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Argh! | 0:02:02 | 0:02:05 | |
Stop! | 0:04:48 | 0:04:50 | |
DANCE MUSIC PLAYS | 0:05:11 | 0:05:15 | |
Oh, bugger! | 0:05:29 | 0:05:32 | |
Not live rounds, Lara! | 0:05:32 | 0:05:35 | |
-Oh(!) -It's in real pain right now. This is a major re-model, it's a disaster! | 0:05:35 | 0:05:41 | |
Was it programmed to to stop before it took my head off? | 0:05:41 | 0:05:45 | |
Oh, that would be a...no. | 0:05:45 | 0:05:49 | |
-Hmmm. -But you said make it more challenging so... | 0:05:49 | 0:05:52 | |
Hence the live fire. | 0:05:52 | 0:05:54 | |
Yeah. | 0:05:54 | 0:05:56 | |
Hmm, live rounds again. | 0:05:58 | 0:06:02 | |
Poor Simon! | 0:06:02 | 0:06:04 | |
What has she done to you? | 0:06:04 | 0:06:06 | |
DANCE MUSIC CONTINUES | 0:06:06 | 0:06:08 | |
MUSIC STOPS | 0:06:21 | 0:06:22 | |
Oh. Very flattering. | 0:07:00 | 0:07:02 | |
I'm only trying to turn you into a lady. | 0:07:02 | 0:07:05 | |
And a lady should be modest. | 0:07:07 | 0:07:09 | |
Yes, a lady should be modest. | 0:07:09 | 0:07:12 | |
Brothers and sisters, | 0:07:26 | 0:07:29 | |
today is the 15th of May. | 0:07:29 | 0:07:32 | |
The first day of the planetary alignment. | 0:07:32 | 0:07:37 | |
We're still no nearer to finding the key. | 0:07:37 | 0:07:41 | |
It seems we're running out of time. | 0:07:41 | 0:07:45 | |
This is not acceptable. | 0:07:45 | 0:07:48 | |
Mr Powell, your explanation for this, please? | 0:07:49 | 0:07:54 | |
I have no explanation. | 0:07:54 | 0:07:56 | |
Certainly no excuses. | 0:07:56 | 0:07:58 | |
Except to once again respectfully remind the council | 0:07:58 | 0:08:01 | |
that we're working from clues based on ancient cosmological models, | 0:08:01 | 0:08:07 | |
pre-dating Aristotle. | 0:08:07 | 0:08:10 | |
But I'm happy to announce we're almost ready. | 0:08:10 | 0:08:14 | |
And I'm supremely confident that we'll have our answer | 0:08:14 | 0:08:18 | |
in time for the relevant planetary alignment. | 0:08:18 | 0:08:22 | |
So we'll have possession of the key | 0:08:22 | 0:08:25 | |
in one week? | 0:08:25 | 0:08:28 | |
Yes indeed. | 0:08:28 | 0:08:30 | |
-One week. -This is good news, Mr Powell. | 0:08:30 | 0:08:34 | |
But remember we have only a single opportunity | 0:08:34 | 0:08:38 | |
to retrieve the two halves of the triangle. And if we...fail, | 0:08:38 | 0:08:44 | |
we must wait another 5,000 years. | 0:08:44 | 0:08:49 | |
Not sure about you, but that's more time than I'm prepared to commit to this. | 0:08:50 | 0:08:55 | |
We shall be ready. | 0:08:56 | 0:08:58 | |
Trust me. | 0:09:00 | 0:09:02 | |
-We're not...ready, are we? -No. | 0:09:12 | 0:09:16 | |
Good morning, Lara. What a beautiful morning! | 0:09:21 | 0:09:25 | |
Back to work, I'm afraid. | 0:09:26 | 0:09:28 | |
It's adventure time. | 0:09:30 | 0:09:32 | |
Egypt again. | 0:09:34 | 0:09:35 | |
There's nothing but pyramids and sand. | 0:09:35 | 0:09:39 | |
I know. Gets everywhere. In the cracks. | 0:09:39 | 0:09:42 | |
Spanish galleon? | 0:09:45 | 0:09:48 | |
Do you know what day it is, Hillary? | 0:09:49 | 0:09:52 | |
Yes...of course. | 0:09:53 | 0:09:57 | |
The 15th. | 0:09:57 | 0:09:59 | |
And that is never a good day. | 0:10:00 | 0:10:03 | |
I miss you, Daddy. | 0:10:25 | 0:10:27 | |
I wish we could get back the time stolen from us. | 0:10:29 | 0:10:32 | |
My father would love to have seen this. | 0:10:55 | 0:11:00 | |
Tonight, Pluto and Neptune align with Uranus. | 0:11:00 | 0:11:04 | |
It's the first stage of the alignment of all nine planets, culminating in a full solar eclipse. | 0:11:04 | 0:11:09 | |
It only happens once every 5,000 years. | 0:11:09 | 0:11:12 | |
-When is the eclipse? -In one week from today. | 0:11:12 | 0:11:16 | |
But there's plenty to look out for until then. | 0:11:18 | 0:11:21 | |
Crescent. | 0:11:22 | 0:11:24 | |
I wish you could remember her. She loved you so much. | 0:11:55 | 0:11:58 | |
Mummy! | 0:11:58 | 0:12:00 | |
I wish I could remember her too. | 0:12:01 | 0:12:04 | |
I still have you, Daddy. | 0:12:04 | 0:12:07 | |
Yes, you do. | 0:12:07 | 0:12:08 | |
The exact alignment of planets necessary to activate the triangle | 0:12:12 | 0:12:17 | |
only occurs once every 5,000 years. | 0:12:17 | 0:12:20 | |
But that proved to be just not enough | 0:12:22 | 0:12:26 | |
for little Lara Croft to grow up | 0:12:26 | 0:12:29 | |
and to find it. | 0:12:29 | 0:12:30 | |
TICKING | 0:12:33 | 0:12:36 | |
CLOCK TICKS | 0:14:22 | 0:14:25 | |
Bryce! | 0:14:28 | 0:14:30 | |
Hello, fellas! | 0:14:32 | 0:14:33 | |
-KNOCK AT DOOR -How's business? | 0:14:33 | 0:14:36 | |
KNOCKING CONTINUES | 0:14:36 | 0:14:38 | |
OK, OK, I'm coming! | 0:14:38 | 0:14:40 | |
