
Browse content similar to The Ipcress File. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Thank you. | 0:00:20 | 0:00:21 | |
Just these. What train, sir? 7.55 to Nottingham. | 0:01:11 | 0:01:16 | |
Is a compartment is reserved for Dr Radcliffe? Yes, sir. | 0:01:20 | 0:01:24 | |
TANNOY: The 7.55 express leaving platform 13 | 0:01:26 | 0:01:30 | |
will stop at Rugby, Leicester, Nottingham and Sheffield. | 0:01:30 | 0:01:35 | |
Thank you. Thank you, sir. | 0:01:49 | 0:01:53 | |
Have a good holiday. Thank you, Taylor. | 0:01:55 | 0:01:59 | |
Henderson will meet you in Nottingham. Goodbye. | 0:01:59 | 0:02:05 | |
WHISTLE SOUNDS | 0:02:15 | 0:02:20 | |
Dr Radcliffe, here's your camera. | 0:02:25 | 0:02:28 | |
Where's Dr Radcliffe? | 0:02:30 | 0:02:33 | |
ALARM CLOCK RINGS | 0:03:05 | 0:03:10 | |
ALARM CONTINUES | 0:03:39 | 0:03:42 | |
Morning! | 0:07:11 | 0:07:14 | |
You should get up in the morning. 20 minutes late you are, you know. | 0:07:19 | 0:07:24 | |
-Anything new? -It's all in the report. | 0:07:24 | 0:07:28 | |
And it's neat and tidy, unlike some. | 0:07:28 | 0:07:31 | |
-You want to remember you're still in the army, boyo! -You remember for me. | 0:07:31 | 0:07:37 | |
Huh! | 0:07:39 | 0:07:40 | |
DOOR CLOSES | 0:07:41 | 0:07:44 | |
9.45 am, the postman - your man Haggerty - delivered two packets and four letters. | 0:07:54 | 0:08:01 | |
9.56 am, the baker's van left two large brown and a sliced white. | 0:08:01 | 0:08:06 | |
They had an extra pint of milk, | 0:08:06 | 0:08:09 | |
so, either there are more people, or they are drinking more tea! | 0:08:09 | 0:08:15 | |
-DOOR OPENS -You're not due on for hours yet. | 0:08:15 | 0:08:20 | |
Ross wants you. | 0:08:20 | 0:08:22 | |
-So, muggins here has to relieve you. -What does he want? Did he say? | 0:08:22 | 0:08:27 | |
-No. -Didn't he say anything? | 0:08:27 | 0:08:30 | |
Yes, I'm in his full confidence (!) | 0:08:30 | 0:08:34 | |
-Blast you and blast old Ross! -You know what? | 0:08:34 | 0:08:39 | |
-What? -You've got some wiping to do. That tape's still running. | 0:08:39 | 0:08:44 | |
Morning! | 0:08:44 | 0:08:46 | |
-Morning. -Sir. | 0:09:14 | 0:09:18 | |
-Thank you. -Thank you. | 0:09:19 | 0:09:22 | |
Come on, old pigeons. | 0:09:29 | 0:09:32 | |
Come in, Palmer. | 0:09:42 | 0:09:46 | |
Sgt Palmer reporting, sir. | 0:09:48 | 0:09:50 | |
Close the door, Palmer. | 0:09:50 | 0:09:55 | |
And don't slouch like a pregnant camel. Stand to attention! | 0:10:04 | 0:10:10 | |
At ease. | 0:10:28 | 0:10:31 | |
-Is that my B107, sir? -As if you didn't know(!) | 0:10:34 | 0:10:38 | |
-And it makes awful reading. You love the Army, don't you(?) -Oh, yes, sir(!) | 0:10:38 | 0:10:46 | |
You may find a better audience | 0:10:46 | 0:10:49 | |
-for your jokes in Major Dalby's outfit. -What job, sir? | 0:10:49 | 0:10:54 | |
It could give your peculiar talents more scope than observation duties. | 0:10:54 | 0:11:00 | |
-Is this a promotion, sir? -Sort of. -Any more money? | 0:11:00 | 0:11:07 | |
-Let's see... You're on £1,300 pay and allowances. -Yes, sir. | 0:11:07 | 0:11:13 | |
-£1,400. -Thank you, sir. Now I can get that infra-red grill. | 0:11:13 | 0:11:19 | |
You'll have no time for cooking. Dalby works his men and he doesn't even have my sense of humour. | 0:11:19 | 0:11:27 | |
-I will miss that, sir. -Come on, I'll take you over. | 0:11:27 | 0:11:33 | |
The B107, must that go with us? | 0:11:33 | 0:11:37 | |
I'm afraid so. | 0:11:37 | 0:11:39 | |
Come along, Palmer. | 0:11:49 | 0:11:53 | |
Good morning, sir. The butler you asked for is waiting upstairs. | 0:12:13 | 0:12:20 | |
-Along the passage and up the stairs. Got it? -Yes, thank you. | 0:12:20 | 0:12:25 | |
-Do you mind waiting? -..Sir. | 0:12:27 | 0:12:32 | |
Good morning, Dalby. | 0:12:53 | 0:12:54 | |
-Good morning, sir. -I've just read your T104. -I thought that might speed your arrival. -It did. | 0:12:58 | 0:13:05 | |
It's a pity you lost Radcliffe. Still, we were expecting something of that sort. | 0:13:13 | 0:13:21 | |
-I hope you are not imputing negligence to my department. -Not at all. | 0:13:21 | 0:13:28 | |
The killing of Radcliffe's guard has verified our suspicions. | 0:13:31 | 0:13:37 | |
We're investigating a brain drain. | 0:13:39 | 0:13:42 | |
Too many government scientists are leaving their jobs | 0:13:42 | 0:13:47 | |
at the peak of their careers. | 0:13:47 | 0:13:50 | |
-You've checked on them? -Naturally. | 0:13:50 | 0:13:54 | |
CAR HORN BEEPS | 0:13:54 | 0:13:56 | |
126 have left in the past two years. | 0:13:56 | 0:14:00 | |
107 had fair enough reasons to go - better facilities, better pay. | 0:14:00 | 0:14:05 | |
-Three defected to the other side. -And the other 16? -17 with Radcliffe. | 0:14:05 | 0:14:12 | |
None of them had a rational explanation for quitting. | 0:14:12 | 0:14:18 | |
-But Radcliffe didn't quit. ..He was lifted. -Exactly. | 0:14:18 | 0:14:24 | |
Now we think we've got our first real lead. | 0:14:26 | 0:14:32 | |
