Green Card
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Transcript
| Line | From | To | |
|---|---|---|---|
This film contains some strong language. | 0:00:09 | 0:00:15 | |
TRAIN RUMBLES AND WHISTLE BLOWS | 0:00:35 | 0:00:38 | |
-ONLOOKER: -Whoo-hoo! | 0:00:48 | 0:00:50 | |
STATION ANNOUNCEMENTS OVER PA | 0:00:57 | 0:01:00 | |
How much? 1.50. | 0:01:07 | 0:01:09 | |
DRUMMING CONTINUES | 0:01:09 | 0:01:11 | |
Miss? | 0:01:15 | 0:01:16 | |
Miss! Your change. | 0:01:16 | 0:01:18 | |
MORE ANNOUNCEMENTS OVER PA | 0:01:29 | 0:01:31 | |
DRUMMING ECHOES IN TUNNEL | 0:01:40 | 0:01:43 | |
-MAN: -Can anybody spare a little change? | 0:01:51 | 0:01:53 | |
Lady? A little change? | 0:01:53 | 0:01:55 | |
-OTHER MAN: -Watch where you're goin', man! | 0:01:55 | 0:01:58 | |
POP SONG ON RADIO | 0:01:58 | 0:02:01 | |
SONG CONTINUES | 0:02:12 | 0:02:14 | |
-Look at you! -Hi, Anton. | 0:02:19 | 0:02:22 | |
I've never seen you all dressed up. | 0:02:22 | 0:02:24 | |
-Do I look the part? -Sure. Look at me. | 0:02:24 | 0:02:27 | |
Oh. | 0:02:29 | 0:02:31 | |
-Coffee? -No. Yes. | 0:02:32 | 0:02:34 | |
Oh, I'm so nervous. | 0:02:34 | 0:02:36 | |
You're supposed to be nervous on your wedding day. | 0:02:37 | 0:02:40 | |
Right. | 0:02:40 | 0:02:41 | |
You really look absolutely gorgeous. | 0:02:41 | 0:02:43 | |
Oh, thanks. I borrowed the dress. | 0:02:43 | 0:02:46 | |
It's a marvellous thing you're doing, Bronte. | 0:02:46 | 0:02:48 | |
-Oh, Anton, please... -You and Georges... | 0:02:48 | 0:02:50 | |
-..no speeches. -OK, no speeches. | 0:02:50 | 0:02:52 | |
Hey, Georges! | 0:02:52 | 0:02:54 | |
Attends! On arrive. Bouge pas. | 0:02:54 | 0:02:56 | |
POP SONG CONTINUES | 0:02:57 | 0:02:59 | |
Coming? | 0:03:03 | 0:03:05 | |
ALL CHEER | 0:03:05 | 0:03:07 | |
Nice to meet you. | 0:03:19 | 0:03:21 | |
You too. | 0:03:21 | 0:03:23 | |
CAR HORNS HONK | 0:03:23 | 0:03:24 | |
You were very good. | 0:03:25 | 0:03:27 | |
So were you! | 0:03:27 | 0:03:28 | |
Oh, here's Anton. | 0:03:29 | 0:03:31 | |
There's a copy for you, Bronte. | 0:03:32 | 0:03:34 | |
-Ca c'est pour toi. Voila. -Merci. Formidable. | 0:03:34 | 0:03:37 | |
-C'est arrange maintenant. -Thank you. | 0:03:37 | 0:03:38 | |
Merci. | 0:03:38 | 0:03:40 | |
I'll never forget Afrika. | 0:03:41 | 0:03:43 | |
Africa? | 0:03:43 | 0:03:44 | |
Yes. Where we met. | 0:03:44 | 0:03:46 | |
Oh, the coffee shop. Right. | 0:03:46 | 0:03:48 | |
OK, so good luck with your life. | 0:03:48 | 0:03:51 | |
-Merci, Anton. Vraiment. -De rien. | 0:03:51 | 0:03:53 | |
-Telephonez-moi. -Bien sur. | 0:03:53 | 0:03:56 | |
-Good luck with your composing. -With what? | 0:03:56 | 0:03:58 | |
Your music. | 0:03:58 | 0:04:00 | |
Oh, yes. Right. | 0:04:00 | 0:04:02 | |
Yes. OK. | 0:04:02 | 0:04:04 | |
So, what happens next? | 0:04:07 | 0:04:09 | |
That's it. You don't have to see him again. | 0:04:09 | 0:04:12 | |
-MAN SPEAKS QUIETLY: -Did you look at that? | 0:04:13 | 0:04:16 | |
Mm-hm. | 0:04:16 | 0:04:18 | |
It could potentially be a problem. | 0:04:18 | 0:04:21 | |
Mm-hm. | 0:04:20 | 0:04:23 | |
MAN CLEARS THROAT | 0:04:23 | 0:04:26 | |
Africa? | 0:04:33 | 0:04:34 | |
Yes. | 0:04:35 | 0:04:37 | |
That's where we met. | 0:04:37 | 0:04:39 | |
And he's there now. | 0:04:39 | 0:04:41 | |
Again. | 0:04:40 | 0:04:43 | |
I... I wish he were here. | 0:04:43 | 0:04:45 | |
But he's not. | 0:04:45 | 0:04:46 | |
He'd love the apartment though. | 0:04:47 | 0:04:50 | |
He travels a great deal. | 0:04:50 | 0:04:52 | |
But he's the quiet type. | 0:04:52 | 0:04:54 | |
We both are really. | 0:04:54 | 0:04:56 | |
What's he doing there? | 0:04:56 | 0:04:58 | |
He's a composer. | 0:04:58 | 0:05:00 | |
African music. | 0:05:01 | 0:05:02 | |
Not drums? | 0:05:02 | 0:05:04 | |
We couldn't have someone who played the drums here. | 0:05:04 | 0:05:07 | |
Oh, no. No. | 0:05:07 | 0:05:09 | |
He studies their music. He's an academic. | 0:05:09 | 0:05:12 | |
He himself is not... | 0:05:12 | 0:05:13 | |
African? | 0:05:13 | 0:05:15 | |
He's French. | 0:05:15 | 0:05:17 | |
Oh, oh, French. Oh. | 0:05:17 | 0:05:19 | |
What is this? | 0:05:19 | 0:05:21 | |
"Green Guerillas"? | 0:05:21 | 0:05:23 | |
Not some sort of army, is it? | 0:05:23 | 0:05:25 | |
It's a volunteer gardening group, Mrs Bird. | 0:05:25 | 0:05:28 | |
They do very good work amongst the poor. | 0:05:27 | 0:05:30 | |
Mrs Faure is also with our City Parks Department. | 0:05:30 | 0:05:33 | |
We did have problems with a recent tenant - | 0:05:33 | 0:05:36 | |
a single gentleman who neglected the responsibilities | 0:05:36 | 0:05:41 | |
associated with 12F. | 0:05:41 | 0:05:43 | |
That's why the board feels that a young married couple | 0:05:43 | 0:05:47 | |
would be more suitable. | 0:05:47 | 0:05:48 | |
Well, Mrs Faure being a horticulturalist | 0:05:48 | 0:05:51 | |
is very much in her favour. | 0:05:51 | 0:05:53 | |
Yes, but it is highly irregular to give our approval... | 0:05:53 | 0:05:56 | |
I like the couple from the bank, not the one with the dog. | 0:05:56 | 0:06:00 | |
Look, I'm very aware of the situation. | 0:06:00 | 0:06:02 | |
It's just that...well, I could bring the garden back | 0:06:02 | 0:06:05 | |
to how the late professor had it. | 0:06:05 | 0:06:08 | |
I don't want to get too technical, | 0:06:08 | 0:06:10 | |
but the Maranta staconera needs thinning, | 0:06:10 | 0:06:12 | |
the crinums and the zamias are sadly neglected. | 0:06:12 | 0:06:15 | |
The chamaedorea's root-bound. | 0:06:15 | 0:06:18 | |
And special care must be taken for the poor Cyathea dickensonia. | 0:06:18 | 0:06:21 | |
Not to mention the cordyline or the heliconia. | 0:06:21 | 0:06:24 | |
And there's work nurturing the aspidistra, begonias. | 0:06:24 | 0:06:28 | |
The bromeliads. | 0:06:28 | 0:06:30 | |
MOZART CLARINET CONCERTO PLAYS | 0:06:31 | 0:06:35 | |
SHE LAUGHS | 0:07:18 | 0:07:20 | |
Oh! | 0:07:31 | 0:07:32 | |
TRAFFIC NOISES | 0:08:00 | 0:08:03 | |
SHOUTING | 0:08:13 | 0:08:15 | |
-WORKMAN: -Yo, baby! | 0:08:19 | 0:08:20 | |
All right, man! | 0:08:24 | 0:08:26 | |
RAP MUSIC PLAYS ON GHETTO BLASTER | 0:08:30 | 0:08:33 | |
Yo, Bronte! | 0:08:37 | 0:08:38 | |
The city fathers give their blessing to the project! | 0:08:38 | 0:08:41 | |
-All right! -Yeah! | 0:08:41 | 0:08:43 | |
Talk about the eleventh hour, huh? | 0:08:43 | 0:08:45 | |
I've got some good news. | 0:08:45 | 0:08:47 | |
Oh, what's that? | 0:08:47 | 0:08:48 | |
How about 3,000 square feet of quality topsoil? | 0:08:48 | 0:08:51 | |
-You're kidding! -No! | 0:08:51 | 0:08:52 | |
Get this. Burger King does this... | 0:08:52 | 0:08:54 | |
this press hype over the Sheraton Centre. | 0:08:54 | 0:08:56 | |
They re-create Texas with a giant burger in the middle. | 0:08:56 | 0:09:00 | |
They don't know what to do with the soil. | 0:09:00 | 0:09:03 | |
Dave says, "I'll take it off your hands." | 0:09:03 | 0:09:05 | |
Hey, Harry, how're you doing? | 0:09:05 | 0:09:07 | |
Look at this - we're officially approved! | 0:09:07 | 0:09:09 | |
Steady, Rick. Not too fast. | 0:09:09 | 0:09:11 | |
Hey, let's go! | 0:09:11 | 0:09:13 | |
All right! | 0:09:20 | 0:09:22 | |
Ha ha! | 0:09:22 | 0:09:23 | |
Burger King! | 0:09:23 | 0:09:25 | |
-ALL CHEER: -Burger King! | 0:09:25 | 0:09:27 | |
-Let's hear it for Phil! -ALL CHEER | 0:09:27 | 0:09:30 | |
GENERAL CHATTER | 0:09:30 | 0:09:32 | |
THEY SPEAK SPANISH | 0:09:41 | 0:09:44 | |
WOMAN: Plantele ahi! | 0:09:47 | 0:09:49 | |
CHILD SHOUTS EXCITEDLY | 0:09:50 | 0:09:53 | |
All right! | 0:09:53 | 0:09:55 | |
GENERAL CHATTER | 0:09:55 | 0:09:57 | |
Ask Bronte and Phil. | 0:09:57 | 0:10:00 | |
I'm starved. | 0:10:01 | 0:10:03 | |
Me too. | 0:10:03 | 0:10:05 | |
-Hey, Bronte, are you hungry? -Yeah. | 0:10:06 | 0:10:08 | |
-Wanna get something to eat? -Uh-huh. | 0:10:08 | 0:10:10 | |
-How about you? -Yeah. | 0:10:10 | 0:10:11 | |
-Let's go. -All Nations OK? | 0:10:11 | 0:10:13 | |
Yeah. | 0:10:13 | 0:10:14 | |
-Oh... -Mmm. | 0:10:14 | 0:10:16 | |
Let's think of certain plants we can plant there. | 0:10:16 | 0:10:19 | |
-Can we order? -I'm not your waiter. | 0:10:19 | 0:10:22 | |
-Who's our waiter? -You decide. | 0:10:22 | 0:10:23 | |
-Hey, man, are you our waiter? -No, sir. | 0:10:25 | 0:10:28 | |
-Georges, la carte. -J'arrive. | 0:10:28 | 0:10:30 | |
Let's get out of here. It's awful. | 0:10:30 | 0:10:32 | |
Don't think we'll find any place else open now. | 0:10:32 | 0:10:35 | |
Look at the time. We've been sitting here a long time. | 0:10:35 | 0:10:39 | |
"STROSSA STROMA SOU" PLAYS | 0:10:39 | 0:10:41 | |
You have chosen? | 0:10:48 | 0:10:50 | |
-Uh... -Somebody else start. | 0:10:49 | 0:10:52 | |
What are your specials? | 0:10:51 | 0:10:53 | |
From Switzerland we have calf's liver with a special sauce | 0:10:54 | 0:10:58 | |
and, uh, from old England we have roast beef. | 0:10:58 | 0:11:01 | |
-I don't eat meat. -Why not? | 0:11:01 | 0:11:03 | |
Pardon me? | 0:11:05 | 0:11:06 | |
If you don't eat meat we have fish. | 0:11:06 | 0:11:09 | |
I don't eat fish either. I'm a vegetarian. | 0:11:09 | 0:11:11 | |
-Ah... -Do you have a vegetarian special? | 0:11:11 | 0:11:14 | |
Of course. All Nations Vegetables. | 0:11:14 | 0:11:15 | |
I'll have that, but no oil... | 0:11:15 | 0:11:17 | |
-..or salt. -No salt for you. OK. | 0:11:17 | 0:11:20 | |
-I'll take the fish. -Me too. | 0:11:20 | 0:11:22 | |
Fish. Two for the fish. OK. | 0:11:22 | 0:11:24 | |
And, uh... CLEARS THROAT | 0:11:24 | 0:11:27 | |
For Mademoiselle? | 0:11:27 | 0:11:28 | |
Or is it Madame? | 0:11:31 | 0:11:32 | |
SHE LAUGHS NERVOUSLY | 0:11:34 | 0:11:36 | |
MOZART FLUTE CONCERTO PLAYS | 0:11:36 | 0:11:39 | |
HORNS BEEP | 0:12:24 | 0:12:26 | |
It's, uh...just here on the right. | 0:12:27 | 0:12:30 | |
Right here. | 0:12:30 | 0:12:31 | |
Let me come up? | 0:12:42 | 0:12:43 | |
-Mmm, no. -What is it, a girls' dorm? | 0:12:43 | 0:12:46 | |
I've never seen your apartment. Why the secrecy? | 0:12:46 | 0:12:49 | |
What secrecy? | 0:12:49 | 0:12:51 | |
Well, most girls I've known have tried to crowd me. | 0:12:50 | 0:12:54 | |
-Mmm. -Except you. | 0:12:54 | 0:12:56 | |
I could do with some crowding from you. | 0:12:56 | 0:12:59 | |
BEEPS HORN You coming or what?! | 0:12:59 | 0:13:01 | |
-OK. -OK. | 0:13:01 | 0:13:03 | |
Mmm. | 0:13:06 | 0:13:07 | |
Evening, Mrs Faure. | 0:13:19 | 0:13:21 | |
Hello, Oscar. | 0:13:22 | 0:13:23 | |
There's some mail here. | 0:13:23 | 0:13:25 | |
Mostly addressed to Miss Parrish. | 0:13:25 | 0:13:27 | |
I guess some folks don't know you're married. | 0:13:27 | 0:13:30 | |
I still use the name Parrish. | 0:13:30 | 0:13:32 | |
-Women's lib, huh? -I guess so. | 0:13:32 | 0:13:34 | |
Nothing from Africa. | 0:13:34 | 0:13:35 | |
-Oh. -I already checked. | 0:13:36 | 0:13:38 | |
I guess he's still on safari, huh? | 0:13:38 | 0:13:41 | |
Something like that. | 0:13:41 | 0:13:42 | |