We have 83 rooms, why can't you live in the house? | 0:14:43 | 0:14:46 | |
I'm a free spirit, me. | 0:14:46 | 0:14:49 | |
Right. | 0:14:49 | 0:14:50 | |
-What's that smell? -5.00AM. | 0:14:52 | 0:14:55 | |
Let's go. | 0:14:55 | 0:14:57 | |
This had better be good. | 0:14:59 | 0:15:01 | |
CLOCK TICKS | 0:15:01 | 0:15:03 | |
It's a clock. | 0:15:05 | 0:15:07 | |
I found it last night. It was ticking. | 0:15:07 | 0:15:10 | |
Must be one of them ticking clocks, eh? | 0:15:14 | 0:15:17 | |
It was hidden in a secret room. | 0:15:17 | 0:15:19 | |
-Ooooh! -Bryce. | 0:15:19 | 0:15:22 | |
Don't start. | 0:15:23 | 0:15:25 | |
Lara, it's a clock. It ticks, it tells the time. | 0:15:25 | 0:15:29 | |
-It's wrong. -It started ticking. | 0:15:29 | 0:15:32 | |
Last night, during the first stage of the alignment. | 0:15:32 | 0:15:35 | |
Oh. | 0:15:35 | 0:15:37 | |
Well, I'm gonna need some coffee. | 0:15:40 | 0:15:43 | |
OK, in we go. | 0:15:46 | 0:15:49 | |
Looks pretty ordinary to me. | 0:15:51 | 0:15:54 | |
Keep looking. | 0:15:54 | 0:15:55 | |
Your coffee, sir. Decaf latte with non-fat milk. | 0:15:59 | 0:16:03 | |
Champion. Steaming... | 0:16:05 | 0:16:07 | |
Wait! What did you do? | 0:16:12 | 0:16:15 | |
-I don't know, what did I do? -Where is that? | 0:16:15 | 0:16:18 | |
Dunno, I just took my hand off the fibre optics. | 0:16:18 | 0:16:21 | |
What is that? Oh, bugger! | 0:16:21 | 0:16:25 | |
Bugger. | 0:16:25 | 0:16:27 | |
Screw 13 to quadrant four... | 0:16:31 | 0:16:33 | |
Screw 14 to quadrant three. | 0:16:33 | 0:16:37 | |
Oh, please(!) | 0:16:37 | 0:16:40 | |
It's my map. So I know where they all came from. | 0:16:40 | 0:16:44 | |
It's camouflage. | 0:16:44 | 0:16:46 | |
OK. | 0:16:57 | 0:16:59 | |
Hidden within. | 0:17:08 | 0:17:10 | |
What is that? | 0:17:12 | 0:17:14 | |
The all-seeing eye. | 0:17:19 | 0:17:21 | |
Lot 121, a Louis XV mounted bracket clock. | 0:17:33 | 0:17:38 | |
Showing on my left. | 0:17:38 | 0:17:40 | |
£1,800,000. | 0:17:40 | 0:17:42 | |
£1,800,000, thank you. £1,900,000. | 0:17:42 | 0:17:46 | |
£2,000,000. £2,100,000. | 0:17:46 | 0:17:49 | |
£2,100,000 now. | 0:17:49 | 0:17:50 | |
Any advance on £2,100,000? | 0:17:53 | 0:17:55 | |
Any more? £2,200,000, thank you sir. | 0:17:55 | 0:17:58 | |
£2,200,000. | 0:17:58 | 0:18:02 | |
£2,300,000. | 0:18:02 | 0:18:04 | |
£2,400,000. Lady's bid. | 0:18:04 | 0:18:07 | |
£2,400,000 now. | 0:18:07 | 0:18:08 | |
Against you, sir. £2,500,000? | 0:18:08 | 0:18:11 | |
No. £2,400,000 then, lady's bid. | 0:18:11 | 0:18:13 | |
£2,500,000. | 0:18:13 | 0:18:16 | |
In a new place, at £2,500,000. | 0:18:16 | 0:18:21 | |
Any more at £2,500,000? Sold. | 0:18:21 | 0:18:26 | |
Lara, my dear. | 0:18:27 | 0:18:30 | |
-Oh, Mr Wilson! -Let's go into my study. Let me take that. | 0:18:30 | 0:18:34 | |
Lara Croft. I don't believe it. | 0:18:34 | 0:18:37 | |
I'll just be a minute. | 0:18:38 | 0:18:40 | |
Hi. | 0:18:40 | 0:18:42 | |
Still pretending to be a photo journalist? | 0:18:46 | 0:18:49 | |
It's really cool you still have a day job, | 0:18:49 | 0:18:53 | |
even though it's obviously just for show. | 0:18:53 | 0:18:56 | |
So, Alex, are you still pretending to be an archaeologist? | 0:18:56 | 0:19:01 | |
Lara... | 0:19:03 | 0:19:05 | |
do we always have to fight like this? | 0:19:05 | 0:19:08 | |
Maybe we don't. | 0:19:08 | 0:19:10 | |
-Maybe we do. -Why? -You stole my prayer wheels. | 0:19:10 | 0:19:14 | |
Stole?! From you, that's funny. | 0:19:14 | 0:19:17 | |
It's not like you ever really owned them. | 0:19:17 | 0:19:20 | |
Hey, you're the tomb raider. | 0:19:21 | 0:19:23 | |
Oh! | 0:19:25 | 0:19:27 | |
I think your clients need you. | 0:19:27 | 0:19:30 | |
Go ahead. You're wanted on the floor. | 0:19:30 | 0:19:32 | |
After all, as you once said so memorably, it's all just a business. | 0:19:32 | 0:19:37 | |
Right? So go do business. | 0:19:37 | 0:19:39 | |
Go! | 0:19:39 | 0:19:40 | |
Lara... | 0:19:42 | 0:19:43 | |
Lara... | 0:19:43 | 0:19:44 | |
Ladies and gentlemen. | 0:19:50 | 0:19:52 | |
CLOCKS TICK | 0:19:52 | 0:19:55 | |
Lara! | 0:20:03 | 0:20:05 | |
This is a unique object. | 0:20:05 | 0:20:08 | |
Only one of the dials is working. | 0:20:08 | 0:20:10 | |
It glows. Like the eye, less so. | 0:20:10 | 0:20:14 | |
But it seems to be getting brighter. | 0:20:14 | 0:20:16 | |
And it's also running backwards. | 0:20:16 | 0:20:19 | |
It's not so much keeping time but...counting down to something. | 0:20:19 | 0:20:22 | |
-Yes. -And look at the back, | 0:20:22 | 0:20:25 | |
it's as though...it fits into something. Almost like a key. | 0:20:25 | 0:20:28 | |
Yes. Fascinating. | 0:20:31 | 0:20:34 | |
Incredibly beautiful. | 0:20:34 | 0:20:36 | |
