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This film contains very strong language | 0:00:53 | 0:00:58 | |
and some violent scenes. | 0:00:58 | 0:01:01 | |
RACING COMMENTARY IN BACKGROUND | 0:01:24 | 0:01:27 | |
'Starting to make up the ground. He's closing on the outside. | 0:01:27 | 0:01:30 | |
'As they pass the quarter-mile length, | 0:01:30 | 0:01:32 | |
'Cosy Girl has gone clear by three lengths. | 0:01:32 | 0:01:35 | |
'Now coming...' | 0:01:35 | 0:01:36 | |
Come on, Cosy Girl. Come on! | 0:01:36 | 0:01:38 | |
'..will be the danger to Cosy Girl. Cosy girl is clear by two.' | 0:01:38 | 0:01:43 | |
POLICE RADIO: '114 to Roper.' | 0:01:43 | 0:01:46 | |
Come on, dig in! Roper here. | 0:01:44 | 0:01:46 | |
'114, Roper, code 2CP 4th and Grand. | 0:01:46 | 0:01:49 | |
Come on, Cosy Girl! | 0:01:52 | 0:01:54 | |
ETA in five. I'm en route. 'Cosy Girl is tenacious, | 0:01:54 | 0:01:57 | |
'but Backtrack keeps making up ground on her. | 0:01:57 | 0:01:59 | |
'Cosy Girl and Backtrack! It's going to be a tight photo!' | 0:01:59 | 0:02:03 | |
Come on, Cosy, baby! | 0:02:03 | 0:02:04 | |
Where's the wire?! | 0:02:04 | 0:02:06 | |
'Here's the wire... | 0:02:06 | 0:02:08 | |
'It's so close between those two, but Backtrack has won at a nose over Cosy Girl.' | 0:02:08 | 0:02:14 | |
Cosy Girl, you lazy bitch! You lazy hag-ass bitch. | 0:02:14 | 0:02:18 | |
That Cosy shit is why we lost this race - being fucking cosy. You need to get the fire under yo' ass! | 0:02:18 | 0:02:25 | |
HELICOPTER BLADES WHIRR | 0:02:27 | 0:02:31 | |
Move back. All the way back. | 0:02:36 | 0:02:38 | |
Take position! | 0:02:42 | 0:02:44 | |
On the right. | 0:02:44 | 0:02:46 | |
Got this one. | 0:02:46 | 0:02:48 | |
SIREN WAILS | 0:02:48 | 0:02:50 | |
SIREN CONTINUES | 0:02:51 | 0:02:53 | |
97 at the inner perimeter. > | 0:03:10 | 0:03:13 | |
No, no. Communications are down. He ripped the phone out. Yeah, he's here now. Got it. | 0:03:13 | 0:03:18 | |
Hey, Scott. | 0:03:18 | 0:03:20 | |
Eko, where's the command post? | 0:03:20 | 0:03:23 | |
Down here. Hey, Bob, I need two guys to go to CP. | 0:03:21 | 0:03:23 | |
What's up? | 0:03:23 | 0:03:29 | |
The bank opened, suspect botched robbery. Teller hit the alarm. | 0:03:24 | 0:03:29 | |
He's taken 17 hostages, shot the guard. He's still alive. | 0:03:29 | 0:03:32 | |
So far he's asked for a... | 0:03:32 | 0:03:34 | |
...car. | 0:03:33 | 0:03:34 | |
And a plane. And if he doesn't get that... | 0:03:34 | 0:03:37 | |
...he'll kill the hostages. | 0:03:36 | 0:03:37 | |
Right. | 0:03:37 | 0:03:39 | |
What's the suspect's name? | 0:03:39 | 0:03:41 | |
Earl. | 0:03:40 | 0:03:41 | |
Earl. | 0:03:41 | 0:03:43 | |
You'd think on a day like today Earl would go to the park, right? | 0:03:43 | 0:03:46 | |
Ladies and gentlemen! | 0:03:46 | 0:03:48 | |
Scott. | 0:03:48 | 0:03:49 | |
Hey. | 0:03:49 | 0:03:50 | |
Rope, glad you could make it. Captain Solis is coming. | 0:03:50 | 0:03:55 | |
Have you got Earl's profile? | 0:03:53 | 0:03:55 | |
Yeah. | 0:03:55 | 0:03:57 | |
He's no genius. | 0:03:58 | 0:03:59 | |
They ain't usually graduate students. | 0:03:59 | 0:04:02 | |
SWAT wants to go in. | 0:04:01 | 0:04:02 | |
They ain't killed nobody yet this week? | 0:04:02 | 0:04:05 | |
OK, we've got a guy who's probably on drugs. He's got a record of 459. Busted on possession. | 0:04:05 | 0:04:10 | |
Never been busted on a major felony. What's this guy's demeanour? | 0:04:10 | 0:04:15 | |
Fucking agitated - | 0:04:13 | 0:04:15 | |
he ripped the phone out. | 0:04:15 | 0:04:17 | |
I got to go face to face. | 0:04:17 | 0:04:19 | |
No, I don't think so. | 0:04:19 | 0:04:24 | |
You've got hostages. One's hurt - we don't know how bad. | 0:04:20 | 0:04:24 | |
He cut the telephone and he got a gun on somebody. | 0:04:24 | 0:04:27 | |
If SWAT goes in you're going to lose a person. | 0:04:27 | 0:04:30 | |
You got to let me go in and check everything's all right. | 0:04:30 | 0:04:33 | |
I don't know. | 0:04:32 | 0:04:33 | |
Sam, look at the guy's rap sheet. There's no violence. The guy's never offed anybody. | 0:04:33 | 0:04:37 | |
Will you let me go in there, or are we going to let him bleed to death? | 0:04:39 | 0:04:43 | |
SIGHS | 0:04:42 | 0:04:43 | |
Can I have a dozen doughnuts, please? | 0:04:46 | 0:04:48 | |
What makes a guy do something like that? | 0:04:57 | 0:04:59 | |
Give me a roof and a rifle any day. | 0:04:59 | 0:05:01 | |
CP, I see a WMA holding a handgun to Asian female's head. | 0:05:28 | 0:05:33 | |
Suspect is wearing a black vest and T-shirt. | 0:05:33 | 0:05:36 | |
I'm going to kill somebody if they don't give me my goddam car. | 0:05:36 | 0:05:39 | |
I'm going to kill somebody! | 0:05:39 | 0:05:40 | |
Who the fuck are you?! | 0:05:44 | 0:05:46 | |
How are you doing, Earl? I'm Scott Roper, the negotiator. | 0:05:46 | 0:05:50 | |
Get up where I can see you. | 0:05:47 | 0:05:50 | |
Hands up! Get back! Get back! Stop right there, motherfucker! | 0:05:50 | 0:05:53 | |
Hands up! Hands up! | 0:05:56 | 0:05:58 | |
Get back! > | 0:05:58 | 0:06:00 | |
Get back! Step back! | 0:06:01 | 0:06:03 | |
Stop right there, man. Stop! | 0:06:03 | 0:06:07 | |
OK, Earl. I'm stopping. | 0:06:05 | 0:06:07 | |
All right, turn around. | 0:06:07 | 0:06:08 | |
I don't carry a weapon. I'm a negotiator. I have no gun, see. | 0:06:08 | 0:06:11 | |
Keep your hands up! > | 0:06:11 | 0:06:16 | |
Just patting down for you. Patting down for you. | 0:06:12 | 0:06:16 | |
All right. | 0:06:16 | 0:06:17 | |
What's in the bag, man? | 0:06:17 | 0:06:20 | |
These are doughnuts. I brought doughnuts if anybody wants a snack or something. | 0:06:20 | 0:06:25 | |
Drop the fucking bag! Drop the bag! | 0:06:25 | 0:06:29 | |
No problem. I'll put them down. | 0:06:27 | 0:06:29 | |
Just doughnuts, OK. Relax. | 0:06:29 | 0:06:33 | |
Kick them over. Hands up! | 0:06:31 | 0:06:33 | |
HOSTAGES YELL | 0:06:32 | 0:06:33 | |
Goddam it, let me see you. | 0:06:33 | 0:06:35 | |
Kick it over, man! Kick it over! | 0:06:35 | 0:06:38 | |
Pick it up. Pick it up. | 0:06:39 | 0:06:41 | |
Open it up. Show me what's in the bag. | 0:06:41 | 0:06:44 | |
It's doughnuts, man. | 0:06:47 | 0:06:50 | |
What I said - they're doughnuts. | 0:06:49 | 0:06:50 | |
Bullshit, man. You poisoned that shit! | 0:06:50 | 0:06:54 | |
No, Earl. I'm not playing. They're just doughnuts. | 0:06:55 | 0:07:00 | |
Eat it! Eat one. | 0:06:59 | 0:07:00 | |
< Please, eat. Don't worry about them. | 0:07:00 | 0:07:04 | |
Eat it! | 0:07:02 | 0:07:04 | |
Let 'em eat them. See? | 0:07:04 | 0:07:06 | |
Where's my fucking car? | 0:07:05 | 0:07:06 | |
I'm getting you your car, but first things first. We have to do this thing right. All right? | 0:07:06 | 0:07:12 | |
OK, Earl? | 0:07:12 | 0:07:13 | |
I want you to point the gun away from... What's your name, miss? | 0:07:13 | 0:07:18 | |
-SOBS: -Debbie. | 0:07:16 | 0:07:18 | |
Point that gun away from Debbie. | 0:07:18 | 0:07:24 | |
Debbie's brain will be on the floor if you don't give me my car. | 0:07:20 | 0:07:24 | |
That's the worst thing you can do. | 0:07:24 | 0:07:26 | |
A really bad move if you do that, OK? | 0:07:26 | 0:07:29 | |
Be clear about something. If you kill anybody I can't help you. | 0:07:30 | 0:07:35 | |
Please, God. | 0:07:35 | 0:07:37 | |
Rules of the game change, then. | 0:07:37 | 0:07:39 | |
SWAT will take you out if you kill somebody. | 0:07:39 | 0:07:42 | |
That's what they're for. | 0:07:42 | 0:07:45 | |
Help! Help! | 0:07:43 | 0:07:45 | |
They're ready to do you right now. I want you to see something. Come here. | 0:07:45 | 0:07:49 | |
Just look out the window here. Just across the street. There's a sniper in the window. | 0:07:49 | 0:07:56 | |
He's looking at you right now in his rifle scope. | 0:07:56 | 0:07:59 | |
The window next to it, there's a sniper in there, too. | 0:07:59 | 0:08:03 | |
Shit, man. | 0:08:02 | 0:08:03 | |
All around the building you got SWAT on the roof. They've been given the word. | 0:08:03 | 0:08:08 | |
You kill anybody, ANYBODY, they take you out. They don't give a shit. | 0:08:08 | 0:08:14 | |
They'll take you out and go right to lunch. | 0:08:14 | 0:08:19 | |
Fuck! Fuck, man! Fuck! | 0:08:17 | 0:08:19 | |
What are my chances, man? | 0:08:22 | 0:08:26 | |
Not bad. | 0:08:24 | 0:08:26 | |
Last month someone robbed a bank in the city. He made the freeway. | 0:08:26 | 0:08:30 | |
Cops gave him a car, he got on the freeway and he lost them. | 0:08:30 | 0:08:34 | |
Really? | 0:08:33 | 0:08:34 | |
But they didn't kill anybody. | 0:08:34 | 0:08:36 | |
How are you doing, Harold? | 0:08:36 | 0:08:40 | |
What are you doing? | 0:08:39 | 0:08:40 | |
OK, Earl, I got to take Harold out of here. He's bleeding pretty bad. | 0:08:40 | 0:08:44 | |
I took an oath. If I go into a hostile situation and there's an injured party... | 0:08:44 | 0:08:50 | |
I'm bound by oath to take the person to safety. Shoot me if you want, but the next guy will say the same. | 0:08:50 | 0:08:55 | |
Just give me my car, man. Give me my car. | 0:08:55 | 0:08:58 | |
Everything will be all right. We're going to get everybody out. | 0:08:58 | 0:09:00 | |
You give me my car or I'll do her! | 0:09:00 | 0:09:05 | |
I'll get your car. | 0:09:03 | 0:09:05 | |
Earl. Take the gun down from Debbie's head. | 0:09:05 | 0:09:11 | |
Don't fuck with me. | 0:09:09 | 0:09:11 | |
No accidents. Things are cool. | 0:09:11 | 0:09:13 | |
Give me my car, man. | 0:09:13 | 0:09:15 | |
SOBS | 0:09:14 | 0:09:15 | |
Shut up! > | 0:09:15 | 0:09:16 | |
Come on. | 0:09:16 | 0:09:20 | |
Hold your fire! | 0:09:17 | 0:09:20 | |
Let's go. | 0:09:20 | 0:09:21 | |
That's one out, 17 to go. | 0:09:24 | 0:09:27 | |
OK, Harold. There you go. | 0:09:27 | 0:09:29 | |
GROANS | 0:09:30 | 0:09:32 | |
Give me your gun. | 0:09:32 | 0:09:33 | |
What? | 0:09:32 | 0:09:33 | |
Give me your gun. | 0:09:33 | 0:09:35 | |
I haven't shot anybody in three years. | 0:09:40 | 0:09:43 | |
