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This programme contains some strong language. | 0:00:01 | 0:00:05 | |
Thank you. | 0:00:54 | 0:00:56 | |
GROANS | 0:03:12 | 0:03:14 | |
CLOCK CHIMES THREE TIMES | 0:03:50 | 0:03:56 | |
But you don't seriously expect me to lug all these, do you? | 0:04:00 | 0:04:03 | |
Well, what if they want to do a book signing, or something? | 0:04:03 | 0:04:06 | |
Well, they have bookshops in Canada. | 0:04:06 | 0:04:08 | |
And running water and electricity. | 0:04:09 | 0:04:11 | |
It never hurts to do a little promotion. | 0:04:12 | 0:04:14 | |
I'm going to a university degree ceremony, not to a book launch. | 0:04:14 | 0:04:18 | |
Well, thanks for your enthusiasm. | 0:04:20 | 0:04:23 | |
A man of your age has to look after himself. | 0:04:23 | 0:04:25 | |
Hey, now, stop that. And don't try and make me feel guilty. | 0:04:25 | 0:04:28 | |
I've asked you to come with me I don't know how many times. | 0:04:28 | 0:04:30 | |
And nobody packs a case like good old Alice. | 0:04:35 | 0:04:39 | |
Well, I'll...I'll wait for your call. | 0:04:42 | 0:04:45 | |
All right. | 0:04:45 | 0:04:46 | |
HE HUMS | 0:04:46 | 0:04:48 | |
DOOR OPENS AND CLOSES | 0:04:48 | 0:04:49 | |
Bye, Alice! | 0:04:49 | 0:04:51 | |
Ooh! | 0:04:51 | 0:04:52 | |
FOOTSTEPS APPROACH | 0:06:09 | 0:06:11 | |
You're not wearing the same shirt two days in a row. | 0:06:20 | 0:06:22 | |
-It's a new school, Maria. -I LIKE this shirt. | 0:06:22 | 0:06:25 | |
So did I yesterday. Now go upstairs and change. | 0:06:25 | 0:06:29 | |
Is he coming today? | 0:06:35 | 0:06:37 | |
Go upstairs and change, please. | 0:06:39 | 0:06:41 | |
Now. | 0:06:41 | 0:06:43 | |
Maria, you're driving me crazy. | 0:07:49 | 0:07:52 | |
Maybe you'd like to help me. | 0:08:00 | 0:08:02 | |
Give me the goddamn ball. | 0:08:06 | 0:08:07 | |
DOOR OPENS AND CLOSES | 0:08:12 | 0:08:15 | |
DOOR OPENS AND CLOSES | 0:08:30 | 0:08:32 | |
All right, I'm sorry, is that what you want? | 0:08:43 | 0:08:45 | |
I'm sorry we had to move. I'm sorry about your father. | 0:08:45 | 0:08:47 | |
I'm just sorry about everything. | 0:08:47 | 0:08:48 | |
Is that what you want? | 0:08:50 | 0:08:52 | |
Why don't you be of some help and just take this up to your room? | 0:08:56 | 0:08:59 | |
It's not my room. My room had wallpaper. | 0:08:59 | 0:09:03 | |
Right. | 0:09:06 | 0:09:07 | |
This IS the address you gave me. | 0:09:39 | 0:09:42 | |
Yes, I know. | 0:09:42 | 0:09:44 | |
Well, are you getting out, or what? | 0:09:47 | 0:09:49 | |
Yes, in a minute. | 0:09:50 | 0:09:53 | |
It's just I've travelled 7,000 miles to get here. | 0:09:53 | 0:09:56 | |
Do keep the meter running, if you want to. | 0:09:56 | 0:09:59 | |
DOORBELL CHIMES | 0:10:25 | 0:10:27 | |
Hi. You must be Emile. | 0:10:40 | 0:10:42 | |
Hi. I'm Nadia. | 0:10:42 | 0:10:45 | |
Thank you. | 0:10:46 | 0:10:48 | |
Oh, sorry. We were expecting you earlier. | 0:10:48 | 0:10:51 | |
Oh, I took the ferry from Vancouver. | 0:10:52 | 0:10:54 | |
I wanted to see the islands. | 0:10:54 | 0:10:56 | |
Couldn't bear another plane after 9.5 hours from London. | 0:10:57 | 0:11:00 | |
-Oh, can I help? -No, no. | 0:11:02 | 0:11:04 | |
-It's not heavy. -Come on in. | 0:11:04 | 0:11:06 | |
Thank you. | 0:11:06 | 0:11:07 | |
This is for you. | 0:11:30 | 0:11:31 | |
Oh. Thank you. | 0:11:32 | 0:11:34 | |
I think you might find it of interest. | 0:11:34 | 0:11:35 | |
And this is for the little one. | 0:11:35 | 0:11:37 | |
Thank you. | 0:11:37 | 0:11:39 | |
I had such a wonderful crossing on the ferry. | 0:11:42 | 0:11:45 | |
The air is... I ought to get away more often. | 0:11:46 | 0:11:49 | |
You should. | 0:11:50 | 0:11:52 | |
London, you know, it's so crowded and there's so much traffic. | 0:11:53 | 0:11:58 | |
Such hard work to get anywhere. | 0:11:58 | 0:11:59 | |
Well, I am sorry that I was so late arriving. | 0:12:01 | 0:12:05 | |
And I'm sorry that you had to wait up. | 0:12:05 | 0:12:07 | |
I'm usually up. | 0:12:07 | 0:12:09 | |
And what about the rest - are they sleeping? | 0:12:10 | 0:12:14 | |
Oh, it's just Maria and I. | 0:12:14 | 0:12:16 | |
Oh. What about your husband - er, J...? | 0:12:16 | 0:12:18 | |
-Jacob. -Jacob, yes. | 0:12:18 | 0:12:20 | |
We split. | 0:12:21 | 0:12:23 | |
That's why I moved. | 0:12:23 | 0:12:26 | |
Oh, I see. | 0:12:28 | 0:12:30 | |
Yes. | 0:12:31 | 0:12:32 | |
As a matter of fact... I've just moved myself. | 0:12:34 | 0:12:39 | |
Yes. Can be overwhelming, can't it? | 0:12:39 | 0:12:41 | |
So hard to know what to do next, | 0:12:41 | 0:12:43 | |
and I can hardly bring myself to begin to unpack. | 0:12:43 | 0:12:45 | |
You look so like your mother. | 0:12:54 | 0:12:56 | |
And...it's very kind of you to have me to stay, | 0:12:59 | 0:13:04 | |
especially under the circumstances, | 0:13:04 | 0:13:06 | |
and my letter coming out of the blue like that. | 0:13:06 | 0:13:08 | |
Sure. | 0:13:08 | 0:13:09 | |
And I'm sorry that I... | 0:13:11 | 0:13:13 | |
..haven't been more in touch. | 0:13:14 | 0:13:16 | |
I wanted to... | 0:13:16 | 0:13:17 | |
Look, I've got to get up early in the morning, | 0:13:17 | 0:13:20 | |
so I'm gonna head up to bed. | 0:13:20 | 0:13:21 | |
You can just make yourself feel comfortable, | 0:13:21 | 0:13:23 | |
and I'll see you in the morning. | 0:13:23 | 0:13:25 | |
-Oh. Well, thank you. Goodnight. -Goodnight. | 0:13:25 | 0:13:28 | |
Oh... | 0:13:28 | 0:13:30 | |
FOOTSTEPS RECEDE | 0:13:30 | 0:13:32 | |
BIG BAND MUSIC PLAYS | 0:14:45 | 0:14:48 | |
If you wanna be a writer, you've gotta get started. | 0:15:03 | 0:15:05 | |
This should really be Freddy's. He's the writer. | 0:15:08 | 0:15:10 | |
Freddy's mechanical. | 0:15:14 | 0:15:16 | |
I need him here with me. He's the only one who can fix things. | 0:15:16 | 0:15:19 | |
When he's not lazing around on his ass. | 0:15:19 | 0:15:21 | |
Why is this place so important? | 0:15:24 | 0:15:26 | |
It's our land. | 0:15:29 | 0:15:32 | |
It's the only thing we've got. | 0:15:32 | 0:15:34 | |
You know, when the old man died | 0:15:37 | 0:15:38 | |
he made me swear to take care of this place. | 0:15:38 | 0:15:40 | |
I can't do it alone. | 0:15:42 | 0:15:43 | |
But you could just...let it go. | 0:15:47 | 0:15:51 | |
I know Freddy wouldn't mind. | 0:15:55 | 0:15:57 | |
Freddy loves this place as much as I do. | 0:16:00 | 0:16:03 | |
It's wonderful, it really is. | 0:16:08 | 0:16:11 | |
BIRDSONG | 0:16:25 | 0:16:27 | |
HE SIGHS | 0:16:33 | 0:16:35 | |
HE MUTTERS | 0:17:13 | 0:17:15 | |
What are you writing? | 0:17:22 | 0:17:25 | |
Will you read it to me? | 0:17:25 | 0:17:26 | |
Hang on a sec, it's not done yet. | 0:17:29 | 0:17:32 | |
Oh, you, you're always saying that. | 0:17:32 | 0:17:34 | |
I just want to hear it. | 0:17:34 | 0:17:37 | |
Well... I'm not quite sure how to read this out loud. | 0:17:37 | 0:17:42 | |
Well, I'm sure nobody else is going to be able to read your handwriting. | 0:17:42 | 0:17:45 | |
Come on. | 0:17:45 | 0:17:46 | |
-Read it. -OK. | 0:17:46 | 0:17:48 | |
I'm sure I'll like it. | 0:17:48 | 0:17:50 | |
Just try not to worry too much about the form, cos it's... | 0:17:50 | 0:17:54 | |
-Freddy, read it. -OK. | 0:17:54 | 0:17:57 | |
