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Don't tell me about my visa! | 0:00:05 | 0:00:08 | |
My wife is stuck in that hellhole and I am getting on that plane! | 0:00:08 | 0:00:13 | |
It's bad, Joe! They're evacuating the villages! | 0:00:16 | 0:00:20 | |
The roads are washed out! We're hearing gunfire now! | 0:00:20 | 0:00:24 | |
Can you...? PROPELLERS WHIRR Can you get to Calamar? | 0:00:24 | 0:00:28 | |
Can you get across the border to Colombia? | 0:00:28 | 0:00:32 | |
They're putting us on the bus! | 0:00:32 | 0:00:34 | |
I don't know where they're taking us! | 0:00:34 | 0:00:37 | |
Joe? | 0:00:37 | 0:00:39 | |
Joe! | 0:00:39 | 0:00:41 | |
Emily! Em...! | 0:00:41 | 0:00:43 | |
BABY WAILS | 0:00:57 | 0:00:59 | |
BRAKES SCREECH AND ALL SCREAM | 0:01:08 | 0:01:12 | |
ENGINE REVS | 0:01:12 | 0:01:15 | |
SCREAMING | 0:01:26 | 0:01:28 | |
Emily Darrow was not just a doctor | 0:01:33 | 0:01:36 | |
and a credit to the medical profession, | 0:01:36 | 0:01:39 | |
she was a healer and a credit to the human race. | 0:01:39 | 0:01:43 | |
Those who knew her were changed by her, | 0:01:43 | 0:01:47 | |
inspired my her commitment | 0:01:47 | 0:01:49 | |
to give, literally, everything of herself, | 0:01:49 | 0:01:52 | |
which is why we're gathered here today, | 0:01:52 | 0:01:55 | |
to celebrate this unique life, | 0:01:55 | 0:01:58 | |
not so much taken from us... | 0:01:58 | 0:02:01 | |
as given to us. | 0:02:01 | 0:02:03 | |
From her colleagues at the university | 0:02:03 | 0:02:06 | |
to her young patients | 0:02:06 | 0:02:08 | |
here in Chicago Memorial's paediatric-oncology ward, | 0:02:08 | 0:02:12 | |
she will be sorely missed. | 0:02:12 | 0:02:15 | |
'We're told in medical school that the face of an emergency-room doctor | 0:02:17 | 0:02:21 | |
'is the last thing a lot of people will ever see. | 0:02:21 | 0:02:25 | |
'I keep that in mind when I see those frightened eyes staring out at me. | 0:02:25 | 0:02:29 | |
'But I don't know what Emily saw - what image she took with her...' | 0:02:29 | 0:02:33 | |
PAGER RINGS '..if there was a compassionate face, | 0:02:33 | 0:02:37 | |
'or she died in a world of chaos. | 0:02:37 | 0:02:39 | |
'And that I don't know this... haunts me.' | 0:02:39 | 0:02:43 | |
The diver saw inside, senor. There is no-one alive. | 0:02:43 | 0:02:48 | |
-Where's her body? -We are searching the shoreline and jungle now | 0:02:48 | 0:02:52 | |
but the bus is under ten feet of water. | 0:02:52 | 0:02:55 | |
The river runs at 17mph, senor. There is nothing you can do. | 0:02:55 | 0:02:59 | |
Por favor, go home. | 0:02:59 | 0:03:01 | |
I'm not goin' anywhere! | 0:03:03 | 0:03:05 | |
Not till this is over. | 0:03:05 | 0:03:08 | |
I assure you, senor... | 0:03:08 | 0:03:10 | |
it's over. | 0:03:10 | 0:03:12 | |
FAINT SOUND OF SIREN WAILING | 0:03:16 | 0:03:19 | |
SIREN WAILS AND HORN BLARES | 0:03:21 | 0:03:23 | |
-What are you doin' here? -I was paged. | 0:03:38 | 0:03:40 | |
-What do we have? -Wasn't this morning your wife's memorial service? | 0:03:40 | 0:03:44 | |
-I wanna keep anyone from joining her. What do we have? -Six-car pile-up. | 0:03:44 | 0:03:48 | |
11 injuries, four went to County and six are comin' here. | 0:03:48 | 0:03:52 | |
-All right, stay with me. How extensive? -Third-degree, 40 per cent, maybe 50. | 0:03:52 | 0:03:56 | |
-Intube him? -Airway's crushed. -Pronounce him. | 0:03:56 | 0:04:00 | |
-Hit the windshield. -All right, that's a blow-out fracture. Get a CT. | 0:04:00 | 0:04:05 | |
-What's this? -OD, attempted suicide. | 0:04:05 | 0:04:08 | |
All right, give her to Simon. I'm interested in people who wanna live. | 0:04:08 | 0:04:12 | |
-What's her term? -She hit the steering wheel. | 0:04:12 | 0:04:15 | |
-How pregnant? -Looks like six months. | 0:04:15 | 0:04:18 | |
-Let's get it out. -At six months? -It has a chance, but not in there. | 0:04:18 | 0:04:22 | |
Look at her colour. It's still got a heartbeat. Let's get it out of there. | 0:04:22 | 0:04:27 | |
-Get a consultation. -Let's order out for pizza while we're at it(!) | 0:04:27 | 0:04:30 | |
-There's a procedure for terminating a pregnancy. -I'm not terminating, | 0:04:30 | 0:04:34 | |
I'm delivering a baby. Get Prenatal down here now! | 0:04:34 | 0:04:38 | |
It was the right call. | 0:04:46 | 0:04:48 | |
Delivering a technically inviable foetus by Caesarean section | 0:04:48 | 0:04:52 | |
-without consultation or permission of the mother... -Who was dead! | 0:04:52 | 0:04:56 | |
-Not officially. -The baby is alive, Hugh. | 0:04:56 | 0:04:59 | |
I'm concerned, Joe. So is the rest of the staff. | 0:05:01 | 0:05:04 | |
-You refused to treat a suicide today. -I passed her on to Simon. | 0:05:04 | 0:05:08 | |
As though she were unworthy of you. | 0:05:08 | 0:05:10 | |
Can we discuss this tomorrow? | 0:05:12 | 0:05:14 | |
Since Emily's death you have been working around the clock, | 0:05:14 | 0:05:18 | |
24-hour shifts, I'm told, seven days a week. | 0:05:18 | 0:05:21 | |
-Think I'm losing my edge? -Just the opposite, it's getting too sharp. | 0:05:21 | 0:05:25 | |
You're starting to cut people around here. You need time off. | 0:05:25 | 0:05:29 | |
You need to grieve. | 0:05:29 | 0:05:31 | |
-I need to grieve? -Hmm. | 0:05:33 | 0:05:35 | |
I am serious, Joe. | 0:05:42 | 0:05:44 | |
Take that time off. | 0:05:44 | 0:05:47 | |
Was it you who reported me? | 0:06:00 | 0:06:02 | |
Passing on the suicide. | 0:06:04 | 0:06:06 | |
How's she doing? | 0:06:10 | 0:06:13 | |
She's waiting for a bed on the psych ward. | 0:06:13 | 0:06:16 | |
-Why did you do this to me? -Do what to you? | 0:06:50 | 0:06:54 | |
Bring me back. | 0:06:56 | 0:06:58 | |
Where were you going? | 0:06:58 | 0:07:00 | |
Someplace better. | 0:07:00 | 0:07:03 | |
-Is that right? -I'll do it again, too. | 0:07:03 | 0:07:07 | |
It's all I want now. | 0:07:07 | 0:07:10 | |
Well, unfortunately, your heart disagrees. | 0:07:10 | 0:07:13 | |
PAPER RUSTLES It's waged quite a battle tonight. | 0:07:13 | 0:07:16 | |
No-one knows my heart. | 0:07:18 | 0:07:22 | |
Maybe that's why it's still beating... | 0:07:24 | 0:07:27 | |
..to give somebody a chance to. | 0:07:29 | 0:07:31 | |
Let me tell you about that better place | 0:07:35 | 0:07:38 | |
you think you're going to. | 0:07:38 | 0:07:41 | |
You'd better be damn sure it's there... | 0:07:41 | 0:07:44 | |
cos crappy as this place is, it's all there is. | 0:07:44 | 0:07:48 | |
So go ahead... | 0:07:48 | 0:07:51 | |
be my guest. | 0:07:51 | 0:07:54 | |
But when you never wake up again, don't say I didn't warn you. | 0:07:54 | 0:07:58 | |
Hi, Father. | 0:08:02 | 0:08:04 | |
Time for a rebuttal? | 0:08:04 | 0:08:06 | |
"..And on her footfall in the rustle of leaves, | 0:08:10 | 0:08:14 | |
"Her whisper on the wind, | 0:08:14 | 0:08:17 | |
"She speaks from a place beyond mortal pain." | 0:08:17 | 0:08:20 | |
-Hey, look who's here! Joe! -Hey, you! | 0:08:20 | 0:08:23 | |
-Nice timing! -You're just in time to finish the toast. | 0:08:23 | 0:08:26 | |
-Here, pour him a beer. -Linda, can we have another one, please? | 0:08:26 | 0:08:30 | |
-Rachel In Heaven, remember that poem, third year lit class? -Yeah. | 0:08:30 | 0:08:34 | |
