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'A million and a half people ride the L trains every day. | 0:00:27 | 0:00:31 | |
'Over 20 years, I've written wills for... | 0:00:31 | 0:00:35 | |
'about 8,000 of 'em. | 0:00:35 | 0:00:37 | |
'I've sat with 'em as they've combed through their assets, | 0:00:37 | 0:00:40 | |
'figured out which kid gets the painting over the fireplace, | 0:00:40 | 0:00:43 | |
'which one gets the antique spoon collection. | 0:00:43 | 0:00:47 | |
'Last thanks, parting shots, confessions... | 0:00:47 | 0:00:51 | |
'People try to fit it all in. | 0:00:52 | 0:00:55 | |
'And once I've finished, | 0:00:55 | 0:00:57 | |
'another life has been summed up - | 0:00:57 | 0:01:00 | |
'assets and debts tallied, then zeroed out. | 0:01:00 | 0:01:03 | |
'You initial here and there, you sign at the bottom. | 0:01:03 | 0:01:06 | |
'Then, if you're like most clients, | 0:01:06 | 0:01:08 | |
'you look up, smile, | 0:01:08 | 0:01:10 | |
'and you ask the question I've heard for 20 years... | 0:01:10 | 0:01:14 | |
'"Is that it, then?" | 0:01:14 | 0:01:16 | |
'"That's it for the paperwork," I tell 'em. | 0:01:16 | 0:01:19 | |
'"The rest is up to you."' | 0:01:19 | 0:01:23 | |
# Happy birthday to you | 0:01:23 | 0:01:25 | |
# Happy birthday to you | 0:01:25 | 0:01:29 | |
# Happy birthday, dear Dad | 0:01:29 | 0:01:32 | |
# Happy birthday to you. # | 0:01:32 | 0:01:35 | |
Ohh, wow. Beautiful. | 0:01:35 | 0:01:37 | |
All right, make a wish. | 0:01:37 | 0:01:39 | |
MOBILE-PHONE JINGLE | 0:01:39 | 0:01:42 | |
Sorry. I just have to take this call. | 0:01:42 | 0:01:44 | |
< Did you win? "Take this call"? | 0:01:44 | 0:01:47 | |
She's 14. How can she be "taking calls"? | 0:01:47 | 0:01:49 | |
Jen, not now. Now's not the time. | 0:01:49 | 0:01:52 | |
Remind me. Why was it we agreed to give her the phone? | 0:01:52 | 0:01:54 | |
- Emergencies. - Which this is, by the way. | 0:01:54 | 0:01:56 | |
Serious problem over there. | 0:01:56 | 0:01:58 | |
Get off, Jen. Now, please. Come on. | 0:01:58 | 0:02:00 | |
- All right! - Come on, get off. | 0:02:00 | 0:02:02 | |
Yeah, my dad's just gonna blow out about a million candles. Bye. | 0:02:02 | 0:02:05 | |
All right, everyone, are we all happy now? | 0:02:06 | 0:02:09 | |
Thank you. Thank you. > | 0:02:14 | 0:02:15 | |
Thank you. Thank you very much. | 0:02:15 | 0:02:17 | |
Thank you. Thank you. | 0:02:17 | 0:02:19 | |
- Sorry about the bathrobe. - What do you mean? | 0:02:21 | 0:02:24 | |
Oh, I just had such a hard time getting you a present. | 0:02:24 | 0:02:27 | |
I love this bathrobe. | 0:02:27 | 0:02:29 | |
I think the problem is that you never really want anything. | 0:02:29 | 0:02:32 | |
That's not true. That's true. | 0:02:32 | 0:02:33 | |
Tell me one thing that you really want. What you gave me tonight. | 0:02:33 | 0:02:36 | |
Evan coming home, everyone's at dinner, that cake you make... | 0:02:36 | 0:02:39 | |
Tell me one thing that you want that comes in a box. | 0:02:39 | 0:02:42 | |
I rest my case. | 0:02:45 | 0:02:47 | |
Yes. That's it. That's it! | 0:02:57 | 0:03:00 | |
That's what we needed. | 0:03:00 | 0:03:02 | |
Good night, Mary. I left the Anderson will on your desk. | 0:03:06 | 0:03:09 | |
'Night, Bill. | 0:03:09 | 0:03:11 | |
'Next stop, Sedgwick.' | 0:03:38 | 0:03:41 | |
Hello. I'm home. | 0:03:42 | 0:03:44 | |
FEMALE LAUGHTER | 0:03:44 | 0:03:46 | |
SHRIEKS BURST OF MUSIC | 0:03:46 | 0:03:49 | |
There's a female bonding ritual going on in the den. | 0:03:52 | 0:03:53 | |
I know. What are they doing in there? | 0:03:53 | 0:03:55 | |
Tattooing "I love Satan" on their foreheads, | 0:03:55 | 0:03:57 | |
piercing their bellybuttons, stuff like that. | 0:03:57 | 0:03:59 | |
What did you say about that? | 0:03:59 | 0:04:00 | |
I said, "Don't get any blood on the couch." | 0:04:00 | 0:04:02 | |
I worry about Jenna. She's too beautiful. That's your fault. | 0:04:02 | 0:04:05 | |
Here, sign this. What is it? | 0:04:05 | 0:04:07 | |
It's your mom's birthday card. Oh, God! Thank you. | 0:04:07 | 0:04:09 | |
How was your workout? Same. How are you? | 0:04:09 | 0:04:11 | |
Fine. You know, ordering the spring line at the store, yada-yada. | 0:04:11 | 0:04:15 | |
I've got to get going. > I thought you just got here. | 0:04:15 | 0:04:18 | |
Yeah, but it's the fundraiser at Jen's school. | 0:04:18 | 0:04:21 | |
So your dinner's in the oven, and the girls have already eaten. | 0:04:21 | 0:04:24 | |
Can we go see a movie sometime? | 0:04:24 | 0:04:25 | |
Yeah. | 0:04:27 | 0:04:29 | |
Or at least we could look at the ads in the paper together! | 0:04:29 | 0:04:32 | |
How are you doing? | 0:04:34 | 0:04:36 | |
Fine. | 0:04:37 | 0:04:38 | |
Check on them now and then, OK? | 0:04:41 | 0:04:43 | |
Don't wait up. | 0:04:43 | 0:04:45 | |
SHRIEKING Get out of here, Dad! | 0:04:52 | 0:04:54 | |
DANCE MUSIC PLAYS | 0:05:47 | 0:05:51 | |
MUSIC STOPS | 0:05:55 | 0:05:57 | |
Bev? | 0:06:07 | 0:06:08 | |
It's not true that I don't want anything. | 0:06:08 | 0:06:11 | |
Bev? | 0:06:16 | 0:06:18 | |
'Doors open on the right.' | 0:06:47 | 0:06:50 | |
'Doors closing. Next stop, Sedgwick.' Excuse me. | 0:06:58 | 0:07:01 | |
Oh, my God! What are you doing? What are you doing? | 0:07:11 | 0:07:15 | |
You know what? I'm gonna just go up. | 0:07:19 | 0:07:22 | |
Oh, my God. | 0:07:26 | 0:07:28 | |
LAUGHTER AND CHATTER | 0:07:31 | 0:07:34 | |
'That was a great class!' | 0:07:34 | 0:07:36 | |
Come on. | 0:07:40 | 0:07:41 | |
Are we goin' up, or what? I'm just trying to... | 0:07:43 | 0:07:45 | |
Here. | 0:07:45 | 0:07:47 | |
OK, don't do that. Do what? | 0:07:47 | 0:07:49 | |
Stand there looking dumb. It's just not cute in a guy your age. | 0:07:49 | 0:07:52 | |
Be a doll and help me carry my clothes. | 0:07:52 | 0:07:55 | |
Come on! And stop lookin' at my ass. | 0:07:55 | 0:07:58 | |
I'll try. | 0:07:58 | 0:08:01 | |
T...a...n-g-o... | 0:08:01 | 0:08:05 | |
T...a...n-g-o... | 0:08:05 | 0:08:08 | |
T...a...n-g...oh! | 0:08:08 | 0:08:12 | |
I found him at the bottom of the stairs. | 0:08:12 | 0:08:15 | |
Um...er... Paulina, could you help? | 0:08:15 | 0:08:18 | |
Excuse me. | 0:08:18 | 0:08:19 | |
May I help you? | 0:08:26 | 0:08:27 | |
The sign said, "Feel free to watch." | 0:08:29 | 0:08:31 | |
Are you here for lessons? | 0:08:31 | 0:08:34 | |
Yes. | 0:08:34 | 0:08:36 | |
Mr...? Clark. | 0:08:37 | 0:08:40 | |
Are you registering as a couple or as a single? | 0:08:40 | 0:08:42 | |
Single. I mean, not that I'm... | 0:08:42 | 0:08:46 | |
Single. Yeah, just me. | 0:08:47 | 0:08:50 | |
Single privates are 45 an hour. | 0:08:53 | 0:08:55 | |
If you buy six at a time, the price per class drops 5. | 0:08:55 | 0:08:57 | |
Have you ever danced before? No. No. But I'm a fast learner. | 0:08:57 | 0:09:01 | |
We're starting a new intro ballroom series for singles. | 0:09:01 | 0:09:03 | |
I recommend that beginners start with that. There's still room in the class. | 0:09:03 | 0:09:06 | |
It meets every Wednesday at 7.30, for eight weeks. | 0:09:06 | 0:09:10 | |
All right. | 0:09:10 | 0:09:11 | |
Right, Wednesdays, 7.30. Great. | 0:09:12 | 0:09:15 | |
Great. Well... | 0:09:15 | 0:09:17 | |
I'll come back then. Thank you. Mr Clark? | 0:09:19 | 0:09:22 | |
Where are you going? The class starts tonight. | 0:09:22 | 0:09:25 | |
Tonight? | 0:09:25 | 0:09:28 | |
Oh, right, yeah. Wednesday, 7.30. | 0:09:28 | 0:09:31 | |
You can wait over there. We'll begin shortly. | 0:09:31 | 0:09:34 | |
OK... | 0:09:35 | 0:09:37 | |
LATIN MUSIC PLAYS | 0:09:37 | 0:09:39 | |
Hey. I'm Vern. | 0:09:54 | 0:09:58 | |
John. | 0:09:58 | 0:09:59 | |
You beginning ballroom? | 0:10:01 | 0:10:03 | |
Yeah, looks that way. Yeah. | 0:10:03 | 0:10:05 | |
Chic. Hey. | 0:10:05 | 0:10:06 | |
Hey. | 0:10:06 | 0:10:07 | |
So, you dance much? | 0:10:16 | 0:10:18 | |
High-school prom. | 0:10:20 | 0:10:22 | |
Stairway To Heaven. | 0:10:22 | 0:10:24 | |
You? | 0:10:24 | 0:10:25 | |
Not even a prom. I didn't go. | 0:10:25 | 0:10:28 | |
Anybody see any girls? | 0:10:28 | 0:10:29 | |
I mean, I'm here for the babes, right. | 0:10:29 | 0:10:32 | |
I mean, it can't be just us, can it? | 0:10:34 | 0:10:37 | |
Guys dancin' with guys ain't my kinda thing, you know? | 0:10:37 | 0:10:40 | |
No offence, sir. | 0:10:40 | 0:10:41 | |
None taken. | 0:10:44 | 0:10:45 | |
Hi. Hi. | 0:10:50 | 0:10:53 | |
See the slinky one with the eyebrows? | 0:10:53 | 0:10:55 | |
That's me - if you don't mind. | 0:10:55 | 0:10:57 | |
I know you won't mind. | 0:10:57 | 0:10:59 | |
Be my guest. All right. | 0:11:01 | 0:11:03 | |
CHIC: Work the goods. | 0:11:05 | 0:11:07 | |
'Oh, yeah. Here they come. Come to Papa. | 0:11:09 | 0:11:12 | |
'Here they...' | 0:11:12 | 0:11:14 | |
Ouch. | 0:11:16 | 0:11:17 | |
Memories of high school, huh, boys? | 0:11:17 | 0:11:20 | |
SHE LAUGHS | 0:11:20 | 0:11:23 | |
Good evening, gentlemen, | 0:11:39 | 0:11:42 | |
and welcome to the beginners' ballroom class. | 0:11:42 | 0:11:44 | |
My name is Miss Mitzi. | 0:11:44 | 0:11:46 | |
I am the owner of this dancing establishment, | 0:11:46 | 0:11:47 | |
and I am going to be your teacher. | 0:11:47 | 0:11:49 | |
Disappointed that I'm older? | 0:11:49 | 0:11:51 | |
Yes. I mean, no. I mean... | 0:11:51 | 0:11:53 | |
Hey, you look... experienced. | 0:11:53 | 0:11:55 | |
Forward, side, close... Back, side, close. | 0:11:55 | 0:12:00 | |
Very good, Chic. Is it "Chick" or "Sheek"? | 0:12:01 | 0:12:04 | |
Oh, "Chick". "Chick". | 0:12:04 | 0:12:06 | |
- Yes. Very good. - Easy. | 0:12:06 | 0:12:08 | |
Remember to use the balls of your feet. | 0:12:08 | 0:12:10 | |
Wait a minute, Vern. Where is your right foot? | 0:12:10 | 0:12:12 | |
