Browse content similar to Kill Bill Vol 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains very strong language, prolonged violent | 0:00:07 | 0:00:11 | |
scenes and some scenes some viewers may find upsetting | 0:00:11 | 0:00:14 | |
HEAVY BREATHING | 0:00:33 | 0:00:36 | |
FOOTSTEPS | 0:00:51 | 0:00:53 | |
Do you find me sadistic? | 0:01:12 | 0:01:15 | |
You know, | 0:01:20 | 0:01:22 | |
I bet I could fry an egg on your head right now | 0:01:22 | 0:01:27 | |
if I wanted to. | 0:01:27 | 0:01:29 | |
You know, kiddo, | 0:01:29 | 0:01:34 | |
I'd like to believe you're aware enough, even now, | 0:01:34 | 0:01:39 | |
to know that there's nothing sadistic | 0:01:39 | 0:01:43 | |
in my actions. | 0:01:43 | 0:01:46 | |
Well, maybe towards those other jokers. | 0:01:46 | 0:01:51 | |
But not you. | 0:01:52 | 0:01:54 | |
No, kiddo. | 0:01:59 | 0:02:00 | |
At this moment... | 0:02:00 | 0:02:03 | |
BULLETS RATTLE | 0:02:03 | 0:02:04 | |
This is me... | 0:02:04 | 0:02:06 | |
at my most... masochistic. | 0:02:06 | 0:02:10 | |
Bill... | 0:02:10 | 0:02:12 | |
it's your baby. GUNSHOT | 0:02:12 | 0:02:14 | |
# I was five and he was six | 0:02:28 | 0:02:30 | |
# We rode on horses made of sticks | 0:02:30 | 0:02:34 | |
# He wore black and I wore white | 0:02:34 | 0:02:37 | |
# He would always win the fight | 0:02:37 | 0:02:39 | |
# Bang, bang | 0:02:39 | 0:02:40 | |
# He shot me down | 0:02:40 | 0:02:41 | |
# Bang, bang | 0:02:41 | 0:02:43 | |
# I hit the ground | 0:02:43 | 0:02:44 | |
# Bang bang | 0:02:44 | 0:02:46 | |
# That awful sound | 0:02:46 | 0:02:48 | |
# Bang, bang | 0:02:48 | 0:02:50 | |
# My baby shot me down | 0:02:50 | 0:02:54 | |
# Seasons came and changed the time | 0:03:04 | 0:03:07 | |
# When I grew up, I called him mine | 0:03:07 | 0:03:12 | |
# He would always laugh and say | 0:03:12 | 0:03:14 | |
# Remember when we used to play | 0:03:14 | 0:03:17 | |
# Bang, bang | 0:03:17 | 0:03:19 | |
# I shot you down | 0:03:19 | 0:03:21 | |
# Bang, bang | 0:03:21 | 0:03:22 | |
# You hit the ground | 0:03:22 | 0:03:23 | |
# Bang, bang | 0:03:23 | 0:03:25 | |
# That awful sound | 0:03:25 | 0:03:26 | |
# Bang, bang | 0:03:26 | 0:03:28 | |
# I used to shoot you down | 0:03:28 | 0:03:33 | |
# Music played and people sang | 0:03:40 | 0:03:44 | |
# Just for me the church bells rang | 0:03:44 | 0:03:49 | |
# Now he's gone | 0:04:00 | 0:04:01 | |
# I don't know why | 0:04:01 | 0:04:04 | |
# And till this day, sometimes I cry | 0:04:04 | 0:04:08 | |
# He didn't even say goodbye | 0:04:08 | 0:04:11 | |
# He didn't take the time to lie | 0:04:11 | 0:04:14 | |
# Bang, bang | 0:04:14 | 0:04:16 | |
# He shot me down | 0:04:16 | 0:04:18 | |
# Bang, bang | 0:04:18 | 0:04:19 | |
# I hit the ground | 0:04:19 | 0:04:20 | |
# Bang, bang | 0:04:20 | 0:04:23 | |
# That awful sound | 0:04:23 | 0:04:25 | |
# Bang, bang | 0:04:25 | 0:04:27 | |
# My baby shot me down. # | 0:04:27 | 0:04:33 | |
CAR DOOR OPENS AND CLOSES | 0:05:06 | 0:05:09 | |
WOMAN: Coming! | 0:05:20 | 0:05:22 | |
Sarah, I cannot believe you are early. | 0:05:22 | 0:05:25 | |
MUSIC: Theme From Ironside | 0:05:29 | 0:05:32 | |
OK. Come on, bitch. | 0:06:41 | 0:06:43 | |
Come on. Bring it on. | 0:06:43 | 0:06:47 | |
Mommy, I'm home. | 0:07:25 | 0:07:27 | |
Hey, baby. | 0:07:27 | 0:07:28 | |
How was school? | 0:07:28 | 0:07:30 | |
Mommy, what happened to you and the TV room? | 0:07:32 | 0:07:35 | |
Oh. That good-for-nothing dog of yours got his little ass | 0:07:35 | 0:07:39 | |
in the living room and acted a damn fool. | 0:07:39 | 0:07:41 | |
That's what happened, baby. | 0:07:41 | 0:07:42 | |
Barney did this? Baby... | 0:07:42 | 0:07:44 | |
Now, you can't come in here. | 0:07:44 | 0:07:46 | |
There's broken glass everywhere, and you could cut yourself. | 0:07:46 | 0:07:50 | |
WOMEN BREATHE HEAVILY | 0:07:50 | 0:07:52 | |
This is an old friend of Mommy's I ain't seen in a long time. | 0:07:54 | 0:07:58 | |
Hi, honey. | 0:07:58 | 0:08:00 | |
I'm BLEEP. | 0:08:00 | 0:08:02 | |
What's your name? | 0:08:02 | 0:08:04 | |
Her name is Nikki. | 0:08:07 | 0:08:09 | |
Nikki. | 0:08:09 | 0:08:12 | |
Such a pretty name for such a pretty girl. | 0:08:12 | 0:08:16 | |
How old are you, Nikki? | 0:08:16 | 0:08:18 | |
Nikki, BLEEP asked you a question. | 0:08:20 | 0:08:25 | |
I'm four. | 0:08:25 | 0:08:26 | |
Four years old, eh? | 0:08:26 | 0:08:28 | |
You know, I had a little girl once. | 0:08:28 | 0:08:35 | |
She'd be about four now. | 0:08:35 | 0:08:37 | |
