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This programme contains some strong language. | 0:00:14 | 0:00:21 | |
FRANKIE: Dear Da, did you know something? | 0:01:51 | 0:01:54 | |
We're moving again. | 0:01:54 | 0:01:55 | |
Ma says it's time. | 0:02:09 | 0:02:11 | |
She says that it's definitely the last time. | 0:02:11 | 0:02:14 | |
But she says that every single time. | 0:02:14 | 0:02:18 | |
Nana says if there is a next time, | 0:02:18 | 0:02:20 | |
she will have to be carried out in a box. | 0:02:20 | 0:02:22 | |
And Ma says, don't tempt her. | 0:02:22 | 0:02:24 | |
# I know that's true | 0:02:24 | 0:02:27 | |
# And if tomorrow only brings our just deserts | 0:02:30 | 0:02:35 | |
# We'll still get through | 0:02:36 | 0:02:39 | |
# I know we'll be all right | 0:02:42 | 0:02:46 | |
# Cue the marching drums | 0:02:46 | 0:02:47 | |
# We'll stumble through tonight | 0:02:47 | 0:02:50 | |
# Until the morning comes | 0:02:51 | 0:02:54 | |
# And everyone will have their day | 0:02:54 | 0:02:58 | |
# Though many trying days might break | 0:02:58 | 0:03:02 | |
# Take time before you make a change | 0:03:05 | 0:03:10 | |
# Your time is gonna come your way... # | 0:03:10 | 0:03:14 | |
FRANKIE: You know something else, Da? | 0:03:14 | 0:03:15 | |
This time...we're living | 0:03:15 | 0:03:17 | |
right on the edge of the sea, right on the edge of the world. | 0:03:17 | 0:03:21 | |
Lizzie, I still cannae get it. | 0:03:26 | 0:03:29 | |
I'm gonnae miss my programme. | 0:03:29 | 0:03:31 | |
You'll need to do something. You'll need to get the man in. | 0:03:31 | 0:03:35 | |
Away to the chip shop and get us fish suppers. | 0:03:36 | 0:03:39 | |
You want to encourage that boy to speak more. | 0:03:47 | 0:03:51 | |
There's nothing wrong with his voice. | 0:03:51 | 0:03:53 | |
He's got a lovely wee voice. You should encourage it. | 0:03:53 | 0:03:56 | |
Between that, and that other thing... | 0:03:57 | 0:03:59 | |
- Is this it? - Yeah. | 0:04:03 | 0:04:05 | |
One, two, three... | 0:04:06 | 0:04:08 | |
MAN: Ah, Marie, come on, give us a break. | 0:04:08 | 0:04:11 | |
Keep your hair on. It's a joke. | 0:04:11 | 0:04:13 | |
Right, you two. Beat it. | 0:04:13 | 0:04:15 | |
And don't annoy me for the rest of the week, OK? | 0:04:15 | 0:04:19 | |
Right. Who's next? | 0:04:19 | 0:04:21 | |
OK. | 0:04:21 | 0:04:24 | |
Right. | 0:04:24 | 0:04:26 | |
MOUTHING: More. | 0:04:35 | 0:04:38 | |
Your wish is my command. | 0:04:38 | 0:04:40 | |
KNOCKING | 0:04:46 | 0:04:47 | |
Just on the one? | 0:04:52 | 0:04:53 | |
Aye. No bother. | 0:04:55 | 0:04:56 | |
Right. | 0:05:03 | 0:05:05 | |
OK. Is that it? | 0:05:06 | 0:05:09 | |
How old are you? | 0:05:10 | 0:05:13 | |
Well, come back in six and a half years. | 0:05:15 | 0:05:18 | |
Just you go back down there and tell Madam Muck | 0:05:18 | 0:05:20 | |
that you want a packet of Embassy Regal. | 0:05:20 | 0:05:23 | |
If she gives you any more of her lip, | 0:05:23 | 0:05:25 | |
tell her I'll come down and batter more than her fish. | 0:05:25 | 0:05:28 | |
Are you that desperate? | 0:05:29 | 0:05:32 | |
And that was that. You know what I mean? | 0:05:37 | 0:05:39 | |
- Excuse me, 20 Embassy Regal. - There's a queue. | 0:05:39 | 0:05:43 | |
My boy's already queued, and before you ask, I am 16, so... | 0:05:43 | 0:05:46 | |
Yeah, and the rest. | 0:05:46 | 0:05:48 | |
OK, hold your horses. I'll do you next. | 0:05:48 | 0:05:50 | |
- MAN: Come on, there's a queue. - Ah, God almighty. | 0:05:50 | 0:05:52 | |
She only wants a packet of fags. | 0:05:52 | 0:05:54 | |
What was the problem? Could you not understand him? | 0:05:56 | 0:05:59 | |
I understood him perfectly. He's a smart wee cookie. | 0:05:59 | 0:06:02 | |
For a deaf kid? | 0:06:02 | 0:06:05 | |
For his age. | 0:06:05 | 0:06:07 | |
Thanks. | 0:06:07 | 0:06:10 | |
FRANKIE: Dear Da, thanks for the stamps. | 0:06:14 | 0:06:17 | |
The great white shark's the best. | 0:06:33 | 0:06:35 | |
Maybe the best you've ever sent. | 0:06:35 | 0:06:38 | |
Ma says she'll buy me a new album | 0:06:38 | 0:06:40 | |
when this one's full. | 0:06:40 | 0:06:42 | |
"You left while I was sleeping, | 0:06:44 | 0:06:47 | |
"Taken from my loving arm. | 0:06:47 | 0:06:49 | |
"And now I'm left to grieve here, | 0:06:49 | 0:06:51 | |
"Broken like a doll." | 0:06:51 | 0:06:53 | |
Jesus Christ, that doesn't even rhyme. | 0:06:54 | 0:06:57 | |
They're supposed to rhyme. | 0:06:57 | 0:07:00 | |
Just you make sure mine rhymes. | 0:07:00 | 0:07:02 | |
Oh, don't bother. I'll write it myself. | 0:07:05 | 0:07:07 | |
It's wishful thinking, you know. | 0:07:07 | 0:07:09 | |
You won't find his name in there. | 0:07:09 | 0:07:10 | |
Well, he's got to die sometime. | 0:07:10 | 0:07:13 | |
FRANKIE: Did you know something, Da? | 0:07:19 | 0:07:20 | |
Did you know a great white can jump | 0:07:20 | 0:07:22 | |
right out of the water and knock over a boat? | 0:07:22 | 0:07:26 | |
Not your boat, though. Your boat's ginormous. | 0:07:26 | 0:07:29 | |
And guess what else, Da. Guess what. | 0:07:31 | 0:07:33 | |
From my window, I can see the sea. | 0:07:33 | 0:07:37 | |
You have to wear it. | 0:08:22 | 0:08:25 | |
Did you do the toilet? | 0:08:28 | 0:08:30 | |
Big day tomorrow. You need to get to sleep now. | 0:08:31 | 0:08:34 | |
SHE KISSES HIM | 0:08:48 | 0:08:49 | |
- Miss? - Yes? | 0:09:01 | 0:09:04 | |
What does it feel like to be deaf? | 0:09:04 | 0:09:06 | |
Brilliant. You wouldnae be able to hear your ma shouting at you | 0:09:06 | 0:09:09 | |
to do stuff all the time. | 0:09:09 | 0:09:10 | |
LAUGHTER | 0:09:10 | 0:09:12 | |
Miss? Is it like when your ears are all blocked, | 0:09:12 | 0:09:15 | |
and everything feels like it's miles away? | 0:09:15 | 0:09:18 | |
Well, that's certainly one way to think about it. | 0:09:18 | 0:09:21 | |
But just remember, | 0:09:21 | 0:09:23 | |
you don't have to shout at him all the time. | 0:09:23 | 0:09:25 | |
Do you hear me, Ricky? | 0:09:25 | 0:09:26 | |
Sorry, Miss. Did you say something? | 0:09:26 | 0:09:30 | |
LIZZIE: I don't want him treated any different. | 0:09:38 | 0:09:40 | |
Well, let's give it a couple of weeks. | 0:09:40 | 0:09:42 | |
If he's struggling, we'll let you know. | 0:09:42 | 0:09:45 | |
He won't struggle. There's nothing wrong with his brain. | 0:09:45 | 0:09:48 | |
Is there, Frankie? | 0:09:48 | 0:09:49 | |
A word to the wise. Watch what you say in front of him. | 0:09:51 | 0:09:53 | |
He's a champion lip reader. | 0:09:53 | 0:09:56 | |
GIRLS CHANT: Doctor Knickerbocker, | 0:09:56 | 0:09:58 | |
Knickerbocker, number nine. | 0:09:58 | 0:10:00 | |
Clap your hands and keep it in time. | 0:10:00 | 0:10:02 | |
Now let's get the rhythm of the hands. | 0:10:02 | 0:10:03 | |
Now we've got the rhythm of the hands. | 0:10:03 | 0:10:05 | |
Now let's get the rhythm of the feet. | 0:10:05 | 0:10:07 | |
Now we've got the rhythm of the feet. | 0:10:07 | 0:10:09 | |
Now let's get the rhythm of the eyes. | 0:10:09 | 0:10:11 | |
Now we've got the rhythm of the eyes. | 0:10:11 | 0:10:13 | |
Now let's get the rhythm of the hips. | 0:10:13 | 0:10:15 | |
