Browse content similar to Good Will Hunting. Check below for episodes and series from the same categories and more!
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This film contains very strong language | 0:00:11 | 0:00:18 | |
CLOCK CHIMES | 0:03:15 | 0:03:18 | |
Mod fx...square dx. | 0:03:24 | 0:03:28 | |
So, please finish Percival | 0:03:30 | 0:03:31 | |
by next time. I know many of you had this as undergraduates | 0:03:31 | 0:03:36 | |
but it won't hurt to brush up. | 0:03:36 | 0:03:38 | |
Thank you, Stephen. | 0:03:41 | 0:03:44 | |
STUDENTS LAUGH | 0:03:42 | 0:03:44 | |
I put an advanced Fourier system on the main hallway board. | 0:03:44 | 0:03:48 | |
I hope one of you might prove it by the end of the semester. | 0:03:48 | 0:03:52 | |
The person to do so will not only be in my good graces | 0:03:51 | 0:03:55 | |
but also go on to fame and fortune | 0:03:55 | 0:03:58 | |
by having their accomplishment recorded in the auspicious MIT Tech. | 0:03:57 | 0:04:03 | |
Former winners include Nobel laureates, Fields Medal winners, | 0:04:03 | 0:04:07 | |
renowned astrophysicists... | 0:04:07 | 0:04:10 | |
and lowly MIT professors. | 0:04:10 | 0:04:12 | |
If you have any questions, | 0:04:13 | 0:04:15 | |
I'm sure that Tom has the answers. | 0:04:15 | 0:04:18 | |
Hi, Will. | 0:04:53 | 0:04:54 | |
Krysten, how you doing? | 0:04:54 | 0:04:57 | |
I'm all right. | 0:04:55 | 0:04:57 | |
I didn't get on Cathy last night. | 0:04:57 | 0:05:00 | |
No? Why not? | 0:05:00 | 0:05:02 | |
I don't know. | 0:05:00 | 0:05:02 | |
Cathy! | 0:05:02 | 0:05:04 | |
What? | 0:05:03 | 0:05:04 | |
Why didn't you give me that nasty little hoochie-woochie? | 0:05:04 | 0:05:09 | |
Oh, fuck you! | 0:05:08 | 0:05:09 | |
And your Irish curse, Chuckie. | 0:05:09 | 0:05:11 | |
Like I'd waste energy on that Tootsie Roll dick! | 0:05:11 | 0:05:15 | |
Go and give it a tug yourself. | 0:05:15 | 0:05:18 | |
Tootsie Roll! Toot-toots! | 0:05:18 | 0:05:21 | |
She's missing a tooth, Will. She's got skin problems. I don't... | 0:05:20 | 0:05:25 | |
Plus, it's like five to two Morgan ends up marrying her. | 0:05:25 | 0:05:29 | |
There's only so many times you can bang his wife. | 0:05:29 | 0:05:32 | |
Where are you going? | 0:05:32 | 0:05:35 | |
I'm gonna take off. | 0:05:35 | 0:05:37 | |
Fuck you. It's, like, 10 o'clock. | 0:05:36 | 0:05:39 | |
I'm tired. | 0:05:39 | 0:05:41 | |
Irish curse? She don't know. Don't give me no Irish curse. | 0:05:44 | 0:05:48 | |
Stop brushing me back. | 0:06:54 | 0:06:58 | |
Stop crowding the plate. | 0:06:56 | 0:06:58 | |
Which one will it be? | 0:06:58 | 0:07:01 | |
You're gonna get charged. | 0:07:01 | 0:07:03 | |
You think I'm afraid of you? You're crowding the fucking plate! | 0:07:03 | 0:07:08 | |
Casey's bouncing up a bar at Harvard next week. We should go. | 0:07:08 | 0:07:12 | |
What we gonna do up there? | 0:07:12 | 0:07:14 | |
We'll fuck up some smart kids. Probably fit right in. | 0:07:14 | 0:07:18 | |
Ow, man... Fuck! | 0:07:20 | 0:07:22 | |
Oh, what's up? You still tough?! | 0:07:24 | 0:07:27 | |
Come on! That's the shot! | 0:07:27 | 0:07:29 | |
# I'd hold you forever | 0:07:30 | 0:07:35 | |
# Here in my arms... # | 0:07:35 | 0:07:37 | |
Professor Lambeau, I'm in your class. We're in the Math Building... | 0:07:39 | 0:07:43 | |
Come here. | 0:07:43 | 0:07:45 | |
It's Saturday! | 0:07:45 | 0:07:47 | |
Unless you want to have a drink with me tonight. | 0:07:47 | 0:07:50 | |
Maybe. We just couldn't wait to find out. | 0:07:50 | 0:07:53 | |
Find out what? | 0:07:53 | 0:07:57 | |
Who proved the theorem. | 0:07:55 | 0:07:57 | |
Well, this is correct. | 0:08:17 | 0:08:19 | |
Who did this? | 0:08:19 | 0:08:22 | |
Jack? | 0:08:22 | 0:08:24 | |
It wasn't me. | 0:08:23 | 0:08:24 | |
Mimish? | 0:08:24 | 0:08:27 | |
No way! | 0:08:25 | 0:08:27 | |
-Run, Joey Mac! -Billy - McNamara's up. | 0:08:31 | 0:08:33 | |
-Take it out! | 0:08:36 | 0:08:40 | |
Love the pitch! | 0:08:37 | 0:08:40 | |
That's how to do it, Mac! | 0:08:38 | 0:08:40 | |
Attaboy! | 0:08:40 | 0:08:41 | |
Morrie, who's the girl with the sweatpants? She's got a nice ass. | 0:08:44 | 0:08:49 | |
That's a real nice ass. | 0:08:49 | 0:08:51 | |
Who's the guy? | 0:08:50 | 0:08:54 | |
That fucking guinea! Will knows him. | 0:08:52 | 0:08:54 | |
Carmine Scarpaglia. He used to beat the shit outta me in kindergarten. | 0:08:54 | 0:09:00 | |
Let's get food. | 0:09:03 | 0:09:07 | |
You're not going to talk to her? | 0:09:04 | 0:09:07 | |
-Fuck her. -HE BURPS | 0:09:07 | 0:09:08 | |
I could go for a Whopper. | 0:09:08 | 0:09:12 | |
Let's go to Kelly's. | 0:09:10 | 0:09:12 | |
I'm not going there just cos you like the girl. It's out of our way. | 0:09:12 | 0:09:16 | |
We can't spare 15 minutes? | 0:09:16 | 0:09:19 | |
Double burger. | 0:09:20 | 0:09:22 | |
Double burger. | 0:09:24 | 0:09:26 | |
# Chuck, I had a double burger. # | 0:09:27 | 0:09:30 | |
I know what you ordered! | 0:09:30 | 0:09:32 | |
So give me my sandwich! | 0:09:32 | 0:09:37 | |
I bought it. How much money you got? | 0:09:34 | 0:09:37 | |
I said I'd get change when I get the Sno-cone. Just stop being a prick! | 0:09:37 | 0:09:43 | |
Give me what you've got now and we'll put your sandwich by. | 0:09:43 | 0:09:48 | |
There we go. | 0:09:48 | 0:09:50 | |
Every day, bring six cents and after a week, you'll get your sandwich. | 0:09:50 | 0:09:55 | |
Are you gonna be an asshole? | 0:09:55 | 0:09:58 | |
What am I? Sandwich welfare? | 0:09:56 | 0:09:58 | |
You gotta be credit worthy. Like buying a couch. | 0:09:58 | 0:10:02 | |
Remember how your mother paid 10 | 0:10:02 | 0:10:05 | |
every day for a year? She finally got a couch. | 0:10:05 | 0:10:08 | |
Can I have my food? | 0:10:08 | 0:10:11 | |
Here it fucking is! | 0:10:09 | 0:10:11 | |
Hey, hold up. Slow down. | 0:10:14 | 0:10:17 | |
What have we got? | 0:10:16 | 0:10:20 | |
I don't know yet. | 0:10:18 | 0:10:20 | |
Hey, douche bag! Yeah, you, you skinny bitch! | 0:10:20 | 0:10:24 | |
Let's get outta here. | 0:10:24 | 0:10:27 | |
We just seen the guy 15 minutes ago. | 0:10:27 | 0:10:30 | |
Why didn't you fight him then? We've got snacks. | 0:10:30 | 0:10:33 | |
Shut up, Morgan. You're going. | 0:10:33 | 0:10:37 | |
I'm not going. | 0:10:34 | 0:10:37 | |
You're fuckin' going, Morgan. Let me tell you, | 0:10:37 | 0:10:40 | |
if you're not out there, you're next! | 0:10:40 | 0:10:43 | |
Carmine! It's Will. We went to kindergarten together. | 0:10:43 | 0:10:47 | |
# Way down the street there's a light in their place | 0:10:47 | 0:10:52 | |
# You open the door... # | 0:10:52 | 0:10:53 | |
Whoa! Cops! | 0:11:31 | 0:11:33 | |
Cops, Will! | 0:11:36 | 0:11:37 | |
Hey, buddy. | 0:11:38 | 0:11:39 | |
Hey, fellas, thanks for coming up. | 0:11:39 | 0:11:42 | |
Fuck. | 0:11:51 | 0:11:52 | |
Is it just my imagination or has my class grown considerably? | 0:11:58 | 0:12:04 | |
By no stretch of my imagination | 0:12:04 | 0:12:06 | |
do I believe you've come to hear me lecture, | 0:12:06 | 0:12:09 | |
but rather to ascertain | 0:12:09 | 0:12:11 | |
the identity of the maths magician. | 0:12:11 | 0:12:14 | |
Without further ado, come forward, silent rogue, and receive thy prize. | 0:12:14 | 0:12:20 | |
Well, I'm sorry to disappoint my spectators | 0:12:28 | 0:12:31 | |
but...it seems there will be no unmasking here today. | 0:12:31 | 0:12:35 | |
However, my colleagues and I | 0:12:35 | 0:12:38 | |
have conferred, and there is a new problem on the board | 0:12:38 | 0:12:41 | |
that took us more than two years to prove. | 0:12:41 | 0:12:44 | |
Let this be said - the gauntlet has been thrown down. | 0:12:44 | 0:12:49 | |
But the faculty have answered and answered with vigour. | 0:12:49 | 0:12:53 | |
WHISTLE > | 0:12:58 | 0:12:59 | |
When's the arraignment? | 0:13:05 | 0:13:09 | |
Next week. | 0:13:07 | 0:13:09 | |
Sorry. | 0:13:34 | 0:13:35 | |
-What are you doing? -Sorry. | 0:13:35 | 0:13:37 | |
That's people's work. You can't graffiti here. | 0:13:37 | 0:13:41 | |
Don't walk away from me! | 0:13:41 | 0:13:44 | |
Hey, fuck you! | 0:13:42 | 0:13:44 | |
You're a clever one. What's your name? | 0:13:44 | 0:13:47 | |
DOOR SLAMS | 0:13:51 | 0:13:53 | |
Oh, my God. | 0:14:08 | 0:14:10 | |
Looks right. | 0:14:17 | 0:14:19 | |
How many times can you get fired from a job? | 0:14:33 | 0:14:36 | |
How hard is it to push a motherfuckin' broom? | 0:14:36 | 0:14:39 | |
You got fired from pushing a broom. | 0:14:39 | 0:14:44 | |
Management was restructuring. | 0:14:41 | 0:14:44 | |
Restructuring the amount of retards they had. | 0:14:44 | 0:14:49 | |
You get canned more than tuna! | 0:14:46 | 0:14:49 | |
I got a job right now, don't I? Why did you get fired, Will? | 0:14:49 | 0:14:53 | |
Management was restructuring. | 0:14:53 | 0:14:56 | |
My uncle could get you on a demo team. | 0:14:56 | 0:14:58 | |
Are you kidding me?! I asked you yesterday for a job! | 0:14:58 | 0:15:02 | |
And I told you no. | 0:15:02 | 0:15:04 | |
Tough case. | 0:15:04 | 0:15:07 | |
Tough case. | 0:15:05 | 0:15:07 | |
-Let's sit over here. | 0:15:09 | 0:15:11 | |
This is... This is a Harvard bar, huh? | 0:15:19 | 0:15:21 | |
I thought there'd be equations on the wall. | 0:15:21 | 0:15:24 | |
I will take a pitcher of the finest lager in the house. | 0:15:26 | 0:15:30 | |
Time out. | 0:15:36 | 0:15:38 | |
Gonna have to move on those Harvard honeys there. Work some magic! | 0:15:38 | 0:15:43 | |
-Hello. -ENGLISH ACCENT: -Hello. | 0:15:59 | 0:16:02 | |
-Hi. How are you? -Fine. | 0:16:02 | 0:16:03 | |
-Do you ladies... -Come here often? | 0:16:03 | 0:16:06 | |
Do I...? I come here a bit. I'm here, you know, from time to time. | 0:16:06 | 0:16:11 | |
You go to school here? | 0:16:11 | 0:16:14 | |
Yep. | 0:16:12 | 0:16:14 | |
Yeah. I think I had a class with you. | 0:16:14 | 0:16:17 | |
-Oh, yeah? What class? -History. | 0:16:17 | 0:16:19 | |
-Maybe. -Yes! I think that's what it was. | 0:16:19 | 0:16:22 | |
You don't necessarily... remember me. | 0:16:22 | 0:16:25 | |
You know, I like it here. Doesn't mean I'm a genius. | 0:16:25 | 0:16:28 | |
Hey. | 0:16:28 | 0:16:30 | |
Hey! How's it going? | 0:16:30 | 0:16:32 | |
What, er... What class did you say? | 0:16:31 | 0:16:34 | |
-History. -History. | 0:16:34 | 0:16:36 | |
Just...history? It must've been a survey course. | 0:16:36 | 0:16:39 | |
Yeah, surveys. You should check it out. It's a good course. | 0:16:39 | 0:16:44 | |
How'd you like that course? | 0:16:44 | 0:16:48 | |
Frankly, I found the class | 0:16:45 | 0:16:48 | |
rather...elementary. | 0:16:48 | 0:16:51 | |
Elementary? | 0:16:49 | 0:16:51 | |
You know, I don't doubt that it was. I... I remember that class. | 0:16:51 | 0:16:56 | |
It was, um... It was just between recess and lunch. | 0:16:56 | 0:16:59 | |
Clark, why don't you go away? | 0:16:59 | 0:17:02 | |
Why don't you relax? I'm having fun with my new friend. | 0:17:02 | 0:17:06 | |
You have a problem? | 0:17:06 | 0:17:09 | |
No problem. I was just hoping | 0:17:07 | 0:17:09 | |
you might have an insight on the evolution of the market economy | 0:17:09 | 0:17:14 | |
in the southern colonies. | 0:17:14 | 0:17:16 | |
My contention is that... prior to the Revolutionary War, | 0:17:16 | 0:17:20 | |
the economic modalities, | 0:17:20 | 0:17:22 | |
especially in the southern colonies, could most aptly be... | 0:17:22 | 0:17:26 | |
Course that's your contention. You're a first-year grad student. | 0:17:26 | 0:17:31 | |
You just read Pete Garrison, probably. | 0:17:31 | 0:17:34 | |
Next month, when you get to James Lemon, | 0:17:34 | 0:17:36 | |
you'll talk about how Virginia and Pennsylvania | 0:17:36 | 0:17:40 | |
were entrepreneurial and capitalist back in 1740. | 0:17:40 | 0:17:44 | |
Next year, you'll be regurgitating Gordon Wood | 0:17:43 | 0:17:47 | |
on the pre-revolutionary utopia | 0:17:47 | 0:17:49 | |
and the capital-forming effects of military mobilisation. | 0:17:49 | 0:17:53 | |
I won't, because Wood drastically underestimates the... | 0:17:53 | 0:17:58 | |
"..the impact of social distinctions predicated upon wealth?" | 0:17:57 | 0:18:03 | |
You got that from Vickers. | 0:18:03 | 0:18:05 | |
Work In Essex County, page 98. Right? Yeah, I read that, too. | 0:18:05 | 0:18:09 | |
Were you going to plagiarise it all? Do you have any thoughts? | 0:18:09 | 0:18:14 | |
Or is that your thing? You come into a bar, read some obscure passage, | 0:18:14 | 0:18:18 | |
then pawn it off as your own idea | 0:18:18 | 0:18:21 | |
to impress some girls and embarrass my friend? | 0:18:21 | 0:18:24 | |
See, the sad thing about you is in 50 years, | 0:18:24 | 0:18:27 | |
you'll realise there are two certainties in life. | 0:18:27 | 0:18:31 | |
One, don't do that. | 0:18:31 | 0:18:34 | |
And two, you dropped 150 grand | 0:18:34 | 0:18:36 | |
on a education you coulda got at the public library. | 0:18:36 | 0:18:40 | |
THEY LAUGH | 0:18:40 | 0:18:42 | |
But I will have a degree. You'll be serving my kids at a drive-through | 0:18:42 | 0:18:46 | |
on our way to a skiing trip. | 0:18:46 | 0:18:48 | |
Yeah, maybe. But at least I won't be unoriginal. | 0:18:48 | 0:18:52 | |
But if you have a problem with that, we could figure it out outside. | 0:18:52 | 0:18:57 | |
No, man, there's no problem. | 0:18:57 | 0:18:59 | |
It's cool. | 0:18:59 | 0:19:01 | |
It's cool? | 0:19:01 | 0:19:03 | |
-Cool. -Damn right. | 0:19:03 | 0:19:05 | |
How do you like me now?! | 0:19:05 | 0:19:07 | |
That boy's wicked smart! | 0:19:11 | 0:19:13 | |
Three minutes and you run into a barney! | 0:19:14 | 0:19:17 | |
No, here it is. | 0:19:19 | 0:19:21 | |