It's right back there. See? | 0:12:12 | 0:12:13 | |
Yes, I know. It hasn't moved, has it? Not yet. | 0:12:13 | 0:12:16 | |
- Well, now would be a good time. - OK. | 0:12:16 | 0:12:18 | |
OK. Close. Close... | 0:12:18 | 0:12:21 | |
Excellent. Very good! | 0:12:21 | 0:12:23 | |
All right. Forward, side, close. Back, side, close. | 0:12:23 | 0:12:28 | |
One, two, three, rise. | 0:12:28 | 0:12:31 | |
CHIC: Hey, hey, hey! You guys saw that? | 0:12:31 | 0:12:35 | |
Excellent, gentlemen. Excellent. | 0:12:35 | 0:12:39 | |
Keep your sticks up. | 0:12:39 | 0:12:40 | |
Promenade. And... | 0:12:40 | 0:12:43 | |
counter-promenade. | 0:12:43 | 0:12:45 | |
Let me see what you're doing. Ah! | 0:12:45 | 0:12:48 | |
Miss Mitzi, I'm sorry. Sorry. God. Jesus! | 0:12:48 | 0:12:50 | |
I said I'm sorry. Put the stick down. | 0:12:50 | 0:12:52 | |
We re not gonna play with these sticks any more if you boys won't behave. | 0:12:52 | 0:12:55 | |
A little faster this time. And... | 0:12:55 | 0:12:58 | |
Heel, toe, toe-toe, toe, heel, toe-toe. | 0:12:58 | 0:13:02 | |
Excuse me. When we go forward, is it heel-toe or toe... | 0:13:02 | 0:13:05 | |
It's forward, heel, toe, toe... | 0:13:05 | 0:13:07 | |
JOHN: So it's back... | 0:13:07 | 0:13:08 | |
Uh...! | 0:13:08 | 0:13:09 | |
< Harder than it looks, isn't it, gentlemen? | 0:13:18 | 0:13:20 | |
Well, you've all done very, very well | 0:13:20 | 0:13:22 | |
for your first lesson. | 0:13:22 | 0:13:24 | |
And before you leave tonight, | 0:13:24 | 0:13:25 | |
I'm gonna give you a little incentive | 0:13:25 | 0:13:27 | |
to keep on dancing. | 0:13:27 | 0:13:29 | |
Paulina? Would you and Francesco | 0:13:29 | 0:13:32 | |
mind giving our new students a little demonstration? | 0:13:32 | 0:13:35 | |
Certainly, Miss Mitzi. | 0:13:35 | 0:13:37 | |
Daphne? | 0:13:37 | 0:13:39 | |
MUSIC: Moon River | 0:13:49 | 0:13:51 | |
Thank you, Paulina. | 0:14:45 | 0:14:48 | |
Whoo. Whoo! | 0:14:50 | 0:14:53 | |
That was beautiful. | 0:14:54 | 0:14:55 | |
You all right? Yeah, I'm good. | 0:14:57 | 0:15:01 | |
Hey, guys, wait up! I'm comin'. | 0:15:01 | 0:15:03 | |
Great. How lucky for us. | 0:15:03 | 0:15:06 | |
Hey. Where are we goin'? | 0:15:06 | 0:15:07 | |
- Somewhere close. - Yeah. I haven't got long. | 0:15:07 | 0:15:09 | |
Anyway, you guys, don't go to Jim's. | 0:15:09 | 0:15:11 | |
They got a bad roach problem there around the corner. | 0:15:11 | 0:15:14 | |
You're gonna go anywhere after class, you come here, OK? ..Thank you. | 0:15:14 | 0:15:17 | |
Why'd you guys decide to take dance, anyway? | 0:15:17 | 0:15:19 | |
I'm gettin' married in September. Nice. | 0:15:19 | 0:15:21 | |
Yeah. My bride said she'd like to see me lose a few pounds. | 0:15:21 | 0:15:24 | |
She thinks the dancing will help. I said it won't. ..Thank you. | 0:15:24 | 0:15:27 | |
I think you'll win that argument. | 0:15:27 | 0:15:29 | |
I m taking classes to impress the ladies. | 0:15:29 | 0:15:30 | |
You know what they say about guys who can dance, right? | 0:15:30 | 0:15:32 | |
- That they're great in bed. - Yeah, baby! | 0:15:32 | 0:15:34 | |
Where'd you get that stupid crap? | 0:15:34 | 0:15:36 | |
Everywhere. What do you think? | 0:15:36 | 0:15:38 | |
Everybody knows a guy who can move on the dance floor can move in the sack. | 0:15:38 | 0:15:41 | |
Most guys, they can't dance at all. | 0:15:41 | 0:15:43 | |
Guys who can, they get their pick of the litter. | 0:15:43 | 0:15:45 | |
When I'm done with this class, babes will drop at my feet. | 0:15:45 | 0:15:47 | |
They're gonna be droppin' dead at your feet! | 0:15:47 | 0:15:49 | |
When you took your shoes off in class today, | 0:15:49 | 0:15:51 | |
I had to run to the window for air. | 0:15:51 | 0:15:53 | |
What kind of person says something like that | 0:15:53 | 0:15:55 | |
to somebody they don't even know? | 0:15:55 | 0:15:56 | |
Hey, man, I'm doin' you a favour. | 0:15:56 | 0:15:58 | |
I'm telling you something obnoxious about yourself that you might not be aware of. | 0:15:58 | 0:16:00 | |
If there's something obnoxious about me that you don't think I'm aware of, | 0:16:00 | 0:16:03 | |
you-all should feel free to say something about it to me. | 0:16:03 | 0:16:06 | |
Shooting fish in a barrel. | 0:16:07 | 0:16:09 | |
- Where are all the ladies? - I don't know what I'm talking about. | 0:16:09 | 0:16:12 | |
The ladies, they all go and take the classes down at Doctor Dance - | 0:16:12 | 0:16:15 | |
that's, like, the hip place to go downtown. | 0:16:15 | 0:16:17 | |
Ditzy Mitzi's is only hangin' on by a thread. | 0:16:17 | 0:16:19 | |
Only reason I go there is she lets me rehearse whenever I want for free. | 0:16:19 | 0:16:23 | |
I m gonna compete in the Chicago Taittinger Trophy. | 0:16:23 | 0:16:26 | |
Soon as I find a partner. | 0:16:26 | 0:16:28 | |
So...that leaves you. | 0:16:28 | 0:16:32 | |
Leaves me. How? What? | 0:16:33 | 0:16:35 | |
Leaves you as the only one here | 0:16:35 | 0:16:37 | |
who hasn't said why he's dancing yet. | 0:16:37 | 0:16:39 | |
Oh. Well, I'm dancing for exercise, like Vern. Bull. | 0:16:39 | 0:16:42 | |
Because I'm lousy in bed, like Chic. There, I've said it. | 0:16:42 | 0:16:46 | |
That is bull. I didn't say I was bad in bed. | 0:16:46 | 0:16:48 | |
You didn't have to. Come on, why? | 0:16:48 | 0:16:50 | |
Is there any pepper here? Could I have some? | 0:16:51 | 0:16:54 | |
That's what I thought. | 0:16:54 | 0:16:56 | |
She was a Blackpool finalist, you know. | 0:16:56 | 0:16:59 | |
CHIC: Who? | 0:16:59 | 0:17:00 | |
The princess. The other teacher, Paulina. | 0:17:00 | 0:17:03 | |
What's Blackpool? | 0:17:03 | 0:17:04 | |
Every year, all the best dancers from all over the world | 0:17:04 | 0:17:07 | |
go to England to compete there. | 0:17:07 | 0:17:09 | |
She was there last year with her partner - | 0:17:09 | 0:17:11 | |
who they say was much more to her than just her partner. | 0:17:11 | 0:17:14 | |
Anyway, he dumped her. That's the only reason she came back here to teach - | 0:17:14 | 0:17:17 | |
mad at the world, boo-hoo-hoo and all that. | 0:17:17 | 0:17:19 | |
- Why'd he dump her? - Yeah. | 0:17:19 | 0:17:20 | |
How the hell should I know? | 0:17:20 | 0:17:22 | |
God, they say WOMEN gossip. Golly! | 0:17:22 | 0:17:25 | |
Hello! I'm home. | 0:17:46 | 0:17:50 | |
LATIN MUSIC PLAYS | 0:18:05 | 0:18:07 | |
Great. Great, Vern. | 0:18:07 | 0:18:09 | |
Slow. The mambo is slow. | 0:18:09 | 0:18:11 | |
Slide that hand one inch south of the equator, | 0:18:11 | 0:18:13 | |
and I will bust you on your ass, twinkle-toes. | 0:18:13 | 0:18:15 | |
Let's get something straight. | 0:18:15 | 0:18:17 | |
I don't like the tropics any more than you do, OK? | 0:18:17 | 0:18:20 | |
MISS MITZI: Five, six, seven, eight... | 0:18:36 | 0:18:38 | |
Arms. And basic. And cross over. | 0:18:38 | 0:18:41 | |
Right. | 0:18:41 | 0:18:43 | |
One more time, and walk around. | 0:18:43 | 0:18:46 | |
And basic. | 0:18:46 | 0:18:48 | |
Watch out. | 0:18:48 | 0:18:49 | |
And big ending. | 0:18:49 | 0:18:52 | |
THEY LAUGH | 0:18:57 | 0:18:59 | |
Look at you, John! | 0:19:00 | 0:19:02 | |
That was pretty good. | 0:19:10 | 0:19:11 | |
MISS MITZI: You were really good. | 0:19:11 | 0:19:15 | |
Hey, I'm sorry I'm late. I'm gonna go up and change. | 0:19:41 | 0:19:44 | |
Right. | 0:19:44 | 0:19:46 | |
Dad work late tonight? Yeah, looks that way. | 0:19:46 | 0:19:48 | |
Guess whatever he's working on, he must like it. | 0:19:51 | 0:19:54 | |
Why do you say that? | 0:19:54 | 0:19:55 | |
He seems happier lately. | 0:19:55 | 0:19:58 | |
Does he? | 0:20:01 | 0:20:03 | |
I called the Halston people in New York. | 0:20:08 | 0:20:10 | |
We're gonna have trouble getting more stock in. | 0:20:10 | 0:20:12 | |
Everything's on back-order. | 0:20:12 | 0:20:13 | |
Look, Carolyn, I'm gonna need you | 0:20:13 | 0:20:15 | |
to go to New York and sweet-talk them. | 0:20:15 | 0:20:17 | |
Can you leave tomorrow? No. | 0:20:17 | 0:20:19 | |
Why not? | 0:20:19 | 0:20:20 | |
My husband is having an affair. | 0:20:22 | 0:20:24 | |
How do you know that? | 0:20:27 | 0:20:29 | |
I picked up the receiver last night to phone a friend, | 0:20:29 | 0:20:32 | |
not knowing that Greg was already on the other line in the den. | 0:20:32 | 0:20:37 | |
He was whispering. | 0:20:37 | 0:20:39 | |
What was he whispering? > | 0:20:39 | 0:20:42 | |
I don't know. | 0:20:42 | 0:20:44 | |
I was so scared, I hung up before I could hear anything. | 0:20:44 | 0:20:47 | |
Well, there's lots of other reasons | 0:20:47 | 0:20:49 | |
why he could be whispering. | 0:20:49 | 0:20:51 | |
I mean, maybe he didn't wanna wake up the kids. Huh? | 0:20:51 | 0:20:56 | |
Or he could be planning a surprise for you. | 0:20:56 | 0:20:59 | |
I mean, your birthday's coming up, isn't it? | 0:20:59 | 0:21:01 | |
In two weeks. | 0:21:03 | 0:21:04 | |
SHE GASPS WITH RELIEF | 0:21:07 | 0:21:10 | |
That's it. | 0:21:10 | 0:21:12 | |
Take a breath, go get yourself a brownie in the kitchen, just chill. | 0:21:15 | 0:21:18 | |
It's gonna be fine. | 0:21:18 | 0:21:19 | |
OK. | 0:21:19 | 0:21:22 | |
Euh! | 0:21:22 | 0:21:24 | |
You silly goose, you. | 0:21:24 | 0:21:28 | |
She'll be divorced by Easter. | 0:21:28 | 0:21:30 | |
JAZZ AND LATIN FUSION | 0:21:34 | 0:21:36 | |
Come on, John. Join the warm-up. | 0:21:42 | 0:21:44 | |
Ow! Jesus. I'm sorry! | 0:22:22 | 0:22:24 | |
What, you think you own this floor? | 0:22:27 | 0:22:28 | |
I'll have a bruise the size of Texas tomorrow! | 0:22:28 | 0:22:30 | |
Go away! Go away? You go away! | 0:22:30 | 0:22:32 | |
Take your stupid music with you. I can't dance to that crap. | 0:22:32 | 0:22:35 | |
