Kill Bill: Vol 2

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This film contains very strong language and graphic violent scenes	0:00:06	0:00:12
WOMAN PANTS	0:00:12	0:00:14
Do you find me sadistic?	0:00:14	0:00:15
WOMAN PANTS	0:00:15	0:00:17
You know, kiddo, I'd like to believe...	0:00:17	0:00:20
..you're aware enough - even now -	0:00:21	0:00:24
to know that there's nothing sadistic in my actions.	0:00:24	0:00:30
This moment...	0:00:32	0:00:33
METALLIC CLICKING	0:00:33	0:00:34
..This is me	0:00:34	0:00:36
at my most masochistic.	0:00:37	0:00:41
Bill...	0:00:41	0:00:42
It's your baby.	0:00:42	0:00:44
Looked dead, didn't I?	0:00:50	0:00:51
Well, I wasn't.	0:00:51	0:00:53
But it wasn't from lack of trying, I can tell you that.	0:00:53	0:00:55
Actually, Bill's last bullet put me in a coma,	0:00:55	0:00:59
a coma I was to lie in for four years.	0:00:59	0:01:03
When I woke up, I went on what the movie advertisements	0:01:03	0:01:07
refer to as "a roaring rampage of revenge."	0:01:07	0:01:11
(I roared and I rampaged.)	0:01:11	0:01:15
(And I got bloody satisfaction.)	0:01:15	0:01:17
I've killed a hell of a lot of people to get to this point.	0:01:17	0:01:22
But I have only one more.	0:01:22	0:01:25
The last one.	0:01:25	0:01:27
The one I'm driving to right now.	0:01:27	0:01:31
The only one left.	0:01:31	0:01:34
And when I arrive at my destination,	0:01:34	0:01:37
I am going to kill Bill.	0:01:37	0:01:39
Now, the incident that happened at the Two Pines Wedding Chapel,	0:02:04	0:02:07
that put this whole gory story into motion,	0:02:07	0:02:10
has since become legend.	0:02:10	0:02:12
"Massacre at Two Pines."	0:02:13	0:02:15
That's what the newspapers called it.	0:02:15	0:02:17
The local TV news called it,	0:02:17	0:02:19
"The El Paso, Texas, wedding chapel massacre."	0:02:19	0:02:22
How it happened, who was there,	0:02:23	0:02:25
how many got killed and who killed them	0:02:25	0:02:28
changes depending on who's telling the story.	0:02:28	0:02:31
In actual fact, the massacre didn't happen during a wedding at all.	0:02:32	0:02:36
It was a wedding rehearsal.	0:02:37	0:02:39
Now, when we come to the part	0:02:40	0:02:41
where I say, "You may kiss the bride,"	0:02:41	0:02:44
you may kiss the bride.	0:02:44	0:02:46
But don't stick your tongue in her mouth.	0:02:46	0:02:49
LAUGHING	0:02:49	0:02:50
This might be	0:02:50	0:02:51
funny to your friends, but it would be	0:02:51	0:02:54
embarrassing to your parents.	0:02:54	0:02:56
CHUCKLING	0:02:56	0:02:57
We'll try to restrain ourselves, Reverend.	0:02:57	0:02:59
CHUCKLING	0:02:59	0:03:01
Y'all got a song?	0:03:01	0:03:04
How 'bout Love Me Tender?	0:03:07	0:03:09
I can play that.	0:03:09	0:03:10
Sure.	0:03:10	0:03:12
Love Me Tender would be great.	0:03:12	0:03:14
Rufus. He's the man.	0:03:14	0:03:17
Rufus, who was that you used the play for?	0:03:17	0:03:21
Rufus Thomas.	0:03:21	0:03:23
Rufus Thomas?	0:03:23	0:03:25
Rufus Thomas.	0:03:25	0:03:26
I was a drell, I was a drifter,	0:03:26	0:03:29
I was a coaster, I was part of the gang,	0:03:29	0:03:32
I was a bar-kay.	0:03:32	0:03:34
If they come through Texas,	0:03:34	0:03:36
I played with 'em.	0:03:36	0:03:37
Rufus... he's the man.	0:03:37	0:03:40
Have I forgotten anything?	0:03:43	0:03:45
Um...oh, yes.	0:03:45	0:03:46
You forgot, er, the seating arrangements.	0:03:46	0:03:49
Thank you, Mother.	0:03:49	0:03:51
Now, the way we normally do this,	0:03:51	0:03:54
we have the bride's side and then we have	0:03:54	0:03:57
the groom's side, but since the bride	0:03:57	0:04:00
ain't got nobody coming, and the groom's got	0:04:00	0:04:03
far too many people coming...	0:04:03	0:04:05
Well, yeah, they're coming all the way from Oklahoma.	0:04:05	0:04:08
LAUGHING	0:04:08	0:04:09
Right.	0:04:09	0:04:10
Well, I don't see	0:04:10	0:04:12
no problem with the groom's side	0:04:12	0:04:15
sharing the bride's side.	0:04:15	0:04:17
Do you, Mother?	0:04:17	0:04:18
No, I don't have a problem with that.	0:04:18	0:04:20
But, er...	0:04:20	0:04:21
honey, you know, it would be good	0:04:21	0:04:23
if you had somebody come.	0:04:23	0:04:25
You know, as a sign	0:04:25	0:04:27
of good faith.	0:04:27	0:04:28
Well, I don't have anybody.	0:04:28	0:04:31
Except for Tommy	0:04:31	0:04:34
and my friends.	0:04:34	0:04:36
You have no family?	0:04:36	0:04:38
Well, I'm working on changing that.	0:04:38	0:04:40
Mrs Harmony, we're all the family	0:04:40	0:04:42
this little angel's ever going to need.	0:04:42	0:04:44
I'm not feeling very well,	0:04:46	0:04:47
and this bitch is starting to piss me off.	0:04:47	0:04:49
So while you all blather on,	0:04:49	0:04:50
I'm going to go outside and get some air.	0:04:50	0:04:52
OK.	0:04:52	0:04:53
Um, er, reverend, sorry, er...	0:04:53	0:04:56
She's going to go out and get some air.	0:04:56	0:04:58
Yeah, given her delicate condition.	0:04:58	0:04:59
She just needs a few minutes	0:04:59	0:05:01
to get it together, she'll be OK.	0:05:01	0:05:03
MOTIF PLAYED ON FLUTE	0:05:05	0:05:06
FLUTE PLAYING CONTINUES	0:05:08	0:05:10
Hello, kiddo.	0:06:18	0:06:20
How did you find me?	0:06:25	0:06:27
I'm the man.	0:06:28	0:06:29
What are you doing here?	0:06:33	0:06:35
What am I doing?	0:06:36	0:06:38
Well...	0:06:39	0:06:41
a moment ago, I was playing my flute.	0:06:41	0:06:45
At this moment...	0:06:51	0:06:52
..I'm looking at the most beautiful bride	0:06:53	0:06:56
these old eyes have ever seen.	0:06:56	0:06:58
(Why are you here?)	0:06:59	0:07:01
Last look.	0:07:01	0:07:03
Are you going to be nice?	0:07:06	0:07:07
I've never been nice my whole life.	0:07:07	0:07:10
But I'll do my best to be sweet.	0:07:10	0:07:14
Hmm...	0:07:14	0:07:16
I was told your...	0:07:16	0:07:18
your sweet side is your best side.	0:07:18	0:07:22
I guess that's why	0:07:22	0:07:24
you're the only one who's ever seen it.	0:07:24	0:07:26
I see you got a bun in the oven.	0:07:29	0:07:31
Hmm.	0:07:32	0:07:34
I'm knocked up.	0:07:34	0:07:36
Geez, Louise.	0:07:36	0:07:38
That young man of yours sure doesn't believe in	0:07:39	0:07:41
wasting time, does he?	0:07:41	0:07:44
Have you seen Tommy?	0:07:44	0:07:46
The guy in the tux?	0:07:48	0:07:50
Yes.	0:07:50	0:07:52
Then I saw him.	0:07:52	0:07:54
I like his hair.	0:07:54	0:07:56
You promised you'd be nice.	0:07:57	0:08:01
No, I said I'd do my best.	0:08:01	0:08:03
That's hardly a promise.	0:08:03	0:08:06
But you're right.	0:08:06	0:08:09
What does your young man do for a living?	0:08:09	0:08:13
He owns a used record store here in El Paso.	0:08:13	0:08:18
Ah, music lover, eh?	0:08:18	0:08:20
He's fond of music.	0:08:20	0:08:22
Aren't we all?	0:08:22	0:08:25
And what are you doing for a J-O-B these days?	0:08:27	0:08:31
I work in the record store.	0:08:33	0:08:37
Ah, so.	0:08:37	0:08:38
It all suddenly seems so clear.	0:08:39	0:08:42
Do you like it?	0:08:44	0:08:46
Yeah, I like it a lot, smartass.	0:08:46	0:08:49
I get to listen to music all day,	0:08:50	0:08:52
talk about music all day,	0:08:52	0:08:54
it's really cool.	0:08:54	0:08:55
It's going to be a great environment	0:08:56	0:08:59
for my little girl to grow up in.	0:08:59	0:09:01
As opposed to jetting around the world,	0:09:03	0:09:06
killing human beings	0:09:06	0:09:08
and being paid vast sums of money?	0:09:08	0:09:10
Precisely.	0:09:13	0:09:14
Well, my old friend,	0:09:14	0:09:16
too each his own.	0:09:16	0:09:19
However, all cock-blockery aside,	0:09:19	0:09:23
I am looking forward to meeting your young man.	0:09:23	0:09:26
I happen to be more or less particular	0:09:26	0:09:30
whom my gal marries.	0:09:30	0:09:33
You want to come to the wedding?	0:09:34	0:09:37
Only if I can sit on the bride's side.	0:09:37	0:09:38
You'll find it a bit lonely on my side.	0:09:40	0:09:42
Your side always was a bit lonely,	0:09:42	0:09:46
but I wouldn't sit anywhere else.	0:09:46	0:09:49
You know...	0:09:49	0:09:53
I had the loveliest dream about you.	0:09:53	0:09:55
Oh, here's Tommy.	0:09:55	0:09:57
Call me Arlene.	0:09:57	0:09:58
- You must be Tommy. - Uh-huh.	0:09:58	0:10:00
Arlene's told me so much about you.	0:10:00	0:10:02
Honey, you OK?	0:10:02	0:10:04
Oh, I'm fine.	0:10:04	0:10:05
Tommy, I'd like you to meet	0:10:05	0:10:07
my father.	0:10:07	0:10:08
CHUCKLING	0:10:08	0:10:09
Oh, my God.	0:10:09	0:10:11
Oh, my God, this is great.	0:10:11	0:10:13
I'm so glad to meet you, Sir.	0:10:13	0:10:14
Oh - Dad.	0:10:14	0:10:15
The name's Bill.	0:10:15	0:10:18
Well, it's great to meet you, Bill.	0:10:18	0:10:20
Arlene told me you couldn't make it.	0:10:20	0:10:22
Surprise.	0:10:22	0:10:23
That's my pop for you.	0:10:23	0:10:25
Always full of surprises.	0:10:25	0:10:26
Well, in the surprise department,	0:10:26	0:10:29
the apple doesn't fall far from the tree.	0:10:29	0:10:31
CHUCKLING	0:10:31	0:10:33
When did you get in?	0:10:33	0:10:34
Just now.	0:10:34	0:10:35
Did you come straight from Australia?	0:10:35	0:10:37
Of course.	0:10:37	0:10:38
Daddy, I told Tommy	0:10:38	0:10:40
that you were in Perth mining for silver and...	0:10:40	0:10:42
No-one could reach you.	0:10:42	0:10:44
Lucky for us all, that's not the case.	0:10:44	0:10:47
