Flying down to Rio


Flying down to Rio

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Dismissed!

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Boys...

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remember, when Mr Butterbass calls you to attention,

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I want every eyelid to SNAP! Yes, sir!

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Take your posts.

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Good morning, young ladies. Good morning, Mr Haversein.

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Ehm... About face.

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That is one thing I will not tolerate in this hotel.

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Dismissed!

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And now, the band!

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Right over here!

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-Good morning, Popeye.

-How dare you speak?!

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I've had complaints about all of you.

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No-one has complained to ME.

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-I will dismiss any employee who gets familiar with the guests.

-What if they get familiar with US?

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Quiet! Please!

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I have been imported from Switzerland to enforce discipline...and I WILL!

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Where is the boss of this outfit?

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-Where is that loafer, Roger Bond, and assistant loafer, Fred Ayres?

-Coming right down!

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-How do you feel, boy?

-Yeah!

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Well, this is all in one piece.

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That's more than WE'LL be if we don't get to the hotel.

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Why don't they put a kitchen and bath in here?! Crazy, I guess.

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Crazy, nuthin'! That guy writes songs. THAT'S screwy.

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So screwy he can buy a plane! No touch!

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In 10 seconds they go on the air!

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If they aren't here, I'm going to fire them!

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One to make ready, two to go...

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..five, six, pick up sticks...

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Good afternoon, ladies and gentlemen.

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< Yankee Clippers, direct from the Hotel Hibiscus.

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at Miami, Florida.

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We offer for your pleasure... "Music Makes Me", with vocals by that charming lady,

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Miss Honey Hale!

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BAND PLAYS INTRODUCTION

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# In me you see a sinner And dancing is my crime

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# It seems a sin I must give in To syncopated time

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# It makes me lose my dignity It makes me lose my poise

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# Some folks call it music My folks call it noise

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# I like music old and new But music makes me do the things I never should do!

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# Ohhhh, I like music sweet and blue

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# But music makes me do the things I never should do!

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# My self-control Was something to brag about Now it's a gag about town

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# I hear music... then I'm through

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# Cos music makes me do the things I never should do!

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# I like music I like it old, I like it new

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# But it makes me do the things I never should do!

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# I like music I like it sweet, I like it blue

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# But it makes me do the things I never should do!

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# My self-control Was something to brag about Now it's a gag about town

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# Just when I'm living, I'm down.

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# Cos music makes me do the things I never should do! #

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Hey, Rog, go easy. Don't bite the job that feeds ya.

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-What am I doing?

-You know about not fooling with the customers.

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Oh-oh. Here we go again!

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The Latin type.

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Belinha, my head aches so badly, I think I will go and eat an aspirin.

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Do not rise.

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-Shall I go with you?

-No, stay.

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But please do not introduce to Belinha too many American customs.

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Rog... Rog...

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-Huh?

-Last time you had that look, all we had to live on was a can of dog food!

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His father owns the sunny side of Wall Street.

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If he gave up planes and songwriting, he could name his figure.

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He could name mine any time!

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If a Brazilian girl was interested in him... and had half your freedom,

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-she'd...eh...

-She'd WHAT?

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-She'd get him over here.

-Oh, yeah(?) You mean, she'd TRY.

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Watch.

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Oh, Rog!

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-What is he doing now?

-He fell into the trombone. You're breaking up the band!

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When I start something, I finish it!

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-Yes, madam?

-Pencil.

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Thank you.

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Pssssst!

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Remember the dog food! The kind they made out of fish!

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< Mr Bond...

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For you, sir, from the lady. The dark one.

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-What have I got to lose?

-A job!

-Since when was dancing a familiarity?

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It's a form of resignation.

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Oh-oh, she's smiling at him.

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What have the South Americans got that WE haven't?

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Excuse me, sir...

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Tell Signora de Resende that her niece is dancing with the orchestra leader.

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Tell de Resende that Belinha is dancing with a musician.

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Tell de Resende the kid's dancing with the drummer.

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Tell the old sea-lion the baby's hoppin' with a piccolo player.

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Oh, madame!

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Mademoiselle is going in a big way for a gigolo! Belinha!

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My niece!

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The flower of the womanhood of the Castro de Mente de Resende!

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Isn't it terrible?

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-Eh, this is my aunt.

-How do you do?

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My niece thanks you. She will not require any more of your services.

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Is the usual rate higher?

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I am not familiar with such matters.

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No, it's all right. It's generous.

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I think. Oh, just a moment.

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With my compliments.

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Mmm. The quaint young man has given me an orchid.

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In Brazil, they grow like weeds.

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Come.

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Would your niece prefer a geranium or a begonia, perhaps?

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BAND PLAYS "THE DEATH MARCH"

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Pull in your apples, here comes William Tell.

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Well, Roger's done it again.

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Just as I was catching up with my alimony.

