01:09
BANDLEADER: And now, for all you Chicago stay-up-laters,	1:01:12	1:01:15
you night owls who only come alive after dark,	1:01:15	1:01:19
we dedicate this tune -	1:01:19	1:01:22
Chicago After Midnight.	1:01:22	1:01:25
ROMANTIC BIG BAND MUSIC PLAYS	1:01:25	1:01:28
BILLY: ...Now, this, er...this all took place on Lake Shore Drive?	1:01:30	1:01:34
Incredible! Incredible!	1:01:34	1:01:36
All right, yeah. ..Thanks, Tom.	1:01:37	1:01:39
Yeah, this, er... They just arrested this woman for a triple homicide.	1:01:40	1:01:44
Really? Yeah, but get this - she's an heiress!	1:01:44	1:01:47
Yeah, yeah. No, the family's in, er...	1:01:47	1:01:50
What is it? Pineapples? Grapefruit? Some kind of fruit. I dunno.	1:01:50	1:01:53
So, anyway, this dame, er... Kitty something,	1:01:53	1:01:56
'she's, er...she's playing house on the North Side in an apartment with a guy named Harry.	1:01:56	1:02:00
'What Harry does for a living, no-one knows. Anyway, she's footing all the bills.	1:02:00	1:02:05
'Kitty comes home tonight, Harry's in bed, which is par for the course.	1:02:05	1:02:09
'She goes to change.	1:02:09	1:02:11
'When she returns, she notices something...rather odd.	1:02:11	1:02:15
'Extremely odd.	1:02:18	1:02:19
'Kitty disappears for a second, cool as a cucumber.	1:02:24	1:02:27
'When she returns, she gently wakes up Harry.'	1:02:27	1:02:31
DINERS LAUGH	1:02:31	1:02:33
So he says, "What? I'm alone."	1:02:33	1:02:34
She says, "Alone?! You got two other women in bed with you."	1:02:34	1:02:38
'So get this - Harry's... He says, "Come on, doll.'	1:02:38	1:02:42
"Are you gonna believe what you see or what I tell you?"	1:02:42	1:02:45
Good night, folks.	1:02:55	1:02:57
CROWD CLAMOURS	1:02:57	1:03:00
Sunshine from the Evening Star. >	1:03:04	1:03:07
Would you say a word or two?	1:03:07	1:03:09
Sure, I'll say three. Go to hell!	1:03:09	1:03:12
Direct your questions to her counsel.	1:03:12	1:03:14
You're not my counsel and I want my money back.	1:03:14	1:03:17
It's not your money. It's your mother's.	1:03:17	1:03:19
SUNSHINE: Are you sorry?	1:03:19	1:03:20
Sure I'm sorry. Sorry I got caught.	1:03:20	1:03:23
ROXIE: Oh, hey, Miss Sunshine.	1:03:23	1:03:25
Not now, Roxie. I got a letter from a guy.	1:03:25	1:03:27
He's going on a hunger strike until I'm freed.	1:03:27	1:03:30
That's nice, dear.	1:03:30	1:03:31
REPORTER: Miss Baxter, did you know these two ladies personally?	1:03:31	1:03:35
Did I know them personally? Was that your question?	1:03:36	1:03:39
Yeah, that's my que...	1:03:39	1:03:41
High-spirited, isn't she?	1:03:43	1:03:45
Miss Baxter...	1:03:45	1:03:46
Oh, hey! Mr Flynn!	1:03:46	1:03:48
Mr Flynn! Yeah, hi, Trixie.	1:03:48	1:03:50
It's Roxie. Yeah, just kidding.	1:03:50	1:03:52
Did you get my trial date yet?	1:03:52	1:03:54
- Listen, kid... - Yeah. I'm top of your list, right?	1:03:54	1:03:58
Go to hell!	1:03:58	1:03:59
Boy, what a hellion, huh?	1:03:59	1:04:01
A socialite, too. Her mother owns all the pineapples in Hawaii.	1:04:01	1:04:05
What do I care about pineapples? Listen... OK, OK!	1:04:05	1:04:08
Hey! Hey!	1:04:08	1:04:09
All right! Miss Baxter will answer all of your questions,	1:04:09	1:04:12
then I'll be happy to give you an interview myself.	1:04:12	1:04:15
REPORTERS SHOUT	1:04:15	1:04:18
CHORUS BOYS, BREATHILY: Roxie.	1:04:18	1:04:21
VELMA: How's it feel, kid?	1:04:21	1:04:23
J Edgar Hoover couldn't find your name in the papers.	1:04:23	1:04:26
REPORTERS CONTINUE TO SHOUT	1:04:28	1:04:30
Mr Flynn?	1:04:33	1:04:35
BILLY: Open this door immediately! SUNSHINE: Roxie!	1:04:36	1:04:39
What is it, dear?	1:04:39	1:04:40
No, oh... Oh, no, no, no, don't... don't worry about me.	1:04:43	1:04:47
Oh, I only hope the fall didn't hurt the baby.	1:04:47	1:04:51
Baby?!	1:04:51	1:04:52
Shit!	1:04:52	1:04:54
What?	1:04:54	1:04:55
REPORTERS SHOUT	1:04:55	1:04:58
Roxie, when did this happen, darling?	1:04:59	1:05:02
SIREN WAILS	1:05:12	1:05:15
Well, doc, is she or isn't she?	1:05:22	1:05:24
She is.	1:05:24	1:05:26
HE SIGHS	1:05:26	1:05:28
Would you swear to that statement in court?	1:05:28	1:05:31
Yes.	1:05:31	1:05:33
Good. Button your fly.	1:05:33	1:05:35
REPORTERS SHOUT	1:05:39	1:05:42
I would... I would just like to say that,	1:05:47	1:05:49
well, my own life doesn't matter now, just that of my unborn child.	1:05:49	1:05:54
SUNSHINE: You poor dear! To have your baby born in jail!	1:05:54	1:05:57