Now, baby, me and Mommy's friend got some grown-up talk | 0:08:40 | 0:08:44 | |
to talk about. | 0:08:44 | 0:08:45 | |
So you can go in your room now. | 0:08:45 | 0:08:47 | |
And I want you to leave us alone till I tell you to come out. | 0:08:47 | 0:08:49 | |
OK? | 0:08:49 | 0:08:52 | |
Nikkia! | 0:08:52 | 0:08:54 | |
In your room. Now. | 0:08:54 | 0:08:58 | |
You want some coffee? | 0:09:08 | 0:09:11 | |
Yeah. Sure. | 0:09:11 | 0:09:15 | |
WOMAN: 'This Pasadena homemaker's name | 0:09:19 | 0:09:21 | |
'is Jeanne Bell. | 0:09:21 | 0:09:22 | |
'Her husband is Dr Lawrence Bell. | 0:09:22 | 0:09:25 | |
'But back when we were acquainted, four years ago, | 0:09:25 | 0:09:27 | |
'her name was Vernita Green. | 0:09:27 | 0:09:29 | |
'Her codename was Copperhead. | 0:09:29 | 0:09:32 | |
'Mine, Black Mamba.' | 0:09:32 | 0:09:34 | |
Do you have a towel? | 0:09:34 | 0:09:36 | |
Yeah. | 0:09:36 | 0:09:39 | |
Thanks. | 0:09:41 | 0:09:42 | |
You still take cream and sugar, right? | 0:09:42 | 0:09:44 | |
Yeah. | 0:09:44 | 0:09:45 | |
So I suppose it's a little late for an apology, huh? | 0:09:48 | 0:09:51 | |
You suppose correctly. | 0:09:51 | 0:09:53 | |
Look, bitch, I need to know | 0:09:53 | 0:09:55 | |
if you're gonna start any more shit around my baby girl. | 0:09:55 | 0:09:57 | |
You can relax for now. | 0:09:57 | 0:10:00 | |
I'm not gonna murder you in front of your child, OK? | 0:10:00 | 0:10:04 | |
That's being more rational | 0:10:06 | 0:10:07 | |
than Bill led me to believe you were capable of. | 0:10:07 | 0:10:10 | |
It's mercy, compassion, and forgiveness I lack, | 0:10:10 | 0:10:13 | |
not rationality. | 0:10:13 | 0:10:16 | |
Look... | 0:10:21 | 0:10:22 | |
I know I fucked you over. I fucked you over bad. | 0:10:22 | 0:10:26 | |
I wish to God I hadn't, but I did. | 0:10:26 | 0:10:28 | |
You have every right to want to get even. | 0:10:28 | 0:10:31 | |
No. | 0:10:31 | 0:10:32 | |
To get even? Even Stephen? | 0:10:35 | 0:10:37 | |
I would have to kill you, | 0:10:37 | 0:10:41 | |
go up to Nikki's room, kill her, | 0:10:41 | 0:10:44 | |
then wait for your husband, the good Dr Bell, to come home, | 0:10:44 | 0:10:47 | |
and kill him. | 0:10:47 | 0:10:48 | |
That would be even, Vernita. | 0:10:48 | 0:10:51 | |
That'd be about square. | 0:10:51 | 0:10:54 | |
Look, if I could go back in a machine, I would. | 0:10:54 | 0:10:56 | |
But I can't. | 0:10:56 | 0:10:57 | |
All I can tell you is that I'm a different person now. | 0:10:59 | 0:11:02 | |
Oh, great. I don't care. | 0:11:02 | 0:11:06 | |
Be that as it may, | 0:11:06 | 0:11:08 | |
I know I don't deserve your mercy or your forgiveness. | 0:11:08 | 0:11:11 | |
However, I beseech you for both on behalf of my daughter. | 0:11:11 | 0:11:16 | |
Bitch, you can stop right there. | 0:11:16 | 0:11:21 | |
Just because I have no wish to murder you | 0:11:21 | 0:11:23 | |
before the eyes of your daughter | 0:11:23 | 0:11:24 | |
does not mean that parading her around in front of me | 0:11:24 | 0:11:26 | |
is gonna inspire sympathy. | 0:11:26 | 0:11:28 | |
You and I have unfinished business. | 0:11:28 | 0:11:32 | |
And there's not a damn fucking thing you've done | 0:11:32 | 0:11:35 | |
in the subsequent four years, | 0:11:35 | 0:11:36 | |
including getting knocked up, is gonna change that. | 0:11:36 | 0:11:40 | |
So when do we do this? | 0:11:40 | 0:11:43 | |
It all depends. | 0:11:43 | 0:11:45 | |
When do you want to die? | 0:11:45 | 0:11:48 | |
Tomorrow? The day after tomorrow? | 0:11:48 | 0:11:51 | |
How about tonight, bitch? | 0:11:51 | 0:11:52 | |
Splendid. Where? | 0:11:52 | 0:11:54 | |
There's a baseball diamond where I coach our little league | 0:11:54 | 0:11:57 | |
about a mile from here. | 0:11:57 | 0:11:58 | |
We meet there around 2.30 in the morning, | 0:11:58 | 0:12:01 | |
dressed all in black, your hair in a black stocking. | 0:12:01 | 0:12:04 | |
And we have us a knife fight. | 0:12:04 | 0:12:07 | |
We won't be bothered. | 0:12:07 | 0:12:09 | |
Now... | 0:12:09 | 0:12:11 | |
I have to fix Nikki's cereal. | 0:12:11 | 0:12:14 | |
Bill always said you were one of the best ladies he ever saw | 0:12:22 | 0:12:23 | |
with an edged weapon. | 0:12:23 | 0:12:25 | |
Bitch. | 0:12:25 | 0:12:27 | |
I know he didn't qualify that stuff. | 0:12:27 | 0:12:29 | |
So you can just kiss my ass, Black Mamba. | 0:12:29 | 0:12:33 | |
Black Mamba. | 0:12:34 | 0:12:37 | |
I should have been Black Mamba. | 0:12:37 | 0:12:39 | |
Weapon of choice? Hey, if you want to stick with your butcher knife, | 0:12:39 | 0:12:41 | |
