Browse content similar to Man on the Moon. Check below for episodes and series from the same categories and more!
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This film contains very strong language. | 0:00:02 | 0:00:07 | |
-STRANGE FOREIGN ACCENT -Hello. I am...Andy | 0:00:32 | 0:00:37 | |
and I would like to thank you for coming to my movie. | 0:00:37 | 0:00:41 | |
I wish it was...better... | 0:00:42 | 0:00:45 | |
you know, but... | 0:00:45 | 0:00:48 | |
..it is so stupid, is terrible. | 0:00:49 | 0:00:51 | |
I do not even like it. | 0:00:51 | 0:00:54 | |
All of the most important things in my life are changed around | 0:00:54 | 0:00:59 | |
and mixed up for... | 0:00:59 | 0:01:02 | |
um... | 0:01:02 | 0:01:03 | |
dra-matic purposes. | 0:01:03 | 0:01:06 | |
So... | 0:01:07 | 0:01:09 | |
I decided to cut out | 0:01:09 | 0:01:11 | |
all of the baloney. | 0:01:11 | 0:01:14 | |
Now the movie... is...much shorter. | 0:01:16 | 0:01:20 | |
In fact... | 0:01:23 | 0:01:25 | |
this is the end of the movie. | 0:01:25 | 0:01:28 | |
Thank you very much. | 0:01:30 | 0:01:32 | |
I am not kidding. | 0:01:41 | 0:01:44 | |
Goodbye. | 0:01:44 | 0:01:45 | |
Go. | 0:01:46 | 0:01:47 | |
TRADITIONAL END-CREDIT MUSIC PLAYS | 0:02:00 | 0:02:03 | |
MUSIC BUILDS UP TO A CRESCENDO AND ENDS | 0:02:25 | 0:02:30 | |
MUSIC STARTS AGAIN | 0:02:38 | 0:02:40 | |
MUSIC ENDS AGAIN | 0:03:00 | 0:03:03 | |
SCRATCHES RECORD | 0:03:09 | 0:03:12 | |
MUSIC STARTS AGAIN | 0:03:12 | 0:03:14 | |
MUSIC STOPS | 0:03:17 | 0:03:20 | |
-AMERICAN ACCENT -Wow. You're still here! | 0:03:39 | 0:03:43 | |
OK! | 0:03:43 | 0:03:45 | |
I hope you're not upset. | 0:03:45 | 0:03:47 | |
I did that to get rid of those folks who just wouldn't understand me | 0:03:47 | 0:03:51 | |
and don't even want to try! | 0:03:51 | 0:03:53 | |
Actually, the movie is really great! | 0:03:53 | 0:03:56 | |
It's just filled with colourful characters, like the one I just did. | 0:03:56 | 0:04:01 | |
And the one I'm doing now. | 0:04:01 | 0:04:03 | |
Our story begins... | 0:04:03 | 0:04:05 | |
MUSIC PLAYS | 0:04:05 | 0:04:07 | |
..back in Great Neck, Long Island. | 0:04:07 | 0:04:10 | |
This is our house. | 0:04:14 | 0:04:17 | |
And that's my father's old car. | 0:04:17 | 0:04:19 | |
That's my father. | 0:04:19 | 0:04:22 | |
That's my little brother, Michael, and my little sister, Carol. | 0:04:22 | 0:04:26 | |
And that's my mom, Janice. | 0:04:26 | 0:04:28 | |
Andy's up in his room? | 0:04:28 | 0:04:31 | |
Yeah. | 0:04:31 | 0:04:32 | |
MUFFLED VOICES | 0:04:37 | 0:04:39 | |
ANDY IS ACTING A ROLE | 0:04:46 | 0:04:48 | |
Andy! | 0:04:48 | 0:04:50 | |
Son... | 0:04:57 | 0:04:58 | |
this has got to stop. | 0:04:58 | 0:05:01 | |
Our house is not a television station. There's not a camera in that wall. This is not healthy. | 0:05:01 | 0:05:07 | |
-You should be outside playing sports. -I have my own sport show. -You know that's not what I meant. | 0:05:07 | 0:05:14 | |
I'm going to put my foot down. No more playing alone. | 0:05:14 | 0:05:17 | |
-You want to perform, you've got to have an audience. -They're right there! -That is plaster. | 0:05:17 | 0:05:24 | |
An audience is made of people, people who live and breathe. | 0:05:24 | 0:05:29 | |
Andy Kaufman presents... the animal song! | 0:05:37 | 0:05:41 | |
Now I'm going to sing the animal. You tell me what it says, OK? | 0:05:41 | 0:05:46 | |
OK. | 0:05:46 | 0:05:48 | |
# Oh, the cow goes... | 0:05:48 | 0:05:51 | |
# Moo! | 0:05:51 | 0:05:52 | |
# And the cat goes... | 0:05:52 | 0:05:55 | |
# Miaow! Miaow! | 0:05:55 | 0:05:58 | |
# And the bird goes... # | 0:05:58 | 0:06:00 | |
-Tweet-tweet. -Tweet-tweet. | 0:06:02 | 0:06:04 | |
# And the lion goes... # | 0:06:04 | 0:06:07 | |
Roar! | 0:06:08 | 0:06:10 | |
-# And the dog goes... # -(Woof.) | 0:06:10 | 0:06:13 | |
-# And the cat goes... # -Miaow. | 0:06:13 | 0:06:16 | |
-# And the bird goes... # -(Tweet.) | 0:06:16 | 0:06:18 | |
# And the pig goes... # | 0:06:18 | 0:06:21 | |
Oink. | 0:06:21 | 0:06:23 | |
# And that's the way it goes. # | 0:06:23 | 0:06:26 | |
The comedy of Andy Kaufman, | 0:06:26 | 0:06:29 | |
-ladies and gentlemen. -Thank you. | 0:06:29 | 0:06:31 | |
So, Mr Besserman, same spot tomorrow? | 0:06:31 | 0:06:36 | |
I don't know, Andy. I think I have to let you go. | 0:06:36 | 0:06:39 | |
You're firing me? | 0:06:42 | 0:06:45 | |
You...you don't need to pay me. | 0:06:47 | 0:06:49 | |
Look, your act is like amateur hour. | 0:06:49 | 0:06:52 | |
You're doing sing-alongs for six-year-olds and puppets that aren't funny playing records?! | 0:06:52 | 0:06:58 | |
It's totally original. No-one's ever done it. I'm not like everyone else. | 0:06:58 | 0:07:02 | |
-Everybody else gets this place cooking. -It WAS. A man over here was really upset. | 0:07:02 | 0:07:08 | |
Yeah, he left, so did a lot of other people. I can't sell booze... | 0:07:08 | 0:07:13 | |
-It's about booze. It's not about comedy... -I can't sell booze... -You just want to sell booze. | 0:07:13 | 0:07:19 | |
-That's all that matters! -I'm running a business here. It's show business. Show...business. | 0:07:19 | 0:07:24 | |
Without the business, there's no show. There's no show for you. | 0:07:24 | 0:07:29 | |
-What do you want me to do? "Take my wife, please"? -Try some jokes, | 0:07:29 | 0:07:34 | |
-like, "Why did the Siamese twins go to England?" -I don't know. | 0:07:34 | 0:07:40 | |
So the other one could drive. | 0:07:40 | 0:07:42 | |
Why doesn't the other one just let her drive? | 0:07:43 | 0:07:48 | |
Maybe that one isn't for you, but do jokes about the traffic, do impressions, | 0:07:48 | 0:07:53 | |
maybe some blue material. | 0:07:53 | 0:07:56 | |
ENTHUSIASTIC APPLAUSE | 0:08:23 | 0:08:26 | |
Thank you very much. Good night. | 0:08:26 | 0:08:28 | |
-Now... -SOMEONE CLAPS BRIEFLY | 0:08:51 | 0:08:54 | |
-FOREIGN ACCENT: -Thank you very much. | 0:08:54 | 0:08:56 | |
One thing I do not like is... | 0:09:01 | 0:09:04 | |
is too much traffic. | 0:09:04 | 0:09:06 | |
You know? | 0:09:06 | 0:09:08 | |
Tonight...I had to come from... | 0:09:10 | 0:09:13 | |
..er... | 0:09:14 | 0:09:16 | |
..and the freeway... | 0:09:18 | 0:09:21 | |
it was so much traffic. | 0:09:21 | 0:09:23 | |
It took me an hour and a half to get here. | 0:09:25 | 0:09:29 | |
But... | 0:09:32 | 0:09:34 | |
but talking about the terrible things, | 0:09:34 | 0:09:37 | |
my wife... | 0:09:37 | 0:09:39 | |
take my wife, please, take her! | 0:09:39 | 0:09:42 | |
-HE BRAYS -No, no, I was only kidding. | 0:09:43 | 0:09:48 | |
I love my wife. | 0:09:53 | 0:09:55 | |
But she don't know how to cook. | 0:09:55 | 0:09:58 | |
Her cooking is so bad. | 0:09:58 | 0:10:01 | |
It's terrible. | 0:10:01 | 0:10:03 | |
Now I would like to... | 0:10:04 | 0:10:07 | |
I would like to do for you... | 0:10:07 | 0:10:09 | |
imitations. | 0:10:09 | 0:10:11 | |
I would like to start | 0:10:11 | 0:10:14 | |
with... | 0:10:14 | 0:10:15 | |
Jimmy Carter, | 0:10:15 | 0:10:17 | |
the President of the United States. | 0:10:17 | 0:10:20 | |
-SAME VOICE -Hello. I am Jimmy Carter... | 0:10:25 | 0:10:28 | |
the President of the United States. | 0:10:29 | 0:10:31 | |
LAUGHTER | 0:10:32 | 0:10:35 | |
Thank you very much. | 0:10:38 | 0:10:41 | |
Now I would like to do for you... | 0:10:45 | 0:10:48 | |
the... | 0:10:49 | 0:10:50 | |
Elvis Presley. | 0:10:51 | 0:10:53 | |
MUSIC: "Also Sprach Zarathustra" by Richard Strauss | 0:11:01 | 0:11:06 | |
# Well, it's one for the money, two for the show, three to get ready | 0:12:04 | 0:12:08 | |
# Now go, cat, go Now don't you step on my blue suede shoes | 0:12:08 | 0:12:12 | |
# You can do anything, but lay off of my blue suede shoes. # | 0:12:14 | 0:12:18 | |
Let's go! | 0:12:18 | 0:12:20 | |
-What? -What's the story with this guy? -I think he's from Lithuania. | 0:12:24 | 0:12:28 | |
# Blue, blue, blue suede shoes | 0:12:28 | 0:12:31 | |
# Blue, blue, blue suede shoes Blue, blue, blue suede shoes | 0:12:31 | 0:12:36 | |
# Blue, blue, blue suede shoes | 0:12:36 | 0:12:38 | |
# You can do anything but lay off of my blue suede shoes | 0:12:38 | 0:12:43 | |
# While we're dancing... # | 0:12:43 | 0:12:45 | |
APPLAUSE DROWNS WORDS | 0:12:46 | 0:12:49 | |
# A-a-all right | 0:12:51 | 0:12:54 | |
# All right! # | 0:12:54 | 0:12:56 | |
WHOOPING AND APPLAUSE | 0:12:56 | 0:12:59 | |
-FOREIGN ACCENT: -Thank you very much. | 0:13:17 | 0:13:20 | |
Hey, I really enjoyed your set. I'm sorry. I didn't mean to startle you. I liked what you did out there. | 0:13:21 | 0:13:27 | |
-AS FOREIGN MAN: -Thank you very much. | 0:13:27 | 0:13:30 | |
-So, I understand you're from Lithuania. -No. | 0:13:31 | 0:13:36 | |
I am from Caspiar. | 0:13:36 | 0:13:38 | |
Caspiar? | 0:13:40 | 0:13:42 | |
It is a very small island in the Caspian Sea. | 0:13:42 | 0:13:46 | |
It sunk. | 0:13:46 | 0:13:48 | |
Oh, I'm sorry. | 0:13:48 | 0:13:50 | |
Um... | 0:13:50 | 0:13:52 | |
Look, I'm probably out of my mind, but I think you're very interesting | 0:13:52 | 0:13:57 | |
and if you ever need representation, we should talk. | 0:13:57 | 0:14:01 | |
OK. | 0:14:01 | 0:14:02 | |
-AMERICAN ACCENT: -Mr Shapiro! | 0:14:05 | 0:14:07 | |
Wow. | 0:14:09 | 0:14:10 | |
This is an honour, sir. | 0:14:10 | 0:14:13 | |
Caspiar, huh? | 0:14:13 | 0:14:15 | |
I want to be the biggest star in the world. | 0:14:15 | 0:14:19 | |
-Well, people love comedians. -I'm not a comedian. | 0:14:19 | 0:14:23 | |
I don't even know what's funny. I'm a song and dance man. Thank you. | 0:14:23 | 0:14:28 | |
I particularly suggest the lotus root. | 0:14:28 | 0:14:32 | |
Um... | 0:14:42 | 0:14:43 | |
you...you show a lot of promise, son. | 0:14:43 | 0:14:47 | |
My concern is... I don't know where to book you. | 0:14:47 | 0:14:51 | |
You're not a stand-up... | 0:14:51 | 0:14:53 | |
and your act doesn't exactly translate itself to films, so... | 0:14:53 | 0:14:58 | |
..um... | 0:15:01 | 0:15:02 | |
Help me. Where do you see yourself? | 0:15:04 | 0:15:07 | |
Well, I've always wanted to play Carnegie Hall. | 0:15:07 | 0:15:11 | |
That's funny. | 0:15:11 | 0:15:14 | |
See, I don't want to go for cheap laughs. | 0:15:16 | 0:15:20 | |
I want real gut reaction. | 0:15:20 | 0:15:23 | |
I want the audience to have gone through an experience. They love me, they hate me, they walk out - great. | 0:15:23 | 0:15:29 | |
-Andy, you got a... -Hm? | 0:15:29 | 0:15:32 | |
Oh. | 0:15:33 | 0:15:34 | |
When I'm famous, I'm gonna sell these, as worn by Andy Kaufman. | 0:15:38 | 0:15:42 | |
-Hah! -You can have this one. | 0:15:42 | 0:15:45 | |