My readers won't allow it.	1:05:57	1:05:59
That won't happen. She'll come to trial as soon as possible. You can quote me.	1:05:59	1:06:03
I think it's sweet. First time we ever had one of our girls knocked up.	1:06:03	1:06:06
MAN: When's the baby due?	1:06:06	1:06:08
Roxie!	1:06:08	1:06:09
- Hey, Roxie! - Roxie, I just heard the good news!	1:06:09	1:06:14
- I'm the father! I'm the father! - Hey, Roxie, who's the father?	1:06:14	1:06:18
That question is completely out of line. How dare you insult this brave young woman? That's enough.	1:06:18	1:06:24
CLAMOUR	1:06:24	1:06:25
AMOS: Roxie! Roxie, honey!	1:06:25	1:06:27
It's me - Daddy! It's Daddy!	1:06:27	1:06:31
Roxie, I came as soon as I could!	1:06:32	1:06:35
Rox?	1:06:37	1:06:38
AMOS: If someone stood up in a crowd	1:06:48	1:06:50
And raised his voice up way out loud	1:06:50	1:06:53
And waved his arm and shook his leg	1:06:53	1:06:55
# You'd notice him... #	1:06:55	1:06:58
If someone in the movie show	1:06:59	1:07:01
Yelled, "Fire in the second row!	1:07:01	1:07:04
"This whole place is a powder keg!"	1:07:04	1:07:07
# You'd notice him	1:07:07	1:07:09
# And even without clucking like a hen	1:07:10	1:07:13
# Everyone gets noticed now and then	1:07:14	1:07:18
# Unless, of course, that personage should be	1:07:19	1:07:22
# Invisible	1:07:23	1:07:26
# Inconsequential	1:07:26	1:07:28
# Me... #	1:07:29	1:07:33
CYMBAL CLASHES LIGHTLY	1:07:33	1:07:35
# Cellophane	1:07:35	1:07:37
# Mister	1:07:37	1:07:38
# Cellophane	1:07:38	1:07:40
# Shoulda been my name	1:07:40	1:07:43
# Mister	1:07:43	1:07:44
# Cellophane	1:07:44	1:07:46
# Cos you can look right through me	1:07:46	1:07:49
# Walk right by me	1:07:49	1:07:52
# And never know I'm there	1:07:52	1:07:55
# I tell ya	1:07:55	1:07:57
# Cellophane	1:07:57	1:08:00
# Mister	1:08:00	1:08:00
# Cellophane	1:08:00	1:08:02
# Shoulda	1:08:02	1:08:03
# Been my name	1:08:03	1:08:05
# Mister	1:08:05	1:08:06
# Cellophane	1:08:06	1:08:08
# Cos you can look right through me	1:08:08	1:08:11
# Walk right by me	1:08:11	1:08:14
# And never know I'm there. #	1:08:15	1:08:19
FLYNN: Oh, I didn't see you.	1:08:19	1:08:21
Sit down. Sit down.	1:08:21	1:08:23
Look, Andy,	1:08:24	1:08:26
I'm afraid I gotta hit you hard and I can only hope that you'll be big about it.	1:08:26	1:08:30
Amos. My name is Amos.	1:08:30	1:08:32
Who said it wasn't?	1:08:32	1:08:33
Oh, it was the kid's name I was thinking about.	1:08:33	1:08:36
Yeah.	1:08:36	1:08:37
You know when she's due? September.	1:08:37	1:08:40
Oh, but pass out those cigars anyway. I don't want you to give a damn when people...	1:08:40	1:08:45
When people what?	1:08:45	1:08:46
HE SIGHS Laugh.	1:08:46	1:08:48
Laugh? Why would they laugh? Cos they can count.	1:08:48	1:08:51
Can YOU count? September.	1:08:51	1:08:54
Here's a copy of...Roxie's first statement from the DA's office.	1:08:57	1:09:01
It says she hadn't copulated with you for four months. Well, she would know.	1:09:01	1:09:06
Yeah, I guess we hadn't done no copulating since...	1:09:06	1:09:10
Wait a minute.	1:09:11	1:09:13
That don't figure out right. I...I couldn't be the father.	1:09:13	1:09:17
Forget about it. She needs your support.	1:09:17	1:09:19
You mean she needs a meal ticket.	1:09:19	1:09:21
That's all I've ever been,	1:09:21	1:09:23
but this time she's gone too far. What are you going to do?	1:09:23	1:09:26
- Divorce her? - Damn right! I'll divorce her!	1:09:26	1:09:30
She probably won't even notice. PHONE BUZZES	1:09:32	1:09:35
Yeah. ..Yeah. Put him through.	1:09:38	1:09:41
# ..A human being's made of more than air	1:09:42	1:09:46
# With all that bulk, you're bound to see him there	1:09:46	1:09:50
# Unless that human being next to you	1:09:50	1:09:53
# Is unimpressive	1:09:55	1:09:57
# Undistinguished	1:09:57	1:09:59
# You	1:09:59	1:10:00
# Know	1:10:01	1:10:02
# Who... #	1:10:03	1:10:05
You still here, Andy?	1:10:05	1:10:07
Yeah, I'm still here...	1:10:07	1:10:09
..I think.	1:10:10	1:10:11
# ..Shoulda been my name	1:10:13	1:10:15
# Mister	1:10:15	1:10:16
# Cellophane	1:10:16	1:10:18
# Cos you can	1:10:18	1:10:19
# Look right through me	1:10:19	1:10:22
# Walk right by me	1:10:22	1:10:25
# And never know I'm there	1:10:25	1:10:28
# I tell ya	1:10:28	1:10:31
# Cellophane	1:10:31	1:10:33
# Mister Cellophane	1:10:33	1:10:35
# Shoulda	1:10:35	1:10:36
# Been my name	1:10:36	1:10:38
# Mister	1:10:38	1:10:39
# Cellophane	1:10:39	1:10:40
# Cos you can	1:10:40	1:10:41
# Look right through me	1:10:41	1:10:44
# Walk right by me	1:10:44	1:10:47
# And never know I'm there	1:10:47	1:10:52
# Never even	1:10:52	1:10:55
# Know	1:10:55	1:11:00
# I'm there. #	1:11:02	1:11:06
Hope I didn't take up too much of your time.	1:11:10	1:11:13