-I want you to get Radcliffe back. -I'll try, of course. | 0:14:32 | 0:14:38 | |
If you don't get him back, we might have to close you down. | 0:14:38 | 0:14:44 | |
This department was set up for counter-espionage, | 0:14:44 | 0:14:49 | |
not security surveillance on people like Radcliffe! | 0:14:49 | 0:14:53 | |
Neither were Wilson's or Robin's departments but I put them on S1 duties. | 0:14:53 | 0:14:59 | |
-They were War Office. I'm Home Office. -I know. I set you up. | 0:14:59 | 0:15:04 | |
And you've got a very good job for a passed-over major. | 0:15:05 | 0:15:11 | |
I've brought you a replacement for Taylor. | 0:15:15 | 0:15:19 | |
-What's he like? -A bit insubordinate but a good man. Sgt Palmer. | 0:15:21 | 0:15:27 | |
-That's the lot, Mrs Norman. -You expect me to clean a pub? | 0:15:27 | 0:15:33 | |
It's a good hotel. | 0:15:33 | 0:15:35 | |
I could have done better at the labour exchange! | 0:15:35 | 0:15:39 | |
You can go up now. | 0:15:41 | 0:15:43 | |
Good luck, Palmer. And don't forget your mop! | 0:15:45 | 0:15:48 | |
-Good morning, sir. -Morning. | 0:15:48 | 0:15:51 | |
-Along the passage and up the stairs. -Got it. | 0:15:51 | 0:15:55 | |
Shut the door. | 0:16:04 | 0:16:07 | |
It isn't usual to read a B107 to its subject, Palmer, | 0:16:38 | 0:16:42 | |
but I'm going to put you straight. | 0:16:42 | 0:16:47 | |
"Insubordinate. | 0:16:47 | 0:16:49 | |
"Insolent. | 0:16:51 | 0:16:53 | |
"A trickster. | 0:16:54 | 0:16:56 | |
"Perhaps with criminal tendencies." | 0:16:57 | 0:17:01 | |
That's a fair appraisal. ..Sir. | 0:17:01 | 0:17:03 | |
Good. That last quality might be useful. | 0:17:03 | 0:17:08 | |
But if I have any trouble with you, Palmer, | 0:17:08 | 0:17:12 | |
I shall bite you so hard you'll go back to where Ross found you. | 0:17:12 | 0:17:16 | |
Come with me. | 0:17:21 | 0:17:24 | |
A word in your shell-like ear. | 0:17:28 | 0:17:31 | |
-If there's anything to be reported to Ross, I report it. Understand? -Yes, sir. | 0:17:31 | 0:17:37 | |
Thank you for a wonderful evening. | 0:17:51 | 0:17:54 | |
-Spare us the jokes. I don't have Ross's sense of humour. -I'll miss that, sir. | 0:17:54 | 0:18:00 | |
-The fella whose job I'm taking, will he show me the ropes? -Maybe. | 0:18:00 | 0:18:05 | |
-If you're in touch with the spirit world. -I beg your pardon? | 0:18:05 | 0:18:11 | |
He was shot this morning. | 0:18:11 | 0:18:13 | |
-Good morning, sir. -Good morning. | 0:18:19 | 0:18:22 | |
DRILLING NOISE | 0:18:45 | 0:18:49 | |
Murray! | 0:18:51 | 0:18:55 | |
-Palmer. -Hi. -Hi. | 0:18:56 | 0:18:59 | |
Give him your gun. | 0:18:59 | 0:19:01 | |
Issue him with a Colt .32. | 0:19:04 | 0:19:06 | |
-Do you know how to use this? -Yes. I'd sooner have my automatic. | 0:19:30 | 0:19:35 | |
-You'll use the Colt. -The Colt. | 0:19:35 | 0:19:39 | |
-Good morning, sir. -Good morning. -Good morning. | 0:19:39 | 0:19:43 | |
-Morning, sir. -Good morning. | 0:19:46 | 0:19:49 | |
Morning. | 0:19:51 | 0:19:54 | |
-Thank you, Alice. -Here's the file on Bluejay, sir. -Come in, Palmer. | 0:19:54 | 0:20:00 | |
PEOPLE TALK QUIETLY AMONG THEMSELVES | 0:20:00 | 0:20:05 | |
Excuse me. | 0:20:13 | 0:20:16 | |
This morning our S1, Radcliffe, was lifted and Taylor killed. | 0:20:33 | 0:20:38 | |
It has been put to me that, if we don't get Radcliffe back, | 0:20:38 | 0:20:43 | |
this department will be closed. | 0:20:43 | 0:20:46 | |
Palmer. | 0:20:48 | 0:20:51 | |
Palmer is Taylor's replacement. | 0:20:51 | 0:20:54 | |
-Chilcott-Oakes. -Hello. -Carswell. | 0:20:54 | 0:20:58 | |
Gray, Edwards, and Courtenay. | 0:20:58 | 0:21:03 | |
You know Alice. You may sit down. | 0:21:03 | 0:21:07 | |
There are only two people in Europe large enough to market Radcliffe. | 0:21:07 | 0:21:12 | |
One, codenamed Sparrow, whom I've been told by the French surete | 0:21:12 | 0:21:17 | |
was arrested two months ago and they're still holding. | 0:21:17 | 0:21:21 | |
So, we are left with Eric Ashley Grantby, codename Bluejay, born Albania, 1918. | 0:21:21 | 0:21:29 | |
Thank you, Chico. | 0:21:29 | 0:21:33 | |
The one in the hat is Bluejay. | 0:21:39 | 0:21:42 | |
The bald one is his chief of staff, codenamed Housemartin. This was | 0:21:42 | 0:21:48 | |
taken in Stockholm two years ago. | 0:21:48 | 0:21:52 | |
Here is Bluejay in Vienna last October. | 0:21:54 | 0:21:59 | |
Since then he has been lying low. | 0:22:01 | 0:22:04 | |
Alice has done a breakdown of all his known haunts in and around London. | 0:22:06 | 0:22:13 | |
-I want them all checked. Jock, take these. -Sir. | 0:22:13 | 0:22:17 | |
-Gray. Sir. -Edwards. -Sir. | 0:22:17 | 0:22:21 | |
-Chico. -Thank you, sir. | 0:22:21 | 0:22:24 | |
Palmer. | 0:22:24 | 0:22:26 | |
If Bluejay has Radcliffe, he'll sell him to the highest bidder. | 0:22:26 | 0:22:32 | |
That must be us. | 0:22:32 | 0:22:34 | |
Whoever contacts him must let him know we're in the market. Get on! | 0:22:34 | 0:22:40 | |