that's fine with me. | 0:12:41 | 0:12:42 | |
Very funny, bitch. | 0:12:44 | 0:12:46 | |
Very funny! | 0:12:46 | 0:12:48 | |
It was not my intention to do this in front of you. | 0:13:43 | 0:13:46 | |
For that, I'm sorry. | 0:13:48 | 0:13:51 | |
But you can take my word for it... | 0:13:51 | 0:13:53 | |
..your mother had it coming. | 0:13:56 | 0:13:59 | |
When you grow up... | 0:14:13 | 0:14:15 | |
if you still feel raw about it... | 0:14:15 | 0:14:19 | |
..I'll be waiting. | 0:14:22 | 0:14:25 | |
MAN ON RADIO: Y'all, come on out to Dallas, ya hear? | 0:15:33 | 0:15:35 | |
This is rockabilly rhythms on KTRN, Wichita Falls. | 0:15:35 | 0:15:39 | |
And next, we got some record. | 0:15:39 | 0:15:41 | |
Very own wild man, Charlie Feathers. | 0:15:41 | 0:15:44 | |
MUSIC: "That Certain Female" | 0:15:44 | 0:15:46 | |
# Well | 0:15:46 | 0:15:50 | |
# I'm just a single fellow with a lot on my mind | 0:15:54 | 0:15:59 | |
# And I'm lookin' for me a woman | 0:15:59 | 0:16:02 | |
# But she's mighty hard to find | 0:16:02 | 0:16:05 | |
# Asked my country cousin | 0:16:05 | 0:16:07 | |
# Checked the hottest spots in town | 0:16:07 | 0:16:10 | |
# Oh, that little bitty woman... # | 0:16:10 | 0:16:13 | |
ENGINE STOPS | 0:16:13 | 0:16:15 | |
Well, give me the gory details, son number one. | 0:16:17 | 0:16:22 | |
It's a damn massacre, Pop. | 0:16:22 | 0:16:24 | |
They wiped out the whole wedding party, execution style. | 0:16:26 | 0:16:29 | |
Give me a figure. | 0:16:32 | 0:16:34 | |
Nine dead bodies. | 0:16:34 | 0:16:35 | |
And we're talking the whole shebang. | 0:16:35 | 0:16:38 | |
Bride. Groom. | 0:16:38 | 0:16:41 | |
Reverend. | 0:16:41 | 0:16:43 | |
Reverend's wife. | 0:16:43 | 0:16:45 | |
Hell, they even shot that old coloured fella that plays the organ. | 0:16:45 | 0:16:49 | |
It would appear to me somebody objected to this union | 0:16:49 | 0:16:52 | |
and wasn't able to hold their peace. | 0:16:52 | 0:16:53 | |
Good gravy, Marie. | 0:16:59 | 0:17:02 | |
What'd I tell you, Pop? | 0:17:06 | 0:17:08 | |
It's like a goddamn Nicaraguan death squad. | 0:17:08 | 0:17:11 | |
Language, boy. We're in a house of worship. | 0:17:11 | 0:17:15 | |
Sorry, Pop. | 0:17:15 | 0:17:17 | |
Well, this is definitely the work of professionals. | 0:17:19 | 0:17:22 | |
I'd guesstimate Mexican mafia hit squad. | 0:17:22 | 0:17:26 | |
Four, maybe five strong. | 0:17:26 | 0:17:29 | |
How can you tell? | 0:17:29 | 0:17:31 | |
Well, a sure and steady hand did this. | 0:17:31 | 0:17:35 | |
This ain't no squirrelly amateur. | 0:17:35 | 0:17:37 | |
This is the work of a salty dog. | 0:17:37 | 0:17:41 | |
You can tell by the cleanliness of the carnage. | 0:17:41 | 0:17:45 | |
Now, a kill-crazy rampage, though it may be, | 0:17:45 | 0:17:48 | |
all the colours are kept inside the lines. | 0:17:48 | 0:17:51 | |
If you was a moron, you could almost admire it. | 0:17:51 | 0:17:55 | |
Who's the bride? | 0:18:06 | 0:18:08 | |
Don't know. | 0:18:08 | 0:18:09 | |
The name on the marriage certificate | 0:18:09 | 0:18:11 | |
is Arlene Machiavelli. | 0:18:11 | 0:18:13 | |
That's a fake. | 0:18:13 | 0:18:15 | |
We've all just been calling her "the bride" on account of the dress. | 0:18:15 | 0:18:18 | |
You can tell she was pregnant. | 0:18:18 | 0:18:21 | |
Man would have to be a mad dog | 0:18:21 | 0:18:24 | |
to shoot a damn good-looking gal like that in the head. | 0:18:24 | 0:18:26 | |
Look at her. | 0:18:28 | 0:18:30 | |
Hay-coloured hair. Big eyes. | 0:18:32 | 0:18:36 | |
She's a little blood-spattered angel. | 0:18:36 | 0:18:39 | |
SPITS | 0:18:39 | 0:18:41 | |
Son number one? | 0:18:43 | 0:18:45 | |
Yeah? | 0:18:45 | 0:18:46 | |
This tall drink of cock sucking ain't dead. | 0:18:46 | 0:18:51 | |
THUNDER RUMBLES | 0:18:51 | 0:18:55 | |
MONITOR BEEPS | 0:18:55 | 0:18:58 | |
RAIN FALLS | 0:18:58 | 0:19:00 | |
WHISTLES | 0:19:05 | 0:19:09 | |
I might never have liked you. | 0:21:19 | 0:21:22 | |
Point in fact, I despise you. | 0:21:23 | 0:21:27 | |
But that shouldn't suggest that I don't respect you. | 0:21:27 | 0:21:31 | |
Dying in our sleep is a luxury | 0:21:35 | 0:21:38 | |
that our kind is rarely afforded. | 0:21:38 | 0:21:41 | |
My gift to you. | 0:21:41 | 0:21:45 | |
MOBILE PHONE RINGS | 0:21:48 | 0:21:51 | |
Hello, Bill. | 0:21:55 | 0:21:57 | |
What's her condition? | 0:21:57 | 0:22:00 | |
Comatose. | 0:22:00 | 0:22:02 | |
Where is she? | 0:22:02 | 0:22:04 | |
I'm standing over her right now. | 0:22:04 | 0:22:08 | |
That's my girl. | 0:22:08 | 0:22:10 | |
