Phenomenon

Line	From	To
MIAOW	0:02:30	0:02:31
MIAOW	0:02:34	0:02:35
MIAOW	0:02:39	0:02:40
Attila!	0:03:04	0:03:05
Where are you, boy?	0:03:05	0:03:06
Did you get that rabbit?	0:03:06	0:03:08
Did you?	0:03:08	0:03:09
I bet you did.	0:03:09	0:03:10
My mighty hunter.	0:03:10	0:03:11
You vicious killer.	0:03:11	0:03:13
That's my dog.	0:03:13	0:03:15
That's my beast.	0:03:15	0:03:17
Come on, give me a kiss.	0:03:17	0:03:19
Wait a minute.	0:03:29	0:03:32
Wait a damn minute. Attila!	0:03:32	0:03:35
And you call yourself security?!	0:03:35	0:03:37
WOOF	0:03:37	0:03:38
Don't change the subject.	0:03:41	0:03:43
DRIVER IS SINGING "Love Child" ALONG WITH THE RADIO	0:03:44	0:03:49
Hey, George.	0:03:52	0:03:53
# ..born in poverty... #	0:03:53	0:03:55
You gonna just stand there,	0:03:55	0:03:57
or you gonna help me with these boxes?	0:03:57	0:03:58
Now what have you got me carrying, huh?	0:03:58	0:04:00
Got a deal on solar panels and batteries.	0:04:00	0:04:03
I told you I wasn't doin' any more improvements on the house.	0:04:03	0:04:07
I'm sellin' this place some day.	0:04:07	0:04:08
Yeah, right. But I see you improved the garden anyway.	0:04:08	0:04:11
And that goddamn rabbit still got in there.	0:04:11	0:04:15
I told you,	0:04:15	0:04:16
he went under your fence, George.	0:04:16	0:04:17
He did not.	0:04:17	0:04:18
He did, too.	0:04:18	0:04:20
I put that fence	0:04:20	0:04:21
a foot and a half underneath the ground.	0:04:21	0:04:23
Well, it's a mystery, George.	0:04:23	0:04:25
Anyway,	0:04:25	0:04:27
this little outfit,	0:04:27	0:04:29
it's gonna save you money,	0:04:29	0:04:31
and it's free.	0:04:31	0:04:33
So happy birthday.	0:04:33	0:04:34
Thanks, Nate.	0:04:34	0:04:35
Thank you.	0:04:35	0:04:36
HE LAUGHS	0:04:39	0:04:40
What?	0:04:40	0:04:41
Who's gonna put it together, huh?	0:04:41	0:04:43
Not me.	0:04:43	0:04:45
It comes with a manual in three different languages.	0:04:45	0:04:47
Forget it.	0:04:47	0:04:48
Look, if it's a car, I can fix it.	0:04:48	0:04:50
If it's in the garden, I probably can grow it, but...	0:04:50	0:04:53
this is way out of MY neighbourhood.	0:04:53	0:04:57
Hey, you, er, you bringing a date tonight?	0:04:57	0:04:59
No. You?	0:04:59	0:05:01
Well, I'm thinkin' of askin' somebody.	0:05:01	0:05:04
When?	0:05:04	0:05:05
Today?	0:05:05	0:05:06
You don't give 'em much notice, do you?	0:05:06	0:05:08
You even ask anybody? Huh?	0:05:08	0:05:10
I always ask Diana Ross, but...	0:05:10	0:05:13
She never says yes to me.	0:05:13	0:05:15
See ya.	0:05:15	0:05:16
See you later.	0:05:16	0:05:18
NATE: # But you're never ever gonna return... #	0:05:18	0:05:22
DIANA ROSS: # ..to ease the fire that within me burns	0:05:22	0:05:25
# Keeps me cryin', baby, for you	0:05:25	0:05:29
# Keeps me sighin', baby, for you	0:05:29	0:05:32
# So won't you hurry?	0:05:32	0:05:35
# Come on, boy... #	0:05:35	0:05:37
HORN HONKS	0:05:37	0:05:38
Hey, Bill.	0:05:38	0:05:40
Hey, George. George! I forgot to tell you, man.	0:05:43	0:05:45
HE SPEAKS SPANISH	0:05:45	0:05:47
Hold on. Hold on.	0:05:47	0:05:48
HE REPEATS THE SPANISH PHRASE >	0:05:48	0:05:49
The doctor called.	0:05:49	0:05:50
Banes, will you let me figure it out?	0:05:50	0:05:54
A las diez. >	0:05:54	0:05:56
At 10 o'clock. ..At 10 o'clock.	0:05:56	0:05:59
Qui...qui dijo?	0:06:01	0:06:03
Que dijo?	0:06:03	0:06:04
He want you...	0:06:04	0:06:06
que veas a su ventana...	0:06:06	0:06:07
at 10 o'clock...	0:06:07	0:06:08
que veas a su ventana.	0:06:08	0:06:09
Ventana. Ventana. >	0:06:09	0:06:11
He wants you to look at his window.	0:06:11	0:06:13
Man!	0:06:13	0:06:15
ENGINE FALTERS	0:06:15	0:06:18
How ya doin', Lace?	0:06:23	0:06:25
You look great.	0:06:26	0:06:28
Yeah.	0:06:28	0:06:29
How are the chairs sellin'?	0:06:29	0:06:30
I got one left. I need four more.	0:06:30	0:06:33
Wow.	0:06:33	0:06:35
It's goin' a lot better than I expected.	0:06:35	0:06:37
Yeah, well, you know, people sit down a lot around here.	0:06:37	0:06:39
Yeah.	0:06:39	0:06:41
- I can get these. - No, I got it. Thanks.	0:06:41	0:06:43
I'll help you.	0:06:45	0:06:46
Hey, er, Lace,	0:06:47	0:06:49
there's a party tonight at the Elkhorn Bar...	0:06:49	0:06:51
Why do they call it that?	0:06:51	0:06:52
There's no elk around here.	0:06:52	0:06:54
I don't know. They just always called it the Elkhorn.	0:06:54	0:06:55
Why? They got some poor elk's horn hanging over the bar?	0:06:55	0:06:58
I don't think so.	0:06:58	0:07:00
Anyway, it's my birthday today,	0:07:00	0:07:02
and there's a party tonight at the Elkhorn.	0:07:02	0:07:03
I said that, didn't I?	0:07:03	0:07:05
Yep.	0:07:05	0:07:06
George!	0:07:06	0:07:07
Oh, I gotta look up here at 10 o'clock.	0:07:07	0:07:10
Why?	0:07:10	0:07:11
Well, that's Doc Brunder's office. Have you met him yet?	0:07:11	0:07:12
No. What does he want?	0:07:12	0:07:14
I don't know.	0:07:14	0:07:16
So, er, hey, er, you think you could come to the party?	0:07:16	0:07:19
No. I don't like to leave my kids home alone at night.	0:07:19	0:07:21
I know a good baby-sitter - Tito's wife.	0:07:21	0:07:22
You know Tito. Tito!	0:07:22	0:07:23
Tito!	0:07:23	0:07:24
Hey.	0:07:24	0:07:25
George.	0:07:25	0:07:27
Hey. That's nice.	0:07:27	0:07:29
EVERYONE LAUGHS	0:07:30	0:07:31
God.	0:07:31	0:07:33
Ha ha ha ha ha!	0:07:33	0:07:34
So that's the doctor.	0:07:34	0:07:36
Yep, that's the doctor.	0:07:36	0:07:38
Would you please come tonight?	0:07:41	0:07:43
No, not tonight.	0:07:43	0:07:44
Is it me?	0:07:47	0:07:48
No.	0:07:48	0:07:50
It's not you.	0:07:50	0:07:51
Well, then I'll keep askin'.	0:07:51	0:07:53
ENGINE FAILS TO START	0:07:53	0:07:56
Man, I would love to get my hands on your carburettor.	0:07:56	0:07:59
ENGINE STARTS	0:07:59	0:08:00
I bet you would.	0:08:00	0:08:01
TAUNTING REMARK IN SPANISH	0:08:05	0:08:08
DIANA ROSS: # Ooh ooh	0:08:18	0:08:21
# Baby love, my baby love	0:08:21	0:08:24
# I need you	0:08:24	0:08:25
# Oh, oh, I need you... #	0:08:25	0:08:27
Hey, Nate, Nate.	0:08:27	0:08:30
It's a scandal. You and Diana Ross.	0:08:30	0:08:31
I told the press.	0:08:31	0:08:33
Oh, man.	0:08:33	0:08:34
Yeah.	0:08:34	0:08:35
She'd be so happy over at my farm.	0:08:35	0:08:36
No stress.	0:08:36	0:08:37
Oh, it's true.	0:08:37	0:08:38
No media. No press.	0:08:38	0:08:40
Just...just heaven.	0:08:40	0:08:43
Hey, you're not supposed to be buyin' drinks tonight.	0:08:43	0:08:44
Jimmy! < Yo!	0:08:44	0:08:46
George doesn't buy drinks tonight. It's his birthday.	0:08:46	0:08:48
Hey, Doc!	0:08:48	0:08:49
Happy birthday.	0:08:49	0:08:50
Hey, Doc!	0:08:51	0:08:52
How's everybody?	0:08:52	0:08:53
Hey, you still breathing in and out?	0:08:53	0:08:55
Doc, you gotta try that cake.	0:08:55	0:08:57
Tito's wife made it.	0:08:57	0:08:58
It is macho bueno.	0:08:58	0:09:00
Open it, George.	0:09:00	0:09:01
Oh, Doc, this...	0:09:01	0:09:02
thank you.	0:09:02	0:09:04
You're welcome.	0:09:04	0:09:05
You're learning the moves, George,	0:09:05	0:09:07
but you've never played amidst turmoil and confusion, so...	0:09:07	0:09:10
I wish we could go back to checkers. Maybe I could win.	0:09:10	0:09:13
No. No, no, no.	0:09:13	0:09:14
You have potential, George.	0:09:14	0:09:16
I always said George Malley has something extra to offer this world.	0:09:16	0:09:18
I said that the day I, er...	0:09:18	0:09:19
circumcised you.	0:09:19	0:09:20
He says that every birthday.	0:09:20	0:09:23
You did good tonight.	0:09:23	0:09:25
You know, you ruined my chance of romance with that obscene...	0:09:25	0:09:28
It was an outrage.	0:09:28	0:09:29
It was a disgrace.	0:09:29	0:09:30
Then this beautiful girl walked right away from me.	0:09:30	0:09:32
It was so embarrassin'.	0:09:32	0:09:34
George, you talkin' about the one with the chairs?	0:09:34	0:09:36
They're not all that comfortable.	0:09:36	0:09:38
Well, I think they're perfect,	0:09:38	0:09:39
but you gotta learn how to sit in 'em.	0:09:39	0:09:40
Ah, here you go.	0:09:40	0:09:42
On the house.	0:09:42	0:09:43
I hope there's a no-smoking section in heaven.	0:09:43	0:09:46
Ah, don't start, Doc. Don't start.	0:09:46	0:09:48
Happy cumpleanos, amigo.	0:09:50	0:09:52
PEOPLE OFFER TOASTS	0:09:52	0:09:54
MAN: We love you, man.	0:09:54	0:09:56
This is great.	0:09:58	0:10:00
This is great.	0:10:00	0:10:01
Tito, wait, wait, wait!	0:10:01	0:10:03
Tito!	0:10:03	0:10:04
Thanks for comin' to my party, man.	0:10:05	0:10:07
Ha ha ha ha!	0:10:07	0:10:08
Happy birthday, kid.	0:10:08	0:10:09
Yeah. Happy birthday.	0:10:09	0:10:11
Ahh...	0:10:11	0:10:12
Ahh...	0:10:14	0:10:16
Yep, happy birthday.	0:10:16	0:10:19
Ahh...	0:10:22	0:10:23
37.	0:10:25	0:10:27
37.	0:10:28	0:10:30
Anybody see that?	0:11:14	0:11:16
There was... that light?	0:11:16	0:11:17
What kind of light?	0:11:17	0:11:18
There was a noise. Did you hear it?	0:11:18	0:11:20
Nope.	0:11:20	0:11:21
Can we finish the game, George?	0:11:21	0:11:25
Man, it-it was like-like...	0:11:25	0:11:27
like an explosion,	0:11:27	0:11:29
and it was a flash...	0:11:29	0:11:30
Like a plane?	0:11:30	0:11:31
No. It was bigger than that.	0:11:31	0:11:33
It was farther away.	0:11:33	0:11:34
NATE: You mean like a star, George?	0:11:34	0:11:36
Man, it knocked me off my feet.	0:11:36	0:11:39
You fell?	0:11:39	0:11:40
Yeah, I fell! I was at...	0:11:40	0:11:43
The man's inebriated.	0:11:43	0:11:44
I warned you.	0:11:44	0:11:46
I'm not drunk, Nate.	0:11:46	0:11:47
I'm taking your queen, George.	0:11:47	0:11:49
Now, pay attention.	0:11:49	0:11:51
Isn't that checkmate?	0:11:52	0:11:54
That's checkmate, isn't it?	0:11:54	0:11:56
You mean he beat you?	0:11:57	0:11:59
You let him win, Doc?	0:11:59	0:12:00
Birthday present?	0:12:00	0:12:01
I didn't let him win anything.	0:12:01	0:12:03
You're a little pissed off about that, aren't you?	0:12:03	0:12:05
Play another one?	0:12:05	0:12:06
You can get your revenge on me tomorrow, all right?	0:12:06	0:12:09
You feeling OK? Yup.	0:12:09	0:12:10
Can you drive, George?	0:12:10	0:12:12
Yeah, I'm all right.	0:12:12	0:12:13
Hey...thanks, everybody.	0:12:13	0:12:16
Happy birthday, buddy.	0:12:16	0:12:17
Happy birthday, George.	0:12:17	0:12:18
That was a good party.	0:12:18	0:12:20
HE PRACTISES SPANISH	0:12:26	0:12:28
Ah, I can't sleep.	0:12:36	0:12:39
Ohh...	0:12:41	0:12:43
Ahh...	0:12:44	0:12:46
That's it!	0:12:47	0:12:49
TELEPHONE RINGS	0:12:51	0:12:54
What?	0:12:56	0:12:57
I figured it out.	0:12:57	0:12:59
George, what are you doin' callin' me? It's late.	0:12:59	0:13:02
I thought farmers got up when it was still dark.	0:13:02	0:13:04
That's if you have cows.	0:13:04	0:13:06
I don't have any cows, George.	0:13:06	0:13:09
Now, look, there's only one explanation for that rabbit.	0:13:09	0:13:12
What?	0:13:12	0:13:13
When I built that fence higher and deeper,	0:13:13	0:13:15
he was already in there.	0:13:15	0:13:17
See. He was hiding. I fenced him in.	0:13:17	0:13:21
There's only one thing I can do now -	0:13:21	0:13:23
just let him out.	0:13:23	0:13:24
Right.	0:13:25	0:13:27
HE CHUCKLES	0:14:15	0:14:17
Here's Roger.	0:14:23	0:14:24
George, can I have my bronco back?	0:14:24	0:14:26
I don't have any cash right now,	0:14:26	0:14:28
but I need my car.	0:14:28	0:14:29
Well, I need some solar panels installed on my roof.	0:14:29	0:14:32
I don't know anything about solar.	0:14:32	0:14:34
Charlie Shipper does, and he needs	0:14:34	0:14:36
a well dug on his property.	0:14:36	0:14:37
You help him dig the well,	0:14:37	0:14:39
he'll help me with the panels,	0:14:39	0:14:41
and I'll fix your car. Deal?	0:14:41	0:14:43
Yeah, deal!	0:14:43	0:14:44
I'll, uh... I'll call Charlie.	0:14:46	0:14:49
Hi. I just called about fixin' my brakes.	0:14:49	0:14:52
Oh, yeah. Be right with you.	0:14:52	0:14:54
Tito, atiende a senor.	0:14:54	0:14:56
Estoy ocupado con algo...	0:14:56	0:14:57
Uh, sigue...con este despues.	0:14:57	0:15:02
Come on.	0:15:06	0:15:07
Tito, he speaks Spanish better than I do now.	0:15:07	0:15:10
Yeah. Better than me, too.	0:15:10	0:15:13
HORN HOOTS	0:15:38	0:15:40
Vroom! Vroom!	0:15:45	0:15:47
Hi. Where's the owner and operator of this vehicle?	0:15:47	0:15:50
You a cop?	0:15:50	0:15:51
Our mom's in the store.	0:15:51	0:15:53