So, what's this all about?	0:10:47	0:10:50
I've heard of wedding rehearsals,	0:10:50	0:10:53
but I don't believe I've ever heard	0:10:53	0:10:55
of a wedding dress rehearsal before.	0:10:55	0:10:57
We thought, why pay so much money	0:10:57	0:10:59
for a dress you're only going to wear once?	0:10:59	0:11:01
Especially when Arlene	0:11:01	0:11:03
looks so goddamn beautiful in it.	0:11:03	0:11:05
So, er, I think we're going to try to get	0:11:05	0:11:07
all the mileage we can out of it.	0:11:07	0:11:08
Isn't it supposed to be bad luck	0:11:08	0:11:11
for the groom to see the bride	0:11:11	0:11:13
in her wedding dress before the ceremony?	0:11:13	0:11:16
Well, I guess I just believe in living dangerously.	0:11:16	0:11:20
I know just what you mean.	0:11:21	0:11:24
Son, some of us have places to be.	0:11:24	0:11:27
Sure do.	0:11:27	0:11:28
Look, we got to go through this	0:11:28	0:11:30
one more time, so, er,	0:11:30	0:11:31
why don't you have a s...	0:11:31	0:11:33
Oh, my God. What am I thinking?	0:11:33	0:11:35
You should give her away.	0:11:35	0:11:37
Tommy, that's not exactly Daddy's cup of tea.	0:11:37	0:11:40
I think father would be much more comfortable	0:11:40	0:11:43
sitting with the rest of the guests.	0:11:43	0:11:44
Oh, really?	0:11:44	0:11:46
That's asking a lot.	0:11:46	0:11:48
Oh, OK.	0:11:49	0:11:51
Well, forget it.	0:11:51	0:11:52
But how 'bout we go	0:11:52	0:11:53
out to dinner tonight, celebrate?	0:11:53	0:11:55
Only on the condition that I pay for everything.	0:11:55	0:11:57
Deal.	0:11:57	0:11:58
We got to do this now.	0:11:58	0:12:00
Can I watch?	0:12:00	0:12:01
Absolutely. Have a seat.	0:12:01	0:12:03
Which is the bride's side?	0:12:03	0:12:06
Right over here.	0:12:06	0:12:07
Mother, here we go.	0:12:10	0:12:13
INDISTINCT CONVERSATION	0:12:13	0:12:14
Now, Son, about them vows...	0:12:14	0:12:17
SPEAKING QUIETLY	0:12:17	0:12:21
Bill...	0:12:22	0:12:24
I just want...	0:12:24	0:12:26
You don't owe me a damn thing.	0:12:26	0:12:28
If he's the man you want,	0:12:28	0:12:31
then go stand by him.	0:12:31	0:12:35
CRYING SOFTLY	0:12:41	0:12:43
Do I look pretty?	0:12:57	0:12:59
Oh, yes.	0:12:59	0:13:01
Thank you.	0:13:11	0:13:13
SPEAKING QUIETLY	0:13:19	0:13:24
WIND BLOWING	0:13:31	0:13:35
BIRD CHIRPING	0:13:43	0:13:46
REVEREND: What the hell?!	0:13:46	0:13:49
SCREAMING	0:13:49	0:13:50
THE BRIDE: No! Bill!	0:13:50	0:13:52
RAPID GUNFIRE	0:13:52	0:13:57
GUNFIRE STOPS	0:13:57	0:13:59
DISTANT DOG BARKING	0:13:59	0:14:00
BELL TOLLING	0:14:00	0:14:04
BUDD: Are you telling me	0:14:29	0:14:30
she cut her way through 88 bodyguards	0:14:30	0:14:33
before she got to O-ren?	0:14:33	0:14:35
No, there wasn't really 88 of them,	0:14:35	0:14:37
they just called themselves The crazy 88.	0:14:37	0:14:40
How come?	0:14:40	0:14:41
I don't know. I guess they thought it sounded cool.	0:14:41	0:14:44
CHUCKLES	0:14:44	0:14:45
Anyhow,	0:14:45	0:14:46
they all fell under her Hanzo sword.	0:14:46	0:14:49
She's got a Hanzo sword?	0:14:49	0:14:51
He made one for her.	0:14:51	0:14:53
Didn't he swear a blood oath to never make another sword?	0:14:53	0:14:56
It would appear he has broken it.	0:14:56	0:14:59
Them Japs sure know how to hold a grudge, don't they?	0:15:02	0:15:05
LAUGHS	0:15:05	0:15:07
Or maybe you just tend to bring that out in people?	0:15:07	0:15:12
I know this	0:15:12	0:15:13
is a ridiculous question before I ask it,	0:15:13	0:15:16
but you haven't, by any chance, kept up with	0:15:16	0:15:20
your sword play?	0:15:20	0:15:22
I, er...	0:15:24	0:15:25
BURPS	0:15:25	0:15:27
I pawned that years ago.	0:15:27	0:15:29
You hocked a Hattori Hanzo sword?	0:15:29	0:15:33
Yup.	0:15:33	0:15:35
It was priceless.	0:15:35	0:15:37
CHUCKLES	0:15:37	0:15:39
LAUGHS	0:15:39	0:15:41
Well, not in El Paso it ain't.	0:15:41	0:15:44
CHUCKLES	0:15:44	0:15:46
In El Paso I got me 250 for it.	0:15:46	0:15:48
I'm a bouncer in a titty bar, Bill.	0:15:50	0:15:53
If she wants to fight with me, all she's got to do	0:15:53	0:15:56
is come down to the club and start some shit	0:15:56	0:15:57
and we'll be in a fight.	0:15:57	0:15:59
I know we haven't spoken in some time,	0:16:01	0:16:05
and the last time we spoke wasn't the most pleasant,	0:16:05	0:16:09
but you've got to get over being mad at me	0:16:09	0:16:12
and start becoming afraid of BLEEP,	0:16:12	0:16:17
because she is coming, and she's coming to kill you.	0:16:17	0:16:21
And unless you accept my assistance,	0:16:21	0:16:23
I have no doubt she will succeed.	0:16:23	0:16:26
I don't dodge guilt,	0:16:35	0:16:36
and I don't Jew out of paying my comeuppance.	0:16:36	0:16:40
Can't we just forget the past?	0:16:42	0:16:45
That woman deserves her revenge.	0:16:48	0:16:52
And...we deserve to die.	0:16:57	0:17:01
CHUCKLES But then again,	0:17:05	0:17:07
so does she.	0:17:07	0:17:09
So I guess...	0:17:13	0:17:16
we'll just see.	0:17:16	0:17:18
Won't we?	0:17:18	0:17:21
ENGINE RUMBLES	0:17:31	0:17:34
ENGINE STOPS	0:17:34	0:17:36
DOOR SQUEAKS	0:17:36	0:17:38
DISTANT MUFFLED MUSIC PLAYS	0:17:38	0:17:41
SPANISH SONG PLAYS	0:17:50	0:17:52
BILLIARD BALLS HITTING	0:17:52	0:17:55
Late again.	0:17:55	0:17:57
Budd, can't you tell time?	0:17:57	0:18:01
There ain't nobody in here, man.	0:18:01	0:18:03
MAN: Is that Budd?!	0:18:03	0:18:04
Yeah.	0:18:04	0:18:05
Tell him to get his fucking ass back here!	0:18:05	0:18:08
OK.	0:18:08	0:18:10
Budd, Larry would like a word with you.	0:18:10	0:18:13
CLEARS THROAT	0:18:13	0:18:14
SNIFFING DEEPLY	0:18:14	0:18:17
Take a hit.	0:18:17	0:18:19
Be somebody, baby.	0:18:19	0:18:21
SNIFFING DEEPLY	0:18:23	0:18:26
You looking for me?	0:18:30	0:18:32
I don't know what car wash you worked	0:18:37	0:18:40
before you came here that let you stroll in	0:18:40	0:18:42
20 minutes late, but it wasn't owned by me	0:18:42	0:18:44
and I own a fucking car wash.	0:18:44	0:18:46
Do you want me to leave?	0:18:46	0:18:47
No, I don't want you to leave.	0:18:47	0:18:48
I want you to sit and wait.	0:18:48	0:18:49
Larry...	0:18:49	0:18:52
there ain't nobody out there, you see?	0:18:52	0:18:55
SOFTLY: "There's nobody out there, Larry."	0:18:55	0:18:59
What's your point?	0:18:59	0:19:02
That you're not needed here?	0:19:02	0:19:04
My point is, I'm the bouncer	0:19:04	0:19:08
and there ain't nobody out there to bounce.	0:19:08	0:19:11
You're saying that the reason	0:19:11	0:19:13
that you're not doing the job	0:19:13	0:19:17
that I'm paying you to do	0:19:17	0:19:20
is that you don't have a job to do?	0:19:20	0:19:23
No, I...	0:19:23	0:19:25
Is that what you're saying?	0:19:25	0:19:26
What are you trying to convince me of exactly?	0:19:26	0:19:29
That you're as useless as an asshole right here?	0:19:29	0:19:32
Well, guess what, buddy?	0:19:32	0:19:34
I think you just fucking convinced me.	0:19:34	0:19:39
Let's go to the calendar.	0:19:39	0:19:40
It's calendar time.	0:19:40	0:19:42
Calendar time for buddy.	0:19:42	0:19:45
OK, you working tomorrow?	0:19:45	0:19:48
Yeah.	0:19:48	0:19:51
No, you're not.	0:19:51	0:19:52
You don't even know what fucking day you work.	0:19:52	0:19:54
Here, you're not working tomorrow,	0:19:54	0:19:57
you're working Wednesday.	0:19:57	0:19:58
Here you are, there you go.	0:19:58	0:19:59
Working Thursday?	0:19:59	0:20:00
Yeah.	0:20:00	0:20:02
Mm, I don't think so.	0:20:02	0:20:03
Friday?	0:20:03	0:20:05
I don't... There's your name.	0:20:05	0:20:07
If you say so.	0:20:07	0:20:09
There used to be your name.	0:20:09	0:20:10
OK?	0:20:10	0:20:11
Saturday, there used to be your name.	0:20:11	0:20:13
- Oh... - Uh, Monday...	0:20:13	0:20:15
Here, how 'bout, how 'bout that?	0:20:15	0:20:17
Fucking with your cash is the only thing	0:20:17	0:20:19
you kids seem to understand.	0:20:19	0:20:21
OK?	0:20:21	0:20:22
Now I want you to go home	0:20:22	0:20:24
till I call you.	0:20:24	0:20:25
-Till -I -call -you.	0:20:25	0:20:28
Before you leave, talk to Rocket.	0:20:28	0:20:30
She's got a job for you to do.	0:20:30	0:20:32
Um...the hat.	0:20:32	0:20:36
That fucking hat.	0:20:37	0:20:41
That fucking... hat.	0:20:41	0:20:44
How many times have I told you,	0:20:44	0:20:46
don't wear that fucking hat here?	0:20:46	0:20:49
How many?	0:20:49	0:20:51
CHUCKLES	0:20:51	0:20:54
Well, the customers wear hats.	0:20:54	0:20:57
I'm not the boss of the customers.	0:20:57	0:20:59
I'm the boss of you.	0:20:59	0:21:00
And I'm telling you	0:21:00	0:21:02
that I want you to keep that shit-kicker hat at home.	0:21:02	0:21:07
METAL CLINKING	0:21:24	0:21:28
LIGHTER CLICKING	0:21:28	0:21:31
LID SNAPPING	0:21:31	0:21:33
BILLIARD BALLS RATTLING	0:21:33	0:21:36
Yeah, Budd, honey,	0:21:40	0:21:41
er, the toilet is at it again.	0:21:41	0:21:43
There's shitty water all over the floor.	0:21:43	0:21:47
OK... Rocket.	0:21:47	0:21:51
I'll clean it up.	0:21:51	0:21:54
Mm-hmm.	0:21:54	0:21:55
ENGINE STOPS	0:22:03	0:22:04
DOOR SQUEAKS	0:22:04	0:22:05
CREAKING	0:22:49	0:22:52
CLICKS	0:22:52	0:22:54
FOOTSTEPS	0:23:04	0:23:07
RECORD PLAYING	0:23:12	0:23:14
