Browse content similar to Con Air. Check below for episodes and series from the same categories and more!
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The film contains some violent scenes and very strong language | 0:00:02 | 0:00:08 | |
'The Army Rangers have led the way in every major confrontation | 0:00:08 | 0:00:11 | |
'in which the US has been involved. | 0:00:11 | 0:00:17 | |
'I'm sorry to see you go. You've served your country well. | 0:00:17 | 0:00:21 | |
'You've fought to the Ranger objective and completed its mission, | 0:00:21 | 0:00:25 | |
'never leaving a fallen comrade, no matter what. | 0:00:25 | 0:00:29 | |
'I thank you.' | 0:00:29 | 0:00:31 | |
'America thanks you. And I wish you luck | 0:00:31 | 0:00:34 | |
'wherever you go. | 0:00:34 | 0:00:36 | |
'And remember, Rangers lead the way.' | 0:00:36 | 0:00:39 | |
Hey. | 0:00:47 | 0:00:49 | |
-Hey, Tricia Poe. -Hello, Dale. | 0:00:51 | 0:00:54 | |
# How do I | 0:00:54 | 0:00:57 | |
# Get through one night without you? | 0:00:57 | 0:01:01 | |
# If I had to live without you | 0:01:01 | 0:01:05 | |
# What kind of life would that be? | 0:01:05 | 0:01:09 | |
-Hey. -Hey. | 0:01:09 | 0:01:10 | |
# I need you in my arms, need you to hold me... # | 0:01:10 | 0:01:15 | |
Hummingbird. | 0:01:15 | 0:01:17 | |
Look at you! | 0:01:17 | 0:01:18 | |
I'd take a beating half my life to get a piece of that woman. | 0:01:18 | 0:01:22 | |
How's my baby? | 0:01:22 | 0:01:24 | |
She's doing fine. | 0:01:24 | 0:01:26 | |
Yeah? | 0:01:26 | 0:01:28 | |
Are you kidding me? | 0:01:29 | 0:01:30 | |
Sweetie... | 0:01:30 | 0:01:32 | |
Shh! Can't you see I'm in the middle of something? | 0:01:32 | 0:01:36 | |
You're going to be Miss Alabama? That makes your daddy very proud. | 0:01:36 | 0:01:41 | |
# How do I breathe | 0:01:42 | 0:01:45 | |
# Without you? If you ever go... # | 0:01:45 | 0:01:48 | |
Tricia Poe! You little angel, you. | 0:01:48 | 0:01:52 | |
-How about joining me and the boys for a cold one? -No, thanks. | 0:01:52 | 0:01:56 | |
Who's Captain Huckleberry? | 0:01:56 | 0:01:59 | |
-You know this gentleman, honey? -He's a regular. | 0:01:59 | 0:02:03 | |
Yeah, I'm a regular. Regular hound dog! | 0:02:03 | 0:02:07 | |
This is a special occasion. I'd like to spend it with my wife. | 0:02:09 | 0:02:14 | |
Soldier Dick, why don't you go buy me and my buddies a round? | 0:02:14 | 0:02:18 | |
Hey, Cameron. No. They ain't worth it. | 0:02:18 | 0:02:21 | |
Hey! Come on, Daddy. Let's dance. | 0:02:21 | 0:02:25 | |
Chicken shit! Because of pussies like you, we lost Vietnam! | 0:02:25 | 0:02:30 | |
We don't need trouble. | 0:02:30 | 0:02:32 | |
You should be so proud(!) | 0:02:32 | 0:02:34 | |
For a second there, you were that guy again. | 0:02:36 | 0:02:39 | |
I know it. | 0:02:39 | 0:02:42 | |
I was hoping maybe the army would make that guy grow up. | 0:02:42 | 0:02:47 | |
He has. | 0:02:49 | 0:02:50 | |
# How do I live without you? | 0:02:52 | 0:02:57 | |
# I want to know | 0:02:57 | 0:02:59 | |
# How do I breathe without you | 0:02:59 | 0:03:02 | |
# If you ever go? # | 0:03:02 | 0:03:05 | |
THUNDER | 0:03:05 | 0:03:07 | |
Hey, Gomer! | 0:03:14 | 0:03:16 | |
Thought you might need some help escorting your old lady home! | 0:03:16 | 0:03:21 | |
Cameron, let's go home! Get in the car. | 0:03:24 | 0:03:27 | |
Come on, man. | 0:03:27 | 0:03:29 | |
Cameron! Cameron, get in the car! | 0:03:29 | 0:03:32 | |
Ugh! | 0:03:34 | 0:03:36 | |
Dale! | 0:03:37 | 0:03:39 | |
Dale! | 0:03:39 | 0:03:40 | |
AARGH! | 0:03:50 | 0:03:53 | |
Take this, you son of a bitch! | 0:03:53 | 0:03:55 | |
AARGH! | 0:03:56 | 0:03:58 | |
Tricia! | 0:04:08 | 0:04:11 | |
Tricia! | 0:04:11 | 0:04:13 | |
God, he's dead! | 0:04:17 | 0:04:19 | |
Cameron, this guy's dead. | 0:04:19 | 0:04:21 | |
'Admit the facts. Enter a plea bargain.' | 0:04:23 | 0:04:26 | |
I will not plead guilty. | 0:04:26 | 0:04:28 | |
You could get ten years. | 0:04:28 | 0:04:30 | |
Admit to it, you'll get four. You'll serve maybe a year. | 0:04:33 | 0:04:38 | |
Cameron Poe, you pleaded guilty to manslaughter in the first degree. | 0:04:39 | 0:04:45 | |
With your military skills, | 0:04:45 | 0:04:47 | |
you are not subject to the same laws as other people, | 0:04:47 | 0:04:50 | |
because you can respond with deadly force. | 0:04:50 | 0:04:53 | |
It is ordered that you be remanded to a penitentiary, | 0:04:53 | 0:04:57 | |
to be incarcerated | 0:04:57 | 0:04:59 | |
for a term not less than seven to ten years. | 0:04:59 | 0:05:02 | |
HE BANGS GAVEL | 0:05:02 | 0:05:04 | |
Hello, pretty girl. | 0:05:11 | 0:05:13 | |
Yo! Over here! Hey! Hey! | 0:05:13 | 0:05:15 | |
"Dearest Tricia, I think of you always. Your smile, your laugh. | 0:05:18 | 0:05:23 | |
"I'm not angry. The blame's got to fall on me. | 0:05:23 | 0:05:27 | |
"I am, however, torn apart when I think I won't be there | 0:05:27 | 0:05:30 | |
"to see our child come into the world, | 0:05:30 | 0:05:33 | |
"cradled in your arms, and her first smile. | 0:05:33 | 0:05:36 | |
"I got your package. Those pink coconut things | 0:05:36 | 0:05:40 | |
"have made me quite popular. | 0:05:40 | 0:05:42 | |
"Met a guy just the other day - Baby-O. He sure does love 'em." | 0:05:42 | 0:05:47 | |
"And our daughter, beautiful Casey. | 0:05:49 | 0:05:51 | |
"I watch her grow in the pictures you send. I showed Baby-O. | 0:05:51 | 0:05:56 | |
"His reaction was, "Thank God she looks like her momma." I agree. | 0:05:56 | 0:06:01 | |
"It's funny. Here I am, in maybe the worst place on earth, | 0:06:01 | 0:06:06 | |
"and yet somehow, I feel like the luckiest man alive." | 0:06:06 | 0:06:10 | |
SHOUTING | 0:06:10 | 0:06:13 | |
"Dear Daddy, I started today at the Little Sunshine Day Care Centre. | 0:06:15 | 0:06:20 | |
"My teacher is Miss Gordon. She is nice. | 0:06:20 | 0:06:22 | |
"We go to playtime and hold hands when we walk there." | 0:06:22 | 0:06:26 | |
"Dear Casey, it was good to read your letter. | 0:06:26 | 0:06:29 | |
"I'm glad you like your teacher. We don't have playtime. | 0:06:29 | 0:06:33 | |
"We do go outside though, but normally we don't hold hands." | 0:06:33 | 0:06:38 | |
-RECORDING: -'My wife and I will have our margaritas on the yacht.' | 0:06:41 | 0:06:46 | |
Mi esposa y yo vamos a tomar unas margaritas | 0:06:46 | 0:06:49 | |
en el yate, por favor. | 0:06:49 | 0:06:51 | |
"Dear Daddy, today was my first day at first grade. | 0:06:51 | 0:06:55 | |
"I didn't like it. I don't want to go back. | 0:06:55 | 0:06:58 | |
"This boy, Scotty Dalton, | 0:06:58 | 0:07:01 | |
"has black teeth and calls me names. | 0:07:01 | 0:07:03 | |
"Momma says I have to go back. Tell her not to make me." | 0:07:03 | 0:07:07 | |
"Dear Casey, I hope this finds you still going to the first grade. | 0:07:07 | 0:07:12 | |
"School is very important. Your momma's right. | 0:07:12 | 0:07:15 | |
"Don't worry about Scotty Dalton. Sometimes you meet people like that, | 0:07:15 | 0:07:20 | |
"but don't let them get you down." | 0:07:20 | 0:07:23 | |
"Dear Daddy, are you ever coming home?" | 0:07:26 | 0:07:29 | |
"Dear Casey, of course I'm coming home. | 0:07:29 | 0:07:32 | |
"Just a little while longer, and all the things | 0:07:32 | 0:07:35 | |
"we missed doing together, you can be sure we'll do. | 0:07:35 | 0:07:39 | |
"Dear Hummingbird, break out the china, chill the lemonade, | 0:07:39 | 0:07:44 | |
"tie a yellow ribbon round the old oak tree. | 0:07:44 | 0:07:47 | |
"Cos this boy's coming home forever. | 0:07:47 | 0:07:50 | |
"I hope I'm not a disappointment to Casey or to you. Love, Cameron." | 0:07:50 | 0:07:56 | |
"My daddy is coming home on July 14. | 0:07:56 | 0:08:00 | |
"My birthday is July 14. | 0:08:00 | 0:08:02 | |
"I'm going to see my daddy for the first time ever | 0:08:02 | 0:08:06 | |
"on July 14. I can't wait to meet you." | 0:08:06 | 0:08:09 | |
Isn't that cute? | 0:08:09 | 0:08:11 | |
Yeah, man. | 0:08:11 | 0:08:12 | |
What is that? | 0:08:14 | 0:08:16 | |
I can't see my daughter on her birthday | 0:08:16 | 0:08:19 | |
without bringing her a gift. | 0:08:19 | 0:08:21 | |
Yeah, but that's a bunny rabbit! | 0:08:21 | 0:08:24 | |
She'll like it. | 0:08:24 | 0:08:25 | |
It's either this or a tube of toothpaste | 0:08:25 | 0:08:28 | |
and two packs of Pall Malls. | 0:08:28 | 0:08:29 | |
That's a present. | 0:08:29 | 0:08:30 | |
I'll remember that on your birthday. | 0:08:30 | 0:08:33 | |
You do that, man. | 0:08:34 | 0:08:36 | |
"It having to be made to appear to the United States Parole Commission, | 0:08:40 | 0:08:45 | |
"Cameron Poe is eligible to be paroled." | 0:08:45 | 0:08:49 | |
It'll be a long time before I see one of those with my name on it. | 0:08:49 | 0:08:53 | |
You'll get your date someday, Baby-O. | 0:08:59 | 0:09:02 | |
-I ain't worried. -But at this new prison | 0:09:02 | 0:09:04 | |
you're going to, who'll watch your back? | 0:09:04 | 0:09:07 | |
God's got my back. You know what I'm saying? | 0:09:07 | 0:09:10 | |
Ha! I'm going home, son! | 0:09:10 | 0:09:13 | |
Don't get all juicy on me! Get off. | 0:09:14 | 0:09:17 | |
Step out. | 0:09:18 | 0:09:20 | |
Goodbye. Goodnight. | 0:09:24 | 0:09:26 | |
'The US Marshal Service annually flies 155,000 prisoners | 0:09:34 | 0:09:38 | |
'for transfers, | 0:09:38 | 0:09:40 | |
'legal hearings and medical exams.' | 0:09:40 | 0:09:43 | |
As you know, today's flight is a special one. | 0:09:43 | 0:09:46 | |
We're populating Alabama's Feltham Penitentiary, | 0:09:46 | 0:09:50 | |
the newest super-max facility in the system. | 0:09:50 | 0:09:53 | |
This place will warehouse the worst of the worst. | 0:09:53 | 0:09:57 | |
Now, most of these guys are lifers, some on death row. Pure predators, | 0:09:57 | 0:10:02 | |
each and every one of them. | 0:10:02 | 0:10:04 | |
-'Hey, lady.' -Lady is a dog in a Walt Disney movie. | 0:10:06 | 0:10:10 | |
My name is Guard Bishop. | 0:10:10 | 0:10:12 | |
I need a shot before getting on a plane, Guard Bishop. | 0:10:12 | 0:10:16 | |