Elle, you're going to abort the mission. | 0:22:11 | 0:22:15 | |
What?! | 0:22:15 | 0:22:16 | |
We owe her better than that. | 0:22:16 | 0:22:18 | |
Oh, you don't owe her! | 0:22:18 | 0:22:19 | |
Will you keep your voice down? | 0:22:19 | 0:22:21 | |
You don't owe her. | 0:22:21 | 0:22:23 | |
May I say one thing? | 0:22:23 | 0:22:25 | |
Speak. | 0:22:25 | 0:22:27 | |
Y'all beat the hell out of that woman. | 0:22:27 | 0:22:30 | |
But you didn't kill her. | 0:22:30 | 0:22:31 | |
And I put a bullet in her head | 0:22:31 | 0:22:34 | |
but her heart just kept on beating. | 0:22:34 | 0:22:36 | |
Now, you saw that yourself | 0:22:36 | 0:22:38 | |
with your own beautiful blue eye, did you not? | 0:22:38 | 0:22:43 | |
We've done a lot of things to this lady | 0:22:43 | 0:22:47 | |
and if she ever wakes up, we'll do a whole lot more. | 0:22:47 | 0:22:52 | |
But one thing we won't do | 0:22:52 | 0:22:55 | |
is sneak into her room in the night like a filthy rat | 0:22:55 | 0:22:59 | |
and kill her in her sleep. | 0:22:59 | 0:23:02 | |
And the reason we won't do that thing | 0:23:02 | 0:23:06 | |
is because that thing would lower us. | 0:23:06 | 0:23:10 | |
Don't you agree, Miss Driver? | 0:23:10 | 0:23:13 | |
I guess. | 0:23:14 | 0:23:16 | |
Do you really have to guess? | 0:23:16 | 0:23:18 | |
No. | 0:23:18 | 0:23:21 | |
I don't really have to guess. I know. | 0:23:21 | 0:23:24 | |
Come on home, honey. | 0:23:25 | 0:23:28 | |
Affirmative. | 0:23:29 | 0:23:31 | |
I love you very much. | 0:23:31 | 0:23:34 | |
I love you, too. | 0:23:34 | 0:23:36 | |
Bye-bye. | 0:23:39 | 0:23:40 | |
Thought that was pretty funny, didn't you? | 0:23:51 | 0:23:54 | |
Hmm? | 0:23:54 | 0:23:55 | |
Word of advice. | 0:23:57 | 0:23:58 | |
Don't you ever wake up. | 0:23:58 | 0:24:02 | |
BILL: At this moment, this is me... | 0:24:36 | 0:24:39 | |
at my most masochistic. | 0:24:39 | 0:24:42 | |
Bill, it's your baby. | 0:24:42 | 0:24:45 | |
A DOOR OPENS > | 0:26:20 | 0:26:22 | |
WHISTLING > | 0:26:22 | 0:26:25 | |
The price is 75 a fuck, my friend. | 0:26:44 | 0:26:46 | |
You getting your freak on or what? | 0:26:46 | 0:26:49 | |
Oh, yeah, boy. | 0:26:49 | 0:26:50 | |
Yeah. Now, here's the rules. | 0:26:57 | 0:26:59 | |
Rule number one - no punching. | 0:26:59 | 0:27:01 | |
Nurse comes in tomorrow and she got a shiner, jigs up. | 0:27:01 | 0:27:06 | |
So no knuckle sandwiches. | 0:27:06 | 0:27:07 | |
By the way, this little cunt's spirited. It's a motor reflex. | 0:27:07 | 0:27:11 | |
But spirit or no, no punching. | 0:27:11 | 0:27:13 | |
Now, are we absolutely clear on rule number one? Yeah. | 0:27:13 | 0:27:16 | |
Good. Rule number two - no monkey bites, no hickies. | 0:27:16 | 0:27:19 | |
No leaving no marks of no kind. | 0:27:19 | 0:27:21 | |
After that, it's all good, | 0:27:21 | 0:27:23 | |
buddy. Now, her plumbing down there don't work no more | 0:27:23 | 0:27:26 | |
so feel free to come in her all you want. | 0:27:26 | 0:27:28 | |
Keep the noise down. Try not to make a mess. I'll be back in 20. | 0:27:28 | 0:27:33 | |
Oh, shit. | 0:27:34 | 0:27:36 | |
By the way, not all the time but sometimes this chick can get dry as a bucket of sand. | 0:27:36 | 0:27:41 | |
If she dries, lube up with this and you'll be good to go. | 0:27:41 | 0:27:44 | |
< Bon appetit, buddy. | 0:27:46 | 0:27:47 | |
You are the best-looking girl I've had today. | 0:28:00 | 0:28:04 | |
SCREAMS | 0:28:07 | 0:28:08 | |
WHISTLING | 0:28:28 | 0:28:30 | |
Yo, stud! Time's up, buddy. | 0:28:51 | 0:28:54 | |
Coming in, ready or not. | 0:28:54 | 0:28:55 | |
Hey, buddy, did you have yourself a good time, man? | 0:28:55 | 0:28:59 | |
Whoa. | 0:28:59 | 0:29:00 | |
Where's Bill?! | 0:29:28 | 0:29:30 | |
Where's Bill?! | 0:29:31 | 0:29:34 | |
Please stop hitting me. | 0:29:34 | 0:29:36 | |
Where's Bill?! | 0:29:36 | 0:29:37 | |
I don't know who Bill is! | 0:29:38 | 0:29:40 | |
Bullshit! | 0:29:40 | 0:29:41 | |
Well, ain't you the slice of cutie pie they said you were? | 0:29:49 | 0:29:53 | |
Jane Doe, huh? Oh, we don't know shit about you, do we? | 0:29:53 | 0:29:56 | |
Well, I'm from Huntsville, Texas. | 0:29:56 | 0:29:58 | |
My name is Buck, and I'm here to fuck. | 0:29:58 | 0:30:01 | |
Your name is Buck. | 0:30:05 | 0:30:08 | |
Right? | 0:30:08 | 0:30:10 | |
And you came here to fuck. | 0:30:10 | 0:30:11 | |
Right? | 0:30:11 | 0:30:13 | |
Wait a minute. Wait. | 0:30:13 | 0:30:15 | |
"Pussy wagon". | 0:30:39 | 0:30:41 | |
You fucker. | 0:30:41 | 0:30:44 | |