I was gonna close the deal but then Chuck - Billy - insulted one of them | 0:19:22 | 0:19:27 | |
and the heavy girl said I had a receding hairline | 0:19:27 | 0:19:30 | |
and I was, like, "Go fuck yourself!" | 0:19:30 | 0:19:33 | |
I swallowed a bug. | 0:19:33 | 0:19:35 | |
Hi. | 0:19:38 | 0:19:39 | |
You're an idiot. | 0:19:39 | 0:19:41 | |
What? | 0:19:41 | 0:19:44 | |
You're an idiot. | 0:19:42 | 0:19:44 | |
I've been waiting for 45 minutes for you to talk to me. | 0:19:44 | 0:19:47 | |
But I have to go home now. I couldn't wait any more. | 0:19:47 | 0:19:51 | |
Well, I'm Will. | 0:19:51 | 0:19:54 | |
Skylar. | 0:19:52 | 0:19:54 | |
Skylar. | 0:19:52 | 0:19:54 | |
Oh, and that guy over there - Michael Bolton clone - | 0:19:54 | 0:19:57 | |
wasn't singing with us. | 0:19:57 | 0:19:59 | |
Yeah, I kinda got that impression. | 0:19:59 | 0:20:02 | |
Good. OK. | 0:20:02 | 0:20:03 | |
I've got to go. Gotta get up early | 0:20:03 | 0:20:05 | |
and waste more money on my overpriced education. | 0:20:05 | 0:20:09 | |
Oh, I didn't mean you. I... | 0:20:09 | 0:20:16 | |
It's OK. There's my number. Maybe we can have coffee some time. | 0:20:10 | 0:20:16 | |
Or maybe we could get together and eat caramels. | 0:20:16 | 0:20:19 | |
What do you mean? | 0:20:19 | 0:20:23 | |
It's as arbitrary as having coffee. | 0:20:20 | 0:20:23 | |
Oh. Yeah. OK. | 0:20:23 | 0:20:25 | |
Er... Right, then. | 0:20:25 | 0:20:28 | |
There goes them fucking barneys right now with their "skiing trip"! | 0:20:37 | 0:20:41 | |
You should've beat his ass. | 0:20:41 | 0:20:43 | |
Do you like apples?! | 0:20:50 | 0:20:53 | |
Yeah. | 0:20:53 | 0:20:55 | |
Yeah? | 0:20:55 | 0:20:57 | |
Well, I got her number. How do you like them apples?! | 0:20:57 | 0:21:01 | |
# Play your mind to me | 0:21:05 | 0:21:07 | |
# Our mouths were opening | 0:21:10 | 0:21:13 | |
# I turn off the light | 0:21:15 | 0:21:20 | |
# So...come on, night | 0:21:22 | 0:21:25 | |
# Everyone has gone | 0:21:29 | 0:21:32 | |
# Home to oblivion | 0:21:35 | 0:21:38 | |
# So...come on | 0:21:39 | 0:21:44 | |
# So...come on, night... # | 0:21:46 | 0:21:49 | |
Excuse me. | 0:21:56 | 0:21:57 | |
Is this the buildings and grounds office? | 0:21:57 | 0:22:00 | |
Yeah. What can I do for you? | 0:22:00 | 0:22:02 | |
I need the name of a student who works here. | 0:22:02 | 0:22:07 | |
No students work here. | 0:22:04 | 0:22:07 | |
This guy works in my building... | 0:22:07 | 0:22:09 | |
Which one is your building? | 0:22:09 | 0:22:12 | |
Two. | 0:22:11 | 0:22:12 | |
Two. Building two. | 0:22:12 | 0:22:14 | |
If anything was stolen... | 0:22:20 | 0:22:24 | |
No, it's not that. I just need his name. | 0:22:21 | 0:22:24 | |
I can't, unless you have a complaint. | 0:22:24 | 0:22:27 | |
This is Professor Lambeau. | 0:22:27 | 0:22:30 | |
This is Professor Hayes. | 0:22:28 | 0:22:30 | |
Tom, please. | 0:22:30 | 0:22:32 | |
This is important. Please? | 0:22:35 | 0:22:39 | |
Well, he didn't show for work today. | 0:22:36 | 0:22:39 | |
Got this job through his P.O. You can call him. | 0:22:39 | 0:22:44 | |
P.O.? | 0:22:44 | 0:22:45 | |
Yeah - parole officer. | 0:22:45 | 0:22:48 | |
Thank you. | 0:22:51 | 0:22:53 | |
Asshole. | 0:22:54 | 0:22:56 | |
There's a legal precedent from 1789 | 0:22:59 | 0:23:02 | |
where a defendant can claim self- defence against a government agent | 0:23:02 | 0:23:07 | |
if that act is a defence of liberty. | 0:23:07 | 0:23:10 | |
Henry Ward Beecher in Proverbs from the Plymouth Pulpit, 1887... | 0:23:10 | 0:23:15 | |
1887? It's the 20th century! He's making a mockery of the court. | 0:23:15 | 0:23:19 | |
I speak in my own defence. By the Constitution of the United States... | 0:23:19 | 0:23:25 | |
Don't tell me about... | 0:23:24 | 0:23:26 | |
Liberty is "the soul's right to breathe. Without liberty, | 0:23:26 | 0:23:31 | |
"man is a syncope." | 0:23:31 | 0:23:35 | |
What? | 0:23:33 | 0:23:35 | |
Ibid, Your Honour. | 0:23:33 | 0:23:35 | |
Son, my turn. I've been here for ten minutes | 0:23:35 | 0:23:39 | |
looking over your rap sheet. I can't believe it! | 0:23:39 | 0:23:42 | |
June '93 - assault. September '93 - assault. | 0:23:42 | 0:23:47 | |
Grand theft auto, February '94, where you defended yourself | 0:23:47 | 0:23:52 | |
and had the case thrown out by citing | 0:23:52 | 0:23:55 | |
"Free Property Rights of Horse and Carriage" from 1798. | 0:23:55 | 0:24:00 | |
January '95 - impersonating an officer. | 0:23:59 | 0:24:02 | |
Mayhem, theft, resisting - all overturned. | 0:24:02 | 0:24:06 | |
I know that you've been through several foster homes. | 0:24:06 | 0:24:10 | |
The state removed you from three because of physical abuse. | 0:24:10 | 0:24:14 | |
Another judge might care but you hit a cop. You're going in. | 0:24:14 | 0:24:18 | |
Motion to dismiss is denied. | 0:24:18 | 0:24:20 | |
-50,000 bail. -HE BANGS GAVEL | 0:24:20 | 0:24:22 | |
Thank you. | 0:24:22 | 0:24:24 | |
All rise. | 0:24:24 | 0:24:25 | |
PHONE RINGS | 0:24:26 | 0:24:27 | |
Hello. | 0:24:27 | 0:24:28 | |
-'Er, Skylar?' -Yep. | 0:24:28 | 0:24:30 | |
-'Hey, it's Will.' -Who? | 0:24:30 | 0:24:32 | |
'It's Will.' | 0:24:31 | 0:24:33 | |
The funny, handsome guy you met at the bar. | 0:24:33 | 0:24:36 | |
I don't recall meeting anyone like that. | 0:24:36 | 0:24:40 | |
OK, it's the ugly, toothless loser | 0:24:40 | 0:24:42 | |
who wouldn't leave you alone all night. | 0:24:42 | 0:24:45 | |
Oh, Will! I remember. | 0:24:45 | 0:24:48 | |
How are you? I wondered if you'd call me. | 0:24:49 | 0:24:52 | |
I was wondering... | 0:24:52 | 0:24:55 | |
Yo! Baby, what's up? | 0:24:53 | 0:24:55 | |
Hey. | 0:24:55 | 0:24:57 | |
What's up? Want some of my ass? | 0:24:57 | 0:24:59 | |
Herbie! I remember you from juvie! | 0:24:59 | 0:25:02 | |
'Er, yeah, sorry about that.' | 0:25:02 | 0:25:04 | |
Maybe we could get together this week. | 0:25:04 | 0:25:07 | |
'Sit at a cafe, eat caramels.' | 0:25:07 | 0:25:10 | |
That sounds wonderful. | 0:25:08 | 0:25:10 | |
'Yeah?' | 0:25:10 | 0:25:13 | |
Yeah, sure. Where are you? | 0:25:11 | 0:25:13 | |
Well, actually, this is just a shot in the dark but... | 0:25:13 | 0:25:18 | |
there's no chance that you're pre-law? | 0:25:17 | 0:25:21 | |
Have a seat. | 0:25:25 | 0:25:28 | |
Thank you. | 0:25:26 | 0:25:28 | |
Nice talkin' to you. | 0:25:28 | 0:25:30 | |
What the fuck do you want? | 0:25:31 | 0:25:33 | |
I'm Gerald Lambeau, the professor you told to fuck himself. | 0:25:33 | 0:25:38 | |
What the fuck do you want? | 0:25:40 | 0:25:42 | |
I spoke to the judge. He's agreed to release you under my supervision. | 0:25:42 | 0:25:47 | |
Really? | 0:25:47 | 0:25:51 | |
Yeah. | 0:25:49 | 0:25:51 | |
But under two conditions. | 0:25:53 | 0:25:57 | |
What are those? | 0:25:55 | 0:25:57 | |
The first is that you meet with me every week. | 0:25:57 | 0:26:00 | |
What for? | 0:26:00 | 0:26:07 | |
Go over the proofs you're working on and get into some more advanced... | 0:26:01 | 0:26:07 | |
combinatorial mathematics. | 0:26:07 | 0:26:11 | |
Finite maths. | 0:26:11 | 0:26:13 | |
Sounds like a real hoot. | 0:26:15 | 0:26:17 | |
The second condition is that... | 0:26:17 | 0:26:19 | |
..that you see a therapist. | 0:26:20 | 0:26:23 | |
And I'm responsible to submit reports on this. | 0:26:27 | 0:26:30 | |
And if you fail to meet with those conditions you will serve time. | 0:26:30 | 0:26:35 | |
I'll do the maths but I'm not gonna see any fuckin' therapist. | 0:26:35 | 0:26:40 | |
It's better than spending that time in jail, isn't it? | 0:26:40 | 0:26:45 | |
'I read your book.' | 0:27:44 | 0:27:46 | |
"Mike" was having the same problems as "Chad", the stockbroker. | 0:27:46 | 0:27:51 | |
Right on the button. Very nice. | 0:27:51 | 0:27:54 | |
Thank you. | 0:27:54 | 0:27:56 | |
The pressures - and I'm not judging them, | 0:27:56 | 0:27:59 | |
I'm not, er, labellling them - but they are destroying your potential. | 0:27:59 | 0:28:04 | |
No more shenanigans, | 0:28:04 | 0:28:07 | |
no more tomfoolery, no more ballyhoo. | 0:28:07 | 0:28:09 | |
You're right. | 0:28:09 | 0:28:11 | |
God, I know. | 0:28:11 | 0:28:14 | |
You're not getting off that easily. | 0:28:14 | 0:28:17 | |
I do do things, you know. | 0:28:17 | 0:28:20 | |
What kind of things? | 0:28:20 | 0:28:23 | |
I do things... | 0:28:21 | 0:28:23 | |
I hide from people. | 0:28:23 | 0:28:25 | |
You hide, do you? | 0:28:25 | 0:28:29 | |
No. I go places - I interact. | 0:28:27 | 0:28:29 | |
What sort of places? | 0:28:29 | 0:28:32 | |
Just certain clubs. | 0:28:30 | 0:28:32 | |
More... Yes, what sort of clubs? | 0:28:32 | 0:28:37 | |
Like, er, like fantasy. | 0:28:34 | 0:28:37 | |
Fantasy? Bit more... | 0:28:37 | 0:28:38 | |
It's just something, like, | 0:28:38 | 0:28:40 | |
when you get in there and the music owns you. It's that house music. | 0:28:40 | 0:28:45 | |
It's like... Pom-pom-pom. BOOM! BOOM! | 0:28:45 | 0:28:48 | |
You start dancin' and... | 0:28:48 | 0:28:50 | |
Boom, boom, boom. | 0:28:50 | 0:28:52 | |
Yes. | 0:28:52 | 0:28:54 | |
Yeah. | 0:28:56 | 0:28:57 | |
Do you find it hard to hide the fact that you're gay? | 0:28:58 | 0:29:01 | |
What are you talking about? What? | 0:29:01 | 0:29:05 | |
You were ready to give me a jump. | 0:29:05 | 0:29:09 | |
A jump?! Are you... | 0:29:07 | 0:29:09 | |
I'm sorry to disappoint you, Will, but... | 0:29:09 | 0:29:12 | |
I don't care if you putt from the rough. | 0:29:12 | 0:29:15 | |
Putting from the rough? What are you talking about? | 0:29:15 | 0:29:19 | |
A difficult theory can be like, er... | 0:29:19 | 0:29:22 | |
a symphony. | 0:29:22 | 0:29:24 | |
It's very erotic. | 0:29:24 | 0:29:26 | |
Wow. | 0:29:29 | 0:29:31 | |
Ah, Henry. | 0:29:32 | 0:29:33 | |
Gerry, I can't do this pro bono work. It's just not worth it. | 0:29:33 | 0:29:38 | |
What happened? | 0:29:37 | 0:29:39 | |
I'm on television next week. | 0:29:39 | 0:29:41 | |
I haven't got time to tell you, much less talk to that raving loony. | 0:29:41 | 0:29:46 | |
Henry! > | 0:29:48 | 0:29:50 | |
'OK, you are in your bed, Will.' | 0:29:50 | 0:29:53 | |
Now...how old are you? | 0:29:53 | 0:29:55 | |
Seven. > | 0:29:58 | 0:30:00 | |
What do you see? | 0:30:00 | 0:30:02 | |
Something's in my room. | 0:30:03 | 0:30:06 | |
What is it? | 0:30:06 | 0:30:08 | |
It's like, er, it's a figure. | 0:30:08 | 0:30:11 | |
It's hoverin' over me. | 0:30:11 | 0:30:13 | |
You are in a safe place, Will. | 0:30:13 | 0:30:15 | |
It's tou... It's touching me. | 0:30:17 | 0:30:20 | |
Where is it touching you? | 0:30:20 | 0:30:22 | |
It's touching me down there. | 0:30:22 | 0:30:25 | |
I'm nervous. | 0:30:27 | 0:30:29 | |
You don't have to be nervous, Will. | 0:30:29 | 0:30:33 | |
We... | 0:30:33 | 0:30:34 | |
start dancin' and dancin'. | 0:30:34 | 0:30:36 | |
It's beautiful... | 0:30:36 | 0:30:38 | |
cos we... | 0:30:38 | 0:30:40 | |
can make a lot of love before the sun goes down. | 0:30:40 | 0:30:44 | |
# Sky rockets in flight | 0:30:46 | 0:30:49 | |
# Afternoon delight | 0:30:49 | 0:30:52 | |
# Hey | 0:30:52 | 0:30:54 | |
# Afternoon delight... # | 0:30:54 | 0:30:57 | |
Jesus. | 0:30:55 | 0:30:57 | |
# Sky rockets in flight, da-da-da-da... # | 0:30:57 | 0:31:00 | |
I'm sorry, Rich. | 0:30:59 | 0:31:03 | |
I've better things to do. | 0:31:01 | 0:31:03 | |
# Hey, afternoon delight... # | 0:31:03 | 0:31:05 | |
Come on, one dance! You really hypnotised me, you know. | 0:31:05 | 0:31:09 | |
For God's sake, Will. | 0:31:09 | 0:31:13 | |
What?! He left. Don't pin it on me. | 0:31:10 | 0:31:13 | |
I told you to cooperate with these people. | 0:31:13 | 0:31:16 | |
-Look into my eyes. -Get out, Will. | 0:31:16 | 0:31:18 | |
I don't need therapy. | 0:31:18 | 0:31:21 | |
That's enough. Get out. | 0:31:21 | 0:31:24 | |
HE WAILS MOCKINGLY | 0:31:22 | 0:31:24 | |
I called Mel Landrow this morning... | 0:31:24 | 0:31:28 | |
Oh, what's the use?! | 0:31:26 | 0:31:28 | |
What do you want to do? | 0:31:28 | 0:31:30 | |
Well, there is someone. | 0:31:34 | 0:31:36 | |
Who is he? | 0:31:36 | 0:31:39 | |
He used to be my... | 0:31:37 | 0:31:39 | |
..my room-mate in college. | 0:31:40 | 0:31:42 | |
Trust. It's very important in a relationship. | 0:31:46 | 0:31:49 | |
It's also very important in a clinical situation. | 0:31:49 | 0:31:52 | |
Why is trust the most important thing | 0:31:52 | 0:31:55 | |
in making a breakthrough with a client? | 0:31:55 | 0:31:58 | |
Maureen, | 0:31:58 | 0:31:59 | |
stop that oral fixation for a moment and join us. | 0:31:59 | 0:32:03 | |
Vinnie? | 0:32:03 | 0:32:04 | |
Um... | 0:32:04 | 0:32:06 | |
..because, er... | 0:32:06 | 0:32:08 | |
..trust is, er, trust is life. | 0:32:09 | 0:32:12 | |
Wow. That's very deep. | 0:32:12 | 0:32:14 | |
Thank you, Vinnie. | 0:32:14 | 0:32:16 | |
If they don't trust you, they won't be honest and there's no point | 0:32:16 | 0:32:22 | |
in their therapy. And they won't sleep with you - | 0:32:22 | 0:32:25 | |
that should be every therapist's goal. | 0:32:25 | 0:32:28 | |
Nail 'em while they're vulnerable. | 0:32:28 | 0:32:31 | |
THEY LAUGH | 0:32:31 | 0:32:35 | |
Oh, good. Everyone's back. | 0:32:33 | 0:32:35 | |
Hello, Sean. > | 0:32:37 | 0:32:39 | |
Hey, Gerry. | 0:32:39 | 0:32:40 | |
Um... Ladies and gentlemen, we are in the presence of greatness - | 0:32:42 | 0:32:46 | |
Gerald Lambeau, Fields Medal winner for combinatorial mathematics. | 0:32:46 | 0:32:51 | |
Hello. | 0:32:51 | 0:32:52 | |
Anyone know what the Medal is? It's like the Nobel prize for maths, | 0:32:52 | 0:32:57 | |
except they only give it out once every four years. | 0:32:57 | 0:33:00 | |