Mm-hmm. You got the brake on, sport?	0:15:53	0:15:55
His name's Al.	0:15:55	0:15:57
And what's your name?	0:15:57	0:15:58
Glory.	0:15:58	0:16:00
Well, I'm George.	0:16:00	0:16:02
Pop the hood, Al.	0:16:02	0:16:03
Why?	0:16:05	0:16:06
You know how to start this thing?	0:16:06	0:16:08
Duh.	0:16:08	0:16:10
ENGINE STARTS	0:16:10	0:16:11
Ah. Emergency road service, ma'am.	0:16:11	0:16:13
Truck can't breathe, and your idle's too fast.	0:16:13	0:16:15
Sorry...gotta go.	0:16:15	0:16:17
Where?	0:16:17	0:16:18
You're not leavin' town, are you?	0:16:18	0:16:20
Nope. San Francisco for the day.	0:16:20	0:16:22
I used to live there.	0:16:22	0:16:23
Ask me directions on where you're goin'.	0:16:23	0:16:25
Matter of fact, ask me anything at all.	0:16:25	0:16:28
You could even ask me to come along.	0:16:28	0:16:29
I'll show you the sights, the hazards. What do you think?	0:16:29	0:16:31
I think your idle's too fast.	0:16:31	0:16:32
San Francisco, huh?	0:16:33	0:16:34
But you were born here, right?	0:16:34	0:16:36
How'd you know I was born here?	0:16:36	0:16:38
Just now, in the store.	0:16:38	0:16:39
Someone said, "I've known George Malley all my life,	0:16:39	0:16:42
"and if he says he saw a UFO, he saw one."	0:16:42	0:16:44
I didn't say that.	0:16:45	0:16:47
BOY: You saw one?	0:16:47	0:16:49
I didn't say what I saw.	0:16:49	0:16:50
GIRL: What'd it look like?!	0:16:50	0:16:52
Well, it could've been!	0:16:52	0:16:54
That's mate, Doc.	0:16:57	0:16:59
Wait, wait, wait... George!	0:16:59	0:17:02
What in the hell is goin' on? What?	0:17:02	0:17:04
Well, you know... I don't know. I really don't.	0:17:04	0:17:07
Just lately, I've been seeing things	0:17:07	0:17:10
so clearly, you know, and, er...	0:17:10	0:17:12
I understand right away...concentrate...	0:17:12	0:17:16
And books, I can't stop feeding myself.	0:17:16	0:17:18
I read two or three books a day.	0:17:18	0:17:20
Imagine that. And I...you know, I can't stop, and I...	0:17:20	0:17:24
I can't sleep... Ever since the...	0:17:24	0:17:28
I-I gotta go, get back to work.	0:17:31	0:17:33
Ever since... the sighting.	0:17:33	0:17:36
Roger, it was a damn light.	0:17:36	0:17:39
And a boom.	0:17:39	0:17:41
Now, did you hear it?	0:17:41	0:17:42
Well, no.	0:17:42	0:17:44
Anybody? About nine days ago, right outside here?	0:17:44	0:17:47
What was that, 12 o'clock...George?	0:17:47	0:17:51
George, come in for a physical, OK?	0:17:51	0:17:54
George...	0:17:59	0:18:01
George, three books a day?	0:18:01	0:18:03
At least.	0:18:03	0:18:05
About what?	0:18:05	0:18:06
About everything.	0:18:06	0:18:07
All the things I've wanted to know about and learn.	0:18:07	0:18:10
Like what?	0:18:10	0:18:11
You tell me, Rog.	0:18:11	0:18:13
What have you always wanted to know about and learn?	0:18:13	0:18:16
< Hmm?	0:18:16	0:18:17
Think about it.	0:18:18	0:18:20
PETER GABRIEL: # I'm a-waitin' for ignition	0:18:30	0:18:33
# I'm lookin' for the spark	0:18:33	0:18:36
# Any chance collision, and I	0:18:36	0:18:39
# light up in the dark	0:18:39	0:18:41
# Such a mass of motion	0:18:41	0:18:44
# Do not know where it goes	0:18:44	0:18:46
# I move with the movement, and...	0:18:46	0:18:50
# I have the touch	0:18:51	0:18:52
# Any social occasion, it's "Hello, how do you do?"	0:18:57	0:19:02
# All those introductions	0:19:02	0:19:03
# I never miss my cue	0:19:03	0:19:07
# So before a question	0:19:07	0:19:09
# So before a doubt	0:19:09	0:19:12
# My hand moves out, and...	0:19:12	0:19:15
# I have the touch... #	0:19:15	0:19:17
WOOF!	0:19:17	0:19:19
# Only...only...	0:19:20	0:19:22
# Wanting contact	0:19:22	0:19:24
# Shake those hands	0:19:26	0:19:28
# Shake those hands	0:19:29	0:19:30
# Shake hands	0:19:31	0:19:33
# Shake hands	0:19:36	0:19:38
# I have the touch... #	0:19:43	0:19:46
CQ, this is WB6-QLF standing by.	0:19:48	0:19:52
Searcher out of Harmon, California.	0:19:52	0:19:54
Is anybody on the board tonight?	0:19:54	0:19:55
I'm lookin' for Diana Ross, but...	0:19:55	0:19:58
I'll accept any voice that needs to talk.	0:19:58	0:20:00
CLATTER	0:20:00	0:20:01
Is that you, Diana?	0:20:01	0:20:03
Hey, George.	0:20:04	0:20:06
Now, look, Nate, you haven't sat	0:20:06	0:20:07
till you put your ass	0:20:07	0:20:08
on one of these homemade willow chairs.	0:20:08	0:20:10
Now, I brought you a pair	0:20:10	0:20:11
so you could put your feet up,	0:20:11	0:20:13
or if you want a friend to sit in there,	0:20:13	0:20:15
if you decide one day to invite someone over. What do you think?	0:20:15	0:20:17
I don't think they go, George.	0:20:19	0:20:21
Oh, what would you know?	0:20:21	0:20:23
Looks like a swap meet blew in here.	0:20:23	0:20:25
Talk about needin' a woman's touch.	0:20:25	0:20:27
This is an emergency.	0:20:27	0:20:28
Hey, Nate, I been workin' on that solar kit you gave me.	0:20:28	0:20:32
I am tellin' you,	0:20:32	0:20:33
the whole field of photovoltaics	0:20:33	0:20:35
is just in babyland!	0:20:35	0:20:36
You know, the idea that plants	0:20:36	0:20:39
have been storin' and usin' the sun's energy	0:20:39	0:20:41
since the birth of the world...	0:20:41	0:20:43
Photosynthesis is a model for us,	0:20:43	0:20:46
and we're just scratchin' the surface	0:20:46	0:20:47
of what we can do with these silicon cells,	0:20:47	0:20:49
I'm tellin' you.	0:20:49	0:20:51
What?	0:20:51	0:20:52
What?	0:20:55	0:20:56
You just talk so fast, George,	0:20:56	0:20:58
and you know so much stuff.	0:20:58	0:21:00
I'm sorry.	0:21:00	0:21:03
I can't help it, Nate.	0:21:03	0:21:05
It's OK.	0:21:05	0:21:07
WARBLING STATIC	0:21:07	0:21:08
What is that?	0:21:08	0:21:09
Uh, it's just computers talkin' to computers.	0:21:09	0:21:12
Shh. Leave it, leave it.	0:21:12	0:21:13
Oh, come on.	0:21:13	0:21:14
The Morse code's goin' too fast	0:21:14	0:21:16
for you to pick that out.	0:21:16	0:21:17
No, it's... I can hear it.	0:21:17	0:21:19
Bull.	0:21:19	0:21:20
No. I'll tell you what it is.	0:21:20	0:21:21
A repeated pattern. A looping message.	0:21:21	0:21:22
"Watering the golds... Friday."	0:21:22	0:21:27
Yeah. Now, who'd be sending a coded message like that	0:21:27	0:21:30
in simple Morse, hmm?	0:21:30	0:21:31
Man, look, I pick up two different air force bases.	0:21:31	0:21:34
I think we'd better leave this one alone, George.	0:21:34	0:21:36
No. There's a different one. Listen.	0:21:36	0:21:38
This one's much denser, but it's still a loop.	0:21:38	0:21:41
It still repeats.	0:21:41	0:21:42
Seriously, I think we... Oh, I gotta record this.	0:21:42	0:21:45
Think we need to leave this alone.	0:21:45	0:21:47
No, no, no, no.	0:21:47	0:21:48
What are you doin'?	0:21:48	0:21:49
I'm gonna take it home	0:21:49	0:21:50
so I can break it down, then we can answer it.	0:21:50	0:21:52
Why?	0:21:52	0:21:54
Because it gives me somethin' to do, Nate.	0:21:54	0:21:56
I don't know if it's gettin' worse	0:21:59	0:22:01
or if it's gettin' better, but...	0:22:01	0:22:03
I have 12 hours in the night to kill.	0:22:03	0:22:06
I get tired of reading. I do crossword puzzles,	0:22:06	0:22:09
but they're all too simple.	0:22:09	0:22:10
I mean, too simple?	0:22:10	0:22:13
And then everybody I know is asleep,	0:22:13	0:22:16
and I'm awake at night.	0:22:16	0:22:17
There somethin'... somethin' I could do?	0:22:17	0:22:20
Hey, why don't we just go outside and box?	0:22:20	0:22:22
I could split your lip again.	0:22:22	0:22:24
Yeah, you'll feel a lot better.	0:22:24	0:22:26
No.	0:22:26	0:22:27
Hey, if you sent a message, would they get it?	0:22:29	0:22:31
Yeah, sure. Um...	0:22:31	0:22:33
Send this.	0:22:33	0:22:35
Send them "Don't..."	0:22:35	0:22:36
er, "Don't overwater the golds." Say that.	0:22:36	0:22:38
OK, fine. The golds?	0:22:38	0:22:40
Marigolds. Oh, yeah.	0:22:40	0:22:41
No. Say "Don't overwater the marigolds Friday."	0:22:41	0:22:45
"Don't overwater... marigolds on Friday."	0:22:45	0:22:49
Right.	0:22:49	0:22:51
"We'll be watching."	0:22:51	0:22:52
Yeah, yeah! "We'll be watchin'."	0:22:52	0:22:53
This is cool.	0:22:55	0:22:56
DOG WHIMPERS AND BARKS	0:23:25	0:23:28
It's OK, Attila. It's nothin'.	0:23:33	0:23:35
Static electricity, that's all.	0:23:35	0:23:37
That's all it is.	0:23:37	0:23:38
See. There...you go. OK...	0:23:40	0:23:44
All right, OK...	0:23:44	0:23:46
Oh, my God!	0:23:53	0:23:55
Oh, God!	0:23:55	0:23:57
Oh, man!	0:23:57	0:23:58
Is somebody tryin' to tell me somethin'?!	0:23:58	0:24:02
Huh?!	0:24:02	0:24:04
What?!	0:24:05	0:24:06
HE EXHALES DEEPLY	0:24:15	0:24:16
Did you pee in the cup?	0:24:17	0:24:19
Yep. Still havin' trouble sleeping?	0:24:19	0:24:21
Yup. Any ideas?	0:24:21	0:24:23
How long you been feelin' this way?	0:24:25	0:24:27
You know how long I been feelin' this way. Everybody does.	0:24:27	0:24:30
It's been over a month since my birthday.	0:24:30	0:24:33
Notice anything else, or...?	0:24:33	0:24:36
Yeah.	0:24:38	0:24:40
What?	0:24:40	0:24:41
Well, watch your fountain pen there.	0:24:43	0:24:46
What do you mean?	0:24:46	0:24:47
Ooh. Uh...er...	0:24:50	0:24:53
HE CHUCKLES UNCOMFORTABLY	0:24:55	0:24:56
That's telekinesis.	0:24:58	0:24:59
Yeah.	0:24:59	0:25:00
Is that OK?	0:25:02	0:25:04
Do it again. Do it again.	0:25:05	0:25:07
You know, I...	0:25:22	0:25:23
I consider myself a rational man,	0:25:23	0:25:25
a man of science... whatever, but...	0:25:25	0:25:29
Uh, I feel like a child, George.	0:25:29	0:25:32
I feel scared.	0:25:32	0:25:33
Me, too.	0:25:33	0:25:36
Well, whatever the reason is,	0:25:38	0:25:40
I promise you we'll find it. OK?	0:25:40	0:25:42
Now...	0:25:43	0:25:44
let me see you do that one more time!	0:25:44	0:25:47
ENGINE REVS	0:25:51	0:25:54
It's a monster, George.	0:25:54	0:25:56
Yup. This old Frankenstein here	0:25:56	0:25:59
gets 90 miles to the gallon on methane...	0:25:59	0:26:01
And that's made from my garbage	0:26:01	0:26:03
and Nate's pig manure. Special blend.	0:26:03	0:26:06
Sure smells like it.	0:26:06	0:26:09
See, Georgie...	0:26:13	0:26:15
Hello, Lace.	0:26:16	0:26:17
Hey. These are a little bit different.	0:26:17	0:26:19
I used a little bit of a wider branch.	0:26:19	0:26:21
Yeah, they look great.	0:26:21	0:26:23
George, are these yours?	0:26:23	0:26:24
Yeah, yeah. I've been workin'	0:26:24	0:26:26
on some special organic fertilisers.	0:26:26	0:26:28
Go ahead, taste it. Mmm!	0:26:28	0:26:30
No, no. Bite into it, like an apple.	0:26:30	0:26:33
Oh.	0:26:35	0:26:36
Hey, you got some on your chin. Sorry.	0:26:36	0:26:39
Maybe, um, maybe the kids would like some.	0:26:41	0:26:44
It's great. Thanks.	0:26:44	0:26:46
No, no. Wait, wait.	0:26:46	0:26:47
Let me pick some out for you.	0:26:47	0:26:49
If the kids like 'em, you could...make anything.	0:26:49	0:26:51
You could make some sauce or soup...	0:26:51	0:26:55
George, I thought you were smart.	0:26:58	0:27:00
Hey, what's she got anyway?	0:27:00	0:27:02
Yeah...yeah, besides uncomfortable chairs?	0:27:02	0:27:04
My heart, amigos. My heart.	0:27:06	0:27:11
# Jump in, let's go	0:27:11	0:27:14
# Lay back, enjoy the show	0:27:15	0:27:19
# Jump in, let's go	0:27:19	0:27:22
# These are the days when anything goes	0:27:23	0:27:27
# Every day is a winding road	0:27:27	0:27:30
# I get a little bit closer	0:27:32	0:27:35
# Every day is a faded sign	0:27:35	0:27:39
# I get a little bit closer... #	0:27:40	0:27:42
You guys goin' home?	0:27:42	0:27:45
You want a ride?	0:27:45	0:27:46
OK.	0:27:46	0:27:47
Glory!	0:27:47	0:27:49
Be quiet.	0:27:49	0:27:49
Glory, come ba...	0:27:49	0:27:52
Come on!	0:27:52	0:27:53
All right.	0:27:53	0:27:55
Al! OK!	0:27:55	0:27:57
Hurry up!	0:27:57	0:27:58
# Jump in, let's go	0:28:00	0:28:02
# These are the days when anything goes	0:28:04	0:28:07
# Every day is a winding road	0:28:07	0:28:11
# to feelin' fine... #	0:28:11	0:28:13
Are those for my mom?	0:28:13	0:28:15
Yup.	0:28:15	0:28:16
I thought flowers were for dates.	0:28:16	0:28:19
Don't get spooky, Al.	0:28:19	0:28:22
Did she invite you?	0:28:22	0:28:24
Hey, wait a minute.	0:28:26	0:28:28
Blue. I don't have blue.	0:28:28	0:28:30
# Every day is a winding road... #	0:28:32	0:28:35
Oh, great.	0:28:40	0:28:42
You guys know the name of this stuff? This flower?	0:28:52	0:28:55