You just gonna stand there and let that fat cow insult you? | 0:22:35 | 0:22:38 | |
I'm sorry. What did you say? | 0:22:38 | 0:22:40 | |
Nothing. She didn't say anything. | 0:22:40 | 0:22:43 | |
SHE SCREAMS | 0:22:43 | 0:22:45 | |
Sorry. | 0:22:52 | 0:22:54 | |
These are the teeth I wear for the Latin. | 0:22:54 | 0:22:56 | |
It gets your smile out there. Just a little bit bigger smile. | 0:22:56 | 0:22:59 | |
Bam. Gets the judges right in the eye, catches the light. | 0:22:59 | 0:23:02 | |
And then the make-up - you know, the make-up. | 0:23:02 | 0:23:04 | |
Swish-Butt, Fancy Pants, Pinky Boy... | 0:23:04 | 0:23:07 | |
all these names, all these names I've been called ever since I was eight years old | 0:23:07 | 0:23:10 | |
and dancing around to my mother's rumba records. | 0:23:10 | 0:23:12 | |
You know what the worst of it is, huh? | 0:23:12 | 0:23:14 | |
I'm not gay. | 0:23:16 | 0:23:18 | |
Can you imagine how much easier my life would be if I were? | 0:23:18 | 0:23:20 | |
I mean, a straight man who likes to dance around in sequins | 0:23:20 | 0:23:23 | |
walks a very lonely road, I got news for you. | 0:23:23 | 0:23:25 | |
Look, you're not gonna tell anybody in the office, are you? | 0:23:25 | 0:23:28 | |
No, I wouldn't do that. Look, I'm in the same boat, aren't I? | 0:23:28 | 0:23:31 | |
No, you're not. You're not. Why not? | 0:23:31 | 0:23:33 | |
Because...people like you. | 0:23:33 | 0:23:35 | |
You know what I mean? You're charming. | 0:23:35 | 0:23:37 | |
I'm Linky Link. They would crucify me if they found out. | 0:23:37 | 0:23:40 | |
I'm the sports trivia king. | 0:23:40 | 0:23:42 | |
I'm the super sports fan, you know? You don't like football? | 0:23:42 | 0:23:45 | |
I...you know. | 0:23:45 | 0:23:47 | |
Run three yards, fall down, pile up. | 0:23:47 | 0:23:49 | |
Run three yards, fall down, pile up. | 0:23:49 | 0:23:51 | |
I mean, four months of that, I'm ready to put a gun to my head. | 0:23:51 | 0:23:53 | |
Fooled me. I know. I fooled everybody. | 0:23:53 | 0:23:56 | |
You know what my dream is? What? | 0:23:56 | 0:23:59 | |
My dream... | 0:24:01 | 0:24:03 | |
is to be able to dance free and proud. | 0:24:03 | 0:24:06 | |
Under my own name for all the world to see. | 0:24:06 | 0:24:10 | |
That's my dream. | 0:24:10 | 0:24:12 | |
Did I get it all? | 0:24:12 | 0:24:14 | |
Hey, Andy. It's Bev. | 0:24:19 | 0:24:21 | |
Look, I'm sorry to call you so late. I was just trying to find John. | 0:24:21 | 0:24:24 | |
Called the office at six and Betsy said that he'd left for the day, | 0:24:24 | 0:24:28 | |
and I was just... | 0:24:28 | 0:24:29 | |
You got home by five? How did you manage that, you lucky dog? | 0:24:29 | 0:24:32 | |
Ah, there's the door. OK. See you. Bye. | 0:24:32 | 0:24:35 | |
Sorry I'm late. I got hung up at the office. | 0:24:35 | 0:24:38 | |
I wish you'd call. We were looking all over for your car keys for ever... | 0:24:38 | 0:24:40 | |
I thought you were shopping with Jenna. That was weeks ago. | 0:24:40 | 0:24:43 | |
I called the office and Betsy said you left for the day at six. | 0:24:43 | 0:24:46 | |
Yeah, I did - for a sandwich. Then I came back. | 0:24:46 | 0:24:48 | |
Oh. Well, I called your private line a few times. Nobody picked up. | 0:24:48 | 0:24:51 | |
That's because I wasn't working in my office, I was in Andy's. | 0:24:51 | 0:24:53 | |
Oh. How is Andy? | 0:24:53 | 0:24:55 | |
We're working on a really big estate plan together. | 0:24:55 | 0:24:58 | |
So he was there? | 0:24:58 | 0:25:00 | |
What? | 0:25:00 | 0:25:01 | |
Was Andy there? | 0:25:01 | 0:25:03 | |
Why are you asking me all these questions? | 0:25:03 | 0:25:05 | |
I don't know. | 0:25:05 | 0:25:07 | |
Anyway, I stopped off for a bite on the way home with Link Peterson. | 0:25:07 | 0:25:12 | |
< Remember him? Interesting guy. | 0:25:12 | 0:25:14 | |
Not what you'd think. | 0:25:14 | 0:25:17 | |
How was your day? | 0:25:17 | 0:25:18 | |
Great. | 0:25:18 | 0:25:21 | |
JOHN: (One, two, three, four... | 0:25:27 | 0:25:29 | |
(One, two, three...) | 0:25:32 | 0:25:33 | |
Mom? > | 0:25:50 | 0:25:52 | |
Dad's acting weird. | 0:25:52 | 0:25:55 | |
They met five years ago | 0:26:01 | 0:26:04 | |
in a chat room for gardeners. | 0:26:04 | 0:26:07 | |
He says they're in love. | 0:26:09 | 0:26:12 | |
He's moving out Saturday. | 0:26:12 | 0:26:14 | |
He'll be back. He loves those kids. | 0:26:14 | 0:26:17 | |
I thought we were happy. | 0:26:17 | 0:26:19 | |
He seemed happy to me. | 0:26:19 | 0:26:23 | |
I didn't know anything. | 0:26:23 | 0:26:25 | |
I didn't know. | 0:26:27 | 0:26:29 | |
SHE PANTS | 0:26:31 | 0:26:34 | |
Ohh... TOILET FLUSHES | 0:26:37 | 0:26:39 | |
< Hi. | 0:26:39 | 0:26:41 | |
I, er... | 0:26:41 | 0:26:42 | |
I give free consultations during my lunch hour. | 0:26:42 | 0:26:46 | |
You sure you don't wanna come in? | 0:26:46 | 0:26:48 | |
So he comes home late on Wednesdays, | 0:26:48 | 0:26:50 | |
and when he comes home his shirts smell like perfume. | 0:26:50 | 0:26:53 | |
He's been seen making strange body movements, | 0:26:53 | 0:26:55 | |
and you feel he has a secret. | 0:26:55 | 0:26:56 | |
That's correct. Ever think about just asking him? | 0:26:56 | 0:26:59 | |
Yes, I've thought about it... Mrs Clark... | 0:26:59 | 0:27:01 | |
things happen in long marriages to the best of people. | 0:27:02 | 0:27:06 | |
And sometimes the thing that happens doesn't mean anything. | 0:27:06 | 0:27:09 | |
Doesn't need an investigator, | 0:27:09 | 0:27:10 | |
just needs somebody to look the other way for a while. | 0:27:10 | 0:27:12 | |
My husband is a serious man, Mr Devine. | 0:27:12 | 0:27:14 | |
If he's having an affair, it is not casual. | 0:27:14 | 0:27:16 | |
In which case, the sooner I know, the better. | 0:27:16 | 0:27:19 | |
All right. Give me a moment | 0:27:20 | 0:27:22 | |
while I call in my associate Mr Harcourt. | 0:27:22 | 0:27:25 | |
Scottie! > | 0:27:25 | 0:27:27 | |
Scottie Harcourt, this is Mrs Clark. | 0:27:27 | 0:27:29 | |
She suspects her husband's up to no good. | 0:27:29 | 0:27:32 | |
"To catch a husband is an art. To hold him is a job." | 0:27:32 | 0:27:36 | |
Simone de Beauvoir said that. | 0:27:36 | 0:27:37 | |
It's very nice to meet you, Mrs Clark. Same here. | 0:27:37 | 0:27:40 | |
I think we can start this investigation | 0:27:40 | 0:27:42 | |
without too much cost to Mrs Clark. | 0:27:42 | 0:27:44 | |
Yes. Follow that husband around for a few days, | 0:27:44 | 0:27:46 | |
take some pictures, see what's up. | 0:27:46 | 0:27:48 | |
But I have to warn you, if it goes to trial it's gonna be... | 0:27:48 | 0:27:50 | |
Trial? | 0:27:50 | 0:27:51 | |
In the event of a divorce. | 0:27:54 | 0:27:55 | |
But we don't know if he's having an affair. | 0:27:55 | 0:27:58 | |
I mean, he could just be involved with... | 0:27:58 | 0:28:01 | |
I don't know... | 0:28:01 | 0:28:03 | |
People who get together to invest things, | 0:28:03 | 0:28:06 | |
and...and the place that they invest things | 0:28:06 | 0:28:10 | |
is filled with potpourri, | 0:28:10 | 0:28:12 | |
and that's why his shirts smell so sweet when he comes home. | 0:28:12 | 0:28:16 | |
It's possible. | 0:28:16 | 0:28:17 | |
Yeah, it's possible. > It's possible. | 0:28:17 | 0:28:19 | |
It's possible we could find your husband | 0:28:19 | 0:28:21 | |
neck-deep in potpourri, investing things. | 0:28:21 | 0:28:24 | |
Not likely. | 0:28:24 | 0:28:25 | |
Look, this is what we'll do. | 0:28:30 | 0:28:32 | |
We start out gently. | 0:28:34 | 0:28:36 | |
We look for the potpourri. | 0:28:41 | 0:28:43 | |
And if we find it and it smells like flowers, | 0:28:43 | 0:28:46 | |
then 2,000 ought to cover my time. | 0:28:46 | 0:28:48 | |
But if we find the potpourri | 0:28:48 | 0:28:50 | |
and there's something big and stinky in the pot, | 0:28:50 | 0:28:52 | |
then you and I renegotiate, OK? | 0:28:52 | 0:28:54 | |
That sound good? | 0:28:54 | 0:28:56 | |
OK. | 0:28:56 | 0:28:58 | |
- Hey. - Hi. | 0:29:03 | 0:29:05 | |
- How you doin'? - Good. | 0:29:05 | 0:29:07 | |
I can tell, you know. | 0:29:09 | 0:29:11 | |
Tell what? That you've been dancing. | 0:29:11 | 0:29:13 | |
Your posture, it's a dead giveaway. | 0:29:13 | 0:29:15 | |
You're kidding! No. | 0:29:15 | 0:29:19 | |
How much you been practising, anyway? Just in class. | 0:29:19 | 0:29:22 | |
No. Should be five to one. Five-to-one ratio. | 0:29:22 | 0:29:25 | |
Five hours of practice for every one hour of class. | 0:29:25 | 0:29:29 | |
Doctor Dance has an open dance party every Thursday. | 0:29:32 | 0:29:35 | |
Anybody can go and practise. Even you. | 0:29:35 | 0:29:38 | |
Ballroom is all or nothing, John. | 0:29:39 | 0:29:41 | |
I'm draggin' your ass out of class and onto a real dance floor. | 0:29:41 | 0:29:45 | |
We'll go straight there after work. | 0:29:45 | 0:29:47 | |
Link? Yeah? | 0:29:47 | 0:29:50 | |
Can you really tell? | 0:29:50 | 0:29:52 | |
Yeah. | 0:29:52 | 0:29:53 | |
LOUD UP-TEMPO LATIN BEAT | 0:30:01 | 0:30:03 | |
Having fun? | 0:30:15 | 0:30:17 | |
What are you doing here? Spying. | 0:30:17 | 0:30:20 | |
MUSIC ENDS | 0:30:42 | 0:30:44 | |
Excuse me. We were dancing together. | 0:30:46 | 0:30:49 | |
Dude, she does not wanna dance with you. Now back off. | 0:30:49 | 0:30:52 | |
Hey, you know, I... | 0:30:52 | 0:30:54 | |
MUSIC: Shall We Dance? | 0:30:54 | 0:30:58 | |
Link always insists on dancing | 0:30:58 | 0:30:59 | |
with the youngest girls. | 0:30:59 | 0:31:02 | |
I've never seen him with his perfect partner. | 0:31:02 | 0:31:04 | |
Not that those are easy to find. | 0:31:04 | 0:31:07 | |
Have you ever found one? | 0:31:07 | 0:31:09 | |
Once. | 0:31:09 | 0:31:11 | |
He was my dancing partner for 15 years. | 0:31:11 | 0:31:13 | |
