Browse content similar to The 39 Steps. Check below for episodes and series from the same categories and more!
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JAUNTY MUSIC PLAYS | 0:00:58 | 0:01:01 | |
Stalls, please. | 0:01:10 | 0:01:12 | |
APPLAUSE AS MUSIC ENDS | 0:01:19 | 0:01:22 | |
Ladies and gentlemen, with your attention and permission, | 0:01:48 | 0:01:53 | |
I have the honour to present one of the most remarkable men alive! | 0:01:53 | 0:01:59 | |
< How remarkable? He's sweating! | 0:01:59 | 0:02:02 | |
LAUGHTER And is that a surprise? Every day he commits to memory 50 new facts. | 0:02:02 | 0:02:10 | |
And he remembers every one! > Facts from history, geography, newspapers - millions of them. | 0:02:10 | 0:02:19 | |
Think of the strain involved by his prodigious feats! | 0:02:19 | 0:02:24 | |
< His feet ain't half as big as yours! | 0:02:24 | 0:02:26 | |
I'm referring to his feats of memory. | 0:02:26 | 0:02:31 | |
Test him, please. Ask him your questions and he will answer fully and freely. Mr Memory! | 0:02:31 | 0:02:39 | |
APPLAUSE | 0:02:39 | 0:02:42 | |
I ought to add before retiring that Mr Memory has left his brain to the British Museum. | 0:02:42 | 0:02:51 | |
-A question, please. Ladies first. -Where's my old man gone? | 0:02:57 | 0:03:02 | |
Out with his bit! | 0:03:02 | 0:03:04 | |
-LAUGHTER -A serious question, please. | 0:03:04 | 0:03:09 | |
What won the Derby in 1921? | 0:03:09 | 0:03:11 | |
-Mr Jack Jones' Humorous by a length at odds of 6 to 1. Am I right, sir? -Right! | 0:03:11 | 0:03:20 | |
-< What won in 1936? -Come back in 1937 and I'll tell you, sir! | 0:03:20 | 0:03:25 | |
-How far is Winnipeg from Montreal? -What won the Cup in 1926? | 0:03:25 | 0:03:31 | |
-Waterloo or football? -Football! | 0:03:31 | 0:03:34 | |
-When did Chelsea win it? -63 BC in front of the Emperor Nero! | 0:03:34 | 0:03:39 | |
What causes pip in poultry? Ssh! Don't be so common! Well, our fowls have got it! | 0:03:39 | 0:03:46 | |
How many races did Mick the Miller win? How old is Mae West? | 0:03:46 | 0:03:53 | |
- Who was the last British heavyweight champion of the world? - My old woman! | 0:03:53 | 0:04:00 | |
Bob Fitzsimmons. He defeated Jim Corbett at Carson City, Nevada, in October, 1897. | 0:04:00 | 0:04:08 | |
He was 34 years old. Am I right? | 0:04:08 | 0:04:11 | |
-How old is Mae West? -I know, sir, but I never tell a lady's age! | 0:04:11 | 0:04:18 | |
Next, please. | 0:04:18 | 0:04:20 | |
What causes pip in poultry? | 0:04:20 | 0:04:23 | |
How far is Winnipeg from Montreal? | 0:04:23 | 0:04:26 | |
-Miss Winnie who, sir? -How far is Winnipeg from Montreal? -Ah! A gentleman from Canada! | 0:04:26 | 0:04:34 | |
Winnipeg, the third city of Canada and capital of Manitoba province. | 0:04:34 | 0:04:39 | |
-Distance from Montreal... 1,424 miles. Am I right, sir? -Yes. | 0:04:39 | 0:04:44 | |
-Next, please. -BABBLE FROM CROWD | 0:04:44 | 0:04:48 | |
How old's Mae West? | 0:04:48 | 0:04:51 | |
How old's Mae West? > | 0:04:54 | 0:04:57 | |
< Hey! You! How old's Mae West? | 0:05:03 | 0:05:07 | |
Gentlemen! Please, you're not at home! | 0:05:08 | 0:05:13 | |
What causes pip in... causes pip...in poultry? | 0:05:20 | 0:05:25 | |
SCREAMING | 0:05:32 | 0:05:35 | |
-Play! For God's sake play something and stop this panic! -PLAYS MR MEMORY'S THEME | 0:05:41 | 0:05:48 | |
Well, there we are. | 0:06:04 | 0:06:07 | |
-May I come home with you? -What's the idea? | 0:06:07 | 0:06:12 | |
-I'd like to. -It's your funeral. Come on, then. There's a bus. | 0:06:12 | 0:06:18 | |
-You don't stay here always? -I'm only over from Canada for a few months. | 0:06:41 | 0:06:46 | |
By the way, am I allowed to know your name? | 0:06:46 | 0:06:51 | |
-Smith? -All right. | 0:06:51 | 0:06:54 | |
-What do you think I do for a living? -Actress? | 0:07:00 | 0:07:05 | |
-Not in the way you mean. -Chorus? -No! -I'm sorry. | 0:07:05 | 0:07:10 | |
-Freelance. -Out for adventure, eh? I've had the decorators in. | 0:07:10 | 0:07:16 | |
-Wait till I find the switch. -Not yet. | 0:07:16 | 0:07:20 | |
Now! | 0:07:31 | 0:07:32 | |
Mr Hannay, would you be very kind and turn that mirror with its face to the wall? | 0:07:42 | 0:07:47 | |
-You'd be happier with curtains? -Yes. -Sorry. -PHONE RINGS | 0:07:57 | 0:08:04 | |
There's the phone. Just a minute. | 0:08:04 | 0:08:07 | |
-Mr Hannay, don't answer the telephone! -Why not? | 0:08:07 | 0:08:12 | |
I think it's for me. Please don't answer. | 0:08:12 | 0:08:16 | |
Just as you say. | 0:08:16 | 0:08:19 | |
Won't you sit down? | 0:08:19 | 0:08:22 | |
Thanks. Would you please kick that footstool over to me? | 0:08:22 | 0:08:27 | |
-You needed that. -I did. | 0:08:44 | 0:08:48 | |
Thank you. | 0:08:48 | 0:08:50 | |
-I owe you an explanation. -Don't bother about me. -We cannot talk here. | 0:08:54 | 0:09:00 | |
All right. | 0:09:03 | 0:09:04 | |
Just a minute. | 0:09:15 | 0:09:17 | |
-OK? -Mm-hmm. | 0:09:23 | 0:09:26 | |
-Cigarette? -No, thank you. | 0:09:26 | 0:09:29 | |
PHONE RINGS | 0:09:29 | 0:09:33 | |
-Your friend again. -Take no notice. | 0:09:33 | 0:09:36 | |
-Would you think me very troublesome if I asked for something to eat? -Sure. | 0:09:53 | 0:10:00 | |
-Do you like haddock? -Yes, please. | 0:10:02 | 0:10:07 | |
-I suppose your name isn't really Smith? -It depends where I am. | 0:10:07 | 0:10:12 | |
-You may call me Annabella. -Annabella Smith. | 0:10:12 | 0:10:16 | |
-GAS IGNITES Oh! -Nervy? Upset by those shots tonight? | 0:10:16 | 0:10:21 | |
I fired those shots. | 0:10:21 | 0:10:24 | |
-What? -To create a diversion. | 0:10:24 | 0:10:27 | |
I had to get away quickly. There were two men there who wanted to kill me. | 0:10:27 | 0:10:34 | |
-Be more careful with your gentlemen friends. -You don't understand. | 0:10:34 | 0:10:39 | |
A beautiful, mysterious woman pursued by gunmen? It sounds like a spy story. | 0:10:39 | 0:10:46 | |
-That's exactly what it is. Only, I prefer the word "agent". -Who for? -Anyone who pays me. | 0:10:46 | 0:10:53 | |
-What IS your country? -I have none. -Born in a balloon, eh? We'll let that go. | 0:10:53 | 0:11:00 | |
