Open Range


Open Range

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Transcript


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MAJESTIC MUSIC

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THUNDER ROLLS

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Think she'll get over this way?

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Might.

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Best bed them down.

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SWEEPING MUSIC

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THUNDER CRACKS

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Come on, Tig.

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THUNDER

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THUNDER CRACKS VIOLENTLY

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HORSES WHINNY

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WHIMPERS

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There she goes.

0:02:380:02:40

Looks like we're in for it.

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You see 'em?

0:03:060:03:07

I can't see 'em. I can't hear 'em.

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You ever seen one this bad?

0:03:120:03:15

Not since Noah and the flood.

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Well, you should know, Boss. Since you was there.

0:03:190:03:22

What did you say?

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He said, "You should know since you was there."

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Even that wasn't this damn wet.

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One thing's certain,

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Noah never shovelled as much bull from them he had aboard.

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Let's rustle up some grub.

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Mose!

0:03:460:03:47

Hey!

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-That hurt?

-Yeah.

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Mose. Still got them cards?

0:03:530:03:56

Yeah, I got them.

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Yeah? Get them out. Let's have us a game after breakfast.

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THUNDER CRACKS

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-BOSS:

-Button!

0:04:130:04:15

Pull them plates under here.

0:04:150:04:17

You going to play them cards, Mose,

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or stare a hole through 'em?

0:04:230:04:25

Don't rush me.

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I'll take four.

0:04:300:04:31

Oh, for pity's sakes. "Take four."

0:04:320:04:35

All right, that's it.

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I'm out.

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Hey, kid...

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A man's trust is a valuable thing, Button.

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You don't want to lose it for a handful of cards.

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BIRDS CHIRP

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Well, at least it ain't raining.

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Get yourself dressed, Button.

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Help Mose get things cleaned up around here,

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then walk out and look for them horses.

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-MOSE:

-Looks like you could use a little muscle there, Charley.

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You just keep on like you are.

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You'll get your chance soon enough.

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No need to ask for more chores, Mose.

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Every man's got to pull his weight, Button.

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Yeah, but my weight is half of yours.

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You know, it's hard to figure Charley sometimes.

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I ain't even sure if he likes me.

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He likes you.

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You know, Boss had some pause about hiring me on.

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Too big to get around on horses and work them cows.

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Afraid I'd eat too much.

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Charley there talked him into it.

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I ain't one to take a man's confidence lightly.

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-You know I ain't either.

-I know.

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It's best to keep remembering it

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if you want respect

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when you're riding with men like Charley and Boss.

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GENTLE MUSIC

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Button, pull!

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GROANS: Pull.

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Button!

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Button!

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Quit playing with that dog and pull the wagon!

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DOG BARKS Pull it!

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-Pull!

-Oh, yeah.

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Hey! Hey! Look at that!

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ROUSING MUSIC

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Old Boss sure can cowboy, can't he?

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Yeah, broke the mould after him.

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Main bunch is working its way towards water.

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We'll go up country, find the rest of them, push 'em back.

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-BUTTON:

-I'm waiting, come on!

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Look at that.

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Goddamn kids.

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Anyway, once we get them together,

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we can start driving them back, closer to camp.

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Could be a while before we see another town.

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Could use supplies, coffee and such.

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MOSE AND BUTTON LAUGH

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Mose!

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Mose!

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You'll have to ride back to that town we passed a way's back.

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-When do you want me to go?

-Tonight.

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-BUTTON:

-I'll go.

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I can go.

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How long you figure, Charley?

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Without cows slowing things, maybe one day there, one back.

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That sounds about right.

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Come on, Boss. I can do it.

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Sure you can, boy.

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I'm just not sure that town's ready

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to have you turned loose on it just yet.

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-HE SWEARS IN SPANISH BOSS:

-English!

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-BUTTON:

-Damn! Shit! Bullshit!

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CATTLE BELLOW

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STIRRING MUSIC

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By God, if you're going to pick your feet like a monkey,

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you do it downwind.

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I swear to God, old Tig takes better care of herself.

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It was a mistake

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not getting you on to some town to learn a trade.

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I don't like towns. Never liked them.

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You're just saying that cos you heard me say it.

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Get yourself a trade in a town,

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you'll always have a roof over your head,

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bed off the ground and food as close as a cafe.

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Ain't that so, Charley?

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That was a big goddamn help.

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Might as well talk to this horse.

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Put your boot on, Button. Let's go to work.

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Of course, if you was to live in a town...

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..you'd have to clean up some.

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Otherwise no-one could stand the stink.

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What you do that for?!

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Cheatin' at cards.

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Ch...?

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Ch...but...

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I apologised to you for that!

0:12:590:13:01

Hey, Boss, I apologised to him for that.

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Evidently, he ain't over it yet.

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It's getting dark, Boss.

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He could have got hurt between that town and the camp.

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Probably just taking his time.

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Don't suppose he got into a poker game, do you?

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Wouldn't gamble your money, Boss.

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-BUTTON:

-What if he's lying out there

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waiting for us to come along?

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We'll never find him at night, Button.

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Come on down from there.

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He's worried.

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-Are you worried?

-Yeah, I'm worried.

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Been worried since yesterday.

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You should have sent me.

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Mose can look out for himself.

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Then why ain't he sitting here with us?

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You never wanted to go to towns - this or any other.

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I don't want to go now, neither.

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But we better find him, wherever he is.

0:14:050:14:07

All right.

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You and me strike out early. Button can watch the outfit.

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Button, come on down from there and get supper a-workin'.

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-BOSS:

-Most likely be back before suppertime.

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-BUTTON:

-Three sets of eyes is better than two.

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You stay with the wagon.

0:14:340:14:36

Come on, Boss. No-one is going to bother it.

0:14:360:14:38

We haven't seen a single person since we set up the camp.

0:14:380:14:42

I always feel better about leaving a wagon

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if someone's close around.

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You've been workin' hard. You deserve some loafin' time.

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Stay right here.

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TIG BARKS

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-Stay, Tig.

-Wants to go.

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She acts like she does, but she don't.

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Still got the heart, not the legs.

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You keep that rifle close.

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DRAMATIC MUSIC BUILDS

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MUSIC INTENSIFIES

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-MAN:

-Get up.

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MYSTERIOUS MUSIC

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I always liked me a side-arm with some heft.

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Took this off a man

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who couldn't pay all he owed for some cows.

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Damn fine weapon.

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Always noticed you favour something light, don't you?

0:16:230:16:26

GENTLE MUSIC

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Hello!

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Howdy!

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Howdy.

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Feed and water 'em?

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Curry 'em down with saddles on.

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OK. That'll be four bits each.

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Not planning on staying long?

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Long as it takes to find who we're looking for.

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Well, maybe I can help you, gents.

0:18:010:18:03

I've been here since Harmonville was Fort Harmon

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and we still had soldiers to chase off the Indians.

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I know everybody in town and for miles beyond.

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Big man, needing a haircut. About 30.

0:18:110:18:14

Uh...

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That's his rig right there.

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Oh, yeah.

0:18:210:18:22

Know who you're talking about.

0:18:220:18:24

Very friendly young fella.

0:18:240:18:25

Looks like he's been living out of saddlebags most of his life.

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Got his horse in the corral.

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Ride with you, does he?

0:18:300:18:32

-Know where we can find him?

-Yeah.

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Yeah, he's up in the jailhouse.

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He got into it with some... with some cattlemen

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over at the general store.

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-Cattlemen?

-Yeah.

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They busted him up pretty bad,

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before Marshal Poole came up back of him,

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hit him with his gun barrel.

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Yeah, he's lucky he didn't get shot in the back,

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if you know what I mean.

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You might want to keep that in mind

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when you're talking to Marshal Poole.

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Saddle his horse.

0:18:560:18:58

That cover what he owes?

0:18:580:18:59

Oh, yeah.

0:18:590:19:01

Name's Percy, if you should need anything else.

0:19:010:19:03

-Much obliged.

-Let's go, fellas.

0:19:030:19:05

Hold on.

0:19:050:19:06

-MAN:

-How long you had him here, then?

0:19:160:19:18

I brought him in here yesterday afternoon

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and I tell ya, it wasn't easy getting him in his cell.

0:19:200:19:23

Why's that?

0:19:230:19:25

Goddamn bear, the size of him.

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Evening.

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Name's Boss Spearman.

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This here's Charley Waite.

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Evening.

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Believe you have a friend of ours in your jail.

0:19:360:19:39

Name's Mose Harrison.

0:19:390:19:41

Yeah, I got him here.

0:19:410:19:43

He started a fight in the general store.

0:19:430:19:46

Oh, Mose don't start fights.

0:19:460:19:50

Just finishes them.

0:19:500:19:51

I just said he started it, you said he didn't.

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Maybe you're calling me a liar.

0:19:540:19:56

You got a charge against him?

0:19:560:19:58

I got plenty.

0:19:580:20:00

Inciting a fight, disturbing the peace,

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creating a public nuisance - take your pick.

0:20:030:20:05

Hear tell he got hit over the head.

0:20:050:20:07

He'll be fine.

0:20:100:20:12

Well, I come to get him.

0:20:120:20:13

Well...

0:20:140:20:16

You pay the fines and you can have him.

0:20:160:20:18

How does 50 each offence sound?

0:20:180:20:23

Like robbery.

0:20:230:20:25

Lot of money.

0:20:280:20:30

Oh, yes. A lot of money.

0:20:300:20:32

I've been waiting for you, Mr Spearman.

0:20:330:20:36

My name's Denton Baxter.

0:20:360:20:37

Be your men Mose tussled with.

0:20:380:20:40

That's right.

0:20:400:20:42

You know, folks in Fort Harmon country

0:20:420:20:44

don't take to free-grazers or free-grazing.

0:20:440:20:48

They hate them more than they used to hate the Indians.

0:20:480:20:51

I expect by 'folks', you mean ranchers like yourself.

0:20:510:20:54

I got the biggest spread round these parts.

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Bigger than any three or four put together.

0:20:590:21:01

Built it up with my own two hands,

0:21:010:21:03

piece by piece.

0:21:030:21:05

Along with this town.

0:21:050:21:06

And there ain't no free-graze cattle

0:21:060:21:08

going to take the feed off my cattle on this range.

0:21:080:21:11

Free-graze is legal.

0:21:110:21:13

Times change, Mr Spearman. Most folks change with them.

0:21:130:21:17

A few hold-outs never do.

0:21:170:21:19

Now, a few years back, a free-graze outfit came through.

0:21:210:21:25

One night, the cattle got stampeded,

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the wagons caught on fire, and one of those boys

0:21:270:21:30

was shot off his horse in the middle of it all.

0:21:300:21:34

Shot in the back, was he?

0:21:340:21:36

Your man's horse and rig are at the livery barn.

0:21:410:21:44

You can take him with you when you leave tonight.

0:21:440:21:47

And come sunrise, you hitch up your wagon

0:21:470:21:49

and get your damned free-graze cattle moving

0:21:490:21:52

and keep them moving

0:21:520:21:53

till you're out of Fort Harmon country.

0:21:530:21:55

Now, you let Mr Spearman fetch his man

0:21:560:21:59

so he can be on his way.

0:21:590:22:01

DRAMATIC MUSIC

0:22:010:22:04

Charley...

0:22:200:22:21

HE SIGHS

0:22:220:22:24

-WHISPERS:

-Oh, it's...

0:22:240:22:26

-Boss? Boss?

-Uh-uh.

0:22:260:22:29

-Ugh!

-HE SIGHS

0:22:300:22:32

Looks like someone's put the boots to him after he was down.

0:22:330:22:37

Does it?