I can't believe you guys are still dicking around. | 0:17:57 | 0:17:59 | |
And why is my truck not finished?! | 0:18:00 | 0:18:03 | |
Huh, Freddy? | 0:18:04 | 0:18:06 | |
Stony liquid has infected your heart, Carl. | 0:18:06 | 0:18:08 | |
Stop with the fucking bullshit and get your ass outside. | 0:18:08 | 0:18:12 | |
Coming? | 0:18:17 | 0:18:19 | |
Yeah, I'm just... | 0:18:19 | 0:18:21 | |
KETTLE WHISTLES | 0:18:34 | 0:18:37 | |
-Morning. -Good morning. | 0:18:40 | 0:18:41 | |
How'd you sleep? | 0:18:43 | 0:18:45 | |
Well, not too well, my dear, | 0:18:45 | 0:18:46 | |
but I suppose it takes a few days to adjust, doesn't it? | 0:18:46 | 0:18:50 | |
Would you like some tea? | 0:18:50 | 0:18:52 | |
I would adore some tea, yes, thank you. | 0:18:52 | 0:18:54 | |
Yeah, I'm not much of a sleeper, either, with or without jet lag. | 0:18:54 | 0:18:58 | |
Ah. Yes, well...it can be difficult, can't it? | 0:18:58 | 0:19:02 | |
Adjusting to a new situation. | 0:19:02 | 0:19:03 | |
I'm certainly finding that, you know, now that I've retired. | 0:19:03 | 0:19:07 | |
My London flat is disorganised, | 0:19:07 | 0:19:10 | |
and Alice is determined to sort it out for me, of course. | 0:19:10 | 0:19:13 | |
-Is Alice your girlfriend? -Good Lord, no. | 0:19:13 | 0:19:16 | |
No, no, she's just my assistant, but... Has been forever, really. | 0:19:16 | 0:19:20 | |
Oh. | 0:19:23 | 0:19:24 | |
I'm gonna boil myself an egg. | 0:19:25 | 0:19:28 | |
-Would you like one? -I would adore an egg, yes. | 0:19:28 | 0:19:31 | |
Thank you. | 0:19:31 | 0:19:32 | |
Yes. Four minutes, would you? If it's not too much trouble. | 0:19:32 | 0:19:35 | |
No trouble. | 0:19:35 | 0:19:36 | |
So, did you find anything of interest in that box? | 0:19:37 | 0:19:39 | |
Sorry? | 0:19:39 | 0:19:41 | |
My father's box. I saw the typewriter was out. | 0:19:43 | 0:19:45 | |
Oh, the typewriter. Yes, yes, I recognise that old thing. | 0:19:46 | 0:19:49 | |
-Do you want it? -I... | 0:19:51 | 0:19:54 | |
The typewriter, I mean. We have no need for it. | 0:19:54 | 0:19:56 | |
-It's yours if you want it. -No, you must keep it. | 0:19:56 | 0:19:58 | |
No, Carl bought it, you know? | 0:19:59 | 0:20:02 | |
Yes. | 0:20:02 | 0:20:03 | |
Yes, your father bought that typewriter, hmm. | 0:20:03 | 0:20:06 | |
-Hmm. -Er, what do you need? | 0:20:09 | 0:20:14 | |
-Sorry. Milk. Is it... -At the top left. | 0:20:14 | 0:20:16 | |
We only have soy. | 0:20:16 | 0:20:17 | |
Oh, yes. | 0:20:19 | 0:20:21 | |
What's the matter? You don't have soy milk in England? | 0:20:23 | 0:20:26 | |
No, no, no, no, that's not it. No, I'm just curious about the packaging. | 0:20:26 | 0:20:29 | |
Soy beans are amongst the most common genetically modified species, | 0:20:29 | 0:20:33 | |
and I was just wondering in Canada | 0:20:33 | 0:20:35 | |
are you obliged to put something about GMOs on the packaging? | 0:20:35 | 0:20:39 | |
-What are GMOs? -Genetically modified organisms. | 0:20:39 | 0:20:43 | |
Oh, I wouldn't know. Uh-uh-uh-uh! | 0:20:43 | 0:20:46 | |
Oh, God. How on earth does this open? | 0:20:46 | 0:20:48 | |
Why don't you just pretend you're a guest, | 0:20:48 | 0:20:51 | |
sit down, and I'll wait on you? | 0:20:51 | 0:20:53 | |
-Thank you. -There you are. | 0:20:54 | 0:20:58 | |
I've got... Here's today's paper. | 0:20:58 | 0:21:01 | |
Mm? Oh, thank you very much indeed. | 0:21:01 | 0:21:04 | |
The "Colonist"? | 0:21:05 | 0:21:07 | |
The "Colonist". | 0:21:08 | 0:21:11 | |
All of the science and development | 0:21:12 | 0:21:15 | |
and here we are still on the brink of extinction. | 0:21:15 | 0:21:18 | |
Corporate greed and our desperate desire for more oil, | 0:21:18 | 0:21:21 | |
that will be our undoing. | 0:21:21 | 0:21:22 | |
We'll kill everyone and we'll call it the fight for freedom. | 0:21:22 | 0:21:26 | |
So, what - you're anti-technology? | 0:21:26 | 0:21:28 | |
No, I'm not anti-technology. No, I'm more pro-ecology. | 0:21:29 | 0:21:34 | |
It's all in the book. | 0:21:35 | 0:21:36 | |
Er...what book? | 0:21:36 | 0:21:39 | |
-The one I gave you. -Oh, that's YOUR book! | 0:21:40 | 0:21:43 | |
It's not actually a new book. | 0:21:43 | 0:21:45 | |
It's more of a reprinting of something | 0:21:45 | 0:21:47 | |
that I came out with some time ago. | 0:21:47 | 0:21:48 | |
It's actually the basis of my Masters thesis. | 0:21:48 | 0:21:52 | |
It's about organic farming | 0:21:52 | 0:21:54 | |
and a particular strain of wheat that's been very robust. | 0:21:54 | 0:21:58 | |
Yes. Quite a bestseller in some circles. | 0:21:58 | 0:22:02 | |
-What are you laughing at? -Nothing. | 0:22:05 | 0:22:07 | |
You should read it. | 0:22:07 | 0:22:08 | |
It's just easy to tell you're a professor, that's all. | 0:22:08 | 0:22:11 | |
Oh. | 0:22:11 | 0:22:13 | |
Oh, was I lecturing you? | 0:22:14 | 0:22:16 | |
Er, so, when is the ceremony? | 0:22:19 | 0:22:22 | |
Saturday. Saturday evening. | 0:22:22 | 0:22:25 | |
And I hope you might come. | 0:22:25 | 0:22:27 | |
Maybe. I...I mean, it's a mess. | 0:22:28 | 0:22:30 | |
I don't know if I want to leave Maria alone. | 0:22:30 | 0:22:33 | |
Well, no, it's hardly a ceremony for a babe in arms. | 0:22:33 | 0:22:36 | |
-She's ten. -Ten?! | 0:22:36 | 0:22:38 | |
Mmm. | 0:22:38 | 0:22:39 | |
-I thought she was a baby. -No. | 0:22:42 | 0:22:44 | |
I brought her that little fluffy toy. | 0:22:44 | 0:22:47 | |
It's a good thing ten-year-old girls like fluffy little toys. | 0:22:47 | 0:22:52 | |
Why are you sitting out here? | 0:23:10 | 0:23:12 | |
Huh, wonderfully brisk, isn't it? | 0:23:12 | 0:23:15 | |
Yeah, but you'll catch a cold. It's quite damp. Here. | 0:23:15 | 0:23:17 | |
Thank you. | 0:23:18 | 0:23:20 | |
I just thought I'd put it to some use before you threw it out. | 0:23:21 | 0:23:25 | |
Right. Well, you'll probably need this, then. | 0:23:25 | 0:23:29 | |
Thank you. | 0:23:29 | 0:23:31 | |
Anyway, I have to step out for a couple of hours, | 0:23:32 | 0:23:35 | |
so if you want to go for a walk or anything | 0:23:35 | 0:23:37 | |
there's a spare set of keys on the mantel. | 0:23:37 | 0:23:39 | |
Just lock up behind you. | 0:23:39 | 0:23:40 | |
Maria's got her own set, so she can let herself in. | 0:23:40 | 0:23:43 | |
-Thank you. -And I'll see you later. | 0:23:43 | 0:23:45 | |
CAR DEPARTS | 0:23:58 | 0:24:00 | |
EMILE TYPES | 0:24:05 | 0:24:07 | |
Oh, hello. | 0:25:12 | 0:25:14 | |
Your mother's gone out. I expect she'll be back soon. | 0:25:15 | 0:25:19 | |
I'm Emile, your great-uncle. | 0:25:20 | 0:25:24 | |
Great-Uncle Emile. | 0:25:27 | 0:25:28 | |
I don't suppose you've seen one of these before. | 0:25:35 | 0:25:36 | |
It's a typewriter. I found it upstairs. | 0:25:38 | 0:25:39 | |
Your mother wants to throw it out, but I'm very fond of the old thing. | 0:25:39 | 0:25:43 | |
There's a lot of history in a machine like this. | 0:25:43 | 0:25:46 | |
Er, I'm just staying for a short while. | 0:25:48 | 0:25:50 | |
I'm going to get a degree, an honourary degree, at the university. | 0:25:50 | 0:25:54 | |
I'm a scientist. | 0:25:54 | 0:25:56 | |
Do you like science? | 0:25:56 | 0:25:58 | |
Nor me, really. | 0:26:02 | 0:26:04 | |
-Hey. -Hmm? | 0:26:10 | 0:26:12 | |