-What's your name? -Odell. | 0:10:16 | 0:10:18 | |
They didn't give me my shot. | 0:10:18 | 0:10:21 | |
You're diabetic. Your insulin will be given to you in-flight. | 0:10:21 | 0:10:25 | |
-Cameron Poe. -Yes, ma'am. | 0:10:25 | 0:10:27 | |
You're under restraints until released, understand? | 0:10:27 | 0:10:31 | |
Yes, ma'am. I just want to get home. It's my daughter's birthday. | 0:10:31 | 0:10:36 | |
-Congratulations. -I got locked down before she was born. | 0:10:36 | 0:10:40 | |
She's never seen me. | 0:10:40 | 0:10:41 | |
And why not? | 0:10:41 | 0:10:43 | |
No way was she was going to meet her daddy in prison, | 0:10:43 | 0:10:45 | |
surrounded by homemade cookies and love-starved murderers. | 0:10:45 | 0:10:50 | |
No way. | 0:10:50 | 0:10:51 | |
You have a walking, talking reason to rehabilitate. | 0:10:51 | 0:10:54 | |
So today, let's exemplify our three operative words. | 0:10:58 | 0:11:01 | |
Firm, fair and vigilant. | 0:11:01 | 0:11:06 | |
Now, let's go to work. | 0:11:06 | 0:11:07 | |
We off-load six in Carson City. The rest go to Feltham. | 0:11:07 | 0:11:13 | |
Good. Let's deal with the DEA boys. | 0:11:11 | 0:11:13 | |
-Know this guy? -No. | 0:11:17 | 0:11:19 | |
He's a real piece of work. | 0:11:19 | 0:11:21 | |
TYRES SCREECH Duncan, good to see you. | 0:11:21 | 0:11:24 | |
-She's beautiful. -Beautiful? | 0:11:24 | 0:11:26 | |
Sunsets and babies are beautiful. This is fucking spectacular. | 0:11:26 | 0:11:31 | |
This is Vince Larkin. He's overseeing the transpo. | 0:11:31 | 0:11:35 | |
Vince, Duncan Malloy, DEA. | 0:11:35 | 0:11:37 | |
Nice to meet you. We'll enjoy...working together. | 0:11:37 | 0:11:40 | |
How are you doing? Do you know each other? | 0:11:56 | 0:11:59 | |
Mark Sims, DEA. | 0:11:59 | 0:12:00 | |
Our file on Francisco Cindino, son of Eduardo, | 0:12:00 | 0:12:03 | |
prime mover of narcotics. It's an all-star flight. | 0:12:03 | 0:12:07 | |
He's a fountain of information about the business. | 0:12:07 | 0:12:10 | |
11 and a half OK? | 0:12:10 | 0:12:12 | |
Nice college boy. We interrogated him for months. | 0:12:12 | 0:12:15 | |
He gave up nothing. | 0:12:15 | 0:12:17 | |
This is our last chance before the FBI steals the glory. | 0:12:17 | 0:12:21 | |
We pick up Cindino in Carson City. From then until we hit Alabama, | 0:12:21 | 0:12:25 | |
we've got two hours to make him talk. | 0:12:25 | 0:12:28 | |
-He's known to be garrulous. -What the fuck is "garrulous"? | 0:12:28 | 0:12:32 | |
Loquacious, verbose, effusive. How about chatty? | 0:12:32 | 0:12:35 | |
What's with Dictionary Boy here? | 0:12:35 | 0:12:38 | |
Thesaurus Boy, I think. | 0:12:38 | 0:12:39 | |
-You got your gun? -Yeah. | 0:12:39 | 0:12:43 | |
Whoa, whoa! Gun? | 0:12:43 | 0:12:44 | |
-We've got rules. -So do we. Our agents go armed. | 0:12:44 | 0:12:47 | |
No-one carries on this flight. There's an arsenal in the belly of the plane, | 0:12:47 | 0:12:52 | |
a pistol in the cockpit lockbox. | 0:12:52 | 0:12:54 | |
Other than that, no weapon on the aircraft, period. | 0:12:54 | 0:12:58 | |
My man doesn't go without his gun. | 0:12:58 | 0:13:00 | |
Then your man doesn't get on the plane. | 0:13:00 | 0:13:04 | |
OK. Well, give it to him. | 0:13:06 | 0:13:08 | |
Give him the gun. | 0:13:09 | 0:13:11 | |
-Avoid eye contact. -I got it. | 0:13:17 | 0:13:19 | |
-In jail, it's a sign of aggression. -Larkin, I got it. | 0:13:19 | 0:13:23 | |
OK. | 0:13:23 | 0:13:25 | |
TANNOY: 'We are ready to disembark. | 0:13:27 | 0:13:29 | |
'Awaiting your go on the transfer.' | 0:13:29 | 0:13:32 | |
-VINCE: -We told you today's flight would be special. | 0:13:32 | 0:13:36 | |
William Bedford - aka Billy Bedlam. | 0:13:36 | 0:13:38 | |
-The mass murderer? -The same. He caught his wife with another man. | 0:13:38 | 0:13:42 | |
He drove to his wife's family's house. | 0:13:42 | 0:13:45 | |
Killed her whole family and her dog. | 0:13:45 | 0:13:48 | |
Scan him. | 0:13:48 | 0:13:49 | |
Who's that good-looking brother? | 0:13:49 | 0:13:51 | |
Nathan Jones. | 0:13:51 | 0:13:53 | |
Aka Diamond Dog. Former general of the Black Guerillas. | 0:13:53 | 0:13:57 | |
He blew up the Rifle Association, | 0:13:57 | 0:13:59 | |
saying, "They represented basest of the white race." | 0:13:59 | 0:14:03 | |
He wrote a book in prison - Reflections In A Diamond Eye. | 0:14:03 | 0:14:07 | |
It's "a wake-up call to the black community". | 0:14:07 | 0:14:10 | |
They want Denzel for the movie. | 0:14:10 | 0:14:12 | |
Close door number one! | 0:14:22 | 0:14:24 | |
This one's done it all. Kidnapping, robbery, murder, extortion. | 0:14:26 | 0:14:31 | |
"Perimeter is secure. You are clear to release." | 0:14:31 | 0:14:34 | |
His name is Cyrus Grissom - aka Cyrus the Virus. | 0:14:36 | 0:14:40 | |
39 years old - 25 of them spent in our institutions. | 0:14:40 | 0:14:44 | |
But inside, he's earned two degrees. | 0:14:44 | 0:14:46 | |
He also killed 11 fellow inmates, | 0:14:46 | 0:14:49 | |
incited three riots and escaped twice. | 0:14:49 | 0:14:52 | |
Brags that he killed more men than cancer. | 0:14:52 | 0:14:55 | |
OK, open wide. Lift your tongue. | 0:14:55 | 0:14:58 | |
Cyrus is a poster child for the criminally insane. | 0:15:00 | 0:15:03 | |
A true product of the system. | 0:15:03 | 0:15:05 | |
What?! Is he one of these sociology majors | 0:15:05 | 0:15:08 | |
who thinks we're responsible for these animals? | 0:15:08 | 0:15:11 | |
No, but I could point a few fingers for you. | 0:15:11 | 0:15:14 | |
Look at this walking penis. You are one skinny negro. | 0:15:24 | 0:15:27 | |
-Easy, man. -Open up. Smells like someone shit in your mouth! | 0:15:27 | 0:15:32 | |
He told me he loved me. | 0:15:32 | 0:15:34 | |
-Get out of my face! -All right, all right! | 0:15:34 | 0:15:37 | |
Larkin, who's that guy? | 0:15:40 | 0:15:42 | |
That is Cameron Poe - a parolee hitching a ride home. | 0:15:42 | 0:15:46 | |
He's a nobody. | 0:15:46 | 0:15:47 | |
OK, let's do it. | 0:15:47 | 0:15:49 | |
Nobody on the plane knows your classification, not even my guards. | 0:15:49 | 0:15:54 | |
-Guard Bishop. -Larkin. | 0:15:56 | 0:15:58 | |
Why does the Marshal Service employ annoying, wise-ass bookworm creeps? | 0:15:58 | 0:16:03 | |
Larkin's one of the best we've got. | 0:16:03 | 0:16:06 | |
I'd still like to crush his larynx with my boot. | 0:16:06 | 0:16:09 | |
Scan him. | 0:16:11 | 0:16:12 | |
Face me! | 0:16:12 | 0:16:14 | |
What's this shit? | 0:16:17 | 0:16:20 | |
It's my daughter. | 0:16:20 | 0:16:21 | |
I don't care. | 0:16:21 | 0:16:22 | |
No personal possessions on this plane. | 0:16:22 | 0:16:25 | |
As long as you know I'm getting that back. | 0:16:25 | 0:16:28 | |
You telling me what to do?! | 0:16:28 | 0:16:30 | |
-You heard me. BISHOP: -Hey! | 0:16:30 | 0:16:32 | |
Come on, break it up. | 0:16:32 | 0:16:35 | |
Look at this fashion statement! | 0:16:36 | 0:16:39 | |
The do-rag got to go, homeboy! | 0:16:39 | 0:16:41 | |
Right here. | 0:16:43 | 0:16:45 | |
Attention. Final check. | 0:16:45 | 0:16:47 | |
Sweet bird of freedom. | 0:16:47 | 0:16:49 | |
Take-off in three minutes. | 0:16:49 | 0:16:51 | |
What's up, man? | 0:16:51 | 0:16:53 | |
Shit! What's up? | 0:16:53 | 0:16:55 | |
I thought you were someone else. Pinball Parker, | 0:16:55 | 0:16:59 | |
robber, arsonist, dope fiend. I'm a nice guy. I just got caught. | 0:16:59 | 0:17:03 | |
Aw, shucks! | 0:17:03 | 0:17:05 | |
HE SIGHS | 0:17:09 | 0:17:11 | |
All right. Face me. | 0:17:11 | 0:17:12 | |
I got him. Come on. | 0:17:12 | 0:17:14 | |
Open. | 0:17:17 | 0:17:19 | |
You guys are late to the party. | 0:17:26 | 0:17:27 | |
OK. | 0:17:27 | 0:17:29 | |
Go, sweetheart. | 0:17:29 | 0:17:31 | |
What's up, Cochise? | 0:17:36 | 0:17:39 | |
How. | 0:17:39 | 0:17:41 | |
I'm just bugging with you. | 0:17:41 | 0:17:43 | |
Don't get all Wounded Knee on me and shit. | 0:17:43 | 0:17:46 | |
You look like you want a scalping. | 0:17:48 | 0:17:51 | |
What you looking at, punk? | 0:17:51 | 0:17:53 | |
Nothing. | 0:17:53 | 0:17:55 | |
I was just admiring your cage. It fits you pretty good. | 0:17:55 | 0:18:00 | |
Well, welcome aboard. | 0:18:02 | 0:18:04 | |
As I look around, I see a lot of celebrities. 11 Current Affairs, | 0:18:04 | 0:18:09 | |
two Hard Copys, and a genuine Geraldo interviewee. | 0:18:09 | 0:18:12 | |
But none of this impresses me. | 0:18:12 | 0:18:14 | |
We have rules on this aircraft. | 0:18:14 | 0:18:17 | |
It's like kindergarten. | 0:18:17 | 0:18:19 | |
Keep your hands to yourself, the noise down. | 0:18:19 | 0:18:21 | |
If you want to scream, spit or bite, you'll get the treatment. | 0:18:21 | 0:18:26 | |
Fuck you, pig! | 0:18:26 | 0:18:27 | |
Gag and bag this Nazi muffin. | 0:18:27 | 0:18:30 | |
This kind of thing puts me in a foul mood. | 0:18:31 | 0:18:34 | |
If there's a hint of trouble, if anyone even passes gas | 0:18:34 | 0:18:39 | |
and offends my delicate nasal passages, | 0:18:39 | 0:18:42 | |
your testicles will become my personal property. | 0:18:42 | 0:18:46 | |
That's pretty clear. Good. | 0:18:46 | 0:18:50 | |
TRANSLATION FROM SPANISH: | 0:18:50 | 0:18:52 | |
It'd be Johnny 600 if they knew the truth. | 0:19:08 | 0:19:11 | |
Nah. Doesn't have quite the same ring to it. | 0:19:11 | 0:19:14 | |
Anyway, I despise rapists. | 0:19:14 | 0:19:16 | |
You're between a cockroach and the white stuff | 0:19:16 | 0:19:20 | |
that accumulates in your mouth when you're thirsty. | 0:19:20 | 0:19:23 | |
But in your case, I'll make an exception. | 0:19:23 | 0:19:27 | |
Guard Falzon? | 0:19:28 | 0:19:29 | |
-What? -Oh, stewardess? | 0:19:29 | 0:19:31 | |
What's the in-flight movie today? | 0:19:31 | 0:19:34 | |
You'll like it. It's called | 0:19:34 | 0:19:36 | |
I'll Never Make Love To A Woman Again, | 0:19:36 | 0:19:39 | |
preceded by an award-winning short, No More Steak For Me, Ever. | 0:19:39 | 0:19:43 | |
FORCED LAUGH | 0:19:43 | 0:19:44 | |
Funny fucker, aren't you(?) | 0:19:44 | 0:19:47 | |
