Browse content similar to The Jackal. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains very strong language and prolonged violent scenes. | 0:00:28 | 0:00:38 | |
RONALD REAGAN: Mr Gorbachev, tear down this wall! | 0:01:44 | 0:01:47 | |
RUSSIAN COMMENTARIES OVERLAP | 0:02:09 | 0:02:13 | |
'...bringing to an end the Soviet empire | 0:02:14 | 0:02:17 | |
'and its 70-year experiment in communism. While jubilation at... | 0:02:17 | 0:02:22 | |
'..corruption and economic misery causing a tidal wave of crime.' | 0:02:22 | 0:02:26 | |
'The Russian mafia has evolved into a class-organised crime network | 0:02:26 | 0:02:31 | |
'with profits in billions, including some substantial US operations.' | 0:02:31 | 0:02:36 | |
'..the unprecedented opening of an FBI legal attache office in Moscow | 0:02:44 | 0:02:49 | |
'and the first ever joint US and Russian law enforcement operation.' | 0:02:49 | 0:02:54 | |
CONVERSATION IN RUSSIAN | 0:03:51 | 0:03:53 | |
Look. | 0:04:12 | 0:04:14 | |
CAMERAS CLICK | 0:04:21 | 0:04:23 | |
LOUD DISCO MUSIC | 0:04:25 | 0:04:28 | |
'Ghazzi's in the club. He's in position.' | 0:04:59 | 0:05:02 | |
OK. Op's a go. MVD only. | 0:05:02 | 0:05:05 | |
SCREAMING | 0:05:17 | 0:05:19 | |
MUSIC STOPS ABRUPTLY | 0:05:27 | 0:05:30 | |
What is this? | 0:06:05 | 0:06:07 | |
An American? Who the fuck are you? | 0:06:07 | 0:06:09 | |
Deputy Director Carter Preston. FBI. | 0:06:09 | 0:06:12 | |
FBI! You fuck Americans, now? | 0:06:12 | 0:06:16 | |
You ugly, militia whore! | 0:06:16 | 0:06:19 | |
And you... | 0:06:19 | 0:06:21 | |
Go fuck yourself. This is not Chicago. | 0:06:21 | 0:06:25 | |
This is Russia. Take your bitch and get the fuck out of here. | 0:06:25 | 0:06:29 | |
-You think I'm afraid of the MVD?! -HE LAUGHS | 0:06:29 | 0:06:32 | |
LAUGHTER | 0:06:32 | 0:06:34 | |
I swear I will kill you and your fucking whore mothers. | 0:06:34 | 0:06:38 | |
You are advised not to resist. | 0:06:38 | 0:06:43 | |
Fuck you, you skull-faced cunt! | 0:06:40 | 0:06:43 | |
-Fuck you! -That's enough! | 0:06:43 | 0:06:45 | |
SCREAMING | 0:06:46 | 0:06:48 | |
GUNSHOT | 0:07:00 | 0:07:02 | |
SCREAMING | 0:07:02 | 0:07:04 | |
SIRENS | 0:07:11 | 0:07:13 | |
SHOUTING IN BACKGROUND | 0:07:13 | 0:07:16 | |
It's never easy, taking a life. | 0:07:21 | 0:07:24 | |
But you saved one, too. | 0:07:24 | 0:07:26 | |
Mine. | 0:07:26 | 0:07:28 | |
Thank you. | 0:07:29 | 0:07:31 | |
We had no warning. They must have ambushed our men outside. | 0:07:40 | 0:07:44 | |
Before we knew it, there were militia with guns in every corner. | 0:07:44 | 0:07:49 | |
They just opened fire and killed him. | 0:07:49 | 0:07:53 | |
It happened so fast, | 0:07:53 | 0:07:55 | |
it was over before it started. | 0:07:55 | 0:07:57 | |
God. My poor brother. | 0:07:57 | 0:08:00 | |
How many militia did you kill? | 0:08:03 | 0:08:06 | |
Terek, we didn't stand a chance. There were 30 of them. | 0:08:08 | 0:08:12 | |
Yes, but how many did you kill? | 0:08:12 | 0:08:16 | |
Well...none. | 0:08:18 | 0:08:21 | |
None? Not even one? | 0:08:23 | 0:08:27 | |
Terek, please! | 0:08:24 | 0:08:27 | |
I did what I could. | 0:08:27 | 0:08:29 | |
You did what you could. You did what you could. | 0:08:31 | 0:08:35 | |
You let militia pigs and American scum kill my brother, | 0:08:35 | 0:08:39 | |
without killing one in return. | 0:08:39 | 0:08:42 | |
OK. That's what you could do. | 0:08:43 | 0:08:45 | |
Here's what I can do. | 0:08:45 | 0:08:47 | |
I loved this man like a brother. | 0:08:57 | 0:08:59 | |
He was a dear friend and partner to me. | 0:08:59 | 0:09:03 | |
So I took no joy in that. | 0:09:03 | 0:09:05 | |
But just think. | 0:09:07 | 0:09:09 | |
If I could do this to one I love, | 0:09:09 | 0:09:12 | |
what could I do to someone I hate? | 0:09:12 | 0:09:15 | |
Hm? | 0:09:15 | 0:09:16 | |
-HE CHUCKLES: -So, the American FBI declares war on us. | 0:09:16 | 0:09:22 | |
Then, war it is. | 0:09:27 | 0:09:29 | |
TV: 'Unlike other, less cunning predators | 0:09:29 | 0:09:33 | |
'the hyena takes no chances, | 0:09:33 | 0:09:35 | |
'never attacking unless sure of a kill. | 0:09:35 | 0:09:38 | |
'Though a consummate killer, he is clearly no gentleman.' | 0:09:38 | 0:09:43 | |
I apologise for keeping you waiting. | 0:09:46 | 0:09:49 | |
I had some other business to dispose of. | 0:09:49 | 0:09:52 | |
So much wasted time, confusing motion with accomplishment. A drink? | 0:09:52 | 0:09:57 | |
IN RUSSIAN | 0:09:57 | 0:10:00 | |
TURNS OFF TV | 0:10:04 | 0:10:07 | |
The MVD killed my brother. | 0:10:12 | 0:10:15 | |
For that, I will see they drown in blood. | 0:10:15 | 0:10:18 | |
But to their allies in America, I wish to send a message. | 0:10:18 | 0:10:23 | |
A very public message. One to strike fear into the marrow of their bones. | 0:10:23 | 0:10:28 | |
Can you kill this person? | 0:10:31 | 0:10:33 | |
Yes. | 0:10:36 | 0:10:37 | |
If I take this job, I'll have to disappear. Forever. | 0:10:43 | 0:10:47 | |
If you want me to do this, you must pay me. | 0:10:48 | 0:10:53 | |
How much? | 0:10:51 | 0:10:53 | |
American dollars. | 0:10:53 | 0:10:56 | |
All cash, of course. | 0:10:56 | 0:10:58 | |
Half now, half upon completion. | 0:10:58 | 0:11:01 | |
Seventy million. | 0:11:05 | 0:11:09 | |
HE CHUCKLES | 0:11:07 | 0:11:09 | |
Why not?! | 0:11:12 | 0:11:14 | |
Done! | 0:11:14 | 0:11:15 | |
How many people know about this? | 0:11:15 | 0:11:20 | |
-You and I. -Keep it that way. | 0:11:17 | 0:11:20 | |
Don't refer to our arrangement by telephone or fax, ever. | 0:11:20 | 0:11:25 | |
Find a place outside Russia to hide until the mission is over. | 0:11:25 | 0:11:29 | |
If this leaks, I choose whether to continue or not. | 0:11:29 | 0:11:33 | |
Either way, I keep the initial payment. Agreed? | 0:11:33 | 0:11:37 | |
OK. | 0:11:37 | 0:11:39 | |
Informants say Terek has bounties on all MVD and FBI personnel. | 0:11:40 | 0:11:44 | |
Deputy Director Preston and I | 0:11:44 | 0:11:46 | |
have special bounties on our lives. | 0:11:46 | 0:11:49 | |
In two weeks, seven MVD operatives were killed. | 0:11:49 | 0:11:54 | |
We're getting to him. | 0:11:52 | 0:11:54 | |
Informants say it's just the start. He's planning something dramatic. | 0:11:54 | 0:11:59 | |
Last week, Terek and his two top men were seen at a pension | 0:11:59 | 0:12:04 | |
in Porvoo, near Helsinki. | 0:12:04 | 0:12:06 | |
They've been there ever since, taking the entire third floor. | 0:12:06 | 0:12:10 | |
All former Spetsnaz, nine in all. | 0:12:10 | 0:12:13 | |
No-one's left the building in five days. Their contact with the world | 0:12:13 | 0:12:18 | |
is this man. Victor Politovsky. | 0:12:18 | 0:12:20 | |
He goes to the Porvoo post office, twice a day, for Terek's mail. | 0:12:20 | 0:12:25 | |
-Contact Interpol. Find out about Politovsky. -Yes, sir. | 0:12:25 | 0:12:29 | |
Terek's men are notoriously hard to turn out. | 0:12:29 | 0:12:33 | |
We must conduct any interrogation | 0:12:33 | 0:12:35 | |
-with the utmost efficiency. Good day to you, Mr Preston. -Sir. | 0:12:35 | 0:12:40 | |
I don't think I want to know what that means. | 0:12:45 | 0:12:48 | |
MUSIC: "Star" by Primal Scream | 0:14:30 | 0:14:34 | |