Goodnight, Mrs Faure. | 0:13:42 | 0:13:44 | |
Goodnight, Oscar. | 0:13:44 | 0:13:46 | |
INTERCOM BUZZES | 0:14:19 | 0:14:21 | |
INTERCOM BUZZES AGAIN | 0:14:27 | 0:14:28 | |
Hello? | 0:14:30 | 0:14:32 | |
-MAN: -Mrs Faure? -Yes. | 0:14:32 | 0:14:34 | |
My name is Gorsky. | 0:14:34 | 0:14:35 | |
I'm with the Investigations Department of the INS. | 0:14:35 | 0:14:38 | |
-The what? -Immigration. | 0:14:38 | 0:14:40 | |
My partner and I are downstairs. | 0:14:40 | 0:14:42 | |
We wondered if we might talk with you...and your husband. | 0:14:42 | 0:14:46 | |
(Oh...) | 0:14:49 | 0:14:51 | |
GENERAL CHATTER | 0:14:52 | 0:14:54 | |
What is it you want? | 0:14:55 | 0:14:57 | |
I just want to speak with Georges Faure. | 0:14:57 | 0:14:59 | |
-He doesn't work here any more. -What? | 0:14:59 | 0:15:02 | |
He insulted a customer. We don't tolerate that. | 0:15:02 | 0:15:04 | |
-Excuse me. -Please, I must find him. | 0:15:04 | 0:15:06 | |
-Do you know where he lives? -Georges Faure is trouble. | 0:15:06 | 0:15:10 | |
You would do best to avoid him. | 0:15:10 | 0:15:12 | |
Now, if you'll excuse me, young lady, | 0:15:12 | 0:15:14 | |
I have customers waiting. | 0:15:14 | 0:15:16 | |
You're a friend of Georges? | 0:15:19 | 0:15:21 | |
CLOCK TICKS LOUDLY | 0:15:21 | 0:15:23 | |
BIRDS CHIRP | 0:15:27 | 0:15:29 | |
Yo. | 0:15:45 | 0:15:46 | |
Yo! Where are you going? | 0:15:46 | 0:15:48 | |
I want to see Mrs Faure. | 0:15:48 | 0:15:50 | |
Oh? And who are you? | 0:15:50 | 0:15:52 | |
Mr Faure. | 0:15:52 | 0:15:54 | |
-Mr Faure?! -Yes. | 0:15:54 | 0:15:55 | |
Oh, I'm sorry. I've never seen you before. | 0:15:55 | 0:15:58 | |
Welcome back. How was Africa? | 0:15:58 | 0:16:00 | |
-Africa? -Yeah. You got any bags? | 0:16:00 | 0:16:02 | |
No, no. Just me. | 0:16:02 | 0:16:03 | |
At first I thought, "This guy's stepped out of the jungle." | 0:16:03 | 0:16:07 | |
And I was right! | 0:16:07 | 0:16:08 | |
It's great to see you back. | 0:16:08 | 0:16:10 | |
I hate to see young couples separated. | 0:16:10 | 0:16:13 | |
It's bad for the marriage. | 0:16:13 | 0:16:14 | |
-Call me old-fashioned... -No! | 0:16:14 | 0:16:16 | |
..but that's this country's problem. | 0:16:16 | 0:16:17 | |
The family's going down the toilet. | 0:16:17 | 0:16:19 | |
-The toilet? -Yeah! | 0:16:19 | 0:16:21 | |
15 years I'm married to the same woman. | 0:16:21 | 0:16:24 | |
-See my kids? -Yes. | 0:16:24 | 0:16:25 | |
I call her twice a day. | 0:16:25 | 0:16:27 | |
I'm not into that women's lib stuff - | 0:16:27 | 0:16:29 | |
couples living in sin. | 0:16:29 | 0:16:31 | |
-Oh, that's no good. -It's terrible. | 0:16:31 | 0:16:33 | |
DOORBELL RINGS | 0:16:34 | 0:16:36 | |
DOORBELL RINGS REPEATEDLY | 0:16:41 | 0:16:42 | |
So... | 0:16:54 | 0:16:55 | |
Well, come in. | 0:16:55 | 0:16:58 | |
Right...now, these people are due here any minute, so, um... | 0:17:06 | 0:17:10 | |
I think we better talk about the situation, don't you? | 0:17:11 | 0:17:15 | |
You got my note? | 0:17:15 | 0:17:16 | |
Of course you did, otherwise you wouldn't be here. | 0:17:16 | 0:17:19 | |
Uh, I spoke to my lawyer. | 0:17:19 | 0:17:21 | |
He said not to panic. It's probably just routine. | 0:17:21 | 0:17:24 | |
Have you got some coffee? | 0:17:26 | 0:17:28 | |
-Coffee? -Yes. | 0:17:28 | 0:17:29 | |
Right. Good idea. | 0:17:30 | 0:17:32 | |
We'll just have coffee like any normal married couple. | 0:17:33 | 0:17:36 | |
How's the composing? | 0:17:38 | 0:17:40 | |
Didn't you get the big job in California? | 0:17:40 | 0:17:43 | |
No, I don't like them, you know? | 0:17:43 | 0:17:45 | |
I'd rather be a waiter than work for such people. | 0:17:46 | 0:17:49 | |
But you're not at the restaurant anymore. | 0:17:49 | 0:17:52 | |
No, I quit. | 0:17:52 | 0:17:54 | |
They said you were fired. | 0:17:56 | 0:17:58 | |
Really? | 0:17:58 | 0:18:00 | |
Funny. | 0:18:00 | 0:18:01 | |
I hate that captain, you know. | 0:18:02 | 0:18:04 | |
He's really a snob type. | 0:18:04 | 0:18:07 | |
Ah. | 0:18:07 | 0:18:08 | |
HE HUMS A TUNE | 0:18:08 | 0:18:10 | |
These people are due any minute | 0:18:10 | 0:18:12 | |
and you stroll around MY apartment touching MY things. | 0:18:12 | 0:18:15 | |
Do you realise the situation you've put me in? | 0:18:15 | 0:18:18 | |
I'm sorry, Betty. | 0:18:18 | 0:18:20 | |
Uh... | 0:18:20 | 0:18:21 | |
It's Bronte. | 0:18:24 | 0:18:25 | |
Oh. | 0:18:26 | 0:18:28 | |
This is hopeless. | 0:18:28 | 0:18:30 | |
The coffee? | 0:18:31 | 0:18:33 | |
-The coffee? -Yes. | 0:18:33 | 0:18:34 | |
You're getting deported, but what about the coffee?! | 0:18:34 | 0:18:37 | |
INTERCOM BUZZES TWICE | 0:18:37 | 0:18:40 | |
Oh, my God, they're here! | 0:18:40 | 0:18:41 | |
Wait. Wait! I'll get it. | 0:18:42 | 0:18:44 | |
-Yeah? -Mr Faure, please. | 0:18:44 | 0:18:46 | |
-This is Mr Faure. -This is Immigration. | 0:18:46 | 0:18:48 | |
OK, come on. | 0:18:48 | 0:18:49 | |
What... | 0:18:51 | 0:18:52 | |
What are you doing? | 0:18:52 | 0:18:54 | |
Better put them in my closet. | 0:18:54 | 0:18:56 | |
Oh. | 0:18:56 | 0:18:57 | |
Oh, God. | 0:19:06 | 0:19:07 | |
Ring. Ring! | 0:19:12 | 0:19:14 | |
Uh! | 0:19:20 | 0:19:21 | |
DOORBELL RINGS | 0:19:25 | 0:19:27 | |
RINGS REPEATEDLY | 0:19:27 | 0:19:29 | |
We have to talk, for God's sake! | 0:19:30 | 0:19:32 | |
-Talk about what? -How we met. | 0:19:32 | 0:19:34 | |
They'll ask us questions. | 0:19:34 | 0:19:35 | |
They just want to see us together. | 0:19:35 | 0:19:38 | |
This happened to a guy at the restaurant. | 0:19:38 | 0:19:40 | |
-They see us, they go. Simple. -DOORBELL RINGS | 0:19:40 | 0:19:42 | |
Can you get it, cherie? | 0:19:42 | 0:19:44 | |
-Let me do the talking. -No, I will. | 0:19:44 | 0:19:47 | |
You don't speak much English. I'll just... | 0:19:47 | 0:19:49 | |
Relax. We're together. | 0:19:49 | 0:19:52 | |
OK? | 0:19:52 | 0:19:53 | |
Don't panic. | 0:19:53 | 0:19:55 | |
-DOORBELL RINGS -Cherie? | 0:19:56 | 0:19:57 | |
Now, go! | 0:19:59 | 0:20:01 | |
OPENS DOOR | 0:20:08 | 0:20:10 | |
-Hello. -Hello. | 0:20:11 | 0:20:13 | |
Hello. | 0:20:13 | 0:20:14 | |
-WOMAN: -Oh, isn't this...quaint. | 0:20:14 | 0:20:17 | |
Thank you. | 0:20:17 | 0:20:18 | |
Come on up. | 0:20:18 | 0:20:20 | |
Georges? | 0:20:26 | 0:20:28 | |
This is Mrs Sheehan and Mr Gorsky. | 0:20:30 | 0:20:33 | |
Hi. | 0:20:36 | 0:20:38 | |
Hello. | 0:20:38 | 0:20:40 | |
-Hi. -Hi. | 0:20:40 | 0:20:41 | |
Please sit down. | 0:20:41 | 0:20:43 | |
CLEARS THROAT | 0:20:52 | 0:20:53 | |
-Mr Faure... -Georges, please. | 0:21:05 | 0:21:07 | |
Yes. | 0:21:07 | 0:21:08 | |
You entered the country five months ago | 0:21:08 | 0:21:11 | |
according to our records. | 0:21:11 | 0:21:12 | |
Yes. And already I love it. | 0:21:12 | 0:21:14 | |
Yes. Well... | 0:21:14 | 0:21:16 | |
Land of opportunity. Such a GREAT country. | 0:21:16 | 0:21:19 | |
-Yes. -Already I feel at home. | 0:21:19 | 0:21:21 | |
-Ah... -So lucky. | 0:21:21 | 0:21:22 | |
Beautiful wife. | 0:21:22 | 0:21:25 | |
-Apartment. -Yeah. | 0:21:25 | 0:21:26 | |
-Plants. -Oh. | 0:21:26 | 0:21:29 | |
So lucky. | 0:21:29 | 0:21:30 | |
Well, um, your visa - a B2, a tourist visa - | 0:21:30 | 0:21:34 | |
allowed you only six weeks. | 0:21:34 | 0:21:36 | |
Now, that in itself is an offence. | 0:21:36 | 0:21:38 | |
But more recent events have overtaken that. | 0:21:38 | 0:21:40 | |
Your marriage, of course, gives you automatic residency status. | 0:21:40 | 0:21:44 | |
Now, this is your place of residence? | 0:21:44 | 0:21:46 | |
-Of course. -Yes. | 0:21:46 | 0:21:48 | |
You moved here AFTER the marriage? | 0:21:48 | 0:21:50 | |
-Yes. -Mm-hm. | 0:21:50 | 0:21:51 | |
We spoke to the chairperson of the building. | 0:21:51 | 0:21:54 | |
He said you'd been away, Mr Faure. | 0:21:54 | 0:21:56 | |
In Africa. | 0:21:56 | 0:21:58 | |
Yes. Shooting elephants. | 0:21:58 | 0:22:00 | |
-Oh... -With a camera! | 0:22:00 | 0:22:02 | |
-Of course! -Oh! | 0:22:02 | 0:22:04 | |
And he brought me back some plants. | 0:22:04 | 0:22:06 | |
Some violets. | 0:22:06 | 0:22:07 | |
-African violets. -Violets. | 0:22:07 | 0:22:09 | |
Uh-huh. | 0:22:09 | 0:22:11 | |
And where did you live, Mr Faure, before the marriage? | 0:22:10 | 0:22:14 | |
Oh, all over the place. | 0:22:14 | 0:22:17 | |
In the park one night. | 0:22:18 | 0:22:20 | |
-And where do you work? -Pardon? | 0:22:23 | 0:22:25 | |
My husband's a composer. | 0:22:25 | 0:22:27 | |
He's working on an important composition right now, | 0:22:27 | 0:22:29 | |
based on his African research. | 0:22:29 | 0:22:32 | |
A composer! We don't have a note of that. | 0:22:32 | 0:22:35 | |
And, uh, you write what - rock'n'roll? | 0:22:35 | 0:22:39 | |
Ballet. | 0:22:40 | 0:22:42 | |
I write for the ballet. | 0:22:42 | 0:22:44 | |
Ballet! | 0:22:44 | 0:22:45 | |
Your statement on your passport application | 0:22:45 | 0:22:48 | |
said you had no criminal convictions. | 0:22:48 | 0:22:50 | |
Is that a true and correct statement? | 0:22:50 | 0:22:52 | |
Of course. | 0:22:53 | 0:22:54 | |
Do you speak French, Mrs Faure? | 0:22:54 | 0:22:56 | |
Oh, not really. | 0:22:56 | 0:22:58 | |
-Si, un peu, vraiment parfait. -Not exactly. | 0:22:58 | 0:23:01 | |
No barrier to love though, hmm? | 0:23:01 | 0:23:03 | |
HE CLEARS THROAT | 0:23:03 | 0:23:04 | |
Well, that about does it. | 0:23:04 | 0:23:08 | |
We're sorry to have troubled you. | 0:23:09 | 0:23:11 | |
There's been a major clampdown on illegal aliens | 0:23:11 | 0:23:14 | |
marrying for residency status and the Green Card. | 0:23:14 | 0:23:17 | |
It's come down from the top. | 0:23:18 | 0:23:20 | |
-The White House. -Mmm. | 0:23:20 | 0:23:23 | |
Well, you don't want to get the wrong type. | 0:23:23 | 0:23:26 | |
Precisely. | 0:23:26 | 0:23:27 | |
We understand. | 0:23:27 | 0:23:29 | |
As a matter of curiosity, how did you two meet? | 0:23:29 | 0:23:33 | |
I'm sure it was very romantic. | 0:23:33 | 0:23:35 | |
-We... -Well...er... | 0:23:39 | 0:23:41 | |
-You go ahead. -No, you, please. | 0:23:41 | 0:23:43 | |
-We just... -We crashed into each other. Boom! | 0:23:43 | 0:23:45 | |
-Like that. -Goodness! | 0:23:45 | 0:23:47 | |
I was carrying a lot of parcels. | 0:23:47 | 0:23:49 | |
-Parcels? -Yes, parcels. | 0:23:49 | 0:23:51 | |
And Anton, don't forget about Anton. | 0:23:51 | 0:23:53 | |
-Anton, yes. -He was with Georges. | 0:23:53 | 0:23:55 | |
-I knew him. -He helped pick up the parcels. | 0:23:55 | 0:23:58 | |
Actually, darling, he introduced us. | 0:23:58 | 0:24:00 | |
-So he did. -Mmm. | 0:24:00 | 0:24:02 | |
He did, yes. Anton. | 0:24:02 | 0:24:04 | |
And? | 0:24:04 | 0:24:06 | |
-Well... -So... | 0:24:06 | 0:24:08 | |
-It was raining. -Oh, yes, we got soaked. | 0:24:08 | 0:24:10 | |
I took one of her parcels when I picked up mine. | 0:24:10 | 0:24:14 | |
You had parcels too? | 0:24:14 | 0:24:16 | |
-Ah. -Everyone had parcels. | 0:24:16 | 0:24:18 | |