Courtenay, I want a word with you. | 0:22:40 | 0:22:43 | |
-My name's Harry. -I'm Jock. -Hi. -Hello. | 0:22:48 | 0:22:52 | |
-Is that his bird? -No. | 0:22:52 | 0:22:55 | |
That parade-ground manner of his doesn't work with women. | 0:22:55 | 0:23:00 | |
He's been giving you the treatment, eh? | 0:23:00 | 0:23:03 | |
He's not a bad bloke, really. | 0:23:03 | 0:23:06 | |
Go ahead. | 0:23:12 | 0:23:14 | |
This'll be your desk, Mr Palmer. | 0:23:14 | 0:23:18 | |
-Do you smoke a pipe? -No. -Mr Taylor was scared of cancer. | 0:23:24 | 0:23:30 | |
Your clearing house reports. Your equipment requisitions. | 0:23:30 | 0:23:36 | |
Expense allowance indent. Motor pool chit. Yours is a blue Zodiac. | 0:23:36 | 0:23:42 | |
Log-book. Insurance. Civilian driving licence. And form L101. | 0:23:42 | 0:23:48 | |
-What is form L101 ? -Field report. You must make one out after every job. | 0:23:54 | 0:24:02 | |
I've got to ask about Grantby in 19 different places then make out | 0:24:02 | 0:24:06 | |
-19 lots of silly answers? -Aye. | 0:24:06 | 0:24:10 | |
This job's nearly all legwork. | 0:24:10 | 0:24:12 | |
-It may be Dalby's way of doing things but it isn't mine. See you, Jock. -Cheerio. | 0:24:27 | 0:24:33 | |
-I'm always doing you favours. -We're mates. -Do ME a favour then. -I'd do anything for you, Pat. | 0:25:04 | 0:25:12 | |
-What's his name? -Eric Ashley Grantby. -See what we've got. | 0:25:13 | 0:25:19 | |
-Thanks. -One moment, sir. | 0:25:19 | 0:25:23 | |
-Now. -Yes? -That blonde bird you was with the other evening. | 0:25:25 | 0:25:30 | |
-Rita? -What's her phone number? -You dirty old man! | 0:25:30 | 0:25:35 | |
-You scratch my back, I'll scratch hers. -You should be locked up. -Yes! | 0:25:35 | 0:25:41 | |
There, sir. Thank you. | 0:25:41 | 0:25:45 | |
Grantby - a right master criminal. | 0:25:45 | 0:25:50 | |
Well, there you are, Harry. Scrutinise that. | 0:25:50 | 0:25:55 | |
3 parking tickets. Thurlow Gardens. | 0:26:02 | 0:26:06 | |
Thurlow Gardens. | 0:26:06 | 0:26:09 | |
Thurlow Gardens. | 0:26:09 | 0:26:12 | |
The last one only two weeks ago. | 0:26:12 | 0:26:15 | |
-Ah! Registration number. Can I borrow that? -Go ahead. | 0:26:15 | 0:26:20 | |
4...1...7... | 0:26:20 | 0:26:24 | |
..F...L...U. | 0:26:24 | 0:26:27 | |
-Thank you, Pat. -What about her telephone number? | 0:26:27 | 0:26:32 | |
Oh, disconnected. | 0:26:32 | 0:26:35 | |
-Get me Donaldson's "Crystalline Structure Of Non-ferrous Metals". -Yes. | 0:29:23 | 0:29:29 | |
Mr Grantby. | 0:29:51 | 0:29:54 | |
We are looking for an important piece of scientific equipment. | 0:29:58 | 0:30:04 | |
It was lost on a train. | 0:30:04 | 0:30:07 | |
We think you might be able to help us get it back. | 0:30:07 | 0:30:12 | |
We would be willing to do a deal. | 0:30:29 | 0:30:33 | |
Call me after six. | 0:30:46 | 0:30:50 | |
SCRAPES THE CHAIR NOISILY | 0:30:53 | 0:30:58 | |
LINE DEAD | 0:31:24 | 0:31:27 | |
Operator, I'm getting unobtainable on Knightsbridge 2149. | 0:31:33 | 0:31:39 | |
That line is discontinued, caller. | 0:31:39 | 0:31:43 | |
Grantby! | 0:31:53 | 0:31:56 | |
All right, gentlemen, sit down. | 0:32:50 | 0:32:54 | |
Let's hear what you have to say. | 0:32:56 | 0:32:59 | |
-Carswell? -No luck, I'm afraid, sir. | 0:32:59 | 0:33:03 | |
-Chico? -No joy. I'm awfully sorry, sir. | 0:33:06 | 0:33:10 | |
-Being sorry is no use. Didn't anyone contact him? -I did. | 0:33:10 | 0:33:15 | |
-In the Science Museum library. -And? -He wouldn't play. All he gave me was a discontinued phone number. | 0:33:19 | 0:33:25 | |
-Did you follow him? -I lost him. -You lost him? -Yes. -You idiot! | 0:33:26 | 0:33:34 | |
Let's see it. | 0:33:34 | 0:33:37 | |
Put it on your field report. | 0:33:43 | 0:33:46 | |
I want your L101s as quickly as possible, however feeble they may be, | 0:33:48 | 0:33:53 | |
and then you can all get out and look for Grantby again. Alice. | 0:33:53 | 0:33:59 | |
-He seemed very pleased with you. -Well, he's got a right comical way of showing it. | 0:34:02 | 0:34:09 | |
-This is unauthorised. -My mother gave it to me for Christmas. | 0:35:43 | 0:35:49 | |
-You're supposed to be at work. -Oh, you ARE, of course (!) | 0:35:49 | 0:35:55 | |
Dalby likes to know about his new boys. | 0:35:56 | 0:36:00 | |
-Have you seen everything? -Yes. | 0:36:18 | 0:36:22 | |
Then you know where the whisky is. | 0:36:22 | 0:36:26 | |
-Yes. -Fix us both one, will you? | 0:36:27 | 0:36:31 | |
Thank you. Cheers! | 0:37:08 | 0:37:12 | |
-Do you like music? -Yes. | 0:37:17 | 0:37:20 | |
Put a record on. Mozart. | 0:37:20 | 0:37:23 | |
Music to cook by. | 0:37:29 | 0:37:32 | |
What are you going to tell Dalby? | 0:37:49 | 0:37:53 | |
-That you like girls. -I do! -You're not the tearaway he thinks you are. | 0:37:53 | 0:37:59 | |
You also like books, music, cooking. | 0:37:59 | 0:38:03 | |
I like birds best. | 0:38:03 | 0:38:07 | |
-How did you get into this game? -My husband was in it. | 0:38:07 | 0:38:12 | |