0:22:370:22:38

-Mose?

-HE MUMBLES

0:22:440:22:45

-Gotta get up.

-Charley.

0:22:450:22:47

I'm glad to see you.

0:22:470:22:49

-MOANS:

-I don't much like this town.

0:22:490:22:53

Here you go.

0:22:550:22:57

Boy, they really laid into him.

0:22:590:23:01

You got a doctor in this town?

0:23:010:23:03

Yeah. Doc Barlow.

0:23:030:23:04

It's the house up behind the barn by the church.

0:23:040:23:07

Look for a picket fence.

0:23:070:23:09

He's got a sign out front.

0:23:090:23:11

Oh, my. Bring him right in.

0:23:120:23:15

Lay him down in there.

0:23:210:23:22

I'll fetch the doctor.

0:23:320:23:35

Get his legs, Boss.

0:23:350:23:36

Easy. MOSE GROANS

0:23:380:23:39

Good.

0:23:390:23:41

I'm Dr Barlow.

0:23:490:23:50

Boss Spearman.

0:23:500:23:52

Charley Waite.

0:23:530:23:55

Patient there is Mose Harrison. He works for me.

0:23:550:23:57

These wounds are a couple days old.

0:23:570:23:59

Easier if you bring them in right away.

0:23:590:24:01

Your marshal had him, and he don't keep a friendly jail.

0:24:010:24:04

Is this the man in the fight with Baxter's men?

0:24:040:24:06

That's right.

0:24:060:24:08

He certainly gave as good as he got.

0:24:080:24:10

Broke the arm of one.

0:24:100:24:12

Knowing them, they had it coming, I expect.

0:24:120:24:14

See what we got here.

0:24:160:24:17

HE GROANS PAINFULLY

0:24:170:24:19

-Easy, Mose.

-Easy, Mr Harrison.

0:24:190:24:21

Nobody's trying to hurt you on purpose here, Mose.

0:24:210:24:23

You got a couple of broken ribs.

0:24:230:24:25

Need to get this shirt off.

0:24:250:24:27

Sue, I'm going to need some soap, some water, some alcohol.

0:24:360:24:39

Mm-hm.

0:24:390:24:41

I want you to drink this, Mr Harrison.

0:24:460:24:48

That's it.

0:24:480:24:50

MOSE COUGHS

0:24:500:24:52

Let's clean up these cuts on his face.

0:24:540:24:56

He's got a nice gash in his scalp there.

0:24:560:24:59

I'd say, "To good health," gentlemen,

0:25:000:25:01

but then I'd probably be out of business, wouldn't I?

0:25:010:25:04

We'll drink to good health for them that have it coming.

0:25:040:25:07

Yeah.

0:25:080:25:10

The two of you can wait in the parlour.

0:25:100:25:12

TRANQUIL MUSIC

0:25:170:25:20

-DOC:

-Be better he didn't travel.

0:25:260:25:27

BOSS: Well, he'll have to.

0:25:270:25:29

How much I owe you, Doctor?

0:25:310:25:33

We're even.

0:25:330:25:34

I've made enough off what he did to Baxter's men.

0:25:340:25:37

I wish he'd made you wealthy.

0:25:370:25:39

Ma'am.

0:25:410:25:42

BOSS: Doc Barlow's got him a pretty wife.

0:26:090:26:11

Noticed that, did ya?

0:26:110:26:13

Well, I ain't dead.

0:26:130:26:15

Glad to hear it.

0:26:150:26:16

Sweet too.

0:26:160:26:18

Treated us good as anybody. A real lady.

0:26:180:26:21

Woman like that

0:26:210:26:23

makes a man think about setting down roots, hey.

0:26:230:26:27

Doc looks like a real hard working fella.

0:26:280:26:30

Probably working away on making some little ones too.

0:26:300:26:33

Creates quite a picture now, don't it?

0:26:340:26:36

Yeah. Heard they're worth a thousand words.

0:26:360:26:39

SWEEPING, DRAMATIC MUSIC

0:26:400:26:43

TIG BARKS

0:26:560:26:57

Now, where do you suppose he is?

0:27:110:27:13

HE SIGHS

0:27:280:27:29

Goddamn kid.

0:27:290:27:31

Button's all right, Boss.

0:27:330:27:35

Anyone done him harm, they'd have gone through the wagon.

0:27:390:27:42

Reckon you're right.

0:27:420:27:43

Here he is.

0:27:480:27:49

If you're awake, Mose, you might want to see this.

0:27:500:27:53

-BOSS: Where you been?

-I seen it before, Charley.

0:27:530:27:55

-BUTTON:

-Out with the herd.

0:27:550:27:57

I thought I told you to stay with the wagon.

0:27:570:27:59

-What happened to...

-Did you hear what I said?!

0:27:590:28:02

Yeah, but what happened?

0:28:020:28:03

He ran into a little trouble in that town.

0:28:030:28:06

It looks like more than a little.

0:28:060:28:08

Are we moving on?

0:28:090:28:11

We always do, don't we? Once we've grazed off a place.

0:28:110:28:14

Did I do something wrong, Charley?

0:28:230:28:25

Just leave him be for a while.

0:28:250:28:27

Here. Have some coffee.

0:28:270:28:29

Made fresh for a change.

0:28:290:28:31

There was three riders scouting out the herd this morning.

0:28:310:28:34

Where?

0:28:340:28:36

Maybe half a mile out.

0:28:360:28:37

Just sitting there, looking at the cattle.

0:28:370:28:40

DRAMATIC MUSIC

0:28:400:28:43

BOSS: Same ones?

0:28:500:28:52

Four this time.

0:28:520:28:54

Country's filling up.

0:28:550:28:56

Maybe we should push on.

0:28:560:28:58

Do no good, Button.

0:28:580:29:00

I've seen them like Baxter before.

0:29:000:29:01

He means to have this herd or scatter it to the wind.

0:29:010:29:05

-BUTTON:

-If he was going to take the herd,

0:29:050:29:07

why not just keep you in that town?

0:29:070:29:09

Marshal already had Mose.

0:29:090:29:11

-CHARLEY:

-Wants us all in one place.

0:29:110:29:13

Far from there when it happens.

0:29:140:29:16

Don't make no sense, him telling us to move on, and all.

0:29:160:29:19

Weren't the only thing he said.

0:29:190:29:22

Most of the time a man will tell you his bad intentions

0:29:220:29:26

if you listen, let yourself hear.

0:29:260:29:28

"Few years back, free-graze outfit come through..."

0:29:280:29:31

That weren't no idle story.

0:29:330:29:35

BOSS: Let's find out for certain.

0:29:350:29:37

TENSE MUSIC

0:29:370:29:40

CATTLE LOW

0:30:120:30:15

BOSS SIGHS

0:30:240:30:25

Beautiful country.

0:30:280:30:30

A man can get lost out here.

0:30:310:30:33

Forget there's people and things that ain't so simple as this.

0:30:330:30:37

How long we been riding together, Charley?

0:30:400:30:42

Nigh on ten years.

0:30:430:30:45

Mm-hm.

0:30:450:30:46

You know what they call that? They call it a decade.

0:30:470:30:50

Long time.

0:30:500:30:52

Been a lot of change since then.

0:30:520:30:55

What's on your mind, Boss?

0:30:570:30:58

BOSS SIGHS

0:30:580:31:00

Way I figure it, we can leave the cattle behind and run,

0:31:000:31:03

or you and me can go out there in the dark

0:31:030:31:05

and stop them before they scatter the herd.

0:31:050:31:08

You reckon them cows are worth getting killed over?

0:31:110:31:15

The cows is one thing.

0:31:150:31:16

But one man telling another man

0:31:160:31:18

where he can go in this country is something else.

0:31:180:31:21

That rancher sat in that jailhouse sort of sneering

0:31:210:31:23

and letting his lawman lay down the law,

0:31:230:31:26

till he figured it was time to show us

0:31:260:31:28

that he gave the orders around here.

0:31:280:31:30

Ooh, it sticks in my craw.

0:31:300:31:33

Well, we sure as hell owe 'em for what they done to Mose.

0:31:370:31:41

Yeah.

0:31:410:31:42

I'll saddle the horses.

0:31:450:31:46

You two keep a sharp eye out.

0:31:520:31:54

Got the scattergun. We'll be watching for them.

0:31:550:31:58

-Yeah.

-You'll want to douse that fire.

0:31:580:32:00

Button, you keep to the wagon for cover.

0:32:000:32:02

I don't want to see you out in the open. OK?

0:32:020:32:05

I got some sugar in that town.

0:32:100:32:12

It's in the wagon.

0:32:140:32:16

THEY LAUGH

0:32:200:32:21

CRICKETS CHIRP

0:32:240:32:27

-MAN:

-I wouldn't want to have him

0:32:330:32:35

coming down on me like these cowboys.

0:32:350:32:36

What the hell's the matter with you, Gus?

0:32:360:32:38

You're twitching all damn night.

0:32:380:32:40

Damn back's so sore from being flung into that stove.

0:32:400:32:46

-SIGHS:

-I feel like I been humped by a 300-pound whore.

0:32:460:32:50

Well, Gus, I'd say you got off easy.

0:32:520:32:54

Look at my face.

0:32:540:32:55

You can bet Butler will square things with that big man.

0:32:580:33:01

Breaking his arm and all.

0:33:010:33:03

Did you hear it snap?

0:33:040:33:06

I heard it snap.

0:33:080:33:09

Lucky for him, he shoots with either hand.

0:33:090:33:12

GUN COCKS

0:33:120:33:13

BOSS: One twitch and you're in hell!

0:33:140:33:16

Now get on your feet, all of you!

0:33:160:33:18

Now throw them guns on the ground.

0:33:210:33:23

GUN COCKS

0:33:240:33:26

HORSE NEIGHS SOFTLY

0:33:260:33:28

I ain't going to say it again.

0:33:280:33:29

And kick 'em away.

0:33:350:33:36

Which one of you has got a sore back?

0:33:440:33:47

Which one?

0:33:490:33:50

Him.

0:33:500:33:52

-You Gus?

-Yeah.

0:33:540:33:56

Ought not gang up on a man three to one.

0:33:560:33:58

HE GRUNTS

0:33:580:33:59

Wait a minute, mister. It wasn't our idea to jump him.

0:33:590:34:02

-Shut up, Wylie.

-Get up, you son of a bitch.

0:34:020:34:05

-What's your name?

-Vince.

0:34:050:34:07

Mighty nice tie-down you got there. You a gun hand, are ya?

0:34:080:34:12

-You fast?

-No.

0:34:120:34:14

Uh-huh. How many riders does he have?

0:34:140:34:17

I said, how many riders?

0:34:180:34:20

The rest are on their way to your wagon.

0:34:200:34:23

MAN CRIES OUT

0:34:270:34:28

You want to smile now? Go ahead.

0:34:280:34:30

Be a while before he's of use.

0:34:300:34:33

Charley, throw me them saddlebags.

0:34:330:34:36

HORSE WHINNIES

0:34:410:34:43

Put your spook hats on.

0:34:440:34:46

The ones in your belt - put them on!

0:34:480:34:50

Now get your britches off.

0:34:540:34:55

I'm not taking my britches off for nobody.

0:34:570:34:59

HE GRUNTS

0:35:000:35:02

You listen out of your good ear, now. Now get 'em off!

0:35:030:35:06

Pretty scary bunch, eh, Charley?

0:35:130:35:14

Get belly-down. Flat out! HE GRUNTS

0:35:180:35:21

Get your peckers in the dirt.

0:35:210:35:23

-SHOUTING:

-Hah! Hah!