So many parcels. | 0:24:18 | 0:24:20 | |
So I... I... | 0:24:20 | 0:24:21 | |
-I picked up one of hers. -By mistake. | 0:24:21 | 0:24:24 | |
So I had my parcels and her parcel. | 0:24:24 | 0:24:28 | |
And I was... | 0:24:28 | 0:24:30 | |
..staggering around. | 0:24:31 | 0:24:33 | |
Like this. | 0:24:33 | 0:24:34 | |
PHONE RINGS | 0:24:34 | 0:24:36 | |
And...er... | 0:24:42 | 0:24:43 | |
Yeah. | 0:24:43 | 0:24:45 | |
PHONE CONTINUES TO RING | 0:24:45 | 0:24:46 | |
Somebody better get the telephone. | 0:24:46 | 0:24:49 | |
-Couldn't be for me. -It could be, dear. | 0:24:49 | 0:24:52 | |
But don't worry, I'll get it. | 0:24:51 | 0:24:54 | |
We don't want to have a husband-and-wife fight now. | 0:24:53 | 0:24:57 | |
Hello. | 0:25:00 | 0:25:01 | |
Phil! You're still upstate, aren't you? | 0:25:01 | 0:25:04 | |
No, I'm not glad you're there. | 0:25:05 | 0:25:07 | |
Do go on, Mr Faure. | 0:25:07 | 0:25:08 | |
Phil, I can't talk right now. | 0:25:08 | 0:25:10 | |
-Hmm? -The parcels? | 0:25:10 | 0:25:12 | |
-You said you had her parcels. -Oh, yes. | 0:25:12 | 0:25:15 | |
-Yes. -I'm excited. | 0:25:15 | 0:25:17 | |
-So I found this extra parcel. -I'll call you back. | 0:25:17 | 0:25:20 | |
I had nine and now 10. | 0:25:20 | 0:25:22 | |
"What was going on?" I said to myself. | 0:25:22 | 0:25:25 | |
And I open it and it was...er... | 0:25:25 | 0:25:28 | |
ladies' underwears. | 0:25:28 | 0:25:31 | |
Ladies' underwear? | 0:25:31 | 0:25:33 | |
Exactement. | 0:25:32 | 0:25:34 | |
-So... -Oh! | 0:25:34 | 0:25:36 | |
-Mm-hm. -I called Anton. | 0:25:36 | 0:25:38 | |
And he said it must belong to Betty. | 0:25:38 | 0:25:42 | |
You mean Bronte? | 0:25:43 | 0:25:44 | |
Yes. Bronte. | 0:25:46 | 0:25:49 | |
But I didn't know her name. | 0:25:49 | 0:25:51 | |
And...er...so... | 0:25:51 | 0:25:54 | |
Now I did. | 0:25:54 | 0:25:55 | |
-That's it. -Oh, yeah. | 0:25:55 | 0:25:58 | |
May I use your bathroom? | 0:25:58 | 0:25:59 | |
Hmm? | 0:25:59 | 0:26:01 | |
Bathroom? | 0:26:01 | 0:26:02 | |
What for? | 0:26:02 | 0:26:04 | |
Oh, well, I need to use it... er...a bathroom. | 0:26:07 | 0:26:10 | |
Oh! | 0:26:10 | 0:26:12 | |
-Please, go ahead. -Where is it? | 0:26:12 | 0:26:14 | |
-What? -The lavatory. | 0:26:14 | 0:26:17 | |
Could you show me where it is? | 0:26:17 | 0:26:19 | |
Oh, yes. | 0:26:19 | 0:26:21 | |
Please, follow me. | 0:26:21 | 0:26:22 | |
Am I whispering? | 0:26:23 | 0:26:25 | |
Oh, that's great. | 0:26:27 | 0:26:28 | |
Just great. | 0:26:28 | 0:26:30 | |
Oh, that used to be the bathroom. | 0:26:46 | 0:26:49 | |
Before the renovations. | 0:26:49 | 0:26:51 | |
I keep forgetting. | 0:26:51 | 0:26:53 | |
Oh... | 0:26:54 | 0:26:55 | |
We made the broom closet into the bedroom, you see? | 0:26:55 | 0:26:59 | |
And this door is the bathroom. | 0:26:59 | 0:27:01 | |
Voila. | 0:27:01 | 0:27:02 | |
Let him move into my apartment? What are you saying? | 0:27:10 | 0:27:13 | |
Don't look so shocked. | 0:27:13 | 0:27:14 | |
Frankly, young lady, I think your priorities are all wrong. | 0:27:14 | 0:27:18 | |
You married a stranger to get a greenhouse. | 0:27:18 | 0:27:20 | |
That shocked me! | 0:27:20 | 0:27:22 | |
I'm old-fashioned when it comes to marriage. | 0:27:22 | 0:27:24 | |
I think love has something to do with it. | 0:27:24 | 0:27:27 | |
You don't? Fine. | 0:27:27 | 0:27:29 | |
But if marrying a stranger doesn't shock you, | 0:27:29 | 0:27:31 | |
letting him sleep on the sofa for a few nights | 0:27:31 | 0:27:35 | |
shouldn't shock you either. | 0:27:35 | 0:27:36 | |
This isn't happening to me! | 0:27:36 | 0:27:38 | |
There's a second interview on Monday. | 0:27:38 | 0:27:40 | |
It's Friday. That gives you the weekend. | 0:27:40 | 0:27:42 | |
Two days! Why can't he just meet me here in the park? | 0:27:42 | 0:27:46 | |
Because this interview will be in-depth. | 0:27:46 | 0:27:48 | |
They'll question you separately. | 0:27:48 | 0:27:49 | |
They'll want to know the colour of each other's toothbrush. | 0:27:49 | 0:27:52 | |
What does he like eating? Does he snore? | 0:27:52 | 0:27:55 | |
You're gonna have to study each other's habits. | 0:27:55 | 0:27:58 | |
It's like cramming for an exam. | 0:27:58 | 0:28:00 | |
Oh, God! Is there no alternative? | 0:28:00 | 0:28:02 | |
Sure. You can confess everything now. | 0:28:02 | 0:28:04 | |
He'll be deported, you could face charges and no more greenhouse. | 0:28:04 | 0:28:08 | |
-It's like living in a police state. -No. | 0:28:08 | 0:28:11 | |
It's called "breaking the law". | 0:28:11 | 0:28:13 | |
However trivial it seemed to you at the time, | 0:28:13 | 0:28:16 | |
that's what you've done. | 0:28:16 | 0:28:17 | |
Anyway, I think you should introduce Georges | 0:28:17 | 0:28:20 | |
to some of your friends. | 0:28:20 | 0:28:21 | |
-What? -Let him get to know them. | 0:28:21 | 0:28:24 | |
Say he's visiting from Paris. | 0:28:24 | 0:28:25 | |
I couldn't bear that. | 0:28:25 | 0:28:27 | |
He's such a slob. | 0:28:27 | 0:28:28 | |
-Nobody will know. -That's up to you. | 0:28:28 | 0:28:31 | |
But listen, get that story straight. | 0:28:31 | 0:28:34 | |
Oh, by Monday evening, this will all be over. | 0:28:34 | 0:28:38 | |
And you can start planning the divorce. | 0:28:38 | 0:28:40 | |
I can't wait. | 0:28:40 | 0:28:42 | |
For your pond. | 0:29:12 | 0:29:14 | |
Oh, right. | 0:29:15 | 0:29:16 | |
Thank you. I'll show you around. | 0:29:16 | 0:29:18 | |
There's not much to see. | 0:29:18 | 0:29:20 | |
You know where the bathroom is. | 0:29:20 | 0:29:22 | |
Go on! Go on! | 0:29:38 | 0:29:40 | |
Shoo! Shoo! | 0:29:40 | 0:29:42 | |
HE WHISTLES | 0:29:46 | 0:29:48 | |
Do you mind not smoking inside? | 0:30:01 | 0:30:04 | |
HE SLURPS | 0:30:10 | 0:30:12 | |
-What's this? -It's coffee. | 0:30:16 | 0:30:17 | |
-No. -Yes, it is. | 0:30:17 | 0:30:19 | |
It's decaf. | 0:30:19 | 0:30:21 | |
Look, do you have any real coffee? | 0:30:21 | 0:30:23 | |
I'm afraid not. | 0:30:23 | 0:30:25 | |
I'll make you the best coffee you ever had. | 0:30:25 | 0:30:28 | |
I only drink decaf. | 0:30:28 | 0:30:29 | |
You'll change when you taste this. | 0:30:29 | 0:30:32 | |
I don't want anyone knowing about this, OK? | 0:30:33 | 0:30:35 | |
We need a story in case we meet my friends. | 0:30:35 | 0:30:38 | |
Something simple. | 0:30:38 | 0:30:40 | |
You're an old friend. I admire your ballet music. | 0:30:40 | 0:30:43 | |
-You're visiting from Paris. -Mm-hm. | 0:30:43 | 0:30:45 | |
You're staying for a couple of nights. | 0:30:44 | 0:30:47 | |
-You're gay. -Gay? | 0:30:47 | 0:30:49 | |
-I don't want to be gay. -OK. | 0:30:49 | 0:30:51 | |
You're not gay. Just an old friend. | 0:30:51 | 0:30:54 | |
-The hotels are all booked up. -Oh. | 0:30:54 | 0:30:56 | |
Not a very good story. | 0:30:56 | 0:30:58 | |
Think of a better one. | 0:30:58 | 0:30:59 | |
Oh! | 0:30:59 | 0:31:01 | |
I don't know. Something political? | 0:31:01 | 0:31:03 | |
Terrorist, maybe? | 0:31:06 | 0:31:08 | |
No. | 0:31:09 | 0:31:10 | |
Not a terrorist, but political's good. | 0:31:10 | 0:31:12 | |
A refugee. That's it. | 0:31:12 | 0:31:14 | |
That'll work. | 0:31:14 | 0:31:16 | |
Yes! | 0:31:16 | 0:31:17 | |
No, we don't say anything. | 0:31:17 | 0:31:19 | |
Just a friend staying for a few nights. | 0:31:19 | 0:31:21 | |
This is New York. | 0:31:21 | 0:31:23 | |
-You're right. -Mmm. | 0:31:23 | 0:31:24 | |
OK, you sleep on the couch and we split expenses. | 0:31:24 | 0:31:28 | |
I'll cook, hmm? | 0:31:29 | 0:31:31 | |
Oh! | 0:31:39 | 0:31:40 | |
Oh. | 0:31:40 | 0:31:42 | |
MAN SPEAKS SPANISH | 0:31:43 | 0:31:45 | |
Good. | 0:31:55 | 0:31:56 | |
Doesn't smell good, put it back, please. | 0:32:01 | 0:32:04 | |
-For your birds? -What? | 0:32:18 | 0:32:19 | |
-This is birdseed, no? -It's muesli. | 0:32:19 | 0:32:21 | |
Put it back. I'll get some croissants. | 0:32:21 | 0:32:23 | |
But I like birdseed. | 0:32:23 | 0:32:25 | |
-No, OK. -No, go ahead. | 0:32:29 | 0:32:31 | |
-Go ahead. -No, please. | 0:32:31 | 0:32:33 | |
Oh! | 0:32:35 | 0:32:36 | |
Bee? Bronte? | 0:32:39 | 0:32:42 | |
Oh, it is you! | 0:32:42 | 0:32:44 | |
-Hi! -Lauren, what are you doing here? | 0:32:44 | 0:32:46 | |
What am I doing here? | 0:32:46 | 0:32:48 | |
I'm like, you know, buying food. | 0:32:48 | 0:32:50 | |
Well, it's just not your neighbourhood. | 0:32:50 | 0:32:53 | |
Mother's having another musical soiree. | 0:32:53 | 0:32:54 | |
I'm picking her up a few things. | 0:32:54 | 0:32:57 | |
-When do I see your new apartment? -Hi. | 0:32:57 | 0:32:59 | |
Hi. | 0:32:59 | 0:33:01 | |
You're together? | 0:33:05 | 0:33:07 | |
Sort of. | 0:33:06 | 0:33:08 | |
This is an old friend Georges Faure. | 0:33:08 | 0:33:11 | |
-This is Lauren Adler. -Hi, Lauren. | 0:33:11 | 0:33:13 | |
Ooh, that accent! You're French, right? | 0:33:13 | 0:33:16 | |
-Oui. -Oui! | 0:33:16 | 0:33:17 | |
Exactement. This is so weird. | 0:33:17 | 0:33:19 | |
Everything in my life is French lately. | 0:33:19 | 0:33:21 | |
Monday, I buy a French jacket. | 0:33:21 | 0:33:23 | |
Wednesday, I see a French movie. | 0:33:23 | 0:33:25 | |
Then last night, Tony says "Let's eat French." | 0:33:25 | 0:33:27 | |
It's like Carl Jung...what do you call it...coincidence, something? | 0:33:27 | 0:33:32 | |
Coincidence, exactement, really. | 0:33:32 | 0:33:34 | |
Oh. Is that so? | 0:33:34 | 0:33:36 | |
Nice to meet you, Bronte's French friend. | 0:33:36 | 0:33:38 | |
Mmm. | 0:33:38 | 0:33:40 | |
-Well, Lauren... -Look. | 0:33:40 | 0:33:42 | |
If you want to eat French again, I'm cooking. | 0:33:41 | 0:33:45 | |
For Bronte. | 0:33:44 | 0:33:46 | |
Hmm? | 0:33:46 | 0:33:47 | |
-Er... -Mm-hm? | 0:33:47 | 0:33:49 | |
I'd live in the south of France all the time. | 0:33:53 | 0:33:56 | |
-Yes. -Oh, thanks. | 0:33:56 | 0:33:58 | |
The last time was for six months. | 0:33:58 | 0:34:01 | |
You carried it through like that? | 0:34:01 | 0:34:03 | |
Oh, Mr Faure! | 0:34:03 | 0:34:04 | |
Kids, meet Mr Faure. | 0:34:04 | 0:34:06 | |
-He's been in Africa. -Hi. | 0:34:06 | 0:34:07 | |
-Bonjour. -Kids, huh? | 0:34:07 | 0:34:09 | |
Maybe you two will think about starting a family soon. | 0:34:09 | 0:34:12 | |
-Shh! -Oh, shh. | 0:34:12 | 0:34:14 | |
-Georges! -Yes. | 0:34:14 | 0:34:15 | |
Georges, hold the elevator! | 0:34:15 | 0:34:17 | |
Wait! Going up. | 0:34:17 | 0:34:18 | |
Hold it! | 0:34:19 | 0:34:21 | |
Hold it. | 0:34:21 | 0:34:22 | |
-ELEVATOR BUZZES -Going up! | 0:34:22 | 0:34:24 | |
Wait for me! | 0:34:24 | 0:34:26 | |
They should fix those doors. | 0:34:30 | 0:34:32 | |
Somebody get killed around here. | 0:34:32 | 0:34:34 | |
What did those government people want? | 0:34:42 | 0:34:44 | |
-It's nothing. -We don't know exactly. | 0:34:44 | 0:34:47 | |
-What's this? -Georges's visa...minor problem. | 0:34:47 | 0:34:50 | |
They said, "Does Mr Faure do this and that?" | 0:34:50 | 0:34:53 | |
And about Mrs Faure. | 0:34:53 | 0:34:55 | |