The new lamination is tricky. | 0:14:34 | 0:14:36 | |
You got to use ethyl acetone. | 0:14:36 | 0:14:39 | |
Nasty stuff. Gives you liver cancer. | 0:14:39 | 0:14:42 | |
And I used a disk drive to erase the magnetic strip. | 0:14:44 | 0:14:47 | |
It's perfect. | 0:14:47 | 0:14:49 | |
Thank you. | 0:14:49 | 0:14:56 | |
You really do beautiful work. | 0:14:51 | 0:14:56 | |
Art comes in various guises. | 0:14:53 | 0:14:56 | |
Yes, it does. What do I owe you? | 0:14:56 | 0:15:02 | |
Right. I think your balance is about... | 0:14:57 | 0:15:02 | |
..£375. | 0:15:02 | 0:15:04 | |
This is £500. | 0:15:04 | 0:15:06 | |
Oh! Thank you! | 0:15:06 | 0:15:08 | |
-Good luck with the baby. -Thank you! -Cheers. -See you next time. | 0:15:08 | 0:15:12 | |
How do you want the accounts handled? | 0:15:35 | 0:15:38 | |
-Put the deposit in the Macao and Panama accounts. -And the balance? | 0:15:38 | 0:15:44 | |
Leave it here, in dollars. | 0:15:42 | 0:15:44 | |
Open a Luxembourg account | 0:15:44 | 0:15:46 | |
and get some American credit cards. I'll send you names. | 0:15:46 | 0:15:50 | |
I'll overnight the cards to your box in Montreal. | 0:15:50 | 0:15:54 | |
Oh! This also came in the draft. | 0:15:54 | 0:15:56 | |
Yes. I need to use your computer. | 0:15:56 | 0:15:59 | |
-Of course. Everything's ready for you. -Thank you. | 0:15:59 | 0:16:03 | |
COMPUTER: Good afternoon. How may we help you? | 0:16:05 | 0:16:09 | |
I'm interested in an intermediate range system, high cyclic rate. | 0:16:09 | 0:16:14 | |
Man portable? | 0:16:15 | 0:16:17 | |
Compact. A vehicle-mounted unit. What calibre? | 0:16:17 | 0:16:23 | |
No smaller than 7.62. | 0:16:20 | 0:16:23 | |
Available - 7.62mm | 0:16:23 | 0:16:26 | |
M-134 electric Gatling gun. | 0:16:26 | 0:16:29 | |
I prefer non-US equipment. Single-parallel system. | 0:16:29 | 0:16:33 | |
Available - Yugoslav 20mm | 0:16:33 | 0:16:37 | |
19/55 cannon. | 0:16:37 | 0:16:40 | |
Too heavy. | 0:16:40 | 0:16:42 | |
Available - Polish ZSU-33 electric 14.5mm, | 0:16:42 | 0:16:47 | |
cyclic rate, 1400 rounds per minute. | 0:16:47 | 0:16:50 | |
Interested. | 0:16:50 | 0:16:52 | |
Effective combat range, 3500m. | 0:16:52 | 0:16:56 | |
Muzzle velocity, 1700m per second. | 0:16:56 | 0:17:00 | |
I'll take it. | 0:17:00 | 0:17:02 | |
Cost will be 200,000 dollars US. | 0:17:02 | 0:17:06 | |
Transfer funds in the usual manner - | 0:17:06 | 0:17:09 | |
half now, half on delivery - to this address. | 0:17:09 | 0:17:12 | |
Letterham Shipping, Montreal, Quebec, Canada. | 0:17:12 | 0:17:16 | |
GIH 876. | 0:17:16 | 0:17:19 | |
Client name - Murdoch, Charles C. | 0:17:19 | 0:17:22 | |
SHOUTING | 0:17:22 | 0:17:25 | |
CRIES OF PAIN | 0:17:25 | 0:17:28 | |
VALENTINA TRANSLATES | 0:17:28 | 0:17:30 | |
"What are they planning? Why is Terek in Finland?" | 0:17:30 | 0:17:34 | |
"The Americans. Killed." | 0:17:34 | 0:17:36 | |
"Example. Jackal." | 0:17:36 | 0:17:39 | |
"What Jackal? It doesn't make sense." | 0:17:39 | 0:17:43 | |
"What are they planning?" | 0:17:43 | 0:17:46 | |
"Who are you?" | 0:17:46 | 0:17:51 | |
SCREAMS AND SHOUTS | 0:17:47 | 0:17:51 | |
"You fucking jackal." | 0:17:51 | 0:17:54 | |
"Why are you hanging around? Revive him!" | 0:17:58 | 0:18:02 | |
Jesus! | 0:18:04 | 0:18:05 | |
Drug-assisted interrogation is legal in matters of state security. | 0:18:06 | 0:18:11 | |
Unfortunately, Mr Politovsky had an undiagnosed heart condition. | 0:18:11 | 0:18:16 | |
He said, "Jackal"? | 0:18:16 | 0:18:19 | |
Does this mean something to you? | 0:18:19 | 0:18:21 | |
There's supposedly a killer for hire who uses that name. An assassin. | 0:18:21 | 0:18:27 | |
But we've never been able to prove | 0:18:27 | 0:18:30 | |
if he even exists. | 0:18:30 | 0:18:32 | |
DOOR SHUTS | 0:18:42 | 0:18:44 | |
From time to time, he was KGB asset. | 0:18:44 | 0:18:49 | |
Do you have a name? | 0:18:46 | 0:18:49 | |
No. Payments were made to the contracting organisation | 0:18:49 | 0:18:53 | |
or a Hong Kong bank account. | 0:18:53 | 0:18:55 | |
No KGB member has ever seen him. | 0:18:55 | 0:18:57 | |
Do we know if he ever operated in the US? | 0:18:57 | 0:19:02 | |
No, but... | 0:19:00 | 0:19:02 | |
Politovsky's briefcase contained | 0:19:04 | 0:19:07 | |
material on Donald Brown, Director of the FBI. | 0:19:07 | 0:19:10 | |
Jesus Christ! | 0:19:10 | 0:19:12 | |
This guy's going for the gold. | 0:19:12 | 0:19:14 | |
Get him on the phone for me. | 0:19:14 | 0:19:17 | |
Yes, sir. | 0:19:15 | 0:19:17 | |
-Morning. -Morning. | 0:19:41 | 0:19:43 | |
Purpose of your visit to Canada? | 0:19:43 | 0:19:46 | |
-Steelhead. -Hm? | 0:19:46 | 0:19:49 | |
Fishing! | 0:19:47 | 0:19:49 | |
STAMPS PASSPORT | 0:19:49 | 0:19:52 | |
Enjoy your stay, Mr Hayslip. | 0:19:52 | 0:19:55 | |
Thank you. I will. | 0:19:53 | 0:19:55 | |
You got a good deal on the mini-van. It's brand new and fully loaded. | 0:19:59 | 0:20:04 | |
I just need your driver's licence | 0:20:04 | 0:20:07 | |
and credit card, and everything should be OK, Mr Murdoch. | 0:20:07 | 0:20:12 | |
Make it Charlie! | 0:20:12 | 0:20:18 | |
All right, Charlie. See you in a sec | 0:20:13 | 0:20:18 | |
Take your time! | 0:20:15 | 0:20:18 | |
I want this op close-hold. | 0:21:21 | 0:21:24 | |
No publicity. | 0:21:24 | 0:21:26 | |
Put a working group together. | 0:21:26 | 0:21:28 | |
State, CIA, Secret Service, Russian Embassy. | 0:21:28 | 0:21:32 | |
They'll have daily progress reports, 9pm every evening, this office. | 0:21:32 | 0:21:37 | |
Major Koslova? Anything else? | 0:21:37 | 0:21:39 | |
Since 1983, KGB provided funding for five direct action missions. | 0:21:39 | 0:21:44 | |
One bombing and four assassinations by gunshot. | 0:21:44 | 0:21:47 | |
The Jackal was the operative used. | 0:21:47 | 0:21:50 | |
Not giving me much to work with. | 0:21:50 | 0:21:54 | |
We don't have much, sir. | 0:21:52 | 0:21:54 | |
Major Koslova's informers don't know who he is. CIA can't track him. | 0:21:54 | 0:21:59 | |
Then what? | 0:21:59 | 0:22:06 | |
Using KGB files, I've found six operatives we think have seen him. | 0:22:00 | 0:22:06 | |
Four are dead, one is in Libya and one may be here in the US. | 0:22:06 | 0:22:10 | |
A Basque separatist named Isabella Celia Zancona. | 0:22:10 | 0:22:13 | |
She might know what he looks like. But we don't know where she is. | 0:22:13 | 0:22:18 | |
Someone must. | 0:22:18 | 0:22:24 | |
In the 80s, she was involved with Declan Joseph Mulqueen. | 0:22:19 | 0:22:24 | |
IRA sharpshooter. | 0:22:24 | 0:22:30 | |
Word is, he burned out. They shipped him here from Ireland. | 0:22:25 | 0:22:30 | |
In 89, he picked up twice 25 years for old weapons trafficking charges. | 0:22:30 | 0:22:35 | |
He's now serving time in Massachusetts. | 0:22:35 | 0:22:38 | |
-BROWN: -If he knows where she is, why would he tell you? | 0:22:38 | 0:22:41 | |
-PRESTON: -He may co-operate for a reduced sentence. | 0:22:41 | 0:22:45 | |
Don't promise too much. After all, he's a terrorist. | 0:22:45 | 0:22:49 | |
You got some visitors, Mulqueen. | 0:23:05 | 0:23:07 | |
What do you want with Isabella? She's done nothing. | 0:23:13 | 0:23:17 | |
She entered the country illegally. | 0:23:17 | 0:23:19 | |