0:35:240:35:26

HORSES WHINNY

0:35:260:35:29

If I hear so much as a twig break...

0:35:290:35:32

..I'll come back and kill you all.

0:35:320:35:34

BOSS: Charley?

0:35:400:35:41

Charley!

0:35:410:35:43

DRAMATIC MUSIC

0:35:430:35:46

DRAMATIC MUSIC

0:35:510:35:55

No Tig come to meet us.

0:36:150:36:17

Ooh, the bastards.

0:36:320:36:35

They shot the boy, but he's alive.

0:36:350:36:39

Is that Mose?

0:36:410:36:42

He's dead.

0:36:480:36:51

Shot him in the head.

0:36:510:36:53

Charley. >

0:36:590:37:01

DARK MUSIC

0:37:010:37:05

Charley.

0:37:050:37:07

Charley. Get the lantern and the whisky.

0:37:090:37:12

Despierta. Despierta.

0:37:190:37:22

Come on, wake up. Charley.

0:37:220:37:24

They shot him here

0:37:260:37:27

and cracked him in the head here.

0:37:270:37:29

We'll have to dig that bullet out.

0:37:290:37:32

COW MOOS

0:37:340:37:36

You done good, Boss.

0:37:380:37:40

Him going in and out like that.

0:37:430:37:45

I don't know. He lost a lot of blood.

0:37:460:37:50

A whack on the head

0:37:500:37:51

can make a man strange for the rest of his days.

0:37:510:37:54

Well, you done all you can.

0:37:560:37:57

He needs a doctor now.

0:37:570:38:00

If Button lives through morning,

0:38:010:38:03

you take him in a wagon and move on.

0:38:030:38:06

Are you just going to sit out here waiting with them cows?

0:38:080:38:11

That's right.

0:38:110:38:13

And I'm going to kill

0:38:140:38:16

every son of a bitch that comes to take them.

0:38:160:38:18

For one man on open ground,

0:38:200:38:22

you sure got a lot of killing in mind.

0:38:220:38:24

You know I've never gone against you, Boss.

0:38:370:38:39

I always let you do most of the talking.

0:38:390:38:42

But he needs that doctor back in that town and I aim to take him.

0:38:430:38:48

If you want to come along, fine, we'll go together.

0:38:480:38:51

Otherwise...you do what you have to do. I'll do the same.

0:38:510:38:54

You think they'll just let you waltz in there,

0:38:540:38:56

pretty as you please and waltz out again?

0:38:560:38:58

That don't figure into it.

0:38:580:39:00

Button deserves every chance we can give him.

0:39:000:39:02

All right.

0:39:060:39:08

But I aim to kill Baxter and those that done this

0:39:120:39:15

and if that marshal gets in the way, I'll kill him too.

0:39:150:39:18

So you best get your mind right about what's got to be done.

0:39:180:39:22

I got no problem with killing, Boss.

0:39:220:39:25

Never have.

0:39:250:39:27

GENTLE MUSIC

0:39:270:39:31

METAL CLANKING

0:40:080:40:11

Looks real nice, Charley.

0:40:240:40:26

Well, a man ought to have something to show he was here.

0:40:270:40:31

It'll be gone in another big storm.

0:40:320:40:34

It don't matter none. He's got your dog for company.

0:40:340:40:37

He'd like it you put old Tig with him.

0:40:370:40:40

Yeah, well, he was more Mose's dog in the end than he was mine.

0:40:410:40:45

You right to say some words?

0:40:470:40:49

BOSS SIGHS

0:40:490:40:50

If you want to speak with the man upstairs, do it.

0:40:500:40:53

I'll stand right here and listen, hat in hand.

0:40:530:40:56

But I ain't talking to that son of a bitch.

0:40:560:40:58

And I'll be holding a grudge for him letting this befall

0:40:580:41:01

a sweet kid like Mose.

0:41:010:41:03

Well, he sure as hell wasn't one to complain.

0:41:090:41:12

Woke with a smile.

0:41:140:41:15

It seemed like he could keep it there all day.

0:41:150:41:18

Kind of man who'd say "Good morning" and mean it,

0:41:190:41:22

whether it was or not.

0:41:220:41:24

HORSES NEIGH

0:41:240:41:26

To tell you the truth, Lord,

0:41:260:41:27

if there was two gentler souls in this world,

0:41:270:41:30

I've never seen them.

0:41:300:41:31

It seemed like old Tig wouldn't even kill birds in the end.

0:41:310:41:35

You got yourself a good man and a good dog

0:41:360:41:39

and I'm inclined to agree with Boss

0:41:390:41:41

about holding a grudge against you for it.

0:41:410:41:44

I guess that means amen.

0:41:450:41:47

SPITS: God!

0:42:090:42:10

-BOSS:

-Charley, are you all right?

0:42:110:42:13

I'm fine.

0:42:180:42:20

Seems like you was, you know...

0:42:210:42:23

I said I'm fine, just...

0:42:230:42:25

CHARLEY SIGHS

0:42:250:42:27

..Just got some old feelings coming up.

0:42:270:42:29

-Yeah.

-CHARLEY SNIFFS

0:42:290:42:31

You know, Charley, we never asked each other much.

0:42:310:42:33

It's always been OK with me.

0:42:330:42:35

I figured it was always OK with you.

0:42:350:42:37

But you said some things the last couple of days,

0:42:370:42:40

things that seemed like they had kind of a history to them.

0:42:400:42:45

CHARLEY SNIFFS

0:42:450:42:46

-Eh, Charley?

-Don't stand behind me, Boss.

0:42:480:42:51

CRICKETS CHIRP

0:43:010:43:04

When I was a kid,

0:43:140:43:17

a bunch of us would go to the woods with our peashooters.

0:43:170:43:20

Nothing fancy,

0:43:200:43:22

just enough to kill a bird or a squirrel, maybe,

0:43:220:43:24

something larger if we was lucky.

0:43:240:43:26

I killed my first man in them woods.

0:43:280:43:31

He held the paper on our farm and after my pa died he...

0:43:310:43:36

he'd come round

0:43:360:43:37

and get payment from my mom any way he could.

0:43:370:43:40

Not much older than Button when I shot him in the throat.

0:43:400:43:44

I knew there'd be more killing,

0:43:450:43:47

so I ran off and joined the army.

0:43:470:43:50

The war was on, they was...they was only too happy to have me.

0:43:500:43:54

My first skirmish

0:43:560:43:57

was pretty much like hunting in them woods with my friends.

0:43:570:44:00

We just sat up in some trees and they came marching right at us.

0:44:000:44:04

Must've been 100 of them lying dead

0:44:040:44:07

after the smoke cleared.

0:44:070:44:08

We went around and shot the rest who weren't.

0:44:090:44:12

Those of us with the knack was made into a special squad,

0:44:130:44:17

so we could travel light and on our own into enemy territory.

0:44:170:44:20

Orders were pretty simple - make trouble wherever we could.

0:44:210:44:25

With room like that, it wasn't long before we was killing men

0:44:260:44:30

who weren't even in uniform.

0:44:300:44:32

It seemed like that went on the rest of the war.

0:44:330:44:37

After that, I come west.

0:44:380:44:40

A lot of call for men with them skills

0:44:410:44:45

and I put them to work for men just like Baxter.

0:44:450:44:48

And every once in a while,

0:44:530:44:54

I almost get through a day without thinking about who I am,

0:44:540:44:59

what I'd done.

0:44:590:45:01

HORSES SNORT

0:45:060:45:09

He drifted off again.

0:45:100:45:12

No better, but no worse, either.

0:45:120:45:14

You're a real honest man, Charley.

0:45:150:45:18

Well, I ain't going to lie to you about Button.

0:45:180:45:20

It's not Button I'm talking about.

0:45:200:45:22

DARK MUSIC

0:45:220:45:25

-Mr Spearman.

-Doctor in?

0:45:490:45:51

No, he's not here.

0:45:510:45:52

We've got a boy who's hurt bad.

0:45:520:45:54

Here. Put him in the examining room.

0:45:540:45:57

Ma'am.

0:45:570:45:59

Oh, God.

0:45:590:46:00

WIND HOWLS

0:46:040:46:07

It's not his hearing, ma'am.

0:46:130:46:15

He hears real well when he's awake.

0:46:150:46:17

I'm checking to see if there's blood in his ears.

0:46:170:46:20

It could mean a fractured skull.

0:46:200:46:22

MOUTHS SILENTLY

0:46:240:46:25

Are you the boy's father?

0:46:250:46:27

No, ma'am.

0:46:270:46:28

His name's Button and he works for me.

0:46:280:46:31

It appears that's not very healthy.

0:46:310:46:34

Oh, you know the way to the parlour.

0:46:340:46:37

Sit down.

0:46:370:46:38

I'll be a while.

0:46:380:46:40

CLOCK TICKS

0:46:410:46:44

THUNDER ROLLS

0:46:470:46:50

SHE SIGHS

0:46:590:47:01

Well, I don't think it's a fracture.

0:47:010:47:04

Concussion's more likely, but it's bad.

0:47:040:47:07

DOGS BARK

0:47:070:47:10

I have to admit, we don't see a lot of people shot.

0:47:170:47:21

I cleaned and dressed the wound as best I could.

0:47:210:47:23

-It doesn't look infected.

-What about the fever?

0:47:230:47:26

He needs to lay still and let his body do its work.

0:47:260:47:29

No offence, ma'am, but we come a long way

0:47:290:47:32

to see that the boy gets looked after proper by Dr Barlow.

0:47:320:47:36

Now, where's he at?

0:47:360:47:38

One of Dent Baxter's hands

0:47:380:47:39

came and fetched him out to the ranch.

0:47:390:47:41

Some men there had an accident night before last.

0:47:410:47:44

You must tell me what happened, Mr Spearman.

0:47:490:47:52

Baxter sent his men to stampede the herd

0:47:530:47:56

and I figured we would stop them before they could do it.

0:47:560:47:59

Surprised them where they was hiding in some trees

0:47:590:48:01

and we had at 'em.

0:48:010:48:03

Them's the ones Dr Barlow is putting back together.

0:48:030:48:05

We got back to camp.

0:48:050:48:07

Others had shot Mose in the head,

0:48:070:48:09

shot Button, left him for dead.

0:48:090:48:11

Oh.

0:48:110:48:13

Shot our dog.

0:48:160:48:18

SHE SIGHS

0:48:180:48:19

-SIGHS:

-I'll be getting money from the wagon.

0:48:190:48:22

-It's not necessary.

-THUNDER ROLLS

0:48:220:48:24

We pay our way, ma'am.

0:48:240:48:26

Please.

0:48:310:48:33

Sit, Mr Waite.

0:48:330:48:34

Button - is that his real name?

0:48:380:48:40

Please, sit.

0:48:410:48:44

Yeah. Sorry.

0:48:450:48:47

Only one we've known.

0:48:470:48:49

He's just a boy.

0:48:510:48:53

Yeah.

0:48:540:48:56

Picked him up in a Texas town a few years back.

0:48:560:48:59

Living off cafe garbage.

0:48:590:49:01

Couldn't speak a word of English.

0:49:010:49:03

I thought we was doing him a favour.

0:49:030:49:06

What about you?

0:49:060:49:08

TENSE MUSIC

0:49:080:49:09

Hmm? You know that the marshal works for Baxter.

0:49:090:49:13

People saw you ride in.

0:49:130:49:15

Well, there's payment to be made

0:49:170:49:18

by them that done this.

0:49:180:49:20

I don't intend to run.

0:49:200:49:22

We could wire for the federal marshal.

0:49:240:49:27

If he started riding today, he wouldn't make it for a week.

0:49:300:49:33

With the storm coming, maybe longer.