Now we've got the rhythm of the hips. | 0:10:15 | 0:10:18 | |
GIRL: Let's do something else. | 0:10:18 | 0:10:20 | |
Hey, bean. | 0:10:20 | 0:10:22 | |
Stick your finger in there and wag it. | 0:10:22 | 0:10:23 | |
Go on, stick it in. | 0:10:23 | 0:10:25 | |
Is that how your girlfriend feels? | 0:10:27 | 0:10:29 | |
BELL RINGS | 0:10:29 | 0:10:31 | |
FRANKIE: We do geography at school, Da. | 0:11:12 | 0:11:14 | |
It's my favourite subject. | 0:11:14 | 0:11:17 | |
I know every single country in the whole world. | 0:11:17 | 0:11:20 | |
'Miss Mackenzie gave me two gold stars for my homework.' | 0:11:20 | 0:11:24 | |
Well done. | 0:11:24 | 0:11:26 | |
'I've made a friend. His name's Ricky Monroe. | 0:11:42 | 0:11:46 | |
'And he's rubbish at geography.' | 0:11:46 | 0:11:48 | |
Morrison, 2642. Take a seat. | 0:12:05 | 0:12:07 | |
Thanks. | 0:12:28 | 0:12:30 | |
I wondered when you'd show up. | 0:12:48 | 0:12:50 | |
I've kept you something. | 0:12:50 | 0:12:53 | |
Isn't she a beauty? | 0:12:53 | 0:12:55 | |
Mmm. | 0:12:59 | 0:13:01 | |
LIZZIE: Dear Frankie. | 0:13:08 | 0:13:10 | |
Here's another stamp for your collection. | 0:13:10 | 0:13:12 | |
This one's a real beauty. The Queen Mary. | 0:13:12 | 0:13:16 | |
They don't build them like that any more. | 0:13:16 | 0:13:20 | |
When I was your age, | 0:13:20 | 0:13:21 | |
I lived so close to the sea, I could taste it. | 0:13:21 | 0:13:24 | |
The sharp, salty taste on the inside of my mouth. | 0:13:24 | 0:13:27 | |
LIZZIE'S VOICE MERGES WITH A MAN'S: And I can taste it now, | 0:13:27 | 0:13:29 | |
that same sharp saltiness, up here, on the deck. | 0:13:29 | 0:13:33 | |
MAN'S VOICE ALONE: So we're sailing down towards the Cape now. | 0:13:35 | 0:13:37 | |
'The sky here is the most beautiful shade of blue I've ever seen. | 0:13:37 | 0:13:41 | |
'It's like the stone in your ma's engagement ring. | 0:13:41 | 0:13:44 | |
'Ask her to show you it. Then you'll know exactly what I mean.' | 0:13:44 | 0:13:47 | |
- Oh, you got it, then? - I always get it when I go, you know that. | 0:13:47 | 0:13:51 | |
I didn't know you were still gonna go. | 0:13:51 | 0:13:54 | |
Now that we're here... | 0:13:54 | 0:13:56 | |
I thought you might have stopped all that. | 0:13:56 | 0:13:59 | |
No. | 0:13:59 | 0:14:01 | |
I've no plans to stop any of it. | 0:14:01 | 0:14:03 | |
Yes, can I help you? | 0:14:30 | 0:14:33 | |
Hello? Hello, I'm talking to you. | 0:14:33 | 0:14:37 | |
Uh...uh... | 0:14:37 | 0:14:38 | |
Could you come back here, please? | 0:14:38 | 0:14:40 | |
Excuse me, I'm talking to you. | 0:14:40 | 0:14:43 | |
Excuse me. Cheeky wee devil, you. | 0:14:43 | 0:14:46 | |
Look, son, I did not come up the Clyde in a paper boat. | 0:14:46 | 0:14:49 | |
I am well aware that a wee boy your age | 0:14:49 | 0:14:51 | |
should be at school doing sums at this time of the day. | 0:14:51 | 0:14:54 | |
There's no flies on me. So come on. | 0:14:54 | 0:14:57 | |
Let's have a look at the note from your teacher, shall we? | 0:14:57 | 0:14:59 | |
Oh, I...I didn't realise. | 0:15:06 | 0:15:08 | |
I, uh... | 0:15:08 | 0:15:10 | |
LOUDLY: I'm so sorry. I didn't know you were... | 0:15:10 | 0:15:13 | |
SHE MOUTHS: ..deaf. | 0:15:13 | 0:15:16 | |
Aw, never you mind, son. | 0:15:16 | 0:15:18 | |
You...you pick a book. | 0:15:18 | 0:15:20 | |
Pick any book. | 0:15:20 | 0:15:22 | |
And if we don't have it here, | 0:15:22 | 0:15:25 | |
then I will move mountains to get it for you. | 0:15:25 | 0:15:27 | |
Any cards up there for a locksmith? | 0:15:44 | 0:15:46 | |
I'd forget my head if it wasn't screwed on. | 0:15:46 | 0:15:49 | |
KEYS JINGLE Got them. | 0:15:51 | 0:15:53 | |
DOORBELL RINGS | 0:15:55 | 0:15:57 | |
HE BEATBOXES | 0:16:04 | 0:16:06 | |
Is this Frankie Morrison's house? | 0:16:18 | 0:16:20 | |
HE WHISTLES ADMIRINGLY | 0:16:32 | 0:16:34 | |
You're weird. | 0:16:51 | 0:16:53 | |
A-C-C-R-A. | 0:17:00 | 0:17:03 | |
What's that supposed to mean? | 0:17:04 | 0:17:06 | |
It's the name of his dad's boat. | 0:17:06 | 0:17:08 | |
And it's the capital of Ghana. | 0:17:09 | 0:17:13 | |
Don't tell me. You must be Ricky Monroe. | 0:17:13 | 0:17:16 | |
- Ricky? - What? | 0:17:16 | 0:17:18 | |
Get your feet off the bed. | 0:17:18 | 0:17:21 | |
DOORBELL | 0:17:21 | 0:17:22 | |
Thanks, but no, thanks. | 0:17:26 | 0:17:28 | |
I mean, the advert's not going in the paper till Friday. | 0:17:28 | 0:17:30 | |
I'm grateful for the offer, honest, | 0:17:30 | 0:17:32 | |
but we might not be here that long. | 0:17:32 | 0:17:33 | |
Do you know, that's what I said when I first came? | 0:17:33 | 0:17:36 | |
Look, it is only a part-time job. | 0:17:36 | 0:17:38 | |
I'm not asking you to sign your life away. | 0:17:38 | 0:17:41 | |
OK. Just think about it. | 0:17:42 | 0:17:45 | |
NANA: She doesn't need to think about it. She'll take it. | 0:17:45 | 0:17:47 | |
Just tell her what time you want her to start. | 0:17:47 | 0:17:50 | |
OK, then. | 0:17:53 | 0:17:55 | |
MAN: We crossed the equator a week ago, Frankie. | 0:18:10 | 0:18:14 | |
We'll be docking in the Cape soon. | 0:18:14 | 0:18:16 | |
And it's really hot on board now. | 0:18:16 | 0:18:19 | |
It's so hot on deck, you burn your hands on the rail. | 0:18:19 | 0:18:24 | |
Well, I'd better go now, Frankie. | 0:18:24 | 0:18:26 | |
It's my turn on watch. | 0:18:26 | 0:18:29 | |
Now, mind and stick in at school, | 0:18:29 | 0:18:30 | |
and be a good boy for your mammy. | 0:18:30 | 0:18:33 | |
Love from your daddy. | 0:18:33 | 0:18:35 | |
Hey, Frankie boy. | 0:19:10 | 0:19:12 | |
Bet you're dead excited about seeing your da. | 0:19:12 | 0:19:14 | |
Why don't you just lay down and die? Ignore him, Frankie. | 0:19:14 | 0:19:17 | |
Bet you didn't even know his boat was coming. | 0:19:17 | 0:19:19 | |
Of course he knew, stupid. And you don't need to shout. | 0:19:19 | 0:19:23 | |
He can see what you're saying. Unfortunately. | 0:19:23 | 0:19:25 | |
I bet you all my trump cards your da doesn't come. | 0:19:25 | 0:19:29 | |
If he comes, I'll give you the lot. | 0:19:29 | 0:19:31 | |
If he doesn't come, you have to give me | 0:19:31 | 0:19:33 | |
every single one of your stamps, | 0:19:33 | 0:19:35 | |
and your knife, to keep for ever. | 0:19:35 | 0:19:38 | |
No, Frankie, don't. Don't do it. | 0:19:38 | 0:19:40 | |
FRANKIE: Dear Da. Sorry I haven't written for a few days. | 0:19:47 | 0:19:50 | |
Things have been very busy here. | 0:19:50 | 0:19:52 | |
I suppose you've been busy too, | 0:20:11 | 0:20:14 | |
now that you've had to change course | 0:20:14 | 0:20:15 | |
and sail back north. | 0:20:15 | 0:20:18 | |
Ricky Monroe told me. | 0:20:20 | 0:20:22 | |
Trust him to put his big feet right in it. | 0:20:22 | 0:20:24 | |
I've told him hundreds and hundreds of times, | 0:20:27 | 0:20:30 | |
you might not even get shore leave. | 0:20:30 | 0:20:31 | |
But he doesn't know about these things. | 0:20:31 | 0:20:34 | |
He's not very clever, and he's a liar. | 0:20:34 | 0:20:37 | |
He said you wouldn't want to come and see us, | 0:20:37 | 0:20:39 | |
even if you could. | 0:20:39 | 0:20:41 | |