Why not keep the streak alive? | 0:09:42 | 0:09:43 | |
This junkie will kill someone. | 0:09:43 | 0:09:46 | |
What are you doing out there?! | 0:09:46 | 0:09:47 | |
What's going on?! > | 0:09:47 | 0:09:49 | |
OK, Earl, it's happening. | 0:09:53 | 0:09:55 | |
Your car's coming. Harold's gone to safety. It's cool. Everybody's going out. | 0:09:56 | 0:10:00 | |
First, to show good faith, give me another hostage. | 0:10:00 | 0:10:03 | |
Debbie. | 0:10:03 | 0:10:05 | |
You got the old man. | 0:10:04 | 0:10:05 | |
He don't count. He was going to die. That's on your ass. | 0:10:05 | 0:10:09 | |
I did you a favour taking him out of here. Give me Debbie. | 0:10:09 | 0:10:12 | |
Get me my car! | 0:10:12 | 0:10:14 | |
I'm going to get your car, but give me a hostage. Come on, give me Debbie. | 0:10:14 | 0:10:16 | |
Take them, man! Take 'em. Take 'em! | 0:10:19 | 0:10:23 | |
FRIGHTENED MURMURS | 0:10:23 | 0:10:26 | |
Go! | 0:10:24 | 0:10:26 | |
Don't kill me. Please, help! | 0:10:27 | 0:10:29 | |
See? Progress. We'll get everyone out. Everyone relax. | 0:10:29 | 0:10:33 | |
I'm going to get your car right now. | 0:10:33 | 0:10:36 | |
Get me my car, man. | 0:10:34 | 0:10:36 | |
I'll get your car. | 0:10:35 | 0:10:36 | |
Oh, there's one other thing. | 0:10:36 | 0:10:39 | |
What?! | 0:10:37 | 0:10:39 | |
You want a hard-top or convertible? | 0:10:39 | 0:10:42 | |
Hard-top, man. Hard-top. | 0:10:44 | 0:10:48 | |
Hard-top. All right. | 0:10:45 | 0:10:48 | |
Manual or automatic? | 0:10:50 | 0:10:53 | |
Automatic. | 0:10:52 | 0:10:53 | |
HOSTAGES SCREAM | 0:10:54 | 0:10:56 | |
Stay down! Don't you fucking move! | 0:10:56 | 0:10:59 | |
Don't shoot. Don't shoot. I give up. | 0:11:01 | 0:11:05 | |
Everybody, down! On the floor. | 0:11:02 | 0:11:05 | |
SWAT MEN SHOUT | 0:11:08 | 0:11:10 | |
On the floor. On the floor. | 0:11:11 | 0:11:16 | |
Don't shoot, man. Don't shoot. | 0:11:13 | 0:11:16 | |
Captain Solis, can we speak to Inspector Roper? | 0:11:16 | 0:11:20 | |
ALL SHOUT QUESTIONS | 0:11:18 | 0:11:20 | |
You negotiated in the past. What was different here? | 0:11:23 | 0:11:27 | |
The inspector is not available to answer your questions right now. We're just thankful nobody died. | 0:11:27 | 0:11:32 | |
Give us something. | 0:11:32 | 0:11:34 | |
He will answer your questions at the official police briefing at headquarters. | 0:11:34 | 0:11:40 | |
Are you OK, Inspector? | 0:11:40 | 0:11:42 | |
Please, please. > | 0:11:42 | 0:11:43 | |
Hi. | 0:11:43 | 0:11:45 | |
Now, that is one for the front page. | 0:11:46 | 0:11:48 | |
What are you doing here torturing me? You know I'm in love with you. | 0:11:48 | 0:11:52 | |
Don't start. | 0:11:51 | 0:11:52 | |
Don't tell me not to start. That baseball player you're with is bad news. | 0:11:52 | 0:11:56 | |
Really? Let's think about this. He makes two million a year, nice guy, and he worships me. | 0:11:56 | 0:12:01 | |
I worship you, too. | 0:12:01 | 0:12:03 | |
You worship the bookie. | 0:12:03 | 0:12:08 | |
Forget that. What's this guy's name? | 0:12:04 | 0:12:08 | |
Greg. | 0:12:06 | 0:12:08 | |
I read that Greg's knees are blown out. In ten years, he'll be in a wheelchair. | 0:12:08 | 0:12:12 | |
Lot of hills here. | 0:12:12 | 0:12:14 | |
You know what I think? | 0:12:14 | 0:12:15 | |
I think you only want me back because you can't have me. | 0:12:15 | 0:12:19 | |
It don't matter what you think. I think we should be together. Hey, hey. Listen to me. | 0:12:19 | 0:12:24 | |
Can we please go out this weekend? | 0:12:24 | 0:12:28 | |
No way. | 0:12:27 | 0:12:28 | |
Talking of going out, what about Troy? You said you'd take him out over a month ago. | 0:12:28 | 0:12:32 | |
Veronica, I've had a really rough month. | 0:12:33 | 0:12:36 | |
He misses you. | 0:12:36 | 0:12:38 | |
I say you're coming around and his eyes light up. Then you don't... | 0:12:38 | 0:12:43 | |
Why lay this guilt on me? | 0:12:41 | 0:12:43 | |
We'll get together Saturday. Me, you and Troy for a beautiful day. One happy family. | 0:12:43 | 0:12:47 | |
No, no, no. You and Troy. We spend enough time together. | 0:12:47 | 0:12:51 | |
Troy needs a man in his life. And besides, I'm seeing Greg on Saturday. | 0:12:51 | 0:12:56 | |
What do you mean? You go out with Greg, and I go with Troy to the park?! That's tacky! | 0:12:56 | 0:13:04 | |
Tacky? | 0:13:04 | 0:13:09 | |
Yes, that's tacky. And it's going to confuse Troy. You don't think so? | 0:13:05 | 0:13:09 | |
Look, can I drive you to the paper so we can talk about this? Please? Can I drive you? | 0:13:09 | 0:13:14 | |
Hey! | 0:13:14 | 0:13:15 | |
Hey! Hey, that's my car! | 0:13:17 | 0:13:20 | |
Not any more! Now it belongs to Silver Hills Financial! | 0:13:20 | 0:13:25 | |
PHONE RINGS | 0:13:33 | 0:13:35 | |
Good work today, Scott. | 0:13:35 | 0:13:38 | |
Thank you, Inspector. | 0:13:36 | 0:13:38 | |
I needed it two days ago. > | 0:13:38 | 0:13:42 | |
How are we doing for tonight? | 0:13:39 | 0:13:42 | |
-Two on the floor. -You're my hero. | 0:13:42 | 0:13:43 | |
Dinner's on you. | 0:13:43 | 0:13:45 | |
You got a deal. I'm meeting Solis. | 0:13:45 | 0:13:49 | |
OK, go get him. | 0:13:46 | 0:13:49 | |
Later on. | 0:13:47 | 0:13:49 | |
Absolutely. | 0:13:57 | 0:13:58 | |
Agree with you 100%. Yeah, he's just walked into my office. | 0:13:58 | 0:14:02 | |
Chief says good job. Congratulations. | 0:14:02 | 0:14:04 | |
Tell him to give me a raise, then. | 0:14:04 | 0:14:09 | |
He says thank you very much, Chief. | 0:14:06 | 0:14:09 | |
Not what I said. | 0:14:07 | 0:14:09 | |
Yes, sir. I'll discuss it with him right now. Goodbye, Chief. | 0:14:09 | 0:14:14 | |
Roper. | 0:14:14 | 0:14:15 | |
What? | 0:14:15 | 0:14:17 | |
You will take a new partner and train him to be able to take over for you. | 0:14:17 | 0:14:21 | |
Is that why you got this guy in the Sunday school outfit out here? | 0:14:21 | 0:14:27 | |
He's Kevin McCall. | 0:14:25 | 0:14:27 | |
Oh, Captain! | 0:14:27 | 0:14:28 | |
Every Metro captain agrees that he's their best sharpshooter and the most likely to succeed. | 0:14:28 | 0:14:35 | |
What is this bullshit, Captain? | 0:14:35 | 0:14:36 | |
High in intellectual aptitude. Not as high as me, but pretty high. | 0:14:39 | 0:14:43 | |
That's true. | 0:14:43 | 0:14:44 | |
National Marksman's finalist. Attended NYC. Very impressive. | 0:14:44 | 0:14:49 | |
DI sniper school. | 0:14:49 | 0:14:50 | |
Additional skills - bi-athlete, marathon, lip-reading- | 0:14:50 | 0:14:55 | |
This is great(!) He's not a negotiator. He'll quit in two weeks. | 0:15:00 | 0:15:04 | |
You let me worry about that. | 0:15:04 | 0:15:05 | |
I hope there's an expression of appreciation if I've got to be with Huck Finn over there. | 0:15:05 | 0:15:10 | |
Wha... What kind if appreciation do you have in mind? | 0:15:10 | 0:15:17 | |
Honestly? | 0:15:14 | 0:15:17 | |
5,000. | 0:15:18 | 0:15:19 | |
OK, I can do that. | 0:15:26 | 0:15:28 | |
And a car. | 0:15:28 | 0:15:28 | |
No goddam car! I just gave you a 5,000 raise. Get your own damn car. | 0:15:28 | 0:15:33 | |
I've been down to the impound. You got a beautiful black Benz just doing nothing. | 0:15:33 | 0:15:38 | |
Impound is not Rent-A-Car. | 0:15:38 | 0:15:41 | |
Car's in the deal. I don't have a car. | 0:15:39 | 0:15:41 | |
What happened to your TransAm? | 0:15:41 | 0:15:44 | |
They repo'd my shit. | 0:15:42 | 0:15:44 | |
I'm not promising you nothing, but I'll see what I can do. | 0:15:44 | 0:15:49 | |
Do what you can. | 0:15:47 | 0:15:49 | |
I get to keep all the money if he quits. | 0:15:49 | 0:15:52 | |
SWAT guys don't have the temperament or background for what I do. OK, Captain? | 0:15:52 | 0:15:56 | |
How are you? Heard great things about you. | 0:15:56 | 0:15:59 | |
Looking forward to it. | 0:15:58 | 0:15:59 | |
It'll be good. It's hard work to be a negotiator. | 0:15:59 | 0:16:02 | |
I'm up for it. And don't worry, I'll be around longer than two weeks, so don't worry about that, OK? | 0:16:02 | 0:16:06 | |
Don't be reading my lips. Save that for sniper school. | 0:16:09 | 0:16:13 | |
Don't worry about what I'm going to do for two weeks. | 0:16:13 | 0:16:17 | |
Can we move on? | 0:16:15 | 0:16:17 | |
We're just getting acquainted with each other. | 0:16:17 | 0:16:20 | |
I'm fine. | 0:16:18 | 0:16:20 | |
Very nice. If you'll both excuse me, I have other work to do. | 0:16:20 | 0:16:24 | |
My bad. We gone. | 0:16:22 | 0:16:24 | |
Thank you, Captain. | 0:16:24 | 0:16:26 | |
Roper. | 0:16:25 | 0:16:26 | |
Sir? | 0:16:26 | 0:16:26 | |
About the transportation issue, see the impound sergeant. | 0:16:26 | 0:16:31 | |
Thank you so much. | 0:16:29 | 0:16:31 | |
Appreciate it. | 0:16:31 | 0:16:33 | |
Have you been in a hostage situation? | 0:16:34 | 0:16:37 | |
Only at the very end. | 0:16:35 | 0:16:37 | |
What did you feel like after the shooting? | 0:16:37 | 0:16:40 | |
It had to be done. | 0:16:38 | 0:16:40 | |
It rarely has to be done. | 0:16:40 | 0:16:43 | |
I've rarely shot anyone. | 0:16:41 | 0:16:43 | |
Yeah, well, SWAT is a life-saving unit, remember that. | 0:16:43 | 0:16:47 | |
I know that, OK? | 0:16:45 | 0:16:47 | |
You know a lot of... You're a wise-ass. | 0:16:47 | 0:16:49 | |
Excuse me? | 0:16:49 | 0:16:54 | |
You heard what I said, wise-ass. I got a test for first-day wise-asses. | 0:16:49 | 0:16:54 | |
Look. Get this cap out of the bottle without touching, without destroying the bottle. | 0:16:54 | 0:16:59 | |
OK, don't move. | 0:16:59 | 0:17:01 | |
What's the point? | 0:17:01 | 0:17:01 | |
A test in lateral thinking. The obvious solution isn't the only one. | 0:17:01 | 0:17:06 | |
Use your mind. Don't break the bottle. | 0:17:06 | 0:17:10 | |
OK. | 0:17:09 | 0:17:10 | |
Have a nice day. | 0:17:10 | 0:17:12 | |
OK. | 0:17:11 | 0:17:12 | |
< No touching! | 0:17:12 | 0:17:14 | |
Hey, don't look at me. I went to public school. | 0:17:18 | 0:17:23 | |
Right. Great. Thank you. | 0:17:20 | 0:17:23 | |
Mind if we make a stop on the way? | 0:17:24 | 0:17:26 | |