How's it going? | 0:26:12 | 0:26:14 | |
This is 62 Wellington, yeah? | 0:26:14 | 0:26:16 | |
Is it? Yes, I think it is. | 0:26:16 | 0:26:18 | |
Yeah, I'm just gonna grab some supplies, dump 'em in the yard. | 0:26:18 | 0:26:21 | |
Maybe you could let the lady know I'll be back in a bit to start. | 0:26:21 | 0:26:24 | |
Yes, yes. All right. | 0:26:24 | 0:26:25 | |
-Hi. -Hey. | 0:26:32 | 0:26:33 | |
-What's all this? -It's painting gear. | 0:26:33 | 0:26:36 | |
-For? -Painting your house. | 0:26:36 | 0:26:39 | |
I'm Tom. | 0:26:39 | 0:26:40 | |
Oh, right. Well, Tom, I didn't hire a painting company, so... | 0:26:40 | 0:26:43 | |
Oh, well, I got the paperwork right here. | 0:26:43 | 0:26:46 | |
I'm supposed to get started right away, supposedly. | 0:26:46 | 0:26:47 | |
According to who? | 0:26:47 | 0:26:49 | |
Ah, the guy's name...he's in Vancouver, Jacob something. | 0:26:49 | 0:26:52 | |
Here we go. | 0:26:52 | 0:26:54 | |
I don't want the fucking house painted. | 0:26:54 | 0:26:56 | |
-What about my contract? -I don't know. | 0:26:56 | 0:26:58 | |
Talk to the guy that hired you. | 0:26:58 | 0:27:00 | |
Well, I did talk to him and he asked me to paint your house. | 0:27:00 | 0:27:02 | |
Well, he's not paying for me. | 0:27:02 | 0:27:04 | |
If you don't mind me saying so, you know, I've taken a good look | 0:27:04 | 0:27:07 | |
and I'm thinking it could use a little fix-up. | 0:27:07 | 0:27:09 | |
I didn't ask for your opinion | 0:27:09 | 0:27:11 | |
and I certainly don't need any favours from anyone, | 0:27:11 | 0:27:13 | |
especially my ex-husband, thank you very much. | 0:27:13 | 0:27:15 | |
Well, you could pay for it and then no-one would be doing you a favour. | 0:27:15 | 0:27:18 | |
Could you just get your stuff and get out of here? | 0:27:18 | 0:27:22 | |
OK, just back up a second. | 0:27:22 | 0:27:23 | |
Seriously, like, I turned down other work for this job. | 0:27:23 | 0:27:26 | |
Now, you know, give me a fucking break, come on. | 0:27:26 | 0:27:29 | |
-I'll do it myself. -No, no, no, no. | 0:27:29 | 0:27:31 | |
Don't touch my gear. | 0:27:31 | 0:27:33 | |
I just asked you to get your shit and leave. | 0:27:33 | 0:27:36 | |
Perhaps you should leave. | 0:27:36 | 0:27:38 | |
Oh, I can handle this, thank you. | 0:27:38 | 0:27:41 | |
You got five minutes to get off this property or I'm calling the cops. | 0:27:41 | 0:27:44 | |
A contract's a contract. I'm keeping the dough. | 0:27:44 | 0:27:46 | |
I'm gonna miss this place. | 0:28:08 | 0:28:10 | |
Well, that's because you got most of the easy jobs around here. | 0:28:15 | 0:28:18 | |
England. | 0:28:35 | 0:28:37 | |
It's a long ways away. | 0:28:38 | 0:28:39 | |
I really don't know if I deserve it. | 0:28:42 | 0:28:44 | |
I think you have more talent than you give yourself credit for. | 0:28:49 | 0:28:51 | |
I don't know that that's true. | 0:28:53 | 0:28:55 | |
I don't think this farm will ever let me go. | 0:29:06 | 0:29:08 | |
You love it here. | 0:29:11 | 0:29:12 | |
Just like Carl. | 0:29:16 | 0:29:18 | |
PAPER RIPS | 0:29:23 | 0:29:24 | |
Don't do that. | 0:29:28 | 0:29:29 | |
Don't ruin it. | 0:29:29 | 0:29:31 | |
You were a beautiful writer. | 0:29:34 | 0:29:36 | |
I remember I couldn't always decipher everything. | 0:29:43 | 0:29:45 | |
I used to look at your notebooks while you were sleeping. | 0:29:47 | 0:29:50 | |
You wrote on the edge of the paper. | 0:29:51 | 0:29:52 | |
You just kept scribbling everything out. | 0:29:52 | 0:29:55 | |
As if you'd stop breathing if you didn't get your ideas onto the page. | 0:29:56 | 0:30:01 | |
I never had your gift, I just never did. | 0:30:03 | 0:30:05 | |
You should have been the one to leave. | 0:30:06 | 0:30:08 | |
We have company. | 0:31:25 | 0:31:27 | |
No. Not for three days. | 0:31:27 | 0:31:32 | |
No. No, of course not. Of course not. It doesn't need it. | 0:31:32 | 0:31:35 | |
It doesn't need anything. No. | 0:31:35 | 0:31:38 | |
I'm not gonna have this conversation right now. | 0:31:38 | 0:31:40 | |
Hold on. Maria, your father wants to have a word with you. | 0:31:43 | 0:31:46 | |
There is nothing wrong with this house. | 0:31:46 | 0:31:48 | |
Hi. | 0:31:49 | 0:31:50 | |
I left the window open, for Christ's sake. | 0:31:51 | 0:31:53 | |
She told her father the roof was leaking. | 0:31:55 | 0:31:57 | |
You can tell him to call back later, we have company. | 0:32:02 | 0:32:04 | |
No. Yeah, I'm fine. | 0:32:04 | 0:32:06 | |
Yeah. | 0:32:09 | 0:32:10 | |
OK, just hold on a second. | 0:32:11 | 0:32:13 | |
He wants to talk to you. | 0:32:13 | 0:32:15 | |
Excuse me. | 0:32:17 | 0:32:19 | |
No, that's not what she said. | 0:32:21 | 0:32:24 | |
I don't need your help. I don't need your help. | 0:32:24 | 0:32:27 | |
I didn't ask for it. It's not your little architectural project. | 0:32:27 | 0:32:28 | |
Do you like school? | 0:32:28 | 0:32:30 | |
I wasn't much good at school when I was your age. | 0:32:35 | 0:32:37 | |
Of course, it was different where I grew up. | 0:32:39 | 0:32:42 | |
Not many people around. | 0:32:42 | 0:32:44 | |
Do you know, I had to walk six miles every morning just to get to school? | 0:32:45 | 0:32:48 | |
This was in Saskatchewan. That's where I was born. | 0:32:49 | 0:32:52 | |
Do you know where that is? | 0:32:52 | 0:32:54 | |
Course, it wasn't that long ago, | 0:32:58 | 0:33:00 | |
but, you know, out there in the winter, oh, in the prairies. | 0:33:00 | 0:33:02 | |
Very difficult to get anywhere. | 0:33:03 | 0:33:05 | |
Horses - they were better to use, horses, than go in a car. | 0:33:05 | 0:33:10 | |
And then when the drifts got really high, | 0:33:10 | 0:33:13 | |
then it was impossible to go to school at all and we didn't. | 0:33:13 | 0:33:16 | |
Think of that. | 0:33:16 | 0:33:17 | |
I know I don't sound as if I come from Saskatchewan | 0:33:19 | 0:33:22 | |
or anywhere in Canada, for that matter, | 0:33:22 | 0:33:23 | |
but that's because I speak the Queen's English. | 0:33:23 | 0:33:26 | |
I'm just as Canadian as you are. | 0:33:26 | 0:33:28 | |
Like Queen Elizabeth, the queen of England. | 0:33:28 | 0:33:30 | |
Of course, she's queen of Canada as well, you know, she's on the stamp. | 0:33:30 | 0:33:33 | |
And she's on the coins. | 0:33:33 | 0:33:35 | |
And she's the head of state, after all, | 0:33:35 | 0:33:39 | |
which is why I sound as Canadian as the queen of England. | 0:33:39 | 0:33:41 | |
HE LAUGHS | 0:33:41 | 0:33:43 | |
Hey. Did you excuse yourself? | 0:33:43 | 0:33:46 | |
-Excuse me. -Thank you. | 0:33:46 | 0:33:47 | |
Sorry. | 0:33:49 | 0:33:51 | |
-Can I get you anything else? -What? Oh, no, thanks. | 0:34:01 | 0:34:04 | |
No, that was delicious. | 0:34:04 | 0:34:06 | |
No, it wasn't, it was terrible. | 0:34:06 | 0:34:08 | |
Thank you. | 0:34:08 | 0:34:10 | |
Ah. | 0:34:16 | 0:34:17 | |
CARL: Why are you always writing in that goddamn book? | 0:34:29 | 0:34:31 | |
You know, I gotta see what is so goddamn important | 0:34:36 | 0:34:39 | |
that it takes up all your time. | 0:34:39 | 0:34:41 | |
So, you tell me what you're writing, I'll give back your little book. | 0:34:41 | 0:34:45 | |
It's just a letter to Emile. | 0:34:46 | 0:34:49 | |
Yeah. | 0:34:50 | 0:34:52 | |