No. No.	0:28:55	0:28:56
Delphinium belladonna.	0:28:56	0:28:58
It's the ranunculaceae family.	0:28:58	0:29:00
I didn't always know the names of flowers,	0:29:00	0:29:02
but it seems recently I can pretty much name	0:29:02	0:29:05
any flower I see.	0:29:05	0:29:07
Yeah. Like this one is Limonium sinuatum,	0:29:07	0:29:09
and this is the, er...	0:29:09	0:29:12
Doesn't make 'em any prettier, though.	0:29:13	0:29:17
Is that a garbage bag tie?	0:29:18	0:29:19
Yeah. I was improvising.	0:29:19	0:29:23
Hey, now, that's a good idea.	0:29:25	0:29:28
Oh, that's much better.	0:29:38	0:29:39
Yup.	0:29:39	0:29:40
Thank you.	0:29:40	0:29:42
You're welcome.	0:29:42	0:29:43
# Every day is a winding road	0:29:46	0:29:49
# Every day is a winding road... #	0:29:50	0:29:54
My mom's around back!	0:29:55	0:29:58
# Every day is a winding road... #	0:29:58	0:30:02
Lace? >	0:30:02	0:30:03
Hi.	0:30:05	0:30:06
Hi.	0:30:07	0:30:08
Now, you didn't nearly take enough tomatoes.	0:30:08	0:30:11
I'm very proud of them.	0:30:11	0:30:13
Well, there you go.	0:30:13	0:30:15
And, er... I got you these.	0:30:15	0:30:19
That's every wild flower from my house to your house.	0:30:19	0:30:23
Your kids helped.	0:30:23	0:30:25
Thanks.	0:30:25	0:30:26
Hey, what are you workin' on?	0:30:26	0:30:28
N-nothin'.	0:30:28	0:30:30
Nothing.	0:30:30	0:30:31
Wow. That's really great work.	0:30:32	0:30:34
Look at this... Beautiful.	0:30:34	0:30:36
Uh, you want to, um...walk?	0:30:36	0:30:38
Sure.	0:30:38	0:30:40
CHILDREN LAUGH	0:30:40	0:30:41
Shh.	0:30:41	0:30:42
I gotta tell you, you got great kids.	0:30:42	0:30:44
Yeah, they are great kids,	0:30:44	0:30:46
but you don't really know that yet, George,	0:30:46	0:30:48
because you don't know them,	0:30:48	0:30:50
and you don't know me.	0:30:50	0:30:51
But I'm tryin' to get to know you.	0:30:51	0:30:53
I know. I really want to keep my life simple,	0:30:53	0:30:56
even predictable. That's why I moved here.	0:30:56	0:30:59
I don't like surprises,	0:30:59	0:31:02
and I don't like complications.	0:31:02	0:31:04
What happened to you, Lace?	0:31:06	0:31:08
Oh, I'm sorry. That's none of my business.	0:31:09	0:31:12
No, no. That's OK.	0:31:12	0:31:13
Oh, I'm so sorry.	0:31:13	0:31:15
So, let me ask you something, George.	0:31:15	0:31:17
When a man comes over	0:31:17	0:31:18
with a basket full of tomatoes,	0:31:18	0:31:20
what's he expecting? Dinner?	0:31:20	0:31:22
No, no, no. Just hoping.	0:31:22	0:31:26
Trolifolium.	0:31:27	0:31:29
You don't have any purple in the flowers	0:31:29	0:31:31
I got you, do you?	0:31:31	0:31:33
Whoa...what...?	0:31:33	0:31:35
Did you feel that?	0:31:35	0:31:36
Feel what?	0:31:36	0:31:38
Whoa. That...	0:31:38	0:31:40
Come here, come here.	0:31:43	0:31:44
OK.	0:31:44	0:31:46
Feel that, right there.	0:31:46	0:31:49
Feel what?	0:31:49	0:31:50
Oh, God. I think I know what this is.	0:31:52	0:31:55
What? Could I use your phone?	0:31:55	0:31:57
Yeah.	0:31:57	0:31:58
OK, yeah.	0:31:59	0:32:02
Just east of Harmon. Do you know which one I'm talking about?	0:32:02	0:32:05
No, well, I was told to call you,	0:32:05	0:32:07
and I'm telling you right now that I picked up on some activity.	0:32:07	0:32:10
No, we didn't use any instrumentation.	0:32:10	0:32:14
No, I don't have a degree,	0:32:14	0:32:16
and I haven't studied anywhere, but I'm just tryin' to...	0:32:16	0:32:18
Are you shutting me down here? Is that what's goin' on?	0:32:18	0:32:20
Are you tryin' to shut me down?	0:32:20	0:32:21
Look, I'm just tryin' to tell you	0:32:21	0:32:23
that I felt the compression waves, OK?	0:32:23	0:32:25
ULF - Ultra low frequency waves.	0:32:25	0:32:27
Now, they have the ability to make you nauseous and dizzy. Am I right?	0:32:27	0:32:30
OK. Well, that's what I felt,	0:32:30	0:32:31
and I'm tryin' to tell you that I think that there...	0:32:31	0:32:34
DIALLING TONE	0:32:34	0:32:36
There's an earthquake coming.	0:32:36	0:32:38
Um...listen, Al,	0:32:39	0:32:41
why don't you put some masking tape on the cupboards,	0:32:41	0:32:44
and, Glory, take the vases down and the china.	0:32:44	0:32:47
This is good, Lace.	0:33:13	0:33:15
I think you're a good cook.	0:33:16	0:33:18
No, I'm not.	0:33:18	0:33:20
I only make two things pretty well.	0:33:20	0:33:23
Pork chops and, um, turkey.	0:33:23	0:33:26
Which is this?	0:33:27	0:33:29
I'm sorry!	0:33:33	0:33:34
EVERYONE LAUGHS	0:33:36	0:33:37
RATTLING	0:33:46	0:33:48
Look!	0:33:48	0:33:49
Al...	0:33:56	0:33:57
I'll kill you.	0:33:58	0:34:00
I was just joking.	0:34:00	0:34:01
Oh, you see him?	0:34:04	0:34:05
You're funny.	0:34:08	0:34:10
SHE CLEARS HER THROAT	0:34:12	0:34:14
All right, can I say it now?	0:34:26	0:34:28
What's that?	0:34:28	0:34:29
You've got great kids.	0:34:29	0:34:31
Oh, thanks.	0:34:31	0:34:32
And I thank you for dinner.	0:34:32	0:34:33
You're welcome.	0:34:33	0:34:34
And...good night.	0:34:34	0:34:35
Good night.	0:34:35	0:34:37
Good night.	0:34:37	0:34:38
Shh! She's coming.	0:34:42	0:34:44
Tell her.	0:34:44	0:34:46
You tell her.	0:34:46	0:34:47
Shh. Come on.	0:34:47	0:34:48
He's neat.	0:34:51	0:34:52
Yeah, he's nice, isn't he?	0:34:52	0:34:53
Yeah, but he thinks he saw a UFO,	0:34:53	0:34:55
and he thinks he can predict earthquakes.	0:34:55	0:34:57
There may be a warning here.	0:34:57	0:34:59
But he never said for sure it was a UFO.	0:34:59	0:35:01
Yep.	0:35:01	0:35:02
RUMBLING AND RATTLING	0:35:02	0:35:04
Go.	0:35:04	0:35:05
Go.	0:35:05	0:35:06
Let's get in the truck. Get in the truck.	0:35:13	0:35:15
It's over.	0:35:15	0:35:16
I know it's over. Let's go. Now!	0:35:16	0:35:17
ATTILA BARKS	0:35:29	0:35:30
Did you feel it?	0:35:30	0:35:32
Huh?	0:35:32	0:35:33
Did you get scared?	0:35:33	0:35:34
Do you realise the possibilities of this, huh?	0:35:34	0:35:36
Do you know what this means?	0:35:36	0:35:38
VEHICLE APPROACHES	0:35:38	0:35:40
You felt it, didn't you?	0:35:46	0:35:49
You did.	0:35:49	0:35:50
What is going on, George?	0:35:50	0:35:51
Wasn't that amazing?	0:35:51	0:35:53
Tell me what's happening.	0:35:53	0:35:54
I don't know.	0:35:54	0:35:55
I don't know what's happening.	0:35:55	0:35:56
I need the simple truth, George.	0:35:56	0:35:58
This is the truth.	0:35:58	0:35:59
Wh-wh-what's happening to me is the truth.	0:35:59	0:36:02
Oh, no.	0:36:14	0:36:16
HE EXHALES DEEPLY	0:36:19	0:36:21
Lace.	0:36:22	0:36:24
I love those chairs, Lace.	0:36:32	0:36:34
I love them.	0:36:34	0:36:35
I didn't...	0:36:35	0:36:36
You-you made them.	0:36:36	0:36:38
OK?	0:36:38	0:36:39
All right?	0:36:39	0:36:41
I-I wanted to see you, OK? I mean...	0:36:43	0:36:45
bring 'em back to your shop tomorrow.	0:36:45	0:36:46
I'll give you your money back.	0:36:46	0:36:47
I don't want my money back, Lace.	0:36:47	0:36:49
I just asked you for one thing, George...	0:36:49	0:36:50
the truth.	0:36:50	0:36:51
And you couldn't handle it.	0:36:51	0:36:54
TRUCK DOOR OPENS	0:36:54	0:36:56
ENGINE STARTS	0:36:59	0:37:00
TRUCK DRIVES OFF	0:37:00	0:37:01
George, haven't you called her yet?	0:37:15	0:37:17
Never mind about that, will you?	0:37:17	0:37:19
Now, this is the second one. Gladiolus. Remember that.	0:37:19	0:37:20
How do you know she's still mad at you?	0:37:20	0:37:22
I know. All right.	0:37:22	0:37:23
Write her a note.	0:37:23	0:37:24
Now, I found this.	0:37:24	0:37:25
Classic five-bedded garden pattern.	0:37:25	0:37:27
Flowers. You should send her flowers or candy.	0:37:27	0:37:29
Got marigolds, gladiolus, roses, et cetera.	0:37:29	0:37:32
And I went to the library, and I looked up	0:37:32	0:37:35
the missile silo pattern	0:37:35	0:37:36
at the Masterson air force base	0:37:36	0:37:38
and made my own overlay,	0:37:38	0:37:40
and here we go.	0:37:40	0:37:42
There.	0:37:42	0:37:43
See. That's their... that's their garden.	0:37:43	0:37:45
You see?	0:37:45	0:37:46
Well, that's old stuff.	0:37:46	0:37:47
It's-it's, er, declassified.	0:37:47	0:37:50
But now this... this stuff is trickier.	0:37:50	0:37:52
This is trigraphs and tetragraphs and...	0:37:52	0:37:54
George.	0:37:54	0:37:55
Why don't you just tell me	0:37:55	0:37:56
what you want me to send? Right.	0:37:56	0:37:57
OK, send this.	0:37:57	0:37:59
Why don't you send this?	0:37:59	0:38:01
"Mind your garden. Frost coming like in the Mosop."	0:38:01	0:38:03
Want to know what Mosop is?	0:38:03	0:38:05
That's OK. It's your game, George.	0:38:05	0:38:07
Yeah, yeah, yeah. Hey, you sit in this chair yet?	0:38:07	0:38:09
It's nice. You should give her a call right now.	0:38:09	0:38:12
Nah. Let her cool off.	0:38:12	0:38:13
I figure I'll give her about a year.	0:38:13	0:38:16
NATE LAUGHS	0:38:16	0:38:18
Pick up the phone and call her, George.	0:38:18	0:38:20
Look who's talkin'.	0:38:20	0:38:22
Diana Ross fan club.	0:38:22	0:38:23
Have you said ten words to a woman this year?	0:38:23	0:38:26
I'm sorry, Nate.	0:38:31	0:38:33
Your transmission's finished there.	0:38:33	0:38:35
I've just been goin' through some things lately.	0:38:35	0:38:38
Everybody's goin' through some.	0:38:38	0:38:41
I know, but...	0:38:41	0:38:43
This thing's been hard for me to handle.	0:38:43	0:38:46
Let me show you somethin'.	0:38:46	0:38:48
You suppose they magnetised you?	0:39:19	0:39:22
I don't know, buddy.	0:39:22	0:39:23
I wish I did.	0:39:23	0:39:25
There he is.	0:39:31	0:39:33
What have we got?	0:39:33	0:39:34
Doc, I'm really glad you came.	0:39:34	0:39:37
In here. Right here.	0:39:37	0:39:38
Come on, Doc.	0:39:38	0:39:39
MUTTERING IN PORTUGUESE	0:39:39	0:39:40
One of you go to the garbage	0:39:40	0:39:42
and bring me any food containers you find.	0:39:42	0:39:43
HE IS GROANING AND MUTTERING	0:39:43	0:39:45
Somebody else go in the cabinets...	0:39:45	0:39:46
Look for damaged or swollen cans.	0:39:46	0:39:49
Food poisoning.	0:39:49	0:39:50
I think.	0:39:50	0:39:52
Who speaks Spanish?	0:39:52	0:39:53
That's Portuguese. They just came in last week.	0:39:53	0:39:56
Portuguese?	0:39:56	0:39:57
HE SPEAKS PORTUGUESE	0:39:57	0:39:59
He's tryin' to tell us something about Berto.	0:39:59	0:40:02
That's the little one. It's a little boy.	0:40:02	0:40:05
All right, some of you search around here for the kid.	0:40:05	0:40:06
I'm gonna tell you right now, he could be pretty darn sick.	0:40:06	0:40:08
Now, Bonnie, wait.	0:40:08	0:40:10
Uh...	0:40:10	0:40:11
Get on the phone and get George Malley over here.	0:40:11	0:40:13
Tell him what's goin' on and tell him to stop at the library	0:40:13	0:40:16
for an English-Portuguese book.	0:40:16	0:40:17
Tell him to find out how to ask	0:40:17	0:40:19
where a lost boy is.	0:40:19	0:40:21
Got that?	0:40:21	0:40:22
George Malley?	0:40:22	0:40:23
You bet.	0:40:23	0:40:24
George.	0:40:24	0:40:25
Go on, do it. Just go on. Go on.	0:40:25	0:40:27
TELEPHONE RINGS	0:40:27	0:40:30
Don't you answer that?	0:40:34	0:40:35
Not when I'm workin'.	0:40:35	0:40:37
I've been farmin' all my life,	0:40:37	0:40:39
but this growth's amazing, George.	0:40:39	0:40:42
This is embarrassin'.	0:40:45	0:40:46
You know, I want to try this fertiliser in your south 40.	0:40:46	0:40:49
You just sprayed my boots, man.	0:40:49	0:40:50
We're suin' the county.	0:40:50	0:40:52
Can't even get weeds to grow in that field.	0:40:52	0:40:54
But I bet we could get corn to grow in that field.	0:40:54	0:40:56
You bet. You don't have any money to bet.	0:40:56	0:41:00
You spent all your money on chairs, remember?	0:41:00	0:41:02
CAR APPROACHES	0:41:02	0:41:04
ATTILA HOWLS	0:41:07	0:41:09
< George Malley?	0:41:15	0:41:17
Yeah, I'm George Malley.	0:41:17	0:41:19
I-I'm John Ringold.	0:41:19	0:41:21
< We talked on the phone the other day.	0:41:21	0:41:23
John Ringold?	0:41:23	0:41:24
Yes. From Berkeley?	0:41:24	0:41:25
Yes.	0:41:25	0:41:26
All right!	0:41:26	0:41:27
Hi.	0:41:27	0:41:28
I'm glad you came by.	0:41:28	0:41:29
Will your dog let me step out?	0:41:29	0:41:31
Oh, yeah, yeah. Well, he...	0:41:31	0:41:32
he just... has a thing for seismologists.	0:41:32	0:41:34
Come on out.	0:41:34	0:41:35
Thank you.	0:41:35	0:41:36
This is my friend Nate Pope.	0:41:36	0:41:38
How do you do?	0:41:38	0:41:39
How do you do?	0:41:39	0:41:40