To Emily. | 0:08:34 | 0:08:36 | |
-To Emily. -Emily. | 0:08:36 | 0:08:38 | |
How are things at the hospital? | 0:08:40 | 0:08:42 | |
You know, I don't know why we try so hard to save 'em, | 0:08:42 | 0:08:45 | |
if they've got such a wonderful place to go, like...Rachel In Heaven. | 0:08:45 | 0:08:49 | |
Well, that's where Emily is. And you can bet on that. | 0:08:49 | 0:08:53 | |
-If anyone deserved to go, it was her. -She was the best of us. | 0:08:53 | 0:08:57 | |
-The best of us. -I don't know what the hell she saw in you, though(!) | 0:08:57 | 0:09:01 | |
She was the best of us. | 0:09:03 | 0:09:05 | |
-And I have no idea what she saw in me. -She saw the second best of us. | 0:09:05 | 0:09:09 | |
You guys were a great team. She was the heart, you were the mind - | 0:09:09 | 0:09:13 | |
together you were unbeatable. | 0:09:13 | 0:09:16 | |
Where are you, Joe? | 0:09:24 | 0:09:26 | |
Nowhere. | 0:09:29 | 0:09:31 | |
-I'm gonna go. -No, come on, man! | 0:09:31 | 0:09:34 | |
-You just got here. -Stay. -Like you said, | 0:09:34 | 0:09:37 | |
-I'm a mind without a heart. -Joe, come on. | 0:09:37 | 0:09:40 | |
-I... That's not... -Don't leave, Joe. -Buddy, | 0:09:40 | 0:09:43 | |
-that is not what I meant. -I know you didn't mean that, OK? | 0:09:43 | 0:09:47 | |
But you were right on, buddy... and I love you anyway. | 0:09:47 | 0:09:50 | |
All of you. | 0:09:50 | 0:09:53 | |
Thank you for coming today. | 0:09:53 | 0:09:55 | |
See you. | 0:09:55 | 0:09:57 | |
-Hey, Doc. -SHE COUGHS | 0:10:14 | 0:10:18 | |
-Hey, Miriam. -Sorry I missed the service. | 0:10:18 | 0:10:22 | |
I didn't wanna cough all over everybody. Was it nice? | 0:10:22 | 0:10:26 | |
I guess. | 0:10:26 | 0:10:28 | |
I couldn't handle it. | 0:10:28 | 0:10:30 | |
Well, then, you're not gonna do too good with this. | 0:10:30 | 0:10:34 | |
They needed somebody to sign for it. | 0:10:34 | 0:10:36 | |
I didn't wanna leave it out in the rain. It's a toy company in Texas. | 0:10:36 | 0:10:42 | |
-That'll teach her to shop the Internet. -Yeah, that'll teach her. | 0:10:42 | 0:10:46 | |
You'd think a professor of law | 0:10:46 | 0:10:49 | |
-could be more precise with her language. -It's all right. | 0:10:49 | 0:10:52 | |
You have a good night. | 0:10:52 | 0:10:55 | |
Hey, I saw through the kitchen window Big Bird didn't eat again! | 0:10:56 | 0:11:00 | |
-Should he go back to the vet? -The vet said Big Bird'll outlive us all. | 0:11:00 | 0:11:04 | |
SHE CHUCKLES | 0:11:04 | 0:11:06 | |
PHONE RINGS | 0:11:13 | 0:11:15 | |
ANSWERPHONE BEEPS | 0:11:19 | 0:11:21 | |
-'It's Hal. We are going on a white-water trip. -You gotta come! | 0:11:21 | 0:11:26 | |
-'Don't leave me alone with them! -I sent you a packet, OK?! | 0:11:26 | 0:11:30 | |
-'See you, buddy! -Love you!' | 0:11:30 | 0:11:32 | |
Sound good, Big Bird? Wanna go rafting with my old college chums? | 0:11:32 | 0:11:37 | |
Nice to see you, too. | 0:11:41 | 0:11:43 | |
WOMAN GIGGLES 'Why is that funny? | 0:12:26 | 0:12:29 | |
'I just, er, picture you with a beak, I guess.' | 0:12:29 | 0:12:32 | |
Well, just imagine soaring around with me up there, flying. | 0:12:32 | 0:12:36 | |
-If you do, you're on your own. -Why? | 0:12:36 | 0:12:39 | |
Because eagles eat bunny rabbits. I'm a vegetarian. | 0:12:39 | 0:12:42 | |
-In your next life, too? -Yes. | 0:12:42 | 0:12:45 | |
So if you got a chance to come back, you'd wanna be earthbound again? | 0:12:45 | 0:12:49 | |
No. I'll fly around with you up there. | 0:12:49 | 0:12:52 | |
Do you know what I'm gonna be? | 0:12:52 | 0:12:55 | |
Yeah, but... | 0:12:55 | 0:12:57 | |
-if I'm a bird and you're an insect... -Yeah? | 0:12:57 | 0:13:01 | |
..how are we gonna...? | 0:13:01 | 0:13:03 | |
(You know. You know.) | 0:13:03 | 0:13:06 | |
(We'll just have to do enough of that in this lifetime | 0:13:06 | 0:13:10 | |
(to make up for the next ten.) | 0:13:10 | 0:13:12 | |
EMILY SIGHS | 0:13:24 | 0:13:27 | |
I'm going because I have to, Joe. Because it's who I am. | 0:14:02 | 0:14:07 | |
Who we are, what we dedicated our lives to. | 0:14:07 | 0:14:10 | |
-Oh, for God's sake, you're pregnant! -We addressed this, Joe, | 0:14:10 | 0:14:14 | |
when we first met. That we'd pack our kids in on our backs | 0:14:14 | 0:14:18 | |
-to show them what was important, to teach them our values! -It was naive, all right? It was naive! | 0:14:18 | 0:14:25 | |
Our values? | 0:14:25 | 0:14:27 | |
I'm needed there, Joe... | 0:14:33 | 0:14:35 | |
and I'm going... | 0:14:35 | 0:14:38 | |
..whether you choose to or not. | 0:14:39 | 0:14:42 | |
CLATTERING AND ROLLING | 0:14:43 | 0:14:45 | |
-'So this thing was a paperweight? -Yes. | 0:15:09 | 0:15:12 | |
'It was a gift for Valentine's Day.' | 0:15:12 | 0:15:15 | |
It's gotta weigh half a pound and it was squarely, | 0:15:15 | 0:15:18 | |
I mean squarely on the bedside table when I went to sleep. | 0:15:18 | 0:15:22 | |
So what are you saying? | 0:15:22 | 0:15:24 | |
I don't know. Nothing, I guess. | 0:15:24 | 0:15:27 | |
It's just that...dragonflies were, sort of, her thing. | 0:15:27 | 0:15:31 | |
You know, like her personal totem. | 0:15:31 | 0:15:33 | |
How Indians have buffalo heads, or tiger heads or hawks, | 0:15:33 | 0:15:36 | |
hers was...a dragonfly. | 0:15:36 | 0:15:39 | |
She even had this small birthmark on her shoulder | 0:15:39 | 0:15:42 | |
that looked like one. Said her grandfather had one, too, | 0:15:42 | 0:15:46 | |
on his...on his butt, I think. HE CHUCKLES | 0:15:46 | 0:15:49 | |
It's called familial haemangioma. | 0:15:49 | 0:15:52 | |
I once skunked an entire graduating class | 0:15:52 | 0:15:55 | |
by putting it on a final exam. | 0:15:55 | 0:15:57 | |
And when she was alive, I had to scour | 0:15:58 | 0:16:01 | |
for anything I could find with a dragonfly on it to buy her a present. | 0:16:01 | 0:16:05 | |
Now... Now I see 'em everywhere. There was one... | 0:16:05 | 0:16:10 | |
There was one bouncing against my office window yesterday. A real one. | 0:16:10 | 0:16:15 | |
A package arrived she'd bought over the Internet, | 0:16:15 | 0:16:19 | |
a mobile to put on the baby's crib... of dragonflies. | 0:16:19 | 0:16:22 | |
And then this thing last night with the paperweight. | 0:16:22 | 0:16:26 | |
You know what I think? | 0:16:26 | 0:16:29 | |
I think you are, literally, going buggy living in that house. | 0:16:29 | 0:16:32 | |
You should move. You're rummaging around in an empty nursery, | 0:16:32 | 0:16:36 | |
you're living with a talking parrot who won't speak to you. | 0:16:36 | 0:16:39 | |
It never would. It never liked me. | 0:16:39 | 0:16:42 | |
It would only talk to Emily. | 0:16:42 | 0:16:44 | |
She even taught it to announce her arrival | 0:16:44 | 0:16:47 | |
when she came in the door. | 0:16:47 | 0:16:50 | |
SQUEAKY VOICE: "Honey... | 0:16:51 | 0:16:53 | |
-"Honey, I'm home." -You ought to sell that thing, Joe. Get rid of it. | 0:16:53 | 0:16:57 | |
I'm stuck with it. I promised her I'd keep it for ever | 0:16:57 | 0:17:01 | |
and I put a provision in my will that if anything ever happened to me, | 0:17:01 | 0:17:05 | |
someone I trusted would take care of it. | 0:17:05 | 0:17:08 | |
Would you? | 0:17:08 | 0:17:10 | |