Yeah, you keep writing him. | 0:34:52 | 0:34:54 | |
How many letters have you gotten back? | 0:34:54 | 0:34:56 | |
Hmm? | 0:34:58 | 0:35:00 | |
Yeah, exactly. | 0:35:00 | 0:35:02 | |
Not one. | 0:35:04 | 0:35:05 | |
So...why do you keep wasting your time? | 0:35:05 | 0:35:10 | |
Why are you so miserable? | 0:35:14 | 0:35:16 | |
What - are you sick? | 0:35:17 | 0:35:19 | |
-I... -You what? | 0:35:19 | 0:35:21 | |
You hardly even talk anymore. | 0:35:21 | 0:35:24 | |
I miss him. | 0:35:24 | 0:35:26 | |
You miss him? What - you think I don't miss him?! | 0:35:26 | 0:35:28 | |
He's my brother too. You act like he's your fucking girlfriend! | 0:35:28 | 0:35:31 | |
Just fucking leave me alone. | 0:35:31 | 0:35:34 | |
Please. | 0:35:35 | 0:35:36 | |
Listen to how fucking pathetic you are. | 0:35:36 | 0:35:38 | |
You're fucking disgusting. | 0:35:38 | 0:35:40 | |
You're a fucking asshole, Carl! | 0:35:43 | 0:35:46 | |
I meant to write to you. | 0:36:24 | 0:36:25 | |
I really did. | 0:36:28 | 0:36:29 | |
I never knew he treated you like that. | 0:36:31 | 0:36:33 | |
And what could I have done at the time? | 0:36:35 | 0:36:37 | |
Someone had to stay. | 0:36:38 | 0:36:40 | |
Someone had to take care of the place. | 0:36:42 | 0:36:44 | |
I never knew. | 0:36:48 | 0:36:50 | |
I'm sorry. | 0:36:50 | 0:36:51 | |
What can I get you? | 0:37:17 | 0:37:18 | |
Well, I just wonder if there was anything I could do. | 0:37:18 | 0:37:21 | |
No. | 0:37:21 | 0:37:23 | |
Well, thanks for dinner, again. | 0:37:25 | 0:37:27 | |
You're welcome. | 0:37:27 | 0:37:29 | |
Look, I'm sorry if my visit comes at an awkward time. | 0:37:32 | 0:37:36 | |
I couldn't possibly have known about Jacob. | 0:37:36 | 0:37:38 | |
Nah, it's fine. | 0:37:40 | 0:37:41 | |
I can stay in an hotel, if that would, um... | 0:37:41 | 0:37:44 | |
Look, you can do what you want, I'm the one who asked you to come. | 0:37:44 | 0:37:47 | |
If you don't want to stay here, that's fine. | 0:37:47 | 0:37:49 | |
ALARM RINGS | 0:38:41 | 0:38:44 | |
Shit. | 0:38:53 | 0:38:55 | |
HE GROANS | 0:39:05 | 0:39:07 | |
-Are you all right? -Oh. | 0:39:07 | 0:39:10 | |
Yes, I'm sorry. | 0:39:10 | 0:39:12 | |
Oh, you're welcome to turn that on if you want. | 0:39:15 | 0:39:19 | |
It gets a bit chilly in here. | 0:39:19 | 0:39:20 | |
I don't think the thermostat's working, that furnace is pretty old. | 0:39:20 | 0:39:24 | |
Well, you should get it fixed. | 0:39:24 | 0:39:26 | |
Well, I don't know anyone. We just moved, so... | 0:39:27 | 0:39:30 | |
Well, what about that painting fellow? | 0:39:31 | 0:39:33 | |
He seems quite handy. | 0:39:33 | 0:39:35 | |
Oh, that's true. | 0:39:35 | 0:39:37 | |
I should probably call him anyway, I was pretty rude. | 0:39:37 | 0:39:39 | |
Did you know my mother? | 0:39:47 | 0:39:48 | |
Well, er...not well. | 0:39:56 | 0:39:58 | |
I admired her a great deal. | 0:39:59 | 0:40:01 | |
Your father was a lucky man. | 0:40:03 | 0:40:05 | |
I don't know anything about my family. | 0:40:18 | 0:40:20 | |
Just what's in a few boxes. | 0:40:21 | 0:40:23 | |
That's not much. | 0:40:26 | 0:40:28 | |
Mmm. | 0:40:28 | 0:40:29 | |
I guess my grandma must have packed these up after the accident. | 0:40:32 | 0:40:34 | |
There was some newspaper clippings on the top. | 0:40:34 | 0:40:37 | |
It's what they sent to the orphanage. | 0:40:40 | 0:40:41 | |
Oh, they called it the home, | 0:40:41 | 0:40:44 | |
which is kinda funny cos it wasn't supposed to be my home, | 0:40:44 | 0:40:45 | |
it was... I wasn't supposed to be there very long, just till you came. | 0:40:45 | 0:40:49 | |
I didn't mind it, at first. | 0:40:53 | 0:40:54 | |
They were all very nice to me, very kind. | 0:40:57 | 0:40:59 | |
They told me all about you, how they tracked you down in England | 0:40:59 | 0:41:02 | |
and they contacted you and... | 0:41:02 | 0:41:04 | |
..you were supposed to be there soon to pick me up and take me with you. | 0:41:06 | 0:41:11 | |
Sometimes if I couldn't sleep at night | 0:41:13 | 0:41:14 | |
I'd even imagine myself as one of those kids in those books, | 0:41:14 | 0:41:17 | |
you know, with you in one of those dusty old libraries | 0:41:17 | 0:41:21 | |
and secret passages, places to hide. | 0:41:21 | 0:41:24 | |
Visits to the castles in the summertime, I don't know. | 0:41:25 | 0:41:29 | |
But you never came. | 0:41:31 | 0:41:33 | |
I'm sorry. | 0:41:34 | 0:41:36 | |
Are you? | 0:41:36 | 0:41:38 | |
Because I am. | 0:41:41 | 0:41:42 | |
I really am. | 0:41:43 | 0:41:45 | |
I mean, you seem like a pretty nice guy and I could try and like you, | 0:41:48 | 0:41:52 | |
but I don't trust people. | 0:41:52 | 0:41:54 | |
And you did that to me. | 0:41:57 | 0:41:58 | |
I mean, I'm sure you have your reasons, | 0:42:02 | 0:42:04 | |
but I don't really care to know what they are, | 0:42:04 | 0:42:06 | |
I just wanted you to know that... | 0:42:06 | 0:42:08 | |
there was a little girl waiting for you a long time ago. | 0:42:08 | 0:42:12 | |
And you left her waiting. | 0:42:15 | 0:42:16 | |
And she's gone. | 0:42:19 | 0:42:20 | |
Did you do that on purpose? | 0:44:11 | 0:44:12 | |
Sorry. Didn't see you. | 0:44:13 | 0:44:14 | |
What are you doing? Are you nuts? | 0:44:14 | 0:44:16 | |
Hey, you got a pick-up, don't you? | 0:44:19 | 0:44:21 | |
Yeah. | 0:44:21 | 0:44:23 | |
Would you mind running these down to the dump for me? | 0:44:23 | 0:44:26 | |
Why? What's wrong with your car? | 0:44:26 | 0:44:28 | |
I got ten more. They won't fit. | 0:44:28 | 0:44:30 | |
It will cost you. | 0:44:30 | 0:44:32 | |
Don't push your luck. I hired you, didn't I? | 0:44:32 | 0:44:34 | |
FOOTSTEPS APPROACH | 0:44:50 | 0:44:52 | |
I don't know why I hold on to all this shit. | 0:44:55 | 0:44:57 | |
I shouldn't have come. I'm sorry, I thought it would be different. | 0:45:00 | 0:45:04 | |
How? | 0:45:04 | 0:45:06 | |
-What do you mean? -How would it be different? | 0:45:06 | 0:45:08 | |
Oh... I don't know. | 0:45:08 | 0:45:10 | |
I just wanted to meet you. | 0:45:12 | 0:45:13 | |
And Maria. | 0:45:13 | 0:45:15 | |
Oh. Well, you did. | 0:45:15 | 0:45:16 | |
What do you think? | 0:45:17 | 0:45:19 | |
-I don't know. -What did you expect? | 0:45:19 | 0:45:21 | |
Well, I'm not sure. Look, I'm sorry, Nadia. | 0:45:21 | 0:45:25 | |
Sorry for what? | 0:45:25 | 0:45:27 | |
God forbid you to actually stick around and get to know us. | 0:45:27 | 0:45:30 | |
-Do you want me to leave? -Why did you come? | 0:45:30 | 0:45:32 | |
-I came to see you. -No, you didn't. | 0:45:32 | 0:45:35 | |
You came here for a stupid award. Maria and I were just an excuse. | 0:45:35 | 0:45:38 | |
That's not true. | 0:45:42 | 0:45:44 | |
HE GROWLS | 0:45:53 | 0:45:54 | |
I don't understand what's so special about this stupid truck. | 0:46:07 | 0:46:09 | |
Always the fanbelt. | 0:46:11 | 0:46:12 | |
I've come to say goodbye. | 0:46:12 | 0:46:14 | |
You know he makes me replace something just about every week | 0:46:16 | 0:46:19 | |
whether it needs it or not? | 0:46:19 | 0:46:21 | |
Just to satisfy some goddamn obsession. | 0:46:21 | 0:46:25 | |
Freddy... I've come to say goodbye. | 0:46:25 | 0:46:28 | |
Yep. Hey, don't get yourself dirty, all right? I'll be done in a sec. | 0:46:31 | 0:46:34 | |