Well, let me get you a cold drink. Come on in.	0:41:40	0:41:42
From the university, huh?	0:41:42	0:41:43
Yes. And we are very interested	0:41:43	0:41:45
in how you were able to predict that earthquake, Mr Malley.	0:41:45	0:41:48
Oh. That.	0:41:48	0:41:50
See, I... I just picked up	0:41:50	0:41:52
the subsonic frequency waves, right?	0:41:52	0:41:53
And of course I was standing on the fault,	0:41:53	0:41:55
so that made it easier.	0:41:55	0:41:57
What instrumentation did you use?	0:41:57	0:41:59
Just me.	0:41:59	0:42:00
If you think that's somethin',	0:42:00	0:42:01
you should see him move stuff with his brain.	0:42:01	0:42:03
Nate, never mind that.	0:42:03	0:42:04
You see, I felt the ultra low frequency waves,	0:42:04	0:42:07
and they kind of made me dizzy and nauseous, right?	0:42:07	0:42:09
And that's how I perceived all this.	0:42:09	0:42:11
We've been studying quake prediction for...	0:42:11	0:42:13
ten years.	0:42:13	0:42:14
There's no record of any person	0:42:14	0:42:16
ever feeling the prequake activity.	0:42:16	0:42:18
Now there is.	0:42:18	0:42:21
We have some ULF equipment in our labs.	0:42:22	0:42:25
Could you come in for an experiment?	0:42:25	0:42:27
Come to Berkeley? Yes.	0:42:27	0:42:29
HE LAUGHS Yes.	0:42:29	0:42:32
Well, my department would like to interview you	0:42:32	0:42:33
and clear this up.	0:42:33	0:42:34
I-I would be...	0:42:34	0:42:36
I would be so glad to come to Berkeley.	0:42:36	0:42:38
Do you think that I could meet	0:42:38	0:42:39
with some other departments as well?	0:42:39	0:42:41
I have some experiments I'd like to show you. Come with me.	0:42:41	0:42:44
They're nice.	0:42:45	0:42:46
All right, well, er, let's see.	0:42:49	0:42:51
Um...	0:42:51	0:42:52
Oh-oh, yes, here. OK. Now, look,	0:42:52	0:42:55
um, I've taken solar panels,	0:42:55	0:42:57
and I've actually germinated the seeds	0:42:57	0:42:59
that-that made these... these plants grow,	0:42:59	0:43:00
tryin' to change the electromagnetic field, all right?	0:43:00	0:43:02
Um, Mr Malley.	0:43:02	0:43:03
I took an incandescent light...	0:43:03	0:43:05
Mr Malley.	0:43:05	0:43:06
And turned it into sunlight,	0:43:06	0:43:08
which actually made these plants grow.	0:43:08	0:43:09
Mr Malley.	0:43:09	0:43:10
Oh, now, look,	0:43:10	0:43:11
I-I took pig manure,	0:43:11	0:43:12
and I turned it into a fuel,	0:43:12	0:43:14
which I-I believe will actually run an automobile.	0:43:14	0:43:16
All I'm interested in is the earthquake.	0:43:16	0:43:18
We need to know if that was a fluke...	0:43:18	0:43:22
a...coincidence.	0:43:22	0:43:23
A fluke?	0:43:23	0:43:25
George, why don't you move somethin' with your mind?	0:43:26	0:43:29
Maybe move his, er...	0:43:31	0:43:32
Something like that.	0:43:32	0:43:34
Look, Mr Ringold...	0:43:34	0:43:36
Doctor.	0:43:36	0:43:37
Dr Ringold, I...	0:43:37	0:43:39
Look, I...	0:43:39	0:43:40
I've I've got my garden out there,	0:43:40	0:43:42
and that acts like a lab, right?	0:43:42	0:43:43
And I've got everything that you see here, but I...	0:43:43	0:43:46
I really need to talk to people like you, OK. I...	0:43:46	0:43:48
HORN HOOTS Hey, George! George, you home?	0:43:48	0:43:49
Please don't go, OK?	0:43:49	0:43:51
Just please don't go.	0:43:51	0:43:53
HOOTING	0:43:53	0:43:54
Hey, George!	0:43:54	0:43:55
George, Doc says you better come right now.	0:43:56	0:43:59
What's the matter?	0:43:59	0:44:00
Come on, man! It's an emergency!	0:44:00	0:44:02
You gotta learn how to talk Portuguese on the way over there.	0:44:02	0:44:04
I gotta go.	0:44:04	0:44:06
Portuguese?	0:44:06	0:44:08
Learn Portuguese?	0:44:08	0:44:10
Why don't you go along, Professor?	0:44:10	0:44:13
George, Doc's inside.	0:44:30	0:44:32
He thinks it's food poisoning.	0:44:32	0:44:34
Hey, George.	0:44:34	0:44:35
Doc, George is here.	0:44:35	0:44:38
He's gonna be fine, George,	0:44:38	0:44:39
but his grandson is missing.	0:44:39	0:44:40
Now, if they ate the same thing,	0:44:40	0:44:42
the boy could be a lot worse off. You brought the book?	0:44:42	0:44:44
Yeah.	0:44:44	0:44:45
OK. Ask him where the boy is.	0:44:45	0:44:47
HE SPEAKS PORTUGUESE	0:44:48	0:44:50
REPLIES IN PORTUGUESE	0:44:50	0:44:52
He's in the orchard. He said he's in the orchard.	0:44:52	0:44:55
OLD MAN SPEAKS PORTUGUESE	0:44:55	0:44:58
He said that they ate something bad	0:45:03	0:45:05
and he thinks the boy is sick.	0:45:05	0:45:07
PORTUGUESE	0:45:07	0:45:09
Obrigado.	0:45:17	0:45:18
Obrigado.	0:45:18	0:45:20
Tito drove the truck while I read the book.	0:45:24	0:45:27
George Malley,	0:45:27	0:45:28
you learned the Portuguese language in 20 minutes?	0:45:28	0:45:31
Not all of it.	0:45:31	0:45:33
What are you lookin' for here, a kid?	0:45:35	0:45:37
What's the kid's name?	0:45:37	0:45:38
It's Alberto.	0:45:38	0:45:39
Alberto?	0:45:39	0:45:40
Alberto, yeah.	0:45:40	0:45:41
Alberto.	0:45:41	0:45:42
Let's spread out	0:45:42	0:45:44
and comb these trees.	0:45:44	0:45:46
Everybody, let's go. Look real careful.	0:45:46	0:45:48
Alberto!	0:45:48	0:45:49
Call out his name.	0:45:49	0:45:50
Alberto! Alberto!	0:45:50	0:45:52
Alberto! Alberto!	0:45:52	0:45:53
Alberto!	0:45:53	0:45:54
Alberto!	0:45:54	0:45:55
Berto!	0:45:55	0:45:56
Berto!	0:45:56	0:45:58
EVERYONE IS CALLING ALBERTO	0:45:58	0:46:00
Let's go!	0:46:00	0:46:01
Where are you, kid?	0:46:01	0:46:03
Alberto?	0:46:03	0:46:04
Where are you, fella? We're comin'.	0:46:04	0:46:05
Alberto! Alberto!	0:46:05	0:46:07
Alberto! Alberto!	0:46:07	0:46:08
GROANING	0:46:35	0:46:36
George, what you got?	0:46:51	0:46:53
GROANING	0:46:53	0:46:54
What?	0:46:54	0:46:55
He's not in the orchard.	0:46:55	0:46:57
Huh?	0:46:57	0:46:58
He's sick, Doc.	0:46:58	0:46:59
Huh?	0:46:59	0:47:00
Mm-mmm.	0:47:00	0:47:01
He's there.	0:47:01	0:47:03
Where is he, George? Where?	0:47:03	0:47:05
Over here.	0:47:05	0:47:06
OK. Let's go.	0:47:06	0:47:08
We're with you, George.	0:47:10	0:47:12
You OK, George?	0:47:28	0:47:29
It's not me, it's him.	0:47:29	0:47:32
Ohh...	0:47:32	0:47:33
Tell me where he is.	0:47:33	0:47:34
I don't know.	0:47:36	0:47:37
I don't know.	0:47:37	0:47:38
CRACKING AND RUMBLING	0:47:44	0:47:47
Dios mio!	0:47:51	0:47:53
TITO: Look! There's a ladder under there.	0:47:58	0:48:01
Come on.	0:48:02	0:48:03
He was right!	0:48:13	0:48:15
He's up here!	0:48:15	0:48:18
Doc?	0:48:18	0:48:19
You better get up here fast.	0:48:19	0:48:22
Good work, George.	0:48:22	0:48:23
Ohh...	0:48:33	0:48:35
So, is Wednesday good for you, say 2 o'clock?	0:48:36	0:48:38
Sure. Wednesday's good.	0:48:38	0:48:39
Should I send a car?	0:48:39	0:48:41
No, no, John. I'll get there on my own.	0:48:41	0:48:42
I'll have somebody from solar energy there,	0:48:42	0:48:45
and, er...	0:48:45	0:48:46
Anything else?	0:48:46	0:48:47
Yeah. Automotive.	0:48:47	0:48:48
Do you have an agricultural school in Berkeley?	0:48:48	0:48:51
Yeah.	0:48:51	0:48:52
Well, how about for my fertiliser?	0:48:52	0:48:55
I'll take care of it.	0:48:55	0:48:56
TITO: Hey, George.	0:49:03	0:49:04
Esa mujer con Doc...	0:49:06	0:49:09
That's the little boy's mom.	0:49:09	0:49:11
She's the only one who talks English, I think.	0:49:11	0:49:13
Oh. Too bad she wasn't here earlier, huh?	0:49:13	0:49:15
Yeah. But...	0:49:15	0:49:18
I guess she had to look for work, man.	0:49:18	0:49:19
I want you to meet a very special guy.	0:49:21	0:49:23
This is the man who found your son. OK?	0:49:23	0:49:26
Very special. This is George Malley.	0:49:26	0:49:29
This is Ella.	0:49:29	0:49:31
Hello.	0:49:31	0:49:32
Thank you.	0:49:37	0:49:38
It's OK.	0:49:38	0:49:40
Thank you. Thank you.	0:49:40	0:49:42
Thank you.	0:49:42	0:49:44
I'll take you to the hospital, OK?	0:49:44	0:49:45
Thank you, George.	0:49:45	0:49:47
Way to go, patron.	0:49:50	0:49:52
Do you know what kind of work she was lookin' for?	0:49:52	0:49:54
Um...cook, I think they say housekeeper.	0:49:54	0:49:57
Por que?	0:49:57	0:49:58
You know somebody who's looking?	0:49:58	0:50:00
All right, Nate.	0:50:03	0:50:04
Thanks, George.	0:50:04	0:50:05
I found a housekeeper for you.	0:50:05	0:50:07
Portuguese woman. She cooks, too.	0:50:07	0:50:09
I think she's perfect for you.	0:50:09	0:50:10
I don't know if I can eat Portuguese food, George.	0:50:10	0:50:12
Oh, she'll cook you anything you want, Nate,	0:50:12	0:50:14
and she'll try to make sense	0:50:14	0:50:15
of this so-called house that you live in.	0:50:15	0:50:17
She speak English?	0:50:17	0:50:18
Well, a bit, but, er...	0:50:18	0:50:20
That's what we're gonna do.	0:50:20	0:50:21
We're gonna work on your Portuguese.	0:50:21	0:50:23
Me? Yeah.	0:50:23	0:50:24
You have a problem with that?	0:50:24	0:50:25
No, no. It's, er...	0:50:25	0:50:27
I don't know if that's gonna work, George.	0:50:27	0:50:29
All right. Well, let's try it.	0:50:29	0:50:30
What do you want to say?	0:50:30	0:50:31
How about, er...	0:50:33	0:50:34
something like, um...	0:50:34	0:50:35
um..."Can you come twice a week"?	0:50:35	0:50:37
OK. Can you come twice a week?	0:50:37	0:50:39
OK. Can you come twice a week?	0:50:39	0:50:41
E mais bonita	0:50:43	0:50:45
do que uma sinfonia.	0:50:45	0:50:47
That sounds complicated, George.	0:50:48	0:50:50
Oh, no. You got your tape recorder,	0:50:50	0:50:52
and you'll learn it phonetically.	0:50:52	0:50:54
No problem.	0:50:54	0:50:56
What else?	0:50:56	0:50:57
Uh...	0:50:57	0:50:58
How much per day?	0:50:58	0:50:59
How much per...? Oh, very good.	0:50:59	0:51:01
How much per day?	0:51:01	0:51:02
O teu rosto	0:51:02	0:51:04
e um poema.	0:51:04	0:51:05
I like that one. Yeah.	0:51:06	0:51:07
That was nice. OK... What else?	0:51:07	0:51:09
OK, um...	0:51:09	0:51:11
Uh, can you start next week?	0:51:12	0:51:14
Perfect. Logical, right?	0:51:14	0:51:15
Yeah. Yeah. OK.	0:51:15	0:51:17
Can you start next week?	0:51:17	0:51:18
HE SPEAKS PORTUGUESE	0:51:18	0:51:21
Beautiful language, huh?	0:51:21	0:51:23
That's it? Yup.	0:51:23	0:51:24
Work on those.	0:51:24	0:51:25
You know, George, I might be pretty good at Portuguese.	0:51:27	0:51:30
COYOTE HOWLS	0:51:30	0:51:32
DOG BARKS	0:51:36	0:51:37
COYOTES HOWLING	0:51:37	0:51:39
No...	0:51:43	0:51:45
Oh, never mind. We'll get used to 'em.	0:51:45	0:51:48
If you leave them alone, they'll leave you alone.	0:51:48	0:51:51
It's a good arrangement.	0:51:51	0:51:52
What are we reading?	0:51:52	0:51:53
This.	0:51:53	0:51:55
What is this? Where did you get this?	0:51:55	0:51:57
From me.	0:51:57	0:51:59
Aw, this is not a good choice for bedtime.	0:51:59	0:52:02
You still mad at him?	0:52:02	0:52:03
What's the difference?	0:52:03	0:52:05
He's neat.	0:52:05	0:52:07
And they say he saved that boy's life	0:52:07	0:52:08
at the orchard.	0:52:08	0:52:09
He's funny.	0:52:09	0:52:11
We are funny enough.	0:52:11	0:52:13
We laugh all the time.	0:52:13	0:52:14
Look, we're reading Black Beauty,	0:52:17	0:52:19
and we are not talking about men.	0:52:19	0:52:20
I've got enough to worry about.	0:52:20	0:52:22
Too much.	0:52:22	0:52:24
AL: What?	0:52:24	0:52:26
Well, you guys, for one.	0:52:26	0:52:27
We're not little any more.	0:52:27	0:52:29
I know you're not little any more, sweetie,	0:52:29	0:52:31
but you think that George Malley is safe,	0:52:31	0:52:32
and you're afraid of coyotes.	0:52:32	0:52:34
You got it all backwards.	0:52:34	0:52:36
Here. Find our place.	0:52:36	0:52:38
Go brush your teeth. I'll be right back.	0:52:39	0:52:41
Don't you have a report to do?	0:52:41	0:52:42
Did it.	0:52:42	0:52:43
Oh, Al, do you really believe this?	0:52:47	0:52:50
Yeah. There's been a lot of UFO people	0:52:50	0:52:52
comin' into town since George saw...	0:52:52	0:52:56
what he saw.	0:52:56	0:52:57
The word's spreading, Ma.	0:52:57	0:52:58
You just believe what you want to believe.	0:52:58	0:53:00
Most people do. You'll get over it.	0:53:00	0:53:02
COYOTES HOWL	0:53:02	0:53:04
Hey, I thought we were getting ready for bed.	0:53:06	0:53:08
No.	0:53:08	0:53:10
Oh...	0:53:10	0:53:11
Let's stop talking about him, all right?	0:53:13	0:53:15
Why do you hate him?	0:53:15	0:53:16
Ohh...	0:53:16	0:53:18
Cos I like him.	0:53:18	0:53:19
Tell it to him.	0:53:19	0:53:21
Miaow-miaow.	0:53:21	0:53:22
