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It's time to wake up... | 0:00:41 | 0:00:43 | |
..and get a life. | 0:00:44 | 0:00:46 | |
We live in a three-dimensional world. | 0:00:46 | 0:00:50 | |
The computing world has consisted of two-dimensional imagery. | 0:00:50 | 0:00:54 | |
Now, using exclusive breakthrough technology, | 0:00:54 | 0:00:57 | |
ARC has made it possible for you to get a life, | 0:00:57 | 0:01:01 | |
a life where we can work and play | 0:01:01 | 0:01:03 | |
in a world of three-dimensional reality - | 0:01:03 | 0:01:06 | |
A Life, the living monitor. | 0:01:06 | 0:01:09 | |
Impressed? | 0:01:10 | 0:01:12 | |
Yeah, I am. | 0:01:13 | 0:01:15 | |
Would you put one of those in a box for me? | 0:01:15 | 0:01:19 | |
-Are you the lawyer? -I'm Rita Dunne. | 0:01:30 | 0:01:32 | |
Obviously, no-one from Nexim could be here. | 0:01:32 | 0:01:35 | |
-I'd invite you in but... -Good luck, Mr Jennings. | 0:01:48 | 0:01:51 | |
-I'll see you in two months. -Yeah. | 0:01:51 | 0:01:55 | |
Home, sweet home. | 0:01:58 | 0:02:01 | |
What do you think? | 0:03:37 | 0:03:39 | |
This is the exact same technology? | 0:03:39 | 0:03:42 | |
Not the exact same technology, no. | 0:03:42 | 0:03:45 | |
I decided to reconceive some of it. | 0:03:45 | 0:03:48 | |
I never liked how the monitor looked. Then it occurred to me. | 0:03:48 | 0:03:51 | |
Who needs it? | 0:03:51 | 0:03:54 | |
"Gentlemen, I am the future of computing. | 0:03:56 | 0:03:59 | |
"I'd like to present Nexim's new Freedom Line of technology. | 0:03:59 | 0:04:03 | |
"New from Nexim. | 0:04:03 | 0:04:05 | |
"Freedom is in your future." | 0:04:05 | 0:04:08 | |
Launch this now! ARC is not going to last. | 0:04:13 | 0:04:17 | |
-Who said a 100% market share wasn't possible? -Get me marketing. | 0:04:17 | 0:04:21 | |
Congratulations. | 0:04:30 | 0:04:32 | |
Well...thank you. | 0:04:35 | 0:04:39 | |
You understand, Mr Jennings, | 0:04:39 | 0:04:42 | |
you've done in two months what we've been trying to do for three years. | 0:04:42 | 0:04:46 | |
Sometimes it's easier if you work backwards. | 0:04:46 | 0:04:49 | |
Cheers. | 0:04:50 | 0:04:52 | |
You won't remember me, will you? | 0:05:05 | 0:05:08 | |
No. | 0:05:08 | 0:05:10 | |
That's too bad. | 0:05:10 | 0:05:13 | |
Marker reached. | 0:05:43 | 0:05:46 | |
OK. | 0:06:01 | 0:06:03 | |
We're now extracting his memory | 0:06:03 | 0:06:06 | |
from the marker forward to the present. | 0:06:06 | 0:06:09 | |
Jesus, Rita! | 0:06:38 | 0:06:40 | |
-COMPUTER BLEEPS -Jesus Christ! | 0:06:42 | 0:06:45 | |
This is dangerous enough. | 0:06:45 | 0:06:47 | |
If this man's brain temp goes 1C above 43, he's a veg. | 0:06:49 | 0:06:53 | |
Come on, Mike. | 0:06:59 | 0:07:01 | |
Here we go. | 0:07:10 | 0:07:13 | |
It's all clean. | 0:07:22 | 0:07:25 | |
Good morning, sunshine. | 0:07:29 | 0:07:31 | |
-Hey, how are you doing, big guy? OK? -Yeah. -All right. Thank you. | 0:07:31 | 0:07:37 | |
Take it easy. Slow, slow, slow. There's no hurry. | 0:07:37 | 0:07:40 | |
That's it. Good? | 0:07:41 | 0:07:44 | |
Yeah. | 0:07:44 | 0:07:46 | |
Hey, Mike, look at me. | 0:07:46 | 0:07:48 | |
Here. | 0:07:48 | 0:07:51 | |
What's the last date you remember? | 0:07:51 | 0:07:53 | |
October 19th. | 0:07:54 | 0:07:56 | |
Very good. Mike, what's the last thing you remember? | 0:07:57 | 0:08:01 | |
Erm... | 0:08:01 | 0:08:04 | |
the Red Sox made the play-offs. | 0:08:04 | 0:08:07 | |
Uh-huh. | 0:08:07 | 0:08:08 | |
Let's get the legal out of the way, shall we? | 0:08:08 | 0:08:12 | |
Mr Michael Jennings, under the terms of your non-disclosure agreement, | 0:08:12 | 0:08:16 | |
you're considered never to have been an employee. | 0:08:16 | 0:08:19 | |
You also understand that all your work is the intellectual property | 0:08:19 | 0:08:23 | |
-of Nexim computers. -Yeah, yeah, yeah. | 0:08:23 | 0:08:26 | |
I never worked here. I never was here. Is my paycheck ready? | 0:08:26 | 0:08:31 | |
All right. | 0:08:39 | 0:08:42 | |
-How you feeling, tiger? -Good. | 0:08:42 | 0:08:45 | |
-Now, let's hear you. -All right. -Ready? -Yeah. | 0:08:45 | 0:08:49 | |
-Go! -BEEPING | 0:08:50 | 0:08:53 | |
To zero the full eight weeks, I had to heat your brain to 42.5C. | 0:08:56 | 0:09:00 | |
-I'm fine. -It's getting harder, Mike. | 0:09:00 | 0:09:03 | |
-I said I'm fine. -You're slowing down. -I'd be a lot faster if you shut up. | 0:09:03 | 0:09:08 | |
Show me what you got, grasshopper. That's it! That's more like it! | 0:09:08 | 0:09:13 | |
Yes! Go, go, go! | 0:09:13 | 0:09:16 | |
-Go, go, go, go! -Agh! -Go! | 0:09:16 | 0:09:18 | |
Whoo-ha! | 0:09:18 | 0:09:20 | |
Faster! | 0:09:20 | 0:09:22 | |
-Agh! Agh! -Beautiful! | 0:09:22 | 0:09:25 | |
-Agh! Aghhhhh! -Yes! One more! | 0:09:25 | 0:09:28 | |
One more, Mikey! Oh! | 0:09:28 | 0:09:31 | |
Do you see how you did that? | 0:09:31 | 0:09:34 | |
-How you focused? -Yeah, I focused on your face. -No, you know you love me. | 0:09:34 | 0:09:38 | |
Don't be mean to the one who does everything for you. | 0:09:38 | 0:09:42 | |
You realise you've never asked me what I see when I erase your memory. | 0:09:42 | 0:09:47 | |
Basically, the last two months just never happened for you. | 0:09:47 | 0:09:50 | |
What's to know? 20 hours a day in a room ripping off a guy's idea. | 0:09:50 | 0:09:55 | |
You know... What did you do? | 0:09:55 | 0:09:58 | |
You know the last thing I remember? Driving in Spain in the Aston Martin. | 0:09:58 | 0:10:02 | |
Learning to dive in Belize with whatshername. | 0:10:02 | 0:10:06 | |
The seven stadiums in seven days trip. It's great. I mean... | 0:10:06 | 0:10:10 | |
My memories are basically highlights. | 0:10:10 | 0:10:12 | |
It's good. It's a good life. The stuff you erase, it doesn't matter. | 0:10:12 | 0:10:17 | |
What is it with guys like Rethrick? | 0:11:18 | 0:11:21 | |
He's got to have everything, huh? | 0:11:21 | 0:11:23 | |
Say what you want. Jimmy started Allcom in his garage. | 0:11:23 | 0:11:27 | |
-Wait, don't you leave me alone. -What? You'll be fine. Talk. Mingle. | 0:11:50 | 0:11:54 | |
SIGHS | 0:11:54 | 0:11:57 | |
I don't want to mingle. | 0:11:58 | 0:12:01 | |
Hello. | 0:12:04 | 0:12:06 | |
-I'm Michael. -I'm Rachel. | 0:12:11 | 0:12:14 | |
Rachel Porter. | 0:12:15 | 0:12:17 | |
Is that Miss or Mrs? | 0:12:17 | 0:12:20 | |
That would be Dr Porter. | 0:12:21 | 0:12:24 | |
-Doctor! Well, excuse me, Doctor. -It's all right. | 0:12:24 | 0:12:29 | |