It's a great thing. It's an amazing honour. | 0:33:00 | 0:33:03 | |
OK, that's it for today. We'll see you Monday. | 0:33:03 | 0:33:07 | |
We're talking about why Freud did cocaine. | 0:33:06 | 0:33:10 | |
Thank you. | 0:33:10 | 0:33:12 | |
How are you? | 0:33:12 | 0:33:14 | |
It's good to see you. | 0:33:14 | 0:33:17 | |
Good to see you. | 0:33:15 | 0:33:17 | |
Sean, I think I got something interesting for you. | 0:33:17 | 0:33:21 | |
Do you have to have blood and urine? | 0:33:21 | 0:33:23 | |
Why didn't you come to the reunion? | 0:33:23 | 0:33:29 | |
Oh, you know, I... I've been busy. | 0:33:26 | 0:33:29 | |
You were missed. | 0:33:29 | 0:33:32 | |
Really? | 0:33:30 | 0:33:32 | |
When did we last see each other? | 0:33:32 | 0:33:35 | |
Before Nancy died. | 0:33:33 | 0:33:35 | |
I'm sorry. I was in Paris. It was that damn conference. | 0:33:35 | 0:33:40 | |
I got your card. It was nice. | 0:33:40 | 0:33:42 | |
Submit! Submit! | 0:33:47 | 0:33:48 | |
Hey, what happened? Did you get leniency or what? | 0:33:48 | 0:33:52 | |
I got...probation and then counselling two days a week. | 0:33:52 | 0:33:56 | |
You're a smoothie. | 0:33:56 | 0:33:58 | |
Come on, Morgan! Just submit! | 0:33:58 | 0:34:00 | |
We're gonna miss the game! | 0:34:03 | 0:34:05 | |
I've got a full schedule. | 0:34:05 | 0:34:07 | |
He's incredible. There's nothing like him. | 0:34:07 | 0:34:10 | |
What makes him incredible, Gerry? | 0:34:10 | 0:34:14 | |
Ever heard of Ramanujan? | 0:34:11 | 0:34:14 | |
Yeah. I... | 0:34:14 | 0:34:16 | |
No. | 0:34:16 | 0:34:17 | |
-It's a man. -Hmm. | 0:34:17 | 0:34:19 | |
He lived 100 years ago. Indian. | 0:34:19 | 0:34:21 | |
Dots, not... | 0:34:21 | 0:34:25 | |
..feathers. Yeah. | 0:34:23 | 0:34:25 | |
He lived in a hut in India. He had no formal education. | 0:34:25 | 0:34:28 | |
-< Coffee? -No access to scientific work. | 0:34:28 | 0:34:31 | |
-You, sir? > -Just a little. | 0:34:31 | 0:34:33 | |
He came across this old maths book. From a simple text, | 0:34:33 | 0:34:36 | |
he extrapolated theories that had baffled mathematicians. | 0:34:36 | 0:34:40 | |
Continued fractions. He wrote it with... | 0:34:40 | 0:34:43 | |
He mailed it to Hardy. | 0:34:43 | 0:34:47 | |
Yeah. In Cambridge. | 0:34:45 | 0:34:47 | |
Hardy recognised his brilliance and brought him to England. | 0:34:47 | 0:34:51 | |
They worked for years, | 0:34:51 | 0:34:53 | |
creating some of the most exciting maths theory ever. | 0:34:53 | 0:34:56 | |
Now, this...this Ramanujan, his... his genius was unparalleled, Sean. | 0:34:56 | 0:35:02 | |
Well, this boy is just like that. | 0:35:02 | 0:35:04 | |
Hmm. | 0:35:04 | 0:35:06 | |
But he's... | 0:35:06 | 0:35:07 | |
A bit defensive. I need someone to get through to him. | 0:35:07 | 0:35:11 | |
Like me. | 0:35:11 | 0:35:15 | |
Yeah, like you. | 0:35:12 | 0:35:15 | |
Why? | 0:35:14 | 0:35:16 | |
You have the same background. | 0:35:16 | 0:35:18 | |
What background? | 0:35:18 | 0:35:21 | |
The same neighbourhood. | 0:35:19 | 0:35:21 | |
He's from Southy? | 0:35:21 | 0:35:24 | |
Yeah. | 0:35:22 | 0:35:24 | |
A boy genius from Southy. | 0:35:24 | 0:35:26 | |
How many shrinks you go to before me? | 0:35:26 | 0:35:31 | |
Five. | 0:35:29 | 0:35:31 | |
-Let me guess - Barry. -Yeah. | 0:35:31 | 0:35:33 | |
-Henry. -Yeah. | 0:35:33 | 0:35:34 | |
Not Rick? | 0:35:34 | 0:35:39 | |
Sean, please. Meet with him. Once a week. | 0:35:35 | 0:35:39 | |
Please. | 0:35:39 | 0:35:41 | |
It's like poker. Don't let him know what you've got. | 0:35:42 | 0:35:47 | |
He probably even read your book. | 0:35:47 | 0:35:51 | |
If he can find it. Hard to find. | 0:35:49 | 0:35:51 | |
-Hi, Will. -Hi. | 0:35:51 | 0:35:53 | |
This is Sean Maguire. Will Hunting. | 0:35:53 | 0:35:55 | |
How are you? | 0:35:55 | 0:35:57 | |
Yeah. Let's start. | 0:36:01 | 0:36:03 | |
I'm pumped. Let the healing begin. | 0:36:03 | 0:36:07 | |
Will you excuse us? | 0:36:05 | 0:36:07 | |
Yeah. Please, Tom. | 0:36:07 | 0:36:10 | |
You, too, Gerry. | 0:36:08 | 0:36:10 | |
Yeah, of course. | 0:36:12 | 0:36:13 | |
How are you? | 0:36:19 | 0:36:21 | |
Where are you from in Southy? | 0:36:21 | 0:36:23 | |
I like what you've done with the place. | 0:36:23 | 0:36:26 | |
Oh, thanks. | 0:36:26 | 0:36:27 | |
Do you buy these books retail? | 0:36:27 | 0:36:29 | |
Or do you send away for a shrink kit with all the books included? | 0:36:29 | 0:36:34 | |
-Do you like books? -Yeah. | 0:36:34 | 0:36:36 | |
-Did you read any of these? -I don't know. | 0:36:36 | 0:36:39 | |
-How about these? -Probably not. | 0:36:39 | 0:36:42 | |
What about the top shelf? Read those? | 0:36:42 | 0:36:45 | |
-Yeah, I read those. -Good. What do you think about them? | 0:36:45 | 0:36:49 | |
I'm not here for a fuckin' book report. You read them. | 0:36:49 | 0:36:52 | |
-I did. I had to. -Must have taken a long time. | 0:36:52 | 0:36:56 | |
Yeah, it did. | 0:36:56 | 0:36:58 | |
The United States of America - A Complete History, Volume One. | 0:37:04 | 0:37:10 | |
Jesus. | 0:37:18 | 0:37:20 | |
You want to read a real history book, | 0:37:20 | 0:37:22 | |
read Zinn's People's History Of The United States. | 0:37:22 | 0:37:26 | |
Better than Chomsky's Manufacturing Consent? | 0:37:26 | 0:37:29 | |
You fuckin' people baffle me. | 0:37:29 | 0:37:32 | |
You spend all your money on these fuckin' fancy books. | 0:37:31 | 0:37:35 | |
They're the wrong fuckin' books. | 0:37:35 | 0:37:38 | |
What are the right fucking books? | 0:37:38 | 0:37:42 | |
Whatever blows your hair back. | 0:37:40 | 0:37:42 | |
I haven't got much hair. | 0:37:42 | 0:37:44 | |
Shoving that cigarette up your ass is healthier. | 0:37:44 | 0:37:50 | |
Yeah, it gets in the way of my yoga. | 0:37:47 | 0:37:50 | |
-SEAN LAUGHS: -You work out, huh? | 0:37:50 | 0:37:52 | |
-What? You lift? -Yeah. | 0:37:52 | 0:37:54 | |
-Nautilus? -No, free weights. | 0:37:54 | 0:37:57 | |
-Really? Free weights? -Big time. | 0:37:57 | 0:37:59 | |
-What do you bench? -285. What do you bench? | 0:37:59 | 0:38:02 | |
Did you paint that? | 0:38:04 | 0:38:07 | |
Yeah. You paint? | 0:38:05 | 0:38:07 | |
Nuh-uh. | 0:38:07 | 0:38:08 | |
Do you sculpt? | 0:38:08 | 0:38:12 | |
No. | 0:38:10 | 0:38:12 | |
Do you like art? | 0:38:12 | 0:38:14 | |
Do you like music? | 0:38:14 | 0:38:16 | |
It's a real piece of shit. | 0:38:16 | 0:38:18 | |
Tell me what you really think(!) | 0:38:18 | 0:38:20 | |
The linear and impressionistic mix makes it muddled. | 0:38:20 | 0:38:24 | |
It's a Winslow Homer rip-off, except whitey's in the boat. | 0:38:24 | 0:38:28 | |
-Art 1A. I wasn't good. -That's not what concerns me. | 0:38:28 | 0:38:32 | |
-What concerns you? -The colouring. | 0:38:32 | 0:38:34 | |
You know what the bitch is? It's paint-by-number. | 0:38:34 | 0:38:38 | |
Is it colour-by-number? The colours are fascinating. | 0:38:38 | 0:38:42 | |
Really? | 0:38:42 | 0:38:43 | |
You're one step away from cutting your fuckin' ear off. | 0:38:43 | 0:38:46 | |
Really? I should move to the south of France, call myself Vincent? | 0:38:46 | 0:38:51 | |
Heard the saying, "Any port in a storm"? | 0:38:51 | 0:38:55 | |
Yeah. | 0:38:53 | 0:38:55 | |
Maybe that means you. | 0:38:55 | 0:38:58 | |
In what way? | 0:38:56 | 0:38:58 | |
Maybe you're in the middle of a fuckin' storm. | 0:38:58 | 0:39:01 | |
The sky's falling on your head, waves crashing, oars about to snap. | 0:39:01 | 0:39:06 | |
You just pissed in your pants. | 0:39:06 | 0:39:08 | |
You do what you got to, to get out. Maybe you became a psychologist. | 0:39:08 | 0:39:13 | |
Bingo. That's it. Let me do my job now. Come on. | 0:39:13 | 0:39:16 | |
Maybe you married the wrong woman. | 0:39:18 | 0:39:23 | |
Maybe you should watch your mouth. | 0:39:20 | 0:39:23 | |
Watch it right there, chief. | 0:39:24 | 0:39:26 | |
Yeah. | 0:39:29 | 0:39:30 | |
Well, that's it, isn't it? | 0:39:34 | 0:39:36 | |
You married the wrong woman. | 0:39:36 | 0:39:39 | |
What happened? | 0:39:40 | 0:39:42 | |
What? Did she leave you? | 0:39:42 | 0:39:44 | |
Was she banging some other guy? | 0:39:44 | 0:39:46 | |
If you disrespect my wife again, I will end you. I'll fuckin' end you. | 0:39:49 | 0:39:54 | |
Got that, chief? | 0:39:54 | 0:39:56 | |
Time's up. | 0:39:58 | 0:39:59 | |
Yeah. | 0:39:59 | 0:40:01 | |
At ease, gentlemen. | 0:40:14 | 0:40:16 | |
You OK? > | 0:40:22 | 0:40:24 | |
I'll understand if you don't want to meet with him again. | 0:40:28 | 0:40:32 | |
Thursday. four o'clock. | 0:40:32 | 0:40:34 | |
Make sure the kid's here. | 0:40:34 | 0:40:36 | |
Yeah. Thanks. | 0:40:38 | 0:40:41 | |
Well, you look lovely in those glasses. | 0:41:44 | 0:41:47 | |
-Thank you very much. -Beautiful. | 0:41:47 | 0:41:49 | |
I always wanted dark-blue eye shadow. | 0:41:49 | 0:41:52 | |
In England, I went to a nice school. It was a progressive, organic, | 0:41:55 | 0:42:01 | |
do-it-yourself private school. | 0:42:01 | 0:42:04 | |
Then Harvard. | 0:42:04 | 0:42:06 | |
Finally, med school. | 0:42:06 | 0:42:07 | |
I figure that at the end, my brain's going to be worth | 0:42:07 | 0:42:11 | |
250,000. | 0:42:11 | 0:42:13 | |
That sounded horrible, didn't it? | 0:42:13 | 0:42:16 | |
Bring me another mai tai! | 0:42:18 | 0:42:20 | |
No, that's cool. I bet your parents were happy to pay. | 0:42:20 | 0:42:24 | |
No, I was happy to pay. I inherited the money. | 0:42:24 | 0:42:28 | |
Wow. Is Harvard getting all that money? | 0:42:28 | 0:42:31 | |
No, Stanford. I'm going there in June when I graduate. | 0:42:31 | 0:42:35 | |
So you just wanted to use this sailor and run away? | 0:42:35 | 0:42:39 | |
I was going to experiment on you for anatomy class first. | 0:42:39 | 0:42:45 | |
In that case, that's fine. | 0:42:42 | 0:42:45 | |
You want to see my magic trick? | 0:42:45 | 0:42:49 | |
Of course. | 0:42:47 | 0:42:49 | |
Honest. All right. | 0:42:49 | 0:42:51 | |
This one's for you, Rudolph. | 0:42:52 | 0:42:54 | |
Wait! You need my wand. | 0:42:54 | 0:42:57 | |
Give me a hit. | 0:42:56 | 0:42:57 | |
All right. I'll make all these caramels disappear. | 0:42:57 | 0:43:01 | |
You ready? | 0:43:01 | 0:43:03 | |
Ready? | 0:43:03 | 0:43:04 | |
One, two, three! | 0:43:04 | 0:43:07 | |
Oh! | 0:43:07 | 0:43:08 | |
They're all gone. It works better when I have my rabbit. | 0:43:08 | 0:43:12 | |
Well... | 0:43:12 | 0:43:14 | |
I don't really date that much. | 0:43:15 | 0:43:17 | |
How very unfortunate. | 0:43:17 | 0:43:19 | |
I think, for me. | 0:43:19 | 0:43:21 | |
You know what I mean! I know you've been thinking about it. | 0:43:21 | 0:43:25 | |
-No, I haven't. -Yes, you have. | 0:43:25 | 0:43:27 | |
-No, I really haven't. -You were hoping for a goodnight kiss. | 0:43:27 | 0:43:31 | |
No, I was hoping for a goodnight lay. | 0:43:31 | 0:43:34 | |
But I'll settle for a kiss. | 0:43:36 | 0:43:39 | |
That's very noble of you. | 0:43:37 | 0:43:39 | |
Thank you. | 0:43:39 | 0:43:41 | |
No, I was hoping for a kiss. | 0:43:41 | 0:43:43 | |
Well, why don't we just get it out of the way now? | 0:43:45 | 0:43:49 | |
Right now? | 0:43:49 | 0:43:52 | |
Yeah. | 0:43:50 | 0:43:52 | |
Come on. | 0:43:52 | 0:43:54 | |
I think I got some of your pickle! | 0:44:02 | 0:44:05 | |
You again, huh? | 0:44:15 | 0:44:17 | |
Come with me. | 0:44:18 | 0:44:20 | |
So what's this? A real Taster's Choice moment between guys? | 0:44:27 | 0:44:32 | |
This is really nice. You got a thing for swans? | 0:44:32 | 0:44:35 | |
Is this like a fetish we need to devote some time to? | 0:44:35 | 0:44:39 | |
I thought about what you said to me the other day. About my painting. | 0:44:39 | 0:44:44 | |
Oh. | 0:44:44 | 0:44:45 | |
I stayed up half the night thinking about it. | 0:44:45 | 0:44:48 | |
Then something occurred to me. | 0:44:48 | 0:44:50 | |
I fell into a deep sleep and I haven't thought about you since. | 0:44:50 | 0:44:55 | |
You know what occurred to me? | 0:44:55 | 0:44:58 | |
No. | 0:44:57 | 0:44:58 | |
You're a kid. You don't have the faintest idea | 0:44:58 | 0:45:02 | |
what you're talking about. | 0:45:02 | 0:45:04 | |
Why, thank you. | 0:45:04 | 0:45:06 | |
It's all right. | 0:45:05 | 0:45:06 | |
You've never been out of Boston. | 0:45:06 | 0:45:09 | |
Nope. | 0:45:11 | 0:45:12 | |
If I asked you about art, | 0:45:12 | 0:45:14 | |
you'd give me the skinny on every art book ever written. | 0:45:14 | 0:45:18 | |
Michelangelo. You know a lot about him. | 0:45:18 | 0:45:21 | |
Life's work, political aspirations, | 0:45:21 | 0:45:24 | |
him and the Pope, sexual orientation. The whole works, right? | 0:45:24 | 0:45:29 | |
But I bet you can't tell me what it smells like in the Sistine Chapel. | 0:45:28 | 0:45:34 | |
You've never stood there and looked at that beautiful ceiling... | 0:45:35 | 0:45:41 | |
seen that. | 0:45:41 | 0:45:43 | |
If I ask you about women, | 0:45:45 | 0:45:47 | |
you'd probably give me a syllabus of your personal favourites. | 0:45:47 | 0:45:51 | |
You may have even been laid a few times. | 0:45:51 | 0:45:54 | |
But you can't tell me what it feels like to wake up next to a woman | 0:45:57 | 0:46:01 | |
and feel truly happy. | 0:46:01 | 0:46:03 | |
You're a tough kid. | 0:46:07 | 0:46:09 | |
I ask you about war, you'd probably throw Shakespeare at me, right? | 0:46:10 | 0:46:14 | |
"Once more into the breach, dear friends." | 0:46:14 | 0:46:18 | |
But you've never been near one. | 0:46:18 | 0:46:20 | |
You've never held your best friend's head in your lap | 0:46:20 | 0:46:24 | |
and watched him gasp his last breath, looking to you for help. | 0:46:24 | 0:46:29 | |
I ask you about love, you'd probably quote me a sonnet. | 0:46:29 | 0:46:33 | |