Now I suppose you're over here to dig up some big State secret? | 0:11:00 | 0:11:05 | |
No. I'm here to save a secret from being dug up. | 0:11:05 | 0:11:10 | |
Not because I love England, but because it pays me better. | 0:11:10 | 0:11:15 | |
A very brilliant foreign agent | 0:11:15 | 0:11:18 | |
is on the point of obtaining a secret vital to your air defence. | 0:11:18 | 0:11:23 | |
I tracked two of his men tonight, | 0:11:23 | 0:11:26 | |
-but they recognised me. They're after me. -That's too bad. | 0:11:26 | 0:11:31 | |
Ever heard of persecution mania? | 0:11:31 | 0:11:34 | |
-You don't believe me? -Frankly, I don't. -Go and look down in the street. | 0:11:34 | 0:11:41 | |
-You win. -Are they there? -Yes. | 0:12:09 | 0:12:13 | |
I hoped I'd shaken them off. | 0:12:13 | 0:12:16 | |
I'm going to tell you something that's not very healthy to know, | 0:12:16 | 0:12:21 | |
but now you are in it as much as I am. | 0:12:21 | 0:12:25 | |
-How do you mean? -Have you ever heard of The 39 Steps? -Is it a pub? | 0:12:25 | 0:12:32 | |
Never mind. But what you were laughing at just now is true. | 0:12:32 | 0:12:37 | |
These men will stick at nothing. Only I can stop them. | 0:12:37 | 0:12:42 | |
It's only a matter of days or hours before it's out of the country. | 0:12:42 | 0:12:47 | |
-Why don't you tell the police? -They wouldn't believe me either. | 0:12:47 | 0:12:52 | |
And they would take too long. These men act quickly. You don't know how clever their chief is. | 0:12:52 | 0:13:01 | |
-Clever and ruthless. -Who is he? -He has a dozen names. | 0:13:01 | 0:13:06 | |
And he can look like 100 people. | 0:13:06 | 0:13:09 | |
But one thing he cannot disguise. | 0:13:09 | 0:13:12 | |
Part of his little finger's missing. | 0:13:12 | 0:13:15 | |
-If you meet a man with no top joint there, be very careful. -Thanks(!) | 0:13:15 | 0:13:21 | |
-Meanwhile, what will you do? -First, I'll eat my haddock. | 0:13:21 | 0:13:27 | |
-And then, if you don't turn me out, have a good night's rest. -You're welcome to my bed. | 0:13:27 | 0:13:34 | |
I'll get a shake down on the couch. | 0:13:34 | 0:13:37 | |
-Anything else I can get you? -A map of Scotland. -Why Scotland? | 0:13:37 | 0:13:42 | |
There's a man in Scotland I must visit if anything is to be done. | 0:13:42 | 0:13:47 | |
Are The 39 Steps in Scotland by any chance? | 0:13:49 | 0:13:54 | |
Perhaps I'll tell you tomorrow. | 0:13:54 | 0:13:57 | |
Clear out, Hannay! They'll get you next! | 0:14:12 | 0:14:16 | |
PHONE RINGS | 0:14:25 | 0:14:28 | |
What you were laughing at just now is true. | 0:15:00 | 0:15:05 | |
These men will stop at nothing. | 0:15:07 | 0:15:10 | |
PHONE CONTINUES RINGING | 0:15:11 | 0:15:14 | |
There's a man in Scotland whom I must visit next if anything is to be done. | 0:15:45 | 0:15:52 | |
It is only a matter of days, perhaps hours, | 0:15:52 | 0:15:58 | |
before the secret is out of the country. | 0:15:58 | 0:16:03 | |
The police would not believe me any more than you did. | 0:16:03 | 0:16:09 | |
I tell you, these men act quickly. | 0:16:09 | 0:16:13 | |
Quickly...quickly... | 0:16:13 | 0:16:17 | |
Morning, sir. You're up early. | 0:17:03 | 0:17:06 | |
-Could you use a pound? -Eh? -I want to borrow your cap and coat. -What's the big idea? | 0:17:08 | 0:17:15 | |
-I want to make a getaway. -What have you been up to? | 0:17:15 | 0:17:20 | |
-There's been a murder committed on the first floor. -By you? -No. | 0:17:20 | 0:17:25 | |
By those two men out there. | 0:17:25 | 0:17:28 | |
I see. And now they're waiting for a copper to arrest them(!) | 0:17:28 | 0:17:33 | |
It's true. They're foreign spies. And now they're waiting for me. | 0:17:33 | 0:17:38 | |
Oh, come off it! | 0:17:38 | 0:17:42 | |
All right. I'll tell you the truth. | 0:17:42 | 0:17:45 | |
-Are you married? -Yes, but don't rub it in. -I'm not, you see. I'm a bachelor. -Are you? | 0:17:45 | 0:17:52 | |
-A married woman lives here. -Yes? -And I've just paid her a call. | 0:17:52 | 0:17:57 | |
And now I want to go home. | 0:17:59 | 0:18:01 | |
-What's preventing you? -Her brother and her husband! | 0:18:01 | 0:18:06 | |
Why didn't you tell me before? | 0:18:06 | 0:18:09 | |
Kidding me with a lot of tales! 'Ere, put on my little hat. | 0:18:09 | 0:18:15 | |
-Take a pound note. -No, sir. You'd do the same for me one day. | 0:18:15 | 0:18:20 | |
Leave the pony round the corner. | 0:18:20 | 0:18:23 | |
-So long, old sport. -Thank you. | 0:18:23 | 0:18:26 | |
Oi! The empties! | 0:18:30 | 0:18:33 | |
Papers, magazines, chocolates, cigarettes... | 0:18:43 | 0:18:48 | |
WHISTLE BLOWS | 0:18:53 | 0:18:56 | |
There he is! | 0:19:03 | 0:19:05 | |
TRAIN "SCREAMS" | 0:19:18 | 0:19:20 | |
Well, for one thing, they're prettier than 20 years ago. | 0:19:21 | 0:19:26 | |
-Free and easy. -Better than the old sort. All bones and no bend! | 0:19:26 | 0:19:33 | |
-But the old ones lasted longer. -Mine last about a year. Here, I'll show you. | 0:19:33 | 0:19:40 | |
There's a big demand for these now. | 0:19:40 | 0:19:43 | |
-The old-fashioned sort. -Brrrr(!) My wife! | 0:19:43 | 0:19:47 | |
Take a look at these - our new streamlined model No. 1. | 0:19:47 | 0:19:53 | |
-Anything to go with it? -I should say so! Put a pretty girl in those! | 0:19:53 | 0:20:00 | |
-Bring it back when it's filled! -I will. ..Hello, what's this? Edinburgh, Waverley. | 0:20:00 | 0:20:08 | |
-I hope you'll pardon us, sir. -Certainly. | 0:20:08 | 0:20:12 | |
-Good day, sir. -Good day. | 0:20:12 | 0:20:15 | |
-Broad-minded old geezer! -I bet he's good at charades! | 0:20:20 | 0:20:25 | |
-I wonder what won the 2 o'clock at Windsor. -I'll get a paper. | 0:20:25 | 0:20:30 | |
Say, son. Speak-a de English? Despatch. | 0:20:32 | 0:20:36 | |
-Hello! -What won it? -There's been another woman murdered in a West End flat. | 0:20:42 | 0:20:48 | |
-Sex dramas don't appeal to me. What won? -Bachelor Buck. -Oh, good. -Portland Mansions. | 0:20:48 | 0:20:56 | |
-By the BBC! That's a nice place to put someone to sleep. -"Goodnight!" | 0:20:56 | 0:21:02 | |