0:49:330:49:35

We're obliged to deal with the marshal and Baxter ourselves.

0:49:370:49:40

Well, what about Button?

0:49:400:49:42

Well, he's fighting for his life.

0:49:450:49:48

We're going to do the same.

0:49:480:49:49

DOOR OPENS

0:49:500:49:52

Whatever's needed for Button,

0:49:550:49:57

you do it.

0:49:570:50:00

If he wakes, he'll need to stay here a couple of days,

0:50:000:50:03

so we can watch him.

0:50:030:50:05

Whatever's best for him.

0:50:050:50:07

-PERCY:

-Can't stay away from my little paradise, gents?

0:50:190:50:23

I believe Satan says the same at the gates of hell,

0:50:230:50:26

old timer.

0:50:260:50:27

-LAUGHTER

-We'd like to put the horses up.

0:50:270:50:30

They've had a tough trail.

0:50:300:50:31

I'd like to set the wagon yonder.

0:50:310:50:33

Help yourself. Hurry up though.

0:50:330:50:36

I've seen it like this before. Big 'un is coming.

0:50:360:50:40

Yah, yah, yah.

0:50:400:50:42

Son of a bitch.

0:51:440:51:45

Sorry, Charley.

0:51:530:51:54

Yeah.

0:51:580:51:59

Jesus Christ.

0:52:140:52:16

Oh, whoa, whoa, whoa.

0:52:200:52:22

Maybe you should've built it in another spot.

0:52:270:52:30

Oh, mercy.

0:52:310:52:33

THUNDER CRACKS

0:52:350:52:38

MAN YELLS

0:52:500:52:52

-MAN:

-Get the dog!

0:52:530:52:55

Get the dog!

0:52:570:52:58

DOG YELPS

0:52:580:52:59

It's a...it's a dog there, Charley.

0:52:590:53:02

DOG WHIMPERS

0:53:020:53:03

Take this!

0:53:110:53:13

There he is! Back here, Charley!

0:53:150:53:17

To your left. To the left.

0:53:180:53:20

Get it! Get it!

0:53:200:53:21

Ah! HE CHUCKLES

0:53:240:53:25

Are you all right, Charley?

0:53:280:53:30

Yeah.

0:53:300:53:32

Considering I've just been swimming!

0:53:320:53:34

I owe you, mister.

0:53:390:53:41

A sweet pup you've got there.

0:53:410:53:43

Remind you of anyone, Charley?

0:53:430:53:45

Small version. Too small to be let out in this weather.

0:53:460:53:50

Belongs to my daughter.

0:53:500:53:51

I tried to grab him but the water was too fast for me.

0:53:510:53:55

If you're going into the cafe,

0:53:550:53:57

I'd be proud to buy you both a cup of coffee.

0:53:570:54:00

Coffee would be good about now.

0:54:030:54:06

GENERAL CHATTER

0:54:080:54:12

This is like the storm

0:54:120:54:13

that washed away Gunnison 10, 12 years back.

0:54:130:54:16

Water come down from the mountains.

0:54:160:54:18

Nowhere to go but straight into town.

0:54:180:54:21

Killed a lot of folks.

0:54:210:54:23

The town's been here a long time, Mack.

0:54:230:54:26

And will be here a lot longer.

0:54:260:54:28

That's right, Papa.

0:54:280:54:30

Every once in a while, a good storm washes through

0:54:300:54:32

and leaves her as clean as a baby's bottom.

0:54:320:54:35

Got to look on the bright side, gents.

0:54:350:54:38

Marshal.

0:54:500:54:51

Meat and spuds, Les, as always.

0:54:510:54:54

This cover our meal?

0:54:570:54:59

Worth a man's life to walk across that road tonight.

0:54:590:55:03

Thanks for the coffee.

0:55:030:55:05

Well, appreciate what you've done.

0:55:050:55:07

That'll be two bits. Two bits.

0:55:090:55:13

I'll be having words with you two!

0:55:340:55:36

We'll be having more than that with you, Marshal.

0:55:360:55:39

No need to make the cafe messy. But folks...

0:55:510:55:54

I've got a warrant sworn out for your arrest

0:55:540:55:57

for assaulting Baxter's men.

0:55:570:55:59

We've got a warrant sworn for them that tried killing the boy

0:55:590:56:02

who's laying at the Doc's trying to stay alive.

0:56:020:56:05

Swore out another one

0:56:050:56:06

for them that murdered the big fella in your cell.

0:56:060:56:08

Only ours ain't writ by no tin star,

0:56:080:56:11

bought and paid for, Marshal.

0:56:110:56:12

It's writ by us. And we aim to enforce it.

0:56:120:56:15

Is that so?

0:56:150:56:17

We got no quarrel with none of you folks.

0:56:170:56:20

Baxter's men bushwhacked our friend, shot him dead.

0:56:200:56:24

Shot a 16-year-old boy too

0:56:240:56:26

and clubbed him so hard...

0:56:260:56:28

..he might not live!

0:56:300:56:32

Tried to take our cattle.

0:56:320:56:35

Your marshal here ain't going to do nothing about it.

0:56:350:56:38

You don't like free-grazers in this town

0:56:400:56:42

and we don't much like being here.

0:56:420:56:45

But a man's got a right

0:56:450:56:46

to protect his property and his life.

0:56:460:56:48

And we ain't letting no rancher or his lawmen take either.

0:56:480:56:52

We've got no intention of harming bystanders.

0:56:540:56:56

Anyone who helps or comforts

0:56:560:56:59

these goddamn law-breaking free-grazers

0:56:590:57:01

is going to have to deal with me.

0:57:010:57:04

SUSPENSEFUL MUSIC

0:57:050:57:07

Your call, Marshal.

0:57:160:57:18

We don't have to settle this here and now.

0:57:230:57:25

You ain't going nowhere in this weather.

0:57:250:57:28

But I'll be seeing you gents real soon.

0:57:280:57:31

You can count on that.

0:57:310:57:33

SOMBRE MUSIC

0:57:330:57:36

That marshal ain't going to wait.

0:57:460:57:49

That son of a bitch is going to get some men to look for us.

0:57:490:57:51

He'll need us locked up in jail by the time Baxter hits town.

0:57:510:57:56

If we ain't, Baxter will start to think

0:57:560:57:58

that maybe Marshal Poole ain't worth what he's paying him.

0:57:580:58:00

If you've got something on your mind, just spit it out.

0:58:000:58:05

Well, I say we take him right at his jail.

0:58:050:58:07

Lock him up, wait till Baxter comes riding in.

0:58:070:58:10

Hell, Charley,

0:58:100:58:11

why don't we just ride to Baxter's ranch

0:58:110:58:13

and go straight to him too?

0:58:130:58:15

Well, I'll fight wherever you want, Boss. Just make the call.

0:58:170:58:20

-Goddammit!

-Now, hold on, Charley, hold on.

0:58:200:58:23

Well, you asked me. I told you.

0:58:230:58:26

Charley, come on in out of the rain, would you?

0:58:310:58:33

Come on!

0:58:330:58:35

Come on!

0:58:390:58:40

Just getting testy in my old age. It's not a bad idea.

0:58:460:58:49

Just roll it around is all I ask.

0:58:490:58:51

What'd you think of my speech in there?

0:58:540:58:56

Liked it.

0:58:590:59:01

Maybe I ought to run for mayor.

0:59:010:59:03

Yeah, well, I believe he's got to be living, Boss.

0:59:030:59:06

HE CHUCKLES

0:59:060:59:08

KNOCK AT DOOR

0:59:130:59:15

BOSS: Come to see about the boy.

0:59:150:59:17

He's asleep.

0:59:170:59:19

-Please, come in.

-Are you sure, ma'am?

0:59:190:59:22

We're a mite rank.

0:59:220:59:23

We don't want to mess your house.

0:59:230:59:25

No, no, no. Please. It's all right. Come on in.

0:59:250:59:27

Thank you, ma'am.

1:00:001:00:02

There we are.

1:00:041:00:06

-WHISPERS:

-I can't get my fingers in.

1:00:191:00:22

BOSS CHUCKLES

1:00:221:00:23

Can't get our big fat fingers in these holes.

1:00:261:00:29

GIGGLES: Too many broke knuckles.

1:00:291:00:30

-Let me get something bigger.

-No, ma'am. We can make do.

1:00:301:00:33

No. No, it's all right.

1:00:331:00:35

It's just nice to be sitting at a table

1:00:351:00:37

set with fine china.

1:00:371:00:40

Those were my mother's.

1:00:401:00:41

They're the only things of hers

1:00:411:00:43

that survived the trip out here.

1:00:431:00:46

I don't know why I bring 'em out. I can't hold 'em either.

1:00:471:00:50

I guess it just makes me feel good.

1:00:501:00:52

SHE CHUCKLES

1:00:521:00:53

I just say what's on my mind, good or bad.

1:00:531:00:56

I admire that.

1:00:561:00:57

Try living with it.

1:00:571:00:59

See that? No need for a wife or home.

1:01:001:01:03

We're just like an old married couple.

1:01:031:01:06

So is it marriage that scares you two?

1:01:061:01:10

-Putting down roots?

-No.

1:01:101:01:11

Who'd have him, old and mangey? Like a rough old dog.

1:01:111:01:15

How about I just hold your head under water for a while?

1:01:151:01:18

I married once.

1:01:291:01:32

Never know that, did you, Charley?

1:01:321:01:34

Had a wife and child.

1:01:341:01:36

Sweet little spread too.

1:01:361:01:39

Nothing fancy, but we was young.

1:01:391:01:42

Loved each other.

1:01:421:01:44

Never had a cross word.

1:01:451:01:47

They caught the typhus and died,

1:01:491:01:51

and after that, home didn't seem a place to spend time.

1:01:511:01:54

Believe I've changed my mind on that

1:01:541:01:57

now that I'm getting on in years.

1:01:571:01:59

If Button lives, and we survive Baxter,

1:02:041:02:08

I swear I aim to see to it there's a home he's sleeping in

1:02:081:02:12

instead of the cold prairie.

1:02:121:02:14

Have yourself the last cup of tea, Charley.

1:02:221:02:25

I'd like to see Button again, Miss Barlow. I know the way.

1:02:251:02:29

Ooh...

1:02:321:02:34

Been riding with him ten years.

1:02:431:02:45

Never said nothing about being married.

1:02:451:02:48

Where are you and Mr Spearman spending the night?

1:02:571:02:59

Don't rightly know.

1:02:591:03:01

It depends on circumstances.

1:03:011:03:03

You mean Marshal Poole?

1:03:031:03:06

We have a spare room. It's yours if you want it.

1:03:061:03:09

Couldn't do that, ma'am.

1:03:091:03:11

We'd be putting you in a spot with the Marshal and Baxter.

1:03:111:03:14

Besides, it's a small town.

1:03:141:03:15

It wouldn't look right for us to spend the night,

1:03:151:03:18

particularly with the Doc away.

1:03:181:03:20

TENDER GUITAR MUSIC

1:03:251:03:28

I'll take those.

1:03:381:03:39

Do you know where they go?

1:03:391:03:42

I think so.

1:03:421:03:44

BOSS: It's been raining like hell ever since we got here.

1:03:471:03:50

Water washing right down Main Street.

1:03:501:03:52

Charley saved a pup from being washed away.

1:03:521:03:56

Looked a little like old Tig.

1:03:561:03:58

Now, if you can, you've got to listen and pay attention.

1:04:031:04:06

Cos I've got something important to say.

1:04:061:04:09

I haven't been looking after you for you to go out this way.

1:04:111:04:15

The world ain't a perfect place, Button.

