Browse content similar to Open Range. Check below for episodes and series from the same categories and more!
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MAJESTIC MUSIC | 0:00:10 | 0:00:15 | |
THUNDER ROLLS | 0:00:34 | 0:00:37 | |
Think she'll get over this way? | 0:00:55 | 0:00:58 | |
Might. | 0:01:02 | 0:01:03 | |
Best bed them down. | 0:01:03 | 0:01:05 | |
SWEEPING MUSIC | 0:01:05 | 0:01:10 | |
THUNDER CRACKS | 0:01:43 | 0:01:46 | |
Come on, Tig. | 0:01:57 | 0:01:59 | |
THUNDER | 0:02:21 | 0:02:24 | |
THUNDER CRACKS VIOLENTLY | 0:02:33 | 0:02:34 | |
HORSES WHINNY | 0:02:34 | 0:02:35 | |
WHIMPERS | 0:02:35 | 0:02:37 | |
There she goes. | 0:02:38 | 0:02:40 | |
Looks like we're in for it. | 0:02:45 | 0:02:47 | |
You see 'em? | 0:03:06 | 0:03:07 | |
I can't see 'em. I can't hear 'em. | 0:03:10 | 0:03:12 | |
You ever seen one this bad? | 0:03:12 | 0:03:15 | |
Not since Noah and the flood. | 0:03:16 | 0:03:18 | |
Well, you should know, Boss. Since you was there. | 0:03:19 | 0:03:22 | |
What did you say? | 0:03:24 | 0:03:25 | |
He said, "You should know since you was there." | 0:03:25 | 0:03:28 | |
Even that wasn't this damn wet. | 0:03:34 | 0:03:36 | |
One thing's certain, | 0:03:36 | 0:03:38 | |
Noah never shovelled as much bull from them he had aboard. | 0:03:38 | 0:03:42 | |
Let's rustle up some grub. | 0:03:43 | 0:03:45 | |
Mose! | 0:03:46 | 0:03:47 | |
Hey! | 0:03:48 | 0:03:50 | |
-That hurt? -Yeah. | 0:03:52 | 0:03:53 | |
Mose. Still got them cards? | 0:03:53 | 0:03:56 | |
Yeah, I got them. | 0:03:56 | 0:03:57 | |
Yeah? Get them out. Let's have us a game after breakfast. | 0:03:57 | 0:04:00 | |
THUNDER CRACKS | 0:04:00 | 0:04:03 | |
-BOSS: -Button! | 0:04:13 | 0:04:15 | |
Pull them plates under here. | 0:04:15 | 0:04:17 | |
You going to play them cards, Mose, | 0:04:21 | 0:04:23 | |
or stare a hole through 'em? | 0:04:23 | 0:04:25 | |
Don't rush me. | 0:04:25 | 0:04:26 | |
I'll take four. | 0:04:30 | 0:04:31 | |
Oh, for pity's sakes. "Take four." | 0:04:32 | 0:04:35 | |
All right, that's it. | 0:04:41 | 0:04:43 | |
I'm out. | 0:04:45 | 0:04:46 | |
Hey, kid... | 0:04:47 | 0:04:49 | |
A man's trust is a valuable thing, Button. | 0:04:54 | 0:04:56 | |
You don't want to lose it for a handful of cards. | 0:04:56 | 0:04:59 | |
BIRDS CHIRP | 0:05:13 | 0:05:16 | |
Well, at least it ain't raining. | 0:05:55 | 0:05:57 | |
Get yourself dressed, Button. | 0:06:00 | 0:06:01 | |
Help Mose get things cleaned up around here, | 0:06:01 | 0:06:04 | |
then walk out and look for them horses. | 0:06:04 | 0:06:06 | |
-MOSE: -Looks like you could use a little muscle there, Charley. | 0:06:19 | 0:06:22 | |
You just keep on like you are. | 0:06:26 | 0:06:28 | |
You'll get your chance soon enough. | 0:06:29 | 0:06:32 | |
No need to ask for more chores, Mose. | 0:06:37 | 0:06:39 | |
Every man's got to pull his weight, Button. | 0:06:39 | 0:06:42 | |
Yeah, but my weight is half of yours. | 0:06:42 | 0:06:44 | |
You know, it's hard to figure Charley sometimes. | 0:06:48 | 0:06:52 | |
I ain't even sure if he likes me. | 0:06:52 | 0:06:54 | |
He likes you. | 0:06:54 | 0:06:56 | |
You know, Boss had some pause about hiring me on. | 0:06:57 | 0:07:01 | |
Too big to get around on horses and work them cows. | 0:07:02 | 0:07:05 | |
Afraid I'd eat too much. | 0:07:06 | 0:07:08 | |
Charley there talked him into it. | 0:07:09 | 0:07:11 | |
I ain't one to take a man's confidence lightly. | 0:07:11 | 0:07:14 | |
-You know I ain't either. -I know. | 0:07:14 | 0:07:16 | |
It's best to keep remembering it | 0:07:16 | 0:07:17 | |
if you want respect | 0:07:17 | 0:07:19 | |
when you're riding with men like Charley and Boss. | 0:07:19 | 0:07:21 | |
GENTLE MUSIC | 0:07:36 | 0:07:39 | |
Button, pull! | 0:07:51 | 0:07:53 | |
GROANS: Pull. | 0:07:54 | 0:07:55 | |
Button! | 0:07:55 | 0:07:57 | |
Button! | 0:07:58 | 0:07:59 | |
Quit playing with that dog and pull the wagon! | 0:07:59 | 0:08:02 | |
DOG BARKS Pull it! | 0:08:07 | 0:08:08 | |
-Pull! -Oh, yeah. | 0:08:14 | 0:08:16 | |
Hey! Hey! Look at that! | 0:08:30 | 0:08:32 | |
ROUSING MUSIC | 0:08:32 | 0:08:35 | |
Old Boss sure can cowboy, can't he? | 0:09:03 | 0:09:05 | |
Yeah, broke the mould after him. | 0:09:06 | 0:09:09 | |
Main bunch is working its way towards water. | 0:09:23 | 0:09:26 | |
We'll go up country, find the rest of them, push 'em back. | 0:09:26 | 0:09:29 | |
-BUTTON: -I'm waiting, come on! | 0:09:29 | 0:09:31 | |
Look at that. | 0:09:31 | 0:09:33 | |
Goddamn kids. | 0:09:35 | 0:09:37 | |
Anyway, once we get them together, | 0:09:37 | 0:09:38 | |
we can start driving them back, closer to camp. | 0:09:38 | 0:09:41 | |
Could be a while before we see another town. | 0:09:41 | 0:09:44 | |
Could use supplies, coffee and such. | 0:09:44 | 0:09:46 | |
MOSE AND BUTTON LAUGH | 0:09:46 | 0:09:48 | |
Mose! | 0:09:48 | 0:09:49 | |
Mose! | 0:09:50 | 0:09:51 | |
You'll have to ride back to that town we passed a way's back. | 0:09:56 | 0:10:00 | |
-When do you want me to go? -Tonight. | 0:10:00 | 0:10:02 | |
-BUTTON: -I'll go. | 0:10:03 | 0:10:04 | |
I can go. | 0:10:04 | 0:10:06 | |
How long you figure, Charley? | 0:10:06 | 0:10:08 | |
Without cows slowing things, maybe one day there, one back. | 0:10:08 | 0:10:12 | |
That sounds about right. | 0:10:12 | 0:10:13 | |
Come on, Boss. I can do it. | 0:10:13 | 0:10:15 | |
Sure you can, boy. | 0:10:15 | 0:10:17 | |
I'm just not sure that town's ready | 0:10:17 | 0:10:19 | |
to have you turned loose on it just yet. | 0:10:19 | 0:10:22 | |
-HE SWEARS IN SPANISH BOSS: -English! | 0:10:22 | 0:10:24 | |
-BUTTON: -Damn! Shit! Bullshit! | 0:10:24 | 0:10:27 | |
CATTLE BELLOW | 0:10:34 | 0:10:36 | |
STIRRING MUSIC | 0:10:36 | 0:10:38 | |
By God, if you're going to pick your feet like a monkey, | 0:11:38 | 0:11:41 | |
you do it downwind. | 0:11:41 | 0:11:42 | |
I swear to God, old Tig takes better care of herself. | 0:11:46 | 0:11:49 | |
It was a mistake | 0:11:50 | 0:11:52 | |
not getting you on to some town to learn a trade. | 0:11:52 | 0:11:54 | |
I don't like towns. Never liked them. | 0:11:54 | 0:11:57 | |
You're just saying that cos you heard me say it. | 0:11:57 | 0:11:59 | |
Get yourself a trade in a town, | 0:11:59 | 0:12:01 | |
you'll always have a roof over your head, | 0:12:01 | 0:12:03 | |
bed off the ground and food as close as a cafe. | 0:12:03 | 0:12:06 | |
Ain't that so, Charley? | 0:12:08 | 0:12:09 | |
That was a big goddamn help. | 0:12:12 | 0:12:14 | |
Might as well talk to this horse. | 0:12:14 | 0:12:16 | |
Put your boot on, Button. Let's go to work. | 0:12:17 | 0:12:19 | |
Of course, if you was to live in a town... | 0:12:22 | 0:12:25 | |
..you'd have to clean up some. | 0:12:26 | 0:12:28 | |
Otherwise no-one could stand the stink. | 0:12:30 | 0:12:32 | |
What you do that for?! | 0:12:42 | 0:12:43 | |
Cheatin' at cards. | 0:12:50 | 0:12:52 | |
Ch...? | 0:12:56 | 0:12:57 | |
Ch...but... | 0:12:57 | 0:12:59 | |
I apologised to you for that! | 0:12:59 | 0:13:01 | |
Hey, Boss, I apologised to him for that. | 0:13:03 | 0:13:05 | |
Evidently, he ain't over it yet. | 0:13:05 | 0:13:07 | |
It's getting dark, Boss. | 0:13:26 | 0:13:28 | |
He could have got hurt between that town and the camp. | 0:13:29 | 0:13:32 | |
Probably just taking his time. | 0:13:32 | 0:13:34 | |
Don't suppose he got into a poker game, do you? | 0:13:34 | 0:13:37 | |
Wouldn't gamble your money, Boss. | 0:13:37 | 0:13:40 | |
-BUTTON: -What if he's lying out there | 0:13:41 | 0:13:43 | |
waiting for us to come along? | 0:13:43 | 0:13:44 | |
We'll never find him at night, Button. | 0:13:44 | 0:13:46 | |
Come on down from there. | 0:13:46 | 0:13:48 | |
He's worried. | 0:13:48 | 0:13:50 | |
-Are you worried? -Yeah, I'm worried. | 0:13:50 | 0:13:52 | |
Been worried since yesterday. | 0:13:52 | 0:13:54 | |
You should have sent me. | 0:13:54 | 0:13:55 | |
Mose can look out for himself. | 0:13:55 | 0:13:57 | |
Then why ain't he sitting here with us? | 0:13:57 | 0:14:00 | |
You never wanted to go to towns - this or any other. | 0:14:00 | 0:14:03 | |
I don't want to go now, neither. | 0:14:03 | 0:14:05 | |
But we better find him, wherever he is. | 0:14:05 | 0:14:07 | |
All right. | 0:14:10 | 0:14:11 | |
You and me strike out early. Button can watch the outfit. | 0:14:11 | 0:14:15 | |
Button, come on down from there and get supper a-workin'. | 0:14:15 | 0:14:19 | |
-BOSS: -Most likely be back before suppertime. | 0:14:30 | 0:14:32 | |
-BUTTON: -Three sets of eyes is better than two. | 0:14:32 | 0:14:34 | |
You stay with the wagon. | 0:14:34 | 0:14:36 | |
Come on, Boss. No-one is going to bother it. | 0:14:36 | 0:14:38 | |
We haven't seen a single person since we set up the camp. | 0:14:38 | 0:14:42 | |
I always feel better about leaving a wagon | 0:14:42 | 0:14:44 | |
if someone's close around. | 0:14:44 | 0:14:45 | |
You've been workin' hard. You deserve some loafin' time. | 0:14:45 | 0:14:48 | |
Stay right here. | 0:14:48 | 0:14:49 | |
TIG BARKS | 0:14:52 | 0:14:53 | |
-Stay, Tig. -Wants to go. | 0:14:53 | 0:14:56 | |
She acts like she does, but she don't. | 0:14:56 | 0:14:58 | |
Still got the heart, not the legs. | 0:14:58 | 0:15:01 | |
You keep that rifle close. | 0:15:03 | 0:15:05 | |
DRAMATIC MUSIC BUILDS | 0:15:05 | 0:15:08 | |
MUSIC INTENSIFIES | 0:15:19 | 0:15:22 | |
-MAN: -Get up. | 0:15:57 | 0:15:58 | |
MYSTERIOUS MUSIC | 0:15:58 | 0:16:01 | |
I always liked me a side-arm with some heft. | 0:16:13 | 0:16:16 | |
Took this off a man | 0:16:16 | 0:16:18 | |
who couldn't pay all he owed for some cows. | 0:16:18 | 0:16:20 | |
Damn fine weapon. | 0:16:20 | 0:16:22 | |
Always noticed you favour something light, don't you? | 0:16:23 | 0:16:26 | |
GENTLE MUSIC | 0:16:33 | 0:16:36 | |
Hello! | 0:17:38 | 0:17:40 | |
Howdy! | 0:17:45 | 0:17:46 | |
Howdy. | 0:17:46 | 0:17:48 | |
Feed and water 'em? | 0:17:48 | 0:17:49 | |
Curry 'em down with saddles on. | 0:17:49 | 0:17:51 | |
OK. That'll be four bits each. | 0:17:51 | 0:17:53 | |
Not planning on staying long? | 0:17:57 | 0:17:58 | |
Long as it takes to find who we're looking for. | 0:17:58 | 0:18:01 | |
Well, maybe I can help you, gents. | 0:18:01 | 0:18:03 | |
I've been here since Harmonville was Fort Harmon | 0:18:03 | 0:18:05 | |
and we still had soldiers to chase off the Indians. | 0:18:05 | 0:18:08 | |
I know everybody in town and for miles beyond. | 0:18:08 | 0:18:10 | |
Big man, needing a haircut. About 30. | 0:18:11 | 0:18:14 | |
Uh... | 0:18:14 | 0:18:16 | |
That's his rig right there. | 0:18:16 | 0:18:17 | |
Oh, yeah. | 0:18:21 | 0:18:22 | |
Know who you're talking about. | 0:18:22 | 0:18:24 | |
Very friendly young fella. | 0:18:24 | 0:18:25 | |
Looks like he's been living out of saddlebags most of his life. | 0:18:25 | 0:18:29 | |
Got his horse in the corral. | 0:18:29 | 0:18:30 | |
Ride with you, does he? | 0:18:30 | 0:18:32 | |
-Know where we can find him? -Yeah. | 0:18:32 | 0:18:35 | |
Yeah, he's up in the jailhouse. | 0:18:35 | 0:18:37 | |
He got into it with some... with some cattlemen | 0:18:37 | 0:18:40 | |
over at the general store. | 0:18:40 | 0:18:41 | |
-Cattlemen? -Yeah. | 0:18:41 | 0:18:43 | |
They busted him up pretty bad, | 0:18:43 | 0:18:44 | |
before Marshal Poole came up back of him, | 0:18:44 | 0:18:46 | |
hit him with his gun barrel. | 0:18:46 | 0:18:48 | |
Yeah, he's lucky he didn't get shot in the back, | 0:18:48 | 0:18:51 | |
if you know what I mean. | 0:18:51 | 0:18:53 | |
You might want to keep that in mind | 0:18:53 | 0:18:55 | |
when you're talking to Marshal Poole. | 0:18:55 | 0:18:56 | |
Saddle his horse. | 0:18:56 | 0:18:58 | |
That cover what he owes? | 0:18:58 | 0:18:59 | |
Oh, yeah. | 0:18:59 | 0:19:01 | |
Name's Percy, if you should need anything else. | 0:19:01 | 0:19:03 | |
-Much obliged. -Let's go, fellas. | 0:19:03 | 0:19:05 | |
Hold on. | 0:19:05 | 0:19:06 | |