We busted Frank Antonucci on possession. He gave us a lead, too. | 0:17:26 | 0:17:30 | |
Phoney Frank?! That guy would finger his first-born to dodge a collar. | 0:17:30 | 0:17:34 | |
Still got to do it. Wasting time is half my job. | 0:17:34 | 0:17:39 | |
< Yeah, all right. | 0:17:38 | 0:17:39 | |
I think that SWAT guy might be a good idea. It may take pressure off you. I'm beginning to worry. | 0:17:39 | 0:17:45 | |
Seven-20. What are you worrying about me for? | 0:17:45 | 0:17:48 | |
I saw you with Ronnie this morning. Why can't you get it back together? | 0:17:48 | 0:17:52 | |
Ah! | 0:17:51 | 0:17:52 | |
You're mad not to get with that. | 0:17:52 | 0:17:54 | |
What? It's not me. It's her. She's going out with some baseball player named Greg Barnett. | 0:17:54 | 0:18:00 | |
No kidding! Get out of here! That boy can hit...and run. | 0:18:00 | 0:18:05 | |
And throw! | 0:18:06 | 0:18:08 | |
Why don't you just start chanting, "Greg, Greg, Greg"? Fuck him. | 0:18:08 | 0:18:12 | |
CHUCKLES | 0:18:12 | 0:18:14 | |
What is wrong with this car door?! | 0:18:14 | 0:18:18 | |
CAR ALARM BLARES | 0:18:17 | 0:18:18 | |
Come on, man! | 0:18:18 | 0:18:19 | |
Gimme the keys. | 0:18:19 | 0:18:20 | |
There's no alarm on those. Hey, you got a spare key | 0:18:22 | 0:18:25 | |
so I can get to this kill switch in here? Turn this shit off. | 0:18:25 | 0:18:29 | |
ALARM CONTINUES | 0:18:29 | 0:18:33 | |
This shit is bad. You hearing this? | 0:18:30 | 0:18:33 | |
Rope, this is it. | 0:18:33 | 0:18:37 | |
This is too fly. | 0:18:36 | 0:18:37 | |
< This is it. | 0:18:37 | 0:18:39 | |
What? | 0:18:39 | 0:18:40 | |
This is it. This is your ride. | 0:18:40 | 0:18:42 | |
That's not my ride. This is my ride over here, this black car. | 0:18:44 | 0:18:48 | |
ALARM STOPS | 0:18:47 | 0:18:48 | |
Oh no. No, no. This black one is mine. That's the one I'm... This is my... | 0:18:48 | 0:18:52 | |
This is your ride. | 0:18:53 | 0:18:55 | |
Oh, come on. Who am I? Redd Fox? I can't roll in no shit like that, man. What's up, Sam? | 0:18:55 | 0:19:01 | |
CHUCKLES | 0:19:01 | 0:19:02 | |
That shit's not funny, Sam. I got to roll around in this shit all week. | 0:19:02 | 0:19:06 | |
Man, where's your stereo? | 0:19:06 | 0:19:08 | |
Never mind that. What's the smell? | 0:19:08 | 0:19:13 | |
Get in. We ain't got all day. | 0:19:10 | 0:19:13 | |
Man, this truck smells like fish. | 0:19:13 | 0:19:15 | |
Fish and shit. | 0:19:18 | 0:19:19 | |
Apartment 304. | 0:19:20 | 0:19:22 | |
You want me to come up? | 0:19:22 | 0:19:24 | |
Nah, won't find anything. I'm gonna talk to him. | 0:19:24 | 0:19:26 | |
Good, cos I don't want to be late. Hey, you want anything on the game? | 0:19:26 | 0:19:32 | |
What's the line? | 0:19:30 | 0:19:32 | |
Warriors plus six. | 0:19:32 | 0:19:34 | |
I'll take half of your action. | 0:19:34 | 0:19:38 | |
Very very smart man. | 0:19:36 | 0:19:38 | |
Hurry up, man. | 0:19:38 | 0:19:40 | |
DOORBELL RINGS | 0:20:18 | 0:20:20 | |
< Who is it? | 0:20:21 | 0:20:25 | |
Lieutenant Sam Baffett from the San Francisco Police Department. | 0:20:21 | 0:20:25 | |
Everything all right? | 0:20:28 | 0:20:34 | |
May I come in? I would like to ask you a couple of questions. | 0:20:30 | 0:20:34 | |
Absolutely. Come on in. | 0:20:34 | 0:20:36 | |
Thank you. | 0:20:36 | 0:20:38 | |
Nice. | 0:20:39 | 0:20:41 | |
Very nice. | 0:20:41 | 0:20:42 | |
Thanks. > | 0:20:42 | 0:20:44 | |
Count Basie? | 0:20:44 | 0:20:46 | |
Ellington - Things Ain't What They Used to Be. Recorded July 30th, 1945. | 0:20:46 | 0:20:53 | |
Yeah, yeah. Now I can hear it. | 0:20:53 | 0:20:56 | |
Where did you find that record? | 0:20:56 | 0:21:02 | |
A used-record shop called Memory Lane. | 0:20:58 | 0:21:02 | |
I went there for a rare Robert Johnson. | 0:21:03 | 0:21:07 | |
I know it. I'll have to go there. | 0:21:05 | 0:21:07 | |
You should. | 0:21:07 | 0:21:10 | |
Mr Korda, do you know a Frank Antonucci? | 0:21:08 | 0:21:10 | |
The guy who owns the bakery down the street? | 0:21:10 | 0:21:13 | |
No, a different Frank. This is a man who deals in jewellery. Stolen, usually. | 0:21:13 | 0:21:19 | |
You wouldn't know anybody like that. | 0:21:19 | 0:21:22 | |
No, I certainly would not. | 0:21:21 | 0:21:22 | |
COUGHS | 0:21:24 | 0:21:25 | |
No, it's just a little something here. | 0:21:26 | 0:21:29 | |
Could I have a little water, please? | 0:21:30 | 0:21:32 | |
Sure. | 0:21:33 | 0:21:35 | |
Thank you. | 0:21:36 | 0:21:38 | |
The reason I'm asking you is because we arrested him with some stolen jewellery... | 0:21:40 | 0:21:46 | |
and traced it back to a robbery | 0:21:46 | 0:21:50 | |
down on Port Street. | 0:21:50 | 0:21:52 | |
He said he was fencing it to you. | 0:21:52 | 0:21:55 | |
Obviously there's been some mistake. | 0:21:55 | 0:21:58 | |
I've got to level with you. | 0:22:00 | 0:22:02 | |
I got this cousin - there you go - he's had a lot of run-ins with the law. | 0:22:02 | 0:22:08 | |
It's no surprise if he entangled me in this. Wouldn't be the first time. | 0:22:08 | 0:22:12 | |
This cousin of yours - what's his name? | 0:22:12 | 0:22:15 | |
Clarence Teal. Believe me, they'll know who I'm talking about. Your cough seems better. | 0:22:15 | 0:22:21 | |
Oh, yes. | 0:22:21 | 0:22:24 | |
200 bucks. I take the points. OK. | 0:22:24 | 0:22:27 | |
Judge Stone, this is Lieutenant Samuel Baffett. | 0:22:32 | 0:22:35 | |
I'm at a suspect's residence. I'm requesting a telephonic search warrant. | 0:22:35 | 0:22:38 | |
There's visible evidence on the premises - glass, jeweller's markings. | 0:22:42 | 0:22:46 | |
That is correct, Judge Stone. | 0:22:48 | 0:22:51 | |
I believe a full search of the premises... | 0:22:51 | 0:22:54 | |
SCREAMS | 0:22:54 | 0:22:56 | |
SHE SCREAMS | 0:23:25 | 0:23:26 | |
Jesus. Sam! | 0:23:36 | 0:23:39 | |
Sam! | 0:23:39 | 0:23:41 | |
Call an ambulance! Now! | 0:23:45 | 0:23:47 | |
Now! | 0:23:47 | 0:23:49 | |
Oh, my God! > | 0:24:18 | 0:24:19 | |
I'm a cop. | 0:24:29 | 0:24:31 | |
DISTANT SIRENS WAIL | 0:24:46 | 0:24:48 | |
All of our forces will be brought to bear. We will get this man. | 0:24:54 | 0:24:59 | |
Yeah, he's here. I'll tell him. | 0:24:59 | 0:25:00 | |
The chief wants you to know how sorry he is. | 0:25:03 | 0:25:06 | |
He said he was just going up to talk to him. | 0:25:11 | 0:25:13 | |
He said... | 0:25:17 | 0:25:19 | |
I want to be put on this case. | 0:25:26 | 0:25:28 | |
I can't do that. | 0:25:27 | 0:25:28 | |
I want to be put on this case. | 0:25:28 | 0:25:31 | |
You know damn well I can't assign you. You're too close to it, to Sam. | 0:25:31 | 0:25:35 | |
The department will handle it. | 0:25:35 | 0:25:37 | |
Who's running it? | 0:25:36 | 0:25:37 | |
Roper! | 0:25:37 | 0:25:37 | |
Who's running it? | 0:25:37 | 0:25:42 | |
Kimura and Glass will head the investigation. | 0:25:39 | 0:25:42 | |
Scott. | 0:25:44 | 0:25:45 | |
Go home. > | 0:25:45 | 0:25:47 | |
OK, check on it. | 0:25:56 | 0:25:57 | |
Tell me what you've got on this son of a bitch. | 0:25:57 | 0:26:01 | |
Let me get back to you. | 0:25:59 | 0:26:01 | |
Solis said to keep you out of this. | 0:26:01 | 0:26:08 | |
I don't give a shit. Anybody get information on Korda, you tell me! | 0:26:02 | 0:26:08 | |
BRAKES SQUEAL | 0:26:40 | 0:26:42 | |
Just a minute. | 0:26:52 | 0:26:54 | |
Hey. | 0:27:00 | 0:27:01 | |
Hey, yourself. I came to see Troy. | 0:27:01 | 0:27:04 | |
It's a little late for that, Scott. He's asleep. | 0:27:04 | 0:27:09 | |
Oh, shit! | 0:27:07 | 0:27:09 | |
Jack Daniels? | 0:27:09 | 0:27:10 | |
Yes, I spent some time with Jack tonight, but I'm not drunk yet. | 0:27:10 | 0:27:15 | |
Maybe you should be. | 0:27:16 | 0:27:18 | |
You heard about what happened? | 0:27:20 | 0:27:22 | |
Yeah. I'm sorry. | 0:27:22 | 0:27:25 | |
Can I come in for a minute? | 0:27:31 | 0:27:32 | |
Is that a new picture? | 0:27:47 | 0:27:49 | |
It's about four months old. | 0:27:49 | 0:27:51 | |
I've been working in a different style. | 0:27:51 | 0:27:53 | |
DOG BARKS | 0:27:56 | 0:27:59 | |
Hey, Troy. How you doing? | 0:27:57 | 0:27:59 | |
How are you doing? Did you miss me? Ha? Did you miss me? Ha, Troy? | 0:28:01 | 0:28:07 | |
No kissing. No kissing. | 0:28:07 | 0:28:10 | |
I don't do that kissing thing, all right? | 0:28:10 | 0:28:14 | |
I'm not going to take up too much of your time. I just need somebody I can talk to. | 0:28:24 | 0:28:28 | |
Must be awful. You don't usually talk to someone when you're hurting. | 0:28:28 | 0:28:33 | |
It was my fault. I was right downstairs. All I had to do was just go up there. | 0:28:33 | 0:28:40 | |
I was right there. | 0:28:40 | 0:28:45 | |
Scott, you can't save everyone. | 0:28:41 | 0:28:45 | |
I definitely proved that tonight, for sure. | 0:28:45 | 0:28:50 | |
Look... | 0:29:16 | 0:29:17 | |
I don't even know why I came up here. This is a total waste of my time. | 0:29:17 | 0:29:24 | |
Where did I put my keys? Where did I put my keys? | 0:29:24 | 0:29:30 | |
Scott, what do you want from me? | 0:29:27 | 0:29:30 | |
Obviously something I can't have. | 0:29:30 | 0:29:34 | |
Don't you dare try to make me feel guilty. | 0:29:31 | 0:29:34 | |
When we were together you tried to prove you didn't need me. | 0:29:34 | 0:29:38 | |
Now, suddenly, for one night, you need me again? I can't do that. I can't be more than a friend. | 0:29:38 | 0:29:44 | |
I know what will happen. | 0:29:44 | 0:29:45 | |
In a few weeks you'll be back on top. You'll shut me out as soon as you don't need me again. | 0:29:45 | 0:29:51 | |
Is that what you think? | 0:29:51 | 0:29:52 | |
You think I didn't need you? Is that what you think? | 0:29:52 | 0:29:56 | |
If you did, you never showed it. | 0:29:56 | 0:29:58 | |
Oh, Ronnie. Look, listen to me. | 0:30:02 | 0:30:06 | |
Listen. Look at me. | 0:30:06 | 0:30:08 | |
Look at me. My whole life, I never... | 0:30:08 | 0:30:11 | |
KNOCK AT DOOR | 0:30:11 | 0:30:13 | |
Were you expecting somebody? | 0:30:16 | 0:30:18 | |