-He was killed in Tokyo. -I'm sorry. | 0:38:12 | 0:38:17 | |
So, they gave me a job. You were bailed out of detention barracks. | 0:38:18 | 0:38:24 | |
-Yes. -So, what bailed you in? | 0:38:24 | 0:38:27 | |
I was stationed in Berlin and making a lot of money out of the German army. | 0:38:27 | 0:38:34 | |
-They insisted the British Army made an example of me. -What did you do? | 0:38:34 | 0:38:40 | |
-It's very complicated. -It impressed Ross. -It impressed me. | 0:38:40 | 0:38:45 | |
Boy, has he got me by the short hairs for it! | 0:38:45 | 0:38:49 | |
Still, it's better than two years in the nick. The food's terrible there. | 0:38:49 | 0:38:55 | |
-You're very professional. -So are you. | 0:38:59 | 0:39:05 | |
-Do you need all that? -It's as easy to cook for two as it is for one. | 0:39:05 | 0:39:11 | |
I thought you might join me. | 0:39:11 | 0:39:13 | |
No, thanks. I'm not hungry. | 0:39:13 | 0:39:18 | |
-You see... -You show me. -It's easy. -PHONE RINGS | 0:39:20 | 0:39:25 | |
-Get that, will you? -Forget it. We'll go to lunch. -Right. | 0:39:25 | 0:39:30 | |
-Duty officer. -Who wants him? -Keightley. | 0:39:32 | 0:39:36 | |
-Pat, it's Harry. -Hello, mate. | 0:39:36 | 0:39:40 | |
We picked up a bloke. We have a red card on him. Codename Housemartin. | 0:39:40 | 0:39:46 | |
We'll be right down. | 0:39:46 | 0:39:48 | |
-Palmer. -Mr Palmer just left, sir, with another gentleman. | 0:39:57 | 0:40:03 | |
Everything's under control, sir. | 0:40:03 | 0:40:06 | |
I'm Palmer. Get the keys. | 0:40:08 | 0:40:13 | |
This way, sir. | 0:40:18 | 0:40:19 | |
On your feet! | 0:40:29 | 0:40:31 | |
He's dead, sir. | 0:40:39 | 0:40:40 | |
Looks as if Bluejay beat us to it. | 0:40:42 | 0:40:45 | |
I want to see his charge-sheet. | 0:40:45 | 0:40:46 | |
That's the one, sir. | 0:40:57 | 0:41:00 | |
Charged with unlawful possession of a suitcase. Where's the suitcase? | 0:41:00 | 0:41:05 | |
-The other gentleman took it. -What was in it? -Electrical equipment. | 0:41:05 | 0:41:12 | |
-"Arrested near Sanderson's." What's Sanderson's? -A disused factory. | 0:41:12 | 0:41:17 | |
-Is that an outside phone? -Yes, sir. | 0:41:17 | 0:41:20 | |
-225 Wellington Street. -Calling Dalby? -Up Dalby! I need a TX82. | 0:41:20 | 0:41:26 | |
-You'll never get it. -I haven't worked for Ross without learning something. | 0:41:26 | 0:41:30 | |
PHONE RINGS | 0:41:30 | 0:41:32 | |
Keightley. | 0:41:32 | 0:41:35 | |
-Pat, it's Harry Palmer. -What's up? | 0:41:35 | 0:41:38 | |
-Housemartin's dead. I need a TX82. -You need 3H clearance. | 0:41:38 | 0:41:44 | |
-What's your authority? -CC1. | 0:41:44 | 0:41:47 | |
CC1? All right, Harry. If you say so. | 0:41:47 | 0:41:51 | |
Give me the time and place. | 0:41:51 | 0:41:54 | |
2.30. They're late. | 0:41:57 | 0:41:59 | |
-Palmer? -I'm Palmer. -Right. | 0:42:06 | 0:42:10 | |
Let's go. | 0:42:16 | 0:42:18 | |
-The men are in position. -Get them away from the door. | 0:42:30 | 0:42:34 | |
Having fun, Inspector? | 0:42:53 | 0:42:55 | |
-Did you call this TX82, Palmer? -Yes. I think Radcliffe's here. -Get on with it then! | 0:42:55 | 0:43:01 | |
Lose that door, will you? | 0:43:08 | 0:43:09 | |
LOUD CLANG | 0:44:05 | 0:44:09 | |
-I wonder what sort of factory this was. -Search me! | 0:44:11 | 0:44:15 | |
No-one here, sir. Get the men out of here. | 0:44:15 | 0:44:19 | |
Get back in your cars, let's go! | 0:44:21 | 0:44:23 | |
It looks as if this was laid on for nothing. It's not good enough. | 0:44:27 | 0:44:32 | |
According to Central Clearing this operation was to start at 2.25. | 0:44:36 | 0:44:40 | |
-You started at 2.35. THAT's not good enough. -Good afternoon. | 0:44:40 | 0:44:45 | |
-Thank you. -The next time you use CC1 authority make sure you have it! | 0:44:59 | 0:45:06 | |
It's funny... If Radcliffe had been here, I'd have been a hero. | 0:45:10 | 0:45:17 | |
He WASN'T. And you're NOT. | 0:45:18 | 0:45:21 | |
Major! This stove's still warm. | 0:46:14 | 0:46:18 | |
I found this in it. A piece of recording tape. | 0:46:24 | 0:46:27 | |
-"Ipcress"? -What? -It's got "Ipcress" written on it. | 0:46:32 | 0:46:37 | |
Better give it to Chilcott-Oakes. | 0:46:37 | 0:46:40 | |
This might be something. | 0:46:40 | 0:46:43 | |
Yes, Palmer, it might. | 0:46:44 | 0:46:47 | |
-Have you gentlemen had lunch? -No. -No, sir. -I'll buy you some. | 0:46:50 | 0:46:56 | |
SCREECHING AND WHIRRING | 0:47:01 | 0:47:07 | |
What do you make of that? | 0:47:20 | 0:47:23 | |
With a bit more equipment I might be able to make something out of it. | 0:47:23 | 0:47:28 | |
Keep it within reason. | 0:47:28 | 0:47:31 | |
-It must mean something. -Hardly worth a TX82, though. Open a file on it, Chico. -Yes, sir. | 0:47:31 | 0:47:36 | |
-Chico... -And we still have to find Radcliffe! That means more legwork and fewer inspired hunches. | 0:47:39 | 0:47:46 | |
Good morning, sir. | 0:48:21 | 0:48:23 | |
