
Browse content similar to Signs. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
HE GASPS | 0:01:51 | 0:01:53 | |
DISTANT SCREAM | 0:02:26 | 0:02:29 | |
DISTANT SCREAM | 0:02:36 | 0:02:39 | |
BIRDS SCREECH IN DISTANCE | 0:02:49 | 0:02:52 | |
Where are they? | 0:02:52 | 0:02:54 | |
BOY: Dad! | 0:02:54 | 0:02:56 | |
Uncle Merrill! | 0:02:56 | 0:02:58 | |
GIRL: Dad! | 0:02:58 | 0:03:00 | |
Morgan?! | 0:03:03 | 0:03:05 | |
BIRDS SCREECH | 0:03:10 | 0:03:13 | |
INSECTS BUZZ | 0:03:13 | 0:03:15 | |
Bo... Bo, Bo, where's Morgan? | 0:03:17 | 0:03:19 | |
Bo? | 0:03:19 | 0:03:21 | |
Are you in my dream, too? | 0:03:21 | 0:03:23 | |
This is not a dr... | 0:03:23 | 0:03:25 | |
MORGAN: Dad! | 0:03:25 | 0:03:27 | |
Morgan, what's happening? | 0:03:33 | 0:03:35 | |
The dogs were barking. It woke us up. | 0:03:35 | 0:03:39 | |
Are you hurt? | 0:03:40 | 0:03:42 | |
I think God did it. | 0:03:42 | 0:03:44 | |
Did what, Morgan? | 0:03:44 | 0:03:46 | |
DOGS BARK IN DISTANCE | 0:03:48 | 0:03:51 | |
BARKING GETS LOUDER | 0:04:11 | 0:04:14 | |
Look, Lee, I don't even care if it was him. | 0:05:02 | 0:05:05 | |
You could just have a word with him | 0:05:05 | 0:05:07 | |
and that'd be enough for me. | 0:05:07 | 0:05:09 | |
See, it was strange finding the crops that way. | 0:05:09 | 0:05:13 | |
The kids were confused by it | 0:05:13 | 0:05:16 | |
and it'd sure take the strangeness away | 0:05:16 | 0:05:19 | |
if I knew it was just Lionel and the Wolfington brothers | 0:05:19 | 0:05:21 | |
messing around, that's all. | 0:05:21 | 0:05:23 | |
At the movies. | 0:05:24 | 0:05:26 | |
Are you sure? | 0:05:26 | 0:05:28 | |
All right, then. | 0:05:28 | 0:05:30 | |
Thanks for your patience, Lee. | 0:05:30 | 0:05:33 | |
Yeah, bye. | 0:05:33 | 0:05:34 | |
Houdini peed. | 0:05:38 | 0:05:40 | |
I think he's sick. | 0:05:40 | 0:05:42 | |
Why don't you take him outside? | 0:05:42 | 0:05:44 | |
I'll call Dr Crawford. | 0:05:44 | 0:05:45 | |
He doesn't treat animals. | 0:05:45 | 0:05:47 | |
He'll know what to do. | 0:05:47 | 0:05:48 | |
DOOR OPENS AND SHUTS | 0:05:54 | 0:05:59 | |
Oh, that was quick, Caroline. | 0:06:04 | 0:06:06 | |
I only called you folks two hours ago. | 0:06:06 | 0:06:08 | |
Old Mrs Kindleman twisted her ankle | 0:06:08 | 0:06:11 | |
as she puts it, "diving for her life" | 0:06:11 | 0:06:13 | |
when a bunch of schoolkids rode down the sidewalk | 0:06:13 | 0:06:16 | |
on skateboards. | 0:06:16 | 0:06:17 | |
She went down to Thorton's store this mornin' | 0:06:17 | 0:06:20 | |
and started spittin' on the new skateboards. | 0:06:20 | 0:06:23 | |
Spittin'! | 0:06:23 | 0:06:24 | |
By the time I got there | 0:06:24 | 0:06:26 | |
Mrs Kindleman had sprayed the whole damn place. | 0:06:26 | 0:06:30 | |
And she must have had a cold or something. | 0:06:30 | 0:06:33 | |
I'm telling you, I won't eat for a week. | 0:06:33 | 0:06:36 | |
SHE SIGHS | 0:06:36 | 0:06:38 | |
So, what happened to your crops? | 0:06:38 | 0:06:41 | |
Dad's going to burn these again. | 0:06:44 | 0:06:48 | |
It's contaminated. | 0:06:55 | 0:06:57 | |
You don't even know what that word means. | 0:06:57 | 0:07:00 | |
It's not contaminated. | 0:07:02 | 0:07:04 | |
It's just tap water. Pour it in his bowl. | 0:07:04 | 0:07:06 | |
It tastes funny. | 0:07:06 | 0:07:08 | |
It does not. | 0:07:08 | 0:07:09 | |
Besides, he licks his butt every day. | 0:07:09 | 0:07:11 | |
I don't think he'll mind. | 0:07:11 | 0:07:12 | |
HE BARKS FEROCIOUSLY | 0:07:26 | 0:07:28 | |
HE SNARLS | 0:07:28 | 0:07:29 | |
Houdini? | 0:07:29 | 0:07:31 | |
Bo, don't run. | 0:07:31 | 0:07:33 | |
What's wrong, boy? | 0:07:33 | 0:07:35 | |
Stop it, Houdini. | 0:07:35 | 0:07:37 | |
HE BARKS AND SNARLS | 0:07:37 | 0:07:40 | |
CAROLINE: Look at where it's bent over, Father. | 0:07:43 | 0:07:48 | |
It's not broken. | 0:07:48 | 0:07:51 | |
And what kind of machine can bend a stalk of corn over | 0:07:51 | 0:07:54 | |
without breaking it? | 0:07:54 | 0:07:56 | |
It can't be by hand, it's too perfect. | 0:07:56 | 0:07:59 | |
It doesn't sound much like Lionel Prichard | 0:07:59 | 0:08:01 | |
and the Wolfington brothers. | 0:08:01 | 0:08:02 | |
They can't take a piss | 0:08:02 | 0:08:04 | |
without wetting the front of their pants. | 0:08:04 | 0:08:06 | |
I don't think anyone else around here | 0:08:06 | 0:08:08 | |
has had any problems. | 0:08:08 | 0:08:10 | |
I was over Theo Henry's farm yesterday afternoon | 0:08:10 | 0:08:13 | |
and he would've mentioned something. | 0:08:13 | 0:08:15 | |
Why were you at Theo's place? | 0:08:15 | 0:08:17 | |
Some animals around the county have been acting funny. | 0:08:17 | 0:08:20 | |
And some of them violent. | 0:08:20 | 0:08:23 | |
What is it, a virus? | 0:08:24 | 0:08:25 | |
I don't think so, Father. | 0:08:25 | 0:08:27 | |
They're more edgy. | 0:08:27 | 0:08:30 | |
They're on alert. | 0:08:30 | 0:08:32 | |
It's almost like they act when they smell a predator around, | 0:08:32 | 0:08:35 | |
peeing on themselves and everything. | 0:08:35 | 0:08:37 | |
BIRDS CAW | 0:08:37 | 0:08:41 | |
Caroline? | 0:08:44 | 0:08:46 | |
Please stop calling me "Father". | 0:08:49 | 0:08:51 | |
What's wrong? | 0:08:51 | 0:08:53 | |
I don't hear my children. | 0:08:53 | 0:08:56 | |
He fell on me. | 0:09:25 | 0:09:27 | |
He wanted to kill Bo. | 0:09:27 | 0:09:29 | |
Did he hurt you? | 0:09:45 | 0:09:47 | |
No. | 0:09:47 | 0:09:48 | |
I'm so sorry, Morgan. | 0:09:53 | 0:09:56 | |
Where were you? | 0:10:15 | 0:10:16 | |
Houdini's sick. | 0:10:18 | 0:10:20 | |
Tie Isabelle up to the back of the shed | 0:10:20 | 0:10:22 | |
and make sure the knot's very tight. | 0:10:22 | 0:10:24 | |
INSECTS CHIRP | 0:10:51 | 0:10:55 | |
CHIRPING STOPS | 0:10:59 | 0:11:01 | |
What's the matter? | 0:11:06 | 0:11:08 | |
There's a monster outside my room. | 0:11:08 | 0:11:11 | |
Can I have a glass of water? | 0:11:11 | 0:11:13 | |
What's wrong with the water next to your bed? | 0:11:13 | 0:11:17 | |
It tastes old. | 0:11:17 | 0:11:19 | |
HE SIGHS | 0:11:30 | 0:11:33 | |
MORGAN GRUNTS SOFTLY | 0:11:34 | 0:11:37 | |
What are you thinking about? | 0:11:51 | 0:11:53 | |
Why do you talk to Mom when you're by yourself? | 0:11:55 | 0:12:00 | |
It makes me feel better. | 0:12:02 | 0:12:04 | |
Does she ever answer back? | 0:12:05 | 0:12:08 | |
No. | 0:12:12 | 0:12:13 | |
She never answers me, either. | 0:12:15 | 0:12:18 | |
What? | 0:12:34 | 0:12:36 | |
Lionel Prichard and the Wolfington brothers are back. | 0:12:36 | 0:12:40 | |
It's time for an ass-whoopin'. | 0:12:40 | 0:12:42 | |
This is not an intelligent way to approach this. | 0:12:42 | 0:12:46 | |
Lee is a friend of mine. This is his son. | 0:12:46 | 0:12:49 | |
We'll be doing Lee a favour. | 0:12:49 | 0:12:50 | |
Listen, we both go outside, | 0:12:50 | 0:12:52 | |
move around the house in opposite directions. | 0:12:52 | 0:12:55 | |
We act crazy, insane with anger | 0:12:55 | 0:12:57 | |
and make them crap in their pants, | 0:12:57 | 0:12:58 | |
force them around till we meet up | 0:12:58 | 0:13:00 | |
on the other side. | 0:13:00 | 0:13:02 | |
Explain "act crazy". | 0:13:02 | 0:13:03 | |
Curse and stuff. | 0:13:03 | 0:13:04 | |
You want me to curse? | 0:13:04 | 0:13:06 | |
You don't mean it. It's just for show. | 0:13:06 | 0:13:08 | |
What? | 0:13:08 | 0:13:10 | |
It won't be convincing. It doesn't sound natural when I curse. | 0:13:10 | 0:13:13 | |
Just make noises then. | 0:13:13 | 0:13:15 | |
Explain "noises". | 0:13:15 | 0:13:17 | |
Are you going to do this or what? | 0:13:17 | 0:13:19 | |
No, I'm not. | 0:13:19 | 0:13:20 | |
All right, you want them stealing something | 0:13:20 | 0:13:22 | |
in the house next time? | 0:13:22 | 0:13:23 | |
On the count of three. | 0:13:23 | 0:13:25 | |
One... | 0:13:25 | 0:13:26 | |
two, three! | 0:13:26 | 0:13:28 | |
Aargh! I'm insane with anger! | 0:13:31 | 0:13:33 | |
We're going to beat your ass, bitch! | 0:13:33 | 0:13:35 | |
CLATTERING | 0:13:35 | 0:13:37 | |
We're going to tear your head off! | 0:13:40 | 0:13:42 | |
I'm losing my mind! | 0:13:42 | 0:13:44 | |
It's time for an ass-whooping! | 0:13:46 | 0:13:48 | |
THEY PANT | 0:13:50 | 0:13:51 | |