Texas. OK. | 0:31:10 | 0:31:12 | |
Wiggle your big toe. | 0:32:54 | 0:32:57 | |
Wiggle your big toe. | 0:32:59 | 0:33:02 | |
Wiggle your big toe. | 0:33:10 | 0:33:12 | |
Wiggle your big toe. | 0:33:17 | 0:33:20 | |
Wiggle your big toe. | 0:33:25 | 0:33:27 | |
THE BRIDE: 'As I lay in the back of Buck's truck, | 0:33:27 | 0:33:29 | |
'trying to will my limbs out of entropy...' | 0:33:29 | 0:33:31 | |
Wiggle your big toe. | 0:33:31 | 0:33:33 | |
'..I could see the faces of the cunts who did this to me | 0:33:33 | 0:33:36 | |
'and the dicks responsible. | 0:33:36 | 0:33:39 | |
'Members all of the Deadly Viper assassination squad. | 0:33:41 | 0:33:46 | |
'When fortune smiles on something | 0:33:48 | 0:33:50 | |
'as violent and ugly as revenge, | 0:33:50 | 0:33:52 | |
'it seems proof like no other that not only does God exist, | 0:33:52 | 0:33:56 | |
'you're doing his will. | 0:33:56 | 0:33:59 | |
'At a time when I knew the least about my enemies, | 0:33:59 | 0:34:01 | |
'the first name on my death list, | 0:34:01 | 0:34:03 | |
'O-ren Ishii, was the easiest to find. | 0:34:03 | 0:34:06 | |
'But, of course, when one manages the difficult task | 0:34:06 | 0:34:09 | |
'of becoming queen of the Tokyo underworld, | 0:34:09 | 0:34:12 | |
'one doesn't keep it a secret, does one? | 0:34:12 | 0:34:14 | |
'O-ren Ishii was born on an American military base | 0:34:27 | 0:34:31 | |
'in Tokyo, Japan. | 0:34:31 | 0:34:33 | |
'The half-Japanese, half-Chinese American army brat | 0:34:33 | 0:34:37 | |
'made her first acquaintance with death at the age of nine. | 0:34:37 | 0:34:41 | |
'It was at that age she witnessed | 0:34:41 | 0:34:43 | |
'the death of her parents at the hands | 0:34:43 | 0:34:44 | |
'of Japan's most ruthless Yakuza boss, Boss Matsumoto.' | 0:34:44 | 0:34:50 | |
GASPS | 0:34:53 | 0:34:54 | |
WHIMPERS | 0:35:02 | 0:35:05 | |
LAUGHTER | 0:35:05 | 0:35:06 | |
Hyah! | 0:35:21 | 0:35:22 | |
LAUGHTER | 0:37:05 | 0:37:08 | |
GASPS AND COUGHS | 0:37:10 | 0:37:12 | |
GROWLS | 0:37:20 | 0:37:22 | |
WHIMPERS | 0:37:22 | 0:37:24 | |
GIRL SCREAMS | 0:37:45 | 0:37:46 | |
Mommy. | 0:37:56 | 0:37:58 | |
HE LAUGHS | 0:38:13 | 0:38:15 | |
HE CHUCKLES | 0:38:49 | 0:38:51 | |
'She swore revenge. | 0:39:04 | 0:39:07 | |
'Luckily for her, Boss Matsumoto was a paedophile.' | 0:39:07 | 0:39:13 | |
'At 11, she got her revenge.' | 0:39:15 | 0:39:18 | |
FOOTSTEPS | 0:40:05 | 0:40:06 | |
'By 20, she was one of the top female assassins in the world. | 0:40:56 | 0:41:02 | |
MUSIC: "Run Fay Run" by Isaac Hayes | 0:41:02 | 0:41:04 | |
'At 25, she did her part in the killing | 0:41:47 | 0:41:50 | |
'of nine innocent people, including my unborn daughter, | 0:41:50 | 0:41:55 | |
'in a small wedding chapel in El Paso, Texas. | 0:41:55 | 0:41:59 | |
'But on that day four years ago | 0:41:59 | 0:42:03 | |
'she made one big mistake. | 0:42:03 | 0:42:06 | |
'She should have killed ten. | 0:42:06 | 0:42:09 | |
'However, before satisfaction would be mine, | 0:42:09 | 0:42:13 | |
'first things first.' | 0:42:13 | 0:42:15 | |
Wiggle your big toe. | 0:42:15 | 0:42:19 | |
Hard part's over. | 0:42:24 | 0:42:26 | |
Now, let's get these other piggies wiggling. | 0:42:26 | 0:42:31 | |
Welcome to Air O. May I help you? | 0:43:05 | 0:43:07 | |
Okinawa. One-way. | 0:43:07 | 0:43:09 | |
PLANE ENGINE ROARS | 0:43:09 | 0:43:11 | |
BLEEPING | 0:43:14 | 0:43:15 | |
MUSIC: "Bang, Bang" by Nancy Sinatra | 0:43:20 | 0:43:24 | |
Hi. | 0:43:34 | 0:43:36 | |
Welcome. | 0:43:42 | 0:43:44 | |
You English? | 0:43:44 | 0:43:47 | |
Almost. American. | 0:43:47 | 0:43:49 | |
American. Welcome, American. | 0:43:49 | 0:43:52 | |
Domo. | 0:43:52 | 0:43:54 | |
My English very good. | 0:43:54 | 0:43:56 | |
You said "domo". Can you speak Japanese? | 0:43:56 | 0:44:00 | |
No, no. | 0:44:00 | 0:44:01 | |
Just a few words I learned since yesterday. | 0:44:01 | 0:44:04 | |
Um, may I sit at the bar? | 0:44:04 | 0:44:07 | |
Oh, sure, sure, sure. Please sit. | 0:44:07 | 0:44:11 | |
Oh. | 0:44:11 | 0:44:12 | |
What other words did you learn? | 0:44:12 | 0:44:16 | |
Um... Oh, just a minute. | 0:44:16 | 0:44:18 | |
Shut up! | 0:44:34 | 0:44:36 | |
Get your ass out here! | 0:44:36 | 0:44:38 | |
Uh, excuse me. | 0:44:38 | 0:44:41 | |
Uh, uh, uh... | 0:44:42 | 0:44:43 | |
Uh, what other Japanese do you know? | 0:44:43 | 0:44:45 | |
Oh, let's see. | 0:44:45 | 0:44:47 | |
Um, "arigato". | 0:44:47 | 0:44:49 | |
"Arigato". Good! | 0:44:49 | 0:44:51 | |
Um... | 0:44:51 | 0:44:53 | |
I already said "domo", right? | 0:44:53 | 0:44:55 | |