# How many times	0:23:14	0:23:17
# Have you heard someone say	0:23:17	0:23:21
# If I had his money	0:23:21	0:23:25
# I could do things my way	0:23:25	0:23:29
# But little they know	0:23:29	0:23:33
# That it's so hard to find	0:23:33	0:23:37
# One rich man in ten... #	0:23:37	0:23:39
METAL VIBRATING	0:23:39	0:23:41
# With a satisfied mind	0:23:41	0:23:46
# Once I was winning in fortune and fame	0:23:46	0:23:54
# Everything that I dreamed for	0:23:54	0:23:58
# To get a start in life's game	0:23:58	0:24:01
# Then suddenly it happened	0:24:01	0:24:04
# I lost every dime	0:24:04	0:24:09
# But I'm richer... #	0:24:09	0:24:10
DOGS GROWLING AND BARKING	0:24:10	0:24:11
NEEDLE SCRATCHES, SONG STOPS	0:24:11	0:24:13
FOOTSTEPS	0:24:13	0:24:15
RECORD PLAYS	0:24:40	0:24:42
# How many times	0:24:42	0:24:46
# Have you heard someone say...? #	0:24:46	0:24:50
GUNSHOT	0:24:55	0:24:57
GROANING	0:24:57	0:25:00
# That it's so hard to find... #	0:25:00	0:25:03
# One rich man in ten CHUCKLING	0:25:03	0:25:07
# With a satisfied mind CHUCKLING	0:25:07	0:25:11
# Once I was winning... #	0:25:11	0:25:15
NEEDLE SCRATCHES	0:25:15	0:25:17
SNIFFS	0:25:22	0:25:23
Now... that gentled you down some, didn't it?	0:25:24	0:25:30
METAL CLANGS	0:25:34	0:25:36
Yup.	0:25:38	0:25:39
Ain't nobody a badass	0:25:39	0:25:42
with a double dose of rock salt,	0:25:42	0:25:44
dug deep in their tits.	0:25:44	0:25:46
COUGHING	0:25:46	0:25:48
Not having...	0:25:50	0:25:52
tits...	0:25:52	0:25:54
...as fine or as big as yours,	0:25:58	0:26:03
I can't even imagine how bad that shit must sting.	0:26:03	0:26:07
COUGHING	0:26:07	0:26:10
Yeah...	0:26:11	0:26:13
I don't want to, neither.	0:26:16	0:26:19
GROANING	0:26:19	0:26:21
SPITS	0:26:26	0:26:27
PANTING	0:26:29	0:26:32
SPITS	0:26:33	0:26:34
PANTING	0:26:34	0:26:36
I win.	0:26:40	0:26:41
COUGHING	0:26:41	0:26:44
GROANING	0:26:44	0:26:47
GROANING	0:26:51	0:26:53
BOTTLE CLANKING	0:27:15	0:27:17
CELL PHONE RINGING	0:27:47	0:27:50
Bill?	0:27:51	0:27:52
Wrong brother, you hateful bitch.	0:27:52	0:27:55
- Budd. - Bingo.	0:27:55	0:27:58
And to what do I owe this dubious pleasure?	0:27:58	0:28:02
I just caught me the cowgirl, ain't never been caught.	0:28:02	0:28:07
'Did you kill her?'	0:28:07	0:28:10
Well, not yet I ain't.	0:28:10	0:28:12
'I shot her full of rock salt.	0:28:12	0:28:14
'She's so gentle right now,	0:28:14	0:28:16
'I could perform her coup de grace with a rock.'	0:28:16	0:28:20
Any-who...	0:28:20	0:28:23
Guess what I'm holding in my hand right now.	0:28:26	0:28:29
What?	0:28:29	0:28:31
A brand spanking new Hattori Hanzo sword.	0:28:31	0:28:34
And I'm here to tell you, Elle,	0:28:34	0:28:38
that's what I call sharp.	0:28:38	0:28:41
How much?	0:28:41	0:28:42
Oh, that's hard to say,	0:28:42	0:28:44
being that it's priceless and all.	0:28:44	0:28:47
What's the terms?	0:28:47	0:28:49
'You get your bony ass down here	0:28:49	0:28:51
first thing in the morning,	0:28:51	0:28:53
with a million dollars in folding cash,	0:28:53	0:28:56
and I'll give you...	0:28:56	0:29:00
the greatest sword ever made by a man.	0:29:00	0:29:02
'Now how do you like the sound of that?'	0:29:05	0:29:08
Sounds like we got a deal.	0:29:08	0:29:10
One condition.	0:29:10	0:29:11
What?	0:29:11	0:29:13
She must suffer to her last breath.	0:29:13	0:29:16
CHUCKLING Well...	0:29:16	0:29:19
That, Elle darling,	0:29:19	0:29:21
I can pretty much damn well guarantee.	0:29:21	0:29:24
Then I'll see you in the morning,	0:29:24	0:29:27
millionaire.	0:29:27	0:29:28
All right.	0:29:28	0:29:31
CRICKETS CHIRPING	0:29:40	0:29:44
MUFFLED SPANISH SONG PLAYING	0:29:44	0:29:46
DISTANT LAUGHTER	0:29:46	0:29:49
MAN GRUNTING	0:29:49	0:29:53
DISTANT CAWING	0:29:55	0:29:57
DISTANT SHOVELLING	0:29:57	0:30:00
CREAKING	0:30:08	0:30:11
COUGHING	0:30:11	0:30:15
APPROACHING FOOTSTEPS	0:30:15	0:30:19
METAL CLANGING	0:30:20	0:30:22
CHUCKLES	0:30:27	0:30:30
Wakey wakey...	0:30:30	0:30:32
eggs and bakey.	0:30:32	0:30:33
GRUNTING	0:30:37	0:30:38
LOW PANTING	0:30:45	0:30:50
GRUNTING	0:30:50	0:30:53
MAN: I'm done!	0:31:07	0:31:09
Get me out of this hole!	0:31:09	0:31:12
GRUNTING	0:31:22	0:31:25
CAN OPENS	0:31:35	0:31:37
CLANGING	0:31:41	0:31:43
Whoa, look at those eyes.	0:31:47	0:31:49
This bitch is furious.	0:31:49	0:31:51
CHUCKLING	0:31:51	0:31:53
What did I tell you?	0:31:53	0:31:55
Is she the cutest little blond pussy	0:31:55	0:31:58
you ever saw,	0:31:58	0:32:00
or is she the cutest little blonde pussy	0:32:00	0:32:03
you ever saw?	0:32:03	0:32:04
I seen better.	0:32:04	0:32:07
SLURPS	0:32:07	0:32:09
You got anything to say?	0:32:10	0:32:12
MAN: White women	0:32:14	0:32:15
call this the silent treatment.	0:32:15	0:32:17
And we let them think we don't like it.	0:32:17	0:32:21
LAUGHING	0:32:21	0:32:23
SNORTS	0:32:23	0:32:25
You grab the feet, I'll get the head.	0:32:25	0:32:27
SLURPS	0:32:27	0:32:28
BURPS	0:32:28	0:32:30
GRUNTING	0:32:31	0:32:34
Hey!	0:32:35	0:32:36
Hey.	0:32:36	0:32:37
Hey!	0:32:37	0:32:38
PANTING Wiggle worm, you see this?	0:32:38	0:32:41
You see it, don't you?	0:32:42	0:32:46
That's a can of mace.	0:32:46	0:32:49
Uh-huh.	0:32:49	0:32:51
Now, you're going underneath the ground tonight, and...	0:32:51	0:32:55
that's all there is to it.	0:32:55	0:32:57
I'm going to bury you.	0:33:01	0:33:04
I was going to bury you...	0:33:06	0:33:08
CHUCKLES ..With this.	0:33:13	0:33:15
But if you're going to act	0:33:19	0:33:21
like a horse's ass...	0:33:21	0:33:25
I'm going to spray this whole goddamned can	0:33:25	0:33:28
right in your eyeballs!	0:33:28	0:33:30
I'll burn 'em right out of your fuckin' head.	0:33:30	0:33:33
Then you're going to be blind...	0:33:33	0:33:35
and burning...	0:33:35	0:33:37
..and buried alive.	0:33:40	0:33:42
Now, what's it going to be, sister?	0:33:47	0:33:49
That's a wise decision.	0:34:00	0:34:03
PANTING	0:34:06	0:34:08
This is for breaking my brother's heart.	0:34:15	0:34:18
HAMMERING	0:34:23	0:34:25
POUNDING	0:34:25	0:34:28
CRYING AND GASPING	0:34:28	0:34:30
PANTING	0:34:35	0:34:37
PANTING	0:34:45	0:34:46
GASPING, CRYING SOFTLY	0:34:52	0:34:55
HAMMERING	0:34:55	0:34:57
GASPS	0:34:57	0:34:58
PANTING LOUDLY	0:34:58	0:35:01
CONTINUES PANTING	0:35:05	0:35:07
LOUD GASP	0:35:07	0:35:09
GASPS	0:35:09	0:35:11
DIRT CLATTERING LOUDLY ON COVER	0:35:11	0:35:15
PANTING	0:35:15	0:35:18
DIRT CLATTERING	0:35:18	0:35:21
QUICK, GASPING BREATHS	0:35:21	0:35:25
DIRT CLATTERING	0:35:25	0:35:28
PANTING	0:35:28	0:35:31
MAN CHUCKLING	0:35:31	0:35:33
MAN GRUNTING	0:35:33	0:35:34
CREAKING	0:35:34	0:35:36
ECHOING BOOM	0:35:36	0:35:39
PANTING QUIETS	0:35:39	0:35:41
SNIFFLES	0:35:41	0:35:43
PANTING STOPS	0:35:43	0:35:45
DIRT CLATTERING	0:35:46	0:35:49
PANTING RESUMES	0:35:49	0:35:50
DIRT CLATTERING, CRYING GASP	0:35:50	0:35:53
DIRT CLATTERING, PANTING	0:35:56	0:35:59
DIRT CLATTERING	0:36:01	0:36:04
PANTING	0:36:04	0:36:06
DIRT CLATTERING	0:36:06	0:36:07
DIRT CLATTERING	0:36:08	0:36:09
DIRT CLATTERING	0:36:10	0:36:12
YELLING AND GASPING	0:36:14	0:36:18
CRYING	0:36:18	0:36:20
DIRT CLATTERING	0:36:20	0:36:23
LOUD, RHYTHMIC GRUNTING	0:36:25	0:36:28
HYSTERICAL GASPING	0:36:28	0:36:32
DIRT CLATTERING SOFTLY	0:36:32	0:36:34
PANTING, BANGING HEAD REPEATEDLY	0:36:44	0:36:48
PANTING	0:36:48	0:36:50
LABOURED GRUNTING	0:36:50	0:36:54
YELLING	0:36:54	0:36:58
PANTING	0:37:01	0:37:03
PANTING SUBSIDES, ENGINE STARTS IN DISTANCE	0:37:05	0:37:10
PANTING RESUMES	0:37:10	0:37:13
CRIES SOFTLY	0:37:13	0:37:15
BANGS HEAD	0:37:15	0:37:17
VEHICLE DEPARTING	0:37:17	0:37:19
BREATHING CALMLY	0:37:21	0:37:25
# WOODEN FLUTE PLAYING SIMPLE MELODY	0:37:37	0:37:41
CONTINUES PLAYING	0:37:47	0:37:50
STOPS PLAYING	0:37:54	0:37:56
Once upon a time,	0:37:57	0:37:59
in China...	0:37:59	0:38:03
some believe around the year	0:38:03	0:38:06
one-double-aught-three,	0:38:06	0:38:10
head priest of the White lotus clan, Pai Mei,	0:38:10	0:38:13
was walking down the road and...	0:38:13	0:38:18
contemplating whatever it is that a man	0:38:18	0:38:20
of Pai Mei's infinite powers would contemplate -	0:38:20	0:38:25
which is another way of saying, who knows?	0:38:25	0:38:28
When a Shaolin monk appeared on the road	0:38:28	0:38:32
travelling in the opposite direction.	0:38:32	0:38:35
As the monk and priest crossed paths,	0:38:35	0:38:39
Pai Mei...	0:38:39	0:38:41
in a practically unfathomable display of generosity,	0:38:41	0:38:47
gave the monk the slightest of nods.	0:38:47	0:38:52
The nod was not returned.	0:38:52	0:38:56
BLOWS AIRY NOTE	0:38:56	0:38:57
Now, was it the intention	0:38:59	0:39:00
of the Shaolin monk to insult Pai Mei,	0:39:00	0:39:05
or did he just fail to see the generous social gesture?	0:39:05	0:39:10
The motives of the monk remain unknown.	0:39:10	0:39:14
What is known	0:39:14	0:39:17
were the consequences.	0:39:17	0:39:20
PLAYING SIMPLE MELODY	0:39:20	0:39:23
STOPS PLAYING	0:39:28	0:39:30
The next morning,	0:39:30	0:39:32
Pai Mei appeared at the Shaolin temple	0:39:32	0:39:37
and demanded of the temple's head abbot	0:39:37	0:39:40
that he offer Pai Mei his neck to repay the insult.	0:39:40	0:39:47
The abbot at first tried to console Pai Mei,	0:39:47	0:39:51
only to find Pai Mei was...	0:39:51	0:39:55
inconsolable.	0:39:55	0:39:56
PLAYING MELODY	0:39:56	0:39:59