My father told me of the magical triangle with the all-seeing eye. | 0:20:36 | 0:20:40 | |
He said it gave its possessor extraordinary power. | 0:20:40 | 0:20:44 | |
The power to control time. | 0:20:44 | 0:20:46 | |
He called it the triangle of light. | 0:20:46 | 0:20:48 | |
-Have you heard of it? -No, I haven't. | 0:20:48 | 0:20:52 | |
He always steered his own course, your father. | 0:20:56 | 0:21:01 | |
He was a great man. | 0:21:01 | 0:21:04 | |
Would you like some port? | 0:21:06 | 0:21:09 | |
-It's really very fine. -No. | 0:21:09 | 0:21:11 | |
I can't help you, Lara. | 0:21:12 | 0:21:14 | |
This clock truly is a mystery. | 0:21:14 | 0:21:19 | |
TYRES SQUEAL | 0:21:28 | 0:21:30 | |
PHONE RINGS | 0:21:34 | 0:21:37 | |
-Hello? -Lara? | 0:21:37 | 0:21:40 | |
Hello, it's Wilson. | 0:21:40 | 0:21:42 | |
Yes, well...you see, I had a second thought...about that clock... | 0:21:42 | 0:21:47 | |
There's a man who may be able to help you. I gave him your number. | 0:21:48 | 0:21:52 | |
His name is Manfred Powell. | 0:21:52 | 0:21:54 | |
-You should see him. -Oh, thank you. | 0:21:54 | 0:21:57 | |
-I will. -Goodbye, Lara. -You take care. -Thank you. | 0:21:57 | 0:22:02 | |
EXPLOSION | 0:22:02 | 0:22:04 | |
(Bugger.) | 0:22:05 | 0:22:07 | |
Forgive me. | 0:22:24 | 0:22:26 | |
TYRES SQUEAL | 0:22:28 | 0:22:30 | |
Lady Croft. | 0:22:39 | 0:22:40 | |
-Ah, Mr Powell. -No, no! Heavens, no! | 0:22:40 | 0:22:43 | |
I'm his...associate. Um, Mr Pimms. | 0:22:43 | 0:22:47 | |
-Mr Pimms? -Yeah. Like the beverage. | 0:22:47 | 0:22:50 | |
Yeah, she's here. | 0:23:00 | 0:23:03 | |
-What does Mr Powell do? -He's a lawyer. | 0:23:05 | 0:23:08 | |
I'm in his law class, a fairly recent appointment but enjoying it, the varied work. | 0:23:08 | 0:23:14 | |
-A lawyer(?) -Isn't it obvious? | 0:23:16 | 0:23:19 | |
-Lady Croft, my pleasure. Manfred Powell, QC. -Good Morning. | 0:23:21 | 0:23:26 | |
I believe you're an authority on things ancient and mythological. | 0:23:26 | 0:23:29 | |
-Well, I travel. -Mr Wilson said you were quite the archaeologist. Please. | 0:23:29 | 0:23:34 | |
He's very sweet. | 0:23:36 | 0:23:38 | |
He knew your father, I believe. | 0:23:38 | 0:23:40 | |
They were great friends. | 0:23:43 | 0:23:45 | |
I had the honour of meeting him myself once. In Venice. | 0:23:45 | 0:23:50 | |
I was so sorry to hear of his death. | 0:23:50 | 0:23:53 | |
This is the clock I spoke of. | 0:23:57 | 0:24:00 | |
Very interesting. | 0:24:02 | 0:24:04 | |
Shame you only brought photos. | 0:24:07 | 0:24:10 | |
Nevertheless, it is fascinating. | 0:24:12 | 0:24:15 | |
You said it started ticking the night of the alignment. | 0:24:15 | 0:24:18 | |
Yes. | 0:24:18 | 0:24:20 | |
-You said you were a lawyer. -Yes. | 0:24:24 | 0:24:27 | |
And the study of clocks is a hobby? | 0:24:27 | 0:24:30 | |
This is an obsession. | 0:24:30 | 0:24:33 | |
Really, my speciality centres around antiquities. | 0:24:33 | 0:24:36 | |
Mmm. | 0:24:36 | 0:24:38 | |
But the origin of this clock completely eludes me. | 0:24:38 | 0:24:41 | |
I've never seen anything quite so beautiful that I know so little about. | 0:24:44 | 0:24:50 | |
This is a pleasurable torment. | 0:24:54 | 0:24:56 | |
My ignorance amuses me. | 0:24:57 | 0:25:00 | |
"My ignorance amuses me"(!) | 0:25:02 | 0:25:04 | |
My ignorance amuses me! | 0:25:06 | 0:25:08 | |
I've always found your ignorance amusing. | 0:25:08 | 0:25:11 | |
-But Powell is not ignorant. -No? | 0:25:11 | 0:25:14 | |
No. | 0:25:14 | 0:25:15 | |
He's a liar. | 0:25:15 | 0:25:18 | |
THUNDER CRASHES | 0:25:21 | 0:25:24 | |
-Anything you need? -No. Thank you, Hillary. | 0:25:30 | 0:25:33 | |
-Don't stay up too late! -I won't. | 0:25:33 | 0:25:36 | |
THUNDER CRASHES | 0:25:42 | 0:25:44 | |
-LOUD MUSIC PLAYS -# Aaah, oooh... # | 0:26:08 | 0:26:11 | |
INDISTINCT RADIO CONVERSATION | 0:26:13 | 0:26:16 | |
RADIO CONVERSATION CONTINUES | 0:26:22 | 0:26:25 | |
LOUD MUSIC PLAYS | 0:26:38 | 0:26:40 | |
BEEPING | 0:26:48 | 0:26:50 | |
COMPUTER BEEPS | 0:26:58 | 0:27:00 | |
Mmm. | 0:27:12 | 0:27:13 | |
TELEVISION ON | 0:27:38 | 0:27:40 | |
MACHINE BEEPS, ALARM SOUNDS | 0:27:40 | 0:27:43 | |
Bastards! | 0:27:46 | 0:27:47 | |
Bloody hell! | 0:27:47 | 0:27:49 | |
Come on, Simon! | 0:28:18 | 0:28:20 | |
Come on! | 0:28:23 | 0:28:25 | |
Bugger! | 0:28:27 | 0:28:28 | |
ALARM SOUNDS | 0:29:46 | 0:29:48 | |
'Lara! Lara! Are you there? Pick up! | 0:30:11 | 0:30:15 | |
'Lara, can you hear me? Are you OK?' | 0:30:15 | 0:30:17 | |
I'm in the equipment room. They're stealing my bloody clock. | 0:30:19 | 0:30:22 | |
I know. I saw them. | 0:30:22 | 0:30:24 | |