But if he was sitting here with us right now,	0:53:22	0:53:25
wouldn't you be watching him,	0:53:25	0:53:27
wondering, what's he thinking?	0:53:27	0:53:29
When's he gonna leave?	0:53:29	0:53:32
Is he gonna leave?	0:53:32	0:53:33
Hmm? >	0:53:33	0:53:35
We don't need that.	0:53:35	0:53:37
LOUD HOWL	0:53:38	0:53:40
It's OK. Shh.	0:53:41	0:53:43
It hardly took 20 minutes.	0:53:45	0:53:46
20 minutes, he read the whole darn book and knew Portuguese.	0:53:46	0:53:49
I'm worried about George.	0:53:50	0:53:51
Shh. Here he comes. Here he comes.	0:53:51	0:53:54
Hey, George.	0:53:56	0:53:57
Hello.	0:53:57	0:53:58
Hi. Hi.	0:53:58	0:53:59
So, George...	0:54:02	0:54:03
how'd you feel that earthquake comin'?	0:54:03	0:54:06
Voices tell you?	0:54:06	0:54:07
Voices?	0:54:07	0:54:09
Hell, no.	0:54:09	0:54:10
What else do you know, George?	0:54:10	0:54:12
Well, I know you're on the outs with Lisa again.	0:54:12	0:54:15
How'd you know that?	0:54:15	0:54:16
Well, because when she's living with you,	0:54:16	0:54:17
she makes sure your clothes match.	0:54:17	0:54:19
LAUGHTER	0:54:19	0:54:21
You get messages, George?	0:54:21	0:54:23
Well, yeah, when Paulette delivers the mail, I do,	0:54:23	0:54:26
but, er, today, she was two hours late.	0:54:26	0:54:28
I think we ought to do something about that.	0:54:28	0:54:30
Complain or somethin'.	0:54:30	0:54:32
Earthquake. Earthquake. Can we...?	0:54:32	0:54:34
Well, it... you know, Jim,	0:54:34	0:54:35
you know, I was out by Ash Creek,	0:54:35	0:54:36
and I felt some vibrations, that's all.	0:54:36	0:54:38
How did you know where to find the boy in that orchard?	0:54:38	0:54:40
Well, I don't know, Bonnie. Come on.	0:54:40	0:54:41
Do you know what's going to happen?	0:54:41	0:54:43
Roger, come on!	0:54:43	0:54:45
I'm sorry, I...	0:54:45	0:54:46
They say at the library you read four books a day now.	0:54:46	0:54:48
Yeah, well, that was last week, and...	0:54:48	0:54:50
Uh, I'd better go.	0:54:55	0:54:57
How many languages do you speak now?	0:54:57	0:54:59
Excusez-moi, Jimmy.	0:54:59	0:55:01
Huh?	0:55:01	0:55:02
If anything bad was gonna happen, you'd tell us!	0:55:02	0:55:04
Won't you?	0:55:06	0:55:07
Hey!	0:55:08	0:55:09
Hi, Lace.	0:55:26	0:55:27
Hello.	0:55:27	0:55:28
I'm sorry I lied to you about the chairs.	0:55:34	0:55:36
I just wanted you to come to my shop	0:55:39	0:55:40
so-so you would talk to me.	0:55:40	0:55:42
Instead of, um...	0:55:44	0:55:46
Instead of always walking away from me.	0:55:46	0:55:48
What do you want, George?	0:55:48	0:55:49
I want you to come to Berkeley with me. I...	0:55:53	0:55:54
I've been invited to talk to, er,	0:55:54	0:55:56
some scientists about the earthquake thing,	0:55:56	0:55:58
about some of my... my experiments.	0:55:58	0:56:00
You know, the fertiliser	0:56:00	0:56:02
and the solar panels and...	0:56:02	0:56:03
That's really nice.	0:56:03	0:56:04
I'm excited, but I...	0:56:04	0:56:06
I guess I'm scared, too.	0:56:08	0:56:10
I sure would like you there with me.	0:56:10	0:56:12
What for?	0:56:12	0:56:14
Support.	0:56:14	0:56:15
Confidence.	0:56:15	0:56:18
A friend.	0:56:18	0:56:19
You've got friends, you know.	0:56:19	0:56:20
Everyone in the whole area code.	0:56:20	0:56:22
I don't know. You know, since that orchard thing,	0:56:22	0:56:25
people are different now. They're...	0:56:25	0:56:27
I don't like it.	0:56:27	0:56:28
You know, the funny thing is...	0:56:28	0:56:29
is that you're probably the only one that-that...	0:56:29	0:56:32
that's mad at me for a good reason.	0:56:32	0:56:34
You're just tryin' to make up.	0:56:39	0:56:41
Yes.	0:56:41	0:56:43
I'm tryin' to make up with you,	0:56:43	0:56:44
I am tryin' to get a date with you,	0:56:44	0:56:46
and I would love it...	0:56:46	0:56:47
if you stood by me while all those scientists	0:56:47	0:56:48
and teachers asked me questions.	0:56:48	0:56:51
You know, I spent half of school in detention.	0:56:51	0:56:53
HE LAUGHS	0:56:53	0:56:56
When?	0:56:56	0:56:57
Wednesday?	0:56:57	0:56:58
What time?	0:56:58	0:57:00
Leave about noon?	0:57:01	0:57:02
I'll be outside...	0:57:02	0:57:05
your shop at noon if I'm coming,	0:57:05	0:57:06
and if I'm not there...	0:57:06	0:57:08
OK.	0:57:08	0:57:11
Thanks, Lace.	0:57:11	0:57:12
DIANA ROSS ON HEADPHONES	0:57:17	0:57:18
# Touch	0:57:18	0:57:19
# me in the mo-o-or-ning	0:57:19	0:57:23
# then just walk	0:57:25	0:57:27
# away... #	0:57:27	0:57:29
KNOCK ON DOOR	0:57:29	0:57:31
KNOCKING CONTINUES	0:57:34	0:57:35
Uh...	0:57:35	0:57:37
One second.	0:57:37	0:57:38
One second.	0:57:38	0:57:39
Here I come.	0:57:39	0:57:41
You are Mr Pope?	0:57:47	0:57:48
You are Mr...Pope?	0:57:50	0:57:53
I am Micaela.	0:57:53	0:57:56
Mic-ella. Um...	0:57:56	0:57:59
You're Ella?	0:57:59	0:58:00
Yes.	0:58:00	0:58:02
Oh, I'm sorry. Please.	0:58:04	0:58:05
Oh. Um,	0:58:05	0:58:06
maybe you need to...	0:58:06	0:58:08
MICAELA: Yes, this is the place.	0:58:08	0:58:10
NATE LAUGHS SHEEPISHLY	0:58:10	0:58:11
I cook, too. You need cooking?	0:58:11	0:58:13
Cookin'...	0:58:13	0:58:14
Yeah.	0:58:14	0:58:15
Good. Fine.	0:58:15	0:58:17
Good. Um,	0:58:17	0:58:18
how much you pay?	0:58:18	0:58:19
Uh...	0:58:19	0:58:20
Oh, wait.	0:58:22	0:58:23
Uh...	0:58:23	0:58:24
I speak a little Portuguese.	0:58:24	0:58:27
Ohh...	0:58:27	0:58:28
muito bem!	0:58:28	0:58:30
Assim vamos entender-nos.	0:58:30	0:58:31
Uh...	0:58:31	0:58:33
Onde aprendeu o portugues?	0:58:33	0:58:35
I don't know	0:58:35	0:58:36
what you just said, but it sounded great.	0:58:36	0:58:38
Um... Sorry.	0:58:40	0:58:42
OK. Uh, tomorrow,	0:58:42	0:58:43
I come back, 9.00.	0:58:43	0:58:45
OK. I work, and we talk about money.	0:58:45	0:58:50
No, wait...	0:58:50	0:58:51
E mais bonita do que uma sinfonia.	0:58:54	0:58:56
That's all I really know.	0:58:58	0:58:59
That and, um...	0:58:59	0:59:01
O teu rosto e um poema...	0:59:03	0:59:05
HE CONTINUES IN PORTUGUESE	0:59:05	0:59:06
Is that right?	0:59:10	0:59:12
You're cute.	0:59:14	0:59:16
Tomorrow. Tomorrow.	0:59:19	0:59:21
Tomorrow then.	0:59:22	0:59:23
CQ...	0:59:33	0:59:34
CQ...	0:59:34	0:59:35
This is WB6QLF.	0:59:37	0:59:39
Diana, if you can hear me...	0:59:40	0:59:42
I know you'll understand this.	0:59:44	0:59:45
I just met...	0:59:48	0:59:50
an angel	0:59:50	0:59:52
from Portugal.	0:59:52	0:59:54
Here.	0:59:54	0:59:57
In my house!	0:59:57	0:59:58
VOICES ON POLICE RADIO	1:00:11	1:00:13
Excuse me.	1:00:26	1:00:28
You George Malley?	1:00:32	1:00:34
Jack Hatch,	1:00:34	1:00:36
FBI.	1:00:36	1:00:37
Nate Pope sent a coded message	1:00:37	1:00:39
to Masterson air force base.	1:00:39	1:00:41
No, no, no. Nate-Nate Pope	1:00:41	1:00:42
did not send a coded message	1:00:42	1:00:44
to the air force base. I did.	1:00:44	1:00:46
Well, who taught you the cipher, Mr Malley?	1:00:46	1:00:48
Nobody. I just broke... broke the code.	1:00:48	1:00:50
Who trained you?	1:00:50	1:00:52
As I said, nobody. I...	1:00:52	1:00:54
Oh, man...	1:00:54	1:00:57
Mm-hmm.	1:00:57	1:00:59
Well?	1:01:11	1:01:12
Can't do it.	1:01:19	1:01:22
You can do it, Mr Malley.	1:01:22	1:01:24
Too complex.	1:01:24	1:01:25
DOOR BANGS	1:01:28	1:01:30
We're releasing Nathan Pope.	1:01:30	1:01:32
It's about time.	1:01:34	1:01:35
Can I talk to him?	1:01:35	1:01:37
No.	1:01:37	1:01:39
Try this one.	1:01:40	1:01:42
You know, it was just a game. OK?	1:01:42	1:01:44
I mean, a game.	1:01:44	1:01:46
You caused the cancellation	1:01:46	1:01:47
of a top secret training exercise, Mr Malley,	1:01:47	1:01:49
the scrapping of an entire cipher system.	1:01:49	1:01:52
You cost the government a lot of money.	1:01:52	1:01:54
So bill me.	1:01:55	1:01:57
WOMAN: I think he's what he says he is,	1:02:10	1:02:12
a fluke.	1:02:12	1:02:13
He's an independent, playing some kind of genius games.	1:02:13	1:02:16
I want him tested.	1:02:16	1:02:17
Can't keep holdin' him.	1:02:19	1:02:20
Yes, we can.	1:02:20	1:02:21
He resisted arrest.	1:02:21	1:02:23
No, he didn't.	1:02:23	1:02:24
Yes, he did. >	1:02:24	1:02:26
Test him.	1:02:27	1:02:29
All right,	1:02:29	1:02:30
I'll start the questions,	1:02:30	1:02:32
and...I'll be timing your responses.	1:02:32	1:02:35
And we'll be recording.	1:02:36	1:02:38
Any questions?	1:02:38	1:02:39
What's your first name?	1:02:39	1:02:42
My first name is Bob.	1:02:42	1:02:43
Shoot, Bob.	1:02:46	1:02:47
All right.	1:02:47	1:02:49
Name as many mammals as you can	1:02:49	1:02:51
in 60 seconds.	1:02:51	1:02:53
Ready?	1:02:53	1:02:54
Go.	1:02:54	1:02:55
Hmm. 60 seconds.	1:02:55	1:02:57
Well, how would you like that?	1:02:57	1:02:58
How about alphabetical?	1:02:58	1:03:00
Aardvark, baboon, caribou, dolphin,	1:03:00	1:03:02
eohippus, fox, gorilla, hyena,	1:03:02	1:03:03
ibex, jackal, kangaroo, lion,	1:03:03	1:03:05
marmoset, Newfoundland, ocelot, panda,	1:03:05	1:03:07
rat, sloth, tiger, unicorn, varmint,	1:03:07	1:03:09
whale, yak, zebra.	1:03:09	1:03:11
Now, varmint is a stretch, so is Newfoundland.	1:03:11	1:03:13
That's a dog breed.	1:03:13	1:03:15
Unicorn is mythical, eohippus is prehistoric,	1:03:15	1:03:18
but you weren't being very specific, now, were you, Bob?	1:03:18	1:03:20
HE CHUCKLES	1:03:24	1:03:25
Well.	1:03:25	1:03:26
I'll...	1:03:27	1:03:29
I'll try to be more specific.	1:03:29	1:03:31
Ready for the next one?	1:03:32	1:03:33
Shoot.	1:03:33	1:03:34
Answer as quickly as you can.	1:03:34	1:03:37
How old is a person born in 1928?	1:03:37	1:03:40
Man or woman?	1:03:40	1:03:41
HE STOPS WATCH	1:03:41	1:03:42
Why?	1:03:43	1:03:44
Specifics, Bob.	1:03:44	1:03:46
OK. One more time.	1:03:46	1:03:49
How old is a man	1:03:49	1:03:51
born in 1928?	1:03:51	1:03:52
Is he still alive? STOPS WATCH	1:03:52	1:03:54
If a man is born	1:03:58	1:04:00
in 1928,	1:04:00	1:04:01
and he's still alive,	1:04:01	1:04:03
how old is he?	1:04:03	1:04:04
What month? STOPS WATCH	1:04:04	1:04:05
If a man was born October 3, 1928,	1:04:07	1:04:12
and he's still alive,	1:04:12	1:04:13
how old is he?	1:04:13	1:04:14
What time? STARTS AND STOPS WATCH	1:04:14	1:04:16
10 o'clock...	1:04:16	1:04:18
pm.	1:04:18	1:04:19
Where? Anywhere!	1:04:19	1:04:20
Well, let's get specific, Bob.	1:04:20	1:04:22
I mean, if the guy's still alive,	1:04:22	1:04:23
born in California October 3, 1928, 10pm,	1:04:23	1:04:26
he's 67 years, 9 months, 22 days, 14 hours, and...	1:04:26	1:04:30
and 12 minutes.	1:04:30	1:04:32
If he was born in New York, he's three hours older now, isn't he?	1:04:32	1:04:35
PENCIL ROLLS ON TABLE	1:04:41	1:04:44
How do you do that?	1:04:51	1:04:53
How-how do you make that pencil move?	1:04:55	1:04:57
Is that a trick pencil?	1:04:59	1:05:00
No. I ask it to move.	1:05:00	1:05:04
I mean, I could say that I will it, but...	1:05:04	1:05:06
That would be more like a command.	1:05:06	1:05:09
This is more like a...	1:05:09	1:05:11
collaboration, a partnership.	1:05:11	1:05:14
Partnership?	1:05:14	1:05:15
Mm-hm.	1:05:15	1:05:16
With a pencil?	1:05:16	1:05:17
Well, why not?	1:05:17	1:05:19
We're all made of the same stuff, aren't we?	1:05:19	1:05:20
Wood?	1:05:23	1:05:24
Energy, Bob.	1:05:24	1:05:27
You know, the little pieces.	1:05:27	1:05:30
I want to go home.	1:05:30	1:05:32
How the hell can I get home, Bob?	1:05:32	1:05:34
I don't know.	1:05:41	1:05:43
Sorry.	1:05:43	1:05:44
Hey.	1:05:58	1:06:00
See you haven't slept.	1:06:02	1:06:05
Who is that?	1:06:05	1:06:07
The keepers?	1:06:07	1:06:08
Oh, I'm all right.	1:06:08	1:06:10
You know, you're a pretty gifted man, Mr Malley.	1:06:11	1:06:12
HE LAUGHS	1:06:12	1:06:13
No. No, really.	1:06:13	1:06:16
We were hopin'...	1:06:16	1:06:17
Well, I was kind of hopin'...	1:06:17	1:06:19
that you might find somethin'	1:06:19	1:06:20
that you would enjoy doin',	1:06:20	1:06:22
something useful in our world.	1:06:22	1:06:25
Your world?	1:06:25	1:06:26
Intelligence.	1:06:26	1:06:27
Oh. No, no, no.	1:06:27	1:06:30
It's home for me, Jack.	1:06:30	1:06:32
I'm jumpin' out of my skin here.	1:06:32	1:06:34
I mean, I want my life...	1:06:34	1:06:36
I want my life.	1:06:36	1:06:38
What do you want?	1:06:41	1:06:43
It's not what I want.	1:06:43	1:06:44
What do they want?	1:06:44	1:06:47
They want to feel safe.	1:06:47	1:06:49