-Would you? -Oh, no. It's your promise, buddy. It's not mine. | 0:17:10 | 0:17:14 | |
I need to live up to my promises to her. | 0:17:17 | 0:17:20 | |
That's one thing I need to do. | 0:17:20 | 0:17:22 | |
OK, fine. Any other promises that I should know about? | 0:17:22 | 0:17:27 | |
Just one, but I'm taking care of that one myself, starting... | 0:17:27 | 0:17:31 | |
today. | 0:17:31 | 0:17:33 | |
-Hi, Joe. -Hugh. | 0:17:33 | 0:17:35 | |
-I was hoping that you took our conversation seriously. -I did. | 0:17:35 | 0:17:39 | |
I convinced Joe to take a couple of months off. Right, Joe? | 0:17:39 | 0:17:44 | |
I promised Emily I'd look in on her kids on the oncology ward and never did. | 0:17:44 | 0:17:49 | |
I thought this might be a good day. | 0:17:49 | 0:17:51 | |
After six months? On oncology? | 0:17:51 | 0:17:54 | |
I'm not sure how many are left, but if it's for Emily, fine. | 0:17:54 | 0:17:58 | |
Asshole. | 0:18:01 | 0:18:03 | |
You should get away, Joe. Isn't there someplace you could go? | 0:18:03 | 0:18:08 | |
-FAINT CRY: -'Joe!' | 0:19:35 | 0:19:38 | |
'Joe!' | 0:19:54 | 0:19:57 | |
-'Joe!' -CLATTERING | 0:20:14 | 0:20:16 | |
'Joe! | 0:20:19 | 0:20:21 | |
'Joe, can't you hear me? | 0:20:21 | 0:20:23 | |
'Joe! Joe!' | 0:20:23 | 0:20:27 | |
CONTINUOUS BEEP | 0:20:30 | 0:20:32 | |
-All right, hold CPR. -I'm getting nothing! | 0:20:32 | 0:20:35 | |
-Continue with it! Shock him at 30! -Come on, Jeffrey! -Keep it going! | 0:20:35 | 0:20:39 | |
-Clear! -Still nothing! -Charging to 60! | 0:20:39 | 0:20:43 | |
-Shock him! -Clear! -Nothing! | 0:20:43 | 0:20:47 | |
-Again. -He's not responding! -Again! -There's no pulse! | 0:20:47 | 0:20:51 | |
-He's not coming back! -Dammit, again! | 0:20:51 | 0:20:53 | |
Clear! | 0:20:53 | 0:20:55 | |
He's gone. | 0:21:01 | 0:21:04 | |
-HEART MONITOR BEATS RAPIDLY -He's got a rhythm! -He's back! | 0:21:28 | 0:21:31 | |
-He's coming back! -Yes, Jeffrey! | 0:21:31 | 0:21:34 | |
Do you need to be here? Clear the room, please! Get me an EKG! | 0:21:34 | 0:21:38 | |
-His hand's moving! -Don't let him pull out that IV! | 0:21:38 | 0:21:42 | |
-Jeffrey, can you hear me?! -Pupils reactive! | 0:21:42 | 0:21:45 | |
-I just came on. What happened? -They're stabilising him. | 0:21:45 | 0:21:50 | |
He flatlined, then his heart started again. | 0:21:50 | 0:21:53 | |
That's our Jeffrey. | 0:21:53 | 0:21:55 | |
His heart's stopped more times than anyone ever. | 0:21:55 | 0:21:59 | |
He'll come out of there with stories about who he met in the tunnel. | 0:21:59 | 0:22:04 | |
SHE KNOCKS | 0:22:04 | 0:22:06 | |
-Hi, I'm Doctor Darrow from Emergency. -We know who you are. | 0:22:19 | 0:22:22 | |
The hospital administrator heard | 0:22:22 | 0:22:25 | |
that you got in the way in ICU yesterday | 0:22:25 | 0:22:28 | |
and asked to be notified if you came back here again. | 0:22:28 | 0:22:31 | |
Did the boy who was being resuscitated last night, er... | 0:22:31 | 0:22:35 | |
-Jeffrey...? -Reardon. -Right. Is he...? | 0:22:35 | 0:22:38 | |
-Is he still on the floor? -Mm-hm. He was one of your wife's favourites. | 0:22:38 | 0:22:42 | |
Well, actually, that's why I'm here. I promised I'd look in on her kids | 0:22:42 | 0:22:46 | |
but there don't seem to...be many left. | 0:22:46 | 0:22:49 | |
(It'd be great if you could give me a little help.) | 0:22:52 | 0:22:55 | |
Maybe not...put in that call to the hospital administrator. | 0:22:55 | 0:23:00 | |
Between you and me, Doctor... | 0:23:00 | 0:23:02 | |
the hospital administrator is... How do I put it? | 0:23:02 | 0:23:06 | |
I use the word asshole. | 0:23:06 | 0:23:09 | |
That about captures it. | 0:23:09 | 0:23:11 | |
315. He's a real trip. You'll love him. | 0:23:12 | 0:23:16 | |
Thanks. | 0:23:16 | 0:23:18 | |
-Hello. -Hi. | 0:23:27 | 0:23:29 | |
-How's he doin'? -Great. | 0:23:29 | 0:23:32 | |
-Nice. -What is it? | 0:23:34 | 0:23:37 | |
I couldn't say. | 0:23:37 | 0:23:39 | |
Guess. | 0:23:39 | 0:23:42 | |
All right. | 0:23:42 | 0:23:44 | |
A crucifix made of Jell-o? | 0:23:46 | 0:23:48 | |
-Man, you're good. He's good. -He hasn't stopped drawing them | 0:23:50 | 0:23:53 | |
since he got out of the ICU yesterday. | 0:23:53 | 0:23:56 | |
-So what is it? -I don't know, that's why I'm askin'. | 0:23:58 | 0:24:02 | |
I just woke up thinking about it. | 0:24:02 | 0:24:04 | |
-I happened to be in the ICU yesterday, Jeffrey. -I know, | 0:24:04 | 0:24:08 | |
-I saw you in there. -You saw me in there? | 0:24:08 | 0:24:11 | |
Yeah, you came in through the back of the room standing over my bed. | 0:24:11 | 0:24:15 | |
-You saw me come over to your bed? -I'm pretty sure it was you. | 0:24:19 | 0:24:23 | |
-But the tie was different. -Jeffrey. | 0:24:23 | 0:24:25 | |
-Could I ask...? -Er... | 0:24:27 | 0:24:29 | |
we're not encouraged to discuss these things. | 0:24:29 | 0:24:33 | |
There was a nun on the ward, | 0:24:33 | 0:24:35 | |
interviewing kids who'd had near-death experiences. | 0:24:35 | 0:24:39 | |
It stirred up all kinds of trouble when some of it appeared on TV. | 0:24:39 | 0:24:44 | |
She never even talked to me | 0:24:44 | 0:24:46 | |
and I got the best near-death experiences of anyone. | 0:24:46 | 0:24:50 | |
I'm allowed a coffee break if there's a doctor with him. | 0:24:50 | 0:24:54 | |
In spite of hospital policy, I think they need to talk about it. | 0:24:54 | 0:24:58 | |
You're scheduled for a CAT scan, Jeffrey. Don't go without me. | 0:24:58 | 0:25:02 | |
-So what are we talking about, here, Jeffrey? -What we shouldn't. | 0:25:12 | 0:25:16 | |
In the ICU yesterday, when I approached your bed, it... | 0:25:18 | 0:25:21 | |
-it seemed to me you were pretty... -I was flatlined. -Exactly. | 0:25:21 | 0:25:26 | |
-So how could you look up and see me? -I couldn't. | 0:25:26 | 0:25:30 | |
-But you said... -I looked down. -Looked down? | 0:25:30 | 0:25:34 | |
From the ceiling. That's where I was when I saw you. | 0:25:34 | 0:25:38 | |
OK. | 0:25:43 | 0:25:45 | |
-You don't believe me. -Should I? | 0:25:45 | 0:25:49 | |
Ever seen that little bald spot on the top of your head? | 0:25:49 | 0:25:52 | |
Bend down here. Come on, bend down here. | 0:25:55 | 0:25:59 | |
Yeah, that was you. | 0:26:00 | 0:26:03 | |
Jeffrey, do you know my name? | 0:26:06 | 0:26:09 | |
You look like a... | 0:26:09 | 0:26:11 | |
a William to me. | 0:26:11 | 0:26:13 | |
I'm a Joe. | 0:26:13 | 0:26:16 | |
Does it ring a bell? | 0:26:16 | 0:26:18 | |
Emily's Joe? | 0:26:20 | 0:26:23 | |
Joe Darrow. | 0:26:23 | 0:26:26 | |
I saw her yesterday, too. | 0:26:27 | 0:26:31 | |
What do you mean, Jeffrey, you "saw her"? | 0:26:31 | 0:26:34 | |
She was there. | 0:26:34 | 0:26:36 | |
Where? | 0:26:36 | 0:26:39 | |
All around me. | 0:26:39 | 0:26:41 | |
Inside the rainbow... | 0:26:44 | 0:26:46 | |
the mist. | 0:26:46 | 0:26:49 | |
I...I was falling... falling through it | 0:26:49 | 0:26:52 | |
until she caught me... | 0:26:52 | 0:26:55 | |
and brought me back up. | 0:26:55 | 0:26:58 | |
She kind of flew me. | 0:26:58 | 0:27:01 | |
She flew me out... | 0:27:01 | 0:27:03 | |
..so I could come back... | 0:27:06 | 0:27:08 | |
-..and...and tell somebody somethin'. -Tell what, Jeffrey? | 0:27:09 | 0:27:14 | |