-Bryce, you have to be my eyes. -Right, are you armed? | 0:30:27 | 0:30:30 | |
After a fashion. | 0:30:32 | 0:30:34 | |
-Right, three baddies, number one's by the Aston Martin. -Right. | 0:30:34 | 0:30:40 | |
Bingo! | 0:30:42 | 0:30:44 | |
-Next. -OK. Number two, crouched by the McLaren. | 0:30:59 | 0:31:03 | |
Oh, bugger! | 0:31:06 | 0:31:08 | |
-Are you OK? -I just found my car keys. | 0:31:17 | 0:31:20 | |
CAR ALARM BEEPS | 0:31:24 | 0:31:26 | |
CAR ALARMS BLARE | 0:31:26 | 0:31:29 | |
Ooooh! | 0:31:33 | 0:31:34 | |
You're done, mate. Nice one. | 0:31:34 | 0:31:36 | |
TYRES SQUEAL | 0:31:51 | 0:31:54 | |
I think they've all gone. | 0:32:51 | 0:32:53 | |
They got what they came for. | 0:32:54 | 0:32:57 | |
Sorry about that. | 0:32:58 | 0:33:01 | |
That's fine. | 0:33:01 | 0:33:02 | |
CLOCK STRIKES THE HOUR | 0:33:02 | 0:33:05 | |
RADIO PLAYS: "Get Your Freak On" by Missy Elliott | 0:33:35 | 0:33:39 | |
HE WHISTLES | 0:33:39 | 0:33:42 | |
Hello? | 0:33:42 | 0:33:44 | |
What the hell happened here? | 0:33:47 | 0:33:51 | |
Morning. | 0:33:59 | 0:34:00 | |
-Lady Lara Croft? -Yes. You have something for me? | 0:34:00 | 0:34:05 | |
I woke up this morning and I just hated everything. | 0:34:13 | 0:34:17 | |
Right(!) Thanks. | 0:34:17 | 0:34:20 | |
Who's Dribbling Clive Wintershead, then? | 0:34:24 | 0:34:27 | |
-Sounds Like a bunch of lawyers. -They are a bunch of lawyers. | 0:34:27 | 0:34:32 | |
Well, I'll shut my face again. | 0:34:32 | 0:34:34 | |
-You are nosey. -I'm not nosey, I just saw the name, it was funny and I just asked what it was. | 0:34:34 | 0:34:41 | |
Lara? | 0:34:41 | 0:34:43 | |
It's from my father. | 0:34:43 | 0:34:46 | |
It was written before he died. | 0:34:48 | 0:34:50 | |
And delivered today, as per his instructions. | 0:34:50 | 0:34:54 | |
-Blimey. -Holy sh... | 0:34:54 | 0:34:56 | |
"To see a world in a grain of sand | 0:35:05 | 0:35:08 | |
"And a heaven in a wild flower | 0:35:08 | 0:35:11 | |
"Hold infinity in the palm of your hand | 0:35:11 | 0:35:14 | |
"And eternity in an hour." | 0:35:14 | 0:35:17 | |
William Blake. | 0:35:17 | 0:35:20 | |
The all-seeing eye. | 0:35:44 | 0:35:47 | |
"My darling daughter, | 0:36:08 | 0:36:11 | |
"I knew you'd figure this out. | 0:36:11 | 0:36:14 | |
"If you're reading this letter, I'm no longer with you, and I miss you | 0:36:14 | 0:36:19 | |
"and love you always and forever. | 0:36:19 | 0:36:21 | |
"It also means I have failed | 0:36:21 | 0:36:24 | |
"and must place an awful burden on your shoulders, Lara. | 0:36:24 | 0:36:29 | |
"By now, I'm sure you'll have found the clock I concealed. | 0:36:29 | 0:36:34 | |
"The clock is the key, Lara. | 0:36:34 | 0:36:36 | |
"It will unlock the hiding-place of two pieces of a sacred icon. | 0:36:36 | 0:36:41 | |
"This is the magical triangle I told you about when you were a little girl. | 0:36:41 | 0:36:46 | |
"The triangle of light is no bedtime story. | 0:36:46 | 0:36:50 | |
"The triangle was forged from metal found in the crater of a meteor | 0:36:50 | 0:36:54 | |
"that had fallen to earth at the exact moment of the previous planetary alignment. | 0:36:54 | 0:36:58 | |
"The people built a great city in the crater, | 0:36:58 | 0:37:01 | |
"where they worshipped the triangle for its ability to control time. | 0:37:01 | 0:37:05 | |
"It gave its possessor a power that could used for good or great evil. | 0:37:05 | 0:37:10 | |
"Abuse of this power led to the destruction of the city. | 0:37:10 | 0:37:13 | |
"To be sure no man would ever again have this power, | 0:37:15 | 0:37:19 | |
"they split the triangle into two pieces. | 0:37:19 | 0:37:21 | |
"And hid them at opposite ends of the earth. | 0:37:21 | 0:37:24 | |
"Lara, do you remember the jasmine that only grows in one temple along the ancient canal trail in Cambodia? | 0:37:24 | 0:37:32 | |
"Find that and you'll have found the entrance to the Tomb of the Dancing Light. | 0:37:32 | 0:37:36 | |
"Where the first half of the triangle is hidden. | 0:37:36 | 0:37:40 | |
"You must be there at the exact moment of the second phase of the alignment. You must hurry. | 0:37:40 | 0:37:46 | |
"You have little time, and as the planets align, the world will be in great danger. | 0:37:46 | 0:37:51 | |
"There's a secret society called the illuminati, | 0:37:51 | 0:37:55 | |
"devious, dangerous men, who seek to fulfil an ancient prophecy by reuniting the two halves. | 0:37:55 | 0:38:02 | |
"And attaining the most awesome and terrible powers. | 0:38:02 | 0:38:07 | |
"This you must prevent at all costs. | 0:38:07 | 0:38:11 | |
"So, Lara, I'm asking you to complete my work. | 0:38:11 | 0:38:15 | |
"To find and destroy both halves of the triangle." | 0:38:15 | 0:38:20 | |