This night is just getting better and better. | 0:30:23 | 0:30:26 | |
Where are my keys? | 0:30:28 | 0:30:30 | |
They're here on the table where you always leave them. | 0:30:30 | 0:30:33 | |
Hey, baby. I thought you... | 0:30:42 | 0:30:44 | |
Hey, Greg Barnett. | 0:30:44 | 0:30:46 | |
Excuse me. | 0:30:48 | 0:30:50 | |
If you weren't family, I'd fucking kill you! | 0:31:23 | 0:31:25 | |
Mikey, Mikey! | 0:31:24 | 0:31:25 | |
You told Antonucci you got that shit from me! | 0:31:25 | 0:31:29 | |
I'm sorry, Mike. | 0:31:33 | 0:31:37 | |
Sorry about what? | 0:31:34 | 0:31:37 | |
He's got respect for you. | 0:31:35 | 0:31:37 | |
He was trying to low-ball me. | 0:31:37 | 0:31:38 | |
What the fuck do I use you for, Clarence? To be a walking fucking advertisement?! | 0:31:38 | 0:31:44 | |
I'm sorry, Mike. | 0:31:44 | 0:31:47 | |
You're sorry?! | 0:31:45 | 0:31:47 | |
Antonucci never flipped before. He said he had the cops paid off. | 0:31:47 | 0:31:53 | |
Not the cop that showed at my door! | 0:31:50 | 0:31:53 | |
What happened, Mike? | 0:31:58 | 0:32:00 | |
Mike. | 0:32:09 | 0:32:11 | |
I'm sorry, Mike. | 0:32:12 | 0:32:14 | |
Great(!) I could have taken that fucking store. Now I can't even show my face. | 0:32:16 | 0:32:21 | |
I got a couple of thousand bucks. If you need to leave town... | 0:32:24 | 0:32:27 | |
Leave town! They're going to know me in Des Moines by now. | 0:32:27 | 0:32:31 | |
10 million, Clarence. Ten million fucking dollars! | 0:32:31 | 0:32:36 | |
I could have disappeared. I could have had it made! | 0:32:37 | 0:32:41 | |
That's all right, Clarence. | 0:32:43 | 0:32:46 | |
I'll just stick around. | 0:32:47 | 0:32:49 | |
Take care of you for the rest of my fucking life. | 0:32:49 | 0:32:53 | |
Did you kill him, Mike? | 0:32:55 | 0:32:57 | |
-WHISPERS: -Oh, God... | 0:33:04 | 0:33:06 | |
Sorry, Mike. | 0:33:06 | 0:33:08 | |
I'm sorry, Mike. I didn't know, Mike. | 0:33:11 | 0:33:14 | |
I fucked up, Mike. | 0:33:15 | 0:33:17 | |
I fucked up now. Oh, I fucked up. | 0:33:20 | 0:33:23 | |
I didn't know. I didn't know, Mike. I messed up. | 0:33:27 | 0:33:30 | |
It's all right. | 0:33:30 | 0:33:32 | |
I messed everything up. | 0:33:35 | 0:33:38 | |
It's all right. | 0:33:36 | 0:33:38 | |
It's all right. | 0:33:40 | 0:33:42 | |
It's not your fault you're stupid. | 0:33:43 | 0:33:46 | |
Eko, what have you got on Korda? | 0:33:50 | 0:33:53 | |
He's got a cousin in town. Clarence Teal. Small-time thief. Got his last known address. | 0:33:53 | 0:33:58 | |
He moved a month ago. We got a couple of leads. | 0:33:58 | 0:34:02 | |
Did you check with DMV? | 0:34:00 | 0:34:02 | |
Faxing over now. | 0:34:02 | 0:34:04 | |
How about the record room - incident reports? Get medical records. Check with Burglary Detail. | 0:34:04 | 0:34:09 | |
See if they know him... | 0:34:09 | 0:34:12 | |
Look, Roper, we... | 0:34:10 | 0:34:12 | |
Take line two. > | 0:34:11 | 0:34:12 | |
Bars. Check with neighbours which bars he went to. | 0:34:12 | 0:34:15 | |
Scott, we're on to it. | 0:34:14 | 0:34:15 | |
Roper! We've already had this conversation. You are not active on this case. | 0:34:15 | 0:34:22 | |
It's in everyone's best interests. | 0:34:23 | 0:34:26 | |
Y'all are doing good work here. | 0:34:38 | 0:34:41 | |
Sorry about your friend. | 0:34:44 | 0:34:46 | |
I lost somebody in SWAT. It's rough. | 0:34:46 | 0:34:52 | |
Thanks for your concern. Let's leave it at that. | 0:34:49 | 0:34:52 | |
What's this you're reading? | 0:34:52 | 0:34:54 | |
"Strategies and Countermeasures in Hostage Situations." | 0:34:54 | 0:34:59 | |
Not having much progress with this. | 0:34:59 | 0:35:04 | |
Oh, wait, no. | 0:35:02 | 0:35:04 | |
You really had me stumped. | 0:35:05 | 0:35:08 | |
Very impressive. You get an A. See? No force was required, no damage was done. All right? | 0:35:20 | 0:35:25 | |
That was your partner? | 0:35:52 | 0:35:54 | |
Yeah. | 0:35:54 | 0:35:56 | |
Why did he do that? | 0:36:04 | 0:36:06 | |
Well, he figured the kid had a 0% chance of survival. I guess he thought his odds were better. | 0:36:06 | 0:36:13 | |
We had a plan. | 0:36:13 | 0:36:14 | |
Then SWAT opened the fire too early and the perp took out my partner. | 0:36:14 | 0:36:19 | |
You remember this. Always use your eyes to keep that connection. It's the most important thing. | 0:36:19 | 0:36:25 | |
It's like hypnosis. > | 0:36:25 | 0:36:27 | |
Right. | 0:36:27 | 0:36:29 | |
Connect with them. You're always on their side. | 0:36:29 | 0:36:33 | |
OK. | 0:36:33 | 0:36:35 | |
How much money you got? | 0:36:46 | 0:36:48 | |
What's that? | 0:36:48 | 0:36:49 | |
How much money you got? | 0:36:49 | 0:36:53 | |
A hundred bucks. Why? | 0:36:51 | 0:36:53 | |
You know why I like coming to the track? | 0:37:05 | 0:37:09 | |
You're a compulsive gambler. | 0:37:07 | 0:37:09 | |
Nah. The multitude of possibilities. | 0:37:09 | 0:37:11 | |
Everything is here for you to see if you know what to look for. | 0:37:11 | 0:37:15 | |
Like a hostage situation. See the "four" horse? | 0:37:15 | 0:37:18 | |
Mmm. | 0:37:17 | 0:37:18 | |
Dropping in class, no works, looking all broken down. | 0:37:18 | 0:37:22 | |
You wouldn't bet on it. | 0:37:22 | 0:37:23 | |
Right. | 0:37:23 | 0:37:23 | |
Wrong. You bet on him. See the woman with the big belt buckle? That's the owner. | 0:37:23 | 0:37:28 | |
That buckle is a championship buckle. She wouldn't wear it unless the horse was live. | 0:37:28 | 0:37:33 | |
You pick by belt buckles? | 0:37:33 | 0:37:36 | |
Trust me. | 0:37:35 | 0:37:36 | |
The favourite horse - his tail's up. Looks washy. Foaming at the mouth. | 0:37:36 | 0:37:40 | |
Looking all rank and shit. | 0:37:40 | 0:37:42 | |
Uh-huh. | 0:37:41 | 0:37:42 | |
Meant to be the favourite. He don't want to run today. Not him. | 0:37:42 | 0:37:45 | |
OK. | 0:37:45 | 0:37:46 | |
Now the "six" horse looks great. A shiny coat and that bouncy walk. That horse is live. | 0:37:46 | 0:37:52 | |
And that trainee jockey combo - you can't lose on that. | 0:37:52 | 0:37:55 | |
What do you think? | 0:37:55 | 0:37:59 | |
I got two words for you. Seek help. | 0:37:56 | 0:37:59 | |
Oh, and I have three words for you. "Exacta". | 0:37:59 | 0:38:02 | |
Mm-hm. Come on. | 0:38:02 | 0:38:04 | |
ELECTRONIC BELL RINGS | 0:38:04 | 0:38:06 | |
Come on! | 0:38:06 | 0:38:08 | |
Come on! | 0:38:08 | 0:38:10 | |
OK, we're in good shape. In good shape. | 0:38:11 | 0:38:14 | |
Six horses to last. | 0:38:16 | 0:38:19 | |
Don't worry. That's his style. | 0:38:17 | 0:38:19 | |
To run last? | 0:38:19 | 0:38:21 | |
To run late. | 0:38:20 | 0:38:21 | |
The favourite's fading, and the four horse in the lead, just like I said. | 0:38:25 | 0:38:29 | |
We're last. | 0:38:28 | 0:38:29 | |
Don't worry. He'll be there at the post. | 0:38:29 | 0:38:31 | |
Come on, six horse! | 0:38:31 | 0:38:33 | |
Come on! | 0:38:33 | 0:38:36 | |
We need first and second. | 0:38:35 | 0:38:36 | |
Come on, Russell! | 0:38:36 | 0:38:38 | |
Who's Russell? | 0:38:38 | 0:38:41 | |
The jockey. Come on, Russell! | 0:38:38 | 0:38:41 | |
Come on, Russell! | 0:38:41 | 0:38:42 | |
How much do we win? | 0:38:42 | 0:38:45 | |
800. | 0:38:43 | 0:38:45 | |
We'd win 800? | 0:38:45 | 0:38:47 | |
800. | 0:38:46 | 0:38:47 | |
BOTH: Come on, Russell! | 0:38:47 | 0:38:50 | |
Come on, Russell! | 0:38:48 | 0:38:50 | |
Get us that 800, Russell! | 0:38:50 | 0:38:51 | |
BOTH: Come on, Russell! | 0:38:51 | 0:38:53 | |
BOTH: Come on, Russell! | 0:38:53 | 0:38:54 | |
BOTH: Go, Russell! | 0:38:54 | 0:38:56 | |
All right! We won. | 0:39:02 | 0:39:03 | |
We lost! | 0:39:03 | 0:39:06 | |
We won. | 0:39:04 | 0:39:06 | |
You wanna bet? | 0:39:06 | 0:39:06 | |
You wanna bet on whether we won? Are you crazy? | 0:39:06 | 0:39:12 | |
Russell, you little midget fuck! | 0:39:09 | 0:39:12 | |
We won. Hey! | 0:39:12 | 0:39:15 | |
We won. | 0:39:15 | 0:39:16 | |
Yay! | 0:39:15 | 0:39:16 | |
Way to go, Russell! | 0:39:16 | 0:39:18 | |
Hey, Russell. | 0:39:17 | 0:39:18 | |
Don't worry about him, Russell. | 0:39:18 | 0:39:22 | |
Hey, it's cool. | 0:39:20 | 0:39:22 | |
How long you been coming here? | 0:39:24 | 0:39:28 | |
Six years. My old partner put me on to it. | 0:39:25 | 0:39:28 | |
Is it always like this? | 0:39:28 | 0:39:33 | |
Well, occasionally you lose, but today we are winners. | 0:39:29 | 0:39:33 | |
Pay the winners, please. | 0:39:33 | 0:39:35 | |
< All Benjamins. | 0:39:35 | 0:39:37 | |
Benjamin looks so sad. I'm in such a wonderful mood, Benjamin. There's your share. | 0:39:37 | 0:39:42 | |
That's only three. | 0:39:42 | 0:39:45 | |
What? | 0:39:43 | 0:39:45 | |
You got good eyes. | 0:39:45 | 0:39:47 | |
It's part of your training. I was making sure you could... | 0:39:47 | 0:39:52 | |
Hello. | 0:39:52 | 0:39:54 | |
OK, I'm on my way. | 0:39:58 | 0:39:59 | |
Let's go. | 0:39:59 | 0:40:01 | |
SIREN WAILS | 0:40:08 | 0:40:10 | |
REPORTERS CALL OUT QUESTIONS | 0:40:18 | 0:40:21 | |
What's the ten-20 on the incident? | 0:40:29 | 0:40:33 | |
Right on the corner. | 0:40:31 | 0:40:33 | |
Man, this looks like shit sandwich. | 0:40:40 | 0:40:43 | |
You see this car? | 0:40:44 | 0:40:46 | |
I'm riding around in a shit-mobile and Solis got this from impound for 14 grand. It's worth 30. | 0:40:46 | 0:40:51 | |
Police corruption's everywhere. | 0:40:51 | 0:40:54 | |
Bastards! | 0:40:52 | 0:40:54 | |
Where's Solis? | 0:40:57 | 0:40:59 | |
Joe! | 0:41:01 | 0:41:03 | |
32 minutes ago the silent alarm went off. There was a unit a block away. The suspect is trapped inside. | 0:41:03 | 0:41:09 | |
Verification on numbers? | 0:41:09 | 0:41:14 | |
So far we've only seen and talked to one suspect - "Joe". | 0:41:10 | 0:41:14 | |
There could be more. | 0:41:14 | 0:41:16 | |
An employee escaped through the rear door. There's two jewellers, two salespeople... | 0:41:16 | 0:41:22 | |
a manager, security guard, elderly woman and, we believe, one other female. | 0:41:22 | 0:41:26 | |
They do a lot of jewellery making and repair. | 0:41:26 | 0:41:30 | |