So, guess what, Da. I've made a bet. | 0:20:41 | 0:20:44 | |
I bet Ricky Monroe you were coming. | 0:20:44 | 0:20:46 | |
Then I said I'd bring you to the football trials, | 0:20:46 | 0:20:49 | |
to prove it. | 0:20:49 | 0:20:51 | |
Hey, slowcoach. I'm waiting on those chips. | 0:20:57 | 0:20:59 | |
OK, hold your horses. I'm doing them. Everything all right? | 0:20:59 | 0:21:02 | |
Yeah, everything's fine, absolutely fine. | 0:21:02 | 0:21:04 | |
I need the money for the milk. We owe three weeks, | 0:21:23 | 0:21:25 | |
and he'll be here first thing. | 0:21:25 | 0:21:26 | |
My purse is on the table, and don't do that again. | 0:21:26 | 0:21:29 | |
Don't do what again? Come in here without knocking. | 0:21:29 | 0:21:31 | |
I thought you were Frankie. | 0:21:31 | 0:21:33 | |
So? You shouldn't have anything to hide. | 0:21:33 | 0:21:36 | |
Shut the door. | 0:21:36 | 0:21:39 | |
I've got something I need to show you. | 0:21:39 | 0:21:41 | |
I knew something like this was gonna happen. | 0:21:58 | 0:22:00 | |
I told you, didn't I? | 0:22:00 | 0:22:03 | |
What we gonna do? Move. | 0:22:03 | 0:22:06 | |
Lizzie, darling, listen. You cannae keep running. | 0:22:06 | 0:22:10 | |
You've got to face this sometime. | 0:22:10 | 0:22:12 | |
Tell Frankie the truth. He should know, Lizzie. | 0:22:12 | 0:22:15 | |
He should know what his daddy was. | 0:22:15 | 0:22:18 | |
Then maybe he'd stop wishing for him. | 0:22:18 | 0:22:22 | |
Have you forgotten what it was like? | 0:22:22 | 0:22:23 | |
No, I haven't forgotten. But it's over now. | 0:22:23 | 0:22:25 | |
It's over and done with. Davey's dead. | 0:22:25 | 0:22:27 | |
Davey's not dead. | 0:22:27 | 0:22:29 | |
I check that paper every week. I know he's not dead. | 0:22:29 | 0:22:31 | |
He could walk in through that door any minute now and take what's his. | 0:22:31 | 0:22:34 | |
- No, he won't walk in. - How do you know that? | 0:22:34 | 0:22:37 | |
I just know it. | 0:22:37 | 0:22:39 | |
Lizzie, darling, you're my daughter and I love you, | 0:22:39 | 0:22:42 | |
but you're wrong. | 0:22:42 | 0:22:43 | |
You've stopped living your life. | 0:22:43 | 0:22:45 | |
You're the one that's dead. | 0:22:45 | 0:22:49 | |
That's not what Frankie needs. | 0:22:49 | 0:22:50 | |
He doesn't need lies in a letter. | 0:22:50 | 0:22:54 | |
He needs flesh and blood. | 0:22:54 | 0:22:56 | |
- Where are you going? - For cigarettes. | 0:23:41 | 0:23:44 | |
RINGING TONE | 0:23:56 | 0:23:58 | |
WOMAN: 'Hello?' | 0:24:00 | 0:24:01 | |
- 'Hello, who is this?' - Go away. | 0:24:03 | 0:24:07 | |
Just go away and leave us alone. | 0:24:07 | 0:24:10 | |
For God's sake, just leave us alone. | 0:24:11 | 0:24:14 | |
Do you believe in mermaids? | 0:24:26 | 0:24:28 | |
I do. I think the sea's full of them. | 0:24:28 | 0:24:32 | |
I saw one once, over at Meagle Point. | 0:24:32 | 0:24:35 | |
There. What do you think? Do I look like a mermaid? | 0:24:37 | 0:24:40 | |
Frankie, why don't you ask your mammy? | 0:24:44 | 0:24:46 | |
Ask her if your daddy's gonna come. | 0:24:46 | 0:24:49 | |
I know. You want to know, but you don't want to know. | 0:24:49 | 0:24:53 | |
Tricky. | 0:24:53 | 0:24:56 | |
You know what I would do, if I was in your situation? | 0:24:56 | 0:24:59 | |
I'd look in my mammy's wardrobe. | 0:24:59 | 0:25:01 | |
Whenever there's something my mammy doesn't want me to see, | 0:25:01 | 0:25:04 | |
she hides it in the back of her wardrobe. | 0:25:04 | 0:25:07 | |
I've found hundreds of things in there. | 0:25:07 | 0:25:08 | |
Condoms. | 0:25:08 | 0:25:11 | |
Dirty videos. Cheap cigarettes. | 0:25:11 | 0:25:14 | |
See, I bet your daddy's written to your mammy | 0:25:14 | 0:25:17 | |
and told her he's coming, but not to tell you, | 0:25:17 | 0:25:20 | |
because it's a surprise. | 0:25:20 | 0:25:22 | |
Girls love secrets, Frankie. | 0:25:22 | 0:25:25 | |
It'll be in the back of her wardrobe. | 0:25:25 | 0:25:27 | |
Trust me. I know these things. | 0:25:27 | 0:25:29 | |
Wardrobe. | 0:25:41 | 0:25:43 | |
The key's here somewhere. | 0:25:49 | 0:25:51 | |
Aw. | 0:26:00 | 0:26:02 | |
Perfect. | 0:26:10 | 0:26:12 | |
Look, Frankie. A bride's dress. | 0:26:31 | 0:26:33 | |
What are you doing with that? | 0:26:36 | 0:26:38 | |
That's mine. Put it down. | 0:26:38 | 0:26:42 | |
What else did you touch? | 0:26:45 | 0:26:48 | |
What else? | 0:26:49 | 0:26:51 | |
What else did you touch? | 0:26:53 | 0:26:56 | |
Never go near my things again. Do you hear me? | 0:27:08 | 0:27:12 | |
They're mine. | 0:27:12 | 0:27:14 | |
They're nothing to do with you. Nothing. | 0:27:14 | 0:27:18 | |
I'm entitled to some privacy. | 0:27:18 | 0:27:20 | |
I'm allowed one thing of my own. Just one. | 0:27:20 | 0:27:22 | |
One single thing that's mine. | 0:27:22 | 0:27:24 | |
I'm here, Frankie. I'm the one that's here. | 0:27:26 | 0:27:31 | |
I'm the one that's still here! | 0:27:31 | 0:27:33 | |
You still in a huff with me? | 0:28:04 | 0:28:07 | |
Wish you wouldn't sit there. You'll get a chill. | 0:28:10 | 0:28:13 | |
Suit yourself. | 0:28:16 | 0:28:18 | |
I need to tell you something important. | 0:28:26 | 0:28:29 | |
Of course he wants to see you. | 0:28:49 | 0:28:52 | |
He might not want to see me, | 0:28:52 | 0:28:54 | |
but he'll always want to see you. | 0:28:54 | 0:28:58 | |
You're his boy. | 0:28:58 | 0:29:00 | |
Maybe he just can't, Frankie. | 0:29:05 | 0:29:07 | |
It's been a long time. | 0:29:09 | 0:29:11 | |
Like yourself. | 0:29:20 | 0:29:23 | |
You look like yourself. | 0:29:23 | 0:29:25 | |
Heard from your dad yet, Frankie boy? | 0:29:47 | 0:29:50 | |
Hold on, I wasnae finished with that. | 0:30:11 | 0:30:13 | |
Well, hurry up. I haven't got all night. | 0:30:13 | 0:30:16 | |
Come on, Frankie. You too. Eat. | 0:30:17 | 0:30:20 | |
Where's the bloody fire? | 0:30:20 | 0:30:21 | |
I'm going out, that's all. | 0:30:21 | 0:30:25 | |
If the wind changes, your faces'll stay like that. | 0:30:27 | 0:30:30 | |
MUSIC: "Kill The Enemy" by Dean Garcia | 0:30:36 | 0:30:39 | |
CACOPHONY OF VOICES IN A CROWDED ROOM | 0:30:56 | 0:30:59 | |
CACOPHONY OF VOICES | 0:31:04 | 0:31:07 | |
Bacardi and Coke, please. | 0:31:33 | 0:31:35 | |
I hope you're not working, sweetheart. > | 0:31:47 | 0:31:49 | |
We don't do deals in here. | 0:31:49 | 0:31:52 | |
Hiya. No, mate, no. | 0:32:07 | 0:32:09 | |
No, no. On your bike. | 0:32:09 | 0:32:11 | |
I suppose you're dying to know what I was doing. | 0:33:54 | 0:33:58 | |
Well, I'd be a liar if I said I wasn't, | 0:33:58 | 0:34:00 | |
but that doesn't mean you have to tell me. | 0:34:00 | 0:34:03 | |
I was looking for a man. | 0:34:07 | 0:34:10 | |
A stranger. | 0:34:10 | 0:34:12 | |
No past, no present. | 0:34:12 | 0:34:15 | |
No future. | 0:34:15 | 0:34:17 | |
I was looking for a man to be Frankie's dad. | 0:34:26 | 0:34:29 | |
Just for a day. One single day. | 0:34:30 | 0:34:32 | |
And I was gonna pay him to do it. | 0:34:32 | 0:34:36 | |
DOOR OPENS | 0:34:44 | 0:34:45 | |
Where the hell have you been? | 0:35:12 | 0:35:15 | |
I've been worried sick. | 0:35:15 | 0:35:18 | |
I've been at Marie's. | 0:35:18 | 0:35:19 | |