-MAN: -How long you had him here, then? | 0:19:16 | 0:19:18 | |
I brought him in here yesterday afternoon | 0:19:18 | 0:19:20 | |
and I tell ya, it wasn't easy getting him in his cell. | 0:19:20 | 0:19:23 | |
Why's that? | 0:19:23 | 0:19:25 | |
Goddamn bear, the size of him. | 0:19:25 | 0:19:26 | |
Evening. | 0:19:29 | 0:19:30 | |
Name's Boss Spearman. | 0:19:30 | 0:19:33 | |
This here's Charley Waite. | 0:19:33 | 0:19:34 | |
Evening. | 0:19:34 | 0:19:36 | |
Believe you have a friend of ours in your jail. | 0:19:36 | 0:19:39 | |
Name's Mose Harrison. | 0:19:39 | 0:19:41 | |
Yeah, I got him here. | 0:19:41 | 0:19:43 | |
He started a fight in the general store. | 0:19:43 | 0:19:46 | |
Oh, Mose don't start fights. | 0:19:46 | 0:19:50 | |
Just finishes them. | 0:19:50 | 0:19:51 | |
I just said he started it, you said he didn't. | 0:19:51 | 0:19:54 | |
Maybe you're calling me a liar. | 0:19:54 | 0:19:56 | |
You got a charge against him? | 0:19:56 | 0:19:58 | |
I got plenty. | 0:19:58 | 0:20:00 | |
Inciting a fight, disturbing the peace, | 0:20:00 | 0:20:03 | |
creating a public nuisance - take your pick. | 0:20:03 | 0:20:05 | |
Hear tell he got hit over the head. | 0:20:05 | 0:20:07 | |
He'll be fine. | 0:20:10 | 0:20:12 | |
Well, I come to get him. | 0:20:12 | 0:20:13 | |
Well... | 0:20:14 | 0:20:16 | |
You pay the fines and you can have him. | 0:20:16 | 0:20:18 | |
How does 50 each offence sound? | 0:20:18 | 0:20:23 | |
Like robbery. | 0:20:23 | 0:20:25 | |
Lot of money. | 0:20:28 | 0:20:30 | |
Oh, yes. A lot of money. | 0:20:30 | 0:20:32 | |
I've been waiting for you, Mr Spearman. | 0:20:33 | 0:20:36 | |
My name's Denton Baxter. | 0:20:36 | 0:20:37 | |
Be your men Mose tussled with. | 0:20:38 | 0:20:40 | |
That's right. | 0:20:40 | 0:20:42 | |
You know, folks in Fort Harmon country | 0:20:42 | 0:20:44 | |
don't take to free-grazers or free-grazing. | 0:20:44 | 0:20:48 | |
They hate them more than they used to hate the Indians. | 0:20:48 | 0:20:51 | |
I expect by 'folks', you mean ranchers like yourself. | 0:20:51 | 0:20:54 | |
I got the biggest spread round these parts. | 0:20:57 | 0:20:59 | |
Bigger than any three or four put together. | 0:20:59 | 0:21:01 | |
Built it up with my own two hands, | 0:21:01 | 0:21:03 | |
piece by piece. | 0:21:03 | 0:21:05 | |
Along with this town. | 0:21:05 | 0:21:06 | |
And there ain't no free-graze cattle | 0:21:06 | 0:21:08 | |
going to take the feed off my cattle on this range. | 0:21:08 | 0:21:11 | |
Free-graze is legal. | 0:21:11 | 0:21:13 | |
Times change, Mr Spearman. Most folks change with them. | 0:21:13 | 0:21:17 | |
A few hold-outs never do. | 0:21:17 | 0:21:19 | |
Now, a few years back, a free-graze outfit came through. | 0:21:21 | 0:21:25 | |
One night, the cattle got stampeded, | 0:21:25 | 0:21:27 | |
the wagons caught on fire, and one of those boys | 0:21:27 | 0:21:30 | |
was shot off his horse in the middle of it all. | 0:21:30 | 0:21:34 | |
Shot in the back, was he? | 0:21:34 | 0:21:36 | |
Your man's horse and rig are at the livery barn. | 0:21:41 | 0:21:44 | |
You can take him with you when you leave tonight. | 0:21:44 | 0:21:47 | |
And come sunrise, you hitch up your wagon | 0:21:47 | 0:21:49 | |
and get your damned free-graze cattle moving | 0:21:49 | 0:21:52 | |
and keep them moving | 0:21:52 | 0:21:53 | |
till you're out of Fort Harmon country. | 0:21:53 | 0:21:55 | |
Now, you let Mr Spearman fetch his man | 0:21:56 | 0:21:59 | |
so he can be on his way. | 0:21:59 | 0:22:01 | |
DRAMATIC MUSIC | 0:22:01 | 0:22:04 | |
Charley... | 0:22:20 | 0:22:21 | |
HE SIGHS | 0:22:22 | 0:22:24 | |
-WHISPERS: -Oh, it's... | 0:22:24 | 0:22:26 | |
-Boss? Boss? -Uh-uh. | 0:22:26 | 0:22:29 | |
-Ugh! -HE SIGHS | 0:22:30 | 0:22:32 | |
Looks like someone's put the boots to him after he was down. | 0:22:33 | 0:22:37 | |
Does it? | 0:22:37 | 0:22:38 | |
-Mose? -HE MUMBLES | 0:22:44 | 0:22:45 | |
-Gotta get up. -Charley. | 0:22:45 | 0:22:47 | |
I'm glad to see you. | 0:22:47 | 0:22:49 | |
-MOANS: -I don't much like this town. | 0:22:49 | 0:22:53 | |
Here you go. | 0:22:55 | 0:22:57 | |
Boy, they really laid into him. | 0:22:59 | 0:23:01 | |
You got a doctor in this town? | 0:23:01 | 0:23:03 | |
Yeah. Doc Barlow. | 0:23:03 | 0:23:04 | |
It's the house up behind the barn by the church. | 0:23:04 | 0:23:07 | |
Look for a picket fence. | 0:23:07 | 0:23:09 | |
He's got a sign out front. | 0:23:09 | 0:23:11 | |
Oh, my. Bring him right in. | 0:23:12 | 0:23:15 | |
Lay him down in there. | 0:23:21 | 0:23:22 | |
I'll fetch the doctor. | 0:23:32 | 0:23:35 | |
Get his legs, Boss. | 0:23:35 | 0:23:36 | |
Easy. MOSE GROANS | 0:23:38 | 0:23:39 | |
Good. | 0:23:39 | 0:23:41 | |
I'm Dr Barlow. | 0:23:49 | 0:23:50 | |
Boss Spearman. | 0:23:50 | 0:23:52 | |
Charley Waite. | 0:23:53 | 0:23:55 | |
Patient there is Mose Harrison. He works for me. | 0:23:55 | 0:23:57 | |
These wounds are a couple days old. | 0:23:57 | 0:23:59 | |
Easier if you bring them in right away. | 0:23:59 | 0:24:01 | |
Your marshal had him, and he don't keep a friendly jail. | 0:24:01 | 0:24:04 | |
Is this the man in the fight with Baxter's men? | 0:24:04 | 0:24:06 | |
That's right. | 0:24:06 | 0:24:08 | |
He certainly gave as good as he got. | 0:24:08 | 0:24:10 | |
Broke the arm of one. | 0:24:10 | 0:24:12 | |
Knowing them, they had it coming, I expect. | 0:24:12 | 0:24:14 | |
See what we got here. | 0:24:16 | 0:24:17 | |
HE GROANS PAINFULLY | 0:24:17 | 0:24:19 | |
-Easy, Mose. -Easy, Mr Harrison. | 0:24:19 | 0:24:21 | |
Nobody's trying to hurt you on purpose here, Mose. | 0:24:21 | 0:24:23 | |
You got a couple of broken ribs. | 0:24:23 | 0:24:25 | |
Need to get this shirt off. | 0:24:25 | 0:24:27 | |
Sue, I'm going to need some soap, some water, some alcohol. | 0:24:36 | 0:24:39 | |
Mm-hm. | 0:24:39 | 0:24:41 | |
I want you to drink this, Mr Harrison. | 0:24:46 | 0:24:48 | |
That's it. | 0:24:48 | 0:24:50 | |
MOSE COUGHS | 0:24:50 | 0:24:52 | |
Let's clean up these cuts on his face. | 0:24:54 | 0:24:56 | |
He's got a nice gash in his scalp there. | 0:24:56 | 0:24:59 | |
I'd say, "To good health," gentlemen, | 0:25:00 | 0:25:01 | |
but then I'd probably be out of business, wouldn't I? | 0:25:01 | 0:25:04 | |
We'll drink to good health for them that have it coming. | 0:25:04 | 0:25:07 | |
Yeah. | 0:25:08 | 0:25:10 | |
The two of you can wait in the parlour. | 0:25:10 | 0:25:12 | |
TRANQUIL MUSIC | 0:25:17 | 0:25:20 | |
-DOC: -Be better he didn't travel. | 0:25:26 | 0:25:27 | |
BOSS: Well, he'll have to. | 0:25:27 | 0:25:29 | |
How much I owe you, Doctor? | 0:25:31 | 0:25:33 | |
We're even. | 0:25:33 | 0:25:34 | |
I've made enough off what he did to Baxter's men. | 0:25:34 | 0:25:37 | |
I wish he'd made you wealthy. | 0:25:37 | 0:25:39 | |
Ma'am. | 0:25:41 | 0:25:42 | |
BOSS: Doc Barlow's got him a pretty wife. | 0:26:09 | 0:26:11 | |
Noticed that, did ya? | 0:26:11 | 0:26:13 | |
Well, I ain't dead. | 0:26:13 | 0:26:15 | |
Glad to hear it. | 0:26:15 | 0:26:16 | |
Sweet too. | 0:26:16 | 0:26:18 | |
Treated us good as anybody. A real lady. | 0:26:18 | 0:26:21 | |
Woman like that | 0:26:21 | 0:26:23 | |
makes a man think about setting down roots, hey. | 0:26:23 | 0:26:27 | |
Doc looks like a real hard working fella. | 0:26:28 | 0:26:30 | |
Probably working away on making some little ones too. | 0:26:30 | 0:26:33 | |
Creates quite a picture now, don't it? | 0:26:34 | 0:26:36 | |
Yeah. Heard they're worth a thousand words. | 0:26:36 | 0:26:39 | |
SWEEPING, DRAMATIC MUSIC | 0:26:40 | 0:26:43 | |
TIG BARKS | 0:26:56 | 0:26:57 | |
Now, where do you suppose he is? | 0:27:11 | 0:27:13 | |
HE SIGHS | 0:27:28 | 0:27:29 | |
Goddamn kid. | 0:27:29 | 0:27:31 | |
Button's all right, Boss. | 0:27:33 | 0:27:35 | |
Anyone done him harm, they'd have gone through the wagon. | 0:27:39 | 0:27:42 | |
Reckon you're right. | 0:27:42 | 0:27:43 | |
Here he is. | 0:27:48 | 0:27:49 | |
If you're awake, Mose, you might want to see this. | 0:27:50 | 0:27:53 | |
-BOSS: Where you been? -I seen it before, Charley. | 0:27:53 | 0:27:55 | |
-BUTTON: -Out with the herd. | 0:27:55 | 0:27:57 | |
I thought I told you to stay with the wagon. | 0:27:57 | 0:27:59 | |
-What happened to... -Did you hear what I said?! | 0:27:59 | 0:28:02 | |
Yeah, but what happened? | 0:28:02 | 0:28:03 | |
He ran into a little trouble in that town. | 0:28:03 | 0:28:06 | |
It looks like more than a little. | 0:28:06 | 0:28:08 | |
Are we moving on? | 0:28:09 | 0:28:11 | |
We always do, don't we? Once we've grazed off a place. | 0:28:11 | 0:28:14 | |
Did I do something wrong, Charley? | 0:28:23 | 0:28:25 | |
Just leave him be for a while. | 0:28:25 | 0:28:27 | |
Here. Have some coffee. | 0:28:27 | 0:28:29 | |
Made fresh for a change. | 0:28:29 | 0:28:31 | |
There was three riders scouting out the herd this morning. | 0:28:31 | 0:28:34 | |
Where? | 0:28:34 | 0:28:36 | |
Maybe half a mile out. | 0:28:36 | 0:28:37 | |
Just sitting there, looking at the cattle. | 0:28:37 | 0:28:40 | |
DRAMATIC MUSIC | 0:28:40 | 0:28:43 | |
BOSS: Same ones? | 0:28:50 | 0:28:52 | |
Four this time. | 0:28:52 | 0:28:54 | |
Country's filling up. | 0:28:55 | 0:28:56 | |
Maybe we should push on. | 0:28:56 | 0:28:58 | |
Do no good, Button. | 0:28:58 | 0:29:00 | |
I've seen them like Baxter before. | 0:29:00 | 0:29:01 | |
He means to have this herd or scatter it to the wind. | 0:29:01 | 0:29:05 | |
-BUTTON: -If he was going to take the herd, | 0:29:05 | 0:29:07 | |
why not just keep you in that town? | 0:29:07 | 0:29:09 | |
Marshal already had Mose. | 0:29:09 | 0:29:11 | |
-CHARLEY: -Wants us all in one place. | 0:29:11 | 0:29:13 | |
Far from there when it happens. | 0:29:14 | 0:29:16 | |
Don't make no sense, him telling us to move on, and all. | 0:29:16 | 0:29:19 | |
Weren't the only thing he said. | 0:29:19 | 0:29:22 | |
Most of the time a man will tell you his bad intentions | 0:29:22 | 0:29:26 | |
if you listen, let yourself hear. | 0:29:26 | 0:29:28 | |
"Few years back, free-graze outfit come through..." | 0:29:28 | 0:29:31 | |
That weren't no idle story. | 0:29:33 | 0:29:35 | |
BOSS: Let's find out for certain. | 0:29:35 | 0:29:37 | |
TENSE MUSIC | 0:29:37 | 0:29:40 | |
CATTLE LOW | 0:30:12 | 0:30:15 | |
BOSS SIGHS | 0:30:24 | 0:30:25 | |
Beautiful country. | 0:30:28 | 0:30:30 | |
A man can get lost out here. | 0:30:31 | 0:30:33 | |
Forget there's people and things that ain't so simple as this. | 0:30:33 | 0:30:37 | |
How long we been riding together, Charley? | 0:30:40 | 0:30:42 | |
Nigh on ten years. | 0:30:43 | 0:30:45 | |
Mm-hm. | 0:30:45 | 0:30:46 | |
You know what they call that? They call it a decade. | 0:30:47 | 0:30:50 | |
Long time. | 0:30:50 | 0:30:52 | |
Been a lot of change since then. | 0:30:52 | 0:30:55 | |
What's on your mind, Boss? | 0:30:57 | 0:30:58 | |
BOSS SIGHS | 0:30:58 | 0:31:00 | |
Way I figure it, we can leave the cattle behind and run, | 0:31:00 | 0:31:03 | |
or you and me can go out there in the dark | 0:31:03 | 0:31:05 | |
and stop them before they scatter the herd. | 0:31:05 | 0:31:08 | |
You reckon them cows are worth getting killed over? | 0:31:11 | 0:31:15 | |
The cows is one thing. | 0:31:15 | 0:31:16 | |
But one man telling another man | 0:31:16 | 0:31:18 | |
where he can go in this country is something else. | 0:31:18 | 0:31:21 | |
That rancher sat in that jailhouse sort of sneering | 0:31:21 | 0:31:23 | |
and letting his lawman lay down the law, | 0:31:23 | 0:31:26 | |
till he figured it was time to show us | 0:31:26 | 0:31:28 | |
that he gave the orders around here. | 0:31:28 | 0:31:30 | |
Ooh, it sticks in my craw. | 0:31:30 | 0:31:33 | |
Well, we sure as hell owe 'em for what they done to Mose. | 0:31:37 | 0:31:41 | |
Yeah. | 0:31:41 | 0:31:42 | |
I'll saddle the horses. | 0:31:45 | 0:31:46 | |
You two keep a sharp eye out. | 0:31:52 | 0:31:54 | |
Got the scattergun. We'll be watching for them. | 0:31:55 | 0:31:58 | |