They don't feel safe with you out there.	1:06:49	1:06:51
Well, why would they?	1:06:51	1:06:53
They're havin' me break codes all night.	1:06:53	1:06:56
Secret codes. I mean, they're...	1:06:56	1:06:57
I shouldn't be listening to a code from Britain	1:06:57	1:06:59
to Saudi Arabia.	1:06:59	1:07:00
These are our allies.	1:07:00	1:07:02
If you guys are gonna accuse me of a crime or keep me here,	1:07:02	1:07:05
I...I'll tell the press.	1:07:05	1:07:07
Or I'll call London or...	1:07:07	1:07:09
Riyadh...	1:07:09	1:07:11
I know all the, er, capitals now, by the way.	1:07:11	1:07:14
You can test me.	1:07:14	1:07:15
My interest in Mr Malley	1:07:16	1:07:18
has to do with seismology and geology.	1:07:18	1:07:21
It has nothing to do with...	1:07:21	1:07:22
security issues.	1:07:22	1:07:23
Oh, I know. But that's not the point.	1:07:23	1:07:25
Mr Malley has been released without charges,	1:07:25	1:07:27
but he is considered a security risk.	1:07:27	1:07:30
I'll be frank with you. He's an unknown quantity,	1:07:30	1:07:33
and we'd feel better for the time being...	1:07:33	1:07:36
if he wasn't granted any access to the institutions	1:07:36	1:07:38
where sensitive government projects are in the works.	1:07:38	1:07:40
Access?	1:07:40	1:07:42
Access even to personnel.	1:07:42	1:07:44
KNOCK ON WINDOW	1:07:46	1:07:48
MALLEY: Lace.	1:07:48	1:07:49
KNOCK KNOCK >	1:07:49	1:07:50
Ohhh... It's me. >	1:07:50	1:07:51
Ohhh...	1:07:51	1:07:52
Hi. Hi.	1:08:01	1:08:02
Sorry I didn't...	1:08:02	1:08:03
didn't come through the front door.	1:08:03	1:08:04
I was so afraid I'd wake...	1:08:04	1:08:05
Oh, that's OK. That's OK.	1:08:05	1:08:08
Are you all right?	1:08:08	1:08:09
Yeah.	1:08:09	1:08:10
I wanted to see you.	1:08:10	1:08:11
Nate told me about the FBI.	1:08:12	1:08:14
I'm so glad they let you go.	1:08:14	1:08:16
Yeah, well, they had no choice.	1:08:16	1:08:17
They are watching me so closely.	1:08:17	1:08:20
I think I scare them.	1:08:20	1:08:22
You scare me, too.	1:08:25	1:08:27
I do?	1:08:29	1:08:30
Hmm.	1:08:31	1:08:32
Listen, George, it's getting really complicated.	1:08:37	1:08:39
I just, er...	1:08:39	1:08:41
I just don't know what's gonna happen next.	1:08:41	1:08:43
I should probably leave you alone, shouldn't I?	1:08:48	1:08:50
I guess so.	1:08:56	1:08:57
I'll see you.	1:09:06	1:09:08
Goodbye.	1:09:08	1:09:10
Hey.	1:09:25	1:09:27
Beer, George?	1:09:27	1:09:28
Yup. >	1:09:28	1:09:29
Nate...	1:09:31	1:09:32
I am really sorry for what happened, OK?	1:09:33	1:09:37
I told 'em everything, George.	1:09:37	1:09:40
Told 'em everything about you.	1:09:40	1:09:43
Everything.	1:09:43	1:09:44
Well, you know, that's supposed to happen, OK?	1:09:44	1:09:47
I mean, you know, it's...	1:09:47	1:09:48
I was thinkin' I was gonna be so scared,	1:09:48	1:09:50
you're sittin' there,	1:09:50	1:09:52
you don't know what's gonna happen,	1:09:52	1:09:54
and then all of a sudden	1:09:54	1:09:55
something happens inside you, right?	1:09:55	1:09:57
You don't know what it is, but...	1:09:57	1:09:59
It's all right. It was my game, you know?	1:09:59	1:10:02
What'd they do to you, George?	1:10:08	1:10:10
They tested me.	1:10:11	1:10:14
What'd they find out?	1:10:14	1:10:16
I'm pregnant.	1:10:18	1:10:19
That's how it feels.	1:10:21	1:10:22
How what feels?	1:10:22	1:10:23
You know, to be full of ideas, and you can't deliver, OK?	1:10:23	1:10:26
I mean, you know, you're ready to break out,	1:10:26	1:10:28
and you can't deliver.	1:10:28	1:10:29
You know, this professor, he won't even talk to me.	1:10:29	1:10:31
He won't even talk to me.	1:10:31	1:10:33
You're not goin' to Berkeley, George?	1:10:33	1:10:35
Oh, come on. Me to Berkeley.	1:10:35	1:10:36
That's a thought, huh?	1:10:36	1:10:39
I'm sorry, buddy.	1:10:39	1:10:40
You mean inventions? You got inventions?	1:10:40	1:10:42
No, no. Ideas, OK? I got a thousand ideas a day.	1:10:42	1:10:44
Every damn minute, OK?	1:10:44	1:10:47
Big holy cow kind of ideas	1:10:47	1:10:48
and little "what if" ideas, all right?	1:10:48	1:10:51
I got ideas for you, Jimmy. Look at this.	1:10:51	1:10:52
Look at this. Your parking lot is laid out all wrong, OK?	1:10:52	1:10:55
Now, if you just follow this, right,	1:10:55	1:10:57
you can put six more cars in,	1:10:57	1:10:58
and nobody gets fender benders, all right?	1:10:58	1:10:59
Where's Paulette? Where is she?	1:10:59	1:11:01
Bonnie, here, take this.	1:11:01	1:11:03
This is a new route for her mail, OK?	1:11:03	1:11:04
Now, if she does this, she can save an hour a day,	1:11:04	1:11:06
and everybody gets their mail by 3 o'clock.	1:11:06	1:11:07
Imagine - 3 o'clock.	1:11:07	1:11:09
Oh, and I got a holy shit idea, too.	1:11:09	1:11:10
Look at this.	1:11:10	1:11:11
Now, this may be the most efficient way to store solar energy, OK?	1:11:11	1:11:15
Take it. What am I gonna do with it?	1:11:15	1:11:16
What the heck am I supposed to do with it, huh?	1:11:16	1:11:18
You know what that light was?	1:11:18	1:11:19
You know what that sound was?	1:11:19	1:11:21
Tell us. I'm gonna tell ya what it was.	1:11:21	1:11:22
It was a damn alien.	1:11:22	1:11:24
Don't say that. You don't know what it was.	1:11:24	1:11:25
I know what it is, Nate.	1:11:25	1:11:26
You don't know what it was. Don't say that!	1:11:26	1:11:27
Well, tell us!	1:11:27	1:11:28
It's a goddamn mistake, is what it is. OK?	1:11:28	1:11:30
It was supposed to happen to someone smart,	1:11:30	1:11:32
someone scientific,	1:11:32	1:11:33
someone who's a leader.	1:11:33	1:11:35
But it didn't. It happened to me, George freakin' Malley.	1:11:35	1:11:37
Look at him. Look at him. Look!	1:11:37	1:11:39
GLASS SHATTERS	1:11:39	1:11:41
Jimmy...	1:11:46	1:11:47
Are you OK?	1:11:49	1:11:50
Yeah.	1:11:50	1:11:52
I'm sorry.	1:11:52	1:11:53
Well...it's all right.	1:11:53	1:11:55
I'll pay for it.	1:11:55	1:11:57
All right.	1:11:57	1:11:58
Bonnie. Bonnie, please, it's OK.	1:11:58	1:12:03
Aw, man.	1:12:03	1:12:05
Hmm.	1:12:17	1:12:19
OK.	1:12:20	1:12:21
Who was that, a customer?	1:12:21	1:12:25
It's Banes.	1:12:26	1:12:27
Said he can't work here no more.	1:12:27	1:12:29
Sorry.	1:12:29	1:12:31
Why didn't he talk to me?	1:12:31	1:12:33
Little bit scared, I guess.	1:12:33	1:12:35
Jesus Christ.	1:12:35	1:12:36
Look, George, it'll wear off.	1:12:36	1:12:38
They'll forget.	1:12:38	1:12:39
Their cars are gonna break down...	1:12:39	1:12:42
Hey, Doc.	1:12:42	1:12:43
Hi.	1:12:43	1:12:44
Energy, vibrations, what is it?	1:12:47	1:12:49
I don't know.	1:12:49	1:12:50
Telekinesis, what?	1:12:50	1:12:51
Yeah, maybe. I...maybe. Yeah.	1:12:51	1:12:53
Things gettin' out of hand?	1:12:53	1:12:54
Well, look, I was mad, all right?	1:12:54	1:12:55
I was pissed off, and I'm not mad now, OK?	1:12:55	1:12:58
Good. I'll sound the all clear, call off the paratroopers!	1:12:58	1:13:02
Jesus, George.	1:13:02	1:13:03
Now, listen, you owe me a CAT scan.	1:13:03	1:13:05
I want more blood.	1:13:05	1:13:07
Also you look like hell.	1:13:07	1:13:09
Ah, that's good.	1:13:09	1:13:11
Doc, what's the matter with everybody?	1:13:11	1:13:13
They won't give me a chance to explain anything.	1:13:13	1:13:14
I look... I look at them,	1:13:14	1:13:16
and they look at me like I'm a green buck or something.	1:13:16	1:13:19
Give 'em some time, George.	1:13:19	1:13:20
Look, I have an idea.	1:13:20	1:13:21
You look at this. Now, look at this.	1:13:21	1:13:23
Now, look at that.	1:13:23	1:13:24
I'm a big deal at the Harmon library.	1:13:24	1:13:26
I can take up to 30 books a night, OK?	1:13:26	1:13:28
And I told 'em I'd be part of this.	1:13:28	1:13:29
I said I'd put out a table...	1:13:29	1:13:31
Pressure...	1:13:31	1:13:32
I'd sit there, you could ask me questions - meet George Malley. What do you think?	1:13:32	1:13:35
Like a circus attraction.	1:13:35	1:13:37
Oh, God, Doc, please.	1:13:37	1:13:39
You know, I could explain to them once and for all.	1:13:39	1:13:42
I could share my ideas with them.	1:13:42	1:13:44
You know, then I can get my life back together.	1:13:44	1:13:46
Come see me for that scan.	1:13:46	1:13:47
Take it easy on sugar and salt, OK?	1:13:47	1:13:50
And do like I told you all your life...	1:13:50	1:13:52
breathe in and out.	1:13:52	1:13:53
OK, George?	1:13:53	1:13:54
BREEZE WHISTLES	1:14:36	1:14:38
Come on, give it.	1:15:16	1:15:17
No. >	1:15:17	1:15:18
Give it. No!	1:15:18	1:15:19
You're not careful...	1:15:19	1:15:20
Al, what do you got there?	1:15:20	1:15:23
Hey, that's dangerous, sweetie.	1:15:29	1:15:31
He bought it.	1:15:31	1:15:32
What?	1:15:32	1:15:33
It's a piece of the mirror George broke.	1:15:33	1:15:36
Richard Smith is selling 'em at school.	1:15:36	1:15:38
Oh, you're kidding.	1:15:38	1:15:39
It's hot. Feel it.	1:15:39	1:15:40
It's not hot.	1:15:40	1:15:42
Richard said the aliens probably took George Malley away	1:15:42	1:15:45
and put this man in his place.	1:15:45	1:15:47
This man?	1:15:47	1:15:48
Like, he's not human.	1:15:48	1:15:50
That's really dumb,	1:15:50	1:15:52
and it's really mean.	1:15:52	1:15:54
Can't they just look in his eyes and see who he is?	1:15:54	1:15:57
Can't you?	1:15:57	1:15:58
Do you remember when Daddy left,	1:15:59	1:16:01
how people treated us differently?	1:16:01	1:16:03
Even our so-called friends?	1:16:03	1:16:05
Remember how much it hurt?	1:16:07	1:16:09
You don't do that to people.	1:16:09	1:16:11
How much you pay for that?	1:16:14	1:16:15
A...quarter.	1:16:15	1:16:16
A dollar.	1:16:16	1:16:18
What's the truth, Al?	1:16:18	1:16:19
I paid a dollar.	1:16:19	1:16:20
I was gonna check it with my magnets.	1:16:20	1:16:23
Wait a minute, wait a minute.	1:16:23	1:16:25
You see something really strange in there?	1:16:25	1:16:27
What?	1:16:27	1:16:28
What?	1:16:28	1:16:29
A sucker.	1:16:29	1:16:30
Nope.	1:16:33	1:16:34
Lace.	1:17:04	1:17:06
Hi.	1:17:07	1:17:08
Hi.	1:17:10	1:17:11
I just...I just called you.	1:17:12	1:17:14
You did?	1:17:14	1:17:16
Hmm.	1:17:16	1:17:17
Come in. Come in.	1:17:17	1:17:18
I'm so... so glad you came.	1:17:24	1:17:27
Well, I was just...	1:17:27	1:17:29
W-why were you calling?	1:17:29	1:17:32
I found some things out, Lace.	1:17:32	1:17:35
Things are-are... coming clearer to me.	1:17:35	1:17:38
I mean, at least they're starting to.	1:17:38	1:17:41
Things?	1:17:41	1:17:42
Mmm.	1:17:42	1:17:44
I want to talk to the people, Lace.	1:17:44	1:17:46
I don't want them to be scared of me or frightened.	1:17:46	1:17:49
I-I mean, I want to tell them what I know.	1:17:49	1:17:53
So I've...I've decided to speak at the library fair.	1:17:53	1:17:58
Do you think that they'll listen to me?	1:17:58	1:18:01
What would they do, throw stones?	1:18:02	1:18:06
Oh, my God, please, sit down. I can't believe this.	1:18:07	1:18:11
Would you like somethin' to drink?	1:18:11	1:18:12
< A beer?	1:18:12	1:18:14
What? What can I get you?	1:18:14	1:18:17
Scissors.	1:18:19	1:18:20
# I can hear her heart beat	1:18:20	1:18:24
# From a thousand miles	1:18:24	1:18:28
# And the heavens open up	1:18:28	1:18:31
# Every time she smiles	1:18:31	1:18:35
# And when I come to her	1:18:35	1:18:38
# That is where I belong	1:18:38	1:18:41
# And I'm runnin' through her	1:18:41	1:18:45
# Like a river's song	1:18:45	1:18:48
# She gives me love, love, love, love	1:18:48	1:18:53
# Crazy love	1:18:53	1:18:55
# She gives me love, love, love, love	1:18:55	1:19:00
# Crazy love	1:19:00	1:19:02
# She's got a fine sense of humour	1:19:02	1:19:06
# When I'm feelin' low down	1:19:06	1:19:09
# Ooh-ooh-ooh	1:19:09	1:19:10
# And I'm callin' to her	1:19:10	1:19:13
# When the sun goes down	1:19:13	1:19:16
# Ooh-ooh-ooh	1:19:16	1:19:17
# Take away my troubles	1:19:17	1:19:20
# Oh, take away my grief	1:19:20	1:19:23
# Ooh-ooh-ooh	1:19:23	1:19:24
# Take away my heartaches	1:19:24	1:19:27
# In the night like a thief	1:19:27	1:19:30
# She gives me love, love, love, love	1:19:30	1:19:34
# crazy love	1:19:34	1:19:37
# She gives me love, love, love, love	1:19:37	1:19:41
# crazy love	1:19:41	1:19:45
# And I need her in the daytime	1:19:45	1:19:50
# I need her	1:19:50	1:19:52
# And I need her in the night	1:19:52	1:19:56
# I need her	1:19:56	1:19:58
# And I want to throw my arms around her... #	1:19:58	1:20:04
Have you done this before?	1:20:04	1:20:06