It's probably gonna be worth a lot because it was actually up my nose! | 0:15:45 | 0:15:49 | |
Hah! You're insane! | 0:15:49 | 0:15:52 | |
But you might also be brilliant. | 0:15:54 | 0:15:57 | |
Hello. George Shapiro here. | 0:15:59 | 0:16:01 | |
-NASAL BARK: -Wah...yeah! | 0:16:01 | 0:16:04 | |
-Is that George Shapiro? -Yeah. Speaking. | 0:16:04 | 0:16:07 | |
Speaking. Reeking, seeking, creaking, freaking! | 0:16:07 | 0:16:10 | |
-Tell me something I don't know, toadstool! -Can I help you? | 0:16:10 | 0:16:15 | |
-Yeah. Stay away from Andy Kaufman, if you know what's good for you. -Who is this? | 0:16:15 | 0:16:21 | |
Do not twist my nose! | 0:16:21 | 0:16:23 | |
My name's Tony Clifton. A name to respect, a name to fear! | 0:16:23 | 0:16:27 | |
Kaufman is a lying bastard! He is a psychopath! | 0:16:27 | 0:16:32 | |
Now slowly open your eyes. | 0:16:32 | 0:16:35 | |
You should feel rested, relaxed and alert. | 0:16:37 | 0:16:41 | |
I would like to thank you... your Holiness. | 0:16:42 | 0:16:46 | |
My heart is radiating pure energy. | 0:16:47 | 0:16:51 | |
OK? | 0:16:52 | 0:16:54 | |
Oh, no, wait. | 0:16:54 | 0:16:56 | |
I'm sorry. | 0:16:56 | 0:16:58 | |
I have a question. | 0:16:58 | 0:17:00 | |
Is there...? | 0:17:00 | 0:17:03 | |
Is there a secret...to being funny? | 0:17:05 | 0:17:08 | |
MUTED LAUGHTER | 0:17:08 | 0:17:10 | |
Yes. | 0:17:10 | 0:17:12 | |
Silence. | 0:17:13 | 0:17:15 | |
BAND PLAYS AUDIENCE APPLAUD AND CHEER | 0:17:16 | 0:17:20 | |
Welcome back to Saturday Night Live and, as a special treat on our first show, musical guest Andy Kaufman! | 0:17:24 | 0:17:31 | |
What's wrong with this guy? | 0:18:02 | 0:18:04 | |
It's dead air. | 0:18:10 | 0:18:12 | |
BAND PLAYS ROUSING INTRO | 0:18:22 | 0:18:24 | |
# Mister Trouble never hangs around | 0:18:24 | 0:18:29 | |
# When he hears this Mighty sound | 0:18:29 | 0:18:32 | |
-HE LIP-SYNCHS: -# Here I come to save the day! -LOUD LAUGHTER | 0:18:32 | 0:18:37 | |
# That means that Mighty Mouse is on his way | 0:18:37 | 0:18:41 | |
# Yes, sir, when there is a wrong to right Mighty Mouse will join the fight | 0:18:41 | 0:18:48 | |
# On the sea or on the land | 0:18:48 | 0:18:50 | |
# He gets the situation well in hand | 0:18:50 | 0:18:55 | |
# So though we are in danger We never despair | 0:18:55 | 0:18:58 | |
# Cos we know that where there's danger, he is there! | 0:18:58 | 0:19:02 | |
# He is there! On the land! On the sea! In the air! | 0:19:02 | 0:19:06 | |
# We're not worryin' at all | 0:19:06 | 0:19:08 | |
# We're just listenin' for his call... | 0:19:10 | 0:19:14 | |
-# -Here I come to save the day! -LAUGHTER | 0:19:14 | 0:19:18 | |
# That means that Mighty Mouse is on the way! # | 0:19:18 | 0:19:21 | |
Mr Kaufman? | 0:19:23 | 0:19:25 | |
-Oh. -Hi. Right this way, please. | 0:19:25 | 0:19:27 | |
-OK. -George is expecting you. | 0:19:27 | 0:19:30 | |
Hey, Andy! | 0:19:32 | 0:19:35 | |
-Thanks for coming out. -Oh, thank YOU, George. -Sit down. -OK. | 0:19:35 | 0:19:39 | |
-Oh, wow...which one? -Either one. | 0:19:39 | 0:19:42 | |
-They're both red. -Yeah. | 0:19:42 | 0:19:46 | |
Um...this one, I guess. | 0:19:46 | 0:19:48 | |
-So, did you have a nice flight? -I did. I had a really good flight. | 0:19:48 | 0:19:52 | |
-The stewardess was very, very nice and she allowed me to keep my headphones. -Terrific! | 0:19:52 | 0:19:58 | |
-Yeah. -Andy? -Uh-huh? | 0:19:58 | 0:20:01 | |
-I got something better. -You do? -Yeah. | 0:20:01 | 0:20:05 | |
-This is big. -OK. | 0:20:05 | 0:20:07 | |
OK. | 0:20:09 | 0:20:11 | |
You're getting a once in a lifetime very lucrative opportunity | 0:20:11 | 0:20:15 | |
to star on a primetime network sitcom! | 0:20:15 | 0:20:19 | |
A sitcom? | 0:20:24 | 0:20:26 | |
Yeah. | 0:20:26 | 0:20:27 | |
This is a class act. | 0:20:27 | 0:20:29 | |
It all takes place in a taxi stand. | 0:20:30 | 0:20:33 | |
And you're gonna be the Fonzie. | 0:20:33 | 0:20:35 | |
Fonzie? | 0:20:38 | 0:20:39 | |
No, no, no. No, no, no. | 0:20:39 | 0:20:42 | |
THE Fonzie. The crazy break-out character all the kids imitate | 0:20:42 | 0:20:47 | |
-and they put 'em on their lunchboxes. -I hate sitcoms, George. | 0:20:47 | 0:20:52 | |
These guys have seen your foreign character and they want to turn him | 0:20:52 | 0:20:57 | |
into... | 0:20:57 | 0:20:58 | |
a lovable, goofy mechanic | 0:20:58 | 0:21:01 | |
named... | 0:21:01 | 0:21:03 | |
..Latka. | 0:21:07 | 0:21:09 | |
Oh! | 0:21:12 | 0:21:13 | |
No. | 0:21:14 | 0:21:16 | |
-No? -No. -No to which part? -No to the whole thing. Doesn't sound good to me. | 0:21:16 | 0:21:22 | |
-Andy, this is every comedian's dream! -I'm not a comedian, George. | 0:21:22 | 0:21:26 | |
And sitcoms are the lowest form of entertainment. | 0:21:26 | 0:21:30 | |
I mean, it's just...stupid jokes and canned laughter and you don't know why it's there, but it's there! | 0:21:30 | 0:21:36 | |
It's dead people laughing, did you know that? | 0:21:36 | 0:21:40 | |
Andy, this is classy! | 0:21:40 | 0:21:42 | |
I don't care. I want to generate my own material. | 0:21:42 | 0:21:48 | |
Look, look, listen, listen to me. I've been in this business for 20 years, Andy! | 0:21:48 | 0:21:54 | |
I know. I've seen this. I know this. | 0:21:54 | 0:21:57 | |
If you pass up this opportunity, you will NEVER, never see another one like it again. | 0:21:57 | 0:22:03 | |
Never! | 0:22:04 | 0:22:06 | |
OK. | 0:22:16 | 0:22:18 | |
-I'll do it. -Fine. | 0:22:18 | 0:22:20 | |
-But I have some terms. -Fine. | 0:22:20 | 0:22:23 | |
That's what negotiations are all about. | 0:22:23 | 0:22:27 | |
What are you doing? | 0:22:27 | 0:22:30 | |
Writing up the terms. | 0:22:30 | 0:22:33 | |
What, are you making fun of me?! | 0:22:42 | 0:22:45 | |
-Those are my terms. -This is ridiculous. -It's what I need to do the show. | 0:22:45 | 0:22:51 | |
-Four guaranteed guest spots for Tony Clifton? Who's Tony Clifton? -He's a Vegas lounge singer. | 0:22:51 | 0:22:58 | |
I used to do impressions of him and sort of got into a fight over it. | 0:22:58 | 0:23:02 | |
-This Clifton called me! -He did? -He's a loon! | 0:23:02 | 0:23:06 | |
-He hates you. -No. he just talks tough, but I owe him. | 0:23:06 | 0:23:11 | |
If I'm the new Fonz, then ABC is just gonna have to give me what I want! | 0:23:11 | 0:23:17 | |
Hey-y-y-y! | 0:23:17 | 0:23:19 | |
Mr Kaufman will only appear in half the episodes of Taxi. | 0:23:19 | 0:23:23 | |
Mr Kaufman requires an undisturbed 90 minutes of meditation prior to filming. | 0:23:23 | 0:23:29 | |
Mr Kaufman gets his own network special. | 0:23:30 | 0:23:34 | |
And Taxi must guarantee four guest appearances | 0:23:34 | 0:23:39 | |
for Tony Clifton. | 0:23:39 | 0:23:41 | |
Who? | 0:23:42 | 0:23:44 | |
Tony Clifton. | 0:23:44 | 0:23:46 | |
Who the hell is Tony Clifton? | 0:23:46 | 0:23:48 | |
I don't know. | 0:23:51 | 0:23:54 | |
And now...Mama Rivoli's is proud to present... | 0:23:55 | 0:23:59 | |
an international singing sensation. | 0:23:59 | 0:24:02 | |
Ladies and gentlemen, Mr TONY CLIFTON! | 0:24:02 | 0:24:06 | |
DRUM ROLL | 0:24:06 | 0:24:08 | |
APPLAUSE | 0:24:08 | 0:24:10 | |
DISTANT ANGRY SHOUTING | 0:24:16 | 0:24:18 | |
DRUM ROLL STOPS | 0:24:24 | 0:24:26 | |
Ladies and gentlemen, | 0:24:26 | 0:24:28 | |
due to Mr Clifton's vocal constraints, | 0:24:28 | 0:24:31 | |
-out of respect for him, he asks you to please extinguish your cigars and cigarettes. -I paid 10 for that! | 0:24:31 | 0:24:38 | |
Sorry. | 0:24:39 | 0:24:40 | |
And now... | 0:24:40 | 0:24:43 | |
ladies and gentlemen, Mr Entertainment, | 0:24:43 | 0:24:47 | |
Tony CLIFTON! | 0:24:47 | 0:24:49 | |
BAND PLAYS | 0:24:52 | 0:24:55 | |
# Vo-o-o-o-o... | 0:25:07 | 0:25:11 | |
# o-o-o-o-o-o... | 0:25:11 | 0:25:13 | |
# ..lare | 0:25:13 | 0:25:16 | |
# Whoa, whoa | 0:25:16 | 0:25:18 | |
# Whoa, whoa, whoa, whoa Cantare, whoa, whoa, whoa, whoa | 0:25:18 | 0:25:22 | |
# No wonder my happy heart sings | 0:25:22 | 0:25:25 | |
# Your love has given me wings | 0:25:25 | 0:25:28 | |
# I got the wings on my bum | 0:25:28 | 0:25:31 | |
# I got... | 0:25:31 | 0:25:32 | |
# wings... # | 0:25:32 | 0:25:33 | |
I got the chicken wings from Kentucky Fried. | 0:25:33 | 0:25:37 | |
Whoop-de-doo, whoop-de-dy... Stick a needle in your eye! | 0:25:42 | 0:25:48 | |
I play a lot of the big show rooms in Vegas. | 0:25:48 | 0:25:52 | |
I need this place like I need a shotgun blast to the face. | 0:25:52 | 0:25:56 | |
Let's go down, meet some of the audience. | 0:25:56 | 0:26:00 | |
How ya doin'? Where you from? | 0:26:00 | 0:26:03 | |
Ya, ya, ya, ya! | 0:26:03 | 0:26:05 | |
Somebody's wearin' a lot of perfume around here! Must be that time of the month. | 0:26:05 | 0:26:10 | |
Huh? | 0:26:11 | 0:26:13 | |
I know all the tricks. Now how ya doin'? Enjoying that pasta carbonara? | 0:26:13 | 0:26:19 | |
Looks as if you are. Look out! I think you sat on some cottage cheese! | 0:26:19 | 0:26:25 | |
-Pardon me. That's your ass. -Dah! -Thank you. | 0:26:25 | 0:26:29 | |
Oh, whoa-oa-oa-oa! | 0:26:29 | 0:26:31 | |
How are you? Are you enjoying the show? | 0:26:32 | 0:26:36 | |
-Yeah. -Uh? -Yeah. | 0:26:37 | 0:26:39 | |
-What's your name? -Bob. | 0:26:39 | 0:26:42 | |
Bob? | 0:26:43 | 0:26:44 | |
HE SNARLS | 0:26:44 | 0:26:47 | |
What's your last name? Up and down in the water? | 0:26:47 | 0:26:52 | |
Huh? | 0:26:54 | 0:26:55 | |
Gorsky. | 0:26:56 | 0:26:58 | |
-Gorsky? -Mm-hm. -That Polish? | 0:26:58 | 0:27:00 | |
Yeah. | 0:27:00 | 0:27:02 | |
-You trying to do us some Polish humour. -No, that's... -Shut up! | 0:27:02 | 0:27:06 | |
-That's just my name. -SHUT UP! I think them dumb Polacks have been ridiculed enough! | 0:27:06 | 0:27:12 | |
I do a clean show act. | 0:27:12 | 0:27:14 | |
You want to see some humour? Here's some humour. Right there, OK? | 0:27:14 | 0:27:19 | |
Just sit down. Enjoy that, OK? | 0:27:20 | 0:27:22 | |
And you! The pair of you! I'll see you backstage, baldy. | 0:27:22 | 0:27:28 | |
VO-O-O-O... | 0:27:28 | 0:27:30 | |
-MUSIC STARTS -# ..lare! # | 0:27:30 | 0:27:34 | |
What do you want? | 0:27:40 | 0:27:42 | |
Just a little friendly conversation, George. | 0:27:49 | 0:27:53 | |
Are you hungry? | 0:27:56 | 0:27:58 | |
Oh... | 0:27:58 | 0:28:00 | |
You...you... | 0:28:01 | 0:28:04 | |
INCOHERENT SONG | 0:28:04 | 0:28:06 | |
I don't understand this act. | 0:28:08 | 0:28:11 | |
Good, old-fashioned entertainment, George. Everyone loves a villain. | 0:28:11 | 0:28:15 | |
-But what about that poor schlub you humiliated? -Excellent show. | 0:28:15 | 0:28:19 | |
That was a great show. ..George? | 0:28:19 | 0:28:22 | |
-This is my writer and old friend Bob Zmuda. -George. Hi. I'm Bob. | 0:28:22 | 0:28:27 | |