-Yeah. -You'll want to douse that fire. | 0:31:58 | 0:32:00 | |
Button, you keep to the wagon for cover. | 0:32:00 | 0:32:02 | |
I don't want to see you out in the open. OK? | 0:32:02 | 0:32:05 | |
I got some sugar in that town. | 0:32:10 | 0:32:12 | |
It's in the wagon. | 0:32:14 | 0:32:16 | |
THEY LAUGH | 0:32:20 | 0:32:21 | |
CRICKETS CHIRP | 0:32:24 | 0:32:27 | |
-MAN: -I wouldn't want to have him | 0:32:33 | 0:32:35 | |
coming down on me like these cowboys. | 0:32:35 | 0:32:36 | |
What the hell's the matter with you, Gus? | 0:32:36 | 0:32:38 | |
You're twitching all damn night. | 0:32:38 | 0:32:40 | |
Damn back's so sore from being flung into that stove. | 0:32:40 | 0:32:46 | |
-SIGHS: -I feel like I been humped by a 300-pound whore. | 0:32:46 | 0:32:50 | |
Well, Gus, I'd say you got off easy. | 0:32:52 | 0:32:54 | |
Look at my face. | 0:32:54 | 0:32:55 | |
You can bet Butler will square things with that big man. | 0:32:58 | 0:33:01 | |
Breaking his arm and all. | 0:33:01 | 0:33:03 | |
Did you hear it snap? | 0:33:04 | 0:33:06 | |
I heard it snap. | 0:33:08 | 0:33:09 | |
Lucky for him, he shoots with either hand. | 0:33:09 | 0:33:12 | |
GUN COCKS | 0:33:12 | 0:33:13 | |
BOSS: One twitch and you're in hell! | 0:33:14 | 0:33:16 | |
Now get on your feet, all of you! | 0:33:16 | 0:33:18 | |
Now throw them guns on the ground. | 0:33:21 | 0:33:23 | |
GUN COCKS | 0:33:24 | 0:33:26 | |
HORSE NEIGHS SOFTLY | 0:33:26 | 0:33:28 | |
I ain't going to say it again. | 0:33:28 | 0:33:29 | |
And kick 'em away. | 0:33:35 | 0:33:36 | |
Which one of you has got a sore back? | 0:33:44 | 0:33:47 | |
Which one? | 0:33:49 | 0:33:50 | |
Him. | 0:33:50 | 0:33:52 | |
-You Gus? -Yeah. | 0:33:54 | 0:33:56 | |
Ought not gang up on a man three to one. | 0:33:56 | 0:33:58 | |
HE GRUNTS | 0:33:58 | 0:33:59 | |
Wait a minute, mister. It wasn't our idea to jump him. | 0:33:59 | 0:34:02 | |
-Shut up, Wylie. -Get up, you son of a bitch. | 0:34:02 | 0:34:05 | |
-What's your name? -Vince. | 0:34:05 | 0:34:07 | |
Mighty nice tie-down you got there. You a gun hand, are ya? | 0:34:08 | 0:34:12 | |
-You fast? -No. | 0:34:12 | 0:34:14 | |
Uh-huh. How many riders does he have? | 0:34:14 | 0:34:17 | |
I said, how many riders? | 0:34:18 | 0:34:20 | |
The rest are on their way to your wagon. | 0:34:20 | 0:34:23 | |
MAN CRIES OUT | 0:34:27 | 0:34:28 | |
You want to smile now? Go ahead. | 0:34:28 | 0:34:30 | |
Be a while before he's of use. | 0:34:30 | 0:34:33 | |
Charley, throw me them saddlebags. | 0:34:33 | 0:34:36 | |
HORSE WHINNIES | 0:34:41 | 0:34:43 | |
Put your spook hats on. | 0:34:44 | 0:34:46 | |
The ones in your belt - put them on! | 0:34:48 | 0:34:50 | |
Now get your britches off. | 0:34:54 | 0:34:55 | |
I'm not taking my britches off for nobody. | 0:34:57 | 0:34:59 | |
HE GRUNTS | 0:35:00 | 0:35:02 | |
You listen out of your good ear, now. Now get 'em off! | 0:35:03 | 0:35:06 | |
Pretty scary bunch, eh, Charley? | 0:35:13 | 0:35:14 | |
Get belly-down. Flat out! HE GRUNTS | 0:35:18 | 0:35:21 | |
Get your peckers in the dirt. | 0:35:21 | 0:35:23 | |
-SHOUTING: -Hah! Hah! | 0:35:24 | 0:35:26 | |
HORSES WHINNY | 0:35:26 | 0:35:29 | |
If I hear so much as a twig break... | 0:35:29 | 0:35:32 | |
..I'll come back and kill you all. | 0:35:32 | 0:35:34 | |
BOSS: Charley? | 0:35:40 | 0:35:41 | |
Charley! | 0:35:41 | 0:35:43 | |
DRAMATIC MUSIC | 0:35:43 | 0:35:46 | |
DRAMATIC MUSIC | 0:35:51 | 0:35:55 | |
No Tig come to meet us. | 0:36:15 | 0:36:17 | |
Ooh, the bastards. | 0:36:32 | 0:36:35 | |
They shot the boy, but he's alive. | 0:36:35 | 0:36:39 | |
Is that Mose? | 0:36:41 | 0:36:42 | |
He's dead. | 0:36:48 | 0:36:51 | |
Shot him in the head. | 0:36:51 | 0:36:53 | |
Charley. > | 0:36:59 | 0:37:01 | |
DARK MUSIC | 0:37:01 | 0:37:05 | |
Charley. | 0:37:05 | 0:37:07 | |
Charley. Get the lantern and the whisky. | 0:37:09 | 0:37:12 | |
Despierta. Despierta. | 0:37:19 | 0:37:22 | |
Come on, wake up. Charley. | 0:37:22 | 0:37:24 | |
They shot him here | 0:37:26 | 0:37:27 | |
and cracked him in the head here. | 0:37:27 | 0:37:29 | |
We'll have to dig that bullet out. | 0:37:29 | 0:37:32 | |
COW MOOS | 0:37:34 | 0:37:36 | |
You done good, Boss. | 0:37:38 | 0:37:40 | |
Him going in and out like that. | 0:37:43 | 0:37:45 | |
I don't know. He lost a lot of blood. | 0:37:46 | 0:37:50 | |
A whack on the head | 0:37:50 | 0:37:51 | |
can make a man strange for the rest of his days. | 0:37:51 | 0:37:54 | |
Well, you done all you can. | 0:37:56 | 0:37:57 | |
He needs a doctor now. | 0:37:57 | 0:38:00 | |
If Button lives through morning, | 0:38:01 | 0:38:03 | |
you take him in a wagon and move on. | 0:38:03 | 0:38:06 | |
Are you just going to sit out here waiting with them cows? | 0:38:08 | 0:38:11 | |
That's right. | 0:38:11 | 0:38:13 | |
And I'm going to kill | 0:38:14 | 0:38:16 | |
every son of a bitch that comes to take them. | 0:38:16 | 0:38:18 | |
For one man on open ground, | 0:38:20 | 0:38:22 | |
you sure got a lot of killing in mind. | 0:38:22 | 0:38:24 | |
You know I've never gone against you, Boss. | 0:38:37 | 0:38:39 | |
I always let you do most of the talking. | 0:38:39 | 0:38:42 | |
But he needs that doctor back in that town and I aim to take him. | 0:38:43 | 0:38:48 | |
If you want to come along, fine, we'll go together. | 0:38:48 | 0:38:51 | |
Otherwise...you do what you have to do. I'll do the same. | 0:38:51 | 0:38:54 | |
You think they'll just let you waltz in there, | 0:38:54 | 0:38:56 | |
pretty as you please and waltz out again? | 0:38:56 | 0:38:58 | |
That don't figure into it. | 0:38:58 | 0:39:00 | |
Button deserves every chance we can give him. | 0:39:00 | 0:39:02 | |
All right. | 0:39:06 | 0:39:08 | |
But I aim to kill Baxter and those that done this | 0:39:12 | 0:39:15 | |
and if that marshal gets in the way, I'll kill him too. | 0:39:15 | 0:39:18 | |
So you best get your mind right about what's got to be done. | 0:39:18 | 0:39:22 | |
I got no problem with killing, Boss. | 0:39:22 | 0:39:25 | |
Never have. | 0:39:25 | 0:39:27 | |
GENTLE MUSIC | 0:39:27 | 0:39:31 | |
METAL CLANKING | 0:40:08 | 0:40:11 | |
Looks real nice, Charley. | 0:40:24 | 0:40:26 | |
Well, a man ought to have something to show he was here. | 0:40:27 | 0:40:31 | |
It'll be gone in another big storm. | 0:40:32 | 0:40:34 | |
It don't matter none. He's got your dog for company. | 0:40:34 | 0:40:37 | |
He'd like it you put old Tig with him. | 0:40:37 | 0:40:40 | |
Yeah, well, he was more Mose's dog in the end than he was mine. | 0:40:41 | 0:40:45 | |
You right to say some words? | 0:40:47 | 0:40:49 | |
BOSS SIGHS | 0:40:49 | 0:40:50 | |
If you want to speak with the man upstairs, do it. | 0:40:50 | 0:40:53 | |
I'll stand right here and listen, hat in hand. | 0:40:53 | 0:40:56 | |
But I ain't talking to that son of a bitch. | 0:40:56 | 0:40:58 | |
And I'll be holding a grudge for him letting this befall | 0:40:58 | 0:41:01 | |
a sweet kid like Mose. | 0:41:01 | 0:41:03 | |
Well, he sure as hell wasn't one to complain. | 0:41:09 | 0:41:12 | |
Woke with a smile. | 0:41:14 | 0:41:15 | |
It seemed like he could keep it there all day. | 0:41:15 | 0:41:18 | |
Kind of man who'd say "Good morning" and mean it, | 0:41:19 | 0:41:22 | |
whether it was or not. | 0:41:22 | 0:41:24 | |
HORSES NEIGH | 0:41:24 | 0:41:26 | |
To tell you the truth, Lord, | 0:41:26 | 0:41:27 | |
if there was two gentler souls in this world, | 0:41:27 | 0:41:30 | |
I've never seen them. | 0:41:30 | 0:41:31 | |
It seemed like old Tig wouldn't even kill birds in the end. | 0:41:31 | 0:41:35 | |
You got yourself a good man and a good dog | 0:41:36 | 0:41:39 | |
and I'm inclined to agree with Boss | 0:41:39 | 0:41:41 | |
about holding a grudge against you for it. | 0:41:41 | 0:41:44 | |
I guess that means amen. | 0:41:45 | 0:41:47 | |
SPITS: God! | 0:42:09 | 0:42:10 | |
-BOSS: -Charley, are you all right? | 0:42:11 | 0:42:13 | |
I'm fine. | 0:42:18 | 0:42:20 | |
Seems like you was, you know... | 0:42:21 | 0:42:23 | |
I said I'm fine, just... | 0:42:23 | 0:42:25 | |
CHARLEY SIGHS | 0:42:25 | 0:42:27 | |
..Just got some old feelings coming up. | 0:42:27 | 0:42:29 | |
-Yeah. -CHARLEY SNIFFS | 0:42:29 | 0:42:31 | |
You know, Charley, we never asked each other much. | 0:42:31 | 0:42:33 | |
It's always been OK with me. | 0:42:33 | 0:42:35 | |
I figured it was always OK with you. | 0:42:35 | 0:42:37 | |
But you said some things the last couple of days, | 0:42:37 | 0:42:40 | |
things that seemed like they had kind of a history to them. | 0:42:40 | 0:42:45 | |
CHARLEY SNIFFS | 0:42:45 | 0:42:46 | |
-Eh, Charley? -Don't stand behind me, Boss. | 0:42:48 | 0:42:51 | |
CRICKETS CHIRP | 0:43:01 | 0:43:04 | |
When I was a kid, | 0:43:14 | 0:43:17 | |
a bunch of us would go to the woods with our peashooters. | 0:43:17 | 0:43:20 | |
Nothing fancy, | 0:43:20 | 0:43:22 | |
just enough to kill a bird or a squirrel, maybe, | 0:43:22 | 0:43:24 | |
something larger if we was lucky. | 0:43:24 | 0:43:26 | |
I killed my first man in them woods. | 0:43:28 | 0:43:31 | |
He held the paper on our farm and after my pa died he... | 0:43:31 | 0:43:36 | |
he'd come round | 0:43:36 | 0:43:37 | |
and get payment from my mom any way he could. | 0:43:37 | 0:43:40 | |
Not much older than Button when I shot him in the throat. | 0:43:40 | 0:43:44 | |
I knew there'd be more killing, | 0:43:45 | 0:43:47 | |
so I ran off and joined the army. | 0:43:47 | 0:43:50 | |
The war was on, they was...they was only too happy to have me. | 0:43:50 | 0:43:54 | |
My first skirmish | 0:43:56 | 0:43:57 | |
was pretty much like hunting in them woods with my friends. | 0:43:57 | 0:44:00 | |
We just sat up in some trees and they came marching right at us. | 0:44:00 | 0:44:04 | |
Must've been 100 of them lying dead | 0:44:04 | 0:44:07 | |
after the smoke cleared. | 0:44:07 | 0:44:08 | |
We went around and shot the rest who weren't. | 0:44:09 | 0:44:12 | |
Those of us with the knack was made into a special squad, | 0:44:13 | 0:44:17 | |
so we could travel light and on our own into enemy territory. | 0:44:17 | 0:44:20 | |
Orders were pretty simple - make trouble wherever we could. | 0:44:21 | 0:44:25 | |
With room like that, it wasn't long before we was killing men | 0:44:26 | 0:44:30 | |
who weren't even in uniform. | 0:44:30 | 0:44:32 | |
It seemed like that went on the rest of the war. | 0:44:33 | 0:44:37 | |
After that, I come west. | 0:44:38 | 0:44:40 | |
A lot of call for men with them skills | 0:44:41 | 0:44:45 | |
and I put them to work for men just like Baxter. | 0:44:45 | 0:44:48 | |
And every once in a while, | 0:44:53 | 0:44:54 | |
I almost get through a day without thinking about who I am, | 0:44:54 | 0:44:59 | |
what I'd done. | 0:44:59 | 0:45:01 | |
HORSES SNORT | 0:45:06 | 0:45:09 | |
He drifted off again. | 0:45:10 | 0:45:12 | |
No better, but no worse, either. | 0:45:12 | 0:45:14 | |
You're a real honest man, Charley. | 0:45:15 | 0:45:18 | |
Well, I ain't going to lie to you about Button. | 0:45:18 | 0:45:20 | |
It's not Button I'm talking about. | 0:45:20 | 0:45:22 | |
DARK MUSIC | 0:45:22 | 0:45:25 | |
-Mr Spearman. -Doctor in? | 0:45:49 | 0:45:51 | |
No, he's not here. | 0:45:51 | 0:45:52 | |
We've got a boy who's hurt bad. | 0:45:52 | 0:45:54 | |
Here. Put him in the examining room. | 0:45:54 | 0:45:57 | |
Ma'am. | 0:45:57 | 0:45:59 | |
Oh, God. | 0:45:59 | 0:46:00 | |
WIND HOWLS | 0:46:04 | 0:46:07 | |
It's not his hearing, ma'am. | 0:46:13 | 0:46:15 | |
He hears real well when he's awake. | 0:46:15 | 0:46:17 | |
I'm checking to see if there's blood in his ears. | 0:46:17 | 0:46:20 | |
It could mean a fractured skull. | 0:46:20 | 0:46:22 | |
MOUTHS SILENTLY | 0:46:24 | 0:46:25 | |
Are you the boy's father? | 0:46:25 | 0:46:27 | |
No, ma'am. | 0:46:27 | 0:46:28 | |
His name's Button and he works for me. | 0:46:28 | 0:46:31 | |