-What was she like? -"A well-dressed woman of about 35. The tenant, Mr Hannay, is missing." | 0:21:02 | 0:21:09 | |
You surprise me! | 0:21:09 | 0:21:12 | |
"At 7 o'clock this morning, the charwoman..." What a liberty! | 0:21:12 | 0:21:19 | |
-What? -Is there NO honesty at all? | 0:21:19 | 0:21:21 | |
"The new bodyline rubber corset. On sale today. McCutcheon Brothers, Princes Street. | 0:21:21 | 0:21:29 | |
"Price, 17/9. Brassiere to match, 4/11." | 0:21:29 | 0:21:34 | |
1/3 cheaper than our Streamline! No use going to Aberdeen now! | 0:21:34 | 0:21:39 | |
-May I see your paper? -Certainly. | 0:21:39 | 0:21:43 | |
-Thank you. -That's all right. | 0:21:56 | 0:22:00 | |
There's enough evidence there to hang any man. | 0:22:19 | 0:22:24 | |
-Can I help you, sir? -Where does that train stop next? | 0:22:24 | 0:22:30 | |
I'm not a porter! Away you go! | 0:22:30 | 0:22:34 | |
-I've got a better one than that. -That was very funny! -You liked it? | 0:22:39 | 0:22:44 | |
Have you heard the one about the young lady from Ongar? | 0:22:44 | 0:22:48 | |
"There was a young lady of Ongar..." | 0:22:48 | 0:22:52 | |
-Taking tea, sir? -Yes. Thank you. | 0:23:11 | 0:23:14 | |
Darling! How lovely to see you! | 0:23:40 | 0:23:43 | |
A free meal! | 0:23:49 | 0:23:52 | |
I'm sorry. My name's Hannay. They're after me. I'm innocent. You've got to help me. | 0:23:53 | 0:24:01 | |
Have you seen a man passing? | 0:24:01 | 0:24:04 | |
This is the man you want, I think. | 0:24:05 | 0:24:08 | |
-But... -He pushed in. His name is Hannay. -Is it? -No! | 0:24:09 | 0:24:14 | |
-Coming to tea, sir? -Right along. | 0:24:14 | 0:24:17 | |
Pull that cord! | 0:24:27 | 0:24:30 | |
BRAKES SCREECH | 0:24:36 | 0:24:39 | |
Right! Go on, man! | 0:25:01 | 0:25:04 | |
Get on with it! | 0:25:04 | 0:25:07 | |
Why did you pull the cord? To stop the train, you fool! A man jumped off. | 0:25:12 | 0:25:20 | |
He jumped off here, but I can't see him. | 0:25:20 | 0:25:25 | |
There he is! That's a passenger. It's he, I tell you! | 0:25:26 | 0:25:32 | |
NEWSBOYS CALL OUT: Hannay escapes! Paper! | 0:25:47 | 0:25:51 | |
Hannay escapes! Extra special paper! | 0:25:51 | 0:25:56 | |
RADIO: Height, about five foot ten. Small moustache. | 0:26:04 | 0:26:10 | |
Last seen wearing a dark suit, but he may have changed clothing. | 0:26:10 | 0:26:15 | |
-Good day! -And to you. | 0:26:48 | 0:26:51 | |
-What'll your business be? -I'm a mechanic looking for work. | 0:26:51 | 0:26:56 | |
-Not round here. -No big houses? -Only Sir Andrew. He won't want you. | 0:26:56 | 0:27:01 | |
-He's had his chauffeur for 40 years. -I didn't know there'd been cars that long. -He was a coachman! | 0:27:01 | 0:27:08 | |
-What's that? -The manse. | 0:27:08 | 0:27:12 | |
-Are there no newcomers? -Aye, an Englishman. A professor. | 0:27:12 | 0:27:17 | |
-Yes? -He lives at Alt-na-shellach, across the loch. -Near that village? | 0:27:17 | 0:27:23 | |
It is. | 0:27:23 | 0:27:25 | |
-Thanks. I'll try there. -Not tonight. It's 14 miles. | 0:27:25 | 0:27:30 | |
-Would that van give me a lift? -No, bound the other way. | 0:27:30 | 0:27:35 | |
I guess you're right. | 0:27:41 | 0:27:44 | |
-Could you put me up somehow? -Free? -No, I'll pay. | 0:27:44 | 0:27:48 | |
-Can you eat herring? -Half a dozen! -And sleep in a box-bed? -I can try. | 0:27:48 | 0:27:54 | |
-2/6. -Take it now. Thank you. | 0:27:54 | 0:27:57 | |
The gentleman will stay with us till tomorrow morning. | 0:27:59 | 0:28:04 | |
-Your daughter? -My wife! | 0:28:04 | 0:28:07 | |
-Will ye no' come in? -Thank you. | 0:28:12 | 0:28:15 | |
Here's your bed. I'll lift these things. | 0:28:23 | 0:28:28 | |
-Could you sleep there? -Try and stop me! | 0:28:29 | 0:28:32 | |
You'll be tired? | 0:28:32 | 0:28:35 | |
I'll say I am! I'm on the tramp looking for a job. | 0:28:35 | 0:28:40 | |
-Won't you sit down, please? -Thank you. | 0:28:40 | 0:28:44 | |
-Have you been in these parts long? -No, I'm from Glasgow. | 0:29:03 | 0:29:08 | |
-Did you ever see it? -No. | 0:29:08 | 0:29:11 | |
You should see Sauchiehall Street with all its fine shops | 0:29:11 | 0:29:16 | |
and Argyle Street on Saturday night with the trams and their lights. | 0:29:16 | 0:29:21 | |
It's Saturday night tonight. | 0:29:21 | 0:29:24 | |
-You certainly don't get those things out here! -No. | 0:29:24 | 0:29:29 | |
Do you miss them? | 0:29:32 | 0:29:33 | |
-Sometimes. -I HAVE been to Edinburgh, Montreal and London. | 0:29:35 | 0:29:40 | |
-I'll tell you about London later. -John wouldn't approve of that. | 0:29:40 | 0:29:45 | |
-Why not? -Those places are wicked. | 0:29:45 | 0:29:50 | |
Why not listen now before he comes back? What do you want to know? | 0:29:50 | 0:29:55 | |
-Is it true that all the ladies paint their toenails? -Some of them. | 0:29:55 | 0:30:01 | |
-Do London ladies look beautiful? -Yes, but not compared to you. | 0:30:01 | 0:30:06 | |
-You ought not to say that. -Say what? | 0:30:06 | 0:30:11 | |
I was just saying that I prefer the town to the country. | 0:30:11 | 0:30:16 | |
God made the country. | 0:30:16 | 0:30:18 | |
Is the supper ready, woman? | 0:30:22 | 0:30:24 | |
-Mind if I look at your paper? -I don't mind. | 0:30:24 | 0:30:29 | |
-You didnae say your name. -Hammond. | 0:30:45 | 0:30:48 | |
-Well, Mr Hammond, if you'll put down that paper, I'll say a blessing. -Yes, of course. | 0:30:48 | 0:30:55 | |
Sanctify these bounteous mercies to us miserable sinners. | 0:30:58 | 0:31:03 | |
Make us truly thankful for them and all Thy manifold blessings. | 0:31:04 | 0:31:10 | |
And continually turn our hearts from wickedness | 0:31:10 | 0:31:16 | |
and from worldly things... unto Thee. | 0:31:16 | 0:31:20 | |
Amen. | 0:31:23 | 0:31:25 | |
I mind I forgot to lock the barn. | 0:31:30 | 0:31:33 | |
CAR HORN BEEPS | 0:32:13 | 0:32:18 | |
HORN BEEPS AGAIN | 0:32:30 | 0:32:33 | |
-The police are coming. You best be going. -Thank you. | 0:32:50 | 0:32:55 | |
-I'll never forget you for this. Which way do I go? -I'll show you. | 0:32:55 | 0:33:00 | |
Aye, I might have known. | 0:33:00 | 0:33:04 | |
