Browse content similar to Kitty Foyle. Check below for episodes and series from the same categories and more!
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# I want a girl just like the girl that married dear old Dad | 0:01:29 | 0:01:36 | |
# She was a pearl and the only girl that Daddy ever had | 0:01:38 | 0:01:45 | |
# A good old-fashioned girl with heart so true | 0:01:45 | 0:01:50 | |
# One who loves nobody else but you... # | 0:01:50 | 0:01:54 | |
"Daisy, Daisy" PLAYING ON GRAMOPHONE | 0:02:39 | 0:02:43 | |
WOMEN SINGING "Shoulder to Shoulder" | 0:03:35 | 0:03:39 | |
Got a date tonight, Jane? Yeah. | 0:04:41 | 0:04:44 | |
Don't you girls ever think of anything but men? | 0:04:44 | 0:04:49 | |
Flattering the ego of a male! I can think of a thousand better ways of being happy. | 0:04:49 | 0:04:56 | |
Name two! | 0:04:56 | 0:04:58 | |
Me, I want a man and I don't care who knows it! | 0:04:58 | 0:05:02 | |
Amen! Anywhere from 18 to 80! | 0:05:02 | 0:05:06 | |
Isn't independence worth anything? What's the difference between men bachelors and girl bachelors? | 0:05:06 | 0:05:14 | |
Men bachelors are that way on purpose! | 0:05:14 | 0:05:18 | |
I'm so old, I can't remember my first kiss. | 0:05:18 | 0:05:22 | |
I can't even remember me last! | 0:05:22 | 0:05:25 | |
I'm sorry, Kitty. We had a couple of emergencies at the hospital. | 0:05:58 | 0:06:04 | |
-Have you been waiting long? -Oh, no. -Good. Step on it, driver. | 0:06:04 | 0:06:09 | |
You must be as hungry as I am. | 0:06:10 | 0:06:13 | |
-I'm afraid you're gonna get a little hungrier. I've got another case first. -Before dinner? -An emergency. | 0:06:13 | 0:06:21 | |
We're racing the stork right now! | 0:06:21 | 0:06:23 | |
Hurry, Doctor! | 0:06:25 | 0:06:27 | |
BABY CRIES | 0:06:33 | 0:06:35 | |
Take care of this while I finish up! | 0:06:50 | 0:06:55 | |
You've no idea how right you look with a babe in your arms. | 0:07:12 | 0:07:17 | |
You have no idea how right I feel. | 0:07:17 | 0:07:20 | |
-Boy or a girl? -It's a boy. Almost lost the little fella. | 0:07:20 | 0:07:25 | |
Might have been better if he HADN'T pulled through. | 0:07:25 | 0:07:30 | |
Don't say that, Mark. It's always better to pull through. | 0:07:30 | 0:07:35 | |
There's something about the way you said that. | 0:07:35 | 0:07:40 | |
Kitty, will you... | 0:07:44 | 0:07:47 | |
I got a lot of money tied up in that little hoop. Will you marry me? | 0:07:47 | 0:07:54 | |
Do you think you could find my finger under these blankets? | 0:07:58 | 0:08:03 | |
You DID say "yes", didn't you? There's no confusion, you understood what I asked you? | 0:08:08 | 0:08:16 | |
-You asked me to marry you? -Exactly. | 0:08:16 | 0:08:20 | |
I got it. That's why I said "yes." | 0:08:20 | 0:08:24 | |
What I'm getting around to is... | 0:08:25 | 0:08:28 | |
that fella in Philadelphia. | 0:08:28 | 0:08:31 | |
Is that all over? | 0:08:31 | 0:08:33 | |
All over. | 0:08:33 | 0:08:36 | |
You're not kidding yourself? It wouldn't do either of us any good if you weren't sure. | 0:08:36 | 0:08:44 | |
I'm sure, darling. | 0:08:44 | 0:08:47 | |
I've got to go back to the hospital, but I'll check out at midnight. | 0:08:47 | 0:08:52 | |
-Meet me there and we'll go straight to Gretna Green. -Gretna Green? -Sure! | 0:08:52 | 0:08:57 | |
They stay open all night! Can you be ready by then? | 0:08:57 | 0:09:02 | |
-Who says I can't? -Meet me at St Timothy's at 12, smack on the dot. | 0:09:02 | 0:09:07 | |
-12...smack on the dot... St Timothy's. -Right. | 0:09:07 | 0:09:11 | |
Driver, Pocahontas Hotel for Women. | 0:09:11 | 0:09:15 | |
-What about my dinner? -Save it and we'll have a big breakfast! | 0:09:15 | 0:09:20 | |
-Good evening, Miss Foyle. -Will you make up my bill? | 0:09:20 | 0:09:25 | |
-You're leaving? -I'll say I am - I'm getting married! Send for my bags around 11.30. | 0:09:25 | 0:09:32 | |
Hello. | 0:09:41 | 0:09:43 | |
Well, what are you doing out of Philadelphia on a night like this? | 0:09:45 | 0:09:50 | |
How did you get in? | 0:09:51 | 0:09:54 | |
Men aren't allowed in this hotel. | 0:09:54 | 0:09:57 | |
The operator on the back elevator is corrupt. | 0:09:57 | 0:10:01 | |
Oh, Wyn, why did you come? | 0:10:02 | 0:10:05 | |
You sent for me. | 0:10:05 | 0:10:08 | |
I told you if you ever wanted me or needed me | 0:10:08 | 0:10:12 | |
-to send it back. -That isn't what I meant. | 0:10:12 | 0:10:17 | |
I sent it back because... | 0:10:17 | 0:10:20 | |
that was all. That was the end. | 0:10:22 | 0:10:24 | |
-Don't say that, Kitty. -It's true. | 0:10:24 | 0:10:27 | |
I'm sorry, you'll have to go. | 0:10:29 | 0:10:32 | |
-I can't go. Not until I've told you something. -I don't want to hear. | 0:10:32 | 0:10:37 | |
Please go. | 0:10:37 | 0:10:40 | |
Please don't make me ask you again. | 0:10:40 | 0:10:43 | |
I'm sailing at midnight. | 0:10:49 | 0:10:52 | |
Where? | 0:10:52 | 0:10:54 | |
South America. Buenos Aires. | 0:10:54 | 0:10:57 | |
I'm going to live there. | 0:10:57 | 0:10:59 | |
With...your wife? | 0:10:59 | 0:11:02 | |
Alone. | 0:11:03 | 0:11:05 | |
Unless you'll go with me. | 0:11:05 | 0:11:08 | |
-Oh, Wyn. -That's what I came to tell you. | 0:11:11 | 0:11:15 | |
The thousands of times I've prayed for you to say that. | 0:11:16 | 0:11:21 | |
Prayed and prayed and prayed... and you never could, you never did. | 0:11:21 | 0:11:26 | |
I'm saying it now. From the bottom of my heart. | 0:11:26 | 0:11:32 | |
Why couldn't you have thought to say those same little words five years ago? | 0:11:32 | 0:11:39 | |
I thought of them. Hadn't the strength to say them. | 0:11:39 | 0:11:43 | |
You know me better than I know myself. | 0:11:43 | 0:11:47 | |
There's no life for me without you. I want you. I need you. I love you now as I've never loved you before. | 0:11:47 | 0:11:55 | |
And I thought you had forgotten. | 0:11:56 | 0:11:59 | |
You didn't! You never thought that! You know too well how I've wanted you. | 0:11:59 | 0:12:05 | |
You're going to be divorced? | 0:12:06 | 0:12:09 | |
No. | 0:12:10 | 0:12:12 | |
-I'm afraid I can't even promise you that. -Then we...? | 0:12:12 | 0:12:17 | |
That's it. I wish it were different. | 0:12:17 | 0:12:22 | |
But that's the way it is. | 0:12:22 | 0:12:25 | |
I see. | 0:12:26 | 0:12:29 | |
Whatever you decide, I'm sailing anyway. I've broken away for good. | 0:12:34 | 0:12:39 | |
But I'm praying that we'll go away together and be together always. | 0:12:39 | 0:12:44 | |
Of all the days in all the years. | 0:12:44 | 0:12:47 | |
You haven't forgotten have you? | 0:12:47 | 0:12:50 | |
I thought I had. | 0:12:50 | 0:12:53 | |
-I was sure I had. -The firelight at Lake Pocono... -Please, Wyn. | 0:12:53 | 0:12:58 | |
-Our Assembly in New York... -The dreams we dreamed. The sound of our laughter... | 0:12:58 | 0:13:06 | |
-I remember. -We must never forget! | 0:13:06 | 0:13:08 | |
It isn't too late. Is it? | 0:13:08 | 0:13:12 | |
I'm afraid it never will be. | 0:13:12 | 0:13:15 | |
-This is the beginning! -I shouldn't. I shouldn't. It's wrong. | 0:13:15 | 0:13:20 | |
-Wrong to be happy? -Don't let me think, just take me with you. | 0:13:20 | 0:13:25 | |
Darling, we sail at midnight. | 0:13:27 | 0:13:30 | |
-I'll be at the pier. Meet me there. -You know I will. -Goodbye. Don't be late! | 0:13:30 | 0:13:36 | |
Wyn! | 0:13:38 | 0:13:40 | |
You didn't say what boat, what pier. | 0:13:40 | 0:13:43 | |
When I'm with you I forget about everything else. Pier 48. I'll be waiting. | 0:13:43 | 0:13:49 | |
'You're making a mistake, you know.' | 0:14:13 | 0:14:17 | |
'Am I?' | 0:14:21 | 0:14:24 | |
YOU'RE that little girl on the sleigh ride. | 0:14:24 | 0:14:28 | |
Trouble is, you're no longer a little girl. You're a woman. | 0:14:28 | 0:14:33 | |
I'm only 24. | 0:14:33 | 0:14:36 | |
You're 26. Don't try to kid me. | 0:14:36 | 0:14:38 | |
Well, I'm not old, anyway. No. But maybe you aren't very smart either. | 0:14:38 | 0:14:45 | |
I know what I'm doing. | 0:14:45 | 0:14:47 | |
Unsatisfactory role you're preparing to play. Even under the best circumstances. | 0:14:47 | 0:14:55 | |
This is the only chance we have. | 0:14:55 | 0:14:57 | |
How do you imagine you'll be described? As Wyn's girlfriend? | 0:14:57 | 0:15:02 | |
In about ten years when your figure gets out of control, it'll sound like a comedy line. | 0:15:02 | 0:15:10 | |
-< -His woman? That's getting warmer. | 0:15:10 | 0:15:13 | |
-< -"That woman Wyn's mixed up with." | 0:15:13 | 0:15:16 | |
-< -You have no idea how often you'll get that one. | 0:15:16 | 0:15:21 | |
We'll just have to face it. | 0:15:21 | 0:15:23 | |
Correction. YOU'LL have to face it. | 0:15:23 | 0:15:26 | |
MARRIED people face things together. Did you think of it that way? No time! | 0:15:26 | 0:15:33 | |
You'd better take a little time. Forever is a long, long time. | 0:15:33 | 0:15:38 | |
It never hurts to check... Marriage isn't everything. | 0:15:38 | 0:15:43 | |
It's just a piece of paper. | 0:15:43 | 0:15:46 | |
I don't need a piece of paper to prove that I love Wyn or that he loves me. | 0:15:46 | 0:15:52 | |
You'd be a lot happier with Mark and that "piece of paper" | 0:15:52 | 0:15:58 | |