I hope this goes smoothly. | 0:19:50 | 0:19:52 | |
All those monsters on one plane. | 0:19:52 | 0:19:54 | |
This is a well-oiled machine. Our only worries | 0:19:54 | 0:19:58 | |
are stale peanuts and turbulence. | 0:19:58 | 0:20:00 | |
Close the forward gate. | 0:20:02 | 0:20:05 | |
Close the middle gate. | 0:20:17 | 0:20:18 | |
HE GAGS | 0:20:55 | 0:20:58 | |
-BABY-O: -Come on, I need my shot! | 0:21:00 | 0:21:03 | |
I'm coming. Left arm. | 0:21:03 | 0:21:05 | |
Hey, Chief? | 0:21:20 | 0:21:21 | |
If you come through this all right, I hope you don't hold a grudge. | 0:21:21 | 0:21:26 | |
What the fuck are you doing? | 0:21:26 | 0:21:29 | |
Help! Fire! | 0:21:32 | 0:21:34 | |
Get the extinguisher! Open the middle gate! | 0:21:34 | 0:21:37 | |
The Last Mohican is burning, man! | 0:21:37 | 0:21:39 | |
That motherfucker spontaneously combusted! | 0:21:41 | 0:21:44 | |
HE SCREAMS | 0:21:44 | 0:21:46 | |
Fucking weird! I've seen that shit on Discovery! | 0:21:46 | 0:21:50 | |
Code Red! Fire in the rear cabin. | 0:21:50 | 0:21:52 | |
-I've got a fire. -Where? | 0:21:52 | 0:21:54 | |
The rear cabin. | 0:21:54 | 0:21:56 | |
KLAXON BLARES | 0:21:56 | 0:21:57 | |
I thought he was singing YMCA, then the flames...! | 0:21:57 | 0:22:00 | |
Shit! | 0:22:00 | 0:22:02 | |
HE YELLS | 0:22:03 | 0:22:05 | |
KILL HIM! | 0:22:12 | 0:22:13 | |
Holy shit! Hold on, Bobby! | 0:22:13 | 0:22:16 | |
Give me a taser! | 0:22:18 | 0:22:19 | |
Get off my insulin! | 0:22:22 | 0:22:23 | |
Open the door! Open the goddamn door! | 0:22:26 | 0:22:29 | |
Hey, hey, hey, hey, hey! | 0:22:34 | 0:22:36 | |
Pinball, go! Pull the lever! Go! Go! | 0:22:39 | 0:22:42 | |
-CYRUS: -Pinball! Behind you! | 0:22:45 | 0:22:48 | |
Take the gun out of the lockbox. Check it out. | 0:22:49 | 0:22:53 | |
Yeah! Yeah! | 0:23:04 | 0:23:06 | |
GUNSHOT | 0:23:15 | 0:23:16 | |
GUNSHOT | 0:23:16 | 0:23:18 | |
HE GROWLS | 0:23:18 | 0:23:19 | |
Oh, my God! | 0:23:19 | 0:23:21 | |
Say there was a disturbance, | 0:23:21 | 0:23:23 | |
but it's under control. Say it, or I WILL kill you. | 0:23:23 | 0:23:26 | |
You'll have nobody to fly the plane. | 0:23:26 | 0:23:28 | |
I never think that far ahead. | 0:23:28 | 0:23:30 | |
All right, I'm doing it. Take it easy. | 0:23:32 | 0:23:34 | |
If you say a word about this, the next wings you see | 0:23:34 | 0:23:38 | |
will belong to the flies buzzing over your rotting corpse. | 0:23:38 | 0:23:42 | |
Er, Carson City? | 0:23:43 | 0:23:45 | |
Hey! Hey! | 0:23:45 | 0:23:48 | |
Ladies and gentlemen, | 0:23:53 | 0:23:55 | |
this is your captain speaking. I have the only gun on board. | 0:23:55 | 0:24:00 | |
Welcome to Con Air! | 0:24:00 | 0:24:02 | |
CHEERING AND YELLING | 0:24:02 | 0:24:04 | |
-What happened? -Roger, Carson City. Calm down, Vince. | 0:24:11 | 0:24:15 | |
There was a little ruckus. | 0:24:15 | 0:24:16 | |
A little ruckus? | 0:24:16 | 0:24:18 | |
Everything's fine. | 0:24:18 | 0:24:20 | |
The transponder's confirmed, and there's your baby. | 0:24:20 | 0:24:24 | |
Damn, this pig is heavy! | 0:24:24 | 0:24:26 | |
-Whoops! -HE LAUGHS | 0:24:26 | 0:24:28 | |
Shit! | 0:24:32 | 0:24:33 | |
If we let you out, will you play nice, Billy? | 0:24:33 | 0:24:36 | |
Probably not. | 0:24:36 | 0:24:38 | |
I got a spot on my arm just for you. | 0:24:45 | 0:24:48 | |
-BABY-O: -Get off my medication! | 0:24:48 | 0:24:50 | |
I'm sorry. Shit's in my way. | 0:24:50 | 0:24:52 | |
I'll use your whole body to make me feel good. | 0:24:52 | 0:24:55 | |
All right, man. Stop rushing. | 0:24:55 | 0:24:58 | |
-HE SIGHS -Ah, yeah! | 0:25:01 | 0:25:04 | |
No? No? | 0:25:07 | 0:25:09 | |
I can't allow that. | 0:25:15 | 0:25:17 | |
Do you know what I am? | 0:25:18 | 0:25:20 | |
Ugly all day. | 0:25:20 | 0:25:21 | |
This ain't happening. | 0:25:23 | 0:25:25 | |
Not here. Not now. | 0:25:25 | 0:25:26 | |
It's happening! | 0:25:26 | 0:25:27 | |
Hey! Relax. He's right. Not here. Not now. Can you fly, Johnny? | 0:25:27 | 0:25:32 | |
-No. -Keep that in mind. If your dick jumps out of your pants, | 0:25:32 | 0:25:37 | |
you jump out of this plane. | 0:25:37 | 0:25:39 | |
What are the numbers in Carson City? How many on, how many off? | 0:25:45 | 0:25:50 | |
Six off and ten on. | 0:25:50 | 0:25:52 | |
Find the six. | 0:25:52 | 0:25:54 | |
Three of these brothers are back there. | 0:25:54 | 0:25:57 | |
The other three are Benson, Karls and Papovitch. | 0:25:57 | 0:26:01 | |
-Where are they? -Good question. I'll find out. | 0:26:01 | 0:26:04 | |
-The pilot wants to know what's next. -He's to land at Carson City Airport as scheduled. | 0:26:04 | 0:26:10 | |
The law is down there. Have you lost your mind? | 0:26:10 | 0:26:13 | |
According to my last psych evaluation, yes. | 0:26:13 | 0:26:18 | |
Diamond Dog, if you would? | 0:26:18 | 0:26:20 | |
Think you're free? | 0:26:21 | 0:26:23 | |
You're not. | 0:26:23 | 0:26:25 | |
40 or 50 US prison guards armed with shotguns are waiting for us | 0:26:25 | 0:26:30 | |
at the next stop. | 0:26:30 | 0:26:31 | |
If you do exactly what we say, the rest of our lives | 0:26:31 | 0:26:35 | |
will be a vacation in a non-extradition country. | 0:26:35 | 0:26:38 | |
I'm talking sandy beaches, | 0:26:38 | 0:26:41 | |
umbrella drinks, and dirty, naked freaks! | 0:26:41 | 0:26:46 | |
A paid motherfucking-vacation. | 0:26:46 | 0:26:48 | |
Who's doing the paying? | 0:26:50 | 0:26:51 | |
Our employer, Francisco Cindino. | 0:26:51 | 0:26:54 | |
Everybody, freeze! No, no, no, no, Cyrus. No, no. | 0:26:57 | 0:27:01 | |
Get that ass out here now! | 0:27:01 | 0:27:03 | |
-In a second. -Right now! | 0:27:03 | 0:27:05 | |
-Keep cool, Boss. -Shut up. | 0:27:05 | 0:27:07 | |
-Who the fuck are you? -DEA - that's who the fuck I am! | 0:27:07 | 0:27:11 | |
Now, you were saying? | 0:27:11 | 0:27:13 | |
Very clever, Cyrus. | 0:27:13 | 0:27:14 | |
You think I give a shit about that little bitch? Didn't you hear me? | 0:27:14 | 0:27:19 | |
I'm DEA. Know what that means? | 0:27:19 | 0:27:21 | |
You're the most crooked one here. | 0:27:21 | 0:27:24 | |
Why are you on board? Won't they fly you commercially? | 0:27:24 | 0:27:27 | |
Don't push me. I'll blow away your boyfriend. | 0:27:27 | 0:27:31 | |
Next time you choose a human shield, | 0:27:31 | 0:27:33 | |
don't pick a two-bit negro crackhead. | 0:27:33 | 0:27:37 | |
-Hey! -Shut up. | 0:27:37 | 0:27:38 | |
-Shoot him. -Quiet, sweetheart. | 0:27:38 | 0:27:41 | |
-I think you should stop. -Stay back, man. Stay back! | 0:27:41 | 0:27:45 | |
-Stop before somebody gets killed. -Back! | 0:27:45 | 0:27:48 | |
-All right, cowboy, I'm back. -Stay back! | 0:27:48 | 0:27:51 | |
It's a situation you can't control. | 0:27:51 | 0:27:54 | |
I can't control it? I can't control it? | 0:27:54 | 0:27:56 | |
You're a dead man. | 0:27:56 | 0:27:57 | |
Shut the fuck up! | 0:27:57 | 0:28:00 | |
What's your name, convict? | 0:28:18 | 0:28:21 | |
My name? | 0:28:21 | 0:28:23 | |
Yeah. | 0:28:23 | 0:28:25 | |
Poe. | 0:28:25 | 0:28:26 | |
Nice work, Poe. | 0:28:26 | 0:28:27 | |
Truly nice work. | 0:28:27 | 0:28:29 | |
Nice going, Son(!) | 0:28:34 | 0:28:36 | |
Not only did you not save this dude's life, | 0:28:38 | 0:28:40 | |
you made best friends | 0:28:40 | 0:28:42 | |
with Cyrus the damn Virus! | 0:28:42 | 0:28:44 | |
Cyrus. I got some good news and I got some bad news. | 0:28:44 | 0:28:48 | |
What's the good news? | 0:28:48 | 0:28:49 | |
I found Benson, Karls and Papovitch. | 0:28:49 | 0:28:52 | |
What's the bad news? | 0:28:52 | 0:28:53 | |
This dead fella here | 0:28:53 | 0:28:55 | |
happens to be Benson. This Aryan fellow | 0:28:55 | 0:28:58 | |
with the bullet hole in his forehead is Karls. | 0:28:58 | 0:29:02 | |
This honky he's dragging in is Papovitch. | 0:29:02 | 0:29:05 | |
I don't know how to tell you, but we're three white guys short. | 0:29:05 | 0:29:09 | |
Or as they say in Ebonics, "We be fucked!" | 0:29:09 | 0:29:12 | |
I just want to know, | 0:29:13 | 0:29:15 | |
you didn't mean that dirty nigger crackhead shit, did you? | 0:29:15 | 0:29:19 | |
Give me that gun. | 0:29:19 | 0:29:20 | |
Hell, yes, I meant it. | 0:29:21 | 0:29:23 | |
Carson City expects six men to get off this plane. | 0:29:23 | 0:29:27 | |
We'll give them exactly that. I need three volunteers. | 0:29:27 | 0:29:31 | |
Come on, let's go. | 0:29:31 | 0:29:32 | |
Don't look at me, pal. | 0:29:34 | 0:29:36 | |
What about her? | 0:29:36 | 0:29:37 | |
I'm serving eight consecutive life sentences. | 0:29:37 | 0:29:41 | |
I got my insulin but no needles. | 0:29:41 | 0:29:43 | |
If I don't get my shot soon my mother'll be getting flowers. | 0:29:43 | 0:29:47 | |
I mean, no offence. | 0:29:47 | 0:29:49 | |
I can take care of myself. | 0:29:49 | 0:29:51 | |
I see that(!) | 0:29:51 | 0:29:53 | |
Go to the back. Anybody else? | 0:29:53 | 0:29:55 | |
Right here, man. Us two. | 0:29:55 | 0:29:57 | |
Right, go ahead. Go to the back. | 0:29:57 | 0:30:00 | |
Hey! Whoa! | 0:30:02 | 0:30:04 | |
They're expecting white guys. | 0:30:04 | 0:30:06 | |
That puts you shit out of luck. | 0:30:06 | 0:30:08 | |
-Come on, man! -Sit down. | 0:30:08 | 0:30:10 | |
I'll get a phone. You call the Affirmative Action office. | 0:30:10 | 0:30:14 | |
You, go ahead. | 0:30:14 | 0:30:16 | |
That's it. I'm gone, man. I'm dead in two hours. | 0:30:16 | 0:30:20 | |
No. I'll get off, scream to high heaven. | 0:30:20 | 0:30:24 | |
This plane won't leave Carson City. | 0:30:24 | 0:30:27 | |
We need another white boy to volunteer. | 0:30:30 | 0:30:35 | |
The pilot's white. | 0:30:32 | 0:30:35 | |
Wait. The pilot? Who's gonna fly the plane? | 0:30:35 | 0:30:37 | |
BUZZER | 0:30:37 | 0:30:39 | |
Relax, Billy. Welcome to the machine. | 0:30:39 | 0:30:42 | |
You rang? | 0:30:42 | 0:30:43 | |
We got a helluva sandstorm at Carson. | 0:30:43 | 0:30:46 | |
Ha! | 0:30:46 | 0:30:48 | |
Perfect! | 0:30:48 | 0:30:50 | |
Crazy. | 0:30:50 | 0:30:53 | |
'Vacant cell D8 ready for inspection.' | 0:30:58 | 0:31:02 | |