Champignons. You're paying ten pence more for a fancy French label. | 0:48:24 | 0:48:29 | |
You'll get better value on the next shelf. | 0:48:29 | 0:48:34 | |
These do have a better flavour. | 0:48:34 | 0:48:37 | |
Of course. You're quite a gourmet. | 0:48:37 | 0:48:40 | |
-Extraordinary. -I haven't seen you here before, sir. -No. | 0:48:44 | 0:48:49 | |
I don't really care for these American shopping methods. | 0:48:49 | 0:48:54 | |
-One has to move with the times, I suppose. -That's nice. -Is it? | 0:48:54 | 0:49:00 | |
-Settled down with Dalby, have you? -Yes, sir. | 0:49:02 | 0:49:07 | |
-And the girl Courtenay, too. -You didn't come here... -Excuse me. | 0:49:07 | 0:49:12 | |
You didn't come here to talk... | 0:49:12 | 0:49:15 | |
-..about mushrooms and birds. -Perceptive of you(!) | 0:49:16 | 0:49:21 | |
May I? | 0:49:22 | 0:49:24 | |
That tape, you must have a pretty thick file on it now. | 0:49:29 | 0:49:35 | |
That's right. | 0:49:35 | 0:49:36 | |
That's baby food, sir. | 0:49:38 | 0:49:42 | |
-I want to see it. -Why don't you...? | 0:49:43 | 0:49:45 | |
Sorry. | 0:49:47 | 0:49:48 | |
-Why don't you ask Dalby for it? -I don't want Dalby to know. -Why not? | 0:49:51 | 0:49:58 | |
-Don't be impertinent. I want you to do a job for me. -Have I any choice? | 0:49:58 | 0:50:05 | |
Frankly, no. I don't want the file. I just want it microfilmed. | 0:50:05 | 0:50:11 | |
Sir... | 0:50:16 | 0:50:18 | |
-Stick that in my B107. -Very funny. | 0:50:20 | 0:50:24 | |
-Excuse me, please. -Of course. | 0:50:24 | 0:50:28 | |
-There are other people, Palmer. -Why don't you try them? | 0:50:32 | 0:50:37 | |
-Dalby's not to hear about this. -You've already said that, sir. -Or your past will catch up with you. | 0:50:37 | 0:50:45 | |
Good morning. | 0:50:45 | 0:50:47 | |
Thank you. | 0:50:57 | 0:50:59 | |
Champignons. Nothing but the best for our Palmer. | 0:51:00 | 0:51:05 | |
You're working for Ross. | 0:51:06 | 0:51:08 | |
He sent you here. | 0:51:09 | 0:51:12 | |
Don't be silly. I'm working for Dalby. You're working for Ross. | 0:51:12 | 0:51:18 | |
I'm working for Dalby. You're... | 0:51:18 | 0:51:20 | |
What the hell ! I'm going to cook you the best meal you've ever eaten. | 0:51:23 | 0:51:31 | |
That was the most delicious meal. | 0:51:39 | 0:51:41 | |
Good. | 0:52:01 | 0:52:03 | |
Do you always wear your glasses? | 0:52:09 | 0:52:11 | |
Yes. | 0:52:11 | 0:52:14 | |
Except in bed. | 0:52:14 | 0:52:17 | |
SCREECHING | 0:52:32 | 0:52:36 | |
WHIRRING | 0:52:36 | 0:52:40 | |
-This is my itinerary for the weekend in case you become desperate to see me. -Thank you (!) | 0:53:04 | 0:53:11 | |
If you spent it with me, we would save ourselves a lot of bother. | 0:53:11 | 0:53:17 | |
Yours, I take it? | 0:53:34 | 0:53:35 | |
-I'm sorry to spoil your weekend, but we're working tomorrow. -Saturday? | 0:53:37 | 0:53:42 | |
-Grantby's discontinued phone number. -Turn it over. | 0:53:46 | 0:53:52 | |
-The band of the Irish Guards. -And very good they are, too! You'll find it most interesting. | 0:53:52 | 0:53:59 | |
I'll see you at the bandstand at 3pm. | 0:53:59 | 0:54:03 | |
LIVELY MILITARY TUNE | 0:54:12 | 0:54:18 | |
-What's this called? -"The Thin Red Line". | 0:54:21 | 0:54:26 | |
Good, patriotic stuff! Got a proper rhythm to it. | 0:54:28 | 0:54:33 | |
-Not your line, eh? -I prefer Bach or Mozart. | 0:54:35 | 0:54:40 | |
You're lucky. Mozart next. | 0:54:41 | 0:54:44 | |
Oh, really(?) | 0:54:46 | 0:54:47 | |
-We are interested in a certain piece of scientific equipment. -The proton scattering device? -Yes. | 0:55:21 | 0:55:29 | |
-We understand that you hold the sole rights. -I don't hold them personally. | 0:55:29 | 0:55:36 | |
A fine piece. | 0:55:40 | 0:55:43 | |
Thank you. We will now play a light and classical overture by Mozart. "The Marriage of Figaro". | 0:55:43 | 0:55:51 | |
There's a delicacy and precision about Mozart's work. | 0:55:54 | 0:55:59 | |
-Transcribes well from the orchestra to military band. Don't you agree? -Oh, yes. | 0:55:59 | 0:56:05 | |
-I might be able to arrange those rights for you. -We're prepared to buy. £15,000? | 0:56:07 | 0:56:15 | |
-This is not a clearance sale! I can get a better price elsewhere. -20? | 0:56:15 | 0:56:21 | |
-25. -Agreed. -Cash. | 0:56:23 | 0:56:27 | |
Here are the delivery arrangements. | 0:56:29 | 0:56:32 | |
Very neat. Must we sit through any more of this torture? | 0:56:39 | 0:56:44 | |
-I have a lot to do. -They're playing well. | 0:56:44 | 0:56:48 | |
Tell me who wins(!) | 0:56:48 | 0:56:49 | |
Look out! | 1:00:01 | 1:00:02 | |
Congratulations(!) You've killed an American agent. | 1:01:12 | 1:01:16 | |
The CIA should have let us know they had a tail on Grantby. That'll teach them. | 1:01:30 | 1:01:37 | |
How is Radcliffe? | 1:01:40 | 1:01:42 | |
He doesn't remember being lifted. Physically he seems all right. | 1:01:44 | 1:01:48 | |
-He just needs some rest. -Keep the S1 surveillance on him. -I'll use Palmer. | 1:01:48 | 1:01:55 | |