-Very creative. -I'm the brains behind this operation. | 0:28:27 | 0:28:32 | |
He once faked a lion escaping from Chicago zoo. | 0:28:32 | 0:28:37 | |
This was fantastic, George. We got 40 actors and they're all tearing through the zoo. | 0:28:37 | 0:28:42 | |
"There's a lion!" | 0:28:42 | 0:28:46 | |
Your name's not Gorsky. | 0:28:46 | 0:28:48 | |
Don't believe everything you hear, George. | 0:28:49 | 0:28:53 | |
This cannot leave this room. Do not write this down. OK? | 0:28:53 | 0:28:58 | |
Tony Clifton is Andy Kaufman. | 0:28:58 | 0:29:01 | |
And Andy Kaufman is Tony Clifton. | 0:29:02 | 0:29:05 | |
They'll deny it up and down, but it's true. | 0:29:05 | 0:29:08 | |
This is great business. You get two Andy Kaufmans for the price of one. | 0:29:08 | 0:29:14 | |
HE LAUGHS | 0:29:16 | 0:29:19 | |
Andy! | 0:29:19 | 0:29:20 | |
-Andy! -What's up? -They said yes. You're getting everything. Everything! | 0:29:20 | 0:29:26 | |
Bonus. | 0:29:28 | 0:29:30 | |
-Thank you very much. -It was so good. -I have to do Taxi, don't I? -You gotta do Taxi. OK. | 0:29:30 | 0:29:37 | |
AUDIENCE LAUGHTER | 0:29:52 | 0:29:54 | |
Happy time for Latka. | 0:29:54 | 0:29:56 | |
Not until you take off those overalls. | 0:29:56 | 0:30:00 | |
Latka, Latka, listen to me! | 0:30:02 | 0:30:04 | |
There's a drug in those cookies. | 0:30:04 | 0:30:06 | |
No-o?! | 0:30:07 | 0:30:09 | |
No! | 0:30:11 | 0:30:12 | |
"TAXI" THEME PLAYS | 0:30:12 | 0:30:15 | |
Bed? | 0:30:19 | 0:30:21 | |
I have never been so emotional in all my life. | 0:30:21 | 0:30:26 | |
And this is from my mother! And this is from my father! And this is from my grandfather! | 0:30:26 | 0:30:32 | |
I hope you have a small family. | 0:30:32 | 0:30:35 | |
RHYTHMIC CHANTING | 0:30:36 | 0:30:38 | |
LATKA SPEAKS IN HIS NATIVE LANGUAGE | 0:30:39 | 0:30:42 | |
Oh! | 0:30:46 | 0:30:47 | |
Thank you very much. Thank you very much. | 0:30:49 | 0:30:52 | |
-I'm gonna quit. -What? | 0:31:01 | 0:31:04 | |
-Every show's worse than the last one. -40 million people are watching every week. -What do they know? | 0:31:04 | 0:31:10 | |
Absolutely nothing, and that's the beauty. Look, it's credibility. | 0:31:10 | 0:31:15 | |
You make them love you NOW and then later on, on your special, | 0:31:15 | 0:31:19 | |
you can fuck with their heads. The sky is the limit. | 0:31:19 | 0:31:23 | |
Oh, yeah? I don't care! > | 0:31:26 | 0:31:28 | |
Sir, there's a problem down on the Kaufman special. He's not following the technical requirements. | 0:31:28 | 0:31:34 | |
Technical? | 0:31:34 | 0:31:37 | |
-- Thanks for coming on my show. - Thanks for having me on your show, Andy. -Hold it! | 0:31:37 | 0:31:43 | |
-It's my special! I have creative control. Now roll it! -No. | 0:31:43 | 0:31:48 | |
Do it. | 0:31:48 | 0:31:50 | |
Hi. | 0:31:50 | 0:31:52 | |
Only positive energy allowed. | 0:31:52 | 0:31:55 | |
I've been hearing fabulous things about the special. | 0:31:55 | 0:31:59 | |
-Did we hit a little speed bump? -Mm-hm. And his name is Colin. | 0:31:59 | 0:32:03 | |
-Kid genius told me to mess with the vertical hold. -Show me. | 0:32:03 | 0:32:08 | |
Show him, Colin. | 0:32:08 | 0:32:10 | |
Thanks for having me on your show, Andy. | 0:32:13 | 0:32:16 | |
ANDY LAUGHS | 0:32:20 | 0:32:22 | |
It'll be great! | 0:32:22 | 0:32:25 | |
People will think their TV is broken and they'll get out of their chairs, twist the knob, | 0:32:25 | 0:32:31 | |
call the TV store, "Hey, I paid a lot of money for that TV." They'll bang on the television. | 0:32:31 | 0:32:38 | |
Andy... | 0:32:40 | 0:32:41 | |
we don't want the viewers to get out of their chairs. | 0:32:41 | 0:32:46 | |
But it's funny! | 0:32:46 | 0:32:49 | |
It's a practical joke. | 0:32:49 | 0:32:51 | |
The viewer must be able to see the programme. | 0:32:51 | 0:32:56 | |
But it's only going to be for 30 seconds. | 0:32:58 | 0:33:01 | |
Five. | 0:33:01 | 0:33:03 | |
Twenty. | 0:33:03 | 0:33:04 | |
Ten. | 0:33:04 | 0:33:06 | |
Deal. | 0:33:07 | 0:33:08 | |
OK, Andy, ten seconds, huh? | 0:33:09 | 0:33:12 | |
-Ten seconds, OK. -OK. -OK. | 0:33:12 | 0:33:15 | |
-Ten seconds. -Ten seconds is perfect. | 0:33:23 | 0:33:26 | |
I've been watching you since I was a little boy... | 0:33:30 | 0:33:34 | |
Look at how cute he is. Great! | 0:33:35 | 0:33:38 | |
They prefer music. | 0:33:38 | 0:33:40 | |
This is not funny. | 0:33:44 | 0:33:46 | |
This is artsy-fartsy shit. I mean... | 0:33:46 | 0:33:50 | |
This is the magical part of the show. The show's not all like this. It's hysterical. It's very funny. | 0:33:50 | 0:33:56 | |
-For Christ sakes, we're the number-one network. Can't we afford decent TV? -That's part of the show. | 0:33:56 | 0:34:02 | |
-This is part of the show? -Yes. -What do you mean? | 0:34:02 | 0:34:06 | |
That's the way Andy wants it to roll. | 0:34:06 | 0:34:09 | |
'Yes, Andy, I love you, too.' | 0:34:09 | 0:34:12 | |
Tell Kaufman this network will never have this programme. | 0:34:14 | 0:34:19 | |
That's him - Kaufman. | 0:34:19 | 0:34:22 | |
Want a bet? | 0:34:22 | 0:34:24 | |
Hey! Hey! | 0:34:24 | 0:34:26 | |
Excuse me. Are you Andy Kaufman? | 0:34:26 | 0:34:29 | |
I get that all the time. | 0:34:31 | 0:34:34 | |
Andy! | 0:34:39 | 0:34:41 | |
This is ridiculous. Take off that apron. | 0:34:42 | 0:34:47 | |
No. I'd rather work here than at ABC. | 0:34:48 | 0:34:52 | |
I'm sorry. They're assholes. In a creative business, there's no telling what people will like. | 0:34:52 | 0:34:59 | |
The only reason why I did Taxi was so that I could have my own special. | 0:34:59 | 0:35:04 | |
I know. I'll tell you what. | 0:35:04 | 0:35:07 | |
Let me book you into some colleges and I'll take the special around, see if anybody wants to buy it. | 0:35:07 | 0:35:13 | |
-No. Like a garage sale. No, I'm over now. -You're not over now. | 0:35:13 | 0:35:19 | |
-I am. -You can't be over now. -I am. -You've got a deal with ABC! | 0:35:19 | 0:35:24 | |
-All right, how much longer is left on my contract? -You signed for five years. | 0:35:24 | 0:35:30 | |
-Four years and seven months. -Oh! | 0:35:30 | 0:35:33 | |
MUSIC PLAYS | 0:35:35 | 0:35:37 | |
AUDIENCE CHEERS | 0:35:37 | 0:35:40 | |
Thank you. | 0:35:56 | 0:35:57 | |
It's really great to be here. We're gonna have a great show tonight. | 0:35:57 | 0:36:02 | |
A really good one! | 0:36:02 | 0:36:04 | |
We're gonna start by singing some songs. | 0:36:04 | 0:36:08 | |
-Do Latka. -What? -Yeah! Latka! | 0:36:08 | 0:36:11 | |
Latka! | 0:36:11 | 0:36:13 | |
Wait... | 0:36:13 | 0:36:14 | |
AUDIENCE SCREAMS FOR LATKA | 0:36:14 | 0:36:17 | |
THEY CHANT "LATKA! LATKA!" | 0:36:17 | 0:36:19 | |
Excuse me for one second. | 0:36:20 | 0:36:23 | |
Latka! | 0:36:23 | 0:36:24 | |
-I saw that. -What? -Give me the book. What book? I need the book. -No. | 0:36:25 | 0:36:30 | |
-Something wrong? -No. -Can I squeeze your nuts? -Oh! | 0:36:30 | 0:36:34 | |
Thanks. | 0:36:34 | 0:36:35 | |
They're asking for it. | 0:36:35 | 0:36:37 | |
ENTHUSIASTIC APPLAUSE AND CHEERING | 0:36:38 | 0:36:40 | |
Ladies and gentlemen, since you're such a... | 0:36:44 | 0:36:48 | |
-special audience... -CHEERING AND APPLAUSE -Yeah! | 0:36:48 | 0:36:52 | |
I'm going to reveal for the very first time ever... | 0:36:52 | 0:36:56 | |
the real me. That's right. | 0:36:56 | 0:37:00 | |
-POSH ENGLISH ACCENT -I'm actually British. | 0:37:04 | 0:37:07 | |
LAUGHTER | 0:37:07 | 0:37:09 | |
And though I dabble in clowning, I do find it so boorish, so...American. | 0:37:09 | 0:37:15 | |
I prefer the fine arts. | 0:37:15 | 0:37:17 | |
Henceforth today I'm going to grace you with a reading of one of the greatest novels ever written, | 0:37:17 | 0:37:23 | |
The Great Gatsby by F Scott Fitzgerald. | 0:37:23 | 0:37:27 | |
Please. | 0:37:30 | 0:37:32 | |
"In my younger and more vulnerable years, my father gave me some advice | 0:37:32 | 0:37:38 | |
"that I've been turning over in my mind ever since. | 0:37:38 | 0:37:42 | |
-"Whenever you feel like criticising anyone, remember that people..." -LATKA! LATKA! | 0:37:42 | 0:37:47 | |
"..we've always been communicable in a reserved way and I understood that he meant a great deal more..." | 0:37:47 | 0:37:54 | |
AUDIENCE IS SHOUTING FOR LATKA | 0:37:54 | 0:37:56 | |
LAUGHTER | 0:37:59 | 0:38:00 | |
-AS LATKA: -Thank you very much. | 0:38:01 | 0:38:04 | |
"In consequence, I'm inclined to reserve all judgements, | 0:38:09 | 0:38:14 | |
-BOOING -"a habit that has opened up many curious natures to me and also..." | 0:38:14 | 0:38:19 | |
Latka! | 0:38:19 | 0:38:20 | |
Now, now! Now, now! Please, keep it down. I've got a long way to go. | 0:38:20 | 0:38:25 | |
-"..the same sort of people..." -BOOING | 0:38:27 | 0:38:31 | |
-Would you rather I kept reading, or do you prefer to hear the phonograph record? -Record! | 0:38:31 | 0:38:38 | |
-I'm sorry, I can't hear you. -RECORD! -Are you positive? | 0:38:38 | 0:38:42 | |
-YES! -Very well, then. | 0:38:42 | 0:38:45 | |
"Perhaps his presence gave the evening its peculiar quality..." | 0:38:51 | 0:38:55 | |
READING CONTINUES ON RECORD | 0:38:55 | 0:38:59 | |
"Year by year, received before us... | 0:39:03 | 0:39:06 | |
-"Tomorrow..." -CLEARS HIS THROAT | 0:39:10 | 0:39:13 | |
"Tomorrow, we will run faster, | 0:39:13 | 0:39:16 | |
"stretch our arms out further | 0:39:16 | 0:39:20 | |
"and one fine morning... | 0:39:20 | 0:39:22 | |
"so we beat on, | 0:39:22 | 0:39:24 | |
"boats against the current, | 0:39:24 | 0:39:27 | |
"borne back ceaselessly... | 0:39:27 | 0:39:29 | |
"into the past." | 0:39:30 | 0:39:32 | |
The end. | 0:39:35 | 0:39:37 | |
All right! | 0:39:38 | 0:39:41 | |
You want to play Arizona State, you give them Mighty Mouse or Elvis. | 0:40:02 | 0:40:06 | |
I gave them The Great Gatsby - F Scott Fitzgerald's best work. | 0:40:06 | 0:40:11 | |
-A classic. -His finest piece of work. -I don't care. | 0:40:11 | 0:40:16 | |
Andy... Andy, you have to look inside and ask this question - | 0:40:20 | 0:40:26 | |
who are you trying to entertain - the audience or yourself? | 0:40:26 | 0:40:31 | |
Excuse me. | 0:40:33 | 0:40:35 | |
-Bob? -George... -I'm worried about him. | 0:40:38 | 0:40:42 | |
His stress level's affecting his work. | 0:40:42 | 0:40:46 | |
Calm down! That's not going to help anything. | 0:40:46 | 0:40:49 | |
Look, Tony Clifton is going to go on Taxi next week. | 0:40:49 | 0:40:54 | |
That should let him blow off steam and relieve the stress. | 0:40:54 | 0:40:59 | |
Bob, Andy needs to relax. | 0:40:59 | 0:41:02 | |
This is your job. You have to take him away from all this. | 0:41:02 | 0:41:06 | |
Would you come on? Come on! | 0:41:09 | 0:41:12 | |