Nope.	1:20:06	1:20:07
# Kiss and hug her tight	1:20:07	1:20:11
# Ahh, ohh... #	1:20:11	1:20:16
Up or down?	1:20:16	1:20:17
Down.	1:20:17	1:20:19
# And when I'm returnin' from so far away	1:20:19	1:20:22
# Ooh-ooh-ooh	1:20:22	1:20:23
# Give me some sweet lovin'	1:20:23	1:20:26
# Brightens up my day	1:20:26	1:20:29
# Ooh-ooh-ooh	1:20:29	1:20:30
# And it makes me righteous	1:20:30	1:20:33
# And it makes me whole	1:20:33	1:20:36
# And it makes me mellow	1:20:36	1:20:40
# Right down to my soul	1:20:40	1:20:43
# She gives me love, love, love, love	1:20:43	1:20:47
# crazy love	1:20:47	1:20:50
# She gives me love, love, love, love	1:20:50	1:20:54
# crazy love #	1:20:54	1:20:57
Is it close enough?	1:20:57	1:20:59
You tell me.	1:21:01	1:21:03
# She gives me love, gives me love... #	1:21:03	1:21:08
That's pretty close.	1:21:08	1:21:11
# Love...	1:21:11	1:21:15
# crazy love	1:21:15	1:21:18
# She gives me love, love, love, love	1:21:18	1:21:22
# crazy love. #	1:21:22	1:21:24
You're running away?	1:21:27	1:21:30
Are ya comin' back?	1:21:33	1:21:35
HE CHUCKLES	1:21:41	1:21:42
Hope so.	1:21:46	1:21:47
INDISTINCT CHATTER	1:21:51	1:21:53
Oh, hi, Doc.	1:22:25	1:22:27
Well, did you improve your mind	1:22:27	1:22:29
with all this reading?	1:22:29	1:22:31
Yes, Doc.	1:22:31	1:22:32
Lady Chatterley's Lover?	1:22:32	1:22:35
LAUGHTER	1:22:35	1:22:36
Yeah, well...	1:22:36	1:22:38
All right, well, you know, that's kind of a...	1:22:38	1:22:40
that's kind of a code book for anyone who, er,	1:22:40	1:22:42
wants to understand a woman's heart and mind.	1:22:42	1:22:44
I read it twice.	1:22:44	1:22:46
LAUGHTER	1:22:46	1:22:47
Can you, er...?	1:22:47	1:22:48
Can you name the presidents	1:22:48	1:22:50
forwards and backwards for these people?	1:22:50	1:22:52
No, but I can name some forward presidents	1:22:52	1:22:54
and some backward ones.	1:22:54	1:22:55
LAUGHTER	1:22:55	1:22:57
You know, I can really only tell you what I've read in these books...	1:22:57	1:23:00
He looks better.	1:23:00	1:23:01
Yeah. Yeah, he does.	1:23:01	1:23:03
I seem to have an increased capacity for learning, right?	1:23:03	1:23:07
How do we know you read all these books?	1:23:07	1:23:10
Well, um, ask me something.	1:23:10	1:23:13
I'll be glad to answer any question that you have.	1:23:13	1:23:16
How did you break that mirror, George,	1:23:16	1:23:18
without even touching it?	1:23:18	1:23:20
Now, I want to talk to you about that, Banes,	1:23:20	1:23:23
because I know you've been worried about it, and, um...	1:23:23	1:23:26
OK, come here.	1:23:26	1:23:27
Come here, everybody. Gather closely.	1:23:27	1:23:30
May I use your glasses?	1:23:30	1:23:33
What you're about to see is not a trick. OK?	1:23:33	1:23:35
It's just, um, well, let's call it an experiment in energy.	1:23:35	1:23:39
Whoa...	1:23:39	1:23:41
Are you getting this?	1:23:41	1:23:42
Everything is made up of some living energy, OK?	1:23:42	1:23:45
You know, all this is, is kind of a dance	1:23:45	1:23:48
or a partnership between the energy coming from me	1:23:48	1:23:51
and the energy of the plastic.	1:23:51	1:23:54
Now, th-that's it.	1:23:54	1:23:56
Well, why can't we do it?	1:23:56	1:23:57
Well, focus? Um, clarity of thought?	1:23:57	1:24:01
I don't know. Maybe you can, Banes.	1:24:01	1:24:03
What about the UFOs? What are they?	1:24:03	1:24:05
I don't know that either.	1:24:05	1:24:06
Yes, you do.	1:24:06	1:24:07
Yes, you do! >	1:24:07	1:24:09
This power began	1:24:09	1:24:10
the night that you saw the object in the sky.	1:24:10	1:24:12
Th-that was a light.	1:24:12	1:24:14
Now, let me just finish this one thing.	1:24:14	1:24:16
Now, we're talking about a partnership.	1:24:16	1:24:18
Do you know what the largest living organism in the world is?	1:24:18	1:24:23
OK, it's a grove of aspen trees in Colorado.	1:24:23	1:24:25
Acres of aspens. OK?	1:24:25	1:24:28
Now, they thought they were disconnected - separate,	1:24:28	1:24:30
but, indeed, they found out that they weren't,	1:24:30	1:24:31
that they're one giant organism	1:24:31	1:24:34
with the same root system.	1:24:34	1:24:35
What sort of light was it?	1:24:35	1:24:37
Now, that's not unlike us.	1:24:38	1:24:39
< Answer the question!	1:24:39	1:24:40
Why won't you tell us what you know about the UFOs? > Can you move the table? >	1:24:40	1:24:44
How did you feel when you saw that light? >	1:24:44	1:24:46
I think you know more than you're telling us.	1:24:46	1:24:47
ALL TALK AT ONCE	1:24:47	1:24:51
Just put your hands on my boy.	1:24:53	1:24:56
Move the glasses some more.	1:24:57	1:24:58
VOICES ECHO AROUND HIM	1:24:58	1:25:00
Please. He's dying. Just do it.	1:25:02	1:25:05
'George...George, can you see?	1:25:13	1:25:16
'George. George, you OK?'	1:25:16	1:25:19
Mr Malley? Are you all right?	1:25:34	1:25:36
You look sorrowful.	1:26:09	1:26:11
No.	1:26:11	1:26:12
What's the matter?	1:26:13	1:26:14
Are there any more tests to give me?	1:26:14	1:26:17
How did you manage to get your pressure to come down?	1:26:17	1:26:20
Oh, I found my pace.	1:26:20	1:26:24
A simple thing, really.	1:26:24	1:26:26
Hard to explain.	1:26:26	1:26:27
What, you figure I'm too thick?	1:26:27	1:26:29
What I figure about you is that you're stalling.	1:26:29	1:26:33
I'm not stalling. No. I'm...I'm...waiting.	1:26:35	1:26:38
For what?	1:26:38	1:26:40
Reinforcements.	1:26:40	1:26:42
< Ha ha ha!	1:26:44	1:26:46
Ahh...	1:26:46	1:26:49
Well...	1:26:49	1:26:50
You pick good people.	1:26:50	1:26:53
You bet.	1:26:53	1:26:55
See...	1:26:58	1:26:59
George, George...	1:27:01	1:27:05
there's a tumour in your brain	1:27:05	1:27:08
that's spread out like a hand,	1:27:08	1:27:10
threads of it, you know, everywhere.	1:27:10	1:27:13
But instead of dysfunction...	1:27:13	1:27:14
Now, here's the mystery, George.	1:27:14	1:27:16
Instead of destroying the brain function,	1:27:16	1:27:19
so far it's been stimulating it.	1:27:19	1:27:22
We can't understand that.	1:27:22	1:27:24
You have more area of active brain use	1:27:24	1:27:26
than anybody ever tested - ever...	1:27:26	1:27:29
because of those tentacles.	1:27:29	1:27:31
I mean, we've seen tumours like this before.	1:27:31	1:27:33
It's called astrosyntoma,	1:27:33	1:27:35
and it explains, er, the dizziness and...	1:27:35	1:27:40
the illusion of light.	1:27:40	1:27:43
But the way it's in there, waking up areas of the brain,	1:27:43	1:27:47
it's, er...	1:27:47	1:27:48
..a big mystery.	1:27:51	1:27:53
So...	1:27:53	1:27:54
And it's killing me.	1:27:54	1:27:56
Well, er...	1:27:56	1:27:57
For sure.	1:27:57	1:27:58
We got a call from the best brain man in the country.	1:28:02	1:28:05
I mean, actually, he's one of the best in the world.	1:28:05	1:28:07
He's gonna study your tests and then talk to you.	1:28:07	1:28:10
But, er...	1:28:10	1:28:13
The blood flow is in danger now,	1:28:13	1:28:15
and you're gonna start to weaken, maybe...	1:28:15	1:28:18
..black out.	1:28:20	1:28:22
We-we really don't know. > It's-it's...	1:28:22	1:28:25
But it's a damn lousy scenario... You see.	1:28:25	1:28:28
Listen, now...	1:28:32	1:28:34
God damn it.	1:28:40	1:28:41
Somethin' happened about 25 years ago	1:28:44	1:28:46
when you broke your leg and I set it, George.	1:28:46	1:28:48
I don't know what to call it, but, er...	1:28:48	1:28:51
Somehow you got into my heart more than most.	1:28:51	1:28:56
And...	1:28:56	1:28:57
And for a man who's never been a father,	1:29:01	1:29:03
I sure feel like I'm losin' a son.	1:29:03	1:29:05
Georgie...	1:29:11	1:29:13
Yeah.	1:29:13	1:29:14
Can I do somethin' for you, George? >	1:29:19	1:29:22
Anything?	1:29:22	1:29:23
Yes.	1:29:23	1:29:24
Next spring when you plant the south 40,	1:29:24	1:29:28
I want you to use the new fertiliser.	1:29:28	1:29:30
< I want you to put corn in that field,	1:29:30	1:29:32
and I know what you're thinkin'. You're thinking	1:29:32	1:29:34
that it's just too tough a crop, but it's not.	1:29:34	1:29:36
I'm tellin' ya, you'll get four to five years without rotation.	1:29:36	1:29:41
Now, trust me on this.	1:29:41	1:29:43
OK.	1:29:43	1:29:44
I'm gonna wait outside.	1:29:47	1:29:49
OK.	1:29:49	1:29:51
Doc, you wanna come with me?	1:29:51	1:29:53
Yeah.	1:29:53	1:29:54
Bye, Doc.	1:29:58	1:29:59
Now, er...	1:30:08	1:30:11
He didn't say how long.	1:30:11	1:30:13
Days...or weeks.	1:30:16	1:30:19
They don't... they don't know.	1:30:19	1:30:21
I'm so sorry, Lace.	1:30:22	1:30:24
I know how you hate surprises.	1:30:26	1:30:29
I tried so hard not to love you.	1:30:30	1:30:33
How'd you make out?	1:30:33	1:30:34
Terrible.	1:30:34	1:30:35
Hey...	1:30:39	1:30:40
would you, er, love me the rest of my life?	1:30:40	1:30:43
No.	1:30:43	1:30:45
I'm gonna love you for the rest of mine.	1:30:45	1:30:47
George Malley?	1:31:10	1:31:12
I'm Dr Wellin.	1:31:12	1:31:15
George, I'm recording this	1:31:16	1:31:18
because I'm going to be asking you	1:31:18	1:31:19
some very important questions.	1:31:19	1:31:20
You ready?	1:31:20	1:31:23
Not another test.	1:31:23	1:31:24
No. No, no.	1:31:24	1:31:26
No more tests.	1:31:26	1:31:28
A dialogue.	1:31:28	1:31:31
I'm going to ask for your permission	1:31:31	1:31:33
for my team to perform open-brain surgery.	1:31:33	1:31:36
But...I don't want you to answer	1:31:36	1:31:38
till we've had our dialogue, all right?	1:31:38	1:31:40
You said that this tumour was inoperable.	1:31:40	1:31:42
I think the odds are very small,	1:31:42	1:31:44
say one in...500	1:31:44	1:31:47
that we'd be able to remove	1:31:47	1:31:48
enough of the tumour to even prolong your life.	1:31:48	1:31:50
Well, why...? But, but...	1:31:50	1:31:52
what I want to explain is	1:31:52	1:31:54
that this would not be a lifesaving operation.	1:31:54	1:31:58
This would be...	1:31:58	1:31:59
HE SIGHS	1:31:59	1:32:00
Call it an expedition.	1:32:00	1:32:03
This'll be a voyage of discovery. >	1:32:04	1:32:07
You're in a position	1:32:07	1:32:08
to contribute as much to our knowledge	1:32:08	1:32:11
as any man or woman who's come before you.	1:32:11	1:32:13
And if you were to wait and, er...	1:32:15	1:32:18
do this operation after I'm done with my brain,	1:32:18	1:32:21
what-what, er...	1:32:21	1:32:22
If that's what you want, yes, an autopsy...	1:32:22	1:32:24
that's all we'll do.	1:32:24	1:32:25
But it wouldn't be as useful.	1:32:25	1:32:27
The study of a living, active brain	1:32:27	1:32:30
would tell us volumes.	1:32:30	1:32:31
All right, so if you were to do this operation,	1:32:31	1:32:33
wouldn't it most likely kill me	1:32:33	1:32:35
or at least shorten my life?	1:32:35	1:32:37
George, I...I'm asking you	1:32:37	1:32:38
to try and see the larger picture,	1:32:38	1:32:41
to realise what you have to offer to us,	1:32:41	1:32:44
the ones you're leaving behind.	1:32:44	1:32:47
You could be our greatest teacher, George.	1:32:47	1:32:50
Hmm?	1:32:50	1:32:51
I can be your biographer, in a sense.	1:32:51	1:32:55
I can present you to the world.	1:32:55	1:32:57
But that's not me.	1:32:57	1:32:59
That's just my brain.	1:32:59	1:33:00
You understand?	1:33:00	1:33:02
Look, Doctor, you know,	1:33:02	1:33:03
I might just have somethin' to say in my last few hours.	1:33:03	1:33:06
I just might have something to say.	1:33:06	1:33:08
What you're saying	1:33:08	1:33:09
is that I have somethin' to teach,	1:33:09	1:33:11
and yet you're willing to end me	1:33:11	1:33:13
to study my brain under a microscope.	1:33:13	1:33:15
Is that all I'm here for?	1:33:15	1:33:16
What else. You're not a scholar or...	1:33:16	1:33:18
I'll tell you what I am, OK?	1:33:18	1:33:19
I'll tell you what I think I am.	1:33:19	1:33:21
I think I'm what everybody can be.	1:33:21	1:33:23
Everyone with a malignant tentacle...	1:33:23	1:33:24
no, no, no, no.	1:33:24	1:33:25
It's-it's...that just helped me get here. OK?	1:33:25	1:33:28
I mean, anybody can get here.	1:33:28	1:33:30
It's... I'm the...	1:33:30	1:33:31
I'm the possibility, all right?	1:33:31	1:33:34
And I think you've got	1:33:34	1:33:35
this desperate grasp on, er, technology	1:33:35	1:33:37