than Wyn and a "key for him and a key for you." | 0:15:58 | 0:16:02 | |
You know what I think? I think you're wrong. | 0:16:02 | 0:16:07 | |
I remember you using those same words before. | 0:16:08 | 0:16:13 | |
Remember... | 0:16:13 | 0:16:15 | |
way back, when you lived on Griscomb Street in Philadelphia? | 0:16:15 | 0:16:20 | |
That's where Pop brought you up. What a grand guy he was. | 0:16:20 | 0:16:25 | |
It was the night of the Philadelphia Assembly. | 0:16:25 | 0:16:30 | |
Remember? You should have been home but you weren't. You were about 15. | 0:16:30 | 0:16:35 | |
< That's P.C. McBurwin! | 0:16:38 | 0:16:41 | |
< Mrs Rosie Fittenhaus! | 0:16:46 | 0:16:48 | |
What a clock. Always slow. Philadelphia blood. | 0:17:09 | 0:17:13 | |
Kitty. | 0:17:14 | 0:17:16 | |
-I was just... -Come here. | 0:17:16 | 0:17:19 | |
-I was just going... -Oh, I know what you were just doing. | 0:17:19 | 0:17:24 | |
The Assembly's tonight. You were gawking at those rich folk and getting silly ideas. | 0:17:24 | 0:17:31 | |
-No, Pop... -Kitty! | 0:17:31 | 0:17:34 | |
You've got to get this trash out of your mind. | 0:17:34 | 0:17:38 | |
From now on, you're going to Sunday School. | 0:17:38 | 0:17:43 | |
-Why, Pa? -It'll give you a little Christian upbringing. | 0:17:43 | 0:17:48 | |
-Give you a sense of values. -Oh. | 0:17:48 | 0:17:51 | |
You mean, and then I won't ever sin? | 0:17:54 | 0:17:58 | |
It might not keep you from sinning, but it'll keep you from getting any fun out of it! | 0:17:58 | 0:18:04 | |
-Take your mind off that tommyrotten society page. -No more tommyrotten than The Lady Of Shalott. | 0:18:04 | 0:18:11 | |
-The Lady Of Shalott? -"And sometimes through the mirror blue the knights went riding two by two. | 0:18:11 | 0:18:18 | |
"She hath no loyal knight and true..." | 0:18:18 | 0:18:22 | |
-Always got your head stuck in a Cinderella book. -Must be wonderful, Pop. | 0:18:22 | 0:18:29 | |
-Sitting in ashes and then suddenly a prince... -When did you sit in ashes? -I don't mean me. | 0:18:29 | 0:18:36 | |
-I mean Cinderella. -Ohh! | 0:18:36 | 0:18:39 | |
If ever a man deserves to be hung it's the fella who started that Cinderella stuff. | 0:18:39 | 0:18:46 | |
Poisoning the minds of children, putting crazy ideas into girls' heads. | 0:18:46 | 0:18:52 | |
Why, they're the ruination of more girls than forty actors. | 0:18:52 | 0:18:58 | |
I don't see what's the ruination about it. The Prince and Cinderella lived happily ever afterwards. | 0:18:58 | 0:19:05 | |
These writing fellas are smart. They end the story before it begins. | 0:19:05 | 0:19:10 | |
Why couldn't they be happy, Pop? | 0:19:12 | 0:19:15 | |
What would they have to talk about? | 0:19:15 | 0:19:18 | |
Do you think he wants to go on hearing about the ashes?! | 0:19:18 | 0:19:23 | |
"Let's talk about something else." And there she'd be - alone. | 0:19:23 | 0:19:29 | |
Sitting on that velvet cushion, | 0:19:29 | 0:19:31 | |
ready to swap strawberries and cream for a hamburger...well done. With onions! | 0:19:31 | 0:19:38 | |
You know what I think, Pop? | 0:19:40 | 0:19:43 | |
-I think you're wrong. -Judas Priest! | 0:19:43 | 0:19:47 | |
But time moved on and skirts got six inches longer. | 0:19:51 | 0:19:56 | |
They stopped playing "Sonny Boy" and took up "Who's Afraid Of The Big Bad Wolf?" | 0:19:56 | 0:20:03 | |
Then came the Depression. | 0:20:03 | 0:20:06 | |
You had to trade in a few of those dreams for shorthand. | 0:20:06 | 0:20:11 | |
June, 1932. Mr Hoover said if Mr Roosevelt was elected grass would grow in the streets. | 0:20:11 | 0:20:19 | |
Mr Roosevelt said if Mr Hoover got back in, there wouldn't BE any streets. | 0:20:19 | 0:20:25 | |
All of a sudden you were set. Oh, boy! | 0:20:25 | 0:20:29 | |
All you needed to get a peach of a job was this fancy document. | 0:20:29 | 0:20:35 | |
And a miracle. | 0:20:35 | 0:20:38 | |
Then, on July 23rd at exactly 4.37pm, will you ever forget...? | 0:20:38 | 0:20:44 | |
Judas Priest! Put it out! | 0:20:44 | 0:20:47 | |
-I'll take care of it. -Get some water! Water! | 0:20:47 | 0:20:53 | |
No, not that! Not that! | 0:20:53 | 0:20:56 | |
-Drop that bottle. -Don't get excited. | 0:20:56 | 0:20:59 | |
-All the water in the world, and you use whisky! -There's more where that came from. | 0:20:59 | 0:21:06 | |
-He's been sick. He shouldn't be upset. -This doesn't grow on trees. | 0:21:06 | 0:21:11 | |
-What are you doing? -Just trying to put the fire out. -That's the rug! | 0:21:11 | 0:21:16 | |
My fault. I dropped some ashes. That's my daughter. | 0:21:16 | 0:21:20 | |
Kitty, this is Mr Wyn Strafford. One of those mainliners you talked about! | 0:21:20 | 0:21:27 | |
How do you do, Miss Foyle? | 0:21:30 | 0:21:33 | |
I'm sorry I spoke a little sharply to you. I'm usually a little cooler headed. | 0:21:33 | 0:21:39 | |
-I'm sure. -He wants my help with his new magazine. | 0:21:39 | 0:21:44 | |
-What are you doing in here in your shirt tail? -Judas Priest! | 0:21:44 | 0:21:50 | |
Get out! | 0:21:50 | 0:21:52 | |
She's too big to be running around like that. | 0:21:52 | 0:21:56 | |
-Nice girl. -She's a good kid. | 0:21:56 | 0:21:59 | |
-If I wasn't ill, she'd be going to college. -Does she type? | 0:21:59 | 0:22:06 | |
Faster than you can think. | 0:22:06 | 0:22:08 | |
If she can type, we might be able to use her down at the office. | 0:22:08 | 0:22:13 | |
Ask her to drop in. There's an informality about her that might brighten our lives. | 0:22:13 | 0:22:21 | |
This is not right, Miss Foyle. | 0:22:49 | 0:22:51 | |
The use of "esquire" in business is a New York affectation. | 0:22:53 | 0:22:58 | |
I've seen letters addressed to you with "Mr W Strafford, Esq." | 0:22:58 | 0:23:03 | |
New Yorkers, perhaps. A man can't be "Mr" and "Esq" at the same time. | 0:23:03 | 0:23:10 | |
-One or the other is about all he's capable of being. -I've seen 'em just plain "Esq." | 0:23:10 | 0:23:17 | |
-How does one get to be an esquire anyway? -I don't know. Just is. | 0:23:17 | 0:23:24 | |
Pop says you get to be an esquire if you can sit on one animal and chase another. | 0:23:24 | 0:23:30 | |
Did I sound stuffy? I'm sorry. | 0:23:30 | 0:23:32 | |
-Pardon? -OK. Get stuffy yourself. I've said I'm sorry. | 0:23:32 | 0:23:38 | |
Uh... | 0:23:38 | 0:23:40 | |
-did you get my column off the Dictaphone? -Yes. It's... | 0:23:40 | 0:23:45 | |
What? | 0:23:45 | 0:23:47 | |
-Nothing. -What about it? Don't be afraid. | 0:23:47 | 0:23:51 | |
I was just thinking how your voice sounds on the Dictaphone. | 0:23:51 | 0:23:56 | |
-Do you know who it sounds like? -No. Who? | 0:23:56 | 0:24:00 | |
Ronald Coleman. | 0:24:00 | 0:24:03 | |
Really? | 0:24:03 | 0:24:05 | |
-I've played it over again. It's lovely. -That's funny. | 0:24:05 | 0:24:10 | |
So different from what it is actually. | 0:24:10 | 0:24:15 | |
-RONALD COLEMAN: -Do you really think it's true, Miss Foyle, | 0:24:34 | 0:24:39 | |
that I sound like Mr Coleman? | 0:24:39 | 0:24:42 | |
Hello, everybody! CHORUS OF "HELLO, JEAN" | 0:24:42 | 0:24:46 | |
-Miss Bauler, did you bring in your copy? -Copy? -Your copy on the Wheeler wedding. -Oh, that! | 0:24:46 | 0:24:54 | |
I never got to the wedding. I went to a party. | 0:24:54 | 0:24:58 | |
It was a crashing bore! | 0:24:58 | 0:25:01 | |
Why don't you make Wyn throw a party here? A sort of house-warming. | 0:25:01 | 0:25:07 | |
Sounds like a crashing good idea(!) | 0:25:07 | 0:25:10 | |
I would just like to say that I'm sorry I was fresh just now. | 0:25:26 | 0:25:31 | |
-I didn't notice it. -Well, I was, and I'm sorry. | 0:25:31 | 0:25:36 | |
Why don't you kick out some of those "friends" of yours? | 0:25:36 | 0:25:41 | |
They do the sort of stuff we've got to have. | 0:25:41 | 0:25:46 | |
None of my business, I know. | 0:25:46 | 0:25:48 | |
But I'd just like you to know I'm in your corner, that's all. | 0:25:48 | 0:25:54 | |
Thank you. It's encouraging to find someone who takes this seriously. | 0:25:54 | 0:26:00 | |
-Would you like me to run that off? -No, no. | 0:26:01 | 0:26:06 | |
-I was just fiddling with it... -It's very simple. -Go to lunch! | 0:26:06 | 0:26:11 | |
-It'll only take seconds... -Miss Foyle! | 0:26:11 | 0:26:15 | |
'Do you really think it's true, Miss Foyle, that I sound like Mr Coleman? | 0:26:15 | 0:26:22 | |
'Foyle, Foyle, Foyle and oil! | 0:26:22 | 0:26:25 | |
'Roses are red, violets are blue, Miss Foyle has nice legs. I love you.' | 0:26:25 | 0:26:31 | |
-Is that all? -'Don't sit with your legs crossed during conferences. | 0:26:31 | 0:26:36 | |
'We have difficulties enough getting this magazine out without such demoralising exhibitions.' | 0:26:36 | 0:26:43 | |
-I'll go to lunch. -Let me explain! | 0:26:43 | 0:26:46 | |
-Wyn, Wyn, boil in gin! -I'm sorry. I didn't intend... | 0:26:46 | 0:26:51 | |
-I was testing it. I never thought about what I was saying. -Let me out. -No. | 0:26:51 | 0:26:58 | |
Not until I've made you understand. | 0:27:00 | 0:27:03 | |
It was like automatic writing. | 0:27:03 | 0:27:06 | |
People go into trances... | 0:27:06 | 0:27:08 | |
don't know what they're saying. | 0:27:08 | 0:27:11 | |
-It just comes out. Whole books sometimes. -Very amusing. | 0:27:11 | 0:27:16 | |