Yeah. Yeah, yeah, yeah. | 0:44:55 | 0:44:57 | |
"Konn-itch-iwa". | 0:44:57 | 0:44:59 | |
Uh, uh, uh, uh. | 0:44:59 | 0:45:00 | |
"Kohn-nee-chee-wah". | 0:45:00 | 0:45:02 | |
Konnichi wa. Please repeat. | 0:45:02 | 0:45:03 | |
Konnichi wa. | 0:45:03 | 0:45:05 | |
Perfect. Good, good, good. | 0:45:05 | 0:45:08 | |
You say Japanese word like you Japanese. | 0:45:08 | 0:45:11 | |
Oh, now you're making fun of me! | 0:45:11 | 0:45:12 | |
No, no, no, no. Serious business. | 0:45:12 | 0:45:14 | |
Pronunciation very good. | 0:45:14 | 0:45:17 | |
You say arigato like we say arigato. | 0:45:17 | 0:45:22 | |
Well, thank you. I mean... | 0:45:23 | 0:45:27 | |
Arigato. | 0:45:27 | 0:45:28 | |
Mm-hmm. | 0:45:28 | 0:45:30 | |
You should learn Japanese. | 0:45:30 | 0:45:32 | |
Very easy. | 0:45:32 | 0:45:34 | |
No kidding. I heard it was kind of hard. | 0:45:34 | 0:45:36 | |
Most difficult. | 0:45:36 | 0:45:38 | |
But you have Japanese tongue. | 0:45:38 | 0:45:41 | |
OK, OK. | 0:45:42 | 0:45:45 | |
Oh. Oh, my God. | 0:45:48 | 0:45:50 | |
I beg your pardon? | 0:46:11 | 0:46:13 | |
Uh, drink. | 0:46:13 | 0:46:16 | |
Oh, yes. | 0:46:16 | 0:46:17 | |
Um, a bottle of warm sake, please. | 0:46:17 | 0:46:19 | |
Warm sake? Very good! | 0:46:19 | 0:46:23 | |
Do you understand? | 0:46:57 | 0:47:00 | |
Do you understand me? | 0:47:00 | 0:47:02 | |
Sorry. | 0:47:05 | 0:47:07 | |
Oh! Oh, oh. First time in Japan? | 0:47:09 | 0:47:12 | |
Uh-huh. Oh. | 0:47:12 | 0:47:13 | |
What brings you to Okinawa? | 0:47:13 | 0:47:16 | |
I came to see a man. | 0:47:16 | 0:47:18 | |
Oh, yeah. | 0:47:18 | 0:47:20 | |
You have a friend live in Okinawa? | 0:47:20 | 0:47:23 | |
Not quite. | 0:47:23 | 0:47:25 | |
Not friend? | 0:47:25 | 0:47:26 | |
I never met him. | 0:47:26 | 0:47:28 | |
Never? | 0:47:28 | 0:47:30 | |
Who is he? | 0:47:30 | 0:47:32 | |
May I ask? | 0:47:32 | 0:47:34 | |
Hattori Hanzo. | 0:47:34 | 0:47:36 | |
< GLASS SHATTERS | 0:47:36 | 0:47:39 | |
You must have big rats, | 0:48:07 | 0:48:10 | |
you need Hattori Hanzo's steel. | 0:48:10 | 0:48:14 | |
Huge. | 0:48:16 | 0:48:18 | |
May I? | 0:49:41 | 0:49:43 | |
You may. | 0:49:43 | 0:49:45 | |
Wait. | 0:49:48 | 0:49:49 | |
Try the second one down. | 0:49:49 | 0:49:52 | |
Funny. | 0:50:42 | 0:50:44 | |
You like Samurai swords... | 0:50:44 | 0:50:48 | |
..I like baseball. | 0:50:50 | 0:50:53 | |
Then give me one of these. | 0:51:43 | 0:51:46 | |
These are not for sale. | 0:51:46 | 0:51:48 | |
I didn't say "Sell me". | 0:51:48 | 0:51:51 | |
I said "Give me". | 0:51:51 | 0:51:53 | |
HE LAUGHS | 0:51:53 | 0:51:55 | |
Why should I help you? | 0:51:55 | 0:51:58 | |
Because my vermin is a former student of yours. | 0:51:58 | 0:52:03 | |
And considering the student, | 0:52:05 | 0:52:08 | |
I'd say you have a rather large obligation. | 0:52:08 | 0:52:14 | |
Domo. | 0:55:58 | 0:56:00 | |
THE BRIDE: It was one year after the massacre in El Paso, Texas, | 0:56:18 | 0:56:22 | |
that Bill backed his Nippon progeny | 0:56:22 | 0:56:25 | |
financially and philosophically | 0:56:25 | 0:56:26 | |
in her Shakespearean in-magnitude power struggle | 0:56:26 | 0:56:29 | |
with the other Yakuza clans | 0:56:29 | 0:56:30 | |
over who would rule vice in the city of Tokyo. | 0:56:30 | 0:56:34 | |
When the final sword was sheathed, | 0:56:34 | 0:56:36 | |
it was O-ren Ishii and her powerful posse... | 0:56:36 | 0:56:40 | |
CHEERING > | 0:56:40 | 0:56:41 | |
..the Crazy 88, that proved the victor. | 0:56:41 | 0:56:44 | |
The pretty lady to O-ren's right, | 0:56:46 | 0:56:48 | |
who's dressed like she's a villain on Star Trek, | 0:56:48 | 0:56:51 | |
is O-ren's lawyer, best friend, | 0:56:51 | 0:56:53 | |
and second lieutenant - | 0:56:53 | 0:56:55 | |
the half-French, half-Japanese Sofie Fatale, | 0:56:55 | 0:56:58 | |
another former protegee of Bill's. | 0:56:58 | 0:57:01 | |
CHEERING | 0:57:01 | 0:57:04 | |
The young girl in the school-girl uniform | 0:57:04 | 0:57:06 | |
is O-ren's personal bodyguard, 17-year-old Gogo Yubari. | 0:57:06 | 0:57:11 | |
Gogo may be young, but what she lacks in age, | 0:57:11 | 0:57:15 | |
she makes up for in madness. | 0:57:15 | 0:57:17 | |
See what I mean? | 0:57:58 | 0:58:00 | |
The bald guy in the black suit and the kato mask is Johnny Mo, | 0:58:00 | 0:58:05 | |
the head general of O-ren's personal army, the Crazy 88. | 0:58:05 | 0:58:10 | |
And just in case you were wondering | 0:58:12 | 0:58:14 | |
how could a half-breed Japanese-Chinese American | 0:58:14 | 0:58:18 | |