On any day, they can have 10 million in raw stones, so they knew what they were looking for. | 0:41:30 | 0:41:35 | |
What have you promised? | 0:41:35 | 0:41:38 | |
Just that I'd talk to my superiors. | 0:41:36 | 0:41:38 | |
Find any good points of entry? | 0:41:38 | 0:41:43 | |
This place is designed to be a vault. | 0:41:40 | 0:41:43 | |
-WOMAN: -OK, tape's rolling. | 0:41:56 | 0:41:58 | |
-MAN: -Yeah. | 0:42:01 | 0:42:05 | |
Hello. Joe. Inspector Roper. How are you people doing? | 0:42:02 | 0:42:05 | |
< Good. | 0:42:05 | 0:42:06 | |
Solis is off the job. I'm authorised to give you what you want. | 0:42:06 | 0:42:09 | |
First, I've got to come down and talk to you. | 0:42:09 | 0:42:13 | |
No, you don't. | 0:42:11 | 0:42:13 | |
I do have to come and talk to you... | 0:42:13 | 0:42:16 | |
to be sure there are no misunderstandings and that nobody's hurt before we do business. | 0:42:16 | 0:42:20 | |
All right. You want to come, come. | 0:42:21 | 0:42:24 | |
Listen, Joe. | 0:42:24 | 0:42:25 | |
I'm not armed, OK? | 0:42:25 | 0:42:26 | |
You've got to operate on trust. I'm gonna come down and get you guys out as soon as possible. | 0:42:26 | 0:42:32 | |
Five minutes. | 0:42:32 | 0:42:34 | |
This is obviously the part of the job that sucks. | 0:42:48 | 0:42:52 | |
REPORTERS CLAMOUR | 0:43:17 | 0:43:19 | |
POLICE RADIO CRACKLES SOFTLY | 0:43:32 | 0:43:35 | |
How can he be sure the guy won't shoot him? | 0:43:54 | 0:43:57 | |
He can't. | 0:43:57 | 0:43:59 | |
Right there. | 0:44:15 | 0:44:17 | |
Can I put my hands down? | 0:44:19 | 0:44:22 | |
Where I can see 'em. | 0:44:20 | 0:44:22 | |
Now, you're Roper and you're in charge, right? | 0:44:26 | 0:44:29 | |
Yep. | 0:44:28 | 0:44:29 | |
You listen up. I say this one time. I want a four-wheel drive vehicle - new, perfect condition. | 0:44:29 | 0:44:36 | |
I want a uniform cop drive it up, leave the engine running, he walks down the block. | 0:44:36 | 0:44:40 | |
Then we'll come out. | 0:44:40 | 0:44:42 | |
I know all the tricks, so no remote-control devices, OK? | 0:44:42 | 0:44:45 | |
When I say perfect condition, I mean if it's low on wiper fluid someone gets shot. | 0:44:45 | 0:44:50 | |
I want a plane at the airport. I'll tell them where I'm going when I get there. | 0:44:50 | 0:44:54 | |
Is that all? | 0:44:54 | 0:44:55 | |
For now that's all. > | 0:44:55 | 0:44:57 | |
You'll get those things, but first you do something for me. | 0:44:59 | 0:45:03 | |
Let me inside and take a look around - make sure everybody's all right. | 0:45:03 | 0:45:08 | |
Just do shit for me right now. | 0:45:06 | 0:45:08 | |
Wait a minute, Joe. I'm doing a lot for you, OK? | 0:45:08 | 0:45:10 | |
You've gotta do something, show an act of good faith. Let me have one hostage. | 0:45:10 | 0:45:15 | |
I'll give you something. | 0:45:15 | 0:45:17 | |
Here. | 0:45:18 | 0:45:20 | |
15 minutes it will be a bigger piece. We understand each other? | 0:45:33 | 0:45:38 | |
Yeah, we understand each other. | 0:45:38 | 0:45:43 | |
Good. | 0:45:40 | 0:45:43 | |
No. No, please! | 0:45:41 | 0:45:43 | |
No, sir, not to the best of my knowledge. That's correct. | 0:45:43 | 0:45:48 | |
That's right. He's here right now. Let me get back to you. | 0:45:48 | 0:45:53 | |
We're gonna have to take this guy out. | 0:45:55 | 0:46:00 | |
Well, can't we wear him down? | 0:45:57 | 0:46:00 | |
I believe there's a fatality in there. I think it was a gunfight that set the fire alarm off. | 0:46:03 | 0:46:08 | |
I think this guy's working alone, cos the whole time... | 0:46:08 | 0:46:11 | |
he had a gun to a hostage and he wouldn't leave the doorway. The guy is a fucking wacko. | 0:46:11 | 0:46:17 | |
The scariest thing is he indicated familiarity with our techniques. | 0:46:17 | 0:46:21 | |
So do you want to go in there and get him? | 0:46:21 | 0:46:24 | |
Let him come out. There's too many unknowns in there. | 0:46:24 | 0:46:29 | |
He's right. | 0:46:26 | 0:46:29 | |
Show me. | 0:46:30 | 0:46:32 | |
When we drive up the car, make sure it's at an angle about 3ft away from the kerb. We put our best man high. | 0:46:34 | 0:46:40 | |
OK, 20 degrees down angle. | 0:46:40 | 0:46:42 | |
Tell Anderson to prep and notify us when he's online. | 0:46:43 | 0:46:47 | |
I can feel this thing going sideways on us. | 0:46:47 | 0:46:51 | |
There's some good news - he's wearing a ski mask to protect his identity - | 0:46:51 | 0:46:55 | |
he hasn't determined whether he's going to kill the rest of the hostages. Yet. | 0:46:55 | 0:46:59 | |
You. You. Up. Up! | 0:47:09 | 0:47:11 | |
Start pulling those bodies back behind that counter. Let's go. Do it. Move! | 0:47:11 | 0:47:16 | |
Let's go. Come on! > | 0:47:16 | 0:47:18 | |
Back behind here. | 0:47:20 | 0:47:21 | |
Faster. Let's go. | 0:47:21 | 0:47:25 | |
SOBS LOUDLY: He's gonna kill us. | 0:47:23 | 0:47:25 | |
In there. | 0:47:28 | 0:47:30 | |
I'm not staying here. I'm not staying here. | 0:47:39 | 0:47:42 | |
No. Please don't. | 0:47:42 | 0:47:43 | |
Please don't go, Mrs Dotson. Please! | 0:47:43 | 0:47:46 | |
Hey! | 0:47:47 | 0:47:48 | |
Stop, Mrs Dotson. | 0:47:48 | 0:47:50 | |
Hey! | 0:47:50 | 0:47:52 | |
Leave her alone. | 0:47:51 | 0:47:52 | |
-What?! -Leave her alone! | 0:47:52 | 0:47:53 | |
Think. | 0:47:55 | 0:47:57 | |
Doug, please, sit down. | 0:48:00 | 0:48:03 | |
Sit down. | 0:48:03 | 0:48:05 | |
If she's not conscious by the time I'm done, she's dead. | 0:48:23 | 0:48:26 | |
OK, it's time to give this wacko a call. | 0:48:35 | 0:48:38 | |
PHONE RINGS | 0:48:40 | 0:48:42 | |
How come he's not answering? | 0:48:49 | 0:48:51 | |
Wait, wait, wait. There's your answer. | 0:48:53 | 0:48:55 | |
He's smart. | 0:49:03 | 0:49:04 | |
He's cutting down visibility. | 0:49:04 | 0:49:09 | |
Yep. He's doing a good job of it. | 0:49:05 | 0:49:09 | |
All positions, you have a green light. | 0:49:09 | 0:49:12 | |
Come on, give us one clean shot, asshole. | 0:49:16 | 0:49:19 | |
Command One, repeat, all positions, you have a green light. | 0:49:19 | 0:49:25 | |
That's Korda! That's Korda! | 0:49:25 | 0:49:28 | |
Hold your fire. | 0:49:28 | 0:49:30 | |
Hold your fire. | 0:49:29 | 0:49:30 | |
GUNSHOT | 0:49:30 | 0:49:32 | |
ALL: Hold your fire! | 0:49:32 | 0:49:35 | |
-Hold your fire. -WOMEN SCREAM | 0:49:35 | 0:49:37 | |
No. No! | 0:49:38 | 0:49:43 | |
Come here. | 0:49:39 | 0:49:43 | |
Please. Let me go! | 0:49:41 | 0:49:43 | |
Please. | 0:49:43 | 0:49:46 | |
Jones. Get him on the radio. | 0:49:46 | 0:49:48 | |
Are these your keys?! | 0:49:48 | 0:49:53 | |
Yeah, those are my keys. Roper, what are you gonna do? | 0:49:50 | 0:49:53 | |
SIRENS WAIL | 0:50:24 | 0:50:27 | |
HORNS BLARE | 0:50:27 | 0:50:30 | |
All units in the area. We need all units in the area. | 0:50:39 | 0:50:42 | |
No, please, God. | 0:50:44 | 0:50:47 | |
HORN BLARES | 0:50:54 | 0:50:56 | |
HORN BLARES | 0:51:03 | 0:51:04 | |
Suspect heading west on Sutton. Can we get an intercept? | 0:51:22 | 0:51:25 | |
HORN BLARES | 0:51:57 | 0:51:58 | |
Come on now! | 0:52:05 | 0:52:06 | |
HORN BLARES | 0:52:06 | 0:52:08 | |
Ah, let me out. Please. | 0:52:08 | 0:52:11 | |
Shut up. | 0:52:11 | 0:52:12 | |
Everybody OK? > | 0:52:42 | 0:52:44 | |
Stay there, man. > | 0:52:44 | 0:52:45 | |
TRAM BELL RINGS | 0:52:48 | 0:52:50 | |
What's going on? | 0:53:05 | 0:53:06 | |
Hey, man, what's this? | 0:53:08 | 0:53:10 | |
Get the fuck off. | 0:53:09 | 0:53:10 | |
Everybody just stay calm. | 0:53:15 | 0:53:17 | |
Just take it easy. | 0:53:20 | 0:53:22 | |
What?! | 0:53:22 | 0:53:22 | |
Just take it easy. Put the gun down. | 0:53:22 | 0:53:25 | |
What the fuck is going on? | 0:53:36 | 0:53:38 | |
We gotta get up there. | 0:53:38 | 0:53:39 | |
WOMEN SCREAM | 0:53:39 | 0:53:41 | |
Shit! | 0:54:43 | 0:54:44 | |
Get the fuck off me. | 0:54:49 | 0:54:50 | |
Hold the wheel. Take the wheel. | 0:54:50 | 0:54:53 | |
What? | 0:54:51 | 0:54:53 | |
Shut up! | 0:54:56 | 0:54:57 | |
Get out of the way. | 0:55:32 | 0:55:34 | |
Urgh! | 0:56:39 | 0:56:41 | |
What's the problem? | 0:57:07 | 0:57:10 | |
I can't get the brakes to work. | 0:57:08 | 0:57:10 | |
We're coming to the end of the line. | 0:57:21 | 0:57:24 | |
Oh, shit. | 0:57:26 | 0:57:27 | |
Get the car steady! | 0:57:27 | 0:57:30 | |
Come on. | 0:57:28 | 0:57:30 | |
Go! Move ahead. | 0:57:32 | 0:57:34 | |
All right. | 0:57:34 | 0:57:35 | |
Get outta the way! | 0:57:48 | 0:57:49 | |
Get outta the way. | 0:57:51 | 0:57:52 | |
What the hell's that? | 0:58:06 | 0:58:08 | |
TYRES SCREECH | 0:58:12 | 0:58:14 | |
Out of the way! | 0:58:14 | 0:58:16 | |
Oh, my ass! | 0:58:33 | 0:58:36 | |
-It's that guy down there. -There, he's running. | 0:58:36 | 0:58:39 | |
Hey, he's getting away. | 0:58:39 | 0:58:41 | |
Somebody stop him. > | 0:58:41 | 0:58:43 | |
Shit, I lost my piece. | 0:58:58 | 0:58:59 | |
God bless SWAT. | 0:59:03 | 0:59:05 | |
Ready? | 0:59:04 | 0:59:05 | |
You check this floor. I'm going up. | 0:59:12 | 0:59:15 | |
DOG BARKS | 1:00:37 | 1:00:41 | |
CAR ALARM BLARES | 1:00:38 | 1:00:41 | |
ALARM CONTINUES | 1:00:48 | 1:00:50 | |
Shit! | 1:01:38 | 1:01:39 | |
Wait there! Don't you move. Don't you fucking move. Right there! Right there! | 1:01:44 | 1:01:49 | |
Put your hands up. Put 'em up. Spread your fucking legs. | 1:01:49 | 1:01:52 | |
Don't you fucking move or I'll blow your fucking head in. | 1:01:52 | 1:01:55 | |
Sam Baffett was a friend of mine. He had a wife and he had a daughter. | 1:02:00 | 1:02:05 | |
Why don't you tell that to somebody who gives a shit? | 1:02:05 | 1:02:07 | |
You wanna kill me... | 1:02:14 | 1:02:16 | |
Inspector? Huh? | 1:02:16 | 1:02:19 | |
You can't kill me. | 1:02:19 | 1:02:22 | |
Oh, I can't?! | 1:02:22 | 1:02:24 | |
What if we got into a struggle and my gun went off? | 1:02:24 | 1:02:30 | |
BANG! | 1:02:27 | 1:02:30 | |
Can I kill you then? | 1:02:30 | 1:02:32 | |
Huh? Can I kill you then? | 1:02:32 | 1:02:35 | |
< Roper! | 1:02:42 | 1:02:44 | |
You got him. | 1:02:47 | 1:02:49 | |