I've been waiting here for ten minutes. Don't do that again.	1:11:16	1:11:20
This dress makes me look like a Woolworth's lampshade. I'm not wearing this.	1:11:20	1:11:24
You're wearing it.	1:11:24	1:11:25
- I'm not. - And when Andy's on the stand, knit.	1:11:25	1:11:28
Knit?! Oh, for chrissakes!	1:11:28	1:11:30
- A baby garment. - I can't knit.	1:11:30	1:11:32
- Then learn. - That is no way to win a jury's sympathy.	1:11:32	1:11:36
- You don't need advice now? - Lookit here, Mr Mouthpiece.	1:11:36	1:11:39
It seems to me that I am the one who's coming up with the good ideas.	1:11:39	1:11:43
I am sick of being told what to do.	1:11:43	1:11:46
And you treat me like dirt, you know that?	1:11:46	1:11:48
You treat me like I'm some dumb, common criminal.	1:11:48	1:11:50
But you ARE some dumb, common criminal.	1:11:50	1:11:53
Well, that's better than being a greasy, Mick lawyer.	1:11:53	1:11:56
- Who happens to be saving your ass! - Who's out for all he can steal!	1:11:56	1:11:59
Maybe you'd like to appear in court without me.	1:11:59	1:12:02
Maybe I could. Have you read the papers? They love me.	1:12:02	1:12:05
Wise up! They'd love you more if you were hanged. It'd sell more papers.	1:12:05	1:12:09
You're fired!	1:12:09	1:12:11
I quit.	1:12:11	1:12:12
Any lawyer in this town would die to have my case.	1:12:12	1:12:15
You are a phoney celebrity, a flash in the pan. In a couple of weeks,	1:12:15	1:12:20
no-one's gonna give a shit about you. That's Chicago.	1:12:20	1:12:24
WOMAN WAILS	1:12:27	1:12:30
What happened?	1:12:33	1:12:35
It's the Hunyak. She lost her last appeal.	1:12:35	1:12:38
So what's that mean?	1:12:38	1:12:40
Well, that means that, next week,	1:12:40	1:12:43
she's gonna...	1:12:43	1:12:45
VIOLIN PLAYS MOURNFUL MELODY	1:12:50	1:12:53
This is Mary Sunshine coming to you from the Cook County jail,	1:12:57	1:13:01
where history will be made today. Katalin Halenscki	1:13:01	1:13:05
'will become the first woman in the state of Illinois to be executed.	1:13:05	1:13:10
'And so, ladies and gentlemen...'	1:13:10	1:13:12
BANDLEADER: And now, ladies and gentlemen,	1:13:12	1:13:15
we proudly present Katalin Halenscki and her famous Hungarian disappearing act.	1:13:15	1:13:21
DRUM ROLL AND CYMBAL CLASH	1:13:21	1:13:24
DRUM ROLL CONTINUES	1:13:24	1:13:27
DRUM ROLL CONTINUES	1:13:35	1:13:38
DRUM ROLL CONTINUES	1:13:49	1:13:53
DRUM ROLL CONTINUES	1:14:07	1:14:10
CHEERS AND APPLAUSE BEGIN TO FADE	1:14:40	1:14:43
You know, it's really not that bad.	1:14:54	1:14:57
You clear about everything we agreed on?	1:14:57	1:15:00
Yep. I been up all night rehearsing.	1:15:00	1:15:02
What do you do when Harrison comes after you? Look straight ahead.	1:15:02	1:15:06
Never at the jury. And?	1:15:06	1:15:08
And I look modest. And?	1:15:08	1:15:11
And...	1:15:11	1:15:12
And say nothing. That was the deal, right?	1:15:12	1:15:15
Right. You asked me back. I do all the talking.	1:15:15	1:15:18
Absolutely, Billy. Whatever you say.	1:15:18	1:15:20
BAILIFF: Mr Flynn... His honour is here.	1:15:20	1:15:23
Thank you.	1:15:23	1:15:24
You ready?	1:15:25	1:15:26
Yeah.	1:15:27	1:15:29
Billy? Hmm?	1:15:31	1:15:34
I'm scared.	1:15:35	1:15:37
Ah, don't be.	1:15:39	1:15:40
I've been around a long time -	1:15:40	1:15:42
believe me, you got nothin' to worry about.	1:15:42	1:15:45
It's...	1:15:45	1:15:47
It's all a circus, a three-ring circus.	1:15:47	1:15:51
These trials... the whole world, it's...	1:15:51	1:15:55
it's all show business.	1:15:55	1:15:57
LIGHT MELODY BEGINS But, kid...	1:15:57	1:16:00
you're working with a star.	1:16:00	1:16:03
# Give 'em the old razzle-dazzle	1:16:09	1:16:13
# Razzle-dazzle 'em	1:16:13	1:16:16
# Give 'em an act with lots of flash in it	1:16:17	1:16:21
# And the reaction will be passionate	1:16:21	1:16:24
# Give 'em the old hocus-pocus	1:16:24	1:16:28
# Bead and feather 'em	1:16:28	1:16:32
# How can they see with sequins in their eyes?	1:16:32	1:16:38
# What if your hinges all are rusting?	1:16:39	1:16:43
# What if, in fact, you're just disgusting?	1:16:43	1:16:47
# Razzle-dazzle 'em	1:16:47	1:16:49
# And they'll never catch wise... #	1:16:49	1:16:53
REPORTERS SHOUT QUESTIONS	1:16:53	1:16:56