-I'm going to lunch. -Miss Foyle. | 0:27:16 | 0:27:19 | |
I want you to take some dictation before you go. | 0:27:20 | 0:27:24 | |
Let's see... | 0:27:34 | 0:27:37 | |
inter-office memo to Miss Foyle. I'm sorry I said you cross your legs in conferences. | 0:27:37 | 0:27:43 | |
Which you do. | 0:27:43 | 0:27:46 | |
I'm sorry I said they demoralise me. | 0:27:46 | 0:27:48 | |
But they do. | 0:27:48 | 0:27:51 | |
I'm sorry you seem to think that I am making love to you. | 0:27:51 | 0:27:57 | |
But... | 0:28:01 | 0:28:04 | |
I am. | 0:28:04 | 0:28:06 | |
Those were probably the happiest days in your whole life. | 0:28:22 | 0:28:27 | |
Days when you were learning those little things about each other | 0:28:27 | 0:28:32 | |
that make two ordinarily normal people a little daffy. | 0:28:32 | 0:28:37 | |
Like the first time he took you to New York. Remember? | 0:28:37 | 0:28:43 | |
-Violets! Violets! -Yes! | 0:28:43 | 0:28:46 | |
Two bunches, please. | 0:28:46 | 0:28:49 | |
-I've never been in a speakeasy before. -Don't be concerned. | 0:28:55 | 0:29:00 | |
The best people in New York come here. | 0:29:00 | 0:29:04 | |
-Who is it? -Giono! -Mr Strafford! | 0:29:06 | 0:29:10 | |
-Come in! -Giono, how are you? | 0:29:10 | 0:29:14 | |
It is nice to see you. I haven't seen you since a long time! | 0:29:14 | 0:29:19 | |
RADIO BROADCAST | 0:29:22 | 0:29:25 | |
'Latest returns from New York State. | 0:29:25 | 0:29:28 | |
'7,864 precincts out of a total of 9,046 | 0:29:28 | 0:29:33 | |
'give Hoover... | 0:29:33 | 0:29:35 | |
'936,421. | 0:29:35 | 0:29:38 | |
'Roosevelt, one million, four...' CHEERS DROWN OUT RADIO | 0:29:38 | 0:29:43 | |
Looks bad now, but Roosevelt will never make it. | 0:29:43 | 0:29:48 | |
Didn't YOU vote for him? | 0:29:49 | 0:29:52 | |
Me, vote for Roosevelt? He wants to repeal prohibition. Prohibition goes, where am I? | 0:29:52 | 0:29:59 | |
Some Scotch? Fresh off the boat today. | 0:30:05 | 0:30:09 | |
You mean, some of that bilge-water you whipped up this afternooon! | 0:30:09 | 0:30:14 | |
-How about some strega? -I just got one bottle. | 0:30:14 | 0:30:19 | |
-I save it just for you. -How nice! | 0:30:19 | 0:30:22 | |
-You liar! Let's have it. -And one glass of water. | 0:30:22 | 0:30:27 | |
-What's strega? -It's an Italian liqueur. | 0:30:35 | 0:30:39 | |
It has a picture of a witch on the bottle. | 0:30:39 | 0:30:43 | |
-They say that if two people drink it together, they'll never drink it apart. -How cosy! | 0:30:43 | 0:30:51 | |
'Republican HQ have just conceded the state of Pennsylvania to...Roosevelt!' | 0:30:52 | 0:30:58 | |
He'll never make it. | 0:30:58 | 0:31:01 | |
Wait until the returns come in from the Mid-West. | 0:31:01 | 0:31:05 | |
Giono, from now on... | 0:31:05 | 0:31:08 | |
this is our bottle. | 0:31:08 | 0:31:10 | |
-I won't even touch it myself. -We'll fix that. | 0:31:10 | 0:31:15 | |
There! | 0:31:23 | 0:31:26 | |
Why so solemn? | 0:31:36 | 0:31:39 | |
-Oh, I was just wondering. -What about? | 0:31:39 | 0:31:43 | |
-Why did you bring me to New York? -I thought you'd like it. Why? | 0:31:43 | 0:31:49 | |
Because... Well, when I was going to high school in Manatu, Illinois, | 0:31:49 | 0:31:54 | |
it's a small town and everybody knew everybody else's business. | 0:31:54 | 0:31:59 | |
So when a man took somebody out that he didn't want to be seen with, | 0:31:59 | 0:32:05 | |
he'd take her up to Chicago. | 0:32:05 | 0:32:08 | |
I see. | 0:32:09 | 0:32:12 | |
But this isn't like that. It's the opposite. | 0:32:12 | 0:32:16 | |
I wanted to make a good impression on you. | 0:32:16 | 0:32:20 | |
So I brought you where I thought I most likely could do it. | 0:32:20 | 0:32:25 | |
-I'm sorry if... -Kitty... -'Republican HQ have conceded Kansas and Nebraska... | 0:32:27 | 0:32:34 | |
'to Roosevelt.' | 0:32:34 | 0:32:37 | |
CHEERING | 0:32:37 | 0:32:39 | |
Wait until the Pacific Coast returns come in. | 0:32:48 | 0:32:52 | |
That's where Hoover is going to murder him. | 0:32:52 | 0:32:57 | |
Thanks. | 0:33:01 | 0:33:03 | |
Kitty, will you go to the Assembly with me this year? | 0:33:05 | 0:33:10 | |
Will you? | 0:33:13 | 0:33:16 | |
Ohh! | 0:33:16 | 0:33:17 | |
Wyn, that's awfully nice, | 0:33:17 | 0:33:21 | |
but you don't have to do that. | 0:33:21 | 0:33:24 | |
I want you to go. It isn't a gesture. | 0:33:24 | 0:33:27 | |
When I was a little girl I used to read about the Assembly | 0:33:29 | 0:33:34 | |
and cut out the pictures of the society ladies and use them as paper dolls. | 0:33:34 | 0:33:41 | |
-Probably the best use they've ever been put to. -A committee goes over the invitation list... -Mmm. | 0:33:41 | 0:33:49 | |
If they run across a Foyle, boom! Next thing, she's being scraped off the sidewalk. | 0:33:49 | 0:33:57 | |
Leave it to me. Is it a date? | 0:33:57 | 0:34:00 | |
I know I'm crazy... but it's a date. | 0:34:02 | 0:34:06 | |
'Attention, everybody! Republican National HQ have just conceded that the next president | 0:34:06 | 0:34:13 | |
'will be Franklin Delano ROOSEVELT!' | 0:34:13 | 0:34:17 | |
EVERYONE SINGING: "Happy Days Are Here Again" | 0:34:35 | 0:34:40 | |
Hooray! Hooray! | 0:34:40 | 0:34:42 | |
-What are you celebrating? Hoover didn't win. -I'm celebrating our first kiss! -You're crazy! | 0:34:42 | 0:34:50 | |
If you don't sing you ain't 100% American! | 0:34:50 | 0:34:54 | |
-Thanks for reminding me. We're 100% Americans, ain't we? -Sure! -Kitty for President! | 0:34:54 | 0:35:02 | |
# The skies above are clear again Let us sing a song of cheer again Happy days are here again! # | 0:35:02 | 0:35:09 | |
-What are you doing? -It isn't private enough. | 0:35:09 | 0:35:13 | |
-Let's go see the sunset. -It's already set. -Then let's go see the moon rise! | 0:35:13 | 0:35:20 | |
"But Lancelot mused a little space | 0:35:25 | 0:35:29 | |
"He said, She has a lovely face. | 0:35:29 | 0:35:32 | |
"God in his mercy lend her grace, | 0:35:34 | 0:35:36 | |
"The Lady of Shalott." | 0:35:36 | 0:35:39 | |
I thought you said this was your favourite poem. | 0:35:39 | 0:35:44 | |
What tune is this? | 0:35:44 | 0:35:47 | |
-Night and Day. -Aww! | 0:35:51 | 0:35:53 | |
All right. YOU play one. | 0:35:53 | 0:35:56 | |
-Stormy Weather. -No! -Play it again! -All right. | 0:36:02 | 0:36:07 | |
-# -Three little words... -# -Yes! | 0:36:09 | 0:36:12 | |
"The stag at eve had drunk his fill Where danced the moon on Monan's rill..." | 0:36:12 | 0:36:18 | |
-"Brushed his teeth, combed his hair, took a whiff of mountain air." -You've destroyed it! | 0:36:18 | 0:36:25 | |
-You've no sense of the importance of beauty! -Tell me about the importance, Teacher! | 0:36:25 | 0:36:32 | |
Glad to! | 0:36:32 | 0:36:35 | |
It's a man's duty to instruct women in all subjects. Pick a subject. | 0:36:35 | 0:36:40 | |
Well... | 0:36:40 | 0:36:42 | |
tell me...where we are. | 0:36:42 | 0:36:45 | |
-We're in the Pocono Mountains, Pennsylvania. -But where are we REALLY? | 0:36:45 | 0:36:51 | |
-In heaven? -No. | 0:36:51 | 0:36:54 | |
In love. | 0:36:54 | 0:36:56 | |
Tell me about love. | 0:36:58 | 0:37:01 | |
Well, first there was a man. | 0:37:01 | 0:37:04 | |
Just as he was learning his way about, there was a woman. | 0:37:04 | 0:37:09 | |
-Was the woman beautiful? -Very. | 0:37:09 | 0:37:11 | |
She had...reddish hair | 0:37:11 | 0:37:14 | |
a nose than went like so... | 0:37:15 | 0:37:18 | |
and her eyes were as blue-green as the sea. | 0:37:18 | 0:37:23 | |
She looked something like me! | 0:37:23 | 0:37:25 | |
Well, her voice didn't sound so much like music | 0:37:25 | 0:37:30 | |
and her eyes didn't trap the starlight half as cleverly. | 0:37:30 | 0:37:35 | |
What did the man and the woman do? | 0:37:37 | 0:37:40 | |
At first they just hung around. | 0:37:40 | 0:37:43 | |
Didn't take any notice of each other. Maybe a grunt now and then, nothing more. | 0:37:43 | 0:37:50 | |
They thought of each other as company or perhaps as friends. | 0:37:50 | 0:37:55 | |
Then, one night, a strange thing happened. | 0:37:55 | 0:38:00 | |
What? | 0:38:00 | 0:38:01 | |
The man and woman were sitting in front of a fire. | 0:38:01 | 0:38:06 | |
The firelight played on her face and the man saw how beautiful she was. | 0:38:06 | 0:38:13 | |
Immediately he made love to her. | 0:38:13 | 0:38:16 | |
How? | 0:38:16 | 0:38:18 | |
He bent down over her... | 0:38:18 | 0:38:20 | |
rubbed her nose with his... | 0:38:20 | 0:38:23 | |
-Didn't the woman object? -No! | 0:38:23 | 0:38:26 | |
-No. -She loved him too. | 0:38:26 | 0:38:29 | |
Why? | 0:38:29 | 0:38:31 | |
-Well... -Because... | 0:38:31 | 0:38:34 | |
he was all that she had ever dreamed of. | 0:38:34 | 0:38:38 | |
Tell me some more about the man and woman. | 0:38:39 | 0:38:43 | |
Let me see. Where was I? | 0:38:43 | 0:38:46 | |
You were...here. | 0:38:47 | 0:38:50 | |
Judas Priest! | 0:39:03 | 0:39:05 | |
Pop, what are you doing downstairs? | 0:39:05 | 0:39:08 | |
Didn't Dr Cartwright tell you to stay in bed? | 0:39:11 | 0:39:16 | |
-Dr Cartwright is a quack. -You're going to stay down. | 0:39:16 | 0:39:21 | |
Understand? | 0:39:21 | 0:39:23 | |
There, now. | 0:39:23 | 0:39:26 | |