We were husband and wife for 14. Wow. | 0:31:13 | 0:31:16 | |
Yeah. He was my perfect partner. | 0:31:16 | 0:31:18 | |
Doesn't happen twice in a lifetime. | 0:31:18 | 0:31:21 | |
I'm lucky it even happened once. | 0:31:21 | 0:31:23 | |
Ah! | 0:31:23 | 0:31:25 | |
At last, a song I know. Oh, I love this song. | 0:31:25 | 0:31:30 | |
# Da da-da da... | 0:31:30 | 0:31:32 | |
# Shall we still be together | 0:31:32 | 0:31:34 | |
# With our arms around each other | 0:31:34 | 0:31:36 | |
# And shall you be my new romance? | 0:31:36 | 0:31:41 | |
# On the clear understanding | 0:31:41 | 0:31:43 | |
# That this kind of thing can happen | 0:31:43 | 0:31:45 | |
# Shall we dance? Shall we dance? Shall we dance? # | 0:31:45 | 0:31:50 | |
It's The King And I. Yul Brynner and Deborah Kerr. | 0:31:50 | 0:31:52 | |
Do you remember that? | 0:31:52 | 0:31:54 | |
They held hands like this. Oh, come on, John, let's try it. | 0:31:54 | 0:31:57 | |
No. No, no, no, I can't. No way. I can't. Why not? | 0:31:57 | 0:31:59 | |
Oh, John, come on. Come on. | 0:31:59 | 0:32:01 | |
I don't... No, I don't want to... | 0:32:01 | 0:32:04 | |
MITZI SINGS ALONG | 0:32:04 | 0:32:07 | |
Let go, John. | 0:32:11 | 0:32:13 | |
That's it, John. | 0:32:20 | 0:32:22 | |
Whoa. Sorry! I wasn't watching. Hi. How are you? | 0:32:25 | 0:32:29 | |
- It doesn't matter. We're finished anyway. - What do you mean? | 0:32:29 | 0:32:33 | |
No offence, but I can't be your dance partner. | 0:32:33 | 0:32:35 | |
Why? You're too much of a freak. | 0:32:35 | 0:32:37 | |
I mean, look at your palms. They're bright orange from self-tanning lotion. | 0:32:37 | 0:32:40 | |
Don't you know you're supposed to wash your hands after you use that stuff? | 0:32:40 | 0:32:44 | |
Excuse me. | 0:32:51 | 0:32:52 | |
Miss Mitzi couldn't make it tonight, so I'll be your teacher. | 0:33:17 | 0:33:20 | |
I'm Paulina. | 0:33:20 | 0:33:22 | |
And you're Chic and Vern and... | 0:33:22 | 0:33:27 | |
- Tom. - John. It's John. | 0:33:29 | 0:33:31 | |
What would you like to work on tonight? | 0:33:34 | 0:33:37 | |
Well, in my opinion - Chic - | 0:33:37 | 0:33:38 | |
I think since we're beginners, a good idea would be... | 0:33:38 | 0:33:42 | |
Waltz. | 0:33:42 | 0:33:44 | |
Maybe the waltz. | 0:33:44 | 0:33:47 | |
OK. Um... | 0:33:49 | 0:33:51 | |
I'll work with you one at a time, | 0:33:51 | 0:33:53 | |
and you can be first. | 0:33:53 | 0:33:56 | |
OK. All right. | 0:33:56 | 0:33:58 | |
Oops. I'm sorry. | 0:34:39 | 0:34:41 | |
So are you really a reporter for the Times, | 0:35:31 | 0:35:34 | |
or are you just pickin' up on her like everybody else? | 0:35:34 | 0:35:37 | |
I'm a reporter. Plus, she's not my type. | 0:35:37 | 0:35:40 | |
I like a woman built for comfort, not for speed. | 0:35:40 | 0:35:44 | |
Really? Why don't you put the camera down | 0:35:45 | 0:35:48 | |
and take me out on the dance floor? | 0:35:48 | 0:35:50 | |
Two reasons, I'm working and this is not my type of dance. | 0:35:50 | 0:35:53 | |
Well, how do you know if you've never tried? | 0:35:53 | 0:35:55 | |
Come on, put the camera down. Come on, give me a shot. | 0:35:55 | 0:35:58 | |
Oh, dear. Sorry, sorry! | 0:35:58 | 0:36:02 | |
I'm sorry. It's gonna stain. | 0:36:04 | 0:36:07 | |
Don't...worry. I'll take care of it. | 0:36:07 | 0:36:10 | |
Would you like to use this? Excuse me? | 0:36:30 | 0:36:33 | |
Just to wipe your coat, or... | 0:36:33 | 0:36:37 | |
Go ahead, just take it. Please. Go ahead. | 0:36:37 | 0:36:41 | |
It's silly, but it's my favourite coat. I'm sorry. | 0:36:41 | 0:36:44 | |
It's vintage. | 0:36:44 | 0:36:47 | |
But this part's real suede, so now it's ruined. | 0:36:47 | 0:36:50 | |
You sure? Maybe they can fix that. | 0:36:50 | 0:36:53 | |
No. I know about stains. It's... | 0:36:53 | 0:36:57 | |
You know, I never understood that. I never understood - | 0:36:57 | 0:37:00 | |
live cows get dirty all the time, they don't get stained. | 0:37:00 | 0:37:04 | |
All that leather stands in the mud, nothing happens. | 0:37:04 | 0:37:07 | |
Go figure. What is that? | 0:37:07 | 0:37:08 | |
Exactly. | 0:37:08 | 0:37:11 | |
Get a little sauce on your coat and look. | 0:37:12 | 0:37:17 | |
Why is that? I don't know. | 0:37:17 | 0:37:19 | |
We'll have to ask the next cow that comes by. | 0:37:19 | 0:37:22 | |
A man with a handkerchief. | 0:37:32 | 0:37:34 | |
Wow. I didn't know they made those any more. | 0:37:34 | 0:37:38 | |
I haven't eaten yet. | 0:37:43 | 0:37:45 | |
If you haven't eaten yet, maybe we can go and... get a bite. | 0:37:45 | 0:37:49 | |
Someplace close. You know, I saw a Chinese over here. | 0:37:49 | 0:37:52 | |
We could use chopsticks | 0:37:52 | 0:37:54 | |
and drop an endless variety of things on our clothes. | 0:37:54 | 0:37:57 | |
I'm sorry, I prefer not to socialise with students. | 0:37:57 | 0:38:00 | |
Oh, OK. All right. | 0:38:00 | 0:38:03 | |
I shouldn't have taken this from you. | 0:38:03 | 0:38:05 | |
I'll buy you a new one. Please. | 0:38:05 | 0:38:07 | |
I didn't...I didn't mean anything by that. | 0:38:07 | 0:38:10 | |
I'll buy you a new one. | 0:38:10 | 0:38:12 | |
Excuse me. | 0:38:12 | 0:38:13 | |
Mr Clark, I take dance very seriously. | 0:38:19 | 0:38:22 | |
Miss Mitzi's is a school, not a disco. | 0:38:22 | 0:38:24 | |
And I hope you didn't join class with me as your goal, | 0:38:25 | 0:38:27 | |
because you'd be wasting your time. | 0:38:27 | 0:38:31 | |
Don't dance if that's what you're after. | 0:38:31 | 0:38:34 | |
Dance lessons. My husband is taking dance lessons? | 0:38:51 | 0:38:54 | |
Well, I've found a lot worse hiding in the potpourri over the years. | 0:38:54 | 0:38:57 | |
Consider yourself lucky. | 0:38:57 | 0:38:58 | |
What's this beautiful young woman? Who's she? | 0:38:58 | 0:39:01 | |
His substitute teacher. His regular teacher's a much older woman. | 0:39:01 | 0:39:04 | |
Great legs, but older. | 0:39:04 | 0:39:06 | |
Mr Devine, what would make a man | 0:39:06 | 0:39:08 | |
who's done the same thing for the last 20 years | 0:39:08 | 0:39:10 | |
suddenly do something so completely out of character | 0:39:10 | 0:39:13 | |
just out of the blue? That's a question for a shrink. | 0:39:13 | 0:39:15 | |
I'm just a detective. I'm not asking you as a detective. | 0:39:15 | 0:39:18 | |
I'm asking you as a man. | 0:39:18 | 0:39:20 | |
Scottie? | 0:39:26 | 0:39:27 | |
What would cause a man after 20 years | 0:39:27 | 0:39:29 | |
to do something completely out of character out of the blue? | 0:39:29 | 0:39:31 | |
Did I get that right? Yeah. | 0:39:31 | 0:39:33 | |
"The mass of men lead lives of quiet desperation." | 0:39:35 | 0:39:40 | |
Maybe the desperation can't be quiet any more. | 0:39:40 | 0:39:42 | |
Bingo. | 0:39:42 | 0:39:44 | |
That's a wonderful use of Thoreau, Scottie. | 0:39:44 | 0:39:46 | |
Thank you. Hello again, Mrs Clark. | 0:39:46 | 0:39:49 | |
Hey. | 0:39:49 | 0:39:51 | |
Desperation. | 0:39:51 | 0:39:53 | |
Well, that's a possibility. | 0:39:53 | 0:39:54 | |
Mrs Clark, the point is your husband's dancing, | 0:39:54 | 0:39:57 | |
he's not checking into hotel rooms. | 0:39:57 | 0:39:58 | |
We can continue to keep an eye on things for you, | 0:39:58 | 0:40:00 | |
but my guess is your husband | 0:40:00 | 0:40:02 | |
will hang up his dancing shoes shortly anyway. | 0:40:02 | 0:40:04 | |
What makes you say that? | 0:40:04 | 0:40:06 | |
Voice of experience. HE CHUCKLES | 0:40:06 | 0:40:09 | |
You give him some time. He'll be home soon. | 0:40:09 | 0:40:12 | |
"The rest is up to you," I tell my clients. | 0:40:20 | 0:40:23 | |
"The rest is up to you." | 0:40:23 | 0:40:25 | |
Every few years they come back, | 0:40:25 | 0:40:28 | |
so I have these snapshots in my head | 0:40:28 | 0:40:30 | |
of how they've changed over the years. | 0:40:30 | 0:40:32 | |
The ones who've changed the most | 0:40:32 | 0:40:34 | |
finally bought that boat, | 0:40:34 | 0:40:36 | |
moved to that island. | 0:40:36 | 0:40:39 | |
Those who haven't changed, | 0:40:39 | 0:40:41 | |
I suppose they take comfort in knowing what course their lives are on. | 0:40:41 | 0:40:46 | |
They like to believe they know what lies ahead. | 0:40:46 | 0:40:49 | |
Dad! | 0:41:17 | 0:41:18 | |
Evan! What are you doing here? | 0:41:18 | 0:41:21 | |
Trying to meet up with some friends. What are you doing here? | 0:41:21 | 0:41:25 | |
Well, you know, work. | 0:41:25 | 0:41:27 | |
I had to come to visit a client over here. I had to come by and... | 0:41:27 | 0:41:29 | |
It's really weird. It is? | 0:41:29 | 0:41:33 | |
Yeah. Because I've been wanting you | 0:41:33 | 0:41:35 | |
to meet this girl that I'm crazy about, | 0:41:35 | 0:41:37 | |
and I'm going to meet her right now | 0:41:37 | 0:41:39 | |
at this bar with my other friends. | 0:41:39 | 0:41:41 | |
So can you...? Do you wanna go? | 0:41:41 | 0:41:45 | |
Of course I do. Lead on, my son. | 0:41:45 | 0:41:48 | |
DISCO RAPPING | 0:41:48 | 0:41:51 | |
Come on, let's get out there. | 0:42:03 | 0:42:06 | |
So, does your dad wanna dance? | 0:42:06 | 0:42:08 | |
I don't know. Dad, you haven't danced in, what, 90 years? | 0:42:08 | 0:42:11 | |
You two go. Go. It's been a long day for me. | 0:42:11 | 0:42:15 | |
MUSIC FADES | 0:42:35 | 0:42:37 | |
Mr Clark? > | 0:42:40 | 0:42:42 | |
Mr Clark? > | 0:42:42 | 0:42:44 | |
Do you wanna dance? | 0:42:44 | 0:42:46 | |
Yes. Yes, I do. | 0:42:49 | 0:42:52 | |
OK. | 0:42:52 | 0:42:53 | |
Could you say goodbye to Evan for me? | 0:42:53 | 0:42:55 | |
Thank you. Sure. | 0:42:55 | 0:42:57 | |
LATIN MUSIC | 0:43:06 | 0:43:09 | |
Sorry I'm late. | 0:43:09 | 0:43:10 | |
MISS MITZI: Don't let it happen again. | 0:43:10 | 0:43:12 | |