Can you throw your stuff in the back? | 0:46:34 | 0:46:38 | |
Hmm. | 0:46:38 | 0:46:39 | |
I'll be back. | 0:46:39 | 0:46:41 | |
Yeah. | 0:46:43 | 0:46:45 | |
You know I will. | 0:46:46 | 0:46:47 | |
ENGINE IDLES | 0:47:05 | 0:47:07 | |
Hey...need some help? | 0:47:14 | 0:47:17 | |
You know, when I was younger... | 0:47:17 | 0:47:19 | |
I was so good with engines. | 0:47:19 | 0:47:21 | |
On a farm, of course, farmers had to be able to fix everything. | 0:47:21 | 0:47:25 | |
My brother, my younger brother, he was the mechanic. | 0:47:25 | 0:47:27 | |
Everything worked on that farm because of him. | 0:47:27 | 0:47:30 | |
Nothing he couldn't fix. | 0:47:30 | 0:47:31 | |
Taught me everything I know. KNEW. | 0:47:31 | 0:47:34 | |
So, can you hear it? | 0:47:34 | 0:47:35 | |
-Yeah. -It's idling oddly, isn't it? | 0:47:35 | 0:47:38 | |
-Here, let me, yeah? -Oh, please. | 0:47:38 | 0:47:40 | |
ENGINE REVS | 0:47:44 | 0:47:46 | |
Oh...you've done that before. | 0:47:49 | 0:47:52 | |
Yeah, I've been around engines my whole life. | 0:47:52 | 0:47:54 | |
-Yes, thank you for that. -No problem. | 0:47:54 | 0:47:56 | |
I should get back to work. | 0:47:59 | 0:48:01 | |
She's not going to be happy with the progress I've been making. | 0:48:01 | 0:48:03 | |
Would you let me help? | 0:48:03 | 0:48:04 | |
Er, no, that's OK, I got it. | 0:48:04 | 0:48:06 | |
No, I insist. I want to do something useful. | 0:48:06 | 0:48:09 | |
Obviously, my mechanical skills are a bit rusty, so please put me to work. | 0:48:10 | 0:48:14 | |
Yeah, yeah, OK. Yeah, I could use a little hand. | 0:48:14 | 0:48:18 | |
I'm just gonna get going on these posts here. | 0:48:18 | 0:48:20 | |
There's that one. | 0:48:26 | 0:48:27 | |
Yes. | 0:48:27 | 0:48:29 | |
You know, we used to have to paint | 0:48:30 | 0:48:31 | |
our house in the prairies once a year. | 0:48:31 | 0:48:34 | |
There was very little shelter from the elements, and so... | 0:48:34 | 0:48:37 | |
..the buildings would blister in the sun in the summer, | 0:48:38 | 0:48:41 | |
and peel in the wind and the snow in the winter. | 0:48:41 | 0:48:44 | |
I've not done this for a long time. | 0:48:45 | 0:48:46 | |
Have you ever done this before? | 0:48:54 | 0:48:56 | |
No. | 0:48:57 | 0:48:58 | |
Do you want to try? Hmm? | 0:48:58 | 0:49:00 | |
Yes. You just hold that. | 0:49:02 | 0:49:05 | |
Dip it in the paint once or twice. | 0:49:05 | 0:49:07 | |
Lift it out and don't let it drip. | 0:49:08 | 0:49:11 | |
Lift it out. Good. | 0:49:11 | 0:49:12 | |
And then just roll it gently onto the surface there. | 0:49:12 | 0:49:15 | |
Good. Well done. | 0:49:18 | 0:49:21 | |
Look, I've got a helper. | 0:49:21 | 0:49:23 | |
Very good. Good. | 0:49:24 | 0:49:26 | |
-Oh! -Shit! | 0:49:29 | 0:49:31 | |
-Oh, never mind. Never mind. -It's OK, I'll get it. | 0:49:31 | 0:49:33 | |
I'll get it. | 0:49:33 | 0:49:35 | |
-Shit. -Easily done. | 0:49:35 | 0:49:37 | |
Happens to the best of us. | 0:49:37 | 0:49:38 | |
I'm not paying you to paint the sidewalk, I hope. | 0:49:40 | 0:49:42 | |
-Sorry about that. -It was all my fault. | 0:49:44 | 0:49:46 | |
No, I splattered this paint rather carelessly on the stairs | 0:49:46 | 0:49:49 | |
and gallant Tom came to the rescue. | 0:49:49 | 0:49:52 | |
Thank you. | 0:49:52 | 0:49:52 | |
They didn't have any cold ones, so I'll put the rest in the fridge. | 0:49:52 | 0:49:55 | |
-Excuse me. -Thanks. | 0:49:56 | 0:49:59 | |
You guys are painting in the rain - you're idiots. | 0:49:59 | 0:50:01 | |
It just started raining. | 0:50:01 | 0:50:03 | |
Hey, sweetheart. | 0:50:03 | 0:50:04 | |
-Cheers. -Cheers. | 0:50:11 | 0:50:12 | |
-Strange woman. -Mmm. Mmm. | 0:50:13 | 0:50:16 | |
-Yes. -Is she your daughter? | 0:50:16 | 0:50:19 | |
-Er, no, no. Niece. -Has she always been like that? | 0:50:19 | 0:50:22 | |
Well, I'm only just getting to know her myself. | 0:50:23 | 0:50:26 | |
Yeah. Well, you and me both. | 0:50:26 | 0:50:28 | |
-Oh! -It's OK. Don't worry about it. | 0:50:30 | 0:50:32 | |
Don't cry over spilt paint. | 0:50:33 | 0:50:35 | |
TV PLAYS | 0:50:35 | 0:50:37 | |
What are you doing? I thought you had homework. | 0:50:47 | 0:50:49 | |
I thought maybe we could take Emile for a drive before dinner. | 0:50:53 | 0:50:55 | |
I'd like you to come. | 0:50:55 | 0:50:57 | |
I don't wanna come. | 0:50:57 | 0:50:59 | |
Well... TURNS TV OFF: ..you're coming. | 0:50:59 | 0:51:02 | |
I was watching something. | 0:51:03 | 0:51:05 | |
DOORKNOB RATTLES | 0:51:12 | 0:51:14 | |
Maria, open up. | 0:51:14 | 0:51:15 | |
NADIA KNOCKS ON DOOR | 0:51:18 | 0:51:19 | |
What's wrong with going on a little drive? | 0:51:21 | 0:51:22 | |
Sweetie? | 0:51:25 | 0:51:26 | |
SHE KNOCKS | 0:51:26 | 0:51:29 | |
-Open the door. -Go away. | 0:51:29 | 0:51:31 | |
It would be nice - it would be the three of us. | 0:51:31 | 0:51:34 | |
He's your uncle. He's got nothing to do with me. | 0:51:35 | 0:51:38 | |
-He's your uncle too. -I don't care. Go away! | 0:51:38 | 0:51:42 | |
Open this goddamn door or I'll break it down. | 0:51:42 | 0:51:44 | |
Are you really my uncle? | 0:52:21 | 0:52:23 | |
I'm your great-uncle. | 0:52:26 | 0:52:27 | |
What's a great-uncle? | 0:52:28 | 0:52:30 | |
Well, he's great. | 0:52:31 | 0:52:33 | |
Better than an ordinary uncle. | 0:52:33 | 0:52:35 | |
Very funny. | 0:52:35 | 0:52:36 | |
Well, a great-uncle is the brother of your grandfather. | 0:52:38 | 0:52:41 | |
-So you're my grandfather's brother? -Yes, that's right. | 0:52:41 | 0:52:44 | |
What was his name? | 0:52:45 | 0:52:47 | |
-Carl. -Did he die, or something? | 0:52:49 | 0:52:52 | |
Yes, a long time ago. | 0:52:54 | 0:52:55 | |
Is that why my mum never talks about him? | 0:52:55 | 0:52:58 | |
Yes, she was very young at the time. | 0:53:01 | 0:53:03 | |
A long time ago. | 0:53:04 | 0:53:05 | |
-You're not going to wash your hands? -Beg your pardon? | 0:53:07 | 0:53:10 | |
Don't you think you should wash your hands? | 0:53:10 | 0:53:12 | |
Oh! | 0:53:13 | 0:53:15 | |
Yes, I suppose so. | 0:53:15 | 0:53:17 | |
Yes, silly of me. Thank you. | 0:53:17 | 0:53:20 | |
That may be the last bit of work you do. | 0:53:34 | 0:53:36 | |
Well, writing's a different sort of work. | 0:53:41 | 0:53:43 | |
Oh, really? | 0:53:44 | 0:53:45 | |
Well, I guess you would know, hmm? | 0:53:51 | 0:53:53 | |
You're the scholar, I'm just the common labourer. | 0:53:55 | 0:53:58 | |
That is not what I meant. | 0:53:58 | 0:54:00 | |
No, of course not. | 0:54:00 | 0:54:02 | |
It's simply that at university I'll not be doing a lot of manual work. | 0:54:02 | 0:54:05 | |
You sound like an old man. | 0:54:07 | 0:54:10 | |
Will you get out of here? | 0:54:10 | 0:54:13 | |
-Sorry. -No, I...no, I'm sorry. | 0:54:13 | 0:54:17 | |
I...I...um... | 0:54:17 | 0:54:20 | |
I must have been talking to myself. | 0:54:24 | 0:54:26 | |
How come you came here? | 0:54:29 | 0:54:30 | |
Well, I came to get an honourary degree at the university. | 0:54:31 | 0:54:34 | |
But really I just wanted to see your mother. | 0:54:34 | 0:54:36 | |
And to meet you. | 0:54:36 | 0:54:39 | |
What if we hadn't moved here from Vancouver? | 0:54:39 | 0:54:41 | |