To who? | 0:27:14 | 0:27:17 | |
Joe. | 0:27:19 | 0:27:21 | |
Tell me what, Jeffrey? | 0:27:21 | 0:27:24 | |
Tell Joe what? | 0:27:26 | 0:27:29 | |
It was loud in the rainbow... like thunder in there. | 0:27:29 | 0:27:34 | |
(Tell me what, Jeffrey?!) | 0:27:34 | 0:27:36 | |
-I don't know. -You were calling my name. | 0:27:36 | 0:27:40 | |
Joe. | 0:27:40 | 0:27:43 | |
Joe! | 0:27:43 | 0:27:45 | |
Joe, can't you hear me? | 0:27:45 | 0:27:48 | |
-Joe! -All right. | 0:27:48 | 0:27:50 | |
-Joe! -Jeffrey. -Joe! -No, no, no! Slow down. Whoa! | 0:27:50 | 0:27:54 | |
Whoa. | 0:27:54 | 0:27:56 | |
Look at my eyes. Look at my eyes. | 0:27:56 | 0:27:59 | |
Just breathe. Just breathe a little bit, OK? | 0:27:59 | 0:28:03 | |
What happened? | 0:28:04 | 0:28:05 | |
-I'm fine. -We were... | 0:28:05 | 0:28:07 | |
He wanted to know what happened yesterday. | 0:28:07 | 0:28:10 | |
-Well, his heart stopped again. -I know. I...I was there, actually. | 0:28:10 | 0:28:15 | |
-He wanted to know what happened while it was stopped. -Oh. | 0:28:15 | 0:28:19 | |
Telling one of his tall tales again. | 0:28:19 | 0:28:22 | |
Next time he can sweep the ceiling while he's up there. | 0:28:22 | 0:28:26 | |
My daddy don't believe me. | 0:28:26 | 0:28:28 | |
He do the bald spot on you? Yeah, see, look. | 0:28:28 | 0:28:33 | |
HE LAUGHS | 0:28:34 | 0:28:37 | |
It don't work on everybody, just us bald guys, huh? | 0:28:37 | 0:28:41 | |
Yeah, he got me with that one, too. | 0:28:41 | 0:28:43 | |
-You had me going, there, Jeffrey. -It was the truth. You don't believe me? | 0:28:45 | 0:28:50 | |
What if I do remember what she wanted to tell you? | 0:28:55 | 0:28:59 | |
-Then would you believe me? -Do you remember it? | 0:28:59 | 0:29:03 | |
-If you come back I might. -About what who wants to tell him? | 0:29:03 | 0:29:07 | |
His wife. She wants me to tell him something. | 0:29:07 | 0:29:11 | |
-Probably take out the trash, huh? -HE CHUCKLES | 0:29:11 | 0:29:15 | |
-LAUGHTER -What? | 0:29:55 | 0:29:57 | |
He even had me believing he saw my bald spot from the ceiling, | 0:29:57 | 0:30:01 | |
-until I saw a mirror behind my head. -We can thank Mom for those genes. | 0:30:01 | 0:30:05 | |
Well, I can see your bald spot from here. | 0:30:05 | 0:30:09 | |
-I think bald is sexy. -Really? | 0:30:09 | 0:30:12 | |
-Yes. -I've got a parrot might turn you on. | 0:30:12 | 0:30:15 | |
Are you still living with that messy thing? Joe! | 0:30:15 | 0:30:18 | |
-We're working on our relationship. -Is it a talking parrot? | 0:30:18 | 0:30:22 | |
-A listening parrot. -A bird after my own heart. | 0:30:22 | 0:30:25 | |
-That's what I do for a living - listen. -Really? | 0:30:25 | 0:30:29 | |
Gwyn's a grief counsellor, Joe, | 0:30:29 | 0:30:31 | |
that's why I thought it might be a good idea for you two to meet. | 0:30:31 | 0:30:35 | |
-Is that right? -In fact, I've heard a lot of clients | 0:30:36 | 0:30:40 | |
talk about the near-death experiences of their loved ones. | 0:30:40 | 0:30:43 | |
They talk about being in a tunnel, moving toward the light. | 0:30:43 | 0:30:47 | |
-And what's your thought on it? -I'm just your parrot, Joe. | 0:30:47 | 0:30:51 | |
-Just listening. -I can tell you, as an eye surgeon it's all very simple. | 0:30:51 | 0:30:56 | |
The tunnel is literal tunnel vision | 0:30:56 | 0:30:59 | |
and the white light is the gradual bleaching out of the optic screen. | 0:30:59 | 0:31:04 | |
How do you explain their ability | 0:31:04 | 0:31:07 | |
to recall what everyone said around their deathbed | 0:31:07 | 0:31:10 | |
after they were declared dead? | 0:31:10 | 0:31:13 | |
It's the way we measure death. | 0:31:13 | 0:31:15 | |
Obviously, the brain is functioning on some subliminal level, | 0:31:15 | 0:31:19 | |
soaking up all the last bits of what's left to hear and see. | 0:31:19 | 0:31:23 | |
That's what you get for having dinner with a family of doctors. | 0:31:23 | 0:31:27 | |
-No discussion about floating around, no tunnel. -I guess not. | 0:31:27 | 0:31:31 | |
Next they're gonna tell us there's no tooth fairy. | 0:31:31 | 0:31:35 | |
The funny thing is, I thought I heard him calling out for me... | 0:31:35 | 0:31:39 | |
this kid. | 0:31:39 | 0:31:42 | |
I heard his voice calling Joe. | 0:31:42 | 0:31:44 | |
And when I introduced myself to him, he asked me if I was Emily's Joe. | 0:31:44 | 0:31:49 | |
Said that Emily was trying to reach me. | 0:31:50 | 0:31:54 | |
Do you believe she's trying to reach you, Joe? | 0:31:56 | 0:32:00 | |
No, Counsellor, I don't. | 0:32:01 | 0:32:03 | |
I can give you an hour for free. | 0:32:08 | 0:32:11 | |
Bye, Joe. Do you want me to package up dessert for you? | 0:32:13 | 0:32:17 | |
Sorry. Can I use your phone? | 0:32:17 | 0:32:20 | |
Excuse me. | 0:32:26 | 0:32:28 | |
I am kinda busy at the moment, yeah. | 0:32:34 | 0:32:36 | |
Well, isn't there anyone else who can cover for me tonight? All right. | 0:32:37 | 0:32:42 | |
I'll be right over. | 0:32:42 | 0:32:44 | |
I'm sorry, I'd really like to stay. | 0:32:44 | 0:32:47 | |
No, you wouldn't. It's too threatening. | 0:32:47 | 0:32:50 | |
It's about unresolved issues you're not ready to deal with yet. | 0:32:50 | 0:32:54 | |
Guilt, anger toward our loved ones, that's why we conjure up spirits, | 0:32:54 | 0:32:58 | |
from the Virgin Mary to our dearly departed, | 0:32:58 | 0:33:01 | |
because we need to talk to them, not the other way around. | 0:33:01 | 0:33:05 | |
You asked if I thought she was trying to contact me and I never answered. | 0:33:11 | 0:33:15 | |
Let me answer now. | 0:33:15 | 0:33:17 | |
She was my ultimate partner, my best friend and lover | 0:33:17 | 0:33:20 | |
and I miss her beyond belief. | 0:33:20 | 0:33:23 | |
I also know I'm never gonna see her again, not ever. | 0:33:23 | 0:33:26 | |
And I'm just beginning to understand what that means so intensely | 0:33:26 | 0:33:30 | |
that I sometimes wish I didn't have to wake up any more! | 0:33:30 | 0:33:33 | |
And the last thing I need is someone telling me what or how to feel. | 0:33:33 | 0:33:38 | |
Anger? Yeah. | 0:33:38 | 0:33:40 | |
Guilt? You bet. But I don't need you | 0:33:40 | 0:33:43 | |
crawling up my ass with a flashlight to tell me about it! | 0:33:43 | 0:33:46 | |
Keep going, Joe. This is what you need. | 0:33:46 | 0:33:50 | |
I'll drop you a cheque in the mail(!) | 0:33:50 | 0:33:52 | |
Hi. | 0:34:17 | 0:34:19 | |
Hey. | 0:34:20 | 0:34:22 | |
-What's your name? -Ben. | 0:34:22 | 0:34:25 | |
I'm Joe, Ben. | 0:34:25 | 0:34:27 | |
I know. | 0:34:27 | 0:34:29 | |
I'm just admiring your artwork. What is it? | 0:34:32 | 0:34:36 | |
She said you should go there. | 0:34:37 | 0:34:40 | |
-I'm sorry? -The lady. | 0:34:40 | 0:34:43 | |
The lady in the picture down the hall. | 0:34:43 | 0:34:47 | |
She said you'd...be coming to see me. | 0:34:47 | 0:34:50 | |
-The nurse? -They said she was a doctor here. | 0:34:52 | 0:34:57 | |
-What doctor? -She wants you to go there. | 0:35:00 | 0:35:05 | |
Go where? | 0:35:05 | 0:35:07 | |
I'm not... I'm not sure what you mean, Ben. | 0:35:16 | 0:35:20 | |
Go where? | 0:35:20 | 0:35:23 | |
I dreamed of her... in the ambulance when I came here. | 0:35:23 | 0:35:28 | |