Makin' love behind my back! | 0:33:04 | 0:33:06 | |
-Get out! -But... -You, too! | 0:33:09 | 0:33:12 | |
-Aye, go! -And leave you? No fear! -It's your chance of liberty! -CAR HORN BLARES | 0:33:12 | 0:33:19 | |
-She's only trying to help me! -To bring shame and disgrace to me! | 0:33:19 | 0:33:25 | |
-To escape from the police! -Police? -They're after me for murder. | 0:33:25 | 0:33:29 | |
She was only trying to warn me. I had to tell her last night. | 0:33:29 | 0:33:34 | |
Say I'm not here. I'll pay you. | 0:33:34 | 0:33:37 | |
-How much? -£5. -Do you have that much? Give it to me! -After they've gone. | 0:33:37 | 0:33:43 | |
Get back into bed. Hide him. | 0:33:43 | 0:33:46 | |
-No! I don't trust him. -But he took the money. -He couldn't resist it! | 0:33:48 | 0:33:53 | |
MUFFLED CONVERSATION | 0:33:53 | 0:33:56 | |
Have you seen a stranger about? > | 0:33:56 | 0:33:59 | |
I was right. He's asking if there's a reward if you get catched. | 0:34:00 | 0:34:05 | |
In a moment he'll let them in. Now's your time. | 0:34:05 | 0:34:10 | |
Your jacket's too light-coloured. | 0:34:10 | 0:34:14 | |
-You best take this one. -Is it your husband's coat? -His Sunday best. Never mind. | 0:34:14 | 0:34:21 | |
-And you? He won't ill-treat you? -No. He'll pray at me, no more. | 0:34:21 | 0:34:26 | |
-What's your name? -Margaret. -I'll never forget you. | 0:34:26 | 0:34:29 | |
There he goes! | 0:34:55 | 0:34:57 | |
Spread out! | 0:35:04 | 0:35:06 | |
-Is the master in? -What name, sir? -Mention Miss Annabella Smith. -Would you wait here, sir? | 0:36:33 | 0:36:40 | |
We better ask here. Somebody may have seen him. | 0:36:47 | 0:36:52 | |
There's been a car here! The murderer didn't have one! | 0:36:52 | 0:36:57 | |
Good day to you. Have you seen any strangers? | 0:36:57 | 0:37:02 | |
There's no strangers here. | 0:37:02 | 0:37:05 | |
Any suspicious-looking bodies calling at the hoose? | 0:37:05 | 0:37:09 | |
Nobody's been near here, sir. | 0:37:09 | 0:37:14 | |
-You're from Annabella Smith? -Yes. | 0:37:14 | 0:37:17 | |
We're having a few drinks for my daughter's birthday. Give me 5 minutes, then we'll talk. | 0:37:17 | 0:37:24 | |
-Come and meet my wife. ..Louisa! This is Mr...? I am sorry. -Hammond. -Mr Hammond. | 0:37:24 | 0:37:32 | |
He's come all the way from London. | 0:37:32 | 0:37:35 | |
-It's the police at the door, sir. -At the door? | 0:37:35 | 0:37:38 | |
All right. I'll deal with it. | 0:37:40 | 0:37:43 | |
Come and meet my daughters. This is Patricia. | 0:37:43 | 0:37:48 | |
Mrs Bailey and Mrs Huntley. | 0:37:48 | 0:37:51 | |
-Hilary, this is Mr... -Hammond. | 0:37:51 | 0:37:54 | |
How do you do, Mr Hammond? Do forgive the orgy! | 0:37:54 | 0:37:59 | |
-This is Captain Ogilvie. Drink, Mr Hammond? -Thank you. | 0:37:59 | 0:38:04 | |
And this is Sheriff Watson. You've got to be polite to him. | 0:38:04 | 0:38:09 | |
He'll give you 6 months' hard as soon as look at you! | 0:38:09 | 0:38:14 | |
It's all right. Don't worry. I've sent them away. | 0:38:16 | 0:38:21 | |
Come and see the view, Mr Hammond. | 0:38:21 | 0:38:23 | |
We're rather proud of it. | 0:38:25 | 0:38:28 | |
< By the way, Sheriff, when are you going to catch that murderer? | 0:38:31 | 0:38:36 | |
The Portland Place murderer. He's here in the district! | 0:38:36 | 0:38:41 | |
He's been on the moors. Sheriff, you wouldn't want me stuck in the back with a knife, would you? | 0:38:41 | 0:38:50 | |
< If you catch him, I'LL convict him! | 0:38:50 | 0:38:54 | |
-We must let the Professor have his lunch. -If you must go... | 0:38:54 | 0:39:00 | |
Pat! Ring for Captain Ogilvie's car, would you? | 0:39:00 | 0:39:05 | |
BUZZ OF CONVERSATION | 0:39:05 | 0:39:08 | |
Whenever you do catch him, I'm at the Sheriff Court at 10am. | 0:39:14 | 0:39:19 | |
Louisa, my dear, excuse us. Mr Hammond and I want to have a chat before lunch. | 0:39:21 | 0:39:26 | |
Now, Mr Hannay. I suppose it's safe to call you by your real name now. | 0:39:34 | 0:39:40 | |
-What about our friend Annabella? -She's been murdered! -Murdered? | 0:39:40 | 0:39:45 | |
-Oh, the Portland Mansions affair? What they're after you for. -I didn't do it! -Of course not. | 0:39:45 | 0:39:52 | |
But why come here to tell me? | 0:39:52 | 0:39:55 | |
I believe she was coming here about Air Ministry secrets. She was killed by a foreign agent. | 0:39:55 | 0:40:03 | |
-Did she describe him? -No, but part of his little finger is missing. | 0:40:03 | 0:40:08 | |
-Which one? -This one, I think. -Sure it wasn't...this one? | 0:40:08 | 0:40:13 | |
SOMEONE AT THE DOOR | 0:40:22 | 0:40:25 | |
-Lunch is ready, dear. -I'm coming. | 0:40:33 | 0:40:36 | |
Well, Mr Hannay, I'm afraid I'm guilty of leading you down the garden path. | 0:40:36 | 0:40:43 | |
Or should that be up? | 0:40:43 | 0:40:46 | |
It seems to be the wrong garden, all right! | 0:40:46 | 0:40:50 | |
Well... what are we going to do? | 0:40:50 | 0:40:54 | |
Exactly. What ARE we going to do? | 0:40:54 | 0:40:58 | |
You see, I live here as a respectable citizen. | 0:40:58 | 0:41:02 | |
My whole existence is jeopardised if it is known that I am not what I seem. | 0:41:02 | 0:41:09 | |
Why have you come here? Why force me into this difficult position? | 0:41:09 | 0:41:15 | |
I can't lock you up in a room. There's my wife and daughters. | 0:41:15 | 0:41:20 | |
I don't know what to think. Really I don't. | 0:41:20 | 0:41:25 | |
What makes it doubly important that I don't let you go | 0:41:26 | 0:41:30 | |
is that I'm about to convey some very vital information out of the country. | 0:41:30 | 0:41:38 | |
I'm afraid poor Annabella was too late. | 0:41:38 | 0:41:41 | |
-Well, that's that. -Yes. What about it? -What? -Yourself? | 0:41:45 | 0:41:50 | |
-There's only one way out. -Which is? | 0:41:50 | 0:41:52 | |
Supposing I left you alone with this revolver? | 0:41:57 | 0:42:01 | |
The papers would say the Portland Place murderer took his own life. | 0:42:01 | 0:42:07 | |
-We're all waiting, dear! Will Mr Hammond be staying? -I don't think so, dear. | 0:42:07 | 0:42:13 | |