Do you think that's wise? | 1:01:58 | 1:01:59 | |
You know your own business best. | 1:02:03 | 1:02:05 | |
Pretty good tea. Good morning. | 1:02:08 | 1:02:12 | |
Thank you. | 1:02:30 | 1:02:32 | |
-Did you find it interesting? -Yes. | 1:02:35 | 1:02:38 | |
-Have you seen their collection of portrait miniatures? -No. -Then we must go again. -Yes. | 1:02:44 | 1:02:51 | |
Sorry to keep you waiting. | 1:02:59 | 1:03:02 | |
I think we'll make it. | 1:03:08 | 1:03:10 | |
-Out of breath, Doctor? -I'm fine, Palmer. -In you go. | 1:03:19 | 1:03:23 | |
Delighted to see you. I'm sorry I'm late, Sir Robert. Not at all. | 1:03:30 | 1:03:35 | |
I'll say my few words and leave you to it. | 1:03:35 | 1:03:40 | |
Ladies and gentlemen, you've probably heard something | 1:03:41 | 1:03:46 | |
about Dr Radcliffe's proton-scattering experiments. | 1:03:48 | 1:03:52 | |
It is largely due to Dr Radcliffe | 1:03:52 | 1:03:56 | |
that control of the fusion of hydrogen atoms is getting | 1:03:56 | 1:04:02 | |
appreciably nearer every day. | 1:04:02 | 1:04:05 | |
It is with great pleasure | 1:04:05 | 1:04:08 | |
that I ask Dr Radcliffe to give us his account of his latest work. | 1:04:08 | 1:04:14 | |
Thank you, Sir Robert. | 1:04:14 | 1:04:17 | |
Ladies and gentlemen... | 1:04:17 | 1:04:20 | |
Today, I shall be dealing with a new meson production method, | 1:04:23 | 1:04:29 | |
which stems from the result... | 1:04:29 | 1:04:31 | |
FAINT SCREECHING AND WHIRRING | 1:04:31 | 1:04:34 | |
..a new...meson production... | 1:04:34 | 1:04:38 | |
A new... | 1:04:42 | 1:04:44 | |
..meson...pro...duction... | 1:04:44 | 1:04:47 | |
Dr Radcliffe, are you all right? | 1:04:47 | 1:04:51 | |
Hold it right there. | 1:05:06 | 1:05:08 | |
Over against the wall. | 1:05:10 | 1:05:13 | |
-Don't move a muscle. -You British are supposed to be subtle. -Yes, like you(!) | 1:05:15 | 1:05:21 | |
-Trigger-happy. -Why are you here? -I'm tailing you. -Why? -You killed one of our men. | 1:05:21 | 1:05:27 | |
Open it. | 1:05:34 | 1:05:36 | |
-Why did you kill him? -He came straight at me. | 1:05:42 | 1:05:45 | |
That's what Dalby said. What do you know about Grantby? | 1:05:45 | 1:05:50 | |
-Nothing. -I'm going to tail you till I know you're clean. If you're not clean... | 1:05:50 | 1:05:58 | |
I'm going to kill you. | 1:06:00 | 1:06:03 | |
There you are, Dalby. | 1:06:35 | 1:06:38 | |
We'll lunch at my club. We can walk there. | 1:06:38 | 1:06:42 | |
-Good bit of lunch at your club? -Not bad. The Dover sole's rather good. | 1:06:42 | 1:06:48 | |
-Have you seen the medical report on Radcliffe? -No. | 1:06:53 | 1:06:58 | |
The psychiatrists say that he is suffering from a form of amnesia. Physically he is normal. | 1:06:58 | 1:07:05 | |
But he can no longer function as a physicist. That part of his life is a blank. | 1:07:05 | 1:07:12 | |
Scientist suddenly becoming nonproductive, eh? | 1:07:12 | 1:07:17 | |
-Seems to fit in with your brain drain idea. -Yes. | 1:07:17 | 1:07:21 | |
-What's our next move? -Grantby. | 1:07:21 | 1:07:25 | |
What sticks in my craw is that he sold us damaged goods. | 1:07:26 | 1:07:31 | |
-I've sent Palmer to try to get the money back. -Grantby won't do the right thing(!) | 1:07:31 | 1:07:38 | |
-Shall I pull him in then? -No, I wouldn't advise that. | 1:07:38 | 1:07:43 | |
-Play him a little. -He could easily give us the slip. | 1:07:43 | 1:07:49 | |
-We'll take that risk. -If you say so. | 1:07:49 | 1:07:53 | |
-Incidentally... -Hm? | 1:07:57 | 1:08:00 | |
-The Americans have put a tail on Palmer. -How tiresome of them. | 1:08:00 | 1:08:06 | |
If he's clean he has nothing to worry about. | 1:08:06 | 1:08:09 | |
And if he isn't, the Americans will take care of him and save us a lot of bother. | 1:08:09 | 1:08:16 | |
-Major Dalby sent me to see you. -Indeed? Too tired to come himself? -No. | 1:08:25 | 1:08:29 | |
It seems that you have been slightly dishonest, Mr Grantby. You sold us damaged goods. | 1:08:30 | 1:08:37 | |
I merely agreed to deliver. His condition is not my concern. | 1:08:37 | 1:08:44 | |
We would like our money back. | 1:08:44 | 1:08:46 | |
No. I'm merely a pipeline. You don't know this business but you'll learn. | 1:08:46 | 1:08:53 | |
-Harry. -What? -Come here a minute. | 1:09:11 | 1:09:14 | |
-What? -Round here. I want to show you something. | 1:09:24 | 1:09:29 | |
"Induction of Psychoneuroses By Conditioned Reflex Under Stress". | 1:09:31 | 1:09:39 | |
-What does that mean? -It means I know why 17 scientists ceased to function. | 1:09:39 | 1:09:46 | |
-Yes? -Look again, boy. I-P-C-R-E-S-S. | 1:09:46 | 1:09:54 | |
Ipcress! | 1:09:54 | 1:09:55 | |
-Have you got your car outside? -Yes. -I'm going to see Radcliffe. | 1:09:59 | 1:10:03 | |
I want to try a wee experiment. Take a look at it when I'm away. Be sure to lock it up after you. | 1:10:03 | 1:10:10 | |
CAR HORNS | 1:10:41 | 1:10:44 | |
PHONE RING | 1:10:52 | 1:10:54 | |