Last tenant, Cyrus Grissom. | 0:31:04 | 0:31:06 | |
Scratches on the wall - weapon sharpening. | 0:31:06 | 0:31:09 | |
-The loose shelf screw? -What the hell is this? | 0:31:09 | 0:31:13 | |
Looks like cocaine. | 0:31:13 | 0:31:15 | |
Have you got something there? | 0:31:17 | 0:31:19 | |
I don't know. It's all soft. | 0:31:19 | 0:31:23 | |
What about the rest of the pigs? | 0:31:27 | 0:31:29 | |
Be patient now. They haven't ceased to be useful yet. | 0:31:29 | 0:31:33 | |
OK, old man. Now you're Mr Papovitch. | 0:31:33 | 0:31:37 | |
You reach the Nevada pen in two hours. | 0:31:37 | 0:31:39 | |
The tape's a precaution in case any of you | 0:31:39 | 0:31:42 | |
are rocked by the sudden impulse to squeal like a pig. | 0:31:42 | 0:31:46 | |
Not that we don't trust you. But let's face it, you're criminals. | 0:31:46 | 0:31:52 | |
Move your head up. | 0:31:52 | 0:31:53 | |
-I want to stay on. -What? | 0:31:53 | 0:31:56 | |
I changed my mind. | 0:31:57 | 0:31:59 | |
We've got a little mind-changer. | 0:31:59 | 0:32:02 | |
I got 15 years left and I'd just hate myself if I blew my one shot | 0:32:02 | 0:32:07 | |
at a naked party freak and an umbrella drink. | 0:32:07 | 0:32:10 | |
You got 15 years?! | 0:32:10 | 0:32:12 | |
You couldn't wait to get off this plane. | 0:32:12 | 0:32:14 | |
I know. Fear of freedom, I guess. | 0:32:14 | 0:32:18 | |
Get him up. Get the cuffs off him. | 0:32:20 | 0:32:23 | |
Pick out a guard and put that dead cop's prison issues on him. | 0:32:23 | 0:32:28 | |
What are you doing? | 0:32:29 | 0:32:31 | |
Staying. They're gagging everybody. It'll be hours | 0:32:31 | 0:32:35 | |
before the Feds know what happened. By then you'll be dead. So will she. | 0:32:35 | 0:32:40 | |
Think of your little girl. | 0:32:40 | 0:32:42 | |
What would my daughter think if I left you to get dishonoured | 0:32:42 | 0:32:46 | |
and die? | 0:32:46 | 0:32:48 | |
If you act like a Ranger, we'll all be in trouble. | 0:32:48 | 0:32:51 | |
You're not that guy any more. You're a convict! | 0:32:51 | 0:32:55 | |
Ugh! | 0:32:55 | 0:32:57 | |
Oh, God! | 0:32:58 | 0:33:00 | |
I told you I'd get that back. | 0:33:02 | 0:33:04 | |
Fuck you, trailer trash! | 0:33:04 | 0:33:05 | |
My momma lives in a trailer. Put those on. | 0:33:05 | 0:33:08 | |
I just saved your life. | 0:33:08 | 0:33:10 | |
OK, soldier boy. You got a plan? | 0:33:12 | 0:33:14 | |
Maybe. | 0:33:16 | 0:33:17 | |
'Chief, I got a lot of weird shit down here.' | 0:33:32 | 0:33:35 | |
-What is it? -'A drawing of a plane.' | 0:33:35 | 0:33:38 | |
Whose cell is that? | 0:33:38 | 0:33:40 | |
The Virus. | 0:33:40 | 0:33:42 | |
Open up! | 0:34:07 | 0:34:09 | |
My daughter's picture. | 0:34:23 | 0:34:26 | |
Where'd you put it, you shit-eating peckerhead? | 0:34:26 | 0:34:30 | |
HE MUMBLES | 0:34:36 | 0:34:37 | |
Heard you had a problem. | 0:34:39 | 0:34:41 | |
Had to bag 'em and gag 'em. Rough crew - spitters and shitters. | 0:34:41 | 0:34:46 | |
On the bus, dickhead! | 0:34:51 | 0:34:53 | |
On the bus! | 0:34:53 | 0:34:54 | |
Rack the gate. | 0:35:06 | 0:35:08 | |
They took the plane. | 0:35:14 | 0:35:15 | |
You hear that, boys? We got the plane! | 0:35:15 | 0:35:18 | |
Shut the fuck up, Curly! You're going to get us caught. | 0:35:18 | 0:35:21 | |
No way, Jose! Oh! | 0:35:21 | 0:35:23 | |
You've got to be kidding me. | 0:35:23 | 0:35:25 | |
Oh, boy! | 0:35:25 | 0:35:27 | |
In Spanish. | 0:35:30 | 0:35:32 | |
Bogota, Colombia. Looks like it's from a law firm. | 0:35:32 | 0:35:35 | |
Orange...black. | 0:35:49 | 0:35:52 | |
What's up, man? | 0:35:54 | 0:35:56 | |
-So you Swamp Thing? -That's right. | 0:35:56 | 0:35:59 | |
-Flying the plane? -That's right. | 0:35:59 | 0:36:02 | |
It's amazing the shit you white trash know. | 0:36:02 | 0:36:04 | |
That's right. | 0:36:04 | 0:36:06 | |
What are you doing here? | 0:36:39 | 0:36:41 | |
Hello. | 0:36:41 | 0:36:44 | |
How you doing, baby? I'm just trying to get out of the storm. | 0:36:44 | 0:36:48 | |
This is a restricted area. | 0:36:48 | 0:36:50 | |
Look, don't worry. It's all right, I'm a cop. | 0:36:50 | 0:36:54 | |
You work for a prison? | 0:36:54 | 0:36:56 | |
Yeah, the Department of Erect... Corrections. | 0:36:56 | 0:37:00 | |
Creepy! The eyes are cut out of their heads. | 0:37:01 | 0:37:05 | |
The Last Supper. | 0:37:10 | 0:37:11 | |
-Is that it? -One more. | 0:37:13 | 0:37:16 | |
Late addition. | 0:37:16 | 0:37:17 | |
-Who? -Garland Greene. | 0:37:18 | 0:37:23 | |
Should be interesting. | 0:37:20 | 0:37:23 | |
What the fuck is that?! | 0:37:43 | 0:37:46 | |
That's Garland Greene, man. | 0:37:46 | 0:37:49 | |
Christ in a cartoon! | 0:37:55 | 0:37:57 | |
Shit, that's Garland Greene! | 0:37:57 | 0:37:59 | |
The Marietta Mangler. | 0:37:59 | 0:38:01 | |
That skinny man butchered 30 people | 0:38:01 | 0:38:03 | |
on the eastern seaboard. The way he killed them | 0:38:03 | 0:38:07 | |
makes the Manson family | 0:38:07 | 0:38:09 | |
look like the Partridge family. | 0:38:09 | 0:38:11 | |
Well, he's on the right flight. | 0:38:11 | 0:38:15 | |
You really must leave. | 0:38:15 | 0:38:16 | |
Tina, you've got the prettiest eyes I've seen. | 0:38:16 | 0:38:20 | |
"Metcar. Me, etc." | 0:38:28 | 0:38:31 | |
"Etc." | 0:38:31 | 0:38:33 | |
"Meet, etc. Meet arson." | 0:38:33 | 0:38:36 | |
"Meet cars. Meet cars." | 0:38:36 | 0:38:38 | |
"Meet cars." | 0:38:38 | 0:38:39 | |
"Meet cars. Meet cars." Where? | 0:38:39 | 0:38:42 | |
"Carson... | 0:38:44 | 0:38:46 | |
"City." | 0:38:46 | 0:38:48 | |
Oh, God. Er... | 0:38:49 | 0:38:51 | |
Stay here. Don't touch anything. | 0:38:51 | 0:38:55 | |
HE SIGHS | 0:38:58 | 0:39:00 | |
What are you doing? He said don't touch anything. | 0:39:00 | 0:39:04 | |
MUFFLED CRIES | 0:39:21 | 0:39:25 | |
What the hell...? | 0:39:25 | 0:39:27 | |
You want to have some more fun, | 0:39:30 | 0:39:32 | |
keep it up! | 0:39:32 | 0:39:34 | |
Come on. | 0:39:54 | 0:39:56 | |
We've got a situation here, sir. Call the Marshal's Office. | 0:40:05 | 0:40:09 | |
'Code Red. Those guards ain't guards.' | 0:40:12 | 0:40:15 | |
"They're cons. Stall 'em." | 0:40:15 | 0:40:16 | |
Christ! | 0:40:16 | 0:40:18 | |
Hey, how are you? | 0:40:30 | 0:40:31 | |
-Almost ready? -Won't be long now. | 0:40:31 | 0:40:34 | |
HE LAUGHS | 0:40:40 | 0:40:41 | |
You're the man, Cyrus! | 0:40:45 | 0:40:47 | |
Let's go. | 0:40:47 | 0:40:49 | |
ARGH! | 0:40:53 | 0:40:54 | |
Do you hear something that sounds like a damn plane? | 0:40:56 | 0:41:00 | |
'You are not clear for take-off.' | 0:41:04 | 0:41:06 | |
Nobody on this aircraft gives a flying fuck. Get it? | 0:41:06 | 0:41:10 | |
Flying fuck! Thank you, I'm here all week. | 0:41:10 | 0:41:13 | |
Hey! Hey, Cochise, it's me! | 0:41:17 | 0:41:20 | |
Pinball! | 0:41:20 | 0:41:21 | |
I'm sorry. Hey! | 0:41:21 | 0:41:23 | |
Shine, sweet freedom, shine! | 0:41:32 | 0:41:34 | |
CHEERING / WHISTLING | 0:41:36 | 0:41:38 | |
Trust me. This will be a day you'll never forget. | 0:41:42 | 0:41:45 | |
Just step right on board and find yourself a seat. | 0:41:45 | 0:41:49 | |
Do they have a way of tracking planes? | 0:41:52 | 0:41:55 | |
It's a transponder. Every plane's got one. | 0:41:55 | 0:41:58 | |
Swamp, where is the transponder? | 0:41:58 | 0:42:02 | |
Ha! Where indeed? | 0:42:04 | 0:42:06 | |
Are you sure it's safe to fly in this? | 0:42:10 | 0:42:13 | |
I've done it a thousand times. We'll be through this soon. | 0:42:13 | 0:42:17 | |
All right back there, ladies? | 0:42:17 | 0:42:19 | |
We're following the transponder. | 0:42:21 | 0:42:24 | |
What the fuck happened? | 0:42:24 | 0:42:27 | |
What happened to Sims? | 0:42:27 | 0:42:29 | |
Duncan, they killed him. | 0:42:29 | 0:42:32 | |
They got the plane. | 0:42:32 | 0:42:34 | |
What kind of Keystone Cops operation are you running? | 0:42:44 | 0:42:49 | |
You little shit! You got my agent killed. | 0:42:49 | 0:42:52 | |
He brought a gun on the plane! | 0:42:52 | 0:42:54 | |
He should've had a fucking Uzi! | 0:42:54 | 0:42:56 | |
No-one carries on these flights! No-one! | 0:42:56 | 0:43:00 | |
He got himself killed and compromised my men's safety. | 0:43:00 | 0:43:04 | |
Your men are incompetent! | 0:43:04 | 0:43:05 | |
They got taken over by a bunch of thugs in chains and cages! | 0:43:05 | 0:43:09 | |
I'm not going to listen to this shit! | 0:43:09 | 0:43:12 | |
Guys, let's work it out. | 0:43:12 | 0:43:14 | |
OK. | 0:43:14 | 0:43:16 | |
So, what do we do now? | 0:43:19 | 0:43:21 | |
What's the plan? You do have a plan, don't you? | 0:43:21 | 0:43:24 | |
We're working on it. | 0:43:24 | 0:43:26 | |
Contingency plans don't exist. It's never been contemplated. | 0:43:26 | 0:43:31 | |
Start contemplating. This situation needs to get unfucked right now! | 0:43:31 | 0:43:36 | |
'I want a chopper.' | 0:43:36 | 0:43:38 | |
Make that a few. They need to be armed. | 0:43:38 | 0:43:41 | |
'National Guard, Air Force, whatever.' | 0:43:41 | 0:43:44 | |
'Just get 'em here now.' | 0:43:44 | 0:43:46 | |
What do you want to do with him? | 0:43:50 | 0:43:51 | |
I don't know. It's no way to treat a national treasure. Let him out. | 0:43:51 | 0:43:56 | |
Are you sure? | 0:43:56 | 0:43:58 | |
Love your work. | 0:43:58 | 0:44:00 | |
Hmm! | 0:44:02 | 0:44:04 | |
They're headed... | 0:44:29 | 0:44:30 | |
south-east toward Arizona. | 0:44:30 | 0:44:33 | |
Pinball didn't make it. | 0:44:40 | 0:44:42 | |
No? That's too bad. | 0:44:42 | 0:44:45 | |
I liked Pinball. | 0:44:45 | 0:44:47 | |
What do you want? | 0:44:48 | 0:44:49 | |
-I want to know what the plan is. -Why you care? | 0:44:49 | 0:44:52 | |
I got just as much riding on this as you. We're all convicts here. | 0:44:52 | 0:44:57 | |
'Cyrus Grissom, do you copy?' | 0:44:57 | 0:44:59 | |
Cyrus Grissom, do you copy? | 0:44:59 | 0:45:01 | |
Yes, I copy. Identify yourself. | 0:45:01 | 0:45:04 | |
US Marshal Vince Larkin and Duncan Malloy, DEA. | 0:45:04 | 0:45:07 | |
Oh, Agent Malloy. I'm so sorry about your associate. | 0:45:07 | 0:45:12 | |