"Did she go to Africa?" | 0:34:55 | 0:34:57 | |
-And so on. -Mrs Faure? | 0:34:57 | 0:34:59 | |
(Georges's mother.) | 0:35:00 | 0:35:01 | |
She died in Africa. | 0:35:01 | 0:35:03 | |
Oh, I'm sorry. | 0:35:03 | 0:35:05 | |
Yes. Killed by the elephants. | 0:35:05 | 0:35:08 | |
Elephants. | 0:35:08 | 0:35:10 | |
HE SINGS | 0:35:11 | 0:35:13 | |
I could sit and watch you all day, Georges. | 0:35:18 | 0:35:21 | |
You're lucky, Bee, having a French chef as a guest. | 0:35:21 | 0:35:24 | |
Stop it, Lauren. | 0:35:24 | 0:35:26 | |
What are you doing in New York, Georges? | 0:35:26 | 0:35:29 | |
-Just crashed and... -Georges is a political... | 0:35:29 | 0:35:31 | |
-You go on. -No, go on. | 0:35:31 | 0:35:33 | |
-No, you, please. -A political what? | 0:35:33 | 0:35:35 | |
Political...ballet. | 0:35:36 | 0:35:39 | |
I can't imagine a political ballet. | 0:35:41 | 0:35:43 | |
-You know, sort of a... -HE SINGS | 0:35:43 | 0:35:47 | |
Georges writes for the ballet. | 0:35:47 | 0:35:48 | |
-He's an old friend. He's... -Not gay. | 0:35:48 | 0:35:51 | |
-Of course not! -Good. | 0:35:51 | 0:35:53 | |
He just couldn't find a hotel and he's been in Africa. | 0:35:53 | 0:35:56 | |
-Look, we're old friends. -Yeah. | 0:35:56 | 0:35:58 | |
So I don't fuck her. | 0:35:58 | 0:36:01 | |
HE SINGS | 0:36:01 | 0:36:03 | |
What? Did you kill somebody for this place? | 0:36:07 | 0:36:10 | |
You probably cut them up and used them for mulch. | 0:36:10 | 0:36:13 | |
This is amazing. So's your French friend. | 0:36:13 | 0:36:15 | |
-I want details later. -Oh, Lauren, please! | 0:36:15 | 0:36:18 | |
My mother would adore this. | 0:36:18 | 0:36:21 | |
Oh, speaking of my mother, guess what. | 0:36:20 | 0:36:23 | |
She and Daddy are leaving New York. | 0:36:23 | 0:36:25 | |
No! What about her beautiful garden? | 0:36:25 | 0:36:27 | |
They're leaving it. | 0:36:27 | 0:36:29 | |
I've told Daddy about the Green Worms. | 0:36:29 | 0:36:31 | |
-Green Guerillas. -Yeah, well. | 0:36:31 | 0:36:32 | |
Being this great old liberal, | 0:36:32 | 0:36:36 | |
he'd like to give you and your group all the plants. | 0:36:35 | 0:36:38 | |
No. Not those beautiful trees? | 0:36:38 | 0:36:41 | |
The trees, the plants, everything. | 0:36:41 | 0:36:43 | |
That's fantastic. Our stocks are so low. | 0:36:43 | 0:36:45 | |
We're desperate for plants. | 0:36:45 | 0:36:47 | |
Wait a minute, there's a problem. | 0:36:47 | 0:36:49 | |
-Mother won't hear of it. -CORK POPS | 0:36:49 | 0:36:51 | |
If you talk to her, maybe she'll change her mind. | 0:36:51 | 0:36:55 | |
-GEORGES SINGS -Georges! | 0:36:55 | 0:36:57 | |
-Ca c'est fantastique. -Non! | 0:36:57 | 0:36:59 | |
-Ah, oui! -C'est normale. | 0:36:59 | 0:37:02 | |
Bronte, you didn't eat anything. | 0:37:01 | 0:37:04 | |
It's not my kind of food. | 0:37:04 | 0:37:06 | |
She likes birdseed. | 0:37:06 | 0:37:07 | |
It's just not healthy, all that butter. | 0:37:07 | 0:37:09 | |
What's the point of life if you don't enjoy yourself? | 0:37:09 | 0:37:12 | |
Do you mind? | 0:37:12 | 0:37:14 | |
You're like an old married couple. | 0:37:15 | 0:37:17 | |
How did you two meet? | 0:37:19 | 0:37:20 | |
Well, you know, Lauren, I was carrying a lot of parcels. | 0:37:20 | 0:37:25 | |
Lauren, it's a long story. | 0:37:25 | 0:37:27 | |
Can I tell you later? | 0:37:27 | 0:37:29 | |
I've got lots of cataloguing. | 0:37:29 | 0:37:31 | |
I can take a hint. | 0:37:31 | 0:37:32 | |
-No, finish your wine. -Oh. | 0:37:32 | 0:37:34 | |
-Merci. -There's a bit more. | 0:37:34 | 0:37:36 | |
OK? | 0:37:36 | 0:37:37 | |
-Nice meeting you, Georges. -You too, Lauren. | 0:37:37 | 0:37:39 | |
-Au revoir. -Au revoir. See you again. | 0:37:39 | 0:37:43 | |
LAUREN GIGGLES | 0:37:43 | 0:37:44 | |
-He's gorgeous. -Lauren, look, I... | 0:37:45 | 0:37:49 | |
I can say this now. I didn't like Phil. | 0:37:49 | 0:37:52 | |
So earnest, my God! | 0:37:52 | 0:37:53 | |
Phil and I are still together. | 0:37:53 | 0:37:55 | |
Oh, I'm sorry. | 0:37:55 | 0:37:56 | |
I'm so embarrassed. I mean I like Phil. | 0:37:56 | 0:37:59 | |
He's very concerned about the environment and all that. | 0:37:59 | 0:38:02 | |
-Yes, he is. -Typical me, putting my foot in it. | 0:38:02 | 0:38:05 | |
Forget it. | 0:38:05 | 0:38:07 | |
In that case, I wouldn't mind seeing Georges again. | 0:38:07 | 0:38:10 | |
He's dishy. | 0:38:10 | 0:38:11 | |
-Gardeners are so weird. Ciao. -Bye, Lauren. | 0:38:11 | 0:38:14 | |
HE HUMS | 0:38:16 | 0:38:18 | |
Why did you ask her for lunch? | 0:38:20 | 0:38:22 | |
This is my apartment. | 0:38:22 | 0:38:24 | |
Oh, this won't work. | 0:38:24 | 0:38:25 | |
It won't work if I don't know about you. | 0:38:25 | 0:38:28 | |
That silly story about the parcels. | 0:38:28 | 0:38:30 | |
Your mother, the elephants, lying to my friends. | 0:38:30 | 0:38:33 | |
It's all so horrible. | 0:38:33 | 0:38:35 | |
I know you've got a cigarette there. Smoke it outside. | 0:38:35 | 0:38:38 | |
You began lying when you married. | 0:38:42 | 0:38:44 | |
I didn't make you. | 0:38:44 | 0:38:45 | |
-I didn't ask her to lunch. -Always blaming me. | 0:38:45 | 0:38:48 | |
-You did it too. -What? | 0:38:48 | 0:38:50 | |
Married me. I did it for the Green Card. | 0:38:50 | 0:38:53 | |
-Why did you? No-one made you. -Outside! Outside! | 0:38:53 | 0:38:56 | |
Push me to be a beast, I'll be a beast. | 0:38:56 | 0:38:59 | |
So take care! | 0:38:59 | 0:39:00 | |
Now look what you've done. | 0:39:00 | 0:39:02 | |
You silly... French...oaf! | 0:39:02 | 0:39:05 | |
Oh! | 0:39:15 | 0:39:17 | |
BROKEN GLASS TINKLES | 0:39:30 | 0:39:32 | |
Oh! | 0:39:32 | 0:39:34 | |
PHONE RINGS | 0:39:42 | 0:39:44 | |
-Hello. -Hey, it's me. | 0:39:49 | 0:39:51 | |
I wanted to thank you for lunch. | 0:39:51 | 0:39:53 | |
That greenhouse... I'm so jealous. | 0:39:53 | 0:39:55 | |
Oh, Lauren, I'm so sorry about lying to you. | 0:39:55 | 0:39:58 | |
What are you talking about? | 0:39:58 | 0:40:00 | |
Not telling you. Not having you over here before. | 0:40:00 | 0:40:03 | |
You're my oldest friend. | 0:40:03 | 0:40:04 | |
Oh, please forget it, Bee. | 0:40:04 | 0:40:06 | |
I haven't been myself lately, you're right about that. | 0:40:06 | 0:40:09 | |
Things are complicated right now. | 0:40:10 | 0:40:12 | |
Mother's having this dinner party tonight. | 0:40:12 | 0:40:14 | |
I just spoke to her and she's invited you. | 0:40:14 | 0:40:17 | |
Great chance to work on her about the trees. | 0:40:17 | 0:40:20 | |
You could bring Georges. | 0:40:21 | 0:40:23 | |
What are you doing in here? | 0:40:41 | 0:40:43 | |
I bought some beautiful tomatoes for you. | 0:40:43 | 0:40:46 | |
Oh, look, that's sweet, but... | 0:40:46 | 0:40:50 | |
And outside, come on. | 0:40:50 | 0:40:51 | |
Outside. | 0:40:51 | 0:40:53 | |
Look, here we have a radish, peppers, carrots... | 0:40:53 | 0:40:56 | |
Oh, no, my plants. | 0:40:56 | 0:40:57 | |
Weeds. I pulled them out. | 0:40:57 | 0:40:59 | |
-This is my research. -Oh, I'm sorry. | 0:40:59 | 0:41:01 | |
-I bought this for you. -Don't touch anything. | 0:41:01 | 0:41:04 | |
-OK. -Don't go in the greenhouse anymore. | 0:41:04 | 0:41:06 | |
That's all I ask. | 0:41:06 | 0:41:07 | |
It's my special place. | 0:41:07 | 0:41:09 | |
Oh! | 0:41:09 | 0:41:11 | |
You like plants better than people. | 0:41:11 | 0:41:13 | |
Some people. | 0:41:13 | 0:41:14 | |
Oh! | 0:41:14 | 0:41:16 | |
BIRDS FLUTTER | 0:41:28 | 0:41:30 | |
Oh, God! | 0:41:34 | 0:41:36 | |
Look, truce, OK? | 0:41:55 | 0:41:57 | |
I don't make the war. | 0:42:00 | 0:42:01 | |
You asked before why I did it, the marriage. | 0:42:04 | 0:42:07 | |
-Well, it was for the greenhouse. -Greenhouse? | 0:42:07 | 0:42:10 | |
I don't expect you to understand. | 0:42:10 | 0:42:12 | |
Oh, I understand. | 0:42:12 | 0:42:13 | |
You want something, you take it, hmm? | 0:42:13 | 0:42:18 | |
We work tonight? | 0:42:21 | 0:42:22 | |
Study? Just like school. | 0:42:22 | 0:42:24 | |
I have to go out. | 0:42:24 | 0:42:26 | |
Then I'll come too. | 0:42:26 | 0:42:27 | |
-No. -Why? | 0:42:27 | 0:42:29 | |
Ah, your boyfriend, the vegetarian. | 0:42:29 | 0:42:31 | |
-No, he's away. -So! | 0:42:31 | 0:42:32 | |
No! It's Lauren's parents' place, snob types, you'd call them. | 0:42:32 | 0:42:37 | |
-Oh, I will embarrass you, huh? -No! | 0:42:37 | 0:42:39 | |
-Yes, too much oaf. -No! | 0:42:39 | 0:42:41 | |
The Adlers are thinking about giving some trees | 0:42:41 | 0:42:44 | |
to a gardening group I'm in. | 0:42:44 | 0:42:46 | |
-What's that? -Oh, it's just a gardening group. | 0:42:46 | 0:42:48 | |
We go into poor areas like the Lower East Side. | 0:42:48 | 0:42:52 | |
I came from there. You waste your time. | 0:42:52 | 0:42:54 | |
-What? -Yeah. | 0:42:54 | 0:42:56 | |
Nothing changes down there. | 0:42:56 | 0:42:57 | |
It will always be that way. | 0:42:57 | 0:42:59 | |
-Forget about it. -Forget? | 0:42:59 | 0:43:01 | |
Yeah. Look, the trees are very good. | 0:43:01 | 0:43:03 | |
Sure, sure. But you can't eat the trees. | 0:43:03 | 0:43:06 | |
Well, nothing changes without hope. | 0:43:06 | 0:43:08 | |
You think gardens make hope? | 0:43:08 | 0:43:09 | |
Well, it's something. | 0:43:09 | 0:43:11 | |
Go to the country if you want trees. | 0:43:11 | 0:43:14 | |
Try telling that to the children. | 0:43:14 | 0:43:16 | |
They live with...chaos. | 0:43:16 | 0:43:18 | |
Despair. | 0:43:18 | 0:43:20 | |
You may think it's nothing to give them a garden or trees | 0:43:20 | 0:43:24 | |
but at least it's something. | 0:43:24 | 0:43:25 | |
If it amuses you, do it. | 0:43:27 | 0:43:29 | |
Amuses me? | 0:43:29 | 0:43:30 | |
Oh! Oh! | 0:43:30 | 0:43:32 | |
TYRES SQUEAL | 0:43:38 | 0:43:40 | |
Chaos. | 0:43:43 | 0:43:45 | |
Despair. | 0:43:45 | 0:43:47 | |
GAME SHOW PLAYS ON TV OUTSIDE | 0:43:48 | 0:43:50 | |
Better down. | 0:44:26 | 0:44:27 | |
What? | 0:44:27 | 0:44:29 | |
Your hair looks better down. | 0:44:29 | 0:44:30 | |
I'll be back by 10pm. We'll work then. | 0:44:32 | 0:44:34 | |
Please don't answer the phone. | 0:44:34 | 0:44:36 | |
Don't be late. | 0:44:36 | 0:44:37 | |
LIFT BELL RINGS | 0:44:55 | 0:44:57 | |
MANY HORNS BLARE | 0:45:02 | 0:45:04 | |
Thanks a lot. | 0:45:06 | 0:45:08 | |
-Taxi! -Taxi! | 0:45:08 | 0:45:09 | |
-Into the garden. -Thank you. | 0:45:16 | 0:45:18 | |
MUFFLED CHATTER | 0:45:18 | 0:45:20 | |
-MRS ADLER: -I said this is it. We're leaving. | 0:45:25 | 0:45:30 | |
Bronte! How exquisite you look. | 0:45:30 | 0:45:32 | |
-Thank you for asking me. -Not at all. | 0:45:32 | 0:45:35 | |
Wonderful to see you. | 0:45:35 | 0:45:36 | |
Apparently you've got a brilliant new apartment. | 0:45:36 | 0:45:38 | |
Yes. Is Lauren here yet? | 0:45:38 | 0:45:40 | |
The question wasn't about pornography. | 0:45:40 | 0:45:42 | |
The question was whether it qualifies as art. | 0:45:42 | 0:45:45 | |
But your own daughter! Have you seen the stuff she does? | 0:45:45 | 0:45:49 | |