Everything's all right now. | 0:35:24 | 0:35:27 | |
SHOP BELL RINGS | 0:35:47 | 0:35:49 | |
FRANKIE: Dear Da. In case you're interested, | 0:35:54 | 0:35:57 | |
the football trials are on Saturday, at Boundary Park. | 0:35:57 | 0:36:00 | |
10.30. | 0:36:00 | 0:36:02 | |
Mr Fraser said I can get into the reserves, if I want. | 0:36:02 | 0:36:05 | |
But I don't. I'm rubbish at football. | 0:36:05 | 0:36:09 | |
Who cares about a stupid bet anyway? | 0:36:09 | 0:36:11 | |
RICKY: Yes! Another goal by the master. | 0:36:13 | 0:36:17 | |
FRANKIE: I know you're only three whole days away, | 0:36:22 | 0:36:24 | |
so you might not even get this letter. | 0:36:24 | 0:36:28 | |
If you can't come and see me, that's all right. | 0:36:28 | 0:36:30 | |
I understand. | 0:36:30 | 0:36:32 | |
Ma says it's been a long time and you've probably changed. | 0:36:32 | 0:36:36 | |
I have, that's for sure. | 0:36:36 | 0:36:38 | |
I'm now four foot eight inches tall, | 0:36:38 | 0:36:41 | |
and I have brownish hair, just like Ma's. | 0:36:41 | 0:36:44 | |
Do you know something funny, Da? | 0:36:47 | 0:36:49 | |
I think Ma knew you'd be coming, | 0:36:49 | 0:36:51 | |
that's why she brought us here. | 0:36:51 | 0:36:53 | |
I think she wanted you to find us. | 0:36:53 | 0:36:56 | |
CHATTER AND LAUGHTER | 0:36:58 | 0:37:01 | |
MAN: Lizzie Morrison? | 0:37:23 | 0:37:25 | |
Yeah. | 0:37:26 | 0:37:28 | |
An Americano. Strong. | 0:37:30 | 0:37:33 | |
- Just water. - Sparkling or still? | 0:37:37 | 0:37:40 | |
Tap. | 0:37:40 | 0:37:42 | |
Don't get service like this at Marie's. | 0:37:44 | 0:37:47 | |
Marie didn't tell me much about you. | 0:37:59 | 0:38:01 | |
No past, present or future - that's what you said you wanted. | 0:38:01 | 0:38:05 | |
Frankie's letters to his dad. | 0:38:15 | 0:38:17 | |
He's been writing them for a few years now. | 0:38:17 | 0:38:18 | |
He's a lovely wee writer. | 0:38:18 | 0:38:20 | |
Well, you'll see that for yourself. | 0:38:20 | 0:38:23 | |
He sends them to a post office box here in Glasgow | 0:38:23 | 0:38:25 | |
and I collect them twice a month, | 0:38:25 | 0:38:27 | |
and then I write back. | 0:38:27 | 0:38:29 | |
Um...this is one of mine. | 0:38:33 | 0:38:36 | |
That's a Scottish postmark. | 0:38:38 | 0:38:40 | |
Yeah, I've told him there's a central mail depot, | 0:38:40 | 0:38:43 | |
and that all the letters from the ship go there. | 0:38:43 | 0:38:46 | |
He doesn't question it. | 0:38:46 | 0:38:48 | |
I make it all up. | 0:38:58 | 0:39:00 | |
I've been making it up for years. | 0:39:00 | 0:39:02 | |
I made up the boat. Saw the name on a stamp. | 0:39:02 | 0:39:05 | |
How was I to know the bloody boat actually existed? | 0:39:05 | 0:39:09 | |
Uh... | 0:39:11 | 0:39:13 | |
That's Frankie, | 0:39:23 | 0:39:24 | |
couple of months before his dad left. | 0:39:24 | 0:39:28 | |
And this is him now. | 0:39:28 | 0:39:30 | |
Frankie's deaf, but he's a champion lip reader. | 0:39:33 | 0:39:36 | |
How old is he? Nine. And a half. | 0:39:39 | 0:39:43 | |
Does he remember what his dad looks like? | 0:39:45 | 0:39:47 | |
-I -don't remember what his dad looks like. | 0:39:47 | 0:39:49 | |
It's been a long time. | 0:39:49 | 0:39:50 | |
Does Frankie have any photographs of his dad? | 0:39:52 | 0:39:55 | |
- No. - You're sure? | 0:39:55 | 0:39:58 | |
Yes, I'm sure. | 0:39:58 | 0:40:00 | |
Marie says you're only here for a week. | 0:40:06 | 0:40:09 | |
Sail next Monday. | 0:40:09 | 0:40:11 | |
Good. That's good. That fits in just right. | 0:40:11 | 0:40:13 | |
Um...it must be some life, | 0:40:17 | 0:40:20 | |
seeing all those different places. | 0:40:20 | 0:40:24 | |
You should know. | 0:40:24 | 0:40:26 | |
You've been writing from them for years. | 0:40:26 | 0:40:29 | |
You must think I'm completely mad, | 0:40:32 | 0:40:34 | |
asking a total stranger to do this. | 0:40:34 | 0:40:37 | |
I don't know who the hell you are, but... | 0:40:37 | 0:40:40 | |
I'm asking if you'll do it. | 0:40:40 | 0:40:43 | |
I don't have much, but I'll pay you what I can. | 0:40:45 | 0:40:48 | |
What time do you want me to be there? | 0:41:11 | 0:41:14 | |
One day to go, Frankie boy. | 0:41:26 | 0:41:29 | |
WOMEN: # I'm no going to kid youse | 0:41:29 | 0:41:31 | |
# The midges is really the limit | 0:41:31 | 0:41:35 | |
# Wi' teeth like piranhas, they'll drive you bananas | 0:41:35 | 0:41:39 | |
# If you let them get under | 0:41:39 | 0:41:43 | |
# Your semmit. # | 0:41:43 | 0:41:46 | |
THEY CHEER | 0:41:46 | 0:41:49 | |
Hey, come on. You sing one now. | 0:41:49 | 0:41:51 | |
- Oh, God, no. I can't sing. - Oh, go on. | 0:41:51 | 0:41:55 | |
SHE HUMS: "The Great White Horse" | 0:41:55 | 0:41:58 | |
Come on. You know it better than me. Sing it. | 0:41:58 | 0:42:01 | |
# When I was a young girl | 0:42:01 | 0:42:03 | |
# I used to dream of a lover | 0:42:03 | 0:42:08 | |
# Who'd be my shining knight of strength one day | 0:42:08 | 0:42:13 | |
# He'd carry me to a castle | 0:42:13 | 0:42:16 | |
# In the heavens | 0:42:16 | 0:42:19 | |
# And he'd battle all my dragons | 0:42:19 | 0:42:23 | |
# Far away | 0:42:23 | 0:42:26 | |
# And he'd ride down | 0:42:26 | 0:42:28 | |
# On a great white horse | 0:42:28 | 0:42:31 | |
# And he'd bring me love | 0:42:31 | 0:42:34 | |
# I'd been longing for | 0:42:34 | 0:42:38 | |
# And he'd bring me joy | 0:42:38 | 0:42:41 | |
# And lasting peace | 0:42:41 | 0:42:43 | |
# And on a great white horse | 0:42:43 | 0:42:47 | |
# He'd ride away with me. # | 0:42:47 | 0:42:50 | |
SHIP'S HORN BLARES | 0:42:50 | 0:42:52 | |
Lizzie? For God's sake, will you just stop still for a minute and listen? | 0:43:01 | 0:43:05 | |
I can't, I've got to find him. God knows where he is. | 0:43:05 | 0:43:07 | |
Well, I'll go. I'll find him. | 0:43:07 | 0:43:09 | |
He's due at ten, isn't he? The man. | 0:43:09 | 0:43:12 | |
Yeah. You stay here, just in case. | 0:43:12 | 0:43:14 | |
- In case of what? - Just in case. | 0:43:14 | 0:43:17 | |
I'll find him. I promise. | 0:43:17 | 0:43:20 | |
DOOR CLOSES | 0:43:27 | 0:43:28 | |
I look at you sometimes and I swear I don't know where you came from. | 0:43:36 | 0:43:40 | |
And this man. | 0:43:42 | 0:43:44 | |
Who is this man that's coming? > | 0:43:46 | 0:43:48 | |
I told you, he's a friend of Marie's. | 0:43:48 | 0:43:50 | |
Oh, that's a comfort(!) | 0:43:50 | 0:43:51 | |
Jesus, Lizzie, we don't know anything about this man. | 0:43:52 | 0:43:56 | |
He could be a... | 0:43:59 | 0:44:01 | |
We don't know anything about him. | 0:44:01 | 0:44:04 | |
We don't need to know anything. | 0:44:04 | 0:44:06 | |
This is the end of it. Promise? | 0:44:06 | 0:44:09 | |
DOORBELL RINGS | 0:44:09 | 0:44:10 | |
That's him. | 0:44:10 | 0:44:11 | |
Hey, Frankie. | 0:44:21 | 0:44:23 | |
Your mammy is worried about you. | 0:44:23 | 0:44:26 | |
It's good up here, isn't it? | 0:44:34 | 0:44:36 | |
This is my favourite place in the whole world. | 0:44:39 | 0:44:42 | |
See when you come around the corner? | 0:44:46 | 0:44:49 | |
And the cranes appear out of nowhere? | 0:44:49 | 0:44:52 | |
With the hills behind them | 0:44:52 | 0:44:54 | |