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Sir Galahad has got us kicked out of every job. I wonder where we go from here?

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Heads, north, tails, south.

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The quarter goes to the bell-hop. Hey!

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Boys! And Honey. I've got a surprise.

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Money(?)

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-Roger's outdone himself.

-Broken both legs running after TWO women!

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No! He's landed us a job in Rio de Janeiro!

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We'll be flying down any morning now.

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And swimming back in the afternoon.

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One of you boys pass out the salaries.

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-ONE of you.

-I can do it!

-Eddie.

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Oh, I beg your...

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-Good morning.

-Mr Bond, I'm sorry. I'd no idea I was making trouble.

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-Think nothing of it. I'm accepting a new engagement - and not to dance!

-Don't be angry.

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I'm sorry.

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I must send this. We missed the plane to Rio de Janeiro.

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Did you say... Rio de Janeiro?

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Yes. Father is not well, and wants me there right away.

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What a strange coincidence. It happens...

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-that I have a friend who's flying his own plane down south...

-How far?

-As far as you want!

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If I get to Port au Prince, I could still catch the Rio plane. Would he take me?

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I think I could persuade him!

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How nice! I'll tell Titia to pack at once.

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Just a moment! My friend's plane is very small.

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-It only has room for ONE passenger.

-Oh, dear!

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-Your aunt won't let you?

-She'll have to, for Father's sake.

-Dear Father!

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She can take the next plane.

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-Hi, Rog. All set?

-I hope so.

-Shall I lay out the pink coveralls with the tan grease spots?

-Huh?

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I usually fly with you, don't I?

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Freddy, old man, it's this way...

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I met a very old friend who asked me as a special favour...

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So, you'll have to fly down with the boys. You don't mind?

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Send this wire to say we're coming.

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-"Flying Down To Rio", what a title for a song!

-Yeah.

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-The very name for that new number.

-Yeah.

-Yeah. Well, see you in Rio.

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Yeah.

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Is this the plane of the gentleman who is taking the lady to Rio? Yes, ma'am.

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My niece is going. Right this way.

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Are you the conductor?

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Have you proper credentials?

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Are you married?

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You have children?

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Why does he not speak? Is he dumb?

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-Please. He's doing us a favour.

-I don't know. He's not quite right.

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I'd better go along. It won't fly with more than two. Step up, miss.

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There we are.

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Wait! I have not kissed my niece.

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HE'LL take care of that! Do not speak to him unless it is necessary.

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I should never have let her go.

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Get them down. Go after them.

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Signora de Resende, you made me your chauffeur, but I cannot be an EAGLE.

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Do I have to fly to Haiti on a piano bench?

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Do I...

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PLAYS PIANO # Just a gigolo...

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# Everywhere I go... #

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ENGINE SPLUTTERS

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MAKES STRANGE CLICKING NOISE

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Close shave!

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Wasn't it fortunate this beach was at your disposal,

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when the motor went wrong?

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Perhaps your plane ALWAYS makes a false landing when you have a lady passenger.

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It's nothing serious.

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Probably the gas line. We should be off in no time.

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I'll believe you when we're in the air.

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You're going to be a sap and fix it?

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What? When was there a better opportunity?

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Throw away part of the motor.

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You've been getting me into messes all my life! I'M the one who gets slapped!

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Don't remind me of the opportunity you missed.

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I'll never hear the end of it unless I do as you say.

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This is more serious than I thought.

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He's deliberately trying to keep you here.

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That's why he picked this island. Isn't that what you WANT?

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I can't let him know that. I must maintain my reserve.

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-You and your reserve! If people knew you as

-I

-do, they might be shocked.

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You know how you always do it. Start with your music.

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She won't fall for that old line.

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We haven't met one yet who didn't!

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What'll I play? Can't you get inspiration by just looking at her?

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She's like an orchid. Moonlight... "Orchids In The Moonlight".

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PLAYS INTRODUCTION ON PIANO

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VERY SLOW, ROMANTIC MUSIC

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-If they only understood themselves, as we do.

-Silly how humans deny themselves!

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But WE can speak the truth. I can say "I love you".

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Oh, I...I didn't mean this.

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-I don't know how it happened.

-It happened, isn't that enough?

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No. You don't understand. I haven't the right.

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My life has long been arranged.

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-Don't tell me anything so 18th century as an arranged...

-We still do, in my country.

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I'm going to institute some radical changes in your country.

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-My fiance has built me a home on Rio Bay.

-But you love ME.

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-You're taking a lot for granted.

-I love you.

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-You don't even know my name. Forget tonight.

-Now YOU'RE taking a lot for granted.

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-You'll never see me again.

-I WILL see you.

-I won't permit you.

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We'll see!

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-You'll do as I say!

-Will I(?)

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-You WILL.

-I will NOT. Your family, your fiance, the ARMY can't stop me! And...

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-Owwww!

-I've had enough of you!