1:04:151:04:17

But you've got unfinished business here.

1:04:171:04:20

So you come back. You hear me now?

1:04:221:04:24

WHISPERS: You come back.

1:04:261:04:27

Kind of dumb talking to him, I guess.

1:04:341:04:36

No. No, it's good.

1:04:361:04:41

You all right, Mr Spearman?

1:04:411:04:43

I'm as right as a man can be under the circumstances.

1:04:431:04:46

'Circumstances' - that's just what Mr Waite called 'em.

1:04:461:04:49

I asked him to reconsider and I'm asking you.

1:04:491:04:52

By 'reconsider', you mean tuck tail and run?

1:04:521:04:56

I mean save your life and his.

1:04:561:04:58

He'll listen to you.

1:04:581:05:00

Charley thinks for himself, Miss Barlow.

1:05:001:05:03

He's a good man. He knows what has to be done.

1:05:031:05:06

Mm-hm.

1:05:061:05:07

We'll pay you now for whatever else Button needs.

1:05:071:05:10

In case things go bad for Charley and me,

1:05:101:05:13

maybe you and Doc will see to it we're taken care of properly.

1:05:131:05:16

I'd like to put pen to paper, if you have 'em.

1:05:161:05:19

Yes. Of course.

1:05:191:05:21

THUNDER CRACKS

1:05:391:05:41

THUNDER CLAPS LOUDLY

1:06:011:06:03

-SUE:

-Mr Waite?

1:06:141:06:17

-INTRUDER:

-Look at my face!

1:06:171:06:19

CRASH!

1:06:191:06:20

I'm sorry!

1:06:201:06:21

SUE GASPS

1:06:211:06:23

I'm sorry.

1:06:231:06:25

-Oh!

-It's all right, Charley!

1:06:251:06:28

OK? It just be us!

1:06:281:06:30

It's all right, Charley!

1:06:331:06:35

It's all right, Charley.

1:06:441:06:46

CHINA BREAKS

1:06:501:06:52

It's all right. I'll get it.

1:06:521:06:54

WISTFUL MUSIC

1:06:541:06:57

Jumpy is all.

1:07:181:07:20

She ought not sneak up like that.

1:07:341:07:36

She weren't sneaking.

1:07:361:07:37

I scared that woman half to death.

1:07:391:07:41

Yeah.

1:07:411:07:42

Scared me a bit too.

1:07:421:07:43

Well, that's how it is, Boss.

1:07:431:07:46

Ain't a pretty picture.

1:07:461:07:48

Got your wits about you now?

1:07:481:07:51

-Yeah.

-Yeah.

1:07:521:07:54

-Weren't as bad as it looked.

-I'll bet.

1:07:541:07:58

MAN YELLS: Go on! Ya!

1:08:091:08:11

BOSS: Two whiskeys, barkeep.

1:08:361:08:38

Barkeep, two whiskeys.

1:08:461:08:48

See that sign?

1:08:521:08:54

Round these parts, free-grazers is the first.

1:08:541:08:57

Ow!

1:09:061:09:07

GLASS SMASHES

1:09:081:09:10

Now, he asked you twice. Ain't going to ask again.

1:09:141:09:18

Hey, Bill. It's all right.

1:09:211:09:24

These are the fellows that saved my dog.

1:09:241:09:26

I couldn't serve them if they saved Jesus himself.

1:09:261:09:29

Mr Baxter would have my job.

1:09:291:09:31

-Baxter the owner?

-That's right.

1:09:311:09:33

Give me a bottle. I'll serve them myself.

1:09:331:09:36

You know I can't do that.

1:09:361:09:38

GLASS SMASHES

1:09:391:09:42

Now we'll have our drinks.

1:09:481:09:50

I'm going to have me another.

1:10:061:10:08

Yes, sir.

1:10:101:10:11

Well, looks like the rain's let up a bit.

1:10:171:10:21

If it don't, there'll be trout fishing right on Main Street.

1:10:211:10:25

ALL LAUGH

1:10:251:10:26

I'd like you to meet my boys.

1:10:261:10:29

-Ray, Cory.

-How are you doing?

1:10:301:10:32

We run a freight outfit when the weather cooperates.

1:10:321:10:35

Boss Spearman. And the marksman here is Charley Waite.

1:10:351:10:39

Is all that true, what you said in the cafe?

1:10:391:10:43

Yeah.

1:10:431:10:44

This kid over at Doc's house

1:10:461:10:47

was put on death's doorstep by Baxter.

1:10:471:10:49

Doc's wife's caring for him

1:10:491:10:51

until he comes back after the storm.

1:10:511:10:53

-Doc's wife?

-Yeah. Miss Barlow.

1:10:531:10:55

You mean Sue?

1:10:551:10:57

That's right.

1:10:571:10:58

She'll make somebody a fine wife, but she ain't the Doc's.

1:10:581:11:03

That's his sister.

1:11:041:11:05

-His sister?

-Ain't his wife.

1:11:051:11:08

-Good evening, Mack.

-Ralph.

1:11:131:11:15

Ray, Cory. Whisky.

1:11:151:11:17

This is Ralph Petersen. He runs the general store.

1:11:171:11:20

That's where I was when the dog got free.

1:11:201:11:22

And you fellows the free-grazers, I expect?

1:11:221:11:25

Oh.

1:11:311:11:32

No offence.

1:11:321:11:34

Personally, I don't stand with others round here

1:11:341:11:36

about free-grazers.

1:11:361:11:38

There was a fight in your store about a week or so back.

1:11:381:11:41

Some of Baxter's men jumped our friend.

1:11:411:11:44

-He was a big fellow.

-Yeah, I saw the whole thing.

1:11:441:11:48

That big fellow drubbed the hell out of them other three.

1:11:481:11:50

Broke one's arm.

1:11:501:11:51

Be a gun hand named Butler, would it?

1:11:511:11:54

That's what they say.

1:11:541:11:56

CLEARS THROAT

1:11:561:11:58

Felt bad about your friend. Is he all right?

1:11:581:12:01

He's dead.

1:12:011:12:03

That's too bad. He seemed like a nice young fellow.

1:12:071:12:10

It's a shame what this town's come to.

1:12:101:12:13

You could do something about it.

1:12:131:12:15

What?

1:12:171:12:19

We're freighters.

1:12:191:12:21

Ralph here's a shopkeeper.

1:12:211:12:23

You're men, ain't you?

1:12:231:12:26

I didn't raise my boys just to see 'em killed.

1:12:261:12:30

Well, you may not know this,

1:12:321:12:34

but there's things that gnaw at a man worse than dying.

1:12:341:12:37

DRAMATIC MUSIC

1:12:491:12:52

Hey!

1:13:021:13:03

-Evening, gents.

-Evening.

1:13:061:13:08

Better get out of this weather

1:13:081:13:09

or your bones will be stiffer than mine come morning.

1:13:091:13:12

Heading into the saloon to do just that.

1:13:121:13:14

Come looking for you boys.

1:13:141:13:16

Would have bought you a drink earlier.

1:13:161:13:18

Well, then, turn around and do it now.

1:13:181:13:20

Marshal's got men waiting back at the livery.

1:13:201:13:23

Another one's in your wagon

1:13:231:13:24

and then there's another in the shed across from it.

1:13:241:13:27

-Marshal with them?

-No.

1:13:271:13:29

He's sitting up there all by his lonesome

1:13:291:13:32

in that warm, dry jailhouse with his feet up

1:13:321:13:35

waiting for them to bring you in.

1:13:351:13:37

Or kill you.

1:13:371:13:38

Well, thanks for the warning.

1:13:381:13:40

Well, like I told you,

1:13:401:13:41

I've never been partial to the marshal's ways.

1:13:411:13:44

Dent Baxter's either.

1:13:441:13:46

You're nearly the only friend we've got in this town.

1:13:461:13:49

I'll be buying a drink or two if you keep it quiet.

1:13:491:13:52

All right?

1:13:521:13:54

Time's come. How you want to play it?

1:13:571:14:00

Well, I work for you, Boss. I play it however you want.

1:14:001:14:03

Nobody works for anybody here, Charley.

1:14:031:14:05

Now, the name Butler mean anything to you?

1:14:051:14:08

You hear names when you're on the other side of things.

1:14:081:14:11

Is he as fast as they...they say?

1:14:111:14:13

He's a killer.

1:14:131:14:14

You'd know him if you saw him?

1:14:141:14:16

He ain't hard to recognise

1:14:161:14:18

if you know what you're looking for.

1:14:181:14:19

Yeah.

1:14:191:14:21

Too bad we could get shot off tonight

1:14:211:14:23

before getting a chance at him and Baxter.

1:14:231:14:25

Sure as hell is.

1:14:251:14:27

I'd like to sit some place dry

1:14:271:14:29

while the marshal's men sit out in this rain.

1:14:291:14:31

Won't be so steady come morning.

1:14:311:14:33

It's a small town.

1:14:331:14:35

Hard to hide even at night in this weather.

1:14:351:14:37

What do you want to do?

1:14:381:14:41

Yep. Heard me an idea that sounded pretty good.

1:14:411:14:44

You did, did you?

1:14:461:14:47

Well, all right.

1:14:501:14:52

VIOLIN MUSIC PLAYS

1:14:521:14:55

He's alone.

1:15:061:15:08

CHARLEY: Get your hands up.

1:15:081:15:10

-You must be plum-crazy!

-Shut up.

1:15:101:15:14

CHAINS RATTLE

1:15:171:15:19

HE GRUNTS

1:15:191:15:22

You're dead men.

1:15:261:15:28

Didn't he tell you to shut up?

1:15:301:15:32

HE GROANS

1:15:331:15:35

-What's that?

-Chloroform.

1:15:361:15:39

Stole it from the Doc's.

1:15:391:15:41

You going to arrest me for that, Marshal?

1:15:431:15:46

HE GROANS

1:15:471:15:49

Jesus!

1:15:501:15:52

HE PANTS, THEN FALLS SILENT

1:15:521:15:56

GENTLE MUSIC

1:15:581:16:01

THUNDER CRACKS

1:16:021:16:06

FOOTSTEPS APPROACH

1:16:081:16:11

DRAMATIC MUSIC

1:16:211:16:24

Well, looky here.

1:16:311:16:34

He's asleep.

1:16:341:16:35

No.

1:16:351:16:36

Looky here.

1:16:381:16:40

Put 'em down.

1:16:411:16:43

This way.

1:16:461:16:48

THUNDER CRACKS

1:16:521:16:55

-BOSS:

-Do you like it?

-CHAIN RATTLES

1:16:591:17:04

MAN GROANS

1:17:071:17:09

Wasn't no call to leave me sitting out like that.

1:17:141:17:17

-There wasn't a lot of time.

-I ain't thick, Charley.

1:17:171:17:20

I hear you.

1:17:251:17:27

Best you remember it.

1:17:271:17:28

Well, I guess you ain't going to let me forget, are you?

1:17:281:17:31

You're starting to enjoy that part, aren't you?

1:17:331:17:36

KNOCK AT DOOR

1:17:361:17:37

-Sorry if we woke you.

-No, no, no, you didn't.

1:17:421:17:45

-Come to see if...

-Come see for yourself.

1:17:451:17:47

BUTTON GROANS

1:17:491:17:50

Hey.

1:17:511:17:54

-Hey, Boss.

-You gave us a fright, pard.

1:17:541:17:57

Thought we were going to lose you.

1:17:571:17:59

Just taking a little nap, that's all.

1:17:591:18:02

It's good to have you back.

1:18:021:18:04

We owe you, Miss Barlow, and we thank you.

1:18:041:18:07

No, you best thank God instead.