-What kind of a doctor are you? -I'm a biologist. -Really? | 0:12:29 | 0:12:34 | |
-Do you work for Jimmy? -Uh-huh. | 0:12:38 | 0:12:41 | |
-It must be very top-secret biology. -Oh, yes. Isn't everything? | 0:12:41 | 0:12:46 | |
Let's go. | 0:12:50 | 0:12:53 | |
Excuse me? | 0:12:53 | 0:12:55 | |
I mean... I'm happy to continue | 0:12:55 | 0:12:59 | |
blathering on, trying to charm you. | 0:12:59 | 0:13:02 | |
I thought maybe we could cut to the chase and just... | 0:13:02 | 0:13:05 | |
go somewhere. | 0:13:05 | 0:13:08 | |
I'll tell you what, Michael. | 0:13:12 | 0:13:15 | |
I'm going to walk over there and talk to a friend of mine. | 0:13:15 | 0:13:19 | |
If you get the urge to have a real conversation, | 0:13:19 | 0:13:23 | |
you'll know where to find me. | 0:13:23 | 0:13:26 | |
OK, fair enough. It was nice to meet you. | 0:13:28 | 0:13:32 | |
Giving up so easily? | 0:13:32 | 0:13:35 | |
You don't believe in second chances? | 0:13:37 | 0:13:39 | |
In my experience, no, I don't. | 0:13:40 | 0:13:43 | |
-Good night. -Good night. | 0:13:46 | 0:13:49 | |
-Mike! -Jimmy! | 0:13:55 | 0:13:58 | |
-How are you doing? -Good. -Thanks for coming. -No, thanks for having me. | 0:13:58 | 0:14:03 | |
Hey, champion... | 0:14:03 | 0:14:05 | |
Oh, now you're talking. Thank you. | 0:14:11 | 0:14:13 | |
Wait. | 0:14:15 | 0:14:16 | |
Isaac, disable fire protection, please. | 0:14:16 | 0:14:20 | |
"Disabled." | 0:14:20 | 0:14:22 | |
You wouldn't look so good covered in foam, even in that spiffy suit. | 0:14:24 | 0:14:28 | |
I've known you long enough to know when you're selling something. What? | 0:14:28 | 0:14:32 | |
There was a time in school when we wanted to change the world. | 0:14:34 | 0:14:39 | |
We said we wanted to save the world. | 0:14:39 | 0:14:42 | |
-That's semantics. -What's the job, Jimmy? | 0:14:42 | 0:14:45 | |
I can't tell you. Other than to say that it involves optics. | 0:14:45 | 0:14:49 | |
You get stock options with this one, Mike, a real piece of the company. | 0:14:49 | 0:14:53 | |
What if it doesn't work? I get nothing. | 0:14:54 | 0:14:57 | |
-I promise you, it won't fail. -Hmmm. How do you know that? | 0:14:59 | 0:15:03 | |
-Is this a real crystal ball? -I wish. | 0:15:03 | 0:15:06 | |
I'll guarantee that you do eight figures. | 0:15:06 | 0:15:09 | |
-Minimum. -What's the catch? | 0:15:11 | 0:15:15 | |
The job may require more time than you're used to. | 0:15:15 | 0:15:18 | |
-How much more time? -Two years, maybe three. | 0:15:18 | 0:15:21 | |
-You're kidding. -Deadly serious. -Jimmy, that's impossible. | 0:15:21 | 0:15:26 | |
The longest anyone has done is eight weeks. | 0:15:26 | 0:15:29 | |
Assuming it were possible, would you do it? | 0:15:29 | 0:15:32 | |
Give up three years of my life? | 0:15:34 | 0:15:37 | |
Trade - three years in return for the rest of your life. | 0:15:37 | 0:15:40 | |
One big paycheck. You're done. | 0:15:40 | 0:15:44 | |
-'A lot can happen in three years. -You blink and it'll be over. | 0:15:53 | 0:15:56 | |
'It'll be a heart beat, then you're rich beyond your wildest dreams. | 0:15:56 | 0:16:02 | |
'One big paycheck. You're done.' | 0:16:03 | 0:16:06 | |
Mr Jennings, John Wolfe. Welcome. | 0:17:03 | 0:17:06 | |
You'll be assigned a residence right here on campus. | 0:17:07 | 0:17:13 | |
Your mail will be screened. Anything you do receive will be inspected. | 0:17:13 | 0:17:17 | |
OK. | 0:17:17 | 0:17:19 | |
I'm going to need your personal belongings - watch, wallet. | 0:17:21 | 0:17:24 | |
I'm afraid nothing's allowed to be brought in. | 0:17:24 | 0:17:28 | |
They will be returned when you pick up your paycheck. | 0:17:29 | 0:17:33 | |
Sorry, those, too. | 0:17:33 | 0:17:35 | |
-Mike, you made it. -Yeah. | 0:17:41 | 0:17:44 | |
-Good to see you. Everything OK? -Yeah. | 0:17:44 | 0:17:47 | |
I assume Mr Wolfe gave you all the fine print. | 0:17:49 | 0:17:53 | |
Yeah. He also took the last pair of sunglasses I've managed not to lose. | 0:17:53 | 0:17:57 | |
I'm sorry. | 0:17:57 | 0:18:00 | |
Whoa. | 0:18:02 | 0:18:04 | |
-What is this? -It's for your memory wipe. | 0:18:06 | 0:18:09 | |
We inject an isotope. It migrates to your brain, serves as a marker. | 0:18:09 | 0:18:14 | |
Another injection erases everything. | 0:18:14 | 0:18:17 | |
No barbaric cooking of the brain. | 0:18:17 | 0:18:20 | |
All right. | 0:18:29 | 0:18:31 | |
-Well, what have I gotten myself into? -Let's go find out. | 0:18:51 | 0:18:56 | |
"Initiating blue script." | 0:19:04 | 0:19:06 | |
Impressive. | 0:19:09 | 0:19:11 | |
This used to be our smallest unit. | 0:19:11 | 0:19:14 | |
-Now it's our most profitable. -Mr Rethrick. | 0:19:14 | 0:19:17 | |
-May I speak with you for a moment? -Have a look around. -OK. | 0:19:17 | 0:19:22 | |
"Cycle complete. Begin transmission of data." | 0:19:23 | 0:19:27 | |
I give up! | 0:19:38 | 0:19:40 | |
ALL LAUGH | 0:19:44 | 0:19:46 | |
Don't give up. | 0:19:59 | 0:20:01 | |
Dr Porter! I guess I'm lucky you didn't use thunder and lightning. | 0:20:03 | 0:20:07 | |
-True. -THUNDER CRASHES | 0:20:07 | 0:20:09 | |
GIGGLES | 0:20:09 | 0:20:12 | |
OK, well, I won't question your powers in the future. | 0:20:14 | 0:20:18 | |
-Sorry, I just couldn't help myself. -You said Marianne was on a plane. | 0:20:20 | 0:20:25 | |
She was planning to make the conference from the plane, sir. | 0:20:25 | 0:20:29 | |
Look, I should probably apologise for my behaviour the other day. | 0:20:30 | 0:20:35 | |
-I get like that sometimes... -Careful. | 0:20:35 | 0:20:38 | |
You are in danger of sounding like you want a second chance. | 0:20:38 | 0:20:42 | |
-Everything OK? -Yeah. | 0:20:50 | 0:20:53 | |
Say something else. | 0:21:07 | 0:21:10 | |
-Excuse me? -Say something nice. | 0:21:10 | 0:21:13 | |
Quick, otherwise I'll forget it. | 0:21:13 | 0:21:16 | |
Was that little breeze for our boy here? | 0:21:16 | 0:21:19 | |
Well, I owed him one. Now we're even. | 0:21:19 | 0:21:22 | |
-Be nice. Mike's moving into the neighbourhood. -Oh. | 0:21:22 | 0:21:26 | |
-See you around. -OK. | 0:21:29 | 0:21:32 | |
You ready? | 0:21:35 | 0:21:38 | |
Yeah, let's go. | 0:21:38 | 0:21:41 | |
You can still back out. No hard feelings. | 0:21:43 | 0:21:48 | |
No, I want to stay. | 0:21:59 | 0:22:02 | |
Michael, meet the other half of your team, Dr William Dekker. | 0:22:02 | 0:22:06 | |
-Nice to meet you. -It's a pleasure. | 0:22:11 | 0:22:13 | |
Gentlemen, let's have a look at the next three years of your lives. | 0:22:13 | 0:22:17 | |