Lafayette was on the horse. | 0:45:49 | 0:45:50 | |
Then he got off the horse | 0:45:50 | 0:45:52 | |
and saluted my ancestor on both cheeks. | 0:45:52 | 0:45:55 | |
-Kisses. -Did he need to get off? | 0:45:55 | 0:45:57 | |
It's stupid for these environmentalists to plant trees | 0:45:57 | 0:46:00 | |
when they don't know what they're doing. | 0:46:00 | 0:46:02 | |
They don't listen to me, needless to say. | 0:46:02 | 0:46:05 | |
Of course, I'm just your average layman. | 0:46:05 | 0:46:08 | |
But I have written the appropriate... | 0:46:08 | 0:46:11 | |
DOORBELL RINGS | 0:46:11 | 0:46:13 | |
I'll go, Alberto. That'll be Lauren. | 0:46:13 | 0:46:15 | |
Our daughter reserves an artist's right to be late. | 0:46:15 | 0:46:18 | |
GUESTS LAUGH | 0:46:18 | 0:46:20 | |
-At last! -Hi, Mother. | 0:46:23 | 0:46:26 | |
This is Georges Faure from Paris. | 0:46:25 | 0:46:28 | |
Hi! | 0:46:28 | 0:46:30 | |
-Oh... -Come on in, Georges. | 0:46:30 | 0:46:32 | |
Georges is Bronte's house guest. She's too shy to bring him. | 0:46:32 | 0:46:36 | |
-You don't mind, Mother? -Of course not! | 0:46:36 | 0:46:38 | |
I found him all alone at Bronte's. | 0:46:38 | 0:46:40 | |
Soyez le bienvenu. Do come in. | 0:46:40 | 0:46:42 | |
Georges is a very important composer. | 0:46:42 | 0:46:44 | |
-No, no. -You'll have lots to talk about. | 0:46:44 | 0:46:47 | |
Tres interessant, Monsieur! | 0:46:47 | 0:46:48 | |
Mother plays the piano a little. Get it? A little. | 0:46:48 | 0:46:51 | |
Alberto, another place if you will. | 0:46:52 | 0:46:56 | |
Everybody, I'd like to present Georges Faure. | 0:46:56 | 0:46:59 | |
A leading French composer. | 0:46:59 | 0:47:02 | |
-Ah, bonsoir. -Oh, no. No. | 0:47:02 | 0:47:04 | |
-Bonsoir. -Bonsoir. | 0:47:04 | 0:47:06 | |
Good evening. | 0:47:06 | 0:47:07 | |
(You see the man sitting across from here...) | 0:47:07 | 0:47:11 | |
MURMUR OF CONVERSATION | 0:47:11 | 0:47:15 | |
Do you live in Paris, Georges? | 0:47:15 | 0:47:18 | |
Bronte, he was all by himself. I think he wanted to come. | 0:47:18 | 0:47:22 | |
It's OK. It's OK. | 0:47:22 | 0:47:23 | |
Simon and Grace are about to celebrate | 0:47:23 | 0:47:25 | |
their 40th wedding anniversary. | 0:47:25 | 0:47:27 | |
THEY CONGRATULATE | 0:47:27 | 0:47:30 | |
-WOMAN: -How long have you been married? | 0:47:34 | 0:47:37 | |
MAN: 25 years. | 0:47:37 | 0:47:38 | |
Are you married, Georges? | 0:47:38 | 0:47:40 | |
-Me? -Mm-hm. | 0:47:42 | 0:47:44 | |
Well...not usually. | 0:47:44 | 0:47:46 | |
Whatever do you mean? | 0:47:47 | 0:47:49 | |
Oh, well... | 0:47:49 | 0:47:51 | |
Not normally. | 0:47:51 | 0:47:53 | |
-You're getting divorced. -Yes, definitely. | 0:47:53 | 0:47:55 | |
Bee, you'll never get married. | 0:47:58 | 0:48:00 | |
What makes you say that? | 0:48:00 | 0:48:01 | |
You've turned down enough offers. | 0:48:01 | 0:48:03 | |
You'll wind up some grand old Kate Hepburn | 0:48:03 | 0:48:06 | |
surrounded by beautiful plants. | 0:48:06 | 0:48:07 | |
Most men are too boring or vulgar to spend your life with. | 0:48:07 | 0:48:11 | |
Change your brand of men. | 0:48:11 | 0:48:13 | |
-Oh, really? -Really, Bee. | 0:48:13 | 0:48:15 | |
You're nice, you look for that in the man. | 0:48:15 | 0:48:18 | |
That makes two..."nices". | 0:48:18 | 0:48:19 | |
"Nice"...ugh...what an awful word. | 0:48:19 | 0:48:22 | |
Well, Phil's nice isn't he? | 0:48:22 | 0:48:23 | |
Phil's different. He's a gardener. | 0:48:23 | 0:48:25 | |
-Are you any relation? -Relation? | 0:48:27 | 0:48:31 | |
-Any relation to THE Faures? -Who's that? | 0:48:31 | 0:48:35 | |
The Faures... Gabriel. | 0:48:35 | 0:48:38 | |
I love his chamber music. | 0:48:40 | 0:48:42 | |
And his compositions with the harp are so...sensual. | 0:48:42 | 0:48:47 | |
BRONTE: We depend on donations... | 0:48:47 | 0:48:49 | |
Yeah. | 0:48:49 | 0:48:50 | |
..and we don't have any plants. | 0:48:50 | 0:48:52 | |
These gardens change these children's lives. | 0:48:52 | 0:48:55 | |
I hear what you say and I hope you understand, but... | 0:48:55 | 0:48:58 | |
To break up that garden would be a crime. | 0:48:59 | 0:49:02 | |
I just can't do it, dear. | 0:49:02 | 0:49:04 | |
The pleasure it's given me, | 0:49:04 | 0:49:06 | |
that it'll give to whoever buys the place. | 0:49:06 | 0:49:09 | |
You do understand? | 0:49:09 | 0:49:11 | |
WALTZ BY CHOPIN PLAYS | 0:49:16 | 0:49:19 | |
-Thank you. -And now, Georges Faure! | 0:50:05 | 0:50:09 | |
-Oh, yeah, Georges. -No, no. I don't play well. | 0:50:09 | 0:50:12 | |
-I'm not writing... -Please, Georges. | 0:50:12 | 0:50:14 | |
-One of your earlier pieces perhaps. -We should be going. | 0:50:14 | 0:50:17 | |
We really must go. Georges has jet lag. | 0:50:17 | 0:50:20 | |
Why not, Georges? Just one piece. | 0:50:20 | 0:50:23 | |
Do you mind? We don't often have a Faure in the house. | 0:50:23 | 0:50:27 | |
-Yes, that's true. -Come on, Georges. | 0:50:27 | 0:50:29 | |
Yes! | 0:50:31 | 0:50:32 | |
CLOCK TICKS LOUDLY | 0:50:42 | 0:50:45 | |
SHE CLEARS THROAT | 0:51:00 | 0:51:02 | |
HITS THE KEYS WILDLY AND UNRHYTHMICALLY | 0:51:05 | 0:51:09 | |
HE GIGGLES | 0:51:41 | 0:51:42 | |
HITS HIGHEST KEY | 0:51:59 | 0:52:01 | |
It's not Mozart. | 0:52:10 | 0:52:11 | |
I know. | 0:52:12 | 0:52:14 | |
PLAYS MELANCHOLY MELODY | 0:52:20 | 0:52:23 | |
Would you translate for me, Madame? | 0:52:23 | 0:52:25 | |
Would I... | 0:52:25 | 0:52:27 | |
Une fois j'ai entendu le bruit du vent dans les arbres. | 0:52:29 | 0:52:32 | |
"Once I heard the sound of the wind in the trees." | 0:52:34 | 0:52:38 | |
I think that's it. | 0:52:38 | 0:52:39 | |
Une fois j'ai entendu le bruit du rire des enfants. | 0:52:43 | 0:52:46 | |
"Once I heard the sound of the laughter of children." | 0:52:47 | 0:52:51 | |
Et j'ai pleure a chaud des larmes pour ces arbres perdus. | 0:52:51 | 0:52:55 | |
"And I wept warm, salty tears for the lost trees." | 0:52:55 | 0:52:59 | |
"Laissez venir les petits enfants dans les arbres | 0:53:00 | 0:53:03 | |
"et je leur donnerai de l'espoir," il a dit. | 0:53:03 | 0:53:06 | |
"'Let the little children come under the trees | 0:53:06 | 0:53:09 | |
"'and I will give them hope', he said." | 0:53:09 | 0:53:11 | |
Mais il n'y a plus d'arbres pour ces pauvres enfants perdu. | 0:53:11 | 0:53:15 | |
"But there are no trees for the poor lost poor children." | 0:53:15 | 0:53:20 | |
-Pourriture est leur jouet. -"Decay is their toy." | 0:53:20 | 0:53:24 | |
-Et decadence est leur jeu. -"Despair is their game." | 0:53:24 | 0:53:29 | |
Ils n'ont que des ordures a escalader. | 0:53:29 | 0:53:32 | |
"They have only chaos to climb." | 0:53:33 | 0:53:36 | |
-Bravo! -Bravo! | 0:53:47 | 0:53:49 | |
-Bravo! -Bravo! | 0:53:49 | 0:53:51 | |
Bravo! Magnifique! | 0:53:52 | 0:53:54 | |
I think you just got your trees. | 0:53:55 | 0:53:58 | |
Non, non... Merci. | 0:53:57 | 0:54:00 | |
ELEVATOR BELL RINGS | 0:54:00 | 0:54:02 | |
No, I've got it. | 0:54:10 | 0:54:12 | |
Excuse me. | 0:54:18 | 0:54:19 | |
HUMS MELODY | 0:54:24 | 0:54:26 | |
Alors, Lauren. | 0:54:27 | 0:54:28 | |
La fille. | 0:54:33 | 0:54:34 | |
DOOR CLOSES WHISTLES SAME MELODY | 0:54:34 | 0:54:37 | |
HE HUMS | 0:54:44 | 0:54:46 | |
HUMMING REVERBERATES IN ROOM | 0:54:52 | 0:54:54 | |
Monticello face cream. | 0:55:05 | 0:55:06 | |
Monticello. | 0:55:06 | 0:55:08 | |
Cream...face, OK. | 0:55:10 | 0:55:12 | |
Face cream, OK. | 0:55:16 | 0:55:18 | |
CONTINUES HUMMING | 0:55:19 | 0:55:21 | |
DOOR CLOSES | 0:55:24 | 0:55:25 | |
I hope it's OK. | 0:55:27 | 0:55:29 | |
-What? -The sofa. | 0:55:29 | 0:55:30 | |
Oh, sure. Sure. | 0:55:30 | 0:55:32 | |
Thank you. | 0:55:32 | 0:55:35 | |
-What for? -For tonight. | 0:55:35 | 0:55:36 | |
-The song, the poem... -Oh, that. | 0:55:36 | 0:55:38 | |
I didn't do it for you but for me. | 0:55:38 | 0:55:41 | |
-You were mad when I came. -Yes, I was. | 0:55:41 | 0:55:44 | |
If you're mad, we don't study. | 0:55:44 | 0:55:46 | |
If we don't study, I don't get a Green Card. | 0:55:46 | 0:55:49 | |
HE HUMS | 0:55:51 | 0:55:53 | |
-Are you composing something now? -Composing? | 0:55:53 | 0:55:56 | |
You're always humming... that little tune. | 0:55:56 | 0:55:59 | |
Me hum? | 0:55:59 | 0:56:00 | |
-I don't hum. -Yes, you do, all the time. | 0:56:00 | 0:56:03 | |
If it bothers you, I'll stop. | 0:56:03 | 0:56:07 | |
No, I like it. | 0:56:06 | 0:56:08 | |
It's the first thing you like about me. | 0:56:08 | 0:56:11 | |
I don't dislike you, Georges. I have no opinion of you. | 0:56:12 | 0:56:15 | |
I just want it over and my life to continue as before. | 0:56:15 | 0:56:19 | |
I'm waiting for my life to begin. | 0:56:19 | 0:56:21 | |
OK. Let's get to work. | 0:56:29 | 0:56:32 | |
These are at my grandmother's house. | 0:56:37 | 0:56:39 | |
She had these beautiful rose gardens. | 0:56:39 | 0:56:41 | |
Actually, it was my grandfather | 0:56:41 | 0:56:43 | |
who started the rose garden behind her house. | 0:56:43 | 0:56:46 | |
That's at the beach. BOTH GIGGLE | 0:56:46 | 0:56:50 | |
We always bought these little hats. | 0:56:50 | 0:56:52 | |
And this is kindergarten. | 0:56:52 | 0:56:54 | |
Oh, and...ah...these are my brothers and sisters. | 0:56:56 | 0:56:59 | |
-Oh... -My dad's a writer. | 0:56:59 | 0:57:01 | |
They live in Connecticut. | 0:57:01 | 0:57:02 | |
He named us all after famous writers. | 0:57:02 | 0:57:04 | |
It puts a curse on your whole life. | 0:57:04 | 0:57:07 | |
I think he wanted me to be something artistic. | 0:57:08 | 0:57:11 | |
It was OK when I was a dancer but he doesn't care for gardening. | 0:57:11 | 0:57:16 | |
-Hmm. -That's Colette. | 0:57:16 | 0:57:17 | |
-Colette. -Austin, Lawrence and Eliot. | 0:57:17 | 0:57:20 | |
-Austin, Lawrence, Eliot. -This is my dad. | 0:57:20 | 0:57:22 | |
But there's a better picture. | 0:57:22 | 0:57:24 | |
-Strong face, eh? -Strong man. | 0:57:24 | 0:57:26 | |
Very strong opinions. | 0:57:26 | 0:57:28 | |
In fact, you and my father. | 0:57:28 | 0:57:30 | |
You couldn't get two people more different. | 0:57:30 | 0:57:32 | |
Yeah, you'd hate each other. | 0:57:32 | 0:57:35 | |
Why? | 0:57:35 | 0:57:36 | |
Well, you're so right-wing about everything. | 0:57:36 | 0:57:39 | |
I'm not wing. You're the one with the wing. | 0:57:39 | 0:57:43 | |
All your ideas are from the same place. | 0:57:43 | 0:57:45 | |
-That's not true. -No? | 0:57:45 | 0:57:47 | |
These are from college. Different demonstrations. | 0:57:49 | 0:57:53 | |
-What for? -Oh, everything. | 0:57:53 | 0:57:54 | |
-Everything. -This is Lauren. | 0:57:54 | 0:57:56 | |
Lauren, yeah. | 0:57:56 | 0:57:58 | |
-Phil? -Yes. That's Phil. | 0:57:59 | 0:58:01 | |
-Mm-hm. -Hmm. | 0:58:01 | 0:58:04 | |
You are in love with him? | 0:58:04 | 0:58:06 | |
Hmm? | 0:58:06 | 0:58:07 | |
Yes. Yes, I am. He's kind and sensitive. | 0:58:07 | 0:58:11 | |