and this grasp on science,	1:33:37	1:33:38
and you don't have a hand left to grasp what's important.	1:33:38	1:33:41
If I had to choose between a tumour that got me here	1:33:41	1:33:43
and some flash of light from an alien craft,	1:33:43	1:33:46
I'd choose the tumour, I would, because it's here, within us.	1:33:46	1:33:49
What I'm talking about is the human spirit.	1:33:49	1:33:51
That's the challenge. That's the voyage.	1:33:51	1:33:54
That's the expedition.	1:33:54	1:33:56
You need to go now.	1:33:59	1:34:02
I need my rest, and, er...	1:34:02	1:34:04
I want to go home.	1:34:04	1:34:06
THUNDER RUMBLES	1:34:06	1:34:08
Hey. Hey, hey.	1:34:24	1:34:25
I tried to release my patient.	1:34:25	1:34:27
What's going on?	1:34:27	1:34:28
It's done. What's done?	1:34:28	1:34:29
Didn't feel George Malley	1:34:29	1:34:30
was competent to make the decision.	1:34:30	1:34:32
He's a surgical patient now.	1:34:32	1:34:34
Well, what did you tell the judge, that you could save him?	1:34:34	1:34:36
I might prolong his life, yes.	1:34:36	1:34:38
Bullshit!	1:34:38	1:34:40
If he were rational, he'd say yes. You know he would.	1:34:40	1:34:43
Now I know why you guys wear masks.	1:34:43	1:34:46
BANES: Yeah, if it was light enough,	1:34:50	1:34:52
he could have been blowin' it out with his breath.	1:34:52	1:34:54
Coulda had a string,	1:34:54	1:34:55
somethin' thin,	1:34:55	1:34:57
like catgut.	1:34:57	1:34:58
He coulda had it on his finger	1:34:58	1:35:00
and on the glasses.	1:35:00	1:35:01
He coulda made it move that way.	1:35:01	1:35:02
< Don't you think he could've, um...	1:35:02	1:35:04
< thrown somethin' at that mirror somehow?	1:35:04	1:35:06
< We just didn't see it.	1:35:06	1:35:08
No way.	1:35:08	1:35:09
That quake could have been a coincidence.	1:35:09	1:35:11
< He just thought he knew stuff.	1:35:11	1:35:12
< I mean, he just studied harder on Spanish, that's all.	1:35:12	1:35:15
It's not like he really knew stuff.	1:35:15	1:35:17
Just studied harder at chess	1:35:17	1:35:18
and made us think he was changing, but...	1:35:18	1:35:20
Yeah, he never really changed at all.	1:35:20	1:35:22
Isn't that right, Doc?	1:35:22	1:35:24
I mean, he never really got any smarter.	1:35:24	1:35:27
Doc?	1:35:27	1:35:29
Banes.	1:35:29	1:35:30
How's your ladylove?	1:35:32	1:35:34
We, er, we broke up.	1:35:35	1:35:37
Really? That's too bad.	1:35:39	1:35:40
Yeah.	1:35:40	1:35:41
Now, George, he's got a love at his side,	1:35:41	1:35:44
and she's stickin' with him. You know why?	1:35:44	1:35:46
Because he bought her chairs.	1:35:46	1:35:49
That's pretty smart to me.	1:35:49	1:35:52
You ever buy Lisa's chairs?	1:35:52	1:35:54
HE CHUCKLES	1:35:54	1:35:55
Doc's really drunk tonight!	1:35:55	1:35:57
Every woman has her chair,	1:35:57	1:35:59
something she needs to put herself into, Banes.	1:35:59	1:36:02
You ever figure out what Lisa's chairs were >	1:36:02	1:36:05
and buy 'em? >	1:36:05	1:36:07
Nope.	1:36:09	1:36:10
But you're right about one thing.	1:36:11	1:36:13
George never changed. Nope.	1:36:13	1:36:15
No.	1:36:15	1:36:16
Doc's makin' no sense tonight.	1:36:20	1:36:23
Yeah. Maybe caught it from George!	1:36:23	1:36:25
Now, goddamn it!	1:36:26	1:36:28
Why do you have to tear him down?!	1:36:28	1:36:30
What are you so afraid of?! What have you got to lose?!	1:36:30	1:36:32
< He wasn't selling anything!	1:36:32	1:36:33
< He didn't want anything from anybody!	1:36:33	1:36:36
He wanted nothing from nobody!	1:36:36	1:36:38
Nothing!	1:36:38	1:36:39
Nothing!	1:36:39	1:36:41
And you people have to tear him down	1:36:42	1:36:45
so you can sleep better tonight?	1:36:45	1:36:47
So you can prove that the world is flat	1:36:47	1:36:48
and sleep better tonight. Am I right?!	1:36:48	1:36:52
I'm right.	1:36:59	1:37:00
To hell with all of you.	1:37:05	1:37:06
To hell with every one of you.	1:37:06	1:37:08
Hey, George.	1:37:17	1:37:19
How you doin'?	1:37:19	1:37:20
Here you go. Drink up.	1:37:20	1:37:22
All right.	1:37:22	1:37:23
Good job.	1:37:26	1:37:27
Whoa, whoa. Don't take the pudding.	1:37:29	1:37:31
That's the good part.	1:37:31	1:37:32
Hey, is Cal around?	1:37:32	1:37:34
Sure. You wanna see him?	1:37:34	1:37:35
Yeah. Thanks.	1:37:35	1:37:36
OK.	1:37:36	1:37:37
Hey, dude. Hey, man.	1:38:03	1:38:04
How's it goin'? All right.	1:38:04	1:38:05
Can you stay for a few minutes?	1:38:05	1:38:06
Sure.	1:38:06	1:38:08
Saved you some pudding again.	1:38:08	1:38:09
Ah. My buddy.	1:38:09	1:38:10
I love this stuff.	1:38:10	1:38:12
Night, dude.	1:38:19	1:38:20
Hey, Doc, you seen him?	1:38:34	1:38:35
Seen who? What?	1:38:35	1:38:37
George Malley. He's out. He sneaked out.	1:38:37	1:38:39
We're lookin' all over for him.	1:38:39	1:38:40
He's out?	1:38:40	1:38:41
Yeah, he flew the coop. Nobody knows where he is.	1:38:41	1:38:43
I heard it on the radio. Flew the coop.	1:38:43	1:38:45
Those FBI guys are gonna have me drivin' around all night.	1:38:45	1:38:48
I was looking... > Ha ha ha.	1:38:48	1:38:51
AIR HISSES	1:38:53	1:38:54
Ah, ha ha ha ha ha!	1:38:54	1:38:57
I want you to take these and give 'em to Doc.	1:38:58	1:39:00
These I'm taking with me because I haven't finished them yet.	1:39:00	1:39:03
They're for Dr Ringold.	1:39:03	1:39:05
This I wrote for you, Nate.	1:39:07	1:39:08
It's about soils and - and some of my own thoughts.	1:39:08	1:39:11
Your thoughts?	1:39:11	1:39:12
Yeah.	1:39:12	1:39:13
I could drive you.	1:39:15	1:39:16
No. No, man. It's too chancy.	1:39:16	1:39:18
You gonna make it, man?	1:39:20	1:39:22
Ahh.	1:39:49	1:39:51
Ohh...	1:39:55	1:39:56
ENGINE REVS	1:40:06	1:40:08
VOICES OUTSIDE	1:40:13	1:40:15
That tight enough?	1:40:29	1:40:31
Why don't you do it once more?	1:40:31	1:40:33
Go ahead.	1:40:35	1:40:36
OK.	1:40:36	1:40:37
There you go.	1:40:43	1:40:44
Good. Now you've fixed it.	1:40:44	1:40:46
What?	1:40:51	1:40:52
You came here to die, didn't you?	1:40:55	1:40:57
But, er...	1:41:03	1:41:04
I like this place and, er...	1:41:04	1:41:06
all the people here.	1:41:06	1:41:08
You know, if... if we were to, er...	1:41:34	1:41:37
to put this apple down and leave it,	1:41:37	1:41:41
it would be spoiled and gone within a few days.	1:41:41	1:41:45
But...	1:41:45	1:41:46
if we were to take a bite of it like this...	1:41:46	1:41:50
it would become part of us,	1:41:50	1:41:52
and we could take it with us for ever.	1:41:52	1:41:55
Al...	1:42:13	1:42:16
everything is on its way to somewhere.	1:42:16	1:42:22
Everything.	1:42:22	1:42:23
That's a good bite.	1:42:43	1:42:45
Keep an eye out.	1:43:06	1:43:08
Have you seen George Malley, Ms Pennamin? >	1:43:18	1:43:21
What's the point?	1:43:21	1:43:22
Look, it's not my call.	1:43:24	1:43:26
I haven't seen him.	1:43:28	1:43:30
You mind if I get in your truck?	1:43:49	1:43:51
Why?	1:43:51	1:43:53
ENGINE STARTS	1:43:59	1:44:00
What's your first name?	1:44:06	1:44:08
Jack.	1:44:11	1:44:12
How would you want to die, Jack?	1:44:12	1:44:16
TURNS OFF ENGINE	1:44:21	1:44:23
Well, let's go.	1:44:26	1:44:28
There you are.	1:44:42	1:44:44
I knew I'd find you here. >	1:44:47	1:44:49
What are you working on?	1:44:51	1:44:53
Dr Ringold's comin' tomorrow,	1:44:53	1:44:55
and I just wanted to finish this up.	1:44:55	1:44:58
Finish what?	1:44:58	1:44:59
Ah, just some possibilities.	1:44:59	1:45:01
Hey, come sit by me.	1:45:03	1:45:05
You scared?	1:45:10	1:45:12
No.	1:45:12	1:45:14
I wish I knew what you feel.	1:45:15	1:45:17
Ah, you do.	1:45:17	1:45:19
You've always known it, Lace.	1:45:19	1:45:22
I'll show you.	1:45:22	1:45:23
When your children were babies, how did you hold them?	1:45:23	1:45:26
And if they had a hard time sleeping,	1:45:31	1:45:33
you had to rock 'em to sleep. Well, how did you do it?	1:45:33	1:45:37
Hmm hmm hmm.	1:45:57	1:45:58
See?	1:45:58	1:45:59
Hey.	1:46:03	1:46:04
Look what I made back there.	1:46:04	1:46:06
Ha. That looks like a bed.	1:46:07	1:46:10
Are you expectin' to get lucky?	1:46:11	1:46:13
Nah.	1:46:13	1:46:15
Just hoping.	1:46:15	1:46:16
JEWEL: # When the road gets dark	1:46:24	1:46:29
# and you can no longer see	1:46:31	1:46:35
# Just let my love throw a spark, baby	1:46:36	1:46:42
# And have a little faith in me	1:46:43	1:46:47
# And when the tears you cry	1:46:49	1:46:54
# are all you can believe	1:46:56	1:47:00
# Just give these lovin' arms a try, baby	1:47:01	1:47:06
# And have a little faith in me	1:47:07	1:47:12
# Have a little faith in me	1:47:12	1:47:17
# Have a little faith in me	1:47:18	1:47:23
# Have a little faith in me	1:47:24	1:47:29
# Have a little faith in me. #	1:47:30	1:47:35
Hey, I never kissed you there.	1:47:45	1:47:48
Mmm, no.	1:47:48	1:47:49
Keeping track?	1:47:49	1:47:50
Mm-hmm.	1:47:50	1:47:51
You going to sleep?	1:47:56	1:47:59
Mm-mm.	1:47:59	1:48:01
Are you?	1:48:01	1:48:02
No.	1:48:02	1:48:03
I don't wanna sleep unless you're sleeping.	1:48:03	1:48:06
I don't wanna...	1:48:06	1:48:08
Lace.	1:48:15	1:48:16
What?	1:48:16	1:48:17
Sweetheart.	1:48:17	1:48:19
What?	1:48:19	1:48:20
Honey, you have to listen to me now.	1:48:24	1:48:26
What?	1:48:26	1:48:27
It's happening.	1:48:32	1:48:34
No.	1:48:34	1:48:35
Mm-hmm.	1:48:35	1:48:36
No. Wait, George.	1:48:36	1:48:38
Wait.	1:48:38	1:48:39
No.	1:48:39	1:48:41
And it's gonna be OK.	1:48:41	1:48:43
George.	1:48:45	1:48:46
It's OK.	1:48:46	1:48:48
It's gonna be OK.	1:48:48	1:48:50
OK.	1:48:52	1:48:53
Goodbye, honey.	1:48:56	1:48:58
No.	1:48:58	1:48:59
Ohhh...	1:49:13	1:49:15
Hello. I'm John Ringold.	1:49:44	1:49:45
I'm here to see George Malley.	1:49:45	1:49:47
Oh.	1:49:49	1:49:50
I'm sorry, John.	1:49:50	1:49:52
George Malley passed away last night.	1:49:52	1:49:54
I'm...I'm sorry.	1:49:58	1:50:00
He left these for you.	1:50:06	1:50:08
Except they're not finished.	1:50:12	1:50:14
You'll have to do it.	1:50:16	1:50:17
I'll do my best.	1:50:21	1:50:24
Thank you.	1:50:25	1:50:26
You're welcome.	1:50:26	1:50:27
Goodbye.	1:50:31	1:50:32
Bye.	1:50:32	1:50:33
SOBS	1:50:57	1:50:58
BREEZE WHISTLES	1:51:27	1:51:29
Ohhh...	1:51:31	1:51:32
Thank you, sweetie.	1:51:56	1:51:57
ELLA SPEAKS PORTUGUESE	1:52:43	1:52:46
We're coming! We're coming!	1:52:46	1:52:48
ERIC CLAPTON: # If I can reach the stars	1:52:52	1:52:56
# pull one down for you	1:52:56	1:53:00
# shine it on my heart	1:53:01	1:53:04
# so you could see the truth	1:53:06	1:53:10
# that this love I have inside	1:53:11	1:53:15
# is everything it seems... #	1:53:15	1:53:18
Beautiful.	1:53:18	1:53:20
# but for now, I find... #	1:53:20	1:53:23
Oh. Oh.	1:53:23	1:53:24
HE SPEAKS PORTUGUESE	1:53:24	1:53:26
It's OK.	1:53:26	1:53:28
It's OK.	1:53:28	1:53:29
# I can change the world... #	1:53:29	1:53:33
Better late than never.	1:53:33	1:53:36
What am I gonna do with this? What am I gonna do with it?	1:53:36	1:53:39
# You would think my love was really somethin' good	1:53:39	1:53:43
# Baby, if I could	1:53:43	1:53:46
# cha-a-ange... #	1:53:46	1:53:48
It's not here. Not here.	1:53:48	1:53:50
Tell you where it is.	1:53:50	1:53:52
Oh! It's right there.	1:53:52	1:53:54
How did you do that?	1:53:54	1:53:55
How'd I do that? > It's magic.	1:53:55	1:53:57
Can you hear her? She just kicked out.	1:53:57	1:54:00
Have a cold one.	1:54:02	1:54:03
Thank you.	1:54:03	1:54:04
Getting any rest?	1:54:04	1:54:05
Not much.	1:54:05	1:54:06
You get it now,	1:54:06	1:54:08
because there's no sleep once you have the baby.	1:54:08	1:54:10
Check.	1:54:12	1:54:13
# Baby, if I could	1:54:14	1:54:17
# cha-a-ange... #	1:54:17	1:54:19
Come on, now.	1:54:19	1:54:20
You think it through. Think it through.	1:54:20	1:54:23
# ..the world #	1:54:23	1:54:25
BRYAN FERRY: # Oh, hoo...	1:54:48	1:54:51
# Ah hah	1:54:51	1:54:52
# I was thinkin' out loud	1:54:59	1:55:02
# One life's such a short time for love	1:55:04	1:55:09
# When a match made in heaven arrives	1:55:09	1:55:13
# Eternity is never enough	1:55:13	1:55:17
# I need to dance	1:55:19	1:55:22
# with life	1:55:22	1:55:24
# Sweep you away into the night	1:55:24	1:55:29
# When there is no-one else around	1:55:29	1:55:35
# I will make every day count... #	1:55:35	1:55:37

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