Sh! | 0:41:12 | 0:41:14 | |
-Hey, how you doing? -Fine. | 0:41:14 | 0:41:16 | |
-Nice to meet you. -Nice to meet you. -How are you? -Peachy. | 0:41:16 | 0:41:22 | |
Oh. | 0:41:22 | 0:41:24 | |
What do we do now? | 0:41:34 | 0:41:36 | |
Now you pick. | 0:41:36 | 0:41:38 | |
What if I hurt somebody's feelings? | 0:41:40 | 0:41:43 | |
You're not going to hurt anybody's feelings. | 0:41:43 | 0:41:47 | |
-They're all professionals. OK? -OK. | 0:41:47 | 0:41:51 | |
Which one? | 0:41:56 | 0:41:59 | |
I will have BOTH! | 0:42:00 | 0:42:02 | |
I will have this fraulein and the one with the big strudels. | 0:42:08 | 0:42:12 | |
Schnell! | 0:42:12 | 0:42:14 | |
Oh, no! Smooth, I'm going to kill you! | 0:42:14 | 0:42:17 | |
Excellent choice. | 0:42:17 | 0:42:19 | |
Hi. | 0:42:20 | 0:42:22 | |
Are you having a good day? | 0:42:22 | 0:42:24 | |
It's a big day. It's my buddy's first time with a prostitute. | 0:42:24 | 0:42:29 | |
What are you talking about? Andy comes here almost every weekend. | 0:42:29 | 0:42:33 | |
Who...Andy?! | 0:42:33 | 0:42:35 | |
He doesn't always call himself that. | 0:42:35 | 0:42:38 | |
Sometimes he's Tony and he wears a tux. | 0:42:38 | 0:42:42 | |
Hey... | 0:42:59 | 0:43:01 | |
if..if I gave you both 300, | 0:43:03 | 0:43:08 | |
would you... | 0:43:08 | 0:43:11 | |
..come to Hollywood and help me destroy a TV show? | 0:43:13 | 0:43:17 | |
500. | 0:43:19 | 0:43:21 | |
BANGING | 0:43:21 | 0:43:24 | |
Who am I, Harry Houdini? Huh? | 0:43:27 | 0:43:31 | |
I bust it through. Come on, girls. | 0:43:31 | 0:43:34 | |
Welcome to the phoney free jam! | 0:43:34 | 0:43:36 | |
OK, here's the man - Tony Clifton! | 0:43:36 | 0:43:39 | |
Just the factsy, Maxy. Hey, hotshot! How you doing? | 0:43:39 | 0:43:44 | |
-Very good... -Take a hike, punk! All right! | 0:43:44 | 0:43:47 | |
-What are we doing, huh? -Here's your script. | 0:43:47 | 0:43:51 | |
-That's the script I was given? -Yeah. -That's what I have to do? | 0:43:51 | 0:43:55 | |
-OK. Let me see. -Right. -Bullshit...bullshit...my line. | 0:43:55 | 0:43:59 | |
Bullshit...bullshit...my line. | 0:43:59 | 0:44:02 | |
That's hilarious! That is hilarious! | 0:44:03 | 0:44:06 | |
-I reviewed that script last night and I was not satisfied. -Well... | 0:44:06 | 0:44:10 | |
I was not satisfied. | 0:44:10 | 0:44:12 | |
-Why don't we...? -I made a few changes. I stayed up all night with these sweet ladies. | 0:44:12 | 0:44:18 | |
-Can we get to work? -A hot dame. | 0:44:20 | 0:44:23 | |
And this is Melonia. How's my little prose department? | 0:44:23 | 0:44:27 | |
Parp-parp! | 0:44:27 | 0:44:29 | |
This is the new Taxi theme song. | 0:44:31 | 0:44:33 | |
# Oh, yes, we drive a taxi | 0:44:36 | 0:44:40 | |
# Ahhhhhhhh | 0:44:40 | 0:44:49 | |
# Agh-agh-agh... # | 0:44:49 | 0:44:52 | |
George... | 0:44:52 | 0:44:54 | |
..I can't afford to blow this whole episode. | 0:44:55 | 0:44:59 | |
We have to let him go. | 0:44:59 | 0:45:01 | |
-I'm not sure how Andy'll take this. -We'll just have to tell him. | 0:45:03 | 0:45:07 | |
But...but that's Tony down there. It's not Andy. | 0:45:07 | 0:45:11 | |
I don't give a fuck who that is - I'm going to fire him. | 0:45:11 | 0:45:15 | |
OK. All right. But we better warn Andy first. | 0:45:15 | 0:45:19 | |
He's up in San Francisco. I'll call his secretary. | 0:45:19 | 0:45:23 | |
Diane, this is George. | 0:45:25 | 0:45:28 | |
I'm trying to reach Andy up in San Francisco. | 0:45:28 | 0:45:32 | |
I'll wait. | 0:45:34 | 0:45:36 | |
-Hello? -Andy! I'm gonna put you on the speaker. | 0:45:38 | 0:45:42 | |
-Andy! -Hello! -Hi! | 0:45:42 | 0:45:44 | |
I'm here with Ed over at Taxi. | 0:45:44 | 0:45:46 | |
-Hi, Ed. -Hi, Andy. -How are you? -Fine. | 0:45:46 | 0:45:49 | |
-Andy, there's been some trouble with Tony. -Oh, no! Did he get hurt? | 0:45:49 | 0:45:54 | |
-No - it's nothing like that. -Did he hurt someone else? -No. | 0:45:54 | 0:45:58 | |
It's not that. Andy, the reason I'm calling you like this | 0:45:58 | 0:46:03 | |
is I have the utmost respect for your artistry... | 0:46:03 | 0:46:06 | |
I have always appreciated that, Ed. | 0:46:06 | 0:46:09 | |
Thank you. | 0:46:09 | 0:46:11 | |
But, in this instance, I have to ask your permission to fire Tony. | 0:46:11 | 0:46:17 | |
Oh, my! | 0:46:21 | 0:46:23 | |
George, this is going to kill Tony. He's waited for this his whole life. | 0:46:23 | 0:46:28 | |
-There'll be other shots. -We have to. He's a terrible actor. | 0:46:28 | 0:46:33 | |
OK. But please let him down gently. | 0:46:33 | 0:46:37 | |
Trust us. | 0:46:37 | 0:46:39 | |
FUCK YOU! I'M NOT GOING! | 0:46:39 | 0:46:43 | |
We had a deal. | 0:46:44 | 0:46:46 | |
I know who you talked to. You got someone else. | 0:46:46 | 0:46:49 | |
I was talking to Andy Kaufman. | 0:46:49 | 0:46:51 | |
Oh! Oh! Oh! Andy Kaufman! | 0:46:51 | 0:46:54 | |
Security, get in here! | 0:46:54 | 0:46:56 | |
-Security! -You want to arrest him! | 0:46:57 | 0:47:01 | |
Don't hurt him! He's a delicate man! | 0:47:14 | 0:47:17 | |
Please leave the set. | 0:47:17 | 0:47:19 | |
Hey! Give me that! | 0:47:19 | 0:47:22 | |
If you guys ever go to Vegas, you're not getting in! | 0:47:23 | 0:47:28 | |
Come here! Give me that! | 0:47:28 | 0:47:31 | |
Give me that camera! | 0:47:31 | 0:47:33 | |
I got 20 bucks says you work for me! I'd like to use a phone! | 0:47:33 | 0:47:37 | |
Not on the lot, sir. | 0:47:37 | 0:47:40 | |
How about a bathroom? I may have shit my pants. | 0:47:40 | 0:47:44 | |
-Drink of water? -No. -Aspirin? -No. -Wash towelette? | 0:47:44 | 0:47:47 | |
In that case, it has been an honour. And good day! | 0:47:47 | 0:47:53 | |
Great! | 0:47:55 | 0:47:57 | |
This is too much, man! It makes Tony real. | 0:47:57 | 0:48:00 | |
It's good for his career, George. | 0:48:02 | 0:48:05 | |
Oh, really! You want to book Tony Clifton at Harrah's Tahoe? | 0:48:05 | 0:48:10 | |
The college kids really like Andy Kaufman. | 0:48:10 | 0:48:12 | |
No, wait - let me be really clear about this. | 0:48:12 | 0:48:16 | |
If you book Tony, do not expect to get Andy. | 0:48:16 | 0:48:19 | |
I'll take my chances, all right. | 0:48:19 | 0:48:22 | |
All right. Be my guest. Book him. | 0:48:24 | 0:48:27 | |
Shut up! | 0:48:30 | 0:48:32 | |
-MURMUR OF VOICES -Shut the hell up! | 0:48:33 | 0:48:36 | |
If you make one more sound I'll come down and put your head in the soup. | 0:48:36 | 0:48:42 | |
If I go like this, it means I expect total silence. | 0:48:42 | 0:48:46 | |
There is an artiste on stage. | 0:48:47 | 0:48:50 | |
That's better! | 0:49:04 | 0:49:08 | |
# Whether I'm right | 0:49:13 | 0:49:15 | |
# Or whether I'm wrong | 0:49:17 | 0:49:19 | |
# Whether I find a place in this world | 0:49:20 | 0:49:23 | |
# Or never belong | 0:49:23 | 0:49:25 | |
# I've got to be me | 0:49:26 | 0:49:29 | |
# I've gotta be me | 0:49:29 | 0:49:32 | |
# Willing to try to do it or die! # | 0:49:33 | 0:49:38 | |
Thank you very much. | 0:49:49 | 0:49:51 | |
Thank you. I do all my own stunts. | 0:49:51 | 0:49:55 | |
Wow! | 0:49:55 | 0:49:56 | |
# ..I've got to be... # | 0:49:56 | 0:50:01 | |
What the hell's going on? Kaufman! | 0:50:06 | 0:50:09 | |
# Oooooh...! # | 0:50:09 | 0:50:13 | |
HE SINGS GIBBERISH | 0:50:13 | 0:50:17 | |
Kaufman's crapping on my act! | 0:50:19 | 0:50:21 | |
HE SINGS GIBBERISH | 0:50:21 | 0:50:24 | |
Where's it say Kaufman plays drums?! | 0:50:26 | 0:50:29 | |
May I borrow this for a second? | 0:50:35 | 0:50:39 | |
-AUDIENCE GASPS -Now you are all wet, huh? | 0:50:54 | 0:50:59 | |
You looked like you could use a little drink. | 0:50:59 | 0:51:01 | |
Go on! Get out of here! | 0:51:02 | 0:51:05 | |
AUDIENCE BOOS | 0:51:05 | 0:51:07 | |
Andy! | 0:51:09 | 0:51:11 | |
# I've got to be... # | 0:51:11 | 0:51:14 | |
Oh, all right! | 0:51:18 | 0:51:21 | |
Wowowowowow! | 0:51:23 | 0:51:26 | |
AUDIENCE JEERS | 0:51:26 | 0:51:29 | |
Close the goddamn door! Close it! | 0:51:37 | 0:51:40 | |
Oh! Look at you! You're so proud! | 0:51:41 | 0:51:46 | |
You're like some stupid kid who comes home from school - | 0:51:46 | 0:51:50 | |
"Look, Dad! I got an F." | 0:51:50 | 0:51:52 | |
But wasn't it funny? | 0:51:52 | 0:51:54 | |
Yes, it was funny, Andy. | 0:51:54 | 0:51:56 | |
It was. | 0:51:56 | 0:51:59 | |
Yes, it was funny for a little while, until the audience realised that Tony wasn't you. | 0:51:59 | 0:52:04 | |
So what do you have here? Some big elaborate joke that's only funny | 0:52:07 | 0:52:12 | |
to two people in the Universe - you and you. | 0:52:12 | 0:52:15 | |
Sure. And we think it's hilarious. | 0:52:15 | 0:52:19 | |
-Agh! -Agh! -Agh! -Agh! | 0:52:19 | 0:52:21 | |
-What's the point? What is the point? -It's fun, George. | 0:52:21 | 0:52:26 | |
How's this going to make you the biggest star in the world? | 0:52:28 | 0:52:33 | |
George, at this point the audience expects me to completely shock them all the time, | 0:52:33 | 0:52:39 | |
but short of faking my own death or setting the theatre on fire, | 0:52:39 | 0:52:43 | |
I don't know what to do. I've got to be one step ahead. | 0:52:43 | 0:52:47 | |
Ohh! | 0:52:47 | 0:52:50 | |
-It's like ballet. -Oh! | 0:52:50 | 0:52:53 | |
-You see that? -Bam! | 0:52:53 | 0:52:55 | |
These guys are brilliant. I wanna be a bad-guy wrestler. | 0:52:58 | 0:53:02 | |
I hate to break it to you but you don't have the build for it, | 0:53:02 | 0:53:07 | |
the look for it. These guys are huge. They would kick your ass. | 0:53:07 | 0:53:12 | |
Maybe I can pick on someone a little smaller than me. | 0:53:13 | 0:53:17 | |
'No, no -' | 0:53:17 | 0:53:19 | |
women are superior to men in many ways. | 0:53:19 | 0:53:22 | |
-CHEERS -That's right. | 0:53:22 | 0:53:24 | |
When it comes to cooking and cleaning and washing the potatoes, | 0:53:24 | 0:53:28 | |
making the babies, mopping the floors, they have it all over men. | 0:53:28 | 0:53:33 | |
I believe that. But when it comes to wrestling... Shut up! | 0:53:33 | 0:53:38 | |
Be quiet when the man is talking! | 0:53:38 | 0:53:41 | |
AUDIENCE BOOS | 0:53:41 | 0:53:44 | |
If there is a woman here tonight who can prove me wrong | 0:53:44 | 0:53:48 | |
I will shut my mouth and pay her 500. | 0:53:48 | 0:53:53 | |
First come, first served! | 0:53:56 | 0:53:59 | |
You want to take Andy? Come on! | 0:53:59 | 0:54:02 | |
-What's your name? -My name's Lynne. | 0:54:02 | 0:54:05 | |
-You're pathetic! You're pathetic! -We'll see about that, Susie Q! | 0:54:05 | 0:54:11 | |
No kicking, biting, punching, scratching. Do you understand? | 0:54:11 | 0:54:15 | |
-He's going to play fair? -I'm not concerned with him. -It's up to you to pin me. | 0:54:15 | 0:54:20 | |