And the water dancing round them. | 0:44:54 | 0:44:59 | |
Takes my breath away. | 0:44:59 | 0:45:02 | |
Every single time. | 0:45:06 | 0:45:08 | |
Right, if he's not back in five minutes, I'm going to the docks myself. | 0:45:36 | 0:45:40 | |
How do you even know that's where he is? | 0:45:40 | 0:45:43 | |
Where would you go if it was you? | 0:45:43 | 0:45:45 | |
He won't go on that ship. | 0:45:45 | 0:45:47 | |
How do you know what he would do? | 0:45:47 | 0:45:49 | |
You've not even met him. | 0:45:49 | 0:45:51 | |
He doesn't want to spoil the surprise. | 0:45:51 | 0:45:53 | |
If I was a betting man, | 0:45:55 | 0:45:58 | |
which I'm not, I'd put money on it. | 0:45:58 | 0:46:02 | |
Mother, do something useful and put the kettle on. | 0:46:12 | 0:46:15 | |
Would you like a cup of tea? | 0:46:19 | 0:46:21 | |
- I'm sorry, I don't know your name. - Jesus God. | 0:46:21 | 0:46:25 | |
- What's Frankie's dad called? - Depends who's calling him. | 0:46:28 | 0:46:33 | |
- Davey. - Call me Davey, then. | 0:46:36 | 0:46:39 | |
DOORBELL RINGS | 0:46:40 | 0:46:42 | |
Don't ruin this for him, please. Let him have this one day. | 0:46:44 | 0:46:47 | |
"DAVEY" CLEARS HIS THROAT | 0:46:49 | 0:46:51 | |
- Have you got that money? - Oh, yeah. | 0:46:52 | 0:46:55 | |
That's half now, half later. | 0:46:59 | 0:47:01 | |
MARIE: There's no harm done. | 0:47:04 | 0:47:06 | |
He knows that he shouldn't have done it. | 0:47:06 | 0:47:09 | |
So, um... everything all right? | 0:47:09 | 0:47:11 | |
Yeah. < Good. | 0:47:11 | 0:47:13 | |
Right, I'd better go. | 0:47:13 | 0:47:15 | |
Hey, come in for chips after the football, OK? | 0:47:15 | 0:47:18 | |
Right. | 0:47:18 | 0:47:20 | |
Marie. | 0:47:22 | 0:47:24 | |
Thanks for bringing him. | 0:47:24 | 0:47:27 | |
Right. | 0:47:27 | 0:47:28 | |
LIZZIE: No, leave that, Frankie. Do it later. | 0:47:31 | 0:47:34 | |
I want you to come in here for a minute. | 0:47:34 | 0:47:36 | |
You've got a visitor, Frankie. | 0:47:37 | 0:47:40 | |
This is your daddy. | 0:47:42 | 0:47:44 | |
Hello, Frankie. | 0:47:53 | 0:47:55 | |
You've got big. | 0:47:59 | 0:48:01 | |
I didn't tell you I was coming, | 0:48:03 | 0:48:06 | |
because I wasn't sure if I'd be here in time, you know. | 0:48:06 | 0:48:09 | |
I hoped I would, but I wasn't sure. | 0:48:09 | 0:48:11 | |
I've got something for you. | 0:48:13 | 0:48:15 | |
Frankie wasn't looking for anything. You didn't need to do that. | 0:48:15 | 0:48:19 | |
I know I didn't need to. | 0:48:19 | 0:48:21 | |
Here, that's for you. | 0:48:26 | 0:48:28 | |
He wants to know how you knew. | 0:48:46 | 0:48:48 | |
I read it. | 0:48:48 | 0:48:50 | |
Yeah, yeah. You have to look at him. | 0:48:50 | 0:48:53 | |
< Sorry. | 0:48:55 | 0:48:56 | |
I read it, in your letters. | 0:48:56 | 0:48:58 | |
You'll have to get a move on. You're gonna be late. | 0:49:27 | 0:49:30 | |
Come on, slowcoach. Get your things together. | 0:49:34 | 0:49:37 | |
Here. | 0:49:37 | 0:49:38 | |
You'll want to remember the look on Ricky Monroe's face. | 0:49:41 | 0:49:45 | |
Come on. | 0:49:56 | 0:49:57 | |
What you doing, you bloody idiot? > What? > | 0:49:57 | 0:50:01 | |
You gave me a crap pass. | 0:50:01 | 0:50:02 | |
I didn't mean to, all right? I slipped. | 0:50:02 | 0:50:05 | |
A bet's a bet. You won it fair and square. | 0:50:16 | 0:50:20 | |
Want to bring him for chips? | 0:50:28 | 0:50:31 | |
No? Another time, maybe. | 0:50:31 | 0:50:34 | |
Come on, Frankie. | 0:51:11 | 0:51:13 | |
This is half an hour of my life I am never gonna get back. | 0:51:13 | 0:51:16 | |
Just have what you always have. Chips. | 0:51:16 | 0:51:20 | |
DAVEY: Me too. | 0:51:26 | 0:51:28 | |
Can I have some fish with mine? | 0:51:28 | 0:51:30 | |
Er, Frankie is a vegetarian. | 0:51:33 | 0:51:35 | |
He's a vegetarian that doesn't eat his vegetables. | 0:51:35 | 0:51:39 | |
Roll and butter? | 0:51:41 | 0:51:42 | |
Can I change my mind? | 0:51:47 | 0:51:49 | |
Sure. | 0:51:50 | 0:51:52 | |
No fish for me. | 0:51:52 | 0:51:54 | |
Right. Is that it? | 0:51:55 | 0:51:58 | |
I know, Frankie. | 0:52:15 | 0:52:18 | |
Good. Yeah? Yeah? | 0:52:28 | 0:52:30 | |
It's going well. | 0:52:32 | 0:52:35 | |
Is it? What's the matter? | 0:52:35 | 0:52:37 | |
Nothing. | 0:52:37 | 0:52:39 | |
Well, I thought this is what you wanted. | 0:52:39 | 0:52:42 | |
It is. | 0:52:42 | 0:52:44 | |
He's not gonna take him away from you, Lizzie. | 0:52:47 | 0:52:50 | |
Nobody could do that. | 0:52:52 | 0:52:54 | |
BELL RINGS | 0:52:54 | 0:52:55 | |
Where are they going now? | 0:52:57 | 0:52:59 | |
He wouldn't take him to the ship, would he? | 0:53:00 | 0:53:03 | |
Lizzie, wait. Wait. | 0:53:05 | 0:53:07 | |
Lizzie! | 0:53:07 | 0:53:09 | |
Big, isn't she? | 0:53:43 | 0:53:46 | |
More than a match for any shark. | 0:53:49 | 0:53:52 | |
Want to go on? | 0:54:01 | 0:54:03 | |
It's up to you, Frankie. | 0:54:05 | 0:54:08 | |
Take a picture, then. For later. | 0:54:13 | 0:54:16 | |
MUSIC: "Delicate" by Damien Rice | 0:54:25 | 0:54:28 | |
SPLASH | 0:54:36 | 0:54:38 | |
# We might kiss | 0:54:45 | 0:54:48 | |
# When we are alone | 0:54:51 | 0:54:53 | |
# When nobody's watching... # | 0:54:57 | 0:54:59 | |
Too bumpy. Flat, so it skims. | 0:54:59 | 0:55:03 | |
# We might make out | 0:55:09 | 0:55:12 | |
# When nobody's there | 0:55:15 | 0:55:18 | |
# It's not that we're scared | 0:55:21 | 0:55:24 | |
# It's just that... # | 0:55:24 | 0:55:25 | |
This is good, Frankie. | 0:55:25 | 0:55:28 | |
Frankie. | 0:55:28 | 0:55:30 | |
# So why do you fill | 0:55:30 | 0:55:33 | |
# My sorrow with the words... # | 0:55:33 | 0:55:37 | |
That is a champion skimmer. | 0:55:37 | 0:55:40 | |
# You've borrowed | 0:55:40 | 0:55:43 | |
# From the only place | 0:55:43 | 0:55:48 | |
# That you've known | 0:55:48 | 0:55:51 | |
# And why do you sing | 0:55:54 | 0:55:57 | |
# Hallelujah | 0:55:57 | 0:56:00 | |
# If it means nothing to you? | 0:56:00 | 0:56:06 | |
# Why do you sing... # | 0:56:06 | 0:56:08 | |
Want to go for a race? | 0:56:08 | 0:56:10 | |
# With me at all? | 0:56:10 | 0:56:15 | |
# Ohh | 0:56:15 | 0:56:18 | |
# Why do you fill | 0:56:18 | 0:56:20 | |
# My sorrow | 0:56:20 | 0:56:24 | |
# With the words | 0:56:24 | 0:56:26 | |
# You've borrowed? | 0:56:26 | 0:56:30 | |
# Why do you sing | 0:56:30 | 0:56:32 | |
# With me | 0:56:32 | 0:56:35 | |
# At all? # | 0:56:35 | 0:56:38 | |
You OK? | 0:57:07 | 0:57:09 | |
I've had an idea. | 0:57:22 | 0:57:24 | |
KNOCK ON DOOR | 0:57:30 | 0:57:32 | |
Oh... | 0:57:38 | 0:57:40 | |
- You not got a watch? - I'm sorry. The time just flew. | 0:57:41 | 0:57:45 | |
Now, Frankie, say goodbye. | 0:57:53 | 0:57:56 | |
He's tired. it's been a long day. | 0:57:56 | 0:57:59 | |
Aye, you can say that again. Well, it's over now. | 0:57:59 | 0:58:02 | |
So we'll just say, "Cheerio and thanks very much." | 0:58:02 | 0:58:05 | |
Go on, Frankie. Say cheerio. | 0:58:07 | 0:58:09 | |
Come on. It's late. | 0:58:10 | 0:58:13 | |
I think he wants to ask you something. | 0:58:21 | 0:58:23 | |
What do you think he wants to ask me? | 0:58:26 | 0:58:30 | |