How does the rebel feel? | 0:39:27 | 0:39:30 | |
I have an idea I'm below par. | 0:39:30 | 0:39:33 | |
You were born four drinks below par. | 0:39:37 | 0:39:41 | |
Think you could force a little of this down? I know you hate it. | 0:39:44 | 0:39:49 | |
I guess you'll just have to steel yourself. | 0:39:49 | 0:39:53 | |
-Do you promise? -I only take it to tone up my system. | 0:39:53 | 0:39:58 | |
-BACK DOOR OPENS -Is that you, Myrtle? | 0:39:58 | 0:40:03 | |
-Yes, Miss Kitty. -I'm going out to dinner tonight, so Myrtle will get yours. | 0:40:03 | 0:40:09 | |
-Goodbye, darling. -Come here, honey. | 0:40:09 | 0:40:12 | |
-Remember when I gave you this? -Mmm. | 0:40:18 | 0:40:21 | |
I didn't mean you to BE a little girl on a sleigh ride. | 0:40:21 | 0:40:27 | |
Go on. I don't know what you mean. | 0:40:27 | 0:40:29 | |
I mean Wyn Strafford. | 0:40:29 | 0:40:32 | |
Oh. | 0:40:32 | 0:40:33 | |
You might as well try to argue me out of a case of bronchitis. Cos I love him. | 0:40:33 | 0:40:41 | |
-Judas Priest! -You said it! -You want to marry him? -Mmm. | 0:40:42 | 0:40:47 | |
-Has he ever asked you to meet his family? -I've never worried about his family. | 0:40:47 | 0:40:55 | |
-I'm just as good as they are. -Just as good? | 0:40:55 | 0:40:59 | |
You're so far above them they can't touch you with a 10-foot pole! | 0:40:59 | 0:41:06 | |
Mainline? They haven't caught up with the present. Your grandpa was a mainliner. | 0:41:06 | 0:41:13 | |
-Grandpa Foyle? -He helped lay the tracks. REAL mainlining. Those tracks were GOING somewhere. | 0:41:13 | 0:41:20 | |
Fall in love with a man that's going somewhere. | 0:41:20 | 0:41:24 | |
There's no use arguing about it. | 0:41:24 | 0:41:27 | |
One, I don't agree with you, and two, he hasn't asked me. Yet! | 0:41:27 | 0:41:32 | |
-And he never will. -But he loves me, Pop. | 0:41:32 | 0:41:37 | |
Where does that get you? Exactly nowhere. | 0:41:37 | 0:41:40 | |
I taught them cricket at school. | 0:41:40 | 0:41:43 | |
They may want to break away, but they never do, Kitty. | 0:41:43 | 0:41:48 | |
They always marry one of their own kind. I was a fool to let him in here. | 0:41:48 | 0:41:55 | |
Darling! I've got to go to work. | 0:41:55 | 0:41:58 | |
But I'll let you in on a little secret. | 0:41:58 | 0:42:02 | |
A woman can always tell when a man is going to propose. | 0:42:02 | 0:42:08 | |
Woman's instinct - there's a real piece of idiocy. | 0:42:08 | 0:42:12 | |
Every woman is a crystalgazer! She can foretell the future like a politician. | 0:42:12 | 0:42:19 | |
Goodbye! I've got to go to work! | 0:42:19 | 0:42:22 | |
Goodbye, darling. | 0:42:22 | 0:42:25 | |
Don't worry about me, Pop. | 0:42:25 | 0:42:27 | |
I can take care of myself. | 0:42:27 | 0:42:31 | |
Take care of yourself. By Judas Priest, you're going to break your heart. | 0:42:32 | 0:42:38 | |
-Good morning! -Morning. | 0:42:43 | 0:42:46 | |
-What's the matter? -Wyn wants to see you. | 0:42:46 | 0:42:51 | |
Oh, is he in already? | 0:42:51 | 0:42:54 | |
Morning, darling. | 0:43:02 | 0:43:04 | |
-May I come in? -No. I'm coming out. | 0:43:07 | 0:43:09 | |
Good morning! Hey, what's all that? | 0:43:09 | 0:43:13 | |
-Heard of the Depression? -Yes. It comes around when everybody's broke. | 0:43:13 | 0:43:19 | |
It's right here in this office. | 0:43:19 | 0:43:22 | |
-What do you mean? -Our magazine is folding. | 0:43:22 | 0:43:26 | |
-Oh, Wyn! -Your boss is a flop. | 0:43:26 | 0:43:29 | |
Don't say that, darling. It's not so. | 0:43:29 | 0:43:33 | |
-Sit down and tell me about it. -There's not much to tell. -What happened? | 0:43:34 | 0:43:40 | |
I got the idea for this magazine because I didn't like following the family. | 0:43:40 | 0:43:46 | |
I still don't. I thought this might be the answer. | 0:43:46 | 0:43:51 | |
They say all magazines lose money at first. | 0:43:51 | 0:43:55 | |
That's great - when you've got it to lose. | 0:43:55 | 0:43:59 | |
I haven't. The 10,000 the family gave me has gone. That's all there is to it. | 0:43:59 | 0:44:06 | |
You're a big boy with the right number of arms and hands and legs and plenty of brains. | 0:44:06 | 0:44:13 | |
I'm not going to cry over your first set-back. You've still got your health! | 0:44:13 | 0:44:20 | |
I tried to break away and it didn't work. I'm washed up. | 0:44:20 | 0:44:25 | |
I suppose you're the only guy in the United States who's got washed up this year! | 0:44:25 | 0:44:32 | |
-So, what are you going to do about it? Leap out a window? -No! | 0:44:32 | 0:44:37 | |
-I guess I'll have to go back to the bank. -They can't make a banker out of you! | 0:44:37 | 0:44:44 | |
You're too sweet! | 0:44:44 | 0:44:47 | |
Wyn Strafford, if you talk like that again I'll pop you on the nose. | 0:44:47 | 0:44:53 | |
You can't do that. | 0:44:53 | 0:44:56 | |
You're different. You're GOING somewhere. | 0:44:56 | 0:45:00 | |
Like the REAL mainliners. | 0:45:00 | 0:45:03 | |
Do you really believe that, Kitty? | 0:45:04 | 0:45:07 | |
I told you I was in your corner, didn't I? I still am. | 0:45:07 | 0:45:12 | |
-One round you've lost, but there are 14 others coming up. -Darling, what about YOU? | 0:45:12 | 0:45:20 | |
-Me? -Yes. What are YOU going to do? | 0:45:20 | 0:45:24 | |
That's right. I'm out of a job! | 0:45:24 | 0:45:27 | |
I never thought about that. | 0:45:28 | 0:45:31 | |
Well... | 0:45:31 | 0:45:33 | |
I might get a job in New York. | 0:45:33 | 0:45:35 | |
A friend of mine lives there. | 0:45:35 | 0:45:38 | |
-I can't let you do that. -Why not? | 0:45:38 | 0:45:41 | |
Because you'd be too far away. | 0:45:41 | 0:45:44 | |
It's not China. | 0:45:45 | 0:45:48 | |
Kitty. | 0:45:54 | 0:45:56 | |
Huh? | 0:45:56 | 0:45:57 | |
You're all alone. | 0:46:01 | 0:46:04 | |
Your dad isn't very well. | 0:46:04 | 0:46:06 | |
I think it's too much of a load for you to handle. | 0:46:08 | 0:46:13 | |
I feel kind of responsible. It isn't YOUR fault the magazine folded. | 0:46:13 | 0:46:19 | |
So... | 0:46:19 | 0:46:21 | |
until... | 0:46:21 | 0:46:23 | |
you can get another job... | 0:46:23 | 0:46:26 | |
What do you mean? | 0:46:26 | 0:46:28 | |
-I'll just keep you on the payroll. It's only fair... -Just a minute. You needn't worry about ME. | 0:46:28 | 0:46:36 | |
I'm free and twenty-one. Well, almost. | 0:46:36 | 0:46:41 | |
I'll go on loving you from here on out. | 0:46:41 | 0:46:45 | |
Or until I stop loving you. | 0:46:45 | 0:46:48 | |
But nobody owes a thing to Kitty Foyle. | 0:46:48 | 0:46:53 | |
Except Kitty Foyle! | 0:46:53 | 0:46:55 | |
You were right, Pop. | 0:47:11 | 0:47:14 | |
Well, it was just like you said. | 0:47:21 | 0:47:24 | |
Pop! | 0:47:33 | 0:47:35 | |
Pop! POP! | 0:47:35 | 0:47:38 | |
KITTY SOBS | 0:47:38 | 0:47:41 | |
Oh, no, Pop! | 0:47:41 | 0:47:44 | |
So it was goodbye to Pop. And Philadelphia. And all of that part of your life. | 0:47:46 | 0:47:54 | |
You ran away to New York. | 0:47:54 | 0:47:57 | |
And why New York? | 0:47:57 | 0:48:00 | |
All right, kid, let's face it. It was because New York reminded you of Wyn. | 0:48:00 | 0:48:07 | |
You may have shut the door on him but you had no intention of locking it. | 0:48:07 | 0:48:13 | |
What you REALLY hoped was that Wyn would come and find you. | 0:48:13 | 0:48:18 | |
So you joined the New York white collar brigade and waited... | 0:48:18 | 0:48:23 | |
This perfume should never be applied directly. | 0:48:25 | 0:48:30 | |
So... | 0:48:32 | 0:48:34 | |
What do you think, Madame Delphine? I wish you'd do as well. | 0:48:37 | 0:48:41 | |
Quality is rather competitive. Its base, of course, is allure. You will notice... May I? | 0:48:41 | 0:48:50 | |
There is a slightly aloof... slightly supercilious quality to the bouquet, | 0:48:50 | 0:48:56 | |
but the merest shade of promise there, too. | 0:48:56 | 0:49:00 | |
That's right! | 0:49:00 | 0:49:03 | |
-The favourite of la femme chic de Paris. -Really? -Are you married? | 0:49:03 | 0:49:08 | |
Yes. | 0:49:09 | 0:49:11 | |
-It's still a charming perfum, even around the house. -I'll take it. -I'm glad. | 0:49:11 | 0:49:17 | |
It will make monsieur happy, too. | 0:49:17 | 0:49:20 | |
It is... | 0:49:21 | 0:49:24 | |
67 an ounce. How many ounces...? | 0:49:26 | 0:49:31 | |
-Isn't that...rather expensive? -How else could we keep the wrong sort of person from wearing it? | 0:49:31 | 0:49:38 | |
One ounce will do. | 0:49:39 | 0:49:42 | |
Merci. | 0:49:42 | 0:49:44 | |
-Miss Detaille really holds off on charges. 67 bucks an ounce. Whew! -Look at some of these customers. | 0:49:47 | 0:49:55 | |
They at least want to SMELL good. | 0:49:55 | 0:49:57 | |
-Where do I find a box to fit this? -Ring Stock. | 0:49:57 | 0:50:01 | |
BURGLAR ALARM RINGS | 0:50:04 | 0:50:07 | |
-I must have done something wrong. -You said it! -What'll I do? -Flop! | 0:50:12 | 0:50:17 | |
-Huh? -Faint! | 0:50:17 | 0:50:20 | |
What's the matter? | 0:50:25 | 0:50:28 | |
Ohh! Somebody get a doctor! | 0:50:28 | 0:50:32 | |
Operator! Get a doctor! Get an ambulance! | 0:50:34 | 0:50:39 | |
BELL RINGS CONTINUOUSLY | 0:50:39 | 0:50:42 | |
WOMEN SCREAM | 0:50:49 | 0:50:51 | |
ALARM STOPS RINGING | 0:50:52 | 0:50:56 | |
Where's the patient? I'LL be the patient if you don't let me out! | 0:50:56 | 0:51:02 | |