become the boss of all bosses in Tokyo, Japan | 0:58:18 | 0:58:23 | |
I'll tell you. | 0:58:23 | 0:58:25 | |
The subject of O-ren's blood and nationality | 0:58:25 | 0:58:28 | |
came up before the council only once, | 0:58:28 | 0:58:30 | |
the night O-ren assumed power over the crime council. | 0:58:30 | 0:58:35 | |
The man who seems bound and determined | 0:58:35 | 0:58:38 | |
to break the mood is Boss Tanaka. | 0:58:38 | 0:58:40 | |
And what Boss Tanaka thinks is... | 0:58:40 | 0:58:44 | |
As your leader... | 1:00:54 | 1:00:55 | |
FATALE TRANSLATES IN JAPANESE | 1:00:55 | 1:00:56 | |
..I encourage you from time to time, | 1:00:56 | 1:00:58 | |
and always in a respectful manner, | 1:00:58 | 1:00:59 | |
to question my logic. | 1:00:59 | 1:01:01 | |
If you're unconvinced | 1:01:01 | 1:01:03 | |
a particular plan of action I've decided is the wisest, | 1:01:03 | 1:01:06 | |
tell me so. | 1:01:06 | 1:01:07 | |
But allow me to convince you. | 1:01:07 | 1:01:08 | |
And I promise you, right here and now, | 1:01:08 | 1:01:10 | |
no subject will ever be taboo. | 1:01:10 | 1:01:14 | |
Except, of course, the subject that was just under discussion. | 1:01:14 | 1:01:17 | |
The price you pay | 1:01:19 | 1:01:21 | |
for bringing up either my Chinese or American heritage | 1:01:21 | 1:01:24 | |
as a negative is... | 1:01:24 | 1:01:25 | |
I collect your fucking head. | 1:01:25 | 1:01:28 | |
Just like this fucker here. | 1:01:28 | 1:01:30 | |
Now, if any of you sons of bitches | 1:01:32 | 1:01:34 | |
got anything else to say, now's the fucking time! | 1:01:34 | 1:01:39 | |
I didn't think so. | 1:01:41 | 1:01:43 | |
One ticket to Tokyo, please. | 1:01:49 | 1:01:51 | |
MOBILE PHONE PLAYS "Auld Lang Syne" | 1:04:16 | 1:04:20 | |
Moshi Moshi. | 1:04:20 | 1:04:21 | |
Hey! | 1:05:53 | 1:05:54 | |
Hey, yeah! Hey, yeah! | 1:05:56 | 1:05:58 | |
ROCK MUSIC PLAYS | 1:06:10 | 1:06:13 | |
Gogo. | 1:06:35 | 1:06:37 | |
MUSIC CONTINUES | 1:06:37 | 1:06:40 | |
CREAKS | 1:06:54 | 1:06:56 | |
CHEERING AND APPLAUSE | 1:07:47 | 1:07:48 | |
ROCKABILLY MUSIC | 1:07:53 | 1:07:54 | |
WOMAN: Yeah! | 1:08:02 | 1:08:04 | |
Whoo! | 1:08:04 | 1:08:05 | |
# Whoo-hoo hoo hoo hoo | 1:08:05 | 1:08:07 | |
# Whoo-hoo hoo hoo hoo | 1:08:07 | 1:08:08 | |
# Whoo-hoo hoo hoo hoo | 1:08:08 | 1:08:10 | |
# Whoo-hoo hoo hoo hoo | 1:08:10 | 1:08:12 | |
# Whoo-hoo whoo-hoo | 1:08:12 | 1:08:14 | |
# Whoo-hoo hoo hoo hoo. # | 1:08:14 | 1:08:16 | |
DRUM SOLO | 1:08:16 | 1:08:18 | |
# Whoo-hoo hoo hoo hoo | 1:08:38 | 1:08:40 | |
# Whoo-hoo hoo hoo hoo | 1:08:40 | 1:08:42 | |
# Whoo-hoo hoo hoo hoo | 1:08:42 | 1:08:44 | |
# Whoo-hoo hoo hoo hoo | 1:08:44 | 1:08:46 | |
# Whoo-hoo whoo-hoo | 1:08:46 | 1:08:48 | |
# Whoo-hoo hoo hoo hoo | 1:08:48 | 1:08:50 | |
# Whoo-hoo hoo hoo hoo | 1:08:56 | 1:08:58 | |
# Whoo-hoo hoo hoo hoo | 1:08:58 | 1:09:00 | |
# Whoo-hoo hoo hoo hoo | 1:09:00 | 1:09:02 | |
# Whoo-hoo hoo hoo hoo | 1:09:02 | 1:09:03 | |
# Whoo-hoo whoo-hoo | 1:09:03 | 1:09:05 | |
# Whoo-hoo hoo hoo hoo. # | 1:09:05 | 1:09:08 | |
GUITAR SOLO | 1:09:08 | 1:09:10 | |
# Whoo-hoo hoo hoo hoo | 1:09:18 | 1:09:20 | |
# Whoo-hoo hoo hoo hoo | 1:09:20 | 1:09:22 | |
# Whoo-hoo hoo hoo hoo | 1:09:22 | 1:09:24 | |
# Whoo-hoo hoo hoo hoo | 1:09:24 | 1:09:26 | |
# Whoo-hoo whoo-hoo. # | 1:09:26 | 1:09:28 | |
CHEERS AND APPLAUSE | 1:09:37 | 1:09:39 | |
MOBILE PHONE PLAYS "Auld Lang Syne" | 1:09:41 | 1:09:43 | |
MUSIC: Theme From Ironside | 1:09:52 | 1:09:54 | |
AGH! | 1:11:14 | 1:11:16 | |
PEOPLE SCREAM | 1:11:35 | 1:11:41 | |
So, O-ren... | 1:13:57 | 1:13:59 | |
any more subordinates for me to kill? | 1:13:59 | 1:14:02 | |
Hi! | 1:14:02 | 1:14:04 | |
Bingo. | 1:14:09 | 1:14:10 | |
Gogo... | 1:14:22 | 1:14:24 | |
I know you feel you must protect your mistress, | 1:14:24 | 1:14:27 | |
but I beg you... | 1:14:27 | 1:14:31 | |
walk away. | 1:14:31 | 1:14:33 | |
Aah! | 1:16:50 | 1:16:52 | |
MOTORCYCLES REV | 1:17:33 | 1:17:36 | |
REVVING GETS LOUDER | 1:17:40 | 1:17:43 | |
Is that what I think it is? | 1:17:54 | 1:17:56 | |
You didn't think it was gonna be that easy, did you? | 1:17:56 | 1:17:59 | |
You know, for a second there, | 1:17:59 | 1:18:02 | |
yeah, I kind of did. | 1:18:02 | 1:18:06 | |
Silly rabbit. | 1:18:06 | 1:18:09 | |
Trix are for... | 1:18:09 | 1:18:10 | |
Kids. | 1:18:10 | 1:18:11 | |
Hyaaaaaaah! | 1:18:15 | 1:18:17 | |
MUSIC: "Crane" by RZA | 1:18:41 | 1:18:44 | |
Hyah! | 1:19:27 | 1:19:28 | |
MUSIC: "Nobody But Me" by the Human Beinz | 1:22:18 | 1:22:21 | |