I don't go back to my ship till Monday. | 0:58:30 | 0:58:32 | |
So? | 0:58:32 | 0:58:33 | |
So I thought it might be nice | 0:58:33 | 0:58:35 | |
to spend some more time with Frankie. | 0:58:35 | 0:58:38 | |
Did you, now? | 0:58:41 | 0:58:43 | |
Well, Frankie and you. You know... | 0:58:43 | 0:58:46 | |
the three of us. | 0:58:46 | 0:58:48 | |
No. | 0:58:48 | 0:58:51 | |
No! | 0:58:51 | 0:58:53 | |
Now see what you've done. | 0:58:57 | 0:59:00 | |
Mother, take Frankie inside now. | 0:59:03 | 0:59:06 | |
We had an arrangement. You broke it. | 0:59:14 | 0:59:16 | |
One more day. That's all. | 0:59:16 | 0:59:19 | |
No, no, no. I want you to go now. | 0:59:19 | 0:59:21 | |
It's over, do you hear me? It's over. | 0:59:21 | 0:59:23 | |
My ship sails on Monday. There is only one more day. | 0:59:23 | 0:59:26 | |
Who the hell do you think you are? | 0:59:26 | 0:59:29 | |
Who gave you the right to come in here | 0:59:30 | 0:59:32 | |
and behave like this? | 0:59:32 | 0:59:34 | |
You did. | 0:59:34 | 0:59:36 | |
He's waited all this time. | 0:59:38 | 0:59:41 | |
You've waited all this time. | 0:59:41 | 0:59:44 | |
One o'clock here. | 0:59:58 | 1:00:01 | |
No, one o'clock down at the quay. | 1:00:01 | 1:00:02 | |
Right, that's it. Frankie, come on. | 1:00:02 | 1:00:04 | |
I've got business down at the quay. | 1:00:04 | 1:00:08 | |
Be easier if you could meet me there. | 1:00:08 | 1:00:11 | |
Trust me. | 1:00:11 | 1:00:13 | |
You have to trust somebody some day. | 1:00:15 | 1:00:17 | |
One o'clock at the quay. | 1:00:26 | 1:00:28 | |
< Come on, son. | 1:00:30 | 1:00:31 | |
You'll see him again tomorrow. | 1:00:31 | 1:00:34 | |
Did your daddy give you that? | 1:01:22 | 1:01:24 | |
It's a beauty. | 1:01:32 | 1:01:35 | |
That should really fly. | 1:01:35 | 1:01:37 | |
LIZZIE: Is Frankie sleeping? | 1:01:51 | 1:01:53 | |
I doubt it. He's wound up like a spring. | 1:01:53 | 1:01:57 | |
Do you fancy a wee whisky, Ma? | 1:01:57 | 1:01:59 | |
Why? What are we celebrating? | 1:01:59 | 1:02:02 | |
Not celebrating anything. I just need one. | 1:02:02 | 1:02:05 | |
Cheers. Cheers. > | 1:02:26 | 1:02:27 | |
Here, gimme that. | 1:02:35 | 1:02:36 | |
Bette Davis used to have blood-red nails. | 1:02:44 | 1:02:47 | |
Did she? Mm-hmm. | 1:02:47 | 1:02:50 | |
That's what your daddy used to call you. | 1:02:50 | 1:02:54 | |
You'd be all dressed up in my best frock and high heels, | 1:02:54 | 1:02:58 | |
talking away to yourself. | 1:02:58 | 1:03:00 | |
Away in your own wee world. | 1:03:00 | 1:03:03 | |
And he'd say, "Jesus Christ, Nell. | 1:03:03 | 1:03:06 | |
"Who the hell does that lassie think she is?" | 1:03:06 | 1:03:09 | |
"Bette Davis?" | 1:03:09 | 1:03:12 | |
I never really liked Bette Davis. | 1:03:13 | 1:03:15 | |
Preferred Barbara Stanwyck. | 1:03:17 | 1:03:19 | |
You knew where you were with Barbara Stanwyck. | 1:03:22 | 1:03:25 | |
Ma? | 1:03:29 | 1:03:30 | |
What is it? | 1:03:30 | 1:03:32 | |
My brush. Have you seen my brush? | 1:03:35 | 1:03:37 | |
It's in your bag. Oh, yeah. | 1:03:37 | 1:03:39 | |
Oh, I forgot to give you this. It's been in my bag for ages. | 1:03:42 | 1:03:46 | |
You know something? I don't think I'll bother getting this paper any more. | 1:03:55 | 1:03:59 | |
Never anything in it. | 1:03:59 | 1:04:01 | |
Let me see it. | 1:04:02 | 1:04:05 | |
What time do you finish? | 1:04:34 | 1:04:36 | |
Aye. Aye, you can come round. Come round later. | 1:04:36 | 1:04:40 | |
It'll just be me in. | 1:04:42 | 1:04:44 | |
Maybe we can get a video or something. | 1:04:44 | 1:04:47 | |
DOOR OPENS | 1:04:48 | 1:04:50 | |
Janet wants to meet me. Is he dead? | 1:04:55 | 1:04:58 | |
He's very ill, apparently. It's a trap. | 1:04:58 | 1:05:00 | |
He wants to see Frankie. | 1:05:00 | 1:05:02 | |
We can leave. Go tonight. You don't owe him anything. | 1:05:02 | 1:05:07 | |
I know I shouldn't ask, | 1:05:08 | 1:05:10 | |
but he's my brother, Lizzie. He's my brother. | 1:05:10 | 1:05:13 | |
He's a sorry sight, Lizzie. | 1:05:13 | 1:05:15 | |
He's not the man he was, that's a dead cert. | 1:05:15 | 1:05:18 | |
If you could only just see him. | 1:05:18 | 1:05:20 | |
No. Please, I'm begging you.> | 1:05:20 | 1:05:21 | |
Put the past behind you, for Frankie's sake. | 1:05:21 | 1:05:24 | |
- Leave Frankie out of it. - He's dying, Lizzie. | 1:05:24 | 1:05:27 | |
How long has he got? | 1:05:28 | 1:05:30 | |
They don't know. It just depends how much fight there is in him. | 1:05:30 | 1:05:34 | |
- He always had plenty of that. - What good does that do now? | 1:05:34 | 1:05:38 | |
I don't have to justify myself to you. Or him. | 1:05:38 | 1:05:41 | |
I don't blame you. I've never blamed you. | 1:05:41 | 1:05:43 | |
He's my brother. I know exactly what he is. | 1:05:43 | 1:05:47 | |
But you know what they say. | 1:05:47 | 1:05:50 | |
No, Janet. What do they say? | 1:05:50 | 1:05:51 | |
Blood's thicker than water, and whether you like it or not, he's Frankie's flesh and blood. | 1:05:51 | 1:05:56 | |
I'll see him on my own. He wants to see Frankie. > | 1:05:58 | 1:06:00 | |
For God's sake, he might not last. Please. | 1:06:00 | 1:06:03 | |
I'm begging you. Show some pity. | 1:06:03 | 1:06:05 | |
I'll see him on my own, and then I'll decide If I let him anywhere near my son. | 1:06:05 | 1:06:10 | |
That's it, Janet. Take it or leave it. | 1:06:10 | 1:06:13 | |
Ready? | 1:06:52 | 1:06:54 | |
Cheers, pal. | 1:07:42 | 1:07:43 | |
Here. | 1:07:43 | 1:07:45 | |
Right. You choose. | 1:08:03 | 1:08:05 | |
Where do you wanna go? | 1:08:05 | 1:08:07 | |
MUSIC: "The Secret Sun" by Jesse Harris and The Ferdinandos | 1:08:09 | 1:08:13 | |
# Meet me by the sea again | 1:08:21 | 1:08:27 | |
# Past the point where the shoreline bends | 1:08:27 | 1:08:32 | |
# Where the sand is soft and warm | 1:08:32 | 1:08:37 | |
# And hangs upon your golden arm | 1:08:37 | 1:08:42 | |
# And time won't move | 1:08:44 | 1:08:49 | |
# At all | 1:08:49 | 1:08:51 | |
# We were once the only ones | 1:08:56 | 1:09:00 | |
# Who knew of the secret sun | 1:09:01 | 1:09:05 | |
# Shining down where no-one goes | 1:09:07 | 1:09:11 | |
# In a place that no-one knows... # | 1:09:12 | 1:09:17 | |
Think this must be yours, sir. | 1:09:19 | 1:09:21 | |
Stupid me. it's for you, isn't it? | 1:09:21 | 1:09:25 | |
Your dad thought all his birthdays had come at once. | 1:09:28 | 1:09:31 | |
Think you could bring another spoon, | 1:09:33 | 1:09:36 | |
just in case he can't finish it? | 1:09:36 | 1:09:38 | |
Hold it flat, Frankie. | 1:09:49 | 1:09:52 | |
LIZZIE: He can't hear you. | 1:09:56 | 1:09:57 | |
Sorry. | 1:10:00 | 1:10:02 | |
I forgot. | 1:10:02 | 1:10:04 | |
# But back there in the orange light | 1:10:06 | 1:10:11 | |
# There'll be no fear of the night | 1:10:11 | 1:10:16 | |
# And time won't move | 1:10:17 | 1:10:23 | |
# At all | 1:10:23 | 1:10:26 | |
# And time won't move | 1:10:28 | 1:10:33 | |
# A-a-a-at | 1:10:34 | 1:10:38 | |
# a-a-a-all. # | 1:10:38 | 1:10:41 | |
MARIE: Hi, Frankie. | 1:11:24 | 1:11:26 | |
You well? | 1:11:27 | 1:11:29 | |
No, thanks. | 1:11:29 | 1:11:31 | |
- Hello. - Hiya. | 1:11:32 | 1:11:34 | |