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Oh, miss.

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Miss.

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Good morning.

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I'm just going down to the corner drugstore to get some breakfast.

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Any special way you like your coconut juice?

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I'm not gonna spend the rest > of my days with a dumb wife!

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If you're going to act that way, I've some looking around to do.

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Mr Bond! MR BOND!

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Where are you? Where are you?

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-Roger!

-What's the matter?

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-Cannibals!

-Where? Owwww!

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Roger!

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Roger! Darling! Roger!

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-What happened?

-I don't know.

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Oh, I say, it's against the rules to move the ball.

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Say...

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Where are we? This is Haiti, sir.

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-Port au Prince Golf Club. I was practising for a tournament.

-But I saw wild men.

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They're taking a morning dip.

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< Wild men!

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Fancy that!

0:29:410:29:44

Is there anywhere I can get a mechanic to fix my plane? Yes. At the airport.

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< Listen, you can hear them warming up the Rio plane.

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-It spent the night here. It leaves in 10 minutes.

-Splendid.

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I'll take the Rio plane the rest of the way. Thanks for the lift.

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Goodbye. Come.

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Eh...righto!

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Wait! I can fix my plane!

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-To Rio!

-Righto!

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If you're looking for the part you threw away, you'll find it on the piano!

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This isn't just another girl, this is the real thing!

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Cupid didn't fire an arrow, he sunk a harpoon!

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This time it's a Brazilian girl.

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< And what a girl ! I'm crazy for her!

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As a matter of fact, I like her. I met her in Miami at the Hibiscus Hotel.

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And talk about luck! The day you sent for me, her father got sick...

0:32:020:32:10

< and she had to hurry back here.

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You'll be seeing her here?

0:32:130:32:16

She wouldn't tell me her name. Then it's all on your side.

0:32:160:32:22

< She's dizzy about me. Did she tell you? < I can tell.

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Julio, she's exquisite. She has a face like a flower. A rose!

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No, an orchid. A white orchid.

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She SOUNDS enchanting. Bewildering! Bewitching! Intoxicating! Devastating!

0:32:370:32:45

Julio, I wanna bite myself!

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She has beautiful black hair and big brown eyes, eh, Roger?

0:32:490:32:54

How true! And has SHE got...ehm...

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When she smiles her mouth curves? Right! But how would YOU know?

0:33:000:33:07

That wonderful night we spent on the beach!

0:33:070:33:12

< Just the two of us alone.

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Not a soul for miles and miles.

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Was there a moon? A glorious moon! There would be(!)

0:33:220:33:28

It all comes back to me... Yes?

0:33:280:33:31

I took her in my arms... Yes?

0:33:310:33:34

And... Yes? It was too beautiful.

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Too sacred to talk about.

0:33:380:33:41

What happened after you took her in your arms and drew her to you?

0:33:410:33:47

I ran into difficulties. Oh?

0:33:470:33:50

The poor kid is engaged > to some local cluck. She didn't know any better.

0:33:500:33:58

She was a child in a baby buggy! Now the mug is holding her to it.

0:33:580:34:04

He's got a shack on the waterfront.

0:34:040:34:08

Ever hear of a heel like that? No!

0:34:080:34:13

Thanks.

0:34:130:34:14

Julio, I want you to do something for me.

0:34:140:34:18

Help me find her. ME?

0:34:180:34:21

Yeah. No. I could not. An engagement is very serious.

0:34:210:34:27

It's serious that when I think of her I want to bite myself!

0:34:270:34:33

Here's to "Her". Her happiness. Thanks, old man.

0:34:330:34:38

Rog! The boys are downstairs waiting for you. Hey, no more bathroom drinking.

0:34:400:34:47

-We're going to hear a band...

-I can't. I gotta go find someone.

0:34:470:34:53

Oh-oh! That look in his eye.

0:34:530:34:56

The senorita? After that frosting you got in Miami? She made him look like an angel cake!

0:34:560:35:04

It's no use. Keep out of jail, will you? They throw the keys away here.

0:35:040:35:13

Nice guy, but he takes his work too seriously.

0:35:130:35:17

I must make a phone call. Sure. Help yourself.

0:35:170:35:21

Julio, I was just thinking about you.

0:35:220:35:26

But you'll see me tomorrow night.

0:35:260:35:30

I MUST see you tonight.

0:35:300:35:33

Wait, I'll ask Titia. Julio wants to see me tonight.

0:35:330:35:38

Have him come over.

0:35:380:35:41

I'm sorry. Titia says "no".

0:35:420:35:45

You see, we're so busy.

0:35:450:35:48

You DO understand, don't you?

0:35:480:35:51

You're such a dear! Goodnight.

0:35:510:35:55

Busy thinking about a bandleader!

0:35:550:35:59

Darling!

0:36:040:36:06

You know I'd never do anything to hurt Julio, don't you?