So began the massacre of the Shaolin temple	0:40:07	0:40:12
and all 60 of the monks inside,	0:40:12	0:40:15
at the fists of the White lotus.	0:40:15	0:40:19
And so began the legend	0:40:19	0:40:22
of Pai Mei's five-point palm exploding heart technique.	0:40:22	0:40:27
And what, pray tell, is the five-point palm	0:40:27	0:40:29
exploding heart technique?	0:40:29	0:40:30
Quite simply,	0:40:30	0:40:32
the deadliest blow in all of martial arts.	0:40:32	0:40:36
AIR WHOOSHES	0:40:36	0:40:38
He hits you with his fingertips	0:40:38	0:40:41
at five different pressure points on your body	0:40:41	0:40:45
and then lets you walk away.	0:40:45	0:40:49
But once you've taken five steps,	0:40:49	0:40:52
your heart explodes inside your body,	0:40:52	0:40:56
and you fall to the floor, dead.	0:40:56	0:40:59
Did he teach you that?	0:40:59	0:41:01
No.	0:41:01	0:41:02
He teaches no-one	0:41:02	0:41:03
the five-point palm exploding heart technique.	0:41:03	0:41:07
Now...one of the things	0:41:07	0:41:11
I've always liked about you...	0:41:11	0:41:14
kiddo...	0:41:14	0:41:17
is you appear wise beyond your years.	0:41:17	0:41:21
FLUTE WHISTLES	0:41:21	0:41:23
So allow me to impart a word to the wise.	0:41:24	0:41:29
Whatever -	0:41:29	0:41:30
WHATEVER	0:41:30	0:41:31
Pai Mei says, obey.	0:41:31	0:41:35
If you flash him, even for an instant,	0:41:35	0:41:38
a defiant eye, he'll pluck it out.	0:41:38	0:41:40
And if you throw any American sass his way,	0:41:40	0:41:45
he'll snap your back and your neck	0:41:45	0:41:47
like they were twigs.	0:41:47	0:41:48
FLUTE WHISTLES SOFTLY	0:41:48	0:41:51
And that will be the story of you.	0:41:52	0:41:54
PLAYING MELODY	0:41:57	0:42:00
CONTINUES PLAYING	0:42:01	0:42:04
He'll accept you as his student.	0:42:13	0:42:16
What happened to you?	0:42:16	0:42:17
Nothing.	0:42:17	0:42:18
Get in a fight?	0:42:18	0:42:20
Friendly contest.	0:42:20	0:42:21
Why did he accept me?	0:42:21	0:42:23
Because he's a very,	0:42:23	0:42:25
very, very old man,	0:42:25	0:42:27
and like all rotten bastards,	0:42:27	0:42:30
when they become old,	0:42:30	0:42:33
they get lonely...	0:42:33	0:42:36
which has no effect on their dispositions,	0:42:36	0:42:38
but it does teach them the value of company.	0:42:38	0:42:41
SIGHS Oh...	0:42:44	0:42:46
just seeing those steps again makes me ache.	0:42:46	0:42:50
You're going to have a lot of fun	0:42:50	0:42:52
carrying buckets of water up and down that fucker.	0:42:52	0:42:56
When will I see you again?	0:43:00	0:43:02
That's the title	0:43:02	0:43:03
of my favourite soul song of the '70s.	0:43:03	0:43:06
What? Nothing.	0:43:06	0:43:07
When he tells me you're done.	0:43:07	0:43:10
When do you think that might be?	0:43:10	0:43:12
That, my dearest, depends entirely on you.	0:43:12	0:43:15
Now, remember,	0:43:15	0:43:16
no sarcasm, no back talk.	0:43:16	0:43:19
At least not for the first year or so.	0:43:19	0:43:21
You're going to have to let him warm up to you.	0:43:21	0:43:24
He hates Caucasians, despises Americans,	0:43:24	0:43:28
and has nothing but contempt for women.	0:43:28	0:43:31
CHUCKLES	0:43:31	0:43:33
So in your case, it might take a little while.	0:43:33	0:43:36
Adios.	0:43:36	0:43:37
STARTS ENGINE	0:43:37	0:43:41
TYRES SCREECH	0:43:46	0:43:48
SPEAKING MANDARIN:	0:45:15	0:45:16
A little.	0:45:41	0:45:43
Yes, he is.	0:46:04	0:46:07
I am proficient in tiger crane style,	0:46:15	0:46:17
and I am more than proficient	0:46:17	0:46:19
in the exquisite art of the Samurai sword.	0:46:19	0:46:22
SCOFFS	0:46:22	0:46:23
CHUCKLES	0:46:33	0:46:36
SPEAKS MANDARIN	0:46:43	0:46:44
LAUGHS	0:46:51	0:46:52
AIR WHIPPING	0:47:37	0:47:38
ROBE WHOOSHING	0:47:46	0:47:48
AIR WHIPPING	0:48:13	0:48:14
GRUNTING	0:48:14	0:48:17
THUNDEROUS RUMBLING	0:48:17	0:48:18
GRUNTS	0:48:18	0:48:19
LAUGHS	0:48:28	0:48:30
AIR WHIPPING	0:48:35	0:48:39
GROANS	0:48:42	0:48:44
LAUGHS	0:48:44	0:48:46
METAL CLINKING	0:48:46	0:48:48
GRUNTS	0:48:54	0:48:56
METAL CLANKING	0:49:07	0:49:08
AIR WHIPPING	0:49:08	0:49:11
GRUNTING AND GROANING	0:49:21	0:49:25
GRUNTS	0:49:29	0:49:31
DULL THUD	0:49:45	0:49:46
GASPS	0:49:46	0:49:48
YELLS	0:49:49	0:49:50
LAUGHS	0:49:50	0:49:53
PANTING	0:49:53	0:49:54
YELLS	0:49:54	0:49:55
GRUNTS	0:49:55	0:49:56
SCREAMS	0:49:56	0:49:58
SCREAMS	0:49:59	0:50:00
CHUCKLES	0:50:03	0:50:04
BONE CRUNCHING	0:50:09	0:50:10
CHUCKLES	0:50:10	0:50:11
No, please don't!	0:50:15	0:50:16
CHUCKLES	0:50:16	0:50:17
BONES CRUNCHING	0:50:21	0:50:22
SHE YELLS	0:50:22	0:50:24
PANTING	0:50:44	0:50:48
Yes!	0:50:54	0:50:55
PANTING	0:51:01	0:51:03
AIR WHIPPING	0:51:05	0:51:06
YELLS	0:51:06	0:51:07
GRUNTS, SOFT THUD	0:51:43	0:51:45
GRUNTS	0:51:46	0:51:48
GRUNTS	0:51:56	0:51:58
GRUNTS	0:52:00	0:52:02
GROANS	0:52:02	0:52:04
HE SCOFFS	0:52:04	0:52:05
SCOFFS	0:52:15	0:52:17
SOFT THUD	0:52:24	0:52:26
GRUNTS	0:52:27	0:52:29
WHOOSHING	0:52:29	0:52:31
GRUNTS	0:52:32	0:52:34
SCOFFS	0:52:34	0:52:35
RHYTHMIC GRUNTING	0:52:37	0:52:39
SIGHS	0:52:39	0:52:40
SHARP THUD, GROAN	0:52:40	0:52:41
GRUNTS ECHOING	0:52:50	0:52:52
GASPS	0:52:55	0:52:57
AIR WHIPPING	0:52:58	0:53:03
GRUNTS	0:53:06	0:53:07
RHYTHMIC GRUNTING	0:53:11	0:53:14
Hmm.	0:53:20	0:53:21
DISTANT GRUNTING	0:53:21	0:53:24
THUNDER RUMBLING	0:53:24	0:53:26
RAIN PATTERING	0:53:26	0:53:28
INHALING DEEPLY	0:53:32	0:53:34
PATTERING CONTINUES	0:53:44	0:53:47
CHOPSTICKS CLATTERING	0:53:51	0:53:52
THUD	0:53:55	0:53:56
RAIN PATTERING	0:54:20	0:54:24
MUFFLED MOANS	0:54:24	0:54:25
SHE SIGHS	0:54:41	0:54:43
SHE SIGHS	0:54:50	0:54:52
SHE PANTS	0:54:58	0:55:00
TAPPING	0:55:32	0:55:34
GRUNTS	0:55:54	0:55:56
SIGHS	0:55:59	0:56:01
GRUNTS	0:56:39	0:56:41
DULL SCRAPING	0:57:21	0:57:24
GRUNTS	0:57:28	0:57:30
Come on, come on, you...bitch!	0:57:33	0:57:37
SIGHS	0:57:38	0:57:40
SMACKS A KISS	0:57:42	0:57:44
SIGHS	0:57:46	0:57:47
GENTLE THUDDING	0:58:04	0:58:06
OK, Pai Mei.	0:58:15	0:58:18
Here I come.	0:58:20	0:58:21
GRUNTING	0:58:25	0:58:26
WOOD GROANING	0:58:45	0:58:46
DIRT TRICKLING	0:58:48	0:58:50
RHYTHMIC GRUNTING	0:58:54	0:58:57
RAPID GRUNTS	0:58:57	0:59:01
DIRT, ROCKS CLATTERING	0:59:01	0:59:04
ROCK THUDDING	0:59:09	0:59:13
RUMBLING	0:59:22	0:59:25
GASPS	0:59:28	0:59:32
GASPS	0:59:34	0:59:35
GRUNTS	0:59:42	0:59:44
Ah!	0:59:44	0:59:46
GASPING AND PANTING	0:59:48	0:59:50
PANTING	0:59:55	0:59:57
CRICKETS CHIRPING	0:59:59	1:00:05
BELL DINGS	1:00:18	1:00:19
DIRT TRICKLES	1:00:24	1:00:26
May I have a glass of water, please?	1:00:26	1:00:29
TYRES SQUEALING	1:00:51	1:00:53
WHOOSHING	1:01:30	1:01:31
HAWK SCREECHES	1:01:31	1:01:33
So, that's a Texas funeral?	1:03:01	1:03:04
Yep.	1:03:04	1:03:06
I have to give it to you, Budd.	1:03:06	1:03:08
That's a pretty fucked-up way to die.	1:03:08	1:03:11
What's the name on the grave she's buried under?	1:03:11	1:03:13
Paula...	1:03:13	1:03:17
Schultz.	1:03:17	1:03:20
ICE CLATTERING	1:03:20	1:03:22
Can I look at the sword?	1:03:24	1:03:26
That's my money right there	1:03:26	1:03:28
in that red bag, isn't it?	1:03:28	1:03:29
It sure is.	1:03:29	1:03:32
Well, then, it's your sword now.	1:03:32	1:03:35
LOUD WHIRRING	1:03:45	1:03:49
SPEAKING INDISTINCTLY	1:03:49	1:03:52
What's that you said?	1:03:53	1:03:54
So, this is a Hattori Hanzo sword.	1:03:54	1:03:57
That's a Hanzo sword,	1:03:57	1:03:58
all right.	1:03:58	1:03:59
Bill tells me you once had one of these of your own.	1:03:59	1:04:02
Yeah, once.	1:04:02	1:04:05
Yeah, how does this one compare to that?	1:04:05	1:04:08
If you're going to compare a Hanzo sword,	1:04:17	1:04:22
you compare it to every other sword ever made	1:04:22	1:04:26
that wasn't made by Hattori Hanzo.	1:04:26	1:04:30
CLEARS THROAT	1:04:35	1:04:37
Here you go.	1:04:37	1:04:38
Wrap your lips around that.	1:04:38	1:04:41
SIGHS	1:04:42	1:04:44
GRUNTS	1:04:48	1:04:49
So...	1:04:49	1:04:52
which R are you filled with?	1:04:52	1:04:55
What?	1:04:55	1:04:58
They say the number-one killer	1:05:00	1:05:03
of old people is retirement.	1:05:03	1:05:07
When people got a job to do,	1:05:09	1:05:11
they tend to live a little bit longer,	1:05:11	1:05:14
so they can do it.	1:05:14	1:05:15
I've always figured	1:05:15	1:05:18
that warriors and their enemies	1:05:18	1:05:22
share the same relationship.	1:05:22	1:05:25
So, now that you're not going to have to face	1:05:25	1:05:28
your enemy no more on the battlefield,	1:05:28	1:05:30
which R you filled with?	1:05:30	1:05:35
Relief...	1:05:36	1:05:40
or regret?	1:05:40	1:05:42
A little bit of both.	1:05:42	1:05:45
Or shit?	1:05:45	1:05:47
I'm sure you do feel a little bit of both.	1:05:49	1:05:52
But I know damn well that you feel one	1:05:52	1:05:55
more than you feel the other.	1:05:55	1:05:58
My question was...	1:05:58	1:06:00
which one is it?	1:06:00	1:06:02
Regret.	1:06:02	1:06:05
You know, you got to hand it to the old girl.	1:06:05	1:06:09
I never saw anybody Buffalo Bill	1:06:09	1:06:11
the way she Buffaloed Bill.	1:06:11	1:06:13
Bill thought she was so damn smart,	1:06:13	1:06:16
and I tried to tell him...	1:06:16	1:06:18
she was just smart for a blonde.	1:06:18	1:06:20
THUD	1:06:24	1:06:25
CHUCKLES	1:06:31	1:06:34
Thanks a bunch.	1:06:39	1:06:41
CRUNCHING ICE	1:06:41	1:06:43
SNIFFLES, CLEARS THROAT	1:06:47	1:06:50