Put the gun down. | 1:02:49 | 1:02:51 | |
You got him. Now put it down. | 1:02:51 | 1:02:54 | |
Come on, put it down. | 1:02:56 | 1:02:59 | |
Huh... | 1:03:10 | 1:03:12 | |
Argh! | 1:03:12 | 1:03:13 | |
I'll do this shit by the book, | 1:03:13 | 1:03:15 | |
but you ain't gonna be fucking smiling at me. | 1:03:15 | 1:03:19 | |
Give me your hands. | 1:03:24 | 1:03:25 | |
Come on. Get up. | 1:03:29 | 1:03:31 | |
Get up. Come on. | 1:03:31 | 1:03:34 | |
Listen, I'll catch up with you guys later. | 1:03:44 | 1:03:48 | |
OK. See ya. > | 1:03:46 | 1:03:48 | |
You weren't at the press conference. | 1:04:08 | 1:04:10 | |
I wanted to get this out of the way first. | 1:04:13 | 1:04:16 | |
Have you got a bet on the game tonight? | 1:04:17 | 1:04:20 | |
As a matter of fact, I do have a bet on the game tonight. | 1:04:20 | 1:04:25 | |
'Course you do. | 1:04:23 | 1:04:25 | |
It's already started. | 1:04:25 | 1:04:32 | |
Well, I was gonna catch the last half on TV later on. | 1:04:28 | 1:04:32 | |
Good night. | 1:04:37 | 1:04:39 | |
You having dinner with Mr Baseball? | 1:04:39 | 1:04:42 | |
Greg...is actually on a road trip. | 1:04:42 | 1:04:46 | |
I was just gonna go home and make myself some pasta. | 1:04:48 | 1:04:53 | |
Oh, go home and make some pasta? | 1:04:51 | 1:04:53 | |
The one with the garlic and the oil that I like so much? | 1:04:54 | 1:04:59 | |
No. The kind you get out of a box - | 1:04:57 | 1:04:59 | |
the macaroni and the cheese. | 1:04:59 | 1:05:03 | |
The instant macaroni? | 1:05:01 | 1:05:03 | |
Mmm. I've been craving that stuff all week. | 1:05:03 | 1:05:07 | |
Yeah. It's hard to get. | 1:05:07 | 1:05:09 | |
Who are you telling? | 1:05:09 | 1:05:12 | |
Just dinner. | 1:05:15 | 1:05:16 | |
Yeah, just dinner. | 1:05:17 | 1:05:20 | |
What the fuck? Bring me over here to tell me you ain't got no collateral. | 1:05:21 | 1:05:25 | |
-I'm a fucking bail bondsman. -I know, I know. What I'm saying... | 1:05:25 | 1:05:29 | |
You think I got time for messing round with this crap? | 1:05:29 | 1:05:32 | |
I got the stuff, it's outside. I'm waiting for somebody to cash it in. | 1:05:32 | 1:05:38 | |
Give me a fucking break. | 1:05:36 | 1:05:38 | |
Look, just give me your card, I'll get it to you by tomorrow night. | 1:05:39 | 1:05:45 | |
OK, now that's the freshly ground pepper. Stir it briskly. Are you listening? | 1:05:53 | 1:05:59 | |
Then you need lemon. I need lemon. | 1:05:59 | 1:06:02 | |
Should be one in the fridge. | 1:06:00 | 1:06:02 | |
Lemon in the refrigerator. | 1:06:02 | 1:06:06 | |
Hey, you know the game's on. | 1:06:04 | 1:06:06 | |
Oh, really? What game is that? | 1:06:06 | 1:06:08 | |
Oh, you ARE making an effort. | 1:06:08 | 1:06:11 | |
That's right and I'm going to win, too. I'm going to be the victor. I'm going to score. | 1:06:12 | 1:06:16 | |
I don't mean, like, really score, you know... | 1:06:16 | 1:06:19 | |
Just dinner, remember? | 1:06:20 | 1:06:23 | |
I know the rules - just dinner. | 1:06:21 | 1:06:23 | |
OK, I got this lemon in here. | 1:06:23 | 1:06:25 | |
Now, when you taste this, I want you to know that you're going to be experiencing culinary perfection. | 1:06:25 | 1:06:34 | |
This is the bomb salad dressing that I bring to all the cookouts when my family gathers. | 1:06:34 | 1:06:39 | |
They say, "Bring Scott." Are you ready? Taste this, huh? | 1:06:39 | 1:06:44 | |
Is that not the bomb? That is the shit, right there. | 1:06:44 | 1:06:50 | |
Honestly? Something's missing. | 1:06:48 | 1:06:50 | |
Oh, no, that's not missing anything. You're just jealous. In the UK they don't teach you how to make this. | 1:06:50 | 1:06:59 | |
You know, it does need a little sugar. | 1:06:59 | 1:07:02 | |
Why don't you put your finger in there for the proper sweetness. | 1:07:02 | 1:07:05 | |
Scott. | 1:07:04 | 1:07:05 | |
It's a joke. I-It's a compliment. I could have said why don't you put your ass in this bowl? | 1:07:05 | 1:07:11 | |
That's a joke. I don't see how you're offended because of that. | 1:07:11 | 1:07:15 | |
If somebody told me to put my ass in a bowl of salad dressing, I would be complimented. | 1:07:15 | 1:07:20 | |
What would you say if I gave up gambling? | 1:07:27 | 1:07:30 | |
I'd say you'd be miserable. | 1:07:33 | 1:07:35 | |
It's not so much the gambling, it's more what the gambling got in the way of. | 1:07:37 | 1:07:42 | |
The track is where you would take your troubles instead of sharing them with me. | 1:07:42 | 1:07:48 | |
Scott, do you remember when you lost that hostage on Union Square? | 1:07:50 | 1:07:56 | |
Yes, I do. | 1:07:54 | 1:07:56 | |
You came here that night and you made love to me, and it was so intense and so passionate... | 1:07:57 | 1:08:03 | |
but you hadn't even talked to me. I didn't know what happened until I saw it on the news. | 1:08:03 | 1:08:08 | |
I don't want you to be part of that world. | 1:08:08 | 1:08:10 | |
That's the point. It's not "that" world, it's your world. | 1:08:10 | 1:08:15 | |
It's part of who you are. | 1:08:15 | 1:08:18 | |
Look, Ronnie, it's not easy for me. | 1:08:32 | 1:08:35 | |
I know I can't change overnight. But, listen to me, I know that I miss you. | 1:08:36 | 1:08:43 | |
And I don't ever want to be without you again. | 1:08:44 | 1:08:47 | |
I'd really like to believe you. | 1:08:47 | 1:08:49 | |
Well, then, believe me. | 1:08:49 | 1:08:52 | |
DOG YAWNS LOUDLY | 1:08:52 | 1:08:54 | |
DOG WHINES | 1:08:54 | 1:08:58 | |
Hey, nobody asked you anything. | 1:08:56 | 1:08:58 | |
I missed you. | 1:09:15 | 1:09:17 | |
I'm Officer McCall. What's going on? | 1:09:47 | 1:09:52 | |
What the fuck do you mean "what's going on"? | 1:09:49 | 1:09:52 | |
I'm going to fucking waste everybody in here, pal! | 1:09:52 | 1:09:55 | |
I'm a hostage negotiator. I'm here to help you. | 1:09:55 | 1:09:59 | |
< How are you gonna help me, pig? | 1:09:57 | 1:09:59 | |
< Screw you, man! | 1:09:59 | 1:10:01 | |
< Fuck you, dude! | 1:10:01 | 1:10:04 | |
I want you to tell me what you need. | 1:10:04 | 1:10:08 | |
I'll tell you what I fucking need, man. | 1:10:05 | 1:10:08 | |
I need you to find that dirtbag that fucking ran off with my wife, dude. | 1:10:08 | 1:10:13 | |
So I can cut his fucking balls off, man. | 1:10:13 | 1:10:16 | |
OK, I can't do that. | 1:10:16 | 1:10:18 | |
You can't fucking do it? Then why am I wasting my fucking time with you, man? | 1:10:18 | 1:10:23 | |
You piece of fucking frog shit, piece of shit asshole! | 1:10:23 | 1:10:28 | |
Hey, is all the name calling necessary? I don't like the verbal abuse. | 1:10:28 | 1:10:32 | |
Not really, but I like to give it the natural ambience, you know. | 1:10:32 | 1:10:37 | |
I'm Officer McCall. | 1:10:39 | 1:10:41 | |
I'm unarmed, I want to make sure everybody gets out of here safely. | 1:10:42 | 1:10:47 | |
Stop there. Close your eyes. | 1:10:45 | 1:10:47 | |
OK. | 1:10:47 | 1:10:49 | |
Tell me what you see. | 1:10:49 | 1:10:55 | |
I see a scumbag with a sawn-off 9mm tucked away in his waistband. | 1:10:50 | 1:10:55 | |
There's a female hostage down, with a red polka dot dress. | 1:10:55 | 1:10:59 | |
Another hostage 3ft to her right, with blue jeans and a chequered shirt. A male hostage down... | 1:10:59 | 1:11:05 | |
in front of the candy rack. There's a female scumbag behind me, | 1:11:05 | 1:11:08 | |
with a gun in her shirt passing herself off as a hostage. | 1:11:08 | 1:11:11 | |
And there's a special on toilet paper - four for 1.29. That's a lot of toilet paper. Am I right? | 1:11:11 | 1:11:18 | |
That's pretty good - good eyes. | 1:11:18 | 1:11:22 | |
Do you like that? > | 1:11:19 | 1:11:22 | |
Very impressive. | 1:11:20 | 1:11:22 | |
Are you doing all right, Mike? | 1:11:32 | 1:11:36 | |
How the fuck do you think I'm doing? | 1:11:33 | 1:11:36 | |
I got something I want you to do for me. This fucker Roper... | 1:11:37 | 1:11:42 | |
he's got a girlfriend. | 1:11:42 | 1:11:44 | |
She works at the newspaper. | 1:11:44 | 1:11:47 | |
What do you want...? What do...? | 1:11:49 | 1:11:52 | |
No, Mike. | 1:11:56 | 1:11:57 | |
No, Mike. Come on. | 1:11:57 | 1:11:59 | |
You know that's not my thing. | 1:11:59 | 1:12:03 | |
Don't give me shit. I'm in here because of YOU. | 1:12:00 | 1:12:03 | |
Come on, man. You were just robbing a store and he was doing his job. | 1:12:03 | 1:12:10 | |
Fuck you! | 1:12:08 | 1:12:10 | |
Oh, Mike. | 1:12:13 | 1:12:14 | |
I carried you your whole life. Hey, you needed money, you needed a place to stay, you were strung out. | 1:12:14 | 1:12:21 | |
This time YOU are there for ME. | 1:12:21 | 1:12:23 | |
Mikey, don't do this to me, please. | 1:12:23 | 1:12:26 | |
You do it! | 1:12:25 | 1:12:26 | |
I won't get away with it. | 1:12:26 | 1:12:29 | |
You just fucking do it! | 1:12:26 | 1:12:29 | |
Guard! | 1:12:32 | 1:12:34 | |
THUNDER RUMBLES | 1:12:46 | 1:12:48 | |
PHONE RINGS | 1:13:08 | 1:13:09 | |
Hello? | 1:13:16 | 1:13:18 | |
Hey, how are you doing? | 1:13:16 | 1:13:18 | |
I'm gonna stop and get some wine. I've got the bread already. | 1:13:18 | 1:13:23 | |
Dinner will be ready soon. | 1:13:21 | 1:13:23 | |
OK, good. I'm starving. | 1:13:23 | 1:13:25 | |
All right. See ya later. | 1:13:25 | 1:13:27 | |
OVEN BELL DINGS | 1:15:37 | 1:15:39 | |
Ow. | 1:15:45 | 1:15:47 | |
SHE SCREAMS | 1:15:52 | 1:15:54 | |
No! | 1:16:11 | 1:16:12 | |
Help me! | 1:16:31 | 1:16:33 | |
Help me! | 1:16:35 | 1:16:38 | |
DOG BARKS | 1:16:40 | 1:16:42 | |
Ronnie! | 1:16:54 | 1:16:55 | |
You OK? | 1:17:17 | 1:17:19 | |
Yeah. | 1:17:19 | 1:17:21 | |
TYRES SCREECH | 1:17:57 | 1:18:01 | |
Watch it! | 1:18:00 | 1:18:01 | |
Argh. | 1:18:44 | 1:18:45 | |
HORN BLARES | 1:19:30 | 1:19:31 | |
If you try to hurt me or anybody else I know, I swear to God, | 1:20:13 | 1:20:17 | |
I'm gonna find a way to bust your fucking ass. I'll put my gun in your mouth your fucking brains out! | 1:20:17 | 1:20:22 | |
I don't know what you're... | 1:20:22 | 1:20:24 | |