# Give 'em the old razzle-dazzle	1:17:06	1:17:10
# Razzle-dazzle 'em	1:17:10	1:17:13
# Give 'em a show that's so splendiferous	1:17:13	1:17:17
# Row after row will grow vociferous	1:17:17	1:17:21
# Give 'em the old flim-flam flummox	1:17:21	1:17:25
# Fool and fracture 'em... # SHE GIGGLES	1:17:25	1:17:28
# How can they hear the truth above the roar?	1:17:28	1:17:34
BACKING: # Roar, roar, roar	1:17:34	1:17:36
# Throw 'em a fake and a finagle	1:17:36	1:17:40
# They'll never know you're just a bagel	1:17:40	1:17:44
# Razzle-dazzle 'em	1:17:44	1:17:46
# And they'll beg you for more... #	1:17:46	1:17:51
I object! Sustained.	1:17:51	1:17:53
Your honour, I haven't even asked a question yet!	1:17:53	1:17:56
BELL TINGS	1:17:56	1:17:58
PERCUSSION TAPS	1:17:59	1:18:02
# Give 'em the old double whammy	1:18:06	1:18:10
# Daze and dizzy 'em	1:18:10	1:18:13
# Back since the days of old Methusaleh	1:18:13	1:18:17
# Everyone loves the big bambooz-a-ler	1:18:17	1:18:22
# Give 'em the old three-ring circus	1:18:22	1:18:26
# Stun and stagger 'em	1:18:26	1:18:30
# When you're in trouble go into your dance	1:18:30	1:18:36
# Though you are stiffer than a girder	1:18:36	1:18:41
# They'll let you get away	1:18:41	1:18:43
# With murder	1:18:43	1:18:45
# Razzle-dazzle 'em and you've got a romance... #	1:18:45	1:18:50
Hello, Amos.	1:18:50	1:18:52
Amos! That's right, Mr Flynn. Amos.	1:18:52	1:18:56
Amos, when did you file suit for a divorce?	1:18:56	1:18:58
A month ago.	1:18:58	1:19:00
Was there a reason for filing then? I'll say.	1:19:00	1:19:03
The newspapers said Roxie was expecting a little stranger.	1:19:03	1:19:06
That's hardly grounds for divorce, is it?	1:19:06	1:19:08
A little too much of a stranger. Oh!	1:19:08	1:19:11
By that you mean you doubted the paternity of the child.	1:19:11	1:19:14
Well, sure. Tell me something.	1:19:14	1:19:16
You share a bed with your wife? Yes, sir. Every night.	1:19:16	1:19:20
You expect us to believe that you slept next to THIS woman	1:19:20	1:19:22
every night without exercising your rights as a husband?	1:19:22	1:19:26
I could've if I wanted to. But you didn't?	1:19:26	1:19:28
No, I did. Did what?	1:19:28	1:19:30
Want to. But you didn't.	1:19:30	1:19:31
Didn't what? What you wanted!	1:19:31	1:19:32
I'm gettin' confused here.	1:19:32	1:19:34
Hey, tell me, Hart, you tell me.	1:19:34	1:19:36
Did you ever question Roxie herself?	1:19:36	1:19:38
Did you ask her if you were the father of her child?	1:19:38	1:19:41
No, sir. No, no.	1:19:41	1:19:43
If you became convinced that you were wrong,	1:19:43	1:19:45
you'd be man enough to admit it, wouldn't you?	1:19:45	1:19:47
You'd even be willing to take her back, if Roxie swore	1:19:47	1:19:50
that you were the father, which she does. She does?	1:19:50	1:19:54
She does! She does!	1:19:56	1:19:58
No more questions. You can step down now.	1:19:58	1:20:02
Well done, Andy.	1:20:02	1:20:04
Roxie, I'm so sorry. >	1:20:04	1:20:07
APPLAUSE	1:20:13	1:20:16
# Give 'em the old razzle-dazzle	1:20:19	1:20:23
# Razzle-dazzle 'em	1:20:23	1:20:26
# Show 'em the first-rate sorcerer you are	1:20:26	1:20:33
# Long as you keep 'em way off-balance	1:20:33	1:20:37
# How can they spot you got no talents?	1:20:37	1:20:41
# Razzle-dazzle 'em	1:20:41	1:20:43
# Razzle-dazzle 'em	1:20:43	1:20:45
# Razzle-dazzle 'em... # DRUMROLL	1:20:45	1:20:48
SUNSHINE: This is the moment we've been waiting for.	1:20:48	1:20:51
Roxie Hart finally takes the stand	1:20:51	1:20:53
in her own defence.	1:20:53	1:20:55
# ..And they'll make you a star! #	1:20:55	1:21:05
GAVEL POUNDS	1:21:06	1:21:09
JUDGE: Order. Order.	1:21:09	1:21:11
Proceed, Mr Flynn.	1:21:11	1:21:13
Roxie, I have here a statement in which	1:21:13	1:21:16
you admit to having illicit relations with Fred Casely.	1:21:16	1:21:19
Is this true or false? I'm afraid that's true.	1:21:19	1:21:21
You're an honest girl, Roxie.	1:21:21	1:21:23
When did you first meet Fred Casely?	1:21:23	1:21:26
When he sold Amos and me our furniture.	1:21:26	1:21:29
Your personal relationship with him, when did that begin?	1:21:29	1:21:32
When I permitted him to escort me home one night.	1:21:32	1:21:36
I don't think I would have gone with him	1:21:36	1:21:38
if Mr Hart and me hadn't quarreled that morning.	1:21:38	1:21:40
< Quarreled? Yes, sir.	1:21:40	1:21:42