Oh, well, then, I would have... | 0:54:41 | 0:54:43 | |
stayed in Vancouver and seen you there. | 0:54:43 | 0:54:45 | |
Vancouver is so cold compared to this place. | 0:54:46 | 0:54:49 | |
Oh, well, it seems very nice here. | 0:54:49 | 0:54:50 | |
It's boring. | 0:54:50 | 0:54:52 | |
It's the retirement capital of the world. | 0:54:52 | 0:54:54 | |
What's so funny? | 0:54:54 | 0:54:58 | |
You know, some people say that getting an honourary degree | 0:54:58 | 0:55:00 | |
is like getting a retirement gift. | 0:55:00 | 0:55:03 | |
See? What did I tell you? | 0:55:03 | 0:55:04 | |
Hmm. | 0:55:04 | 0:55:06 | |
You're right, Maria. | 0:55:08 | 0:55:09 | |
So, my mum wants to go for a drive. | 0:55:11 | 0:55:13 | |
Oh, driving around can be very dull. | 0:55:15 | 0:55:18 | |
There wasn't any mention made, I suppose, | 0:55:19 | 0:55:20 | |
of stopping for ice-cream or beaver tails? | 0:55:20 | 0:55:23 | |
Beaver tails? | 0:55:23 | 0:55:25 | |
Yes. They're those great big doughnuts, really. | 0:55:25 | 0:55:28 | |
You know, covered in cinnamon and lemon juice, sugar. | 0:55:28 | 0:55:32 | |
Mm, they're awfully good. | 0:55:32 | 0:55:33 | |
I said I wasn't going. | 0:55:33 | 0:55:35 | |
-You don't want to go? -Do you? | 0:55:35 | 0:55:38 | |
Well, I'd go if we could stop for beaver tails. | 0:55:39 | 0:55:43 | |
Then I guess I'll go too. | 0:55:44 | 0:55:46 | |
Good. | 0:55:46 | 0:55:47 | |
Well, then, I'll go and get ready and see you downstairs. | 0:55:47 | 0:55:51 | |
-Good? -Mm-hm. | 0:56:05 | 0:56:06 | |
Ooh. | 0:56:16 | 0:56:18 | |
Shall we sit down here? | 0:56:22 | 0:56:25 | |
You know, when your mother gets back, we should go and find the beach | 0:56:25 | 0:56:27 | |
where the big ships pass through the channel. | 0:56:27 | 0:56:30 | |
It's marvellous watching large ships drifting by on the horizon. | 0:56:31 | 0:56:34 | |
You know, when I was young | 0:56:41 | 0:56:42 | |
there was a man from Finland who missed his home so much | 0:56:42 | 0:56:45 | |
that he built a ship right in the middle of the prairies. | 0:56:45 | 0:56:49 | |
-Is that true? -Yes, of course it's true! | 0:56:49 | 0:56:52 | |
A huge wooden sailing vessel. | 0:56:52 | 0:56:56 | |
Identical to the ones that he remembered from the fishing village | 0:56:56 | 0:56:59 | |
where he came from. | 0:56:59 | 0:57:01 | |
What was he going to do with it? | 0:57:01 | 0:57:04 | |
Well, he dreamt of using the river system | 0:57:06 | 0:57:09 | |
all the way up to the Great Lakes and then through the St Lawrence | 0:57:09 | 0:57:13 | |
and then across the Atlantic...back to Europe. | 0:57:13 | 0:57:18 | |
Did he ever make the trip? | 0:57:18 | 0:57:20 | |
No, afraid not. | 0:57:22 | 0:57:23 | |
Why not? | 0:57:23 | 0:57:24 | |
He died...before the ship was finished. | 0:57:26 | 0:57:29 | |
That's sad. | 0:57:30 | 0:57:32 | |
Yes, it was. | 0:57:33 | 0:57:34 | |
But a lot of people went a bit crazy out there in the prairies. | 0:57:36 | 0:57:41 | |
It can be pretty lonely. | 0:57:44 | 0:57:45 | |
ENGINE IDLES | 0:58:03 | 0:58:05 | |
HE COUGHS | 0:58:06 | 0:58:07 | |
Freddy! | 0:58:14 | 0:58:15 | |
Should we take Emile to the park? | 0:58:48 | 0:58:50 | |
I want to go to the beach. | 0:58:51 | 0:58:53 | |
Why do you suddenly want to go to the beach? | 0:58:53 | 0:58:55 | |
Well, perhaps we might see some ships. | 0:58:55 | 0:58:57 | |
Hey! | 0:59:44 | 0:59:47 | |
Oh! | 1:00:07 | 1:00:08 | |
-Ah! -Are you all right?! | 1:00:08 | 1:00:10 | |
Ah, yes, I... Ah! | 1:00:10 | 1:00:12 | |
If I just sit here for a moment I'll be fine. | 1:00:12 | 1:00:13 | |
I think we need to get you home. | 1:00:13 | 1:00:15 | |
No, nonsense. No, I just tripped, that's all. | 1:00:15 | 1:00:17 | |
-I'll be fine. -Are you sure? | 1:00:17 | 1:00:19 | |
Maybe you should rest tonight. | 1:00:19 | 1:00:21 | |
Look, I just tripped. I'll be perfectly fine in a moment. | 1:00:21 | 1:00:24 | |
Well, a man your age | 1:00:24 | 1:00:25 | |
shouldn't be running around on these rocks anyway. | 1:00:25 | 1:00:28 | |
Oh, will you stop talking about me as if I belong in some museum? | 1:00:28 | 1:00:31 | |
-Here. -I tripped, that's all. | 1:00:34 | 1:00:36 | |
Well, you just sit here. I'm gonna go get the car. I'll be right back. | 1:00:36 | 1:00:39 | |
Is it hard getting old? | 1:00:44 | 1:00:46 | |
I told you, I'm not old. | 1:00:46 | 1:00:48 | |
-You're older than me. -Well, how old are you? | 1:00:49 | 1:00:52 | |
Ten. And what does it feel like being ten? | 1:00:52 | 1:00:55 | |
I don't know - fine, I guess. | 1:00:56 | 1:00:58 | |
Well, now I'll tell you a secret. | 1:00:58 | 1:00:59 | |
It isn't how old you are on the outside that matters. | 1:01:01 | 1:01:04 | |
It's how old you feel on the inside. | 1:01:04 | 1:01:07 | |
And do you know how old I feel on the inside? | 1:01:10 | 1:01:12 | |
-No. -I'm ten years old, just like you. | 1:01:12 | 1:01:15 | |
-Really? -Yes, really. | 1:01:15 | 1:01:16 | |
But on the outside, what's the hardest thing about getting old? | 1:01:18 | 1:01:22 | |
All those things you haven't managed to do. | 1:01:23 | 1:01:26 | |
-DOOR OPENS -Hey. | 1:01:45 | 1:01:47 | |
-Hi. -What do you need? | 1:01:47 | 1:01:49 | |
Nothing. I just came to let you know I'm gonna pack it in for the day. | 1:01:49 | 1:01:52 | |
-Oh, how far did you get? -Pretty far. | 1:01:52 | 1:01:54 | |
I should be able to finish it up tomorrow. Next day at the latest. | 1:01:54 | 1:01:56 | |
-Any luck with the furnace? -Oh, yeah. | 1:01:56 | 1:02:00 | |
I put a new filter in there. It's blowing like a chinook now. | 1:02:00 | 1:02:02 | |
Oh, great. Can I get you a beer? | 1:02:02 | 1:02:04 | |
Yeah. | 1:02:04 | 1:02:06 | |
So, how much do I owe you? | 1:02:09 | 1:02:12 | |
Oh, you can pay me when I'm done - we'll talk about it. | 1:02:12 | 1:02:14 | |
Just so you know, I'll be counting the hours. | 1:02:14 | 1:02:16 | |
Course you will. | 1:02:19 | 1:02:20 | |
-But thanks. -You're welcome. Thank YOU. | 1:02:22 | 1:02:24 | |
Let me get that for you. | 1:02:27 | 1:02:28 | |
Cheers. | 1:02:29 | 1:02:31 | |
What brought you here? You got family here, or what? | 1:02:37 | 1:02:39 | |
My grandma was born here. | 1:02:40 | 1:02:42 | |
Hmm. | 1:02:42 | 1:02:43 | |
Smells like Grandma's doing a little cooking. | 1:02:44 | 1:02:46 | |
You're welcome to join us. | 1:02:48 | 1:02:49 | |
No, no, no, no. No, I don't want to impose. I didn't mean that. | 1:02:49 | 1:02:53 | |
No, no, you wouldn't be imposing. Well, we're having an early dinner. | 1:02:53 | 1:02:56 | |
I wasn't sure what time you were gonna finish up. | 1:02:56 | 1:02:58 | |
-Really? -Yeah. | 1:02:58 | 1:03:00 | |
Pasta? Sure. | 1:03:00 | 1:03:02 | |
OK. | 1:03:02 | 1:03:03 | |
Maybe I'll just fly home and...clean up a bit. | 1:03:03 | 1:03:08 | |
-OK. -Yeah. | 1:03:08 | 1:03:09 | |
See you in, I don't know, half an hour? | 1:03:09 | 1:03:12 | |
Yeah, I just live up the road. We're neighbours. | 1:03:12 | 1:03:14 | |
Oh. | 1:03:14 | 1:03:16 | |
GAME PLAYS ON COMPUTER | 1:03:18 | 1:03:21 | |
What...? Oh. | 1:03:21 | 1:03:23 | |
HE TUTS | 1:03:23 | 1:03:25 | |
Maria, take that computer inside | 1:03:33 | 1:03:34 | |
and finish your homework upstairs please. | 1:03:34 | 1:03:36 | |