CHUCKLES	1:06:50	1:06:53
All right...	1:06:53	1:06:54
HISSING	1:06:54	1:06:57
GRUNTING	1:06:57	1:07:00
GRUNTING AND GASPING	1:07:09	1:07:13
SNIFFLES	1:07:22	1:07:24
Mmm. I'm sorry, Budd.	1:07:24	1:07:26
That was rude of me, wasn't it?	1:07:26	1:07:30
Budd, I'd like to introduce my friend, the Black Mamba.	1:07:30	1:07:33
Black Mamba, this is Budd.	1:07:33	1:07:36
You know, before I picked that little fella up,	1:07:36	1:07:39
I looked him up on the internet.	1:07:39	1:07:40
Fascinating creature, the Black Mamba.	1:07:40	1:07:44
Listen to this.	1:07:44	1:07:46
GRUNTING	1:07:46	1:07:48
"In Africa, the saying goes,	1:07:50	1:07:52
"'In the bush, an elephant can kill you,	1:07:52	1:07:55
"'a leopard can kill you	1:07:55	1:07:57
"'and a Black Mamba can kill you.'	1:07:57	1:07:59
"'But only with the mamba - and this has been true	1:07:59	1:08:01
"'in Africa since the dawn of time - is death sure.	1:08:01	1:08:05
"'Hence, its handle - death incarnate.'"	1:08:05	1:08:09
Pretty cool, huh?	1:08:09	1:08:10
GRUNTING	1:08:10	1:08:12
"Its neurotoxic venom	1:08:12	1:08:14
"is one of nature's most effective poisons,	1:08:14	1:08:16
"acting on the nervous system, causing paralysis.	1:08:16	1:08:19
"The venom of a Black Mamba	1:08:19	1:08:21
"can kill a human being in four hours,	1:08:21	1:08:23
"if, say, bitten on the ankle or the thumb.	1:08:23	1:08:26
"However, a bite to the face or torso	1:08:26	1:08:28
"can bring death from paralysis within 20 minutes."	1:08:28	1:08:31
Now, you should listen to this,	1:08:31	1:08:33
cos this concerns you.	1:08:33	1:08:35
MOANS	1:08:35	1:08:36
"The amount of venom	1:08:36	1:08:39
"that can be delivered from a single bite	1:08:39	1:08:41
"can be gargantuan."	1:08:41	1:08:43
MOANS	1:08:43	1:08:44
You know, I've always liked that word - "gargantuan".	1:08:44	1:08:47
I so rarely have an opportunity to use it in a sentence.	1:08:47	1:08:49
GROANS	1:08:49	1:08:50
"If not treated quickly with anti-venom,	1:08:50	1:08:53
"10 to 15 milligrams can be fatal to human beings.	1:08:53	1:08:56
"However, the Black Mamba can deliver	1:08:56	1:08:58
"as much as 100 to 400 milligrams	1:08:58	1:09:00
"of venom from a single bite."	1:09:00	1:09:02
MOANS	1:09:02	1:09:04
SHUDDERS	1:09:04	1:09:06
Now...	1:09:06	1:09:08
in these last	1:09:08	1:09:09
agonizing minutes of life you have left,	1:09:09	1:09:11
let me answer that question you asked earlier	1:09:11	1:09:14
more thoroughly.	1:09:14	1:09:16
MOANS	1:09:17	1:09:20
Right at this moment...	1:09:20	1:09:22
the biggest R I feel is regret.	1:09:22	1:09:25
GRUNTS	1:09:25	1:09:27
Regret that maybe	1:09:27	1:09:29
the greatest warrior I have ever met	1:09:29	1:09:32
met her end at the hands	1:09:32	1:09:35
of a bushwhackin', scrub, alkie, piece of shit like you.	1:09:35	1:09:42
SIGHS	1:09:42	1:09:43
That woman deserved better.	1:09:43	1:09:46
RASPING GASP	1:09:46	1:09:48
GASPING STOPS	1:09:48	1:09:49
PHONE RINGS	1:10:24	1:10:26
Bill...	1:10:28	1:10:30
I have some tragic news.	1:10:30	1:10:33
Your brother's dead.	1:10:33	1:10:37
I am so sorry, baby.	1:10:37	1:10:39
She put a Black Mamba in his camper.	1:10:39	1:10:43
I got her, sweetie.	1:10:43	1:10:45
She's dead.	1:10:45	1:10:47
Let me put it this way.	1:10:47	1:10:50
You ever start feeling sentimental,	1:10:50	1:10:52
go to Barstow, California.	1:10:52	1:10:54
When you get here, walk into a florist's	1:10:54	1:10:56
and buy a bunch of flowers.	1:10:56	1:10:58
Then you take those flowers to Huntington cemetery	1:10:58	1:11:01
on Fuller and Guadeloupe,	1:11:01	1:11:02
look for the headstone marked Paula Schultz	1:11:02	1:11:05
and lay them on the grave.	1:11:05	1:11:07
Cos you will be standing at the final resting place	1:11:07	1:11:10
of Beatrix Kiddo.	1:11:10	1:11:13
SCHOOL BELL RINGS Marty Catroser?	1:11:13	1:11:14
Here.	1:11:14	1:11:15
- Melanie Whorehouse? - Here.	1:11:15	1:11:17
Beatrix Kiddo?	1:11:17	1:11:18
Here.	1:11:18	1:11:19
Look, I can be there in about four hours.	1:11:19	1:11:23
You want me to come over?	1:11:23	1:11:25
No, no, no, no.	1:11:25	1:11:26
You need me, baby, I'm there.	1:11:26	1:11:29
OK.	1:11:31	1:11:33
I'm leaving now.	1:11:33	1:11:34
You go smoke some pot or something. I'll be there soon.	1:11:34	1:11:38
GRUNTS	1:11:40	1:11:42
GRUNTING	1:11:48	1:11:50
BLADE WHIPPING AIR	1:11:51	1:11:53
ECHOING METALLIC TWANG	1:11:58	1:11:59
GRUNTS	1:11:59	1:12:01
GRUNTS	1:12:03	1:12:04
YELLS	1:12:08	1:12:12
PANTING	1:12:18	1:12:23
YELLS	1:12:24	1:12:25
YELLS	1:12:35	1:12:37
Ugh! Gross.	1:12:37	1:12:39
GRUNTING AND GROANING	1:12:45	1:12:47
HANDS WHIPPING AIR	1:12:57	1:12:59
DISEMBODIED YELL	1:12:59	1:13:02
GRUNTS	1:13:09	1:13:10
GRUNTING	1:13:19	1:13:22
MUFFLED GRUNTS	1:13:26	1:13:27
PANTING	1:13:32	1:13:34
YELLS	1:13:35	1:13:36
Hi-yah!	1:13:48	1:13:50
PANTING	1:13:53	1:13:55
WHOOSHING	1:13:55	1:13:57
"To my brother, Budd, the only man I ever loved -	1:13:59	1:14:02
"Bill."	1:14:02	1:14:03
WHOOSH	1:14:05	1:14:07
What's that?	1:14:14	1:14:16
Budd's Henzo sword.	1:14:18	1:14:21
He said he pawned it.	1:14:21	1:14:23
Guess that makes him a liar, now, don't it?	1:14:23	1:14:26
Elle?	1:14:29	1:14:31
B?	1:14:31	1:14:33
Something I've always been curious about.	1:14:33	1:14:36
Just 'tween us girls.	1:14:36	1:14:38
What did you say to Pai Mei	1:14:40	1:14:41
to make him snatch out your eye?	1:14:41	1:14:44
SCREAMING	1:14:44	1:14:47
I called him a miserable old fool.	1:14:47	1:14:51
Ooh.	1:14:51	1:14:53
Bad idea.	1:14:53	1:14:56
Know what I did?	1:14:56	1:14:58
I killed that miserable old fool.	1:14:58	1:15:02
GRUNTS	1:15:03	1:15:04
How do you like the fish head, you miserable old fool?	1:15:04	1:15:06
'I poisoned his fish heads.'	1:15:06	1:15:08
LAUGHING	1:15:13	1:15:16
'And I told him, "To me, the word of an old fool like you...	1:15:19	1:15:24
"is worth..."	1:15:24	1:15:26
YELLS	1:15:26	1:15:27
"..less than nothing."	1:15:27	1:15:29
CHUCKLES	1:15:29	1:15:30
LAUGHS	1:15:31	1:15:33
That's right.	1:15:33	1:15:35
I killed your master.	1:15:35	1:15:36
And now I'm going to kill you, too.	1:15:36	1:15:39
With your own sword, no less.	1:15:39	1:15:42
Which, in the very immediate future,	1:15:42	1:15:45
will become my sword.	1:15:45	1:15:48
Bitch...	1:15:50	1:15:52
you don't have a future.	1:15:52	1:15:54
YELLS	1:16:23	1:16:24
YELLS	1:16:35	1:16:37
SCREAMING	1:16:37	1:16:42
SHOUTING INDISTINCTLY	1:16:42	1:16:45
Fucking bitch!	1:16:47	1:16:49
Fucking bitch!	1:16:49	1:16:51
SCREAMING INDISTINCTLY	1:16:51	1:16:53
I'm going to kill you!	1:16:57	1:16:58
You're going to die!	1:16:58	1:17:00
You bitch! You bitch!	1:17:02	1:17:04
SHRIEKING	1:17:04	1:17:06
WALLS THUMPING, SCREAMING INDISTINCTLY	1:17:06	1:17:08
I'm going to kill you, bitch!	1:17:08	1:17:11
SNAKE HISSES	1:17:11	1:17:12
ELLE: Fuck you!	1:17:12	1:17:14
I'll kill you!	1:17:14	1:17:16
SCREAMING INDISTINCTLY	1:17:16	1:17:18
Where are you?	1:17:21	1:17:22
Where are you?	1:17:25	1:17:27
I'm going to kill you, fucking bitch!	1:17:27	1:17:30
You fucking bitch!	1:17:30	1:17:31
THUMPING AND CLATTERING	1:17:31	1:17:32
I'm going to kill you!	1:17:32	1:17:34
CLATTERING	1:17:34	1:17:35
Oh...shit!	1:17:35	1:17:36
SCREAMING FADES	1:17:40	1:17:42
WIND WHISTLING	1:17:42	1:17:46
THUNDEROUS, ECHOING THUD	1:17:46	1:17:49
ENGINE ROARING	1:18:24	1:18:28
THE BRIDE: 'Like most men	1:19:01	1:19:02
'who never knew their father, Bill collected father figures.	1:19:02	1:19:06
'The first was Esteban Vihaio.	1:19:06	1:19:09
'Esteban was a pimp and a friend of Bill's mother.	1:19:09	1:19:12
'He ran a brothel in Acuna, Mexico, for over 50 years.	1:19:12	1:19:16
'His army, the Acuna boys -	1:19:16	1:19:19
'made up of the fatherless offspring of his whores -	1:19:19	1:19:22
'ran Acuna. He ran the Acuna boys.	1:19:22	1:19:26
'Now at the age of 80,	1:19:26	1:19:29
'it would be this retired gentleman of leisure	1:19:29	1:19:32
'who could point me in Bill's direction.'	1:19:32	1:19:35
Senor Esteban Vihaio?	1:19:37	1:19:39
Yes.	1:19:40	1:19:42
May I join you?	1:19:42	1:19:44
Only on the condition that you call me Esteban.	1:19:46	1:19:49
May I join you, Esteban?	1:19:49	1:19:52
Please.	1:19:52	1:19:54
Americana?	1:19:56	1:19:58
Yes.	1:19:58	1:20:00
I speak a little Spanish, if you prefer.	1:20:00	1:20:03
No, no, no.	1:20:03	1:20:05
I prefer English.	1:20:05	1:20:07
I haven't spoken in a while,	1:20:07	1:20:09
but I would relish the opportunity to converse	1:20:09	1:20:13
with such a pretty companion as yourself.	1:20:13	1:20:15
It's my pleasure to be in the company	1:20:15	1:20:17
of such a fine gentleman as yourself.	1:20:17	1:20:19
I must warn you, young lady...	1:20:19	1:20:23
I am susceptible to flattery.	1:20:23	1:20:25
How may I be of service to you?	1:20:28	1:20:30
Where's Bill?	1:20:38	1:20:40
Ah...	1:20:42	1:20:45
you must be Beatrix.	1:20:45	1:20:47
I can see the attraction.	1:20:47	1:20:50
I remember when Bill was only five years old,	1:20:52	1:20:55
I took him to the movies.	1:20:55	1:20:57
It was a movie starring Lana Turner -	1:20:57	1:21:01
The Postman Always Rings Twice,	1:21:01	1:21:04
with John Garfields.	1:21:04	1:21:06