Join the warm-up, John. > | 0:43:14 | 0:43:17 | |
LATIN MUSIC PLAYS | 0:43:56 | 0:43:58 | |
MUSIC DROWNS HER WORDS | 0:44:04 | 0:44:06 | |
Come on! | 0:44:19 | 0:44:20 | |
Christ, Vern! | 0:44:20 | 0:44:22 | |
MUSIC OFF | 0:44:22 | 0:44:23 | |
You're soaking wet, man! I already had a shower today. | 0:44:23 | 0:44:26 | |
- Sorry. - You're disgusting! | 0:44:26 | 0:44:29 | |
You don't have to put it like that. Why not? It's the truth. | 0:44:29 | 0:44:33 | |
And I prefer to tell the truth, unlike some people who make up stories | 0:44:33 | 0:44:36 | |
about non-existent fiancees. | 0:44:36 | 0:44:38 | |
What are you talking about? He's getting married in the fall. | 0:44:38 | 0:44:40 | |
Oh, come on. What, are ya, dumb? | 0:44:40 | 0:44:42 | |
People who are engaged take the classes together, | 0:44:42 | 0:44:44 | |
or what the hell's the point? | 0:44:44 | 0:44:46 | |
Come on, tell the people the truth. | 0:44:46 | 0:44:48 | |
You're not engaged, are you? | 0:44:48 | 0:44:50 | |
Huh? | 0:44:50 | 0:44:52 | |
Not exactly. Uh-huh. | 0:44:52 | 0:44:55 | |
I haven't asked her quite yet. Thank you very much. | 0:44:55 | 0:44:58 | |
Look, I was gonna lose some weight first, | 0:45:00 | 0:45:04 | |
and then I was gonna take her dancing | 0:45:04 | 0:45:07 | |
somewhere romantic | 0:45:07 | 0:45:09 | |
and then maybe pop the question. | 0:45:09 | 0:45:13 | |
But I guess if I'm sweating all over the place, | 0:45:13 | 0:45:15 | |
that wouldn't be too romantic, huh? | 0:45:15 | 0:45:18 | |
< She's a great dancer. | 0:45:18 | 0:45:21 | |
Well, hey, don't listen to me. | 0:45:23 | 0:45:25 | |
What, are you...? | 0:45:25 | 0:45:26 | |
C'mon, don't be a big baby. | 0:45:28 | 0:45:30 | |
I didn't mean to upset you > or anything. Jesus, Vern! | 0:45:30 | 0:45:33 | |
I said I was sorry. | 0:45:36 | 0:45:39 | |
Bobbie! | 0:45:40 | 0:45:41 | |
Somebody call a doctor. | 0:45:42 | 0:45:44 | |
Are you all right? She's out. | 0:45:44 | 0:45:47 | |
It's her electrolytes. | 0:45:48 | 0:45:50 | |
They get crazy because she overworks herself. | 0:45:50 | 0:45:52 | |
She's been in here twice before. | 0:45:52 | 0:45:55 | |
And it's getting so boring, Mom. | 0:45:55 | 0:45:58 | |
Shut up, Tina. No, you shut up. God, she pisses me off. | 0:45:58 | 0:46:00 | |
She pulls a 12-hour shift at Jimmy's diner, | 0:46:00 | 0:46:03 | |
working five till five, | 0:46:03 | 0:46:04 | |
and then she goes and cooks and cleans for an old feeb in a wheelchair | 0:46:04 | 0:46:08 | |
to earn extra money for her crazy costumes. | 0:46:08 | 0:46:09 | |
And then she plays Cinderella every night at dance practice. | 0:46:09 | 0:46:13 | |
When you should be home, resting. I don't need rest. | 0:46:13 | 0:46:16 | |
Right. You need to hang out and flirt | 0:46:16 | 0:46:18 | |
with the shy guy with the nice-smelling sweat. | 0:46:18 | 0:46:20 | |
She told me all about you. Shut up, Tina. | 0:46:20 | 0:46:23 | |
I never said his sweat smells nice. I never said... | 0:46:23 | 0:46:25 | |
She said it was the best-smelling sweat she'd ever smelled. | 0:46:25 | 0:46:27 | |
OK, kill me now. | 0:46:27 | 0:46:28 | |
It's all right, Bobbie. I've smelled his sweat, and I agree, it's not bad. | 0:46:28 | 0:46:33 | |
Well, I mean, it's no field of flowers after a spring rain... | 0:46:33 | 0:46:36 | |
Yeah, I think we've talked about this enough. | 0:46:36 | 0:46:38 | |
Maybe we should all go home now and let Bobbie get some rest. | 0:46:38 | 0:46:41 | |
Yeah. Bye, sweetheart. | 0:46:41 | 0:46:43 | |
Thank you. Thank you. | 0:46:43 | 0:46:46 | |
Bobbie needs a partner for the competition. | 0:46:58 | 0:47:03 | |
Why not you, John? | 0:47:03 | 0:47:05 | |
Me. Competition? No, no, I can't... | 0:47:05 | 0:47:08 | |
She'd never go for it anyway. Forget it. | 0:47:08 | 0:47:11 | |
Why not? What are you talking about? | 0:47:11 | 0:47:13 | |
You heard her daughter. She likes you. | 0:47:13 | 0:47:15 | |
And dance begins with the dancers' feelings. | 0:47:15 | 0:47:19 | |
I'll work with the both of you after class. Two extra hours. | 0:47:19 | 0:47:22 | |
The Miss Mitzi Special. We've got three months. | 0:47:22 | 0:47:28 | |
This is good. | 0:47:28 | 0:47:29 | |
What do you think? | 0:47:36 | 0:47:37 | |
I think you better stock up on deodorant. | 0:47:39 | 0:47:42 | |
Anything a client says in a lawyer's office is confidential. | 0:47:50 | 0:47:54 | |
So I've gotten used to holding onto secrets. | 0:47:54 | 0:47:57 | |
They're usually nothing incriminating, | 0:47:57 | 0:48:00 | |
but a lot of people | 0:48:00 | 0:48:02 | |
have accounts they haven't reconciled, | 0:48:02 | 0:48:04 | |
things they're just not ready to share. | 0:48:04 | 0:48:07 | |
I took the liberty of ordering for you. | 0:48:15 | 0:48:17 | |
Bombay Sapphire, three limes. | 0:48:17 | 0:48:19 | |
I hired you to watch my husband. You're not supposed to be watching me. | 0:48:19 | 0:48:22 | |
It's very hard not to, Mrs Clark, with all due respect. | 0:48:22 | 0:48:24 | |
Are you a married man, Mr Devine? | 0:48:24 | 0:48:26 | |
I was. | 0:48:26 | 0:48:27 | |
Oh, what happened? Unfaithful. | 0:48:27 | 0:48:31 | |
She hired a detective? No, no, no. | 0:48:31 | 0:48:33 | |
When she found out, I was too far gone, so... | 0:48:33 | 0:48:36 | |
You're smiling at me. | 0:48:36 | 0:48:39 | |
You are on a strange journey to redemption, Mr Devine. | 0:48:39 | 0:48:41 | |
And a very long one, Mrs Clark. | 0:48:41 | 0:48:44 | |
All these promises that we make and we break. | 0:48:48 | 0:48:50 | |
Why is it, do you think, that people get married? | 0:48:50 | 0:48:52 | |
Passion. | 0:48:52 | 0:48:53 | |
No. | 0:48:53 | 0:48:55 | |
That's interesting. Because I would've taken you for a romantic. Why, then? | 0:48:55 | 0:48:59 | |
Because we need a witness to our lives. | 0:49:01 | 0:49:03 | |
There's a billion people on the planet. I mean, what does any one life really mean? | 0:49:03 | 0:49:08 | |
But in a marriage, | 0:49:08 | 0:49:09 | |
you're promising to care about everything... | 0:49:09 | 0:49:12 | |
The good things, the bad things, | 0:49:12 | 0:49:15 | |
the terrible things, the mundane things... | 0:49:15 | 0:49:17 | |
All of it. All the time, every day. | 0:49:17 | 0:49:19 | |
You're saying, "Your life will not go unnoticed, because I will notice it. | 0:49:19 | 0:49:26 | |
"Your life will not go unwitnessed, because I will be your witness." | 0:49:26 | 0:49:30 | |
You can quote me on that, if you like. | 0:49:34 | 0:49:37 | |
I'm sure I will. | 0:49:37 | 0:49:38 | |
Anyway, the reason that I called you here today, | 0:49:38 | 0:49:41 | |
to tell you in person that I won't be needing your services any more. | 0:49:41 | 0:49:44 | |
Oh. | 0:49:44 | 0:49:46 | |
I think to continue | 0:49:46 | 0:49:47 | |
would be an unwarranted invasion of my husband's privacy and... | 0:49:47 | 0:49:52 | |
Anyway, even though there was a reason... | 0:49:52 | 0:49:54 | |
I'm sorry for what I've done, and I know enough now, and... | 0:49:54 | 0:50:00 | |
It's time to stop. | 0:50:00 | 0:50:03 | |
Thank you for everything and...goodbye. | 0:50:03 | 0:50:06 | |
Bye. | 0:50:06 | 0:50:07 | |
Mrs Clark? | 0:50:10 | 0:50:12 | |
I was right. You are a romantic. | 0:50:14 | 0:50:17 | |
UP-TEMPO LATIN MUSIC PLAYS | 0:50:21 | 0:50:23 | |
Bobbie! | 0:50:26 | 0:50:27 | |
- A new costume. - Yeah. | 0:50:27 | 0:50:29 | |
I got it from this mermaid dream I had in the hospital. | 0:50:29 | 0:50:32 | |
Just floated up from my subconscious. | 0:50:32 | 0:50:34 | |
Where, tragically, it did not stay. | 0:50:34 | 0:50:36 | |
Come on, partner. > What are you waiting for? | 0:50:38 | 0:50:41 | |
Divine intervention? | 0:50:41 | 0:50:43 | |
You're a brave man, John Clark. | 0:50:43 | 0:50:45 | |
Not just anyone could take on the Bobbinator. | 0:50:45 | 0:50:48 | |
Yeah. Good luck, man. We're with you. | 0:50:48 | 0:50:51 | |
Somebody help me up! > | 0:50:51 | 0:50:53 | |
Please. | 0:50:54 | 0:50:55 | |
John! > | 0:50:56 | 0:50:58 | |
OK. 55 days from today, | 0:51:00 | 0:51:03 | |
you two are gonna win the novice competition. | 0:51:03 | 0:51:06 | |
That means you're gonna have to master five dances. | 0:51:06 | 0:51:09 | |
I've asked Paulina to videotape you tonight | 0:51:09 | 0:51:12 | |
so you can see what you're doing wrong. | 0:51:12 | 0:51:15 | |
< Let's start with a rumba. | 0:51:15 | 0:51:16 | |
MUSIC STARTS | 0:51:18 | 0:51:20 | |
What? What is it? | 0:51:42 | 0:51:43 | |
MUSIC OFF | 0:51:43 | 0:51:44 | |
It's the rumba. It's the dance of love. | 0:51:44 | 0:51:49 | |
And he's just not giving me anything. | 0:51:49 | 0:51:52 | |
What does she want me to do? I'm doing it exactly the way I was taught. | 0:51:52 | 0:51:54 | |
You think it's easy...? | 0:51:54 | 0:51:56 | |
The rumba... | 0:51:56 | 0:51:57 | |
is a vertical expression of a horizontal wish. | 0:51:57 | 0:52:01 | |
You have to hold her | 0:52:01 | 0:52:03 | |
like the skin on her thigh is your reason for living. | 0:52:03 | 0:52:07 | |
Let her go like your heart's being ripped from your chest. | 0:52:07 | 0:52:13 | |
Pull her back | 0:52:13 | 0:52:15 | |
like you're gonna have your way with her, | 0:52:15 | 0:52:17 | |
right here on the dance floor. | 0:52:17 | 0:52:19 | |
And then finish... THUD | 0:52:19 | 0:52:21 | |
..like she's ruined you for life. | 0:52:23 | 0:52:25 | |
See? Why can't you just do it like that? | 0:52:38 | 0:52:41 | |
Anyone else care for a glass of water? | 0:52:41 | 0:52:45 | |
Damn it! ..No, not you. | 0:52:48 | 0:52:50 | |
Look, I have to call you back. | 0:52:50 | 0:52:53 | |
No, he's not home yet. | 0:52:53 | 0:52:55 | |