I cursed. | 0:13:54 | 0:13:55 | |
I heard. | 0:13:55 | 0:13:57 | |
CLATTERING | 0:13:57 | 0:14:00 | |
How did he get...? | 0:14:01 | 0:14:03 | |
FOOTSTEPS | 0:14:03 | 0:14:06 | |
Are you sure this is Lionel Prichard? | 0:14:16 | 0:14:19 | |
< CLATTERING | 0:14:19 | 0:14:22 | |
SWING CREAKS | 0:14:22 | 0:14:24 | |
RUSTLING | 0:14:26 | 0:14:29 | |
CAROLINE: You like that? | 0:14:37 | 0:14:39 | |
You got an old baby monitor around? | 0:14:41 | 0:14:44 | |
Bo had an old baby monitor. | 0:14:44 | 0:14:46 | |
Well, you can use Bo's baby monitor | 0:14:46 | 0:14:48 | |
as a walkie-talkie. | 0:14:48 | 0:14:50 | |
You can? | 0:14:50 | 0:14:51 | |
It only works one way, but it'll do fine. | 0:14:52 | 0:14:54 | |
That is, until someone gets you | 0:14:54 | 0:14:57 | |
an old walkie-talkie left over at the station. | 0:14:57 | 0:15:00 | |
TV BLARES | 0:15:00 | 0:15:03 | |
Hey, Bo? | 0:15:05 | 0:15:07 | |
Turn that down till Officer Paski leaves. | 0:15:07 | 0:15:09 | |
You're too old to still be doing this. | 0:15:12 | 0:15:15 | |
You take a glass of water, and you finish it. | 0:15:15 | 0:15:17 | |
Now, what's wrong with this one? | 0:15:17 | 0:15:19 | |
It has dust in it. | 0:15:19 | 0:15:21 | |
This one? | 0:15:21 | 0:15:22 | |
A hair. | 0:15:22 | 0:15:24 | |
This one? | 0:15:24 | 0:15:25 | |
Morgan took a sip, and it has his amoebas in it. | 0:15:25 | 0:15:29 | |
So, how are you, Merrill? | 0:15:33 | 0:15:35 | |
Fine. | 0:15:35 | 0:15:38 | |
How is work at the gas station? | 0:15:39 | 0:15:42 | |
Stimulating. | 0:15:42 | 0:15:44 | |
I never got a chance to tell you | 0:15:47 | 0:15:49 | |
but I thought you moving in here | 0:15:49 | 0:15:51 | |
with your brother after... | 0:15:51 | 0:15:53 | |
It was a nice thing to do. | 0:15:53 | 0:15:56 | |
Well, I don't think I'm helping much. | 0:15:56 | 0:15:59 | |
You are. | 0:16:02 | 0:16:05 | |
Sorry. | 0:16:21 | 0:16:24 | |
OK, so far I have - "It was very dark." | 0:16:24 | 0:16:28 | |
Yes, it was. | 0:16:28 | 0:16:31 | |
You can't describe him at all? | 0:16:31 | 0:16:34 | |
Don't you think that's kind of odd? | 0:16:35 | 0:16:37 | |
A little. | 0:16:37 | 0:16:40 | |
I don't know whether to look for a giant or a midget. | 0:16:40 | 0:16:44 | |
Well, he definitely wasn't a midget. | 0:16:44 | 0:16:46 | |
OK. | 0:16:46 | 0:16:48 | |
So, he was tall. | 0:16:48 | 0:16:50 | |
I-I would say so, yes. | 0:16:53 | 0:16:55 | |
Probably. | 0:16:55 | 0:16:57 | |
CAROLINE: Over six feet? | 0:16:57 | 0:17:00 | |
It was very dark. | 0:17:00 | 0:17:02 | |
Yes, it was. | 0:17:02 | 0:17:04 | |
How certain are you that this was a male? | 0:17:04 | 0:17:07 | |
I don't know any girls who could run like that. | 0:17:07 | 0:17:10 | |
I don't know, Merrill. | 0:17:10 | 0:17:11 | |
I've seen some of those women on the Olympics. | 0:17:11 | 0:17:14 | |
They can run like the wind. | 0:17:14 | 0:17:16 | |
This guy got on our roof in, like, a second. | 0:17:16 | 0:17:19 | |
Our roof is ten feet high! | 0:17:19 | 0:17:21 | |
They have women's high jumping in the Olympics. | 0:17:21 | 0:17:24 | |
They got these Scandinavian women | 0:17:24 | 0:17:26 | |
who can jump clean over me. | 0:17:26 | 0:17:28 | |
Caroline, I know you're making a point here | 0:17:31 | 0:17:34 | |
but I just don't know what it is. | 0:17:34 | 0:17:36 | |
An out-of-town woman stopped by the diner yesterday afternoon | 0:17:36 | 0:17:40 | |
and started yellin' and cussin' because they didn't have | 0:17:40 | 0:17:42 | |
her favourite cigarettes at the vending machine. | 0:17:42 | 0:17:45 | |
She scared a couple of the customers. | 0:17:45 | 0:17:48 | |
No-one's seen her since. | 0:17:50 | 0:17:53 | |
And my point is | 0:17:53 | 0:17:55 | |
we don't know anything about the person you saw. | 0:17:55 | 0:17:57 | |
And we should just keep all possibilities available. | 0:17:57 | 0:18:01 | |
Dad, where's the remote? | 0:18:04 | 0:18:06 | |
I don't know, baby. | 0:18:06 | 0:18:07 | |
Why don't you check in the sofa cushions? | 0:18:07 | 0:18:10 | |
Excluding the possibility that a female Scandinavian Olympian | 0:18:10 | 0:18:14 | |
was running around outside our house last night, | 0:18:14 | 0:18:17 | |
what else might be a possibility? | 0:18:17 | 0:18:19 | |
I'm not done asking questions | 0:18:19 | 0:18:21 | |
and I don't appreciate sarcasm. | 0:18:21 | 0:18:24 | |
Do you two have anyone | 0:18:26 | 0:18:28 | |
who might have a grudge or something against you? | 0:18:28 | 0:18:31 | |
Maybe a-a church member | 0:18:31 | 0:18:34 | |
who might not've liked the fact that you left the church? | 0:18:34 | 0:18:38 | |
I don't think so. | 0:18:39 | 0:18:41 | |
OK, I was out of line | 0:18:41 | 0:18:42 | |
with the whole female Scandinavian Olympian thing. | 0:18:42 | 0:18:45 | |
It's just... I'm pretty strong | 0:18:45 | 0:18:48 | |
and I'm pretty fast | 0:18:48 | 0:18:50 | |
and I was running as fast as I could | 0:18:50 | 0:18:53 | |
and this guy, he was... he was just toying with us. | 0:18:53 | 0:18:57 | |
There's only food under the sofa. | 0:18:58 | 0:19:01 | |
Baby, why don't you just change the channel | 0:19:01 | 0:19:04 | |
on the television? | 0:19:04 | 0:19:05 | |
I did. | 0:19:05 | 0:19:06 | |
And? | 0:19:06 | 0:19:07 | |
The same show is on every station. | 0:19:07 | 0:19:11 | |
Every station? | 0:19:11 | 0:19:13 | |
GRAHAM: Bo, turn up the volume. | 0:19:18 | 0:19:21 | |
'Crop signs first emerged in the late '70s | 0:19:23 | 0:19:25 | |
'with renewed interest in extraterrestrial life. | 0:19:25 | 0:19:28 | |
'They died out by the early '80s, dismissed as hoaxes. | 0:19:28 | 0:19:32 | |
'This new resurgence is wholly different. | 0:19:32 | 0:19:36 | |
'The speed and the quantity in which it has appeared | 0:19:36 | 0:19:39 | |
'implies the coordination of hundreds of individuals | 0:19:39 | 0:19:42 | |
'over many countries. | 0:19:42 | 0:19:44 | |
'There are only a limited number of explanations. | 0:19:47 | 0:19:50 | |
'Either this is one of the most elaborate hoaxes ever created | 0:19:50 | 0:19:55 | |
'or basically... | 0:19:55 | 0:19:57 | |
'..it's for real.' | 0:19:58 | 0:20:01 | |
Extraterrestrials. | 0:20:06 | 0:20:08 | |
What in God's name is going on? | 0:20:10 | 0:20:13 | |
I did some research after I saw your crops. | 0:20:14 | 0:20:17 | |
Two or three guys can make a design | 0:20:17 | 0:20:19 | |
the size of the one in your field overnight | 0:20:19 | 0:20:22 | |
using just boards and ropes. | 0:20:22 | 0:20:24 | |
Really? | 0:20:24 | 0:20:26 | |
That's how these things have been done in the past. | 0:20:26 | 0:20:29 | |
But there's so many now. | 0:20:29 | 0:20:32 | |
How could so many people be in on it? | 0:20:32 | 0:20:35 | |
I can't think straight. | 0:20:37 | 0:20:39 | |
I'm going to go back to the station | 0:20:39 | 0:20:41 | |
and have a cup of Edgar's coffee | 0:20:41 | 0:20:43 | |
and try to think clear. | 0:20:43 | 0:20:45 | |
After that, I might make some calls. | 0:20:45 | 0:20:47 | |
But I'll tell you somethin'. | 0:20:47 | 0:20:48 | |
What I said in there, it still goes. | 0:20:48 | 0:20:50 | |
Your family has been through a lot | 0:20:50 | 0:20:53 | |
and the last thing these children need to do | 0:20:53 | 0:20:55 | |
is worry about some crazy things happenin' in the world. | 0:20:55 | 0:20:58 | |
Now, take 'em into town and get their minds | 0:20:58 | 0:21:01 | |
and your mind on everyday things, hmm? | 0:21:01 | 0:21:04 | |
Good medicine. | 0:21:04 | 0:21:06 | |
That's good advice. | 0:21:06 | 0:21:09 | |
And you take care of yourself... | 0:21:11 | 0:21:14 | |
Graham. | 0:21:14 | 0:21:16 | |
TV REPORTER: 'The footage you're watching was shot yesterday afternoon | 0:21:25 | 0:21:29 | |
'by a 34-year-old local cameraman in Bangalore, | 0:21:29 | 0:21:32 | |
'a southern city of India. | 0:21:32 | 0:21:34 | |
'It's the 18th reported crop sign found in that country | 0:21:34 | 0:21:37 | |
'in the last 72 hours.' | 0:21:37 | 0:21:40 | |
Uncle Merrill, will you turn on the radio? | 0:21:42 | 0:21:44 | |
REPORTER: 'They are signs intended to be seen from the sky...' | 0:21:46 | 0:21:50 | |
No radio, either. | 0:21:52 | 0:21:54 | |