It appears that's not very healthy. | 0:46:31 | 0:46:34 | |
Oh, you know the way to the parlour. | 0:46:34 | 0:46:37 | |
Sit down. | 0:46:37 | 0:46:38 | |
I'll be a while. | 0:46:38 | 0:46:40 | |
CLOCK TICKS | 0:46:41 | 0:46:44 | |
THUNDER ROLLS | 0:46:47 | 0:46:50 | |
SHE SIGHS | 0:46:59 | 0:47:01 | |
Well, I don't think it's a fracture. | 0:47:01 | 0:47:04 | |
Concussion's more likely, but it's bad. | 0:47:04 | 0:47:07 | |
DOGS BARK | 0:47:07 | 0:47:10 | |
I have to admit, we don't see a lot of people shot. | 0:47:17 | 0:47:21 | |
I cleaned and dressed the wound as best I could. | 0:47:21 | 0:47:23 | |
-It doesn't look infected. -What about the fever? | 0:47:23 | 0:47:26 | |
He needs to lay still and let his body do its work. | 0:47:26 | 0:47:29 | |
No offence, ma'am, but we come a long way | 0:47:29 | 0:47:32 | |
to see that the boy gets looked after proper by Dr Barlow. | 0:47:32 | 0:47:36 | |
Now, where's he at? | 0:47:36 | 0:47:38 | |
One of Dent Baxter's hands | 0:47:38 | 0:47:39 | |
came and fetched him out to the ranch. | 0:47:39 | 0:47:41 | |
Some men there had an accident night before last. | 0:47:41 | 0:47:44 | |
You must tell me what happened, Mr Spearman. | 0:47:49 | 0:47:52 | |
Baxter sent his men to stampede the herd | 0:47:53 | 0:47:56 | |
and I figured we would stop them before they could do it. | 0:47:56 | 0:47:59 | |
Surprised them where they was hiding in some trees | 0:47:59 | 0:48:01 | |
and we had at 'em. | 0:48:01 | 0:48:03 | |
Them's the ones Dr Barlow is putting back together. | 0:48:03 | 0:48:05 | |
We got back to camp. | 0:48:05 | 0:48:07 | |
Others had shot Mose in the head, | 0:48:07 | 0:48:09 | |
shot Button, left him for dead. | 0:48:09 | 0:48:11 | |
Oh. | 0:48:11 | 0:48:13 | |
Shot our dog. | 0:48:16 | 0:48:18 | |
SHE SIGHS | 0:48:18 | 0:48:19 | |
-SIGHS: -I'll be getting money from the wagon. | 0:48:19 | 0:48:22 | |
-It's not necessary. -THUNDER ROLLS | 0:48:22 | 0:48:24 | |
We pay our way, ma'am. | 0:48:24 | 0:48:26 | |
Please. | 0:48:31 | 0:48:33 | |
Sit, Mr Waite. | 0:48:33 | 0:48:34 | |
Button - is that his real name? | 0:48:38 | 0:48:40 | |
Please, sit. | 0:48:41 | 0:48:44 | |
Yeah. Sorry. | 0:48:45 | 0:48:47 | |
Only one we've known. | 0:48:47 | 0:48:49 | |
He's just a boy. | 0:48:51 | 0:48:53 | |
Yeah. | 0:48:54 | 0:48:56 | |
Picked him up in a Texas town a few years back. | 0:48:56 | 0:48:59 | |
Living off cafe garbage. | 0:48:59 | 0:49:01 | |
Couldn't speak a word of English. | 0:49:01 | 0:49:03 | |
I thought we was doing him a favour. | 0:49:03 | 0:49:06 | |
What about you? | 0:49:06 | 0:49:08 | |
TENSE MUSIC | 0:49:08 | 0:49:09 | |
Hmm? You know that the marshal works for Baxter. | 0:49:09 | 0:49:13 | |
People saw you ride in. | 0:49:13 | 0:49:15 | |
Well, there's payment to be made | 0:49:17 | 0:49:18 | |
by them that done this. | 0:49:18 | 0:49:20 | |
I don't intend to run. | 0:49:20 | 0:49:22 | |
We could wire for the federal marshal. | 0:49:24 | 0:49:27 | |
If he started riding today, he wouldn't make it for a week. | 0:49:30 | 0:49:33 | |
With the storm coming, maybe longer. | 0:49:33 | 0:49:35 | |
We're obliged to deal with the marshal and Baxter ourselves. | 0:49:37 | 0:49:40 | |
Well, what about Button? | 0:49:40 | 0:49:42 | |
Well, he's fighting for his life. | 0:49:45 | 0:49:48 | |
We're going to do the same. | 0:49:48 | 0:49:49 | |
DOOR OPENS | 0:49:50 | 0:49:52 | |
Whatever's needed for Button, | 0:49:55 | 0:49:57 | |
you do it. | 0:49:57 | 0:50:00 | |
If he wakes, he'll need to stay here a couple of days, | 0:50:00 | 0:50:03 | |
so we can watch him. | 0:50:03 | 0:50:05 | |
Whatever's best for him. | 0:50:05 | 0:50:07 | |
-PERCY: -Can't stay away from my little paradise, gents? | 0:50:19 | 0:50:23 | |
I believe Satan says the same at the gates of hell, | 0:50:23 | 0:50:26 | |
old timer. | 0:50:26 | 0:50:27 | |
-LAUGHTER -We'd like to put the horses up. | 0:50:27 | 0:50:30 | |
They've had a tough trail. | 0:50:30 | 0:50:31 | |
I'd like to set the wagon yonder. | 0:50:31 | 0:50:33 | |
Help yourself. Hurry up though. | 0:50:33 | 0:50:36 | |
I've seen it like this before. Big 'un is coming. | 0:50:36 | 0:50:40 | |
Yah, yah, yah. | 0:50:40 | 0:50:42 | |
Son of a bitch. | 0:51:44 | 0:51:45 | |
Sorry, Charley. | 0:51:53 | 0:51:54 | |
Yeah. | 0:51:58 | 0:51:59 | |
Jesus Christ. | 0:52:14 | 0:52:16 | |
Oh, whoa, whoa, whoa. | 0:52:20 | 0:52:22 | |
Maybe you should've built it in another spot. | 0:52:27 | 0:52:30 | |
Oh, mercy. | 0:52:31 | 0:52:33 | |
THUNDER CRACKS | 0:52:35 | 0:52:38 | |
MAN YELLS | 0:52:50 | 0:52:52 | |
-MAN: -Get the dog! | 0:52:53 | 0:52:55 | |
Get the dog! | 0:52:57 | 0:52:58 | |
DOG YELPS | 0:52:58 | 0:52:59 | |
It's a...it's a dog there, Charley. | 0:52:59 | 0:53:02 | |
DOG WHIMPERS | 0:53:02 | 0:53:03 | |
Take this! | 0:53:11 | 0:53:13 | |
There he is! Back here, Charley! | 0:53:15 | 0:53:17 | |
To your left. To the left. | 0:53:18 | 0:53:20 | |
Get it! Get it! | 0:53:20 | 0:53:21 | |
Ah! HE CHUCKLES | 0:53:24 | 0:53:25 | |
Are you all right, Charley? | 0:53:28 | 0:53:30 | |
Yeah. | 0:53:30 | 0:53:32 | |
Considering I've just been swimming! | 0:53:32 | 0:53:34 | |
I owe you, mister. | 0:53:39 | 0:53:41 | |
A sweet pup you've got there. | 0:53:41 | 0:53:43 | |
Remind you of anyone, Charley? | 0:53:43 | 0:53:45 | |
Small version. Too small to be let out in this weather. | 0:53:46 | 0:53:50 | |
Belongs to my daughter. | 0:53:50 | 0:53:51 | |
I tried to grab him but the water was too fast for me. | 0:53:51 | 0:53:55 | |
If you're going into the cafe, | 0:53:55 | 0:53:57 | |
I'd be proud to buy you both a cup of coffee. | 0:53:57 | 0:54:00 | |
Coffee would be good about now. | 0:54:03 | 0:54:06 | |
GENERAL CHATTER | 0:54:08 | 0:54:12 | |
This is like the storm | 0:54:12 | 0:54:13 | |
that washed away Gunnison 10, 12 years back. | 0:54:13 | 0:54:16 | |
Water come down from the mountains. | 0:54:16 | 0:54:18 | |
Nowhere to go but straight into town. | 0:54:18 | 0:54:21 | |
Killed a lot of folks. | 0:54:21 | 0:54:23 | |
The town's been here a long time, Mack. | 0:54:23 | 0:54:26 | |
And will be here a lot longer. | 0:54:26 | 0:54:28 | |
That's right, Papa. | 0:54:28 | 0:54:30 | |
Every once in a while, a good storm washes through | 0:54:30 | 0:54:32 | |
and leaves her as clean as a baby's bottom. | 0:54:32 | 0:54:35 | |
Got to look on the bright side, gents. | 0:54:35 | 0:54:38 | |
Marshal. | 0:54:50 | 0:54:51 | |
Meat and spuds, Les, as always. | 0:54:51 | 0:54:54 | |
This cover our meal? | 0:54:57 | 0:54:59 | |
Worth a man's life to walk across that road tonight. | 0:54:59 | 0:55:03 | |
Thanks for the coffee. | 0:55:03 | 0:55:05 | |
Well, appreciate what you've done. | 0:55:05 | 0:55:07 | |
That'll be two bits. Two bits. | 0:55:09 | 0:55:13 | |
I'll be having words with you two! | 0:55:34 | 0:55:36 | |
We'll be having more than that with you, Marshal. | 0:55:36 | 0:55:39 | |
No need to make the cafe messy. But folks... | 0:55:51 | 0:55:54 | |
I've got a warrant sworn out for your arrest | 0:55:54 | 0:55:57 | |
for assaulting Baxter's men. | 0:55:57 | 0:55:59 | |
We've got a warrant sworn for them that tried killing the boy | 0:55:59 | 0:56:02 | |
who's laying at the Doc's trying to stay alive. | 0:56:02 | 0:56:05 | |
Swore out another one | 0:56:05 | 0:56:06 | |
for them that murdered the big fella in your cell. | 0:56:06 | 0:56:08 | |
Only ours ain't writ by no tin star, | 0:56:08 | 0:56:11 | |
bought and paid for, Marshal. | 0:56:11 | 0:56:12 | |
It's writ by us. And we aim to enforce it. | 0:56:12 | 0:56:15 | |
Is that so? | 0:56:15 | 0:56:17 | |
We got no quarrel with none of you folks. | 0:56:17 | 0:56:20 | |
Baxter's men bushwhacked our friend, shot him dead. | 0:56:20 | 0:56:24 | |
Shot a 16-year-old boy too | 0:56:24 | 0:56:26 | |
and clubbed him so hard... | 0:56:26 | 0:56:28 | |
..he might not live! | 0:56:30 | 0:56:32 | |
Tried to take our cattle. | 0:56:32 | 0:56:35 | |
Your marshal here ain't going to do nothing about it. | 0:56:35 | 0:56:38 | |
You don't like free-grazers in this town | 0:56:40 | 0:56:42 | |
and we don't much like being here. | 0:56:42 | 0:56:45 | |
But a man's got a right | 0:56:45 | 0:56:46 | |
to protect his property and his life. | 0:56:46 | 0:56:48 | |
And we ain't letting no rancher or his lawmen take either. | 0:56:48 | 0:56:52 | |
We've got no intention of harming bystanders. | 0:56:54 | 0:56:56 | |
Anyone who helps or comforts | 0:56:56 | 0:56:59 | |
these goddamn law-breaking free-grazers | 0:56:59 | 0:57:01 | |
is going to have to deal with me. | 0:57:01 | 0:57:04 | |
SUSPENSEFUL MUSIC | 0:57:05 | 0:57:07 | |
Your call, Marshal. | 0:57:16 | 0:57:18 | |
We don't have to settle this here and now. | 0:57:23 | 0:57:25 | |
You ain't going nowhere in this weather. | 0:57:25 | 0:57:28 | |
But I'll be seeing you gents real soon. | 0:57:28 | 0:57:31 | |
You can count on that. | 0:57:31 | 0:57:33 | |
SOMBRE MUSIC | 0:57:33 | 0:57:36 | |
That marshal ain't going to wait. | 0:57:46 | 0:57:49 | |
That son of a bitch is going to get some men to look for us. | 0:57:49 | 0:57:51 | |
He'll need us locked up in jail by the time Baxter hits town. | 0:57:51 | 0:57:56 | |
If we ain't, Baxter will start to think | 0:57:56 | 0:57:58 | |
that maybe Marshal Poole ain't worth what he's paying him. | 0:57:58 | 0:58:00 | |
If you've got something on your mind, just spit it out. | 0:58:00 | 0:58:05 | |
Well, I say we take him right at his jail. | 0:58:05 | 0:58:07 | |
Lock him up, wait till Baxter comes riding in. | 0:58:07 | 0:58:10 | |
Hell, Charley, | 0:58:10 | 0:58:11 | |
why don't we just ride to Baxter's ranch | 0:58:11 | 0:58:13 | |
and go straight to him too? | 0:58:13 | 0:58:15 | |
Well, I'll fight wherever you want, Boss. Just make the call. | 0:58:17 | 0:58:20 | |
-Goddammit! -Now, hold on, Charley, hold on. | 0:58:20 | 0:58:23 | |
Well, you asked me. I told you. | 0:58:23 | 0:58:26 | |
Charley, come on in out of the rain, would you? | 0:58:31 | 0:58:33 | |
Come on! | 0:58:33 | 0:58:35 | |
Come on! | 0:58:39 | 0:58:40 | |
Just getting testy in my old age. It's not a bad idea. | 0:58:46 | 0:58:49 | |
Just roll it around is all I ask. | 0:58:49 | 0:58:51 | |
What'd you think of my speech in there? | 0:58:54 | 0:58:56 | |
Liked it. | 0:58:59 | 0:59:01 | |
Maybe I ought to run for mayor. | 0:59:01 | 0:59:03 | |
Yeah, well, I believe he's got to be living, Boss. | 0:59:03 | 0:59:06 | |
HE CHUCKLES | 0:59:06 | 0:59:08 | |
KNOCK AT DOOR | 0:59:13 | 0:59:15 | |
BOSS: Come to see about the boy. | 0:59:15 | 0:59:17 | |
He's asleep. | 0:59:17 | 0:59:19 | |
-Please, come in. -Are you sure, ma'am? | 0:59:19 | 0:59:22 | |
We're a mite rank. | 0:59:22 | 0:59:23 | |
We don't want to mess your house. | 0:59:23 | 0:59:25 | |
No, no, no. Please. It's all right. Come on in. | 0:59:25 | 0:59:27 | |
Thank you, ma'am. | 1:00:00 | 1:00:02 | |
There we are. | 1:00:04 | 1:00:06 | |
-WHISPERS: -I can't get my fingers in. | 1:00:19 | 1:00:22 | |
BOSS CHUCKLES | 1:00:22 | 1:00:23 | |
Can't get our big fat fingers in these holes. | 1:00:26 | 1:00:29 | |
GIGGLES: Too many broke knuckles. | 1:00:29 | 1:00:30 | |
-Let me get something bigger. -No, ma'am. We can make do. | 1:00:30 | 1:00:33 | |
No. No, it's all right. | 1:00:33 | 1:00:35 | |
It's just nice to be sitting at a table | 1:00:35 | 1:00:37 | |
set with fine china. | 1:00:37 | 1:00:40 | |
Those were my mother's. | 1:00:40 | 1:00:41 | |
They're the only things of hers | 1:00:41 | 1:00:43 | |
that survived the trip out here. | 1:00:43 | 1:00:46 | |
I don't know why I bring 'em out. I can't hold 'em either. | 1:00:47 | 1:00:50 | |
I guess it just makes me feel good. | 1:00:50 | 1:00:52 | |
SHE CHUCKLES | 1:00:52 | 1:00:53 | |
I just say what's on my mind, good or bad. | 1:00:53 | 1:00:56 | |
I admire that. | 1:00:56 | 1:00:57 | |
Try living with it. | 1:00:57 | 1:00:59 | |
See that? No need for a wife or home. | 1:01:00 | 1:01:03 | |