# I'm doin' | 1:22:23 | 1:22:24 | |
# Ain't nobody doin' but me | 1:22:24 | 1:22:27 | |
# Nobody but me | 1:22:27 | 1:22:28 | |
# Yes, I gonna philly, I'm doin' | 1:22:28 | 1:22:32 | |
# Ain't nobody doin' but me, baby | 1:22:32 | 1:22:34 | |
# Nobody but me | 1:22:34 | 1:22:36 | |
# Well, let me tell you, nobody | 1:22:36 | 1:22:38 | |
# Nobody but me | 1:22:38 | 1:22:39 | |
# Well, let me tell you nobody | 1:22:39 | 1:22:41 | |
# Nobody | 1:22:41 | 1:22:42 | |
# Nobody | 1:22:42 | 1:22:43 | |
# Nobody | 1:22:43 | 1:22:45 | |
# Nobody | 1:22:45 | 1:22:47 | |
# Nobody. # | 1:22:47 | 1:22:48 | |
This is what you get | 1:24:24 | 1:24:26 | |
for fucking around with Yakuzas! | 1:24:26 | 1:24:29 | |
Go home to your mother! | 1:24:29 | 1:24:30 | |
Except you, Sofie! | 1:25:49 | 1:25:52 | |
You stay right where you are. | 1:25:52 | 1:25:55 | |
SHOUTS IN JAPANESE | 1:25:57 | 1:25:59 | |
Your instrument is quite impressive. | 1:26:46 | 1:26:48 | |
Okinawa. | 1:26:56 | 1:26:57 | |
This is Hattori Hanzo steel. | 1:27:03 | 1:27:06 | |
Mm-hmm. | 1:27:15 | 1:27:16 | |
MUSIC: "Don't Let Me Be Misunderstood" by Santa Esmeralda | 1:28:00 | 1:28:03 | |
MUSIC STOPS | 1:30:02 | 1:30:03 | |
Silly Caucasian girl likes to play with Samurai swords. | 1:30:14 | 1:30:19 | |
EXHALES | 1:30:19 | 1:30:21 | |
You may not be able to fight like a Samurai... | 1:30:21 | 1:30:23 | |
..but you can at least die like a Samurai. | 1:30:26 | 1:30:30 | |
BREATHES HEAVILY | 1:30:30 | 1:30:32 | |
BOTH BREATHE HEAVILY | 1:31:33 | 1:31:35 | |
MUSIC: "The Flower Of Carnage" by Meiko Kaji | 1:32:56 | 1:32:58 | |
MUSIC ENDS | 1:34:58 | 1:35:00 | |
SHOUTING IN JAPANESE | 1:35:07 | 1:35:10 | |
Sofie... | 1:35:17 | 1:35:19 | |
Sofie... | 1:35:19 | 1:35:21 | |
My Sofie... | 1:35:21 | 1:35:23 | |
I'm so sorry. | 1:35:23 | 1:35:25 | |
Please. Please forgive my betrayal. | 1:35:27 | 1:35:31 | |
No more of that. | 1:35:31 | 1:35:32 | |
But still... | 1:35:32 | 1:35:35 | |
But still nothing... | 1:35:35 | 1:35:37 | |
Except my aching heart over what she's done | 1:35:37 | 1:35:41 | |
to my beautiful and brilliant Sofie. | 1:35:41 | 1:35:45 | |
I've kept you alive for two reasons. | 1:35:45 | 1:35:47 | |
The first reason is information. | 1:35:47 | 1:35:51 | |
But I am gonna ask you questions. | 1:35:56 | 1:36:01 | |
And every time you don't give me answers, | 1:36:01 | 1:36:04 | |
I'm gonna cut something off. | 1:36:04 | 1:36:08 | |
And I promise you, | 1:36:08 | 1:36:10 | |
they will be things you will miss! | 1:36:10 | 1:36:13 | |
Give me your other arm! | 1:36:13 | 1:36:15 | |
SOFIE SCREAMS | 1:36:15 | 1:36:17 | |
SOFIE PANTS | 1:36:17 | 1:36:18 | |
'I want all the information on the Deadly Vipers...' | 1:36:18 | 1:36:23 | |
If you had to guess... | 1:36:23 | 1:36:25 | |
'..what they've been doing...' | 1:36:25 | 1:36:27 | |
..why she left you alive... | 1:36:27 | 1:36:28 | |
'..and where I can find them.' | 1:36:28 | 1:36:30 | |
..what would be your guess? | 1:36:30 | 1:36:31 | |
Guessing won't be necessary. | 1:36:32 | 1:36:35 | |
She informed me. | 1:36:35 | 1:36:37 | |
She...she said I could keep my wicked life | 1:36:39 | 1:36:42 | |
for two reasons. | 1:36:42 | 1:36:44 | |
'As I said before,' | 1:36:44 | 1:36:46 | |
I've allowed you to keep your wicked life for two reasons. | 1:36:46 | 1:36:50 | |
And the second reason is... | 1:36:50 | 1:36:52 | |
so you can tell him, in person, | 1:36:52 | 1:36:56 | |
everything that happened here tonight. | 1:36:56 | 1:36:58 | |
I want him to witness the extent of my mercy | 1:36:58 | 1:37:03 | |
by witnessing your deformed body. | 1:37:03 | 1:37:06 | |
I want you to tell him | 1:37:06 | 1:37:08 | |
all the information you just told me. | 1:37:08 | 1:37:10 | |
I want him to know what I know. | 1:37:10 | 1:37:13 | |
I want him to know I want him to know. | 1:37:13 | 1:37:17 | |
And I want them all to know | 1:37:17 | 1:37:20 | |
they'll all soon be as dead as O-ren. | 1:37:20 | 1:37:25 | |
MUSIC: "The Lonely Shepherd" by Zamfir | 1:37:30 | 1:37:32 | |
That woman... | 1:38:09 | 1:38:11 | |
deserves her revenge. | 1:38:11 | 1:38:13 | |
And... | 1:38:17 | 1:38:19 | |
we deserve to die. | 1:38:19 | 1:38:22 | |
She must suffer to her last breath. | 1:38:24 | 1:38:28 | |
How did you find me? | 1:38:42 | 1:38:44 | |
BILL: I'm the man. | 1:38:44 | 1:38:46 | |
One more thing, Sofie. | 1:38:49 | 1:38:52 | |
Is she aware her daughter is still alive? | 1:38:52 | 1:38:57 | |
Subtitles by Red Bee Media Ltd | 1:40:32 | 1:40:35 |