What happened? | 0:22:55 | 0:22:57 | |
Michael...you're done. | 0:22:59 | 0:23:03 | |
-'How long was it, Jimmy? -It's been three years, Mike. | 0:23:05 | 0:23:09 | |
-'How did I do? -You did good. | 0:23:11 | 0:23:14 | |
'Your money's been transferred to your account. | 0:23:16 | 0:23:19 | |
-'You've got an appointment at 1.00. -Just go home, do the paperwork. | 0:23:19 | 0:23:24 | |
'We've got a lot of catching up to do, Mike.' | 0:23:24 | 0:23:27 | |
92 million. | 0:23:43 | 0:23:46 | |
Everyone at Reddy Grant & Associates appreciates your business, sir. | 0:24:09 | 0:24:13 | |
Not as much as I do. I promise you. | 0:24:13 | 0:24:15 | |
OK. | 0:24:17 | 0:24:19 | |
Just sign there. | 0:24:20 | 0:24:23 | |
-All right? -Great. | 0:24:27 | 0:24:29 | |
-Your personal items. -Yes. -You only needed four stamps. | 0:24:29 | 0:24:34 | |
Oh, well, guess I could afford the extra 50 cents. | 0:24:36 | 0:24:40 | |
Erm...I don't think this is my stuff. | 0:24:47 | 0:24:51 | |
-It's not? -No. | 0:24:51 | 0:24:53 | |
-I don't know what happened. -It doesn't matter. | 0:24:53 | 0:24:57 | |
Don't worry about it. Let's talk about my shares. | 0:24:57 | 0:25:00 | |
Erm, what I'd like to do is get some money now | 0:25:01 | 0:25:06 | |
and, you know, put the rest away for long-term to live off. | 0:25:06 | 0:25:10 | |
So, how do we do that? | 0:25:10 | 0:25:12 | |
Mr Jennings, you forfeited your shares. | 0:25:12 | 0:25:15 | |
-I beg your pardon? What? -Er, here. | 0:25:18 | 0:25:21 | |
Dated four weeks ago. | 0:25:22 | 0:25:24 | |
You surrendered the shares and stated to deliver only the envelope. | 0:25:27 | 0:25:32 | |
Don't you remember doing that, sir? | 0:25:33 | 0:25:35 | |
No. | 0:25:35 | 0:25:38 | |
I don't remember that because I didn't do that. | 0:25:38 | 0:25:42 | |
Why would I do that? I wouldn't. | 0:25:42 | 0:25:44 | |
This is, er... A mistake has been made and it needs to be corrected. | 0:25:46 | 0:25:49 | |
-It's a strange thing but legally... -It's not strange. | 0:25:49 | 0:25:53 | |
Strange is a little out of the ordinary but still plausible. | 0:25:53 | 0:25:57 | |
Giving away 100 million in shares | 0:25:57 | 0:26:00 | |
for knick-knacks isn't strange, it's insane! No-one would do that! | 0:26:00 | 0:26:05 | |
Unless this is a 40 million can of hair spray, which is pink! | 0:26:05 | 0:26:09 | |
And what is this, a 100 million book of matches? | 0:26:09 | 0:26:13 | |
I mean, is this back in style now? | 0:26:13 | 0:26:16 | |
-Are these 100 million sunglasses? -OK, I'll look into it | 0:26:16 | 0:26:20 | |
-but it's going to take me some time. -I'm going to make some phone calls. | 0:26:20 | 0:26:25 | |
It's Michael Jennings. Tell him it's important. | 0:26:35 | 0:26:37 | |
Just have him call me as soon as he gets in. OK? Thank you. | 0:26:42 | 0:26:46 | |
Agh! | 0:27:29 | 0:27:31 | |
Agh! | 0:27:33 | 0:27:35 | |
Oof! | 0:27:36 | 0:27:38 | |
Agh! | 0:27:41 | 0:27:43 | |
Aghh! | 0:27:43 | 0:27:45 | |
Listen, guys, a mistake has been made here. | 0:27:58 | 0:28:01 | |
-I'm not a traitor. I'm an engineer! -A reverse engineer, right? | 0:28:01 | 0:28:05 | |
We know that you accepted payment of classified government technology. | 0:28:05 | 0:28:10 | |
Mike, that's called treason. People get fried for that one. | 0:28:10 | 0:28:14 | |
And when the FBI harasses you, you also get an attorney. Thanks. | 0:28:14 | 0:28:18 | |
-Not today, you don't. -What the hell is this? | 0:28:18 | 0:28:22 | |
The Attorney General says your co-operation | 0:28:22 | 0:28:25 | |
is a matter of national security. | 0:28:25 | 0:28:28 | |
Look, first of all, that stuff isn't mine, OK? | 0:28:28 | 0:28:31 | |
What...? | 0:28:38 | 0:28:40 | |
Perfect fit. You were saying? | 0:28:40 | 0:28:44 | |
Let me show you a few pieces of the puzzle we're solving. | 0:28:47 | 0:28:50 | |
William Dekker, government physicist, | 0:28:50 | 0:28:54 | |
Weapons Division. Three years ago, his project gets shelved. | 0:28:54 | 0:28:57 | |
He didn't like that so he sold his work. | 0:28:57 | 0:29:00 | |
We think Rethrick bought it. | 0:29:00 | 0:29:03 | |
We can't link Rethrick to the sale because Dekker died. | 0:29:03 | 0:29:09 | |
-Natural causes(!) -Natural being gravity | 0:29:09 | 0:29:12 | |
after a 140 foot fall out of his apartment. | 0:29:12 | 0:29:15 | |
What does this have to do with me? | 0:29:15 | 0:29:17 | |
These are patent applications that show designs based on Dekker's work. | 0:29:17 | 0:29:22 | |
-Look whose signature is on every document. -Don't you get it? | 0:29:22 | 0:29:27 | |
It's your name on those patents! Rethrick can claim he knows nothing. | 0:29:27 | 0:29:32 | |
Tell us everything you did for Rethrick. | 0:29:32 | 0:29:34 | |
I can't. | 0:29:36 | 0:29:38 | |
You'd rather protect your so-called friend? | 0:29:38 | 0:29:42 | |
-Help us and we can work with you. -I can't! | 0:29:42 | 0:29:45 | |
He wiped my memory! I don't remember! I'll tell you whatever I know. | 0:29:45 | 0:29:49 | |
But, I swear to God, I don't remember what I did for the past three years! | 0:29:49 | 0:29:54 | |
What? Wait a second! | 0:30:02 | 0:30:05 | |
Wait. | 0:30:11 | 0:30:13 | |
We figured Rethrick may have wiped so we'll try an extraction. | 0:30:14 | 0:30:17 | |
I'm telling you, you're wasting your time. | 0:30:17 | 0:30:21 | |
We're getting something here. | 0:30:37 | 0:30:40 | |
Come on! Come on! | 0:30:43 | 0:30:45 | |
Shit. | 0:30:59 | 0:31:00 | |
We got nothing. | 0:31:00 | 0:31:03 | |
Hold on a second. I need a smoke. | 0:31:03 | 0:31:05 | |
Boss. | 0:31:07 | 0:31:08 | |
He won't mind. | 0:31:08 | 0:31:11 | |
What the...?! | 0:31:26 | 0:31:29 | |
-ALARM WAILS -Smoke! Shit! | 0:31:31 | 0:31:34 | |
-Goddammit! -I can't see anything! | 0:31:34 | 0:31:37 | |
Secure the door! | 0:31:38 | 0:31:41 | |
-Where the hell is he? -He's loose! | 0:31:43 | 0:31:46 | |
Don't worry, he can't go anywhere! | 0:31:46 | 0:31:49 | |
Cover the door! | 0:31:49 | 0:31:51 | |
-COUGHING -Get the light. | 0:31:51 | 0:31:55 | |
-I can't see! -Get low on the ground! | 0:31:57 | 0:32:01 | |
Try to stay low on the ground! | 0:32:01 | 0:32:03 | |
Mitchell! See anything? | 0:32:09 | 0:32:12 | |
Klein, let's go! | 0:32:18 | 0:32:21 | |
-DOOR ALARM BLARES -Al, shut the door! | 0:32:21 | 0:32:23 | |
Good night, Mikey. | 0:32:37 | 0:32:39 | |
< Copy that. | 0:33:23 | 0:33:26 | |
-Watch it, coming through! -Go! Go! Go! | 0:33:30 | 0:33:33 | |
-Move! Move! Move! -Anyone see him? | 0:33:33 | 0:33:36 | |