But you've never looked at a woman and been totally vulnerable, | 0:46:35 | 0:46:40 | |
known someone that could level you with her eyes, | 0:46:40 | 0:46:44 | |
feeling like God put an angel on earth just for you, | 0:46:44 | 0:46:47 | |
who could rescue you from the depths of hell. | 0:46:47 | 0:46:51 | |
And you wouldn't know what it's like to be her angel, | 0:46:51 | 0:46:54 | |
to have that love for her be there forever, through anything. | 0:46:54 | 0:46:59 | |
Through cancer. | 0:46:59 | 0:47:01 | |
You wouldn't know about sleeping in hospital holding her hand | 0:47:01 | 0:47:05 | |
because the doctors could see | 0:47:05 | 0:47:07 | |
that the terms "visiting hours" don't apply to you. | 0:47:07 | 0:47:11 | |
You don't know about loss | 0:47:11 | 0:47:13 | |
because that only occurs when you love something more than yourself. | 0:47:13 | 0:47:18 | |
I doubt you've ever dared to love anybody that much. | 0:47:18 | 0:47:22 | |
I look at you, I don't see an intelligent, confident man. | 0:47:25 | 0:47:30 | |
I see a cocky, scared-shitless kid. | 0:47:32 | 0:47:35 | |
But you're a genius, Will. No-one denies that. | 0:47:35 | 0:47:39 | |
No-one could possibly understand the depths of you. | 0:47:39 | 0:47:42 | |
But you presumed to know about me because you saw a painting of mine. | 0:47:42 | 0:47:47 | |
You ripped my fucking life apart. | 0:47:47 | 0:47:50 | |
You're an orphan, right? | 0:47:53 | 0:47:55 | |
Do you think I'd know the first thing | 0:47:57 | 0:48:00 | |
about how hard your life has been, how you feel, who you are, | 0:48:00 | 0:48:05 | |
because I've read Oliver Twist? | 0:48:05 | 0:48:07 | |
Does that encapsulate you? | 0:48:09 | 0:48:11 | |
Personally, I don't give a shit about all that | 0:48:13 | 0:48:16 | |
because I can't learn anything from you I can't read in a fuckin' book. | 0:48:16 | 0:48:22 | |
Unless you want to talk about you, who you are. | 0:48:22 | 0:48:26 | |
Then I'm fascinated. | 0:48:26 | 0:48:29 | |
Come in. | 0:48:30 | 0:48:32 | |
But you don't want to do that, do you, sport? | 0:48:33 | 0:48:37 | |
You're terrified of what you might say. | 0:48:37 | 0:48:40 | |
Your move, chief. | 0:48:46 | 0:48:48 | |
KNOCKS ON DOOR | 0:49:12 | 0:49:13 | |
PHONE RINGS | 0:49:51 | 0:49:53 | |
Hello. | 0:49:53 | 0:49:54 | |
Hello. | 0:49:54 | 0:49:55 | |
'Hello.' | 0:49:57 | 0:49:58 | |
Professor Valenti, is that you again? | 0:49:58 | 0:50:01 | |
Freak. | 0:50:04 | 0:50:05 | |
Who did you call? | 0:50:09 | 0:50:13 | |
No-one. I forgot the number. | 0:50:10 | 0:50:13 | |
Retarded. You went out in the rain without the number? | 0:50:13 | 0:50:17 | |
It was your mother's 900 number. I ran out of cards. | 0:50:17 | 0:50:21 | |
We get off on mothers. I just got off on yours! | 0:50:21 | 0:50:25 | |
That's pretty funny, Morgan. | 0:50:23 | 0:50:25 | |
He's a fucking orphan! | 0:50:25 | 0:50:27 | |
You watch what happens. | 0:50:27 | 0:50:30 | |
All right. | 0:50:28 | 0:50:30 | |
Watch what happens! | 0:50:30 | 0:50:32 | |
You fucking with me? | 0:50:32 | 0:50:34 | |
No smoking. | 0:50:40 | 0:50:42 | |
Didn't talk? But you had an hour. | 0:51:12 | 0:51:14 | |
He counted the seconds until the session was over. Pretty impressive. | 0:51:14 | 0:51:19 | |
Why'd he do that? | 0:51:19 | 0:51:23 | |
To prove he doesn't have to talk to me. | 0:51:21 | 0:51:23 | |
Is this a staring contest between kids from the neighbourhood? | 0:51:23 | 0:51:28 | |
Yeah, it is. And I can't talk first. | 0:51:28 | 0:51:32 | |
We know your theory but the boy's found a geometrical picture. > | 0:51:32 | 0:51:37 | |
It won't work. | 0:51:37 | 0:51:42 | |
He joined the vertices. | 0:51:38 | 0:51:42 | |
I can do the sum. | 0:51:40 | 0:51:42 | |
It's how you group the terms. | 0:51:42 | 0:51:45 | |
But if we do it all this way... | 0:51:45 | 0:51:49 | |
Hey, look, look. | 0:51:47 | 0:51:49 | |
I wrote it down. It's simpler this way. | 0:51:49 | 0:51:53 | |
Sometimes people get lucky. | 0:52:03 | 0:52:06 | |
You're a brilliant man. | 0:52:06 | 0:52:08 | |
HE WHISTLES | 0:52:17 | 0:52:19 | |
You know, I was on this plane once | 0:52:43 | 0:52:46 | |
and...the captain does his whole "We'll be cruising at 35,000ft," | 0:52:46 | 0:52:51 | |
but he puts the mike down, forgets to turn it off. | 0:52:51 | 0:52:54 | |
He turns to the co-pilot, like... | 0:52:54 | 0:52:57 | |
"All I could use now is a fuckin' blow job and a cup of coffee." | 0:52:57 | 0:53:01 | |
The stewardess goes bombing up to tell him the microphone's on. | 0:53:01 | 0:53:05 | |
A passenger says, "Hey, don't forget the coffee." | 0:53:05 | 0:53:09 | |
HE CHUCKLES | 0:53:09 | 0:53:10 | |
Ever been on a plane? | 0:53:10 | 0:53:12 | |
No, but it's a joke. Works better in the first person. | 0:53:12 | 0:53:16 | |
Yeah, it does. | 0:53:16 | 0:53:18 | |
I have been laid, you know. | 0:53:21 | 0:53:23 | |
Really? Good for you. | 0:53:23 | 0:53:25 | |
-Big time. -Big time, eh? | 0:53:25 | 0:53:27 | |
Yeah, I went on a date last week. | 0:53:27 | 0:53:30 | |
-How'd it go? -It was good. | 0:53:30 | 0:53:32 | |
Going out again? | 0:53:32 | 0:53:34 | |
I don't know. Haven't called her. | 0:53:34 | 0:53:37 | |
You're an amateur. | 0:53:37 | 0:53:40 | |
I know what I'm doing. | 0:53:38 | 0:53:40 | |
Yeah. Don't worry about me. I know what I'm doing. | 0:53:40 | 0:53:43 | |
But this girl is, you know, beautiful. | 0:53:43 | 0:53:46 | |
She's smart, she's fun. Different from most girls I've been with. | 0:53:46 | 0:53:51 | |
So call her up, Romeo. | 0:53:51 | 0:53:53 | |
So I can see she's not that smart? She's fucking boring? | 0:53:53 | 0:53:57 | |
She is fuckin' perfect now. I don't wanna ruin that. | 0:53:57 | 0:54:00 | |
Maybe you're perfect right now. Maybe you don't want to ruin that. | 0:54:00 | 0:54:05 | |
But I think that's a super philosophy. | 0:54:05 | 0:54:08 | |
You can go through your entire life without ever having to know anybody. | 0:54:08 | 0:54:14 | |
My wife farted when she was nervous. | 0:54:15 | 0:54:18 | |
She had so many wonderful idiosyncrasies. | 0:54:18 | 0:54:21 | |
She used to fart in her sleep! | 0:54:21 | 0:54:23 | |
Sorry I shared that with you. | 0:54:23 | 0:54:26 | |
One night it was so loud it woke the dog up! | 0:54:26 | 0:54:30 | |
She woke up, like, | 0:54:31 | 0:54:33 | |
"Was that you?" I said, "Yeah." I couldn't tell her! | 0:54:33 | 0:54:37 | |
She woke herself up? | 0:54:37 | 0:54:39 | |
Christ! She's been dead two years and that's the shit I remember. | 0:54:44 | 0:54:49 | |
Wonderful stuff, you know. Little things like that. | 0:54:49 | 0:54:54 | |
Those are what I miss the most - the idiosyncrasies that only I know. | 0:54:54 | 0:54:59 | |
That's what made her my wife. | 0:54:59 | 0:55:01 | |
She had the goods on me, too - she knew my peccadilloes. | 0:55:01 | 0:55:05 | |
People call these things imperfections but they're not. | 0:55:05 | 0:55:10 | |
That's the good stuff. | 0:55:10 | 0:55:12 | |
And then we get to choose who we let into our weird little worlds. | 0:55:12 | 0:55:17 | |
You're not perfect, sport. | 0:55:17 | 0:55:19 | |
And let me save you the suspense - this girl you met isn't perfect. | 0:55:19 | 0:55:23 | |
But the question is whether or not | 0:55:23 | 0:55:26 | |
you're perfect for each other. | 0:55:26 | 0:55:28 | |
That's the deal. That's what intimacy is all about. | 0:55:28 | 0:55:32 | |
You can know everything | 0:55:31 | 0:55:33 | |
but you'll only find that out by giving it a shot. | 0:55:33 | 0:55:37 | |
You won't learn from an old fucker like me. | 0:55:37 | 0:55:40 | |
Even if I did know, I wouldn't tell a pissant like you. | 0:55:40 | 0:55:44 | |
Why not? | 0:55:44 | 0:55:46 | |
You told me every other fuckin' thing! | 0:55:46 | 0:55:49 | |
Talk more than any shrink I ever seen. | 0:55:48 | 0:55:51 | |
I teach this shit. I don't know how to do it. | 0:55:51 | 0:55:55 | |
Yeah. | 0:55:55 | 0:55:57 | |
You think about getting remarried? | 0:56:01 | 0:56:06 | |
My wife's dead. | 0:56:03 | 0:56:06 | |
Hence the word "remarried". | 0:56:06 | 0:56:09 | |
She's dead. | 0:56:07 | 0:56:09 | |
Well, I think that's a super philosophy, Sean. | 0:56:10 | 0:56:13 | |
You could go through the rest of your life without knowing anybody. | 0:56:13 | 0:56:18 | |
Time's up. | 0:56:21 | 0:56:23 | |
Hold it open. | 0:56:37 | 0:56:39 | |
FAINT PIANO PLAYING | 0:56:46 | 0:56:48 | |
< SKYLAR SINGS | 0:56:54 | 0:56:56 | |
HE KNOCKS | 0:57:07 | 0:57:08 | |
G minor seven - serviceable chord. | 0:57:09 | 0:57:12 | |
-Hello. -Hey. | 0:57:14 | 0:57:16 | |
Where have you been? | 0:57:16 | 0:57:18 | |
I'm sorry. I've been busy and... | 0:57:18 | 0:57:20 | |
Mmm, me too. Yeah. | 0:57:22 | 0:57:24 | |
I've... I thought you'd call. | 0:57:24 | 0:57:27 | |
Yeah, um... | 0:57:27 | 0:57:29 | |
We had a really good time. | 0:57:29 | 0:57:32 | |
I had a good time, too. | 0:57:30 | 0:57:32 | |
I mean, I just, I... | 0:57:32 | 0:57:34 | |
I'm sorry. I blew it. | 0:57:34 | 0:57:36 | |
No, no, I mean, you know, it's all right. | 0:57:36 | 0:57:39 | |
So, I was wondering if, er, you'd give me another crack at it. | 0:57:39 | 0:57:44 | |
Let me take you out again. | 0:57:44 | 0:57:48 | |
Oh, I can't. | 0:57:45 | 0:57:48 | |
All right. | 0:57:47 | 0:57:51 | |
Oh, no, I didn't... | 0:57:49 | 0:57:51 | |
I didn't mean I can't ever. I just can't right now. | 0:57:50 | 0:57:54 | |
I'm assigning the proton spectrum for ibogamine. | 0:57:54 | 0:57:57 | |
It sounds really interesting but it's actually boring. | 0:57:57 | 0:58:01 | |
All right, um... | 0:58:01 | 0:58:04 | |
But maybe some other time. | 0:58:02 | 0:58:04 | |
Like tomorrow? | 0:58:04 | 0:58:07 | |
Um, yeah, all right. | 0:58:05 | 0:58:07 | |
OK. | 0:58:07 | 0:58:09 | |
Bye. | 0:58:09 | 0:58:10 | |
KNOCK AT DOOR | 0:58:24 | 0:58:25 | |
What are you doing here? | 0:58:25 | 0:58:28 | |
I couldn't wait. | 0:58:26 | 0:58:28 | |
Where the fuck did you get this? | 0:58:28 | 0:58:31 | |
I slept with someone in your class. | 0:58:31 | 0:58:39 | |
I hope it was someone with open-toed sandals and bad breath. | 0:58:33 | 0:58:39 | |
Let's have some fun. | 0:58:39 | 0:58:42 | |
I've got to learn this. | 0:58:40 | 0:58:42 | |
You're going to the surgery tomorrow? | 0:58:42 | 0:58:47 | |
No. | 0:58:44 | 0:58:47 | |
Let's go. | 0:58:46 | 0:58:47 | |
CROWD CHEERS | 0:58:47 | 0:58:49 | |
Oh, my God, my dog is winning! | 0:58:52 | 0:58:55 | |
Come on, Misty! | 0:58:55 | 0:58:57 | |
Come on, run! Come on! | 0:58:57 | 0:59:00 | |
Look, there he goes! | 0:58:59 | 0:59:01 | |
We won. | 0:59:04 | 0:59:08 | |
We totally won! | 0:59:06 | 0:59:08 | |
Did you grow up around here? | 0:59:09 | 0:59:13 | |
Not far - South Boston. | 0:59:11 | 0:59:13 | |
Still glowing from my win. | 0:59:15 | 0:59:17 | |
Yeah, look at you. You're so happy. | 0:59:17 | 0:59:20 | |
And what was that like, then? | 0:59:21 | 0:59:24 | |
It was normal, I guess. Nothing special. | 0:59:24 | 0:59:27 | |
Have you got a lot of brothers and sisters? | 0:59:27 | 0:59:30 | |
Do I have a lot? | 0:59:30 | 0:59:34 | |
That's what I said. | 0:59:32 | 0:59:34 | |
Irish Catholic - what do you think? | 0:59:34 | 0:59:38 | |
All right, that's fine. | 0:59:36 | 0:59:38 | |
How many? | 0:59:39 | 0:59:41 | |
You wouldn't believe me. | 0:59:41 | 0:59:43 | |
Why? | 0:59:44 | 0:59:45 | |
God, what, five? | 0:59:45 | 0:59:47 | |
Seven? Eight? How many? | 0:59:47 | 0:59:51 | |
Twelve big brothers. | 0:59:51 | 0:59:56 | |
You do not! | 0:59:52 | 0:59:56 | |
I swear to God. I'm lucky thirteen. | 0:59:53 | 0:59:56 | |
Do you know all their names? | 0:59:56 | 0:59:57 | |
Do I...? Yeah, they're my brothers. | 0:59:57 | 1:00:00 | |
What are they called? | 1:00:00 | 1:00:04 | |
Marky, Ricky, Danny, Terry, Mikey, | 1:00:01 | 1:00:04 | |
Davey, Timmy, Tommy, Joey, Robbie, Johnny and Brian. | 1:00:04 | 1:00:06 | |
Say it again. | 1:00:06 | 1:00:10 | |
Marky, Ricky, Danny, Terry, Mikey, | 1:00:08 | 1:00:10 | |
Davey, Timmy, Tommy, Joey, Robbie, Johnny and Brian. | 1:00:10 | 1:00:13 | |
And Willy. | 1:00:13 | 1:00:15 | |
Willy? Will. | 1:00:15 | 1:00:17 | |
Wow. | 1:00:17 | 1:00:18 | |
Do you still see all of them? | 1:00:18 | 1:00:22 | |
Yeah, they're in Southy. | 1:00:20 | 1:00:22 | |
I live with three of them. Yeah. | 1:00:22 | 1:00:25 | |
I'd like to meet them. | 1:00:24 | 1:00:28 | |
Yeah, we'll do that. | 1:00:26 | 1:00:28 | |
I read your book last night. | 1:00:28 | 1:00:32 | |
So you're the one! | 1:00:30 | 1:00:32 | |
Do you still counsel veterans? | 1:00:32 | 1:00:35 | |
No, I don't. | 1:00:35 | 1:00:40 | |
Why not? | 1:00:37 | 1:00:40 | |
I gave it up when my wife got sick. | 1:00:37 | 1:00:40 | |
You ever wonder what your life would be like if you never met your wife? | 1:00:40 | 1:00:45 | |
Wonder if I'd be better off without her? | 1:00:45 | 1:00:49 | |
Not better off. I didn't mean it like that. | 1:00:48 | 1:00:52 | |
It's an important question. You'll have bad times, | 1:00:52 | 1:00:55 | |
which wake you up to the good stuff you weren't attending to. | 1:00:55 | 1:00:59 | |
You don't regret meeting your wife? | 1:00:59 | 1:01:01 | |
Why? Because of the pain I feel now? | 1:01:01 | 1:01:04 | |
I've got regrets, but I don't regret a day I spent with her. | 1:01:04 | 1:01:08 | |
When did you know she was the one for you? | 1:01:13 | 1:01:16 | |
October 21st, 1975. | 1:01:16 | 1:01:19 | |
You know the fucking date?! | 1:01:19 | 1:01:21 | |
Game Six of the World Series. Biggest game in Red Sox history. | 1:01:21 | 1:01:26 | |