What?! The FBI is sending deputy directors out after illegal aliens?! | 0:23:22 | 0:23:27 | |
Who are you really looking for? | 0:23:29 | 0:23:31 | |
A pro. Calls himself the Jackal. | 0:23:31 | 0:23:34 | |
Oh. That fella. | 0:23:36 | 0:23:38 | |
The mystery man. | 0:23:40 | 0:23:45 | |
She might have seen him and may be able to help us find him. | 0:23:41 | 0:23:45 | |
If so, we'll arrange a pardon for her, signed by the President. | 0:23:45 | 0:23:50 | |
No extradition. The government of Spain will never know where she is. | 0:23:50 | 0:23:55 | |
They don't now, do they? And neither do you. | 0:23:55 | 0:23:59 | |
Let's keep it that way. | 0:23:59 | 0:24:01 | |
You might be saving a human life. | 0:24:09 | 0:24:12 | |
Whose life? Must be someone important! | 0:24:12 | 0:24:15 | |
Mr Donald Brown, Director of the FBI. | 0:24:15 | 0:24:18 | |
Wouldn't that be droll! | 0:24:21 | 0:24:23 | |
Look. We know certain gangs in the prison want you dead. | 0:24:23 | 0:24:27 | |
An entire government wants me dead, mister. Yet, here I am. | 0:24:27 | 0:24:33 | |
Cut the bullshit. If you co-operate, | 0:24:33 | 0:24:35 | |
we'll transfer you to a minimum security facility. | 0:24:35 | 0:24:39 | |
Your only chance to ever walk out of this goddamn place in one piece. | 0:24:39 | 0:24:44 | |
Take it or leave it. | 0:24:44 | 0:24:46 | |
Stuff it. As many fucking times as you like. | 0:24:46 | 0:24:50 | |
Pardon the language. I've been in prison. | 0:24:50 | 0:24:53 | |
All right. What will it take for you to help us? | 0:25:05 | 0:25:08 | |
First, I'd have to know Isabella would be kept safe. | 0:25:10 | 0:25:13 | |
Done. | 0:25:13 | 0:25:16 | |
Then you'd have to let me go. Back to Ireland. A free man. | 0:25:16 | 0:25:20 | |
Out of the question. | 0:25:20 | 0:25:22 | |
Besides gun-running, you killed British government personnel. | 0:25:22 | 0:25:28 | |
And women and children. | 0:25:28 | 0:25:33 | |
That's not my war! I was never a bomber! | 0:25:29 | 0:25:33 | |
What's the distinction? You took human lives. | 0:25:33 | 0:25:39 | |
In a war. I simply want to go home. | 0:25:35 | 0:25:39 | |
Simple for you, perhaps. | 0:25:39 | 0:25:41 | |
In Russia, soldiers go home when the treaty is signed. | 0:25:41 | 0:25:46 | |
That won't happen. Sorry. | 0:25:44 | 0:25:46 | |
All right. Just the chance, then. | 0:25:49 | 0:25:52 | |
Your best efforts to get me free. I'll settle for your word on it. | 0:25:53 | 0:25:57 | |
Sorry. | 0:26:00 | 0:26:02 | |
So the Jackal's after your director? | 0:26:05 | 0:26:08 | |
Tell him to get his affairs in order. Nobody can save him, now. | 0:26:08 | 0:26:12 | |
Nobody but me. Cos I've met him! | 0:26:12 | 0:26:14 | |
Oh, yeah. Didn't I mention it? | 0:26:18 | 0:26:21 | |
HE SIGHS | 0:26:30 | 0:26:32 | |
I can identify him. By his face, given the opportunity. | 0:26:33 | 0:26:37 | |
But more importantly, by his methods. | 0:26:37 | 0:26:40 | |
Leave Isabella out of this. | 0:26:41 | 0:26:43 | |
Did you work with him? | 0:26:44 | 0:26:46 | |
With him? No! No way. | 0:26:46 | 0:26:48 | |
Do you have a problem with this man? | 0:26:51 | 0:26:54 | |
That's between him and me. | 0:26:55 | 0:26:58 | |
Well, Isabella Zancona is the only confirmed contact we have. | 0:27:01 | 0:27:06 | |
And we will find her. | 0:27:06 | 0:27:08 | |
With or without your help. | 0:27:08 | 0:27:10 | |
OK. OK. OK. | 0:27:11 | 0:27:13 | |
I want three things. One - get me out of here. I'm no use to you, | 0:27:15 | 0:27:19 | |
sitting here on me arse. | 0:27:19 | 0:27:26 | |
What's to keep you from taking off? | 0:27:20 | 0:27:26 | |
Nothing! But I give you my word. | 0:27:23 | 0:27:26 | |
-HE LAUGHS -Two - | 0:27:26 | 0:27:28 | |
I go with you to meet Isabella. | 0:27:28 | 0:27:32 | |
Why? | 0:27:30 | 0:27:32 | |
I want to see her, is all. | 0:27:32 | 0:27:35 | |
And the third thing? | 0:27:39 | 0:27:41 | |
A decent razor. | 0:27:43 | 0:27:45 | |
Here's how it will go. | 0:27:48 | 0:27:50 | |
You will be searched, randomly. | 0:27:50 | 0:27:53 | |
If we find so much as a paperclip, you go back to prison. | 0:27:53 | 0:27:57 | |
Same goes for using the telephone. | 0:27:57 | 0:28:03 | |
You don't trust me? | 0:27:58 | 0:28:03 | |
No. But I have little choice. | 0:28:00 | 0:28:03 | |
If you're considering an IRA snatch, we'll shoot to kill. Them and you. | 0:28:03 | 0:28:08 | |
And not necessarily in that order. Understand? | 0:28:08 | 0:28:14 | |
-I heard you. -Go along, | 0:28:11 | 0:28:14 | |
and we'll get along. | 0:28:14 | 0:28:17 | |
I'm gonna keep a real good eye on you. | 0:28:26 | 0:28:29 | |
Miss Koslova, is it? | 0:28:32 | 0:28:34 | |
Mm-hm. | 0:28:34 | 0:28:36 | |
What would your first name be, then? | 0:28:41 | 0:28:44 | |
Major. | 0:28:44 | 0:28:46 | |
Major Koslova. | 0:28:46 | 0:28:48 | |
I'm a wee bit rusty. That's all! | 0:28:54 | 0:28:57 | |
Sub-assembly of titanium, as light as stresses will allow. | 0:29:11 | 0:29:16 | |
The arm must traverse 270 degrees. | 0:29:16 | 0:29:18 | |
Feed and drive mechanisms run on two ten-amp servos. Run off a 12-volt DC | 0:29:18 | 0:29:24 | |
Yeah. A car battery. That's cool. | 0:29:24 | 0:29:27 | |
What weight does the arm support? | 0:29:27 | 0:29:31 | |
55 kilograms. | 0:29:29 | 0:29:31 | |
-LAUGHS: -That's a big fucker, yeah?! You want one? | 0:29:31 | 0:29:35 | |
No. | 0:29:35 | 0:29:37 | |
I want this in eight days. | 0:29:38 | 0:29:40 | |
-I can do that. -Good. | 0:29:40 | 0:29:43 | |
How much? | 0:29:43 | 0:29:47 | |
HE BELCHES | 0:29:45 | 0:29:47 | |
Well, the titanium will be a problem. | 0:29:47 | 0:29:50 | |
It's a listed material, up here. That will take time and money. | 0:29:50 | 0:29:55 | |
Fifty grand? | 0:29:55 | 0:29:57 | |
I don't know. Like, well...forty. Forty grand. | 0:30:00 | 0:30:04 | |
All right. Half now. Half on delivery | 0:30:06 | 0:30:10 | |
This sucker will kick some ass! | 0:30:11 | 0:30:13 | |
All right. When you finish, I get the plans and scrap material. | 0:30:16 | 0:30:21 | |
You'll forget about Charlie Murdoch and these plans. | 0:30:21 | 0:30:25 | |
Yeah. Shit, man! I'm cool. Relax! | 0:30:25 | 0:30:29 | |
All right. | 0:30:32 | 0:30:34 | |
DOG YAPS | 0:30:37 | 0:30:39 | |
POLICE RADIO IN BACKGROUND | 0:30:50 | 0:30:53 | |
Are you nervous? | 0:31:02 | 0:31:04 | |
Eight years. That's a lifetime, isn't it? | 0:31:07 | 0:31:10 | |
Hello. | 0:31:12 | 0:31:16 | |
-Mr Decker? -Yes? | 0:31:14 | 0:31:16 | |
Hello, there. I'm Declan Mulqueen. | 0:31:16 | 0:31:19 | |
And this is... Major Koslova. | 0:31:19 | 0:31:22 | |
How do you do? | 0:31:22 | 0:31:24 | |
-Hi. -We'd like to speak to your wife. | 0:31:24 | 0:31:27 | |
Is? Someone to see you. | 0:31:28 | 0:31:30 | |
I'll er...take the kids out back. | 0:32:05 | 0:32:08 | |
My beautiful Irish! | 0:32:14 | 0:32:18 | |
They've let me out to ask you something. | 0:32:29 | 0:32:32 | |
We could use the Zancona woman as insurance | 0:32:33 | 0:32:36 | |
in case Mulqueen gets happy feet. | 0:32:36 | 0:32:39 | |
However he plays it, we play it straight. | 0:32:39 | 0:32:42 | |
Isabella Zancona's involvement remains classified. | 0:32:42 | 0:32:46 | |
That means nothing in the report. No name, no location, nothing. Got it? | 0:32:46 | 0:32:51 | |