-Out of the way, lady! -There! -Move! Move! Move! | 0:33:39 | 0:33:43 | |
Go! | 0:33:50 | 0:33:52 | |
Excuse me. | 0:33:52 | 0:33:55 | |
-Coming through! -Out of the way. -Open that gate! | 0:33:57 | 0:34:01 | |
Where did he go? | 0:34:08 | 0:34:11 | |
-I'll get men at every stop! -He'll be long gone! How did he do that? | 0:34:12 | 0:34:18 | |
-Sorry. -You all right? -Yeah, I'm fine. -Be careful. | 0:34:58 | 0:35:01 | |
-Hey! -Whoa! Watch it! | 0:35:03 | 0:35:07 | |
Hey! HEY! | 0:35:10 | 0:35:12 | |
Jane, relax. I know you talked to the federal agents but it's OK. | 0:35:30 | 0:35:35 | |
It has been worked out now. I need to find out who sent these items. | 0:35:35 | 0:35:39 | |
-Can you help me out? -Erm, they were sent three years ago. | 0:35:39 | 0:35:44 | |
No, these weren't sent three years ago. | 0:35:44 | 0:35:47 | |
-Someone else sent these. -Replacements were sent a few weeks ago. | 0:35:47 | 0:35:51 | |
-Who sent it? -You. | 0:35:51 | 0:35:54 | |
That's you right here. See? 20 items. | 0:35:56 | 0:35:59 | |
'I'm going to need all your personal belongings. | 0:36:03 | 0:36:06 | |
'Michael Jennings died at three minutes after three.' | 0:36:16 | 0:36:20 | |
The government, left with no case, closed its investigation of Allcom. | 0:36:20 | 0:36:24 | |
So you see... | 0:36:24 | 0:36:26 | |
it's impossible that he escaped unless you changed something. | 0:36:26 | 0:36:30 | |
I didn't. | 0:36:30 | 0:36:33 | |
-What were you doing exactly? -I was eating pie. | 0:36:34 | 0:36:37 | |
He left the attorney's office when it predicted. | 0:36:40 | 0:36:43 | |
-The feds took him when it predicted. -He didn't die like it predicted! | 0:36:43 | 0:36:48 | |
Michael Jennings is not a super agent, he's an engineer. | 0:36:51 | 0:36:55 | |
Yet somehow he managed to escape from a double-locked room. How? | 0:36:55 | 0:36:59 | |
Was it fate? | 0:36:59 | 0:37:01 | |
No, fate was on our side. Someone changed something and it wasn't me. | 0:37:01 | 0:37:06 | |
If it wasn't you, then who the...? | 0:37:06 | 0:37:08 | |
Has anyone checked the machine since Michael walked out of here? | 0:37:16 | 0:37:20 | |
Find him. | 0:37:56 | 0:37:58 | |
CHATTER | 0:38:01 | 0:38:03 | |
"If you only look where you can't go, you will miss the riches below." | 0:38:28 | 0:38:32 | |
I'm already missing my riches. | 0:38:33 | 0:38:36 | |
"17, 44, 4, 26, 37, 40, 22." | 0:38:37 | 0:38:41 | |
A combination? Code? | 0:38:42 | 0:38:44 | |
Password? | 0:38:46 | 0:38:48 | |
"New Liberty Savings." | 0:39:25 | 0:39:28 | |
New Liberty Savings Bank, please? | 0:39:28 | 0:39:30 | |
What does that mean? You're saying the bank doesn't exist? | 0:39:33 | 0:39:38 | |
That's comforting(!) | 0:39:51 | 0:39:54 | |
-'Who sent these items? -You did. | 0:40:12 | 0:40:15 | |
'That's you right here. See? 20 items. | 0:40:16 | 0:40:19 | |
'Patent applications. | 0:40:23 | 0:40:25 | |
'Look whose signature is on every one of those documents! | 0:40:25 | 0:40:29 | |
'A mistake has been made here! | 0:40:29 | 0:40:32 | |
-'Dekker died! -Rethrick can claim he knows nothing! | 0:40:35 | 0:40:39 | |
'Believe me. I don't remember what I did for the past three years! | 0:40:39 | 0:40:43 | |
'Michael.' | 0:40:45 | 0:40:48 | |
Michael. | 0:40:50 | 0:40:51 | |
You're done. | 0:40:51 | 0:40:54 | |
Hello? | 0:40:59 | 0:41:01 | |
Jesus, Shorty, you don't know how good it is to hear a familiar voice. | 0:41:01 | 0:41:06 | |
Michael? | 0:41:06 | 0:41:08 | |
Listen, man, I'm in a... I'm in a jam and I need you. | 0:41:08 | 0:41:12 | |
Meet me at Union Station at nine o'clock. | 0:41:12 | 0:41:15 | |
-I'll be there. -OK, buddy. | 0:41:15 | 0:41:18 | |
TANNOY: Outbound local from Seattle to Kent, departing from track five. | 0:41:27 | 0:41:32 | |
CHATTER | 0:41:35 | 0:41:37 | |
(Michael.) | 0:41:56 | 0:41:58 | |
Say one word about this hat and I'm out of here. | 0:42:25 | 0:42:29 | |
-Oh, man! -Oh! | 0:42:37 | 0:42:40 | |
My God! | 0:42:40 | 0:42:42 | |
I told you not to take that job, Mike. | 0:42:49 | 0:42:52 | |
-Come on, let's get a table. -OK. | 0:42:57 | 0:43:00 | |
-Injections? -Yeah. -You would have to do it that way, I guess. | 0:43:01 | 0:43:05 | |
-But, of course, that's a chemical process. -So? | 0:43:05 | 0:43:09 | |
Well, you'd have some latent memories. | 0:43:09 | 0:43:12 | |
Maybe that's what I'm seeing. | 0:43:12 | 0:43:15 | |
Memories that made it through the wash | 0:43:15 | 0:43:18 | |
and then got stirred up by feds. | 0:43:18 | 0:43:21 | |
Why would I have these things? Explain this. | 0:43:21 | 0:43:24 | |
I sent myself this junk instead of the money. | 0:43:24 | 0:43:28 | |
Oh, brother! I don't know. | 0:43:28 | 0:43:31 | |
-That's not the question you should be asking. -No? | 0:43:31 | 0:43:35 | |
You should be asking yourself why did you give up all that money? | 0:43:35 | 0:43:40 | |
That's the most bizarre part of this thing. | 0:43:40 | 0:43:43 | |
90 million. Nobody changes that much in three years. | 0:43:43 | 0:43:48 | |
OK, buddy, you want to figure out what you built? | 0:43:48 | 0:43:51 | |
All right, let's work backwards. | 0:43:51 | 0:43:54 | |
-I was working on a design by someone named Dekker. -Dekker? | 0:43:54 | 0:43:59 | |
-William Dekker? -I think so. | 0:44:00 | 0:44:03 | |
He was working on something level 5 for the feds. They shut him down. | 0:44:04 | 0:44:10 | |
-What was it? -The consensus was a laser. -Why was that? | 0:44:10 | 0:44:13 | |
Dekker's drawings called for a mirror and a lens. | 0:44:13 | 0:44:17 | |
The only thing that uses those is a laser. | 0:44:17 | 0:44:20 | |
"Here comes our first number - 17." | 0:44:20 | 0:44:24 | |
"Followed by 44." | 0:44:24 | 0:44:26 | |
-The lens required perfect optics. -"4." -Ah, the mirror... | 0:44:26 | 0:44:31 | |
-"26." -The mirror is coated. The capital outlay is huge. | 0:44:31 | 0:44:34 | |
-"37." -Word was it was gonna cost... -"40." | 0:44:34 | 0:44:38 | |
"And the bonus number is...22." | 0:44:39 | 0:44:42 | |
Who the hell is going to spend 500 billion just to see something? | 0:44:42 | 0:44:47 | |
What? | 0:44:49 | 0:44:51 | |
There's no way I get out of that extraction room | 0:44:51 | 0:44:55 | |
without the cigarettes and the glasses. | 0:44:55 | 0:44:58 | |
I couldn't get on that bus without a ticket. | 0:44:58 | 0:45:01 | |
Without the ring, I wouldn't have followed that kid to Reddy Grant. | 0:45:01 | 0:45:05 | |
-Right. -I gave up that money... | 0:45:05 | 0:45:09 | |