Well? What do you think, Mr Hannay? | 0:42:14 | 0:42:18 | |
I'm afraid you leave me no alternative. | 0:42:25 | 0:42:28 | |
I cannae find my hymn book! | 0:42:35 | 0:42:38 | |
-Where did you leave it? -The breast pocket of my overcoat. | 0:42:38 | 0:42:43 | |
John, I...I'm afraid I gave it to that gentleman who was staying here that night. | 0:42:43 | 0:42:50 | |
-SLAP! -Aaaaaah! | 0:42:50 | 0:42:54 | |
I've never seen it happen to a hymn book, except in movies! | 0:42:54 | 0:42:59 | |
The bullet stuck in the hymns! I'm not surprised. Some of them are terrible hard to get through! | 0:42:59 | 0:43:06 | |
I'm not complaining, Sheriff. "Hymns that have helped me," eh? | 0:43:06 | 0:43:11 | |
Yes! That's a good one, Mr Hannay! And to think I was drinking his champagne! | 0:43:11 | 0:43:18 | |
Never mix with doubtful company on the Sabbath! How did you escape? | 0:43:18 | 0:43:24 | |
If you look out there, you'll see. They put the, er - well, the body - | 0:43:24 | 0:43:28 | |
in the dressing room. When I came to, I pinched his car! | 0:43:28 | 0:43:34 | |
Sheriff, I don't want to hurry you, but this IS serious, you know. | 0:43:34 | 0:43:39 | |
-And I face a murder charge! -Never heed the murder, Mr Hannay. | 0:43:39 | 0:43:45 | |
I'm sure you'll convince Scotland Yard as easily as you convinced me. | 0:43:45 | 0:43:50 | |
All I need is a short statement to forward to the authorities. The police will take it down. | 0:43:50 | 0:43:57 | |
You wanted me, Sheriff? Indeed! | 0:44:00 | 0:44:03 | |
This man is a murderer! | 0:44:03 | 0:44:06 | |
-Murderer!? -< Certainly! You're under arrest for the murder at Portland Mansions! | 0:44:06 | 0:44:15 | |
-Sheriff, you must believe me! -Hannay, we're not so daft here as some smart Londoners may think! | 0:44:15 | 0:44:22 | |
The Professor is my best friend! ..Get Professor Jordan. | 0:44:22 | 0:44:27 | |
-Then where is the bullet from? -One of your pursuers on the moor. I shot at him myself. | 0:44:27 | 0:44:35 | |
-Let me phone the High Commissioner for Canada! -Do it from London. It'll save the cost of a trunk call. | 0:44:35 | 0:44:41 | |
That's the car. Hannay must be spilling the beans. | 0:44:49 | 0:44:53 | |
Stop him, someone! | 0:44:54 | 0:44:57 | |
BAND PLAYS ROUSING TUNE | 0:45:03 | 0:45:06 | |
Oh, how do you do? We're all waiting for you. | 0:45:47 | 0:45:51 | |
Pamela's gone to the station. This way! | 0:45:51 | 0:45:55 | |
I welcome this opportunity of discussing another question | 0:45:57 | 0:46:03 | |
vital to the import of our country at this critical and momentous hour. | 0:46:03 | 0:46:10 | |
But first, I shall occupy your time... You've occupied too much! | 0:46:10 | 0:46:17 | |
< We've had enough of you! | 0:46:17 | 0:46:20 | |
Ladies and gentlemen, I'm now going to call upon the speaker of the evening. | 0:46:23 | 0:46:29 | |
MUMBLING: There's no need for me to tell you who he is. | 0:46:29 | 0:46:35 | |
< Speak oot! | 0:46:35 | 0:46:38 | |
He's one of the foremost speakers in the political world in London. > | 0:46:38 | 0:46:43 | |
I will ask him to tell you... < About time, too! | 0:46:43 | 0:46:48 | |
..why in this constituency, at this crucial by-election, our candidate should be returned. | 0:46:48 | 0:46:56 | |
I now ask for Captain Fraser. LOUD APPLAUSE | 0:46:56 | 0:47:01 | |
Ladies and gentlemen, I apologise for my hesitation in rising. | 0:47:16 | 0:47:21 | |
I entirely failed, while listening to that flattering description, | 0:47:21 | 0:47:26 | |
-to realise he was talking about me! -LAUGHTER | 0:47:26 | 0:47:31 | |
From the bottom of my heart and with the utmost sincerity, | 0:47:31 | 0:47:36 | |
may I say how delighted and relieved I am to find myself in your presence at this moment. | 0:47:36 | 0:47:41 | |
Delighted, because of your friendly reception, | 0:47:45 | 0:47:50 | |
relieved because, so long as I stand on this platform, | 0:47:50 | 0:47:55 | |
I am delivered from the cares and anxieties of a man in my position. | 0:47:55 | 0:48:01 | |
When I journeyed up to Scotland over the Forth Bridge, a monument to Scottish engineering, | 0:48:01 | 0:48:11 | |
I had no idea I should find myself addressing this important meeting. | 0:48:11 | 0:48:17 | |
No idea! I had planned a very different programme for myself. | 0:48:17 | 0:48:22 | |
-You'd be for the moors to shoot something? -Or somebody! I'm a rotten shot! | 0:48:24 | 0:48:31 | |
I never thought I'd be speaking for that brilliant young statesman, the, er...gentleman on my right. | 0:48:31 | 0:48:38 | |
He is already destined to make no uncertain mark in politics. | 0:48:38 | 0:48:44 | |
Your future MP, your candidate, Mr...eh... | 0:48:44 | 0:48:48 | |
..McCrocodile! | 0:48:48 | 0:48:51 | |
-< He doesn't know his name! -I was using the friendly nickname by which he is already known | 0:48:51 | 0:49:00 | |
in anticipation...anticipation, mark you, at Westminster. | 0:49:00 | 0:49:06 | |
Now, what topic shall we discuss? | 0:49:06 | 0:49:09 | |
Herring! Unemployment! | 0:49:09 | 0:49:12 | |
-What about the idle rich? > -That's an old topic. I'm not rich and was never idle! | 0:49:12 | 0:49:19 | |
I'm pretty busy! | 0:49:19 | 0:49:21 | |
-Ever work with your hands? -Yes! I know about being lonely and helpless. No-one should feel that! | 0:49:21 | 0:49:30 | |
And I ask your candidate to set himself resolutely to make this world a happier place, | 0:49:30 | 0:49:37 | |
where no nation plots against nation, | 0:49:37 | 0:49:42 | |
where everyone gets a square deal and a sporting chance, where people help and don't hinder, | 0:49:42 | 0:49:49 | |
a world without suspicion or fear. That's the world I want! Is that the world you want? | 0:49:49 | 0:49:56 | |
WILD CHEERING | 0:49:56 | 0:50:00 | |
That's all I have to say. Goodbye! | 0:50:00 | 0:50:03 | |
-I tried to keep them going. -You're a difficult man to follow! | 0:50:15 | 0:50:21 | |
You must think you're damn clever! | 0:50:25 | 0:50:28 | |
-Tell him not to insult me! -I told you the truth on that train! Couldn't you see I was genuine? | 0:50:28 | 0:50:36 | |