Yes, sir. | 0:32:51 | 0:32:53 | |
I never knew his name, but he was definitely American. | 0:32:57 | 0:33:00 | |
He had special military training and he learned Spanish. | 0:33:00 | 0:33:04 | |
I didn't like talking to him. | 0:33:04 | 0:33:07 | |
I suppose we were all dangerous people, | 0:33:07 | 0:33:11 | |
but he was different. | 0:33:11 | 0:33:13 | |
I mean, Declan was fire. All passion. He had a cause. | 0:33:13 | 0:33:16 | |
This man was ice. No feeling. Nothing. | 0:33:16 | 0:33:20 | |
OK. Thank you, Mrs Decker. | 0:33:20 | 0:33:22 | |
You've been very helpful. | 0:33:22 | 0:33:24 | |
Keep our conversation confidential, please. Even from your husband. | 0:33:24 | 0:33:30 | |
Don't worry. George doesn't know about my past, and doesn't want to. | 0:33:30 | 0:33:35 | |
All he needs to know is that I love him. | 0:33:35 | 0:33:39 | |
I see. Well, I thank you again. | 0:33:42 | 0:33:45 | |
I'll wait for you in the car. | 0:33:47 | 0:33:50 | |
This opens a locker at Norfolk Greyhound Terminal. | 0:33:57 | 0:34:01 | |
Inside is a clean passport and 10,000 cash. | 0:34:01 | 0:34:05 | |
Your friends left it with me in case you ever showed up. | 0:34:05 | 0:34:09 | |
Take it and go, back to Ireland. | 0:34:09 | 0:34:11 | |
I can't. | 0:34:12 | 0:34:16 | |
What? Oh! | 0:34:13 | 0:34:16 | |
Oh! You gave your word? | 0:34:16 | 0:34:18 | |
Hm? | 0:34:18 | 0:34:20 | |
Go now! Once he's killed his prey, they'll send you back to prison. | 0:34:21 | 0:34:26 | |
When I believe that, I'll use the key. | 0:34:26 | 0:34:30 | |
CHILDREN'S VOICES IN BACKGROUND | 0:34:37 | 0:34:39 | |
Are you happy, at least? | 0:34:42 | 0:34:45 | |
Yes. | 0:34:43 | 0:34:45 | |
I love my children... | 0:34:45 | 0:34:47 | |
and my husband. | 0:34:47 | 0:34:49 | |
In my way, I mean. | 0:34:49 | 0:34:51 | |
Some nights, I can close my eyes | 0:35:01 | 0:35:04 | |
and sleep... | 0:35:04 | 0:35:06 | |
..and no dead faces come to wake me. | 0:35:08 | 0:35:10 | |
That's more than I ever had. | 0:35:10 | 0:35:13 | |
You wouldn't have me give that up, would you? | 0:35:14 | 0:35:18 | |
Give me some credit, will you? | 0:35:22 | 0:35:25 | |
She's Basque, isn't she? | 0:35:56 | 0:35:58 | |
-Aye. -They say Basques live by the vendetta. | 0:36:00 | 0:36:04 | |
If they hate someone, it's to the death. | 0:36:04 | 0:36:07 | |
It's the same way when they love. | 0:36:07 | 0:36:10 | |
My first name is Valentina. | 0:36:12 | 0:36:15 | |
You have family in Russia? | 0:36:21 | 0:36:23 | |
My parents. My brother is in the navy. | 0:36:23 | 0:36:26 | |
Husband? Kids? | 0:36:26 | 0:36:29 | |
No. I have not found the time. | 0:36:29 | 0:36:31 | |
In truth, it's never been a conflict for me. | 0:36:36 | 0:36:39 | |
This is not a quality a man looks for in a woman. | 0:36:39 | 0:36:42 | |
By the way, whatever Isabella gave you after I left, | 0:36:50 | 0:36:54 | |
I trust you won't use it until after our business is concluded. | 0:36:54 | 0:37:00 | |
You don't miss a thing, do you?! | 0:37:00 | 0:37:02 | |
No, Mr Mulqueen. I see everything. | 0:37:02 | 0:37:05 | |
Maybe we should cancel your public appearances. | 0:37:16 | 0:37:19 | |
Oh, no! That's not necessary yet. | 0:37:19 | 0:37:22 | |
This fella has to make preparations. He'll need time. | 0:37:22 | 0:37:26 | |
How tight are the borders? | 0:37:26 | 0:37:29 | |
HE WHISPERS | 0:37:27 | 0:37:29 | |
Mr Mulqueen? Something you'd like to share with us? | 0:37:29 | 0:37:33 | |
He'll likely be using four false identities. | 0:37:34 | 0:37:37 | |
Three will be on him and one in a drop box, somewhere. | 0:37:37 | 0:37:41 | |
What if he has 40? It's one man. | 0:37:41 | 0:37:44 | |
Might we be creating a storm in a teacup? | 0:37:44 | 0:37:47 | |
Exactly. I agree with you 100%. | 0:37:47 | 0:37:49 | |
Director Bolitonov, for Terek, doing his own killing is a point of honour | 0:37:51 | 0:37:56 | |
Usually very bloody and very public. A statement, if you will. | 0:37:56 | 0:38:01 | |
If he hired an outsider, this must be something | 0:38:01 | 0:38:04 | |
that he takes very seriously. | 0:38:04 | 0:38:07 | |
Until this Jackal is captured or killed, we can't do any less. | 0:38:07 | 0:38:12 | |
Oh, come on! Get real, here! I mean, it's one guy. | 0:38:12 | 0:38:15 | |
It's just one guy. Bolitonov's right. | 0:38:15 | 0:38:18 | |
With the assets in this room, he is got. | 0:38:18 | 0:38:21 | |
If he doesn't screw up, like a lot of these clowns. Remember that guy? | 0:38:21 | 0:38:26 | |
LAUGHTER | 0:38:26 | 0:38:29 | |
What's that, Mr Mulqueen? | 0:38:29 | 0:38:34 | |
I'm sorry, Mr Brown, but this man is no clown. | 0:38:30 | 0:38:34 | |
He knows your moves, back to front. | 0:38:34 | 0:38:37 | |
Right now, you got a name. That's all. | 0:38:37 | 0:38:40 | |
The Jackal has a target. You. | 0:38:40 | 0:38:42 | |
He's got a timetable, | 0:38:42 | 0:38:44 | |
and has prevailed 20 years in a trade that doesn't forgive error. | 0:38:44 | 0:38:49 | |
You think he's the one who's up against it? | 0:38:49 | 0:38:52 | |
It's the other way round. | 0:38:52 | 0:38:54 | |
LOUD DANCE MUSIC | 0:39:31 | 0:39:33 | |
Hi. | 0:39:53 | 0:39:55 | |
Can I buy you a drink? | 0:39:57 | 0:39:59 | |
Yeah. | 0:39:59 | 0:40:01 | |
LAUGHTER | 0:40:06 | 0:40:08 | |
Ooh! | 0:40:08 | 0:40:10 | |
I think you should come home with me. | 0:40:10 | 0:40:14 | |
I'd love to, | 0:40:16 | 0:40:19 | |
but I can't. | 0:40:19 | 0:40:21 | |
I have to go back to Atlanta and finalise my very messy divorce. | 0:40:21 | 0:40:25 | |
Does she know? | 0:40:28 | 0:40:31 | |
She does, now. | 0:40:29 | 0:40:31 | |
So, how am I going to see you again? | 0:40:34 | 0:40:36 | |
You could give me one of your cards. | 0:40:36 | 0:40:39 | |
You're not gonna call! | 0:40:45 | 0:40:48 | |
Douglas! | 0:40:46 | 0:40:48 | |
You just have to have a little faith in people, that's all. Like I do. | 0:40:51 | 0:40:56 | |
ALARM | 0:41:25 | 0:41:28 | |
Hm! | 0:41:53 | 0:41:55 | |
Open your shirt. | 0:42:05 | 0:42:07 | |
-Easy, now. -NOW! | 0:42:11 | 0:42:13 | |
Oh! | 0:42:13 | 0:42:15 | |
Easy. | 0:42:16 | 0:42:20 | |
Open your shirt. | 0:42:18 | 0:42:20 | |
Easy, now. | 0:42:20 | 0:42:22 | |
Souvenirs of British hospitality. | 0:42:29 | 0:42:32 | |
I apologise. | 0:42:37 | 0:42:39 | |
No problem. | 0:42:42 | 0:42:44 | |
Oslo travel came up with a James Hayslip who flew from Toronto | 0:42:44 | 0:42:48 | |
two days before the meeting with Terek. | 0:42:48 | 0:42:51 | |
We checked his passport number, and guess what? | 0:42:51 | 0:42:55 | |
It belongs to an inmate committed to a mental institution | 0:42:55 | 0:42:59 | |
12 years ago. | 0:42:59 | 0:43:01 | |
Now, Canadian travel says he flew to Montreal, nine days ago. | 0:43:01 | 0:43:07 | |
Hello! | 0:43:52 | 0:43:54 | |
Mm-hm? Oui. | 0:43:54 | 0:43:59 | |
-Hello! -Yeah? -Charlie Murdoch. | 0:43:55 | 0:43:59 | |
Picking up a delivery. Eh? | 0:43:59 | 0:44:01 | |
Invoice? | 0:44:03 | 0:44:05 | |
Yes. Yes. Yes. Yes. | 0:44:05 | 0:44:07 | |
-It's hot! -You can say that again. | 0:44:07 | 0:44:09 | |
Hi. I need to use one of your computers. | 0:45:09 | 0:45:12 | |
Sure. Any one. | 0:45:13 | 0:45:15 | |