We're just like an old married couple. | 1:01:03 | 1:01:06 | |
So is it marriage that scares you two? | 1:01:06 | 1:01:10 | |
-Putting down roots? -No. | 1:01:10 | 1:01:11 | |
Who'd have him, old and mangey? Like a rough old dog. | 1:01:11 | 1:01:15 | |
How about I just hold your head under water for a while? | 1:01:15 | 1:01:18 | |
I married once. | 1:01:29 | 1:01:32 | |
Never know that, did you, Charley? | 1:01:32 | 1:01:34 | |
Had a wife and child. | 1:01:34 | 1:01:36 | |
Sweet little spread too. | 1:01:36 | 1:01:39 | |
Nothing fancy, but we was young. | 1:01:39 | 1:01:42 | |
Loved each other. | 1:01:42 | 1:01:44 | |
Never had a cross word. | 1:01:45 | 1:01:47 | |
They caught the typhus and died, | 1:01:49 | 1:01:51 | |
and after that, home didn't seem a place to spend time. | 1:01:51 | 1:01:54 | |
Believe I've changed my mind on that | 1:01:54 | 1:01:57 | |
now that I'm getting on in years. | 1:01:57 | 1:01:59 | |
If Button lives, and we survive Baxter, | 1:02:04 | 1:02:08 | |
I swear I aim to see to it there's a home he's sleeping in | 1:02:08 | 1:02:12 | |
instead of the cold prairie. | 1:02:12 | 1:02:14 | |
Have yourself the last cup of tea, Charley. | 1:02:22 | 1:02:25 | |
I'd like to see Button again, Miss Barlow. I know the way. | 1:02:25 | 1:02:29 | |
Ooh... | 1:02:32 | 1:02:34 | |
Been riding with him ten years. | 1:02:43 | 1:02:45 | |
Never said nothing about being married. | 1:02:45 | 1:02:48 | |
Where are you and Mr Spearman spending the night? | 1:02:57 | 1:02:59 | |
Don't rightly know. | 1:02:59 | 1:03:01 | |
It depends on circumstances. | 1:03:01 | 1:03:03 | |
You mean Marshal Poole? | 1:03:03 | 1:03:06 | |
We have a spare room. It's yours if you want it. | 1:03:06 | 1:03:09 | |
Couldn't do that, ma'am. | 1:03:09 | 1:03:11 | |
We'd be putting you in a spot with the Marshal and Baxter. | 1:03:11 | 1:03:14 | |
Besides, it's a small town. | 1:03:14 | 1:03:15 | |
It wouldn't look right for us to spend the night, | 1:03:15 | 1:03:18 | |
particularly with the Doc away. | 1:03:18 | 1:03:20 | |
TENDER GUITAR MUSIC | 1:03:25 | 1:03:28 | |
I'll take those. | 1:03:38 | 1:03:39 | |
Do you know where they go? | 1:03:39 | 1:03:42 | |
I think so. | 1:03:42 | 1:03:44 | |
BOSS: It's been raining like hell ever since we got here. | 1:03:47 | 1:03:50 | |
Water washing right down Main Street. | 1:03:50 | 1:03:52 | |
Charley saved a pup from being washed away. | 1:03:52 | 1:03:56 | |
Looked a little like old Tig. | 1:03:56 | 1:03:58 | |
Now, if you can, you've got to listen and pay attention. | 1:04:03 | 1:04:06 | |
Cos I've got something important to say. | 1:04:06 | 1:04:09 | |
I haven't been looking after you for you to go out this way. | 1:04:11 | 1:04:15 | |
The world ain't a perfect place, Button. | 1:04:15 | 1:04:17 | |
But you've got unfinished business here. | 1:04:17 | 1:04:20 | |
So you come back. You hear me now? | 1:04:22 | 1:04:24 | |
WHISPERS: You come back. | 1:04:26 | 1:04:27 | |
Kind of dumb talking to him, I guess. | 1:04:34 | 1:04:36 | |
No. No, it's good. | 1:04:36 | 1:04:41 | |
You all right, Mr Spearman? | 1:04:41 | 1:04:43 | |
I'm as right as a man can be under the circumstances. | 1:04:43 | 1:04:46 | |
'Circumstances' - that's just what Mr Waite called 'em. | 1:04:46 | 1:04:49 | |
I asked him to reconsider and I'm asking you. | 1:04:49 | 1:04:52 | |
By 'reconsider', you mean tuck tail and run? | 1:04:52 | 1:04:56 | |
I mean save your life and his. | 1:04:56 | 1:04:58 | |
He'll listen to you. | 1:04:58 | 1:05:00 | |
Charley thinks for himself, Miss Barlow. | 1:05:00 | 1:05:03 | |
He's a good man. He knows what has to be done. | 1:05:03 | 1:05:06 | |
Mm-hm. | 1:05:06 | 1:05:07 | |
We'll pay you now for whatever else Button needs. | 1:05:07 | 1:05:10 | |
In case things go bad for Charley and me, | 1:05:10 | 1:05:13 | |
maybe you and Doc will see to it we're taken care of properly. | 1:05:13 | 1:05:16 | |
I'd like to put pen to paper, if you have 'em. | 1:05:16 | 1:05:19 | |
Yes. Of course. | 1:05:19 | 1:05:21 | |
THUNDER CRACKS | 1:05:39 | 1:05:41 | |
THUNDER CLAPS LOUDLY | 1:06:01 | 1:06:03 | |
-SUE: -Mr Waite? | 1:06:14 | 1:06:17 | |
-INTRUDER: -Look at my face! | 1:06:17 | 1:06:19 | |
CRASH! | 1:06:19 | 1:06:20 | |
I'm sorry! | 1:06:20 | 1:06:21 | |
SUE GASPS | 1:06:21 | 1:06:23 | |
I'm sorry. | 1:06:23 | 1:06:25 | |
-Oh! -It's all right, Charley! | 1:06:25 | 1:06:28 | |
OK? It just be us! | 1:06:28 | 1:06:30 | |
It's all right, Charley! | 1:06:33 | 1:06:35 | |
It's all right, Charley. | 1:06:44 | 1:06:46 | |
CHINA BREAKS | 1:06:50 | 1:06:52 | |
It's all right. I'll get it. | 1:06:52 | 1:06:54 | |
WISTFUL MUSIC | 1:06:54 | 1:06:57 | |
Jumpy is all. | 1:07:18 | 1:07:20 | |
She ought not sneak up like that. | 1:07:34 | 1:07:36 | |
She weren't sneaking. | 1:07:36 | 1:07:37 | |
I scared that woman half to death. | 1:07:39 | 1:07:41 | |
Yeah. | 1:07:41 | 1:07:42 | |
Scared me a bit too. | 1:07:42 | 1:07:43 | |
Well, that's how it is, Boss. | 1:07:43 | 1:07:46 | |
Ain't a pretty picture. | 1:07:46 | 1:07:48 | |
Got your wits about you now? | 1:07:48 | 1:07:51 | |
-Yeah. -Yeah. | 1:07:52 | 1:07:54 | |
-Weren't as bad as it looked. -I'll bet. | 1:07:54 | 1:07:58 | |
MAN YELLS: Go on! Ya! | 1:08:09 | 1:08:11 | |
BOSS: Two whiskeys, barkeep. | 1:08:36 | 1:08:38 | |
Barkeep, two whiskeys. | 1:08:46 | 1:08:48 | |
See that sign? | 1:08:52 | 1:08:54 | |
Round these parts, free-grazers is the first. | 1:08:54 | 1:08:57 | |
Ow! | 1:09:06 | 1:09:07 | |
GLASS SMASHES | 1:09:08 | 1:09:10 | |
Now, he asked you twice. Ain't going to ask again. | 1:09:14 | 1:09:18 | |
Hey, Bill. It's all right. | 1:09:21 | 1:09:24 | |
These are the fellows that saved my dog. | 1:09:24 | 1:09:26 | |
I couldn't serve them if they saved Jesus himself. | 1:09:26 | 1:09:29 | |
Mr Baxter would have my job. | 1:09:29 | 1:09:31 | |
-Baxter the owner? -That's right. | 1:09:31 | 1:09:33 | |
Give me a bottle. I'll serve them myself. | 1:09:33 | 1:09:36 | |
You know I can't do that. | 1:09:36 | 1:09:38 | |
GLASS SMASHES | 1:09:39 | 1:09:42 | |
Now we'll have our drinks. | 1:09:48 | 1:09:50 | |
I'm going to have me another. | 1:10:06 | 1:10:08 | |
Yes, sir. | 1:10:10 | 1:10:11 | |
Well, looks like the rain's let up a bit. | 1:10:17 | 1:10:21 | |
If it don't, there'll be trout fishing right on Main Street. | 1:10:21 | 1:10:25 | |
ALL LAUGH | 1:10:25 | 1:10:26 | |
I'd like you to meet my boys. | 1:10:26 | 1:10:29 | |
-Ray, Cory. -How are you doing? | 1:10:30 | 1:10:32 | |
We run a freight outfit when the weather cooperates. | 1:10:32 | 1:10:35 | |
Boss Spearman. And the marksman here is Charley Waite. | 1:10:35 | 1:10:39 | |
Is all that true, what you said in the cafe? | 1:10:39 | 1:10:43 | |
Yeah. | 1:10:43 | 1:10:44 | |
This kid over at Doc's house | 1:10:46 | 1:10:47 | |
was put on death's doorstep by Baxter. | 1:10:47 | 1:10:49 | |
Doc's wife's caring for him | 1:10:49 | 1:10:51 | |
until he comes back after the storm. | 1:10:51 | 1:10:53 | |
-Doc's wife? -Yeah. Miss Barlow. | 1:10:53 | 1:10:55 | |
You mean Sue? | 1:10:55 | 1:10:57 | |
That's right. | 1:10:57 | 1:10:58 | |
She'll make somebody a fine wife, but she ain't the Doc's. | 1:10:58 | 1:11:03 | |
That's his sister. | 1:11:04 | 1:11:05 | |
-His sister? -Ain't his wife. | 1:11:05 | 1:11:08 | |
-Good evening, Mack. -Ralph. | 1:11:13 | 1:11:15 | |
Ray, Cory. Whisky. | 1:11:15 | 1:11:17 | |
This is Ralph Petersen. He runs the general store. | 1:11:17 | 1:11:20 | |
That's where I was when the dog got free. | 1:11:20 | 1:11:22 | |
And you fellows the free-grazers, I expect? | 1:11:22 | 1:11:25 | |
Oh. | 1:11:31 | 1:11:32 | |
No offence. | 1:11:32 | 1:11:34 | |
Personally, I don't stand with others round here | 1:11:34 | 1:11:36 | |
about free-grazers. | 1:11:36 | 1:11:38 | |
There was a fight in your store about a week or so back. | 1:11:38 | 1:11:41 | |
Some of Baxter's men jumped our friend. | 1:11:41 | 1:11:44 | |
-He was a big fellow. -Yeah, I saw the whole thing. | 1:11:44 | 1:11:48 | |
That big fellow drubbed the hell out of them other three. | 1:11:48 | 1:11:50 | |
Broke one's arm. | 1:11:50 | 1:11:51 | |
Be a gun hand named Butler, would it? | 1:11:51 | 1:11:54 | |
That's what they say. | 1:11:54 | 1:11:56 | |
CLEARS THROAT | 1:11:56 | 1:11:58 | |
Felt bad about your friend. Is he all right? | 1:11:58 | 1:12:01 | |
He's dead. | 1:12:01 | 1:12:03 | |
That's too bad. He seemed like a nice young fellow. | 1:12:07 | 1:12:10 | |
It's a shame what this town's come to. | 1:12:10 | 1:12:13 | |
You could do something about it. | 1:12:13 | 1:12:15 | |
What? | 1:12:17 | 1:12:19 | |
We're freighters. | 1:12:19 | 1:12:21 | |
Ralph here's a shopkeeper. | 1:12:21 | 1:12:23 | |
You're men, ain't you? | 1:12:23 | 1:12:26 | |
I didn't raise my boys just to see 'em killed. | 1:12:26 | 1:12:30 | |
Well, you may not know this, | 1:12:32 | 1:12:34 | |
but there's things that gnaw at a man worse than dying. | 1:12:34 | 1:12:37 | |
DRAMATIC MUSIC | 1:12:49 | 1:12:52 | |
Hey! | 1:13:02 | 1:13:03 | |
-Evening, gents. -Evening. | 1:13:06 | 1:13:08 | |
Better get out of this weather | 1:13:08 | 1:13:09 | |
or your bones will be stiffer than mine come morning. | 1:13:09 | 1:13:12 | |
Heading into the saloon to do just that. | 1:13:12 | 1:13:14 | |
Come looking for you boys. | 1:13:14 | 1:13:16 | |
Would have bought you a drink earlier. | 1:13:16 | 1:13:18 | |
Well, then, turn around and do it now. | 1:13:18 | 1:13:20 | |
Marshal's got men waiting back at the livery. | 1:13:20 | 1:13:23 | |
Another one's in your wagon | 1:13:23 | 1:13:24 | |
and then there's another in the shed across from it. | 1:13:24 | 1:13:27 | |
-Marshal with them? -No. | 1:13:27 | 1:13:29 | |
He's sitting up there all by his lonesome | 1:13:29 | 1:13:32 | |
in that warm, dry jailhouse with his feet up | 1:13:32 | 1:13:35 | |
waiting for them to bring you in. | 1:13:35 | 1:13:37 | |
Or kill you. | 1:13:37 | 1:13:38 | |
Well, thanks for the warning. | 1:13:38 | 1:13:40 | |
Well, like I told you, | 1:13:40 | 1:13:41 | |
I've never been partial to the marshal's ways. | 1:13:41 | 1:13:44 | |
Dent Baxter's either. | 1:13:44 | 1:13:46 | |
You're nearly the only friend we've got in this town. | 1:13:46 | 1:13:49 | |
I'll be buying a drink or two if you keep it quiet. | 1:13:49 | 1:13:52 | |
All right? | 1:13:52 | 1:13:54 | |
Time's come. How you want to play it? | 1:13:57 | 1:14:00 | |
Well, I work for you, Boss. I play it however you want. | 1:14:00 | 1:14:03 | |
Nobody works for anybody here, Charley. | 1:14:03 | 1:14:05 | |
Now, the name Butler mean anything to you? | 1:14:05 | 1:14:08 | |
You hear names when you're on the other side of things. | 1:14:08 | 1:14:11 | |
Is he as fast as they...they say? | 1:14:11 | 1:14:13 | |
He's a killer. | 1:14:13 | 1:14:14 | |
You'd know him if you saw him? | 1:14:14 | 1:14:16 | |
He ain't hard to recognise | 1:14:16 | 1:14:18 | |
if you know what you're looking for. | 1:14:18 | 1:14:19 | |
Yeah. | 1:14:19 | 1:14:21 | |
Too bad we could get shot off tonight | 1:14:21 | 1:14:23 | |
before getting a chance at him and Baxter. | 1:14:23 | 1:14:25 | |
Sure as hell is. | 1:14:25 | 1:14:27 | |
I'd like to sit some place dry | 1:14:27 | 1:14:29 | |
while the marshal's men sit out in this rain. | 1:14:29 | 1:14:31 | |
Won't be so steady come morning. | 1:14:31 | 1:14:33 | |
It's a small town. | 1:14:33 | 1:14:35 | |
Hard to hide even at night in this weather. | 1:14:35 | 1:14:37 | |
What do you want to do? | 1:14:38 | 1:14:41 | |
Yep. Heard me an idea that sounded pretty good. | 1:14:41 | 1:14:44 | |
You did, did you? | 1:14:46 | 1:14:47 | |
Well, all right. | 1:14:50 | 1:14:52 | |
VIOLIN MUSIC PLAYS | 1:14:52 | 1:14:55 | |
He's alone. | 1:15:06 | 1:15:08 | |
CHARLEY: Get your hands up. | 1:15:08 | 1:15:10 | |
-You must be plum-crazy! -Shut up. | 1:15:10 | 1:15:14 | |
CHAINS RATTLE | 1:15:17 | 1:15:19 | |