- You look nice. - So do you. | 1:11:34 | 1:11:37 | |
Oh, this is Ally. My partner. | 1:11:40 | 1:11:43 | |
In crime. | 1:11:43 | 1:11:45 | |
Hi. | 1:11:45 | 1:11:46 | |
I thought you only had the one day. | 1:11:49 | 1:11:51 | |
DAVEY: I did. | 1:11:51 | 1:11:53 | |
This is the second half of it. | 1:11:54 | 1:11:57 | |
Aye, Frankie must be delighted. | 1:11:57 | 1:12:00 | |
So, what are you all up to now? | 1:12:00 | 1:12:02 | |
We're going home. Frankie's got school in the morning. | 1:12:02 | 1:12:05 | |
Why don't you stay? | 1:12:09 | 1:12:11 | |
I mean, just for a wee while. I mean, you'd love it. | 1:12:11 | 1:12:14 | |
The DJ is rank, but there's a great band on afterwards. | 1:12:14 | 1:12:19 | |
No, sweetheart. it's been a long day. | 1:12:19 | 1:12:22 | |
And it's time to go now. | 1:12:22 | 1:12:24 | |
Come on, son. | 1:12:24 | 1:12:26 | |
It's just this once. | 1:12:26 | 1:12:28 | |
MUSIC: "Macarena" by Los Del Rio | 1:12:32 | 1:12:34 | |
# Dale a tu cuerpo alegria, Macarena | 1:12:34 | 1:12:37 | |
# Tu cuerpo es para darle alegria y cosa buena | 1:12:37 | 1:12:39 | |
# Dale a tu cuerpo alegria, Macarena | 1:12:39 | 1:12:41 | |
# Hey, Macarena | 1:12:41 | 1:12:44 | |
# Dale a tu cuerpo alegria, Macarena | 1:12:44 | 1:12:46 | |
# Tu cuerpo es para darle alegria y cosa buena | 1:12:46 | 1:12:48 | |
# Dale a tu cuerpo alegria, Macarena | 1:12:48 | 1:12:50 | |
# Hey, Macarena | 1:12:50 | 1:12:52 | |
# Macarena tiene un novio que se llama | 1:12:52 | 1:12:54 | |
# Que se llama de apellido vitorino | 1:12:54 | 1:12:57 | |
# Y en la jura de bandera el muchacho | 1:12:57 | 1:12:59 | |
# Se metio con dos amigos | 1:12:59 | 1:13:00 | |
# Macarena tiene un novio que se llama | 1:13:00 | 1:13:03 | |
# Que se llama de apellido vitorino | 1:13:03 | 1:13:06 | |
# Y en la jura de bandera el muchacho | 1:13:06 | 1:13:07 | |
# Se metio con dos amigos | 1:13:07 | 1:13:09 | |
# Dale a tu cuerpo alegria, Macarena... # | 1:13:09 | 1:13:12 | |
So. What do you think, then? | 1:13:12 | 1:13:14 | |
I don't think anything. Why? | 1:13:14 | 1:13:17 | |
Nothing. I was just wondering, that's all. | 1:13:17 | 1:13:20 | |
There's nothing to wonder. | 1:13:20 | 1:13:22 | |
It's a business arrangement, that's all. | 1:13:22 | 1:13:26 | |
# Hey, Macarena. # | 1:13:26 | 1:13:27 | |
And his ship sails tomorrow, like he said. | 1:13:29 | 1:13:32 | |
Like he said. | 1:13:33 | 1:13:35 | |
Good God. I can't drink all that. | 1:13:46 | 1:13:50 | |
No. But I know a man who can. | 1:13:50 | 1:13:53 | |
Since when did you start smoking those? | 1:14:04 | 1:14:06 | |
What happened to your beloved roll-ups? | 1:14:06 | 1:14:09 | |
Oh, Jesus. Make my next one a double. | 1:14:15 | 1:14:18 | |
# When I was a young man | 1:14:19 | 1:14:23 | |
# I used to dream of a maiden... # | 1:14:23 | 1:14:25 | |
That's my song. | 1:14:27 | 1:14:29 | |
# With long soft hair | 1:14:29 | 1:14:31 | |
# Flowing in the wind | 1:14:31 | 1:14:34 | |
# Her laughing eyes and loving arms | 1:14:37 | 1:14:40 | |
# Would follow | 1:14:40 | 1:14:42 | |
# When I'd sail around... # | 1:14:44 | 1:14:46 | |
Hey, Frankie. Hey, Frankie. | 1:14:46 | 1:14:49 | |
Bet you all your trump cards | 1:14:49 | 1:14:51 | |
you don't ask Catriona Murray to dance. | 1:14:51 | 1:14:54 | |
# On a great white horse... # | 1:14:55 | 1:15:00 | |
You do that, I'll get your mum up to dance. | 1:15:00 | 1:15:03 | |
Deal? | 1:15:05 | 1:15:06 | |
# I'd bring her laughter | 1:15:08 | 1:15:10 | |
Dance? | 1:15:10 | 1:15:12 | |
I never dance. | 1:15:14 | 1:15:17 | |
You'll have to, this once. Frankie's made another bet. | 1:15:17 | 1:15:22 | |
You'd better watch him. It's becoming a bit of a habit. | 1:15:22 | 1:15:25 | |
# When I was a young girl | 1:15:33 | 1:15:35 | |
# I used to dream of a lover | 1:15:35 | 1:15:38 | |
# Who'd be my shining knight | 1:15:41 | 1:15:44 | |
# Of strength one day | 1:15:44 | 1:15:47 | |
# He'd take me to a castle | 1:15:49 | 1:15:53 | |
# In the heavens | 1:15:53 | 1:15:55 | |
# And battle all my dragons | 1:15:57 | 1:16:00 | |
# On the way | 1:16:00 | 1:16:02 | |
# And he'd ride down | 1:16:04 | 1:16:08 | |
# On a great white horse | 1:16:08 | 1:16:11 | |
# He'd give me love | 1:16:12 | 1:16:16 | |
# I'd been longing for | 1:16:16 | 1:16:20 | |
# He'd bring me joy | 1:16:20 | 1:16:24 | |
# And lasting peace | 1:16:24 | 1:16:28 | |
# And on a great white horse | 1:16:28 | 1:16:32 | |
# He'd ride away with me... # | 1:16:32 | 1:16:36 | |
APPLAUSE AS MUSIC ENDS | 1:16:54 | 1:16:55 | |
ALLY: Uno, dos, tres, cuatro. | 1:16:55 | 1:16:59 | |
Uno, dos, tres, cuatro. | 1:16:59 | 1:17:02 | |
MARIE AND ALLY LAUGH | 1:17:02 | 1:17:04 | |
I had a good time tonight. | 1:17:04 | 1:17:06 | |
Don't sound so surprised. | 1:17:08 | 1:17:11 | |
You are the best! | 1:17:13 | 1:17:16 | |
He's got your eyes. | 1:17:16 | 1:17:18 | |
They pull you right in. | 1:17:21 | 1:17:24 | |
Uno, dos, tres... | 1:17:24 | 1:17:26 | |
Don't know what to say to that. | 1:17:26 | 1:17:29 | |
You don't have to say anything. | 1:17:30 | 1:17:33 | |
You don't have to say nice things to me. | 1:17:36 | 1:17:39 | |
I'm not paying you for that. | 1:17:39 | 1:17:41 | |
So why don't you want to hear them? | 1:17:43 | 1:17:45 | |
What are you afraid of? | 1:17:48 | 1:17:50 | |
Where did Marie find you? | 1:17:53 | 1:17:55 | |
No. | 1:17:56 | 1:17:59 | |
I thought we agreed. No history. | 1:17:59 | 1:18:02 | |
Things have changed. | 1:18:08 | 1:18:10 | |
Have they? | 1:18:14 | 1:18:16 | |
What I find really... | 1:18:20 | 1:18:23 | |
difficult... | 1:18:23 | 1:18:25 | |
to understand... | 1:18:25 | 1:18:28 | |
is why. | 1:18:28 | 1:18:30 | |
I told you why. Frankie made a bet. | 1:18:32 | 1:18:34 | |
No, no, no, no, no. | 1:18:34 | 1:18:36 | |
I mean, why did he ever leave the two of you? | 1:18:36 | 1:18:42 | |
He didn't leave us. I left him. | 1:18:47 | 1:18:49 | |
One night, I just picked Frankie up, and I left. | 1:18:52 | 1:18:56 | |
My mother came with me to make sure I never went back. | 1:18:56 | 1:18:59 | |
And we've been leaving ever since. | 1:19:02 | 1:19:04 | |
Always ready, in case he shows up. > | 1:19:04 | 1:19:07 | |
Frankie wasn't born deaf. It was a present from his daddy. | 1:19:14 | 1:19:18 | |
Frankie's a very... | 1:19:45 | 1:19:47 | |
very lucky boy. | 1:19:47 | 1:19:49 | |
How'd you figure that one out? | 1:19:51 | 1:19:54 | |
I'm his mother, and I lie to him every single day. | 1:19:54 | 1:19:57 | |
No. | 1:19:57 | 1:19:58 | |
No, you protect him every single day. | 1:20:00 | 1:20:03 | |
Do I? | 1:20:07 | 1:20:09 | |
Every time I write one of those letters, | 1:20:15 | 1:20:17 | |
I promise myself it'll be the last one. | 1:20:17 | 1:20:21 | |
Thought he'd lose interest in time. Just stop. | 1:20:22 | 1:20:27 | |
But if he hasn't written for a couple of weeks, | 1:20:30 | 1:20:33 | |
I'm the one egging him on. | 1:20:33 | 1:20:34 | |
Telling him to hurry up and write. | 1:20:34 | 1:20:36 | |
It's the only way I can hear his voice. | 1:20:39 | 1:20:41 | |
I'd better go. | 1:21:26 | 1:21:29 | |