Can I get on-line with this? | 0:45:19 | 0:45:22 | |
Yeah. Sure. | 0:45:22 | 0:45:24 | |
TYRES SCREECH | 0:46:40 | 0:46:42 | |
Go check upstairs. | 0:48:02 | 0:48:04 | |
TRICKLING SOUND | 0:48:41 | 0:48:44 | |
Thank you. | 0:49:32 | 0:49:34 | |
Hayslip's disappeared. | 0:49:34 | 0:49:36 | |
Border patrol has a passport photo but nothing's showed up. | 0:49:36 | 0:49:42 | |
He's moved on. I told you. | 0:49:39 | 0:49:42 | |
One moment. The only place we're sure he's been is Montreal. | 0:49:42 | 0:49:46 | |
-What if he started using the next identity there? -I don't follow you. | 0:49:46 | 0:49:51 | |
Hayslip disappeared, but maybe not the Jackal. | 0:49:51 | 0:49:55 | |
Perhaps something has happened. | 0:49:55 | 0:49:58 | |
Witherspoon, have the Montreal police check their logs. | 0:49:58 | 0:50:02 | |
If he's on to the next name, it's planned. He doesn't make mistakes. | 0:50:02 | 0:50:09 | |
No. They always make one. Somewhere. | 0:50:06 | 0:50:09 | |
Isn't that how you were caught? | 0:50:10 | 0:50:14 | |
Ouch! | 0:50:14 | 0:50:16 | |
What's her story? | 0:50:23 | 0:50:26 | |
Major Koslova... | 0:50:26 | 0:50:28 | |
ends the debate about women in combat. | 0:50:28 | 0:50:31 | |
How's that? | 0:50:31 | 0:50:34 | |
She saved my life and took out Terek's brother. | 0:50:34 | 0:50:37 | |
She knew she'd get a death sentence for doing it. | 0:50:37 | 0:50:40 | |
But when we offered to set her up somewhere else when this is over, | 0:50:40 | 0:50:45 | |
you know what she said? | 0:50:45 | 0:50:48 | |
"The good guys don't hide." | 0:50:49 | 0:50:52 | |
Fierce woman! | 0:50:55 | 0:50:59 | |
In that country, under that system? | 0:50:56 | 0:50:59 | |
Staggering. | 0:51:01 | 0:51:03 | |
Oh, shit! You know what? I couldn't get titanium. | 0:51:06 | 0:51:10 | |
So, I moulded the base out of carbon fibre instead. | 0:51:10 | 0:51:13 | |
It's 23 kilos under the weight you wanted. Is that cool? | 0:51:13 | 0:51:20 | |
Great. But I still want the plans, | 0:51:17 | 0:51:20 | |
the mould and scrap material. | 0:51:20 | 0:51:25 | |
Yeah... Um.. | 0:51:22 | 0:51:25 | |
Hm. Maybe we ought to talk about that. | 0:51:25 | 0:51:28 | |
Oh? | 0:51:28 | 0:51:29 | |
See, er... | 0:51:29 | 0:51:31 | |
Well, this rig. I figure it supports something pretty heavy, right? | 0:51:31 | 0:51:37 | |
Like a... Gatling gun, maybe? | 0:51:37 | 0:51:40 | |
Or a 20mm cannon? So, you must be shooting at something pretty big. | 0:51:40 | 0:51:45 | |
An armoured car, maybe? | 0:51:45 | 0:51:48 | |
Bank vault? I don't know! | 0:51:49 | 0:51:51 | |
You could be shooting a fucking airliner, for all I know. | 0:51:51 | 0:51:55 | |
But the point is, a job like this can attract a lot of attention. | 0:51:55 | 0:52:00 | |
I don't want attention. | 0:52:02 | 0:52:06 | |
Right. And that's why I'm saying, | 0:52:03 | 0:52:06 | |
I think the plans and mould are worth a bonus. | 0:52:06 | 0:52:10 | |
How much? | 0:52:11 | 0:52:13 | |
I don't know. Uh... Hundred grand? | 0:52:13 | 0:52:16 | |
Come on, man! You've got a serious piece of equipment, there. | 0:52:18 | 0:52:22 | |
Yeah! All right! | 0:52:30 | 0:52:32 | |
I'll get you 50 grand tomorrow. | 0:52:33 | 0:52:35 | |
I need to test this. Someplace that won't draw any attention. | 0:52:37 | 0:52:41 | |
We got a place just like that! | 0:52:41 | 0:52:44 | |
Target's in place! Man! You know, I should have brought some beer! | 0:52:59 | 0:53:04 | |
Oh! | 0:53:04 | 0:53:06 | |
Motherfucking motherfucker! | 0:53:09 | 0:53:12 | |
That motherfucker is state of the art! | 0:53:12 | 0:53:16 | |
Dude, I knew it would be big, but not the fucking prototype cannon! | 0:53:16 | 0:53:22 | |
It's a fucking monster! Damn! Some hairy-looking rounds! | 0:53:22 | 0:53:27 | |
Made from depleted uranium. Go through anything. Once they're in, | 0:53:27 | 0:53:32 | |
they just spall. | 0:53:32 | 0:53:37 | |
Hell, yeah, they spall! They get in there and just... | 0:53:34 | 0:53:37 | |
That rocks! Look at the friggin' lens on that thing! | 0:53:37 | 0:53:41 | |
Don't touch that! | 0:53:41 | 0:53:43 | |
It's got a 2,000-mile zoom lens! | 0:53:43 | 0:53:46 | |
That thing is kick-ass! | 0:53:46 | 0:53:49 | |
Dude, is this a prototype or what? | 0:53:49 | 0:53:51 | |
I bet you it cost you a shitload. That rocks! | 0:53:51 | 0:53:56 | |
Man, you rock! Do you know what I'm saying?! | 0:53:56 | 0:53:59 | |
-ROCK! -HE LAUGHS | 0:53:59 | 0:54:02 | |
That thing kicks ass! | 0:54:02 | 0:54:05 | |
Ah, yeah! | 0:54:15 | 0:54:18 | |
Bring on the spall! I can't wait - | 0:54:18 | 0:54:20 | |
Lamont! | 0:54:20 | 0:54:23 | |
Close your mouth. | 0:54:23 | 0:54:25 | |
-HE LAUGHS -Smooth action, yeah? | 0:54:38 | 0:54:40 | |
Ready? | 0:55:01 | 0:55:03 | |
LOUD RETORT | 0:55:05 | 0:55:08 | |
Yeah! Spall! | 0:55:08 | 0:55:11 | |
Well, at least... | 0:55:18 | 0:55:19 | |
it took out the target. | 0:55:19 | 0:55:21 | |
No. It's off. By at least three millimetres. | 0:55:21 | 0:55:25 | |
Nah, dude! That's precision craftsmanship. | 0:55:25 | 0:55:29 | |
It ain't off no three millimetres. | 0:55:29 | 0:55:33 | |
So, Lamont. | 0:55:31 | 0:55:33 | |
How do you sight it automatically? | 0:55:33 | 0:55:36 | |
You just punch in the windage and elevation you want, and hit enter. | 0:55:36 | 0:55:42 | |
You just guesstimate it, huh? | 0:55:40 | 0:55:42 | |
Basically, a guesstimation. | 0:55:42 | 0:55:44 | |
Then hit enter? | 0:55:46 | 0:55:49 | |
Uh-huh. | 0:55:47 | 0:55:49 | |
Hey! I give up! | 0:55:52 | 0:55:56 | |
LAUGHS | 0:55:53 | 0:55:56 | |
I guess the automatic sighting works. | 0:55:56 | 0:55:59 | |
I thought I was about to sprawl! | 0:55:59 | 0:56:01 | |
Well, Lamont, we have to speed test it, now. | 0:56:01 | 0:56:06 | |
Speed test! | 0:56:04 | 0:56:06 | |
Run! | 0:56:06 | 0:56:08 | |
-HE LAUGHS -What do you mean?! | 0:56:11 | 0:56:14 | |
I mean, run! Now! | 0:56:16 | 0:56:20 | |
HE SHOUTS: Run to your right! | 0:56:33 | 0:56:35 | |
Get up! | 0:57:02 | 0:57:04 | |
GET UP! | 0:57:04 | 0:57:06 | |
All right! Good! Whoa! Stop there! | 0:57:07 | 0:57:10 | |
Just stop there! | 0:57:10 | 0:57:13 | |
Turn around! Hold out that pack of cigarettes! | 0:57:13 | 0:57:19 | |
Don't be afraid! | 0:57:21 | 0:57:24 | |
Stand very still! | 0:57:29 | 0:57:32 | |
Stand still! | 0:57:41 | 0:57:43 | |
I told you it was off. | 0:57:58 | 0:58:00 | |
ARGHHHHH! | 0:58:02 | 0:58:03 | |
Move over by the car! Quick! Before you pass out! | 0:58:03 | 0:58:08 | |
Here we go, sir. Major. Mac. | 0:59:00 | 0:59:02 | |
Eleven days ago, Charles C Murdoch bought a new Dodge mini-van. | 0:59:03 | 0:59:08 | |
Now, that was a big surprise to Mr Murdoch, | 0:59:08 | 0:59:11 | |
whose passport and wallet were stolen, 16 days ago in Helsinki. | 0:59:11 | 0:59:16 | |
Anything from the border? We sent out a description of the van. | 0:59:16 | 0:59:20 | |
Uphall Station. A small town outside Ottawa. | 0:59:20 | 0:59:24 | |
I think your man was there. | 0:59:24 | 0:59:28 | |
Let's go. | 0:59:26 | 0:59:28 | |
The owner is Ian Lamont, small-time hood. | 0:59:42 | 0:59:45 | |
The coroner has what's left of him. | 0:59:45 | 0:59:48 | |
We get the idea. Let's get to the shop. | 0:59:48 | 0:59:50 | |