I suppose it was his fault.	1:21:42	1:21:44
Oh no, sir. It was my fault.	1:21:44	1:21:46
I suppose I just couldn't stop pesterin' him.	1:21:46	1:21:49
Pestering him? About what?	1:21:49	1:21:51
I didn't like him working long hours at the garage.	1:21:51	1:21:54
I wanted him home with me	1:21:54	1:21:56
to darn his socks and iron his shirts.	1:21:56	1:21:59
I wanted a real home and a child.	1:21:59	1:22:01
So you drifted into this illicit relationship	1:22:01	1:22:04
because you were unhappy at home.	1:22:04	1:22:06
Yes. I was most unhappy.	1:22:06	1:22:09
Roxie Hart!	1:22:10	1:22:12
The State has accused you of the murder of Fred Casely.	1:22:12	1:22:15
Are you guilty or not guilty?	1:22:15	1:22:17
I'm not guilty! I'm not guilty!	1:22:17	1:22:19
I killed him, I did, but I'm not a criminal.	1:22:19	1:22:22
I'm not a criminal.	1:22:22	1:22:24
There, there.	1:22:24	1:22:25
Roxie?	1:22:25	1:22:27
Uh-huh?	1:22:27	1:22:30
Now, do you recall the night of January 14?	1:22:30	1:22:32
Uh-huh. Could you tell the jury,	1:22:32	1:22:34
in your own words, the happenings of that night?	1:22:34	1:22:37
Well...	1:22:37	1:22:40
when Fred came over, I told him my good news.	1:22:40	1:22:42
What was that?	1:22:42	1:22:44
That me and Amos were gonna have a baby.	1:22:44	1:22:47
And that it was all over between us.	1:22:47	1:22:49
What happened then? Well, then, er...	1:22:49	1:22:53
Then...	1:22:56	1:22:57
Did he threaten you, Roxie?	1:22:57	1:22:59
Objection, your honour. Counsel's leading the witness.	1:22:59	1:23:03
Sustained.	1:23:01	1:23:03
SHE CRIES	1:23:03	1:23:05
What did Casely say when you told him the news?	1:23:05	1:23:09
"I'll kill you before I see you have another man's child."	1:23:09	1:23:13
Could you tell the audience... The jury! ..what happened next?	1:23:13	1:23:17
In his passion he tore off my robe and he threw me on the bed.	1:23:17	1:23:20
And, and, and, Mr Hart's pistol was lying there between us.	1:23:20	1:23:23
And then? We both reached for the gun,	1:23:23	1:23:26
but I got it first.	1:23:26	1:23:27
And then he came toward me with this funny look in his eyes.	1:23:27	1:23:30
He was angry and wild! Wild!	1:23:30	1:23:33
Wild! Did you think he meant to kill you?	1:23:33	1:23:35
Oh, yes, sir. Yes, sir. So it was his life or yours?	1:23:35	1:23:38
And not just mine. I closed my eyes and I shot.	1:23:38	1:23:42
In defence of your life?	1:23:42	1:23:44
To save my husband's innocent unborn child!	1:23:44	1:23:48
EVERYONE GASPS	1:23:50	1:23:52
Order!	1:23:52	1:23:53
What a bull's-eye, huh?	1:23:54	1:23:57
Order in this court! Roxie!	1:23:57	1:24:00
Clear this court!	1:24:00	1:24:02
'There's pandemonium here in the courtroom.'	1:24:02	1:24:04
SUNSHINE ON RADIO:: 'Mrs Hart's behaviour throughout this ordeal	1:24:04	1:24:08
'has been truly extraordinary.' I bet it has.	1:24:08	1:24:10
'Opening her eyes, she fans herself with her attorney's handkerchief.	1:24:10	1:24:14
'The poor child has had no relief.	1:24:14	1:24:16
'She looks around now, seeming to want something. A glass of water.'	1:24:16	1:24:20
Oh, Mama, that was my bit!	1:24:20	1:24:22
I told Billy I was gonna do that at my trial! Ssh!	1:24:22	1:24:25
'..flutter wildly and she... Mrs Hart has fainted again.'	1:24:25	1:24:29
Oh, jeez.	1:24:29	1:24:30
'She slumps over, her chiffon dress up around her knees,	1:24:30	1:24:33
'revealing a blue garter with a rhinestone buckle.'	1:24:33	1:24:36
Oh, Mama, she stole my garter. She stole my garter!	1:24:36	1:24:39
Velma, don't break my radio!	1:24:39	1:24:41
God! First the slob steals my publicity,	1:24:41	1:24:43
then my lawyer, my trial date, now my goddamn garter.	1:24:43	1:24:46
These days, you get a little success	1:24:46	1:24:49
and it's good riddance to the people who put you there.	1:24:49	1:24:53
There ain't no justice in the world,	1:24:53	1:24:55
and there ain't nothing you can do about it.	1:24:55	1:24:58
Nertz to that.	1:24:58	1:25:00
You think I got you up here just so you could listen to my radio?	1:25:00	1:25:03
People write some interesting things when they think no-one's lookin'.	1:25:03	1:25:07
THEY BOTH LAUGH	1:25:10	1:25:13
Oh, Mama...	1:25:13	1:25:16
Ooh!	1:25:16	1:25:17
HARRISON: 'The state calls a rebuttal witness.'	1:25:17	1:25:20
CROWD MURMURS	1:25:20	1:25:23
Left hand on the Bible. Raise your right hand.	1:25:30	1:25:32
You swear to tell the truth, the whole truth, and nothing but the truth, so help you God?	1:25:32	1:25:34