0:36:060:36:11

But mayn't I have a little fun before I settle down and start having thousands of children?

0:36:110:36:19

Belinha!

0:36:190:36:21

What's the matter? Didn't she have a friend for you?

0:36:220:36:27

Yes. Eh, no. I was just making plans.

0:36:270:36:31

There's a ball tomorrow night. You and Fred are to be my guests.

0:36:310:36:36

Swell! Maybe SHE'LL be there. Possible.

0:36:360:36:40

Great place to try out my new song!

0:36:400:36:44

"Orchids In The Moonlight". I wrote it for HER.

0:36:440:36:49

PLAYS SAME MUSIC AS HE DID ON THE ISLAND

0:36:490:36:54

Cosy little spot you have here.

0:37:130:37:16

Thank you. I will personally escort you to your table. This way.

0:37:160:37:22

I had the honour to visit your country once.

0:37:220:37:27

I played Milwaukee, Cincinnati, Schen...Schen...Schenectady...

0:37:270:37:33

-Schenectady? Ever play Syracuse?

-Sure! I play four times a day!

0:37:330:37:39

-Nice work if you can get it!

-And the most astonishing thing was, the audience always laughed.

0:37:390:37:47

You're telling us!

0:37:470:37:50

I also reserved those tables for your Clippings. CLIPPERS.

0:37:500:37:56

Yes. Thank you. Clippings.

0:37:560:37:59

Senorita, sit down.

0:37:590:38:02

Admire my greatest attraction - The Torunas!

0:38:020:38:06

They look like a bunch of zombies!

0:38:090:38:13

-If THAT'S our only competition...

-Shh! Don't hurt the old boy's feelings.

0:38:130:38:19

We got tonight some distinguished visitors from our sister continent. Shall we play them a Foxtrot?

0:38:220:38:31

NO! The Carioca! The Carioca!

0:38:310:38:35

THEY ALL SHOUT FOR THE CARIOCA

0:38:350:38:38

-What's wrong with the Foxtrot?

-The Foxtrot is considered too tame, too dull.

0:38:400:38:47

-They prefer the Carioca.

-I see.

-They prefer it in public?

-Si, senora.

0:38:470:38:54

Carioca! Carioca!

0:38:540:38:56

Very well! Boys, the Carioca!

0:38:560:39:00

SLOW TRUMPET INTRODUCTION

0:39:010:39:04

Huh! OUR band will be a sensation.

0:39:120:39:15

FLUTE PLAYS SLIGHTLY FASTER

0:39:220:39:25

THEY ALL JOIN IN

0:39:250:39:28

MUSIC GETS FASTER...

0:39:320:39:35

..AND MORE INTERESTING!

0:39:380:39:41

They've got something! Yeah!

0:40:150:40:17

It's swell, but WE can't do it.

0:40:170:40:20

So THAT'S the Carioca!

0:40:340:40:36

-What's this with the foreheads?

-Telepathy!

-I can tell what they're thinking about!

0:40:360:40:43

-The trick is to keep your mind blank.

-With THAT music?

0:40:500:40:55

Oh, Freddy, is my mind read!

0:40:550:40:58

We can't top this! No. It's a long walk home!

0:41:320:41:38

-How much does it cost to get home?

-Home, nothing! I'd like to try this thing just once!

0:41:380:41:46

-Come on.

-We'll show 'em!

0:41:460:41:49

CLUNK!

0:43:210:43:23

# Have you seen the Carioca? It's not a Foxtrot or a Polka

0:43:540:44:01

# It has a little bit of new rhythm A blue rhythm that sighs

0:44:010:44:07

# It has a meter that is tricky A bit of whicky-whacky-whicky

0:44:070:44:12

# But when you're dancing with a new love

0:44:120:44:15

# There'll be true love in her eyes

0:44:150:44:18

# We'll dream of the new Carioca Its theme...

0:44:180:44:25

# Is a kiss and a sigh

0:44:250:44:29

# You'll dream of the new Carioca

0:44:290:44:34

# When music and lights have gone and we're saying goodbye

0:44:340:44:40

# Two heads are better than one

0:44:510:44:55

# Two heads, the dance has begun

0:44:550:44:57

# Two arms around you I am yours and you are mine

0:44:570:45:01

# While the Carioca carries you away

0:45:010:45:07

# Mine while the Carioca till the break of day! #

0:45:070:45:13

# Say, have you seen the Carioca?

0:46:340:46:37

# It's not a Foxtrot or a Polka A new rhythm

0:46:370:46:42

# A blue rhythm that sighs

0:46:420:46:45

# It's got a meter that is tricky A bit of whicky-whacky-whicky

0:46:450:46:50

# Dancing with your new love There'll be true love in her eyes

0:46:500:46:56

# You will dream of a new Carioca

0:46:560:47:02

# Its theme is a kiss and a sigh

0:47:020:47:07

# You're gonna dream of a new Carioca

0:47:070:47:12

# When music and lights have gone And you're saying goodbye. #

0:47:120:47:19

No wonder it never gets cold here!