This looks bad. Probably a fracture. | 0:51:23 | 0:51:28 | |
Seems all right. | 0:51:28 | 0:51:31 | |
-OK from the knees down. Probably hip dislocation. -Lay off! | 0:51:31 | 0:51:36 | |
Faking, eh? | 0:51:36 | 0:51:38 | |
Yes. Be a good guy and go away. | 0:51:38 | 0:51:42 | |
I've got just the thing for you. | 0:51:42 | 0:51:44 | |
Listen, I'll lose my job if they find out I turned on that alarm. | 0:51:44 | 0:51:50 | |
Well, how about a date tonight? | 0:51:50 | 0:51:53 | |
-No. -OK. I'll try to inject this so it won't hurt you...much. | 0:51:53 | 0:51:59 | |
-You're not really gonna do that? -What do you think? -I'll scream. -And lose your job? | 0:51:59 | 0:52:06 | |
-All right, you win. -It's a date? | 0:52:06 | 0:52:09 | |
-Yes. -Where do you live? Hurry, somebody's coming. | 0:52:09 | 0:52:14 | |
-1622 Rex Hill. Apartment 31. -Is 8 o'clock all right? | 0:52:14 | 0:52:18 | |
-It's a little late for dinner. -8 o'clock. | 0:52:18 | 0:52:23 | |
What's the matter? Oh, it's Kitty. It's my new girl! Oh, she's... | 0:52:24 | 0:52:29 | |
Oh, the poor little thing! She's fainted. | 0:52:29 | 0:52:33 | |
Oh, there, there. Poor darling. | 0:52:34 | 0:52:38 | |
I'm looking forward to a five-course dinner. That's the least I'll settle for! | 0:52:41 | 0:52:47 | |
You've got more faith than me! Me, too. | 0:52:47 | 0:52:50 | |
I haven't made up my mind whether I should demand dancing or not. How do I look? | 0:52:50 | 0:52:56 | |
A chain of holes isn't very leg flattering. | 0:52:56 | 0:53:01 | |
-Maybe it's just as well. -DOOR BUZZER -The doctor, I dare say. | 0:53:01 | 0:53:07 | |
OK, we're leaving. Goodbye. | 0:53:07 | 0:53:11 | |
You needn't rush away on my account. | 0:53:11 | 0:53:14 | |
-Good evening. -Good evening. | 0:53:21 | 0:53:23 | |
And how is our little patient this evening? | 0:53:23 | 0:53:28 | |
-If you're referring to me, I'm all right. -I'm fine, too. | 0:53:29 | 0:53:35 | |
It was a very funny way we met this afternoon. | 0:53:35 | 0:53:39 | |
Just a minute, doctor. I agreed to have a date with you and I intend to keep my word. | 0:53:39 | 0:53:46 | |
But if you think I'll laugh over that trick of yours, you're wrong. | 0:53:46 | 0:53:52 | |
I thought we'd sit and reminisce. | 0:53:52 | 0:53:54 | |
They're not going. I knew he was a squatter. I got goose bumps when I heard the buzzer. | 0:53:54 | 0:54:01 | |
Let's throw Kitty a lifeline. OK, let's. | 0:54:01 | 0:54:06 | |
-It's a nice place. -I share it with two other girls. | 0:54:08 | 0:54:13 | |
-What could be better? -Sharing with ONE(?) | 0:54:13 | 0:54:17 | |
-You know the first thing I thought of when I saw you today? -Yes. | 0:54:17 | 0:54:24 | |
-Goodnight. -Oh, please, I'm sorry. I won't do it again. | 0:54:25 | 0:54:29 | |
You walk close to the edge, doctor. | 0:54:29 | 0:54:32 | |
I was just trying to get the reins. | 0:54:32 | 0:54:34 | |
Pardon me. | 0:54:39 | 0:54:41 | |
Pardon me. | 0:54:44 | 0:54:46 | |
-Is that one of them? -Yes, Molly. I forgot to introduce you. -Don't worry. | 0:54:47 | 0:54:54 | |
-Pat, this is Dr Mark... Miss Day. -How do you do? Pleased to meet ya. | 0:54:56 | 0:55:01 | |
-Is this a gag? -They're just relaxed. That's all. | 0:55:04 | 0:55:09 | |
I've seen better specimens in a glass jar. | 0:55:09 | 0:55:14 | |
Well, what's your programme? | 0:55:16 | 0:55:18 | |
-Do you like to play cards? -No. Besides, we haven't any. | 0:55:18 | 0:55:24 | |
As chance would have it, I have a deck right here. | 0:55:24 | 0:55:28 | |
-Now, isn't that a strange coincidence? -Yes, isn't it? | 0:55:30 | 0:55:35 | |
Double solitaire? | 0:55:37 | 0:55:39 | |
He's digging in for the night. | 0:55:43 | 0:55:45 | |
Poor Kitty! Her first date and she draws a guy that's slap-jack happy! | 0:55:45 | 0:55:51 | |
I guess I'll finish the laundry. | 0:55:51 | 0:55:54 | |
What are you doing? | 0:55:55 | 0:55:58 | |
If I'm any judge of that guy, I'll be able to finish this book. | 0:55:58 | 0:56:03 | |
Jack. Queen. King. 17 games to 3. | 0:56:08 | 0:56:11 | |
-Strong coffee. -Too strong. It's keeping me awake. | 0:56:13 | 0:56:17 | |
-You're not very good at sol. -Not when I'm hungry. I thought we had a date tonight. | 0:56:17 | 0:56:24 | |
-What do you think's been going on here? -For one thing, I've slowly grown to hate you. | 0:56:24 | 0:56:32 | |
-Me? But why? -Because I'm hungry. I thought you were going to take me to dinner. | 0:56:32 | 0:56:38 | |
-I've only got a dime. -We could go out and spend that. | 0:56:38 | 0:56:43 | |
All we could get for a dime is coffee, and we've got coffee. | 0:56:43 | 0:56:49 | |
I've had an awfully nice time. | 0:56:52 | 0:56:55 | |
I'm so glad(!) We must do it again. And soon, too(!) | 0:56:55 | 0:57:00 | |
-You've taken an awful beating, haven't you? -YOU should know. | 0:57:00 | 0:57:05 | |
All of this has been kind of a test. | 0:57:05 | 0:57:09 | |
You mean, you've been testing ME?! | 0:57:11 | 0:57:14 | |
Don't make it sound so awful. It's just that the girl I fall for mustn't be a gold-digger. | 0:57:14 | 0:57:21 | |
I haven't got the dough for it. So I won't fall for one unless I can like her without spending any money. | 0:57:21 | 0:57:28 | |
-That's just for the first evening. -Well, how did I come out? -You're OK. | 0:57:28 | 0:57:34 | |
I must point out that anything I did to prove that to you was unintentional. | 0:57:34 | 0:57:40 | |
I know that. | 0:57:40 | 0:57:42 | |
-How about the movies, Saturday night? -I'm sorry. I can't afford it. -I'll pay! | 0:57:48 | 0:57:54 | |
-Coal Isle Johnny, eh? -And the bus both ways. | 0:57:54 | 0:57:59 | |
Well, I never thought I'd fall for a flashy fella, but it's a date. | 0:58:04 | 0:58:10 | |
-Goodnight. -Goodnight. | 0:58:10 | 0:58:12 | |
-All clear. -He's gone. Ooh! So am I! | 0:58:22 | 0:58:27 | |
-I'd have asked him for rent. -I know what his answer would've been. | 0:58:30 | 0:58:35 | |
-What made him rush off(?) -His cards began to wear out. | 0:58:35 | 0:58:39 | |
That boy'll get somewhere. | 0:58:39 | 0:58:42 | |
-What makes you think so? -The way he saves his money. | 0:58:42 | 0:58:47 | |
-It's better than staying home alone. -And it's better than having your leg amputated! | 0:58:47 | 0:58:54 | |
I'm too sleepy to make up my bed. Goodnight. | 0:58:54 | 0:58:58 | |
Douse the light, Molly. | 0:59:00 | 0:59:04 | |
-Kitty? -Mm? -Whatever happened to that fella in Philadelphia? | 0:59:20 | 0:59:26 | |
The knight in shining armour. | 0:59:26 | 0:59:29 | |
Oh, him? | 0:59:30 | 0:59:32 | |
I don't know. I guess he must've caught the wrong horse. | 0:59:34 | 0:59:39 | |
-Don't you like this poor man's caviar? -Sure. I was just studying. | 0:59:51 | 0:59:56 | |
-There's a lot to be seen on a subway if you can read. -Ads or faces? | 0:59:56 | 1:00:02 | |
People. It's good practice. | 1:00:02 | 1:00:04 | |
Take Slim. What do you figure he is? | 1:00:04 | 1:00:07 | |
-A ballet dancer? -He looks like a real estater. | 1:00:10 | 1:00:14 | |
-I'd say he has two kids, a house in Brooklyn and a skinny wife. -He looks worried. | 1:00:14 | 1:00:20 | |
-It's late. He's wondering about what to tell the wife. -He stopped worrying about that years ago. | 1:00:20 | 1:00:27 | |
-Then he's worrying about how to get ahead in the world. -We all think about that. -Not ME. | 1:00:27 | 1:00:34 | |
I'm taking a job in a kids' clinic. It won't pay as much as Park Avenue neurotics, but... | 1:00:34 | 1:00:41 | |
That little kid's gonna be like that for the rest of his life - weak, frail and unhappy. | 1:00:43 | 1:00:50 | |
Thousands of little guys like him in New York. They need attention whether they can pay for it or not. | 1:00:50 | 1:00:57 | |
-Why, Mark, you're an idealist! -Not me! I don't even like them. | 1:00:57 | 1:01:02 | |
-Idealists? -They're always patting themselves on the back. | 1:01:02 | 1:01:08 | |
-That's to save you the trouble. -'96th Street.' That's us. | 1:01:09 | 1:01:14 | |
Now, take me. I like idealists! | 1:01:14 | 1:01:17 | |
-Kitty? -Mm? | 1:01:20 | 1:01:22 | |
-Have you ever fallen in love? -Uh-huh. | 1:01:22 | 1:01:26 | |
What kind of a fella? | 1:01:27 | 1:01:29 | |
I don't know what you'd call him. | 1:01:31 | 1:01:34 | |
But I thought he was wonderful. | 1:01:36 | 1:01:38 | |
You still love him, huh? | 1:01:38 | 1:01:41 | |
Why didn't you marry him, then? | 1:01:42 | 1:01:45 | |
-He had too much money. -You must be running a fever. Nobody's got too much money. | 1:01:48 | 1:01:55 | |
HE did. | 1:01:55 | 1:01:58 | |
-You want a poor man? -I don't want anybody. | 1:01:58 | 1:02:03 | |
Those rich fellas have no way of telling when they're falling in love. | 1:02:03 | 1:02:08 | |
-A fella like me knows when he's falling in love. -Well, that's very interesting. | 1:02:08 | 1:02:15 | |
-How do you know when you're falling in love? -I don't make much dough. | 1:02:15 | 1:02:21 | |
When I find myself wanting to spend 10 on a girl, I know I'm falling in love. | 1:02:21 | 1:02:28 | |
You're still safe then. | 1:02:29 | 1:02:32 | |
I'm NOT. | 1:02:32 | 1:02:34 | |
Kitty, how'd you like to go out, Friday night, dinner, dancing? | 1:02:38 | 1:02:43 | |