And then some. Have a seat.	1:25:34	1:25:37
HARRISON: Would you state your name?	1:25:37	1:25:39
Velma Kelly.	1:25:39	1:25:41
Will you please tell the court if the object I am holding	1:25:41	1:25:44
is the one you found in the defendant's cell?	1:25:44	1:25:46
Yes, it is. I submit this as Exhibit X.	1:25:46	1:25:49
Roxie Hart's diary.	1:25:49	1:25:51
I object!	1:25:51	1:25:53
My client has never kept a diary, and even if she did,	1:25:53	1:25:56
this would be invasion of privacy and violation of the fourth amendment,	1:25:56	1:25:59
and illegal search without a warrant. Yeah, and she broke the lock!	1:25:59	1:26:03
CROWD LAUGHS Order! Order!	1:26:03	1:26:06
Well, that settles that.	1:26:06	1:26:08
I'll allow it. What's the big deal?	1:26:08	1:26:10
It's just a bunch of doodlings.	1:26:10	1:26:12
If you would read for us please, Miss Kelly.	1:26:12	1:26:15
I haven't worked in a while.	1:26:15	1:26:17
"What a laugh, pluggin' Fred Casely."	1:26:18	1:26:23
What? "The big baboon had it comin'.	1:26:21	1:26:23
"I'm just sorry I only got to kill him once."	1:26:23	1:26:27
I never wrote that! You... MURMUR IN COURTROOM	1:26:27	1:26:30
She made that up! She made that up! Order! order! >	1:26:30	1:26:33
She made that up!	1:26:33	1:26:35
Mr Flynn, get control of your client.	1:26:35	1:26:37
I'm sorry, your honour. It won't happen again.	1:26:37	1:26:40
( Shut up. It's only making it worse.)	1:26:40	1:26:42
I have no more questions.	1:26:42	1:26:44
Your witness, Mr Flynn.	1:26:44	1:26:46
BANDLEADER: Ladies and gentlemen, a tap dance.	1:26:48	1:26:51
UPTEMPO DRUM BEATS	1:26:51	1:26:54
Miss Kelly, did you make a deal with Mr Harrison?	1:26:57	1:27:00
TAPPING	1:27:00	1:27:01
To drop all charges against you in exchange for testifying?	1:27:01	1:27:05
Well, sure. I'm not a complete idiot.	1:27:05	1:27:07
AUDIENCE LAUGHS Good. Good.	1:27:07	1:27:11
Since you gave such an impressive performance for Mr Harrison,	1:27:11	1:27:15
maybe you'd do me the same honour. I'd be delighted.	1:27:15	1:27:20
"Fred Casely assured me he'd get me an audition down at the Onyx.	1:27:20	1:27:25
"He reneged on his pledge and that was my motive for attackin' him."	1:27:25	1:27:29
That's a fancy way of saying "He was a big fat liar	1:27:29	1:27:32
"who welshed on a deal, so I shot him."	1:27:32	1:27:34
TAPPING WITH DRUM BEAT	1:27:34	1:27:37
"Amos accused me of having an affair	1:27:37	1:27:39
"so I told him that the charge was...erroneous."	1:27:39	1:27:43
Objection, your honour.	1:27:43	1:27:45
Mr Flynn is twisting evidence to draw conclusions that are specious, and...	1:27:45	1:27:48
Erroneous? Exactly!	1:27:48	1:27:50
AUDIENCE LAUGHS	1:27:50	1:27:51
Order! Order!	1:27:51	1:27:54
Miss Kelly, do you know the meaning of the word "perjury"?	1:27:54	1:27:58
Yes, I do. Do you also know that it's a crime?	1:27:58	1:28:01
Yes. I mean, if it turns out that you knew that this diary was a fake,	1:28:01	1:28:05
I'd hate to think of you rotting in prison for ten years,	1:28:05	1:28:08
since you just won your freedom.	1:28:08	1:28:10
Look, all I know is what I was told.	1:28:10	1:28:13
AUDIENCE MURMURS	1:28:13	1:28:15
Oh, so... All right, so you didn't find	1:28:15	1:28:19
this diary in Roxie's cell?	1:28:19	1:28:21
No.	1:28:21	1:28:23
Mama - Miss Morton - gave it to me. She said someone sent it to her.	1:28:23	1:28:27
Someone? Any idea who this mysterious benefactor might be?	1:28:27	1:28:31
No. She didn't know.	1:28:31	1:28:33
All right, let's see if we can work this out. Someone who writes about...	1:28:33	1:28:37
hmm...reneging on pledges, and, and, and...	1:28:37	1:28:40
Erroneous charges...	1:28:40	1:28:42
Call me crazy, but doesn't that sound like a lawyer?	1:28:42	1:28:45
A lawyer! A lawyer who obviously had a sample of my client's handwriting.	1:28:45	1:28:50
Mr Harrison, didn't you ask Roxie	1:28:50	1:28:52
to write out a confession for you? Yes,	1:28:52	1:28:55
but you're not suggesting I'd tamper with evidence?!	1:28:55	1:28:57
Don't be ridiculous. No, that's thoroughly and utterly absurd.	1:28:57	1:29:02
But now that you mention it...	1:29:02	1:29:07
Your honour, this is outrageous!	1:29:03	1:29:07
It's outrageous, I agree!	1:29:04	1:29:07
To suggest that the prosecutor would make a thieves' bargain	1:29:07	1:29:10
with the notorious Velma Kelly and then fabricate the very evidence that set her free...	1:29:10	1:29:14