My friends and I slept on the sidewalk all night to get tickets. | 1:01:26 | 1:01:31 | |
You got tickets?! | 1:01:31 | 1:01:33 | |
Yep. | 1:01:32 | 1:01:33 | |
We're in a bar waiting for the start | 1:01:33 | 1:01:36 | |
and in walks this girl. | 1:01:36 | 1:01:38 | |
Amazing game. Bottom of the eighth, | 1:01:38 | 1:01:40 | |
Carbo ties it up with a 6-6. It went to 12. | 1:01:40 | 1:01:43 | |
Bottom of the 12th, in stepped Carlton Fisk. Pudge steps up. | 1:01:43 | 1:01:48 | |
He's got that weird stance? | 1:01:48 | 1:01:50 | |
Then... UH! He clocks it. | 1:01:50 | 1:01:52 | |
High fly ball on the left field line! | 1:01:52 | 1:01:55 | |
35,000 people on their feet yelling at the ball | 1:01:55 | 1:01:59 | |
and Fisk's waving at it like a madman. "Get over!" | 1:01:59 | 1:02:02 | |
"Get over!" | 1:02:02 | 1:02:03 | |
It hits the foul pole. | 1:02:03 | 1:02:05 | |
He goes apeshit! And 35,000 fans charge the field. | 1:02:05 | 1:02:10 | |
He's fuckin'... | 1:02:10 | 1:02:13 | |
"Get out of the way!" | 1:02:11 | 1:02:13 | |
I can't believe you had tickets! Did you rush the field? | 1:02:13 | 1:02:17 | |
No, I wasn't there. | 1:02:17 | 1:02:19 | |
-What? -No. | 1:02:19 | 1:02:21 | |
I was with my future wife. | 1:02:21 | 1:02:23 | |
You missed Fisk's home run? To be with some lady?! | 1:02:23 | 1:02:27 | |
You should've seen her. A stunner. | 1:02:27 | 1:02:30 | |
-I don't care... -She lit up the room. | 1:02:30 | 1:02:33 | |
Even if it's Helen of Troy, that's Game Six! | 1:02:32 | 1:02:35 | |
Your friends let you get away with that?! | 1:02:35 | 1:02:40 | |
They had to. | 1:02:38 | 1:02:40 | |
What did you say to 'em? | 1:02:40 | 1:02:45 | |
I slid my ticket over and said, "I gotta see about a girl." | 1:02:41 | 1:02:45 | |
That's what you said? They let you get away with that? | 1:02:45 | 1:02:51 | |
They saw my eyes and I meant it. | 1:02:50 | 1:02:53 | |
You're kidding me. | 1:02:53 | 1:02:56 | |
No, I'm not kidding. | 1:02:54 | 1:02:56 | |
It's why I'm not talking about some girl I saw I regret not talking to. | 1:02:56 | 1:03:01 | |
I don't regret the years I was married or the years I stopped work | 1:03:01 | 1:03:05 | |
when she got sick or the last years when she got really sick. | 1:03:05 | 1:03:10 | |
And I sure as hell don't regret missing the damn game. | 1:03:10 | 1:03:14 | |
That's regret. | 1:03:14 | 1:03:16 | |
Wow. | 1:03:16 | 1:03:18 | |
Would've been nice to catch that game. | 1:03:23 | 1:03:26 | |
I didn't know Pudge would hit a home run. | 1:03:26 | 1:03:29 | |
I'm very useful on the court - I'm extremely tall. | 1:03:32 | 1:03:36 | |
You're not that tall. | 1:03:37 | 1:03:40 | |
I dunk. | 1:03:38 | 1:03:40 | |
Will I ever play in the NBA? | 1:03:43 | 1:03:45 | |
"It is decidedly so." | 1:03:46 | 1:03:48 | |
Why do we always stay here? | 1:03:52 | 1:03:54 | |
Cos it's nicer than my place. | 1:03:54 | 1:03:57 | |
Yes, but I've never seen your place. | 1:03:57 | 1:04:01 | |
I know. | 1:03:59 | 1:04:01 | |
When am I going to meet your friends and brothers? | 1:04:01 | 1:04:05 | |
They don't come down here much. | 1:04:05 | 1:04:08 | |
I could make it to South Boston. | 1:04:08 | 1:04:10 | |
It's kind of a hike. | 1:04:10 | 1:04:12 | |
Is it me you're hiding from them or the other way round? | 1:04:12 | 1:04:17 | |
All right, we'll go. | 1:04:17 | 1:04:20 | |
When? | 1:04:18 | 1:04:20 | |
I dunno. Some time next week. | 1:04:20 | 1:04:22 | |
And if I said I would not sleep with you again until I met your friends? | 1:04:22 | 1:04:27 | |
I'd say it's, like, 4.30 in the morning. They're probably up. | 1:04:32 | 1:04:37 | |
Oh, men are shameless. If you're not thinking with your wiener, | 1:04:37 | 1:04:41 | |
you're acting on its behalf. | 1:04:41 | 1:04:45 | |
You bet. On its behalf, | 1:04:43 | 1:04:45 | |
can I get an advance payment? | 1:04:45 | 1:04:49 | |
Let's ask. | 1:04:47 | 1:04:49 | |
"Outlook does not look good." | 1:04:49 | 1:04:51 | |
'What?' | 1:04:51 | 1:04:54 | |
Hey, Chuck, nothing. | 1:04:52 | 1:04:54 | |
That thing said you'd play in the NBA. | 1:04:54 | 1:04:57 | |
Exactly, so you'd better start buying season tickets. | 1:04:57 | 1:05:01 | |
I plan to. I'm tall. I like wearing shorts. | 1:05:04 | 1:05:07 | |
Hook, hook. Dunk, dunk. | 1:05:07 | 1:05:09 | |
You're not that tall. | 1:05:09 | 1:05:13 | |
I am. Maybe I'm all about 3 points. | 1:05:10 | 1:05:13 | |
How about a home run? | 1:05:15 | 1:05:17 | |
Stop mixing your sporting metaphors. | 1:05:17 | 1:05:21 | |
The leprechaun's got his dick in the monkey's ass. | 1:05:33 | 1:05:37 | |
The monkey comes running in going, "I don't mind it!" | 1:05:36 | 1:05:40 | |
I can't believe you brought Skylar here. We're bombed and drinking! | 1:05:40 | 1:05:45 | |
It's a rarity we'd be all drinking! | 1:05:45 | 1:05:48 | |
Uncle Marty goes on a bender for months. | 1:05:48 | 1:05:51 | |
Did I tell you what happened when he was driving and got pulled over? | 1:05:51 | 1:05:56 | |
I'll tell you | 1:05:56 | 1:05:58 | |
cos you ought to know this. | 1:05:58 | 1:06:00 | |
He's always telling stories. Every time he's got a story. But go ahead. | 1:06:00 | 1:06:05 | |
I will go ahead, thanks a lot. I have the floor now. | 1:06:06 | 1:06:10 | |
Um, yeah, my Uncle Marty's driving home, right? | 1:06:10 | 1:06:14 | |
Bombed out of his tree, right? Hammered out of his gourd. Wrecked. | 1:06:14 | 1:06:19 | |
State trooper pulls him over. So, my uncle's fucked, basically. | 1:06:19 | 1:06:24 | |
He pukes on the guy. Statie's pretty sure he's over the legal limit. | 1:06:24 | 1:06:29 | |
He's about to throw cuffs on, put him in jail. | 1:06:29 | 1:06:32 | |
Suddenly down the road there's this huge fucking boom! | 1:06:32 | 1:06:36 | |
So, statie gets spooked and turns around... | 1:06:36 | 1:06:40 | |
Gunshot? | 1:06:38 | 1:06:40 | |
No. | 1:06:40 | 1:06:42 | |
You've heard this before. | 1:06:42 | 1:06:44 | |
Some other guy's car had hit a tree, OK? There was an accident. | 1:06:44 | 1:06:48 | |
Anyway... | 1:06:48 | 1:06:50 | |
-How could he hear... -Shut the fuck up! | 1:06:50 | 1:06:52 | |
I'm gonna break your neck! Shut up! | 1:06:52 | 1:06:55 | |
So, he tells my uncle, "Stay here. Don't move." | 1:06:55 | 1:07:00 | |
Statie runs down the road to deal with the accident. | 1:07:00 | 1:07:03 | |
After a few minutes of lying in piss and vomit, | 1:07:03 | 1:07:07 | |
my uncle wonders what he's doing there. | 1:07:07 | 1:07:09 | |
Gets in his car and drives home. | 1:07:09 | 1:07:12 | |
The next morning my uncle's passed out and hears this knock on the door | 1:07:12 | 1:07:17 | |
He goes downstairs, | 1:07:17 | 1:07:18 | |
pulls the door open - "What?!" It's the state trooper. | 1:07:18 | 1:07:22 | |
Statie's like, "What? I pulled you over last night and you took off." | 1:07:22 | 1:07:27 | |
He's like, "I never seen you. I been home all night. I don't know you." | 1:07:27 | 1:07:33 | |
He's like, "You know me. Let me get in your garage. Open your garage." | 1:07:32 | 1:07:38 | |
My uncle opens the garage. | 1:07:38 | 1:07:41 | |
And there is... the statie's police cruiser. | 1:07:41 | 1:07:44 | |
It's in my uncle's garage. | 1:07:44 | 1:07:46 | |
He was so fuckin' hammered he drove the wrong car home. | 1:07:46 | 1:07:51 | |
And the statie was so embarrassed, he didn't do anything. | 1:07:51 | 1:07:55 | |
He'd been driving my uncle's Chevelle, looking for the house. | 1:07:55 | 1:07:59 | |
Chuck, what the fuck is the point of your story? | 1:07:59 | 1:08:03 | |
He got away. That's the point. | 1:08:03 | 1:08:05 | |
All right, well, question. | 1:08:05 | 1:08:08 | |
Stop! | 1:08:08 | 1:08:09 | |
I want to clarify this! | 1:08:09 | 1:08:12 | |
You're embarrassing. | 1:08:10 | 1:08:12 | |
It doesn't make sense! | 1:08:12 | 1:08:16 | |
It does. Just listen to the story. | 1:08:14 | 1:08:16 | |
See if you get this. I've got a little story. | 1:08:16 | 1:08:20 | |
All right, there's an old couple in bed. Mary and Paddy. | 1:08:20 | 1:08:24 | |
And they wake up on the morning of their 50th anniversary. | 1:08:24 | 1:08:28 | |
And Mary looks over and gazes adoringly at Paddy. | 1:08:28 | 1:08:32 | |
-IRISH ACCENT: -"Paddy, you're such a good-looking fella. I love ya." | 1:08:32 | 1:08:37 | |
"I want to give you a present." | 1:08:37 | 1:08:39 | |
"Anything you desire, I'll give to you. What would you like?" | 1:08:39 | 1:08:44 | |
Paddy's, like, "Oh, gee, Mary, that's a very sweet offer." | 1:08:44 | 1:08:48 | |
"Now, in 50 years there's one thing that's been missing." | 1:08:48 | 1:08:53 | |
"And, er, I would like you to give me a blow job." | 1:08:53 | 1:08:57 | |
"I would like one." And Mary's, like, "All right." | 1:08:57 | 1:09:01 | |
Takes her teeth out, puts them in a glass, gives him a blow job. | 1:09:01 | 1:09:05 | |
Afterwards Paddy's, like, "Jeez, that's what I've been missing." | 1:09:05 | 1:09:10 | |
"That was the most earth-shattering thing ever! Beautiful! I love you." | 1:09:10 | 1:09:15 | |
"Is there anything that I could do for you?" | 1:09:15 | 1:09:18 | |
And Mary looks up at him and she goes... "Give us a kiss." | 1:09:18 | 1:09:23 | |
-Urgh! -Oh, my God! | 1:09:22 | 1:09:25 | |
That's filthy! | 1:09:25 | 1:09:28 | |
< I've heard filthier. | 1:09:26 | 1:09:28 | |
See you guys later. | 1:09:34 | 1:09:39 | |
All right. Take it easy, Bill. | 1:09:36 | 1:09:39 | |
Skylar, thanks for coming. Changed my opinion of Harvard people. | 1:09:39 | 1:09:44 | |
Don't rush your judgment. They're not all like me. | 1:09:44 | 1:09:48 | |
I'm sure. It was nice to meet you. | 1:09:48 | 1:09:50 | |
Take it easy. Slowly back away. | 1:09:50 | 1:09:53 | |
Oh, come on! Brother! | 1:09:53 | 1:09:55 | |
What are you doing? You're giving us a ride. | 1:09:55 | 1:09:58 | |
What do I look like? | 1:09:58 | 1:10:02 | |
< C'mon, Chuck. Will's taking the car. | 1:09:59 | 1:10:02 | |
All right, thanks, Chuck. I appreciate it. | 1:10:02 | 1:10:05 | |
What are you getting serious about? You're dropping me off. | 1:10:05 | 1:10:10 | |
It's out of the way. | 1:10:10 | 1:10:12 | |
Just cos you're not sleeping in your palace tonight, | 1:10:12 | 1:10:15 | |
don't start thinking you're bad. | 1:10:15 | 1:10:18 | |
You said we'd see your place. | 1:10:17 | 1:10:22 | |
Not tonight. | 1:10:19 | 1:10:22 | |
Not any night. | 1:10:20 | 1:10:22 | |
He knows once you see that shithole, he's getting dropped. | 1:10:22 | 1:10:26 | |
I want to meet your brothers. | 1:10:26 | 1:10:30 | |
We'll do that another time. | 1:10:28 | 1:10:30 | |
All right. | 1:10:30 | 1:10:31 | |
I need them keys. | 1:10:34 | 1:10:36 | |
The stewardess hears it, rushes down the aisle. | 1:10:36 | 1:10:40 | |
I yell, "Don't forget the coffee." | 1:10:40 | 1:10:43 | |
Bullshit. You didn't say that! | 1:10:43 | 1:10:46 | |
For Christ's sake, it's a joke. | 1:10:45 | 1:10:48 | |
I know someone it happened to. | 1:10:48 | 1:10:50 | |
Gerry, have trouble finding it? | 1:10:50 | 1:10:54 | |
I took a cab. | 1:10:52 | 1:10:54 | |
Timmy, this is Gerry. We went to college together. | 1:10:54 | 1:10:58 | |
Nice to meet you. | 1:10:58 | 1:11:02 | |
Pleased to meet you. | 1:11:00 | 1:11:02 | |
Can I get you a beer? | 1:11:02 | 1:11:04 | |
No, a Perrier. | 1:11:03 | 1:11:04 | |
That's French for club soda. | 1:11:04 | 1:11:08 | |
Club soda, yeah? | 1:11:06 | 1:11:08 | |
Couple of sandwiches too. On my tab. | 1:11:08 | 1:11:10 | |
You plan on paying it? | 1:11:10 | 1:11:14 | |
Got the winning lottery ticket. | 1:11:11 | 1:11:14 | |
What's the jackpot? | 1:11:14 | 1:11:18 | |
12 million. | 1:11:15 | 1:11:18 | |
That won't cover it. | 1:11:16 | 1:11:18 | |
It will your sex-change operation! | 1:11:18 | 1:11:21 | |
Nuts? | 1:11:24 | 1:11:28 | |
No, thank you. | 1:11:25 | 1:11:28 | |
So, you wanted to talk about Will. | 1:11:30 | 1:11:33 | |
It seems to be going well. | 1:11:33 | 1:11:36 | |
I think so. | 1:11:34 | 1:11:36 | |
Have you talked to him about his future? | 1:11:36 | 1:11:39 | |
We haven't gotten to that. We're banging away at the past. | 1:11:39 | 1:11:43 | |
Maybe you should. My phone's ringing non-stop with job offers. | 1:11:43 | 1:11:48 | |
What kind? | 1:11:48 | 1:11:50 | |
Cutting edge maths, think tanks. His mind will be given free reign. | 1:11:50 | 1:11:55 | |
It's great that there are offers but I don't think he's ready. | 1:11:55 | 1:12:00 | |
I'm not sure you understand, Sean. | 1:12:04 | 1:12:06 | |
What don't I understand? | 1:12:06 | 1:12:09 | |
Thanks, Tim. | 1:12:09 | 1:12:12 | |
Thank you. | 1:12:10 | 1:12:12 | |
Don't get sticky fingers. | 1:12:12 | 1:12:15 | |
Tim, can you help us? | 1:12:15 | 1:12:17 | |
We're trying to settle a bet. | 1:12:17 | 1:12:19 | |
Uh-oh. | 1:12:19 | 1:12:21 | |
You ever heard of Jonas Salk? | 1:12:21 | 1:12:23 | |
Sure. Cured polio. | 1:12:23 | 1:12:27 | |
You've heard of Albert Einstein? | 1:12:24 | 1:12:27 | |
How about Gerald Lambeau? Ever heard of him? | 1:12:29 | 1:12:32 | |
No. | 1:12:32 | 1:12:34 | |
Thank you, Tim. | 1:12:34 | 1:12:38 | |
So, who won the bet? | 1:12:35 | 1:12:38 | |
I did. | 1:12:36 | 1:12:38 | |
This isn't about me, Sean. I'm nothing compared to this young man. | 1:12:41 | 1:12:47 | |
You ever hear of Gerald Lambeau? | 1:12:49 | 1:12:52 | |
In 1905 there were professors famed for their study of the universe. | 1:12:52 | 1:12:57 | |
But it was a Swiss patent clerk doing physics in his spare time | 1:12:57 | 1:13:02 | |
who changed the world. | 1:13:02 | 1:13:04 | |
Imagine if Einstein gave that up to get drunk with his buddies. | 1:13:04 | 1:13:08 | |
We all would've lost something. Tim would never have heard of him. | 1:13:08 | 1:13:12 | |