Then... | 0:35:28 | 0:35:30 | |
I saw her picture in the hall. | 0:35:30 | 0:35:33 | |
You know, the lady doctor in the picture of the Easter party | 0:35:33 | 0:35:37 | |
with the cake on her nose? | 0:35:37 | 0:35:40 | |
Are you talking about Dr Darrow? | 0:35:40 | 0:35:43 | |
She died, I guess. | 0:35:45 | 0:35:48 | |
And you...? | 0:35:48 | 0:35:50 | |
And you dreamed of her? | 0:35:50 | 0:35:53 | |
She wants you to go there. | 0:35:56 | 0:35:59 | |
Go where, Ben? | 0:36:02 | 0:36:04 | |
The rainbow. | 0:36:04 | 0:36:06 | |
That's a rainbow? | 0:36:10 | 0:36:12 | |
This...this is a rainbow? | 0:36:14 | 0:36:17 | |
Have we met before, Ben? | 0:36:26 | 0:36:29 | |
I don't know. | 0:36:30 | 0:36:32 | |
How do you know who I am? | 0:36:34 | 0:36:37 | |
She showed me your face. | 0:36:38 | 0:36:40 | |
On a picture? | 0:36:45 | 0:36:47 | |
In my mind. | 0:36:49 | 0:36:52 | |
She said... | 0:36:52 | 0:36:54 | |
I have to come back to tell you to go there. | 0:36:54 | 0:36:58 | |
To a rainbow? | 0:37:02 | 0:37:04 | |
Yes. | 0:37:07 | 0:37:09 | |
Well, how would I... how would I do that, Ben? | 0:37:11 | 0:37:16 | |
-Christine. -Uh-huh? -The boy in 312. -Ben? | 0:37:31 | 0:37:34 | |
-Yes. Did he know my wife? -I don't think so. | 0:37:34 | 0:37:38 | |
I think he just came in two weeks ago. Yeah, on the 3rd in a coma. | 0:37:38 | 0:37:42 | |
Septic shock. Why, Joe? | 0:37:42 | 0:37:45 | |
Nothing. | 0:37:48 | 0:37:50 | |
Miriam, the...the first kid, he...he calls my name. | 0:37:52 | 0:37:56 | |
I follow him into the ICU where he flatlines, all right? Dies. | 0:37:56 | 0:38:01 | |
Then he says he saw me while he's floating around the ceiling | 0:38:01 | 0:38:05 | |
and that Emily, who he met in a rainbow, | 0:38:05 | 0:38:08 | |
-sent him back to tell me something. -Tell you what? | 0:38:08 | 0:38:11 | |
He doesn't remember. | 0:38:11 | 0:38:14 | |
-But the next kid does. -You want jelly? I got two kinds. | 0:38:14 | 0:38:18 | |
-Are you taking me seriously? -Yes. Strawberry? | 0:38:18 | 0:38:21 | |
What does it matter?! Do you... Do you hear what I'm telling you?! | 0:38:21 | 0:38:25 | |
-I'm trying to focus on something real. -This isn't? | 0:38:25 | 0:38:28 | |
It doesn't sound it so far. | 0:38:28 | 0:38:32 | |
Listen to me, Joe. | 0:38:34 | 0:38:36 | |
After Hannah died, I...I saw her everywhere. | 0:38:39 | 0:38:43 | |
She told me I'd know if she was watchin' over me | 0:38:43 | 0:38:46 | |
if I saw a daisy growin' with all the petals missing except one. | 0:38:46 | 0:38:52 | |
And one day, I saw an entire field of one-petalled daisies. | 0:38:52 | 0:38:57 | |
-Well, there you go. How do you explain that? -I was delusional. | 0:38:57 | 0:39:02 | |
Well, I'm not, OK? I had these conversations! | 0:39:02 | 0:39:06 | |
-Wait, you don't believe in heaven! -This isn't heaven, this is rainbows. | 0:39:06 | 0:39:11 | |
Oh, and she wants you to join her... | 0:39:11 | 0:39:14 | |
inside a rainbow? | 0:39:14 | 0:39:16 | |
According to these kids, that's accurate. | 0:39:16 | 0:39:20 | |
-According to me, they're putting you on. -So you think they're lying? | 0:39:20 | 0:39:24 | |
I'm a lawyer, Joe! Nothing is real without evidence! | 0:39:24 | 0:39:28 | |
Have you had any experience with Emily since her death? | 0:39:28 | 0:39:31 | |
And if so, has it been documented? | 0:39:31 | 0:39:34 | |
-You know the answer. Of course not. -Why? | 0:39:34 | 0:39:37 | |
Because I haven't gone halfway to heaven | 0:39:37 | 0:39:40 | |
and she has no way of reaching me! | 0:39:40 | 0:39:42 | |
It does sound nuts, doesn't it? | 0:39:55 | 0:39:58 | |
Well, I wouldn't employ you in my hospital if I heard that. | 0:39:58 | 0:40:01 | |
And if I were you, I'd stay away from there. | 0:40:01 | 0:40:05 | |
Isn't there somewhere you can go? | 0:40:05 | 0:40:07 | |
I could go on a white-water trip. What I've always wanted to see... | 0:40:09 | 0:40:14 | |
-white water. -I'll take care of Big Bird. | 0:40:14 | 0:40:18 | |
Get outta here. | 0:40:18 | 0:40:20 | |
Go see white water. | 0:40:20 | 0:40:23 | |
And get your head straight. | 0:40:23 | 0:40:25 | |
Wanna see? | 0:41:07 | 0:41:09 | |
They were the last things she sent us. | 0:41:12 | 0:41:15 | |
Hmm. | 0:41:30 | 0:41:32 | |
Sorry to break it to you, pal, but, er... | 0:41:33 | 0:41:37 | |
she was cheatin' on you. | 0:41:37 | 0:41:40 | |
FAINT FLUTTERING | 0:41:59 | 0:42:02 | |
It's just a bug, Big Bird. | 0:42:17 | 0:42:20 | |
Attracted to the light. | 0:42:20 | 0:42:22 | |
Let's not get crazy here. | 0:42:22 | 0:42:25 | |
FAINT RUMBLING | 0:42:49 | 0:42:51 | |
-PARROT: -Honey, I'm home. | 0:43:04 | 0:43:07 | |
Honey, I'm home. | 0:43:11 | 0:43:13 | |
Agh! Big Bird! | 0:44:12 | 0:44:15 | |
Big Bird, no! | 0:44:20 | 0:44:23 | |
PHONE RINGS | 0:45:03 | 0:45:06 | |
-'Hello?' -Miriam. -'Joe?' -Miriam, listen to me. | 0:45:06 | 0:45:09 | |
The bird, it's sick. I had to leave it. | 0:45:09 | 0:45:12 | |
-'I'm on my way to the hospital.' -Are YOU OK? | 0:45:12 | 0:45:16 | |
Actually, I'm not. I feel... | 0:45:16 | 0:45:18 | |
-I feel like I'm losing my mind. -What can I do? | 0:45:20 | 0:45:24 | |
'It was acting like it used to when she'd come home.' | 0:45:24 | 0:45:27 | |
I felt like she was there... | 0:45:27 | 0:45:30 | |
-..in the house. -Jesus, Joe. | 0:45:31 | 0:45:34 | |
-I don't know what to do about the... -'The bird?' | 0:45:34 | 0:45:38 | |
I'll take care of it. I'll wake up the vet if I have to. | 0:45:38 | 0:45:43 | |
-'You just...hang in there, OK?' -All right. Thanks. | 0:45:43 | 0:45:48 | |
-Is Jeffrey awake? -Er, not a good idea right now. | 0:45:52 | 0:45:55 | |
-Is he in his room? -Visiting hours aren't until ten, Joe. Joe! | 0:45:55 | 0:46:00 | |
Joe. | 0:46:02 | 0:46:04 | |
Joe, there was some talk around here I think you should know about. | 0:46:13 | 0:46:17 | |
-Where is he? Jeffrey. -Downstairs getting blood work. | 0:46:17 | 0:46:21 | |
-Can I...? -His nurse, is she with him? -Listen to me. | 0:46:21 | 0:46:24 | |
She said a nun was interviewing kids about near-death experiences. | 0:46:24 | 0:46:28 | |
-Sister Madeline. -Where is she? | 0:46:28 | 0:46:31 | |
She's no longer employed here, Joe. And do you know why? | 0:46:31 | 0:46:35 | |
-Because she overstepped her bounds. -Where is she employed? | 0:46:35 | 0:46:39 | |
Would Chaplain Services know? | 0:46:39 | 0:46:42 | |
Could you leave us alone for a minute? | 0:46:42 | 0:46:46 | |
What are you doing, Joe? | 0:46:50 | 0:46:52 | |
You know what I'm doing. All right, you gave me permission... | 0:46:52 | 0:46:56 | |
To look in on Emily's kids. That was two days ago. | 0:46:56 | 0:47:00 | |
-I told you, I promised my wife! -That you'd upset them? | 0:47:00 | 0:47:04 | |
Jeffrey's cardiologist saw the read-out on his EKG from yesterday | 0:47:04 | 0:47:08 | |
and he was damned upset that your visit put him under such stress! | 0:47:08 | 0:47:12 | |
What is goin' on, Joe? | 0:47:12 | 0:47:15 | |
The bird's OK. He will outlive us all. | 0:47:22 | 0:47:26 | |
I tried to clean up some of the mess in there. | 0:47:26 | 0:47:30 | |
Overturned lamp, broken vase... | 0:47:30 | 0:47:32 | |