1:18:071:18:08

Yes, ma'am. We'll...we'll give that a try.

1:18:081:18:12

Well, I expect you men are hungry.

1:18:121:18:15

Button just ate. I thought I'd make myself some breakfast.

1:18:151:18:18

Two more mouths wouldn't be any bother.

1:18:181:18:20

I'm just going to change.

1:18:211:18:23

You...you should try to sleep.

1:18:231:18:26

He will.

1:18:261:18:28

You do as she says, now.

1:18:281:18:30

Yes, Boss.

1:18:301:18:33

All right.

1:18:331:18:35

-Boss?

-Yeah?

1:18:361:18:38

Mose?

1:18:391:18:41

I'll be along in a minute, Charley.

1:18:411:18:43

Be seeing you, Button.

1:18:441:18:45

THUNDER RUMBLES

1:18:501:18:53

HE SIGHS

1:19:001:19:01

GENTLE STRING MUSIC

1:19:291:19:32

If you don't mind my saying, ma'am, you look...

1:20:441:20:46

..tired.

1:20:481:20:49

Oh. It's been a long night.

1:20:491:20:53

Why don't you sit?

1:20:531:20:55

Let an old cowpoke cook up some breakfast.

1:20:571:20:59

No, I couldn't let you.

1:20:591:21:02

Sure you could.

1:21:021:21:04

Well, thank you.

1:21:061:21:08

Want to apologise for...earlier.

1:21:111:21:14

Oh, no, no. There's no need. You were startled.

1:21:141:21:17

No, it was... it was more than that.

1:21:171:21:20

I'm trying to put some bad times behind me

1:21:231:21:25

but sometimes they don't...stay put.

1:21:251:21:27

It always makes me feel better

1:21:291:21:31

to let things breathe a little, not bury 'em.

1:21:311:21:33

I'm learning that. Trying anyway.

1:21:331:21:36

Well, that's all any of us can do.

1:21:361:21:40

I'm just glad Button's getting better.

1:21:401:21:42

I don't believe I've ever seen Boss so worried.

1:21:431:21:46

Well, the doctor will be on his way home

1:21:471:21:49

as soon as the storm's passed.

1:21:491:21:52

By the doctor, you mean your brother?

1:21:521:21:54

It's just that we've been thinking

1:21:581:22:00

that you and the Doc was...

1:22:001:22:01

husband and wife.

1:22:011:22:03

Oh.

1:22:041:22:06

You did?

1:22:061:22:08

Didn't find out until last night.

1:22:081:22:10

Thought you was married, Sue.

1:22:121:22:13

-Why, no, I'm... I'm not, Charley.

-SHE GIGGLES

1:22:131:22:18

Well, that's good.

1:22:201:22:22

I mean, that's good to know,

1:22:231:22:24

otherwise we'd...otherwise we'd been thinking wrong.

1:22:241:22:27

We wouldn't want to do that.

1:22:271:22:28

No. No. Of course not.

1:22:281:22:30

GENTLE MUSIC

1:22:301:22:33

Much obliged to you, ma'am.

1:22:511:22:53

You're very welcome, Mr Spearman.

1:22:531:22:55

Thank you, Sue.

1:22:571:22:59

Take care of yourself, Charley.

1:23:001:23:02

Are you just going to go off like that without saying nothing?

1:23:141:23:17

Ain't nothing to say.

1:23:171:23:18

I seen how you both look at each other.

1:23:181:23:21

Ain't right to walk away without a word.

1:23:211:23:23

What do you want me to tell her, Boss?

1:23:231:23:26

"We probably ain't going to make it"?

1:23:261:23:29

It'd be a big, fat comfort.

1:23:291:23:31

I don't know what you should tell her, Charley.

1:23:331:23:35

I wish I'd have said more to my wife before she passed.

1:23:351:23:39

This may be the last time she sees you, Charley,

1:23:391:23:42

or you her,

1:23:421:23:43

so tell her whatever you can, cos she's entitled

1:23:431:23:46

to more than just your backside walking away.

1:23:461:23:49

KNOCK AT DOOR

1:23:491:23:51

Charley.

1:23:551:23:56

I'm, er... I'm not sure what's worth saying or not.

1:23:581:24:01

You don't have to say anything, Charley.

1:24:031:24:05

Yeah, I do.

1:24:051:24:06

Boss is right about that.

1:24:061:24:08

He's, er...he's right about a lot of things.

1:24:081:24:11

It's just...

1:24:121:24:13

I'm not who you think I am, Sue.

1:24:181:24:20

I... I've been places, I've done things.

1:24:201:24:22

Most of them, I'm not proud of.

1:24:221:24:24

You know,

1:24:261:24:28

I always hoped somebody gentle and caring might come along.

1:24:281:24:31

Years pass and... small town and all and...

1:24:341:24:38

..your hopes begin to fade a little every day

1:24:401:24:42

until you hardly remember what they were.

1:24:421:24:44

I've seen who you are, Charley.

1:24:451:24:47

The way you looked after that boy.

1:24:471:24:49

And the respect you give Boss.

1:24:491:24:52

They might be little bits,

1:24:521:24:54

but they're enough for a woman who looks.

1:24:541:24:57

Men are going to get killed here today, Sue.

1:25:011:25:03

And I'm going to kill them. You understand that?

1:25:031:25:06

Yes.

1:25:081:25:10

Um, I want you to have this.

1:25:111:25:13

It's always brought me luck.

1:25:141:25:16

I... I can't...take your locket.

1:25:161:25:21

It's not your choice when it's a gift.

1:25:221:25:24

It's a good likeness of you.

1:25:251:25:27

-LAUGHS:

-It's my mother, When she was young.

1:25:271:25:30

She's beautiful.

1:25:331:25:34

I want you to know that if I don't ever see you again

1:25:401:25:44

that I meant everything I said to you.

1:25:441:25:47

And I appreciate everything you said to me.

1:25:471:25:50

Ain't nothing that happened in this old town been a surprise.

1:25:511:25:55

Except you.

1:25:551:25:57

SOLEMN MUSIC

1:25:571:26:00

I'll be seeing you, Charley Waite.

1:26:081:26:10

SENTIMENTAL MUSIC

1:26:101:26:13

-Happy?

-Yeah, well, if you are.

1:26:251:26:28

ROOSTER CROWS, BIRDSONG

1:26:351:26:39

VIOLIN STRINGS SQUEAK

1:26:391:26:42

Good morning, boys.

1:26:511:26:53

Brought you breakfast.

1:26:551:26:57

MEN GROAN

1:26:571:26:58

-MAN:

-Hey, kids, come away from there. Come on.

1:26:581:27:03

You kids head home.

1:27:031:27:05

BOSS HAMMERS NAIL INTO WALL

1:27:091:27:13

What do you suppose this looks like?

1:27:161:27:19

It don't matter.

1:27:191:27:20

Whole town knows there's a fight coming.

1:27:201:27:23

They just hope it don't spill over to them.

1:27:231:27:25

TENSE MUSIC

1:27:251:27:28

BOSS: Well, if I'm going to get killed,

1:27:381:27:40

I got a hankering to soothe my sweet tooth.

1:27:401:27:43

Morning.

1:27:491:27:51

Morning.

1:27:511:27:52

What could I do for you fellows?

1:27:551:27:57

I'm thinking about some candy.

1:27:571:27:59

-Candy?

-Yeah.

1:28:001:28:02

Yes, sir. Candy.

1:28:021:28:05

Got anything you want.

1:28:051:28:06

Got, um, jaw-breakers, gumdrops,

1:28:061:28:09

candy canes, liquorice,

1:28:091:28:12

caramel, honeycrisp, jujubes, lollipops, milk chocolate...

1:28:121:28:16

I'm looking for something special.

1:28:161:28:18

Now, what's the most expensive you got?

1:28:181:28:20

Uh...well, um...

1:28:201:28:24

Ooh! I got just the thing.

1:28:241:28:26

-This is dark chocolate.

-Yeah.

1:28:351:28:37

It comes all the way from Switzerland, Europe.

1:28:371:28:40

That's near France, see.

1:28:401:28:42

They call it bittersweet. Melts in your mouth.

1:28:421:28:46

-You tried it?

-No.

1:28:461:28:49

How do you know it melts in your mouth?

1:28:491:28:51

Uh, well...truth is... we can't afford it ourselves.

1:28:531:28:57

I'll take two.

1:28:571:28:59

-Don't you want to know how much?

-No.

1:29:001:29:02

Yes, sir.

1:29:031:29:06

And three of your finest cigars.

1:29:061:29:08

My friend and me got a hankering for Switzerland chocolate...

1:29:081:29:12

and a good smoke.

1:29:121:29:14

Now, these come all the way from Havana, Cuba.

1:29:221:29:25

Thank you.

1:29:251:29:27

-Anything else?

-No, that'll do.

1:29:271:29:30

How much I owe you?

1:29:301:29:32

It's...it's 5.

1:29:321:29:33

Charley. Go on.

1:29:391:29:41

Believe I'll enjoy these later, Boss.

1:29:421:29:44

You ought to do yourselves a favour

1:29:471:29:49

and ride on while you still got time.

1:29:491:29:51

We tried minding our own business, hey.

1:29:511:29:54

Hell, this is good. Worth every penny.

1:29:571:29:59

You can get yourselves killed.

1:30:041:30:06

Try that.

1:30:061:30:07

Oh.

1:30:071:30:08

Sitting right here in front of you

1:30:121:30:14

and never even tried it.

1:30:141:30:16

Shame to go forever without taking a taste of something.

1:30:161:30:20

Charley, let's go.

1:30:271:30:29

TENSE MUSIC

1:30:291:30:32

-Percy?

-Up here.

1:30:331:30:35

I brought you a cigar.

1:30:351:30:37

-All the way from Havana, Cuba.

-You don't say!

1:30:371:30:39

I've heard about them, but I never had one.

1:30:391:30:42

Much obliged to you.

1:30:421:30:43

SNIFFS: What do you think?

1:30:431:30:45

Better than them crappers I usually smoke.

1:30:451:30:48

You're going to make your stand down here?

1:30:481:30:50

Yeah. Out there, around our wagon.

1:30:501:30:52

Not much choice without getting a lot of innocent folks shot up.

1:30:521:30:55

Like to place some guns and ammo

1:30:551:30:57

where we can get to it on a short run.

1:30:571:31:00

Help yourself.

1:31:001:31:01

We'll try to stay out of your barn. Might not be able to.

1:31:011:31:04

Best bring in your livestock.

1:31:041:31:07

-Be wishing you good luck now.

-Thank you.

1:31:071:31:10

SOLEMN MUSIC

1:31:141:31:17

It's a pretty day for makin' things right.

1:31:291:31:32

Well, enjoy it, because once it starts

1:31:321:31:34

it's going to be messy like nothing you've ever seen.

1:31:341:31:37

Well, I ain't survived my years

1:31:371:31:39

without being in some fights, Charley.

1:31:391:31:41

I ain't doubtin' your grit, Boss.

1:31:431:31:44

You've got more than any man I've ever known.

1:31:441:31:47

It's just that...

1:31:471:31:48

I don't mean to be hard,

1:31:481:31:50

it's just the other night,

1:31:501:31:52

them fellows back in them trees we let go...

1:31:521:31:54

It was my call, Charley.

1:31:541:31:55

I can see now it was probably a mistake.

1:31:551:31:58

That's not what I meant. I mean, maybe it was.

1:31:581:32:01

But the fact is, it's what I always respected about you,

1:32:011:32:04

what I always appreciated -

1:32:041:32:06

how you treated other people,

1:32:061:32:08

how you...treated me.