Nothing is as sad as a grown man pissing his pants. | 0:45:12 | 0:45:15 | |
Grissom, you puny fucking animal! | 0:45:15 | 0:45:18 | |
'You're going to the chair!' | 0:45:18 | 0:45:20 | |
Hey! I don't like him. | 0:45:20 | 0:45:21 | |
If he speaks again, this conversation is terminated. | 0:45:21 | 0:45:25 | |
He doesn't want to talk again. He's leaving the building, OK? | 0:45:25 | 0:45:29 | |
Good, I'll talk to you. The rules are, | 0:45:29 | 0:45:32 | |
first I ask a question, then you ask one. | 0:45:32 | 0:45:35 | |
What's your question? | 0:45:35 | 0:45:36 | |
In Carson City, your bulls were onto us. How? | 0:45:36 | 0:45:39 | |
One of the guards - | 0:45:39 | 0:45:41 | |
"One of the guards...?" | 0:45:41 | 0:45:43 | |
One of the guards faked a heart attack. | 0:45:43 | 0:45:45 | |
We had to remove his restraints. | 0:45:45 | 0:45:48 | |
I see. And what's your question? | 0:45:48 | 0:45:50 | |
Where are you going with my plane? | 0:45:50 | 0:45:53 | |
We're going to Disneyland. | 0:45:53 | 0:45:54 | |
You're lying, Cyrus. | 0:45:54 | 0:45:56 | |
So are you, Vince. | 0:45:56 | 0:45:58 | |
# Nothing makes me sadder | 0:45:58 | 0:46:00 | |
# Than the agent lost his bladder in the | 0:46:00 | 0:46:04 | |
'# A-a-a-irplane. #' | 0:46:04 | 0:46:06 | |
Lerner Airfield, middle of nowhere. That's our rendezvous. | 0:46:08 | 0:46:12 | |
49 minutes from any authority. | 0:46:12 | 0:46:15 | |
So, now you know. | 0:46:15 | 0:46:16 | |
-Excited? -Yes. | 0:46:21 | 0:46:23 | |
You sure look pretty. | 0:46:23 | 0:46:24 | |
Mrs Poe? | 0:46:30 | 0:46:31 | |
That's right. | 0:46:31 | 0:46:32 | |
Grant, US Marshal Service. There's a problem on your husband's flight. | 0:46:32 | 0:46:37 | |
Your presence is requested. I have a jet standing by. | 0:46:37 | 0:46:41 | |
Yee-ha! What's on your mind, hillbilly? | 0:46:47 | 0:46:51 | |
What was I thinking about? Oh, yeah. "Yee-ha!" That's right. | 0:46:51 | 0:46:56 | |
I was just wondering what a black militant | 0:46:56 | 0:47:00 | |
was doing taking orders from a white boy on a power trip. | 0:47:00 | 0:47:04 | |
Don't you think that's strange? | 0:47:04 | 0:47:05 | |
It's a means to an end, my white friend. | 0:47:05 | 0:47:08 | |
A means to an end. | 0:47:08 | 0:47:11 | |
I can play house nigger till we get to where we going. | 0:47:11 | 0:47:14 | |
And then, the Day of the Dog begins. | 0:47:14 | 0:47:19 | |
Shh. | 0:47:19 | 0:47:20 | |
So what was that all about? | 0:47:26 | 0:47:29 | |
Nothing, except they somehow managed | 0:47:29 | 0:47:32 | |
to get every creep and freak in the universe onto this one plane, | 0:47:32 | 0:47:36 | |
and then somehow managed to let them take it over, | 0:47:36 | 0:47:39 | |
and then somehow managed to stick us right smack in the middle. | 0:47:39 | 0:47:45 | |
Hi, Garland. | 0:47:50 | 0:47:52 | |
Here's the jacket on Cameron Poe. His wife's on the way. | 0:47:55 | 0:47:59 | |
US Ranger, decorated. Did a little hell-raising as a kid. | 0:47:59 | 0:48:03 | |
Explain why this matters. | 0:48:03 | 0:48:05 | |
Fact one - we've got this guy Poe on the plane. | 0:48:05 | 0:48:08 | |
In for involuntary manslaughter, non-gang-affiliated. He's a parolee. | 0:48:08 | 0:48:14 | |
Fact two - Poe has a chance to get off the plane. | 0:48:14 | 0:48:17 | |
He doesn't do it. Why? Fact three - | 0:48:17 | 0:48:20 | |
our guard said a convict named Poe planted Sims's tape-recorder on him. | 0:48:20 | 0:48:25 | |
Interesting facts. Do the maths, we got an ally on that plane. | 0:48:25 | 0:48:30 | |
Ally?! This guy's a criminal, a murderer. | 0:48:30 | 0:48:33 | |
Read the file. He got in a brawl | 0:48:33 | 0:48:35 | |
defending his wife and killed a guy. Could happen to any of us. | 0:48:35 | 0:48:39 | |
I'm not one of these animals. | 0:48:39 | 0:48:41 | |
When did they become animals? | 0:48:41 | 0:48:44 | |
When they stopped caring about civilisation. | 0:48:44 | 0:48:47 | |
Civilisation is judged by observing society's prisoners. | 0:48:47 | 0:48:51 | |
Dostoevsky said that after doing time. | 0:48:51 | 0:48:53 | |
"Fuck you!" Grissom said that after putting a bullet in my agent's head. | 0:48:53 | 0:48:58 | |
How do we bring the plane down? | 0:48:58 | 0:49:01 | |
Shoot it down. | 0:49:01 | 0:49:03 | |
When exactly did this become a DEA jurisdiction? | 0:49:03 | 0:49:06 | |
The second a DEA agent was murdered. | 0:49:06 | 0:49:09 | |
I am authorised | 0:49:09 | 0:49:10 | |
to bring Sims's killers to justice, using all necessary means. | 0:49:10 | 0:49:15 | |
-That doesn't mean shooting a plane. -Maybe yes, maybe no. | 0:49:15 | 0:49:18 | |
Tell me you're not entertaining this! | 0:49:18 | 0:49:21 | |
This is a drastic situation. | 0:49:21 | 0:49:23 | |
-Our men are up there! -They all signed a no-hostage clause. | 0:49:23 | 0:49:27 | |
There are innocent people up there! | 0:49:27 | 0:49:30 | |
-HELICOPTER -About time. | 0:49:30 | 0:49:32 | |
For what? | 0:49:32 | 0:49:33 | |
About time for what? | 0:49:33 | 0:49:35 | |
Attack choppers. We're going after 'em. | 0:49:35 | 0:49:38 | |
Goddamn it! Skip, don't do this! | 0:49:42 | 0:49:45 | |
This man is in an irrational state of mind! | 0:49:45 | 0:49:48 | |
Fuck off! Your job's finished. This flight's full. | 0:49:48 | 0:49:52 | |
Gentlemen, in roughly five hours | 0:50:00 | 0:50:02 | |
we will be flying over the shores of Mexico. | 0:50:02 | 0:50:05 | |
'But first, we have to change aircraft.' | 0:50:05 | 0:50:08 | |
Thank you. Have a pleasant flight. | 0:50:08 | 0:50:11 | |
What's the ETA, Swamp Thing? | 0:50:11 | 0:50:12 | |
At 228mph, | 0:50:12 | 0:50:14 | |
about 71 minutes. The problem is, we're not doing 228mph. | 0:50:14 | 0:50:18 | |
We're doing 205. The landing gear ain't all the way up. We'll be late. | 0:50:18 | 0:50:23 | |
That's unacceptable! | 0:50:23 | 0:50:25 | |
Check the gear. | 0:50:25 | 0:50:26 | |
-What do I know about landing gear? -Learn. | 0:50:26 | 0:50:29 | |
Hillbilly! | 0:50:32 | 0:50:34 | |
Poe. | 0:50:34 | 0:50:36 | |
Yeah? | 0:50:39 | 0:50:41 | |
Cyrus wants you to check out the landing gear. | 0:50:41 | 0:50:44 | |
I should see some nice scenery whipping by down there. | 0:50:44 | 0:50:48 | |
Trees and stuff. | 0:50:51 | 0:50:54 | |
Goddamn! So that's what happened to Pinball. | 0:51:13 | 0:51:16 | |
Cut him loose. He's slowing us down. Dead weight. | 0:51:16 | 0:51:20 | |
Not exactly a proper burial. | 0:51:20 | 0:51:22 | |
Look at our shit over there. | 0:51:22 | 0:51:24 | |
Hurry up! | 0:51:44 | 0:51:45 | |
Hillbilly! | 0:51:47 | 0:51:49 | |
Gotcha! | 0:51:50 | 0:51:51 | |
Hurry up, man. | 0:51:52 | 0:51:54 | |
Bye, Pinball! | 0:52:00 | 0:52:02 | |
Oh, boy! Did you see that? Did you see? | 0:52:16 | 0:52:19 | |
When I get it waxed, | 0:52:19 | 0:52:20 | |
I get ten feet from the carwash and, pow! Birdshit. | 0:52:20 | 0:52:24 | |
Well, it's supposed to be good luck. | 0:52:24 | 0:52:27 | |
-Light's changed. -Oh, damn! | 0:52:29 | 0:52:32 | |
AARGH! | 0:52:37 | 0:52:39 | |
SHOUTING | 0:52:45 | 0:52:48 | |
-You were in the Q, right? -Yeah. -I heard you say you had 15 years. | 0:52:54 | 0:53:00 | |
That's right. | 0:53:00 | 0:53:01 | |
That would put you on north block, right? | 0:53:01 | 0:53:06 | |
Yeah. | 0:53:06 | 0:53:07 | |
Funny thing. I was on north block. | 0:53:10 | 0:53:13 | |
I don't know you. | 0:53:14 | 0:53:16 | |
You know what, er, pal? What do you think that means? | 0:53:16 | 0:53:21 | |
Nothing. Not diddly shit. | 0:53:21 | 0:53:23 | |
See, there were 160 cats on north block | 0:53:23 | 0:53:26 | |
and I didn't want to know 159 of 'em, which included you. | 0:53:26 | 0:53:30 | |
What do you think about that? | 0:53:30 | 0:53:32 | |
Yeah. | 0:53:32 | 0:53:35 | |
He's a font of misplaced rage. | 0:53:42 | 0:53:46 | |
Name your cliche. His mother held him too much or not enough. | 0:53:46 | 0:53:50 | |
Last pick at kick ball, late-night sneaky uncle, whatever. | 0:53:50 | 0:53:54 | |
He's so angry, moments of levity cause him pain. Give him headaches. | 0:53:54 | 0:54:01 | |
Happiness for that gentleman hurts. | 0:54:01 | 0:54:03 | |
(What's wrong with him?) | 0:54:03 | 0:54:05 | |
My first thought would be, a lot. | 0:54:05 | 0:54:09 | |
Hi. I'm Vince Larkin. | 0:54:12 | 0:54:15 | |
I'm Tricia Poe. | 0:54:15 | 0:54:18 | |
Nice to meet you. | 0:54:16 | 0:54:18 | |
This must be Casey. Hello, Casey. | 0:54:18 | 0:54:22 | |
Hello, Vince Larkin. | 0:54:20 | 0:54:22 | |
So, how are you doing? | 0:54:22 | 0:54:24 | |
I'm sorry. Scratch that - dumb question. | 0:54:24 | 0:54:28 | |
You wanted to see your husband. Then this happened. | 0:54:28 | 0:54:31 | |
Just tell me exactly what's going on. | 0:54:31 | 0:54:34 | |
We're doing everything we can to get the plane down. | 0:54:34 | 0:54:37 | |
That's why I wanted to talk to you. | 0:54:37 | 0:54:40 | |
Where'd you get the rims, man? | 0:54:44 | 0:54:47 | |
Personal shit's down in the belly. | 0:54:47 | 0:54:50 | |
Hey, those are my shades! | 0:54:50 | 0:54:52 | |
They're mine now, sister. | 0:54:52 | 0:54:56 | |
Men! | 0:54:54 | 0:54:56 | |
It seems that your husband | 0:55:02 | 0:55:04 | |
had an opportunity to get off the plane and he didn't. | 0:55:04 | 0:55:08 | |
And I was hoping you could maybe help me figure out...why. | 0:55:08 | 0:55:14 | |
That makes two of us. I don't know. | 0:55:14 | 0:55:16 | |
It's not uncommon | 0:55:16 | 0:55:18 | |
that some parolees actually fear their release date. | 0:55:18 | 0:55:23 | |
A degree of institutionalisation sets in. Fear of coming home, | 0:55:23 | 0:55:27 | |
fear of society. Does this...? | 0:55:27 | 0:55:29 | |
No, that's not Cameron. | 0:55:29 | 0:55:31 | |
If you knew him, read his letters or talked to him, | 0:55:31 | 0:55:35 | |
you'd know that he's waited for this for eight years. | 0:55:35 | 0:55:38 | |
He's not gonna... | 0:55:38 | 0:55:40 | |
Look - he's got his little girl to come home to. | 0:55:41 | 0:55:46 | |