Oh, hello, Pat. | 1:10:56 | 1:10:58 | |
Yeah, this is Harry. What is it? | 1:10:58 | 1:11:00 | |
Yes. | 1:11:09 | 1:11:11 | |
Thank you. | 1:11:14 | 1:11:17 | |
Jock's dead. | 1:12:04 | 1:12:06 | |
He was shot in my car. | 1:12:08 | 1:12:11 | |
-That American agent must have thought it was me. -Move in with me. | 1:12:11 | 1:12:17 | |
Yes. I'll go and get my things. | 1:12:17 | 1:12:20 | |
Come on, I'll drop you off. | 1:12:41 | 1:12:43 | |
Palmer here, Major. I must talk to you at once. | 1:13:55 | 1:14:01 | |
..Very. ..No, I can't talk on the telephone. | 1:14:01 | 1:14:04 | |
I must see you. ..Yes, I know T108. | 1:14:04 | 1:14:10 | |
-I hope this won't take too long. -There's a dead American agent in my flat. | 1:14:30 | 1:14:37 | |
-You killed him? -Someone is trying to frame me. -Who'd want to do that? | 1:14:37 | 1:14:44 | |
Jock Carswell got somewhere with the Ipcress file and showed me. His killer is framing me. | 1:14:44 | 1:14:51 | |
Can you prove it? | 1:14:51 | 1:14:54 | |
-The file was stolen from my desk. -By Grantby(!) | 1:14:54 | 1:14:58 | |
-No. Ross. -Ross? -He once asked me | 1:14:58 | 1:15:03 | |
to microfilm the Ipcress file. | 1:15:03 | 1:15:06 | |
-Why didn't you tell me this before? -He would have put me back in jail. | 1:15:06 | 1:15:12 | |
-When does your cleaner arrive? -9am. | 1:15:12 | 1:15:15 | |
That gives you 12 hours. I'll sort this out. Lose yourself. | 1:15:15 | 1:15:22 | |
Someone is trying to frame me. You've got to help me. | 1:15:22 | 1:15:26 | |
You're too hot! | 1:15:26 | 1:15:28 | |
-Harry, they might be watching you. -I'll be watching for them. | 1:15:39 | 1:15:46 | |
I'll miss that train. | 1:15:46 | 1:15:50 | |
See you. | 1:16:10 | 1:16:13 | |
SHE LOCKS THE DOOR | 1:16:17 | 1:16:20 | |
Col Ross, please. | 1:16:42 | 1:16:44 | |
TANNOY: The train about to leave platform 14 | 1:16:44 | 1:16:48 | |
will connect with the transcontinental express | 1:16:48 | 1:16:51 | |
travelling via Prague and Budapest. | 1:16:53 | 1:16:58 | |
Thank you. | 1:17:00 | 1:17:02 | |
I'd like a word with you, sir. | 1:17:27 | 1:17:30 | |
-Palmer's found a dead American agent in his flat. -Did he do it? | 1:17:38 | 1:17:44 | |
He claims he's been framed. | 1:17:44 | 1:17:48 | |
Where is he now? | 1:17:48 | 1:17:50 | |
I don't know. He said that you had expressed an interest in the Ipcress file. | 1:17:50 | 1:17:57 | |
Your department has suddenly developed a high casualty rate. | 1:17:57 | 1:18:01 | |
I wonder why(!) | 1:18:01 | 1:18:03 | |
Pick up Grantby. | 1:18:03 | 1:18:05 | |
-I suggested that earlier. -Do it now. | 1:18:05 | 1:18:08 | |
KNOCK ON DOOR | 1:18:20 | 1:18:23 | |
Billets! | 1:18:23 | 1:18:25 | |
-Yes? -Tickets, please. | 1:18:29 | 1:18:32 | |
Hey! | 1:19:46 | 1:19:48 | |
FOOTSTEPS | 1:20:19 | 1:20:21 | |
Wait a minute! | 1:20:39 | 1:20:41 | |
FOOTSTEPS | 1:21:50 | 1:21:54 | |
-Who are you? -I'm a doctor. | 1:22:08 | 1:22:10 | |
-Lie still, please. -What's the matter with these zombies? Can't they speak? | 1:22:10 | 1:22:16 | |
You don't speak English in Albania. | 1:22:16 | 1:22:20 | |
-Albania? -The land of my fathers. | 1:22:22 | 1:22:26 | |
This starving and freezing won't work with me, Grantby. | 1:22:32 | 1:22:38 | |
-No? -No. | 1:22:38 | 1:22:42 | |
-I can resist it. I read the file. -I know. That's why you're here. | 1:22:42 | 1:22:48 | |
We'll start the treatment in two days. | 1:22:56 | 1:23:00 | |
Wake up! | 1:23:09 | 1:23:12 | |
All right. | 1:23:15 | 1:23:17 | |
-How are you feeling? -You tell me, doctor. -Do sit down. | 1:23:30 | 1:23:35 | |
He's ready. | 1:24:06 | 1:24:07 | |
SCREECHING AND WHIRRING | 1:24:40 | 1:24:42 | |
NOISE CEASES | 1:25:15 | 1:25:17 | |
-The Gestapo used to beat a man for months to get him to this state. -That's crude. | 1:25:24 | 1:25:30 | |
And so slow. | 1:25:30 | 1:25:32 | |
Relax. | 1:25:36 | 1:25:39 | |
Relax. You are getting sleepy. | 1:25:39 | 1:25:43 | |
Quite relaxed. | 1:25:43 | 1:25:47 | |
Listen to my voice. | 1:25:47 | 1:25:50 | |
Nothing but my voice. | 1:25:50 | 1:25:54 | |
You will forget the Ipcress noise. | 1:25:57 | 1:26:00 | |
You will forget all about the Ipcress file. | 1:26:02 | 1:26:06 | |
You will forget your name. | 1:26:08 | 1:26:12 | |
Harry Palmer. My name is Harry Palmer. | 1:26:13 | 1:26:18 | |
You have no name. | 1:26:18 | 1:26:20 | |
Harry Palmer. My name is Harry Palmer. | 1:26:20 | 1:26:25 | |
-No name. -My name is Harry Palmer. | 1:26:25 | 1:26:30 | |
My name is HARRY PALMER. | 1:26:32 | 1:26:35 | |
He's using pain to distract himself. | 1:26:35 | 1:26:39 | |
Get him down. | 1:26:43 | 1:26:45 | |
See that there's padding on those straps next time. | 1:26:53 | 1:26:56 | |
-To make it easy for me(?) -For ME. | 1:26:56 | 1:27:00 | |
-He is difficult. -He'll respond. | 1:27:09 | 1:27:12 | |
Every time he falls asleep wake him up and bring him here. | 1:27:12 | 1:27:18 | |
FOOTSTEPS APPROACH | 1:28:15 | 1:28:19 | |