Hello! I think we got something, here. | 0:59:59 | 1:00:03 | |
What is it? | 1:00:08 | 1:00:10 | |
A remote firing station. It manoeuvres the weapon. | 1:00:10 | 1:00:14 | |
It runs off a remote control, like a model aeroplane. | 1:00:14 | 1:00:17 | |
We used to make these things for mortars, but nothing like this size! | 1:00:17 | 1:00:23 | |
This... He needs the van just to move it around! | 1:00:23 | 1:00:26 | |
What would something this size be used for? | 1:00:26 | 1:00:31 | |
-Anti-aircraft? -You can buy a mount. | 1:00:28 | 1:00:31 | |
A missile's best for an aircraft. This is for something else. | 1:00:31 | 1:00:35 | |
Something with one hell of a range. | 1:00:35 | 1:00:38 | |
Not just the range, though. If it is a gun, it's the cyclic rate. | 1:00:38 | 1:00:43 | |
You can send off 100 bullets before the first one ever hits the target. | 1:00:43 | 1:00:48 | |
This boat sells itself. It's a hell of a lot of boat for the money. | 1:00:52 | 1:00:57 | |
It's got radar, GPS, autopilot. You can take it out by yourself! Hell! | 1:00:57 | 1:01:02 | |
It even has a cellular phone. You can call your wife, if you want to. | 1:01:02 | 1:01:07 | |
-HE CHUCKLES -So. What do you think? | 1:01:07 | 1:01:10 | |
Deja Vu! | 1:01:10 | 1:01:12 | |
She's perfect. | 1:01:15 | 1:01:17 | |
-RUSSIAN ACCENT: -'Yes?' -Jackal. | 1:02:57 | 1:03:00 | |
'They know about Hayslip and that you are in Canada.' | 1:03:00 | 1:03:03 | |
-'They have an Irishman helping them.' -Irishman's name? | 1:03:03 | 1:03:07 | |
'Mulqueen.' | 1:03:07 | 1:03:10 | |
Declan Mulqueen? | 1:03:10 | 1:03:13 | |
'Declan Mulqueen.' | 1:03:11 | 1:03:13 | |
The operation is still a go. | 1:03:16 | 1:03:18 | |
Declan Mulqueen! | 1:03:20 | 1:03:22 | |
Every crossing point and airport has his photo. | 1:03:22 | 1:03:25 | |
Border patrol and INS are on the highest alert. But nothing. | 1:03:25 | 1:03:30 | |
But you don't have to be Houdini to cross from Canada. | 1:03:30 | 1:03:34 | |
He probably walked across. | 1:03:34 | 1:03:38 | |
He won't be walking. | 1:03:35 | 1:03:38 | |
He's got a weapon to move. | 1:03:38 | 1:03:40 | |
-What security is here? -Great Lakes? | 1:03:40 | 1:03:43 | |
Not a lot. No need. People either drive or fly. | 1:03:43 | 1:03:47 | |
There are a few ferry services, but we checked those out. | 1:03:47 | 1:03:51 | |
What about people with boats? Are there controls? | 1:03:51 | 1:03:55 | |
Arriving vessels check with the harbour master. | 1:03:55 | 1:04:00 | |
-Mm. Voluntarily? -Yeah. | 1:03:58 | 1:04:00 | |
No active enforcement. | 1:04:00 | 1:04:02 | |
-HE SIGHS -Say he does use a boat. He'll still want to mix with others. | 1:04:02 | 1:04:08 | |
Are there many gatherings to speak of? | 1:04:08 | 1:04:11 | |
The Mackinaw Regatta is on. The biggest on Lake Michigan. | 1:04:11 | 1:04:15 | |
From where to where? | 1:04:15 | 1:04:20 | |
Starts in Mackinaw and ends in Chicago. | 1:04:16 | 1:04:20 | |
SHE SINGS IN SPANISH | 1:05:16 | 1:05:19 | |
Witherspoon, take Waveland. | 1:05:25 | 1:05:27 | |
Declan and Valentina, Chicago Yacht Club. I'll take the locals. | 1:05:27 | 1:05:32 | |
It'll be an Ontario-registered boat, if it's here. Look at everything. | 1:05:32 | 1:05:37 | |
If you find something, get back-up. I want an arrest, not a fire-fight. | 1:05:37 | 1:05:43 | |
SERIES OF EXPLOSIONS | 1:05:41 | 1:05:43 | |
FIRECRACKER EXPLODES | 1:05:43 | 1:05:47 | |
All right. Let's get to work. | 1:05:47 | 1:05:49 | |
Preston, what about letting me have a gun? | 1:05:51 | 1:05:54 | |
Are you crazy?! If they knew you had no cuffs, I'd get forced retirement. | 1:05:54 | 1:05:59 | |
I'll get a fucking gun! | 1:06:02 | 1:06:04 | |
So many people! | 1:06:08 | 1:06:10 | |
So many rich people. | 1:06:10 | 1:06:12 | |
Shall we dance? | 1:06:12 | 1:06:15 | |
He wouldn't give me a gun. | 1:06:15 | 1:06:17 | |
Ooh! Look! | 1:07:07 | 1:07:09 | |
He is hot! | 1:07:09 | 1:07:12 | |
-LAUGHTER -He's mine! Back off! | 1:07:12 | 1:07:15 | |
GIGGLING | 1:07:15 | 1:07:17 | |
Hey! You want some champagne? Come on! Join us! | 1:07:19 | 1:07:24 | |
Maybe later! | 1:07:22 | 1:07:24 | |
FIRECRACKER EXPLODES | 1:07:24 | 1:07:27 | |
Declan! | 1:09:06 | 1:09:08 | |
Get out of the way! Get out of my way! | 1:09:39 | 1:09:42 | |
HORN BLARES | 1:09:53 | 1:09:55 | |
Preston, can I talk to you? | 1:10:05 | 1:10:07 | |
He wasn't surprised to see me. | 1:10:11 | 1:10:13 | |
One of your team is playing for the other side. | 1:10:13 | 1:10:16 | |
Impossible! I can vouch for my men. | 1:10:16 | 1:10:19 | |
-You have a traitor. -We're not the IRA. We don't get infiltrators. | 1:10:19 | 1:10:26 | |
Somebody got to him! | 1:10:23 | 1:10:26 | |
Look. This is a manhunt. Don't make it personal. | 1:10:26 | 1:10:29 | |
What do you fucking know?! | 1:10:29 | 1:10:31 | |
HELICOPTER OVERHEAD | 1:10:31 | 1:10:34 | |
I know the Jackal set you up in that arms deal in Libya. | 1:10:42 | 1:10:45 | |
I know Isabella was wounded when you walked into the trap. | 1:10:45 | 1:10:50 | |
I also know it was the business you had... | 1:10:51 | 1:10:54 | |
Did you know Isabella was pregnant when she got shot? Our child died. | 1:10:54 | 1:10:59 | |
Don't tell me it's not personal, Mr Preston. | 1:11:03 | 1:11:07 | |
I can't let you jeopardise us in a vendetta. | 1:11:08 | 1:11:11 | |
There's no vendetta. All I hope for is a fresh start. You know? | 1:11:11 | 1:11:16 | |
Maybe it will happen. | 1:11:22 | 1:11:25 | |
This was recorded at 1am. | 1:12:51 | 1:12:53 | |
It's a call to a number in Brighton Beach, New York. | 1:12:53 | 1:12:57 | |
"At 1.05pm, Director Brown is to meet the First Lady | 1:12:58 | 1:13:02 | |
at a White House reception regarding the New Hope Hospital opening..." | 1:13:02 | 1:13:08 | |
That information came out of this room. | 1:13:12 | 1:13:15 | |
Who? Whose voice is it on that tape? | 1:13:17 | 1:13:20 | |
Mine. | 1:13:26 | 1:13:28 | |
Mr Ambassador, we arranged to hold the 9pm Aeroflot flight to Moscow. | 1:13:32 | 1:13:37 | |
A car will drive Colonel Bolitonov to the airport. | 1:13:37 | 1:13:42 | |
How did you know whose phone to tap? | 1:13:55 | 1:13:58 | |
I didn't. So I tapped everybody's. | 1:13:58 | 1:14:02 | |
But I have diplomatic immunity! | 1:14:03 | 1:14:06 | |
Who authorised you to tap my phone?! | 1:14:06 | 1:14:09 | |
I did, Ambassador. | 1:14:09 | 1:14:11 | |
We are examining documents taken from Director Bolitonov's apartment. | 1:14:11 | 1:14:16 | |
# Shame | 1:14:18 | 1:14:21 | |
# Such a shame | 1:14:21 | 1:14:24 | |
# I think I kinda lost myself again | 1:14:25 | 1:14:30 | |
Get me a helicopter. | 1:14:30 | 1:14:32 | |
# He-ey | 1:14:32 | 1:14:35 | |
# Yesterday | 1:14:35 | 1:14:37 | |
# Really should be leaving but I stay... # | 1:14:39 | 1:14:44 | |
RUSSIAN ACCENT: Jackal. | 1:14:58 | 1:15:00 | |
'Director Bolitonov is no longer contactable at this number.' | 1:15:00 | 1:15:05 | |
'All inquiries should be forwarded to...' | 1:15:05 | 1:15:08 | |
It's a short-term precaution until we get this man. | 1:15:12 | 1:15:15 | |
-You and your family will be safer in Washington. -You won't find him. | 1:15:15 | 1:15:20 | |
Believe me. You can't. | 1:15:20 | 1:15:27 | |
It's our job to try. | 1:15:21 | 1:15:27 | |