And whenever she would appear on the screen,	1:21:06	1:21:09
Bill began compulsively to suck his thumb to an obscene amount.	1:21:09	1:21:14
And I knew from this very moment,	1:21:14	1:21:17
this boy was a fool for blondes.	1:21:17	1:21:21
Hmm...	1:21:26	1:21:28
You know...	1:21:28	1:21:30
being a fool for a woman such as yourself	1:21:30	1:21:34
is always the right thing to do.	1:21:34	1:21:38
If we had met when I was back in business,	1:21:40	1:21:44
you would have been my number-one lady.	1:21:44	1:21:48
Well, I'm flattered.	1:21:49	1:21:52
You got the world by the weenie.	1:21:52	1:21:55
This?!	1:21:56	1:21:57
I heard you were driving a truck.	1:21:57	1:22:01
My pussy wagon died on me.	1:22:01	1:22:03
CLICKS TONGUE	1:22:03	1:22:04
The pussy died.	1:22:04	1:22:05
Hmm.	1:22:05	1:22:07
Bill shoot you in the head, no?	1:22:09	1:22:12
Yes.	1:22:12	1:22:14
Hmm.	1:22:14	1:22:15
I would have been much nicer.	1:22:15	1:22:18
I would have just cut your face.	1:22:18	1:22:21
You must forgive me.	1:22:24	1:22:25
Please.	1:22:25	1:22:26
You have a drink with me.	1:22:26	1:22:29
Lily!	1:22:31	1:22:33
BLOWS KISSES	1:22:33	1:22:35
Coming.	1:22:35	1:22:37
Dos anejos.	1:22:40	1:22:42
And Lily...	1:22:45	1:22:46
CLEARS THROAT	1:22:48	1:22:49
INHALES	1:22:52	1:22:53
LISPING: Gracias.	1:22:55	1:22:56
Eh...	1:22:56	1:22:59
What were we talking about?	1:23:01	1:23:05
Bill.	1:23:10	1:23:12
Where's Bill?	1:23:14	1:23:15
Where's Bill?	1:23:15	1:23:18
Yeah. Hmm...	1:23:18	1:23:20
Bill is at the villa cuatro.	1:23:20	1:23:22
On the road to Salina.	1:23:22	1:23:25
I will draw you a map.	1:23:25	1:23:28
Bill is like a son to me.	1:23:29	1:23:32
Do you know why I help you?	1:23:33	1:23:35
No.	1:23:35	1:23:37
Because he would want me to.	1:23:37	1:23:39
Now, that I don't believe.	1:23:39	1:23:43
Ah...	1:23:43	1:23:45
how are we ever going to see you again?	1:23:45	1:23:49
TYRES SCREECHING	1:24:11	1:24:13
Freeze, Mommy.	1:24:55	1:24:56
Bang-bang! Oh!	1:24:56	1:24:59
Oh! she got us, BB.	1:24:59	1:25:00
Mommy got us.	1:25:00	1:25:01
BB GROANING	1:25:01	1:25:02
Oh, I'm dying.	1:25:02	1:25:03
I'm dying.	1:25:03	1:25:04
GROANING	1:25:04	1:25:05
I'm dy... Oh...	1:25:05	1:25:08
Fall down, sweetheart.	1:25:08	1:25:09
Mommy shot us.	1:25:09	1:25:11
But little did quick-draw Kiddo know,	1:25:13	1:25:16
that little BB was only playing possum...	1:25:16	1:25:19
due to the fact that she was impervious to bullets.	1:25:19	1:25:24
I'm pervious to bullets, Mommy.	1:25:24	1:25:26
Hey, get back down there.	1:25:26	1:25:27
Oh, yeah. You're playing possum.	1:25:27	1:25:30
So, as the smirking killer advanced on what she thought	1:25:30	1:25:34
was a bullet-ridden corpse... that's when little BB fired.	1:25:34	1:25:40
Bang-bang!	1:25:43	1:25:44
You're dead, Mommy, so...die.	1:25:51	1:25:55
Oh!	1:25:55	1:25:57
BB?	1:26:00	1:26:02
Oh!	1:26:05	1:26:08
BB!	1:26:08	1:26:10
GRUNTING	1:26:10	1:26:11
I should've known.	1:26:11	1:26:14
You are...the best.	1:26:14	1:26:16
Oh, Mommy, don't die.	1:26:24	1:26:27
I was just playing.	1:26:27	1:26:28
I know.	1:26:34	1:26:36
I told her you were asleep,	1:26:50	1:26:51
but that one day, you'd wake up and come back to her.	1:26:51	1:26:56
And she asked me,	1:26:56	1:26:58
"If mommy's been asleep since I was born,	1:26:58	1:27:01
"then how will she know what I look like?"	1:27:01	1:27:04
To which I replied,	1:27:04	1:27:06
"Because Mommy's been dreaming of you."	1:27:06	1:27:10
That's what I said.	1:27:10	1:27:13
Did you dream of me?	1:27:13	1:27:15
I dreamed of you.	1:27:15	1:27:17
Every single night, baby. Every single night.	1:27:17	1:27:22
I waited a long time for you to wake up, Mommy.	1:27:22	1:27:26
SNIFFLES	1:27:34	1:27:35
Here, let me look at you.	1:27:35	1:27:37
Oh...	1:27:39	1:27:41
My, my, my, what a pretty little girl you are.	1:27:44	1:27:48
You're pretty, too, Mommy.	1:27:48	1:27:50
LAUGHS	1:27:50	1:27:54
Tell Mommy what you said when I showed you her picture.	1:27:56	1:28:00
Uh-uh.	1:28:00	1:28:01
Come on...silly girl.	1:28:01	1:28:03
Uh-uh!	1:28:03	1:28:04
Come on.	1:28:04	1:28:05
You know what you said.	1:28:05	1:28:06
Come on, tell Mommy.	1:28:06	1:28:08
No.	1:28:08	1:28:09
It'll make her feel good. Come on.	1:28:09	1:28:11
Uh-uh!	1:28:11	1:28:12
Yeah. Come on.	1:28:12	1:28:13
I said... I said, "you're the most	1:28:13	1:28:17
"beautifullest woman I ever saw	1:28:17	1:28:20
"in the whole wide world."	1:28:20	1:28:22
GENTLE LAUGH	1:28:22	1:28:23
That's the truth.	1:28:23	1:28:25
That's what she said.	1:28:25	1:28:26
Baby, don't you think Mommy has	1:28:27	1:28:30
the prettiest hair in the whole wide world?	1:28:30	1:28:34
Yes, I do.	1:28:34	1:28:35
Matter of fact, it's better than pretty.	1:28:35	1:28:37
What's better than pretty?	1:28:37	1:28:40
Mmm...	1:28:40	1:28:42
gorgeous.	1:28:42	1:28:43
Very good.	1:28:43	1:28:45
Gorgeous.	1:28:45	1:28:46
Mommy is gorgeous.	1:28:46	1:28:48
Hmm.	1:28:50	1:28:52
You know, sweetie, Mommy's kind of mad at Daddy.	1:28:52	1:28:55
Why, Daddy? Were you being a bad Daddy?	1:28:55	1:28:58
I'm afraid I was.	1:28:58	1:29:00
I was a real bad Daddy.	1:29:00	1:29:02
Our little girl	1:29:03	1:29:05
learned about life and death the other day.	1:29:05	1:29:07
Want to tell Mommy	1:29:07	1:29:09
about what happened to Emilio?	1:29:09	1:29:12
I killed him.	1:29:14	1:29:17
Emilio was her goldfish.	1:29:17	1:29:19
Emilio was my goldfiss.	1:29:19	1:29:21
CHUCKLES	1:29:21	1:29:22
She came running into my room,	1:29:22	1:29:24
holding the fish in her hand	1:29:24	1:29:26
and crying, "Daddy, Daddy, Emilio's dead."	1:29:26	1:29:29
And I said, "Really?	1:29:29	1:29:33
"That's so sad.	1:29:33	1:29:35
"How did he die?"	1:29:35	1:29:36
And what did you say?	1:29:36	1:29:38
"I stepped on him."	1:29:38	1:29:40
Actually, young lady,	1:29:40	1:29:42
the words you so strategically used were,	1:29:42	1:29:44
"I accidentally stepped on him."	1:29:44	1:29:48
To which I queried, "And just how did your foot	1:29:50	1:29:53
"accidentally find its way into Emilio's fishbowl?"	1:29:53	1:29:56
And she said, "No, no, no.	1:29:56	1:29:58
"Emilio was on the carpet when I stepped on him."	1:29:58	1:30:01
Mmm. The plot thickens.	1:30:01	1:30:04
"And just how did Emilio get on the carpet?"	1:30:04	1:30:08
And Mommy, you would have been so proud of her.	1:30:08	1:30:13
CHUCKLES	1:30:13	1:30:15
She didn't lie.	1:30:15	1:30:16
She said she took Emilio	1:30:17	1:30:19
out of his bowl	1:30:19	1:30:21
and put him on the carpet.	1:30:21	1:30:23
And what was Emilio doing on the carpet?	1:30:23	1:30:28
Flapping.	1:30:30	1:30:31
And then you stomped on him.	1:30:31	1:30:34
Uh-huh.	1:30:34	1:30:35
And when you lifted up	1:30:35	1:30:37
your foot...	1:30:37	1:30:39
what was Emilio doing then?	1:30:39	1:30:42
Nothing.	1:30:42	1:30:44
He stopped flapping, didn't he?	1:30:44	1:30:47
She told me later	1:30:49	1:30:51
that the second she lifted up her foot	1:30:51	1:30:54
and saw Emilio not flapping,	1:30:54	1:30:56
she knew what she had done.	1:30:56	1:30:58
Is that not the perfect visual image of life and death -	1:30:58	1:31:02
a fish flapping on the carpet	1:31:02	1:31:05
and a fish not flapping on the carpet?	1:31:05	1:31:08
So powerful, even a four-year-old	1:31:10	1:31:13
with no concept of life or death, knew what it meant.	1:31:13	1:31:18
You loved Emilio, didn't you?	1:31:18	1:31:20
Uh-huh.	1:31:20	1:31:21
Well, I love Mommy, too.	1:31:23	1:31:25
What I did to Mommy,	1:31:25	1:31:27
and what you did to Emilio...	1:31:27	1:31:28
You stomped on Mommy?	1:31:28	1:31:30
Worse.	1:31:30	1:31:32
I shot Mommy.	1:31:32	1:31:35
Not pretend shooting, like we were just doing.	1:31:35	1:31:37
I shot her for real.	1:31:37	1:31:39
Why? Did you want to see what would happen?	1:31:39	1:31:41
No, I knew what would happen to Mommy if I shot her.	1:31:41	1:31:46
What I didn't know	1:31:46	1:31:48
was when I shot Mommy, what would happen to me.	1:31:48	1:31:50
What happened?	1:31:50	1:31:52
I was very sad.	1:31:52	1:31:55
And that's when I learned	1:31:55	1:31:58
some things, once you do, they can never be undone.	1:31:58	1:32:02
What happened to Mommy?	1:32:06	1:32:09
Why don't you ask Mommy?	1:32:10	1:32:12
You OK, Mommy? Does it hurt?	1:32:12	1:32:15
No, sweetie.	1:32:15	1:32:17
It doesn't hurt any more.	1:32:19	1:32:21
Did it make you sick?	1:32:26	1:32:27
No.	1:32:28	1:32:29
It made me sleep.	1:32:30	1:32:32
That's why I haven't been with you, BB.	1:32:32	1:32:35
I've been asleep. But you're awake now, Mommy, right?	1:32:35	1:32:40
I'm wide awake, pretty girl.	1:32:40	1:32:43
BB, would you like Mommy to watch a video with you	1:32:43	1:32:46
before sleepy time?	1:32:46	1:32:48
Uh-huh.	1:32:48	1:32:49
Mommy, do you want to watch a video with me	1:32:49	1:32:52
before sleepy time?	1:32:52	1:32:53
Oh, yeah. I would love to.	1:32:53	1:32:55
Which one do you want to watch?	1:32:55	1:32:57
Shogun Assassin. No, BB,	1:32:57	1:32:59
Shogun Assassin's too long.	1:32:59	1:33:00
Mm-mm!	1:33:00	1:33:03
No, it's not.	1:33:03	1:33:05
Well, then...	1:33:05	1:33:07
I'll leave you ladies to it.	1:33:07	1:33:10