You know what the fuck I'm talking about. Don't fucking play games. You know what I'm talking about. | 1:20:24 | 1:20:30 | |
See this guy here? | 1:20:30 | 1:20:31 | |
That's your cousin, right? The guy with the white gloves is the coroner. | 1:20:31 | 1:20:35 | |
That's what the fuck I'm talking about. I'm talking about not playing with me, motherfucker. | 1:20:35 | 1:20:40 | |
Don't fuck with me, man. I'm not playing with you. | 1:20:40 | 1:20:44 | |
You know, in Naples, there's an expression "when you think you're fucking them, they're fucking you." | 1:20:48 | 1:20:54 | |
You ain't in motherfucking Naples right now! Fuck that Naples shit! | 1:20:54 | 1:20:58 | |
Did you hear what the fuck I just told you? | 1:20:58 | 1:21:00 | |
I don't give a fuck about anything... | 1:21:00 | 1:21:04 | |
or anybody. Not now. | 1:21:04 | 1:21:07 | |
Least of all a nigger cop interferes with what's mine. | 1:21:09 | 1:21:12 | |
And what is mine is 10 million worth. | 1:21:12 | 1:21:16 | |
You come in here, you threaten me... | 1:21:16 | 1:21:18 | |
show me a photo of my dead cousin, my family. | 1:21:18 | 1:21:22 | |
I got at least 10 years in here to figure out exactly how to fuck with you | 1:21:23 | 1:21:29 | |
-and everything you care about. -Hey, fuck you! | 1:21:29 | 1:21:31 | |
You don't give a fuck? I don't give a fuck neither! | 1:21:31 | 1:21:34 | |
I don't give a fuck about you, motherfucker! Try me. | 1:21:34 | 1:21:37 | |
Fucking try me and see what the fuck... | 1:21:37 | 1:21:39 | |
Get the fuck off me. You try me! | 1:21:39 | 1:21:41 | |
Sorry. | 1:22:06 | 1:22:08 | |
Thank you. | 1:22:09 | 1:22:11 | |
Thank you so much. | 1:22:14 | 1:22:16 | |
It has an excellent nose. It's quite vintage and you may serve it up. | 1:22:17 | 1:22:22 | |
Thank you. | 1:22:20 | 1:22:22 | |
This evening's specials, we have grilled squab with a sweet-potato foie gras spring roll... | 1:22:22 | 1:22:28 | |
with a wild huckleberry sauce. We also are offering sweetbreads with a white truffle sauce... | 1:22:28 | 1:22:35 | |
on cracked bulgar. | 1:22:35 | 1:22:38 | |
Cracked bulgar? | 1:22:36 | 1:22:38 | |
My mouth has been screaming for cracked bulgar all week(!) | 1:22:38 | 1:22:42 | |
Can we have a couple of minutes to look at the menu? | 1:22:42 | 1:22:45 | |
Oh, sure. | 1:22:43 | 1:22:45 | |
Man can't live on cracked bulgar alone. | 1:22:45 | 1:22:49 | |
BOTH LAUGH | 1:22:47 | 1:22:49 | |
< Nice place, huh? | 1:22:52 | 1:22:53 | |
Yeah, I think it's really nice. It would be expensive, though. | 1:22:53 | 1:22:58 | |
Very, very, very expensive. | 1:22:56 | 1:22:58 | |
In fact, it's costing me quite a pretty penny to wine and dine you in such fashion. | 1:22:58 | 1:23:02 | |
But I think I'm worth it. | 1:23:02 | 1:23:05 | |
I think you're worth it, too. In fact, this is the perfect setting for my little plan. | 1:23:05 | 1:23:12 | |
You see, I know you know that there's a very important reason why I wanted to have dinner with you. | 1:23:12 | 1:23:18 | |
I didn't realise that at all, no. | 1:23:18 | 1:23:20 | |
Veronica, this last week has been incredible for me. You know, I... | 1:23:20 | 1:23:26 | |
I feel like our relationship went to the next phase and kinda crystallised into this new thing. | 1:23:26 | 1:23:32 | |
I'm hoping that the feeling's mutual. | 1:23:32 | 1:23:35 | |
Well, of course it's mutual. | 1:23:33 | 1:23:35 | |
Good, because, Veronica, there comes a time in every relationship where things get more serious. | 1:23:35 | 1:23:43 | |
Yeah. | 1:23:43 | 1:23:45 | |
The last week I rehearsed this many times, | 1:23:45 | 1:23:47 | |
I've been sitting and figuring out the best way to do this. | 1:23:47 | 1:23:50 | |
This is the prefect setting. You've got the perfect dress | 1:23:50 | 1:23:53 | |
and the perfect face. I think I should just show you. | 1:23:53 | 1:23:57 | |
Oh, no, no. We haven't even spoken about this, Scotty. | 1:23:57 | 1:24:01 | |
This is going to be really embarrassing. Come on. Please, can we...? | 1:24:01 | 1:24:05 | |
Ah. | 1:24:05 | 1:24:07 | |
Tahiti? | 1:24:09 | 1:24:11 | |
Tahiti, yes. | 1:24:11 | 1:24:13 | |
Vacation. | 1:24:13 | 1:24:18 | |
Yes, a vacation to Tahiti. You and I, two round-trip tickets | 1:24:14 | 1:24:18 | |
to Tahiti. Yes? | 1:24:18 | 1:24:22 | |
Yeah, that I will do. | 1:24:20 | 1:24:22 | |
What do you mean "that"? What did you think I would ask? | 1:24:22 | 1:24:25 | |
Come on. | 1:24:24 | 1:24:25 | |
The way you were talking... | 1:24:25 | 1:24:29 | |
Oh, wait a minute. Whoa, whoa. | 1:24:26 | 1:24:29 | |
Let's go to Tahiti first, make it a little road test, huh? | 1:24:29 | 1:24:32 | |
So are we going to go to Tahiti? | 1:24:32 | 1:24:34 | |
That is a yes. | 1:24:33 | 1:24:34 | |
-We're going to Tahiti. -Ssh! | 1:24:34 | 1:24:37 | |
They're not gonna be there. They ain't gonna see us no more. Let's toast it. To being nekkid in Tahiti. | 1:24:37 | 1:24:43 | |
Say it. Nekkid in Tahiti. | 1:24:43 | 1:24:46 | |
Naked in Tahiti. | 1:24:45 | 1:24:46 | |
Not "naked" in Tahiti. | 1:24:46 | 1:24:49 | |
That's how I say it. | 1:24:47 | 1:24:49 | |
Nekkid. | 1:24:48 | 1:24:49 | |
Nekkid. | 1:24:49 | 1:24:53 | |
There you go, "nekkid in Tahiti". | 1:24:50 | 1:24:53 | |
Oh, let me picture you naked. | 1:24:55 | 1:24:57 | |
Oh, look at the sun bouncing off your ass. | 1:24:57 | 1:25:00 | |
BOTH LAUGH | 1:25:00 | 1:25:02 | |
If it's not here by five it's not my problem. | 1:25:03 | 1:25:06 | |
Don't talk to me about Mitch. I'm running this shit, not Mitch. I don't care. | 1:25:06 | 1:25:11 | |
Got another load. | 1:25:11 | 1:25:12 | |
Rack 'em. | 1:25:12 | 1:25:15 | |
BUZZER SOUNDS | 1:25:13 | 1:25:15 | |
< You got the memo from City Hall, too, right? | 1:25:15 | 1:25:18 | |
< I've got 'em right here. | 1:25:19 | 1:25:21 | |
Yeah, they've got the old forms. The new forms have the wrong date or something. | 1:25:23 | 1:25:27 | |
< Yeah. | 1:25:29 | 1:25:31 | |
< Well, don't give me any grief about it. Frank told me. | 1:25:31 | 1:25:35 | |
I can't spend any more time on this. | 1:25:37 | 1:25:40 | |
Set. > | 1:25:40 | 1:25:42 | |
BUZZER SOUNDS | 1:25:44 | 1:25:45 | |
You can tell that to Mitch, too. | 1:25:45 | 1:25:48 | |
Don't call me on this any more. Well, don't give me any grief about it. | 1:25:49 | 1:25:55 | |
< Don't you guys keep notes? | 1:25:58 | 1:26:00 | |
In foreign movies the young girl always falls for the old guy. | 1:26:40 | 1:26:43 | |
Well, I guess women in Europe find older men sexy. | 1:26:43 | 1:26:50 | |
Shit. When I get old and fat... | 1:26:46 | 1:26:50 | |
I'm definitely moving to Europe. That guy was 60 years old. | 1:26:50 | 1:26:56 | |
Shit. I forgot to feed Troy. | 1:26:54 | 1:26:56 | |
I bet he's starving. | 1:26:56 | 1:26:58 | |
Troy, where are you, baby? I'm sorry. | 1:26:58 | 1:27:01 | |
Troy. > | 1:27:01 | 1:27:04 | |
< Troy, where are you hiding? | 1:27:04 | 1:27:06 | |
Troy? > | 1:27:09 | 1:27:10 | |
My eyes are still hurting from reading that movie. | 1:27:10 | 1:27:14 | |
Troy? > | 1:27:14 | 1:27:16 | |
I've got food for you. | 1:27:16 | 1:27:18 | |
Troy? | 1:27:18 | 1:27:20 | |
RATTLING | 1:27:27 | 1:27:30 | |
Where are you? > | 1:27:28 | 1:27:30 | |
Scott, have you seen Troy? | 1:27:40 | 1:27:42 | |
DOG BARKS | 1:27:41 | 1:27:42 | |
Hey, baby, there you are! | 1:27:42 | 1:27:45 | |
Hey, have you been eating my face soap again? You have, haven't you? | 1:27:45 | 1:27:52 | |
Scott, what is it? | 1:27:52 | 1:27:54 | |
Korda escaped. | 1:27:54 | 1:27:56 | |
Korda's escaped? | 1:27:56 | 1:27:58 | |
< This morning. | 1:27:58 | 1:28:00 | |
You don't think he'd try and... | 1:28:00 | 1:28:03 | |
I'm just a little on edge. I need to relax. I'm sure he'll try to get out of town. We leave tomorrow anyway. | 1:28:03 | 1:28:08 | |
I'm sorry about that. I just overreacted, OK? | 1:28:08 | 1:28:12 | |
DOG BARKS | 1:28:14 | 1:28:15 | |
Go and feed the dog before we have Cujo on our hands. | 1:28:15 | 1:28:19 | |
DOG BARKS | 1:28:24 | 1:28:25 | |
Have you packed everything? You sure you didn't forget your bowling ball? | 1:28:27 | 1:28:34 | |
I sent that ahead, wise guy. | 1:28:30 | 1:28:34 | |
You're bringing a lot to where you're not supposed to wear a lot. | 1:28:34 | 1:28:37 | |
It would be better if you stayed in the house till we're ready to go. | 1:28:37 | 1:28:42 | |
I'm gonna help you guys. | 1:28:40 | 1:28:42 | |
No, I'm not playing. I think you should go in the house. | 1:28:42 | 1:28:46 | |
Hold up a second. | 1:28:44 | 1:28:46 | |
We are going to Tahiti. We're going to have a great time. YOU are going to forget everything. | 1:28:46 | 1:28:51 | |
Everything. So just calm down. | 1:28:51 | 1:28:54 | |
I'm calm. Look at me. | 1:28:54 | 1:28:56 | |
I just think you should go in the house. | 1:28:59 | 1:29:02 | |
I'll get my cameras. | 1:29:01 | 1:29:02 | |
Take your time, all right? | 1:29:02 | 1:29:05 | |
Man. | 1:29:05 | 1:29:07 | |
DOG BARKS | 1:29:06 | 1:29:07 | |
You've got to relax. | 1:29:07 | 1:29:10 | |
I'm relaxed. | 1:29:08 | 1:29:10 | |
Calm down. | 1:29:09 | 1:29:10 | |
I don't want nothing to go wrong. | 1:29:10 | 1:29:12 | |
Ronnie, come on, now. | 1:29:12 | 1:29:15 | |
Veronica! | 1:29:15 | 1:29:18 | |
Come on. | 1:29:18 | 1:29:20 | |
We've gotta be there an hour and a half early to check in. What are you doing? | 1:29:20 | 1:29:24 | |
Come on, Ronnie. | 1:29:24 | 1:29:26 | |
Hey. | 1:29:26 | 1:29:28 | |
Ronnie, how long it take to get some camera equipment, huh? | 1:29:29 | 1:29:33 | |
Ronnie? | 1:29:40 | 1:29:42 | |
Veronica. | 1:29:43 | 1:29:46 | |
DOG BARKS | 1:29:44 | 1:29:46 | |
What's that, Troy? Is she out there? | 1:29:46 | 1:29:49 | |
Man, is she? Watch it. | 1:29:49 | 1:29:52 | |
Hey, Veronica. | 1:29:52 | 1:29:54 | |
Roper, what's up? | 1:30:07 | 1:30:09 | |
What is it? | 1:30:09 | 1:30:11 | |
KORDA ON TAPE: 'You're missing something, Roper. I got it. | 1:30:24 | 1:30:28 | |
'You got something that belongs to me, and I want it back. | 1:30:28 | 1:30:32 | |