Well, anyway, would you phone the High Commissioner for Canada | 0:50:36 | 0:50:42 | |
and tell him that vital secrets are being stolen by a foreign agent? | 0:50:42 | 0:50:47 | |
-Has that penetrated? -Right to the funny-bone(!) Tell me another. | 0:50:47 | 0:50:52 | |
Have you NO sense!? Make that call, I beg you, and refer them to me! | 0:50:52 | 0:50:57 | |
-Will you do this? -No! Goodnight. | 0:50:57 | 0:51:00 | |
-Would you come too, Miss? -Why? -To identify the prisoner formally. | 0:51:00 | 0:51:05 | |
-Would you come to the station? -All right. Let's get it over. | 0:51:05 | 0:51:11 | |
-Now, you. -Must I sit next to him? -It's only for a short time, Miss. -Do hurry. | 0:51:24 | 0:51:30 | |
All right. | 0:51:34 | 0:51:36 | |
Isn't that the police station? | 0:51:44 | 0:51:47 | |
-Sorry, Miss. We're not going to this police station. -Where, then? | 0:51:47 | 0:51:53 | |
-To Inveraray. -Inveraray!? -Yes, Miss. He's to be questioned by the Sheriff Principal. -And me? | 0:51:53 | 0:52:01 | |
I'll see you're sent back at the earliest moment. | 0:52:01 | 0:52:06 | |
-How far is it? -40 miles. -Quiet! We'll be there in 2 hours, Miss. | 0:52:06 | 0:52:11 | |
-Do you think I'm going to spend half the night with you? -Yes! | 0:52:11 | 0:52:16 | |
Isn't the man going the wrong way? THAT's the way to Inveraray! | 0:52:49 | 0:52:54 | |
There's a bridge down, Miss. We'll have to go round. | 0:52:54 | 0:52:59 | |
-Might I see your warrant? -Shut your mouth! | 0:53:02 | 0:53:06 | |
WHISTLES MR MEMORY'S THEME | 0:53:07 | 0:53:10 | |
Would you like a small bet with me? | 0:53:10 | 0:53:13 | |
I'll lay 100 to 1 that your Sheriff Principal has the top joint of his little finger missing. | 0:53:16 | 0:53:24 | |
What about it? | 0:53:24 | 0:53:26 | |
I win. | 0:53:28 | 0:53:30 | |
-Hello! What's this? -Oh, a flock of detectives! | 0:53:30 | 0:53:35 | |
CAR HORN BEEPS | 0:53:35 | 0:53:38 | |
Go and clear them away. What about him? > | 0:53:40 | 0:53:44 | |
I'll soon fix that. There - you're a Special Constable! If you stay, he stays. | 0:53:44 | 0:53:51 | |
Yes, and if I go, you go! | 0:53:53 | 0:53:56 | |
Stop them! They've got away! | 0:53:57 | 0:54:00 | |
-Come on! -I won't! | 0:54:02 | 0:54:05 | |
You're hurting me! | 0:54:21 | 0:54:24 | |
See if they've gone that way! | 0:54:24 | 0:54:26 | |
Where the Devil have they gone? | 0:54:36 | 0:54:39 | |
Help! Help! Let me go! Let me go! | 0:54:57 | 0:55:02 | |
One yip and I'll shoot you! | 0:55:36 | 0:55:39 | |
There's nobody down here! > | 0:55:58 | 0:56:01 | |
Spread out and find them! | 0:56:01 | 0:56:04 | |
We must be a mile away by now. | 0:56:22 | 0:56:25 | |
Don't do that! | 0:56:25 | 0:56:28 | |
Oh, do stop whistling! Why are you doing this? What chance have you got tied to me? | 0:56:28 | 0:56:36 | |
-Keep that one for your husband! You are the white man's burden! -I'm so glad(!) | 0:56:36 | 0:56:43 | |
-They'll get you in the daylight. -They're not policemen. | 0:56:43 | 0:56:48 | |
-And when did you find that out? -That wasn't the road to Inveraray. | 0:56:48 | 0:56:53 | |
-God help us if they catch us again! -I see. Still sticking to your penny novelette spy story? | 0:56:53 | 0:57:00 | |
There are 20 million women here and I have to get chained to you! | 0:57:00 | 0:57:05 | |
Look, I'm telling you the truth. | 0:57:05 | 0:57:08 | |
I told you on the train, at the meeting and again now - | 0:57:08 | 0:57:13 | |
there's a dangerous conspiracy and only we can stop it! | 0:57:13 | 0:57:18 | |
A gallant knight to the rescue(!) | 0:57:18 | 0:57:21 | |
All right. Then I'm just a plain, common murderer... | 0:57:21 | 0:57:26 | |
who stabbed an innocent woman in the back. How do you like that? | 0:57:26 | 0:57:32 | |
I don't know about innocent, but you're a woman and you're alone and you're manacled to a murderer! | 0:57:32 | 0:57:40 | |
-Do you prefer that situation? -I'm not afraid of... | 0:57:40 | 0:57:45 | |
Perhaps I murder a woman a week. | 0:57:46 | 0:57:49 | |
From now on, do every single thing I tell you to do and do it quick! | 0:57:51 | 0:57:57 | |
You big bully! | 0:57:57 | 0:58:00 | |
I like your pluck! Come on. | 0:58:00 | 0:58:03 | |
HE WHISTLES MR MEMORY'S THEME | 0:58:03 | 0:58:06 | |
-We're going in there. -What for? -Remember, a civil tongue or... | 0:58:10 | 0:58:15 | |
We're going in and you'll back up everything I say. Got that? | 0:58:15 | 0:58:21 | |
Put your hand in my pocket and look as if you're in a hurry. | 0:58:21 | 0:58:26 | |
Oh, come away in! | 0:58:31 | 0:58:34 | |
-You're all wet! -We had an accident with our car. -Staying the night? | 0:58:34 | 0:58:39 | |
-Yes. -We've just the one room with the one bed in it. You won't mind that? -Oh, no, no. | 0:58:39 | 0:58:47 | |
-You're man and wife? -Oh, yes! -Em...yes. | 0:58:47 | 0:58:51 | |
-Have you any luggage? -In the car. -I could lend the lady a nightgown. | 0:58:51 | 0:58:56 | |
Would you please to register? James! | 0:58:56 | 0:59:00 | |
-Would you be needing your supper? -A large whisky and some sandwiches. Oh, and a glass of milk. | 0:59:00 | 0:59:08 | |
(I can't write with my left hand, but I CAN shoot with it!) | 0:59:08 | 0:59:14 | |
You sign, darling. You better get used to your new name. | 0:59:14 | 0:59:19 | |
There we go. Mr and Mrs Henry Hopkinson, The Hollyhocks, Hammersmith. | 0:59:19 | 0:59:26 | |
I'll be back in a minute, sir. | 0:59:30 | 0:59:33 | |
-Now, off with that skirt of yours and I'll dry it in the kitchen. -Oh, it'll dry at the fire OK. | 1:00:25 | 1:00:32 | |
-The gentleman will take care of you. Goodnight, sir. Goodnight, ma'am. -Goodnight. | 1:00:32 | 1:00:40 | |
Goodnight! | 1:00:41 | 1:00:43 | |
-Are they married, do you think? -I dinna ken and I dinna care! They're so terrible in love! | 1:00:45 | 1:00:50 | |
-I'm going to tell them! -They'll hang me for a murder I didn't commit! -I don't care! | 1:00:50 | 1:00:57 | |
-I'm not staying! -Of course you are! | 1:00:57 | 1:01:01 | |
KNOCK ON DOOR Can I come in, sir? | 1:01:01 | 1:01:04 | |
Come in! | 1:01:06 | 1:01:08 | |