What was the score at halftime in the NBA playoffs last night? | 0:53:02 | 0:53:05 | |
Why? | 0:53:05 | 0:53:06 | |
Why? You said you watched. What was the score? | 0:53:06 | 0:53:07 | |
I forget now. | 0:53:07 | 0:53:08 | |
You didn't forget. You didn't watch. | 0:53:08 | 0:53:10 | |
You don't care about playoffs. You care about dancing! | 0:53:10 | 0:53:13 | |
Shh. I do not. | 0:53:13 | 0:53:15 | |
Yeah. Then what's this? | 0:53:15 | 0:53:18 | |
Give me that. No! Give me that. Give me... | 0:53:18 | 0:53:21 | |
It's not even mine. It's my mother's. | 0:53:21 | 0:53:24 | |
At least, it was my mother's | 0:53:25 | 0:53:27 | |
until I took it to this wonderful alterations guy who had it tailored for me. | 0:53:27 | 0:53:32 | |
Look, it's not like I've figured this out, either. | 0:53:32 | 0:53:35 | |
Hey, listen... What? | 0:53:35 | 0:53:38 | |
Come back to class. No. | 0:53:38 | 0:53:39 | |
You could take over as Bobbie's partner in the Latin dances. | 0:53:39 | 0:53:43 | |
You've got those knocked already. There's no way I could learn 'em in time. | 0:53:43 | 0:53:46 | |
I'm not comin' back as the Bobbinator's partner! | 0:53:46 | 0:53:49 | |
We'll look like an olive and a toothpick together. | 0:53:49 | 0:53:51 | |
Besides, she would never dance with me. | 0:53:51 | 0:53:53 | |
Sure she would. Just the Latin dances. | 0:53:53 | 0:53:56 | |
I'll still do the waltz and the quickstep. | 0:53:56 | 0:53:59 | |
She would. | 0:53:59 | 0:54:01 | |
No! | 0:54:01 | 0:54:03 | |
Not if he was the last bald, bad-breathed, heterosexual sequin-freak on Earth... | 0:54:03 | 0:54:07 | |
which he probably is. I'm not doin' it. | 0:54:07 | 0:54:10 | |
You wanna win the Latin competition or not? It's up to you. I don't care. | 0:54:10 | 0:54:13 | |
Link already knows the dances, | 0:54:13 | 0:54:15 | |
and he'll be a good competitor. | 0:54:15 | 0:54:17 | |
Right, Link? > | 0:54:17 | 0:54:18 | |
So, finally giving up on the underage bimbettes | 0:54:26 | 0:54:29 | |
< and gonna go for a real woman. Is that it? | 0:54:29 | 0:54:31 | |
Yeah, no more underage bimbettes for me. | 0:54:31 | 0:54:33 | |
Only real women from now on. | 0:54:33 | 0:54:35 | |
Don't even think about coming near me without a breath mint. You got that? | 0:54:35 | 0:54:39 | |
And quit lookin' at my ass. | 0:54:42 | 0:54:44 | |
BOTH: We'll try. | 0:54:44 | 0:54:46 | |
Vern, you know, there's a joyful freedom in your Latin. | 0:54:47 | 0:54:51 | |
And, Chic, you have an innate sensuality quite uncommon in a man. | 0:54:51 | 0:54:57 | |
I've entered you both in the competition, along with John. | 0:54:57 | 0:55:01 | |
Good. That's settled. | 0:55:03 | 0:55:04 | |
MUSICAL INTERLUDE | 0:55:08 | 0:55:10 | |
You...are the frame. | 0:55:25 | 0:55:27 | |
I'm the frame. | 0:55:27 | 0:55:29 | |
She is the picture... | 0:55:29 | 0:55:31 | |
She is the picture... | 0:55:31 | 0:55:33 | |
..in your frame. | 0:55:33 | 0:55:35 | |
Everything that you do is to show her off. | 0:55:35 | 0:55:38 | |
You got that? I didn't hear that. | 0:55:38 | 0:55:42 | |
Nice. Invite the lady in. | 0:55:55 | 0:55:58 | |
And...make the connection. | 0:55:58 | 0:56:01 | |
Projecting to the third balcony. | 0:56:04 | 0:56:07 | |
911. 911, quick! | 0:56:09 | 0:56:12 | |
Quick, 911. 9... | 0:56:12 | 0:56:14 | |
BOTH LAUGH | 0:56:14 | 0:56:17 | |
And start here with an initial sweep past the crowd. | 0:56:17 | 0:56:20 | |
Watch. | 0:56:20 | 0:56:22 | |
And contra-check. | 0:56:27 | 0:56:29 | |
Excellent. | 0:56:38 | 0:56:39 | |
Oh, Jesus. | 0:57:23 | 0:57:26 | |
We wanted something unusual. | 0:57:26 | 0:57:27 | |
Are you OK? Yeah. | 0:57:27 | 0:57:28 | |
You sure? No, I'm good. | 0:57:28 | 0:57:30 | |
But you guys look exhausted. | 0:57:30 | 0:57:33 | |
I tell you what, why don't we call it a night? | 0:57:33 | 0:57:36 | |
For your sake, John. You look like you're toast. | 0:57:36 | 0:57:40 | |
And tomorrow's the big day. Yeah. | 0:57:40 | 0:57:43 | |
Get home safe. OK. | 0:57:43 | 0:57:45 | |
I'm wearing you guys out. No. No, no, no. > | 0:57:45 | 0:57:48 | |
It's good. I like it when my feet hurt. | 0:57:48 | 0:57:50 | |
Takes my mind off my knees. | 0:57:50 | 0:57:52 | |
I've just been getting carried away, you know, | 0:57:52 | 0:57:54 | |
working hard with the two of you. | 0:57:54 | 0:57:56 | |
< I guess I like it. Feels good, you know? | 0:57:56 | 0:58:00 | |
For me, too. | 0:58:00 | 0:58:01 | |
All right. Well, I'm going home. | 0:58:02 | 0:58:06 | |
Hey, wait. | 0:58:06 | 0:58:07 | |
I wanted to talk to you | 0:58:11 | 0:58:13 | |
about that night that you asked me to dinner. | 0:58:13 | 0:58:15 | |
I'm sorry about how I treated you. | 0:58:15 | 0:58:18 | |
It's just, you know, that people get the wrong idea about me all the time. | 0:58:18 | 0:58:22 | |
Paulina, you don't have to explain anything to me, ever. | 0:58:22 | 0:58:25 | |
Well, I know I don't have to explain anything to anybody | 0:58:25 | 0:58:28 | |
because I don't care what people think about me. | 0:58:28 | 0:58:31 | |
Good. Good. | 0:58:31 | 0:58:32 | |
I mean it. | 0:58:32 | 0:58:33 | |
Yeah, uh-huh. Good. Good. | 0:58:33 | 0:58:37 | |
I'm sorry. I shouldn't be here right now. | 0:58:45 | 0:58:48 | |
No, it's OK. I think I'm just hungry or something. | 0:58:48 | 0:58:54 | |
Hungry? Very. | 0:58:57 | 0:59:00 | |
Oh, this is so stupid. | 0:59:01 | 0:59:03 | |
No. No, not at all. No, no. I cry, too, when I'm hungry. | 0:59:03 | 0:59:08 | |
For French fries, usually. You? | 0:59:08 | 0:59:10 | |
Cake. | 0:59:11 | 0:59:13 | |
BOTH LAUGH | 0:59:13 | 0:59:16 | |
Careful. Don't spill it on your new coat. | 0:59:17 | 0:59:20 | |
Old coat, new colour. I had it dyed. Yeah? | 0:59:20 | 0:59:23 | |
Yeah. My dad did it. He's a dry-cleaner. | 0:59:23 | 0:59:26 | |
As is my mom, my brother, my two older sisters and me. | 0:59:26 | 0:59:30 | |
I told you I know about stains. | 0:59:30 | 0:59:32 | |
You're a dry-cleaner? | 0:59:32 | 0:59:33 | |
Well, I was. Until I was eight. | 0:59:33 | 0:59:37 | |
Actually, that's when I started dancing. | 0:59:37 | 0:59:39 | |
I was helping out in the store one day after school | 0:59:39 | 0:59:42 | |
when my mom asked me to go in the back and get an order. | 0:59:42 | 0:59:45 | |
It was this incredibly delicate sequined thing | 0:59:45 | 0:59:48 | |
held together by a gold thread. | 0:59:48 | 0:59:51 | |
'Well, I carried the costume like it was gonna break. | 0:59:51 | 0:59:55 | |
'And then I saw the customer. | 0:59:55 | 0:59:57 | |
'She was the most beautiful woman | 0:59:57 | 0:59:59 | |
'I had ever laid eyes on. | 0:59:59 | 1:00:02 | |
'She invited us to see her dance that night, | 1:00:02 | 1:00:05 | |
'and my mother said yes. | 1:00:05 | 1:00:08 | |
'It was like the whole world | 1:00:10 | 1:00:11 | |
'had suddenly gone from black and white to colour. | 1:00:11 | 1:00:15 | |
'The beautiful woman and her partner | 1:00:15 | 1:00:18 | |
'stopped right in front of us and did a waltz pose. | 1:00:18 | 1:00:21 | |
'She tilted her head back, and she winked at me. | 1:00:21 | 1:00:25 | |
'And I felt like she was trying to tell me something. | 1:00:27 | 1:00:30 | |
'I took it as a sign. | 1:00:30 | 1:00:33 | |
'And from then on, I knew that ballroom dancing would be my life.' | 1:00:33 | 1:00:38 | |
It wasn't the kind of dream my parents had in mind. | 1:00:43 | 1:00:47 | |
What made you wanna dance? | 1:00:48 | 1:00:50 | |
You. | 1:00:51 | 1:00:52 | |
Looking out that window, right up there. | 1:00:54 | 1:00:57 | |
You can see it from the train, and... | 1:00:59 | 1:01:03 | |
every night, | 1:01:03 | 1:01:04 | |
I'd come home from work and I'd look for you, your face. | 1:01:04 | 1:01:08 | |
You looked on the outside the way I was feeling on the inside. | 1:01:10 | 1:01:14 | |
I was watching you, too. | 1:01:14 | 1:01:16 | |
From the window, I saw you practising on the platform. | 1:01:16 | 1:01:19 | |
No. Oh... | 1:01:19 | 1:01:21 | |
That night I said all those things to you, | 1:01:25 | 1:01:27 | |
I didn't think I'd ever see you again. | 1:01:27 | 1:01:30 | |
But you kept coming back. | 1:01:33 | 1:01:35 | |
I didn't want to. | 1:01:35 | 1:01:37 | |
But I figured if I hadn't, you'd have been right about everything you accused me of. | 1:01:38 | 1:01:43 | |
Then I started dancing, and I found I really liked it. It made me happy. | 1:01:43 | 1:01:47 | |
Yes, it shows. | 1:01:47 | 1:01:49 | |
I mean, I feel excited about something for the first time in such a long time. | 1:01:49 | 1:01:54 | |
Aren't you? Excited? | 1:01:54 | 1:01:56 | |
About tomorrow. The competition. | 1:01:56 | 1:01:58 | |
No, no, no. I'm petrified. I'm... | 1:01:58 | 1:02:01 | |
I'm gonna forget everything, I won't be able to put one foot in front of the other. | 1:02:01 | 1:02:06 | |
I'll make a mess of the whole thing. No. I know. I'm just... | 1:02:06 | 1:02:09 | |
Give me one hour. | 1:02:13 | 1:02:15 | |
MUSIC: Santa Maria by Gotan Project | 1:02:19 | 1:02:23 | |
Leave it. Leave the light. | 1:02:23 | 1:02:26 | |
Don't say anything... and don't think. | 1:02:32 | 1:02:35 | |
And don't move unless you feel it. | 1:02:38 | 1:02:40 | |
Be this alive. | 1:05:03 | 1:05:04 | |
Be this alive tomorrow. | 1:05:08 | 1:05:10 | |
Thank you. | 1:05:24 | 1:05:26 | |
God, I'm sorry. I'm sorry, I lost my balance. | 1:06:25 | 1:06:28 | |
Oh, that's OK. I lost my fiance. | 1:06:28 | 1:06:29 | |
Lisa. Lisa. | 1:06:29 | 1:06:31 | |
There you are. Found the earring. | 1:06:31 | 1:06:33 | |
John Clark. Photo op. Come on. | 1:06:38 | 1:06:41 | |
Smile, everyone. | 1:06:41 | 1:06:43 | |
CHIC: Paso doble! | 1:06:43 | 1:06:44 | |
THEY ALL CHEER | 1:06:44 | 1:06:46 | |