Wouldn't you do the same thing? | 0:55:47 | 0:55:53 | |
Have to be a pretty strong reason to keep me on that plane. | 0:55:53 | 0:55:57 | |
Well, knowing Cameron, I'm sure there is a good reason. | 0:55:57 | 0:56:01 | |
Er... | 0:56:03 | 0:56:04 | |
Maybe if you do see him, or if you talk to him, | 0:56:04 | 0:56:08 | |
maybe you could just tell him to come home, all right? | 0:56:08 | 0:56:12 | |
Be kinda nice to have him around. | 0:56:12 | 0:56:15 | |
You got it. | 0:56:15 | 0:56:16 | |
KNOCKING AT DOOR | 0:56:16 | 0:56:17 | |
Vince? Line one. | 0:56:17 | 0:56:21 | |
This body fell out of the sky! | 0:56:23 | 0:56:29 | |
Vince Larkin? This is Ted Grasso - Fresno Police Department. | 0:56:25 | 0:56:29 | |
"We've got a problem with a corpse." | 0:56:29 | 0:56:31 | |
-Uh-huh? -"It fell outta the sky." | 0:56:31 | 0:56:34 | |
He's not an astronaut. | 0:56:34 | 0:56:36 | |
What's this got to do with me? | 0:56:36 | 0:56:38 | |
It's got your name written all over it. | 0:56:40 | 0:56:42 | |
Last transponder tag was in Arizona. Body falls here in Fresno. | 0:56:46 | 0:56:51 | |
Lerner Airfield. | 0:56:51 | 0:56:53 | |
They're turning around. Can you get me Chief... | 0:56:53 | 0:56:58 | |
Devers. | 0:56:55 | 0:56:57 | |
Vince? | 0:56:59 | 0:57:01 | |
Turn around. | 0:56:59 | 0:57:01 | |
"Plane's headed to Lerner Airfield." | 0:57:01 | 0:57:04 | |
Horseshit! We're tailing the transponder to Arizona. | 0:57:04 | 0:57:07 | |
Listen! A body fell from the sky. | 0:57:07 | 0:57:10 | |
"It had a note on it." | 0:57:10 | 0:57:12 | |
We've got him vectored at 12 o'clock. | 0:57:12 | 0:57:16 | |
Vince, please! | 0:57:14 | 0:57:16 | |
-'We're on his tail.' -Listen! | 0:57:16 | 0:57:18 | |
The note on the body was to me! | 0:57:18 | 0:57:21 | |
-Oh, shut up! -TURNS RADIO OFF: | 0:57:21 | 0:57:23 | |
Hello? | 0:57:23 | 0:57:25 | |
Guys! Guys! I need a plane or chopper now! | 0:57:25 | 0:57:29 | |
You and me both. I'm all out. | 0:57:29 | 0:57:31 | |
I've got to get to Lerner Airfield in 50 minutes. | 0:57:31 | 0:57:34 | |
Got a fast car, you can drive it. | 0:57:34 | 0:57:36 | |
I'm with the Marshal Services. | 0:57:40 | 0:57:42 | |
Send Sheriff, State Trooper, National Guard. Hold on one minute. | 0:57:42 | 0:57:46 | |
Proceed with extreme caution. They'll find the weapons hold soon. | 0:57:50 | 0:57:55 | |
Vince Larkin! Marshal Services. How do you think I got the number? | 0:57:59 | 0:58:04 | |
"..appears to the United States Parole Commission that..." | 0:58:09 | 0:58:14 | |
Poe... | 0:58:14 | 0:58:16 | |
Man. Oh, yeah! | 0:58:16 | 0:58:19 | |
Put the bunny back in the box. | 0:58:21 | 0:58:23 | |
I knew you was a punk. | 0:58:25 | 0:58:27 | |
And I was right. | 0:58:27 | 0:58:29 | |
You've been playing us all along. | 0:58:29 | 0:58:31 | |
You're a free man. | 0:58:31 | 0:58:34 | |
I said...put the bunny back in the box. | 0:58:34 | 0:58:41 | |
CHUCKLES | 0:58:44 | 0:58:45 | |
YELLS | 0:58:49 | 0:58:50 | |
Die, punk! | 0:59:11 | 0:59:12 | |
Why couldn't you put the bunny back in the box? | 0:59:20 | 0:59:25 | |
To your left, you'll see the vertical Redwong Cliffs. | 0:59:26 | 0:59:30 | |
We're about to establish visual contact. | 0:59:33 | 0:59:36 | |
Holy shit! | 0:59:38 | 0:59:39 | |
Abort! Abort! | 0:59:41 | 0:59:42 | |
If that aircraft's carrying 30 prisoners, I'm Elvis Presley. | 0:59:44 | 0:59:48 | |
Uncle Bob's Scenic Tours. | 0:59:48 | 0:59:52 | |
Shit! | 0:59:52 | 0:59:54 | |
300 fucking miles to apprehend Ma and Pa fucking Kettle! | 0:59:57 | 1:00:01 | |
We need to get to Lerner Airfield now! | 1:00:01 | 1:00:03 | |
'Get me Vince Larkin!' | 1:00:03 | 1:00:06 | |
Two went down, one came up. | 1:00:15 | 1:00:18 | |
Wasn't my fault. | 1:00:18 | 1:00:21 | |
You don't have to tell me. | 1:00:19 | 1:00:21 | |
Most murders are crimes of necessity, not desire. | 1:00:21 | 1:00:24 | |
The great ones, Dahmer, Gacy, Bundy, did it because it excited them. | 1:00:24 | 1:00:29 | |
Don't you... I got nothing in common with them, | 1:00:29 | 1:00:33 | |
with you! Don't you talk to me! They were insane. | 1:00:33 | 1:00:38 | |
Now you're talking semantics. What if I told you | 1:00:38 | 1:00:41 | |
insane was working 50 hours a week in an office for 50 years, | 1:00:41 | 1:00:45 | |
after which they tell you to piss off? | 1:00:45 | 1:00:47 | |
Ending up in a retirement village, | 1:00:47 | 1:00:50 | |
hoping to die before suffering the indignity | 1:00:50 | 1:00:53 | |
of trying to get to the toilet on time. | 1:00:53 | 1:00:56 | |
Wouldn't you consider that insane? | 1:00:56 | 1:00:58 | |
Murdering 30 people, | 1:00:58 | 1:01:00 | |
semantics or not, is insane! | 1:01:00 | 1:01:04 | |
One girl, I drove through three States, | 1:01:04 | 1:01:07 | |
wearing her head as a hat. | 1:01:07 | 1:01:09 | |
It's my daughter's birthday. | 1:01:09 | 1:01:11 | |
So please feel free not to share everything with me. | 1:01:11 | 1:01:15 | |
All right, you damn peckerwoods. | 1:02:13 | 1:02:16 | |
"We're putting this baby down in the sandbox." | 1:02:16 | 1:02:20 | |
Lerner Tower, do you copy? | 1:02:28 | 1:02:30 | |
"Lerner Tower. Are you there, Phil?" | 1:02:30 | 1:02:34 | |
"Come on, answer me. | 1:02:38 | 1:02:40 | |
"I am landing." | 1:02:40 | 1:02:42 | |
Oh, my God! | 1:03:09 | 1:03:11 | |
Look out! | 1:03:12 | 1:03:14 | |
Cuidado! | 1:03:33 | 1:03:34 | |
HE GASPS | 1:04:01 | 1:04:02 | |
HE LAUGHS | 1:04:02 | 1:04:04 | |
Lerner Airfield. I'm so glad to be here. | 1:04:25 | 1:04:28 | |
THEY WHOOP | 1:04:28 | 1:04:31 | |
Thank you for choosing Con Air. | 1:04:31 | 1:04:33 | |
Where's the plane, Francisco? | 1:04:35 | 1:04:37 | |
I don't know. Have patience. | 1:04:37 | 1:04:40 | |
The last guy who told me that, I burned him and bagged his ashes. | 1:04:40 | 1:04:46 | |
Cyrus, it'll be here. | 1:04:44 | 1:04:46 | |
Hey, you stupid sons of bitches! Jesus Christ! | 1:04:52 | 1:04:56 | |
Argh! | 1:04:56 | 1:04:58 | |
I hope he likes sand. | 1:05:02 | 1:05:04 | |
Check out the tower and have a look-see. | 1:05:04 | 1:05:08 | |
All right. | 1:05:07 | 1:05:08 | |
Come with us. | 1:05:08 | 1:05:09 | |
We're getting off. | 1:05:14 | 1:05:16 | |
I can't! | 1:05:14 | 1:05:15 | |
You can! | 1:05:15 | 1:05:16 | |
Don't move him. | 1:05:16 | 1:05:19 | |
I'm getting him off! | 1:05:17 | 1:05:19 | |
You can't move him. He could go into shock. | 1:05:19 | 1:05:23 | |
She's right, Poe. Go on, man. | 1:05:23 | 1:05:25 | |
I'm not leaving without you. Or you. | 1:05:25 | 1:05:28 | |
Oh, here we go - Ranger Boy! | 1:05:28 | 1:05:30 | |
Goddamn it, Poe! It's time to fight, fuck or hit the fence. | 1:05:30 | 1:05:35 | |
I suggest you hit the fence. | 1:05:35 | 1:05:37 | |
He's right. Just go. | 1:05:37 | 1:05:40 | |
Here's how it's gonna play. I'm gonna get you that needle. | 1:05:40 | 1:05:44 | |
Whatever you say. Do what you gotta do. | 1:05:44 | 1:05:47 | |
GASPS | 1:05:47 | 1:05:49 | |
You just hang on. Don't die on me. | 1:05:49 | 1:05:51 | |
# Swing low, sweet chariot | 1:05:51 | 1:05:57 | |
# Comin' for to carry me home # | 1:05:57 | 1:06:00 | |
Oh, no! What the hell do you think you're doing? | 1:06:00 | 1:06:03 | |
It's time to off the pigs. | 1:06:03 | 1:06:05 | |
You can't do that. | 1:06:05 | 1:06:07 | |
Tell me why. | 1:06:06 | 1:06:07 | |
We need hostages. | 1:06:07 | 1:06:09 | |
Why the fuck you care? | 1:06:09 | 1:06:14 | |
Hey, man! Come on. | 1:06:10 | 1:06:14 | |
I can't think of a thing I'd like better | 1:06:14 | 1:06:17 | |
than to put a bullet | 1:06:17 | 1:06:19 | |
in the brain base of these fuckers. | 1:06:19 | 1:06:22 | |
But the fact is, how well do you know this Cindino? | 1:06:22 | 1:06:26 | |
I don't know. Just what I read. | 1:06:26 | 1:06:28 | |
He firebombed a senator's yacht with two of his own cousins on board. | 1:06:28 | 1:06:32 | |
So, what's your point? | 1:06:32 | 1:06:34 | |
Think he won't kill hired guns who'd served his purpose? | 1:06:34 | 1:06:38 | |
What are we discussing here? | 1:06:38 | 1:06:43 | |
Poe don't want me to off the pigs. | 1:06:40 | 1:06:43 | |
It's easy to surmise how Nathan feels about killing guards. | 1:06:43 | 1:06:47 | |
My proclivities are well-known, often-lamented facts of penal lore. | 1:06:47 | 1:06:53 | |
What I'm wondering | 1:06:53 | 1:06:54 | |
is why you have any opinion about it at all. | 1:06:54 | 1:06:57 | |
This is your barbecue, and it tastes good. | 1:06:57 | 1:07:00 | |
But I was just saying to Mr... Dog that if it was my barbecue, | 1:07:00 | 1:07:04 | |
I'd wait for that jumbo before killing our leverage. | 1:07:04 | 1:07:08 | |
-Shut the fuck up! -Don't you wanna get laid? | 1:07:08 | 1:07:11 | |
Fuck this! | 1:07:11 | 1:07:14 | |
Put the gun down. | 1:07:12 | 1:07:14 | |
Put the gun down, Nathan! Poe's right. We're going to plan B. | 1:07:14 | 1:07:19 | |
We'll get a refuelling truck and a tractor. | 1:07:19 | 1:07:22 | |
So go and dig the plane out! | 1:07:22 | 1:07:24 | |
No! | 1:07:40 | 1:07:42 | |
Yes! | 1:07:44 | 1:07:45 | |
Viking? | 1:07:59 | 1:08:01 | |
About time to go and get that tractor. | 1:08:01 | 1:08:04 | |
I'll get the fuel truck. | 1:08:06 | 1:08:09 | |
Thanks, Poe. | 1:08:07 | 1:08:09 | |
You're a most useful mammal. | 1:08:09 | 1:08:11 | |
Many hands make light work. My daddy taught me that. | 1:08:11 | 1:08:15 | |
You know what my daddy taught me? Nothing. | 1:08:15 | 1:08:19 | |
Self-educated man. | 1:08:19 | 1:08:21 | |
Have you found Larkin? | 1:08:24 | 1:08:28 | |
We've had trouble reaching him. | 1:08:26 | 1:08:28 | |
Of course you have! | 1:08:28 | 1:08:30 | |
He's off saving the rainforest, | 1:08:30 | 1:08:32 | |
or recycling his sandals or some shit! | 1:08:32 | 1:08:35 | |
Holy shit! | 1:09:07 | 1:09:10 | |
WHISTLES | 1:09:14 | 1:09:15 | |
Hey! | 1:09:15 | 1:09:17 | |
We got company! | 1:09:17 | 1:09:19 | |
HEY! | 1:09:19 | 1:09:21 | |
We got company! | 1:09:21 | 1:09:25 | |
Go get Cyrus. | 1:09:25 | 1:09:27 | |
Yo, Cyrus! | 1:09:28 | 1:09:29 | |