0:47:480:47:52

Kinda hot. Let's try that.

0:48:340:48:37

HONY-TONKY PIANO MUSIC

0:48:400:48:44

# Now that you've done the Carioca You'll never do the Polka

0:49:290:49:33

# The Blue Hoola and Bamboola are through

0:49:330:49:38

# Tomorrow morning you'll discover You're a Carioca lover

0:49:380:49:43

# Dancing with each new love True love just for you

0:49:430:49:47

# You'll dream of the new Carioca

0:49:470:49:53

# Its theme is a kiss and a sigh

0:49:530:49:58

# You'll dream of the new Carioca

0:49:580:50:01

# When music and lights are gone And you're saying goodbye! #

0:50:020:50:07

Those shadows are here again. Who are they are?

0:50:290:50:34

A gambling syndicate. They want to take the hotel over.

0:50:340:50:39

How can they take it from de Resende? They CAN!

0:50:390:50:45

Speaking for the Bank, we anticipate some difficulty with the gambling permit.

0:50:460:50:53

Wires will be pulled!

0:50:530:50:57

We would feel embarrassed

0:50:570:50:59

should Carlos de Resende meet his obligation in spite of everything.

0:50:590:51:06

That contingency will not arise. Steps will be taken!

0:51:060:51:11

My colleagues and I will give the matter our personal attention.

0:51:110:51:17

-I'd recognise her a block away.

-Like looking for a needle in a haystack.

0:51:270:51:33

-Cookies!

-Come on, we need an idea that'll top that Carioca. I know!

0:51:330:51:39

A number with musical saws, and end by sawing Honey in half!

0:51:390:51:44

I'd rather split a banana split!

0:51:440:51:48

-She's probably miles away.

-Sure. I KNOW she is.

-You do?

-Yeah. I feel psychic.

0:51:500:51:57

Walk straight ahead three blocks,

0:51:570:52:00

turn to your left three, right two, bear left four...

0:52:000:52:05

I'm gonna settle this now.

0:52:050:52:08

-Freddy, how do you ask for this in Portuguese?

-Don't heckle me.

0:52:080:52:14

Good afternoon, senorita, senora. I'm Roger Bond's friend...

0:52:150:52:21

Garcon! Garcon!

0:52:210:52:25

This man, take him away!

0:52:250:52:28

You have upset my patrons.

0:52:280:52:32

You are in the wrong part of town!

0:52:320:52:34

-Hiya, Tarzan! Havin' fun?

-If you even SPEAK to that girl, they throw you on the sidewalk.

0:52:410:52:49

-That's class!

-Want a cookie? Take your choice.

0:52:490:52:54

Not bad!

0:53:300:53:32

Pardon.

0:53:480:53:50

-Hello, Fred.

-Hello, Julio.

0:53:520:53:55

-Where's Roger?

-Where's Roger?

-I thought he'd be with you.

-No.

0:53:550:54:01

Shall we try the jails first?

0:54:010:54:04

-I hope he gets here soon.

-So do I.

-We're putting on a special dance.

0:54:040:54:09

Fred, meet my fiancee...

0:54:090:54:13

Senorina de Resende. Mr Ayres.

0:54:130:54:16

Hello.

0:54:160:54:18

-How do you do?

-And her aunt.

0:54:180:54:24

-Is that not the young man...?

-Of course.

0:54:250:54:29

We met in the pastry shop. He left rather suddenly... without saying goodbye.

0:54:300:54:37

I said goodbye, but you didn't hear me. I was out on my... I was out.

0:54:370:54:44

I'd better go and stop Roger... I mean...go and find Roger.

0:54:440:54:49

Awfully nice to have met you.

0:54:490:54:52

Oh-oh!

0:54:560:54:58

FRED LAUGHS NERVOUSLY

0:55:000:55:03

It's OK with me!

0:55:060:55:09

-Darling!

-I was looking for the Mayor.

0:55:150:55:19

ORCHESTRA BEGIN TO PLAY

0:55:190:55:21

Is this a new composition? Yes. They're playing it for the first time.

0:55:510:55:58

THEY PLAY "ORCHIDS IN THE MOONLIGHT"

0:55:580:56:02

Will you excuse me for a moment?

0:57:210:57:24

Did you say something to her?

0:57:290:57:32

Not a word. Pardon.

0:57:320:57:36

Leave them. After all, the child has been away SO long.

0:57:380:57:43

They'll soon be married.

0:57:430:57:46

Anything wrong?

0:57:540:57:57

No.

0:57:580:58:00

It was so warm in there.

0:58:000:58:03

-Romantic music, isn't it?

-Isn't it?

0:58:050:58:09

The words are romantic too... and dangerous.