Vegetarian? | 0:58:11 | 0:58:13 | |
Yes, he cares about what he puts in his body. | 0:58:13 | 0:58:16 | |
Not like me, eh? Big pig. | 0:58:16 | 0:58:17 | |
HE SQUEALS LIKE PIG | 0:58:17 | 0:58:19 | |
BOTH LAUGH | 0:58:19 | 0:58:22 | |
Oh! I was 12 years old when I made that. | 0:58:25 | 0:58:28 | |
Didn't the kids at school tease you? | 0:58:30 | 0:58:32 | |
School? No. | 0:58:32 | 0:58:33 | |
I left school at ten years. | 0:58:33 | 0:58:36 | |
This is the same as my father's. | 0:58:36 | 0:58:38 | |
He was a mechanic but he always dreamt of the gypsies. | 0:58:38 | 0:58:42 | |
He would like to be a gypsy. | 0:58:42 | 0:58:45 | |
Travel... | 0:58:45 | 0:58:46 | |
This one's been given to me by the putain. You know? Prostitutes. | 0:58:49 | 0:58:54 | |
Two girls in our town. | 0:58:54 | 0:58:58 | |
Irene and Michelle. | 0:58:58 | 0:59:00 | |
Michelle had lovely red hair - long, red hair. | 0:59:00 | 0:59:04 | |
And this is how the heart is - love and hate. | 0:59:04 | 0:59:09 | |
If some people say they love everything, | 0:59:09 | 0:59:12 | |
it's not true, you know. | 0:59:12 | 0:59:13 | |
That's how the heart is. | 0:59:13 | 0:59:15 | |
This is my honesty. | 0:59:15 | 0:59:18 | |
This one, when I was a bad boy, living in the street. | 0:59:19 | 0:59:22 | |
This is a knife for revenge. | 0:59:22 | 0:59:24 | |
When someone made something bad to you, | 0:59:24 | 0:59:27 | |
you make this tattoo until you find him - | 0:59:27 | 0:59:30 | |
and kill him! | 0:59:30 | 0:59:32 | |
Then you make another one here with the knife put away. | 0:59:32 | 0:59:37 | |
But you don't have that one. | 0:59:37 | 0:59:40 | |
I don't find him yet. | 0:59:40 | 0:59:41 | |
Were you ever in jail? | 0:59:44 | 0:59:45 | |
Yeah. | 0:59:45 | 0:59:47 | |
What for? | 0:59:47 | 0:59:49 | |
Just kid's stuff. | 0:59:49 | 0:59:51 | |
Stealing cars and...nothing serious. | 0:59:51 | 0:59:53 | |
Oh. | 0:59:53 | 0:59:54 | |
HE HUMS SOFTLY | 0:59:54 | 0:59:57 | |
And...ah...when is your menstruation? | 0:59:59 | 1:00:02 | |
-My... -Menstruation. | 1:00:04 | 1:00:06 | |
Beginning of the month or end of the month? | 1:00:06 | 1:00:08 | |
Hmm? | 1:00:10 | 1:00:11 | |
It's at the... beginning of the month. | 1:00:11 | 1:00:15 | |
Beginning. OK. | 1:00:15 | 1:00:16 | |
I didn't really believe that you were a composer. | 1:00:22 | 1:00:25 | |
We told so many lies, it's hard to know what the truth is. | 1:00:25 | 1:00:29 | |
You just have to trust your instinct. | 1:00:31 | 1:00:33 | |
Yeah. | 1:00:43 | 1:00:45 | |
SHE SIGHS | 1:00:46 | 1:00:48 | |
This was my first boyfriend from college. | 1:00:48 | 1:00:51 | |
He was a musician too. | 1:00:51 | 1:00:54 | |
He played...ah...the... | 1:00:54 | 1:00:56 | |
..slide trombone. | 1:00:56 | 1:00:58 | |
And it was he who first kissed those lips? | 1:00:59 | 1:01:02 | |
I don't think they'll ask you that. | 1:01:08 | 1:01:11 | |
Goodnight. | 1:01:12 | 1:01:13 | |
Hmm. | 1:01:28 | 1:01:29 | |
KNOCK AT DOOR | 1:02:45 | 1:02:48 | |
-Bronte? -Yes. | 1:02:50 | 1:02:52 | |
What side of the bed do you sleep on? | 1:02:52 | 1:02:55 | |
The right side. | 1:02:55 | 1:02:57 | |
OK, I'll take the left side. | 1:02:58 | 1:03:01 | |
OK. | 1:03:01 | 1:03:02 | |
FOOTSTEPS APPROACH | 1:03:05 | 1:03:08 | |
SHE SIGHS | 1:03:24 | 1:03:26 | |
BIRD CALLS | 1:03:32 | 1:03:33 | |
HE MURMURS | 1:03:36 | 1:03:37 | |
HE HUMS MELODY | 1:03:52 | 1:03:54 | |
MUSIC: "Flute Concerto Number One" by Mozart | 1:04:08 | 1:04:11 | |
Bronte, come on. | 1:04:30 | 1:04:31 | |
We have work to do. | 1:04:31 | 1:04:33 | |
Work! | 1:04:42 | 1:04:43 | |
"Africa, Sunday. | 1:04:45 | 1:04:47 | |
"Cherie, it is hot here in Africa. | 1:04:47 | 1:04:52 | |
"And very green! | 1:04:52 | 1:04:55 | |
"The elephants have been restless again. | 1:04:56 | 1:05:00 | |
"I think it must be the drums. | 1:05:01 | 1:05:05 | |
"It makes them crazy. | 1:05:06 | 1:05:08 | |
"I miss you every day. | 1:05:09 | 1:05:11 | |
"And I ask the same question. | 1:05:11 | 1:05:15 | |
"When are you coming, cherie?" | 1:05:15 | 1:05:18 | |
BRONTE WRITES: "Dear Georges, | 1:05:18 | 1:05:19 | |
"The apartment is looking beautiful. | 1:05:19 | 1:05:23 | |
"I only have to look in the fish pond to think of you. | 1:05:24 | 1:05:28 | |
"Hurry home. | 1:05:29 | 1:05:30 | |
"You are never far from my thoughts. | 1:05:30 | 1:05:33 | |
"Much love, Bee." | 1:05:34 | 1:05:37 | |
-This is ridiculous! -No, no. | 1:05:43 | 1:05:45 | |
For the Green Card I'll do anything. | 1:05:45 | 1:05:47 | |
Look, give me camera. | 1:05:47 | 1:05:48 | |
-We need blue sky...ah! -Mm-hm. | 1:05:50 | 1:05:53 | |
We're on honeymoon and we have to smile. | 1:05:54 | 1:05:56 | |
OK, now. Do it...yes. | 1:05:58 | 1:06:01 | |
-On the skis. -The other one. | 1:06:01 | 1:06:03 | |
OK, and the slalom, you know. | 1:06:03 | 1:06:05 | |
I'm very good in slalom. You remember? | 1:06:05 | 1:06:07 | |
SHE GIGGLES | 1:06:07 | 1:06:08 | |
HE IMITATES BLOWING WIND BRONTE LAUGHS | 1:06:14 | 1:06:17 | |
OK, I need some blue sky! OK. | 1:06:17 | 1:06:20 | |
That's good! | 1:06:23 | 1:06:26 | |
OK, that's...that's great. | 1:06:26 | 1:06:28 | |
# I'm gonna take you surfin' with me | 1:06:27 | 1:06:30 | |
-# On a long board, babe... # -OK, that's good! | 1:06:30 | 1:06:32 | |
# I'm gonna take you surfin' with me | 1:06:32 | 1:06:35 | |
-# Let's go surfin' now... # -Lovely, lovely! | 1:06:35 | 1:06:37 | |
# Everybody's learning how Come on a safari with me! # | 1:06:37 | 1:06:40 | |
-OK. -Come on. | 1:06:40 | 1:06:41 | |
Political ballet. I'm the oppressed. You made the victory. | 1:06:41 | 1:06:44 | |
-OK, victory! -Victory, yeah! | 1:06:44 | 1:06:46 | |
CAMERA CLICKS | 1:06:46 | 1:06:49 | |
Victory! | 1:06:49 | 1:06:51 | |
-OK. -OK. One more! | 1:06:51 | 1:06:52 | |
-Oh! -All right. | 1:06:52 | 1:06:55 | |
The green...yes! | 1:06:55 | 1:06:56 | |
Put the plant behind you! | 1:06:56 | 1:06:58 | |
Take that one. Put the green plant... | 1:07:00 | 1:07:03 | |
Of course! The green plant. | 1:07:03 | 1:07:04 | |
Yeah, yeah. That's good! | 1:07:04 | 1:07:07 | |
-We feel the elephants? -I feel them. | 1:07:07 | 1:07:09 | |
But...maybe with the knife... | 1:07:09 | 1:07:11 | |
Like you... Yes. | 1:07:11 | 1:07:13 | |
Ah...there...yes! | 1:07:13 | 1:07:15 | |
This is so silly! | 1:07:15 | 1:07:16 | |
No, no, no. Just one more. | 1:07:16 | 1:07:18 | |
-Smile! -OK. | 1:07:18 | 1:07:20 | |
BOTH LAUGH | 1:07:20 | 1:07:23 | |
-OK, one more! -What now? | 1:07:23 | 1:07:25 | |
-Handyman. -Handyman? | 1:07:25 | 1:07:27 | |
Yes, the good husband always does handyman things. | 1:07:27 | 1:07:29 | |
-Oh! OK. -Yes. | 1:07:29 | 1:07:31 | |
How about these? | 1:07:35 | 1:07:37 | |
Oh, great! | 1:07:37 | 1:07:39 | |
Great! | 1:07:39 | 1:07:40 | |
THEY GIGGLE | 1:07:40 | 1:07:43 | |
Smile! CAMERA CLICKS | 1:07:47 | 1:07:49 | |
-OK, do some handyman things! -Yeah. | 1:07:49 | 1:07:51 | |
INTERCOM BUZZES | 1:07:51 | 1:07:53 | |
Stay here! | 1:08:00 | 1:08:02 | |
-Hello. WOMAN: -Surprise! It's us, darling. | 1:08:06 | 1:08:08 | |
-We're in your lobby! -Mother! | 1:08:08 | 1:08:10 | |
Why didn't you call? | 1:08:10 | 1:08:11 | |
-Can we come up? -Of course! | 1:08:11 | 1:08:13 | |
I... Look, um... | 1:08:13 | 1:08:15 | |
-You sure it's all right? -Of course! Come on up. | 1:08:15 | 1:08:18 | |
Georges! | 1:08:21 | 1:08:22 | |
Georges, it's my parents! | 1:08:22 | 1:08:24 | |
This is the worst! You've got to go. | 1:08:24 | 1:08:27 | |
-OK, I'll change. -No. There's no time. | 1:08:27 | 1:08:29 | |
OK. Fine. | 1:08:29 | 1:08:31 | |
-Take the skis. -Yes. | 1:08:31 | 1:08:32 | |
-Put them back in the closet. -Skis. | 1:08:32 | 1:08:35 | |
Open! Open! Please. | 1:08:36 | 1:08:38 | |
OK, thank you. | 1:08:38 | 1:08:39 | |
-Open! -Oh! | 1:08:41 | 1:08:43 | |
I'm sorry. Sorry! Come on! | 1:08:43 | 1:08:45 | |
DOORBELL RINGS | 1:08:48 | 1:08:49 | |
Just go. I'll make something up! | 1:08:49 | 1:08:52 | |
Could I have a chat with you and your husband? | 1:08:59 | 1:09:03 | |
-He was just leaving! -Yes. | 1:09:03 | 1:09:04 | |
I want to know about these government people. | 1:09:04 | 1:09:07 | |
-And last night I heard drums! -No, no. | 1:09:07 | 1:09:10 | |
-Jungle drums! -No, no. | 1:09:10 | 1:09:12 | |
Not now, Mrs Bird. Please? | 1:09:12 | 1:09:13 | |
They keep asking questions about you and your husband. | 1:09:13 | 1:09:17 | |
He's not a spy or something? | 1:09:17 | 1:09:19 | |
Of course not, Mrs Bird! | 1:09:19 | 1:09:21 | |
Georges. | 1:09:22 | 1:09:23 | |
Oh! Mom, Dad. | 1:09:23 | 1:09:26 | |
What's going on? | 1:09:26 | 1:09:27 | |
-Hello, darling. -Hi. | 1:09:27 | 1:09:29 | |
-We'll talk later. -How about the drums? | 1:09:29 | 1:09:31 | |
-(Later.) -What? | 1:09:31 | 1:09:32 | |
I'll speak to you later. | 1:09:32 | 1:09:34 | |
If you'd called, I would've prepared something. | 1:09:34 | 1:09:37 | |
I made you something. | 1:09:37 | 1:09:38 | |
Since you never visit, it's up to us. | 1:09:38 | 1:09:41 | |
No, it's not that. | 1:09:41 | 1:09:42 | |
Your father had to see someone... | 1:09:42 | 1:09:45 | |
Hokey sort of entrance. | 1:09:45 | 1:09:46 | |
Oh, it's lovely. | 1:09:46 | 1:09:48 | |
This is Georges. | 1:09:51 | 1:09:52 | |
Hello. | 1:09:52 | 1:09:54 | |
Hi. | 1:09:54 | 1:09:55 | |
The handyman. | 1:09:56 | 1:09:58 | |
-Oh. -Finish up the work, Georges. | 1:10:01 | 1:10:04 | |
Yeah, right. I just finish my work. | 1:10:04 | 1:10:06 | |
Darling, it's beautiful. | 1:10:06 | 1:10:07 | |
-Pardon! -Eh? | 1:10:07 | 1:10:09 | |
I understand your excitement. | 1:10:09 | 1:10:10 | |
It's awfully small. | 1:10:10 | 1:10:12 | |
Did they sign the big contracts, Dad? | 1:10:12 | 1:10:14 | |
We're not discussing that. | 1:10:14 | 1:10:16 | |
Did they sign? No! | 1:10:16 | 1:10:17 | |
They backed out. Liars! They lied to me. | 1:10:17 | 1:10:20 | |
Dear, don't upset yourself. | 1:10:20 | 1:10:22 | |
One thing I can't stand is a liar! | 1:10:22 | 1:10:25 | |
Read your paper, dear. We'll look at the greenhouse. | 1:10:25 | 1:10:28 | |
-He's upset. -Oh, yes. | 1:10:28 | 1:10:29 | |
Oh, it is too beautiful! | 1:10:29 | 1:10:32 | |
You want a hand there, Georges? | 1:10:33 | 1:10:35 | |
Thanks, I'm just measuring. | 1:10:35 | 1:10:38 | |
Oh. | 1:10:38 | 1:10:39 | |
Measuring. | 1:10:39 | 1:10:41 | |
She's had the baby already - premature. | 1:10:43 | 1:10:45 | |
-Premature? What did they name her? -Tiffany. | 1:10:45 | 1:10:47 | |
Now they have a Tiffany and a Tarquin. | 1:10:47 | 1:10:50 | |
Thank you. | 1:10:51 | 1:10:52 | |
-Pretentious. -Dear. | 1:10:52 | 1:10:54 | |
He's a pretentious writer too. | 1:10:54 | 1:10:55 | |
-Ho-ho. -He is. | 1:10:55 | 1:10:57 | |
-Don't you think so? -You're in a bad mood. | 1:10:57 | 1:11:00 | |
I need a screw. | 1:11:00 | 1:11:01 | |
Pardon? | 1:11:02 | 1:11:04 | |
I really need a screw. | 1:11:04 | 1:11:06 | |