-You didn't have to do all that. -I didn't do "all that". | 0:47:32 | 0:47:36 | |
I left some of it... | 0:47:36 | 0:47:39 | |
to discuss with you. | 0:47:39 | 0:47:41 | |
That weird picture you told me the kids were drawin'... | 0:47:43 | 0:47:47 | |
the wiggly cross... | 0:47:47 | 0:47:49 | |
Is it the kids drawin' it, Joe... | 0:47:53 | 0:47:55 | |
or is it you? | 0:47:55 | 0:47:58 | |
Cos if you did this, | 0:48:00 | 0:48:03 | |
you need some help. | 0:48:03 | 0:48:05 | |
It's all over the windows, too. | 0:48:07 | 0:48:09 | |
Watch the bird for me, will you? | 0:48:19 | 0:48:22 | |
Excuse me. Excuse me, I'm looking for Sister Madeline. | 0:48:52 | 0:48:57 | |
-Is that...? -What is this about? -It's personal. Is that her? | 0:48:57 | 0:49:01 | |
-Call the office for an appointment. -Excuse me! -Sir... | 0:49:01 | 0:49:05 | |
-Sister Madeline? -Sir! -Sister, could I speak to you? | 0:49:05 | 0:49:09 | |
-Sir! -Please! Sister Madeline! | 0:49:09 | 0:49:12 | |
Please, are you Si...? | 0:49:12 | 0:49:15 | |
Please. | 0:49:15 | 0:49:17 | |
Are you Sister Madeline? | 0:49:17 | 0:49:19 | |
This is private property! You are trespassing! | 0:49:19 | 0:49:22 | |
I tried to call, I'm sorry. Chaplain Services only gave me an address. | 0:49:22 | 0:49:26 | |
-He'll call the police. -Please, ju... | 0:49:26 | 0:49:29 | |
-Just five minutes! -You people have done enough damage! | 0:49:29 | 0:49:33 | |
-You don't understand! -YOU don't! | 0:49:33 | 0:49:35 | |
No more journalists, no more interviews! | 0:49:35 | 0:49:38 | |
I'm not a journalist, I'm a...I'm a doctor. | 0:49:38 | 0:49:41 | |
Head of... I'm head of Emergency Services | 0:49:41 | 0:49:45 | |
at Chicago Memorial Hospital. Joe Darrow. | 0:49:45 | 0:49:49 | |
-Emily's Joe? -Yes. | 0:49:51 | 0:49:54 | |
(That's why I need to talk to you. I need to know about your work.) | 0:49:57 | 0:50:02 | |
-I've called the police. I'd advise you to leave. -It's all right. | 0:50:03 | 0:50:07 | |
-He's not a journalist. -He's still trespassing. -Sorry, I... | 0:50:07 | 0:50:11 | |
We hired Sister Madeline with the understanding that her presence here | 0:50:11 | 0:50:15 | |
-wouldn't cause any disturbances. -BELL RINGS -Sister. | 0:50:15 | 0:50:19 | |
Sir. | 0:50:19 | 0:50:21 | |
The police respond quickly. I'd advise you to leave. | 0:50:26 | 0:50:29 | |
Do you have business at the school, sir? | 0:50:46 | 0:50:49 | |
-I beg your pardon? -Step over here, please. | 0:50:49 | 0:50:53 | |
RADIO SQUAWKS | 0:50:57 | 0:51:02 | |
And I realised that in an age | 0:51:39 | 0:51:42 | |
where no-one believes in miracles any more, | 0:51:42 | 0:51:45 | |
I was witnessing miracles every day. | 0:51:45 | 0:51:48 | |
And a paediatric-oncology ward | 0:51:48 | 0:51:50 | |
was the perfect laboratory to study it - the near-death experience. | 0:51:50 | 0:51:56 | |
Being kids they were more open | 0:51:56 | 0:51:59 | |
to what happens on the other side. | 0:51:59 | 0:52:02 | |
You're convinced it's not just in their minds? | 0:52:02 | 0:52:06 | |
Just in their minds. | 0:52:06 | 0:52:09 | |
What we're experiencing right now could be just in your mind. | 0:52:10 | 0:52:15 | |
You're a doctor because you dreamed of being one, right? | 0:52:15 | 0:52:20 | |
You... | 0:52:20 | 0:52:22 | |
imagined that for yourself. | 0:52:22 | 0:52:25 | |
If we can create this world with what we imagine, | 0:52:27 | 0:52:31 | |
why not the next? | 0:52:31 | 0:52:33 | |
So you're saying belief...? | 0:52:33 | 0:52:35 | |
Gets us there. | 0:52:35 | 0:52:38 | |
Did Emily believe? | 0:52:38 | 0:52:40 | |
Because I think she got there. | 0:52:42 | 0:52:45 | |
I believe she's trying to contact me. | 0:52:45 | 0:52:48 | |
Two kids have seen her. | 0:52:48 | 0:52:51 | |
One was flatlined, | 0:52:51 | 0:52:53 | |
-another in a coma. -In the tunnel? | 0:52:53 | 0:52:56 | |
In a rainbow... | 0:52:56 | 0:52:59 | |
trying to tell me something, something urgent... | 0:52:59 | 0:53:02 | |
but I don't know what. | 0:53:02 | 0:53:05 | |
And they...they... they draw this...after they've... | 0:53:05 | 0:53:10 | |
after they've seen her. Have you ever seen this before? | 0:53:10 | 0:53:14 | |
No. | 0:53:15 | 0:53:17 | |
I don't know. | 0:53:26 | 0:53:29 | |
Am I...? | 0:53:29 | 0:53:31 | |
Am I just goin' nuts? | 0:53:31 | 0:53:33 | |
As nuts as Christopher Columbus, | 0:53:35 | 0:53:37 | |
thinking there was another side to the Earth. | 0:53:37 | 0:53:41 | |
Talk to an anaesthesiologist. | 0:53:43 | 0:53:45 | |
They'll tell you...there are 100 steps on the ladder of consciousness | 0:53:45 | 0:53:50 | |
between being fully alert... and being dead. | 0:53:50 | 0:53:53 | |
To put a patient under, | 0:53:53 | 0:53:56 | |
they bring them down only to the tenth rung. | 0:53:56 | 0:53:59 | |
Beneath that | 0:53:59 | 0:54:02 | |
is a descending grey scale, | 0:54:02 | 0:54:05 | |
like the depths of an ocean no-one has explored. | 0:54:05 | 0:54:09 | |
It's in those depths, those murky depths, | 0:54:09 | 0:54:14 | |
she's finding them, the children. | 0:54:14 | 0:54:16 | |
They're her conduit | 0:54:16 | 0:54:19 | |
because she knew you'd find your way to them. | 0:54:19 | 0:54:22 | |
Stay close to them. Be with them when they slip away, | 0:54:23 | 0:54:27 | |
so you can be with them... | 0:54:27 | 0:54:30 | |
when they first awaken before the details fade. | 0:54:30 | 0:54:33 | |
One of them... | 0:54:33 | 0:54:35 | |
will come back... | 0:54:35 | 0:54:38 | |
with the answer. | 0:54:38 | 0:54:40 | |
-Careful, careful! OK, let's go! -Watch your back! -I'll get it! | 0:55:39 | 0:55:43 | |
-Down on the right! -Careful! -Hook him up to a ventilator! | 0:55:46 | 0:55:51 | |
This is Jeanette in Nephrology. | 0:55:51 | 0:55:54 | |
I need to speak to Doctor Dickinson, please. | 0:55:54 | 0:55:56 | |
Doctor Darrow! ..Yes, it is an emergency. | 0:55:56 | 0:56:00 | |
I can't hold. Keep me on the line. Doctor Dickinson, | 0:56:00 | 0:56:03 | |
we've got a healthy kidney up here. Just Doctor Darrow. Joe. | 0:56:03 | 0:56:08 | |
-Yeah? -'Joe, I'm on my way over to harvest a kidney | 0:56:08 | 0:56:11 | |
'and I want you to protect it for me.' | 0:56:11 | 0:56:14 | |
-Tell me what to do. -All right, they're coming in for other organs | 0:56:14 | 0:56:18 | |
but that kidney is mine. I want that made clear. | 0:56:18 | 0:56:22 | |
Stay on top of his vitals, don't leave the room | 0:56:22 | 0:56:26 | |
-and hold off the vultures. -Consider it done. -Put Jeanette on. | 0:56:26 | 0:56:30 | |
-I'm ten minutes away. -Jeanette. | 0:56:30 | 0:56:32 | |
Yes, sir? | 0:56:32 | 0:56:35 | |
-Mr Dickinson? -Darrow. -They told me not to leave him, | 0:56:47 | 0:56:51 | |
but I gotta get this monitor over to the recipient. | 0:56:51 | 0:56:55 | |
I'll keep watch in here. | 0:56:55 | 0:56:57 | |
Ventilator's set at 16. That ought to keep the organs fresh. | 0:56:57 | 0:57:02 | |
FAINT WHIRRING OF HELICOPTER ROTOR | 0:57:32 | 0:57:35 | |
-FAINT VOICE: -'Joe. | 0:58:11 | 0:58:14 | |
'Joe.' | 0:58:21 | 0:58:24 | |
HE EXHALES | 0:58:43 | 0:58:45 | |
MUMBLING | 0:58:45 | 0:58:47 | |
Dear God! LIFT BELL PINGS | 0:58:48 | 0:58:51 | |
-What room's the donor in? -215. First double doors on your right. | 0:58:51 | 0:58:55 | |