HE GRUNTS | 1:15:19 | 1:15:22 | |
You're dead men. | 1:15:26 | 1:15:28 | |
Didn't he tell you to shut up? | 1:15:30 | 1:15:32 | |
HE GROANS | 1:15:33 | 1:15:35 | |
-What's that? -Chloroform. | 1:15:36 | 1:15:39 | |
Stole it from the Doc's. | 1:15:39 | 1:15:41 | |
You going to arrest me for that, Marshal? | 1:15:43 | 1:15:46 | |
HE GROANS | 1:15:47 | 1:15:49 | |
Jesus! | 1:15:50 | 1:15:52 | |
HE PANTS, THEN FALLS SILENT | 1:15:52 | 1:15:56 | |
GENTLE MUSIC | 1:15:58 | 1:16:01 | |
THUNDER CRACKS | 1:16:02 | 1:16:06 | |
FOOTSTEPS APPROACH | 1:16:08 | 1:16:11 | |
DRAMATIC MUSIC | 1:16:21 | 1:16:24 | |
Well, looky here. | 1:16:31 | 1:16:34 | |
He's asleep. | 1:16:34 | 1:16:35 | |
No. | 1:16:35 | 1:16:36 | |
Looky here. | 1:16:38 | 1:16:40 | |
Put 'em down. | 1:16:41 | 1:16:43 | |
This way. | 1:16:46 | 1:16:48 | |
THUNDER CRACKS | 1:16:52 | 1:16:55 | |
-BOSS: -Do you like it? -CHAIN RATTLES | 1:16:59 | 1:17:04 | |
MAN GROANS | 1:17:07 | 1:17:09 | |
Wasn't no call to leave me sitting out like that. | 1:17:14 | 1:17:17 | |
-There wasn't a lot of time. -I ain't thick, Charley. | 1:17:17 | 1:17:20 | |
I hear you. | 1:17:25 | 1:17:27 | |
Best you remember it. | 1:17:27 | 1:17:28 | |
Well, I guess you ain't going to let me forget, are you? | 1:17:28 | 1:17:31 | |
You're starting to enjoy that part, aren't you? | 1:17:33 | 1:17:36 | |
KNOCK AT DOOR | 1:17:36 | 1:17:37 | |
-Sorry if we woke you. -No, no, no, you didn't. | 1:17:42 | 1:17:45 | |
-Come to see if... -Come see for yourself. | 1:17:45 | 1:17:47 | |
BUTTON GROANS | 1:17:49 | 1:17:50 | |
Hey. | 1:17:51 | 1:17:54 | |
-Hey, Boss. -You gave us a fright, pard. | 1:17:54 | 1:17:57 | |
Thought we were going to lose you. | 1:17:57 | 1:17:59 | |
Just taking a little nap, that's all. | 1:17:59 | 1:18:02 | |
It's good to have you back. | 1:18:02 | 1:18:04 | |
We owe you, Miss Barlow, and we thank you. | 1:18:04 | 1:18:07 | |
No, you best thank God instead. | 1:18:07 | 1:18:08 | |
Yes, ma'am. We'll...we'll give that a try. | 1:18:08 | 1:18:12 | |
Well, I expect you men are hungry. | 1:18:12 | 1:18:15 | |
Button just ate. I thought I'd make myself some breakfast. | 1:18:15 | 1:18:18 | |
Two more mouths wouldn't be any bother. | 1:18:18 | 1:18:20 | |
I'm just going to change. | 1:18:21 | 1:18:23 | |
You...you should try to sleep. | 1:18:23 | 1:18:26 | |
He will. | 1:18:26 | 1:18:28 | |
You do as she says, now. | 1:18:28 | 1:18:30 | |
Yes, Boss. | 1:18:30 | 1:18:33 | |
All right. | 1:18:33 | 1:18:35 | |
-Boss? -Yeah? | 1:18:36 | 1:18:38 | |
Mose? | 1:18:39 | 1:18:41 | |
I'll be along in a minute, Charley. | 1:18:41 | 1:18:43 | |
Be seeing you, Button. | 1:18:44 | 1:18:45 | |
THUNDER RUMBLES | 1:18:50 | 1:18:53 | |
HE SIGHS | 1:19:00 | 1:19:01 | |
GENTLE STRING MUSIC | 1:19:29 | 1:19:32 | |
If you don't mind my saying, ma'am, you look... | 1:20:44 | 1:20:46 | |
..tired. | 1:20:48 | 1:20:49 | |
Oh. It's been a long night. | 1:20:49 | 1:20:53 | |
Why don't you sit? | 1:20:53 | 1:20:55 | |
Let an old cowpoke cook up some breakfast. | 1:20:57 | 1:20:59 | |
No, I couldn't let you. | 1:20:59 | 1:21:02 | |
Sure you could. | 1:21:02 | 1:21:04 | |
Well, thank you. | 1:21:06 | 1:21:08 | |
Want to apologise for...earlier. | 1:21:11 | 1:21:14 | |
Oh, no, no. There's no need. You were startled. | 1:21:14 | 1:21:17 | |
No, it was... it was more than that. | 1:21:17 | 1:21:20 | |
I'm trying to put some bad times behind me | 1:21:23 | 1:21:25 | |
but sometimes they don't...stay put. | 1:21:25 | 1:21:27 | |
It always makes me feel better | 1:21:29 | 1:21:31 | |
to let things breathe a little, not bury 'em. | 1:21:31 | 1:21:33 | |
I'm learning that. Trying anyway. | 1:21:33 | 1:21:36 | |
Well, that's all any of us can do. | 1:21:36 | 1:21:40 | |
I'm just glad Button's getting better. | 1:21:40 | 1:21:42 | |
I don't believe I've ever seen Boss so worried. | 1:21:43 | 1:21:46 | |
Well, the doctor will be on his way home | 1:21:47 | 1:21:49 | |
as soon as the storm's passed. | 1:21:49 | 1:21:52 | |
By the doctor, you mean your brother? | 1:21:52 | 1:21:54 | |
It's just that we've been thinking | 1:21:58 | 1:22:00 | |
that you and the Doc was... | 1:22:00 | 1:22:01 | |
husband and wife. | 1:22:01 | 1:22:03 | |
Oh. | 1:22:04 | 1:22:06 | |
You did? | 1:22:06 | 1:22:08 | |
Didn't find out until last night. | 1:22:08 | 1:22:10 | |
Thought you was married, Sue. | 1:22:12 | 1:22:13 | |
-Why, no, I'm... I'm not, Charley. -SHE GIGGLES | 1:22:13 | 1:22:18 | |
Well, that's good. | 1:22:20 | 1:22:22 | |
I mean, that's good to know, | 1:22:23 | 1:22:24 | |
otherwise we'd...otherwise we'd been thinking wrong. | 1:22:24 | 1:22:27 | |
We wouldn't want to do that. | 1:22:27 | 1:22:28 | |
No. No. Of course not. | 1:22:28 | 1:22:30 | |
GENTLE MUSIC | 1:22:30 | 1:22:33 | |
Much obliged to you, ma'am. | 1:22:51 | 1:22:53 | |
You're very welcome, Mr Spearman. | 1:22:53 | 1:22:55 | |
Thank you, Sue. | 1:22:57 | 1:22:59 | |
Take care of yourself, Charley. | 1:23:00 | 1:23:02 | |
Are you just going to go off like that without saying nothing? | 1:23:14 | 1:23:17 | |
Ain't nothing to say. | 1:23:17 | 1:23:18 | |
I seen how you both look at each other. | 1:23:18 | 1:23:21 | |
Ain't right to walk away without a word. | 1:23:21 | 1:23:23 | |
What do you want me to tell her, Boss? | 1:23:23 | 1:23:26 | |
"We probably ain't going to make it"? | 1:23:26 | 1:23:29 | |
It'd be a big, fat comfort. | 1:23:29 | 1:23:31 | |
I don't know what you should tell her, Charley. | 1:23:33 | 1:23:35 | |
I wish I'd have said more to my wife before she passed. | 1:23:35 | 1:23:39 | |
This may be the last time she sees you, Charley, | 1:23:39 | 1:23:42 | |
or you her, | 1:23:42 | 1:23:43 | |
so tell her whatever you can, cos she's entitled | 1:23:43 | 1:23:46 | |
to more than just your backside walking away. | 1:23:46 | 1:23:49 | |
KNOCK AT DOOR | 1:23:49 | 1:23:51 | |
Charley. | 1:23:55 | 1:23:56 | |
I'm, er... I'm not sure what's worth saying or not. | 1:23:58 | 1:24:01 | |
You don't have to say anything, Charley. | 1:24:03 | 1:24:05 | |
Yeah, I do. | 1:24:05 | 1:24:06 | |
Boss is right about that. | 1:24:06 | 1:24:08 | |
He's, er...he's right about a lot of things. | 1:24:08 | 1:24:11 | |
It's just... | 1:24:12 | 1:24:13 | |
I'm not who you think I am, Sue. | 1:24:18 | 1:24:20 | |
I... I've been places, I've done things. | 1:24:20 | 1:24:22 | |
Most of them, I'm not proud of. | 1:24:22 | 1:24:24 | |
You know, | 1:24:26 | 1:24:28 | |
I always hoped somebody gentle and caring might come along. | 1:24:28 | 1:24:31 | |
Years pass and... small town and all and... | 1:24:34 | 1:24:38 | |
..your hopes begin to fade a little every day | 1:24:40 | 1:24:42 | |
until you hardly remember what they were. | 1:24:42 | 1:24:44 | |
I've seen who you are, Charley. | 1:24:45 | 1:24:47 | |
The way you looked after that boy. | 1:24:47 | 1:24:49 | |
And the respect you give Boss. | 1:24:49 | 1:24:52 | |
They might be little bits, | 1:24:52 | 1:24:54 | |
but they're enough for a woman who looks. | 1:24:54 | 1:24:57 | |
Men are going to get killed here today, Sue. | 1:25:01 | 1:25:03 | |
And I'm going to kill them. You understand that? | 1:25:03 | 1:25:06 | |
Yes. | 1:25:08 | 1:25:10 | |
Um, I want you to have this. | 1:25:11 | 1:25:13 | |
It's always brought me luck. | 1:25:14 | 1:25:16 | |
I... I can't...take your locket. | 1:25:16 | 1:25:21 | |
It's not your choice when it's a gift. | 1:25:22 | 1:25:24 | |
It's a good likeness of you. | 1:25:25 | 1:25:27 | |
-LAUGHS: -It's my mother, When she was young. | 1:25:27 | 1:25:30 | |
She's beautiful. | 1:25:33 | 1:25:34 | |
I want you to know that if I don't ever see you again | 1:25:40 | 1:25:44 | |
that I meant everything I said to you. | 1:25:44 | 1:25:47 | |
And I appreciate everything you said to me. | 1:25:47 | 1:25:50 | |
Ain't nothing that happened in this old town been a surprise. | 1:25:51 | 1:25:55 | |
Except you. | 1:25:55 | 1:25:57 | |
SOLEMN MUSIC | 1:25:57 | 1:26:00 | |
I'll be seeing you, Charley Waite. | 1:26:08 | 1:26:10 | |
SENTIMENTAL MUSIC | 1:26:10 | 1:26:13 | |
-Happy? -Yeah, well, if you are. | 1:26:25 | 1:26:28 | |
ROOSTER CROWS, BIRDSONG | 1:26:35 | 1:26:39 | |
VIOLIN STRINGS SQUEAK | 1:26:39 | 1:26:42 | |
Good morning, boys. | 1:26:51 | 1:26:53 | |
Brought you breakfast. | 1:26:55 | 1:26:57 | |
MEN GROAN | 1:26:57 | 1:26:58 | |
-MAN: -Hey, kids, come away from there. Come on. | 1:26:58 | 1:27:03 | |
You kids head home. | 1:27:03 | 1:27:05 | |
BOSS HAMMERS NAIL INTO WALL | 1:27:09 | 1:27:13 | |
What do you suppose this looks like? | 1:27:16 | 1:27:19 | |
It don't matter. | 1:27:19 | 1:27:20 | |
Whole town knows there's a fight coming. | 1:27:20 | 1:27:23 | |
They just hope it don't spill over to them. | 1:27:23 | 1:27:25 | |
TENSE MUSIC | 1:27:25 | 1:27:28 | |
BOSS: Well, if I'm going to get killed, | 1:27:38 | 1:27:40 | |
I got a hankering to soothe my sweet tooth. | 1:27:40 | 1:27:43 | |
Morning. | 1:27:49 | 1:27:51 | |
Morning. | 1:27:51 | 1:27:52 | |
What could I do for you fellows? | 1:27:55 | 1:27:57 | |
I'm thinking about some candy. | 1:27:57 | 1:27:59 | |
-Candy? -Yeah. | 1:28:00 | 1:28:02 | |
Yes, sir. Candy. | 1:28:02 | 1:28:05 | |
Got anything you want. | 1:28:05 | 1:28:06 | |
Got, um, jaw-breakers, gumdrops, | 1:28:06 | 1:28:09 | |
candy canes, liquorice, | 1:28:09 | 1:28:12 | |
caramel, honeycrisp, jujubes, lollipops, milk chocolate... | 1:28:12 | 1:28:16 | |
I'm looking for something special. | 1:28:16 | 1:28:18 | |
Now, what's the most expensive you got? | 1:28:18 | 1:28:20 | |
Uh...well, um... | 1:28:20 | 1:28:24 | |
Ooh! I got just the thing. | 1:28:24 | 1:28:26 | |
-This is dark chocolate. -Yeah. | 1:28:35 | 1:28:37 | |
It comes all the way from Switzerland, Europe. | 1:28:37 | 1:28:40 | |
That's near France, see. | 1:28:40 | 1:28:42 | |
They call it bittersweet. Melts in your mouth. | 1:28:42 | 1:28:46 | |
-You tried it? -No. | 1:28:46 | 1:28:49 | |
How do you know it melts in your mouth? | 1:28:49 | 1:28:51 | |
Uh, well...truth is... we can't afford it ourselves. | 1:28:53 | 1:28:57 | |
I'll take two. | 1:28:57 | 1:28:59 | |
-Don't you want to know how much? -No. | 1:29:00 | 1:29:02 | |
Yes, sir. | 1:29:03 | 1:29:06 | |
And three of your finest cigars. | 1:29:06 | 1:29:08 | |
My friend and me got a hankering for Switzerland chocolate... | 1:29:08 | 1:29:12 | |
and a good smoke. | 1:29:12 | 1:29:14 | |
Now, these come all the way from Havana, Cuba. | 1:29:22 | 1:29:25 | |
Thank you. | 1:29:25 | 1:29:27 | |
-Anything else? -No, that'll do. | 1:29:27 | 1:29:30 | |
How much I owe you? | 1:29:30 | 1:29:32 | |
It's...it's 5. | 1:29:32 | 1:29:33 | |
Charley. Go on. | 1:29:39 | 1:29:41 | |
Believe I'll enjoy these later, Boss. | 1:29:42 | 1:29:44 | |
You ought to do yourselves a favour | 1:29:47 | 1:29:49 | |
and ride on while you still got time. | 1:29:49 | 1:29:51 | |
We tried minding our own business, hey. | 1:29:51 | 1:29:54 | |
Hell, this is good. Worth every penny. | 1:29:57 | 1:29:59 | |
You can get yourselves killed. | 1:30:04 | 1:30:06 | |
Try that. | 1:30:06 | 1:30:07 | |
Oh. | 1:30:07 | 1:30:08 | |
Sitting right here in front of you | 1:30:12 | 1:30:14 | |
and never even tried it. | 1:30:14 | 1:30:16 | |
Shame to go forever without taking a taste of something. | 1:30:16 | 1:30:20 | |
Charley, let's go. | 1:30:27 | 1:30:29 | |
TENSE MUSIC | 1:30:29 | 1:30:32 | |
-Percy? -Up here. | 1:30:33 | 1:30:35 | |
I brought you a cigar. | 1:30:35 | 1:30:37 | |
-All the way from Havana, Cuba. -You don't say! | 1:30:37 | 1:30:39 | |
I've heard about them, but I never had one. | 1:30:39 | 1:30:42 | |
Much obliged to you. | 1:30:42 | 1:30:43 | |
SNIFFS: What do you think? | 1:30:43 | 1:30:45 | |
Better than them crappers I usually smoke. | 1:30:45 | 1:30:48 | |
You're going to make your stand down here? | 1:30:48 | 1:30:50 | |
Yeah. Out there, around our wagon. | 1:30:50 | 1:30:52 | |