-I understand! -Shake hands! | 0:54:20 | 0:54:22 | |
In your corners. Come out wrestling when you hear the bell. | 0:54:25 | 0:54:28 | |
You see? You see this? | 0:54:34 | 0:54:37 | |
No choke hold! | 0:54:45 | 0:54:47 | |
Come on! | 0:54:47 | 0:54:49 | |
Ow! | 0:54:50 | 0:54:52 | |
Break it up! | 0:54:52 | 0:54:55 | |
First warning! You pulled her hair! | 0:54:57 | 0:54:59 | |
-You want me to give you a second warning? -Shut up! | 0:54:59 | 0:55:04 | |
I am the champion! | 0:55:04 | 0:55:06 | |
One, two, | 0:55:22 | 0:55:25 | |
three! | 0:55:25 | 0:55:26 | |
-Over! It is over! -Loser! | 0:55:26 | 0:55:29 | |
You are out! You are down! | 0:55:29 | 0:55:32 | |
Winner and undisputed intergender wrestling champion of the world! | 0:55:32 | 0:55:36 | |
AUDIENCE BOOS | 0:55:36 | 0:55:38 | |
Andy Kaufman! | 0:55:38 | 0:55:40 | |
I am the winner. I've got the brains. | 0:55:40 | 0:55:45 | |
HE CLUCKS LIKE CHICKEN | 0:55:46 | 0:55:50 | |
Ma'am! Here is your complimentary photo of Merv | 0:55:56 | 0:56:00 | |
-and your Turtle Wax. -I don't want it. -Everyone gets it. | 0:56:00 | 0:56:05 | |
-And here is your gift voucher to Red Lobster. -Thanks. | 0:56:05 | 0:56:08 | |
I wanted to thank you for doing such a great job. I really appreciate it. | 0:56:08 | 0:56:13 | |
-Don't patronise me. -Wait! | 0:56:13 | 0:56:15 | |
-What? -I hope you don't take everything I did seriously. | 0:56:15 | 0:56:19 | |
It was just part of the show. | 0:56:19 | 0:56:22 | |
It's like the carnival barker who'd get the crowd all riled up. | 0:56:22 | 0:56:26 | |
So you just pretend to be an asshole? | 0:56:26 | 0:56:29 | |
That's what I'm good at. | 0:56:29 | 0:56:32 | |
Yeah, you are. | 0:56:33 | 0:56:35 | |
You are really, really good at it. | 0:56:35 | 0:56:38 | |
He got 2,000 pieces of hate mail. | 0:56:45 | 0:56:48 | |
Don't make me laugh, George! | 0:56:48 | 0:56:51 | |
Andy, Merv does not get hate mail. | 0:56:51 | 0:56:55 | |
That means we were a success. | 0:56:55 | 0:56:58 | |
We've got them all worked up - like punk rock. | 0:56:59 | 0:57:03 | |
Andy - they detest you! | 0:57:03 | 0:57:05 | |
Next time you make an appearance, women are going to picket. | 0:57:05 | 0:57:09 | |
-You think so? -Yes! | 0:57:09 | 0:57:11 | |
Because you have not given them any clues that this is a parody. | 0:57:11 | 0:57:15 | |
That's because I've only done it once. They'll get used to it cos I'm going to do it again and again. | 0:57:15 | 0:57:24 | |
# Rose Marie | 0:57:24 | 0:57:27 | |
# I love you | 0:57:27 | 0:57:30 | |
# I'll always really love you | 0:57:31 | 0:57:36 | |
# No matter what I do | 0:57:39 | 0:57:41 | |
# I can't forget you | 0:57:41 | 0:57:44 | |
# Sometimes I wish that I'd never met you | 0:57:46 | 0:57:51 | |
# And if I should lose you | 0:57:54 | 0:58:00 | |
# It would mean my very life to me | 0:58:00 | 0:58:06 | |
# Of all the queens that ever lived | 0:58:09 | 0:58:13 | |
# I'd choose you | 0:58:13 | 0:58:16 | |
# To rule me, my Rose Marie. # | 0:58:16 | 0:58:20 | |
Two adults, please. Thank you. | 0:58:20 | 0:58:23 | |
-Do you want some popcorn? -No, thank you. -I really want one. | 0:58:23 | 0:58:27 | |
A large tub of popcorn, please - extra butter. | 0:58:27 | 0:58:32 | |
So why did you call me? You were the last person I expected to call me. | 0:58:32 | 0:58:36 | |
Gosh, gee, Lynne, I was just so impressed with your wrestling moves. | 0:58:36 | 0:58:42 | |
You were impressed with something. | 0:58:42 | 0:58:44 | |
-You had a huge boner on national television. -Oh, man! -You did! | 0:58:44 | 0:58:49 | |
I had it taped down and everything. I hope I didn't offend you. | 0:58:49 | 0:58:53 | |
-I'm here, aren't I? -Hey! -What? -Want to go to Memphis and get married? | 0:58:53 | 0:58:59 | |
Do I want to go to Memphis and get married? | 0:58:59 | 0:59:03 | |
Mm-hm. | 0:59:03 | 0:59:06 | |
Why Memphis? | 0:59:07 | 0:59:09 | |
Because Memphis is the wrestling capital of the world. | 0:59:09 | 0:59:13 | |
I'll get in the ring and say I'll marry the first woman who beats me. You'll get up, and we'll wrestle. | 0:59:13 | 0:59:20 | |
-I'll let you win. -Yeah? -I'll let you win. | 0:59:20 | 0:59:23 | |
Then we'll run off and get married on the David Letterman Show. | 0:59:23 | 0:59:27 | |
-God! -OK? | 0:59:27 | 0:59:31 | |
What do you say? | 0:59:34 | 0:59:37 | |
Is this for real? | 0:59:37 | 0:59:39 | |
SHUT UP! | 0:59:39 | 0:59:41 | |
-AUDIENCE JEERS AND BOOS -SHUT UP! | 0:59:41 | 0:59:44 | |
I DEMAND SILENCE WHEN I AM TALKING! | 0:59:44 | 0:59:47 | |
A total lack of respect from Mr Hollywood... | 0:59:47 | 0:59:51 | |
If there is one woman here who thinks she can defeat me, | 0:59:51 | 0:59:55 | |
that lucky little lady will get to marry me! | 0:59:55 | 1:00:00 | |
What kind of man would wrestle a woman anyway? | 1:00:00 | 1:00:05 | |
Kaufman! | 1:00:05 | 1:00:08 | |
Kaufman! | 1:00:08 | 1:00:10 | |
I'll take you on, you sissy! | 1:00:10 | 1:00:13 | |
Oh! The little lady is upset! | 1:00:13 | 1:00:16 | |
Go back to the kitchen where you belong before you get hurt. OK? | 1:00:16 | 1:00:22 | |
No, Kaufman, you get in the kitchen. I'm going to make you DO MY DISHES! | 1:00:22 | 1:00:27 | |
Stop it! Stop it! This woman is a fake! | 1:00:27 | 1:00:31 | |
She's nothing more than Andy Kaufman's girlfriend. | 1:00:32 | 1:00:36 | |
AUDIENCE BOOS There you go! | 1:00:36 | 1:00:39 | |
That's not true! | 1:00:39 | 1:00:41 | |
That's not true! That is not true! | 1:00:42 | 1:00:46 | |
This is all a set up, Kaufman! | 1:00:46 | 1:00:48 | |
-I won't let you make fools out of all these people. -Who are you? | 1:00:48 | 1:00:53 | |
I'm Jerry Lawler - the king of Memphis wrestling! | 1:00:53 | 1:00:57 | |
He's the king! | 1:00:57 | 1:01:00 | |
Hey, Kaufman, if you want to wrestle somebody, | 1:01:02 | 1:01:06 | |
I've brought a real wrestler. She's trained and she's ready. | 1:01:06 | 1:01:10 | |
Let's see if you can handle Foxy Jackson! | 1:01:10 | 1:01:14 | |
Oh, my! Foxy Jackson! | 1:01:14 | 1:01:16 | |
And Andy Kaufman right here! | 1:01:16 | 1:01:20 | |
I never agreed to this! I will not do this! | 1:01:20 | 1:01:24 | |
I did not agree to this! This is against the rules! | 1:01:24 | 1:01:27 | |
I don't think Kaufman's prepared for Foxy Jackson. | 1:01:27 | 1:01:31 | |
Mr Hollywood. | 1:01:31 | 1:01:34 | |
Again, Kaufman's showing a total lack of respect. | 1:01:35 | 1:01:39 | |
Foxy Jackson's going to take Kaufman to the woodshed, folks. | 1:01:39 | 1:01:44 | |
CHEERS | 1:01:44 | 1:01:46 | |
Kaufman's hanging on the ropes like a little baby. | 1:01:49 | 1:01:52 | |
Foxy's about to take Kaufman right out of his shorts. | 1:01:52 | 1:01:57 | |
-One, two, three! -The son of a gun! | 1:02:16 | 1:02:18 | |
You want to get off her. | 1:02:18 | 1:02:20 | |
Get him off her! | 1:02:21 | 1:02:24 | |
There goes the king. The king just threw Kaufman down like a rag doll. | 1:02:24 | 1:02:29 | |
The king took matters into his own hands. | 1:02:29 | 1:02:33 | |
What are you doing?! I do not wrestle men. I'll sue you, Lawler! | 1:02:33 | 1:02:38 | |
I am a national TV star! | 1:02:38 | 1:02:41 | |
I don't like dumb, stupid crackers in the ring, pushing me around. | 1:02:41 | 1:02:46 | |
I did not agree to wrestle YOU! This is assault and battery! | 1:02:46 | 1:02:51 | |
I am gonna get a team of lawyers to sue you and your children and your children's children... | 1:02:51 | 1:02:57 | |
Let me tell you something, Kaufman. Wrestling is a serious sport to me. | 1:02:57 | 1:03:01 | |
I don't appreciate some jerk like you trying to make fun of it, | 1:03:01 | 1:03:05 | |
or making fun of people from the South. So we can go to court, | 1:03:05 | 1:03:10 | |
-or you can get in the ring with a man and wrestle for real. -Oh! | 1:03:10 | 1:03:15 | |
-SOUTHERN ACCENT: -You wanna wrastle me Memphis-style? | 1:03:15 | 1:03:19 | |
I'll tell you something, Mr Lawler - I'll make you scream for mercy. | 1:03:19 | 1:03:24 | |
-They didn't know what hit them! -Is it an act? | 1:03:34 | 1:03:37 | |
Is it an act, or are you just addicted to causing trouble? | 1:03:37 | 1:03:42 | |
I can quit any time I want, baby! | 1:03:42 | 1:03:45 | |
You know what? I'm not a prop. Don't ever treat me like that again. | 1:03:45 | 1:03:50 | |
I'm sorry. Hey! | 1:03:50 | 1:03:53 | |
Hey, I just get caught up, that's all. | 1:03:53 | 1:03:57 | |
Sometimes I get...lost. | 1:03:57 | 1:04:02 | |
-Please, enough with the wrestling. -You don't think I can beat him? | 1:04:07 | 1:04:12 | |
He's the Southern Heavyweight Champion! He'll kill you! | 1:04:12 | 1:04:16 | |
I don't know. I've wrestled women bigger than him and mopped the floor with them. | 1:04:16 | 1:04:22 | |
Yeah. First you piss off women, | 1:04:22 | 1:04:24 | |
then you piss off the South, you get killed and I did the booking! | 1:04:24 | 1:04:29 | |
It's funny. Listen, I got this job that I want you to take. | 1:04:29 | 1:04:35 | |
It's guest-hosting a TV show Fridays. It's not a great TV show, but it'll be good for you. | 1:04:35 | 1:04:41 | |
It's live, they'll give you carte blanche, and you can get back in the business of making people laugh. | 1:04:41 | 1:04:48 | |
-You said live? -Live. | 1:04:48 | 1:04:51 | |
-I don't do drug humour. -Andy, it's fine. This is what this show is about. Kids love this stuff. | 1:04:51 | 1:04:57 | |
I don't do drugs and I don't enjoy making light of them. | 1:04:57 | 1:05:01 | |
I was promised creative control. | 1:05:01 | 1:05:04 | |
Nobody promised you creative control. | 1:05:04 | 1:05:06 | |
I got you this script three days ago and you didn't say a damn word. We go live in minutes. It's too late. | 1:05:06 | 1:05:13 | |
-It's on! -'Live from Las Vegas, it's Fridays, | 1:05:13 | 1:05:17 | |
'With special guest star, Andy Kaufman! | 1:05:17 | 1:05:21 | |
'In this sketch, two married couples are out to dinner. | 1:05:21 | 1:05:26 | |
'Everybody has secretly brought along a joint.' | 1:05:26 | 1:05:30 | |
And Carl is the last one to sneak to the bathroom to get a little high. | 1:05:30 | 1:05:35 | |
Now, he's coming back to the table. | 1:05:35 | 1:05:38 | |
CHEERING AND APPLAUSE | 1:05:38 | 1:05:41 | |
Gee, restaurants are amazing, aren't they? | 1:05:41 | 1:05:45 | |
All these strangers sitting around, stuffing dead animals into their faces! | 1:05:45 | 1:05:50 | |
Yeah! Gee! | 1:05:50 | 1:05:53 | |
And the bathrooms are so colourful... | 1:05:53 | 1:05:57 | |
Everything OK, Carl? | 1:06:10 | 1:06:13 | |
I'm sorry. I just can't do it. | 1:06:13 | 1:06:17 | |
I can't play stoned. | 1:06:17 | 1:06:20 | |
Read the cue cards. | 1:06:20 | 1:06:23 | |