Just for a while. | 0:21:54 | 0:21:56 | |
HE SIGHS | 0:21:57 | 0:21:59 | |
MORGAN: Book money? | 0:22:21 | 0:22:23 | |
Sure. | 0:22:23 | 0:22:25 | |
Just one. | 0:22:27 | 0:22:29 | |
Be back for pizza in 15. | 0:22:38 | 0:22:40 | |
MAN: It's just a bunch of crock. | 0:22:44 | 0:22:48 | |
They're trying to sell sodas. It's plain and simple. | 0:22:48 | 0:22:51 | |
Been watching these reports since morning. | 0:22:51 | 0:22:54 | |
I have seen 12 soda commercials so far - 12! | 0:22:54 | 0:22:58 | |
You have any books on extraterrestrials? | 0:22:58 | 0:23:01 | |
Don't tell me you believe this horse manure. | 0:23:01 | 0:23:04 | |
As a matter of fact, I think we have one. | 0:23:04 | 0:23:06 | |
It came by mistake in a shipment. | 0:23:06 | 0:23:08 | |
Decided to keep it for the city people. | 0:23:08 | 0:23:10 | |
Last row, third book on the left, honey. | 0:23:10 | 0:23:14 | |
RADIO: 'Why is no-one saying the obvious? | 0:23:14 | 0:23:16 | |
'These are just copycats. | 0:23:16 | 0:23:18 | |
'Someone, somewhere, does the first one...' | 0:23:18 | 0:23:21 | |
WOMAN: It was asthma medicine, right, Father? | 0:23:21 | 0:23:24 | |
For Morgan Hess. | 0:23:24 | 0:23:26 | |
And it's not "Father" anymore. | 0:23:26 | 0:23:28 | |
RADIO: 'In less than an hour | 0:23:28 | 0:23:30 | |
'a couple hundred people get the same brilliant idea | 0:23:30 | 0:23:32 | |
'and here we are - on the verge of mass hysteria...' | 0:23:32 | 0:23:37 | |
Can I ask you a favour, Father? | 0:23:41 | 0:23:43 | |
I need to clear my conscience. | 0:23:43 | 0:23:46 | |
Will you listen to me? | 0:23:46 | 0:23:48 | |
Tracey, I am not a Reverend anymore. | 0:23:48 | 0:23:52 | |
I haven't been for six months. | 0:23:52 | 0:23:54 | |
You know this. | 0:23:54 | 0:23:57 | |
All this stuff on TV, | 0:23:57 | 0:23:59 | |
Joe Gills came in here talking about the end of the world. | 0:23:59 | 0:24:03 | |
I'm just a little scared. | 0:24:03 | 0:24:06 | |
Please, I need to clear my conscience. | 0:24:06 | 0:24:10 | |
MAN: I got it figured. | 0:24:18 | 0:24:20 | |
You do? | 0:24:22 | 0:24:24 | |
I've had two separate folks tell me there've been strangers | 0:24:24 | 0:24:27 | |
around these parts last couple nights. | 0:24:27 | 0:24:29 | |
Can't tell what they look like | 0:24:29 | 0:24:31 | |
cos they're staying in the shadows, covert-like. | 0:24:31 | 0:24:35 | |
Nobody's been hurt, mind you, and that's the giveaway. | 0:24:35 | 0:24:38 | |
I see. | 0:24:38 | 0:24:40 | |
It's called probing. It's a military procedure. | 0:24:40 | 0:24:43 | |
You send out a reconnaissance group - | 0:24:43 | 0:24:45 | |
very small, check things out. | 0:24:45 | 0:24:47 | |
Not to engage but to evaluate the situation. | 0:24:47 | 0:24:51 | |
Evaluate the level of danger. | 0:24:51 | 0:24:54 | |
Make sure things are all clear. | 0:24:54 | 0:24:57 | |
Clear for what? | 0:24:57 | 0:24:59 | |
For the rest of them. | 0:25:01 | 0:25:03 | |
Yeah. | 0:25:06 | 0:25:08 | |
You got a pamphlet or something I can read? | 0:25:08 | 0:25:11 | |
Sure. | 0:25:11 | 0:25:13 | |
Thanks. | 0:25:14 | 0:25:16 | |
You didn't used to play baseball, did you? | 0:25:16 | 0:25:19 | |
Shit, I know you. You're Merrill Hess! | 0:25:21 | 0:25:24 | |
I was there the day you hit that 507-footer | 0:25:24 | 0:25:26 | |
over the left-field wall. | 0:25:26 | 0:25:28 | |
Set the record. | 0:25:28 | 0:25:30 | |
Man, that thing had a motor on it. | 0:25:30 | 0:25:32 | |
It's still the record, right? | 0:25:32 | 0:25:34 | |
Got the bat at home, o-on the wall. | 0:25:34 | 0:25:38 | |
You've got two minor league home run records, don't you? | 0:25:38 | 0:25:41 | |
Five. | 0:25:41 | 0:25:43 | |
Why aren't you in the pros, making stacks of cash | 0:25:43 | 0:25:45 | |
and getting your toes licked by beautiful women? | 0:25:45 | 0:25:48 | |
MAN: Cos he has another record | 0:25:48 | 0:25:50 | |
most people don't know about. | 0:25:50 | 0:25:52 | |
He has the minor league strikeout record. | 0:25:52 | 0:25:54 | |
Hello, Lionel. | 0:25:57 | 0:25:58 | |
Merrill's a Class A screw-up. | 0:25:58 | 0:26:01 | |
He would just swing that bat as hard as he could every time. | 0:26:01 | 0:26:03 | |
Didn't matter what the coaches said. | 0:26:03 | 0:26:05 | |
Didn't matter who was on base. | 0:26:05 | 0:26:07 | |
He would just whip that bat through the air | 0:26:07 | 0:26:09 | |
as hard as he could. | 0:26:09 | 0:26:11 | |
Looked like a lumberjack chopping down a tree. | 0:26:11 | 0:26:13 | |
Merrill here has more strikeouts | 0:26:13 | 0:26:15 | |
than any two players. | 0:26:15 | 0:26:17 | |
You really got the strikeout record? | 0:26:17 | 0:26:20 | |
It felt wrong not to swing. | 0:26:27 | 0:26:29 | |
It's contaminated. | 0:26:41 | 0:26:43 | |
Carl, there's something wrong with our water! | 0:26:43 | 0:26:46 | |
Your water's fine. | 0:26:46 | 0:26:48 | |
Bo has this thing about her drinking water. | 0:26:48 | 0:26:51 | |
She had it her whole life. | 0:26:51 | 0:26:53 | |
It's like a tic people have, except it's not a tic. | 0:26:53 | 0:26:56 | |
Is that right? | 0:26:56 | 0:26:58 | |
CARL: Thirteen! | 0:26:58 | 0:27:01 | |
# Don't give me that so-so soda | 0:27:01 | 0:27:04 | |
# That same old cola... # | 0:27:04 | 0:27:05 | |
I'll take it. | 0:27:05 | 0:27:07 | |
TRACEY: I cursed 37 times last week. | 0:27:08 | 0:27:11 | |
I said the f-word a couple of times | 0:27:11 | 0:27:14 | |
but mostly... | 0:27:14 | 0:27:15 | |
"shit"s and... | 0:27:15 | 0:27:17 | |
"bastard"s. | 0:27:17 | 0:27:19 | |
Is "douche bag" a curse? | 0:27:21 | 0:27:24 | |
I suppose that would depend on its usage. | 0:27:24 | 0:27:26 | |
"John, you're a douche bag for kissing Barbara." | 0:27:26 | 0:27:30 | |
That's a curse. | 0:27:30 | 0:27:32 | |
Then it's not 37, it's 71. | 0:27:32 | 0:27:35 | |
Pharmacy crowded? | 0:27:40 | 0:27:42 | |
I don't want any one of you spending time | 0:27:42 | 0:27:44 | |
with Tracey Abernathy alone. | 0:27:44 | 0:27:46 | |
Is that understood? | 0:27:46 | 0:27:47 | |
HE SIGHS | 0:27:49 | 0:27:52 | |
Is that him? | 0:28:06 | 0:28:08 | |
Yeah. | 0:28:12 | 0:28:14 | |
Who is he? | 0:28:35 | 0:28:36 | |
INSECTS BUZZ | 0:28:50 | 0:28:52 | |
CAR APPROACHES | 0:28:54 | 0:28:57 | |
STATIC CRACKLES | 0:29:02 | 0:29:05 | |
MERRILL: What is it? | 0:29:09 | 0:29:11 | |
GRAHAM: It's Bo's baby monitor. | 0:29:11 | 0:29:14 | |
I found it in the basement. | 0:29:14 | 0:29:15 | |
I'm going to use it as a walkie-talkie. | 0:29:15 | 0:29:18 | |
What if it's catching a signal from them? | 0:29:23 | 0:29:26 | |
It's not. | 0:29:29 | 0:29:30 | |
But it wasn't working. | 0:29:30 | 0:29:32 | |
Morgan, this crop stuff | 0:29:32 | 0:29:34 | |
is about a bunch of nerds | 0:29:34 | 0:29:35 | |
who never had a girlfriend in their lives. | 0:29:35 | 0:29:37 | |
They're, like, 30 | 0:29:37 | 0:29:38 | |
and they work up little codes together | 0:29:38 | 0:29:40 | |
and they analyse Greek mythology | 0:29:40 | 0:29:41 | |
and make up secret societies | 0:29:41 | 0:29:42 | |
where other guys | 0:29:42 | 0:29:43 | |
who never had girlfriends before can join in. | 0:29:43 | 0:29:45 | |
They do stupid crap like this to feel special. | 0:29:45 | 0:29:47 | |
It's a scam. | 0:29:47 | 0:29:48 | |
Nerds were doing it 25 years ago. | 0:29:48 | 0:29:50 | |
New nerds are doing it again. | 0:29:50 | 0:29:52 | |
It's just static, Morgan. | 0:29:55 | 0:29:57 | |
Uh...turn it up, see. | 0:29:57 | 0:30:00 | |
ERRATIC CHIRPING | 0:30:00 | 0:30:03 | |
It's a code. | 0:30:03 | 0:30:05 | |
Why can't they get girlfriends? | 0:30:05 | 0:30:08 | |
Can I see that, please? | 0:30:08 | 0:30:10 | |
STATIC WHINES AND CRACKLES | 0:30:10 | 0:30:14 | |
HIGH-PITCHED WHINE | 0:30:14 | 0:30:17 | |
It's noise. | 0:30:17 | 0:30:19 | |
It's broken, Morgan. | 0:30:19 | 0:30:21 | |
It's just going to keep doing this. | 0:30:21 | 0:30:23 | |
Maybe some new batteries. | 0:30:23 | 0:30:25 | |
MORGAN: We might lose the signal. | 0:30:25 | 0:30:27 | |
This is exactly what the nerds want. | 0:30:27 | 0:30:29 | |
I'm getting out now. | 0:30:31 | 0:30:33 | |
STATIC GROWS LOUDER | 0:30:35 | 0:30:38 | |