Not much choice without getting a lot of innocent folks shot up. | 1:30:52 | 1:30:55 | |
Like to place some guns and ammo | 1:30:55 | 1:30:57 | |
where we can get to it on a short run. | 1:30:57 | 1:31:00 | |
Help yourself. | 1:31:00 | 1:31:01 | |
We'll try to stay out of your barn. Might not be able to. | 1:31:01 | 1:31:04 | |
Best bring in your livestock. | 1:31:04 | 1:31:07 | |
-Be wishing you good luck now. -Thank you. | 1:31:07 | 1:31:10 | |
SOLEMN MUSIC | 1:31:14 | 1:31:17 | |
It's a pretty day for makin' things right. | 1:31:29 | 1:31:32 | |
Well, enjoy it, because once it starts | 1:31:32 | 1:31:34 | |
it's going to be messy like nothing you've ever seen. | 1:31:34 | 1:31:37 | |
Well, I ain't survived my years | 1:31:37 | 1:31:39 | |
without being in some fights, Charley. | 1:31:39 | 1:31:41 | |
I ain't doubtin' your grit, Boss. | 1:31:43 | 1:31:44 | |
You've got more than any man I've ever known. | 1:31:44 | 1:31:47 | |
It's just that... | 1:31:47 | 1:31:48 | |
I don't mean to be hard, | 1:31:48 | 1:31:50 | |
it's just the other night, | 1:31:50 | 1:31:52 | |
them fellows back in them trees we let go... | 1:31:52 | 1:31:54 | |
It was my call, Charley. | 1:31:54 | 1:31:55 | |
I can see now it was probably a mistake. | 1:31:55 | 1:31:58 | |
That's not what I meant. I mean, maybe it was. | 1:31:58 | 1:32:01 | |
But the fact is, it's what I always respected about you, | 1:32:01 | 1:32:04 | |
what I always appreciated - | 1:32:04 | 1:32:06 | |
how you treated other people, | 1:32:06 | 1:32:08 | |
how you...treated me. | 1:32:08 | 1:32:10 | |
How you never looked for no trouble | 1:32:10 | 1:32:13 | |
and...that kept me from trouble. | 1:32:13 | 1:32:15 | |
But it's found us here, Boss, | 1:32:16 | 1:32:18 | |
and if we're to have any chance, you'll... | 1:32:18 | 1:32:20 | |
You go on and talk, Charley. I hear you. | 1:32:20 | 1:32:23 | |
I'm almost certain | 1:32:24 | 1:32:26 | |
they'll be overly confident in their numbers. | 1:32:26 | 1:32:28 | |
Especially if we're standing right out here in front of them. | 1:32:28 | 1:32:31 | |
It's not like we'll have any advantage, | 1:32:31 | 1:32:33 | |
but if they're out there with us, | 1:32:33 | 1:32:35 | |
then they won't have as much as they might have otherwise. | 1:32:35 | 1:32:37 | |
I don't figure all of them to be killers - | 1:32:37 | 1:32:40 | |
maybe two or three like Butler will have done much. | 1:32:40 | 1:32:42 | |
I'll be lookin' to him. | 1:32:42 | 1:32:44 | |
The others will be hired men, probably - | 1:32:45 | 1:32:47 | |
saddle tramps, maybe ex-army. | 1:32:47 | 1:32:49 | |
The rest'll be cowpunchers. | 1:32:50 | 1:32:52 | |
They won't want to line up in front of us. | 1:32:52 | 1:32:54 | |
It'll happen fast once I start, | 1:32:56 | 1:32:58 | |
so just keep yourself moving forward. | 1:32:58 | 1:33:00 | |
And they'll either move or root - | 1:33:00 | 1:33:02 | |
maybe even freeze up. | 1:33:02 | 1:33:04 | |
It don't matter which. | 1:33:04 | 1:33:06 | |
You just start writing it on them with that scattergun. | 1:33:06 | 1:33:09 | |
When you've done both barrels, | 1:33:09 | 1:33:11 | |
drop it, pull your pistol | 1:33:11 | 1:33:12 | |
and make a run for that building where we stashed them others. | 1:33:12 | 1:33:16 | |
I'll be doing the same if I can. | 1:33:16 | 1:33:18 | |
Right. | 1:33:18 | 1:33:19 | |
Sounds like you've got it all worked out. | 1:33:19 | 1:33:22 | |
Yeah. Except the part where we don't get killed. | 1:33:23 | 1:33:26 | |
Heh! Best smoke these while we got the chance. | 1:33:26 | 1:33:30 | |
Yeah. | 1:33:32 | 1:33:33 | |
OMINOUS MUSIC | 1:33:33 | 1:33:36 | |
-BOSS: -I'm thinkin' about | 1:33:57 | 1:33:59 | |
gettin' out of the damn cattle business. | 1:33:59 | 1:34:01 | |
You never said nothin' except nag me and Button | 1:34:04 | 1:34:07 | |
about gettin' ourselves out. | 1:34:07 | 1:34:08 | |
Well, maybe my own words struck a chord. | 1:34:08 | 1:34:11 | |
Heh. | 1:34:11 | 1:34:13 | |
Thought maybe I'd sell off the cattle | 1:34:13 | 1:34:15 | |
and have enough to start up a saloon somewhere. | 1:34:15 | 1:34:17 | |
A man could stay cool in the summer | 1:34:17 | 1:34:20 | |
and dry in the winter. | 1:34:20 | 1:34:22 | |
LAUGHS QUIETLY | 1:34:23 | 1:34:25 | |
And some dancin' girls might be nice. | 1:34:25 | 1:34:27 | |
-You know? -HE LAUGHS | 1:34:27 | 1:34:29 | |
Have to get me some. | 1:34:29 | 1:34:31 | |
BOTH LAUGH | 1:34:31 | 1:34:33 | |
Ah! | 1:34:33 | 1:34:35 | |
POIGNANT MUSIC | 1:34:35 | 1:34:38 | |
-PERCY READS: -"If I die, please sell my good horse | 1:34:40 | 1:34:44 | |
"and my good saddle and my guns | 1:34:44 | 1:34:47 | |
"to buy a tea set for Miss Barlow. | 1:34:47 | 1:34:52 | |
"Charley Waite. | 1:34:52 | 1:34:55 | |
"Postscript. I like this one, but I don't know. | 1:34:58 | 1:35:04 | |
"Princess pattern." | 1:35:04 | 1:35:07 | |
Oh, hell! | 1:35:12 | 1:35:13 | |
What's the matter? | 1:35:13 | 1:35:15 | |
Oh. Looks like you waited too long. | 1:35:17 | 1:35:19 | |
Kinda like us and free-grazing. | 1:35:19 | 1:35:22 | |
BOSS CHUCKLES | 1:35:22 | 1:35:23 | |
Well, good is good, melted or not. | 1:35:23 | 1:35:27 | |
BUTLER LAUGHS RASPINGLY | 1:35:30 | 1:35:34 | |
Looks like you're plum chained to your work, Marshal. | 1:35:37 | 1:35:40 | |
-BAXTER: -Get up, Poole! | 1:35:40 | 1:35:42 | |
He ain't worth a damn. | 1:35:42 | 1:35:44 | |
Get 'em all up! | 1:35:44 | 1:35:46 | |
Sobered up! | 1:35:46 | 1:35:48 | |
Ooooh! | 1:35:49 | 1:35:51 | |
I got a feeling there's going to be a new marshal in town. | 1:35:53 | 1:35:56 | |
HE LAUGHS | 1:35:56 | 1:35:58 | |
Right! It's time to settle these free-grazers. | 1:35:59 | 1:36:03 | |
Now you leave your horses! | 1:36:03 | 1:36:05 | |
FOREBODING MUSIC | 1:36:05 | 1:36:07 | |
We're walkin' down to their wagon. | 1:36:07 | 1:36:09 | |
When we get there, you better empty your guns in them, | 1:36:09 | 1:36:12 | |
or I'll damn well shoot you myself. | 1:36:12 | 1:36:14 | |
Right, now, you three skirt the buildings. | 1:36:18 | 1:36:21 | |
Get into the alleys on the side. | 1:36:21 | 1:36:23 | |
Go on. | 1:36:23 | 1:36:24 | |
SUSPENSEFUL MUSIC | 1:36:24 | 1:36:27 | |
CLANG! | 1:36:45 | 1:36:46 | |
Hayley! Come away from there. | 1:36:53 | 1:36:56 | |
We'll finish these later. | 1:36:59 | 1:37:00 | |
I'm not going to my maker without knowin' your given name. | 1:37:07 | 1:37:11 | |
Mine ain't Waite. It's Postelwaite. | 1:37:11 | 1:37:14 | |
Charles Travis Postelwaite. | 1:37:14 | 1:37:16 | |
What's yours? | 1:37:16 | 1:37:17 | |
It sure ain't Boss. | 1:37:17 | 1:37:20 | |
I mean it, Boss. I'm askin' you straight up. | 1:37:24 | 1:37:27 | |
It's Bluebonet. | 1:37:27 | 1:37:29 | |
-Bluebonet? -Bluebonet, yeah. | 1:37:31 | 1:37:33 | |
-No middle name? -No. Just Bluebonet Spearman. | 1:37:34 | 1:37:37 | |
And don't you tell no-one. | 1:37:37 | 1:37:39 | |
I want to hear you swear an oath now. Go on. | 1:37:40 | 1:37:43 | |
-All right? -I swear it. | 1:37:43 | 1:37:45 | |
Right. OK. | 1:37:45 | 1:37:47 | |
Just in case. | 1:37:49 | 1:37:51 | |
TENSE MUSIC BUILDS | 1:37:51 | 1:37:54 | |
You said eight. I count five. | 1:38:07 | 1:38:08 | |
You should have run when you had the chance, Spearman. | 1:38:15 | 1:38:18 | |
Not much for runnin' from cowards. | 1:38:18 | 1:38:20 | |
I see the marshal ain't with you. | 1:38:22 | 1:38:24 | |
You won't find it so funny | 1:38:24 | 1:38:26 | |
when you're all shot to hell and dyin'. | 1:38:26 | 1:38:28 | |
Are you the one killed our friend? | 1:38:41 | 1:38:43 | |
That's right. I shot the boy too, and I enjoyed it. | 1:38:43 | 1:38:47 | |
RAPID GUNFIRE | 1:38:55 | 1:38:58 | |
BOSS GROANS | 1:39:31 | 1:39:32 | |
HORSE WHINNIES | 1:39:32 | 1:39:35 | |
GUNSHOT | 1:39:35 | 1:39:37 | |
HORSE WHINNIES | 1:39:43 | 1:39:45 | |
TENSE MUSIC | 1:39:51 | 1:39:54 | |
HE GROANS | 1:40:00 | 1:40:03 | |
-WOMAN: -Hayley! | 1:40:16 | 1:40:17 | |
Back up! | 1:40:20 | 1:40:22 | |
GUNFIRE | 1:40:22 | 1:40:25 | |
Where's the back door? Back door?! | 1:40:26 | 1:40:28 | |
Right this way. | 1:40:28 | 1:40:29 | |
GUNSHOT | 1:40:35 | 1:40:36 | |
Aaagh! | 1:40:46 | 1:40:48 | |
HE WINCES AND GROANS | 1:40:48 | 1:40:50 | |
It's locked. | 1:40:52 | 1:40:54 | |
SOMBRE MUSIC | 1:41:01 | 1:41:03 | |
RIFLE CLICKS | 1:41:03 | 1:41:04 | |
You hit? | 1:41:12 | 1:41:13 | |
I'm good. | 1:41:13 | 1:41:15 | |
-BAXTER: -You! | 1:41:18 | 1:41:19 | |
You get out of this house! | 1:41:24 | 1:41:26 | |
HE BREATHES RAPIDLY | 1:41:26 | 1:41:29 | |
You pull that trigger, Baxter, | 1:41:32 | 1:41:34 | |
and you can forget about me patching you up. | 1:41:34 | 1:41:37 | |
You get your bag, go with me. Go on. | 1:41:40 | 1:41:44 | |
GUNSHOT | 1:41:47 | 1:41:48 | |
GUNSHOT | 1:41:53 | 1:41:55 | |
SUSPENSEFUL MUSIC | 1:41:55 | 1:41:58 | |
SUSPENSEFUL MUSIC | 1:42:23 | 1:42:26 | |
DRAMATIC MUSIC | 1:42:35 | 1:42:37 | |
GUNSHOTS ECHO | 1:42:57 | 1:43:00 | |
TENSE MUSIC, GUNSHOTS | 1:43:12 | 1:43:15 | |
BREAKS GLASS | 1:43:15 | 1:43:16 | |
FIRES GUN | 1:43:16 | 1:43:18 | |
Get the hell up, Poole. On your feet, goddammit! | 1:43:36 | 1:43:39 | |
Get up! | 1:43:43 | 1:43:44 | |
You...you're goin' out there. | 1:43:45 | 1:43:48 | |
We ain't ourselves yet! | 1:43:48 | 1:43:51 | |
DARK MUSIC | 1:43:51 | 1:43:54 | |
I see they hobbled you. | 1:44:12 | 1:44:13 | |
It's been a while since I was in a fight. | 1:44:13 | 1:44:16 | |
I panicked. Fell back like to broke my foot. | 1:44:16 | 1:44:19 | |
Ornery old fool. | 1:44:19 | 1:44:20 | |
Well, that damn Cuban cigar got me riled up. | 1:44:20 | 1:44:23 | |
HE GROANS | 1:44:24 | 1:44:26 | |
-Charley? -You two wait here. | 1:44:27 | 1:44:30 | |
-BOSS: -Hold on there, Charley. Hold on! | 1:44:30 | 1:44:32 | |
I ain't lookin' over my shoulder the rest of my days. | 1:44:32 | 1:44:35 | |
Charley? | 1:44:35 | 1:44:36 | |
You said we was going to kill 'em all. I aim to do just that. | 1:44:36 | 1:44:40 | |
Kill 'em, not murder 'em. | 1:44:40 | 1:44:42 | |
Splittin' hairs, ain't you, Boss? | 1:44:42 | 1:44:44 | |
Mister, I heard what you said. | 1:44:44 | 1:44:47 | |
I won't come after you, I promise. | 1:44:48 | 1:44:50 | |
No, I expect you won't. | 1:44:50 | 1:44:52 | |
I can't let you do it, Charley. | 1:44:52 | 1:44:54 | |
Do this, you ain't no different than Poole, Baxter | 1:44:54 | 1:44:56 | |
or that gun hand of his that murdered Mose. | 1:44:56 | 1:44:59 | |
Him killin' Mose is how this started. | 1:45:00 | 1:45:02 | |
We've come for justice, not vengeance. | 1:45:02 | 1:45:03 | |
Now them is two different things. | 1:45:03 | 1:45:05 | |
Not today they ain't. | 1:45:05 | 1:45:07 | |
-Step aside! -Listen to him, Son. | 1:45:09 | 1:45:10 | |
You done what you had to here | 1:45:10 | 1:45:12 | |
because they give you no choice. | 1:45:12 | 1:45:14 | |
Don't go making this into something bad. | 1:45:14 | 1:45:16 | |
TENSE MUSIC | 1:45:16 | 1:45:18 | |
This ain't the way, pard. | 1:45:18 | 1:45:20 | |
SUSPENSEFUL MUSIC | 1:45:20 | 1:45:23 | |
HORSE GRUNTS | 1:45:27 | 1:45:30 | |
HE GRUNTS AND GASPS | 1:45:30 | 1:45:32 | |
Mister, thank you. | 1:45:32 | 1:45:34 | |
Thank you. | 1:45:34 | 1:45:36 | |
Didn't do it for you, boy. | 1:45:36 | 1:45:38 | |
You best make peace with your bad deeds. | 1:45:38 | 1:45:40 | |
Sue! | 1:45:43 | 1:45:45 | |
Get in here! | 1:45:46 | 1:45:47 | |
Oh, my God! | 1:45:47 | 1:45:49 | |
TENSE MUSIC | 1:45:51 | 1:45:54 | |
Get out of the way. | 1:45:58 | 1:45:59 | |
Button! | 1:46:01 | 1:46:02 | |
CLICKS GUN | 1:46:02 | 1:46:03 | |
GUNSHOT ECHOES | 1:46:03 | 1:46:05 | |
DRAMATIC MUSIC | 1:46:05 | 1:46:08 | |
GUNSHOTS | 1:46:11 | 1:46:13 | |
SHOUTING | 1:46:16 | 1:46:19 | |
-MAN: -Let the lady go free! | 1:46:20 | 1:46:22 | |
-Let the lady be! -Put it down. | 1:46:30 | 1:46:32 | |
GUN COCKS | 1:46:44 | 1:46:46 | |
SHE PANTS | 1:47:05 | 1:47:08 | |
SOMBRE MUSIC | 1:47:08 | 1:47:11 | |
HORSES NEIGH AND RUN | 1:47:19 | 1:47:22 | |