I can't play stoned. I feel...stupid. | 1:06:23 | 1:06:27 | |
YOU feel stupid? What about US? | 1:06:27 | 1:06:30 | |
I'm sorry. | 1:06:43 | 1:06:45 | |
I'm sorry. | 1:06:45 | 1:06:47 | |
-Andy! -Oh! | 1:06:50 | 1:06:52 | |
You didn't have to do that! | 1:06:54 | 1:06:57 | |
Cut it out! | 1:07:01 | 1:07:03 | |
You jerk! | 1:07:03 | 1:07:06 | |
-That's it! Tony, go to commercial. -I told you I didn't wanna do the sketch. -Kaufman, get off my stage. | 1:07:06 | 1:07:13 | |
Don't you touch me! You're on national... You are a nut! | 1:07:13 | 1:07:17 | |
-Why does Andy do that? Why? Why? -'I started using...' | 1:07:20 | 1:07:25 | |
We've gone to commercial! | 1:07:25 | 1:07:28 | |
-You'll never work in ABC again, ever. -Excuse me! Ladies and gentlemen! Please! | 1:07:28 | 1:07:35 | |
You have all just participated in a happening. | 1:07:35 | 1:07:38 | |
Oh! | 1:07:38 | 1:07:41 | |
OK. To make it real, some of you down there knew what was going on and some of you didn't. I'm sorry. | 1:07:46 | 1:07:53 | |
But we don't wanna upset the folks at home, | 1:07:53 | 1:07:56 | |
so now Andy is going to tell them that it was all just a prank. | 1:07:56 | 1:08:02 | |
Coming back from commercial, and... | 1:08:02 | 1:08:05 | |
During the commercials, the people at ABC told me to explain to you that this whole episode was staged. | 1:08:09 | 1:08:17 | |
-Oh, good. -It's a lie! | 1:08:17 | 1:08:19 | |
It's a cover-up! I don't understand why you're laughing. I'm not being funny. What you saw was real! | 1:08:19 | 1:08:26 | |
-These things happen all the time at the networks, only they cut away... -Cut to commercial. | 1:08:26 | 1:08:32 | |
You see? You see? | 1:08:32 | 1:08:35 | |
Now they'll fire me, so if you want to see me again, come to Memphis... | 1:08:35 | 1:08:38 | |
-What's in Memphis? -Our kid is totally meshugene. | 1:08:40 | 1:08:46 | |
'Jerry "The King" Lawler! | 1:08:53 | 1:08:57 | |
'The most popular athlete in the history of Memphis, Tennessee | 1:09:02 | 1:09:07 | |
'stepping inside the square circle. | 1:09:07 | 1:09:10 | |
'At 236 lbs, | 1:09:13 | 1:09:16 | |
'Jerry..."The King"...Lawler! | 1:09:16 | 1:09:21 | |
'And introducing, at 191 lbs, | 1:09:26 | 1:09:30 | |
'the holder of the World Intergender Championship, | 1:09:30 | 1:09:37 | |
'here is Andy Kaufman! | 1:09:37 | 1:09:41 | |
'You can hear the ovation, or lack of one, for Andy Kaufman. | 1:09:41 | 1:09:45 | |
'The cheers turned to jeers. | 1:09:45 | 1:09:48 | |
'And Lawler is gonna settle a score for each and every one of us, | 1:09:48 | 1:09:52 | |
'because we've all been insulted by this hideous Andy Kaufman, | 1:09:52 | 1:09:57 | |
'this man from Hollywood, California.' | 1:09:57 | 1:09:59 | |
CROWD BOOS | 1:10:01 | 1:10:03 | |
Before we begin this event, I just wanna say a couple of things to you disgusting people. | 1:10:03 | 1:10:11 | |
Aw, come on! That's just not right. | 1:10:11 | 1:10:13 | |
-Are you listening to me? -No! | 1:10:13 | 1:10:17 | |
OK! | 1:10:17 | 1:10:20 | |
Ladies and gentlemen, | 1:10:20 | 1:10:22 | |
this is a bar of soap. | 1:10:22 | 1:10:26 | |
Say it with me - soap! | 1:10:26 | 1:10:30 | |
All you have to do is wet this bar of soap and wipe your hands with it, | 1:10:30 | 1:10:36 | |
and rub it on your body, and soon that disgusting, filthy dirt will come off. | 1:10:36 | 1:10:43 | |
Why is he saying these things? | 1:10:43 | 1:10:45 | |
-He's just engaging the audience, riling them up. -They'll lynch him. | 1:10:45 | 1:10:50 | |
Now for lesson two. | 1:10:50 | 1:10:53 | |
This is toilet paper... | 1:10:53 | 1:10:56 | |
-'Oh, good grief!' -Use it! | 1:10:56 | 1:10:59 | |
Kaufman, we've had enough of your crap. Let's wrestle right now! | 1:11:01 | 1:11:06 | |
'Well, the King is ready and I hope for Kaufman's sake HE'S ready.' | 1:11:07 | 1:11:13 | |
BELL | 1:11:14 | 1:11:16 | |
'Kaufman's due a trip to the old woodshed here. | 1:11:18 | 1:11:23 | |
'Well, I never thought I'd see the day... Look at Kaufman! | 1:11:23 | 1:11:28 | |
'Kaufman doesn't want any part of Lawler! | 1:11:28 | 1:11:32 | |
'He's an absolute embarrassment to humanity, this man from Hollywood. | 1:11:32 | 1:11:37 | |
-You see? I am from Hollywood! -'Who cares?' | 1:11:37 | 1:11:40 | |
-I have the brains! -'Nobody cares where you're from.' -I'm the king, I'm the king! I'm the king of Memphis! | 1:11:40 | 1:11:47 | |
-Andy, please, let's go home! -Don't worry, Mom, I'll make you proud. | 1:11:47 | 1:11:52 | |
'Kaufman got nailed with something. Some fan threw something...' | 1:11:52 | 1:11:58 | |
Don't do that! | 1:11:58 | 1:12:00 | |
You cannot touch me! I will sue you! I make more money in one day | 1:12:00 | 1:12:05 | |
than you do in your entire lives, scumbags! | 1:12:05 | 1:12:09 | |
Kaufman! Did you come down here to wrestle or to act like an ass? | 1:12:09 | 1:12:14 | |
Now get in the ring! I'll give you a free headlock, OK? | 1:12:16 | 1:12:20 | |
'Lawler seems to be willing to offer a free hold, or something.' | 1:12:20 | 1:12:25 | |
It's OK! | 1:12:25 | 1:12:27 | |
'Let him get in there and let's see what kind of man he is! | 1:12:27 | 1:12:32 | |
'I can't believe that the King is gonna go through with this. | 1:12:35 | 1:12:40 | |
'That bigmouth son of a gun has got a free headlock. Business may pick up! | 1:12:40 | 1:12:45 | |
'Look out, Kaufman! | 1:12:49 | 1:12:52 | |
'Oh, there he goes! Oh, my! | 1:12:52 | 1:12:55 | |
'Kaufman in trouble! | 1:12:55 | 1:12:57 | |
'Look out! | 1:12:57 | 1:13:00 | |
'Now the King is asking this crowd if the wanna see the pile-driver! | 1:13:08 | 1:13:14 | |
'That's illegal. Kaufman is out of it. Oh, my! Oh, my! | 1:13:14 | 1:13:19 | |
'It's gonna be a pile-driver! | 1:13:19 | 1:13:22 | |
'There it is! | 1:13:24 | 1:13:27 | |
'He's hurt bad. | 1:13:27 | 1:13:30 | |
'That's an automatic disqualification right there. | 1:13:30 | 1:13:34 | |
'Kaufman wins it, but he doesn't look like a winner right now.' | 1:13:34 | 1:13:38 | |
-Hey, George. -Thanks for seeing me at such short notice. -Yep. | 1:13:45 | 1:13:50 | |
I...I wanted to talk to you about putting Andy back on Saturday Night Live. | 1:13:52 | 1:13:59 | |
George, I don't know whether Andy works on the show any more. | 1:14:03 | 1:14:07 | |
I mean, the wrestling stuff is... | 1:14:07 | 1:14:10 | |
-Yeah... -I think it's... -..the wrestling we all agree completely about. | 1:14:10 | 1:14:16 | |
-The wrestling... -That's smart. -Um... | 1:14:16 | 1:14:19 | |
-Andy is very sincere. -Right. | 1:14:19 | 1:14:23 | |
He's gonna apologise to Jerry Lawler and repent for all his bad-guy shenanigans. | 1:14:23 | 1:14:28 | |
I apologise for all the wrestling I've ever done | 1:14:28 | 1:14:31 | |
and I'm sorry for all the grief I've ever given. I was just playing bad-guy wrestler, | 1:14:31 | 1:14:38 | |
and it's just a role, it's not me, so I guess Jerry just, um, took it personally. | 1:14:38 | 1:14:45 | |
Yeah, but you said some pretty inflammatory things, obviously. | 1:14:45 | 1:14:49 | |
Everything's a joke to this guy. I don't know if that's a neck brace or a flea collar. | 1:14:49 | 1:14:54 | |
This is very serious. I was in the hospital for three days in traction. | 1:14:54 | 1:14:59 | |
And I'll tell you something else - my father said I could have hired a lawyer and sued you for everything, | 1:14:59 | 1:15:06 | |
but I didn't, because I'm not that kind of guy. | 1:15:06 | 1:15:09 | |
What kind of guy are you? | 1:15:09 | 1:15:12 | |
AUDIENCE: Ooh! | 1:15:12 | 1:15:14 | |
OK, well, I think maybe I'll get a lawyer. | 1:15:22 | 1:15:28 | |
Listen, if you were a man, you'd apologise to me right now, | 1:15:28 | 1:15:32 | |
but you're poor white trash so I guess that's too lofty a concept... | 1:15:32 | 1:15:37 | |
Are we...? Is everything...? Are you OK? Huh? | 1:15:45 | 1:15:50 | |
I'm sick of this shit, Lawler. I'm gonna sue you for everything you've got. Fuck you! | 1:15:50 | 1:15:57 | |
OK? OK, Lawler? Fuck you! | 1:15:57 | 1:16:00 | |
I'm sorry, David. I know I'm not supposed to say those things on TV. | 1:16:00 | 1:16:04 | |
I can't say those words, and I apologise. I'm sorry, I'm sorry! | 1:16:04 | 1:16:08 | |
-But you - you are a... -BEEP! BEEP! -..hole! OK? | 1:16:08 | 1:16:12 | |
Well! | 1:16:16 | 1:16:18 | |
Well, I, er... | 1:16:18 | 1:16:21 | |
I think you can use some of those words on television. | 1:16:21 | 1:16:25 | |
What you can't do is throw coffee. | 1:16:25 | 1:16:27 | |
Some of us at Saturday Night Live think Andy Kaufman's a comic genius. | 1:16:27 | 1:16:32 | |
But others disagree. | 1:16:32 | 1:16:35 | |
They say he's just not funny any more, so we're leaving the decision up to you. | 1:16:35 | 1:16:41 | |
To keep Andy, call 1900 555 7618. To dump him... | 1:16:41 | 1:16:46 | |
This is bad. | 1:16:50 | 1:16:53 | |
I only got 28%. | 1:16:53 | 1:16:56 | |
This is Saturday Night Live, the hippest audience in television. They turned on you. Look, | 1:16:56 | 1:17:04 | |
it pains me to say this. | 1:17:04 | 1:17:06 | |
But I don't think you two guys should ever work together again. | 1:17:06 | 1:17:11 | |
-I'm sorry, George. We just thought it was funny. -You don't have to be sorry, Jerry. You're terrific. | 1:17:11 | 1:17:19 | |
-You're just the best. -I wouldn't have traded it for anything. | 1:17:19 | 1:17:24 | |
-To me, this was a shining moment for wrestling. -Me too. | 1:17:24 | 1:17:29 | |
And it was a shining moment for behavioural science! | 1:17:29 | 1:17:33 | |
Hey, but why can't I make a gag out of this? | 1:17:33 | 1:17:37 | |
Maybe I could go on the show and I could say it was rigged, | 1:17:37 | 1:17:42 | |
and that I demand a recount. | 1:17:42 | 1:17:45 | |
Andy...you don't understand. | 1:17:46 | 1:17:50 | |
They don't want you back. | 1:17:51 | 1:17:54 | |
Now close your eyes. | 1:18:00 | 1:18:03 | |
And if the thoughts of this world come into your head, don't be upset by them. | 1:18:03 | 1:18:09 | |
-It's just your stress unravelling itself. Slowly come back to the mantra. -Andy? | 1:18:09 | 1:18:16 | |
Please. | 1:18:17 | 1:18:20 | |
Just continue your meditation. I'll be back. | 1:18:20 | 1:18:24 | |
-Jai gurudev. -Jai gurudev. | 1:18:24 | 1:18:28 | |
-Hi, Andy. -Hi. | 1:18:28 | 1:18:31 | |
This is, um, very difficult for me to say. | 1:18:32 | 1:18:38 | |
Um, but we... | 1:18:38 | 1:18:41 | |
we feel...that it's best if you don't attend the retreat. | 1:18:41 | 1:18:47 | |
Why? | 1:18:49 | 1:18:51 | |
I go to the retreat every year. | 1:18:51 | 1:18:54 | |
Oh, I know, Andy, and we don't doubt your devotion to transcendental meditation. | 1:18:54 | 1:19:01 | |