I thought you were leaving. | 1:11:08 | 1:11:10 | |
I'll fix the door, but I need... | 1:11:09 | 1:11:12 | |
In the cupboard under the sink. | 1:11:12 | 1:11:14 | |
I'm gonna help Georges. | 1:11:14 | 1:11:16 | |
He seems a bit lost. | 1:11:16 | 1:11:18 | |
Let's get those orchids. | 1:11:24 | 1:11:26 | |
-I'm sure you want to go. -Oh, no, dear. | 1:11:26 | 1:11:29 | |
We're not in a hurry...not at all. | 1:11:29 | 1:11:32 | |
You're not really a handyman, are you, Georges? | 1:11:34 | 1:11:37 | |
No. | 1:11:43 | 1:11:45 | |
I'm a composer. | 1:11:45 | 1:11:46 | |
Oh. | 1:11:46 | 1:11:48 | |
I used to be a cleaner, when I first started writing. | 1:11:48 | 1:11:51 | |
A long, long time ago. | 1:11:51 | 1:11:53 | |
We'd just got married. | 1:11:53 | 1:11:55 | |
Against the wishes of my parents, I might add. | 1:11:55 | 1:11:58 | |
Didn't have a bean. | 1:11:58 | 1:12:00 | |
We fell in love right off. | 1:12:00 | 1:12:02 | |
Oh, it was difficult, very difficult, but, you know... | 1:12:02 | 1:12:06 | |
..when you're in love, you know. | 1:12:06 | 1:12:08 | |
-Shipboard romance, it was. -Excuse me. | 1:12:08 | 1:12:11 | |
-I'll get it. -It's OK. No. | 1:12:12 | 1:12:14 | |
Bronte, come here a minute. What is this? | 1:12:21 | 1:12:24 | |
Thank you. | 1:12:34 | 1:12:35 | |
It was right in the middle of a lifeboat drill. | 1:12:35 | 1:12:38 | |
We suddenly found ourselves in the same boat. | 1:12:38 | 1:12:41 | |
Shouldn't you be going, Georges? | 1:12:43 | 1:12:45 | |
No, go on outside with your mother. | 1:12:45 | 1:12:47 | |
-Outside! -But... | 1:12:47 | 1:12:49 | |
We have everything under control. | 1:12:49 | 1:12:51 | |
Go on, out you go. | 1:12:51 | 1:12:52 | |
We've been talking about music and love and skiing. | 1:12:52 | 1:12:56 | |
And all manner of things. | 1:12:57 | 1:12:59 | |
-Haven't we, Georges? -LAUGHS NERVOUSLY: -Yes. | 1:12:59 | 1:13:01 | |
Oh, I like your Georges, Bronte. | 1:13:03 | 1:13:06 | |
Charming man. | 1:13:06 | 1:13:07 | |
He's not MY Georges, Mother. He should've left by now. | 1:13:07 | 1:13:11 | |
He's keeping your father happy, | 1:13:11 | 1:13:12 | |
and you know how restless he gets, so let's be grateful. | 1:13:12 | 1:13:16 | |
< LAUGHTER | 1:13:16 | 1:13:17 | |
Height...5'7". | 1:13:24 | 1:13:26 | |
-5'8". -5'8". | 1:13:26 | 1:13:28 | |
Weight...140 pounds. | 1:13:29 | 1:13:32 | |
No! | 1:13:31 | 1:13:33 | |
No. 125. | 1:13:33 | 1:13:34 | |
-125? -Yeah. | 1:13:34 | 1:13:36 | |
Eyes? | 1:13:37 | 1:13:39 | |
Brown. | 1:13:40 | 1:13:41 | |
Brown, yeah. | 1:13:41 | 1:13:43 | |
-Small scar on your ankle. -How did you know? | 1:13:43 | 1:13:46 | |
I know, I saw it. | 1:13:46 | 1:13:47 | |
Birthday... August 24, 1959. | 1:13:47 | 1:13:51 | |
Correct. OK, my turn. | 1:13:51 | 1:13:53 | |
SHE SIGHS Eyes...green. | 1:13:53 | 1:13:56 | |
-Height... -Nose...big. | 1:13:55 | 1:13:58 | |
-Oh, no. -Yes. | 1:13:57 | 1:14:00 | |
Height...ah, 5'11". | 1:14:01 | 1:14:03 | |
Yeah. | 1:14:03 | 1:14:05 | |
Um, weight... | 1:14:05 | 1:14:07 | |
Uf! Weight! You worry too much about weight. | 1:14:07 | 1:14:10 | |
-Um, at 17 you met Helene. -Yeah. | 1:14:10 | 1:14:13 | |
-She was at the University of Paris. -Oui. | 1:14:13 | 1:14:15 | |
She taught you to read and write music, | 1:14:15 | 1:14:18 | |
and you lived together for... | 1:14:18 | 1:14:20 | |
-Seven. -..seven years... | 1:14:20 | 1:14:22 | |
..until she died. | 1:14:22 | 1:14:23 | |
Then you gave up your music for many years. | 1:14:23 | 1:14:26 | |
-Right? -Yes, but I don't write any music. | 1:14:26 | 1:14:29 | |
I just play piano always in the bar. | 1:14:29 | 1:14:32 | |
Yes! | 1:14:32 | 1:14:33 | |
And Anton heard you one night in Paris | 1:14:34 | 1:14:37 | |
and said he would help you start over in America. | 1:14:37 | 1:14:40 | |
And I wake up in America - | 1:14:40 | 1:14:42 | |
beautiful country, land of opportunity. | 1:14:42 | 1:14:44 | |
Ho-ho-ho-ho. | 1:14:44 | 1:14:46 | |
OK, back to work. | 1:14:48 | 1:14:50 | |
Um... | 1:14:50 | 1:14:51 | |
You lived with two men. | 1:14:52 | 1:14:54 | |
First Peter, then Steven - both nice guys. | 1:14:54 | 1:14:57 | |
-Nice?! -Yes, that's what you said. Yes. | 1:14:57 | 1:15:01 | |
And Steven wanted to marry you, but you think marriage is boring. | 1:15:01 | 1:15:05 | |
Ah! Except for ours. | 1:15:05 | 1:15:06 | |
Oh, yeah. | 1:15:06 | 1:15:08 | |
Then you met Phil. | 1:15:08 | 1:15:10 | |
Phil. | 1:15:12 | 1:15:13 | |
Him you really love, huh? | 1:15:14 | 1:15:16 | |
But you can't tell them that. | 1:15:16 | 1:15:18 | |
And I left Phil... | 1:15:20 | 1:15:23 | |
And married me because... | 1:15:23 | 1:15:24 | |
You're different and...funny. | 1:15:25 | 1:15:28 | |
And don't forget... a good handyman. | 1:15:28 | 1:15:31 | |
Right. | 1:15:31 | 1:15:32 | |
You've had lots of women, | 1:15:34 | 1:15:36 | |
but you haven't really loved anyone since Helene, except for me. | 1:15:36 | 1:15:40 | |
And you fell in love with me because... | 1:15:40 | 1:15:43 | |
Ah. | 1:15:43 | 1:15:45 | |
What's a good reason? | 1:15:44 | 1:15:46 | |
I just can't think. | 1:15:46 | 1:15:48 | |
Can't be that hard to think of a reason. | 1:15:49 | 1:15:52 | |
Ah, let me see. | 1:15:52 | 1:15:54 | |
Ah! | 1:15:55 | 1:15:56 | |
There must be a reason! | 1:15:57 | 1:15:59 | |
Ooh, yes. | 1:16:02 | 1:16:04 | |
Yes. | 1:16:04 | 1:16:06 | |
Because I begin to hear music again. | 1:16:07 | 1:16:09 | |
..like Moma's little girl. | 1:16:14 | 1:16:15 | |
-Yeah? -The same thing. | 1:16:15 | 1:16:17 | |
HORNS BLARE | 1:16:18 | 1:16:20 | |
No, I gave you a five, right? OK. | 1:16:23 | 1:16:26 | |
-What is it? -Nothing. | 1:16:27 | 1:16:28 | |
What? | 1:16:28 | 1:16:30 | |
Don't wait up for me. | 1:16:30 | 1:16:32 | |
Phil! | 1:16:32 | 1:16:33 | |
-Phil! -Hey-hey! | 1:16:34 | 1:16:37 | |
Hey! | 1:16:39 | 1:16:41 | |
Oh! | 1:16:41 | 1:16:42 | |
-Let's go to your place. -Wait. | 1:16:46 | 1:16:48 | |
-Or round to Angelo's for dinner. -No. | 1:16:48 | 1:16:51 | |
-God, I'm hungry. -No, no, no, no. | 1:16:51 | 1:16:53 | |
No, no. It's all right. I've made a reservation. | 1:16:53 | 1:16:56 | |
Let's go have dinner just around the corner. | 1:16:56 | 1:16:59 | |
No, I have it all planned. | 1:16:59 | 1:17:01 | |
-Come on. -No, no. | 1:17:01 | 1:17:02 | |
-What did you do while I was away? -Not much. | 1:17:02 | 1:17:06 | |
Not much? Did you miss me? | 1:17:06 | 1:17:08 | |
-Oh, yes. -Yes? | 1:17:08 | 1:17:10 | |
I missed you a lot. | 1:17:10 | 1:17:11 | |
-Sure you missed me? -Of course. | 1:17:11 | 1:17:13 | |
-You sure? -Yes! | 1:17:13 | 1:17:15 | |
Doesn't look like it. | 1:17:15 | 1:17:16 | |
No, it looks like I missed you more than you missed me. | 1:17:16 | 1:17:20 | |
It's not true. | 1:17:20 | 1:17:22 | |
You should've been there - it was beautiful. | 1:17:26 | 1:17:29 | |
I saw us there. | 1:17:28 | 1:17:30 | |
In the middle of nowhere, grow our own food. | 1:17:30 | 1:17:33 | |
One night there was this incredible moon. | 1:17:33 | 1:17:35 | |
-You should've seen it. -We had the same moon. | 1:17:35 | 1:17:38 | |
But you should've seen it without all the pollution. | 1:17:38 | 1:17:41 | |
It was glorious. | 1:17:41 | 1:17:43 | |
It was a cloudy night, then this giant shaft of moonlight | 1:17:43 | 1:17:46 | |
suddenly breaks through the clouds. | 1:17:46 | 1:17:48 | |
It was all of a sudden like daytime. | 1:17:48 | 1:17:51 | |
Giant shadows being cast from the trees. | 1:17:51 | 1:17:54 | |
HE HUMS | 1:18:08 | 1:18:10 | |
HE LAUGHS | 1:18:15 | 1:18:17 | |
Oh. | 1:19:11 | 1:19:13 | |
Oh, lovely... | 1:19:17 | 1:19:18 | |
KEYS JANGLE | 1:19:20 | 1:19:22 | |
LAUGHTER Now go! | 1:19:22 | 1:19:23 | |
-No! -Phil! | 1:19:23 | 1:19:25 | |
The guard isn't here. | 1:19:25 | 1:19:27 | |
Look, we'll get together tomorrow, OK? Please. | 1:19:28 | 1:19:30 | |
Just to the door, Bronte. | 1:19:30 | 1:19:32 | |
There might be some intruder lurking about. | 1:19:32 | 1:19:37 | |
KEYS JANGLE | 1:19:42 | 1:19:43 | |
Hey, this is nice! | 1:19:44 | 1:19:46 | |
OK, you've seen it. Time to go. | 1:19:46 | 1:19:48 | |
No, I can't go home until I've seen the greenhouse. | 1:19:48 | 1:19:52 | |
Phil, you've had too much to drink. | 1:19:51 | 1:19:54 | |
Come here. | 1:19:54 | 1:19:55 | |
-Mmm! -Mmm! | 1:19:55 | 1:19:59 | |
Oh, you feel so good. | 1:19:58 | 1:20:00 | |
Oh, Phil, no. | 1:20:00 | 1:20:02 | |
-Please. -Mmm! | 1:20:02 | 1:20:04 | |
-No. -(Bronte.) | 1:20:04 | 1:20:06 | |
Phil! | 1:20:06 | 1:20:08 | |
-Mmm! -SHE LAUGHS COYLY | 1:20:08 | 1:20:09 | |
Phil, no! | 1:20:11 | 1:20:12 | |
No. | 1:20:12 | 1:20:14 | |
You heard what she said! | 1:20:14 | 1:20:15 | |
GLASS SHATTERS | 1:20:20 | 1:20:22 | |
Merde! | 1:20:22 | 1:20:23 | |
HE GROWLS | 1:20:25 | 1:20:26 | |
She said go, OK? | 1:20:27 | 1:20:29 | |
-Who's this? -I'll throw you out! | 1:20:30 | 1:20:32 | |
-How dare you?! -Bronte, tell me. | 1:20:32 | 1:20:34 | |
Get out, vegetarian! | 1:20:34 | 1:20:36 | |
-Who are you?! -Georges, no! | 1:20:36 | 1:20:37 | |
I'm the husband, that's who! | 1:20:37 | 1:20:39 | |
Argh! | 1:20:39 | 1:20:41 | |
Oh! | 1:20:41 | 1:20:43 | |
What did you say? | 1:20:43 | 1:20:44 | |
That's my wife you've been grabbing. Get out! | 1:20:44 | 1:20:47 | |
Bronte! Bronte, is this true? | 1:20:48 | 1:20:51 | |
Yes, but it's not the way you think. God! | 1:20:51 | 1:20:54 | |
-What?! -Oh, God! | 1:20:54 | 1:20:56 | |
-Out! -Now wait a minute! | 1:20:56 | 1:20:57 | |
Out, out, out! | 1:20:57 | 1:20:59 | |
Hey, you're the waiter from that restaurant. | 1:20:59 | 1:21:02 | |
Yes. Out! Out! | 1:21:02 | 1:21:03 | |
I don't know what's going on, but I'll find out! | 1:21:03 | 1:21:07 | |
Come on, get out! Cucumber! | 1:21:06 | 1:21:08 | |
-No! -Now you go! Out! | 1:21:17 | 1:21:19 | |
-The interview...it's tomorrow. -Out! Now! | 1:21:19 | 1:21:22 | |
-Are you upset? -Upset?! | 1:21:22 | 1:21:24 | |
Upset? Out! Out! | 1:21:24 | 1:21:26 | |
-No. But the interview! -I don't care. | 1:21:26 | 1:21:28 | |
-I don't care what happens! -Bronte, please! | 1:21:28 | 1:21:30 | |
Go or I'll call Immigration. | 1:21:30 | 1:21:32 | |
Jail would be better than this - I'd have my own cell. | 1:21:32 | 1:21:36 | |
KNOCKING | 1:21:36 | 1:21:37 | |
Come on, don't be childish. | 1:21:37 | 1:21:39 | |
Bronte. | 1:21:40 | 1:21:42 | |
Ooh! | 1:21:42 | 1:21:43 | |
Bronte, open it. Bronte. | 1:21:43 | 1:21:45 | |
Bronte? Bronte. | 1:21:47 | 1:21:49 | |
Bronte. | 1:21:50 | 1:21:51 | |
SHE SIGHS | 1:22:09 | 1:22:11 | |
-MRS BIRD: -Get up! | 1:22:19 | 1:22:21 | |
Go on, get up! | 1:22:21 | 1:22:22 | |
Out! Out! Out! | 1:22:22 | 1:22:24 | |
Oh, no! | 1:22:24 | 1:22:26 | |
-Up! Out! -HE GROANS | 1:22:27 | 1:22:28 | |
Back to the subway! | 1:22:28 | 1:22:30 | |
-It's you! -Ah, good morning, Mrs Bird. | 1:22:30 | 1:22:33 | |
Ever since you moved in there's been trouble. | 1:22:33 | 1:22:36 | |