BOY IN MOVIE: When I was little...	1:33:14	1:33:16
..my father was famous.	1:33:18	1:33:20
He was the greatest Samurai in the Empire.	1:33:21	1:33:24
And he was the Shogun's decapitator.	1:33:24	1:33:28
He cut off the heads of 131 lords.	1:33:28	1:33:32
My father would come home to Mother	1:33:33	1:33:35
and when he would see her, he would forget about the killings.	1:33:35	1:33:40
He wasn't scared of the Shogun,	1:33:40	1:33:42
but the Shogun was scared of him.	1:33:42	1:33:44
Maybe that was the problem.	1:33:44	1:33:47
One night, the Shogun sent his...	1:33:47	1:33:51
# My man	1:33:51	1:33:54
# Got a heart	1:33:54	1:33:55
# Like a rock cast in the sea	1:33:56	1:34:02
# My man	1:34:03	1:34:04
# Got a heart	1:34:06	1:34:07
# Like a rock cast in the sea	1:34:08	1:34:14
# Well, no-one told me about her	1:34:22	1:34:25
# The way she lied	1:34:28	1:34:29
# Well, no-one told me about her	1:34:32	1:34:38
# How many people cried	1:34:39	1:34:42
# My man	1:34:51	1:34:53
# Got a heart	1:34:54	1:34:55
# Like a rock cast in the sea	1:34:56	1:35:02
# My man	1:35:03	1:35:04
# Got a heart	1:35:06	1:35:08
# Like a rock cast in the sea	1:35:08	1:35:13
# The sea, the sea, the sea	1:35:13	1:35:17
# Well, no-one told me about her	1:35:20	1:35:25
# The way she lied	1:35:27	1:35:29
# Well, no-one told me about her	1:35:32	1:35:38
# How many people cried	1:35:39	1:35:41
# But it's too late to say you're sorry	1:35:43	1:35:48
# How would I know? Why should I care?	1:35:49	1:35:54
# Please don't bother tryin' to find her	1:35:55	1:36:00
# She's not there... #	1:36:00	1:36:05
I was just admiring your sword.	1:36:07	1:36:09
A piece of work.	1:36:11	1:36:13
Speaking of which, how is Hanzo-san?	1:36:13	1:36:16
He's good.	1:36:17	1:36:19
Has his sushi gotten any better?	1:36:21	1:36:23
I couldn't believe it...	1:36:27	1:36:28
you got him to make you a sword.	1:36:28	1:36:31
It was easy.	1:36:31	1:36:32
I just dropped your name, Bill.	1:36:34	1:36:35
HE CHUCKLES That'd do it.	1:36:35	1:36:37
# Well, no-one told me about her	1:36:51	1:36:55
# Well, no-one told me about her... #	1:37:02	1:37:06
I suppose the idea is we cross Hanzo swords.	1:37:08	1:37:11
Am I right?	1:37:11	1:37:12
Well...	1:37:15	1:37:16
it just so happens	1:37:16	1:37:18
this hacienda has its own private beach.	1:37:18	1:37:20
And that private beach just so happens	1:37:20	1:37:23
to look particularly beautiful bathed in moonlight.	1:37:23	1:37:26
And there just so happens to be a full moon out tonight.	1:37:28	1:37:31
So, sword-fighter, if you want a sword fight,	1:37:31	1:37:35
that's where I suggest.	1:37:35	1:37:37
But, if you want to be old-school about it,	1:37:38	1:37:41
and you know I'm all about old-school...	1:37:41	1:37:45
SHE LAUGHS	1:37:45	1:37:46
...Then we could wait until dawn	1:37:46	1:37:47
and slice each other up at sunrise,	1:37:47	1:37:49
like a couple of real-life, honest to God...	1:37:49	1:37:51
Now, if you don't settle down,	1:37:53	1:37:56
I'm going to have to put one in your kneecap.	1:37:56	1:37:58
And I hear tell that's a very painful place to get shot in.	1:37:58	1:38:01
HE LAUGHS	1:38:03	1:38:05
I'm just fuckin' with you.	1:38:06	1:38:07
Now...	1:38:09	1:38:10
when it comes to you...	1:38:10	1:38:12
and us...	1:38:12	1:38:14
I have a few unanswered questions.	1:38:17	1:38:19
So...	1:38:19	1:38:21
before this tale of bloody revenge reaches its climax,	1:38:21	1:38:25
I'm going to ask you some questions,	1:38:25	1:38:28
and I want you to tell me the truth.	1:38:28	1:38:30
However, therein lies a dilemma.	1:38:31	1:38:34
Because, when it comes to the subject of me,	1:38:34	1:38:38
I believe you are truly and utterly incapable	1:38:38	1:38:42
of telling the truth - especially to me.	1:38:42	1:38:45
And least of all, to yourself.	1:38:45	1:38:47
And when it comes to the subject of me,	1:38:47	1:38:51
I am truly and utterly incapable of believing anything you say.	1:38:51	1:38:58
How do you suppose we solve this dilemma?	1:38:58	1:39:00
Well, it just so happens	1:39:00	1:39:02
I have a solution.	1:39:03	1:39:05
SHE SCREAMS	1:39:05	1:39:06
Gotcha!	1:39:06	1:39:07
Goddamn!	1:39:08	1:39:10
HE CHUCKLES	1:39:11	1:39:12
What the fuck did you just shoot me with?	1:39:12	1:39:15
My greatest invention - or at least my favourite.	1:39:15	1:39:19
Don't touch it or I'll stick another one right in your cheek.	1:39:19	1:39:23
What lies within that dart,	1:39:27	1:39:29
just begging to course its way through your veins,	1:39:29	1:39:33
is an incredibly potent and quite infallible truth serum.	1:39:33	1:39:39
I call it The Undisputed Truth.	1:39:39	1:39:41
Twice as strong as sodium pentothal,	1:39:41	1:39:44
with no druggy after-effects,	1:39:44	1:39:46
except for a slight wave of euphoria.	1:39:46	1:39:49
You feel it?	1:39:51	1:39:52
Euphoria?	1:39:52	1:39:53
Yeah.	1:39:53	1:39:54
No.	1:39:54	1:39:56
Too bad.	1:39:56	1:39:57
As you know,	1:39:58	1:40:01
I'm quite keen on comic books.	1:40:01	1:40:03
Especially the ones about superheroes.	1:40:05	1:40:07
I find the whole mythology	1:40:07	1:40:09
surrounding superheroes fascinating.	1:40:09	1:40:12
Take my favourite superhero - Superman.	1:40:13	1:40:17
Not a great comic book. Not particularly well drawn...	1:40:17	1:40:21
But the mythology...	1:40:24	1:40:26
the mythology is not only great, it's unique.	1:40:26	1:40:30
How long does this shit take to go into effect?	1:40:30	1:40:34
About two minutes.	1:40:34	1:40:35
Just long enough for me to finish my point.	1:40:35	1:40:38
Now, a staple of the superhero mythology	1:40:38	1:40:43
is there's the superhero and there's the alter ego.	1:40:43	1:40:47
Batman is actually Bruce Wayne. Spiderman is actually Peter Parker.	1:40:47	1:40:49
When that character wakes up in the morning, he's Peter Parker.	1:40:51	1:40:54
He has to put on a costume to become Spiderman.	1:40:54	1:40:58
And it is in that characteristic Superman stands alone.	1:40:59	1:41:04
Superman didn't become Superman.	1:41:05	1:41:07
Superman was born Superman.	1:41:08	1:41:09
When Superman wakes up in the morning, he's Superman.	1:41:10	1:41:13
His alter ego is Clark Kent.	1:41:15	1:41:16
His outfit with the big red S, that's the blanket	1:41:18	1:41:23
he was wrapped in as a baby when the Kents found him.	1:41:23	1:41:26
Those are his clothes.	1:41:26	1:41:28
What Kent wears - the glasses, the business suit, that's the costume.	1:41:28	1:41:32
That's the costume Superman wears to blend in with us.	1:41:33	1:41:36
Clark Kent is how Superman views us.	1:41:39	1:41:41
And what are the characteristics of Clark Kent?	1:41:42	1:41:44
He's weak,	1:41:45	1:41:46
he's unsure of himself,	1:41:48	1:41:49
he's a coward.	1:41:50	1:41:52
Clark Kent is Superman's critique	1:41:53	1:41:55
on the whole human race.	1:41:55	1:41:57
Sort of like Beatrix Kiddo and Mrs Tommy Plympton.	1:42:00	1:42:04
Ah, so...the point emerges.	1:42:05	1:42:09
You would have worn the costume of Arlene Plympton,	1:42:11	1:42:13
but you were born Beatrix Kiddo.	1:42:15	1:42:16
And every morning when you woke up,	1:42:18	1:42:20
you'd still be Beatrix Kiddo.	1:42:20	1:42:22
Oh, you can take the needle out.	1:42:22	1:42:25
Are you calling me a superhero?	1:42:32	1:42:34
I'm calling you a killer.	1:42:34	1:42:36
A natural born killer.	1:42:36	1:42:38
You always have been and you always will be.	1:42:40	1:42:42
Moving to El Paso, working in a used-record store,	1:42:43	1:42:47
going to the movies with Tommy,	1:42:49	1:42:50
clipping coupons,	1:42:51	1:42:52
that's you, trying to disguise yourself as a worker bee.	1:42:52	1:42:57
That's you trying to blend in with the hive.	1:42:57	1:43:00
But you're not a worker bee.	1:43:01	1:43:02
You're a renegade killer bee.	1:43:04	1:43:06
And no matter how much beer you drank or barbecue you ate,	1:43:07	1:43:09
or how fat your ass got -	1:43:09	1:43:12
nothing in the world would ever change that.	1:43:12	1:43:16
First question.	1:43:19	1:43:20
Did you really think your life in El Paso was going to work?	1:43:23	1:43:26
No.	1:43:34	1:43:35
But I would've had BB!	1:43:39	1:43:40
Don't get me wrong,	1:43:42	1:43:43
I think you would've been a wonderful mother...	1:43:43	1:43:46
but you are a killer.	1:43:48	1:43:49
All those people you killed to get to me...	1:43:54	1:43:56
felt damn good, didn't they?	1:43:56	1:43:59
Yes.	1:44:02	1:44:03
Every single one of them?	1:44:03	1:44:05
Yes.	1:44:16	1:44:17
That was the warm-up crowd.	1:44:21	1:44:22
Now comes the 64,000 question.	1:44:22	1:44:27
Why did you run away from me and my baby?	1:44:35	1:44:38
Do you remember the last assignment you sent me on?	1:44:42	1:44:44
Of course.	1:44:46	1:44:47
Lisa Wong.	1:44:48	1:44:50
The morning I left, I was sick.	1:44:51	1:44:53
On the plane, I threw up.	1:44:55	1:44:57
So I started thinking...	1:44:59	1:45:01
Maybe I was pregnant.	1:45:03	1:45:05
"Easy to use.	1:45:05	1:45:06
"Remove cap and urinate on the absorbent end for five seconds.	1:45:06	1:45:09
"Accurate results in only 90 seconds.	1:45:12	1:45:14
"You can read the results as soon as the line appears in the window."	1:45:15	1:45:17