'4.15 tomorrow, Mayor Island, north entrance, off Dixon. | 1:30:32 | 1:30:37 | |
'Pull up to berth 16. I so much as smell another cop I'll be sending you pieces of her for a month.' | 1:30:37 | 1:30:44 | |
He's gonna kill her, no matter what. | 1:30:48 | 1:30:51 | |
If I take him those jewels he's gonna kill me and her. | 1:30:51 | 1:30:55 | |
So what do you want to do? > | 1:30:53 | 1:30:55 | |
We go back long ways, but you can't make me do this. | 1:30:55 | 1:30:57 | |
Frank, this guy's a psychopath. It's the only way I'll get close to him. | 1:30:57 | 1:31:01 | |
Go to the lieutenant or the DA. This is my fucking job you're asking me to lay on the line. | 1:31:01 | 1:31:06 | |
Any department involvement, she's dead. This guy's a fucking maniac. He killed Sam. He'll kill her. | 1:31:06 | 1:31:11 | |
I got one shot at this guy, Frank - alone. | 1:31:11 | 1:31:14 | |
What if it was Mary? You'd do the same thing - break every fucking rule in the book, wouldn't you? | 1:31:14 | 1:31:21 | |
I just hope to God I never have to make that decision. | 1:31:21 | 1:31:24 | |
This conversation never happened. I never saw you today. | 1:31:30 | 1:31:35 | |
Now I gotta go take a leak. | 1:31:38 | 1:31:40 | |
This is an abandoned shipyard. He's gonna be able to get a vantage point from anywhere - | 1:31:57 | 1:32:02 | |
trains, abandoned buildings, everything. | 1:32:02 | 1:32:04 | |
He's gonna be able to see everything we do. | 1:32:04 | 1:32:07 | |
We're gonna have to figure a way to sneak me in here. | 1:32:07 | 1:32:09 | |
Korda! | 1:32:45 | 1:32:47 | |
Korda! | 1:32:51 | 1:32:53 | |
-KORDA ON LOUDSPEAKER: -Roper, | 1:32:53 | 1:32:55 | |
nice of you to make it. | 1:32:55 | 1:32:58 | |
Now take the jacket off and put it on the hood. | 1:32:58 | 1:33:01 | |
Good. Let's have a look at that tarp. | 1:33:04 | 1:33:07 | |
Under the tarp in the back. | 1:33:07 | 1:33:10 | |
Pull it back. Pull it back. | 1:33:11 | 1:33:13 | |
Over there to your right. See that concrete block? There's a radio on it. Walk to it. | 1:33:17 | 1:33:23 | |
That's it. Come on. Come on. | 1:33:24 | 1:33:27 | |
Come on. | 1:33:27 | 1:33:29 | |
..Uh... | 1:33:39 | 1:33:40 | |
before you touch it you throw away your piece. | 1:33:40 | 1:33:43 | |
Good. Your back-up, too. Do it. | 1:33:49 | 1:33:52 | |
Pick up the bag, bring it to me. | 1:34:01 | 1:34:03 | |
Walk past those cranes on your right, get to the end, you make a left. | 1:34:05 | 1:34:10 | |
At the end of that building you go to your right. | 1:34:10 | 1:34:14 | |
Walk to building 36. | 1:34:14 | 1:34:16 | |
Ah. | 1:34:30 | 1:34:32 | |
That's it. Keep coming. | 1:35:34 | 1:35:37 | |
That's good. Right there. | 1:35:37 | 1:35:39 | |
Come on in. | 1:35:41 | 1:35:43 | |
Somebody's dying to say hello. | 1:35:43 | 1:35:46 | |
Shit. | 1:35:51 | 1:35:54 | |
Scott! | 1:36:08 | 1:36:09 | |
Shit. | 1:36:13 | 1:36:15 | |
Hey. | 1:36:14 | 1:36:15 | |
Over to the table. | 1:36:22 | 1:36:25 | |
Open your shirt. | 1:36:37 | 1:36:39 | |
I'm not wearing a wire. This is between me and you. | 1:36:39 | 1:36:43 | |
Fuck you. Open the shirt. | 1:36:41 | 1:36:43 | |
OK? | 1:36:49 | 1:36:51 | |
Where are you, McCall? | 1:36:53 | 1:36:56 | |
Right here, Roper. | 1:36:54 | 1:36:56 | |
You satisfied? | 1:37:01 | 1:37:04 | |
Open the bag. Dump it on the table. | 1:37:02 | 1:37:04 | |
Pick something up. | 1:37:21 | 1:37:22 | |
What? | 1:37:22 | 1:37:27 | |
Nope. Closer to the front of the pile. There. | 1:37:23 | 1:37:27 | |
Let's go. | 1:37:27 | 1:37:28 | |
You stay put. | 1:37:29 | 1:37:31 | |
That's impressive. | 1:37:49 | 1:37:52 | |
What the fuck did you have to do? Steal 'em? | 1:37:53 | 1:37:56 | |
Yeah, I stole 'em. | 1:37:55 | 1:37:56 | |
That won't look good on the service record. | 1:37:56 | 1:37:58 | |
Let me worry about that. Let's just get this shit over with. | 1:37:58 | 1:38:02 | |
A man after my own heart. | 1:38:02 | 1:38:04 | |
There you go. Fill it up. | 1:38:04 | 1:38:07 | |
Come on, man. Bring him out. Move him out. | 1:38:19 | 1:38:22 | |
Step up. | 1:38:24 | 1:38:26 | |
That's far enough. Right there - bag on the floor. | 1:38:31 | 1:38:34 | |
I'm not putting the bag on the floor. Now you let my girl go. | 1:38:34 | 1:38:38 | |
Scott, just do what he says, please. | 1:38:38 | 1:38:41 | |
Hey, Ronnie, relax. I'm gonna get us out of here. | 1:38:41 | 1:38:45 | |
That I gotta see. | 1:38:43 | 1:38:45 | |
Just a little more. | 1:38:45 | 1:38:47 | |
No. No! | 1:38:50 | 1:38:51 | |
Scott! | 1:38:51 | 1:38:52 | |
Hey. | 1:38:54 | 1:38:55 | |
Back off. | 1:38:57 | 1:39:01 | |
Don't move. | 1:39:01 | 1:39:03 | |
Shit. Damn it. | 1:39:06 | 1:39:08 | |
I rewired this switch, so you keep your finger on the red button otherwise it gets kinda messy. | 1:39:08 | 1:39:16 | |
Such a nice neck, too. | 1:39:16 | 1:39:19 | |
Shit. | 1:39:19 | 1:39:20 | |
Now walk to me. | 1:39:20 | 1:39:21 | |
That's it. Right there. Right there. Put the bag down. | 1:39:24 | 1:39:28 | |
Now, real nice, you kick over what's mine. | 1:39:29 | 1:39:33 | |
Oh no. Please. Scott! | 1:39:38 | 1:39:40 | |
Remember what I said? | 1:39:42 | 1:39:44 | |
Remember that? | 1:39:44 | 1:39:46 | |
When you think you're fucking them, they're fucking you. | 1:39:46 | 1:39:51 | |
You just got fucked. | 1:39:52 | 1:39:53 | |
Gotta go. Got a plane to catch. Oh shit, look at this. | 1:39:58 | 1:40:02 | |
Got my car here and that's the only exit. | 1:40:02 | 1:40:06 | |
Only way out. You're standing right in front of it. | 1:40:06 | 1:40:10 | |
Now, you can move, but... | 1:40:10 | 1:40:12 | |
KORDA WHISTLES | 1:40:15 | 1:40:18 | |
Scott, what's he doing? | 1:40:22 | 1:40:23 | |
Damn. | 1:40:28 | 1:40:29 | |
CAR STARTS UP | 1:40:32 | 1:40:34 | |
Scott, move. | 1:40:42 | 1:40:43 | |
Get out of the way! | 1:40:48 | 1:40:49 | |
Do it now, Scott! | 1:40:50 | 1:40:52 | |
McCall, stop the... | 1:40:53 | 1:40:55 | |
SILENT MOUTHING | 1:40:55 | 1:40:56 | |
What car? | 1:40:56 | 1:40:57 | |
ENGINE ROARS | 1:40:57 | 1:40:59 | |
Please move. | 1:41:01 | 1:41:04 | |
Take the shot! | 1:41:03 | 1:41:04 | |
Argh! | 1:41:13 | 1:41:14 | |
Argh! | 1:41:15 | 1:41:16 | |
TYRES SCREECH | 1:41:26 | 1:41:28 | |
Scott! | 1:41:31 | 1:41:32 | |
HE SPLUTTERS | 1:41:38 | 1:41:41 | |
Come on, please! Help me. | 1:41:41 | 1:41:44 | |
SHE SHRIEKS | 1:41:47 | 1:41:49 | |
Come on, Scott! | 1:41:57 | 1:41:58 | |
Argh! | 1:42:48 | 1:42:51 | |
Stay in here. | 1:42:51 | 1:42:55 | |
No! | 1:42:52 | 1:42:55 | |
Stay inside, Ronnie! Stay here. | 1:42:52 | 1:42:55 | |
McCall! | 1:43:02 | 1:43:04 | |
He went around that way. | 1:43:04 | 1:43:08 | |
How bad you hit? | 1:43:05 | 1:43:08 | |
He went down that way. | 1:43:07 | 1:43:08 | |
You all right? | 1:43:08 | 1:43:11 | |
I'm OK. | 1:43:09 | 1:43:11 | |
< Get him. | 1:43:11 | 1:43:12 | |
ENGINE TURNS OVER | 1:43:34 | 1:43:36 | |
ENGINE STARTS | 1:43:36 | 1:43:38 | |
Hey! | 1:44:51 | 1:44:52 | |
Motherfucker! | 1:45:01 | 1:45:03 | |
Get the fuck off it! | 1:45:05 | 1:45:06 | |
PEOPLE CHATTER | 1:46:09 | 1:46:12 | |
I've never seen a sky so blue... | 1:46:22 | 1:46:25 | |
and sea so clear. This place is amazing. | 1:46:25 | 1:46:29 | |
Yeah. | 1:46:29 | 1:46:31 | |
Yep. I could really get used to this paradise shit. | 1:46:31 | 1:46:35 | |
Oh, excuse me, miss. | 1:46:35 | 1:46:38 | |
Can you get me another pina colada, and can you shave the ice for me? | 1:46:38 | 1:46:42 | |
Oui, monsieur. | 1:46:42 | 1:46:44 | |
"Oui, monsieur." That's nice. | 1:46:44 | 1:46:49 | |
Mademoiselle. | 1:46:47 | 1:46:49 | |
Oui, merci. | 1:46:48 | 1:46:49 | |
"Mademoiselle." "Oui, merci." | 1:46:49 | 1:46:52 | |
Au revoir. | 1:46:52 | 1:46:55 | |
Au revoir. | 1:46:53 | 1:46:55 | |
That's some smooth shit, French. | 1:46:55 | 1:46:58 | |
Scott... | 1:46:59 | 1:47:00 | |
there's something really special I want to talk to you about. | 1:47:02 | 1:47:05 | |
What's that? | 1:47:05 | 1:47:08 | |
I think it's time for this relationship to go to another level - a deeper level. | 1:47:08 | 1:47:12 | |
A deeper level? | 1:47:16 | 1:47:17 | |
I think this is it. Here and now. | 1:47:17 | 1:47:20 | |
We should strip down and get naked in Tahiti. | 1:47:20 | 1:47:25 | |
You're talking about getting naked in Tahiti? I thought you were talking about the "M" word. | 1:47:28 | 1:47:33 | |
The "M" word? What did you think I was talking about? | 1:47:33 | 1:47:36 | |
You know. | 1:47:35 | 1:47:36 | |
What, marriage? | 1:47:36 | 1:47:39 | |
Why are you laughing? The way you said that "deeper level" and... | 1:47:39 | 1:47:43 | |
But you did say you would get naked on the beach in Tahiti. | 1:47:43 | 1:47:46 | |
I didn't say naked on the beach. I said let's get naked in Tahiti. The hotel room is in Tahiti, too. | 1:47:46 | 1:47:51 | |
You're a prude. | 1:47:51 | 1:47:52 | |
I'm not a prude. I'm just... These are strangers. | 1:47:52 | 1:47:56 | |
Prude. | 1:47:55 | 1:47:56 | |
I'm not getting naked on no beach. We could go to the room, I'll get naked. | 1:47:56 | 1:48:00 | |
That thong in the suitcase, that's not getting worn on the beach. | 1:48:00 | 1:48:04 | |
I'm disappointed. You didn't even try it on, and I bought it for you. | 1:48:04 | 1:48:07 | |
That's for me?! | 1:48:07 | 1:48:09 | |
Imagine me in some shit like that. You actually bought that for me? | 1:48:09 | 1:48:13 | |
-It would look cute on your arse. -Yeah?! Forget about it. | 1:48:13 | 1:48:16 | |
What if one of my mother's friends was down here and seen me in that shit. | 1:48:16 | 1:48:20 | |
Don't bring your mother into this. | 1:48:20 | 1:48:27 | |
Somebody that knows my mother sees me, they say, "Miss Roper's son.... | 1:48:21 | 1:48:27 | |
"be on the beach in Tahiti with his ass out, on his vacation. Watch him, girl. | 1:48:27 | 1:48:31 | |
"I see he had a string up his ass." Get the fuck out of here. Not today. | 1:48:31 | 1:48:37 | |
Subtitles by Captioning NZ. | 1:49:19 | 1:49:23 | |
E-mail [email protected] | 1:49:23 | 1:49:27 |