How are you going to get to Cambodia and get the clock back in 15 hours? | 0:38:23 | 0:38:28 | |
I'll be calling in a favour. | 0:38:28 | 0:38:30 | |
What kind of favour? | 0:38:30 | 0:38:32 | |
Well, that is a secret. | 0:38:32 | 0:38:34 | |
If I told you, I'd have to kill you. | 0:38:34 | 0:38:36 | |
-RADIO: 'On target, over.' -Right on target. Thanks, boys. | 0:38:45 | 0:38:50 | |
Over and out. | 0:38:50 | 0:38:51 | |
Ah, Mr Powell. | 0:39:28 | 0:39:31 | |
How predictable. | 0:39:31 | 0:39:33 | |
Alex West. | 0:39:37 | 0:39:39 | |
What are you doing here? | 0:39:39 | 0:39:43 | |
MEN CHANT AS THEY HEAVE | 0:40:06 | 0:40:09 | |
We have 72 minutes until the next alignment. | 0:40:20 | 0:40:24 | |
We have to work faster. | 0:40:24 | 0:40:26 | |
Come on, guys! | 0:40:36 | 0:40:38 | |
Come on, you guys! Come on, pull! | 0:41:15 | 0:41:18 | |
Pull it! | 0:41:18 | 0:41:19 | |
Good. | 0:41:31 | 0:41:33 | |
GIRL GIGGLES | 0:41:46 | 0:41:48 | |
So, any sign of Lady Croft? | 0:42:04 | 0:42:07 | |
Not yet. | 0:42:07 | 0:42:09 | |
Lara's overrated. She's good, don't get me wrong, | 0:42:09 | 0:42:12 | |
but she's in it for the glory. | 0:42:12 | 0:42:15 | |
Whereas I'm in it for the money. | 0:42:15 | 0:42:17 | |
Fortunately. | 0:42:17 | 0:42:19 | |
Into the belly of the best. | 0:42:19 | 0:42:21 | |
And out of the demon's ass. | 0:42:21 | 0:42:23 | |
GIRL GIGGLES | 0:42:41 | 0:42:44 | |
Jasmine. | 0:43:28 | 0:43:30 | |
VOICES IN THE DISTANCE | 0:44:04 | 0:44:07 | |
Wow. | 0:44:49 | 0:44:50 | |
Remember what we are looking for is hidden not only in space, | 0:45:11 | 0:45:14 | |
but also in time. | 0:45:14 | 0:45:16 | |
The clock is the key. | 0:45:16 | 0:45:19 | |
My God. | 0:45:28 | 0:45:30 | |
"Return the iron to the stone's embrace the wheel of heaven will turn. | 0:45:37 | 0:45:42 | |
"Exhume the light from its watery grave | 0:45:42 | 0:45:46 | |
"to receive the gift of heaven. | 0:45:46 | 0:45:49 | |
"As you are condemned to the depths of hell." | 0:45:49 | 0:45:52 | |
Right. So touch anything and get your head chopped off. | 0:45:54 | 0:45:57 | |
We have two minutes, Mr West | 0:45:59 | 0:46:01 | |
You're the tomb raider. Figure it out. | 0:46:01 | 0:46:05 | |
Mr West? | 0:46:16 | 0:46:18 | |
Tempus fugit. | 0:46:20 | 0:46:22 | |
Yes, time flies. | 0:46:22 | 0:46:25 | |
It's the swords. Get up here, give me a hand! | 0:46:25 | 0:46:30 | |
That's it. Argh! | 0:46:35 | 0:46:38 | |
Coming down. | 0:46:38 | 0:46:39 | |
I want them all down. | 0:46:39 | 0:46:41 | |
Carry them across the ladders. | 0:46:41 | 0:46:44 | |
Come on, guys, let's hustle. | 0:46:44 | 0:46:47 | |
All right. Slide them into the slots over there. | 0:46:47 | 0:46:52 | |
You place the clock here at the exact moment of alignment. | 0:46:52 | 0:46:56 | |
Come on, let's go! Move it! | 0:46:56 | 0:46:58 | |
Too slow, ladies, come on! | 0:47:00 | 0:47:02 | |
That's it. Count it down. | 0:47:09 | 0:47:11 | |
-The timing needs to be exact. -No shit. | 0:47:13 | 0:47:16 | |
60 seconds to go. | 0:47:39 | 0:47:41 | |
59, 58, 57, 56, | 0:47:41 | 0:47:47 | |
55, 54, 53, 52, 51, | 0:47:47 | 0:47:54 | |
50 seconds. | 0:47:54 | 0:47:56 | |
Mr Powell! | 0:47:57 | 0:47:59 | |
Cease fire! Hold your fire! | 0:48:02 | 0:48:05 | |
-Keep counting. -You're making a big mistake. | 0:48:09 | 0:48:13 | |
41, 40, 39... | 0:48:13 | 0:48:16 | |
Oh, Alex West. | 0:48:16 | 0:48:17 | |
38... Hey, Lara. 37... | 0:48:17 | 0:48:19 | |
-Tourist visa? -No, I'm working. | 0:48:19 | 0:48:22 | |
Lady Croft, tell me, is there a good reason I just kept you alive? | 0:48:22 | 0:48:26 | |
Yes, that is not the true eye. | 0:48:26 | 0:48:28 | |
-This is the true eye. -It's not, actually. It's a mirror image. | 0:48:28 | 0:48:34 | |
-I think you're trying to cheat me. -Why would I do that? | 0:48:34 | 0:48:39 | |
I need you to get the piece so I can steal it from you later. | 0:48:39 | 0:48:43 | |
-You're bluffing. Julius, mental note, kill her if she attempts any such thing. -Yes sir, Mr Powell. | 0:48:43 | 0:48:49 | |
Well, we can do it my way or we can all come back for the next alignment | 0:48:49 | 0:48:53 | |
and you're welcome to try and kill me then. In another...5,000 years. | 0:48:53 | 0:48:58 | |
12, 11, 10, 9, 8, 7, | 0:49:03 | 0:49:11 | |
6, | 0:49:11 | 0:49:14 | |
5, 4, 3, 2, 1... | 0:49:14 | 0:49:24 | |
Zero. | 0:49:25 | 0:49:27 | |
I guess she was right. | 0:49:30 | 0:49:33 | |
The log must pierce the urn. | 0:49:42 | 0:49:45 | |
Come on! | 0:49:49 | 0:49:51 | |
It's slowing down. It'll never make it. | 0:49:53 | 0:49:57 | |
No! | 0:50:12 | 0:50:14 | |
SHE SCREAMS | 0:50:26 | 0:50:28 | |
Pure lust. Fire and water. | 0:50:44 | 0:50:46 | |