-It's just that we feel that, well, you and the programme have grown apart... -Philosophically. | 1:19:01 | 1:19:07 | |
-Philosophically?! -The wrestling, the sexist remarks, the foul language... | 1:19:07 | 1:19:13 | |
It's not becoming of an individual of spiritual enlightenment. | 1:19:13 | 1:19:17 | |
-It seems you just don't respect anything. -Of course I do! | 1:19:17 | 1:19:22 | |
I just...I think of the world as an illusion, and we shouldn't take ourselves so seriously. | 1:19:22 | 1:19:29 | |
Don't... | 1:19:29 | 1:19:30 | |
Don't...please, do this. | 1:19:32 | 1:19:35 | |
You've got to let me attend these classes. They keep me balanced. | 1:19:35 | 1:19:40 | |
It's apparently not working. | 1:19:40 | 1:19:43 | |
Then help me, help me, OK? Guide me... | 1:19:43 | 1:19:46 | |
Andy...we just don't wish your presence here. | 1:19:46 | 1:19:50 | |
KNOCK AT DOOR | 1:19:52 | 1:19:55 | |
Hi! | 1:19:59 | 1:20:01 | |
I brought you some Haagen-Dazs. | 1:20:01 | 1:20:05 | |
I don't deserve Haagen-Dazs. | 1:20:05 | 1:20:08 | |
I'm... | 1:20:08 | 1:20:10 | |
-I'm a bad person. -Oh! | 1:20:10 | 1:20:13 | |
You aren't a bad person. | 1:20:15 | 1:20:18 | |
You are a complicated person. | 1:20:18 | 1:20:22 | |
You don't know the real me. | 1:20:22 | 1:20:24 | |
There isn't a real you! | 1:20:25 | 1:20:28 | |
Oh, yeah! I forgot. | 1:20:31 | 1:20:34 | |
(Baby.) | 1:20:39 | 1:20:40 | |
Do you wanna move in with me? | 1:20:42 | 1:20:45 | |
What? Say it again. | 1:20:47 | 1:20:51 | |
# Rose...Marie | 1:20:56 | 1:21:00 | |
# I love you | 1:21:00 | 1:21:03 | |
# I'm always dreami-i-in' of you... # | 1:21:05 | 1:21:10 | |
PHONE RINGS | 1:21:20 | 1:21:22 | |
I'll get it! | 1:21:22 | 1:21:25 | |
Kaufman and Margulies Centre for S-S-Sexual Research. | 1:21:30 | 1:21:34 | |
-Andy, it's George. -Hey, George. I'm not sure we can do anything for YOU. | 1:21:34 | 1:21:39 | |
Uh, Andy... | 1:21:39 | 1:21:41 | |
-I got some crummy news. -Oh? | 1:21:41 | 1:21:44 | |
Taxi's been cancelled. | 1:21:45 | 1:21:48 | |
And...the crummy news(?) | 1:21:48 | 1:21:51 | |
Y-You want me to come over, we'll talk about it? | 1:21:51 | 1:21:56 | |
Um, nope. | 1:21:56 | 1:21:58 | |
I'm sort of busy now. I'll see you next week, though. Thanks. | 1:21:58 | 1:22:01 | |
Yuck. | 1:22:26 | 1:22:27 | |
And now, ladies and gentlemen, a treat for staying late. Please welcome... | 1:22:29 | 1:22:34 | |
from Taxi, the Improv's own Mr Andy Kaufman! | 1:22:34 | 1:22:38 | |
Actually, Budd, you're wrong. | 1:22:42 | 1:22:45 | |
I found out today that Taxi has been cancelled... | 1:22:45 | 1:22:48 | |
What? | 1:22:48 | 1:22:50 | |
..not to mention that my wife left me | 1:22:52 | 1:22:55 | |
and she took the kids. | 1:22:55 | 1:22:58 | |
I don't understand why you're laughing. I-I'm not joking. | 1:22:59 | 1:23:03 | |
And this morning, I got up and I noticed that I have, um... | 1:23:03 | 1:23:08 | |
a cyst or some kind of boil | 1:23:08 | 1:23:10 | |
on the back of my neck. | 1:23:10 | 1:23:12 | |
Look. | 1:23:12 | 1:23:15 | |
See? | 1:23:15 | 1:23:17 | |
So I was thinking that since I'm still kind of a...quasi celebrity, | 1:23:17 | 1:23:22 | |
that maybe I could charge people to touch it. | 1:23:22 | 1:23:26 | |
Would anybody like to pay a dollar to touch my cyst? | 1:23:28 | 1:23:32 | |
I'm serious. | 1:23:33 | 1:23:36 | |
-I could really use the money right now. It's a good deal. -HE COUGHS | 1:23:36 | 1:23:41 | |
Oh. OK. | 1:23:43 | 1:23:46 | |
Oh, wait, no. You gotta pay first. | 1:23:46 | 1:23:48 | |
It's a dollar... | 1:23:50 | 1:23:51 | |
to touch my celebrity cyst. | 1:23:51 | 1:23:54 | |
OK... | 1:23:54 | 1:23:55 | |
Ow! | 1:23:58 | 1:24:00 | |
SCATTERED APPLAUSE | 1:24:00 | 1:24:03 | |
-Thank you. -You're welcome. | 1:24:16 | 1:24:18 | |
Thank you very much. | 1:24:18 | 1:24:20 | |
W-Would, Andy...like to tell us why he called us out at four o'clock in the morning? | 1:24:24 | 1:24:30 | |
Um... | 1:24:30 | 1:24:33 | |
Yeah. | 1:24:33 | 1:24:35 | |
Um, I have cancer. | 1:24:35 | 1:24:37 | |
Forget it. FORGET it. | 1:24:41 | 1:24:44 | |
That is in terrible taste. | 1:24:44 | 1:24:46 | |
-I don't want anything to do with this. Nothing. -No, no, no, no, no. Yeah, we can make that play. | 1:24:46 | 1:24:52 | |
Yeah, OK! And we'll really, we'll just drag it out. | 1:24:54 | 1:24:59 | |
You...you get better, you get worse. | 1:24:59 | 1:25:01 | |
No - you die and then, uh... you come back to life. | 1:25:03 | 1:25:06 | |
BOB LAUGHS It's funny. | 1:25:06 | 1:25:09 | |
That's funny. | 1:25:09 | 1:25:11 | |
But, um, it's not a gag. Bob, I got cancer. | 1:25:11 | 1:25:15 | |
I got lung cancer. | 1:25:15 | 1:25:17 | |
Lung cancer(!) That's ridiculous! You don't even smoke! | 1:25:17 | 1:25:21 | |
I've got some freaky, rare kind. It's called large-cell carcinoma. | 1:25:21 | 1:25:25 | |
Yay(!) | 1:25:26 | 1:25:28 | |
I'm a lucky guy(!) | 1:25:28 | 1:25:30 | |
-Have you told your family? -No... No. I don't wanna tell them. | 1:25:43 | 1:25:48 | |
I just... | 1:25:52 | 1:25:54 | |
I've jerked them around so much. | 1:25:58 | 1:26:00 | |
Andy... | 1:26:04 | 1:26:05 | |
look in my eye and tell me this is true. | 1:26:05 | 1:26:09 | |
I'm so ashamed... I'm sorry, I'm so ashamed. | 1:26:11 | 1:26:15 | |
Sorry! SHE SOBS | 1:26:15 | 1:26:17 | |
Lynne? Come on. Hey, hey. | 1:26:17 | 1:26:21 | |
-If... If I find out that you're behind this, I'll kill you, Zmuda! -What the hell are you talking about? | 1:26:23 | 1:26:29 | |
-George, -I -just said I didn't believe him, OK? -That's the kind of stuff you two work out to fuck me up! | 1:26:29 | 1:26:35 | |
-'We want the truth, boy, the truth! -My father said Lassie bit me, so I said she did too.' | 1:26:35 | 1:26:40 | |
-'Lassie never bit you and you know it! -Case dismissed!' | 1:26:40 | 1:26:44 | |
SWELLING MUSIC | 1:26:47 | 1:26:49 | |
END CHORDS | 1:27:01 | 1:27:03 | |
Dad? | 1:27:05 | 1:27:06 | |
The cancer started here in Andy's lungs and spread to his left arm. | 1:27:06 | 1:27:11 | |
We've initiated an aggressive radiation programme, see if we can eradicate the affected cells. | 1:27:11 | 1:27:18 | |
-PA: -Dr Sullivan, line one... -Excuse me, I'll be right back. | 1:27:18 | 1:27:22 | |
What a crock. | 1:27:26 | 1:27:28 | |
How dare you make light of this? | 1:27:30 | 1:27:32 | |
Dad, I cried when he broke his neck. He's not getting me again. | 1:27:32 | 1:27:36 | |
-Christ, Carol, he's got lung cancer. -He WANTS us scratching our heads, asking ourselves, "Is this real?" | 1:27:36 | 1:27:42 | |
-Of course it's real. We're in a hospital. -Mom... | 1:27:42 | 1:27:47 | |
Cedars Sinai. It's a showbiz hospital! | 1:27:47 | 1:27:50 | |
Andy's studio friends probably run this place. | 1:27:50 | 1:27:53 | |
He plans these things and takes over and hires actors. I didn't think that doctor guy was convincing. I mean... | 1:27:53 | 1:28:00 | |
- Notice his costume? Wrong shoes. - Not even doctor-shoes. | 1:28:00 | 1:28:04 | |
No, no, no, no, no! That's bullshit! | 1:28:04 | 1:28:07 | |
-No more Kaufman stories. He's burned us too often. -A very reliable source says Andy Kaufman has lung cancer. | 1:28:07 | 1:28:14 | |
Please(!) He's definitely not dying. | 1:28:14 | 1:28:16 | |
Now, those big white cells are attacking the cancer cells. | 1:28:16 | 1:28:22 | |
Attacking... | 1:28:22 | 1:28:24 | |
attacking. | 1:28:24 | 1:28:26 | |
I see them. I see the white cells. | 1:28:26 | 1:28:28 | |
-Attacking... -Attacking. | 1:28:28 | 1:28:31 | |
-Attacking. -Attacking. | 1:28:31 | 1:28:34 | |
He's an actor. I... | 1:28:47 | 1:28:50 | |
I recognise him from The Inlaws. | 1:28:50 | 1:28:53 | |
Yeah. That's true. But...he's also ordained in holistic medicine. | 1:28:53 | 1:28:58 | |
Oh. | 1:28:59 | 1:29:01 | |
George, what am I supposed to do? I'm sick. And trying to get better, but everyone's looking at me. | 1:29:04 | 1:29:09 | |
I feel like I'm being surrounded by negative energy. | 1:29:09 | 1:29:13 | |
You're surrounded by what you create. | 1:29:19 | 1:29:22 | |
Great(!) | 1:29:22 | 1:29:23 | |
-Andy, you're the king of negative energy. -It's gotta stop. | 1:29:23 | 1:29:27 | |
-HE COUGHS Andy. -Cos if these negative vibes get out, everybody's gonna be talking | 1:29:27 | 1:29:32 | |
-about how SICK I am, and it becomes a self-fulfilling prophecy. -How can I help you? | 1:29:32 | 1:29:38 | |
-I wanna go back to work. -You want to tour the clubs? | 1:29:42 | 1:29:46 | |
No, no clubs...! Reach the top! | 1:29:46 | 1:29:49 | |
Carnegie Hall! | 1:29:52 | 1:29:55 | |
I want the show to build and build, be everything that's joyful in the world, one on top of the other | 1:29:55 | 1:30:01 | |
till the audience can't stand it and turn into children in front of me. Might even have Santa Claus! | 1:30:01 | 1:30:08 | |
Yeah. You say, "Hi, Santa! | 1:30:08 | 1:30:10 | |
-"What am I getting for Christmas?" -"Cancer." | 1:30:10 | 1:30:13 | |
-..No, that... -No, that's... I don't wanna do that. It's a bummer. | 1:30:13 | 1:30:17 | |
Uh, OK...positive, positive. | 1:30:17 | 1:30:19 | |
-OK... -Look, this is really...great. | 1:30:19 | 1:30:22 | |
-Santa, snow. -Yeah. -But it's gonna cost a fortune. | 1:30:22 | 1:30:26 | |
That's OK. Not a problem. | 1:30:26 | 1:30:29 | |
-Well, who's gonna pay for it, Andy? -Tony Clifton. | 1:30:29 | 1:30:33 | |
(Oh.) Andy, you know Tony doesn't have that kind of money. | 1:30:34 | 1:30:39 | |
Don't you worry about that, George! I know Tony better than you do. | 1:30:39 | 1:30:43 | |
Even if he has to work another ten years to pay it off, he'll do it. | 1:30:43 | 1:30:47 | |
-MELODY: "Alouette" -# Abu-dabi, abu-dab-oo-ah | 1:31:04 | 1:31:07 | |
# Abu-dabi, abi-dab-oo-ah | 1:31:07 | 1:31:11 | |
# Abi-dabi dabu-ay | 1:31:11 | 1:31:13 | |
# Abi-dabi dabu-ay | 1:31:13 | 1:31:15 | |
-# Abu-day -abu-day | 1:31:15 | 1:31:18 | |
-# Gitchey-wah -gitchey-wah -Yakamo-day -yakamo-day | 1:31:18 | 1:31:22 | |
-# Ikimby-dich -ikimby-dich | 1:31:22 | 1:31:24 | |
# Yakadishikytalego-galaby-diniggy # BO-O-O... | 1:31:24 | 1:31:27 | |
-# ..O-O-O... -..BO-O-O-O-O | 1:31:27 | 1:31:33 | |
# O-Oh, Abu-dabi, abi-dab-oo-ah! # | 1:31:33 | 1:31:36 | |
SHOW-WESTERN INTRO | 1:31:45 | 1:31:47 | |
# I've got spurs that jingle-jangle-jingle | 1:31:47 | 1:31:51 | |
# As I go riding merrily along... # | 1:31:51 | 1:31:56 | |
MUSIC CONTINUES | 1:31:57 | 1:31:59 | |
Ladies and gentlemen, we are so very fortunate tonight, cos we have with us | 1:32:01 | 1:32:06 | |
the last surviving cowgirl from that 1931 film. She's 94 years young - Eleanor Cody Gould! | 1:32:06 | 1:32:14 | |