Pretty dramatic. | 1:13:12 | 1:13:16 | |
No, it isn't, Sean. | 1:13:14 | 1:13:16 | |
Will has the gift. He just hasn't got direction. We can give him that. | 1:13:15 | 1:13:21 | |
Hey, Gerry, in the 1960s a young man graduated from Michigan University. | 1:13:20 | 1:13:26 | |
Did some brilliant work in mathematics. | 1:13:26 | 1:13:29 | |
Bounded harmonic functions. | 1:13:29 | 1:13:31 | |
He went to Berkeley - showed amazing potential. | 1:13:31 | 1:13:34 | |
Moved to Montana - blew the competition away. | 1:13:34 | 1:13:37 | |
Yes, but who was he? | 1:13:37 | 1:13:42 | |
Ted Kaczynski. | 1:13:39 | 1:13:42 | |
Never heard of him. | 1:13:40 | 1:13:42 | |
-Hey, Timmy! -Yo! | 1:13:42 | 1:13:44 | |
Who's Ted Kaczynski? | 1:13:44 | 1:13:47 | |
Unabomber. | 1:13:45 | 1:13:47 | |
That's what I'm talking about. We gotta give him direction. | 1:13:48 | 1:13:53 | |
He can contribute to the world. We can help. | 1:13:52 | 1:13:56 | |
Direction's OK, manipulation's not. | 1:13:56 | 1:14:01 | |
Sean... | 1:13:58 | 1:14:01 | |
We have to let... | 1:13:58 | 1:14:01 | |
I'm not sitting around hatching a plan to ruin his life! | 1:14:00 | 1:14:05 | |
I was doing advanced maths at 18. It took 20 years to win a Fields Medal. | 1:14:05 | 1:14:10 | |
He mightn't want what you do. Life is more than a fucking Fields Medal. | 1:14:10 | 1:14:15 | |
This is too important, Sean. And it's above personal rivalry. | 1:14:15 | 1:14:20 | |
Let's give him time to figure out what he wants. | 1:14:20 | 1:14:24 | |
Wonderful theory. It worked wonders for you, didn't it? | 1:14:24 | 1:14:30 | |
It did, you arrogant fucking prick! | 1:14:27 | 1:14:30 | |
Well, I'm sorry. I'm sorry that I came here. | 1:14:31 | 1:14:34 | |
I wanted to keep you in the loop. | 1:14:34 | 1:14:39 | |
Nice to be in the loop. | 1:14:36 | 1:14:39 | |
He's now in a meeting I set up over at McNeil. | 1:14:39 | 1:14:42 | |
Well, Will, I'm not exactly sure | 1:14:42 | 1:14:45 | |
what you mean. We've already offered you a position. | 1:14:45 | 1:14:49 | |
Nobody works without a retainer. If you find somebody, go ahead. | 1:14:49 | 1:14:54 | |
But they won't represent you as well as I can. | 1:14:54 | 1:14:57 | |
Will, our offer is 84,000 per year. | 1:14:57 | 1:15:00 | |
RETAINER! | 1:15:01 | 1:15:03 | |
Retainer. | 1:15:03 | 1:15:05 | |
You want us to give you cash, right now? | 1:15:05 | 1:15:08 | |
Woah, ho ho! Easy! Now, I didn't say that. | 1:15:08 | 1:15:11 | |
Allegedly, | 1:15:11 | 1:15:14 | |
your situation, for you, | 1:15:14 | 1:15:16 | |
would be concurrently improved | 1:15:16 | 1:15:19 | |
if I had 200 in my back pocket right now. | 1:15:18 | 1:15:23 | |
Hmm. Ah, I don't think I can... Um, er, Larry? | 1:15:23 | 1:15:27 | |
I've got 73. | 1:15:28 | 1:15:30 | |
Will you take a cheque? | 1:15:30 | 1:15:32 | |
Let me tell you something. You're suspect! Yeah, you. | 1:15:33 | 1:15:38 | |
I dunno what your reputation is in this town | 1:15:38 | 1:15:41 | |
but after the shit you tried to pull today, I'll be looking into you. | 1:15:41 | 1:15:46 | |
Now, in business we have heretofore... | 1:15:46 | 1:15:52 | |
You can speak with my aforementioned attorney. | 1:15:52 | 1:15:55 | |
Good day, gentlemen. | 1:15:55 | 1:15:57 | |
And until that day comes, keep your ear to the grindstone. | 1:15:57 | 1:16:01 | |
How's it going? | 1:16:15 | 1:16:18 | |
Fine. | 1:16:16 | 1:16:18 | |
Good. | 1:16:19 | 1:16:20 | |
You want some help? | 1:16:20 | 1:16:22 | |
No. | 1:16:22 | 1:16:23 | |
Give me one little peek. | 1:16:23 | 1:16:28 | |
No! | 1:16:25 | 1:16:28 | |
We'll go to the batting cages. | 1:16:26 | 1:16:28 | |
It is actually important that I learn this. | 1:16:28 | 1:16:32 | |
It's really important. To me, OK? | 1:16:32 | 1:16:35 | |
All right. | 1:16:35 | 1:16:37 | |
Why don't we hang out here all day? | 1:16:38 | 1:16:42 | |
Yes, why don't we? | 1:16:40 | 1:16:42 | |
All right, Mr Nosy Parker... | 1:16:42 | 1:16:46 | |
..seeing as you're intent on breaking my balls... | 1:16:48 | 1:16:52 | |
..let me ask you a question. | 1:16:52 | 1:16:54 | |
All right. | 1:16:54 | 1:16:55 | |
Do you have a photographic memory? | 1:16:55 | 1:16:58 | |
I don't know, I just kinda remember. How do you remember | 1:16:59 | 1:17:03 | |
your phone number? You just do. | 1:17:03 | 1:17:05 | |
Have you studied organic chemistry? | 1:17:05 | 1:17:09 | |
A little bit. | 1:17:07 | 1:17:09 | |
Oh, just for fun? | 1:17:09 | 1:17:11 | |
Yeah, for kicks. | 1:17:10 | 1:17:11 | |
Yeah, it's so much fun studying organic chemistry. Are you mad? | 1:17:11 | 1:17:16 | |
Have you lost your mind? Nobody studies it for fun. | 1:17:16 | 1:17:20 | |
It's not a necessity, especially for someone like you. | 1:17:20 | 1:17:23 | |
Someone like me? | 1:17:23 | 1:17:30 | |
Yeah. Someone who divides their time between batting cages and bars. | 1:17:24 | 1:17:30 | |
You would hardly say it's a necessity. | 1:17:30 | 1:17:33 | |
You know, there are very smart people here at Harvard, | 1:17:33 | 1:17:37 | |
and even they have to study because this is really hard. And yet... | 1:17:37 | 1:17:42 | |
..you do it so easily, I don't understand how your mind works. | 1:17:43 | 1:17:48 | |
Do you play the piano? | 1:17:48 | 1:17:51 | |
I want to talk about this! | 1:17:49 | 1:17:51 | |
I'm trying to explain it. Do you? | 1:17:51 | 1:17:53 | |
Yeah, a bit. | 1:17:53 | 1:17:55 | |
All right, so when you look at a piano, you see Mozart. | 1:17:55 | 1:17:59 | |
I see Chopsticks. | 1:17:57 | 1:17:59 | |
Well, Beethoven looked at a piano and it made sense. He could play. | 1:17:59 | 1:18:05 | |
So, you play the piano? | 1:18:05 | 1:18:11 | |
Not a lick. I look at a piano, I see keys, three pedals and a box. | 1:18:06 | 1:18:11 | |
Beethoven, Mozart, they saw it, they could just play. | 1:18:11 | 1:18:15 | |
I couldn't paint you a picture. | 1:18:15 | 1:18:17 | |
I can't hit the ball out of Fenway. I can't play piano. | 1:18:17 | 1:18:21 | |
But you can do my O Chem paper in under an hour. | 1:18:21 | 1:18:24 | |
Right. When it came to stuff like that, I could always just play. | 1:18:24 | 1:18:29 | |
That's the best I can explain it. | 1:18:31 | 1:18:33 | |
Come here. I have to tell you something. | 1:18:33 | 1:18:36 | |
Huh? | 1:18:36 | 1:18:40 | |
I have to tell you something. | 1:18:37 | 1:18:40 | |
Well... | 1:18:40 | 1:18:42 | |
It's not fair. | 1:18:56 | 1:18:59 | |
What's not fair? What? | 1:18:57 | 1:18:59 | |
I've been here for four years... and I've only just found you. | 1:18:59 | 1:19:05 | |
Well, you found me. | 1:19:07 | 1:19:09 | |
Are you awake? | 1:19:20 | 1:19:22 | |
No. | 1:19:22 | 1:19:24 | |
Yes, you are. | 1:19:25 | 1:19:27 | |
Will, come to California with me. | 1:19:29 | 1:19:32 | |
What? | 1:19:34 | 1:19:36 | |
I want you to come to California with me. | 1:19:38 | 1:19:41 | |
Are you sure about that? | 1:19:46 | 1:19:48 | |
Oh, yeah. | 1:19:48 | 1:19:50 | |
Yeah, but how do you know? | 1:19:51 | 1:19:53 | |
I don't know. | 1:19:54 | 1:19:56 | |
I just know. | 1:19:56 | 1:19:58 | |
Yeah, but how do you know? | 1:19:58 | 1:20:00 | |
I know because I feel it. | 1:20:00 | 1:20:04 | |
Cos that's a really serious thing you're saying. | 1:20:04 | 1:20:08 | |
We could be in California | 1:20:08 | 1:20:09 | |
and you might find out something about me you don't like. | 1:20:09 | 1:20:13 | |
You'll wish you hadn't said that but you can't take it back | 1:20:13 | 1:20:17 | |
and I'm stuck in California with someone that wants a take-back. | 1:20:17 | 1:20:22 | |
A what? What's a take-back? | 1:20:22 | 1:20:24 | |
I don't want a take-back. | 1:20:25 | 1:20:27 | |
I just want you to come to California with me. | 1:20:27 | 1:20:31 | |
Well, I can't go to California with you, so... | 1:20:31 | 1:20:36 | |
Why not? | 1:20:36 | 1:20:38 | |
One, because I've...got a job here. And two, because I live here. | 1:20:37 | 1:20:43 | |
Look, um... | 1:20:43 | 1:20:45 | |
If you don't love me, just tell me. | 1:20:45 | 1:20:47 | |
I'm not saying I don't love you. | 1:20:47 | 1:20:50 | |
Then why? Why won't you come? What are you so scared of? | 1:20:51 | 1:20:56 | |
What am I so scared of? | 1:20:56 | 1:20:59 | |
What aren't you scared of? | 1:20:59 | 1:21:01 | |
You live in a little world where no one challenges you. You're scared... | 1:21:01 | 1:21:08 | |
Don't tell me about my world! | 1:21:05 | 1:21:08 | |
You want a fling with a downtown guy | 1:21:08 | 1:21:11 | |
and you'll go to Stanford, marry some prick your parents will like | 1:21:11 | 1:21:15 | |
and tell other trust-fund babies how you went slumming, too, once! | 1:21:15 | 1:21:20 | |
Why are you saying this? What is your obsession with this money? | 1:21:20 | 1:21:25 | |
My father died when I was 13 and I inherited this money. | 1:21:25 | 1:21:29 | |
Every day I wake up and I wish that I could give it back. | 1:21:29 | 1:21:33 | |
I'd give it back in a second | 1:21:33 | 1:21:35 | |
if I could have one more day with him. But I can't | 1:21:35 | 1:21:39 | |
and that's my life and I deal with it. So don't put shit on me | 1:21:39 | 1:21:43 | |
when you are afraid. | 1:21:43 | 1:21:45 | |
What the fuck am I afraid of?! | 1:21:45 | 1:21:47 | |
ME! You're afraid I won't love you back. Know what? I'm afraid, too! | 1:21:47 | 1:21:52 | |
Fuck it! At least I'm honest with you. | 1:21:52 | 1:21:55 | |
I'm not honest with you? | 1:21:55 | 1:21:59 | |
What about your 12 brothers? | 1:21:56 | 1:21:59 | |
No, you're not going. | 1:21:59 | 1:22:02 | |
What do you wanna know? I don't have 12 brothers! I'm a fucking orphan! | 1:22:02 | 1:22:07 | |
I didn't know that. | 1:22:07 | 1:22:09 | |
I had cigarettes put out on me when I was a kid! | 1:22:09 | 1:22:12 | |
The motherfucker stabbed me! | 1:22:12 | 1:22:15 | |
You don't want to hear that shit! Don't say you wanna hear that shit! | 1:22:15 | 1:22:20 | |
I want to help you... | 1:22:20 | 1:22:23 | |
Help me?! | 1:22:21 | 1:22:23 | |
Have I got a fucking sign on? "Save Me"?! | 1:22:23 | 1:22:25 | |
-No! -Do I look like that? | 1:22:25 | 1:22:28 | |
I want to be with you! | 1:22:28 | 1:22:29 | |
Don't bullshit me! | 1:22:29 | 1:22:34 | |
I love you! | 1:22:31 | 1:22:34 | |
Don't bullshit me!! | 1:22:32 | 1:22:34 | |
I love you! I want to hear you say that you don't love me. | 1:22:34 | 1:22:40 | |
Because if you say that... | 1:22:40 | 1:22:42 | |
..then I won't call you. | 1:22:45 | 1:22:48 | |
And I won't be in your life. | 1:22:48 | 1:22:51 | |
I don't love you. | 1:22:57 | 1:22:59 | |
GIRLS GIGGLE | 1:23:35 | 1:23:37 | |
Most people never get to see how brilliant they can be. | 1:23:38 | 1:23:42 | |
They don't find teachers who believe in them. They believe they're stupid | 1:23:42 | 1:23:48 | |
I hope you appreciate what he's doing. | 1:23:47 | 1:23:51 | |
Cos I've seen how much he enjoys working with you. | 1:23:51 | 1:23:55 | |
Not against you. | 1:23:54 | 1:23:57 | |
Hello, Will. | 1:24:00 | 1:24:02 | |
Tom, can you get us some coffee? | 1:24:02 | 1:24:05 | |
Sure. | 1:24:05 | 1:24:07 | |
Now, let's see... | 1:24:09 | 1:24:11 | |
Good. | 1:24:18 | 1:24:19 | |
This is correct. | 1:24:19 | 1:24:21 | |
I see you used McClure in here. | 1:24:22 | 1:24:25 | |
I don't know what to call it but... | 1:24:25 | 1:24:28 | |
This can't be right. | 1:24:28 | 1:24:30 | |
It will be very embarrassing. | 1:24:34 | 1:24:36 | |
Did you ever consider...? | 1:24:38 | 1:24:42 | |
I'm pretty sure it's right. | 1:24:39 | 1:24:42 | |
Can we work in Sean's office from now | 1:24:42 | 1:24:44 | |
because I have to knock off work and the commute kills me? | 1:24:44 | 1:24:48 | |
Yeah, sure. Did you think of the possibility...? | 1:24:48 | 1:24:52 | |
It's right. It's right. | 1:24:52 | 1:24:54 | |
Just take it home with you. | 1:24:54 | 1:24:56 | |
What happened at the McNeil meeting? | 1:24:59 | 1:25:02 | |
I couldn't go - I had a date - so I sent my chief negotiator. | 1:25:02 | 1:25:07 | |
On your own time you can do whatever you like, Will. | 1:25:10 | 1:25:14 | |
But when I set up a meeting with associates | 1:25:14 | 1:25:17 | |
and you don't go, it reflects poorly on me. | 1:25:16 | 1:25:21 | |
Don't set up any more. | 1:25:19 | 1:25:21 | |
I won't. I'll give you a job but I wanted you to see what's out there. | 1:25:21 | 1:25:27 | |
Maybe I don't want to spend my life explaining shit to people. | 1:25:27 | 1:25:32 | |
I think you could show me some appreciation. | 1:25:36 | 1:25:39 | |
A little appreciation? Do you know how easy this is for me? | 1:25:39 | 1:25:44 | |
Any idea how easy? This is a fuckin' joke! | 1:25:44 | 1:25:47 | |
I'm sorry you can't do this! | 1:25:47 | 1:25:49 | |
Because I wouldn't have to sit here | 1:25:49 | 1:25:51 | |
and watch you fuck it up! | 1:25:51 | 1:25:53 | |
You'd have more time to sit around and get drunk. | 1:25:56 | 1:26:00 | |
You're right. This is probably a total waste of my time. | 1:26:00 | 1:26:06 | |
You're right, Will. | 1:26:18 | 1:26:20 | |
I can't do this proof. | 1:26:23 | 1:26:25 | |
And you can. Only about a handful of people in the world | 1:26:26 | 1:26:31 | |
can tell the difference between you and me. | 1:26:31 | 1:26:34 | |
But I'm one of them. | 1:26:34 | 1:26:38 | |
Sorry. | 1:26:35 | 1:26:38 | |
So am I. | 1:26:36 | 1:26:38 | |
Most days I wish I'd never met you. | 1:26:38 | 1:26:41 | |
Because then I could sleep at night. | 1:26:43 | 1:26:46 | |
I wouldn't have to walk around with the knowledge | 1:26:46 | 1:26:49 | |
that there's someone like you out there. | 1:26:49 | 1:26:53 | |