How long have we got till they get here? | 1:09:34 | 1:09:37 | |
10, 12 minutes, tops. | 1:09:37 | 1:09:41 | |
Hey, what's your name? Want to play? | 1:09:50 | 1:09:53 | |
GIGGLES | 1:09:53 | 1:09:55 | |
Nice jet. You can take Cindino and leave the rest | 1:10:04 | 1:10:07 | |
to rot, for all I care. | 1:10:07 | 1:10:09 | |
You fire that weapon, | 1:10:09 | 1:10:11 | |
20 pissed-off prisoners are gonna hear it. Comprende ese? | 1:10:11 | 1:10:16 | |
Hooray for the sounds of fucking silence! | 1:10:18 | 1:10:21 | |
Freeze! | 1:10:21 | 1:10:23 | |
You're Cameron Poe. | 1:10:41 | 1:10:43 | |
That's right. | 1:10:43 | 1:10:46 | |
I'm Larkin. | 1:10:44 | 1:10:46 | |
Hello, Larkin. | 1:10:45 | 1:10:46 | |
I got your message. | 1:10:46 | 1:10:48 | |
Where are the troops? | 1:10:48 | 1:10:52 | |
They'll be here. | 1:10:49 | 1:10:52 | |
They'll be here?! | 1:10:50 | 1:10:52 | |
Uh-huh. In a minute. | 1:10:52 | 1:10:54 | |
Listen, Poe. Can I lower this? | 1:10:54 | 1:10:58 | |
Go ahead. | 1:10:58 | 1:11:00 | |
Are you gonna lower yours? | 1:11:00 | 1:11:04 | |
Sorry. There's only two men I trust. | 1:11:01 | 1:11:04 | |
One of them's me, the other's not you. | 1:11:04 | 1:11:07 | |
Cindino was running a drag on everyone. | 1:11:07 | 1:11:11 | |
Yeah. | 1:11:11 | 1:11:13 | |
If you can't trust a South American drug lord, who can you trust? | 1:11:13 | 1:11:17 | |
That was a joke. | 1:11:17 | 1:11:19 | |
I'm glad you told me. Now I gotta get back to the plane. | 1:11:19 | 1:11:23 | |
You're a free man, Poe. What are you doing? | 1:11:23 | 1:11:26 | |
I can't trade a friend's life for my own. | 1:11:26 | 1:11:30 | |
You got a friend on board? I knew I was right about you. | 1:11:30 | 1:11:33 | |
I read your file. You're not a bad guy, | 1:11:33 | 1:11:36 | |
just in the wrong place at the wrong time. | 1:11:36 | 1:11:39 | |
Goodbye, Larkin. | 1:11:39 | 1:11:41 | |
I spoke to your wife! | 1:11:42 | 1:11:44 | |
In person? | 1:11:51 | 1:11:53 | |
In person. | 1:11:53 | 1:11:54 | |
And your little girl. | 1:11:54 | 1:11:57 | |
You...saw Casey? | 1:11:59 | 1:12:02 | |
Uh-huh. | 1:12:02 | 1:12:04 | |
If this thing goes bad, Larkin, | 1:12:06 | 1:12:08 | |
I'm afraid my daughter won't understand. | 1:12:08 | 1:12:11 | |
If you talk to my wife again, | 1:12:11 | 1:12:14 | |
you tell her... | 1:12:14 | 1:12:16 | |
I love her. | 1:12:16 | 1:12:19 | |
She's my Hummingbird. | 1:12:19 | 1:12:21 | |
But... I couldn't leave a fallen man behind. | 1:12:22 | 1:12:27 | |
You'll do that for me, won't you, Larkin? | 1:12:28 | 1:12:32 | |
Sure I will. What are you gonna do for me? | 1:12:32 | 1:12:35 | |
What do you think I'm gonna do? I'm gonna save the fucking day. | 1:12:35 | 1:12:40 | |
Go, gentlemen. The cavalry is on its way. | 1:12:54 | 1:12:57 | |
I want this airplane out now. | 1:12:57 | 1:13:00 | |
Come on! | 1:13:01 | 1:13:03 | |
Another ten minutes. | 1:13:17 | 1:13:21 | |
You said ten minutes ten minutes ago. | 1:13:18 | 1:13:21 | |
Hello, Bob. Want to come over for dinner? | 1:13:24 | 1:13:28 | |
Are you sick? | 1:13:30 | 1:13:32 | |
Why do you ask? | 1:13:33 | 1:13:35 | |
You look sick. | 1:13:35 | 1:13:38 | |
I am sick. | 1:13:38 | 1:13:40 | |
Do you take medicine? | 1:13:40 | 1:13:41 | |
There is no medicine for what I have. | 1:13:41 | 1:13:44 | |
Want to sing? | 1:13:44 | 1:13:46 | |
Sing? | 1:13:46 | 1:13:48 | |
Do you know He's Got the Whole World in His Hands? | 1:13:48 | 1:13:52 | |
Yes, I do. | 1:13:52 | 1:13:53 | |
# He's got the whole world in his hands | 1:13:53 | 1:13:57 | |
# He's got the whole... | 1:13:57 | 1:13:59 | |
Come on! | 1:13:59 | 1:14:01 | |
-BOTH: -# He's got the whole world in his hands | 1:14:01 | 1:14:07 | |
# He's got the whole wide world in his hands | 1:14:07 | 1:14:11 | |
# He's got the whole world in his hands | 1:14:11 | 1:14:15 | |
# He's got the whole world in his hands. # | 1:14:15 | 1:14:19 | |
The plane is on the ground but it won't be for long. | 1:14:36 | 1:14:40 | |
Where are you? | 1:14:40 | 1:14:43 | |
Near the Lerner cut-off. | 1:14:41 | 1:14:43 | |
Nos vamos! | 1:14:43 | 1:14:45 | |
HE SPEAKS SPANISH | 1:14:48 | 1:14:50 | |
Where's Cindino? | 1:15:12 | 1:15:14 | |
That's my fucking plane! | 1:15:18 | 1:15:20 | |
No! | 1:15:37 | 1:15:40 | |
Cyrus! | 1:16:03 | 1:16:04 | |
Help me! | 1:16:04 | 1:16:06 | |
You missed your connection. | 1:16:09 | 1:16:13 | |
We were coming to get you. | 1:16:11 | 1:16:13 | |
Please! | 1:16:16 | 1:16:18 | |
-Cy...! -..onara! | 1:16:18 | 1:16:20 | |
N-O-O-O-O!!! | 1:16:20 | 1:16:22 | |
GIGGLES | 1:16:52 | 1:16:54 | |
Don't kill me! | 1:16:58 | 1:17:00 | |
I'm not gonna kill you, old-timer. Listen, I need a syringe. | 1:17:00 | 1:17:04 | |
Oh, no! Drugs will end you, Son! | 1:17:04 | 1:17:08 | |
Is there a first-aid kit here? | 1:17:08 | 1:17:10 | |
Try in the fire truck in the bone yard. | 1:17:10 | 1:17:13 | |
All right, thanks. You just stay here and don't panic. | 1:17:13 | 1:17:17 | |
It's easy for you to say. You don't need a piss. | 1:17:17 | 1:17:20 | |
Knowing my audience, I'll make this very simple. | 1:17:41 | 1:17:45 | |
This is the bone yard. This is the hangar. | 1:17:45 | 1:17:48 | |
This is our plane. | 1:17:48 | 1:17:52 | |
What's that? | 1:17:50 | 1:17:52 | |
That's a rock. | 1:17:52 | 1:17:54 | |
OK. | 1:17:54 | 1:17:56 | |
The convoy will enter the bone yard here. | 1:17:56 | 1:17:59 | |
Initially, we take out the first car, | 1:17:59 | 1:18:02 | |
then the last, creating a trap, an air-tight cage | 1:18:02 | 1:18:05 | |
filled with lots and lots of dead people. | 1:18:05 | 1:18:09 | |
Nathan, set everybody in their position. | 1:18:09 | 1:18:13 | |
Bring me those propane tanks! | 1:18:13 | 1:18:15 | |
WHOOPING: Go, girl! | 1:18:18 | 1:18:21 | |
Get them in there. If they give any trouble, kill them. | 1:18:21 | 1:18:25 | |
What can I do? | 1:18:27 | 1:18:29 | |
Take this. Go into the bone yard. Anybody gets through, | 1:18:29 | 1:18:33 | |
-scratch their eyes out. -You got it. | 1:18:33 | 1:18:35 | |
WHISTLES | 1:18:57 | 1:18:58 | |
GAS HISSES | 1:19:04 | 1:19:06 | |
Come on, little piggies. | 1:19:25 | 1:19:27 | |
Closer, closer, closer. | 1:19:45 | 1:19:48 | |
Voila! | 1:19:52 | 1:19:54 | |
Christ, they'll be slaughtered! | 1:19:55 | 1:19:57 | |
This is Larkin. Tell your men to fall back. | 1:19:59 | 1:20:02 | |
Now! | 1:20:02 | 1:20:04 | |
Come on, you stinking piece of shit car! | 1:20:34 | 1:20:37 | |
What are you gonna do? | 1:20:41 | 1:20:43 | |
What you doing? | 1:20:43 | 1:20:45 | |
Baby-O, it's not exactly mai tais and Yahtzee out here. | 1:20:46 | 1:20:50 | |
Let's do it! | 1:20:52 | 1:20:54 | |
You're gonna see what happens now, bitch! Bishop. | 1:21:06 | 1:21:10 | |
Get the fuck off me! | 1:21:21 | 1:21:23 | |
I'm gonna bust your ass! | 1:21:23 | 1:21:26 | |
Leave her alone, man! | 1:21:27 | 1:21:29 | |
Get behind the truck! | 1:21:42 | 1:21:44 | |
Get behind the truck! | 1:21:44 | 1:21:46 | |
When you wake up, I'll be Johnny-24. | 1:22:04 | 1:22:07 | |
You wanna fight somebody? | 1:22:07 | 1:22:09 | |
Don't...treat... | 1:22:26 | 1:22:28 | |
women...like...that! | 1:22:28 | 1:22:31 | |
Ah, shit! | 1:22:33 | 1:22:35 | |
Whoa! Whoa! | 1:22:39 | 1:22:40 | |
Get back to the plane! | 1:22:42 | 1:22:44 | |
Oh, my God! | 1:22:47 | 1:22:49 | |
OK! | 1:23:04 | 1:23:05 | |
-SWAMP THING: -You better get yourself a seat. | 1:23:05 | 1:23:09 | |
Come on! | 1:23:15 | 1:23:16 | |
Take it and let's go. Get ready to move. | 1:23:22 | 1:23:25 | |
We're tied up! | 1:23:32 | 1:23:34 | |
Now, come on! | 1:23:50 | 1:23:53 | |
OK, I'm coming. | 1:23:51 | 1:23:53 | |
Go for the tyres! | 1:23:56 | 1:23:58 | |
Fuck the tyres! | 1:23:57 | 1:23:58 | |
I'm going for the pilot! | 1:23:58 | 1:24:00 | |
Isn't that your car, Malloy? | 1:24:11 | 1:24:16 | |
It couldn't be. I left mine at the office. | 1:24:13 | 1:24:16 | |
On any other day, that might seem strange. | 1:24:19 | 1:24:22 | |
Get her nose up! | 1:24:34 | 1:24:35 | |
Fuckers! | 1:25:05 | 1:25:07 | |
When this is over, so are you, you little prick! | 1:25:07 | 1:25:12 | |
Bye-bye, Bob! Bye-bye! | 1:25:19 | 1:25:21 | |
ARGH! | 1:25:26 | 1:25:27 | |
Go, girl! | 1:25:27 | 1:25:29 | |
# Sweet home Alabama | 1:25:31 | 1:25:33 | |
All right! | 1:25:33 | 1:25:35 | |
# Where the skies are so blue | 1:25:35 | 1:25:37 | |
Define irony. | 1:25:37 | 1:25:40 | |
Bunch of idiots dancing on a plane to a song made famous | 1:25:40 | 1:25:44 | |
by a band that died in a plane crash. | 1:25:44 | 1:25:47 | |
# In Birmingham, they love the governor, ooh, ooh | 1:25:54 | 1:25:59 | |
# We all did what we could do | 1:25:59 | 1:26:01 | |
# Now, Watergate Does not bother me | 1:26:03 | 1:26:08 | |
# Does your conscience bother you? | 1:26:08 | 1:26:11 | |
# Tell the truth | 1:26:11 | 1:26:13 | |
# Sweet home Alabama. # | 1:26:13 | 1:26:15 | |
MUSIC OFF | 1:26:15 | 1:26:17 | |
Someone alerted the authorities at Carson City. | 1:26:19 | 1:26:23 | |
Someone told them about | 1:26:23 | 1:26:25 | |
our Lerner rendezvous. Someone killed poor Billy Bedlam. | 1:26:25 | 1:26:29 | |
Could this all be coincidence? Perhaps. | 1:26:29 | 1:26:33 | |
Then someone went and tied a rope to our plane. | 1:26:33 | 1:26:38 | |
So, I ask you, what is going on? And I answer - | 1:26:38 | 1:26:44 | |
we have a traitor in our midst. | 1:26:44 | 1:26:47 | |
Now, how do we flush a traitor? I don't know. | 1:26:47 | 1:26:51 | |
But at the count of three, I will find out who's on my team | 1:26:51 | 1:26:55 | |
and who is not. That is one, two... | 1:26:55 | 1:27:00 | |
Wait! It was me! | 1:26:58 | 1:27:00 | |
It was me. | 1:27:01 | 1:27:03 | |
Don't listen. The insulin made him crazy. | 1:27:03 | 1:27:06 | |
You have been near death the entire trip. | 1:27:06 | 1:27:10 | |
Motherfucker, it was me. | 1:27:10 | 1:27:13 | |
He's flipped out. | 1:27:12 | 1:27:13 | |
It was pretty clever, huh, bitch? | 1:27:13 | 1:27:17 | |