0:58:100:58:14

For instance, "In the moonlight, on a tropical island,

0:58:140:58:19

"that might make any woman fall in love with any man."

0:58:190:58:24

# When orchids bloom in the moo-oo-oonlight

0:58:370:58:42

# And lovers vow to be true

0:58:420:58:47

# I still can dream in the moo-oo-oonlight

0:58:470:58:52

# Of one dear night that we knew

0:58:520:58:57

# When orchids fade in the dawning

0:58:580:59:03

# They speak of tears and goodbye

0:59:030:59:09

# My dreams are shattered like the petals scattered

0:59:090:59:15

# Still my love can never die

0:59:150:59:21

# There is rest in the twilight

0:59:220:59:27

# When the day is through

0:59:270:59:31

# But the shadows that fall

0:59:320:59:35

# Only seem to recall

0:59:350:59:38

# My longing for you

0:59:380:59:43

# There's a dream in the moonbeams

0:59:430:59:49

# Upon a sea of blue

0:59:490:59:54

# But the moonbeams that fall

0:59:540:59:57

# Only seem to recall

0:59:571:00:01

# Love is old

1:00:011:00:04

# Love is new. #

1:00:041:00:11

-Belinha...

-Julio!

1:00:111:00:14

Oh, Julio, marry me right away!

1:00:141:00:18

Of course, darling. Hiya! You seem to be doing all right with my song!

1:00:181:00:25

Belinha, meet my friend, my BEST friend...

1:00:271:00:32

Roger Bond. >

1:00:321:00:34

This is Senorina de Resende, my fiancee.

1:00:341:00:38

Your fiancee? But this is the...

1:00:381:00:42

Then you're the... Yes!

1:00:421:00:45

I'm the local cluck who built her a shack on the waterfront.

1:00:451:00:51

That's going to be too bad... for one of us.

1:00:511:00:56

Oh-oh!

1:00:581:01:00

Mr Ayres!

1:01:021:01:05

Isn't this our dance?

1:01:071:01:09

Yes! As a matter of fact, I was just looking for you.

1:01:091:01:14

I am so glad you came along.

1:01:221:01:24

I guess I'll be going any minute.

1:01:241:01:27

-Why?

-Well, maybe the troops won't see me with you out here.

1:01:271:01:33

Oh-oh! I knew it!

1:01:461:01:49

APPLAUSE

1:01:511:01:53

Belinha's dancing a tango with an Americano.

1:01:551:01:59

(What laundry do you send your shirts to?)

1:02:041:02:09

This IS a tough spot, isn't it?

1:02:091:02:12

Things usually straighten themselves out.

1:02:121:02:16

Shall we let nature take its course? Yes. Nature and common sense.

1:02:161:02:23

I'll just stick to nature. Anyhow, the girl usually does the deciding.

1:02:231:02:30

Gentlemen, my colleagues at the Bank and I are satisfied

1:02:441:02:49

that the Resende's opening will be a failure.

1:02:491:02:54

The Mayor is away. Without an entertainment permit, the hotel will be a fiasco.

1:02:541:03:01

We will turn it over to you.

1:03:011:03:04

-Morning, Freddy.

-Hello, Honey.

1:03:131:03:15

-Where did you get the dog and pony act?

-It's worse! The McCarthy Sisters.

1:03:151:03:22

(A bicycle act from Brooklyn.) I found those two on the American Consul's doorstep.

1:03:221:03:30

She was a school teacher.

1:03:301:03:34

And the girls from the Carioca Cabaret.

1:03:341:03:39

Cheer up! They teach kangaroos to box.

1:03:391:03:43

If you need me, send one of the McCarthys over on her bike.

1:03:431:03:48

Sit down. We'll talk this over.

1:03:511:03:53

-MUSIC PLAYS

-The first thing we do is concentrate...

1:03:531:03:58

Boys!

1:03:581:04:01

-Wait a minute!

-THEY CONTINUE

1:04:011:04:04

Rog!

1:04:051:04:06

-Listen...

-MUSIC CONTINUES

1:04:061:04:11

How do you expect me to teach...

1:04:131:04:15

-Listen, girls...

-MUSIC DROWNS OUT HIS WORDS

1:04:151:04:20

-Now, girls...

-APPLAUSE

1:05:111:05:15

It always was good, Fred.

1:05:181:05:21

We've got a routine to learn...

1:05:211:05:24

SPEAKS IN DIALECT

1:05:241:05:28

You like it! Great! Listen...

1:05:281:05:31

HE TRIES TO EXPLAIN

1:05:311:05:34

Thanks very much. You too, son.

1:05:351:05:39

Listen...

1:05:391:05:42

HE SPEAKS AGAIN

1:05:421:05:45

-No, signor.

-Like THIS one better?

1:05:461:05:49

Alyez!

1:05:511:05:53

-No! No!

-Right. That's terrible!

1:05:551:05:59

BOTH CHANT: No ensayo! No ensayo!