You mean, you want to take me out to dinner? | 1:02:43 | 1:02:48 | |
Yes. Friday night. Do it up brown! | 1:02:48 | 1:02:52 | |
OK? | 1:02:52 | 1:02:54 | |
OK. | 1:02:55 | 1:02:58 | |
-Goodnight. -Goodnight. | 1:03:04 | 1:03:07 | |
-Same as usual? -Yes, please, Billy. | 1:03:22 | 1:03:25 | |
Why do you still buy that Philadelphia paper? | 1:03:27 | 1:03:31 | |
-Just to keep up with the old town, I guess. -To keep up with that boyfriend! | 1:03:31 | 1:03:38 | |
After all this time, I'd forget him. | 1:03:38 | 1:03:41 | |
-What's the matter? -Tonight's the Assembly in Philadelphia. | 1:03:45 | 1:03:49 | |
-Wyn'll be there in his shining armour(!) -You'll be out with Mark in his shining stethoscope. | 1:03:49 | 1:03:57 | |
Your change. Violets. > | 1:03:57 | 1:04:00 | |
-Violets, five cents. -Sure. I'll have two bunches, please. | 1:04:02 | 1:04:06 | |
What is all this? Somebody's cuckoo. | 1:04:25 | 1:04:29 | |
These things have been coming in all evening. In the bath tub we've got water lilies. | 1:04:29 | 1:04:36 | |
They're all for you. The cards are full of mush but they're unsigned. | 1:04:36 | 1:04:41 | |
This is an oriental meat-eating plant that needs to be fed three times a day. | 1:04:41 | 1:04:47 | |
-Have you fed it? I... -He's a fool. | 1:04:47 | 1:04:52 | |
What is it? What's so funny? | 1:04:52 | 1:04:55 | |
-DOOR BUZZER -It's Wyn. I know it. | 1:04:55 | 1:05:00 | |
-Girls, please...? -We'll join the water lilies. | 1:05:00 | 1:05:05 | |
Come in. | 1:05:07 | 1:05:10 | |
-Oh, Wyn! -Kitty! | 1:05:13 | 1:05:17 | |
-Darling! -Oh, Wyn, I never... -Darling! | 1:05:18 | 1:05:22 | |
I just got here and look what I found. And I bought myself a dime worth of violets! | 1:05:22 | 1:05:29 | |
Oh, darling, how did you find me? | 1:05:29 | 1:05:32 | |
I just followed my heartbeat. Shall I go outside while you dress? | 1:05:32 | 1:05:37 | |
-Dress? -I told you once I'd take you to the Assembly. It's tonight. | 1:05:37 | 1:05:43 | |
Only ours will be here in New York. | 1:05:43 | 1:05:46 | |
Oh, and you remembered! | 1:05:46 | 1:05:49 | |
-Wait a minute! -Where are you going? | 1:05:52 | 1:05:57 | |
-Think it'll do? -Oh, isn't that beautiful? | 1:06:03 | 1:06:07 | |
Oh, I'm so happy and you're so crazy. | 1:06:07 | 1:06:11 | |
-I forgot to tell you how much I love you. -How much do you love me? | 1:06:11 | 1:06:16 | |
-If I loved you as much as you love me, would that be enough? -There'd be no love left for anyone. | 1:06:16 | 1:06:23 | |
MUSIC: "I'll See You In My Dreams" | 1:06:26 | 1:06:31 | |
We ought to be close together like those new French telephones. | 1:06:32 | 1:06:38 | |
-Hey! -Lips quicker than the eye! | 1:06:40 | 1:06:42 | |
Besides, nobody knows who we are. You look like the wrapping round the neck of a champagne bottle. | 1:06:42 | 1:06:50 | |
I feel like something wrapped round your neck. | 1:06:53 | 1:06:57 | |
-You like to dance, don't you? -All women do. It's good training. | 1:06:59 | 1:07:04 | |
-How do you mean? -It's the first way a girl learns what a man is going to do before he does it. | 1:07:04 | 1:07:12 | |
-We're all alone really, aren't we? -Uh-huh. | 1:07:21 | 1:07:25 | |
And yet we're surrounded by people. | 1:07:25 | 1:07:28 | |
It's because you and I together make something entirely different | 1:07:28 | 1:07:33 | |
from either one of us when we're separated. A new element, like in chemistry. | 1:07:33 | 1:07:39 | |
We'll always be alone. | 1:07:39 | 1:07:42 | |
As long as we're together. | 1:07:42 | 1:07:44 | |
ORCHESTRA PLAYS ROMANTIC MUSIC | 1:07:55 | 1:07:59 | |
How long has Nijinsky over there rented the joint for? 5am. | 1:08:43 | 1:08:49 | |
That's when some dance in Philadelphia ends(!) | 1:08:49 | 1:08:54 | |
MUSIC: "Home, Sweet Home" | 1:09:08 | 1:09:13 | |
It's 5 o'clock. | 1:09:16 | 1:09:19 | |
-Mm? -It's 5 o'clock. | 1:09:19 | 1:09:23 | |
Oh. Well, the Assembly's over. | 1:09:23 | 1:09:26 | |
Oh, I don't ever want it to stop. | 1:09:26 | 1:09:29 | |
How about some scrambled eggs, little sausages and champagne? | 1:09:30 | 1:09:35 | |
-Is that traditional at the Assembly? -Yes. The eggs and sausages were added in 1897. | 1:09:35 | 1:09:42 | |
All I'm asking is that the orchestra play in my room. | 1:09:46 | 1:09:50 | |
-Sir, we have other guests in the hotel. -Show him how softly you play. | 1:09:50 | 1:09:56 | |
You see? VERY softly. | 1:09:59 | 1:10:03 | |
-I'm sorry, Mr Strafford. -What a town! | 1:10:11 | 1:10:15 | |
Come on, boys. Bring the wine. | 1:10:15 | 1:10:18 | |
This day started out like any other old day in the year. | 1:10:20 | 1:10:26 | |
-Can you think of anyone we haven't drunk to? -Nobody left but strangers. | 1:10:26 | 1:10:31 | |
Very well. To the people we don't know. | 1:10:31 | 1:10:36 | |
-In five minutes the alarm will be going off. -Shut it off. I'm awake. | 1:10:48 | 1:10:54 | |
See this? | 1:10:57 | 1:10:59 | |
What is it? An heirloom? | 1:11:03 | 1:11:05 | |
It was my great-grandmother's. It's a symbol of eternal life. From her to me...and you. | 1:11:05 | 1:11:13 | |
To those that come after us. | 1:11:13 | 1:11:15 | |
It's our family. | 1:11:15 | 1:11:18 | |
You'd better put it away if it's family stuff. | 1:11:18 | 1:11:23 | |
-Boys, can you play Tales From The Vienna Woods? -Feebly. | 1:11:27 | 1:11:33 | |
I don't know why I should need all this background but, Kitty, will you marry me? | 1:11:37 | 1:11:44 | |
Will you? | 1:11:48 | 1:11:51 | |
No, darling. | 1:11:53 | 1:11:55 | |
Don't you love me? | 1:11:57 | 1:11:59 | |
-Uh-huh. -But you won't marry me? | 1:11:59 | 1:12:03 | |
-Uh-uh. -Why not? | 1:12:04 | 1:12:08 | |
Well, Wyn, darling, we're happy now, aren't we? | 1:12:11 | 1:12:16 | |
-I mean, here, this minute. -Of course we are. | 1:12:16 | 1:12:20 | |
Do you know why? | 1:12:20 | 1:12:22 | |
Because we love each other and we're together. | 1:12:22 | 1:12:26 | |
No, that's not it. | 1:12:26 | 1:12:28 | |
-It's because we're not in Philadelphia. -This is no time to joke. | 1:12:28 | 1:12:33 | |
In New York we're happy. At Pocono we're happy. | 1:12:33 | 1:12:38 | |
In Seattle and New Orleans and Dallas we could be happy. But not in Philadelphia. | 1:12:38 | 1:12:45 | |
Everywhere else we're just two people in love, minding our own business and bothering nobody. | 1:12:45 | 1:12:52 | |
You see what I mean. | 1:12:53 | 1:12:56 | |
-Kitty... -In Philadelphia, you're Darby Mill and I'm Griscomb Street. | 1:12:56 | 1:13:01 | |
We're two addresses... | 1:13:01 | 1:13:04 | |
..23 miles and 500 light years apart. | 1:13:05 | 1:13:09 | |
Oh, Griscomb Street could stand it. | 1:13:10 | 1:13:13 | |
But not Darby Mill. | 1:13:13 | 1:13:15 | |
Oh, Wyn, I wish I could see you happy that way but...I just can't. | 1:13:18 | 1:13:24 | |
And...is that ALL? | 1:13:24 | 1:13:27 | |
Oh, we're both the same colour, if that's what you mean. | 1:13:27 | 1:13:33 | |
Boys, The Sidewalks Of New York. | 1:13:33 | 1:13:36 | |
The Sidewalks Of New York. | 1:13:36 | 1:13:38 | |
-What's the idea? -That's our theme song now. | 1:13:39 | 1:13:43 | |
We're New Yorkers, both of us. | 1:13:43 | 1:13:47 | |
-Oh, Wyn, you're not kidding? -No, darling, I really mean it. | 1:13:47 | 1:13:52 | |
I wish you weren't so right about all that in Philadelphia. | 1:13:52 | 1:13:57 | |
But you are, so that's the end of it. | 1:13:57 | 1:14:01 | |
This is where we'll live, where we'll be happy. | 1:14:01 | 1:14:05 | |
Oh, Wyn, I'm so happy now. | 1:14:07 | 1:14:09 | |
I'm so happy, I can't tell you how much. | 1:14:09 | 1:14:13 | |
-BELLS RING -They don't know it... | 1:14:21 | 1:14:26 | |
..but they're wedding bells for us. | 1:14:27 | 1:14:31 | |
No mainline? | 1:14:33 | 1:14:36 | |
No Philadelphia? | 1:14:36 | 1:14:38 | |
Just you and me? | 1:14:38 | 1:14:40 | |
Me and you! | 1:14:42 | 1:14:44 | |
Oh, dear God, don't ring the alarm clock now. | 1:14:46 | 1:14:51 | |
For just a little while. | 1:14:51 | 1:14:54 | |
ORCHESTRA STRIKES UP: "Here Comes The Bride" | 1:14:54 | 1:14:58 | |
But the alarm DID ring. It had a funny jangle and you heard it all the way back to Philadelphia. | 1:15:08 | 1:15:16 | |
Wyn wanted to go back just long enough to tell his family. | 1:15:16 | 1:15:22 | |
There you were Mr and Mrs Wynnewood Strafford VI, coming home to announce their marriage. | 1:15:22 | 1:15:29 | |
-You aren't getting scared, are you? -Leave it to me, darling. -Don't fumble it. | 1:15:41 | 1:15:47 | |
After you, Mrs Strafford. | 1:15:48 | 1:15:50 | |
-Would you mind saying that again? -After you, Mrs Strafford. -Thank you. | 1:15:52 | 1:15:58 | |
Harrison. | 1:16:05 | 1:16:07 | |
Good afternoon, Mr Strafford. | 1:16:07 | 1:16:10 | |
-Where's Mother? -The family are taking tea in the drawing room. | 1:16:10 | 1:16:15 | |
Don't let Uncle Kenneth scare you. | 1:16:15 | 1:16:17 | |
-He's an old Quaker banker who only knows three words - thee, thou and no. -Here goes the bell! | 1:16:17 | 1:16:25 | |
-Hello, everybody. -Wyn, dear! -Mother, you remember Kitty. | 1:16:26 | 1:16:31 | |
-So nice to see you again. -Thank you. -And you remember my grandmother. | 1:16:31 | 1:16:37 | |
-Yes. -And Aunt Jessica. Uncle Edgar, Uncle Kenneth... -Miss Foyle. | 1:16:37 | 1:16:43 | |