I don't have any. | 1:03:36 | 1:03:38 | |
I was just showing Uncle Emile how it works. | 1:03:38 | 1:03:40 | |
Well, stop bothering him. He's got his speech to finish, honey. | 1:03:40 | 1:03:44 | |
She's not a bother. | 1:03:45 | 1:03:47 | |
You can come inside and help me set the table. | 1:03:48 | 1:03:50 | |
Did you hear me? | 1:03:53 | 1:03:54 | |
When I ask you to do something, please do it. | 1:03:56 | 1:03:57 | |
I'm sure you don't ignore your teachers like that. | 1:03:57 | 1:03:59 | |
I'm not asking you twice! | 1:04:02 | 1:04:03 | |
DOOR CLOSES | 1:04:04 | 1:04:06 | |
Should we do it together? | 1:04:06 | 1:04:07 | |
Here. Set a fourth place. Tom's gonna join us for dinner. | 1:04:13 | 1:04:17 | |
You mean Tom the painter? | 1:04:17 | 1:04:19 | |
Yes, Tom the painter. | 1:04:19 | 1:04:21 | |
What for? | 1:04:21 | 1:04:23 | |
Because I invited him. | 1:04:23 | 1:04:26 | |
I'm not sure that I can stay for supper. | 1:04:26 | 1:04:28 | |
I thought the ceremony wasn't till eight. | 1:04:29 | 1:04:31 | |
Well, that's right, but you don't think that I've come | 1:04:31 | 1:04:34 | |
half the way across the world to arrive just 15 minutes before. | 1:04:34 | 1:04:37 | |
It's a bit of an ordeal, you know. | 1:04:37 | 1:04:39 | |
I wouldn't know. | 1:04:40 | 1:04:42 | |
And I don't want to insult the university people | 1:04:43 | 1:04:46 | |
by arriving late, and they're sending a car. | 1:04:46 | 1:04:50 | |
Well, look, maybe I can just start the meal with you. | 1:04:50 | 1:04:52 | |
KNOCK AT DOOR | 1:05:05 | 1:05:06 | |
Come in. | 1:05:06 | 1:05:08 | |
Oh. | 1:05:11 | 1:05:13 | |
Now, careful, that's very warm. | 1:05:15 | 1:05:17 | |
Are you excited? | 1:05:18 | 1:05:20 | |
Not really, no. | 1:05:21 | 1:05:23 | |
Why not? You should be. | 1:05:24 | 1:05:26 | |
Hmm? Yes, I suppose you're right. | 1:05:26 | 1:05:29 | |
You don't win awards every day, you know. | 1:05:29 | 1:05:31 | |
Well, this is a degree, my dear, it's not an award. | 1:05:31 | 1:05:34 | |
Well, you don't get degrees every day either. | 1:05:34 | 1:05:36 | |
And some people never win anything. | 1:05:36 | 1:05:38 | |
Yes, you're right. | 1:05:39 | 1:05:41 | |
Here. Let me help you with that. | 1:05:44 | 1:05:45 | |
There. Much better. | 1:05:54 | 1:05:55 | |
Yes. Thank you. | 1:05:55 | 1:05:57 | |
Yes. And my shirt is very grateful. | 1:05:57 | 1:06:01 | |
My dad can't iron his shirt either. | 1:06:01 | 1:06:03 | |
Do you get to see your dad? | 1:06:05 | 1:06:06 | |
Not so far. | 1:06:09 | 1:06:12 | |
I'm supposed to spend some weekends over there. | 1:06:12 | 1:06:15 | |
Oh, well, that will be nice. | 1:06:15 | 1:06:16 | |
I think my mum hates him. | 1:06:19 | 1:06:21 | |
I don't think I'm ever getting back there to see him. | 1:06:21 | 1:06:24 | |
Oh, I'm sure you will. | 1:06:24 | 1:06:26 | |
I hate her. | 1:06:28 | 1:06:30 | |
Oh, my dear, you mustn't say that. | 1:06:30 | 1:06:31 | |
I'm just being honest. | 1:06:31 | 1:06:34 | |
Well, sometimes when you're honest, you know, | 1:06:34 | 1:06:35 | |
you can hurt other people's feelings. | 1:06:35 | 1:06:37 | |
Are you always honest? | 1:06:37 | 1:06:39 | |
-Usually. -Really? | 1:06:41 | 1:06:43 | |
Well, I might tell a little lie | 1:06:46 | 1:06:47 | |
to try and get out of something that I didn't really want to do. | 1:06:47 | 1:06:50 | |
So it's OK to lie once in a while? | 1:06:59 | 1:07:02 | |
I'm not sure I'm the right person to answer that. | 1:07:02 | 1:07:05 | |
Have you told a lot of lies? | 1:07:05 | 1:07:06 | |
Oh, not a lot. | 1:07:06 | 1:07:08 | |
Please sit down. | 1:07:22 | 1:07:24 | |
Thank you. | 1:07:24 | 1:07:26 | |
Well, it's a bit of a relief finding you. | 1:07:28 | 1:07:31 | |
I didn't think Nadia had any relatives living. | 1:07:31 | 1:07:33 | |
And if we had known earlier, we would have contacted you. | 1:07:34 | 1:07:37 | |
I've been living in England. | 1:07:37 | 1:07:38 | |
Why didn't you contact us? | 1:07:39 | 1:07:41 | |
Well, I had no idea where she was. | 1:07:42 | 1:07:44 | |
I assumed that she was still living with her mother's family. | 1:07:44 | 1:07:48 | |
They took her in, you know, as a baby after the accident. | 1:07:48 | 1:07:51 | |
Well, her grandmother has died... and she's all alone except for you. | 1:07:51 | 1:07:56 | |
Sorry to hear that. | 1:07:56 | 1:07:58 | |
Do you have any children of your own? | 1:07:58 | 1:08:00 | |
No, I haven't. | 1:08:00 | 1:08:01 | |
Do you have any experience with children? | 1:08:01 | 1:08:04 | |
Well, no, not really. Why do you ask? | 1:08:05 | 1:08:07 | |
Standard questions. | 1:08:08 | 1:08:10 | |
I feel like I'm being interrogated or interviewed. | 1:08:10 | 1:08:14 | |
Well, what makes you think you can raise her? | 1:08:16 | 1:08:18 | |
Oh. | 1:08:19 | 1:08:21 | |
No, I'm here to rent out my farmland. | 1:08:23 | 1:08:26 | |
I just thought it was an opportunity to look in on her. | 1:08:26 | 1:08:30 | |
I've no intention of taking her away with me. | 1:08:30 | 1:08:32 | |
Oh. | 1:08:32 | 1:08:34 | |
Single parent families are not allowed on our campus, | 1:08:34 | 1:08:36 | |
it's as simple as that. | 1:08:36 | 1:08:38 | |
Well, I'm afraid I've misunderstood, then. | 1:08:39 | 1:08:41 | |
NADIA: Maria! | 1:09:18 | 1:09:20 | |
Come on, I think it's time for dinner. | 1:09:22 | 1:09:24 | |
Did you hear me? | 1:09:34 | 1:09:35 | |
Yes, I heard you. We're coming! | 1:09:35 | 1:09:38 | |
Well, your car will be here soon. It's getting late. | 1:09:39 | 1:09:41 | |
Yes, I'll be along in a minute. | 1:09:41 | 1:09:43 | |
What's taking you so long? Is he all right? | 1:09:46 | 1:09:48 | |
We were talking. | 1:09:48 | 1:09:50 | |
Oh. Well, you're gonna make him late, and dinner's ready. | 1:09:51 | 1:09:56 | |
-I wanna go. -Where? | 1:09:56 | 1:09:58 | |
To the award ceremony, where do you think? | 1:09:58 | 1:10:01 | |
You've got school tomorrow, and Tom's here. | 1:10:01 | 1:10:04 | |
You mean Tom, the guy who's slopping paint all over our house? | 1:10:04 | 1:10:07 | |
That's not very nice. | 1:10:07 | 1:10:09 | |
Why can't we go? | 1:10:09 | 1:10:10 | |
We're not gonna have this conversation right now. | 1:10:10 | 1:10:13 | |
Now, get downstairs. | 1:10:13 | 1:10:14 | |
So maybe if Tom's not busy next weekend | 1:10:21 | 1:10:23 | |
we can do something with your room. | 1:10:23 | 1:10:25 | |
Great. | 1:10:25 | 1:10:26 | |
DOORBELL CHIMES | 1:10:26 | 1:10:28 | |
Mmm. That'll be my taxi. | 1:10:28 | 1:10:31 | |
-I better go. -I'm coming. | 1:10:31 | 1:10:33 | |
Where do you think you're going? | 1:10:34 | 1:10:36 | |
Hey. Maria! | 1:10:37 | 1:10:38 | |
You get back here, young lady. | 1:10:50 | 1:10:52 | |
Maria, perhaps you should listen to your mother! | 1:10:52 | 1:10:55 | |
I'm going! I'm going with Uncle Emile and nobody's gonna stop me. | 1:10:55 | 1:11:00 | |
I'll be with her. It'll be all right. | 1:11:04 | 1:11:07 | |
Where is it, anyway? | 1:11:08 | 1:11:11 | |
The university auditorium. It's the main hall. | 1:11:11 | 1:11:13 | |
You don't have to worry. | 1:11:13 | 1:11:15 | |
I'm sure it will be fine. | 1:11:15 | 1:11:17 | |
Do up your seatbelt. | 1:11:21 | 1:11:23 | |
Ah, she'll be all right. | 1:11:42 | 1:11:44 | |