WATCH TICKS	1:45:33	1:45:36
WATCH TICKS	1:45:42	1:45:44
Fuck.	1:45:52	1:45:53
'What I didn't know	1:45:53	1:45:54
'was that somewhere on my journey, I had been spotted.	1:45:54	1:45:58
'With me in LA, it didn't take Lisa Wong long	1:46:00	1:46:02
'to send an assassin of her own.'	1:46:02	1:46:05
DOORBELL RINGS	1:46:05	1:46:07
Hello. Can I help you?	1:46:07	1:46:08
Hello. I'm Karen Kim.	1:46:08	1:46:09
I'm the hospitality manager of the hotel.	1:46:09	1:46:11
I have a welcome gift from the management.	1:46:11	1:46:13
That's nice, um...	1:46:13	1:46:15
Can you just leave it by the door?	1:46:16	1:46:18
You pretty good with that shotgun?	1:46:30	1:46:31
Not that I have to be, at this range,	1:46:31	1:46:33
but I'm a fuckin' surgeon with this shotgun.	1:46:33	1:46:35
Well, guess what, bitch?	1:46:35	1:46:37
I'm better than Annie Oakley,	1:46:37	1:46:38
and I got you right in my sight.	1:46:38	1:46:40
I could blow your fuckin' head off.	1:46:40	1:46:41
Not before I put one right between your eyes.	1:46:41	1:46:44
So let's talk.	1:46:44	1:46:45
Karen...	1:46:47	1:46:48
I just found out...	1:46:50	1:46:53
right now...	1:46:54	1:46:55
not a moment before you blew a hole through the door...	1:46:55	1:46:59
that I'm pregnant.	1:47:01	1:47:02
What is this?	1:47:02	1:47:04
On the floor, by the door,	1:47:05	1:47:07
is a strip that says I'm pregnant.	1:47:08	1:47:11
Bullshit.	1:47:11	1:47:12
Any other time, you'd be 100% right.	1:47:14	1:47:16
But this time...	1:47:17	1:47:19
you're 100% wrong.	1:47:20	1:47:22
I'm the deadliest woman in the world.	1:47:24	1:47:26
But right now, I'm just scared shitless for my baby.	1:47:28	1:47:32
Please...	1:47:33	1:47:34
just look at the strip.	1:47:36	1:47:37
Please!	1:47:40	1:47:42
Stay where you are and don't move.	1:47:43	1:47:46
I don't know what this fuckin' shit means.	1:48:05	1:48:06
The box with the directions is right there.	1:48:06	1:48:08
"Easy to use...	1:48:20	1:48:21
"Remove the cap and urinate...	1:48:21	1:48:24
"..The absorbent end..."	1:48:24	1:48:26
Blue means pregnant.	1:48:26	1:48:28
I'll read it myself, thank you.	1:48:28	1:48:30
OK.	1:48:38	1:48:39
Say I would've believed you. What then?	1:48:40	1:48:42
Just go home.	1:48:42	1:48:44
I'll do the same.	1:48:46	1:48:48
DOOR OPENING	1:48:54	1:48:55
Congratulations.	1:49:07	1:49:08
RUNNING FOOTSTEPS	1:49:08	1:49:10
'Before that strip turned blue,'	1:49:12	1:49:14
I was a woman, I was your woman.	1:49:14	1:49:16
I was a killer who killed for you.	1:49:18	1:49:20
Before that strip turned blue,	1:49:21	1:49:23
I would've jumped a motorcycle onto a speeding train...	1:49:23	1:49:26
for you.	1:49:27	1:49:29
But once that strip turned blue...	1:49:31	1:49:33
I could no longer do any of those things.	1:49:34	1:49:36
Not anymore.	1:49:37	1:49:39
Because I was going to be a mother.	1:49:40	1:49:41
Can you understand that?	1:49:45	1:49:47
Yes.	1:49:50	1:49:51
Why didn't you...	1:49:53	1:49:54
tell me then, instead of now?	1:49:54	1:49:56
Once you knew, you'd claim her...	1:49:57	1:49:59
and I didn't want that.	1:50:00	1:50:02
Not your decision to make.	1:50:03	1:50:05
Yes.	1:50:05	1:50:06
But it's the right decision,	1:50:06	1:50:08
and I made it for my daughter.	1:50:08	1:50:10
She deserved to be born with a clean slate.	1:50:10	1:50:14
But with you,	1:50:16	1:50:17
she would've been born into a world she shouldn't have.	1:50:17	1:50:20
I had to choose.	1:50:23	1:50:25
I chose her.	1:50:26	1:50:28
You know,	1:50:30	1:50:32
five years ago, if I had to make a list	1:50:32	1:50:34
of impossible things that could never happen,	1:50:34	1:50:38
you performing a coup de grace on me	1:50:38	1:50:40
by busting a cap in my crown...	1:50:40	1:50:43
...would've been right at the top of the list.	1:50:46	1:50:48
I'd have been wrong, wouldn't I?	1:50:50	1:50:53
I-I'm sorry.	1:50:53	1:50:55
Was that a question?	1:50:55	1:50:57
Of impossible things that could never happen...	1:50:59	1:51:01
yes, in this instance, you would've been wrong.	1:51:01	1:51:05
Well?	1:51:05	1:51:07
When you never came back,	1:51:07	1:51:10
I naturally assumed Lisa Wong,	1:51:10	1:51:14
or somebody else, had killed you.	1:51:14	1:51:17
Oh! and, for the record,	1:51:17	1:51:20
letting somebody think somebody they love is dead,	1:51:20	1:51:23
when they're not, is quite cruel.	1:51:23	1:51:26
I mourned you for three months.	1:51:26	1:51:30
And in the third month of mourning you,	1:51:33	1:51:34
I tracked you down.	1:51:37	1:51:38
I wasn't trying to track you down,	1:51:39	1:51:41
I was trying to track down	1:51:41	1:51:42
the fucking assholes I thought killed you.	1:51:42	1:51:45
So I find you.	1:51:46	1:51:48
And what do I find?	1:51:50	1:51:51
Not only are you not dead,	1:51:52	1:51:54
you're getting married to some fucking jerk.	1:51:54	1:51:59
And you're pregnant.	1:52:01	1:52:03
I, er, overreacted.	1:52:07	1:52:09
You overreacted?!	1:52:18	1:52:19
Is that your explanation?	1:52:20	1:52:21
I didn't say I was going to explain myself,	1:52:21	1:52:23
I said I was going to tell you the truth.	1:52:23	1:52:25
But, if that's too cryptic, let's get literal.	1:52:26	1:52:30
I'm a killer.	1:52:33	1:52:34
I'm a murdering bastard, you know that,	1:52:35	1:52:37
and there are consequences	1:52:38	1:52:40
to breaking the heart of a murdering bastard.	1:52:40	1:52:44
You experienced them.	1:52:46	1:52:47
Was my reaction really that surprising?	1:52:51	1:52:55
Yes... It was.	1:52:55	1:52:57
Could you do what you did?	1:53:01	1:53:03
Of course you could.	1:53:04	1:53:06
But I never thought	1:53:08	1:53:09
you would or could do that to me.	1:53:10	1:53:14
I'm really sorry, kiddo,	1:53:14	1:53:16
but you thought wrong.	1:53:16	1:53:19
You and I have unfinished business.	1:53:25	1:53:28
Baby...	1:53:29	1:53:31
you ain't kiddin'.	1:53:32	1:53:33
Pai Mei taught you the five-point-palm- exploding-heart technique?	1:54:05	1:54:09
Of course he did.	1:54:13	1:54:15
Why didn't you tell me?	1:54:17	1:54:19
I don't know.	1:54:23	1:54:24
Because I'm...	1:54:27	1:54:28
a bad person.	1:54:30	1:54:32
Nah...	1:54:32	1:54:33
you're not a bad person.	1:54:36	1:54:38
You're a terrific person.	1:54:39	1:54:42
You're my favourite person.	1:54:42	1:54:44
But every once in a while,	1:54:46	1:54:48
you can be a real cunt.	1:54:50	1:54:52
How do I look?	1:55:11	1:55:13
You look ready.	1:55:28	1:55:29
SWORD SLIDES INTO SHEATH	1:56:45	1:56:47
CAR APPROACHING	1:56:56	1:57:00
'Well, well, well, if it ain't the little flower.	1:57:13	1:57:16
'Good evening Mr and Mrs America,	1:57:23	1:57:24
'and all the ships at sea, let's go to press.	1:57:24	1:57:26
'Do you have a magpie in your home?	1:57:28	1:57:29
'If you do, you are most fortunate.	1:57:29	1:57:31
'The magpie is the most charming bird in all the world.	1:57:31	1:57:35
'He is the best friend the farmer ever had.	1:57:35	1:57:37
'Treat him gently. Treat him kindly.	1:57:37	1:57:40
'And always remember, the magpie deserves your respect.'	1:57:40	1:57:45
CRYING	1:57:45	1:57:47
Thank you.	1:58:20	1:58:21
Thank you.	1:58:23	1:58:24
Thank you.	1:58:26	1:58:28
'I ain't got no headache.	1:58:32	1:58:34
'Oh, yes, you have, brother.'	1:58:34	1:58:37
# There's a nail in the door and there's glass on the lawn	2:02:00	2:02:05
# Tacks on the floor and the TV is on	2:02:05	2:02:09
# And I always sleep with my guns when you're gone	2:02:09	2:02:15
# There's a blade by the bed and a phone in my hand	2:02:17	2:02:20
# A dog on the floor and some cash on the night stand	2:02:20	2:02:24
# When I'm all alone the dreaming stops	2:02:24	2:02:28
# And I just can't stand	2:02:28	2:02:30
# What should I do? I'm just a little baby	2:02:32	2:02:37
# What if the lights go out and maybe	2:02:37	2:02:41
# And when the wind just starts to moan	2:02:41	2:02:45
# Outside the door, he followed me home	2:02:47	2:02:50
# Well, good night, moon	2:02:50	2:02:52
# I want the sun	2:02:52	2:02:54
# If it's not here soon, I might be done	2:02:54	2:02:57
# No, it won't be too soon till I say	2:02:57	2:03:02
# Good night, moon	2:03:02	2:03:04
# I'm up so high, I can't be seen	2:03:22	2:03:26
# And when the dark comes here tonight	2:03:26	2:03:29
# And take me up, up, up, up	2:03:29	2:03:32
# And into the bed	2:03:32	2:03:34
# Where he kisses my face and eats my head	2:03:34	2:03:38
# What should I do? I'm just a little baby	2:03:38	2:03:43
# What if the lights go out and maybe	2:03:43	2:03:47
# And when the wind just starts to moan	2:03:47	2:03:50
# Outside the door, he followed me home	2:03:50	2:03:55
# Now, good night, moon I want the sun	2:03:55	2:03:58
# If it's not here soon, I might be done	2:03:58	2:04:03
# No, it won't be too soon	2:04:03	2:04:05
# Till I say	2:04:05	2:04:06
# Good night, moon	2:04:07	2:04:09
# No, it won't be too soon	2:04:11	2:04:13
# Till I say	2:04:13	2:04:15
# Good night, moon. #	2:04:15	2:04:17
TARANTINO: And...action!	2:06:04	2:06:06
MAN SCREAMS	2:06:06	2:06:08
Cut!	2:06:08	2:06:10
Oh, come on, let's do it again.	2:06:10	2:06:12

Kill Bill: Vol 2

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