And get killed for nothing? | 1:15:23 | 1:15:27 | |
I began this. I have to do what I can. Please, get your family away. | 1:15:29 | 1:15:34 | |
Let's go. | 1:15:41 | 1:15:43 | |
OK. | 1:15:47 | 1:15:49 | |
Everything OK? | 1:15:58 | 1:16:02 | |
Valentina's evacuating Isabella and her family | 1:15:59 | 1:16:02 | |
in case the Jackal knows where she lives. | 1:16:02 | 1:16:05 | |
The director doesn't even know where Isabella lives. | 1:16:05 | 1:16:09 | |
I ordered Witherspoon to keep her out of the report. | 1:16:09 | 1:16:13 | |
Our Russian blackheart surely passed everything else to him. | 1:16:13 | 1:16:18 | |
Here. Look. | 1:16:18 | 1:16:20 | |
That's your phone number. That's Valentina's. | 1:16:20 | 1:16:23 | |
You know those two at the bottom? | 1:16:23 | 1:16:26 | |
The first one's the Russian Embassy. | 1:16:29 | 1:16:32 | |
The second one... | 1:16:34 | 1:16:36 | |
Son of a bitch! | 1:16:37 | 1:16:39 | |
What? | 1:16:39 | 1:16:41 | |
This is an FBI access code! | 1:16:41 | 1:16:43 | |
DIALS A NUMBER | 1:16:47 | 1:16:50 | |
'FBI Data Center.' | 1:16:50 | 1:16:54 | |
Special Agent Carter Preston. | 1:16:51 | 1:16:54 | |
Shit! | 1:16:54 | 1:16:57 | |
Authorisation number 223578K. | 1:16:55 | 1:16:57 | |
Get a voice transcription of field report 1 November from 9.15. | 1:16:57 | 1:17:01 | |
Agent filing - Witherspoon, T. I'm in a hurry! | 1:17:01 | 1:17:05 | |
I shouldn't have trusted you. | 1:17:08 | 1:17:11 | |
'Field report one November, filed 0900 hours.' | 1:17:14 | 1:17:17 | |
Scroll! | 1:17:17 | 1:17:22 | |
..interview Isabella Zancona at this address...' | 1:17:19 | 1:17:22 | |
-Witherspoon, you by-the-book asshole! -Shit! | 1:17:22 | 1:17:26 | |
Gonna check upstairs. | 1:17:42 | 1:17:44 | |
Witherspoon? | 1:17:44 | 1:17:46 | |
DOOR CREAKS OPEN | 1:18:08 | 1:18:11 | |
Witherspoon? | 1:18:11 | 1:18:13 | |
Witherspoon? | 1:18:22 | 1:18:23 | |
CRACKLING SOUND | 1:18:32 | 1:18:34 | |
Come out! | 1:18:37 | 1:18:41 | |
Please don't shoot me! | 1:18:38 | 1:18:41 | |
Just taking out the garbage. | 1:18:41 | 1:18:43 | |
I got one more trip. | 1:18:46 | 1:18:52 | |
Hurry. We'll meet you at the front. | 1:18:47 | 1:18:52 | |
Yes, ma'am. | 1:18:49 | 1:18:52 | |
All locked up. Where's Witherspoon? | 1:18:59 | 1:19:02 | |
In the back yard, taking out the trash. | 1:19:02 | 1:19:07 | |
VERY LOUD MUSIC | 1:19:04 | 1:19:07 | |
It's coming from the back! Let's go! | 1:19:07 | 1:19:09 | |
LOUD MUSIC CONTINUES | 1:19:09 | 1:19:12 | |
LOUD MUSIC | 1:19:17 | 1:19:19 | |
Where's it coming from? | 1:19:23 | 1:19:27 | |
I don't know. | 1:19:25 | 1:19:27 | |
LOUD MUSIC | 1:19:27 | 1:19:29 | |
GUNSHOT | 1:19:36 | 1:19:38 | |
MUSIC STOPS | 1:19:48 | 1:19:51 | |
Set to go off two minutes ago. | 1:19:51 | 1:19:53 | |
What the hell?! | 1:19:54 | 1:19:56 | |
Where's McMurphy? | 1:19:58 | 1:20:00 | |
GUNSHOTS AND LOUD MUSIC | 1:20:58 | 1:21:01 | |
MUSIC STOPS | 1:21:21 | 1:21:23 | |
GUNSHOT | 1:21:30 | 1:21:32 | |
ARGHHHH! | 1:21:32 | 1:21:35 | |
GROANS AND PANTS | 1:21:35 | 1:21:37 | |
Arghhhh! | 1:21:40 | 1:21:42 | |
Uh! Uh! | 1:21:42 | 1:21:44 | |
Arghhhh! | 1:21:44 | 1:21:47 | |
Uhhh! | 1:21:50 | 1:21:52 | |
Press here. Hard. It will slow the bleeding. | 1:21:54 | 1:21:58 | |
Uhhhh! | 1:21:58 | 1:22:00 | |
FAST, SHALLOW BREATHING | 1:22:02 | 1:22:04 | |
Now, you see, that's bad. | 1:22:10 | 1:22:13 | |
Your blood's almost black. That means the bullet's in your liver. | 1:22:13 | 1:22:18 | |
You've got about 20 minutes to live. | 1:22:18 | 1:22:21 | |
If the pain gets too much, you can take your hand away | 1:22:21 | 1:22:25 | |
and you'll be dead in five minutes. | 1:22:25 | 1:22:28 | |
When Declan kills you, | 1:22:33 | 1:22:35 | |
you think of me. OK? | 1:22:35 | 1:22:38 | |
Oh! OK! | 1:22:39 | 1:22:41 | |
I'll make a note of that. | 1:22:42 | 1:22:44 | |
ARGHHHH! | 1:22:44 | 1:22:46 | |
If you see Declan before you die, | 1:22:46 | 1:22:49 | |
you tell him that he can't protect his women. | 1:22:49 | 1:22:53 | |
Uhhh! | 1:22:53 | 1:22:55 | |
SHE GROANS | 1:22:55 | 1:22:57 | |
SHE COUGHS | 1:22:59 | 1:23:01 | |
SIREN WAILS | 1:23:04 | 1:23:06 | |
Valentina? | 1:23:25 | 1:23:27 | |
Valentina. You're gonna be fine. | 1:23:28 | 1:23:31 | |
Oh? | 1:23:31 | 1:23:34 | |
-Yeah. -Hi. -Yeah. -Declan. | 1:23:32 | 1:23:34 | |
It's all right, darling. You'll be fine. | 1:23:42 | 1:23:47 | |
I tried. | 1:23:44 | 1:23:47 | |
Protect Isabella. | 1:23:47 | 1:23:50 | |
Oh, I know. I know. You did fine. Shh. | 1:23:50 | 1:23:53 | |
He said to tell you... | 1:23:53 | 1:23:55 | |
..say... | 1:23:56 | 1:23:58 | |
you can't...protect your women. | 1:23:58 | 1:24:02 | |
Yes. Oh! | 1:24:02 | 1:24:05 | |
Valentina! | 1:24:05 | 1:24:09 | |
-SHE COUGHS -Oh, no! Valentina! | 1:24:06 | 1:24:09 | |
No, don't! Valentina! | 1:24:09 | 1:24:11 | |
Don't go! Stay! Stay with me! | 1:24:11 | 1:24:14 | |
Oh, Declan. | 1:24:22 | 1:24:24 | |
Uhhhh... | 1:24:29 | 1:24:32 | |
Ohhhh! | 1:24:32 | 1:24:34 | |
Oh, Declan. It was him, wasn't it? | 1:25:08 | 1:25:10 | |
-SHE SIGHS -I thought this was all behind us. | 1:25:10 | 1:25:14 | |
Is this ever going to end? | 1:25:16 | 1:25:18 | |
Yes. I promise you, it will end. | 1:25:19 | 1:25:22 | |
And I will end it. | 1:25:26 | 1:25:29 | |
Do you have a gun? | 1:25:33 | 1:25:36 | |
SOLDIERS CHANT | 1:25:42 | 1:25:44 | |
Following a helicopter insertion, | 1:25:52 | 1:25:54 | |
a team can infiltrate the weapon to a point here, covering Route One. | 1:25:54 | 1:26:00 | |
If the weapon has the range and cyclic rate you say, | 1:26:00 | 1:26:03 | |
it could engage any vehicle or aircraft. | 1:26:03 | 1:26:07 | |
He doesn't have a helicopter or a team to help him set up. | 1:26:07 | 1:26:11 | |
He's alone! | 1:26:11 | 1:26:14 | |
What do you say, Mulqueen? | 1:26:14 | 1:26:16 | |
The only way he can make the kill and escape, is from a distance. | 1:26:16 | 1:26:20 | |
So, we make sure you're always secure indoors, | 1:26:20 | 1:26:23 | |
with a perimeter of men outside your location. | 1:26:23 | 1:26:27 | |
And pick our battles? | 1:26:27 | 1:26:30 | |
Exactly. | 1:26:28 | 1:26:30 | |
Tying a noose, if you like. When he makes his move, | 1:26:30 | 1:26:34 | |
we tighten the noose and hang him. | 1:26:34 | 1:26:37 | |
Not exactly foolproof, I know. | 1:26:37 | 1:26:40 | |
But it's the best we got. | 1:26:40 | 1:26:44 | |
Best we've got?! | 1:26:41 | 1:26:44 | |
You have a call on line six. | 1:26:49 | 1:26:53 | |
Thank you. | 1:26:51 | 1:26:53 | |
This is Doug. | 1:26:55 | 1:26:59 | |
-"I told you I'd call." -"Oh, hi! How are you?" | 1:26:56 | 1:26:59 | |
You need faith in people, Douglas. | 1:26:59 | 1:27:02 | |
HE LAUGHS | 1:27:02 | 1:27:04 | |
OK, well, now that I've got faith, | 1:27:04 | 1:27:06 | |
are you busy tonight? You're in town, yes? | 1:27:06 | 1:27:09 | |
MUSIC FROM CAR: Get Higher by Black Grape | 1:27:09 | 1:27:14 | |
MUSIC STOPS | 1:27:20 | 1:27:22 | |
INDISTINCT VOICE ON TV | 1:27:26 | 1:27:29 | |
Hello? | 1:27:29 | 1:27:31 | |
-TV: -'..No rain expected...' | 1:27:31 | 1:27:33 | |
I'm home! | 1:27:33 | 1:27:38 | |
'We are looking at the system moving into our area...' | 1:27:35 | 1:27:38 | |