MOANING | 0:30:38 | 0:30:39 | |
Nobody move. | 0:30:39 | 0:30:41 | |
MOANING | 0:30:42 | 0:30:43 | |
Voices. Did you hear that? | 0:30:43 | 0:30:46 | |
Not English, though. | 0:30:46 | 0:30:48 | |
You heard the voices, right, Uncle Merrill? | 0:30:48 | 0:30:50 | |
I heard them, Morgan. | 0:30:53 | 0:30:55 | |
CLICKING AND WHINING | 0:30:55 | 0:30:58 | |
Probably picking up another baby monitor. | 0:31:00 | 0:31:03 | |
That's right. | 0:31:03 | 0:31:05 | |
CLICKING | 0:31:05 | 0:31:08 | |
HIGH-PITCHED WHINE | 0:31:08 | 0:31:11 | |
Let me see it. | 0:31:11 | 0:31:12 | |
WHINING GROWS LOUDER It's them! | 0:31:12 | 0:31:15 | |
HOLLOW BEEPING AND HOWLING | 0:31:15 | 0:31:21 | |
See, this is why we're not watching TV. | 0:31:25 | 0:31:28 | |
People get obsessed. | 0:31:28 | 0:31:31 | |
I'm letting go now. | 0:31:31 | 0:31:32 | |
BO: No, Dad! | 0:31:32 | 0:31:34 | |
You'll lose the signal. | 0:31:34 | 0:31:36 | |
Don't let go. | 0:31:38 | 0:31:40 | |
It gets clearer the higher you hold it. | 0:31:41 | 0:31:44 | |
MERRILL: I got it. | 0:31:47 | 0:31:50 | |
Bo, honey, I don't want you climbing on the car. | 0:31:52 | 0:31:55 | |
Stop! | 0:32:08 | 0:32:10 | |
CHIRPING | 0:32:10 | 0:32:11 | |
There's two of them talking. | 0:32:11 | 0:32:14 | |
RAPID CHITTERING | 0:32:16 | 0:32:19 | |
CHITTERING STOPS, STATIC HISSES | 0:32:24 | 0:32:28 | |
MORGAN SIGHS | 0:32:31 | 0:32:33 | |
ISABELLE BARKS | 0:32:39 | 0:32:42 | |
ISABELLE WHINES | 0:32:42 | 0:32:45 | |
BARKING RESUMES | 0:32:45 | 0:32:48 | |
RUSTLING AND CHIRPING | 0:33:00 | 0:33:03 | |
ISABELLE BARKS AND WHIMPERS | 0:33:18 | 0:33:21 | |
Isabelle, you're going to feel very silly | 0:33:21 | 0:33:23 | |
when this turns out to be all just make-believe. | 0:33:23 | 0:33:27 | |
ISABELLE WHIMPERS | 0:33:27 | 0:33:30 | |
BARKING CONTINUES | 0:33:42 | 0:33:45 | |
CHITTERING | 0:34:12 | 0:34:15 | |
You're wasting your time here! | 0:35:00 | 0:35:02 | |
I'm not going to report this or anything you do to my crops | 0:35:05 | 0:35:08 | |
to the news or TV or anybody. | 0:35:08 | 0:35:11 | |
You're not going to get famous! | 0:35:13 | 0:35:15 | |
CHITTERING | 0:35:50 | 0:35:52 | |
HE BREATHES RAPIDLY | 0:35:54 | 0:35:56 | |
CORNSTALKS RUSTLE | 0:35:57 | 0:36:00 | |
OK... | 0:37:20 | 0:37:22 | |
Let's turn on the TV. | 0:37:23 | 0:37:25 | |
REPORTER: ...'First appeared 52 minutes ago. | 0:37:29 | 0:37:33 | |
'Mexico City officials as well as US officials have confirmed | 0:37:33 | 0:37:37 | |
'that these are not aircraft from either government's air force. | 0:37:37 | 0:37:41 | |
'The first sighting was made by an Air Mexico 747 | 0:37:41 | 0:37:45 | |
'en route from Mazatlan to New York | 0:37:45 | 0:37:48 | |
'as the unidentified crafts entered Mexico City airspace. | 0:37:48 | 0:37:51 | |
'They were not detected by radar by either country.' | 0:37:51 | 0:37:56 | |
The nerds were right. | 0:37:56 | 0:37:57 | |
We have to tape this. | 0:37:57 | 0:38:00 | |
My ballet recital. | 0:38:03 | 0:38:05 | |
Listen, Bo, this is very important. | 0:38:05 | 0:38:08 | |
Everything people have written about in science books | 0:38:08 | 0:38:10 | |
is going to change. | 0:38:10 | 0:38:12 | |
The history of the world's future is on the TV right now. | 0:38:12 | 0:38:15 | |
We need to record this | 0:38:15 | 0:38:17 | |
so you can show your children this tape | 0:38:17 | 0:38:18 | |
and say you were there. | 0:38:18 | 0:38:20 | |
For your children, Bo. | 0:38:20 | 0:38:22 | |
My ballet recital. | 0:38:22 | 0:38:23 | |
Dad... | 0:38:23 | 0:38:24 | |
Find another tape. | 0:38:24 | 0:38:26 | |
Uncle Merrill, I'm using your tape. | 0:38:30 | 0:38:33 | |
REPORTER: 'You are seeing a live feed | 0:38:36 | 0:38:39 | |
'from our affiliate down here in Mexico City. | 0:38:39 | 0:38:41 | |
'This image has not been adjusted or enhanced in any way. | 0:38:41 | 0:38:46 | |
'What you're seeing is real. | 0:38:46 | 0:38:48 | |
'It's unbelievable. | 0:38:48 | 0:38:50 | |
'Everything they wrote in science books is about to change.' | 0:38:50 | 0:38:53 | |
I told you. | 0:38:53 | 0:38:55 | |
Some people are probably thinking | 0:39:10 | 0:39:12 | |
this is the end of the world. | 0:39:12 | 0:39:14 | |
That's true. | 0:39:14 | 0:39:16 | |
Do you think it could be? | 0:39:16 | 0:39:18 | |
Yes. | 0:39:19 | 0:39:21 | |
How can you say that? | 0:39:21 | 0:39:24 | |
That wasn't the answer you wanted? | 0:39:26 | 0:39:29 | |
Couldn't you pretend to be like you used to be? | 0:39:31 | 0:39:34 | |
Give me some comfort? | 0:39:35 | 0:39:37 | |
People... break down into two groups | 0:39:41 | 0:39:44 | |
when they experience something lucky. | 0:39:44 | 0:39:47 | |
Group number one sees it as more than luck, | 0:39:47 | 0:39:51 | |
more than coincidence. | 0:39:51 | 0:39:53 | |
They see it as a sign - | 0:39:53 | 0:39:55 | |
evidence that there is someone up there watching out for them. | 0:39:55 | 0:40:00 | |
Group number two sees it as just pure luck... | 0:40:00 | 0:40:05 | |
a happy turn of chance. | 0:40:05 | 0:40:08 | |
I'm sure the people in group number two | 0:40:08 | 0:40:11 | |
are looking at those 14 lights in a very suspicious way. | 0:40:11 | 0:40:14 | |
For them, this situation is a 50/50. | 0:40:14 | 0:40:17 | |
It could be bad, it could be good... | 0:40:17 | 0:40:21 | |
but, deep down... | 0:40:21 | 0:40:24 | |
they feel that whatever happens | 0:40:24 | 0:40:26 | |
they're on their own, | 0:40:26 | 0:40:29 | |
and that fills them with fear. | 0:40:29 | 0:40:33 | |
Yeah, there are those people. | 0:40:34 | 0:40:37 | |
But there's a whole lot of people in group number one. | 0:40:37 | 0:40:41 | |
When they see those 14 lights... | 0:40:43 | 0:40:46 | |
they're looking at a miracle... | 0:40:46 | 0:40:48 | |
and deep down, they feel that whatever's going to happen... | 0:40:48 | 0:40:53 | |
there will be someone there to help them... | 0:40:53 | 0:40:57 | |
and that fills them with hope. | 0:40:57 | 0:41:00 | |
See, what you have to ask yourself is | 0:41:02 | 0:41:03 | |
what kind of person are you? | 0:41:03 | 0:41:05 | |
Are you the kind that sees signs, sees miracles? | 0:41:05 | 0:41:09 | |
Or do you believe that people just get lucky? | 0:41:11 | 0:41:14 | |
Or look at the question this way. | 0:41:14 | 0:41:17 | |
Is it possible that there are no coincidences? | 0:41:19 | 0:41:23 | |
WHISPERING: I was at this party once. | 0:41:29 | 0:41:33 | |
I'm on the couch with Randa Mckinney. | 0:41:33 | 0:41:36 | |
She was just sitting there, | 0:41:36 | 0:41:38 | |
looking beautiful, staring at me. | 0:41:38 | 0:41:41 | |
I go to lean in and kiss her | 0:41:41 | 0:41:44 | |
and I realise I have gum in my mouth. | 0:41:44 | 0:41:48 | |
So I turn, take out the gum, | 0:41:49 | 0:41:52 | |
stuff it in a paper cup next to the sofa, | 0:41:52 | 0:41:55 | |
and turn around. | 0:41:55 | 0:41:57 | |
Randa Mckinney throws up all over herself. | 0:41:57 | 0:42:01 | |
I knew, the second it happened, it was a miracle. | 0:42:02 | 0:42:07 | |
I could've been kissing her when she threw up. | 0:42:07 | 0:42:10 | |
That would've scarred me for life. | 0:42:10 | 0:42:13 | |
I may never have recovered. | 0:42:13 | 0:42:16 | |
I'm a miracle man. | 0:42:20 | 0:42:22 | |
Those lights are a miracle. | 0:42:22 | 0:42:25 | |
There you go. | 0:42:26 | 0:42:28 | |
So which type are you? | 0:42:29 | 0:42:31 | |
Do you feel comforted? | 0:42:33 | 0:42:35 | |
Yeah, I do. | 0:42:38 | 0:42:41 | |
Then what does it matter? | 0:42:41 | 0:42:43 | |
I never told you the last words that Colleen said | 0:42:50 | 0:42:54 | |
before...they let her die. | 0:42:54 | 0:42:56 | |
She said, "See." | 0:42:59 | 0:43:02 | |
Then her eyes glazed a bit. | 0:43:03 | 0:43:06 | |
And then she said, "Swing away." | 0:43:07 | 0:43:11 | |
You know why she said that? | 0:43:12 | 0:43:15 | |
Cos the nerve endings in her brain were firing as she died... | 0:43:17 | 0:43:20 | |
and some random memory of us | 0:43:20 | 0:43:22 | |
at one of your baseball games just popped into her head. | 0:43:22 | 0:43:26 | |
There is no-one watching out for us, Merrill. | 0:43:31 | 0:43:35 | |