Oh! | 0:51:33 | 0:51:35 | |
Croft! | 0:51:37 | 0:51:39 | |
Get the clock! | 0:52:14 | 0:52:15 | |
Got it. | 0:52:15 | 0:52:17 | |
Aaaargh! | 0:52:18 | 0:52:23 | |
-EMPTY CHAMBER CLICKS -Blast! | 0:53:12 | 0:53:15 | |
Oh. | 0:53:27 | 0:53:29 | |
RUMBLING | 0:54:28 | 0:54:30 | |
CREATURE SHRIEKS | 0:56:07 | 0:56:10 | |
MACHINE-GUN FIRE | 0:56:48 | 0:56:51 | |
Hold it right there! GUN COCKED | 0:57:03 | 0:57:07 | |
Lara... | 0:57:09 | 0:57:10 | |
give it up. | 0:57:10 | 0:57:12 | |
Are you going to shoot me, Alex? | 0:57:12 | 0:57:15 | |
My phone is wet. | 0:58:11 | 0:58:14 | |
PHONE RINGS | 0:58:22 | 0:58:24 | |
Yes? | 0:58:24 | 0:58:26 | |
Ah, Lady Croft. How are you? | 0:58:26 | 0:58:27 | |
Alive. | 0:58:27 | 0:58:29 | |
And kicking I hope. | 0:58:29 | 0:58:31 | |
-Hmm. And you? -Superlative. | 0:58:31 | 0:58:33 | |
Of course, I digress. | 0:58:33 | 0:58:35 | |
-You have my half of the triangle. -And you have my father's clock. | 0:58:35 | 0:58:39 | |
Without each other we're quite useless at this point. | 0:58:39 | 0:58:42 | |
We should re-evaluate our position. Like it or not, you and I are in business together. | 0:58:42 | 0:58:47 | |
-We should have a business meeting. -You mean you'd love to have another opportunity to try and kill me. | 0:58:47 | 0:58:53 | |
Oh, that's harsh. | 0:58:53 | 0:58:56 | |
But perhaps. | 0:58:56 | 0:58:57 | |
Wait and see. Come to Venice. | 0:58:57 | 0:59:00 | |
-Via Dolorosa. -Wonderful. | 0:59:00 | 0:59:03 | |
Bye then! | 0:59:03 | 0:59:05 | |
Harder. | 0:59:08 | 0:59:10 | |
TV: 'Here he comes. Hide everybody!' PHONE RINGS | 0:59:13 | 0:59:18 | |
-Bryce. It's me. -Hello? -Bryce, it's Lara! | 0:59:19 | 0:59:23 | |
I found the temple. | 0:59:23 | 0:59:25 | |
-Ran into Mr Powell. -Did you get the clock? | 0:59:25 | 0:59:28 | |
No, but I got the first piece. | 0:59:28 | 0:59:31 | |
-Beautiful. Smashing. -Seems I'm level-pegging with Mr Powell. | 0:59:31 | 0:59:35 | |
-Won't he just want to kill you now? -No, silly. His problem is that he needs the piece that I have. | 0:59:35 | 0:59:41 | |
Until then, I'm his new best friend. | 0:59:41 | 0:59:43 | |
What about the other half? The final alignment | 0:59:43 | 0:59:46 | |
is in 66 hours and 53 minutes, and we've still got no idea where the second piece is hid. | 0:59:46 | 0:59:52 | |
He's going to tell me where the second piece is. | 0:59:52 | 0:59:55 | |
-He will? -Bryce, trust me. | 0:59:55 | 0:59:57 | |
-Pack for Venice. -Pack for where? | 0:59:57 | 0:59:59 | |
Hello, Lara? | 0:59:59 | 1:00:01 | |
DIAL TONE BLARES | 1:00:01 | 1:00:03 | |
Bye then(!) | 1:00:03 | 1:00:06 | |
BUDDHIST CHANTING | 1:00:10 | 1:00:13 | |
Drink. | 1:00:33 | 1:00:35 | |
Rest. | 1:00:38 | 1:00:39 | |
There's no rest for the wicked. | 1:00:41 | 1:00:43 | |
You got what you came for. | 1:00:43 | 1:00:45 | |
I did, yes. | 1:00:45 | 1:00:47 | |
Too bad. Bad for the world. | 1:00:47 | 1:00:50 | |
The world is safe now. | 1:00:50 | 1:00:52 | |
Hmm. It will be safer perhaps because you will go on. | 1:00:52 | 1:00:58 | |
Your father said you will never give up. | 1:00:58 | 1:01:01 | |
My father...? You knew my father? | 1:01:01 | 1:01:05 | |
Now, drink. | 1:01:05 | 1:01:07 | |
Finish your tea. | 1:01:07 | 1:01:09 | |
It tastes quite bad, | 1:01:11 | 1:01:13 | |
but it is good for you, | 1:01:13 | 1:01:15 | |
see? | 1:01:15 | 1:01:17 | |
Good evening. | 1:01:55 | 1:01:56 | |
You're with the illuminati. | 1:02:00 | 1:02:02 | |
Beg your pardon? | 1:02:04 | 1:02:06 | |
There's no such thing. It's just a bedtime story. | 1:02:06 | 1:02:10 | |
Illuminati. | 1:02:17 | 1:02:19 | |
The people of the light. | 1:02:19 | 1:02:21 | |
Ah. | 1:02:21 | 1:02:23 | |
Have you brought my triangle? | 1:02:23 | 1:02:26 | |
No, of course you haven't. | 1:02:26 | 1:02:28 | |
You've hidden it somewhere. | 1:02:28 | 1:02:31 | |
Well, you can keep the triangle you have, and I will keep your father's clock. | 1:02:31 | 1:02:36 | |
-And we can be partners. -Who sits here? | 1:02:36 | 1:02:39 | |
We can go for the big prize. | 1:02:41 | 1:02:44 | |
The triangle of light. | 1:02:44 | 1:02:46 | |
Yes, but who...sits...here? | 1:02:46 | 1:02:49 | |
It's an incredible dream. | 1:02:49 | 1:02:52 | |
An awesome power. | 1:02:52 | 1:02:54 | |
It could set right so many wrongs. | 1:02:54 | 1:02:57 | |
I don't think you sit here, do you? | 1:02:57 | 1:03:00 | |
I sit here. | 1:03:10 | 1:03:11 | |
On God's right hand, as it were. | 1:03:13 | 1:03:16 | |
Hmm. | 1:03:16 | 1:03:17 | |
In fact, I now sit exactly where your father sat. | 1:03:17 | 1:03:22 | |
You're lying. | 1:03:26 | 1:03:28 | |
No. | 1:03:28 | 1:03:30 | |