I wouldn't have to watch you throw it all away. | 1:26:57 | 1:27:01 | |
BILL PLAYS KEYS ON PIANO | 1:27:05 | 1:27:08 | |
Bill, hold it. Did you hear that? | 1:27:08 | 1:27:11 | |
GROANING | 1:27:11 | 1:27:13 | |
Morgan! | 1:27:13 | 1:27:15 | |
If you're watching pornos in my mom's room, I'll give you a beating! | 1:27:15 | 1:27:20 | |
DOOR SLAMS | 1:27:22 | 1:27:24 | |
FOOTSTEPS | 1:27:24 | 1:27:26 | |
What's up, fellas? | 1:27:35 | 1:27:37 | |
Why don't you jerk off in your own house? That's fuckin' filthy. | 1:27:37 | 1:27:42 | |
I don't have a VCR in the house. | 1:27:42 | 1:27:44 | |
Come on, not in my glove. | 1:27:47 | 1:27:50 | |
I didn't use the glove. | 1:27:50 | 1:27:52 | |
That's my little league glove. | 1:27:52 | 1:27:54 | |
What do you want me to do? | 1:27:56 | 1:27:58 | |
I mean, what's wrong with you? You'll hump a baseball glove? | 1:27:58 | 1:28:03 | |
I didn't. I just used it for the clean-up. | 1:28:03 | 1:28:06 | |
ALL LAUGH | 1:28:06 | 1:28:08 | |
Don't jerk off in my mother's room! | 1:28:08 | 1:28:13 | |
Is there another VCR in the house? | 1:28:10 | 1:28:13 | |
So why do you think I should work for the National Security Agency? | 1:28:13 | 1:28:18 | |
Well, you'd be working on the cutting edge. | 1:28:18 | 1:28:21 | |
You'd be exposed to technology you wouldn't see anywhere else | 1:28:21 | 1:28:26 | |
because we've classified it. | 1:28:26 | 1:28:28 | |
Superstring theory, chaos maths, advanced algorithms... | 1:28:28 | 1:28:34 | |
Code-breaking. | 1:28:32 | 1:28:34 | |
That's one aspect of what we do. | 1:28:34 | 1:28:36 | |
That is what you do. You handle 80% of the intelligence workload. | 1:28:38 | 1:28:43 | |
You're seven times the size of the CIA. | 1:28:43 | 1:28:45 | |
We don't like to brag about that. | 1:28:45 | 1:28:48 | |
But you're exactly right. | 1:28:48 | 1:28:51 | |
The way I see it, the question isn't why should you work for the NSA, | 1:28:50 | 1:28:56 | |
the question is, why shouldn't you? | 1:28:56 | 1:28:59 | |
Why shouldn't I work for the NSA? | 1:28:59 | 1:29:02 | |
It's a tough one. But I'll take a shot. | 1:29:03 | 1:29:06 | |
Say somebody gives me a code that no-one else can break. | 1:29:06 | 1:29:10 | |
Maybe I break it. I'm happy because I did my job well. | 1:29:10 | 1:29:14 | |
But maybe that code's the location of some rebel army. | 1:29:14 | 1:29:17 | |
Once they have it, they bomb a village where the rebels are. | 1:29:17 | 1:29:22 | |
1,500 people I had no problem with get killed. | 1:29:22 | 1:29:25 | |
Politicians send in the marines. | 1:29:25 | 1:29:27 | |
They don't give a shit. Their kid won't get shot. | 1:29:27 | 1:29:31 | |
It wasn't them when they got called - they were in the National Guard. | 1:29:31 | 1:29:36 | |
Some Southy kid takes shrapnel in the ass, | 1:29:36 | 1:29:39 | |
comes back to find his job got exported to that country, | 1:29:39 | 1:29:43 | |
the guy who put the shrapnel in his ass got his job at 15 cents a day. | 1:29:43 | 1:29:47 | |
He realises he was there | 1:29:47 | 1:29:49 | |
so we could install a government to sell us oil at a good price. | 1:29:49 | 1:29:54 | |
The oil companies use it to scare up domestic prices - | 1:29:54 | 1:29:57 | |
a little benefit for them but it ain't helping my buddy. | 1:29:57 | 1:30:02 | |
They take their time bringing the oil back. | 1:30:02 | 1:30:05 | |
Maybe they hire an alcoholic skipper who plays slalom with the icebergs. | 1:30:05 | 1:30:10 | |
He hits one, spills oil and kills sea life in the Atlantic. | 1:30:10 | 1:30:14 | |
My buddy has no job, can't afford to drive, has to walk to interviews, | 1:30:14 | 1:30:18 | |
the shrapnel gives him haemorrhoids. | 1:30:18 | 1:30:21 | |
And he's starving because the only blue plate special | 1:30:21 | 1:30:25 | |
is North Atlantic scrod with Quaker State. | 1:30:25 | 1:30:29 | |
So, what did I think? I'm holding out for something better. | 1:30:29 | 1:30:33 | |
So, fuck it, why not just shoot my buddy, | 1:30:33 | 1:30:36 | |
give his job to his enemy, hike up gas prices, bomb a village, | 1:30:36 | 1:30:40 | |
club a seal, hit the hash pipe and join the National Guard? | 1:30:40 | 1:30:45 | |
I can be elected president. | 1:30:45 | 1:30:47 | |
You feel like you're alone? | 1:30:47 | 1:30:50 | |
What? | 1:30:48 | 1:30:50 | |
Do you have a soul mate? | 1:30:50 | 1:30:52 | |
Define that. | 1:30:53 | 1:30:55 | |
Somebody who challenges you. | 1:30:55 | 1:30:58 | |
Er, Chuckie. | 1:30:59 | 1:31:04 | |
He's family. He'd lie down in traffic for you. | 1:31:00 | 1:31:04 | |
I mean someone who opens up things for you, touches your soul. | 1:31:04 | 1:31:09 | |
I-I got it. | 1:31:09 | 1:31:10 | |
Who? | 1:31:10 | 1:31:12 | |
I got plenty. | 1:31:12 | 1:31:15 | |
Well, name them. | 1:31:13 | 1:31:15 | |
Shakespeare, Nietzsche, Frost, Kant, Pope, Locke... | 1:31:15 | 1:31:18 | |
They're all dead. | 1:31:18 | 1:31:21 | |
Not to me, they're not. | 1:31:19 | 1:31:21 | |
Not much dialogue with them. | 1:31:21 | 1:31:23 | |
You can't give back to them, Will. | 1:31:23 | 1:31:26 | |
Not without smelling salts and a heater. | 1:31:26 | 1:31:29 | |
That's what I'm saying. | 1:31:29 | 1:31:31 | |
You'll never have that relationship when you can't take the first step. | 1:31:31 | 1:31:36 | |
All you see is every negative thing 10 miles away. | 1:31:36 | 1:31:39 | |
You taking the professor's side? | 1:31:39 | 1:31:43 | |
Don't shit me. | 1:31:41 | 1:31:43 | |
I didn't want the job. | 1:31:43 | 1:31:47 | |
It's not about the job. | 1:31:44 | 1:31:47 | |
You can do anything. You are bound by nothing. | 1:31:46 | 1:31:50 | |
What are you passionate about? What do you want? | 1:31:50 | 1:31:53 | |
Some guys work their entire life | 1:31:53 | 1:31:55 | |
laying bricks so their kids have your chances. | 1:31:55 | 1:31:59 | |
I didn't ask for this. | 1:31:59 | 1:32:02 | |
You were born with it. Don't cop out. | 1:32:01 | 1:32:04 | |
Cop out? What's wrong with laying brick? | 1:32:04 | 1:32:07 | |
Nothing. | 1:32:07 | 1:32:08 | |
That's somebody's home I'm building. | 1:32:08 | 1:32:11 | |
My dad laid brick. Busted his ass for my education. | 1:32:11 | 1:32:15 | |
Exactly! An honourable trade! | 1:32:15 | 1:32:17 | |
Like fixing a car so people can get to work. Honour in that! | 1:32:17 | 1:32:21 | |
Yeah. And there's honour in taking a long train ride | 1:32:21 | 1:32:25 | |
so college kids have clean floors. | 1:32:25 | 1:32:27 | |
That's real work. | 1:32:27 | 1:32:30 | |
That's right. | 1:32:28 | 1:32:30 | |
Sure that's why you took that job. | 1:32:30 | 1:32:33 | |
For the honour of it(!) | 1:32:33 | 1:32:35 | |
I have a question. You could be a janitor anywhere. | 1:32:35 | 1:32:39 | |
Why work at the most prestigious college in the whole fucking world? | 1:32:39 | 1:32:43 | |
Why did you sneak around at night, finishing off formulas | 1:32:43 | 1:32:48 | |
and then lie about it? | 1:32:48 | 1:32:50 | |
Cos I don't see a lot of honour in that, Will. | 1:32:51 | 1:32:55 | |
So, what do you really want to do? | 1:32:58 | 1:33:01 | |
I want to be a shepherd. | 1:33:04 | 1:33:06 | |
Really? | 1:33:06 | 1:33:07 | |
Get a nice little spread, get some sheep and tend to them. | 1:33:07 | 1:33:11 | |
Maybe you should. | 1:33:11 | 1:33:13 | |
What? | 1:33:13 | 1:33:14 | |
If you're gonna jerk off, do it with a moist towel. | 1:33:14 | 1:33:18 | |
You chucking me? | 1:33:18 | 1:33:21 | |
Get the fuck out. | 1:33:19 | 1:33:21 | |
No! Time's not up yet! | 1:33:19 | 1:33:21 | |
You're wasting my fucking time. | 1:33:21 | 1:33:24 | |
I thought we were friends! | 1:33:24 | 1:33:26 | |
Playtime's over. | 1:33:26 | 1:33:28 | |
Why are you kicking me out? You're lecturing me on life, you burnout? | 1:33:28 | 1:33:33 | |
-What winds you? -Working with you. | 1:33:33 | 1:33:35 | |
Where's your soul mate? Where is she? | 1:33:35 | 1:33:38 | |
-Dead. -Right, she's dead! | 1:33:38 | 1:33:40 | |
You cash in your chips and leave! | 1:33:40 | 1:33:43 | |
-At least I played a hand. -You played and lost! | 1:33:43 | 1:33:47 | |
Some people lose a big hand and have the sack to ante up again! | 1:33:47 | 1:33:51 | |
What do you want to do? | 1:33:51 | 1:33:53 | |
You and your bullshit. You got a bullshit answer for everybody. | 1:33:59 | 1:34:03 | |
But I ask you a simple question and you can't give me an answer. | 1:34:03 | 1:34:08 | |
Because you don't know. | 1:34:09 | 1:34:12 | |
See you, Bo-Peep. | 1:34:13 | 1:34:15 | |
Fuck you. | 1:34:18 | 1:34:21 | |
You're the shepherd. | 1:34:19 | 1:34:21 | |
Shepherd! Right little prick. | 1:34:25 | 1:34:28 | |
I just wanted to, you know, call you up before you left. | 1:34:30 | 1:34:36 | |
'I'm taking job interviews. I'm not gonna be a construction worker.' | 1:34:36 | 1:34:41 | |
I never cared about that. | 1:34:41 | 1:34:43 | |
Yeah. | 1:34:44 | 1:34:46 | |
I love you. | 1:34:49 | 1:34:50 | |
Will... | 1:34:54 | 1:34:57 | |
You...take care. | 1:34:58 | 1:35:00 | |
Bye. | 1:35:04 | 1:35:06 | |
# Says I've seen your picture | 1:35:08 | 1:35:10 | |
# On a hundred-dollar bill | 1:35:10 | 1:35:15 | |
# What's a game of chance to you? | 1:35:15 | 1:35:18 | |
# He was wrong | 1:35:18 | 1:35:20 | |
# Thrill skill | 1:35:22 | 1:35:24 | |
# So glad to meet you, Angeles | 1:35:24 | 1:35:29 | |
# Picking up the ticket shows | 1:35:32 | 1:35:34 | |
# There's money to be made | 1:35:34 | 1:35:38 | |
# Go on, lose the gamble | 1:35:39 | 1:35:41 | |
# That's the history of the trade | 1:35:42 | 1:35:46 | |
# Did you add up all the cards left to play | 1:35:46 | 1:35:51 | |
# To zero? | 1:35:54 | 1:35:56 | |
# Summoning up the people, Angeles | 1:35:56 | 1:35:59 | |
# Don't start me trying... # | 1:36:02 | 1:36:05 | |
Will! | 1:36:09 | 1:36:10 | |
Will, that's it! We're done! | 1:36:12 | 1:36:14 | |
I'm sitting in your office and the boy isn't here. | 1:36:14 | 1:36:18 | |
Well, it's ten past five. | 1:36:18 | 1:36:20 | |
An hour and ten minutes late? | 1:36:20 | 1:36:23 | |
What if he doesn't show? I file a report and he goes back to jail. | 1:36:26 | 1:36:31 | |
It won't be on my conscience. | 1:36:31 | 1:36:33 | |
OK. Fine. | 1:36:36 | 1:36:38 | |
What's up? | 1:36:40 | 1:36:43 | |
Thanks. | 1:36:44 | 1:36:46 | |
Ahh. Ah. | 1:36:49 | 1:36:51 | |
Fuck, that's good. | 1:36:51 | 1:36:52 | |
So, how's your lady? | 1:36:56 | 1:36:58 | |
Ah, she's gone. | 1:36:58 | 1:37:00 | |
Gone? Gone where? | 1:37:01 | 1:37:03 | |
Med school. Medical school in California. | 1:37:03 | 1:37:07 | |
-Really? -Yeah. | 1:37:07 | 1:37:09 | |
When was this? | 1:37:09 | 1:37:12 | |
Just a week ago. | 1:37:10 | 1:37:12 | |
That sucks. | 1:37:16 | 1:37:18 | |
When are you done with those meetings? | 1:37:19 | 1:37:23 | |
Like the week after I'm 21. | 1:37:24 | 1:37:26 | |
They gonna hook you up with a job? | 1:37:26 | 1:37:29 | |
Yeah, fucking sit in a room and do long division for 50 years. | 1:37:29 | 1:37:33 | |
Probably make some nice bank. | 1:37:33 | 1:37:38 | |
Yeah, and be a fucking lab rat. | 1:37:36 | 1:37:38 | |
Better than this shit. A way out of here. | 1:37:38 | 1:37:41 | |
What do I want a way out for? I'm gonna live here the rest of my life. | 1:37:41 | 1:37:45 | |
Be neighbours, have little kids, | 1:37:45 | 1:37:48 | |
take 'em to little league together up Foley Field. | 1:37:48 | 1:37:52 | |
You're my best friend, so don't take this the wrong way... | 1:37:53 | 1:37:58 | |
In 20 years, if you're still here, | 1:37:58 | 1:38:00 | |
coming over to watch the Patriots game, still working in construction, | 1:38:00 | 1:38:05 | |
I'll fuckin' kill you. That's a fact. | 1:38:05 | 1:38:08 | |
What the fuck you talking about? | 1:38:08 | 1:38:12 | |
You've got something none of us has. | 1:38:09 | 1:38:12 | |
Come on! Why is it always "I owe it to myself"? What if I don't want to? | 1:38:12 | 1:38:17 | |
No, no, fuck you! You don't owe it to yourself. You owe it to me. | 1:38:17 | 1:38:22 | |
Tomorrow I'm gonna wake up and I'll be 50. And still doing this shit. | 1:38:22 | 1:38:28 | |
That's all right. That's fine. | 1:38:27 | 1:38:30 | |
I mean, you're sitting on a winning lottery ticket. | 1:38:30 | 1:38:33 | |
You're too much of a pussy to cash it in. And that's bullshit. | 1:38:33 | 1:38:37 | |
I'd do fuckin' anything to have what you got. So would any of the guys. | 1:38:37 | 1:38:43 | |
It'd be an insult to us if you're still here in 20 years. | 1:38:43 | 1:38:46 | |
Here is a fuckin' waste of your time. | 1:38:46 | 1:38:49 | |
You don't know that. | 1:38:49 | 1:38:53 | |
I don't? | 1:38:50 | 1:38:53 | |
No, you don't know that. | 1:38:51 | 1:38:53 | |
I'll tell you what I know. | 1:38:53 | 1:38:56 | |
Every day I come by your house and pick you up. | 1:38:56 | 1:38:59 | |
We go and have a few drinks and laughs and it's great. | 1:38:59 | 1:39:03 | |
Know what the best part of my day is? | 1:39:03 | 1:39:05 | |
It's for about ten seconds from the curb until I reach your door. | 1:39:05 | 1:39:10 | |
Cos I think maybe I'll go and knock and you won't be there. | 1:39:10 | 1:39:14 | |
No "goodbye", no "see you later", nothing. You just left. | 1:39:14 | 1:39:18 | |
I don't know much | 1:39:18 | 1:39:21 | |
but I know that. | 1:39:21 | 1:39:23 | |
This is a disaster, Sean. | 1:39:33 | 1:39:35 | |
I brought you in here to help me with the boy, | 1:39:35 | 1:39:39 | |
not to run him out. | 1:39:39 | 1:39:42 | |
I know what I'm doing. | 1:39:40 | 1:39:42 | |
I don't care if you have a rapport! | 1:39:42 | 1:39:44 | |
But don't undermine what I'm doing. | 1:39:44 | 1:39:47 | |
Undermine? | 1:39:47 | 1:39:49 | |