1:05:591:06:02

CHANT IN TIME TO MUSIC: No ensayo! No ensayo!

1:06:021:06:08

HEATED DISCUSSION

1:06:131:06:16

THEY BEGIN TO SHOUT

1:06:161:06:20

-What is it?

-Senorina de Resende...

1:06:251:06:29

HE EXPLAINS

1:06:291:06:32

-Oh! They say rehearsals must stop.

-What?

1:06:321:06:36

-It seems my father has no entertainment permit.

-(Give them 50 bucks.)

-NO!

1:06:361:06:45

Belinha, your robe.

1:06:451:06:48

The police say you forgot to get a licence for the show. I have a licence.

1:06:491:06:56

It's for the original date. But we're opening earlier.

1:06:561:07:01

Only the Mayor can issue a licence, and he has gone away. Nobody knows why or for how long.

1:07:011:07:09

-What about the District Attorney?

-Or the Commissioner?

-There must be someone!

1:07:101:07:16

I have tried everything. There will be no opening.

1:07:161:07:21

GIVES ORDER

1:07:211:07:24

Come, darling.

1:07:251:07:28

We've got to do something.

1:07:311:07:34

PLANES FLYING OVERHEAD

1:07:341:07:37

-I know what to do! Where's Julio?

-At the Aviator's Club.

-Perfect!

1:07:371:07:43

If we can get the members to co-operate with us, then...

1:07:431:07:49

Everything fixed, Julio? Yes.

1:08:041:08:08

-This is swell!

-The gentlemen of the Aviator's Club at your service!

-Marvellous.

1:08:081:08:15

We'll talk the girls into coming across.

1:08:151:08:19

I'm not asking anything of you that I wouldn't ask of my sister.

1:08:191:08:25

Will you do it? I'LL do it! Come on, girls!

1:08:251:08:30

That's the way it is. How about it?

1:08:301:08:34

-Why don't you do it yourself?

-That's what I'm going to do, you witch!

1:08:341:08:41

JULIO SPEAKS IN PORTUGUESE

1:08:421:08:45

It's a new game, girls. Now, let me see...

1:08:481:08:53

Ahhhhhh!

1:08:531:08:56

The rest of you turn your backs.

1:08:561:08:59

Now don't you dare peek.

1:08:591:09:02

-This is gonna be more fun...

-Blind Man's Buff?

-That's right.

1:09:021:09:07

-I thought so!

-You did, did you?

1:09:071:09:10

See that they're fastened on tight.

1:09:101:09:14

Hold still, girls.

1:09:231:09:26

GIRLS: 'I hope these straps hold.'

1:09:261:09:29

'Good thing my parents don't know!'

1:09:291:09:32

'To think I'd ever come to this!'

1:09:321:09:35

'I don't know if I'll like this.'

1:09:351:09:39

-Up you go.

-'OK by me!'

1:09:391:09:42

'Oh, not so tight, please.'

1:09:421:09:45

'Ouuuuuuch!'

1:09:451:09:48

'Something tells me this is the wrong thing to do!'

1:09:481:09:53

'I'll try anything once!'

1:09:531:09:56

Senor Bond, one moment. Senor de Resende sent you this. Thanks.

1:09:561:10:02

Saint Christopher.

1:10:101:10:13

I've walked into something!

1:10:391:10:42

HE GREETS BELINHA

1:10:531:10:56

-Mr Fred!

-Everything's all right at the airport. How's the house?

-Look...

1:10:561:11:04

American tourists from the other hotels. I persuaded them to come.

1:11:041:11:10

They all look as if they can pay!

1:11:101:11:13

-Senorita!

-Good day, Senor Viani.

1:11:131:11:16

I came to express my sympathy... eh...my best wishes to your father.

1:11:161:11:22

-Thank you. I'll take you to him.

-Not many people here for a grand opening.

1:11:221:11:29

WHISTLES

1:11:341:11:37

Nice beach you have here. We have nice beaches at home.

1:11:391:11:45

Rockaway Beach...and...

1:11:451:11:48

Your package, sir. It's my medicine.

1:11:481:11:51

Check your... It's my lunch.

1:11:511:11:54

What are all these packages? My laundry.

1:11:561:12:00

No, no, no, no, no, no, no! I insist! It must be checked.

1:12:011:12:06

Shhh! We had a hard time getting her to sleep!

1:12:061:12:11

I am a patient man, but this is...!

1:12:111:12:16

Who are these people with the bundles, Carlos? Guests of the hotel.

1:12:161:12:22

-Where's Roger? It's time for him to lead the flight.

-I don't know.

1:12:231:12:28

The young American asked me to give you these. Thank you.

1:12:281:12:34

"Dear Julio, this one is on me. You can fly as well as I can. Lead the parade and be the hero.

1:12:341:12:42

"I'm taking a plane to Buenos Aires. So long, Roger. PS Why don't you marry her?"