-Oh, we were just getting warm! -Would you like this? -A hot water bottle! Oh, we would, wouldn't we? | 1:01:11 | 1:01:20 | |
-(Say, "Yes, darling!") -Yes, darling(!) | 1:01:20 | 1:01:24 | |
-I say, please don't go! -Why not? Is anything wrong? | 1:01:24 | 1:01:29 | |
-She wants to tell you something. We're a runaway couple. -I kenned it all the time! | 1:01:29 | 1:01:36 | |
-Are they after you? -Please don't give us away! -Of course we won't! | 1:01:36 | 1:01:41 | |
-Goodnight to you both. You'll no' be disturbed. -But... | 1:01:41 | 1:01:46 | |
Thank God for a bite to eat! Come along. There you are. | 1:01:55 | 1:02:01 | |
-What's next? -Get these things off! -Right. How will we set about it? | 1:02:04 | 1:02:09 | |
Anything in that bag of yours? Scissors or a hair pin? | 1:02:09 | 1:02:14 | |
-A nail file! -It'll take 10 years, but we can try! | 1:02:14 | 1:02:19 | |
Let's get comfortable. That skirt of yours is pretty damp. You don't want pneumonia. | 1:02:19 | 1:02:26 | |
-Take it off. -I'll keep it on! -And that...is that. | 1:02:26 | 1:02:31 | |
-I'll take my shoes and stockings off. -Talking sense at last! | 1:02:31 | 1:02:36 | |
-Can I be of assistance? -No! | 1:02:36 | 1:02:39 | |
-Here, hold this. -Oh, yeah. | 1:02:47 | 1:02:50 | |
Half a minute! | 1:02:59 | 1:03:01 | |
-Thank you. -Don't mention it. Do you want your milk? -Not yet. | 1:03:10 | 1:03:15 | |
Cheerio! | 1:03:16 | 1:03:18 | |
-That's better. Feet warm again? -Yes, thanks. -Well, come on. | 1:03:20 | 1:03:24 | |
Kindly place yourself on the operating table! | 1:03:27 | 1:03:32 | |
-Nobody's going to hurt you. -I won't lie on this bed! -Yes, you will. We're Siamese twins! | 1:03:32 | 1:03:39 | |
-Don't gloat! -I don't want to see your unwashed and shiny face in the morning! | 1:03:39 | 1:03:46 | |
Give me that nail file. ..Thank you. | 1:03:47 | 1:03:52 | |
-HE WHISTLES -I wish I could get that damn tune out of my head! | 1:03:52 | 1:03:57 | |
I wonder where I heard it. | 1:03:57 | 1:04:00 | |
-You sound very sleepy. -Sleepy? I'll say so. | 1:04:00 | 1:04:05 | |
I last slept in a bed on Saturday and that was only a few hours. | 1:04:05 | 1:04:10 | |
-What wakened you? Dreams? -Dreams? | 1:04:10 | 1:04:13 | |
Murderers have terrible dreams. | 1:04:13 | 1:04:15 | |
Only at first. | 1:04:15 | 1:04:18 | |
I got over that a long time ago. | 1:04:18 | 1:04:20 | |
I used to be quite squeamish. | 1:04:20 | 1:04:23 | |
I used to wake up screaming, but one gets hardened. | 1:04:23 | 1:04:28 | |
How did you start? | 1:04:28 | 1:04:31 | |
In a small way. Pilfering pennies at school. | 1:04:31 | 1:04:36 | |
Then car pinching, smash and grab, | 1:04:36 | 1:04:39 | |
plain burglary. | 1:04:39 | 1:04:40 | |
I killed my first man at 19. | 1:04:40 | 1:04:43 | |
In years to come, you'll be able | 1:04:45 | 1:04:48 | |
to see me at Madame Tussaud's! | 1:04:48 | 1:04:50 | |
-Which section? -It's early to say. | 1:04:50 | 1:04:53 | |
But I'll be there somewhere. | 1:04:53 | 1:04:56 | |
You'll point and say, "If you knew how matey I was with him..." | 1:04:56 | 1:05:02 | |
-What's the matter? -These handcuffs are pinching my wrist. -Sorry. | 1:05:02 | 1:05:07 | |
-It all began at Madame Tussaud's. -What? -My career of crime. | 1:05:07 | 1:05:12 | |
-My great uncle Penruddock. -Who? | 1:05:12 | 1:05:15 | |
You've never heard of him? The Cornish Bluebeard? | 1:05:15 | 1:05:21 | |
-I thought your family came from Canada. -That's where they went after the Penruddock incident. | 1:05:21 | 1:05:28 | |
He murdered three wives. His mother-in-law tried to get him arrested, but he was too quick. | 1:05:28 | 1:05:37 | |
He took her a walk to Land's End and shoved her into the ocean! | 1:05:37 | 1:05:42 | |
He's in Madame Tussaud's all right. I must go and see him some time. | 1:05:42 | 1:05:47 | |
He's the third on the left. Red whiskers and a hare-lip. | 1:05:47 | 1:05:53 | |
And that, lady, is the sad story of my life. | 1:05:53 | 1:05:57 | |
Poor orphan boy who never had a chance. Are you still set on giving me to the police? | 1:05:57 | 1:06:04 | |
-Is everything all right? -Yes. He can't have much time. | 1:06:23 | 1:06:28 | |
-Once I pick up...you know what, I'll leave the country. -Be careful. Wire to me. | 1:06:28 | 1:06:35 | |
Goodbye, my dear! | 1:06:39 | 1:06:42 | |
A DOOR SLAMS | 1:08:51 | 1:08:54 | |
VOICES IN HALL | 1:08:57 | 1:09:00 | |
< Is that Prof. Jordan's house? Can I speak to Mrs Jordan? | 1:09:02 | 1:09:07 | |
< Is that Mrs Jordan? Oh, he's gone to London already, has he? | 1:09:08 | 1:09:15 | |
I'd like that whisky hot. | 1:09:15 | 1:09:19 | |
The girl handed him over to us > thinking we were detectives. We had to take her as well. | 1:09:19 | 1:09:27 | |
Very good, ma'am. Yes. | 1:09:29 | 1:09:32 | |
Well? | 1:09:32 | 1:09:34 | |
The old man's got the wind up. He's cleared out already. Why? | 1:09:34 | 1:09:39 | |
It's too dangerous. He's warning the whole 39 Steps. > | 1:09:39 | 1:09:44 | |
Has he got the...you know? | 1:09:44 | 1:09:47 | |
Yes. He's picking him up at the London Palladium. | 1:09:47 | 1:09:52 | |
-That'll be half a Crown. -And the phone call? -We'll say a shilling. | 1:09:52 | 1:09:59 | |
-Is this a hotel as well? -Aye. -Do you have people staying? -Aye! | 1:10:02 | 1:10:08 | |
-You must get a few odd people? -Oh, aye. | 1:10:08 | 1:10:12 | |
-Did you have anyone in tonight? > -Aye. | 1:10:12 | 1:10:15 | |
They weren't a young couple? | 1:10:15 | 1:10:19 | |
James! Mercy me! | 1:10:19 | 1:10:23 | |
What kind of silly creature are you? Do you want to get us all jailed? | 1:10:23 | 1:10:28 | |
-What did you charge? -Half a Crown. | 1:10:28 | 1:10:31 | |
Oot! The pair of you! And dinna let on to anybody you got a drink here after hours! | 1:10:34 | 1:10:41 | |
You old fool! You wouldn't give away a young couple, would you? | 1:10:49 | 1:10:54 | |
Morning! | 1:12:37 | 1:12:39 | |
What's the idea? How did we get out of these? | 1:12:42 | 1:12:46 | |
-We didn't. I slipped out of mine last night. -Why didn't you run away? | 1:12:46 | 1:12:53 | |