Didn't want to wake you, cherie. | 1:22:36 | 1:22:38 | |
-You forgot your key again. -Yes! | 1:22:38 | 1:22:40 | |
I'm always forgetting the key. | 1:22:40 | 1:22:41 | |
You should've gone to a hotel. | 1:22:41 | 1:22:43 | |
The Board wouldn't approve of such a thing! | 1:22:43 | 1:22:46 | |
Sleeping in the hallways! | 1:22:46 | 1:22:47 | |
This isn't Africa, you know! | 1:22:47 | 1:22:49 | |
I realise that, Mrs Bird. It won't happen again. | 1:22:49 | 1:22:52 | |
Mrs Bird. | 1:22:52 | 1:22:53 | |
Why did you do that last night? | 1:22:55 | 1:22:57 | |
-I don't like vegetarians. -Ridiculous! | 1:22:57 | 1:22:59 | |
He was bothering you, I lost control. | 1:22:59 | 1:23:01 | |
Is that an apology? | 1:23:01 | 1:23:02 | |
-He's not right for you. -Really? | 1:23:02 | 1:23:04 | |
He knows about people's feelings. | 1:23:04 | 1:23:06 | |
You don't have feeling. | 1:23:06 | 1:23:07 | |
You snore, have atrocious manners. | 1:23:07 | 1:23:09 | |
You're a snob. | 1:23:09 | 1:23:11 | |
You're a slob, you're overweight, disgusting! | 1:23:11 | 1:23:13 | |
You're a rebel, but afraid of your father. | 1:23:13 | 1:23:15 | |
My father's made something of himself. | 1:23:15 | 1:23:17 | |
You live life like it's from a book! | 1:23:17 | 1:23:20 | |
You sleep in the park. | 1:23:20 | 1:23:21 | |
You make nice love with Phil - like a vegetable. You need a fuck. | 1:23:21 | 1:23:25 | |
Language of the gutter, where you're from! | 1:23:25 | 1:23:28 | |
I'm the gutter, but you're like a plant. A cactus! | 1:23:28 | 1:23:32 | |
I had no opinion of you. Now I do... I really hate you! | 1:23:32 | 1:23:36 | |
Good, good. Your first feeling. | 1:23:36 | 1:23:38 | |
-Oh, God! The interview! -Oh, my God! | 1:23:38 | 1:23:41 | |
-Oh! -Oh! | 1:23:43 | 1:23:45 | |
-Do you have... -I'll do it! I'll do it! | 1:23:45 | 1:23:48 | |
HORNS BLARE | 1:23:49 | 1:23:50 | |
-Move, you stupid moron! -What's up? | 1:23:50 | 1:23:52 | |
Come on, we'll take the subway. | 1:23:52 | 1:23:54 | |
Take the subway, but you ain't going nowhere - | 1:23:54 | 1:23:57 | |
the water main broke. | 1:23:57 | 1:23:58 | |
-The park! Come on! -The whole city's falling apart. | 1:23:58 | 1:24:01 | |
We'll get a cab on the other side. | 1:24:01 | 1:24:04 | |
But the park's too far, Bronte. | 1:24:04 | 1:24:06 | |
Bronte, it is too far! | 1:24:06 | 1:24:08 | |
Come on! | 1:24:13 | 1:24:15 | |
Over there. | 1:24:15 | 1:24:16 | |
This way! | 1:24:19 | 1:24:21 | |
-You sure? -Yeah! | 1:24:21 | 1:24:22 | |
Because we can't get lost. | 1:24:22 | 1:24:24 | |
I'm sure! Of course I'm sure. | 1:24:24 | 1:24:26 | |
To the right. Right! | 1:24:27 | 1:24:28 | |
Come on, come on. | 1:24:36 | 1:24:37 | |
-Ahh! -Don't fall. Take care. | 1:24:37 | 1:24:39 | |
SHE GASPS | 1:24:43 | 1:24:45 | |
Ohhh. | 1:24:47 | 1:24:49 | |
We're nearly there. It's not far. | 1:24:49 | 1:24:52 | |
Ohhh. | 1:24:54 | 1:24:55 | |
Come on. | 1:24:55 | 1:24:57 | |
-Taxi! -Taxi! | 1:25:02 | 1:25:04 | |
-Taxi! -Taxi! | 1:25:04 | 1:25:06 | |
-Taxi! -Taxi! | 1:25:06 | 1:25:08 | |
Number 75. | 1:25:09 | 1:25:11 | |
PEOPLE TALK TOGETHER | 1:25:14 | 1:25:16 | |
We're the next. | 1:25:18 | 1:25:20 | |
Bronte... | 1:25:23 | 1:25:25 | |
OK, Lauren... | 1:25:25 | 1:25:27 | |
Father, Sydney. | 1:25:29 | 1:25:31 | |
Face cream Monticello. Monticello. | 1:25:32 | 1:25:35 | |
Monticello. | 1:25:36 | 1:25:37 | |
Is your father's name Bertrand or Bernard? | 1:25:37 | 1:25:40 | |
-Rene. -Oh. | 1:25:41 | 1:25:43 | |
ELECTRONIC BEEP WOMAN: 76. | 1:25:44 | 1:25:46 | |
76. | 1:25:46 | 1:25:48 | |
Wait in here, Mr Faure. | 1:26:13 | 1:26:15 | |
Mrs Faure, if you'll follow me. | 1:26:15 | 1:26:17 | |
FOOTSTEPS ECHO DOWN CORRIDOR | 1:26:40 | 1:26:42 | |
FOOTSTEPS GROW LOUDER | 1:26:44 | 1:26:45 | |
Mm-mm-mm-mm-mm. | 1:26:51 | 1:26:53 | |
Mr Faure. | 1:26:54 | 1:26:56 | |
As you know, we have doubts that your marriage is bona fide. | 1:26:56 | 1:27:00 | |
I have some detailed questions here. | 1:27:00 | 1:27:02 | |
Your answers will help us make a determination. | 1:27:02 | 1:27:05 | |
I want you to be brief and to the point. | 1:27:04 | 1:27:08 | |
I'll ask you to raise your right hand... | 1:27:08 | 1:27:10 | |
Do you swear the evidence you're about to give | 1:27:12 | 1:27:15 | |
is the truth, the whole truth and nothing but the truth? | 1:27:15 | 1:27:18 | |
I do. | 1:27:18 | 1:27:20 | |
I do. | 1:27:20 | 1:27:21 | |
Your name is Bronte Mitchell Faure? | 1:27:21 | 1:27:23 | |
Her father is a writer. | 1:27:24 | 1:27:26 | |
-His name? -Sydney. Sydney Parrish. | 1:27:26 | 1:27:29 | |
He didn't have a formal education. | 1:27:29 | 1:27:31 | |
He ran away from home when he was 12. | 1:27:31 | 1:27:34 | |
Plants. She loves all flowers and weeds. | 1:27:34 | 1:27:37 | |
That's her research. | 1:27:37 | 1:27:38 | |
He knows I love salads. | 1:27:38 | 1:27:40 | |
He likes all fatty foods - you know, being French. | 1:27:40 | 1:27:43 | |
She likes to eat such a thing as birdseed. | 1:27:43 | 1:27:47 | |
-Birdseed? -Yes. | 1:27:47 | 1:27:48 | |
Muesli and decaf. Ouf! Horrible coffee! | 1:27:48 | 1:27:52 | |
HE HUMS | 1:27:52 | 1:27:54 | |
-He hums all the time. -Hums? | 1:27:54 | 1:27:57 | |
He's composing. | 1:27:57 | 1:27:59 | |
He hasn't written in a long time. | 1:27:59 | 1:28:01 | |
He says he's not sensitive. | 1:28:03 | 1:28:06 | |
But that's not true. | 1:28:06 | 1:28:07 | |
He's a very sensitive man. | 1:28:07 | 1:28:09 | |
BRONTE: He makes me laugh. | 1:28:12 | 1:28:14 | |
She's very kind to people. | 1:28:15 | 1:28:17 | |
Me, I don't think that way. | 1:28:18 | 1:28:20 | |
I don't trust people. | 1:28:21 | 1:28:23 | |
He's had a hard life. | 1:28:25 | 1:28:26 | |
In a way he hasn't learned to give | 1:28:26 | 1:28:29 | |
but he's got so much to give. | 1:28:29 | 1:28:31 | |
She has peace. | 1:28:31 | 1:28:33 | |
GORSKY WRITES BUSILY | 1:28:33 | 1:28:35 | |
I don't have peace. | 1:28:34 | 1:28:36 | |
He has passion. He eats life. | 1:28:37 | 1:28:40 | |
I'm sure that just about does it. | 1:28:43 | 1:28:45 | |
Just a few more details. | 1:28:45 | 1:28:47 | |
-Five feet eight. -Five eleven. | 1:28:47 | 1:28:50 | |
-125. -He won't say how much he weighs. | 1:28:50 | 1:28:53 | |
-She sleeps on the right. -He's on the left. | 1:28:53 | 1:28:56 | |
-Her toothbrush? Green. -Mine's green. | 1:28:56 | 1:28:59 | |
Her face cream? | 1:28:59 | 1:29:01 | |
Monticello. | 1:29:04 | 1:29:06 | |
Monaco. | 1:29:08 | 1:29:10 | |
Non. Monte Carlo. | 1:29:10 | 1:29:13 | |
That's the only answer I keep forgetting. | 1:29:14 | 1:29:16 | |
You remember all the other answers. | 1:29:26 | 1:29:28 | |
It's not her fault, so please, don't touch her. | 1:29:36 | 1:29:39 | |
I was good, I think. | 1:30:18 | 1:30:19 | |
Me too. | 1:30:19 | 1:30:21 | |
I think you'll get what you want. | 1:30:24 | 1:30:26 | |
-The Green Card. -Oh, yes. | 1:30:26 | 1:30:28 | |
I'll see you again? I mean, I have to get my things. | 1:30:31 | 1:30:35 | |
I can leave them with Oscar. | 1:30:35 | 1:30:37 | |
Oscar, good idea, yes. Yes, you're right... Oscar. | 1:30:37 | 1:30:40 | |
As soon as we hear something we can start... | 1:30:40 | 1:30:44 | |
..you know, the divorce. | 1:30:44 | 1:30:45 | |
As soon as possible, yeah. | 1:30:45 | 1:30:48 | |
Good luck with your music. | 1:30:51 | 1:30:53 | |
I hope you get your big trees. | 1:30:54 | 1:30:57 | |
Goodbye, Georges. | 1:31:01 | 1:31:03 | |
Goodbye, Bronte. | 1:31:03 | 1:31:05 | |
Oh... | 1:31:07 | 1:31:09 | |
The ring. | 1:31:09 | 1:31:11 | |
-Madame, bijoux africains. -No, thank you. | 1:32:14 | 1:32:17 | |
DOOR OPENS | 1:32:27 | 1:32:30 | |
DOORBELL RINGS | 1:33:30 | 1:33:34 | |
I... | 1:33:38 | 1:33:40 | |
Good morning, Mrs Faure. | 1:33:40 | 1:33:42 | |
Mr Faure asked me to give you this. | 1:33:42 | 1:33:44 | |
I guess his flight was delayed. | 1:33:44 | 1:33:47 | |
Yes. Well, thank you, Oscar. | 1:33:47 | 1:33:49 | |
SOUND OF GEORGES HUMMING HIS TUNE | 1:34:05 | 1:34:09 | |
-GEORGES: -"Africa, Tuesday. | 1:34:20 | 1:34:23 | |
"Cherie, the elephants have been restless again, | 1:34:24 | 1:34:28 | |
"so restless, I just can't sleep. | 1:34:28 | 1:34:31 | |
"I would like to say a last goodbye | 1:34:33 | 1:34:36 | |
"before this next safari." | 1:34:36 | 1:34:38 | |
-It's OK. -What? | 1:36:46 | 1:36:48 | |
Monticello. | 1:36:49 | 1:36:51 | |
I think I tried too hard. | 1:36:51 | 1:36:53 | |
I blew it. | 1:36:53 | 1:36:55 | |
Why didn't you tell me? | 1:36:56 | 1:36:57 | |
It's all right. | 1:37:00 | 1:37:02 | |
We made a deal. | 1:37:03 | 1:37:05 | |
If I leave quickly | 1:37:05 | 1:37:06 | |
then you keep your beautiful greenhouse. | 1:37:06 | 1:37:10 | |
I don't care about the greenhouse. | 1:37:12 | 1:37:14 | |
-GORSKY: -It's time to go, Mr Faure. | 1:37:16 | 1:37:18 | |
No, no! | 1:37:21 | 1:37:23 | |
-I write. -Let's go. | 1:37:25 | 1:37:27 | |
I write every day. | 1:37:27 | 1:37:29 | |
Now, Mr Faure. | 1:37:29 | 1:37:30 | |
And the letters will always say the same thing - | 1:37:30 | 1:37:33 | |
when are you coming, cherie? | 1:37:33 | 1:37:35 | |
# Last night I had a dream... | 1:37:40 | 1:37:45 | |
# Oooh... # | 1:37:45 | 1:37:47 | |
No! | 1:37:47 | 1:37:49 | |
No! | 1:37:49 | 1:37:50 | |
# About a home that was so right | 1:37:50 | 1:37:53 | |
# I don't know why | 1:37:53 | 1:37:55 | |
# It has to be a dream | 1:37:55 | 1:37:58 | |
# Why can't I, When will I... # | 1:37:58 | 1:38:00 | |
Do you still have them? | 1:38:00 | 1:38:02 | |
# Help me find a home | 1:38:03 | 1:38:06 | |
# Keep your eyes on the prize | 1:38:06 | 1:38:12 | |
# Don't be dismayed Don't be dismayed... # | 1:38:12 | 1:38:18 | |
I do. | 1:38:18 | 1:38:19 | |
# Deep in your heart you must believe | 1:38:19 | 1:38:24 | |
# Everything is gonna be all right... # | 1:38:25 | 1:38:29 | |
So do I. | 1:38:29 | 1:38:31 | |
# Everything is gonna be all right... # | 1:38:31 | 1:38:37 | |
THEY LAUGH | 1:38:36 | 1:38:38 | |
# Everything is gonna be all right | 1:38:38 | 1:38:42 | |
# Some day... # | 1:38:42 | 1:38:44 | |
BOTH LAUGH | 1:38:44 | 1:38:46 | |
# Sometimes hot and sometimes cold | 1:38:49 | 1:38:55 | |
# Sometimes I'm in Sometimes I'm out | 1:38:55 | 1:39:00 | |
# No, I haven't had much to eat | 1:39:00 | 1:39:06 | |
# Lord knows I haven't had much sleep | 1:39:05 | 1:39:11 | |
# You know, keep your eyes on the prize | 1:39:10 | 1:39:17 | |
# Don't be dismayed Don't be dismayed | 1:39:17 | 1:39:23 | |
# Deep in your heart | 1:39:23 | 1:39:26 | |
# You must believe | 1:39:26 | 1:39:29 | |
# Everything is gonna be all right | 1:39:29 | 1:39:35 | |
# Everything is gonna be all right | 1:39:35 | 1:39:41 | |
# Everything is gonna be all right some day. # | 1:39:41 | 1:39:50 | |
Subtitles by the Australian Caption Centre | 1:40:29 | 1:40:34 | |
E-mail us at [email protected] | 1:40:34 | 1:40:37 |