How would you know? | 1:11:45 | 1:11:46 | |
Just trying to help. | 1:11:48 | 1:11:49 | |
I don't need your help. | 1:11:50 | 1:11:52 | |
You don't spend a lot of time with people, do you? | 1:11:55 | 1:11:57 | |
I don't need any advice about my daughter. | 1:12:00 | 1:12:02 | |
Well, I... Fair enough. | 1:12:02 | 1:12:04 | |
I'm just saying, she'll probably be all right. | 1:12:04 | 1:12:06 | |
You know, I think... I think the old guy will look after her. | 1:12:06 | 1:12:09 | |
Well, he's not responsible for her, I am. | 1:12:10 | 1:12:12 | |
Where are you going? | 1:12:17 | 1:12:18 | |
Oh, I'm gonna go to the goddamn ceremony. | 1:12:20 | 1:12:22 | |
Hey, listen, you don't have to leave. I'll be coming right back. | 1:12:28 | 1:12:31 | |
You want me to stick around and do the dishes? | 1:12:31 | 1:12:33 | |
-Sorry. -It's all right. | 1:12:33 | 1:12:35 | |
I'll be back tomorrow, finish up the work for you. | 1:12:35 | 1:12:38 | |
-Thank you. -Thanks for dinner. | 1:12:39 | 1:12:40 | |
Right. | 1:12:42 | 1:12:43 | |
ENGINE FAILS TO START | 1:12:55 | 1:12:58 | |
My car won't start. | 1:13:17 | 1:13:18 | |
-Yeah, I noticed that. -Why are you smiling? | 1:13:18 | 1:13:22 | |
Well, I just...I saw your uncle tweaking it the other day. | 1:13:22 | 1:13:24 | |
Can I have a lift? Please. | 1:13:26 | 1:13:28 | |
Mm-hm. | 1:13:28 | 1:13:29 | |
Thank you. | 1:13:29 | 1:13:31 | |
I'm awfully glad you're coming to this do. | 1:13:40 | 1:13:42 | |
It wouldn't have been much fun on my own. | 1:13:42 | 1:13:45 | |
Can we go to that place in Saskatchewan sometime? | 1:13:45 | 1:13:48 | |
Oh, maybe your mother will take you one day. | 1:13:48 | 1:13:51 | |
But I want you to take me. | 1:13:51 | 1:13:53 | |
Oh, I've not been for, oh, years. | 1:13:53 | 1:13:55 | |
-Because you live in England? -Yes. | 1:13:56 | 1:13:59 | |
Do you have your own family in England? | 1:13:59 | 1:14:00 | |
-Oh, no. -Then why do you live there? | 1:14:00 | 1:14:04 | |
Well, it's my home. I've lived there for 40 years. | 1:14:04 | 1:14:05 | |
Well, where's your family? | 1:14:07 | 1:14:08 | |
Well, YOU'RE my family. | 1:14:09 | 1:14:11 | |
You and your mother. | 1:14:11 | 1:14:13 | |
-That's it? -Yes. Afraid so. | 1:14:13 | 1:14:16 | |
Then you should come and live here with us. | 1:14:16 | 1:14:18 | |
TYRES SCREECH | 1:15:07 | 1:15:09 | |
CRASH | 1:15:09 | 1:15:11 | |
SIGHS HEAVILY | 1:15:16 | 1:15:18 | |
It was always humiliating being your younger brother. | 1:15:36 | 1:15:39 | |
Half the time, you spoke to me as if I were your son. | 1:15:41 | 1:15:43 | |
I hated your condescension. | 1:15:45 | 1:15:47 | |
Why didn't you say something? | 1:15:55 | 1:15:56 | |
Why didn't you talk to me? | 1:15:58 | 1:16:00 | |
How was I supposed to know how you felt? | 1:16:03 | 1:16:05 | |
As if I could say ANYTHING to you. | 1:16:06 | 1:16:08 | |
You were a bastard! | 1:16:10 | 1:16:11 | |
It's so pathetic to stand here | 1:16:13 | 1:16:14 | |
and listen to you cast around for someone to blame. | 1:16:14 | 1:16:16 | |
I hate you. | 1:16:20 | 1:16:21 | |
I always hated you. | 1:16:22 | 1:16:24 | |
That's fine. | 1:16:27 | 1:16:28 | |
..We'd like to present you with this degree for all your contributions. | 1:16:35 | 1:16:40 | |
Thank you very much. Thank you. | 1:17:03 | 1:17:05 | |
Madam Chancellor, Vice-Chancellor, thank you. | 1:17:09 | 1:17:12 | |
I'm just so overwhelmed today. | 1:17:12 | 1:17:14 | |
Occasions like this mark our lives - all our lives... | 1:17:21 | 1:17:25 | |
..whether we're young people | 1:17:28 | 1:17:29 | |
receiving a degree for which we have worked very hard indeed, | 1:17:29 | 1:17:32 | |
or an old man like myself receiving a degree | 1:17:32 | 1:17:35 | |
for which he didn't have to do anything. | 1:17:35 | 1:17:37 | |
You never took care of Nadia, you coward. | 1:17:38 | 1:17:40 | |
We're all reminded of the events and the people... | 1:17:46 | 1:17:49 | |
..who brought us to this place, to this moment. | 1:17:50 | 1:17:53 | |
You never had the guts to see her. | 1:17:59 | 1:18:00 | |
Year after year, she lived alone and miserable. | 1:18:02 | 1:18:04 | |
Hey, Carl... | 1:18:12 | 1:18:14 | |
..go easy on him. | 1:18:16 | 1:18:17 | |
He's wasted everything. | 1:18:20 | 1:18:21 | |
So often, we waste an opportunity like this. | 1:18:24 | 1:18:27 | |
We struggle alone most of the time | 1:18:27 | 1:18:30 | |
and then we forget to thank those who helped us, those who supported us, | 1:18:30 | 1:18:33 | |
those who were there for us even when we were crabby and ungrateful. | 1:18:33 | 1:18:38 | |
Or perhaps even when we neglected our responsibilities. | 1:18:38 | 1:18:42 | |
You're a coward. | 1:18:49 | 1:18:50 | |
There's nothing cowardly about loving her. | 1:18:53 | 1:18:55 | |
He doesn't deserve her love. | 1:18:57 | 1:18:59 | |
I deserve a chance...a chance... | 1:19:04 | 1:19:07 | |
..to speak from the heart. | 1:19:13 | 1:19:16 | |
This honourary degree is a rather belated acknowledgment | 1:19:18 | 1:19:22 | |
for a thesis I first published, oh, so many years ago now | 1:19:22 | 1:19:25 | |
that it seems to be from an entirely separate time of my life. | 1:19:25 | 1:19:29 | |
I have spent now many years living abroad, | 1:19:32 | 1:19:35 | |
and now on this long-delayed return | 1:19:35 | 1:19:40 | |
I've begun to understand that time and distance | 1:19:40 | 1:19:45 | |
cannot ever erase my memories of, nor my need for, | 1:19:45 | 1:19:49 | |
the family that...I left behind, and in a sense betrayed. | 1:19:49 | 1:19:56 | |
BABY WHIMPERS | 1:20:19 | 1:20:20 | |
Madam Chancellor, your generous invitation to this occasion | 1:20:41 | 1:20:45 | |
has restored me to this family. | 1:20:45 | 1:20:47 | |
My niece, Nadia, and my great-niece, Maria. | 1:20:51 | 1:20:55 | |
I'll never stop thanking Maria... | 1:20:57 | 1:20:59 | |
..and her mother... | 1:21:02 | 1:21:03 | |
..and you all. | 1:21:04 | 1:21:06 | |
Hey. Come here, you. | 1:21:31 | 1:21:32 | |
Congratulations, Professor. | 1:21:39 | 1:21:41 | |
Thank you. | 1:21:43 | 1:21:44 | |
OK, you ready? You're gonna miss your train. | 1:23:20 | 1:23:23 | |
When you leave tomorrow... you're not coming back, are you? | 1:23:54 | 1:23:58 | |
Couldn't you just promise me that one day...you'll come back? | 1:24:01 | 1:24:06 | |
Just promise me. | 1:24:13 | 1:24:14 | |
EMILE: My dear Nadia, | 1:24:25 | 1:24:27 | |
It's not much but it's the least I can offer. | 1:24:27 | 1:24:30 | |
You can do whatever you want with it. | 1:24:31 | 1:24:33 | |
I'm certain the land is quite valuable now, | 1:24:34 | 1:24:36 | |
so at the very least it will mean some money for you and Maria. | 1:24:36 | 1:24:40 | |
Or you may want to rebuild the house as a place you can get away to. | 1:24:41 | 1:24:44 | |
But whatever you decide, | 1:24:45 | 1:24:47 | |
you should know that you were born in that place. | 1:24:47 | 1:24:50 | |
Hello! | 1:24:50 | 1:24:51 | |
If you decide to keep it, let me know. | 1:24:51 | 1:24:53 | |
I promised Maria I'd come to visit. | 1:24:54 | 1:24:56 | |
All the best... | 1:24:58 | 1:24:59 | |
..Emile. | 1:25:00 | 1:25:02 | |
E-mail us at [email protected] | 1:25:13 | 1:25:19 |