just to make sure that I would pay attention to these items. | 0:45:09 | 0:45:12 | |
Why? | 0:45:12 | 0:45:15 | |
Because I know what you'd spend 500 billion to see. | 0:45:15 | 0:45:19 | |
The future. | 0:45:23 | 0:45:26 | |
"If you selected five numbers and the bonus number, you are a winner." | 0:45:26 | 0:45:30 | |
He used a virus. The machine went down at 3.03 this afternoon. | 0:45:30 | 0:45:34 | |
3.03? | 0:45:35 | 0:45:37 | |
Can you programme around the virus? | 0:45:40 | 0:45:42 | |
No, it's not that kind of virus. Come on, I'll show you. | 0:45:42 | 0:45:47 | |
It's not in the software. | 0:45:55 | 0:45:57 | |
It's in the hardware. | 0:45:59 | 0:46:02 | |
He put a circuit in here. It's like a poison pill. | 0:46:02 | 0:46:06 | |
But you can find it, right? | 0:46:06 | 0:46:08 | |
I can. | 0:46:09 | 0:46:11 | |
Then, do it. | 0:46:13 | 0:46:15 | |
Slight change of plans. We don't need Michael Jennings any more. | 0:46:17 | 0:46:22 | |
Look, if we know anything, we know that time travel's not possible. | 0:46:22 | 0:46:26 | |
-Einstein proved that, right? -Time travel, yes. | 0:46:26 | 0:46:30 | |
But Einstein believed time viewing, theoretically, could be accomplished. | 0:46:30 | 0:46:35 | |
Mike, Mike, come on. Maybe we should just find Dekker. | 0:46:35 | 0:46:39 | |
-We can't. -Why not? -He had an accident. -An accident? | 0:46:39 | 0:46:43 | |
Yeah, he, er, fell out of his bedroom window. | 0:46:43 | 0:46:47 | |
He fell out of his... | 0:46:47 | 0:46:50 | |
He fell out of his bedroom window! Ahh. | 0:46:51 | 0:46:54 | |
I see. | 0:46:54 | 0:46:56 | |
Sure, that could happen(!) | 0:46:56 | 0:46:59 | |
Oh... Jesus! | 0:46:59 | 0:47:03 | |
-We've got to get out of here! -Shorty, listen. | 0:47:03 | 0:47:06 | |
I think what happened was I used this thing. | 0:47:06 | 0:47:09 | |
-I saw my future. -Uh-huh. | 0:47:09 | 0:47:12 | |
And I saw what I needed to change it. | 0:47:12 | 0:47:14 | |
But all I could get out of Allcom were these innocuous items. | 0:47:14 | 0:47:18 | |
Each item has to be used at a specific time in a specific place. | 0:47:18 | 0:47:24 | |
-Without this stuff, I'd already be dead. -Yeah, well, it's too bad | 0:47:24 | 0:47:29 | |
you don't know what the rest are for. | 0:47:29 | 0:47:32 | |
What? | 0:47:35 | 0:47:37 | |
Got ya! | 0:47:56 | 0:47:58 | |
Whoa! | 0:48:04 | 0:48:06 | |
Hey! | 0:48:06 | 0:48:07 | |
Great seeing you again, Mike(!) | 0:48:10 | 0:48:13 | |
Jesus! | 0:48:13 | 0:48:15 | |
Agh! | 0:48:16 | 0:48:18 | |
Oww! | 0:48:18 | 0:48:19 | |
Those guys do not look like feds. | 0:48:29 | 0:48:32 | |
Here. Listen to me. Take this. | 0:48:34 | 0:48:36 | |
This key will get you through that door. Close it behind you. Go! | 0:48:36 | 0:48:40 | |
OK! | 0:48:40 | 0:48:42 | |
Oh! Oww! Ooh! Shit! | 0:48:45 | 0:48:48 | |
Go! | 0:48:49 | 0:48:51 | |
Jesus! | 0:49:00 | 0:49:02 | |
SCREAMING | 0:49:08 | 0:49:11 | |
God, I hope that was a good thing to do. | 0:49:14 | 0:49:17 | |
Agh! | 0:49:53 | 0:49:55 | |
GUNSHOT | 0:50:36 | 0:50:38 | |
Shit. | 0:50:44 | 0:50:45 | |
Agh! Aghhh! | 0:51:13 | 0:51:15 | |
Go. | 0:51:44 | 0:51:46 | |
Where's your gun? | 0:51:47 | 0:51:50 | |
He's got it. | 0:51:50 | 0:51:52 | |
GUNSHOT | 0:51:56 | 0:51:57 | |
Aghh! | 0:51:57 | 0:51:59 | |
So...how are you, Mike? | 0:52:02 | 0:52:06 | |
You? Why? | 0:52:08 | 0:52:11 | |
Don't remember? You brought this on yourself, Mike. | 0:52:12 | 0:52:17 | |
TRAIN BRAKES SCREECH IN DISTANCE | 0:52:17 | 0:52:20 | |
So, how does it feel... | 0:52:23 | 0:52:26 | |
knowing you're going to die? | 0:52:26 | 0:52:29 | |
TRAIN WHISTLES | 0:52:31 | 0:52:34 | |
Agh! | 0:52:46 | 0:52:49 | |
Shit! | 0:53:47 | 0:53:49 | |
BRAKES SCREECH | 0:54:02 | 0:54:05 | |
He designed his own escape? | 0:54:28 | 0:54:30 | |
Mr Attorney General, sir, we have no explanation. | 0:54:30 | 0:54:34 | |
From the evidence, the only logical, albeit hard to accept conclusion, | 0:54:34 | 0:54:38 | |
is that he was able to predict what was going to happen. | 0:54:38 | 0:54:41 | |
These are memories extracted from Jennings. | 0:54:41 | 0:54:45 | |
They don't seem to add up to anything. | 0:54:45 | 0:54:48 | |
Gladys... | 0:54:50 | 0:54:52 | |
that's all. | 0:54:52 | 0:54:54 | |
Dekker was designing something but he wasn't even halfway done. | 0:55:01 | 0:55:05 | |
I don't understand. | 0:55:05 | 0:55:08 | |
Dekker was working on a laser-enhanced lens. | 0:55:08 | 0:55:11 | |
He said it was powerful enough to see around the curvature of the universe. | 0:55:11 | 0:55:16 | |
Dekker believed that if you could see around a curve | 0:55:16 | 0:55:19 | |
you'd end up where you started - with yourself. | 0:55:19 | 0:55:23 | |
Except you're not looking back at yourself now in the present. | 0:55:23 | 0:55:27 | |
No, you're not. You're looking at the future. | 0:55:27 | 0:55:30 | |
Can you imagine what will happen if Jennings tries to profit from this? | 0:55:30 | 0:55:35 | |
-Any nation would give him a king's ransom. -Jennings won't do that. | 0:55:35 | 0:55:39 | |
I was this close to him. He never lied. | 0:55:39 | 0:55:42 | |
Fine, I'll give him the Medal of Honor. | 0:55:42 | 0:55:44 | |
That's if Rethrick doesn't find him first. | 0:55:44 | 0:55:47 | |
-Do you think he saw the future? -Ah! | 0:55:53 | 0:55:56 | |
That would be something. | 0:55:56 | 0:55:59 | |
Cafe Michel? | 0:57:06 | 0:57:09 | |
My name is Michael Jennings. | 0:57:09 | 0:57:11 | |
I can't remember if I made a reservation there recently. | 0:57:11 | 0:57:16 | |
Would you check that out for me? | 0:57:16 | 0:57:18 | |
I did? | 0:57:20 | 0:57:23 | |
OK. Right, how many is it for? | 0:57:23 | 0:57:26 | |
No, thank you. No, I'll be there. Thank you. | 0:57:29 | 0:57:33 | |
Hello, you two. | 0:57:53 | 0:57:56 | |
Did he feed you? | 0:57:57 | 0:58:00 | |
KNOCK AT DOOR | 0:58:18 | 0:58:20 | |
Rachel, it's Jimmy. | 0:58:20 | 0:58:23 | |
-Are you all right? -Why? | 0:58:25 | 0:58:28 | |
You don't know? | 0:58:28 | 0:58:31 | |
No. | 0:58:32 | 0:58:34 | |
May I come in? | 0:58:34 | 0:58:37 | |
When was the last time you saw Michael? | 0:58:37 | 0:58:40 | |
Yesterday morning. He was pulling an all-nighter at his lab. | 0:58:40 | 0:58:45 | |
Rachel, I'm sorry to be the one to tell you this. | 0:58:48 | 0:58:52 | |
Michael left Allcom yesterday... permanently. | 0:58:52 | 0:58:56 | |
-What? -He finished his work. | 0:58:58 | 0:59:02 | |
We erased his memory. | 0:59:02 | 0:59:04 | |