1:32:081:32:10

How you never looked for no trouble

1:32:101:32:13

and...that kept me from trouble.

1:32:131:32:15

But it's found us here, Boss,

1:32:161:32:18

and if we're to have any chance, you'll...

1:32:181:32:20

You go on and talk, Charley. I hear you.

1:32:201:32:23

I'm almost certain

1:32:241:32:26

they'll be overly confident in their numbers.

1:32:261:32:28

Especially if we're standing right out here in front of them.

1:32:281:32:31

It's not like we'll have any advantage,

1:32:311:32:33

but if they're out there with us,

1:32:331:32:35

then they won't have as much as they might have otherwise.

1:32:351:32:37

I don't figure all of them to be killers -

1:32:371:32:40

maybe two or three like Butler will have done much.

1:32:401:32:42

I'll be lookin' to him.

1:32:421:32:44

The others will be hired men, probably -

1:32:451:32:47

saddle tramps, maybe ex-army.

1:32:471:32:49

The rest'll be cowpunchers.

1:32:501:32:52

They won't want to line up in front of us.

1:32:521:32:54

It'll happen fast once I start,

1:32:561:32:58

so just keep yourself moving forward.

1:32:581:33:00

And they'll either move or root -

1:33:001:33:02

maybe even freeze up.

1:33:021:33:04

It don't matter which.

1:33:041:33:06

You just start writing it on them with that scattergun.

1:33:061:33:09

When you've done both barrels,

1:33:091:33:11

drop it, pull your pistol

1:33:111:33:12

and make a run for that building where we stashed them others.

1:33:121:33:16

I'll be doing the same if I can.

1:33:161:33:18

Right.

1:33:181:33:19

Sounds like you've got it all worked out.

1:33:191:33:22

Yeah. Except the part where we don't get killed.

1:33:231:33:26

Heh! Best smoke these while we got the chance.

1:33:261:33:30

Yeah.

1:33:321:33:33

OMINOUS MUSIC

1:33:331:33:36

-BOSS:

-I'm thinkin' about

1:33:571:33:59

gettin' out of the damn cattle business.

1:33:591:34:01

You never said nothin' except nag me and Button

1:34:041:34:07

about gettin' ourselves out.

1:34:071:34:08

Well, maybe my own words struck a chord.

1:34:081:34:11

Heh.

1:34:111:34:13

Thought maybe I'd sell off the cattle

1:34:131:34:15

and have enough to start up a saloon somewhere.

1:34:151:34:17

A man could stay cool in the summer

1:34:171:34:20

and dry in the winter.

1:34:201:34:22

LAUGHS QUIETLY

1:34:231:34:25

And some dancin' girls might be nice.

1:34:251:34:27

-You know?

-HE LAUGHS

1:34:271:34:29

Have to get me some.

1:34:291:34:31

BOTH LAUGH

1:34:311:34:33

Ah!

1:34:331:34:35

POIGNANT MUSIC

1:34:351:34:38

-PERCY READS:

-"If I die, please sell my good horse

1:34:401:34:44

"and my good saddle and my guns

1:34:441:34:47

"to buy a tea set for Miss Barlow.

1:34:471:34:52

"Charley Waite.

1:34:521:34:55

"Postscript. I like this one, but I don't know.

1:34:581:35:04

"Princess pattern."

1:35:041:35:07

Oh, hell!

1:35:121:35:13

What's the matter?

1:35:131:35:15

Oh. Looks like you waited too long.

1:35:171:35:19

Kinda like us and free-grazing.

1:35:191:35:22

BOSS CHUCKLES

1:35:221:35:23

Well, good is good, melted or not.

1:35:231:35:27

BUTLER LAUGHS RASPINGLY

1:35:301:35:34

Looks like you're plum chained to your work, Marshal.

1:35:371:35:40

-BAXTER:

-Get up, Poole!

1:35:401:35:42

He ain't worth a damn.

1:35:421:35:44

Get 'em all up!

1:35:441:35:46

Sobered up!

1:35:461:35:48

Ooooh!

1:35:491:35:51

I got a feeling there's going to be a new marshal in town.

1:35:531:35:56

HE LAUGHS

1:35:561:35:58

Right! It's time to settle these free-grazers.

1:35:591:36:03

Now you leave your horses!

1:36:031:36:05

FOREBODING MUSIC

1:36:051:36:07

We're walkin' down to their wagon.

1:36:071:36:09

When we get there, you better empty your guns in them,

1:36:091:36:12

or I'll damn well shoot you myself.

1:36:121:36:14

Right, now, you three skirt the buildings.

1:36:181:36:21

Get into the alleys on the side.

1:36:211:36:23

Go on.

1:36:231:36:24

SUSPENSEFUL MUSIC

1:36:241:36:27

CLANG!

1:36:451:36:46

Hayley! Come away from there.

1:36:531:36:56

We'll finish these later.

1:36:591:37:00

I'm not going to my maker without knowin' your given name.

1:37:071:37:11

Mine ain't Waite. It's Postelwaite.

1:37:111:37:14

Charles Travis Postelwaite.

1:37:141:37:16

What's yours?

1:37:161:37:17

It sure ain't Boss.

1:37:171:37:20

I mean it, Boss. I'm askin' you straight up.

1:37:241:37:27

It's Bluebonet.

1:37:271:37:29

-Bluebonet?

-Bluebonet, yeah.

1:37:311:37:33

-No middle name?

-No. Just Bluebonet Spearman.

1:37:341:37:37

And don't you tell no-one.

1:37:371:37:39

I want to hear you swear an oath now. Go on.

1:37:401:37:43

-All right?

-I swear it.

1:37:431:37:45

Right. OK.

1:37:451:37:47

Just in case.

1:37:491:37:51

TENSE MUSIC BUILDS

1:37:511:37:54

You said eight. I count five.

1:38:071:38:08

You should have run when you had the chance, Spearman.

1:38:151:38:18

Not much for runnin' from cowards.

1:38:181:38:20

I see the marshal ain't with you.

1:38:221:38:24

You won't find it so funny

1:38:241:38:26

when you're all shot to hell and dyin'.

1:38:261:38:28

Are you the one killed our friend?

1:38:411:38:43

That's right. I shot the boy too, and I enjoyed it.

1:38:431:38:47

RAPID GUNFIRE

1:38:551:38:58

BOSS GROANS

1:39:311:39:32

HORSE WHINNIES

1:39:321:39:35

GUNSHOT

1:39:351:39:37

HORSE WHINNIES

1:39:431:39:45

TENSE MUSIC

1:39:511:39:54

HE GROANS

1:40:001:40:03

-WOMAN:

-Hayley!

1:40:161:40:17

Back up!

1:40:201:40:22

GUNFIRE

1:40:221:40:25

Where's the back door? Back door?!

1:40:261:40:28

Right this way.

1:40:281:40:29

GUNSHOT

1:40:351:40:36

Aaagh!

1:40:461:40:48

HE WINCES AND GROANS

1:40:481:40:50

It's locked.

1:40:521:40:54

SOMBRE MUSIC

1:41:011:41:03

RIFLE CLICKS

1:41:031:41:04

You hit?

1:41:121:41:13

I'm good.

1:41:131:41:15

-BAXTER:

-You!

1:41:181:41:19

You get out of this house!

1:41:241:41:26

HE BREATHES RAPIDLY

1:41:261:41:29

You pull that trigger, Baxter,

1:41:321:41:34

and you can forget about me patching you up.

1:41:341:41:37

You get your bag, go with me. Go on.

1:41:401:41:44

GUNSHOT

1:41:471:41:48

GUNSHOT

1:41:531:41:55

SUSPENSEFUL MUSIC

1:41:551:41:58

SUSPENSEFUL MUSIC

1:42:231:42:26

DRAMATIC MUSIC

1:42:351:42:37

GUNSHOTS ECHO

1:42:571:43:00

TENSE MUSIC, GUNSHOTS

1:43:121:43:15

BREAKS GLASS

1:43:151:43:16

FIRES GUN

1:43:161:43:18

Get the hell up, Poole. On your feet, goddammit!

1:43:361:43:39

Get up!

1:43:431:43:44

You...you're goin' out there.

1:43:451:43:48

We ain't ourselves yet!

1:43:481:43:51

DARK MUSIC

1:43:511:43:54

I see they hobbled you.

1:44:121:44:13

It's been a while since I was in a fight.

1:44:131:44:16

I panicked. Fell back like to broke my foot.

1:44:161:44:19

Ornery old fool.

1:44:191:44:20

Well, that damn Cuban cigar got me riled up.

1:44:201:44:23

HE GROANS

1:44:241:44:26

-Charley?

-You two wait here.

1:44:271:44:30

-BOSS:

-Hold on there, Charley. Hold on!

1:44:301:44:32

I ain't lookin' over my shoulder the rest of my days.

1:44:321:44:35

Charley?

1:44:351:44:36

You said we was going to kill 'em all. I aim to do just that.

1:44:361:44:40

Kill 'em, not murder 'em.

1:44:401:44:42

Splittin' hairs, ain't you, Boss?

1:44:421:44:44

Mister, I heard what you said.

1:44:441:44:47

I won't come after you, I promise.

1:44:481:44:50

No, I expect you won't.

1:44:501:44:52

I can't let you do it, Charley.

1:44:521:44:54

Do this, you ain't no different than Poole, Baxter

1:44:541:44:56

or that gun hand of his that murdered Mose.

1:44:561:44:59

Him killin' Mose is how this started.

1:45:001:45:02

We've come for justice, not vengeance.

1:45:021:45:03

Now them is two different things.

1:45:031:45:05

Not today they ain't.

1:45:051:45:07

-Step aside!

-Listen to him, Son.

1:45:091:45:10

You done what you had to here

1:45:101:45:12

because they give you no choice.

1:45:121:45:14

Don't go making this into something bad.

1:45:141:45:16

TENSE MUSIC

1:45:161:45:18

This ain't the way, pard.

1:45:181:45:20

SUSPENSEFUL MUSIC

1:45:201:45:23

HORSE GRUNTS

1:45:271:45:30

HE GRUNTS AND GASPS

1:45:301:45:32

Mister, thank you.

1:45:321:45:34

Thank you.

1:45:341:45:36

Didn't do it for you, boy.

1:45:361:45:38

You best make peace with your bad deeds.

1:45:381:45:40

Sue!

1:45:431:45:45

Get in here!

1:45:461:45:47

Oh, my God!

1:45:471:45:49

TENSE MUSIC

1:45:511:45:54

Get out of the way.

1:45:581:45:59

Button!

1:46:011:46:02

CLICKS GUN

1:46:021:46:03

GUNSHOT ECHOES

1:46:031:46:05

DRAMATIC MUSIC

1:46:051:46:08

GUNSHOTS

1:46:111:46:13

SHOUTING

1:46:161:46:19

-MAN:

-Let the lady go free!

1:46:201:46:22

-Let the lady be!

-Put it down.

1:46:301:46:32

GUN COCKS

1:46:441:46:46

SHE PANTS

1:47:051:47:08

SOMBRE MUSIC

1:47:081:47:11

HORSES NEIGH AND RUN

1:47:191:47:22

-BAXTER:

-We've got your boy, Spearman.

1:47:271:47:29

You'd better drop them guns

1:47:391:47:40

and come walking down the street or I'll shoot him.

1:47:401:47:43

You've got ten seconds.

1:47:441:47:46

We ain't giving up our guns.

1:47:471:47:49

He's going to kill Button anyway.

1:47:501:47:52

-BAXTER:

-One!

1:47:521:47:53

The only chance for him or us

1:47:531:47:55

when we walk there is these guns.

1:47:551:47:57

Two!