We are all on our own. | 0:43:36 | 0:43:38 | |
What do you know? | 0:44:16 | 0:44:18 | |
There was an accident. | 0:44:18 | 0:44:19 | |
Drunk driving. They weren't sure. | 0:44:19 | 0:44:20 | |
He wasn't drunk. Ray fell asleep at the wheel. | 0:44:20 | 0:44:22 | |
Is he OK? | 0:44:22 | 0:44:23 | |
Yeah. | 0:44:23 | 0:44:24 | |
That was the first thing Colleen asked, too. | 0:44:24 | 0:44:28 | |
She's talking. | 0:44:28 | 0:44:29 | |
What ambulance is she in? | 0:44:29 | 0:44:30 | |
She's not in an ambulance, Father. | 0:44:30 | 0:44:33 | |
For the kids' protection. | 0:45:16 | 0:45:18 | |
All they were doing was watching TV. | 0:45:18 | 0:45:20 | |
I felt like they were getting obsessed. | 0:45:20 | 0:45:22 | |
They should be playing "furry, furry rabbit" | 0:45:22 | 0:45:24 | |
or tea party or something. | 0:45:24 | 0:45:26 | |
What's "furry, furry rabbit"? | 0:45:26 | 0:45:27 | |
It's a game, isn't it? | 0:45:27 | 0:45:28 | |
Anyways, they closed the schools. | 0:45:28 | 0:45:30 | |
And there's been some interesting developments. | 0:45:30 | 0:45:33 | |
What time is it? | 0:45:33 | 0:45:34 | |
11am. | 0:45:34 | 0:45:35 | |
They're gone. | 0:45:35 | 0:45:37 | |
But they're not really gone. | 0:45:37 | 0:45:39 | |
We just can't see them. | 0:45:39 | 0:45:41 | |
Early this morning... | 0:45:41 | 0:45:42 | |
a bird flew into the area where the lights were hovering last night. | 0:45:42 | 0:45:45 | |
It stopped dead in the air and fell straight down. | 0:45:45 | 0:45:47 | |
They caught it on tape. | 0:45:47 | 0:45:48 | |
They've been playing it all morning. | 0:45:48 | 0:45:50 | |
The footage looks like the bird flew into a wall in the sky. | 0:45:50 | 0:45:53 | |
They found the bird. Its head was crushed in. | 0:45:53 | 0:45:55 | |
They think they have some kind of | 0:45:55 | 0:45:56 | |
invisible shielding, like an optical illusion. | 0:45:56 | 0:45:58 | |
They're still there...hovering. | 0:45:58 | 0:46:02 | |
Some people think there's more of them now | 0:46:03 | 0:46:06 | |
all over the place - over us, even. | 0:46:06 | 0:46:09 | |
There's a theory about the...the crop circles? | 0:46:09 | 0:46:12 | |
That they could be some kind of... | 0:46:12 | 0:46:15 | |
some kind of...landmark, visual...mapping system | 0:46:15 | 0:46:20 | |
so they could...navigate... | 0:46:20 | 0:46:22 | |
Coordinate. | 0:46:22 | 0:46:24 | |
Makes sense. | 0:46:24 | 0:46:26 | |
DISTANT SQUEAKING | 0:46:26 | 0:46:29 | |
< WHISPERING | 0:46:39 | 0:46:42 | |
CHILDREN WHISPER | 0:46:48 | 0:46:52 | |
So the aliens can't read our minds. | 0:46:54 | 0:46:57 | |
Oh. | 0:46:58 | 0:46:59 | |
Oh, of course. | 0:46:59 | 0:47:01 | |
They tell you everything in this book. | 0:47:07 | 0:47:09 | |
It says they're probably very small, like my height... | 0:47:09 | 0:47:12 | |
"because, as their brains developed, | 0:47:12 | 0:47:14 | |
"there was no use for physical development." | 0:47:14 | 0:47:16 | |
It also says they're probably vegetarians... | 0:47:16 | 0:47:19 | |
"because they would've realised the benefits of such a diet." | 0:47:19 | 0:47:21 | |
Who wrote this book? | 0:47:21 | 0:47:23 | |
Scientists who have been persecuted for their beliefs. | 0:47:23 | 0:47:25 | |
That means they're unemployed. | 0:47:25 | 0:47:27 | |
If you're going to make fun of it, then forget it. | 0:47:27 | 0:47:30 | |
This is serious. | 0:47:30 | 0:47:31 | |
I don't know what got into me. | 0:47:35 | 0:47:38 | |
There are pictures. | 0:47:38 | 0:47:40 | |
Dr Bimboo, one of the authors of the book... | 0:47:40 | 0:47:42 | |
- Bimboo? - Dad... | 0:47:42 | 0:47:44 | |
- I just asked his name. - You had a tone. | 0:47:44 | 0:47:47 | |
He said there are two reasons | 0:47:48 | 0:47:50 | |
why extraterrestrials would visit us. | 0:47:50 | 0:47:52 | |
To make contact in the spirit of exploration | 0:47:52 | 0:47:54 | |
and furthering their knowledge of the universe | 0:47:54 | 0:47:56 | |
or, the other reason, they're hostile. | 0:47:56 | 0:48:00 | |
They've used up all the resources on their planet | 0:48:00 | 0:48:02 | |
and they're looking to harvest our planet next. | 0:48:02 | 0:48:05 | |
Here... | 0:48:07 | 0:48:09 | |
That looks a little like our house, doesn't it? | 0:48:36 | 0:48:39 | |
BO: Same windows. | 0:48:39 | 0:48:42 | |
MORGAN: That's weird. | 0:48:42 | 0:48:43 | |
PHONE RINGS | 0:48:56 | 0:48:58 | |
That's enough from Dr Bimboo for now. | 0:49:01 | 0:49:03 | |
Everybody in this house needs to calm down | 0:49:03 | 0:49:06 | |
and eat some fruit or something. | 0:49:06 | 0:49:09 | |
RINGING CONTINUES | 0:49:09 | 0:49:11 | |
Hello? | 0:49:12 | 0:49:13 | |
VOICE ON PHONE: Father? | 0:49:13 | 0:49:16 | |
SCRATCHING OVER PHONE Hello? | 0:49:16 | 0:49:19 | |
Hello. | 0:49:19 | 0:49:20 | |
DISCONNECTED LINE BEEPS | 0:49:20 | 0:49:23 | |
I'm going out for a few minutes. | 0:49:39 | 0:49:41 | |
No-one leaves this house. No-one. | 0:49:41 | 0:49:43 | |
MERRILL: Where are you going? | 0:49:43 | 0:49:45 | |
Ray Reddy's house. | 0:49:45 | 0:49:47 | |
Why? | 0:49:47 | 0:49:48 | |
I think he just called here. | 0:49:48 | 0:49:51 | |
BO: You don't think something bad will happen, | 0:49:57 | 0:50:01 | |
do you, Morgan? | 0:50:01 | 0:50:03 | |
Why? | 0:50:03 | 0:50:04 | |
You have one of your feelings again? | 0:50:04 | 0:50:06 | |
Is it bad? | 0:50:09 | 0:50:11 | |
I won't let anything bad happen to you. | 0:50:13 | 0:50:16 | |
I don't want you to die. | 0:50:17 | 0:50:19 | |
Who said I was going to die? | 0:50:19 | 0:50:22 | |
Who said I was going to die? | 0:50:25 | 0:50:28 | |
KNOCKING ON DOOR | 0:50:29 | 0:50:32 | |
DISCONNECTED LINE BEEPS | 0:51:09 | 0:51:12 | |
QUIETLY: Hello, Ray. | 0:51:45 | 0:51:47 | |
What happened? | 0:52:03 | 0:52:05 | |
I wrote your number down to call you. | 0:52:05 | 0:52:08 | |
It's been sitting next to the phone for six months. | 0:52:12 | 0:52:15 | |
When I knew it was inside the house... | 0:52:18 | 0:52:20 | |
I couldn't think of any other number to call. | 0:52:20 | 0:52:23 | |
I panicked. | 0:52:23 | 0:52:25 | |
Thank you for coming, Father. | 0:52:25 | 0:52:28 | |
You're welcome, Ray. | 0:52:28 | 0:52:30 | |
I worked so long that night. | 0:52:30 | 0:52:33 | |
I'd never fallen asleep driving before. | 0:52:33 | 0:52:36 | |
Never since. | 0:52:36 | 0:52:39 | |
Don't... | 0:52:39 | 0:52:40 | |
Most of the ride home | 0:52:40 | 0:52:42 | |
there wasn't a car in sight in either direction. | 0:52:42 | 0:52:45 | |
If I'd have fallen asleep then... | 0:52:45 | 0:52:48 | |
I would've ended up in a ditch with a headache. | 0:52:48 | 0:52:51 | |
And it had to be at that right moment. | 0:52:51 | 0:52:54 | |
That 10, 15 seconds when I passed her walking. | 0:52:54 | 0:52:58 | |
It was like it was meant to be. | 0:53:00 | 0:53:03 | |
I guess if this is the end of the world | 0:53:12 | 0:53:15 | |
I'm screwed, right? | 0:53:15 | 0:53:17 | |
People who kill Reverends' wives | 0:53:17 | 0:53:19 | |
aren't exactly ushered to the front of the line in Heaven. | 0:53:19 | 0:53:22 | |
ENGINE STARTS Wh-where are you going? | 0:53:25 | 0:53:29 | |
To the lake. | 0:53:30 | 0:53:32 | |
Way I see it... | 0:53:33 | 0:53:35 | |
these places marked in crops and such, | 0:53:35 | 0:53:39 | |
none of them are really near water. | 0:53:39 | 0:53:42 | |
I don't think they like water. | 0:53:42 | 0:53:44 | |
Can't be any worse than here. | 0:53:46 | 0:53:49 | |
Did you see something, Ray? | 0:53:49 | 0:53:51 | |
I know what I've done to you. | 0:53:52 | 0:53:55 | |
I made you question your faith. | 0:53:55 | 0:53:58 | |
I'm truly sorry for what I've done to you and yours. | 0:54:00 | 0:54:03 | |
QUIETLY: All right. | 0:54:12 | 0:54:15 | |
And don't open my pantry, Father. | 0:54:18 | 0:54:20 | |
I found one of them in there and locked him in. | 0:54:20 | 0:54:22 | |
TV: 'The startling footage we're about to show you | 0:54:31 | 0:54:34 | |
'was photographed by a 42-year-old, Romero Valadarez. | 0:54:34 | 0:54:37 | |
'This video was taken yesterday afternoon | 0:54:37 | 0:54:39 | |
'at his son's seventh birthday | 0:54:39 | 0:54:41 | |
'in the city of Passo Fundo, Brazil. | 0:54:41 | 0:54:43 | |