-No. -He left. | 0:59:04 | 0:59:06 | |
No, he promised me. He said he wasn't going to go through with it. | 0:59:06 | 0:59:11 | |
He made a lot of money on this one, Rachel. | 0:59:11 | 0:59:14 | |
He said he didn't care about the money. | 0:59:15 | 0:59:18 | |
-'So, she doesn't know anything? -He wouldn't leave without her.' | 0:59:27 | 0:59:31 | |
It's Michael. He'd be smart. | 0:59:31 | 0:59:34 | |
We're missing something. | 0:59:34 | 0:59:37 | |
As soon as she leaves for work, get in there. | 1:00:03 | 1:00:07 | |
Make sure she's nowhere alone. I want to know what just happened. | 1:00:07 | 1:00:11 | |
Bye, guys. | 1:00:19 | 1:00:22 | |
Morning, Doctor. | 1:00:26 | 1:00:28 | |
Going somewhere? | 1:00:30 | 1:00:33 | |
Good morning. | 1:00:41 | 1:00:44 | |
Go up the top. Take my bag. | 1:00:57 | 1:01:00 | |
-You're gonna need this. -Got it. Thanks. | 1:01:00 | 1:01:02 | |
-Coming? -Ah, no, thanks. I'd rather watch from down here. | 1:01:09 | 1:01:13 | |
Suit yourself. | 1:01:13 | 1:01:16 | |
'We've been through the bathroom and tossed the rest of apartment. | 1:01:22 | 1:01:26 | |
-'Zero.' -I want you to go into the bathroom. | 1:01:26 | 1:01:29 | |
OK, start turning left. | 1:01:43 | 1:01:46 | |
-Tell me what you see. -The mirror. | 1:01:48 | 1:01:52 | |
We've got him. She's supposed to meet him at Cafe Michel, 1.00pm. | 1:02:08 | 1:02:13 | |
Let's make sure she does. | 1:02:14 | 1:02:17 | |
-I'm here to meet someone - Michael Jennings. -Have a seat. -Thanks. | 1:03:12 | 1:03:17 | |
Sit at that table right there. | 1:03:18 | 1:03:20 | |
In the seat with your back to the window. | 1:03:21 | 1:03:24 | |
Michael. Thank God you're all right. | 1:03:44 | 1:03:47 | |
I thought I was never going to see you again. | 1:03:47 | 1:03:51 | |
Michael, it's me. | 1:03:54 | 1:03:56 | |
Rachel. | 1:03:58 | 1:04:00 | |
-Look... -You can't remember me. | 1:04:02 | 1:04:05 | |
No... I'm sorry. | 1:04:08 | 1:04:11 | |
Cops. | 1:04:17 | 1:04:19 | |
We can't go in. I'll have to wait for a clear shot. | 1:04:19 | 1:04:22 | |
Maya, stall for time. Tell him you thought he'd remember something. | 1:04:22 | 1:04:26 | |
That you two were engaged. | 1:04:26 | 1:04:29 | |
I guess I thought you'd remember something. | 1:04:31 | 1:04:34 | |
-We've been together for three years. -I don't know what to say. | 1:04:34 | 1:04:39 | |
I'm really sorry. | 1:04:40 | 1:04:42 | |
I'm trying. | 1:04:42 | 1:04:45 | |
That's how he's doing this. | 1:04:47 | 1:04:49 | |
Listen to me very carefully, Maya. | 1:04:53 | 1:04:55 | |
This is what I want you to say. | 1:04:55 | 1:04:58 | |
Michael, I see you still have the envelope. | 1:04:58 | 1:05:02 | |
That means it's working. | 1:05:02 | 1:05:04 | |
You switched the personal items. I helped. | 1:05:04 | 1:05:07 | |
-You left me a note... -..on a mirror. | 1:05:07 | 1:05:10 | |
I'm supposed to take something... | 1:05:10 | 1:05:13 | |
..something I can use to get to Stevens. | 1:05:13 | 1:05:16 | |
-He's a man you worked with. -He's trying to fix the machine. | 1:05:16 | 1:05:21 | |
Work backwards, Michael. | 1:05:25 | 1:05:27 | |
-Yeah. Take the swipe card. -That's the swipe card for the campus. | 1:05:34 | 1:05:38 | |
Give that to me. | 1:05:38 | 1:05:41 | |
Rachel wouldn't be hurt, she'd be impatient. | 1:05:42 | 1:05:45 | |
Look, Michael, if you can't trust me now, | 1:05:45 | 1:05:48 | |
then we are lost...for good. | 1:05:48 | 1:05:51 | |
-Nice. -OK. | 1:05:51 | 1:05:54 | |
I'd better get back. They'll get suspicious soon. | 1:05:58 | 1:06:02 | |
Wait here. I'll be back in half an hour. | 1:06:06 | 1:06:09 | |
And don't worry... we end up together. | 1:06:13 | 1:06:17 | |
Michael... | 1:06:28 | 1:06:31 | |
..I love you. | 1:06:32 | 1:06:34 | |
-What's my favourite baseball team? -What? | 1:06:49 | 1:06:52 | |
What's my favourite baseball team? | 1:06:52 | 1:06:55 | |
Who cares? | 1:06:57 | 1:07:00 | |
That would be the Red Sox. | 1:07:11 | 1:07:14 | |
Yeah. | 1:07:14 | 1:07:16 | |
-I think maybe we should go. -Wait! | 1:07:21 | 1:07:24 | |
Now we can leave. Come on. | 1:07:34 | 1:07:37 | |
-Wait! Hold on. -You have a car? -I might. -You might? | 1:07:50 | 1:07:55 | |
-Look for a BMW! -You've got to be joking! | 1:07:57 | 1:08:01 | |
Shit! Shit! | 1:08:08 | 1:08:10 | |
-Let me see that key. -Why? -You're in the wrong section. | 1:08:10 | 1:08:16 | |
He bought the BMW on the internet. He had the key mailed to him. | 1:08:17 | 1:08:21 | |
-What's the colour of his car? -It isn't a car. | 1:08:21 | 1:08:24 | |
Turned onto Pine! Intercept them on Sixth! | 1:08:51 | 1:08:54 | |
-How good am I on this thing? -You're OK! | 1:09:05 | 1:09:09 | |
Look, I just said you're OK. | 1:09:16 | 1:09:19 | |
-OK? -OK. | 1:09:19 | 1:09:21 | |
Hang on! | 1:09:53 | 1:09:56 | |
-Report of shots - Southgate, BMW. -Got it. | 1:10:29 | 1:10:32 | |
-Stop! -What? -I lost the envelope! | 1:11:03 | 1:11:05 | |
-I'll come back and get you. -See ya! | 1:11:07 | 1:11:10 | |
Got it! | 1:12:28 | 1:12:31 | |
POLICE SIRENS WAIL | 1:12:35 | 1:12:38 | |
Let's get out of here. | 1:12:39 | 1:12:43 | |
Take us down! | 1:12:47 | 1:12:48 | |
-LOUD SPEAKER -We can help you! | 1:12:48 | 1:12:51 | |
We know what's going on. Let us bring you in. | 1:12:51 | 1:12:54 | |
He's headed for the tunnel. Cut him off. | 1:13:07 | 1:13:10 | |
Duck! | 1:13:34 | 1:13:36 | |
Split! | 1:13:38 | 1:13:40 | |
You think Jennings foresaw that? | 1:14:03 | 1:14:06 | |
Maybe next time he'll see a quiet stakeout. | 1:14:06 | 1:14:09 | |
I'm sorry. I'm sorry. | 1:14:39 | 1:14:41 | |
It's OK. It's all for you, anyway. | 1:14:45 | 1:14:48 | |
And I brought you some clothes. | 1:14:51 | 1:14:54 | |
I thought you'd need them. I hope it's OK. | 1:14:54 | 1:14:57 | |
Thank you. | 1:14:57 | 1:15:00 | |
Mine? | 1:15:01 | 1:15:03 | |
You don't remember? | 1:15:04 | 1:15:06 | |
No. | 1:15:07 | 1:15:10 | |
You don't remember me, do you? | 1:15:16 | 1:15:18 | |
Well, er... | 1:15:20 | 1:15:22 | |
These are for you. | 1:15:28 | 1:15:30 | |
# Happy birthday to you | 1:16:13 | 1:16:18 | |
-# Happy birthday to... # -You're so sweet. | 1:16:18 | 1:16:23 | |
I'm sorry. | 1:16:41 | 1:16:43 | |
(I'm sorry.) I just don't remember. | 1:16:44 | 1:16:48 | |
I shouldn't have left. | 1:16:48 | 1:16:51 | |
He sent himself a different set of personal items, | 1:17:07 | 1:17:11 | |
nothing security would flag? | 1:17:11 | 1:17:14 | |
Everyday things combined with the power of foresight | 1:17:14 | 1:17:18 | |