APPLAUSE | 1:32:14 | 1:32:16 | |
MUSIC CONTINUES | 1:32:17 | 1:32:20 | |
-Hi, Eleanor, it's great to have you here. It's a real honour. -Thank you, Andy. I'm delighted to be here. | 1:32:21 | 1:32:27 | |
It's really overwhelming to me. | 1:32:27 | 1:32:30 | |
Well, it's gonna get better, cos we found one of the old, original hobbyhorses from your movie. | 1:32:30 | 1:32:35 | |
-Do you think you could...grace us with a couple of steps from "Jingle Jangle Jingle?" -Oh, I don't think... | 1:32:35 | 1:32:41 | |
OK! HIT IT! | 1:32:41 | 1:32:43 | |
MUSIC IN FASTER TEMPO | 1:32:43 | 1:32:46 | |
AUDIENCE CLAP TIME | 1:32:52 | 1:32:54 | |
That's it, come on! | 1:32:56 | 1:32:58 | |
-Faster, faster! -MUSIC SPEEDS UP | 1:33:03 | 1:33:07 | |
Faster, come on! | 1:33:07 | 1:33:09 | |
faster, faster, faster! | 1:33:22 | 1:33:24 | |
MUSIC SPEEDS UP | 1:33:26 | 1:33:29 | |
Andy, stop! | 1:33:36 | 1:33:38 | |
Is there a doctor in the house? | 1:33:40 | 1:33:42 | |
Stop the music! Stop! | 1:33:42 | 1:33:45 | |
Uh...we, we need a doctor. Anyone? | 1:33:45 | 1:33:48 | |
-QUIETLY -..Calling an ambulance...? | 1:33:56 | 1:33:58 | |
AUDIENCE MURMUR | 1:33:58 | 1:34:00 | |
HAI-yai-yai-yai... | 1:34:13 | 1:34:16 | |
HAI-yai-yai-yai-ya-ya-yai | 1:34:16 | 1:34:19 | |
HAI-yai-yai-yai | 1:34:19 | 1:34:22 | |
HAI-yai-yai-yai-ya-ya-yai yai-yai-yai-ya-ya-yai | 1:34:22 | 1:34:25 | |
HAI-yai-yai-yai-ya-ya-yai | 1:34:25 | 1:34:27 | |
HAI-yai-yai-yai... | 1:34:27 | 1:34:29 | |
APPLAUSE | 1:34:31 | 1:34:34 | |
SHE'S ALIVE! | 1:34:35 | 1:34:37 | |
Hallelujah! | 1:34:37 | 1:34:40 | |
CHOIR: # HALLELUJAH! | 1:34:40 | 1:34:43 | |
# HALLELUJAH Hallelujah, hallelujah! | 1:34:43 | 1:34:47 | |
# Hallelujah... # | 1:34:47 | 1:34:49 | |
Ladies and gentlemen, the Mormon Tabernacle Choir! | 1:34:49 | 1:34:53 | |
CHOIR # Here comes Santa Claus | 1:34:53 | 1:34:56 | |
# Here comes Santa Claus... # | 1:34:56 | 1:34:58 | |
Oh, my gosh! | 1:34:58 | 1:35:01 | |
I can't believe it! It's the Rockettes! | 1:35:01 | 1:35:05 | |
# ..Riding down Santa Claus Lane | 1:35:05 | 1:35:09 | |
# Bells are ringing, children singing All is merry and bright. | 1:35:09 | 1:35:14 | |
# Hang your stockings, say a prayer Cos Santa Claus comes tonight... # | 1:35:16 | 1:35:23 | |
Boys and girls, you won't believe this! HERE COMES SANTA CLAUSE! | 1:35:23 | 1:35:28 | |
LOUD ROAR | 1:35:30 | 1:35:34 | |
# ..Hear those sleigh bells jingle-jangle | 1:35:36 | 1:35:40 | |
# What a beautiful sight... # | 1:35:40 | 1:35:43 | |
Since you've all been such GOOD boys and girls, | 1:35:43 | 1:35:49 | |
I would like to take everybody in this entire audience out for milk and cookies! | 1:35:49 | 1:35:54 | |
There are buses outside. Everybody, follow me! | 1:35:55 | 1:35:59 | |
Don't worry, folks, there's enough milk and cookies for everyone! | 1:36:00 | 1:36:05 | |
And now we'll place the blue crystal. | 1:36:42 | 1:36:45 | |
Very high in vibrations. | 1:36:45 | 1:36:48 | |
And it's wonderful, wonderful for its healing powers. | 1:36:48 | 1:36:53 | |
OK. | 1:36:54 | 1:36:56 | |
Let's try two of those. And...another pink one. | 1:36:56 | 1:36:59 | |
(All right.) | 1:37:01 | 1:37:02 | |
Huh! Looks like somethin' my DOG puked up! | 1:37:12 | 1:37:16 | |
How about me and you dolls go out and get some real food? | 1:37:19 | 1:37:23 | |
Frrrrench fries and a Porterhouse steak! | 1:37:23 | 1:37:27 | |
Or we can skip the meal and go right to the montage a trois. | 1:37:27 | 1:37:31 | |
Have you ever been with another woman? | 1:37:36 | 1:37:39 | |
Well, like in the kitchen and stuff, yeah. | 1:37:39 | 1:37:42 | |
OK. This'll help... | 1:37:42 | 1:37:45 | |
Ow! | 1:37:45 | 1:37:47 | |
-There, put that on your face. -OK. | 1:37:47 | 1:37:50 | |
There you go! | 1:37:50 | 1:37:52 | |
-Hi...! -I can't even tell the difference! | 1:37:52 | 1:37:55 | |
HE COUGHS | 1:37:57 | 1:37:59 | |
Well, we could put all this together in a soup and PRETEND it's a Porterhouse steak, Andy. | 1:37:59 | 1:38:05 | |
I am not Andy. Andy is SICK... | 1:38:05 | 1:38:08 | |
chick, pick, lick, lick! | 1:38:08 | 1:38:10 | |
DICK! | 1:38:11 | 1:38:12 | |
-Whereas -I -am getting stronger! STRONGER! | 1:38:14 | 1:38:17 | |
-Hi, Andy. -Hey. | 1:38:29 | 1:38:31 | |
What a wrestler! | 1:38:34 | 1:38:37 | |
Hmm! Hmm... | 1:38:38 | 1:38:40 | |
Bob and I... | 1:38:47 | 1:38:49 | |
came up... | 1:38:49 | 1:38:51 | |
with a... | 1:38:56 | 1:38:57 | |
an idea for a TV show. | 1:38:57 | 1:39:00 | |
It'll be a Saturday morning kind of thing. I can goof off of the kids. | 1:39:03 | 1:39:08 | |
Yeah. | 1:39:09 | 1:39:12 | |
Well, we can sell THAT, Andy. | 1:39:12 | 1:39:15 | |
Did your doctor say it's OK to go back to work? | 1:39:15 | 1:39:19 | |
No. But he will. | 1:39:20 | 1:39:22 | |
Yeah. | 1:39:22 | 1:39:24 | |
Cos I'm gonna go to the Philippines. | 1:39:25 | 1:39:29 | |
The Philippines? What's in the Philippines? | 1:39:31 | 1:39:34 | |
A miracle. | 1:39:37 | 1:39:40 | |
GIGGLES | 1:42:07 | 1:42:09 | |
I just want to say, until we meet again, | 1:42:27 | 1:42:31 | |
please remember... | 1:42:31 | 1:42:33 | |
PIANO CHORD | 1:42:33 | 1:42:35 | |
# In this friendly, friendly world | 1:42:35 | 1:42:40 | |
# With each day so full of joy | 1:42:40 | 1:42:44 | |
# Why should any heart be lonely? | 1:42:45 | 1:42:52 | |
# In this friendly, friendly world | 1:42:53 | 1:42:59 | |
# With each night so full of dreams | 1:42:59 | 1:43:04 | |
# Why should any heart be afraid...? # | 1:43:04 | 1:43:11 | |
PIANO VAMPS | 1:43:11 | 1:43:13 | |
Yup, it's a FRIENDLY world. You know, we should all treat each other like brothers and sisters. | 1:43:13 | 1:43:19 | |
So everybody put your arm around the person next to you. Sway back and forth in rhythm to the music. | 1:43:19 | 1:43:26 | |
Come on! Everybody! | 1:43:26 | 1:43:28 | |
Even if you don't LIKE the person sitting next to you. | 1:43:28 | 1:43:32 | |
OK? | 1:43:32 | 1:43:33 | |
When I say, "OK?" | 1:43:33 | 1:43:37 | |
you say, "OK!" | 1:43:37 | 1:43:39 | |
-OK? -OK! | 1:43:39 | 1:43:40 | |
OK...cue the music. | 1:43:40 | 1:43:43 | |
OK! | 1:43:43 | 1:43:44 | |
OK! | 1:43:44 | 1:43:46 | |
Everybody sing, "The world is such a wonderful place!" | 1:43:47 | 1:43:52 | |
# ..The world is such a wonderful place | 1:43:52 | 1:43:57 | |
# To wander through... # | 1:43:57 | 1:44:00 | |
Follow the bouncing ball. # ..When you... | 1:44:00 | 1:44:03 | |
# When you've got someone you love To wander along with you... # | 1:44:03 | 1:44:10 | |
-With the sky full of stars! -# With the sky so full of stars... # | 1:44:10 | 1:44:15 | |
-River full of song! -# ..And the river so full of song | 1:44:15 | 1:44:20 | |
# Every heart should be So thankful... # | 1:44:20 | 1:44:28 | |
Thankful for this friendly, FRIENDLY world. | 1:44:28 | 1:44:31 | |
# ..Thankful for this friendly, friendly world. # | 1:44:31 | 1:44:39 | |
Thank you | 1:44:41 | 1:44:44 | |
for this friendly, friendly world. | 1:44:44 | 1:44:46 | |
Thank you | 1:44:47 | 1:44:49 | |
and goodbye. | 1:44:49 | 1:44:51 | |
SHOW-TUNE FANFARE | 1:45:08 | 1:45:11 | |
AUDIENCE: Andy! | 1:45:20 | 1:45:22 | |
-"TONY CLIFTON" VOICE: -Andy? You guys wanna see Andy tonight? | 1:45:22 | 1:45:26 | |
YEAH! | 1:45:26 | 1:45:27 | |
Anybody got a flashlight and a couple of shovels? ..OK, guys! | 1:45:27 | 1:45:32 | |
VERY SOFT INTRO | 1:45:33 | 1:45:36 | |
# At first I was afraid I was PUTREFIED | 1:45:37 | 1:45:41 | |
# Kept thinking I could never live Without you by my side | 1:45:41 | 1:45:47 | |
# But then I spent so many nights | 1:45:48 | 1:45:51 | |
# Thinkin' how you did me wrong | 1:45:51 | 1:45:54 | |
# And I growed STRONG | 1:45:55 | 1:45:57 | |
# And I learned to get along And now I'm back | 1:45:57 | 1:46:00 | |
# From outer space | 1:46:00 | 1:46:03 | |
# I just walked in to find you here With that sad look upon your face | 1:46:03 | 1:46:07 | |
# I shoulda changed the stupid lock I should've asked you for the key | 1:46:07 | 1:46:10 | |
# If I'd known for just one second You'd be back to bother me | 1:46:10 | 1:46:14 | |
# Go on, now, go! Walk out the door | 1:46:14 | 1:46:18 | |
# Don't turn around now You're not welcome any more | 1:46:18 | 1:46:22 | |
# Weren't you the one Who tried to hurt me with goodbye? | 1:46:22 | 1:46:26 | |
# You think I'd crumble? You think I'd lay down and die? | 1:46:26 | 1:46:30 | |
# Oh, no, not I! I will survive | 1:46:30 | 1:46:34 | |
# As long as I know how to love I know I'll stay alive | 1:46:34 | 1:46:38 | |
# I've got all my life to live I've got all my love to give | 1:46:38 | 1:46:42 | |
# And I'll survive I will survi-i-ive | 1:46:42 | 1:46:45 | |
# I will survi-i-ive | 1:46:45 | 1:46:48 | |
# I...will... | 1:46:48 | 1:46:51 | |
# Sur-vi-i-i-i-i-i-i-i-i... | 1:46:51 | 1:46:57 | |
# ..i-i-i-i-i-i-ive! # | 1:46:57 | 1:46:59 | |
I will survive! I will survive! I will survive! I will survive! | 1:46:59 | 1:47:03 | |
I! WILL! SUR-VIVE! | 1:47:03 | 1:47:06 | |
CROWD ROAR | 1:47:06 | 1:47:07 | |
DRUMBEATS | 1:47:07 | 1:47:10 | |
SEGUE TO INTRO: "Man On The Moon" By R.E.M | 1:47:10 | 1:47:15 | |
# Mott The Hoople and the game of life. | 1:47:20 | 1:47:24 | |
# Yeah, yeah, yeah, yeah. | 1:47:24 | 1:47:26 | |
# Andy Kaufman in the wrestling match | 1:47:26 | 1:47:31 | |
# Yeah, yeah, yeah, yeah. | 1:47:31 | 1:47:34 | |
# Monopoly, Twenty-one checkers and chess | 1:47:35 | 1:47:39 | |
# Yeah, yeah, yeah, yeah | 1:47:39 | 1:47:42 | |
# Mister Fred Blassie in a breakfast mess | 1:47:42 | 1:47:48 | |
# Yeah, yeah, yeah, yeah | 1:47:48 | 1:47:51 | |
# Hey, Andy did you hear about this one? | 1:47:51 | 1:47:54 | |
# Tell me are you locked in the punch? | 1:47:54 | 1:47:58 | |
# Andy, are you goofing on Elvis? | 1:47:58 | 1:48:02 | |
# Hey, baby | 1:48:02 | 1:48:03 | |
# Are we losing touch? | 1:48:03 | 1:48:06 | |
# If you believe they put a man on the moon | 1:48:07 | 1:48:11 | |
# Man on the moon | 1:48:11 | 1:48:14 | |
# If you believe there's nothing up his sleeve | 1:48:14 | 1:48:19 | |
# Nothing is cool... | 1:48:19 | 1:48:22 | |
# If you believe they put a man on the moon | 1:48:38 | 1:48:41 | |
# Man on the moon | 1:48:41 | 1:48:43 | |
# If you believe there's nothing up their sleeve | 1:48:43 | 1:48:48 | |
# Nothin' is cool | 1:48:48 | 1:48:51 | |
# If you believe they put a man on the moon | 1:48:51 | 1:48:55 | |
-# Man on the moon -Yeah... Yeah... | 1:48:55 | 1:48:59 | |
# If you believe there's nothing up their sleeve | 1:48:59 | 1:49:04 | |
# Nothin' is cool. # | 1:49:04 | 1:49:06 | |
Subtitles by BBC Broadcast: 2004 | 1:49:09 | 1:49:12 | |
E-mail us at [email protected] | 1:49:12 | 1:49:15 |