Jesus! | 1:27:15 | 1:27:17 | |
No - that's clever! | 1:27:17 | 1:27:19 | |
-HIGH-PITCHED: -"My daddy is coming home | 1:27:22 | 1:27:24 | |
"on July 14th. My birthday is July 14th." | 1:27:24 | 1:27:29 | |
-NORMAL VOICE: -"I'm gonna see my daddy for the first time | 1:27:29 | 1:27:33 | |
"on July 14th." Make a move and the bunny gets it. | 1:27:33 | 1:27:38 | |
-Let's take 'em out. -Not yet! | 1:27:44 | 1:27:46 | |
Fire! | 1:27:46 | 1:27:48 | |
Goddamn it, Malloy! | 1:27:48 | 1:27:50 | |
Cease fire! | 1:27:52 | 1:27:53 | |
Get up here! | 1:27:53 | 1:27:54 | |
Why are we waiting? | 1:27:57 | 1:28:00 | |
That is my plane! | 1:27:59 | 1:28:00 | |
You got it, Agent Malloy?! | 1:28:00 | 1:28:02 | |
You need me to draw it in crayon, as usual? | 1:28:02 | 1:28:05 | |
I got a bad feeling, Son, | 1:28:06 | 1:28:08 | |
like maybe I'm not supposed to make it. | 1:28:08 | 1:28:11 | |
You're gonna make it. | 1:28:11 | 1:28:13 | |
Cyrus Grissom, this is Vince Larkin. | 1:28:15 | 1:28:17 | |
We will shoot the plane down if you do not respond now! | 1:28:17 | 1:28:22 | |
All I can think about is like there ain't no God. | 1:28:23 | 1:28:27 | |
He don't exist. | 1:28:27 | 1:28:29 | |
Hey, where you going? | 1:28:31 | 1:28:34 | |
I'm gonna show you God does exist. | 1:28:34 | 1:28:36 | |
Fire! | 1:28:42 | 1:28:44 | |
You son of a bitch! | 1:28:44 | 1:28:46 | |
CEASE FIRE! | 1:28:46 | 1:28:48 | |
Yes! | 1:28:48 | 1:28:49 | |
Freeze, little big boy! | 1:28:52 | 1:28:54 | |
Switch to missile. | 1:29:05 | 1:29:09 | |
Roger that. Arming missiles. | 1:29:06 | 1:29:09 | |
Malloy, don't you do it! Get in his way. | 1:29:09 | 1:29:12 | |
Shit! | 1:29:12 | 1:29:13 | |
What are you doing, Larkin? | 1:29:15 | 1:29:18 | |
I got no move, sir. | 1:29:16 | 1:29:18 | |
Stupid bastard! | 1:29:18 | 1:29:19 | |
YELLS | 1:29:22 | 1:29:23 | |
YELPS | 1:29:27 | 1:29:28 | |
No! Poe! | 1:29:30 | 1:29:32 | |
Land this thing! | 1:29:32 | 1:29:34 | |
Where's the Virus? | 1:29:35 | 1:29:39 | |
I'm the new captain. Put this down. | 1:29:37 | 1:29:39 | |
Target is locked, sir. | 1:29:39 | 1:29:41 | |
Oh, yeah! | 1:29:41 | 1:29:42 | |
Don't do it! "Don't shoot!" | 1:29:42 | 1:29:46 | |
Don't fire. | 1:29:44 | 1:29:46 | |
Who is this? | 1:29:46 | 1:29:47 | |
-This is Cameron Poe. -Yes! | 1:29:47 | 1:29:50 | |
POE!! | 1:29:50 | 1:29:52 | |
POE! | 1:29:54 | 1:29:56 | |
I repeat, target is locked, sir. | 1:29:56 | 1:30:01 | |
Malloy, he's got the plane! | 1:29:58 | 1:30:01 | |
We're not over civilian population. Now's the time, sir. | 1:30:01 | 1:30:05 | |
-Don't fire. -Malloy, listen! He's a friend! | 1:30:05 | 1:30:08 | |
He's just trying to get home. Don't fire! | 1:30:08 | 1:30:11 | |
Now's the time, sir. | 1:30:11 | 1:30:12 | |
-Hold fire. -Sir? | 1:30:15 | 1:30:17 | |
-I said hold fire! -Thank you. | 1:30:17 | 1:30:19 | |
Poe! | 1:30:23 | 1:30:26 | |
POE! | 1:30:26 | 1:30:28 | |
Cyrus! | 1:30:28 | 1:30:31 | |
What? | 1:30:29 | 1:30:31 | |
All right, Poe, the Las Vegas Airport. | 1:30:36 | 1:30:39 | |
It's past the strip. See it? | 1:30:39 | 1:30:41 | |
Well, viva Las Vegas. | 1:30:41 | 1:30:44 | |
You can make it. | 1:30:44 | 1:30:46 | |
"All the runways are cleared." | 1:30:46 | 1:30:48 | |
Can you put this down? | 1:30:48 | 1:30:50 | |
Listen here, big daddy. | 1:30:50 | 1:30:52 | |
We got one engine shot to shit, zero fuel. | 1:30:52 | 1:30:55 | |
'We're dropping too fast.' | 1:30:55 | 1:30:56 | |
The strip's where I'm gonna land. Only the word is...crash. | 1:30:56 | 1:31:02 | |
'Should have shot him down over the desert.' | 1:31:02 | 1:31:05 | |
Casualties will be enormous. | 1:31:05 | 1:31:07 | |
Strap in, ladies. We're going for a night out in Vegas. | 1:31:13 | 1:31:17 | |
# He's got the whole world | 1:31:19 | 1:31:21 | |
# In his hands | 1:31:21 | 1:31:23 | |
# He's got the whole world in his hands | 1:31:23 | 1:31:27 | |
# He's got the whole wide world... # | 1:31:27 | 1:31:31 | |
Shut the fuck up! We're gonna die! | 1:31:28 | 1:31:31 | |
Can he make it to the airport? | 1:31:33 | 1:31:37 | |
"No way, sir." | 1:31:35 | 1:31:37 | |
Ohh! | 1:31:39 | 1:31:40 | |
We need police cars, fire engines, emergency services. | 1:31:40 | 1:31:44 | |
'Anybody who knows CPR.' | 1:31:44 | 1:31:46 | |
SCREAMING | 1:31:51 | 1:31:52 | |
Whoo! | 1:31:52 | 1:31:54 | |
Oh, this is beautiful! | 1:32:02 | 1:32:04 | |
Wake up, Cyrus! | 1:32:08 | 1:32:10 | |
# In his hands | 1:32:10 | 1:32:12 | |
BRAKES SQUEAL | 1:32:12 | 1:32:14 | |
ARGH! | 1:32:15 | 1:32:17 | |
# Little bitty baby... # | 1:32:18 | 1:32:19 | |
Cyrus, wake up! | 1:32:28 | 1:32:29 | |
Stay with me! | 1:32:35 | 1:32:37 | |
'Will the driver of the Corvette move your car | 1:32:42 | 1:32:46 | |
'or it will be towed.' | 1:32:46 | 1:32:47 | |
We are shit out of road. I'm outta here! | 1:32:47 | 1:32:50 | |
Before I kill you, Poe, I just wanted you to know | 1:33:02 | 1:33:06 | |
that the last thing that Casey ever gets to smell | 1:33:06 | 1:33:09 | |
will be my stinking breath! | 1:33:09 | 1:33:12 | |
AAARGH! | 1:33:33 | 1:33:34 | |
POLICE SIRENS | 1:33:47 | 1:33:50 | |
Freeze! | 1:33:54 | 1:33:56 | |
OK, lady. Hold it right there. | 1:33:56 | 1:33:58 | |
COUGHS | 1:34:06 | 1:34:08 | |
How am I doing, Son? | 1:34:32 | 1:34:37 | |
You're doing fine. | 1:34:34 | 1:34:37 | |
Ow! | 1:34:39 | 1:34:41 | |
Check you out at the hospital. You'll be fine! | 1:34:49 | 1:34:53 | |
This one's dead. | 1:35:15 | 1:35:18 | |
We better get him out of here. | 1:35:16 | 1:35:18 | |
What are you gonna do now? | 1:35:22 | 1:35:28 | |
I started this day with a party to get to. I'm gonna get to it. | 1:35:23 | 1:35:28 | |
Thank you. | 1:35:35 | 1:35:37 | |
Take care, Sally Bishop. | 1:35:37 | 1:35:39 | |
Hey, Poe. | 1:35:41 | 1:35:43 | |
Next time, take the bus. | 1:35:44 | 1:35:46 | |
Come on, sweetie. Go with your mom. | 1:35:53 | 1:35:55 | |
Cyrus! | 1:36:04 | 1:36:05 | |
Grissom! | 1:36:05 | 1:36:07 | |
Yeah! | 1:36:27 | 1:36:29 | |
Look out! | 1:36:36 | 1:36:37 | |
Come get it! Come on! | 1:37:02 | 1:37:04 | |
-That gun work? -Yeah. | 1:37:05 | 1:37:06 | |
Then shoot that piece of shit! | 1:37:06 | 1:37:09 | |
ARGH! | 1:37:23 | 1:37:25 | |
AAARGH! | 1:37:34 | 1:37:36 | |
Jesus! | 1:37:39 | 1:37:41 | |
AAARGH! | 1:38:12 | 1:38:13 | |
AAARGH! | 1:38:16 | 1:38:18 | |
ARGH! | 1:38:29 | 1:38:31 | |
What the hell is that?! | 1:38:32 | 1:38:35 | |
You pull over! | 1:38:34 | 1:38:35 | |
Sure! How about this? | 1:38:35 | 1:38:37 | |
You ain't getting near my daughter. Buckle up! | 1:38:44 | 1:38:48 | |
ARGH! | 1:38:50 | 1:38:52 | |
ARGH! | 1:39:06 | 1:39:09 | |
ENGINE STALLS | 1:39:09 | 1:39:11 | |
AAAARGH!! | 1:39:16 | 1:39:18 | |
GROANS | 1:39:43 | 1:39:46 | |
Get a bag! | 1:40:24 | 1:40:26 | |
LAUGHTER | 1:40:26 | 1:40:28 | |
Just so as you know, Marshal Larkin, there's now three men I trust. | 1:40:30 | 1:40:35 | |
Am I one of them? | 1:40:35 | 1:40:37 | |
This is a weird thing to be in a plane full of hard asses. | 1:40:47 | 1:40:50 | |
Are you OK? | 1:40:50 | 1:40:54 | |
No. | 1:40:51 | 1:40:54 | |
Good. I'm glad | 1:40:53 | 1:40:54 | |
we didn't shoot it down. | 1:40:54 | 1:40:58 | |
It worked out better this way. | 1:40:56 | 1:40:58 | |
Listen, I... | 1:40:59 | 1:41:01 | |
I want to apologise about the car. | 1:41:01 | 1:41:05 | |
I know a good body shop in Fresno, if it's insured. | 1:41:05 | 1:41:08 | |
I was bored with that car anyway. | 1:41:08 | 1:41:12 | |
It worked out nicely then. | 1:41:10 | 1:41:12 | |
# How do I get through | 1:41:22 | 1:41:26 | |
# All night without you? | 1:41:26 | 1:41:28 | |
# If I had to live without you | 1:41:28 | 1:41:33 | |
# What kind of life would that be? | 1:41:33 | 1:41:36 | |
# All night | 1:41:37 | 1:41:39 | |
# I need you in my arms, need you to hold | 1:41:39 | 1:41:42 | |
Hello, Cameron. | 1:41:42 | 1:41:45 | |
Hello, Hummingbird. | 1:41:46 | 1:41:48 | |
# If you ever leave | 1:41:48 | 1:41:51 | |
I meant to get a haircut. | 1:41:52 | 1:41:55 | |
# Everything good in my life | 1:41:55 | 1:41:59 | |
I got a present for you, Casey. | 1:41:59 | 1:42:02 | |
# Mmm, without you | 1:42:05 | 1:42:07 | |
A little dirty. | 1:42:07 | 1:42:08 | |
Casey, take your daddy's present. | 1:42:08 | 1:42:11 | |
No, no, honey. That's OK. | 1:42:11 | 1:42:14 | |
I got a picture. | 1:42:17 | 1:42:19 | |
A picture of you. | 1:42:19 | 1:42:22 | |
I've got a picture of you too. | 1:42:22 | 1:42:25 | |
# Baby, I don't know what I would do | 1:42:25 | 1:42:28 | |
# I'd be lost if I lost you | 1:42:28 | 1:42:31 | |
# If you ever leave | 1:42:31 | 1:42:34 | |
Happy birthday, darling. | 1:42:36 | 1:42:39 | |
# Take away everything real in my life | 1:42:39 | 1:42:43 | |
# And tell me now | 1:42:45 | 1:42:48 | |
# How do I live without you? | 1:42:48 | 1:42:52 | |
# I want to know | 1:42:52 | 1:42:54 | |
# How do I breathe | 1:42:54 | 1:42:56 | |
# Without you, if you ever go? | 1:42:56 | 1:43:00 | |
# How do I ever, ever survive... # | 1:43:00 | 1:43:07 | |
New shooter coming out. Does the new shooter feel lucky? | 1:43:10 | 1:43:16 | |
Yes. Yes, he does. | 1:43:16 | 1:43:18 | |
# Big wheels keep on turning | 1:43:23 | 1:43:26 | |
# To carry me home To see my kin | 1:43:28 | 1:43:31 | |
# Singing songs about the south land | 1:43:32 | 1:43:35 | |
# I miss ole 'Bamy once again | 1:43:38 | 1:43:40 | |
# And I think it's a sin | 1:43:40 | 1:43:43 | |
# Sweet home Alabama | 1:43:43 | 1:43:46 | |
# Where the skies are so blue | 1:43:48 | 1:43:50 | |
# Sweet home Alabama | 1:43:51 | 1:43:54 | |
# Lord, I'm coming home to you | 1:43:55 | 1:43:58 | |
# Sweet home Alabama | 1:44:00 | 1:44:03 | |
# Oh, sweet home | 1:44:03 | 1:44:05 | |
# Where the skies are so blue | 1:44:05 | 1:44:07 | |
# And they tell me it's true | 1:44:07 | 1:44:10 | |
# Sweet home Alabama | 1:44:10 | 1:44:12 | |
# Lord... # | 1:44:12 | 1:44:14 | |
Subtitles by Red Bee Media Ltd | 1:44:14 | 1:44:17 | |
E-mail [email protected] | 1:44:17 | 1:44:19 |