transform Michael from engineer to escape artist. | 1:17:18 | 1:17:21 | |
I don't know about you but I'd like to return the favour. | 1:17:23 | 1:17:28 | |
Michael, are you OK? | 1:17:49 | 1:17:52 | |
I'm all right. | 1:17:55 | 1:17:58 | |
Michael, I don't know what you saw in your machine | 1:17:59 | 1:18:03 | |
but a few weeks ago you came back from your lab and you were pale. | 1:18:03 | 1:18:07 | |
You asked me the strangest question. | 1:18:07 | 1:18:10 | |
What? | 1:18:10 | 1:18:12 | |
If I knew if it wouldn't work out for you and I | 1:18:12 | 1:18:15 | |
before we were together, would I have done it? | 1:18:15 | 1:18:19 | |
What did you say? | 1:18:21 | 1:18:23 | |
That I wouldn't trade our time for anything. | 1:18:23 | 1:18:26 | |
That's all we are - the sum of our experiences. | 1:18:26 | 1:18:30 | |
Besides...some of the best things in life are total mistakes. | 1:18:31 | 1:18:36 | |
-What? -You know... | 1:18:44 | 1:18:47 | |
when I checked this envelope out of Reddy Grant, | 1:18:47 | 1:18:50 | |
they told me I signed in 20 items, but there were only 19. | 1:18:50 | 1:18:54 | |
I don't understand. | 1:18:54 | 1:18:57 | |
CHILDREN SHOUT | 1:19:25 | 1:19:28 | |
What are these pictures of? | 1:19:45 | 1:19:48 | |
Michael, look at the rest of the pictures. | 1:20:01 | 1:20:04 | |
Look at the last one. | 1:20:27 | 1:20:30 | |
Oh, my God, that's the future. | 1:20:35 | 1:20:39 | |
The machine predicts a war. We go to war to avert it. | 1:20:40 | 1:20:44 | |
It predicts a plague. We herd the sick together and create a plague. | 1:20:44 | 1:20:49 | |
Whatever future this predicts, we make happen. | 1:20:49 | 1:20:53 | |
We give over control of our lives completely. | 1:20:53 | 1:20:57 | |
I did this. | 1:20:57 | 1:20:59 | |
Seeing the future will destroy us. | 1:20:59 | 1:21:03 | |
'If you show someone their future, they have no future. | 1:21:13 | 1:21:18 | |
'You take away the mystery. You take away hope.' | 1:21:18 | 1:21:23 | |
I have to go back. I have to destroy that machine. | 1:21:24 | 1:21:28 | |
That's impossible. The campus is huge. | 1:21:28 | 1:21:31 | |
Hey, I would not have given up the three years we had together | 1:21:31 | 1:21:35 | |
-unless I was absolutely sure I could get us 50 more. -OK. | 1:21:35 | 1:21:39 | |
-So, how do we get in? -"We" don't. | 1:21:39 | 1:21:43 | |
You said everything was happening for a reason. That includes me. | 1:21:43 | 1:21:48 | |
-So come on. -Hey, Rachel. | 1:21:48 | 1:21:52 | |
Another day at the most. I don't have many more places to look. | 1:22:02 | 1:22:06 | |
I guess you weren't as smart as you thought. | 1:22:06 | 1:22:09 | |
Jennings wouldn't find it any faster unless he knew where to look. | 1:22:09 | 1:22:13 | |
We've got the feeds from mass transit. | 1:22:17 | 1:22:20 | |
-He could be anywhere by now. -Except he's not running away. | 1:22:21 | 1:22:26 | |
He could've given himself a way to disappear but, look, | 1:22:26 | 1:22:29 | |
he gave himself his Allcom security pass. | 1:22:29 | 1:22:33 | |
He's going back. | 1:22:33 | 1:22:36 | |
Tap the phone lines at Allcom. | 1:22:45 | 1:22:48 | |
Put some bodies on that campus. I want that machine! | 1:22:48 | 1:22:52 | |
-Jennings and the girl were spotted. What do you want me to do? -Nothing. | 1:23:12 | 1:23:16 | |
ALARM WAILS | 1:23:34 | 1:23:37 | |
-Stay where you are! -Nobody gets through! -Sir! | 1:23:41 | 1:23:44 | |
-SHOUTING -Shut her down! | 1:23:44 | 1:23:47 | |
All the metal detectors on Level Four just went off - ball bearings. | 1:23:47 | 1:23:52 | |
Just down the hall from the metal detectors. | 1:24:01 | 1:24:04 | |
Pull the guards off Jennings lab. | 1:24:06 | 1:24:09 | |
'Let him slip in, think he's fooled us.' | 1:24:09 | 1:24:12 | |
Once he's fixed the machine, take him. | 1:24:12 | 1:24:15 | |
I built this. | 1:24:30 | 1:24:33 | |
This door shouldn't be open. Something's wrong. | 1:24:33 | 1:24:36 | |
They're expecting us. Let's close this door behind us. | 1:24:41 | 1:24:45 | |
-And keep it shut. -He's in. | 1:24:45 | 1:24:49 | |
-Confirmed. He's in. -Once we confirm he's at the machine, go in after him. | 1:24:49 | 1:24:54 | |
-I thought we were going to wait. -I can't wait! | 1:24:54 | 1:24:57 | |
Jennings or the machine, I don't care, as long as I get one of them! | 1:24:57 | 1:25:01 | |
-This will do. Watch out. -What are you doing? | 1:25:09 | 1:25:13 | |
-Smashing the lock. -Hold on a second. | 1:25:13 | 1:25:15 | |
You can't just smash it. They'll still be able to get in. | 1:25:16 | 1:25:20 | |
We've got to jam the outside reader. | 1:25:20 | 1:25:22 | |
-Hmmm. -Let's go. | 1:25:38 | 1:25:41 | |
Let's take a look at the future before we destroy this thing. | 1:25:41 | 1:25:45 | |
-I bugged it so Jimmy wouldn't use it against me. -You can fix it, right? | 1:26:42 | 1:26:46 | |
Now, where would I have planted that bug? | 1:26:53 | 1:26:56 | |
Maybe on one of the motherboards. | 1:26:59 | 1:27:02 | |
Whoa, whoa, whoa. We won't be needing this, OK? | 1:27:02 | 1:27:06 | |
-You're dangerous. -You must have given yourself something to help you. | 1:27:07 | 1:27:11 | |
I don't know. The only things left are the bullet and this. | 1:27:11 | 1:27:15 | |
-Crossword? -Yeah. | 1:27:15 | 1:27:19 | |
Look at this. 12 down. | 1:27:21 | 1:27:24 | |
Maybe... | 1:27:25 | 1:27:27 | |
Let's take a look. Maybe it's a circuit diagram. | 1:27:38 | 1:27:42 | |
I wouldn't have put it in the primary path. | 1:27:44 | 1:27:48 | |
12 down. | 1:27:51 | 1:27:53 | |
-Take him. -OK, corridor three... | 1:28:09 | 1:28:12 | |
sublevel A, Jennings' lab. | 1:28:12 | 1:28:15 | |
All right, let's put this thing to good use one last time. | 1:28:24 | 1:28:29 | |
Let's get us out of here. | 1:28:29 | 1:28:32 | |
That's in the lab. | 1:29:17 | 1:29:20 | |
It's the catwalk. | 1:29:20 | 1:29:22 | |
I've changed my future before using this. | 1:29:40 | 1:29:44 | |
I'll do it again. | 1:29:44 | 1:29:46 | |
ALARMS BLEEP | 1:29:59 | 1:30:01 | |
We have to destroy it before they get to it. | 1:30:04 | 1:30:08 | |
Re-programme the door to Jennings' lab, please. Now! | 1:30:08 | 1:30:11 | |
He must've done something to the controller. | 1:30:16 | 1:30:20 | |
-How are we going to get out of here, Michael? -I don't know. | 1:30:21 | 1:30:25 | |
Clear! | 1:30:54 | 1:30:56 | |
-What are you doing? -It's liquid hydrogen. | 1:30:56 | 1:30:59 | |
They cool the machine. They fire in order. Number one just fired. | 1:30:59 | 1:31:04 | |