'It was sent to the local news bureau there | 0:54:43 | 0:54:45 | |
'and sent to us via satellite just a few minutes ago. | 0:54:45 | 0:54:48 | |
'All initial opinions are this is genuine. | 0:54:48 | 0:54:51 | |
'What you're about to see may disturb you.' | 0:54:51 | 0:54:53 | |
CHILDREN SHOUTING ON TV | 0:54:53 | 0:54:56 | |
DOG BARKS | 0:55:02 | 0:55:04 | |
CHILDREN CONTINUE TO SHOUT | 0:55:04 | 0:55:07 | |
Move, children! Vamonos! | 0:55:20 | 0:55:23 | |
Esta atras de garagem! | 0:55:23 | 0:55:26 | |
Esta atras... It's behind! | 0:55:26 | 0:55:29 | |
CHILDREN SHRIEK | 0:55:32 | 0:55:34 | |
Oh! | 0:55:34 | 0:55:36 | |
SHRIEKING CONTINUES ON TV | 0:55:36 | 0:55:39 | |
Esta atras de garagem! Esta atras... | 0:55:48 | 0:55:51 | |
It's behind! | 0:55:51 | 0:55:53 | |
CHILDREN SHRIEKING ON TV | 0:55:53 | 0:55:56 | |
LIGHT SCUFFLING | 0:56:23 | 0:56:26 | |
Hello? | 0:56:32 | 0:56:34 | |
SCUFFLING STOPS | 0:56:34 | 0:56:36 | |
The police are here. | 0:56:41 | 0:56:43 | |
I am with them. I am a police officer. | 0:56:43 | 0:56:46 | |
I just want to talk with you. | 0:56:49 | 0:56:51 | |
We know all about the hoax. | 0:56:51 | 0:56:53 | |
We already took some of your friends downtown | 0:56:56 | 0:56:58 | |
in a paddy wagon. | 0:56:58 | 0:57:00 | |
Just tell us your name and why you did it | 0:57:06 | 0:57:08 | |
and we'll give you the same deal we gave the others. | 0:57:08 | 0:57:11 | |
Don't throw your life away, son. | 0:57:11 | 0:57:13 | |
SILENCE | 0:57:13 | 0:57:16 | |
Aargh! | 0:58:40 | 0:58:42 | |
SCREAMS | 0:58:45 | 0:58:46 | |
SCREAM ECHOES | 0:58:46 | 0:58:48 | |
Their skin changes colours. | 0:59:22 | 0:59:24 | |
That's why we couldn't see them that night. | 0:59:24 | 0:59:27 | |
Tell me something, Morgan, er... in this book of yours... | 0:59:28 | 0:59:32 | |
did they happen to detail wh-what would happen | 0:59:32 | 0:59:36 | |
if they were hostile? | 0:59:36 | 0:59:38 | |
Yes. | 0:59:38 | 0:59:40 | |
It said they would probably invade. | 0:59:40 | 0:59:42 | |
They would use ground tactics, hand-to-hand combat. | 0:59:43 | 0:59:47 | |
They wouldn't use their technology | 0:59:47 | 0:59:49 | |
or fight an airborne battle | 0:59:49 | 0:59:51 | |
cos they know, eventually, we would use nuclear weapons | 0:59:51 | 0:59:54 | |
and then the planet would be useless to them. | 0:59:54 | 0:59:56 | |
GRAHAM: How could anyone know that? | 0:59:56 | 0:59:58 | |
That's ridiculous. | 0:59:58 | 0:59:59 | |
What else did it say? | 0:59:59 | 1:00:01 | |
They said there were one of two outcomes of an invasion. | 1:00:01 | 1:00:04 | |
One, they fight and are defeated | 1:00:04 | 1:00:06 | |
and have to return again with full forces | 1:00:06 | 1:00:09 | |
hundreds, maybe even thousands of years later. | 1:00:09 | 1:00:11 | |
What's two? | 1:00:11 | 1:00:13 | |
They win. | 1:00:15 | 1:00:16 | |
I'm sorry, what-what book is this? | 1:00:18 | 1:00:20 | |
Is this really happening? | 1:00:22 | 1:00:24 | |
I heard a theory that, er... | 1:00:28 | 1:00:31 | |
they don't like places near water. | 1:00:31 | 1:00:33 | |
Maybe we'd be safe from them | 1:00:33 | 1:00:35 | |
near a lake or something, but... | 1:00:35 | 1:00:38 | |
Sounds made-up. | 1:00:38 | 1:00:40 | |
I saw one of them at Ray Reddy's house. | 1:00:48 | 1:00:51 | |
I can't be sure, but I got the distinct feeling | 1:00:51 | 1:00:55 | |
it wanted to harm me. | 1:00:55 | 1:00:56 | |
So... | 1:00:58 | 1:01:00 | |
we can choose to believe this lake idea, pack up and go... | 1:01:00 | 1:01:04 | |
or we can...stay here, | 1:01:04 | 1:01:07 | |
hide inside our home, wait it out. | 1:01:07 | 1:01:10 | |
We might be overreacting, but I'm willing to live with that. | 1:01:10 | 1:01:14 | |
Either way, at least we'll be together. | 1:01:15 | 1:01:18 | |
All those in favour of the lake idea, raise your hand. | 1:01:19 | 1:01:23 | |
QUIETLY: Yeah. | 1:01:25 | 1:01:28 | |
All those in favour of home, raise your hand. | 1:01:28 | 1:01:31 | |
OK... | 1:01:36 | 1:01:38 | |
My vote counts as two. | 1:01:38 | 1:01:39 | |
That's bullshit! You're cheating! | 1:01:39 | 1:01:41 | |
Morgan, calm down. | 1:01:41 | 1:01:42 | |
I get two votes because I represent two parents here. | 1:01:42 | 1:01:44 | |
We don't know anything yet. | 1:01:44 | 1:01:47 | |
We'll be safe here, anyway. | 1:01:47 | 1:01:50 | |
I don't want to leave home. | 1:01:50 | 1:01:52 | |
This is where we lived with Mom. | 1:01:52 | 1:01:54 | |
That's got nothing to do with this. | 1:01:54 | 1:01:57 | |
I change my vote. | 1:01:57 | 1:01:59 | |
You can't change your vote. | 1:01:59 | 1:02:00 | |
All those in favour of home, raise your hand. | 1:02:00 | 1:02:03 | |
This is ridiculous. | 1:02:03 | 1:02:05 | |
You lose - three to two. | 1:02:05 | 1:02:08 | |
We're going to board up every window in this house. | 1:02:23 | 1:02:27 | |
How do we know boards will do anything? | 1:02:28 | 1:02:31 | |
Because they seem to have trouble with pantry doors. | 1:02:31 | 1:02:35 | |
REPORTER: 'The information we're receiving | 1:03:36 | 1:03:39 | |
'comes from our affiliates across the world.' | 1:03:39 | 1:03:41 | |
MORGAN: Dad! Uncle Merrill! | 1:03:41 | 1:03:44 | |
'Amman joins Nairobi, Beijing and Jerusalem | 1:03:47 | 1:03:51 | |
'as the latest to confirm the appearance of lights.' | 1:03:51 | 1:03:54 | |
There are lights in over 274 cities. | 1:03:56 | 1:04:00 | |
They think it'll be 400 within the hour. | 1:04:00 | 1:04:03 | |
They're appearing at or within one mile of crop signs. | 1:04:03 | 1:04:06 | |
They WERE for navigation. | 1:04:06 | 1:04:09 | |
They made a map. | 1:04:09 | 1:04:12 | |
They're going to be within a mile of us. | 1:04:12 | 1:04:14 | |
MORGAN: Dad? | 1:04:16 | 1:04:18 | |
Yes? | 1:04:18 | 1:04:19 | |
They think these are stages | 1:04:21 | 1:04:22 | |
immediately preceding an attack manoeuvre. | 1:04:22 | 1:04:25 | |
I was wrong. | 1:04:25 | 1:04:27 | |
They're hostile. | 1:04:27 | 1:04:30 | |
It's like "War of the Worlds". | 1:04:33 | 1:04:35 | |
'Ground forces have been assembled | 1:04:35 | 1:04:37 | |
'in countries throughout the globe.' | 1:04:37 | 1:04:40 | |
HE CLEARS HIS THROAT | 1:04:40 | 1:04:42 | |
'Hundreds of thousands have flocked | 1:04:42 | 1:04:44 | |
'to temples, synagogues and churches.' | 1:04:44 | 1:04:45 | |
BELL TOLLING ON TV | 1:04:47 | 1:04:50 | |
'God be with us all.' | 1:04:52 | 1:04:54 | |
HELICOPTER WHIRRING ON TV | 1:04:57 | 1:05:01 | |
I'm going to get back to the windows. | 1:05:07 | 1:05:09 | |
Hey, you guys OK? | 1:05:18 | 1:05:20 | |
Some guy had a sign saying it was the end of the world. | 1:05:20 | 1:05:23 | |
Don't worry. | 1:05:25 | 1:05:27 | |
You won't let anything happen to us, right? | 1:05:29 | 1:05:31 | |
No way. | 1:05:31 | 1:05:33 | |
I wish you were my dad. | 1:05:35 | 1:05:37 | |
What did you say? | 1:05:37 | 1:05:39 | |
Don't you ever say anything like that again - ever. | 1:05:40 | 1:05:44 | |
There's too many windows in the bedrooms. | 1:06:21 | 1:06:23 | |
We don't have enough boards. | 1:06:23 | 1:06:24 | |
We'll board up the bedroom doors. | 1:06:24 | 1:06:26 | |
MORGAN: Where are we gonna sleep? | 1:06:26 | 1:06:28 | |
In the family room. | 1:06:28 | 1:06:29 | |
What about Isabelle? | 1:06:29 | 1:06:30 | |
We'll tie her up in the garage after dinner. | 1:06:30 | 1:06:33 | |
I'll make some sandwiches. | 1:06:33 | 1:06:35 | |
BO: I want spaghetti. | 1:06:35 | 1:06:37 | |
We should eat fast, Bo. | 1:06:37 | 1:06:39 | |
Spaghetti sounds great. | 1:06:39 | 1:06:41 | |
What do you want, Morgan? | 1:06:42 | 1:06:44 | |
Anything? | 1:06:44 | 1:06:45 | |
French toast... | 1:06:47 | 1:06:49 | |
and mashed potatoes. | 1:06:49 | 1:06:51 | |
Now we're talking. | 1:06:51 | 1:06:53 | |
How about you, Merrill? | 1:06:53 | 1:06:56 | |
Chicken teriyaki. | 1:06:59 | 1:07:01 | |
Good choice. | 1:07:01 | 1:07:03 | |
I'm going to have a cheeseburger with bacon. | 1:07:05 | 1:07:08 | |
Extra bacon. | 1:07:10 | 1:07:12 | |
What's the matter with everyone? Eat. | 1:07:38 | 1:07:40 | |
Maybe we should say a prayer. | 1:07:40 | 1:07:42 | |
No. | 1:07:42 | 1:07:43 | |
Why not? | 1:07:43 | 1:07:45 | |