Good luck, everybody. | 1:06:47 | 1:06:48 | |
Good luck. | 1:06:48 | 1:06:50 | |
- Hey. - Yeah. | 1:06:50 | 1:06:52 | |
So what did I tell you? Girls love guys who can dance, right? | 1:06:52 | 1:06:55 | |
Even I got a partner. Check it out. | 1:06:55 | 1:06:57 | |
Cute. But who's the guy? | 1:06:58 | 1:07:01 | |
Oh, that's her brother. | 1:07:01 | 1:07:03 | |
Yeah, we play basketball together. | 1:07:06 | 1:07:08 | |
Aren't they adorable? They're gonna get slaughtered. | 1:07:15 | 1:07:18 | |
Oh, shh. Don't say that. | 1:07:18 | 1:07:20 | |
Mr Clark. | 1:07:22 | 1:07:23 | |
John? | 1:07:25 | 1:07:27 | |
You look blue. Breathe. | 1:07:28 | 1:07:31 | |
Thanks. | 1:07:36 | 1:07:38 | |
Ladies and gentlemen, good evening. | 1:07:41 | 1:07:44 | |
The Chicago Taittinger Trophy | 1:07:44 | 1:07:45 | |
Latin competition will now begin. | 1:07:45 | 1:07:47 | |
< Judges, this is a semi-final round | 1:07:47 | 1:07:49 | |
< with 11 couples on the floor. | 1:07:49 | 1:07:52 | |
And now, ladies and gentlemen, your first dance is the cha-cha. | 1:07:52 | 1:07:55 | |
< Music, please. | 1:07:55 | 1:07:57 | |
Nice chasse, Vern! | 1:08:20 | 1:08:22 | |
Oh! | 1:08:51 | 1:08:52 | |
APPLAUSE | 1:09:05 | 1:09:07 | |
< Let's hear it for the cha-cha, ladies and gentlemen. | 1:09:16 | 1:09:18 | |
Who's your favourite couple out there? Let them hear their numbers. | 1:09:18 | 1:09:21 | |
We danced like...! All you did was worry about that stupid wig! | 1:09:22 | 1:09:26 | |
Well, what did you expect me to do? You saw... | 1:09:26 | 1:09:28 | |
I know, he's a pig. But this is Latin. | 1:09:28 | 1:09:30 | |
The judges are looking at your hips, not your hair. | 1:09:30 | 1:09:32 | |
So unless that thing looks good on your ass, lose it! | 1:09:32 | 1:09:35 | |
Fine! | 1:09:37 | 1:09:38 | |
CHEERING | 1:09:41 | 1:09:44 | |
MAN: We love you, baldy! | 1:09:44 | 1:09:46 | |
< Thank you, dancers. | 1:09:47 | 1:09:49 | |
< Please take your positions for your second and final dance of this competition, | 1:09:49 | 1:09:52 | |
the paso doble. | 1:09:52 | 1:09:55 | |
Music, please. | 1:09:55 | 1:09:56 | |
Looks like he got rid of a lot more than the wig. | 1:10:21 | 1:10:24 | |
'Ladies and gentlemen, I have the final results for the Latin competition.' | 1:11:29 | 1:11:33 | |
Your finalists are... couple 102... | 1:11:33 | 1:11:35 | |
We did it. Lisa, we did it, we did it! | 1:11:38 | 1:11:41 | |
Couple 104. | 1:11:41 | 1:11:42 | |
Oh, my God. Oh, my God! | 1:11:46 | 1:11:47 | |
'Couple 106. | 1:11:47 | 1:11:49 | |
'Couple 109.' | 1:11:49 | 1:11:51 | |
Couple 110. | 1:11:51 | 1:11:53 | |
And couple 105... | 1:11:53 | 1:11:56 | |
has been disqualified. | 1:11:56 | 1:11:58 | |
What?! | 1:11:58 | 1:11:59 | |
CHEERING | 1:11:59 | 1:12:01 | |
I thought Slick Willy was pretty good. | 1:12:05 | 1:12:07 | |
Bad attitude. Ungentlemanly behaviour. | 1:12:07 | 1:12:09 | |
It's a British sport, after all. | 1:12:09 | 1:12:11 | |
The man was working it. Well... | 1:12:11 | 1:12:14 | |
< Immediately following, the standard competition. | 1:12:14 | 1:12:16 | |
Ladies and gentlemen, | 1:12:16 | 1:12:17 | |
the Chicago Taittinger Trophy standard competition | 1:12:17 | 1:12:20 | |
will now begin. | 1:12:20 | 1:12:21 | |
'Judges, this is a semi-final round with ten couples on the floor. | 1:12:21 | 1:12:25 | |
'They'll be dancing the waltz and the quickstep. | 1:12:25 | 1:12:27 | |
'Now, ladies and gentlemen, let's bring our dancers out | 1:12:27 | 1:12:30 | |
'with a nice big round of applause. | 1:12:30 | 1:12:32 | |
'Couple 115.' | 1:12:32 | 1:12:34 | |
Couple 116. | 1:12:36 | 1:12:37 | |
'Couple number 117. | 1:12:41 | 1:12:43 | |
'Couple number 118. | 1:12:45 | 1:12:47 | |
'Couple number 119. | 1:12:49 | 1:12:50 | |
'Couple 120. | 1:12:52 | 1:12:53 | |
'Couple 121...' | 1:12:54 | 1:12:56 | |
Wow. | 1:13:00 | 1:13:01 | |
Come on, come on, > we're gonna be late. | 1:13:01 | 1:13:05 | |
Hey, you're not gonna choke on me, are you? | 1:13:06 | 1:13:08 | |
I think my feet are asleep, I don't remember anything... | 1:13:08 | 1:13:11 | |
You're great. You look beautiful. | 1:13:11 | 1:13:12 | |
And finally, couple number 126. | 1:13:12 | 1:13:15 | |
There they are. | 1:13:28 | 1:13:29 | |
Yeah. They look nervous. | 1:13:29 | 1:13:31 | |
No, not them. Them. | 1:13:31 | 1:13:33 | |
You invited them? | 1:13:37 | 1:13:39 | |
She said she wanted to be a witness to her husband's life. | 1:13:39 | 1:13:42 | |
I thought she should witness this. | 1:13:42 | 1:13:44 | |
So you're a marriage counsellor now? | 1:13:44 | 1:13:45 | |
But could you at least bill Mrs Clark for that? | 1:13:45 | 1:13:49 | |
'As our dancers take their positions...' There he is. | 1:13:50 | 1:13:54 | |
'I'd like to remind the judges that you'll be recalling six couples for the final round. | 1:13:54 | 1:13:58 | |
'Ladies and gentlemen, your first dance is the waltz.' | 1:14:00 | 1:14:03 | |
Music, please. | 1:14:06 | 1:14:07 | |
APPLAUSE | 1:14:26 | 1:14:27 | |
Well done! | 1:14:32 | 1:14:34 | |
He's awesome. | 1:14:43 | 1:14:46 | |
Dad is awesome! | 1:14:46 | 1:14:49 | |
Spectacular. | 1:15:18 | 1:15:21 | |
It's spectacular. | 1:15:21 | 1:15:23 | |
MUSIC ENDS | 1:15:44 | 1:15:45 | |
116! | 1:15:53 | 1:15:54 | |
Whoo! | 1:15:54 | 1:15:56 | |
Way to go, Dad! | 1:16:04 | 1:16:07 | |
COMPERE: Such a beautiful waltz. | 1:16:11 | 1:16:13 | |
We weren't terrible. I can't believe it. | 1:16:13 | 1:16:15 | |
Of course we weren't. You were dancing with me, you big nut. | 1:16:15 | 1:16:18 | |
..the second and final dance of this competition, the quickstep! | 1:16:18 | 1:16:21 | |
DRUM AND TRUMPET INTRO | 1:16:21 | 1:16:24 | |
Hey, is your daughter here tonight? No. Why? | 1:16:29 | 1:16:33 | |
I thought I heard someone yell at you, "Go, Dad." | 1:16:33 | 1:16:36 | |
Yes! | 1:16:59 | 1:17:01 | |
126! | 1:17:16 | 1:17:18 | |
Go, Dad! > | 1:17:18 | 1:17:21 | |
Way to go, Dad! | 1:17:28 | 1:17:30 | |
SUDDEN SILENCE | 1:17:32 | 1:17:33 | |
GASPS AND SOME LAUGHTER | 1:17:38 | 1:17:40 | |
Beverly! Dad? | 1:18:32 | 1:18:34 | |
Wait a minute. Wait, wait. Dad, you were terrific. | 1:18:34 | 1:18:37 | |
Get in the car, Jen. Just get in the car. | 1:18:37 | 1:18:40 | |
Beverly, how did you know? | 1:18:40 | 1:18:42 | |
Because I hired a detective. I thought you were having an affair. | 1:18:42 | 1:18:45 | |
It's ridiculous, I know. OK. I feel... | 1:18:45 | 1:18:47 | |
Hey, listen, that was really bad luck. | 1:18:47 | 1:18:49 | |
Don't worry. There's always next year. | 1:18:49 | 1:18:51 | |
Oh, "There's always next year." Thanks. | 1:18:51 | 1:18:53 | |
Well, I have a whole year to prepare for it. | 1:18:53 | 1:18:55 | |
Beverly, please, can we talk...? | 1:18:55 | 1:18:57 | |
No, there's nothing to talk about. | 1:18:57 | 1:18:58 | |
Please... Will you please stay...? | 1:18:58 | 1:19:00 | |
HORN BLARES | 1:19:03 | 1:19:04 | |
Stop. No. | 1:19:04 | 1:19:06 | |
Please, will you talk to me? | 1:19:07 | 1:19:08 | |
Then start by explaining what was it that I just saw? What did I witness? | 1:19:08 | 1:19:12 | |
I'm not having an affair. There was no aff... | 1:19:12 | 1:19:15 | |
What's goin' on?! HORN BLARES | 1:19:15 | 1:19:17 | |
Let's go! > They're new friends. | 1:19:17 | 1:19:19 | |
You could've told me about it, couldn't you? | 1:19:19 | 1:19:21 | |
You just completely left me out. | 1:19:21 | 1:19:22 | |
Why didn't you tell me, John? You've gotta answer that. | 1:19:22 | 1:19:25 | |
I was ashamed. Ashamed of what? Of dancing? | 1:19:25 | 1:19:28 | |
No, no... Well, then of what? | 1:19:28 | 1:19:30 | |
Of wanting to be happier... | 1:19:31 | 1:19:33 | |
..when we have so much. | 1:19:34 | 1:19:36 | |
HORN BLARES | 1:19:39 | 1:19:40 | |
And it's not your fault. | 1:19:40 | 1:19:43 | |
Hey, Fred Astaire! > | 1:19:43 | 1:19:45 | |
You're blocking traffic! | 1:19:45 | 1:19:46 | |
< Finally. Thank you! | 1:19:53 | 1:19:56 | |
'The reading of a will | 1:20:09 | 1:20:11 | |
'can actually come as a kind of relief. | 1:20:11 | 1:20:16 | |
'After the initial shock wears off | 1:20:16 | 1:20:18 | |
'about that trust fund for the family dog | 1:20:18 | 1:20:20 | |
'or the opera seats left to the gardener, | 1:20:20 | 1:20:23 | |
'there is at least the sense | 1:20:23 | 1:20:25 | |
'that everything is finally out on the table.' | 1:20:25 | 1:20:29 | |
This... You are not gonna believe this, guys. Louis! Louis! | 1:20:31 | 1:20:34 | |
"Link started dancing in 1985. | 1:20:34 | 1:20:37 | |
"It soon became his passion, and he started dancing six days a week. | 1:20:37 | 1:20:41 | |
"Lawyer by day and dancer by night, | 1:20:41 | 1:20:43 | |
"Link really lights up the floor with all of his energy." | 1:20:43 | 1:20:46 | |
'See. I told you. I knew it. I knew Link Peterson was...' | 1:20:46 | 1:20:50 | |
I think Linky Link might be batting for the other team, | 1:20:50 | 1:20:53 | |
you know what I mean? | 1:20:53 | 1:20:55 | |
WOMAN: Could those pants be any tighter? Look at his package! | 1:20:55 | 1:20:58 | |
Somebody get a magnifying glass! | 1:20:58 | 1:21:00 | |
There is nothing wrong with ballroom dancing. | 1:21:00 | 1:21:05 | |
Sorry. | 1:21:13 | 1:21:15 | |
Oh... | 1:21:17 | 1:21:19 | |
SHE SQUEAKS | 1:21:20 | 1:21:21 | |
And football sucks. | 1:21:30 | 1:21:32 | |
LINK: Hey, how you doin'? Hey. | 1:21:43 | 1:21:45 | |
Surprise. This is gorgeous. | 1:21:45 | 1:21:48 | |
Yeah, it's a pretty spot. Thanks. | 1:21:48 | 1:21:51 | |
John, we just wanted to talk to you for a minute. | 1:21:51 | 1:21:53 | |
Yeah, I just hope you weren't staying away from class on account of me. | 1:21:53 | 1:21:55 | |
I'm not mad about you ripping my dress or anything - seriously. | 1:21:55 | 1:21:58 | |