No, he mentored me in the order. | 1:03:30 | 1:03:33 | |
It was truly an honour. | 1:03:34 | 1:03:37 | |
I don't believe you. | 1:03:37 | 1:03:40 | |
He would've told me. | 1:03:41 | 1:03:44 | |
He had a great many secrets. | 1:03:44 | 1:03:46 | |
Not from me. | 1:03:49 | 1:03:51 | |
Especially from you. | 1:03:51 | 1:03:53 | |
I know what you want, Lara. | 1:03:57 | 1:04:00 | |
Oh, I doubt it. | 1:04:00 | 1:04:01 | |
Another life with your father. | 1:04:10 | 1:04:13 | |
A second chance. | 1:04:13 | 1:04:16 | |
It'll be within my power to give. | 1:04:16 | 1:04:19 | |
The triangle gives its possessor... | 1:04:19 | 1:04:22 | |
..the power of God. | 1:04:23 | 1:04:25 | |
To move back and forth through time. | 1:04:25 | 1:04:28 | |
Undo the past. | 1:04:28 | 1:04:31 | |
Help me, | 1:04:31 | 1:04:33 | |
and you will get what I know you want. | 1:04:33 | 1:04:35 | |
To have your father return to you. | 1:04:35 | 1:04:38 | |
How do I know once I gave you that piece, | 1:04:42 | 1:04:45 | |
that you wouldn't then just try to kill me? | 1:04:45 | 1:04:48 | |
Would it make it easier for you | 1:04:50 | 1:04:53 | |
on more familiar ground | 1:04:53 | 1:04:55 | |
if I killed you now? | 1:04:55 | 1:04:58 | |
Will you reconsider? | 1:04:59 | 1:05:01 | |
DOOR SLAMS | 1:05:21 | 1:05:23 | |
SHE GASPS | 1:05:44 | 1:05:45 | |
Scusi, signora! | 1:05:45 | 1:05:48 | |
Ah! | 1:05:55 | 1:05:57 | |
Hello, Alex. | 1:05:59 | 1:06:01 | |
I suppose you think I'm a greedy, unscrupulous sell-out | 1:06:01 | 1:06:04 | |
-who'll do anything for money? -Yes, that's right. | 1:06:04 | 1:06:07 | |
The money bit's true, I guess. | 1:06:08 | 1:06:12 | |
Is it? | 1:06:14 | 1:06:15 | |
Alex, if you cross me, we may not be able to remain friends. Hmmm. | 1:06:15 | 1:06:23 | |
Always a pleasure. | 1:06:25 | 1:06:27 | |
-HE SIGHS -Now for a cold shower. | 1:06:28 | 1:06:32 | |
-I think we're in big trouble. -Hold this for me. | 1:06:33 | 1:06:36 | |
They already think we have Lady Croft's piece of the triangle. | 1:06:36 | 1:06:40 | |
Yes, they think it's in that box you're carrying right now. | 1:06:40 | 1:06:44 | |
-Is it...there? -Why don't you worry about something else? | 1:06:44 | 1:06:47 | |
-Of course it's not! -I don't understand. | 1:06:47 | 1:06:51 | |
What chance do we have without the piece? | 1:06:51 | 1:06:53 | |
Zero. Don't dwell on it. | 1:06:53 | 1:06:56 | |
Ah! Lady Croft! | 1:06:59 | 1:07:02 | |
What a nice surprise! | 1:07:04 | 1:07:06 | |
Thank you. | 1:07:08 | 1:07:10 | |
Well, time to save the universe again then, is it? | 1:07:12 | 1:07:15 | |
Absolutely. | 1:07:15 | 1:07:17 | |
Are we sure she's really necessary? | 1:07:50 | 1:07:53 | |
One tomb raider's good. Two, better. | 1:07:53 | 1:07:56 | |
Me bum's gone to sleep again. All down the left cheek. | 1:08:04 | 1:08:08 | |
Really? Fascinating(!) | 1:08:08 | 1:08:11 | |
How much longer? | 1:08:16 | 1:08:18 | |
A few hours. We have to take the last hour over land. | 1:08:18 | 1:08:21 | |
Helicopters won't fly near the ruined city. | 1:08:21 | 1:08:24 | |
It's a dead zone. | 1:08:24 | 1:08:26 | |
CHATTERING IN RUSSIAN | 1:08:56 | 1:08:58 | |
We take all doggies. Da? | 1:09:06 | 1:09:10 | |
Mucho US greenback. Da? | 1:09:10 | 1:09:14 | |
All doggies. | 1:09:14 | 1:09:15 | |
Spasibo. | 1:09:15 | 1:09:17 | |
DOGS WHINE | 1:09:18 | 1:09:19 | |
HE TALKS IN RUSSIAN | 1:09:36 | 1:09:38 | |
THEY TALK IN RUSSIAN | 1:09:42 | 1:09:45 | |
INDISTINCT RADIO COMMUNICATION | 1:10:43 | 1:10:46 | |
Welcome to the dead zone. | 1:11:03 | 1:11:06 | |
It's not a country, it's an ice cube! | 1:11:20 | 1:11:23 | |
RINGING REVERBERATES | 1:12:24 | 1:12:26 | |
DOGS BARK | 1:12:44 | 1:12:47 | |
Right. Let's go. | 1:12:52 | 1:12:55 | |
Holy shit! | 1:13:54 | 1:13:56 | |
It's a time storm. Time is broken here. | 1:13:57 | 1:14:02 | |
We must find the eye! All of you! | 1:14:02 | 1:14:05 | |
Hurry! We're running out of time! | 1:14:05 | 1:14:08 | |
Hurry! | 1:14:08 | 1:14:09 | |
It's begun. | 1:14:27 | 1:14:29 | |
50 bucks says the piece is inside the sun. | 1:14:31 | 1:14:35 | |
HE SCREAMS | 1:14:52 | 1:14:54 | |
Hurry! The eclipse will be over in a few minutes! | 1:15:15 | 1:15:20 | |
Alex! Give me the clock! I know what to do! | 1:15:27 | 1:15:31 | |
Lara! | 1:16:11 | 1:16:13 | |
Oh! | 1:16:20 | 1:16:22 | |
Has she got the piece? | 1:16:22 | 1:16:24 | |
We will now unite these two parts. | 1:16:34 | 1:16:37 | |
The past | 1:16:37 | 1:16:40 | |
and the present. | 1:16:40 | 1:16:42 | |
At last, we, of the illuminati, will control time | 1:16:42 | 1:16:47 | |
and fulfil the sacred promise to our ancestors. | 1:16:47 | 1:16:51 | |
-Soon, the entire world... -Enough of this twaddle! | 1:16:51 | 1:16:55 | |