-BAXTER: -We've got your boy, Spearman. | 1:47:27 | 1:47:29 | |
You'd better drop them guns | 1:47:39 | 1:47:40 | |
and come walking down the street or I'll shoot him. | 1:47:40 | 1:47:43 | |
You've got ten seconds. | 1:47:44 | 1:47:46 | |
We ain't giving up our guns. | 1:47:47 | 1:47:49 | |
He's going to kill Button anyway. | 1:47:50 | 1:47:52 | |
-BAXTER: -One! | 1:47:52 | 1:47:53 | |
The only chance for him or us | 1:47:53 | 1:47:55 | |
when we walk there is these guns. | 1:47:55 | 1:47:57 | |
Two! | 1:47:57 | 1:47:58 | |
Three! | 1:48:00 | 1:48:01 | |
Sue! | 1:48:02 | 1:48:03 | |
-SUE: -Stop! Stop it! | 1:48:03 | 1:48:06 | |
Stop it right now. | 1:48:06 | 1:48:08 | |
Four! | 1:48:14 | 1:48:15 | |
Sue. | 1:48:16 | 1:48:18 | |
You're a disgrace, Marshal Poole. | 1:48:19 | 1:48:21 | |
You always have been. | 1:48:21 | 1:48:23 | |
I know it. That's just the way it is. | 1:48:24 | 1:48:27 | |
Five! | 1:48:28 | 1:48:30 | |
Six! | 1:48:32 | 1:48:34 | |
TENSE MUSIC | 1:48:34 | 1:48:37 | |
Have a nice rest, did you, Marshal? | 1:48:56 | 1:48:58 | |
You'll be having a long one yourself in a minute. | 1:48:58 | 1:49:01 | |
Been enough killing for you? | 1:49:01 | 1:49:03 | |
Enough when you're both dead and buried. | 1:49:03 | 1:49:06 | |
Let the woman and boy go. They ain't part of this. | 1:49:08 | 1:49:11 | |
If you want considerations, | 1:49:11 | 1:49:12 | |
you drop them guns on the ground. | 1:49:12 | 1:49:15 | |
Let her take him to the Doc's. | 1:49:15 | 1:49:17 | |
The Doc's in jail. | 1:49:17 | 1:49:18 | |
He ain't leaving unless your guns are in the dirt. | 1:49:18 | 1:49:21 | |
I'll crush any man who stands with them. | 1:49:23 | 1:49:26 | |
When I've finished with you, I'll torch your homes | 1:49:26 | 1:49:28 | |
and drive your wives and children | 1:49:28 | 1:49:30 | |
out into the cold prairie. | 1:49:30 | 1:49:33 | |
So you women, | 1:49:33 | 1:49:34 | |
you'd better take hold of your men. | 1:49:34 | 1:49:36 | |
If you don't, you'll be raising orphans by winter. | 1:49:36 | 1:49:39 | |
-LAUGHS: -Mack Langley! | 1:49:39 | 1:49:42 | |
It doesn't matter whether you run or stay, | 1:49:43 | 1:49:46 | |
you and your boys are already dead! | 1:49:46 | 1:49:49 | |
Mack Langley is our friend. | 1:49:50 | 1:49:52 | |
I didn't come all the way from Ireland | 1:50:03 | 1:50:05 | |
to see my land pissed on by free-grazers. | 1:50:05 | 1:50:09 | |
Now, I want them guns in the dirt. | 1:50:10 | 1:50:13 | |
Him first - the gun hand. | 1:50:15 | 1:50:18 | |
SUSPENSEFUL MUSIC | 1:50:22 | 1:50:25 | |
Looks like you're losing your army, Marshal. | 1:50:59 | 1:51:01 | |
GUNSHOT | 1:51:04 | 1:51:05 | |
-GROANS: Oh! -It went through? | 1:51:57 | 1:52:00 | |
Yeah. | 1:52:00 | 1:52:01 | |
Is he hit, Sue? | 1:52:01 | 1:52:04 | |
-Sue, is he hit?! -SUE: -No, no. | 1:52:05 | 1:52:07 | |
But he's bleeding bad again. | 1:52:07 | 1:52:09 | |
Goddammit. Well, can you stop it? | 1:52:09 | 1:52:11 | |
I'm trying. | 1:52:11 | 1:52:12 | |
I'm going to kill you, Baxter. | 1:52:12 | 1:52:14 | |
Well, come on, if you're coming! | 1:52:14 | 1:52:17 | |
-GROANS: -Can you cover me? | 1:52:20 | 1:52:22 | |
It'd be best to wait him out. Probably bleed to death. | 1:52:22 | 1:52:25 | |
HISSES IN PAIN: Arggh! | 1:52:25 | 1:52:28 | |
I ain't waiting. Button needs that doctor right now. | 1:52:28 | 1:52:31 | |
Well, you know, that door's locked. | 1:52:31 | 1:52:32 | |
Well, it won't be when the scattergun hits it. | 1:52:32 | 1:52:35 | |
-BAXTER: -I'm waiting for you, Spearman! | 1:52:35 | 1:52:37 | |
I'm coming for you, you son of a bitch! | 1:52:40 | 1:52:42 | |
-OK, Charley? -GROANS: Yeah. | 1:52:45 | 1:52:49 | |
Ready? | 1:52:49 | 1:52:50 | |
Yeah. HE GROANS | 1:52:51 | 1:52:53 | |
MOMENTOUS MUSIC | 1:52:53 | 1:52:56 | |
CHAMBER CLICKS | 1:53:31 | 1:53:32 | |
BOTH CHAMBERS CLICK | 1:53:32 | 1:53:34 | |
-I'm... I'm dying. -And for what - more cows?! | 1:53:45 | 1:53:50 | |
You killed a good man | 1:53:50 | 1:53:52 | |
and maybe that boy out there out yonder. | 1:53:52 | 1:53:54 | |
You get no sympathy from me. | 1:53:54 | 1:53:56 | |
-KICKS GUN AWAY -Get! | 1:53:56 | 1:53:58 | |
You're...you're nothing. | 1:53:58 | 1:54:02 | |
Yeah? Maybe so. | 1:54:02 | 1:54:04 | |
But I'll still be breathing in another minute. | 1:54:04 | 1:54:06 | |
-PANTING: -Well, k-kill me then. | 1:54:06 | 1:54:10 | |
COCKS GUN | 1:54:12 | 1:54:13 | |
(No.) | 1:54:18 | 1:54:20 | |
I ain't wasting a good bullet | 1:54:21 | 1:54:23 | |
to ease your pain, you son of a bitch. | 1:54:23 | 1:54:25 | |
BAXTER GROANS | 1:54:25 | 1:54:26 | |
GENTLE MUSIC | 1:54:33 | 1:54:36 | |
GUNSHOTS | 1:55:16 | 1:55:19 | |
Your man's in the saloon. | 1:56:25 | 1:56:27 | |
Ordered everybody out. | 1:56:28 | 1:56:30 | |
Asked to see your...your sister if she's willing. | 1:56:32 | 1:56:35 | |
Um, he'd like to speak with you, Miss Barlow, | 1:56:42 | 1:56:44 | |
if you ain't offended by entering a saloon. | 1:56:44 | 1:56:47 | |
Sue. | 1:56:56 | 1:56:57 | |
-Doc. -Bring him on up. | 1:57:01 | 1:57:04 | |
Put him in there. We'll make room. | 1:57:04 | 1:57:06 | |
-Baxter got any kin? -A daughter is all he has left. | 1:57:14 | 1:57:18 | |
Wouldn't be bad if somebody explained things to her. | 1:57:18 | 1:57:20 | |
There never was any love lost between them. | 1:57:20 | 1:57:22 | |
Even so, she's his daughter and kin is funny about such things. | 1:57:22 | 1:57:28 | |
DOOR SLAMS | 1:57:56 | 1:57:58 | |
CHARLEY GROANS | 1:58:04 | 1:58:06 | |
I didn't mean for you to have to | 1:58:10 | 1:58:12 | |
walk into this place in front of all those people. | 1:58:12 | 1:58:14 | |
I don't care what anyone out there thinks, Charley. | 1:58:14 | 1:58:17 | |
You don't have to stand up for me. | 1:58:17 | 1:58:20 | |
Well, just the same, I wanted to...tell you | 1:58:22 | 1:58:24 | |
that I'll be leaving in a day or two. | 1:58:24 | 1:58:27 | |
I'd like you to stay. | 1:58:34 | 1:58:35 | |
I think others would too. | 1:58:35 | 1:58:38 | |
I can't say I haven't thought about it. | 1:58:40 | 1:58:43 | |
The truth is there wouldn't be a corner here | 1:58:43 | 1:58:45 | |
that don't have a bad memory for me. | 1:58:45 | 1:58:47 | |
I've been holding my love a long time, Charley. | 1:58:51 | 1:58:54 | |
I know you feel something for me too. | 1:58:56 | 1:58:58 | |
I do. | 1:59:01 | 1:59:03 | |
But I ain't no more than those who come to kill us. | 1:59:05 | 1:59:08 | |
You've seen that yourself. | 1:59:08 | 1:59:09 | |
Maybe you've done some bad things. | 1:59:09 | 1:59:12 | |
Maybe worse than bad, | 1:59:12 | 1:59:14 | |
but what happened here today wasn't one of them. | 1:59:14 | 1:59:16 | |
And those killings, they don't...give you pause? | 1:59:20 | 1:59:24 | |
I'm not afraid of you, Charley. | 1:59:25 | 1:59:28 | |
QUIET MUSIC | 1:59:33 | 1:59:36 | |
Brought me luck. | 1:59:44 | 1:59:46 | |
Just like you said. | 1:59:46 | 1:59:47 | |
It's yours now. You keep it. | 1:59:50 | 1:59:53 | |
I don't have the answers, Charley. | 1:59:59 | 2:00:01 | |
But I know that people get confused in this life | 2:00:01 | 2:00:03 | |
about what they want and what they've done, | 2:00:03 | 2:00:07 | |
and what they think they should've because of it. | 2:00:07 | 2:00:10 | |
Everything they think they are or did takes hold so hard | 2:00:10 | 2:00:15 | |
that it won't let them see what they can be. | 2:00:15 | 2:00:18 | |
SHE SIGHS | 2:00:20 | 2:00:22 | |
I've got a big idea about us, Charley. | 2:00:23 | 2:00:25 | |
And I'm not going to wait forever, but I am going to wait. | 2:00:27 | 2:00:31 | |
And when you're far away, I want you to think about that. | 2:00:31 | 2:00:35 | |
And...come back to me. | 2:00:37 | 2:00:40 | |
BIRDS CHIRP | 2:02:30 | 2:02:32 | |
HORSE WHINNIES | 2:02:40 | 2:02:42 | |
HOPEFUL MUSIC | 2:02:51 | 2:02:54 | |
I'm in love with you, Sue. | 2:03:11 | 2:03:13 | |
Been that way since I first laid eyes on you. | 2:03:15 | 2:03:17 | |
It just...took me a while to see...see things clear. | 2:03:17 | 2:03:21 | |
I know I'm not the kind of man | 2:03:24 | 2:03:26 | |
you expected to walk up your front walk. | 2:03:26 | 2:03:28 | |
If I was your brother, I wouldn't choose me for you. | 2:03:28 | 2:03:32 | |
Charley... | 2:03:37 | 2:03:39 | |
..do you know how old I am? | 2:03:40 | 2:03:43 | |
I don't care how old you are. | 2:03:43 | 2:03:46 | |
I'm not a girl any more. | 2:03:47 | 2:03:49 | |
You're the handsomest woman I ever saw. | 2:03:50 | 2:03:53 | |
I've had my disappointments, Charley. | 2:03:53 | 2:03:55 | |
Well, I'm not going to be one of them. | 2:03:55 | 2:03:58 | |
I never thought I'd live as long as I have, Sue. | 2:04:00 | 2:04:03 | |
I guess living the way I have, it never really mattered. | 2:04:03 | 2:04:07 | |
But riding away thinking I was never going to see you again | 2:04:09 | 2:04:12 | |
was maybe the...was maybe the most awful feeling | 2:04:12 | 2:04:15 | |
I've ever had in my life. | 2:04:15 | 2:04:17 | |
I know I can be a good husband to you. | 2:04:21 | 2:04:25 | |
And I know I ain't asked you proper | 2:04:27 | 2:04:29 | |
but...I'm asking you now. | 2:04:29 | 2:04:32 | |
Will you marry me, Sue? | 2:04:37 | 2:04:39 | |
-LAUGHS: -Charley. | 2:04:41 | 2:04:44 | |
Yes. | 2:04:44 | 2:04:45 | |
I'll marry you. | 2:04:47 | 2:04:48 | |
Can I kiss you? | 2:04:53 | 2:04:55 | |
I'm going to... I'm going to give you a thousand of these | 2:05:15 | 2:05:18 | |
before I'm done. | 2:05:18 | 2:05:20 | |
Hey, Charley, looks like the Doc changed his mind about you. | 2:05:41 | 2:05:46 | |
Something wrong? | 2:05:53 | 2:05:54 | |
No. Everything's fine. | 2:05:54 | 2:05:56 | |
I forgot to say I'll have word about the saloon | 2:05:56 | 2:05:58 | |
by the time you get back. | 2:05:58 | 2:06:00 | |
Sounds good. | 2:06:00 | 2:06:01 | |
You take care now. | 2:06:03 | 2:06:04 | |
Charley. | 2:06:06 | 2:06:08 | |
-Sue. -I'll be along. | 2:06:08 | 2:06:11 | |
Saloon? | 2:06:16 | 2:06:18 | |
Told you I was wanting out of the cattle business. | 2:06:18 | 2:06:21 | |
Funny thing is, the saloon back there just had its owner die. | 2:06:21 | 2:06:24 | |
Hoping you'd be my partner. | 2:06:24 | 2:06:27 | |
I can't afford something like that. | 2:06:30 | 2:06:32 | |
Not even half. | 2:06:32 | 2:06:34 | |
Well, we'll let the brains of the outfit do the thinking. | 2:06:34 | 2:06:38 | |
-Sue? -SHE LAUGHS | 2:06:38 | 2:06:40 | |
You are coming back, aren't you? | 2:06:46 | 2:06:48 | |
Then I'll be waiting for you, Charles Postelwaite. | 2:06:50 | 2:06:53 | |
You bucketmouth! | 2:06:55 | 2:06:57 | |
Can't keep nothing private. | 2:06:59 | 2:07:01 | |
I gotta go. You gotta go back now. | 2:07:06 | 2:07:09 | |
I don't want you to lose sight of the rooftops. | 2:07:09 | 2:07:12 | |
I mean it, Sue. You gotta go. | 2:07:15 | 2:07:18 | |
ROMANTIC MUSIC | 2:07:20 | 2:07:21 | |
How's this...how's this going to work if you don't do what I say? | 2:07:23 | 2:07:28 | |
LAUGHS | 2:07:29 | 2:07:31 | |
I told you I'll give you | 2:07:38 | 2:07:40 | |
a thousand of these before I'm done. | 2:07:40 | 2:07:42 | |
I'm going to make sure you do. | 2:07:42 | 2:07:44 | |
Let's go get our cows. | 2:08:21 | 2:08:23 | |
MUSIC BUILDS | 2:08:23 | 2:08:26 | |
GENTLE GUITAR MUSIC | 2:09:00 | 2:09:03 | |
# Like a night waiting | 2:09:09 | 2:09:14 | |
# For the sun to rise | 2:09:14 | 2:09:18 | |
# I felt it stream in | 2:09:18 | 2:09:20 | |
# Through the light of your eyes | 2:09:20 | 2:09:25 | |
# Yes and night is a canyon | 2:09:27 | 2:09:32 | |
# Only dreams should fill | 2:09:32 | 2:09:36 | |
# When hope lay still, this heart stayed true | 2:09:38 | 2:09:46 | |
# Been holding all my love for you | 2:09:47 | 2:09:55 | |
# Restless rivers rush beneath midnight rains | 2:09:57 | 2:10:05 | |
# Dreams left for lost start to flow in again... # | 2:10:05 | 2:10:10 | |
Subtitles by Red Bee Media Ltd | 2:10:10 | 2:10:13 | |
E-mail [email protected] | 2:10:13 | 2:10:16 |