I know you always wanted to look at my ass, and you picked a pretty weird time to do it, but I forgive you. | 1:21:58 | 1:22:04 | |
Thanks. Thank you. Honestly. OK? | 1:22:04 | 1:22:06 | |
- Can we tell Miss Mitzi you're coming back? - I'm sorry. I'm not coming back. | 1:22:06 | 1:22:10 | |
It's...it's... I'm done with that now. | 1:22:10 | 1:22:14 | |
But thanks a lot for coming out here. I really appreciate that. | 1:22:14 | 1:22:18 | |
John, look... | 1:22:18 | 1:22:20 | |
Paulina, you know, | 1:22:20 | 1:22:21 | |
she's gonna go to England to study dance, | 1:22:21 | 1:22:24 | |
and we're havin' a little, you know, going-away party for her, | 1:22:24 | 1:22:28 | |
and we'd love for you to come. | 1:22:28 | 1:22:30 | |
Really love it if you would come by. | 1:22:30 | 1:22:33 | |
She gave me this to give to you, so... | 1:22:33 | 1:22:36 | |
Anyway, we hope that we see you there. | 1:22:40 | 1:22:43 | |
All right? | 1:22:43 | 1:22:44 | |
All right, come on. | 1:22:44 | 1:22:46 | |
Bye, John. Bye. | 1:22:46 | 1:22:48 | |
"I hope you're not upset about what happened with you and Bobbie, | 1:22:55 | 1:22:59 | |
"because you were wonderful that night. | 1:22:59 | 1:23:02 | |
"I'd hate to think that what happened | 1:23:02 | 1:23:04 | |
"would make you give it all up. | 1:23:04 | 1:23:06 | |
"You looked so graceful and brave out there - | 1:23:07 | 1:23:10 | |
"a different person from the one | 1:23:10 | 1:23:12 | |
"who first walked into Miss Mitzi's studio. | 1:23:12 | 1:23:15 | |
"But a lot has changed for both of us over the last few months. | 1:23:15 | 1:23:19 | |
"When my partner and I went to Blackpool last year, | 1:23:22 | 1:23:25 | |
"we were so excited to make it to the finals. | 1:23:25 | 1:23:28 | |
"Everyone was convinced that we were going to win, | 1:23:30 | 1:23:34 | |
"and we wanted to prove them right. | 1:23:34 | 1:23:36 | |
"We'd been together as a couple for as long as we'd been partners. | 1:23:36 | 1:23:40 | |
"But we began training too hard, pushing each other, expecting too much. | 1:23:40 | 1:23:46 | |
"Well, we didn't win. | 1:23:48 | 1:23:49 | |
"Not even close. | 1:23:49 | 1:23:50 | |
"I came back without my trophy or my partner. | 1:23:54 | 1:23:58 | |
"And all this time, I've been hiding out at Miss Mitzi's, | 1:23:58 | 1:24:02 | |
"angry at myself, frustrated and embarrassed. | 1:24:02 | 1:24:07 | |
"But coaching you and Bobbie, | 1:24:09 | 1:24:10 | |
"seeing how alive you were out there, | 1:24:10 | 1:24:14 | |
"made me realise just how much I'd given up. | 1:24:14 | 1:24:17 | |
"And now, for the first time in a long time... | 1:24:42 | 1:24:46 | |
"..I want to dance again. | 1:24:48 | 1:24:50 | |
"So I need to thank you - thank you for helping me to see this. | 1:24:52 | 1:24:57 | |
"I hope I get to see you and dance with you once more before I leave. | 1:25:02 | 1:25:06 | |
"Paulina." | 1:25:09 | 1:25:11 | |
Thanks. | 1:25:23 | 1:25:24 | |
By the way, I'm not going to this party. | 1:25:27 | 1:25:30 | |
Oh, OK. But you're not giving up dancing, are you? | 1:25:30 | 1:25:34 | |
You could... teach me to dance. | 1:25:39 | 1:25:42 | |
Beverly, I'm not dancing any more. | 1:25:45 | 1:25:47 | |
Why not, Dad? | 1:25:48 | 1:25:50 | |
Why don't you teach Mom how to dance? | 1:25:52 | 1:25:55 | |
The one thing I am proudest of in my whole life... | 1:26:13 | 1:26:18 | |
..is that you are happy with me. | 1:26:19 | 1:26:21 | |
If I couldn't... > | 1:26:23 | 1:26:25 | |
If I couldn't tell you that I was unhappy sometimes, | 1:26:25 | 1:26:28 | |
it was because I didn't want to risk hurting the one person I treasure most. | 1:26:28 | 1:26:33 | |
I'm so sorry. | 1:26:36 | 1:26:38 | |
# The book of love | 1:27:05 | 1:27:07 | |
# is long and boring | 1:27:07 | 1:27:10 | |
# And no-one can lift the damn thing | 1:27:10 | 1:27:15 | |
# It's full of charts | 1:27:15 | 1:27:17 | |
# And facts and figures | 1:27:17 | 1:27:20 | |
# And instructions for dancing | 1:27:21 | 1:27:24 | |
# But I... | 1:27:25 | 1:27:26 | |
# I love it when you read to me | 1:27:31 | 1:27:34 | |
# And you-ou | 1:27:35 | 1:27:38 | |
# You can read me anything | 1:27:41 | 1:27:45 | |
# The book of love | 1:27:46 | 1:27:48 | |
# has music in it | 1:27:48 | 1:27:51 | |
# In fact, that's where music comes from | 1:27:52 | 1:27:56 | |
# Some of it's just transcendental | 1:27:57 | 1:28:00 | |
# Some of it's just really dumb | 1:28:02 | 1:28:06 | |
# But I... # | 1:28:06 | 1:28:08 | |
So, John, I'll see you at the party, huh? | 1:28:09 | 1:28:12 | |
# I love it when you sing to me | 1:28:12 | 1:28:15 | |
# And you-ou | 1:28:17 | 1:28:19 | |
# You can sing me anything | 1:28:23 | 1:28:27 | |
# The book of love is long and boring | 1:28:28 | 1:28:32 | |
# and written very long ago | 1:28:33 | 1:28:36 | |
# It's full of flowers and heart-shaped boxes | 1:28:38 | 1:28:43 | |
# and things we're all too young to know | 1:28:44 | 1:28:48 | |
# But I-I... | 1:28:48 | 1:28:51 | |
# I love it when you give me things | 1:28:54 | 1:28:59 | |
# And you-ou | 1:28:59 | 1:29:01 | |
# You ought to give me wedding rings | 1:29:05 | 1:29:09 | |
# The book of love has music in it | 1:29:15 | 1:29:19 | |
# In fact, that's where music comes from | 1:29:21 | 1:29:24 | |
# Some of it's just transcendental... # | 1:29:26 | 1:29:29 | |
I like this palette. It looks lovely. | 1:29:29 | 1:29:31 | |
I just am now worried, though, that these guys are too dark... | 1:29:31 | 1:29:35 | |
# But I-I... | 1:29:35 | 1:29:38 | |
# I love it when you sing to me | 1:29:41 | 1:29:46 | |
# And you-ou | 1:29:46 | 1:29:49 | |
# You can sing me anything. # | 1:29:52 | 1:29:55 | |
It's a silly rose. | 1:30:11 | 1:30:13 | |
It's beautiful. | 1:30:13 | 1:30:15 | |
Why aren't you at the party? | 1:30:17 | 1:30:19 | |
Oh, because it's a dance and, to dance, you need a partner. | 1:30:19 | 1:30:23 | |
My partner is right here. | 1:30:25 | 1:30:28 | |
Beverly...dance with me. | 1:30:37 | 1:30:40 | |
I don't know how. | 1:30:41 | 1:30:43 | |
Yeah, you do. No, I don't. | 1:30:43 | 1:30:44 | |
You've been dancing with me for 19 years. | 1:30:44 | 1:30:48 | |
But I don't know the steps. | 1:30:48 | 1:30:49 | |
I'll teach you. | 1:30:51 | 1:30:54 | |
Here? | 1:30:56 | 1:30:58 | |
Right now. | 1:30:59 | 1:31:01 | |
# And you-ou | 1:31:01 | 1:31:03 | |
# You ought to give me wedding rings | 1:31:06 | 1:31:10 | |
# And I-I... | 1:31:10 | 1:31:13 | |
# I love it when you give me things | 1:31:16 | 1:31:21 | |
# And you-ou | 1:31:21 | 1:31:23 | |
# You ought to give me wedding rings | 1:31:27 | 1:31:31 | |
# You ought to give me | 1:31:38 | 1:31:41 | |
# ..wedding rings. # | 1:31:41 | 1:31:44 | |
APPLAUSE | 1:31:46 | 1:31:47 | |
And now Paulina will choose her partner for her special farewell dance. | 1:31:51 | 1:31:55 | |
ALL: Aw-w-w... | 1:31:55 | 1:31:57 | |
Paulina. | 1:31:58 | 1:32:00 | |
- You taught me well. Come on! - It'd be my pleasure. | 1:32:01 | 1:32:04 | |
Let me show you how much I learned. | 1:32:04 | 1:32:06 | |
< I'm available. | 1:32:06 | 1:32:08 | |
BOBBIE: There's John! | 1:32:10 | 1:32:13 | |
MUSIC: Shall We Dance? | 1:32:16 | 1:32:19 | |
Come on! Come on! | 1:32:20 | 1:32:22 | |
Shall we dance, Mr Clark? | 1:32:36 | 1:32:38 | |
I would love to. | 1:32:38 | 1:32:40 | |
Beverly, this is Paulina. Hi. Nice to meet you. | 1:33:21 | 1:33:23 | |
C'mon, c'mon. C'mon, c'mon, c'mon. Thank you. | 1:33:23 | 1:33:26 | |
Come on, let's go dance. | 1:33:26 | 1:33:28 | |
WHOOPING | 1:33:28 | 1:33:31 | |
# When marimba rhythms start to play | 1:33:33 | 1:33:37 | |
# Dance with me | 1:33:37 | 1:33:38 | |
# Make me sway | 1:33:38 | 1:33:41 | |
# Like a lazy ocean hugs the shore | 1:33:41 | 1:33:44 | |
# Hold me close | 1:33:44 | 1:33:46 | |
# Sway me more | 1:33:46 | 1:33:48 | |
# Like a flower bending in the breeze | 1:33:48 | 1:33:51 | |
# Bend with me | 1:33:51 | 1:33:53 | |
# Sway with ease | 1:33:53 | 1:33:55 | |
# When we dance, you have a way with me | 1:33:55 | 1:33:58 | |
# Stay with me | 1:33:58 | 1:34:00 | |
# Sway with me | 1:34:00 | 1:34:03 | |
# Other dancers may be on the floor | 1:34:03 | 1:34:06 | |
# Dear, but my eyes will see only you | 1:34:06 | 1:34:10 | |
# Only you have that magic technique | 1:34:10 | 1:34:14 | |
# When we sway, I go weak | 1:34:14 | 1:34:16 | |
# I go so weak | 1:34:16 | 1:34:17 | |
# I can hear the sound of violins | 1:34:17 | 1:34:20 | |
# Long before it begins | 1:34:20 | 1:34:25 | |
# Make me thrill as only you know how | 1:34:25 | 1:34:27 | |
# Sway me smooth, sway me now | 1:34:27 | 1:34:32 | |
# Mi amore | 1:34:32 | 1:34:33 | |
# Sway me | 1:34:33 | 1:34:35 | |
# Take me | 1:34:35 | 1:34:37 | |
# Thrill me | 1:34:37 | 1:34:39 | |
# Hold me | 1:34:39 | 1:34:41 | |
# Bend me | 1:34:41 | 1:34:42 | |
# Ease me | 1:34:42 | 1:34:44 | |
# You have a way with me | 1:34:44 | 1:34:47 | |
# Yeah, yeah | 1:34:52 | 1:34:53 | |
# Sway me | 1:34:53 | 1:34:55 | |
# Other dancers may be on the floor | 1:35:01 | 1:35:05 | |
# Dear, but my eyes will see only you | 1:35:05 | 1:35:08 | |
# Only you have that magic technique | 1:35:08 | 1:35:12 | |
# When we sway, I go weak | 1:35:12 | 1:35:16 | |
# I go weak | 1:35:16 | 1:35:19 | |
# I can hear the sound of violins | 1:35:19 | 1:35:22 | |
# Long before it begins | 1:35:22 | 1:35:27 | |
# Make me thrill as only you know how | 1:35:27 | 1:35:30 | |
# Sway me smooth, sway me now | 1:35:30 | 1:35:34 | |
# Make me thrill as only you know how | 1:35:48 | 1:35:52 | |
# Sway me smooth, sway me now. # | 1:35:52 | 1:35:56 | |
MUSIC: Santa Maria by Gotan Project | 1:35:59 | 1:36:02 |