-Call air support and tell 'em we'll be right up. -Right. | 0:58:55 | 0:59:00 | |
GASPS | 0:59:00 | 0:59:02 | |
We're from Lakeview. We have a heart recipient prepped and ready to go. | 0:59:04 | 0:59:09 | |
-You're not supposed to be in here. -Are you Dickinson? -Get out. | 0:59:09 | 0:59:13 | |
-Hey, take it easy, Doctor. -Get everyone out! | 0:59:13 | 0:59:16 | |
-No! It's OK, Joe. -Dickinson said... -I just spoke to him. | 0:59:16 | 0:59:20 | |
-He said move 'em both into surgery. -Let's go. | 0:59:20 | 0:59:23 | |
-Wait, OK? -Hey, it's all right! -It's not! | 0:59:23 | 0:59:26 | |
-He's not ready to be moved! -Hey, what are we waiting for? Move him out! | 0:59:26 | 0:59:31 | |
-Charlie, wait a second! -What? -This man's not dead. | 0:59:31 | 0:59:35 | |
The brain scan jumped. I saw it. I saw it on the monitor. | 0:59:35 | 0:59:39 | |
Come on, it's flat as a pancake. Come on, let's move him out of here! | 0:59:39 | 0:59:43 | |
-Come on, let's go! -Charlie, listen! | 0:59:43 | 0:59:45 | |
Charlie, there's something going on! Don't do this yet! | 0:59:48 | 0:59:52 | |
-Don't kill this man! -This man is dead. -He spoke! | 0:59:52 | 0:59:56 | |
-Joe, please. -I'm tellin' you! -He could not speak! -It was Emily! | 0:59:56 | 1:00:00 | |
-It was her voice! I'm not crazy! -You back off! -You've got...! | 1:00:00 | 1:00:04 | |
-You've gotta listen to me! Listen! -Joe...! -Hold off for a minute, OK? | 1:00:04 | 1:00:09 | |
-Leave me with him. -This is nuts, Joe! | 1:00:09 | 1:00:11 | |
-Come on, get him inside! -Hey! Hey! Hey! Hey, easy! | 1:00:11 | 1:00:14 | |
-Back off, man! -Somebody get security! | 1:00:14 | 1:00:19 | |
-Get him outta here! -For God's sake! -Get security, will you?! | 1:00:19 | 1:00:23 | |
-Charlie, one fucking minute! -Get him outta here! | 1:00:23 | 1:00:26 | |
-Joe! We need security in two south right away! -Please, listen to me! | 1:00:26 | 1:00:32 | |
'Thanks for comin' down.' | 1:00:54 | 1:00:57 | |
-You posted bail? -First offence. I got it waived. | 1:00:58 | 1:01:02 | |
I also spoke to the hospital administrator, | 1:01:02 | 1:01:05 | |
who's willing to drop all charges | 1:01:05 | 1:01:07 | |
-if you'll agree to take a lengthy sabbatical. -I'll bet. | 1:01:07 | 1:01:11 | |
He said you said a brain-dead organ donor spoke to you. Is that true? | 1:01:11 | 1:01:15 | |
-No. -Good. | 1:01:15 | 1:01:18 | |
It was Emily. | 1:01:19 | 1:01:22 | |
Speaking through him. | 1:01:23 | 1:01:25 | |
You know, I could almost understand it with the kids. | 1:01:25 | 1:01:29 | |
I mean, they're gonna dream about her, she was key to their survival. | 1:01:29 | 1:01:33 | |
-OK, then, how about the kid who never even laid eyes on her? -What kid? | 1:01:33 | 1:01:37 | |
The kid I told you about in the kitchen! | 1:01:37 | 1:01:40 | |
He first met her in a coma! I've got his admission records to prove it! | 1:01:40 | 1:01:45 | |
That's evidence, right? Isn't that what you wanted? | 1:01:45 | 1:01:48 | |
She's trying to reach me and she's becoming desperate. | 1:01:48 | 1:01:52 | |
Why? | 1:01:52 | 1:01:54 | |
Why desperate, Joe? | 1:01:54 | 1:01:56 | |
-You don't think she's still alive? -If the kid could see her in a coma, | 1:01:59 | 1:02:03 | |
-why couldn't she be communicating from one? -There were no survivors! | 1:02:03 | 1:02:08 | |
-They searched the jungle for almost a month! -And never found her! | 1:02:08 | 1:02:12 | |
That's why we're here, because you never saw her body | 1:02:12 | 1:02:15 | |
and never got closure! | 1:02:15 | 1:02:19 | |
Emily's dead, Joe. | 1:02:21 | 1:02:23 | |
That's what this is all about - your refusal to accept that. | 1:02:24 | 1:02:28 | |
Look, I understand it. | 1:02:29 | 1:02:32 | |
If I hadn't seen Hannah's body, I wouldn't have believed it, either. | 1:02:32 | 1:02:35 | |
I'd still be waitin' for her to come home, just like you are. | 1:02:35 | 1:02:39 | |
You have to end this, Joe. | 1:02:39 | 1:02:42 | |
You gotta do the hard stuff, like I did, | 1:02:42 | 1:02:45 | |
like everyone does. | 1:02:45 | 1:02:47 | |
You gotta clean out the closets, empty the drawers | 1:02:47 | 1:02:51 | |
and...take down the vacancy sign that says, | 1:02:51 | 1:02:54 | |
"Emily's ghost is welcome here," and get on with your life without her. | 1:02:54 | 1:02:59 | |
(Right.) | 1:03:07 | 1:03:09 | |
SIGHS | 1:03:11 | 1:03:13 | |
What about that rafting trip? | 1:03:13 | 1:03:15 | |
What do you mean what about it? | 1:03:15 | 1:03:18 | |
Well, anything to get your mind off this. | 1:03:18 | 1:03:21 | |
-So you think I should go? -Maybe I'll go with you. Huh? | 1:03:21 | 1:03:25 | |
I'm mean with a paddle. | 1:03:25 | 1:03:29 | |
The river's up this time of year. | 1:03:30 | 1:03:32 | |
It's gone from a two-point difficulty to a five. | 1:03:32 | 1:03:36 | |
I want us all to go over our river maps. Note the hazard points, | 1:03:36 | 1:03:40 | |
-the waterfalls... -Check out these safari pants. | 1:03:40 | 1:03:43 | |
-Pack light. -I'm just bringing my thong(!) | 1:03:43 | 1:03:46 | |
-Well, I'm bringing my camera. -It better be disposable | 1:03:46 | 1:03:49 | |
cos everything's gonna go in the drink. Here's to adventure. | 1:03:49 | 1:03:53 | |
-Yey-ah! -Adventure. -Adventure. | 1:03:53 | 1:03:55 | |
-What do you think? -I think it's an idea whose time has come. | 1:04:11 | 1:04:16 | |
No, I mean... I mean, do you think it'll sell? | 1:04:16 | 1:04:20 | |
-The agent said it needed a paint job. -Ach, get what you can and get out. | 1:04:20 | 1:04:24 | |
-Leave the memories behind. -Well, you didn't after Hannah died. | 1:04:24 | 1:04:28 | |
But I didn't have corpses playing ventriloquist with me. | 1:04:28 | 1:04:33 | |
I'm gonna miss you, Joe. | 1:04:34 | 1:04:37 | |
I'm gonna miss your waffles. | 1:04:37 | 1:04:39 | |
Would you show it for me... if I'm gone for a week? | 1:04:42 | 1:04:46 | |
-I'm taking that white-water trip. -With pleasure. | 1:04:46 | 1:04:49 | |
It's good to see you joining the world again. | 1:04:49 | 1:04:53 | |
WIND HOWLS | 1:04:57 | 1:05:00 | |
FAINT GRINDING AND FOOTSTEPS | 1:06:39 | 1:06:42 | |
CREAKING | 1:07:00 | 1:07:02 | |
WIND HOWLS | 1:07:32 | 1:07:35 | |
DOOR CREAKS | 1:07:35 | 1:07:37 | |
-'Hello?' -Hal, reading the map of the river, there's a symbol. | 1:09:17 | 1:09:21 | |
-Two wavery lines that crisscross in the middle. -'Waterfalls. | 1:09:21 | 1:09:24 | |
'Put a big red circle around those. We'll have to portage there. | 1:09:24 | 1:09:28 | |
'They're too high this time of year. | 1:09:28 | 1:09:31 | |
'Joe?' | 1:09:31 | 1:09:33 | |
A rainbow. | 1:10:04 | 1:10:06 | |
-You are, er, the doctor? -Yes. -Muy bien. | 1:10:28 | 1:10:31 | |
SPEAKS SPANISH | 1:10:31 | 1:10:34 | |
-Is my pilot here? -Er, that is me. | 1:10:36 | 1:10:39 | |
Victor. Como te va? | 1:10:39 | 1:10:42 | |
-I take your bags. -Have you been flying long, Victor? | 1:10:43 | 1:10:47 | |
Don't worry, I know how. | 1:10:47 | 1:10:49 | |
-You have a licence, though, right? -Si. Pretty much. | 1:10:49 | 1:10:54 | |
Janajuapa. | 1:10:59 | 1:11:01 | |
-Janajuapa, you've been there? -Er, si. Janajuapa. | 1:11:01 | 1:11:05 | |
This is it, right? | 1:11:05 | 1:11:07 | |