This boy is at a fragile point. | 1:39:49 | 1:39:53 | |
He's got problems. | 1:39:51 | 1:39:53 | |
That he's better off as a janitor or in jail | 1:39:53 | 1:39:57 | |
or hanging out with gorillas? | 1:39:57 | 1:40:00 | |
Why do you think he does that? Got any fucking clue why? | 1:40:00 | 1:40:03 | |
He can handle the problems and he obviously handled you. | 1:40:03 | 1:40:07 | |
Gerry, why is he hiding? | 1:40:07 | 1:40:10 | |
Why doesn't he trust anybody? | 1:40:10 | 1:40:12 | |
He was abandoned by people who should've loved him! | 1:40:12 | 1:40:16 | |
Oh, that Freudian crap! | 1:40:14 | 1:40:16 | |
Why does he hang out with gorillas? | 1:40:16 | 1:40:19 | |
Because for him, they'd take a bat to your head! That's loyalty. | 1:40:19 | 1:40:24 | |
Very touching. | 1:40:24 | 1:40:26 | |
Who's he handling? He pushes people away before they can leave him! | 1:40:26 | 1:40:32 | |
For 20 years, he's been alone. | 1:40:32 | 1:40:34 | |
Push him, it'll be the same thing. I'm not gonna let that happen. | 1:40:34 | 1:40:39 | |
Don't you do that, Sean. | 1:40:39 | 1:40:41 | |
Don't tell him it's OK to quit, to be a failure | 1:40:41 | 1:40:45 | |
because it's not OK! | 1:40:45 | 1:40:47 | |
If you're angry at me for being what you could've been... | 1:40:47 | 1:40:52 | |
I'm not angry at you. | 1:40:50 | 1:40:52 | |
Yes, you're angry. You resent me. I won't apologise for my success. | 1:40:52 | 1:40:57 | |
You're angry at me for doing what you could have done! | 1:40:57 | 1:41:02 | |
You want Will to feel that way? Like a failure? | 1:41:02 | 1:41:05 | |
You arrogant shit! That's why I don't come to the reunions. | 1:41:05 | 1:41:09 | |
I can't stand that look in your eye - | 1:41:09 | 1:41:12 | |
that condescending, embarrassed - | 1:41:12 | 1:41:17 | |
Come on. | 1:41:14 | 1:41:17 | |
You think I'm a failure. | 1:41:15 | 1:41:17 | |
I'm proud of what I do. It was a conscious choice. I didn't fuck up! | 1:41:17 | 1:41:21 | |
You think I'm a pity case! | 1:41:21 | 1:41:23 | |
You and your kiss-ass chorus, going, "Fields Medal!" | 1:41:23 | 1:41:27 | |
Why are you still so afraid of failure?! | 1:41:27 | 1:41:30 | |
It's about my medal, is it?! Oh, God, you can have it! | 1:41:30 | 1:41:34 | |
Shove it up your ass! I don't give a shit about it! | 1:41:34 | 1:41:38 | |
I knew you before you were a mathematical god. | 1:41:38 | 1:41:41 | |
When you didn't know what side of the bed to piss on! | 1:41:41 | 1:41:45 | |
Yeah, you're smarter than me. Don't blame me for your life. | 1:41:45 | 1:41:49 | |
I don't! It's not about you, you dick! It's about the boy! | 1:41:49 | 1:41:54 | |
He's a good kid! I won't see you fuck him up | 1:41:54 | 1:41:57 | |
like you're trying to fuck up me and make him feel like a failure! | 1:41:57 | 1:42:01 | |
-He won't be a failure! -But if you push him... | 1:42:01 | 1:42:05 | |
Sean, I am what I am because I was pushed and learned to push myself! | 1:42:05 | 1:42:10 | |
He's not you! Do you get that?! | 1:42:10 | 1:42:13 | |
-I can come back. -No. Come in. | 1:42:14 | 1:42:16 | |
Um... I was just leaving. | 1:42:16 | 1:42:18 | |
A lot of that goes back a long way between me and him. Not about you. | 1:42:30 | 1:42:36 | |
What is that? | 1:42:41 | 1:42:47 | |
It's your file. Have to send it back to the judge for evaluation. | 1:42:42 | 1:42:47 | |
Oh. You're not gonna fail me, are you? | 1:42:47 | 1:42:50 | |
What's it say? | 1:42:55 | 1:42:57 | |
Want to read it? | 1:42:57 | 1:42:59 | |
Why? | 1:42:59 | 1:43:01 | |
Have you had experience with that? | 1:43:03 | 1:43:09 | |
20 years of counsellling. I've seen some shit. | 1:43:05 | 1:43:09 | |
I mean, have you had any experience with that? | 1:43:09 | 1:43:13 | |
Personally? | 1:43:17 | 1:43:19 | |
-Yeah. -Yeah, I have. | 1:43:19 | 1:43:21 | |
Sure ain't good. | 1:43:22 | 1:43:24 | |
My father was an alcoholic. | 1:43:27 | 1:43:30 | |
Mean fuckin' drunk. | 1:43:30 | 1:43:33 | |
He'd come home hammered, looking to wale on somebody. | 1:43:32 | 1:43:37 | |
I'd provoke him, so he wouldn't go after my mother and brother. | 1:43:37 | 1:43:41 | |
Interesting nights were when he wore his rings. | 1:43:41 | 1:43:46 | |
He used to just put a wrench, a stick and a belt on the table | 1:43:46 | 1:43:53 | |
and just say, "Choose." | 1:43:52 | 1:43:54 | |
I gotta go with the belt. | 1:43:54 | 1:43:56 | |
I used to go with the wrench. | 1:43:56 | 1:43:58 | |
Why the wrench? | 1:43:58 | 1:44:03 | |
Cos fuck him - that's why. | 1:44:01 | 1:44:03 | |
Your foster father? | 1:44:03 | 1:44:06 | |
Yeah. | 1:44:04 | 1:44:06 | |
What is it? Will has an attachment disorder? Is it all that stuff? | 1:44:06 | 1:44:11 | |
Fear of abandonment? Is that why I broke up with Skylar? | 1:44:12 | 1:44:18 | |
I didn't know you had. | 1:44:18 | 1:44:21 | |
I did. | 1:44:19 | 1:44:21 | |
Wanna talk about it? | 1:44:21 | 1:44:25 | |
No. | 1:44:22 | 1:44:25 | |
Hey, Will... I don't know a lot... | 1:44:27 | 1:44:31 | |
..but you see this? | 1:44:32 | 1:44:35 | |
All this shit? | 1:44:34 | 1:44:37 | |
It's not your fault. | 1:44:41 | 1:44:43 | |
Yeah, I know that. | 1:44:44 | 1:44:46 | |
Look at me, son. | 1:44:46 | 1:44:48 | |
It's not your fault. | 1:44:50 | 1:44:52 | |
I know. | 1:44:51 | 1:44:54 | |
It's not your fault. | 1:44:54 | 1:44:56 | |
I know. | 1:44:59 | 1:45:02 | |
No, no, you don't. | 1:45:00 | 1:45:02 | |
It's not your fault. Hmm? | 1:45:02 | 1:45:04 | |
I know. | 1:45:04 | 1:45:08 | |
It's not your fault. | 1:45:06 | 1:45:08 | |
All right. | 1:45:08 | 1:45:09 | |
It's not your fault. | 1:45:09 | 1:45:11 | |
It's not your fault. | 1:45:13 | 1:45:15 | |
Don't fuck with me. | 1:45:15 | 1:45:19 | |
It's not your fault. | 1:45:20 | 1:45:22 | |
Don't fuck with me! Not you! | 1:45:22 | 1:45:24 | |
It's not your fault. | 1:45:24 | 1:45:26 | |
HE SOBS | 1:45:30 | 1:45:32 | |
It's not your fault. | 1:45:34 | 1:45:36 | |
HE SOBS LOUDLY | 1:45:39 | 1:45:41 | |
Oh, God! | 1:45:43 | 1:45:45 | |
Oh, God, | 1:45:45 | 1:45:46 | |
I'm so sorry. | 1:45:46 | 1:45:49 | |
Fuck them, OK? | 1:46:02 | 1:46:05 | |
Can I help you? | 1:47:27 | 1:47:32 | |
I'm Will Hunting. I'm here about a position. | 1:47:28 | 1:47:32 | |
Have a seat for a moment. | 1:47:31 | 1:47:34 | |
Which one did you take? | 1:48:00 | 1:48:02 | |
It was over at McNeil. One of the jobs the professor set me up with. | 1:48:02 | 1:48:07 | |
I haven't told him yet, but I went and talked to my new boss. | 1:48:07 | 1:48:11 | |
He seemed like a good guy. | 1:48:11 | 1:48:14 | |
Is that what you want? | 1:48:14 | 1:48:16 | |
Yeah, you know, I think so. | 1:48:17 | 1:48:19 | |
Good for you. Congratulations. | 1:48:20 | 1:48:22 | |
Thanks. | 1:48:22 | 1:48:24 | |
Time's up. | 1:48:27 | 1:48:29 | |
So, that's... So that's it? So, we're done? | 1:48:32 | 1:48:35 | |
Yeah, that's it. You're done. You're a free man. | 1:48:35 | 1:48:39 | |
Well... I...just want you to know, Sean, that... | 1:48:42 | 1:48:46 | |
You're welcome, Will. | 1:48:46 | 1:48:48 | |
So, I...hope we keep in touch. | 1:48:53 | 1:48:56 | |
Yeah, me, too. I'll be travelling a bit. It'll be a little hard. | 1:48:56 | 1:49:01 | |
But I got an answering machine I'll check in with. | 1:49:01 | 1:49:05 | |
So...if you call that, I'll get back to you right away. | 1:49:05 | 1:49:10 | |
Yeah, I figured I'm just gonna put my money back on the table | 1:49:12 | 1:49:17 | |
and see what kind of cards I get. | 1:49:17 | 1:49:19 | |
You do what's in your heart, son. You'll be fine. | 1:49:19 | 1:49:23 | |
Thank you, Sean. | 1:49:28 | 1:49:29 | |
Thank you, Will. | 1:49:30 | 1:49:32 | |
Does this violate the patient-doctor relationship? | 1:49:34 | 1:49:38 | |
Nah. Only if you grab my ass. | 1:49:38 | 1:49:41 | |
HE CHUCKLES | 1:49:39 | 1:49:41 | |
Take care. | 1:49:42 | 1:49:45 | |
You, too. | 1:49:43 | 1:49:45 | |
Yeah. | 1:49:45 | 1:49:47 | |
Hey... | 1:49:48 | 1:49:51 | |
Good luck, son. | 1:49:51 | 1:49:53 | |
< Two beers! | 1:50:04 | 1:50:06 | |
So, did you guys go? | 1:50:09 | 1:50:13 | |
Nah. Had to talk 'em down. | 1:50:11 | 1:50:13 | |
Why didn't you yoke 'em? | 1:50:13 | 1:50:16 | |
Morgan's got a lot of scrap doin'. | 1:50:14 | 1:50:16 | |
People try to whip his ass. Kid won't back down. | 1:50:16 | 1:50:21 | |
< What you sayin' about me? | 1:50:19 | 1:50:21 | |
Was I talkin' to you? Mind your fuckin' business. | 1:50:21 | 1:50:25 | |
-Go get me a beer. -I ordered two beers! | 1:50:25 | 1:50:28 | |
Hey, asshole. Happy birthday. | 1:50:28 | 1:50:31 | |
Thought we forgot, huh, bitch? | 1:50:31 | 1:50:33 | |
All right, who's first? | 1:50:36 | 1:50:38 | |
Who's first? Come on. | 1:50:38 | 1:50:40 | |
# Oh, Danny boy! # | 1:50:40 | 1:50:42 | |
There's your present. | 1:50:42 | 1:50:44 | |
What? | 1:50:46 | 1:50:47 | |
We knew you had to get to Cambridge for your new job | 1:50:47 | 1:50:51 | |
and I wasn't gonna fuckin' drive you, so... | 1:50:51 | 1:50:54 | |
Fuckin' kidding me. | 1:50:54 | 1:50:56 | |
Morgan wanted to get a T pass. | 1:50:56 | 1:51:00 | |
That's not what I was saying! | 1:50:57 | 1:51:00 | |
But, er... 21 now, so... | 1:51:00 | 1:51:02 | |
You're legally allowed to drink, so you need a car. How d'you like it? | 1:51:02 | 1:51:07 | |
This is like... | 1:51:07 | 1:51:09 | |
This is the ugliest fuckin' car I've ever seen! | 1:51:09 | 1:51:13 | |
ALL LAUGH | 1:51:13 | 1:51:14 | |
-Come on, bro. -How'd you do this? | 1:51:14 | 1:51:16 | |
Me and Bill scraped together the parts | 1:51:16 | 1:51:19 | |
and Morgan was panhandling for change every day. | 1:51:19 | 1:51:23 | |
I did all bodywork. | 1:51:23 | 1:51:26 | |
Helluva fuckin' job, too. | 1:51:24 | 1:51:26 | |
Guy's been hassling about a job. I had to let him help. | 1:51:26 | 1:51:30 | |
You finally got a job? | 1:51:30 | 1:51:34 | |
Had one. Now I'm fucked again. | 1:51:31 | 1:51:34 | |
What is it? A lawnmower? | 1:51:34 | 1:51:38 | |
It's a fuckin' six. | 1:51:35 | 1:51:38 | |
We bought this engine. | 1:51:36 | 1:51:38 | |
It's a good car. The engine's good. | 1:51:38 | 1:51:41 | |
Happy 21, Will. | 1:51:42 | 1:51:45 | |
Happy 21, bro. | 1:51:44 | 1:51:45 | |
Hi. | 1:51:53 | 1:51:54 | |
Come on in. | 1:51:54 | 1:51:56 | |
Sean, I, um... | 1:51:59 | 1:52:01 | |
Me, too, Gerry. | 1:52:01 | 1:52:05 | |
Yeah, good. | 1:52:03 | 1:52:05 | |
I heard you're taking some time. | 1:52:07 | 1:52:14 | |
Yeah. Travel a little bit, maybe write. | 1:52:10 | 1:52:14 | |
So, where are you going? | 1:52:14 | 1:52:16 | |
India, China...and Baltimore. | 1:52:16 | 1:52:20 | |
Oh. | 1:52:20 | 1:52:22 | |
Do you know when you'll be back? | 1:52:22 | 1:52:25 | |
Yeah. Got this flyer the other day. | 1:52:25 | 1:52:29 | |
Class of '72 is having a reunion in six months. | 1:52:29 | 1:52:33 | |
I got one of those, too. | 1:52:31 | 1:52:33 | |
Why don't you come? I'll buy you a drink. | 1:52:33 | 1:52:38 | |
The drinks are free. | 1:52:35 | 1:52:38 | |
I know, Gerry. I was being ironical. | 1:52:38 | 1:52:42 | |
Oh... | 1:52:45 | 1:52:46 | |
How about a drink right now? | 1:52:46 | 1:52:49 | |
Yeah, that's a good idea. | 1:52:49 | 1:52:52 | |
Come on. This one's on me. | 1:52:52 | 1:52:55 | |
Got the winner right here, pal. Yes, sir, this is the one. | 1:52:57 | 1:53:02 | |
This is my ticket to paradise. | 1:53:02 | 1:53:05 | |
Know the odds against winning? | 1:53:05 | 1:53:10 | |
Four to one? | 1:53:07 | 1:53:10 | |
About 30 million to one. | 1:53:08 | 1:53:10 | |
I still have a shot. | 1:53:10 | 1:53:12 | |
About as big a chance as you being hit by lightning on these stairs. | 1:53:12 | 1:53:17 | |
It's a possibility, Gerry. I mean, 30 million... | 1:53:17 | 1:53:21 | |
CLOCK CHIMES | 1:53:21 | 1:53:23 | |
HORN HONKS | 1:54:14 | 1:54:16 | |
Will! | 1:54:47 | 1:54:49 | |
Will! | 1:55:07 | 1:55:08 | |
HORN HONKS | 1:55:46 | 1:55:48 | |
He's not there. | 1:56:14 | 1:56:16 | |
# I'll fake it through the day... # | 1:56:32 | 1:56:36 | |
WILL: 'If the professor calls about that job, | 1:56:36 | 1:56:39 | |
'just tell him, sorry, I had to go see about a girl. Will.' | 1:56:39 | 1:56:44 | |
Son of a bitch. He stole my line. | 1:56:47 | 1:56:50 | |
# Two tickets torn in half | 1:56:53 | 1:56:58 | |
# And a lot of nothing to do | 1:56:58 | 1:57:03 | |
# Do you miss me? | 1:57:03 | 1:57:06 | |
# Miss misery | 1:57:06 | 1:57:10 | |
# Like you say you do? | 1:57:10 | 1:57:13 | |
# I know you'd rather see me gone | 1:57:15 | 1:57:19 | |
# Than to see me | 1:57:19 | 1:57:23 | |
# The way that I am | 1:57:23 | 1:57:27 | |
# That I am and no life anyway | 1:57:27 | 1:57:31 | |
# To take its toll and laugh a lot | 1:57:33 | 1:57:39 | |
# Nothing to do | 1:57:39 | 1:57:41 | |
# Do you miss me | 1:57:41 | 1:57:45 | |
# Miss misery | 1:57:45 | 1:57:48 | |
# Like you say you do | 1:57:48 | 1:57:52 | |
# I know you'd rather see me gone | 1:57:54 | 1:57:58 | |
# Than to see me | 1:57:58 | 1:58:01 | |
# The way that I am | 1:58:01 | 1:58:06 | |
# And no life anyway | 1:58:06 | 1:58:10 | |
# Next-door TV's flashing | 1:58:10 | 1:58:16 | |
# Blue frames on the wall | 1:58:16 | 1:58:21 | |
# It's a comedy of errors, you see | 1:58:21 | 1:58:27 | |
# It's about taking a fall | 1:58:27 | 1:58:32 | |
# To vent at you to oblivion | 1:58:34 | 1:58:39 | |
# It's easy to do | 1:58:39 | 1:58:43 | |
# And I try to leave | 1:58:43 | 1:58:46 | |
# But you know me | 1:58:46 | 1:58:48 | |
# I come back when you want me to | 1:58:48 | 1:58:54 | |
# Do you miss me? | 1:58:54 | 1:58:58 | |
# Miss misery... # | 1:58:58 | 1:59:00 | |
Subtitles by Julie Sutherland, IMS | 1:59:00 | 1:59:04 |