I discovered that you were speaking the truth, so I decided to stay. | 1:12:53 | 1:12:58 | |
-What made your brain work at last? -Those two men were here. -What did they say? | 1:12:58 | 1:13:05 | |
-A lot of stuff about The 39 Steps. -You don't... -What? -No, go on. | 1:13:05 | 1:13:11 | |
-Someone's going to warn them. How can you warn steps? -Go on. | 1:13:11 | 1:13:16 | |
And someone's got scared and is clearing out | 1:13:16 | 1:13:20 | |
-and is picking up someone at the London Palladium. -Palladium? | 1:13:20 | 1:13:25 | |
Is that the Professor? Our friend with the finger missing? What does he want to go there for? | 1:13:25 | 1:13:32 | |
-I feel such a fool, not having believed you. -Oh, that's all right. | 1:13:36 | 1:13:40 | |
Em...we, we ought to get a move on. | 1:13:42 | 1:13:45 | |
What room are those two men in? | 1:13:45 | 1:13:48 | |
-No room. They went as soon as they'd telephoned. -They WHAT!? | 1:13:48 | 1:13:54 | |
-Didn't I tell you? -You let them go after hearing that? You button-headed little idiot! | 1:13:54 | 1:14:01 | |
-Four or five hours wasted! You must have known it was important! -Why not let well alone? | 1:14:01 | 1:14:08 | |
I'm accused of murder! To clear myself, I must expose these spies! | 1:14:08 | 1:14:14 | |
-They're going to the Palladium! -First house or second house(?) | 1:14:14 | 1:14:19 | |
-The show will suit you! -What? -Crazy Month! | 1:14:19 | 1:14:23 | |
You're quite right, madam. | 1:14:42 | 1:14:45 | |
The Air Ministry has a new thing that interests a lot of people, | 1:14:45 | 1:14:49 | |
but no papers are missing that could be of any use to a spy. | 1:14:49 | 1:14:54 | |
But I'm certain! There's a man leaving tonight with something! | 1:14:54 | 1:14:58 | |
Since you phoned us from Scotland, we have made the minutest inquiries. | 1:14:58 | 1:15:03 | |
-I'm wasting my time! -Just a moment, Miss, please. One thing you haven't told us. | 1:15:09 | 1:15:16 | |
Where's Richard Hannay? | 1:15:16 | 1:15:19 | |
I haven't the faintest idea! | 1:15:20 | 1:15:22 | |
Look, Miss, you can't... | 1:15:22 | 1:15:25 | |
-You're in the phone book? -Yes. -Well, if anything crops up, we'll give you a ring. Thank you. | 1:15:25 | 1:15:32 | |
Get a taxi to follow that girl. She'll lead us to Hannay all right. | 1:15:37 | 1:15:43 | |
MUSIC AND LAUGHTER | 1:16:01 | 1:16:04 | |
# Love is a song... # | 1:16:09 | 1:16:12 | |
Cover every exit and let no-one leave the building. | 1:16:24 | 1:16:29 | |
ALL: Ladies and gentlemen, we shall now sing! | 1:16:29 | 1:16:34 | |
Come on, move along there, please. | 1:16:51 | 1:16:54 | |
Sorry, sir. No-one can leave. We want a drink! | 1:16:55 | 1:17:01 | |
-I've got a seat in the stalls. Can I go through? -Very good. | 1:17:01 | 1:17:06 | |
She's seen him. She's going down to the stalls. | 1:17:31 | 1:17:36 | |
LAUGHTER | 1:17:42 | 1:17:45 | |
May I borrow your opera glasses? | 1:18:03 | 1:18:06 | |
Excuse me. May I take your place? | 1:18:11 | 1:18:14 | |
-He's up in that box! -I've been to Scotland Yard. | 1:18:14 | 1:18:19 | |
-Nothing's been stolen from the Air Ministry. -But those men said... | 1:18:19 | 1:18:23 | |
We could take him now, sir. | 1:18:26 | 1:18:29 | |
What'll you do? Nothing's missing. There's an end to it. | 1:18:29 | 1:18:33 | |
MR MEMORY'S THEME TUNE PLAYS | 1:18:38 | 1:18:42 | |
Hear that tune? It's the damn thing I couldn't get out of my head! | 1:18:45 | 1:18:50 | |
I heard it at that music hall! Annabella...! | 1:18:50 | 1:18:55 | |
Ladies and gentlemen, with your kind attention and permission, | 1:18:55 | 1:19:01 | |
I present to you one of the most remarkable men in the world. | 1:19:01 | 1:19:07 | |
-It's the same little man! -< Every day he commits to memory 50 new facts and remembers them! | 1:19:07 | 1:19:14 | |
< Facts from history, geography, newspapers, | 1:19:14 | 1:19:19 | |
< from scientific textbooks. Millions of them. Test him, ladies and gentlemen. | 1:19:19 | 1:19:26 | |
< Ask him any question! | 1:19:26 | 1:19:29 | |
Of course no papers are missing! All the information is inside Memory's head! | 1:19:29 | 1:19:36 | |
-I don't understand. -He memorised the details and they were replaced before anyone found out! | 1:19:36 | 1:19:45 | |
-He's here to take Memory away! -But surely... -There are some gentlemen here, sir. | 1:19:45 | 1:19:51 | |
A question, please. | 1:19:51 | 1:19:54 | |
When did Florence Nightingale die? > | 1:19:54 | 1:19:57 | |
-Are you Richard Hannay? -There's something you have to know! | 1:19:57 | 1:20:02 | |
-That man... -You don't want to spoil people's entertainment. | 1:20:02 | 1:20:08 | |
What are The 39 Steps? | 1:20:08 | 1:20:11 | |
Come on, answer! What are The 39 Steps? | 1:20:11 | 1:20:15 | |
The 39 Steps is an organisation of spies collecting information for... | 1:20:15 | 1:20:22 | |
BANG! | 1:20:22 | 1:20:23 | |
SCREAMING | 1:20:27 | 1:20:30 | |
Please! Keep your seats! Keep your seats! There's no need for alarm. | 1:20:44 | 1:20:50 | |
I don't want a chair. I'll rest here. I'm all right. | 1:20:52 | 1:20:57 | |
-Take it easy now. -I'm all right... | 1:20:57 | 1:21:01 | |
Get the girls on! | 1:21:01 | 1:21:04 | |
The girls! | 1:21:05 | 1:21:06 | |
Mr Memory, what was the secret formula you were taking away? | 1:21:06 | 1:21:12 | |
Would it be all right telling you, sir? | 1:21:13 | 1:21:16 | |
-It was a big job to learn it. I don't want to throw it all away. -It's quite all right. | 1:21:16 | 1:21:24 | |
The first feature of the new engine is its increased compression ratio, | 1:21:24 | 1:21:29 | |
represented by R - 1/R to the power of gamma. R represents the ratio of compression and gamma... | 1:21:29 | 1:21:36 | |
The axis of the cylinder, angle of 65 degrees... | 1:21:36 | 1:21:42 | |
Dimensions of cylinders as follows. | 1:21:42 | 1:21:45 | |
This device renders the engine completely silent. Am I right, sir? | 1:21:45 | 1:21:52 | |
-Quite right, old chap. -Thank you, sir. Thank you... | 1:21:52 | 1:21:58 | |
I'm glad it's off my mind at last. | 1:21:58 | 1:22:02 | |
Subtitles by Greig Forbes BBC Scotland | 1:22:22 | 1:22:25 |