-With the waterfall. -I don't know. | 1:11:10 | 1:11:13 | |
I only been there in the dry season. | 1:11:13 | 1:11:16 | |
-Is my interpreter here? -The Yanomami speak a little Spanish. | 1:11:19 | 1:11:23 | |
I speak a little Wahibo. You talk to them through me. | 1:11:23 | 1:11:27 | |
OK, we go. | 1:11:27 | 1:11:30 | |
That your girlfriend in the picture? | 1:11:40 | 1:11:43 | |
It's my wife. | 1:11:44 | 1:11:46 | |
Used to be. | 1:11:46 | 1:11:49 | |
You come to get her back, eh? | 1:11:50 | 1:11:52 | |
In a way, I guess. | 1:11:55 | 1:11:57 | |
There was an accident here last spring. | 1:12:08 | 1:12:11 | |
-A bus...that washed away on a road. -La Cruz Roja? | 1:12:11 | 1:12:16 | |
-The Red Cross? -Yes, that's right. -You can probably see it, | 1:12:16 | 1:12:20 | |
now that the river is not so high. It's just up ahead on the way. | 1:12:20 | 1:12:24 | |
The rock slide took more than just the bus. It isolated an entire tribe | 1:12:27 | 1:12:32 | |
from the outside world. Can you see it? | 1:12:32 | 1:12:35 | |
Down there. | 1:12:35 | 1:12:37 | |
Nobody lived. | 1:12:39 | 1:12:42 | |
The Yanomami are still wearing some of their clothing. | 1:12:42 | 1:12:45 | |
And Janajuapa up ahead. | 1:12:46 | 1:12:49 | |
Some of the bodies washed out of the bus, down the river | 1:12:49 | 1:12:53 | |
and right into their village. | 1:12:53 | 1:12:56 | |
The guys we are meeting, | 1:13:17 | 1:13:19 | |
er, they work with all the tribes in the area. | 1:13:19 | 1:13:22 | |
Did I mention... they don't like outsiders? | 1:13:22 | 1:13:25 | |
It's a good thing you have me with you. | 1:13:31 | 1:13:35 | |
SPEAKS SPANISH | 1:13:40 | 1:13:43 | |
He say...he cannot take you to the village. | 1:14:13 | 1:14:17 | |
But for a price... | 1:14:17 | 1:14:20 | |
he can take you to their graves. | 1:14:20 | 1:14:22 | |
THUNDER RUMBLES SOFTLY | 1:16:05 | 1:16:08 | |
Senor. | 1:16:36 | 1:16:38 | |
Senor... | 1:16:38 | 1:16:40 | |
we should go. | 1:16:40 | 1:16:42 | |
They, er...? | 1:16:49 | 1:16:51 | |
They wouldn't know, would they, which, er... | 1:16:51 | 1:16:54 | |
body was buried where? | 1:16:54 | 1:16:57 | |
Look, if... if the weather gets...any worse, | 1:17:00 | 1:17:03 | |
we don't get out of here... | 1:17:03 | 1:17:06 | |
and...and that's no good for nobody. | 1:17:06 | 1:17:08 | |
Senors... | 1:17:33 | 1:17:35 | |
Senors, er...my wife. | 1:17:35 | 1:17:38 | |
-Er, su esposa. -Mi esposa. | 1:17:38 | 1:17:41 | |
-Red Cross. -La Cruz Roja. | 1:17:41 | 1:17:44 | |
-Cruz Roja. Where? -Er, donde? -Where? Donde? | 1:17:44 | 1:17:48 | |
Does anybody know where? | 1:17:48 | 1:17:51 | |
VICTOR SPEAKS SPANISH Which one? | 1:17:51 | 1:17:54 | |
BOTH SPEAK WAHIBO | 1:17:54 | 1:17:57 | |
What? What are they saying? | 1:17:57 | 1:18:00 | |
-They say they know her. -THEY ARGUE IN WAHIBO | 1:18:00 | 1:18:05 | |
-What's he saying now?! -He says he wants to take you to the village, | 1:18:11 | 1:18:15 | |
and he says, er, no. You need permission. | 1:18:15 | 1:18:19 | |
-What is he saying? What the hell is he saying?! -I...I don't know! I... | 1:18:19 | 1:18:23 | |
Senor! | 1:18:42 | 1:18:44 | |
Senor, you can not go into the village! It is forbidden! Senor! | 1:18:45 | 1:18:49 | |
Senor! Senor, stop! | 1:18:52 | 1:18:54 | |
Senor! | 1:19:07 | 1:19:09 | |
We can return with government people but you must come back with me now. | 1:19:09 | 1:19:13 | |
I said now, senor! | 1:19:20 | 1:19:23 | |
No! No! No! | 1:19:24 | 1:19:25 | |
CREAKING | 1:20:20 | 1:20:22 | |
-'She wants you to go there, Joe. -Join her. | 1:22:06 | 1:22:10 | |
'Joe. Joe! Joe, can't you hear me?! | 1:22:10 | 1:22:13 | |
'Joe?! | 1:22:13 | 1:22:16 | |
'...100 steps on the ladder of consciousness.' | 1:22:16 | 1:22:19 | |
-'No survivors. Where's her body?! -You think she's alive? | 1:22:22 | 1:22:26 | |
'Emily?! Joe?! Listen to me!' | 1:22:26 | 1:22:30 | |
RUMBLING | 1:23:32 | 1:23:34 | |
SCREAMING | 1:23:39 | 1:23:41 | |
GASPS | 1:25:01 | 1:25:03 | |
< SPLUTTERS | 1:25:24 | 1:25:27 | |
You are one crazy son of a bitch, you know that?! | 1:25:37 | 1:25:40 | |
You're lucky to be alive, senor! You were not breathing! | 1:25:40 | 1:25:44 | |
It's been over an hour! Get up! We will cross the river downstream | 1:25:44 | 1:25:48 | |
and hopefully we can get to the airstrip before nightfall. | 1:25:48 | 1:25:52 | |
She lived through the bus accident. | 1:25:52 | 1:25:54 | |
She made it to the village. | 1:26:01 | 1:26:04 | |
You cannot go to the village! Stop! I cannot go back without you! | 1:26:05 | 1:26:10 | |
They'll take away my licence! Stop, senor! | 1:26:10 | 1:26:14 | |
Senor! | 1:26:35 | 1:26:37 | |
Senor, stop! Don't do this! | 1:26:37 | 1:26:41 | |
Senor! | 1:27:02 | 1:27:05 | |
PANTS | 1:27:05 | 1:27:07 | |
The man said we must have permission. | 1:27:07 | 1:27:11 | |
I've got permission. | 1:27:13 | 1:27:15 | |
No-one's keepin' me out of there. | 1:27:15 | 1:27:18 | |
ALL SHOUT IN WAHIBO | 1:27:36 | 1:27:39 | |
Please. | 1:28:06 | 1:28:08 | |
My wife. SHOUTING FADES Did you know her? | 1:28:08 | 1:28:13 | |
Mi es... Mi esposa. | 1:28:13 | 1:28:15 | |
Did you know her? | 1:28:17 | 1:28:20 | |
Mi esposa. | 1:28:23 | 1:28:26 | |
SPEAKS WAHIBO | 1:28:31 | 1:28:33 | |
Doctora! | 1:28:33 | 1:28:35 | |
Doctora. Mi esposa. | 1:28:37 | 1:28:40 | |
Mi esposa. | 1:28:43 | 1:28:45 | |
The waterfall. | 1:28:47 | 1:28:49 | |
She was here. | 1:28:49 | 1:28:52 | |
SPEAKS WAHIBO | 1:29:08 | 1:29:10 | |
Come here. | 1:29:13 | 1:29:15 | |
She say... | 1:29:24 | 1:29:27 | |
they knew her alive. | 1:29:27 | 1:29:29 | |
She came to help them. | 1:29:29 | 1:29:32 | |
Into the river... | 1:29:32 | 1:29:34 | |
broke her back. | 1:29:34 | 1:29:36 | |
Dying. | 1:29:36 | 1:29:39 | |
They could not save her body... | 1:29:51 | 1:29:54 | |
but they save her soul. | 1:29:54 | 1:29:58 | |
SPEAKS WAHIBO | 1:30:24 | 1:30:26 | |
SPEAKS WAHIBO | 1:31:43 | 1:31:45 | |
She said, "Dragonfly." | 1:31:52 | 1:31:55 | |
'I don't know if Emily ever saw her, | 1:32:19 | 1:32:22 | |
'at least while she was of mind and body... | 1:32:22 | 1:32:24 | |
'and I don't know how the baby survived, | 1:32:24 | 1:32:27 | |
'premature...so small and fragile, in the middle of a jungle. | 1:32:27 | 1:32:32 | |
'What I do know is that Emily made sure | 1:32:34 | 1:32:37 | |
'our child found her way into my arms. | 1:32:37 | 1:32:40 | |
'What she taught me in life... she taught me in death. | 1:32:40 | 1:32:45 | |
'To trust, | 1:32:45 | 1:32:48 | |
'to have faith. | 1:32:48 | 1:32:50 | |
'Because as a friend of mine once said, | 1:32:50 | 1:32:54 | |
'"It's belief that gets us there."' | 1:32:54 | 1:32:58 | |
MUSIC: "Star" by Zoo Story | 1:34:07 | 1:34:09 | |
# Come | 1:34:17 | 1:34:18 | |
# Come out and play | 1:34:20 | 1:34:23 | |
# We miss your face | 1:34:25 | 1:34:28 | |
# And the funny things you say | 1:34:29 | 1:34:32 | |
# Be | 1:34:34 | 1:34:36 | |
# Just be yourself | 1:34:37 | 1:34:41 | |
# And nothing else | 1:34:42 | 1:34:45 | |
# Will push you away | 1:34:47 | 1:34:50 | |
# And I feel | 1:34:52 | 1:34:55 | |
# So much love... # | 1:34:55 | 1:34:59 | |
Subtitles by IMS | 1:34:59 | 1:35:01 | |
Email us at [email protected] | 1:35:01 | 1:35:03 |