The fact is, the name isn't Foyle any more. | 1:16:43 | 1:16:47 | |
It's Strafford. | 1:16:47 | 1:16:50 | |
Kitty and I have been married. | 1:16:50 | 1:16:52 | |
Why doesn't somebody say something? Or is she so beautiful she's taken your breath away? | 1:16:56 | 1:17:04 | |
Congratulations. Of course. Congratulations. | 1:17:04 | 1:17:07 | |
Well, shall we all sit down? | 1:17:07 | 1:17:10 | |
-Will you have tea? -No, thank you. | 1:17:14 | 1:17:17 | |
-Wyn? -No, Mother. | 1:17:17 | 1:17:20 | |
-When were you married? -Last Saturday. -I see. | 1:17:20 | 1:17:25 | |
I thought he was going to wait a year. Yes, Mother. | 1:17:25 | 1:17:30 | |
Wyn told us how much he loved you. Do the papers know about this? | 1:17:30 | 1:17:36 | |
I don't know. I don't suppose so. | 1:17:36 | 1:17:38 | |
-We'll have the Darby Mill house redecorated for them. -Tell them. | 1:17:38 | 1:17:44 | |
This would have been simpler if Wyn hadn't been so impetuous. | 1:17:44 | 1:17:49 | |
< I thought you were going to send her to school first. | 1:17:49 | 1:17:54 | |
Above everything else, we want your happiness and his. That's foremost, isn't it? | 1:17:54 | 1:18:01 | |
Naturally. Of course. | 1:18:01 | 1:18:03 | |
I don't mean to be rude, but what are you driving at? | 1:18:03 | 1:18:09 | |
-Well, it's like this... -No, Mother. You see, I promised them that we wouldn't be married for a year. | 1:18:09 | 1:18:17 | |
-Mother was going to take you under her wing and prepare you. -Prepare? | 1:18:17 | 1:18:22 | |
-Prepare me for what? -Finishing school and... -School? | 1:18:22 | 1:18:27 | |
-Are you kidding me? -It needn't be school. | 1:18:27 | 1:18:32 | |
When she has met our friends we can have a proper wedding. | 1:18:32 | 1:18:37 | |
-What do you call what we've just done? A rehearsal? -Wait... -I know we sound frightfully snobbish. | 1:18:37 | 1:18:45 | |
But, my dear, we realise too that you have not been accustomed | 1:18:45 | 1:18:50 | |
-to the life that you will have to lead... -What about OUR plans? Tell them. | 1:18:50 | 1:18:56 | |
-Doesn't she WANT to go to school? -School is out, definitely. | 1:18:56 | 1:19:02 | |
I'm a big girl now. | 1:19:02 | 1:19:05 | |
Wyn and I are not going to live in Philadelphia. | 1:19:05 | 1:19:09 | |
We couldn't be happy in Phildelphia. | 1:19:09 | 1:19:13 | |
I'm Griscomb Street and he's mainline. We both know it. | 1:19:13 | 1:19:18 | |
Anywhere else in the world it wouldn't make any difference. | 1:19:18 | 1:19:24 | |
So we're going to live anywhere else in the world. Right, Wyn? | 1:19:24 | 1:19:29 | |
-Of course... -Miss Foyle, thou must realise that such a thing is impossible. | 1:19:29 | 1:19:36 | |
-Why? -The Strafford money is a trust fund, | 1:19:36 | 1:19:40 | |
established by family wills. They provide that Wyn, | 1:19:40 | 1:19:44 | |
when he takes unto himself a wife, shall reside at Darby Mill and be an officer of the family bank. | 1:19:44 | 1:19:51 | |
Those terms are irrevocable. There's nothing we can do about it. | 1:19:51 | 1:19:57 | |
-It's the way Wyn's money has been left to him. -All those dead people can tell us what to do? | 1:19:57 | 1:20:04 | |
Wyn can't live his own life? | 1:20:04 | 1:20:07 | |
Within the limits of his responsibilities, yes. | 1:20:07 | 1:20:11 | |
And what if Wyn refuses? | 1:20:13 | 1:20:16 | |
In that case, his inheritance would pass into the family trust. | 1:20:16 | 1:20:21 | |
So what? Wyn isn't rich any more. What is that to me? | 1:20:21 | 1:20:27 | |
I didn't marry Wyn for his money! I don't care! | 1:20:27 | 1:20:32 | |
-Thou art not being reasonable. -Says thou! | 1:20:32 | 1:20:36 | |
-Thy temper! -Let's get a few things straight around here. | 1:20:36 | 1:20:41 | |
I married a man, not an institution or a trust fund or a bank! | 1:20:41 | 1:20:47 | |
I can imagine you all trying to figure how to take the curse off Kitty Foyle! | 1:20:47 | 1:20:54 | |
Buy her an education and make a mainline doll out of her! | 1:20:54 | 1:20:58 | |
It takes six generations to make a bunch of people like you. | 1:20:58 | 1:21:03 | |
-Judas Priest! I haven't got that much time! -Kitty! | 1:21:03 | 1:21:08 | |
Darling, please, I've got to talk to you. | 1:21:08 | 1:21:12 | |
Darling, please try to understand the family's point of view. | 1:21:20 | 1:21:25 | |
You can't just square off at them. | 1:21:25 | 1:21:28 | |
It's no use, Wyn. | 1:21:28 | 1:21:30 | |
They've got you under contract. | 1:21:30 | 1:21:33 | |
Kitty. | 1:21:35 | 1:21:37 | |
We're going to New York. You and I. Live our lives just as we planned. | 1:21:37 | 1:21:42 | |
-Give up your inheritance and everything that your family's built up? -That's all right. | 1:21:42 | 1:21:49 | |
-I can make a living. -Can you learn to live in a one-room apartment? | 1:21:49 | 1:21:55 | |
Eat in drugstores and save a dollar against the time when you haven't got a job? | 1:21:55 | 1:22:01 | |
Do you think you could learn that? | 1:22:01 | 1:22:04 | |
-If we're together. -Do you think you'd be happy living that way? | 1:22:04 | 1:22:09 | |
Wait here. I'm going to tell them. | 1:22:09 | 1:22:13 | |
You left for good that time. | 1:22:49 | 1:22:52 | |
Back to New York and your old job. | 1:22:52 | 1:22:54 | |
Oh, you went through the motions of living, but you weren't living at all. | 1:22:54 | 1:23:01 | |
It's not living when you'd give an eyetooth to hear someone say "Hello." | 1:23:01 | 1:23:07 | |
Hello! | 1:23:07 | 1:23:09 | |
-Hello, Mark. -It's been a while. | 1:23:09 | 1:23:12 | |
-Yes. -How about going for a drink? | 1:23:12 | 1:23:14 | |
-I'm sorry, I... -Don't explain. Come on. | 1:23:14 | 1:23:18 | |
-Here's a place. Quite a place, too, they tell me. -Yes, quite a place. | 1:23:20 | 1:23:25 | |
-What'll you have? -Anything YOU like. | 1:23:41 | 1:23:43 | |
Give us something kind of special. Strega? | 1:23:43 | 1:23:47 | |
Yes. Two of them. | 1:23:49 | 1:23:51 | |
Say, what IS strega anyhow? | 1:23:53 | 1:23:55 | |
-It's an Italian drink. -Oh. -'There's a picture of a witch on the bottle. | 1:23:55 | 1:24:01 | |
'They say that if two people drink it together, they'll never drink it apart.' | 1:24:01 | 1:24:07 | |
-It's been a long time since I've seen you. Too long. -Yes. | 1:24:07 | 1:24:13 | |
Kitty. There's something I want to tell you. | 1:24:14 | 1:24:19 | |
-You always show up at the wrong time, Mark. -Why? -You knew I was married. | 1:24:19 | 1:24:26 | |
-Yes. -Well, I'm not any more. | 1:24:26 | 1:24:30 | |
Today I got my decree. | 1:24:30 | 1:24:33 | |
Funny! It started out, "The people of this free state send you greetings." | 1:24:33 | 1:24:41 | |
We haven't had any calls for strega since a long time. | 1:24:51 | 1:24:56 | |
Well, how about a toast? | 1:25:00 | 1:25:03 | |
Still love him? | 1:25:08 | 1:25:11 | |
I'm afraid so. | 1:25:13 | 1:25:15 | |
Why didn't it turn out? | 1:25:16 | 1:25:19 | |
I couldn't live HIS life, he couldn't live MINE. | 1:25:19 | 1:25:24 | |
Is there any chance for me? | 1:25:24 | 1:25:27 | |
I'm afraid not. | 1:25:27 | 1:25:29 | |
You know I love you, don't you? | 1:25:29 | 1:25:32 | |
Yes. | 1:25:32 | 1:25:35 | |
'I don't know why I should need all this background, but, Kitty, will you marry me?' | 1:25:35 | 1:25:43 | |
Well, we could go out to dinner, see a show. I can afford seats now! | 1:25:45 | 1:25:50 | |
I'd like to, but all the time I'd be thinking of HIM. | 1:25:50 | 1:25:55 | |
It's only fair that you should know. | 1:25:55 | 1:25:59 | |
I see. | 1:25:59 | 1:26:01 | |
Maybe we'd better say goodbye here. | 1:26:06 | 1:26:09 | |
I understand. | 1:26:10 | 1:26:12 | |
If you need anything, you know you can call me. | 1:26:14 | 1:26:20 | |
-I know. -I'm a pretty good doctor, Kitty. | 1:26:20 | 1:26:24 | |
But seeing you, I wish I'd specialised in heart trouble. | 1:26:24 | 1:26:29 | |
-'I want to see the sun set on Lake Pocano.' -But we're too late. | 1:26:40 | 1:26:46 | |
It's already set. | 1:26:46 | 1:26:49 | |
You began to find out about then there's a lot of living to do. | 1:26:57 | 1:27:02 | |
AND if you're worthwhile, you get hurt. Funny, the things love does to a woman. | 1:27:02 | 1:27:10 | |
Come back in a week, Mrs Foyle. | 1:27:10 | 1:27:13 | |
Yes, Doctor. | 1:27:13 | 1:27:15 | |
-I'm sorry I'm late, Delphine. -That's all right, my pet. | 1:27:19 | 1:27:24 | |
-Oh, you had a long-distance call. -Really? -A few minutes ago. Call Philadelphia operator twelve. | 1:27:24 | 1:27:32 | |
Operator twelve, please. | 1:27:39 | 1:27:42 | |
You have a call from Philadelphia for Miss Foyle. | 1:27:43 | 1:27:47 | |
I'll wait, thank you. | 1:27:48 | 1:27:51 | |
Hello. | 1:27:54 | 1:27:56 | |
Who is it? | 1:27:56 | 1:27:59 | |
Oh, Wyn! | 1:27:59 | 1:28:02 | |
Yes, Wyn, yes. | 1:28:02 | 1:28:05 | |
Of course we can have a talk. | 1:28:05 | 1:28:08 | |
5.30 at Giono's? | 1:28:09 | 1:28:12 | |
You know I'll be there. | 1:28:12 | 1:28:15 | |
Goodbye. | 1:28:17 | 1:28:19 | |
I'll be there! | 1:28:21 | 1:28:23 | |
-Everything all right? -It is NOW. | 1:28:23 | 1:28:28 | |
The reason I was late this morning is because... | 1:28:28 | 1:28:32 | |
I had to go to the doctor's. | 1:28:32 | 1:28:35 | |