HARRISON: Velma Kelly is not on trial.	1:29:14	1:29:16
...one step closer to the Governor's mansion!	1:29:16	1:29:19
Why it's simply beyond all imagining!	1:29:19	1:29:22
I'll hold you in contempt. No, it is not even conceivable!	1:29:22	1:29:26
But...but if it were, wouldn't it be time to say, "Come clean, Mr Harrison!?	1:29:26	1:29:30
Even in Chicago, this kind of corruption cannot stand!	1:29:30	1:29:33
Will not stand!	1:29:33	1:29:36
That's enough, Mr Flynn!	1:29:34	1:29:36
I agree, your honour, it is enough!	1:29:36	1:29:39
The defence rests. CYMBAL CLASHES	1:29:40	1:29:44
RADIO: 'Ladies and gentlemen, this is Mary Sunshine	1:29:47	1:29:50
'reporting live from the Cook county courthouse.	1:29:50	1:29:52
'The city of Chicago has come to a complete standstill	1:29:52	1:29:56
'as the trial of the century finally draws to a close.	1:29:56	1:30:00
'Mrs Hart sits quietly at the defence table, hands folded,	1:30:00	1:30:04
'wondering what fate has in store for her.	1:30:04	1:30:07
'And now a hush falls over the courtroom	1:30:07	1:30:10
'as the 12 men of the jury file slowly back to their seats.'	1:30:10	1:30:13
GAVEL POUNDS	1:30:13	1:30:15
Gentlemen of the jury, have you reached a verdict?	1:30:15	1:30:18
We have, your honour.	1:30:18	1:30:20
The jury has reached a verdict.	1:30:20	1:30:23
Will the defendant please rise?	1:30:23	1:30:26
What is your verdict?	1:30:29	1:30:32
We, the jury, find the defendant...	1:30:32	1:30:35
UPTEMPO JAZZ TUNE PLAYS	1:30:35	1:30:40
Roxie Hart is innocent! She's innocent! Get your paper!	1:30:48	1:30:51
Roxie Hart is free! She's free! Roxie...	1:30:51	1:30:53
GUNSHOTS	1:30:53	1:30:57
SCREAMS	1:30:57	1:30:59
Come on, move it!	1:31:10	1:31:12
First she shoots the husband, then she plugs the lawyer.	1:31:12	1:31:15
Hey! Hey, don't you...	1:31:17	1:31:20
Don't you want to take my picture? Hey, I...	1:31:20	1:31:23
Hey, I'm the famous Roxie Hart.	1:31:23	1:31:25
Hey, what happened?	1:31:25	1:31:27
Billy, what the hell happened?	1:31:27	1:31:29
This is Chicago, kid. You can't beat fresh blood on the walls.	1:31:29	1:31:33
But my publicity, Billy? My name in the papers.	1:31:33	1:31:35
I was counting on that.	1:31:35	1:31:37
Your gratitude is overwhelming, kid. I saved your life.	1:31:37	1:31:40
And you got 5,000, and what do I get? I get nothin'?	1:31:40	1:31:43
Five? actually it's ten, once I collect from Velma.	1:31:43	1:31:46
I get nothin'?	1:31:46	1:31:48
Hmm. All right, don't forget your blessed diary.	1:31:48	1:31:50
Hope you don't mind. I added a few erroneous phrases in there.	1:31:50	1:31:54
Sorry I couldn't tell you.	1:31:56	1:31:58
Couldn't take a chance.	1:31:58	1:32:00
Never lost a case.	1:32:00	1:32:03
You're a free woman, Roxie Hart.	1:32:06	1:32:09
And God save Illinois.	1:32:10	1:32:13
< Roxie?	1:32:18	1:32:21
What do you want?	1:32:24	1:32:26
I want you to come home.	1:32:26	1:32:29
You said you still wanted to.	1:32:30	1:32:32
And the baby... Baby? What baby?	1:32:32	1:32:36
Oh, Jesus.	1:32:38	1:32:40
What do you take me for?	1:32:41	1:32:43
There ain't no baby.	1:32:43	1:32:46
There ain't no baby?	1:32:46	1:32:49
They didn't even want my picture.	1:32:53	1:32:56
I just... I can't understand that.	1:32:56	1:33:00
Why didn't they even want my picture?	1:33:04	1:33:09
REPORTERS SHOUT	1:33:09	1:33:12
SIREN WAILS	1:33:12	1:33:17
# It's good	1:33:17	1:33:20
# Isn't it grand?	1:33:20	1:33:22
# Isn't it great?	1:33:22	1:33:25
# Isn't it swell?	1:33:25	1:33:27
# Isn't it fun?	1:33:27	1:33:31
# Isn't it	1:33:31	1:33:33
# Nowadays?	1:33:33	1:33:35
BANDLEADER: Ladies and gentlemen, Miss Roxie Hart says...	1:33:35	1:33:39
good night.	1:33:39	1:33:41
# There's men everywhere	1:33:43	1:33:47
# Jazz everywhere	1:33:47	1:33:49
# Booze everywhere	1:33:49	1:33:52
# Life everywhere	1:33:52	1:33:54
# Joy everywhere	1:33:54	1:33:57
# Nowadays	1:33:57	1:34:02
# You can like the life you're living	1:34:02	1:34:07
# You can live the life you like	1:34:07	1:34:11
# You can even marry Harry	1:34:11	1:34:17
# But mess around with Ike	1:34:17	1:34:21
# And that's good	1:34:21	1:34:24
# Isn't it grand?	1:34:24	1:34:26
# Isn't it great?	1:34:26	1:34:28
# Isn't it swell?	1:34:28	1:34:31
# Isn't it fun?	1:34:31	1:34:33
# Isn't it?	1:34:33	1:34:35
# But nothing	1:34:35	1:34:38
# Stays... #	1:34:38	1:34:41
MUSIC SWELLS	1:34:41	1:34:44