1:12:421:12:50

-What shall I do?

-Do as he says. Particularly that PS part. "Why don't you marry her?"

1:12:501:12:58

-Elope! That's it! You and Belinha elope!

-Elope?

-Yes!

1:12:581:13:03

In Brazil, we do not elope.

1:13:031:13:06

In Brazil, it takes two weeks to be respectably married.

1:13:061:13:11

Listen, I've heard that the pilot of a passenger plane is like the captain of a liner.

1:13:111:13:19

12 miles out of port, and he can marry you.

1:13:191:13:23

After the party, grab Belinha and put an end to this nonsense!

1:13:231:13:29

What a pity that you cannot have some...eh...entertainment.

1:13:341:13:39

With such a distinguished guest as you, there is no need(!)

1:13:391:13:45

PLANES ZOOM OVERHEAD

1:13:451:13:48

-Look!

-Oh, look! Oooh!

1:14:001:14:03

­ I trust you are not doing anything to offend the authorities.

1:14:111:14:16

I trust not!

1:14:161:14:19

Roger! What are you doing here?

1:15:141:15:17

Julio's leading the planes. I'm...eh...I'm going away.

1:15:171:15:23

-You're going away?!

-Yeah.

1:15:231:15:26

I thought everything would work out for us, but things are different here.

1:15:271:15:34

I realise now that you never could belong to me.

1:15:341:15:39

Yes, Roger, you're right.

1:15:391:15:42

Here, we belong to our families and our promises. Even though all we want is crazy happiness.

1:15:421:15:51

I should have left when I first learned about Julio.

1:15:531:15:58

Well...

1:15:591:16:01

Goodbye.

1:16:011:16:03

Goodbye.

1:16:041:16:06

Thanks.

1:16:411:16:43

Any of you fellas like music?

1:16:441:16:47

-Sure!

-Well, let's tear it open!

1:16:471:16:50

HE RANTS...

1:17:021:17:04

AND RANTS!

1:17:051:17:08

-Ready?

-Ready!

1:17:111:17:14

# An old sailor in old times Would sing an old song

1:17:171:17:22

# Rolling down to Rio by the sea

1:17:221:17:26

# A young sailor in these times Would sing a new song Flying down to Rio, come with me!

1:17:261:17:34

# Lovely Brazilian ladies Will catch your eye

1:17:341:17:38

# By the light of the stars In the evening sky

1:17:381:17:43

# Hi, Rio Rio by the sea-o

1:17:431:17:46

# Flying down to Rio Where's there's rhythm and life

1:17:461:17:51

# Fella, twirl that propeller

1:17:511:17:54

# Got to get to Rio Got to make time

1:17:541:17:58

# You'll love it Soaring high above it

1:17:581:18:02

# Looking down on Rio From a heaven of blue

1:18:021:18:07

# Send a radio to Rio de Janeiro With a big hello so they'll know

1:18:071:18:15

# My Rio Everything will be OK

1:18:151:18:18

# We're singing and winging our way to you! #

1:18:181:18:22

SCREAMING

1:21:061:21:08

WILD APPLAUSE

1:21:301:21:32

SHOUTS OF "THE MAYOR!"

1:21:341:21:37

Carlos! Sit down.

1:21:461:21:49

My dear Carlos, a tremendous success.

1:21:511:21:55

Congratulations. I saw the sky, and hurried down here.

1:21:551:22:01

You and your colleagues ought to be very happy. You must buy us champagne!

1:22:011:22:08

I insist!

1:22:081:22:11

Very well. Waiter!

1:22:111:22:14

Hey! How do I get outta this?

1:22:311:22:35

What's the combination?

1:22:351:22:37

-Come, Belinha.

-But where? Why?

1:22:391:22:42

This time I'm taking no chances.

1:22:481:22:51

-Julio, where are you taking me?

-On your honeymoon.

1:22:521:22:57

-Don't be silly. I'm not married.

-You will be, before you know it.

1:22:571:23:02

Hey!

1:23:121:23:13

Can you legally marry people? Yes. Fine!

1:23:451:23:50

Is this the lady? Yes.

1:23:571:24:00

And THIS is the man.

1:24:041:24:07

Roger, HER happiness is MY happiness.

1:24:071:24:11

Belinha... SPEAKS PORTUGUESE

1:24:131:24:17

Good luck.

1:24:171:24:20

Look!

1:24:371:24:38

Look! Here comes Julio!

1:24:401:24:43

-DRUNKENLY:

-That gal don't care who she gets thrown out of what!

1:24:431:24:49

Musical starring Fred Astaire and Ginger Rogers in their first screen partnership. Belina's uncle has been prohibited from having a floor show at his lavish hotel because of a Rio de Janeiro city ordinance. But the day is saved by staging a climactic Flying Down to Rio number thousands of feet in the air.


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