I'm away first thing. | 1:21:29 | 1:21:32 | |
- Can I say goodbye? - If you can wake him. | 1:21:35 | 1:21:38 | |
All right? | 1:22:18 | 1:22:19 | |
You're coming back? | 1:22:22 | 1:22:24 | |
I don't know, Frankie. | 1:22:29 | 1:22:33 | |
Did you do this? | 1:22:59 | 1:23:02 | |
Frankie, I can't take this. This is yours. | 1:23:05 | 1:23:08 | |
HE MOUTHS | 1:23:08 | 1:23:10 | |
I'd be honoured to take it. | 1:23:16 | 1:23:18 | |
It's beautiful. | 1:23:20 | 1:23:22 | |
Remember, Frankie. | 1:23:32 | 1:23:34 | |
We're all connected. | 1:23:36 | 1:23:38 | |
Lizzie, Lizzie. | 1:26:50 | 1:26:52 | |
I've let myself go a wee bit. Sorry. | 1:27:01 | 1:27:03 | |
It's been a long time. | 1:27:07 | 1:27:09 | |
You're still beautiful. | 1:27:14 | 1:27:17 | |
No, I'm not. I'm not beautiful. | 1:27:17 | 1:27:20 | |
I'm sorry. | 1:27:20 | 1:27:22 | |
I'm sorry, Lizzie. | 1:27:25 | 1:27:28 | |
I'm sorry, Lizzie. | 1:27:28 | 1:27:30 | |
Shush, Davey. Shush. | 1:27:30 | 1:27:32 | |
It's all right. It's... It's all right now. | 1:27:34 | 1:27:37 | |
Don't cry. | 1:27:37 | 1:27:40 | |
Where's Frankie? He's at school. > | 1:27:45 | 1:27:49 | |
He's nine now, nearly ten. | 1:27:49 | 1:27:52 | |
I know. | 1:27:52 | 1:27:54 | |
He's top at geography. | 1:27:56 | 1:27:58 | |
I always knew he was clever. | 1:27:59 | 1:28:02 | |
Must take that off you. I don't think so. | 1:28:04 | 1:28:06 | |
You were the one that could've gone to college. | 1:28:06 | 1:28:09 | |
I want to see him, Lizzie. | 1:28:42 | 1:28:44 | |
- I've got a right to see him. - Don't give me that. | 1:28:45 | 1:28:48 | |
< It's too late for fighting, Lizzie. Just let me see him. | 1:28:48 | 1:28:52 | |
I want him to know how sorry I am. | 1:28:52 | 1:28:54 | |
- He's my son. - He's not your son - he's mine. | 1:28:57 | 1:29:00 | |
You don't deserve him. | 1:29:02 | 1:29:04 | |
You don't deserve his forgiveness. | 1:29:04 | 1:29:07 | |
Christ. | 1:29:10 | 1:29:12 | |
I made one mistake. | 1:29:14 | 1:29:16 | |
One stupid fucking mistake, and you made me pay. | 1:29:17 | 1:29:20 | |
< You've made me pay all right. | 1:29:20 | 1:29:24 | |
You're a bitch. | 1:29:25 | 1:29:27 | |
< You're nothing but a bitch. | 1:29:27 | 1:29:30 | |
YELLING: I want to see my son! | 1:29:31 | 1:29:34 | |
I've got a right! I'm his father! | 1:29:35 | 1:29:38 | |
I've got rights! | 1:29:38 | 1:29:40 | |
I've got my rights! I'm his father! | 1:29:40 | 1:29:43 | |
You're not his father! | 1:29:43 | 1:29:44 | |
He's got a different father now, a real father! | 1:29:44 | 1:29:47 | |
A kind, gentle man of a father, who... | 1:29:47 | 1:29:50 | |
who teaches him to throw stones across the water. You could never be his father! | 1:29:50 | 1:29:54 | |
I want to see my son! < No, Davey, please, no. Come on. | 1:29:54 | 1:29:57 | |
- I'm his father! - Davey, no. Stop it. | 1:29:57 | 1:29:59 | |
- I've got a right! - Nurse! | 1:29:59 | 1:30:01 | |
- Nurse! - You bitch! | 1:30:01 | 1:30:03 | |
I want to see my son! < Nurse! | 1:30:03 | 1:30:05 | |
Lizzie. Wait a minute. | 1:30:18 | 1:30:20 | |
Lizzie. Lizzie! Please. | 1:30:21 | 1:30:24 | |
He nearly killed us, Janet. | 1:30:24 | 1:30:27 | |
I know. I know. | 1:30:27 | 1:30:30 | |
He's only got a few days left. He can't touch you now. | 1:30:30 | 1:30:34 | |
Let him die in peace. | 1:30:34 | 1:30:37 | |
For your own sake. | 1:30:37 | 1:30:39 | |
I want to talk to you. it's very important. | 1:31:12 | 1:31:15 | |
I got a message today from your dad. | 1:31:17 | 1:31:20 | |
He's not very well, Frankie. | 1:31:22 | 1:31:24 | |
He's very, very sick. | 1:31:24 | 1:31:26 | |
But he says he wants you to know he loves you. | 1:31:28 | 1:31:32 | |
Very much. | 1:31:32 | 1:31:35 | |
FRANKIE: Dear Da. | 1:32:05 | 1:32:06 | |
I thought you'd like this drawing. | 1:32:06 | 1:32:08 | |
I copied it from my book. | 1:32:08 | 1:32:11 | |
Ma says you're not very well. | 1:32:11 | 1:32:13 | |
I hope you feel better soon. Love, from your son, Frankie. | 1:32:13 | 1:32:18 | |
DOCTOR: Call the crash team. | 1:32:48 | 1:32:50 | |
JANET: Davey, what's wrong? | 1:32:50 | 1:32:53 | |
Let's get the bed down. What is wrong with him? | 1:32:53 | 1:32:56 | |
Mrs Morrison? It might be best if you went and had a cup of tea just now. | 1:32:58 | 1:33:03 | |
I'll send someone along to find you as soon as we have any news. | 1:33:03 | 1:33:07 | |
This is for my husband. | 1:33:08 | 1:33:11 | |
It's from our son. Right. | 1:33:11 | 1:33:14 | |
Oh, nurse? Yes? | 1:33:19 | 1:33:21 | |
Could you make sure he sees it? | 1:33:25 | 1:33:26 | |
I'll make sure. | 1:33:26 | 1:33:29 | |
LIZZIE: "Davey Morrison died peacefully | 1:33:38 | 1:33:40 | |
"after a long illness. | 1:33:40 | 1:33:42 | |
"Father to Frankie." | 1:33:42 | 1:33:44 | |
I know it is a terrible thing to say, | 1:34:14 | 1:34:16 | |
but Davey's finally done you a favour. | 1:34:16 | 1:34:18 | |
It's over now. | 1:34:18 | 1:34:20 | |
Marie? What? | 1:34:24 | 1:34:26 | |
Who was he? | 1:34:27 | 1:34:29 | |
My brother. | 1:34:30 | 1:34:32 | |
Oh, right. | 1:34:35 | 1:34:37 | |
I got to go. | 1:34:39 | 1:34:41 | |
Where are you going? I'll see you after. | 1:34:44 | 1:34:47 | |
MAN: Do you want me to check the box? | 1:34:50 | 1:34:52 | |
LIZZIE: There won't be anything in it. | 1:34:52 | 1:34:54 | |
MAN: It'll cost you to have your mail forwarded. | 1:34:54 | 1:34:57 | |
I'll check it for you, hen, just to be on the safe side. | 1:34:57 | 1:35:00 | |
FRANKIE: "Thanks for the book. | 1:35:45 | 1:35:48 | |
"I've read it all the way through now. Twice. | 1:35:48 | 1:35:53 | |
"I took it into school. I know you won't mind. | 1:35:53 | 1:35:56 | |
"My teacher put it on the nature table." | 1:35:56 | 1:36:00 | |
WHISTLING | 1:36:09 | 1:36:12 | |
"Miss Mackenzie gave me a gold star. | 1:36:12 | 1:36:15 | |
"I've got eight now. Catriona's got 20. | 1:36:15 | 1:36:18 | |
"Ricky's only got one. And it's not even gold. | 1:36:18 | 1:36:21 | |
"Guess what. I got into the football team. | 1:36:28 | 1:36:31 | |
"Well, the reserves. I'm playing on Saturday. | 1:36:31 | 1:36:34 | |
"And guess what else - | 1:36:34 | 1:36:36 | |
"I got one wrong in geography this week. | 1:36:36 | 1:36:39 | |
"Ma and I had a bit of a shock last week. | 1:36:42 | 1:36:46 | |
"My da, my real da, he's been sick. | 1:36:46 | 1:36:49 | |
"I think he's been sick for a long time. | 1:36:49 | 1:36:53 | |
"Ma never said anything, but I just knew. | 1:36:53 | 1:36:56 | |
"And last week, he died. | 1:36:56 | 1:36:59 | |
"I think Ma's very sad inside, | 1:36:59 | 1:37:02 | |
"But Marie says time's a great healer, | 1:37:02 | 1:37:04 | |
"and Ma's not to worry any more, cos she's still got me. | 1:37:04 | 1:37:08 | |
"Anyway, I've got to go now. My tea's ready. | 1:37:08 | 1:37:11 | |
"I hope it's not chips. | 1:37:11 | 1:37:13 | |
"I've had them three times this week. | 1:37:13 | 1:37:17 | |
"Maybe you'll come and see us one more time. | 1:37:17 | 1:37:20 | |
"Maybe next time your ship docks. | 1:37:20 | 1:37:22 | |
"Your friend, Frankie." | 1:37:22 | 1:37:25 | |
E-mail [email protected] | 1:39:06 | 1:39:09 |