# You can like the life you're living	1:34:47	1:34:51
# You can live the life you like... #	1:34:51	1:34:55
Didn't she kill a guy a while back?	1:34:55	1:34:57
Ah, who can keep 'em straight anymore?	1:34:57	1:35:00
# ..But mess around with Ike	1:35:00	1:35:03
# And that's good	1:35:03	1:35:05
# Isn't it grand?	1:35:05	1:35:07
# Isn't it great?	1:35:07	1:35:09
# Isn't it swell? # That's great.	1:35:09	1:35:11
We'll be in touch.	1:35:11	1:35:13
You know, I'm not quite finished yet. I-I have...	1:35:13	1:35:16
Wai-wai-wait. O-o-one more. Um, I could, er...	1:35:16	1:35:18
Just a second.	1:35:18	1:35:20
Goddamn it!	1:35:20	1:35:22
Thank you!	1:35:23	1:35:25
Here's the music, hon.	1:35:25	1:35:27
Thanks.	1:35:34	1:35:36
You know, you're really pretty good.	1:35:45	1:35:47
Yeah, that and a dime.	1:35:49	1:35:51
What are you doing here?	1:35:52	1:35:55
I heard you been, er, makin' the rounds.	1:35:55	1:35:57
If it was up to you, I'd be swingin' by now.	1:35:57	1:36:00
C'mon, I knew Billy'd get you off.	1:36:00	1:36:02
You should learn how to put things behind you.	1:36:02	1:36:04
Oh, thank you. I'll put that at the top of my list,	1:36:04	1:36:07
right after finding a job and an apartment with a john.	1:36:07	1:36:10
Just shut up, and listen.	1:36:10	1:36:11
Oh, you really are somethin'!	1:36:11	1:36:13
Comin' in here like some goddamn queen bee	1:36:13	1:36:16
all full of advice for a poor slob like me.	1:36:16	1:36:19
Well, let me tell you something, Miss Velma Kelly.	1:36:19	1:36:22
I got a new life now, and one of the best things about it is it don't include you.	1:36:22	1:36:27
I just thought we could help each other. Well, you thought wrong.	1:36:27	1:36:30
No, look, listen to me.	1:36:30	1:36:32
I talked to this guy downtown.	1:36:32	1:36:34
He said one jazz killer's nothin' these days, but two...	1:36:34	1:36:38
We could make a coupla hundred a week.	1:36:47	1:36:49
Think about it, Roxie. Our faces back in the papers.	1:36:49	1:36:52
Our names on the marquee.	1:36:52	1:36:54
Velma Kelly and Roxie Hart...	1:36:54	1:36:57
Shouldn't it be alphabetical? That could work.	1:36:57	1:37:00
A coupla hundred? Maybe we could ask for a thou.	1:37:00	1:37:04
We're worth it.	1:37:04	1:37:06
Forget it. It'll never work.	1:37:07	1:37:10
Why not?	1:37:10	1:37:12
Cos I hate you.	1:37:12	1:37:14
There's only one business in the world	1:37:14	1:37:16
where that's no problem at all.	1:37:16	1:37:18
SLOW PIANO TUNE PLAYS	1:37:18	1:37:21
HORNS JOIN IN	1:37:21	1:37:24
BANDLEADER: Ladies and gentlemen,	1:37:25	1:37:28
the Chicago theatre is proud to announce a first.	1:37:28	1:37:31
The first time anywhere there's been an act of this nature.	1:37:31	1:37:35
Not only one little lady, but two!	1:37:35	1:37:38
You've read about them in the papers,	1:37:38	1:37:40
and now here they are -	1:37:40	1:37:42
Chicago's own killer dillers,	1:37:42	1:37:44
those scintillating sinners	1:37:44	1:37:47
Roxie Hart and Velma Kelly.	1:37:47	1:37:49
THUNDEROUS APPLAUSE	1:37:49	1:37:51
# You can like the life you're living	1:37:51	1:37:56
# You can live the life you like	1:37:56	1:38:00
# You can even marry Harry	1:38:00	1:38:05
# But mess around with Ike	1:38:05	1:38:09
# And that's good	1:38:09	1:38:11
# Isn't it grand?	1:38:11	1:38:14
# Isn't it great?	1:38:14	1:38:16
# Isn't it swell?	1:38:16	1:38:18
# Isn't it fun?	1:38:18	1:38:21
# Isn't it?	1:38:21	1:38:22
# But nothin' stays	1:38:22	1:38:26
# In 50 years or so	1:38:26	1:38:30
# It's gonna change, you know	1:38:30	1:38:34
# But, oh, it's heaven	1:38:34	1:38:39
# Nowadays... #	1:38:39	1:38:44
BANDLEADER: OK, you babes of jazz. Let's pick up the pace.	1:38:44	1:38:47
Let's make the parties longer and the skirts shorter.	1:38:47	1:38:50
Let's all go to hell in a fast car and keep it hot!	1:38:50	1:38:53
LIVELY JAZZ TUNE PLAYS	1:38:53	1:38:55
APPLAUSE	1:38:55	1:38:58
PIANO PLAYS TINKLING MELODY	1:39:09	1:39:11
APPLAUSE	1:39:16	1:39:18
LAUGHTER	1:39:44	1:39:47
CHEERS	1:40:17	1:40:19
APPLAUSE AND CHEERS	1:40:26	1:40:29
Me and Roxie would just like to say thank you.	1:40:44	1:40:48
Thank you.	1:40:49	1:40:50
Believe us, we could not have done this without you!	1:40:50	1:40:55
# And all that...	1:40:55	1:41:01
# Jazz. #	1:41:03	1:41:07
BANDLEADER: 5, 6, 7, 8.	1:41:17	1:41:20
Subtitles by Red Bee Media Ltd 2005	1:42:45	1:42:49
E-mail [email protected]	1:42:49	1:42:52

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