Come on, come on! | 1:17:00 | 1:17:02 | |
Come on! | 1:17:24 | 1:17:27 | |
Not quite what you hoped for, Mr Powell. | 1:17:27 | 1:17:31 | |
Oh, Lara, | 1:17:34 | 1:17:37 | |
I have a gut instinct about this. | 1:17:37 | 1:17:39 | |
After all, you are the daughter of a genius. | 1:17:41 | 1:17:44 | |
Aaargh! | 1:17:59 | 1:18:00 | |
Aaargh! | 1:18:03 | 1:18:05 | |
You had to let him go. No more bubbles. | 1:18:33 | 1:18:37 | |
You show me how to complete the triangle, we can change his fate. | 1:18:37 | 1:18:42 | |
If you deliver me the power of God, | 1:18:42 | 1:18:46 | |
I'll spare him. It's just a little trip back in time. | 1:18:46 | 1:18:49 | |
But I'm pretty sure you've figured out the answer to the...um...problem. | 1:18:49 | 1:18:55 | |
And then, of course, there's the loss of your father. | 1:18:56 | 1:19:00 | |
I could change that. | 1:19:00 | 1:19:02 | |
You'd better be ready for this. | 1:19:15 | 1:19:17 | |
Unhook your lasers. | 1:19:22 | 1:19:25 | |
Do it! | 1:19:25 | 1:19:26 | |
See a world in a grain of sand. | 1:20:01 | 1:20:03 | |
No! | 1:20:26 | 1:20:28 | |
HE SCREAMS | 1:20:29 | 1:20:32 | |
Daddy? | 1:20:35 | 1:20:37 | |
Lara! | 1:20:40 | 1:20:43 | |
Is this real? | 1:20:45 | 1:20:47 | |
It is a crossing. | 1:20:48 | 1:20:51 | |
Of my past and your present. | 1:20:51 | 1:20:53 | |
Why didn't you tell me about the illuminati? | 1:20:53 | 1:20:56 | |
-You were a child! -You could have written in your journals. | 1:20:56 | 1:20:59 | |
You never mentioned it, not once. | 1:20:59 | 1:21:02 | |
I burst to tell you everything! But in the fierceness of my own battles, | 1:21:02 | 1:21:06 | |
I strove to tell you only that which would inspire you, keep you safe. | 1:21:06 | 1:21:12 | |
I love you so much. | 1:21:12 | 1:21:15 | |
I've missed you. | 1:21:15 | 1:21:18 | |
And I've missed you. | 1:21:18 | 1:21:21 | |
I know why you came here. | 1:21:23 | 1:21:25 | |
-Why you took the power of the light, but this must not happen. -Why? | 1:21:25 | 1:21:30 | |
Why can't we use the power just this once? | 1:21:30 | 1:21:33 | |
Why can't you stay? | 1:21:33 | 1:21:35 | |
We can't change time. | 1:21:35 | 1:21:39 | |
But time was stolen from us. | 1:21:39 | 1:21:41 | |
And it's not fair. | 1:21:43 | 1:21:45 | |
No, it's not fair. | 1:21:45 | 1:21:48 | |
But you have stolen time itself. | 1:21:48 | 1:21:51 | |
And you must give it back. | 1:21:51 | 1:21:53 | |
You must destroy the triangle. | 1:21:55 | 1:21:57 | |
Suddenly I feel so alone. | 1:21:59 | 1:22:02 | |
You're never alone. | 1:22:02 | 1:22:04 | |
I'm with you always, just as I've always been. | 1:22:04 | 1:22:08 | |
No! | 1:23:18 | 1:23:20 | |
HE GROANS | 1:23:33 | 1:23:35 | |
Lara! | 1:23:43 | 1:23:46 | |
Wait! | 1:23:46 | 1:23:47 | |
Your father begged for his life when we caught him betraying us. | 1:23:48 | 1:23:53 | |
He pleaded like a baby. | 1:23:53 | 1:23:55 | |
Surrender! | 1:23:55 | 1:23:58 | |
Never! | 1:23:58 | 1:24:00 | |
He seemed particularly concerned that I shouldn't take this. | 1:24:02 | 1:24:07 | |
Lara, no! The place is coming down! | 1:24:13 | 1:24:15 | |
This is insane! | 1:24:15 | 1:24:17 | |
Get them out of here. | 1:24:17 | 1:24:19 | |
You just hurry. | 1:24:23 | 1:24:25 | |
POWELL LAUGHS | 1:24:30 | 1:24:32 | |
There you go! | 1:24:36 | 1:24:38 | |
Safe and sound. | 1:24:38 | 1:24:40 | |
No guns. | 1:24:49 | 1:24:51 | |
HE HUMS | 1:27:32 | 1:27:35 | |
TRAY CRASHES | 1:27:36 | 1:27:39 | |
Oh, my God! | 1:27:39 | 1:27:41 | |
Quiet! | 1:27:42 | 1:27:44 | |
What? | 1:28:16 | 1:28:17 | |
MUSIC: "Where's Your Head At?" by Basement Jaxx | 1:28:25 | 1:28:30 | |
# Where's your head at? | 1:28:36 | 1:28:40 | |
# Where's your head at? Where's your head at? | 1:28:40 | 1:28:43 | |
# Where's your head at? | 1:28:43 | 1:28:46 | |
# Where's your head at? Where's your head at? | 1:28:46 | 1:28:51 | |
# Don't let the walls cave in on you | 1:28:51 | 1:28:54 | |
# We can't evolve live on without you | 1:28:54 | 1:28:58 | |
# Don't let the walls cave in on you | 1:28:58 | 1:29:02 | |
# We can't evolve live on without you | 1:29:02 | 1:29:05 | |
# Don't let the walls cave in on you | 1:29:05 | 1:29:08 | |
# You get what you give that much is true | 1:29:08 | 1:29:12 | |
# Don't let the walls cave in on you | 1:29:12 | 1:29:16 | |
# You turned the world away from you | 1:29:16 | 1:29:20 | |
# Where's your head at? | 1:29:20 | 1:29:23 | |
# Where's your head at? Where's your head at? | 1:29:23 | 1:29:27 | |
# Where's your head at? | 1:29:27 | 1:29:30 | |
# Where's your head at? Where's your head at? # | 1:29:30 | 1:29:32 | |
Subtitles by BBC Broadcast - 2004 | 1:29:32 | 1:29:37 |