RATTLE OF KEY IN THE LOCK | 1:28:19 | 1:28:24 | |
Ready. | 1:28:51 | 1:28:54 | |
Fit the rhythm of the sound and vision to the pattern of his brainwaves. | 1:28:59 | 1:29:06 | |
Relax. | 1:29:07 | 1:29:09 | |
Relax. | 1:29:09 | 1:29:11 | |
Quite relaxed. | 1:29:13 | 1:29:15 | |
Listen to my voice. | 1:29:18 | 1:29:20 | |
Nothing but my voice. | 1:29:20 | 1:29:24 | |
Relax. Relax. | 1:29:26 | 1:29:30 | |
Quite relaxed. | 1:29:30 | 1:29:32 | |
You are getting so sleepy. Your eyelids are getting heavy. | 1:29:33 | 1:29:39 | |
Heavy as lead. | 1:29:40 | 1:29:43 | |
Heavy as lead. | 1:29:45 | 1:29:47 | |
You will try but you can't open your eyes. | 1:29:47 | 1:29:52 | |
You have forgotten the Ipcress noise. You have forgotten the Ipcress file. | 1:29:53 | 1:30:00 | |
You have forgotten your name. | 1:30:00 | 1:30:03 | |
What is your name? | 1:30:06 | 1:30:08 | |
Now you will hear a voice say, "Now listen to me." | 1:30:11 | 1:30:17 | |
You will always obey this voice. | 1:30:17 | 1:30:21 | |
-TAPE: -'Now listen to me. | 1:30:21 | 1:30:25 | |
'Listen to me. You are here because you are a traitor. | 1:30:25 | 1:30:31 | |
'Listen to me. | 1:30:31 | 1:30:34 | |
'You are here because you are a traitor. | 1:30:34 | 1:30:38 | |
'A traitor who killed the agents of your allies. | 1:30:38 | 1:30:42 | |
'A traitor who stole the Ipcress file. | 1:30:42 | 1:30:46 | |
'A traitor who sold the Ipcress file to an enemy of your country. | 1:30:46 | 1:30:52 | |
'Now listen to me. Listen to me.' | 1:30:52 | 1:30:57 | |
Now repeat after me - | 1:30:57 | 1:31:01 | |
whenever I hear the voice say "Now listen to me", I will obey. | 1:31:01 | 1:31:09 | |
When I hear the voice say, "Now listen to me", I will obey. | 1:31:09 | 1:31:16 | |
You will wake up when I count five. | 1:31:17 | 1:31:21 | |
You will forget what has happened to you but you will remember your name. | 1:31:21 | 1:31:27 | |
One, two, three... | 1:31:27 | 1:31:30 | |
..four...five. | 1:31:30 | 1:31:35 | |
He's responding very well. | 1:31:40 | 1:31:43 | |
GUARDS' VOICES | 1:32:24 | 1:32:28 | |
FOOTSTEPS | 1:32:28 | 1:32:31 | |
KEYS RATTLE | 1:32:31 | 1:32:35 | |
Operator, CC1 exchange. | 1:34:26 | 1:34:29 | |
-PHONE RINGS -Hello. | 1:34:29 | 1:34:34 | |
-This is Palmer. -Where are you? | 1:34:34 | 1:34:39 | |
-I'm in a call-box at Austin's Wharf Lane. -Just a minute. | 1:34:41 | 1:34:46 | |
He's broken out. | 1:34:46 | 1:34:49 | |
-Is he programmed? -I'd have preferred a few more treatments. | 1:34:49 | 1:34:54 | |
Try him. | 1:34:54 | 1:34:57 | |
Now listen to me. Listen to me. | 1:34:57 | 1:35:01 | |
-Are you listening? -Yes. | 1:35:01 | 1:35:05 | |
Phone Col. Ross and ask him to meet you at the warehouse. | 1:35:05 | 1:35:10 | |
I will meet you there. | 1:35:10 | 1:35:14 | |
Now listen to me. Listen to me. | 1:35:14 | 1:35:17 | |
Do it now. Then hang up and forget what I have just said. | 1:35:17 | 1:35:24 | |
Get those men out of the warehouse immediately. | 1:35:30 | 1:35:34 | |
A CLICK | 1:36:03 | 1:36:06 | |
Palmer? | 1:36:13 | 1:36:16 | |
Palmer! | 1:36:22 | 1:36:24 | |
Stop, Major. Don't say a word or I'll kill you. | 1:36:29 | 1:36:35 | |
Shut the door. | 1:36:38 | 1:36:41 | |
Now, don't say a word. Not a word. | 1:36:42 | 1:36:46 | |
Right, over here. | 1:37:06 | 1:37:08 | |
There. Get your back to the wall. Under the light. | 1:37:12 | 1:37:17 | |
BANG | 1:37:36 | 1:37:37 | |
Put it down. | 1:37:59 | 1:38:01 | |
What the hell are you doing? | 1:38:03 | 1:38:05 | |
Shut up! | 1:38:05 | 1:38:06 | |
You didn't tell me Dalby would be here. | 1:38:12 | 1:38:15 | |
What has happened to you, Palmer? | 1:39:36 | 1:39:39 | |
One of you knows exactly what has happened to me. | 1:39:39 | 1:39:41 | |
One of you is a double-agent. | 1:39:41 | 1:39:45 | |
You're right. Who wanted you to microfilm the Ipcress file? | 1:39:45 | 1:39:50 | |
I did that to test you. | 1:39:52 | 1:39:55 | |
Ross killed Carswell. | 1:39:55 | 1:39:58 | |
Ridiculous! | 1:39:58 | 1:39:59 | |
Ross couldn't have known Carswell had cracked the Ipcress file. | 1:40:02 | 1:40:06 | |
Courtenay told him. | 1:40:06 | 1:40:08 | |
-Jean was working for you? -Yes. I'd suspected this one for some time. | 1:40:11 | 1:40:17 | |
It won't work, Ross. You used Courtenay just as you tried to use Palmer. | 1:40:19 | 1:40:27 | |
Ross killed the CIA man. He framed you. | 1:40:27 | 1:40:32 | |
You bastard. | 1:40:33 | 1:40:34 | |
Oh, dear. You used to call me a passed-over major. | 1:40:34 | 1:40:39 | |
Now listen to me. Listen to me. | 1:40:44 | 1:40:48 | |
Shoot Ross. | 1:40:49 | 1:40:51 | |
Shoot the traitor NOW ! | 1:40:59 | 1:41:03 | |
I was counting on you being an insubordinate bastard. | 1:41:46 | 1:41:51 | |
You used me as a decoy. | 1:41:51 | 1:41:53 | |
-I might have been killed or driven stark-raving mad. -That's what you're paid for. | 1:41:55 | 1:42:00 | |
Thank you. | 1:42:15 | 1:42:17 | |
Subtitles by Red Bee Media Ltd | 1:42:56 | 1:42:59 |