-Are you ill? -No. | 1:28:35 | 1:28:37 | |
Then what's the matter? | 1:28:37 | 1:28:40 | |
Well, as I was leaving his office, he called me MRS Foyle. | 1:28:40 | 1:28:46 | |
Oh! My dear! | 1:28:46 | 1:28:49 | |
-Can I help you? -No. It's all right now, because you see, Wyn called. | 1:28:49 | 1:28:56 | |
He knows, your Mr Philadelphia? | 1:28:56 | 1:28:58 | |
Of course he knows. | 1:28:58 | 1:29:01 | |
I mean, of course he doesn't know. He can't... | 1:29:01 | 1:29:05 | |
Oh, but in his heart he must, because he called and I'm going to see him. | 1:29:05 | 1:29:12 | |
-This is just what he needed. Just what -I -needed too. Me and Wyn and something to fight for. | 1:29:12 | 1:29:21 | |
-Good afternoon, Miss Foyle. -Good afternoon, Giono. | 1:29:21 | 1:29:26 | |
Mr Strafford called. He said strega and two glasses. | 1:29:26 | 1:29:31 | |
Oh, um... | 1:29:31 | 1:29:34 | |
I think I'd better have milk. | 1:29:34 | 1:29:37 | |
-Milk? -Yes. -But when you have good strega why should you want milk? | 1:29:37 | 1:29:44 | |
-I don't want him growing up to be a dipsomaniac. -Pardon? -Oh, just milk. | 1:29:44 | 1:29:51 | |
-All right. Milk. -Oh, Giono. -Yes? | 1:29:51 | 1:29:54 | |
-Grade A milk. -Grade A milk. | 1:29:54 | 1:29:58 | |
-Uh... -Grade A! -Let me out of here. -Miss Foyle. | 1:30:27 | 1:30:31 | |
-I'm sorry. -Can I do anything for you? -No. | 1:30:31 | 1:30:35 | |
-What will I tell Mr Strafford? -Tell him I hope the first one is a boy. | 1:30:35 | 1:30:41 | |
What's wrong? | 1:31:01 | 1:31:04 | |
Wyn's going to be married. | 1:31:05 | 1:31:08 | |
But to somebody else. | 1:31:08 | 1:31:11 | |
Then...then he doesn't know? | 1:31:13 | 1:31:16 | |
You didn't tell him? | 1:31:16 | 1:31:18 | |
No. | 1:31:18 | 1:31:21 | |
-Obviously somebody must. -No! | 1:31:23 | 1:31:26 | |
No. | 1:31:26 | 1:31:28 | |
I wouldn't want him like that. | 1:31:28 | 1:31:31 | |
He'd feel gallant and conscientious. | 1:31:31 | 1:31:35 | |
There's no happiness for anybody in a marriage like that. | 1:31:35 | 1:31:40 | |
What are you going to do? | 1:31:40 | 1:31:43 | |
I'm going to have this baby. | 1:31:43 | 1:31:45 | |
-Oh, my dear! Have you thought what that really means? -Sure. | 1:31:45 | 1:31:50 | |
I know. And I know what I'm going to name him, too. | 1:31:50 | 1:31:56 | |
The doctor called me Mrs Foyle, so I'm going to call the baby Foyle. | 1:31:56 | 1:32:02 | |
Tom Foyle, after my pop. He'll grow up to be proud of his name and his mother. | 1:32:02 | 1:32:08 | |
And by Judas Priest, he'll be a fighter, too. Hard as a pine knot. | 1:32:08 | 1:32:14 | |
Tom Foyle - the toughest kid on the block. | 1:32:14 | 1:32:18 | |
This is what women want. | 1:32:22 | 1:32:25 | |
It isn't men. Not really. | 1:32:25 | 1:32:28 | |
It's something down inside them that's the future. | 1:32:28 | 1:32:33 | |
That was it. The future. | 1:32:33 | 1:32:36 | |
In the year 2000 AD, your son would be only 65 years old. | 1:32:36 | 1:32:41 | |
He'd write it some day, on a letter maybe. | 1:32:41 | 1:32:45 | |
January 1st, 2000. | 1:32:45 | 1:32:48 | |
Your candidate for the year 2000. | 1:32:49 | 1:32:52 | |
Your sweet, tough... little candidate. | 1:32:52 | 1:32:56 | |
You don't have to tell me, Delphine, I know. | 1:33:16 | 1:33:21 | |
It's a boy. | 1:33:22 | 1:33:25 | |
Yes. | 1:33:25 | 1:33:26 | |
It's the funniest thing - you get so dopey. | 1:33:26 | 1:33:31 | |
All the time...it seemed... | 1:33:33 | 1:33:36 | |
I was dreaming that he was drowning. | 1:33:36 | 1:33:40 | |
And I was swimming after him. | 1:33:41 | 1:33:44 | |
Trying to keep his little head above water. | 1:33:44 | 1:33:48 | |
It's funny, isn't it? | 1:33:48 | 1:33:51 | |
It seems like I heard him crying. | 1:33:56 | 1:33:59 | |
I bet his lungs are awful good, aren't they? | 1:33:59 | 1:34:03 | |
If I could hear him crying. | 1:34:04 | 1:34:07 | |
I was swimming way down there under the water. | 1:34:07 | 1:34:12 | |
He cried good and loud, too. Didn't he, Delphine? | 1:34:13 | 1:34:18 | |
Yes. | 1:34:18 | 1:34:20 | |
When are they going to let me have him? | 1:34:24 | 1:34:28 | |
So I can hold him? | 1:34:28 | 1:34:32 | |
Delphine. | 1:34:55 | 1:34:57 | |
Delphine! | 1:34:58 | 1:35:00 | |
-You must rest, Kitty. -I want my son. Where is he? | 1:35:00 | 1:35:05 | |
Delphine, he isn't...! | 1:35:05 | 1:35:08 | |
He isn't. | 1:35:10 | 1:35:13 | |
Oh... | 1:35:15 | 1:35:17 | |
I'm sorry. | 1:35:26 | 1:35:28 | |
I'm not thinking about me. | 1:35:31 | 1:35:34 | |
I'm thinking about my little candidate for the year 2000. | 1:35:34 | 1:35:39 | |
It's so good to be alive... | 1:35:40 | 1:35:43 | |
and he didn't even get a chance to fight. | 1:35:43 | 1:35:47 | |
But time kept on doing business at the same old stand. Five years of it. | 1:35:53 | 1:35:59 | |
Then Delphine sent you to Philadelphia to open a branch in that department store. | 1:35:59 | 1:36:06 | |
You were afraid to go...afraid of all the things it might bring back. | 1:36:06 | 1:36:11 | |
But nothing happened until the afternoon of your last day there. | 1:36:11 | 1:36:16 | |
What would you suggest to bring out the colour of my eyes? | 1:36:16 | 1:36:22 | |
A touch more orange in your lip rouge would do it. | 1:36:22 | 1:36:28 | |
-That's a good idea. What about perfume? -Perfume? | 1:36:36 | 1:36:40 | |
-Are you going to the opera? -I'm going to the Assembly tonight. | 1:36:40 | 1:36:46 | |
-What flowers are you wearing? -I hadn't decided yet. | 1:36:46 | 1:36:51 | |
If you're going to wear orchids, I would suggest... | 1:36:51 | 1:36:56 | |
Mrs Strafford, you're wanted on the telephone. Thank you. | 1:36:56 | 1:37:02 | |
Hello. Oh, hello, Wyn. | 1:37:04 | 1:37:08 | |
You don't have to go to New York again, do you? | 1:37:08 | 1:37:12 | |
We've never been to an Assembly together. | 1:37:12 | 1:37:17 | |
Oh, all right. | 1:37:17 | 1:37:20 | |
Wait till I get home. | 1:37:20 | 1:37:23 | |
Goodbye. | 1:37:23 | 1:37:24 | |
-I'm sorry. I'll have to leave. -Shall I send something to your home? | 1:37:24 | 1:37:30 | |
No. Charge the lipstick to Mr Strafford. Mummy! | 1:37:30 | 1:37:35 | |
< Are we going home? < Yes, dear. | 1:37:35 | 1:37:38 | |
You told me I could buy Daddy a birthday present. We'll get it tomorrow. | 1:37:38 | 1:37:44 | |
-I forgot my bear. -I was just bringing it to you. | 1:38:02 | 1:38:06 | |
Thank you. | 1:38:06 | 1:38:09 | |
I bet I can tell you what your name is. | 1:38:15 | 1:38:19 | |
-I bet you couldn't. -It's Wyn Strafford. | 1:38:19 | 1:38:25 | |
Wynnewood Strafford the Seventh. | 1:38:28 | 1:38:31 | |
How did you know? | 1:38:31 | 1:38:34 | |
I understand little boys. You see, I... | 1:38:34 | 1:38:38 | |
used to know a little boy once. | 1:38:39 | 1:38:42 | |
He'd be just about your age now. | 1:38:42 | 1:38:45 | |
-What was his name? -And I think his eyes might have been just like yours. | 1:38:45 | 1:38:52 | |
I have eyes like my daddy's, but he's big. | 1:38:52 | 1:38:57 | |
Do you want a birthday present for your daddy very badly? | 1:38:58 | 1:39:03 | |
Oh, yes. He always gives ME one. | 1:39:03 | 1:39:07 | |
You can give this to your daddy. | 1:39:12 | 1:39:15 | |
But it's got to be a secret. | 1:39:15 | 1:39:18 | |
Oh, no. That's just for your daddy. | 1:39:23 | 1:39:26 | |
But it's a secret. | 1:39:26 | 1:39:29 | |
Here he is! I'll be coming in again soon. Could I have your name? | 1:39:31 | 1:39:38 | |
Oh, I'm sorry. We're not allowed to give out our names. | 1:39:38 | 1:39:43 | |
-Oh. That's too bad. Goodbye. -Goodbye... | 1:39:43 | 1:39:47 | |
Mrs Strafford. | 1:39:47 | 1:39:50 | |
There you are, kid. There's the record. | 1:40:04 | 1:40:08 | |
Mark's waiting for you at St Timothy's, | 1:40:08 | 1:40:12 | |
and here's Wyn again. | 1:40:12 | 1:40:15 | |
Think fast, Captain Foyle. | 1:40:15 | 1:40:18 | |
DOOR BUZZER | 1:40:24 | 1:40:27 | |
-Bags ready, Miss Foyle? -Oh, yes. | 1:40:27 | 1:40:29 | |
What time IS it? | 1:40:31 | 1:40:34 | |
Twenty five to twelve, ma'am. | 1:40:34 | 1:40:36 | |
-Would you tell the doorman to call a cab for me? -Yes, ma'am. | 1:40:40 | 1:40:45 | |
-Bye, Tim. -Thank you. | 1:41:06 | 1:41:09 | |
-Going to be gone long? -Permanently. -Sorry to lose you. -Thank you. | 1:41:09 | 1:41:14 | |
-We don't get many pretty girls here. -Tim... | 1:41:14 | 1:41:19 | |
-Yes. -I think a young man will call for me a little after midnight. | 1:41:19 | 1:41:24 | |
-I want you to tell him from me that... -Just a minute. I want to get this straight. | 1:41:24 | 1:41:31 | |
Tell him that I...I admire him very much and I always will. | 1:41:31 | 1:41:36 | |
You admire him... | 1:41:36 | 1:41:39 | |
-very much...and... -..and I'll never forget him. -..and you will never...forget... | 1:41:39 | 1:41:46 | |
Tell him that I'll always love him in a very special way. | 1:41:46 | 1:41:51 | |
You'll always...love him... | 1:41:51 | 1:41:54 | |
-And that I'm going to be married tonight. -And... | 1:41:54 | 1:41:59 | |
St Timothy's Hospital. | 1:41:59 | 1:42:02 | |
Well, Judas Priest! | 1:42:06 | 1:42:09 | |
Subtitles by Janice Hamilton and Audrey Flynn, BBC 1995 | 1:42:11 | 1:42:17 | |
E-mail us at [email protected] | 1:42:17 | 1:42:22 |