1:47:571:47:58

Three!

1:48:001:48:01

Sue!

1:48:021:48:03

-SUE:

-Stop! Stop it!

1:48:031:48:06

Stop it right now.

1:48:061:48:08

Four!

1:48:141:48:15

Sue.

1:48:161:48:18

You're a disgrace, Marshal Poole.

1:48:191:48:21

You always have been.

1:48:211:48:23

I know it. That's just the way it is.

1:48:241:48:27

Five!

1:48:281:48:30

Six!

1:48:321:48:34

TENSE MUSIC

1:48:341:48:37

Have a nice rest, did you, Marshal?

1:48:561:48:58

You'll be having a long one yourself in a minute.

1:48:581:49:01

Been enough killing for you?

1:49:011:49:03

Enough when you're both dead and buried.

1:49:031:49:06

Let the woman and boy go. They ain't part of this.

1:49:081:49:11

If you want considerations,

1:49:111:49:12

you drop them guns on the ground.

1:49:121:49:15

Let her take him to the Doc's.

1:49:151:49:17

The Doc's in jail.

1:49:171:49:18

He ain't leaving unless your guns are in the dirt.

1:49:181:49:21

I'll crush any man who stands with them.

1:49:231:49:26

When I've finished with you, I'll torch your homes

1:49:261:49:28

and drive your wives and children

1:49:281:49:30

out into the cold prairie.

1:49:301:49:33

So you women,

1:49:331:49:34

you'd better take hold of your men.

1:49:341:49:36

If you don't, you'll be raising orphans by winter.

1:49:361:49:39

-LAUGHS:

-Mack Langley!

1:49:391:49:42

It doesn't matter whether you run or stay,

1:49:431:49:46

you and your boys are already dead!

1:49:461:49:49

Mack Langley is our friend.

1:49:501:49:52

I didn't come all the way from Ireland

1:50:031:50:05

to see my land pissed on by free-grazers.

1:50:051:50:09

Now, I want them guns in the dirt.

1:50:101:50:13

Him first - the gun hand.

1:50:151:50:18

SUSPENSEFUL MUSIC

1:50:221:50:25

Looks like you're losing your army, Marshal.

1:50:591:51:01

GUNSHOT

1:51:041:51:05

-GROANS: Oh!

-It went through?

1:51:571:52:00

Yeah.

1:52:001:52:01

Is he hit, Sue?

1:52:011:52:04

-Sue, is he hit?!

-SUE:

-No, no.

1:52:051:52:07

But he's bleeding bad again.

1:52:071:52:09

Goddammit. Well, can you stop it?

1:52:091:52:11

I'm trying.

1:52:111:52:12

I'm going to kill you, Baxter.

1:52:121:52:14

Well, come on, if you're coming!

1:52:141:52:17

-GROANS:

-Can you cover me?

1:52:201:52:22

It'd be best to wait him out. Probably bleed to death.

1:52:221:52:25

HISSES IN PAIN: Arggh!

1:52:251:52:28

I ain't waiting. Button needs that doctor right now.

1:52:281:52:31

Well, you know, that door's locked.

1:52:311:52:32

Well, it won't be when the scattergun hits it.

1:52:321:52:35

-BAXTER:

-I'm waiting for you, Spearman!

1:52:351:52:37

I'm coming for you, you son of a bitch!

1:52:401:52:42

-OK, Charley?

-GROANS: Yeah.

1:52:451:52:49

Ready?

1:52:491:52:50

Yeah. HE GROANS

1:52:511:52:53

MOMENTOUS MUSIC

1:52:531:52:56

CHAMBER CLICKS

1:53:311:53:32

BOTH CHAMBERS CLICK

1:53:321:53:34

-I'm... I'm dying.

-And for what - more cows?!

1:53:451:53:50

You killed a good man

1:53:501:53:52

and maybe that boy out there out yonder.

1:53:521:53:54

You get no sympathy from me.

1:53:541:53:56

-KICKS GUN AWAY

-Get!

1:53:561:53:58

You're...you're nothing.

1:53:581:54:02

Yeah? Maybe so.

1:54:021:54:04

But I'll still be breathing in another minute.

1:54:041:54:06

-PANTING:

-Well, k-kill me then.

1:54:061:54:10

COCKS GUN

1:54:121:54:13

(No.)

1:54:181:54:20

I ain't wasting a good bullet

1:54:211:54:23

to ease your pain, you son of a bitch.

1:54:231:54:25

BAXTER GROANS

1:54:251:54:26

GENTLE MUSIC

1:54:331:54:36

GUNSHOTS

1:55:161:55:19

Your man's in the saloon.

1:56:251:56:27

Ordered everybody out.

1:56:281:56:30

Asked to see your...your sister if she's willing.

1:56:321:56:35

Um, he'd like to speak with you, Miss Barlow,

1:56:421:56:44

if you ain't offended by entering a saloon.

1:56:441:56:47

Sue.

1:56:561:56:57

-Doc.

-Bring him on up.

1:57:011:57:04

Put him in there. We'll make room.

1:57:041:57:06

-Baxter got any kin?

-A daughter is all he has left.

1:57:141:57:18

Wouldn't be bad if somebody explained things to her.

1:57:181:57:20

There never was any love lost between them.

1:57:201:57:22

Even so, she's his daughter and kin is funny about such things.

1:57:221:57:28

DOOR SLAMS

1:57:561:57:58

CHARLEY GROANS

1:58:041:58:06

I didn't mean for you to have to

1:58:101:58:12

walk into this place in front of all those people.

1:58:121:58:14

I don't care what anyone out there thinks, Charley.

1:58:141:58:17

You don't have to stand up for me.

1:58:171:58:20

Well, just the same, I wanted to...tell you

1:58:221:58:24

that I'll be leaving in a day or two.

1:58:241:58:27

I'd like you to stay.

1:58:341:58:35

I think others would too.

1:58:351:58:38

I can't say I haven't thought about it.

1:58:401:58:43

The truth is there wouldn't be a corner here

1:58:431:58:45

that don't have a bad memory for me.

1:58:451:58:47

I've been holding my love a long time, Charley.

1:58:511:58:54

I know you feel something for me too.

1:58:561:58:58

I do.

1:59:011:59:03

But I ain't no more than those who come to kill us.

1:59:051:59:08

You've seen that yourself.

1:59:081:59:09

Maybe you've done some bad things.

1:59:091:59:12

Maybe worse than bad,

1:59:121:59:14

but what happened here today wasn't one of them.

1:59:141:59:16

And those killings, they don't...give you pause?

1:59:201:59:24

I'm not afraid of you, Charley.

1:59:251:59:28

QUIET MUSIC

1:59:331:59:36

Brought me luck.

1:59:441:59:46

Just like you said.

1:59:461:59:47

It's yours now. You keep it.

1:59:501:59:53

I don't have the answers, Charley.

1:59:592:00:01

But I know that people get confused in this life

2:00:012:00:03

about what they want and what they've done,

2:00:032:00:07

and what they think they should've because of it.

2:00:072:00:10

Everything they think they are or did takes hold so hard

2:00:102:00:15

that it won't let them see what they can be.

2:00:152:00:18

SHE SIGHS

2:00:202:00:22

I've got a big idea about us, Charley.

2:00:232:00:25

And I'm not going to wait forever, but I am going to wait.

2:00:272:00:31

And when you're far away, I want you to think about that.

2:00:312:00:35

And...come back to me.

2:00:372:00:40

BIRDS CHIRP

2:02:302:02:32

HORSE WHINNIES

2:02:402:02:42

HOPEFUL MUSIC

2:02:512:02:54

I'm in love with you, Sue.

2:03:112:03:13

Been that way since I first laid eyes on you.

2:03:152:03:17

It just...took me a while to see...see things clear.

2:03:172:03:21

I know I'm not the kind of man

2:03:242:03:26

you expected to walk up your front walk.

2:03:262:03:28

If I was your brother, I wouldn't choose me for you.

2:03:282:03:32

Charley...

2:03:372:03:39

..do you know how old I am?

2:03:402:03:43

I don't care how old you are.

2:03:432:03:46

I'm not a girl any more.

2:03:472:03:49

You're the handsomest woman I ever saw.

2:03:502:03:53

I've had my disappointments, Charley.

2:03:532:03:55

Well, I'm not going to be one of them.

2:03:552:03:58

I never thought I'd live as long as I have, Sue.

2:04:002:04:03

I guess living the way I have, it never really mattered.

2:04:032:04:07

But riding away thinking I was never going to see you again

2:04:092:04:12

was maybe the...was maybe the most awful feeling

2:04:122:04:15

I've ever had in my life.

2:04:152:04:17

I know I can be a good husband to you.

2:04:212:04:25

And I know I ain't asked you proper

2:04:272:04:29

but...I'm asking you now.

2:04:292:04:32

Will you marry me, Sue?

2:04:372:04:39

-LAUGHS:

-Charley.

2:04:412:04:44

Yes.

2:04:442:04:45

I'll marry you.

2:04:472:04:48

Can I kiss you?

2:04:532:04:55

I'm going to... I'm going to give you a thousand of these

2:05:152:05:18

before I'm done.

2:05:182:05:20

Hey, Charley, looks like the Doc changed his mind about you.

2:05:412:05:46

Something wrong?

2:05:532:05:54

No. Everything's fine.

2:05:542:05:56

I forgot to say I'll have word about the saloon

2:05:562:05:58

by the time you get back.

2:05:582:06:00

Sounds good.

2:06:002:06:01

You take care now.

2:06:032:06:04

Charley.

2:06:062:06:08

-Sue.

-I'll be along.

2:06:082:06:11

Saloon?

2:06:162:06:18

Told you I was wanting out of the cattle business.

2:06:182:06:21

Funny thing is, the saloon back there just had its owner die.

2:06:212:06:24

Hoping you'd be my partner.

2:06:242:06:27

I can't afford something like that.

2:06:302:06:32

Not even half.

2:06:322:06:34

Well, we'll let the brains of the outfit do the thinking.

2:06:342:06:38

-Sue?

-SHE LAUGHS

2:06:382:06:40

You are coming back, aren't you?

2:06:462:06:48

Then I'll be waiting for you, Charles Postelwaite.

2:06:502:06:53

You bucketmouth!

2:06:552:06:57

Can't keep nothing private.

2:06:592:07:01

I gotta go. You gotta go back now.

2:07:062:07:09

I don't want you to lose sight of the rooftops.

2:07:092:07:12

I mean it, Sue. You gotta go.

2:07:152:07:18

ROMANTIC MUSIC

2:07:202:07:21

How's this...how's this going to work if you don't do what I say?

2:07:232:07:28

LAUGHS

2:07:292:07:31

I told you I'll give you

2:07:382:07:40

a thousand of these before I'm done.

2:07:402:07:42

I'm going to make sure you do.

2:07:422:07:44

Let's go get our cows.

2:08:212:08:23

MUSIC BUILDS

2:08:232:08:26

GENTLE GUITAR MUSIC

2:09:002:09:03

# Like a night waiting

2:09:092:09:14

# For the sun to rise

2:09:142:09:18

# I felt it stream in

2:09:182:09:20

# Through the light of your eyes

2:09:202:09:25

# Yes and night is a canyon

2:09:272:09:32

# Only dreams should fill

2:09:322:09:36

# When hope lay still, this heart stayed true

2:09:382:09:46

# Been holding all my love for you

2:09:472:09:55

# Restless rivers rush beneath midnight rains

2:09:572:10:05

# Dreams left for lost start to flow in again... #

2:10:052:10:10

Subtitles by Red Bee Media Ltd

2:10:102:10:13

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2:10:132:10:16

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