We're not saying a prayer. | 1:07:45 | 1:07:46 | |
Bo has a bad feeling. | 1:07:46 | 1:07:48 | |
I had a dream. | 1:07:48 | 1:07:49 | |
We aren't saying a prayer. | 1:07:49 | 1:07:51 | |
Eat. | 1:07:51 | 1:07:54 | |
I hate you. | 1:07:54 | 1:07:55 | |
That's fine. | 1:07:57 | 1:07:58 | |
You let Mom die. | 1:07:58 | 1:08:00 | |
MERRILL: Morgan! | 1:08:00 | 1:08:01 | |
I am not wasting one more minute of my life on prayer. | 1:08:05 | 1:08:08 | |
Not one more minute. | 1:08:08 | 1:08:10 | |
Understood? | 1:08:10 | 1:08:12 | |
BO SOBS | 1:08:12 | 1:08:14 | |
Now, we are going to enjoy this meal. | 1:08:14 | 1:08:16 | |
No-one can stop us from enjoying this meal, so enjoy it! | 1:08:16 | 1:08:19 | |
Stop crying! | 1:08:19 | 1:08:20 | |
- Graham... - Don't yell at her! | 1:08:20 | 1:08:22 | |
BO SOBS LOUDER | 1:08:22 | 1:08:24 | |
All right, since you're all not going to eat | 1:08:24 | 1:08:27 | |
I'm going to try some of everything. | 1:08:27 | 1:08:28 | |
STATIC HISSES | 1:09:05 | 1:09:08 | |
HIGH-PITCHED TONE | 1:09:08 | 1:09:11 | |
It's happening. | 1:09:39 | 1:09:41 | |
CRICKETS CHIRP | 1:09:52 | 1:09:55 | |
CHIRPING STOPS | 1:10:00 | 1:10:03 | |
Graham, hurry! | 1:10:10 | 1:10:12 | |
Did I ever tell you what everyone said | 1:10:35 | 1:10:37 | |
when you were born, Bo? | 1:10:37 | 1:10:39 | |
You came out of your mama, and you didn't even cry. | 1:10:43 | 1:10:46 | |
You just opened your eyes | 1:10:46 | 1:10:48 | |
and you looked around the room at everybody. | 1:10:48 | 1:10:50 | |
HE CHUCKLES | 1:10:50 | 1:10:52 | |
Your eyes were so big and gorgeous | 1:10:52 | 1:10:54 | |
and all the ladies in the room just gasped. | 1:10:54 | 1:10:56 | |
I mean, they literally gasped. | 1:10:56 | 1:10:59 | |
And they go, "Oh, she's like an angel." | 1:10:59 | 1:11:02 | |
And they said, "We've never seen a baby so beautiful." | 1:11:02 | 1:11:06 | |
And then...you know what happened? | 1:11:06 | 1:11:10 | |
They put you on the table to clean you up | 1:11:11 | 1:11:15 | |
and you looked up at me, and you smiled. | 1:11:15 | 1:11:18 | |
They say babies that young can't smile. | 1:11:20 | 1:11:23 | |
You smiled. | 1:11:24 | 1:11:26 | |
Let's go down now. | 1:11:28 | 1:11:31 | |
ISABELLE BARKS OUTSIDE | 1:11:43 | 1:11:45 | |
MORGAN: We forgot Isabelle. | 1:11:48 | 1:11:51 | |
BARKING INTENSIFIES | 1:11:58 | 1:12:01 | |
WHINING AND SNARLING | 1:12:07 | 1:12:10 | |
WHIMPERING | 1:12:10 | 1:12:13 | |
WHIMPERING STOPS | 1:12:13 | 1:12:16 | |
SOFT SCRAPING | 1:12:25 | 1:12:28 | |
QUIETLY: Should we turn off the lights? | 1:12:30 | 1:12:33 | |
They already know we're here. | 1:12:33 | 1:12:36 | |
FOOTSTEPS | 1:12:36 | 1:12:39 | |
CHIMES TINKLE | 1:12:43 | 1:12:46 | |
FLOORBOARDS CREAK | 1:12:49 | 1:12:52 | |
FOOTSTEPS RUNNING | 1:13:01 | 1:13:04 | |
< BANG | 1:13:11 | 1:13:12 | |
BANG ON DOOR | 1:13:18 | 1:13:20 | |
RATTLING | 1:13:22 | 1:13:26 | |
QUIVERING: Dad? | 1:13:28 | 1:13:30 | |
FOOTSTEPS RUNNING | 1:13:30 | 1:13:33 | |
Do you know what happened when you were born, Morgan? | 1:13:41 | 1:13:45 | |
You came out and your mama kept bleeding | 1:13:45 | 1:13:47 | |
so the doctors rushed you out of the room | 1:13:47 | 1:13:50 | |
before I even had time to see you. | 1:13:50 | 1:13:52 | |
FOOTSTEPS THUD They're on the roof. | 1:13:52 | 1:13:55 | |
While they were fixing her up | 1:13:55 | 1:13:57 | |
all she kept asking about was you. | 1:13:57 | 1:14:00 | |
GLASS SMASHES | 1:14:00 | 1:14:02 | |
They're in the house. | 1:14:02 | 1:14:03 | |
I wanted your mama to see you first... | 1:14:03 | 1:14:05 | |
because she had dreamed about you her whole life. | 1:14:05 | 1:14:09 | |
And she got feeling better, they brought you in | 1:14:09 | 1:14:12 | |
and they placed you in her arms. | 1:14:12 | 1:14:15 | |
And she looked at you, and you looked at her. | 1:14:15 | 1:14:18 | |
And you just stared at each other for the longest time. | 1:14:18 | 1:14:21 | |
And then she said, real soft... | 1:14:21 | 1:14:24 | |
"Hello, Morgan. I'm your mama. | 1:14:24 | 1:14:28 | |
"You look just how I dreamed." | 1:14:28 | 1:14:32 | |
CLATTERING AND SCRAPING | 1:14:36 | 1:14:39 | |
FOOTSTEPS RUNNING | 1:14:45 | 1:14:48 | |
MERRILL: The attic door. | 1:14:51 | 1:14:53 | |
Let's go. Come on. | 1:14:56 | 1:14:58 | |
We forgot our foil helmets. | 1:15:12 | 1:15:14 | |
Have we got anything to wedge against the doorknob? | 1:15:14 | 1:15:16 | |
MORGAN: They'll read our minds. | 1:15:16 | 1:15:18 | |
You're scaring your sister. | 1:15:18 | 1:15:19 | |
I'm already scared. | 1:15:19 | 1:15:21 | |
CHITTERING | 1:15:21 | 1:15:23 | |
Merrill. | 1:15:24 | 1:15:26 | |
I'm looking! | 1:15:26 | 1:15:27 | |
They know our secret thoughts. | 1:15:27 | 1:15:28 | |
I'm not ready. | 1:15:43 | 1:15:45 | |
Merrill! | 1:15:46 | 1:15:48 | |
Got it! | 1:15:48 | 1:15:49 | |
BO: Dad! | 1:15:49 | 1:15:51 | |
THUMPING ON DOOR | 1:15:51 | 1:15:53 | |
GRAHAM GRUNTS | 1:15:57 | 1:15:59 | |
THUMPING ON DOOR | 1:16:07 | 1:16:10 | |
HE BREATHES HEAVILY | 1:16:17 | 1:16:20 | |
Where's Bo? | 1:16:21 | 1:16:23 | |
I'm OK. | 1:16:31 | 1:16:33 | |
DISTANT BANGING | 1:16:36 | 1:16:39 | |
MUFFLED FOOTSTEPS | 1:16:43 | 1:16:46 | |
WEAK STATIC CRACKLES | 1:16:56 | 1:17:00 | |
What's happening out there? | 1:17:03 | 1:17:05 | |
GRAHAM: I can't even imagine. | 1:17:05 | 1:17:07 | |
MORGAN: I hope they're doing better than we are. | 1:17:07 | 1:17:10 | |
We don't even have helmets. | 1:17:10 | 1:17:12 | |
LOUD BANG | 1:17:13 | 1:17:15 | |
BANGING AND THUMPING | 1:17:17 | 1:17:19 | |
They're only making noises. | 1:17:26 | 1:17:28 | |
They're not trying to get in. | 1:17:28 | 1:17:31 | |
Why would they do that? | 1:17:31 | 1:17:33 | |
MERRILL: They want our attention on the door? | 1:17:33 | 1:17:35 | |
They're distracting us. | 1:17:37 | 1:17:39 | |
MERRILL: From what? | 1:17:39 | 1:17:41 | |
The book says they're probably very good problem solvers. | 1:17:41 | 1:17:43 | |
They'll find a way in. | 1:17:43 | 1:17:45 | |
BANGING CONTINUES | 1:17:47 | 1:17:50 | |
Morgan, give me your flashlight. | 1:17:50 | 1:17:52 | |
They used to pour coal down in this basement. | 1:17:58 | 1:18:01 | |
There's a coal chute in here. | 1:18:01 | 1:18:04 | |
GRAHAM: I can feel air. | 1:18:16 | 1:18:19 | |
MERRILL: Me, too! | 1:18:19 | 1:18:21 | |
It's getting stronger. | 1:18:21 | 1:18:23 | |
I'm close. | 1:18:23 | 1:18:24 | |
What? | 1:18:36 | 1:18:37 | |
HE GASPS | 1:18:37 | 1:18:39 | |
MERRILL: Pull him! | 1:18:39 | 1:18:40 | |
You got him?! | 1:18:40 | 1:18:42 | |
GRAHAM: I got him! | 1:18:42 | 1:18:43 | |
Pull him! | 1:18:43 | 1:18:45 | |
SCUFFLING | 1:18:45 | 1:18:47 | |
RUSTLING | 1:18:53 | 1:18:55 | |
HE BREATHES HEAVILY | 1:19:10 | 1:19:13 | |
MORGAN WHEEZES | 1:19:35 | 1:19:38 | |
We don't have his medicine. | 1:19:40 | 1:19:42 | |
Don't be afraid, Morgan. | 1:19:47 | 1:19:49 | |
We'll slow this down together. | 1:19:49 | 1:19:52 | |
Feel my chest. | 1:19:52 | 1:19:53 | |
Feel it moving in and out. | 1:19:53 | 1:19:56 | |
Breathe like me. Breathe like me. | 1:19:56 | 1:20:00 | |
I dreamed this. | 1:20:01 | 1:20:04 | |
Stay with me. | 1:20:04 | 1:20:05 | |
I know it hurts. | 1:20:05 | 1:20:07 | |
Be strong, baby. | 1:20:07 | 1:20:08 | |
It'll pass. | 1:20:08 | 1:20:10 | |
It'll pass. | 1:20:12 | 1:20:14 | |
LABOURED BREATHING | 1:20:19 | 1:20:22 | |
QUIETLY: Don't do this to me again. | 1:20:29 | 1:20:33 | |
Not again. | 1:20:33 | 1:20:34 | |
I hate you. | 1:20:39 | 1:20:41 | |
STIFLED SOB: I hate you... | 1:20:41 | 1:20:44 | |
LABOURED BREATHING CONTINUES | 1:20:44 | 1:20:48 | |
GRAHAM: The fear is feeding it. | 1:20:48 | 1:20:50 | |
Don't be afraid of what's happening. | 1:20:50 | 1:20:53 | |
Believe it's going to pass. Believe it. | 1:20:53 | 1:20:56 | |
Just wait. | 1:20:56 | 1:20:58 | |
Don't be afraid. | 1:20:58 | 1:21:00 | |
The air is coming. | 1:21:00 | 1:21:02 | |
Believe. | 1:21:02 | 1:21:03 | |
We don't have to be afraid. | 1:21:03 | 1:21:06 | |
It's about to pass. | 1:21:06 | 1:21:08 | |
Here it comes. Don't be afraid. | 1:21:08 | 1:21:12 | |
Here comes the air. | 1:21:12 | 1:21:15 | |
BREATHING SLOWS | 1:21:17 | 1:21:20 | |