When it gets to number six, that's all she wrote. | 1:31:04 | 1:31:07 | |
I'll see you when this goes off, Jimmy. | 1:31:07 | 1:31:10 | |
Come on! | 1:31:16 | 1:31:18 | |
You see? You judge too soon. | 1:31:23 | 1:31:26 | |
-They went through the vent. -Spread out. | 1:31:43 | 1:31:46 | |
Position Three standing by. | 1:32:12 | 1:32:15 | |
Come on. | 1:32:17 | 1:32:19 | |
Freeze! | 1:32:20 | 1:32:23 | |
Look out! | 1:32:30 | 1:32:32 | |
Seal off all the exits to the lab. | 1:32:34 | 1:32:37 | |
All right, Jennings, let's see what you've been up to. | 1:32:54 | 1:32:58 | |
Rachel, go for the door. | 1:33:13 | 1:33:16 | |
OK? | 1:33:16 | 1:33:17 | |
Drop the gun! | 1:34:40 | 1:34:43 | |
Drop the gun! | 1:34:45 | 1:34:48 | |
It looks like Michael's got a date on the catwalks. | 1:35:37 | 1:35:41 | |
Let's make sure he makes it. | 1:35:45 | 1:35:48 | |
WIND HOWLS | 1:36:01 | 1:36:04 | |
-Let's go! -We can't take the catwalk. -We won't, I promise. Come on! | 1:37:02 | 1:37:07 | |
-Michael! What are you doing? -Go! I'll distract them! Go! Please! | 1:37:17 | 1:37:21 | |
-No! -Listen, this is my debt. I built this machine. I have to pay for it. | 1:37:21 | 1:37:26 | |
No! You come with me now! You promised you'd change your fate! | 1:37:26 | 1:37:30 | |
Please, we don't have time. | 1:37:30 | 1:37:33 | |
If you love me, if you care about me, go. | 1:37:33 | 1:37:36 | |
Have a good life. | 1:37:36 | 1:37:39 | |
Remember me. | 1:37:39 | 1:37:41 | |
Damn you! | 1:37:44 | 1:37:46 | |
Jimmy! THUNDER CRASHES | 1:37:51 | 1:37:54 | |
You want to kill me... come do it yourself! | 1:37:54 | 1:37:58 | |
Here I am! You want me? Come get me! | 1:38:03 | 1:38:07 | |
-Hey, Jimmy. -Hi, Mike. | 1:38:11 | 1:38:14 | |
-Looks like this is it. -Yeah, it is, Mike. | 1:38:16 | 1:38:19 | |
-You have yourself to blame. -That's a lie. | 1:38:19 | 1:38:22 | |
-You can't change your fate, Mike. You're going to die today. -Maybe. | 1:38:22 | 1:38:27 | |
But you're not going to kill me. | 1:38:29 | 1:38:31 | |
That's right, Mike. I've seen the future. | 1:38:37 | 1:38:40 | |
Still think you can change your fate? | 1:39:52 | 1:39:55 | |
I am the future! | 1:39:57 | 1:40:00 | |
-Rethrick has Jennings. -Retire him. | 1:40:24 | 1:40:27 | |
-What? -We can't risk the machine's creator falling into the wrong hands. | 1:40:27 | 1:40:31 | |
Come on. | 1:40:31 | 1:40:33 | |
Don't blame me. | 1:41:29 | 1:41:32 | |
You and Michael would've lived happily ever after, no memory wipe. | 1:41:32 | 1:41:36 | |
He's the one who decided he wanted to stop the programme. | 1:41:36 | 1:41:41 | |
Look at it this way. You did change the future, Michael. | 1:41:57 | 1:42:01 | |
Before you interfered, you both would've lived, | 1:42:01 | 1:42:05 | |
-instead of ending up like this. -It wasn't meant to be. | 1:42:05 | 1:42:10 | |
Giving up so easy? | 1:42:16 | 1:42:19 | |
Don't you believe in second chances? | 1:42:20 | 1:42:22 | |
To tell you the truth, I do. | 1:42:25 | 1:42:28 | |
ALARM BLEEPS | 1:42:35 | 1:42:37 | |
(Go, go, go.) | 1:42:40 | 1:42:43 | |
Rachel! | 1:43:19 | 1:43:21 | |
Let's go. | 1:44:17 | 1:44:19 | |
-Any records? Any papers? -Explosion destroyed everything. | 1:44:36 | 1:44:41 | |
I guess we don't get the machine, do we? | 1:44:47 | 1:44:50 | |
Any sign of Jennings? | 1:45:16 | 1:45:19 | |
Ah, no, I'm afraid he didn't make it. | 1:45:20 | 1:45:23 | |
What was Shorty thinking, starting a nursery? | 1:46:06 | 1:46:09 | |
These plants are on life support. | 1:46:09 | 1:46:12 | |
Really? He told me he had a green thumb. | 1:46:12 | 1:46:15 | |
Gangrene is more like it. | 1:46:15 | 1:46:17 | |
Lucky for Shorty, I'm a biologist. | 1:46:17 | 1:46:20 | |
Lucky for both of us, since I failed biology and I'm no help at all. | 1:46:20 | 1:46:25 | |
So you say. Too bad, though. | 1:46:25 | 1:46:27 | |
I'm looking for a partner for a start-up company. | 1:46:27 | 1:46:31 | |
-Doing what? -I plan to save the world. | 1:46:31 | 1:46:34 | |
I don't think I'm your guy. | 1:46:36 | 1:46:39 | |
Would you settle for someone who wants to help you change it? | 1:46:39 | 1:46:42 | |
Hmm, OK. | 1:46:42 | 1:46:45 | |
-Good. -So, how does it end for us, Michael? | 1:46:45 | 1:46:47 | |
What's in our future? | 1:46:47 | 1:46:50 | |
You know, I don't know. I kind of like it that way. | 1:46:50 | 1:46:54 | |
-I do know one thing. -What's that? | 1:46:54 | 1:46:58 | |
I never want to forget anything ever again. | 1:46:58 | 1:47:01 | |
Break it up! Break it up! The birdman cometh! | 1:47:04 | 1:47:08 | |
-Shorty! -It's dinner! -You found them! | 1:47:10 | 1:47:13 | |
-Yes, I did. Who does everything? -You do. | 1:47:13 | 1:47:17 | |
-You're right. -You are my hero! -Thank you very much. You hear that? | 1:47:17 | 1:47:21 | |
-I'm a hero. This is great. -I think I remember. Are those our birds? | 1:47:21 | 1:47:25 | |
Yes, of course they are. We bought them together. | 1:47:25 | 1:47:29 | |
You remember the birds? Well done(!) You saw into the future | 1:47:29 | 1:47:33 | |
and all you remember are Polly and Tweetie. | 1:47:33 | 1:47:36 | |
-Why don't you remember something that would make us rich? -Wait. | 1:47:36 | 1:47:40 | |
-I think there was something else. -No, no. | 1:47:40 | 1:47:43 | |
The envelope's empty. Don't worry. | 1:47:43 | 1:47:46 | |
Hold on. I'm working back right here. | 1:47:46 | 1:47:49 | |
"If you only look where you can't go, | 1:47:53 | 1:47:57 | |
"you will miss the riches below." | 1:47:57 | 1:47:59 | |
-I knew you'd never get rid of these birds. -Course not, they're family. | 1:48:02 | 1:48:06 | |
So I knew this would be here. What only looks where it can't go? | 1:48:06 | 1:48:11 | |
A caged bird. | 1:48:11 | 1:48:14 | |
"You will miss the riches below." | 1:48:15 | 1:48:18 | |
The riches below. | 1:48:20 | 1:48:24 | |
What is that? | 1:48:29 | 1:48:32 | |
Well, that's a... 90 million lottery ticket. | 1:48:32 | 1:48:37 | |
-Wait! -90 million. | 1:48:37 | 1:48:39 | |
-Nice! -Yes, I'm proud. -Wait a minute! | 1:48:39 | 1:48:42 | |
-No! Wait a minute. -What are you doing? | 1:48:42 | 1:48:46 | |
I think now's a good time to discuss my commission - 33%. | 1:48:46 | 1:48:50 | |
-I thought it was 5. -33%. -33%! | 1:48:50 | 1:48:53 | |
You're... I'm.... It was 5%! | 1:48:53 | 1:48:56 | |
-He deserves it. -It was found on my premises. -I'll get back to you. | 1:48:56 | 1:49:00 | |
BOTH CHATTER AT ONCE | 1:49:00 | 1:49:03 |