Don't be afraid, Morgan. | 1:21:25 | 1:21:26 | |
Feel my chest. | 1:21:26 | 1:21:28 | |
Breathe with me. Together. | 1:21:28 | 1:21:32 | |
The air is going in our lungs. | 1:21:32 | 1:21:34 | |
GASPING: Together. | 1:21:34 | 1:21:37 | |
Together. We're the same. | 1:21:37 | 1:21:40 | |
VOICE BREAKING: We're the same. | 1:21:40 | 1:21:42 | |
We should save the flashlights. | 1:21:53 | 1:21:56 | |
CAROLINE: Ray's truck swerved off the road | 1:22:09 | 1:22:11 | |
and hit Colleen and then a tree. | 1:22:11 | 1:22:15 | |
And she was pinned between the two. | 1:22:15 | 1:22:18 | |
What does that mean, "pinned"? | 1:22:18 | 1:22:20 | |
The truck... the truck has severed | 1:22:20 | 1:22:23 | |
most of her lower half. | 1:22:23 | 1:22:26 | |
What did you say? | 1:22:26 | 1:22:28 | |
She won't be saved. | 1:22:28 | 1:22:30 | |
Her body is pinned in such a way | 1:22:30 | 1:22:34 | |
that it's alive when it shouldn't be alive. | 1:22:34 | 1:22:37 | |
And the truck is holding her together. | 1:22:37 | 1:22:40 | |
Now, she doesn't feel much | 1:22:41 | 1:22:43 | |
and she-she's talking almost like normal. | 1:22:43 | 1:22:46 | |
Now, we didn't pull the truck out cos we... | 1:22:46 | 1:22:49 | |
we wanted you to come down here and be with her | 1:22:49 | 1:22:52 | |
as long as she's awake... | 1:22:52 | 1:22:54 | |
and that won't be very long. | 1:22:54 | 1:22:57 | |
Now, Father, do you understand what I've told you? | 1:22:57 | 1:23:02 | |
Caroline... | 1:23:04 | 1:23:06 | |
is this the last time I'm going to talk with my wife? | 1:23:06 | 1:23:10 | |
Yes, it is. | 1:23:10 | 1:23:12 | |
MAN ON RADIO: 'People think they came here | 1:23:35 | 1:23:37 | |
'to take over the planet - that's bull. | 1:23:37 | 1:23:38 | |
'I don't think that. | 1:23:38 | 1:23:40 | |
'My friend and I saw them.' | 1:23:40 | 1:23:43 | |
I found a pack of lightbulbs. | 1:23:43 | 1:23:46 | |
MAN ON RADIO: 'They poisoned this family, they dragged them away. | 1:23:46 | 1:23:50 | |
'Nobody believes me | 1:23:50 | 1:23:52 | |
'but they didn't come here for our planet. | 1:23:52 | 1:23:54 | |
'This is a raid. They came here for us, to harvest us.' | 1:23:54 | 1:23:57 | |
WEAK STATIC CRACKLES | 1:23:57 | 1:24:01 | |
'We're lucky as hell they're leaving.' | 1:24:01 | 1:24:04 | |
They're leaving? | 1:24:04 | 1:24:05 | |
MERRILL: That's what they said. | 1:24:05 | 1:24:08 | |
How long have we been sleeping? | 1:24:09 | 1:24:12 | |
12 hours or so. | 1:24:12 | 1:24:13 | |
TURNS RADIO OFF | 1:24:13 | 1:24:15 | |
They said they had poison gas... | 1:24:15 | 1:24:18 | |
they secrete in small amounts. | 1:24:18 | 1:24:21 | |
A lot of people died. | 1:24:23 | 1:24:26 | |
But they're leaving. | 1:24:26 | 1:24:28 | |
They left real fast this morning. | 1:24:28 | 1:24:30 | |
Like something scared them off. | 1:24:30 | 1:24:32 | |
They left some of their wounded behind. | 1:24:32 | 1:24:34 | |
Why are they going? | 1:24:37 | 1:24:39 | |
People must have figured out a way to beat them. | 1:24:40 | 1:24:43 | |
Everyone has a weakness, right? | 1:24:43 | 1:24:45 | |
You didn't think we'd make it through the night, did you? | 1:24:53 | 1:24:56 | |
Listen... there's things I can take | 1:25:02 | 1:25:05 | |
and a couple things I can't. | 1:25:05 | 1:25:08 | |
One of them I can't take | 1:25:09 | 1:25:11 | |
is when my older brother, who's everything I want to be, | 1:25:11 | 1:25:15 | |
starts losing faith in things. | 1:25:15 | 1:25:18 | |
I saw your eyes last night. | 1:25:20 | 1:25:22 | |
I don't want to ever see your eyes like that again, OK? | 1:25:24 | 1:25:27 | |
I'm serious. | 1:25:28 | 1:25:30 | |
OK. | 1:25:34 | 1:25:36 | |
RASPING BREATHING | 1:25:38 | 1:25:41 | |
He's been like that for a while. | 1:25:41 | 1:25:43 | |
He needs his medicine. | 1:25:43 | 1:25:45 | |
Have they said anything about our area? | 1:25:47 | 1:25:50 | |
Philadelphia and its outlying counties are cleared. | 1:25:50 | 1:25:54 | |
But who knows for sure? | 1:25:54 | 1:25:56 | |
He's not strong enough. | 1:25:57 | 1:25:59 | |
If he has another attack right now... | 1:25:59 | 1:26:01 | |
I know. | 1:26:01 | 1:26:02 | |
We'd have to be sure | 1:26:04 | 1:26:06 | |
before we opened up that door, Graham. | 1:26:06 | 1:26:08 | |
STATIC HISSES | 1:26:24 | 1:26:26 | |
- It's good enough for me. - Me, too. | 1:26:31 | 1:26:34 | |
LATCH CLANKS | 1:26:34 | 1:26:36 | |
TV PLAYS IN DISTANCE | 1:27:29 | 1:27:33 | |
Get the syringe, as well. | 1:27:38 | 1:27:40 | |
We may need to give him an epinephrine shot. | 1:27:40 | 1:27:42 | |
MAN ON TV: 'The atmosphere here is cautiously optimistic.' | 1:28:01 | 1:28:06 | |
They're doing this on TV. | 1:28:06 | 1:28:09 | |
They're dancing? | 1:28:11 | 1:28:12 | |
Yeah, like this. | 1:28:12 | 1:28:14 | |
'As we begin evaluating the loss of life...' | 1:28:14 | 1:28:16 | |
You want to see it? | 1:28:16 | 1:28:18 | |
I'll bring the TV in here. | 1:28:18 | 1:28:21 | |
'We know the battle turned around in the Middle East. | 1:28:22 | 1:28:25 | |
'Three small cities there | 1:28:25 | 1:28:27 | |
'found a primitive method to defeat them. | 1:28:27 | 1:28:29 | |
'We have no further details at this time.' | 1:28:29 | 1:28:31 | |
TURNS OFF TV | 1:28:31 | 1:28:33 | |
CHITTERING | 1:28:58 | 1:29:02 | |
WHISPERING: Merrill, wait! | 1:29:02 | 1:29:04 | |
SCREECHES AND CLICKS | 1:29:05 | 1:29:07 | |
MORGAN'S LABOURED BREATHING | 1:29:23 | 1:29:26 | |
ALIEN'S RASPY BREATHING | 1:29:26 | 1:29:30 | |
CHITTERING | 1:29:40 | 1:29:42 | |
Hi, sweetie. | 1:30:01 | 1:30:04 | |
Hi, baby. | 1:30:04 | 1:30:06 | |
WEAKLY: I was...just taking a walk before dinner. | 1:30:06 | 1:30:12 | |
You love walks. | 1:30:12 | 1:30:14 | |
It was meant to be. | 1:30:14 | 1:30:17 | |
Does it hurt? | 1:30:18 | 1:30:20 | |
I don't feel much. | 1:30:20 | 1:30:23 | |
Good. | 1:30:23 | 1:30:25 | |
CRYING: Tell Morgan...to play games. | 1:30:32 | 1:30:36 | |
It's OK to be silly. | 1:30:36 | 1:30:38 | |
VOICE BREAKING: I will. | 1:30:38 | 1:30:40 | |
Tell Bo to listen to her brother. | 1:30:40 | 1:30:43 | |
He'll always take care of her. | 1:30:43 | 1:30:46 | |
WHISPERS: I will. | 1:30:46 | 1:30:47 | |
And tell Graham... | 1:30:47 | 1:30:49 | |
I'm here. | 1:30:49 | 1:30:51 | |
Tell him...see. | 1:30:51 | 1:30:56 | |
Tell him to see. | 1:30:56 | 1:30:58 | |
And tell Merrill to swing away. | 1:31:01 | 1:31:04 | |
See, what you have to ask yourself | 1:31:09 | 1:31:11 | |
is what kind of person are you? | 1:31:11 | 1:31:13 | |
Are you the kind that sees signs, sees miracles? | 1:31:13 | 1:31:17 | |
Or do you believe that people just get lucky? | 1:31:17 | 1:31:20 | |
Is it possible... | 1:31:20 | 1:31:22 | |
there are no coincidences? | 1:31:22 | 1:31:26 | |
LOW SNARL | 1:31:32 | 1:31:34 | |
HISSING AND CHITTERING | 1:31:34 | 1:31:37 | |
Swing away, Merrill. | 1:31:53 | 1:31:55 | |
Merrill...swing away. | 1:31:58 | 1:32:01 | |
VAPOUR HISSES | 1:32:17 | 1:32:20 | |
SHE SCREAMS | 1:32:20 | 1:32:23 | |
ALIEN SNARLS | 1:32:28 | 1:32:30 | |
MERRILL GRUNTS | 1:32:35 | 1:32:38 | |
ALIEN HISSES | 1:32:39 | 1:32:40 | |
BREATHING STOPS | 1:33:48 | 1:33:51 | |
GRAHAM: That's why he had asthma. | 1:33:53 | 1:33:57 | |
It can't be luck. | 1:34:01 | 1:34:02 | |
His lungs were closed. | 1:34:02 | 1:34:05 | |
His lungs were closed - no poison got in. | 1:34:05 | 1:34:07 | |
No poison got in. | 1:34:07 | 1:34:09 | |
His lungs were closed. His lungs were closed. | 1:34:09 | 1:34:12 | |
Don't touch him. Give him a minute. | 1:34:12 | 1:34:14 | |
VOICE BREAKING: Graham... | 1:34:15 | 1:34:18 | |
Give him a second. | 1:34:18 | 1:34:20 | |
- Daddy? - Don't touch him! | 1:34:21 | 1:34:24 | |
MERRILL: Graham... | 1:34:27 | 1:34:29 | |
Don't. Don't. | 1:34:31 | 1:34:35 | |
MORGAN: Dad? | 1:34:36 | 1:34:39 | |
What happened? | 1:34:39 | 1:34:42 | |
Did someone save me? | 1:34:51 | 1:34:53 | |
Yeah...baby, I think someone did. | 1:34:55 | 1:34:58 | |
DISTANT LAUGHTER OF CHILDREN | 1:36:07 | 1:36:10 | |
MERRILL TALKING IN DISTANCE | 1:36:10 | 1:36:14 | |
LAUGHTER CONTINUES | 1:36:14 | 1:36:16 | |
E-mail [email protected] | 1:36:35 | 1:36:40 |