I see you found the keys! Where are you? | 1:27:38 | 1:27:42 | |
In the garage. | 1:27:43 | 1:27:45 | |
Wow! You dyed your hair! | 1:27:55 | 1:27:57 | |
Yeah. | 1:27:57 | 1:27:59 | |
Like it? | 1:27:59 | 1:28:04 | |
'By tomorrow, mostly sunny again...' | 1:28:00 | 1:28:04 | |
Yeah. Sure. | 1:28:04 | 1:28:06 | |
'It's summertime! What do you expect?' | 1:28:06 | 1:28:09 | |
Do you like Korean food? | 1:28:09 | 1:28:14 | |
Uh... Sure. Yeah. | 1:28:11 | 1:28:14 | |
Dig in. | 1:28:14 | 1:28:17 | |
Uh... I thought we were gonna um... | 1:28:20 | 1:28:22 | |
I'm sorry! | 1:28:22 | 1:28:24 | |
'..you can expect over the next six or seven days...' | 1:28:24 | 1:28:28 | |
I thought we were gonna go out. | 1:28:28 | 1:28:30 | |
Yeah. Maybe later. | 1:28:30 | 1:28:32 | |
'That's the weather forecast.' | 1:28:32 | 1:28:35 | |
'Thank you, Michael. | 1:28:35 | 1:28:37 | |
'Our top story. Police need your help to locate this man. | 1:28:37 | 1:28:41 | |
'He's wanted in connection with a series of brutal murders | 1:28:41 | 1:28:45 | |
'and could be in Washington. | 1:28:45 | 1:28:48 | |
'The man is thought to be armed and extremely dangerous. | 1:28:48 | 1:28:52 | |
'If you see him, notify authorities immediately.' | 1:28:52 | 1:28:56 | |
WEATHER FORECAST CONTINUES | 1:28:56 | 1:28:59 | |
-TV: -'When I moved here, I realised | 1:29:59 | 1:30:02 | |
'I was living in someone else's house. That's a huge burden. | 1:30:02 | 1:30:06 | |
'You're invited to live in the White House for 4 years...' | 1:30:06 | 1:30:12 | |
'You feel like a renter?' | 1:30:09 | 1:30:12 | |
'With a lease that's renewable...' | 1:30:12 | 1:30:15 | |
'Kennedy said that if someone wants to kill a public official, | 1:30:15 | 1:30:19 | |
'they can do it, at a price. | 1:30:19 | 1:30:21 | |
'It's impossible to provide 100% safety. Would you agree?' | 1:30:21 | 1:30:26 | |
'There is no way around that. But, hopefully, | 1:30:26 | 1:30:29 | |
'not many people are willing to do that.' | 1:30:29 | 1:30:33 | |
Preston! | 1:30:33 | 1:30:34 | |
What? | 1:30:34 | 1:30:36 | |
Valentina said, "A statement. Public and brutal." | 1:30:36 | 1:30:40 | |
Why did he keep coming? He knew we could protect the Director, | 1:30:40 | 1:30:45 | |
especially once I got involved. Why didn't he abort? | 1:30:45 | 1:30:48 | |
Then I remembered he told Valentina, "Declan can't protect his women." | 1:30:48 | 1:30:53 | |
Wasn't he referring to Isabella? | 1:30:53 | 1:30:58 | |
No. Any woman. All women! | 1:30:55 | 1:30:58 | |
But remember, "public and brutal." | 1:30:58 | 1:31:00 | |
We're guarding the wrong person. He's after the First Lady. | 1:31:01 | 1:31:05 | |
APPLAUSE | 1:31:23 | 1:31:26 | |
Ladies and gentlemen, welcome! I'm sure you're as happy as I am | 1:32:00 | 1:32:04 | |
to be here today. It's been a lot of hard work | 1:32:04 | 1:32:08 | |
for a lot of us. But here we are, and we're about to celebrate. | 1:32:08 | 1:32:13 | |
I'd like to introduce the Surgeon General of the United States. | 1:32:13 | 1:32:18 | |
APPLAUSE | 1:32:18 | 1:32:21 | |
Madam chairperson, ladies and gentlemen, | 1:32:22 | 1:32:25 | |
I'd like to chat with you today about the family. | 1:32:25 | 1:32:29 | |
-She's on the dais. Secret Service wants the story. -Tell them. | 1:32:50 | 1:32:55 | |
No. They'll try to get her off the dais. He'll shoot into the crowd. | 1:32:55 | 1:32:59 | |
We worked hard to reach our goal. | 1:33:10 | 1:33:13 | |
And we certainly have accomplished what we set out to do. | 1:33:13 | 1:33:17 | |
Since we first began, with a seed of an idea, it took many months | 1:33:17 | 1:33:22 | |
and long, hard hours to accomplish what we have. | 1:33:22 | 1:33:26 | |
It's only with the help of friends, both here and on Capitol Hill... | 1:33:26 | 1:33:31 | |
Did you get the word? Look for a dark brown mini-van or anything | 1:33:34 | 1:33:38 | |
that's out of its place. | 1:33:38 | 1:33:42 | |
We found this red mini-van. | 1:33:40 | 1:33:42 | |
They got a local parking permit. DC tags. We can check it out again. | 1:33:42 | 1:33:48 | |
Nah. It's probably one of those safer than sorry circle jerk deals! | 1:33:48 | 1:33:55 | |
-Yeah! -See ya. -You guys be safe! | 1:33:52 | 1:33:55 | |
APPLAUSE | 1:33:57 | 1:33:59 | |
Secret Service says the search was negative. She's going to the podium. | 1:34:12 | 1:34:17 | |
Guess it's on us. | 1:34:17 | 1:34:20 | |
You'll need a gun. | 1:34:24 | 1:34:26 | |
Forget the laser. Can you walk me through the optics? | 1:34:36 | 1:34:40 | |
I haven't shot a gun in a while. | 1:34:40 | 1:34:43 | |
I can see by the warm and friendly faces out there that the christening | 1:34:49 | 1:34:54 | |
has been long-anticipated. | 1:34:54 | 1:34:57 | |
And, thanks to all of you, we've made this dream possible. | 1:34:57 | 1:35:01 | |
We've worked hard to reach our goal, and accomplished | 1:35:01 | 1:35:05 | |
what we set out to do. | 1:35:05 | 1:35:08 | |
RINGING SOUND | 1:35:08 | 1:35:10 | |
When we set out to reach new heights, it can be done. | 1:35:15 | 1:35:19 | |
APPLAUSE | 1:35:19 | 1:35:22 | |
HELICOPTER OVERHEAD | 1:35:30 | 1:35:33 | |
GO! CLEAR! | 1:35:54 | 1:35:57 | |
GO! CLEAR! | 1:36:05 | 1:36:07 | |
I'm going for the First Lady. | 1:36:13 | 1:36:15 | |
You're cleared to shoot on the weapon or the shooter. | 1:36:15 | 1:36:18 | |
Ladies and gentlemen, it gives me great pleasure | 1:36:23 | 1:36:26 | |
to introduce the First Lady of the United States. | 1:36:26 | 1:36:30 | |
APPLAUSE | 1:36:30 | 1:36:32 | |
It's a beautiful day for the beginning of New Hope. | 1:36:36 | 1:36:40 | |
Here, today... | 1:36:40 | 1:36:43 | |
Right! Go! Go! Go! | 1:36:43 | 1:36:45 | |
..there are dedicated teachers, preparing lessons... | 1:37:28 | 1:37:33 | |
Give me the gun! | 1:37:33 | 1:37:35 | |
SPEECH CONTINUES | 1:37:38 | 1:37:40 | |
That's how he plans to get out! | 1:37:51 | 1:37:54 | |
The phone! Give me your phone! | 1:37:54 | 1:37:56 | |
..we are all responsible... | 1:37:56 | 1:37:58 | |
APPLAUSE | 1:38:06 | 1:38:09 | |
But also, right now, there are police officers risking their lives | 1:38:12 | 1:38:17 | |
to help kids stay out of trouble and off drugs. | 1:38:17 | 1:38:20 | |
There are parents questioning the popular culture | 1:38:20 | 1:38:24 | |
that glamorises sex and violence... | 1:38:24 | 1:38:26 | |
He's clear. | 1:38:26 | 1:38:28 | |
SPEECH CONTINUES | 1:38:29 | 1:38:32 | |
But also, right now, there are dedicated teachers | 1:38:34 | 1:38:37 | |
preparing lessons for a new day's class... | 1:38:37 | 1:38:41 | |
Red mini-van on the hill side, by the trees. | 1:38:41 | 1:38:45 | |
One o'clock! Jesus! | 1:38:45 | 1:38:48 | |
Range it. | 1:38:48 | 1:38:50 | |
750... 762 metres. | 1:38:51 | 1:38:53 | |
..the value is the same. | 1:38:56 | 1:38:59 | |
APPLAUSE | 1:39:00 | 1:39:03 | |
SPEECH CONTINUES | 1:39:03 | 1:39:05 | |
SCREAMING | 1:39:31 | 1:39:33 | |
I'm after him! Take out the mini-van! | 1:39:37 | 1:39:40 | |
SCREAMING | 1:40:16 | 1:40:19 | |
ARGHHH! | 1:40:21 | 1:40:23 | |
SIRENS WAIL | 1:40:24 | 1:40:27 | |
SHOUTING | 1:40:27 | 1:40:29 | |
SIRENS BLARE | 1:40:34 | 1:40:36 | |
Clear the area! | 1:40:46 | 1:40:48 | |
Capitol Heights! | 1:40:52 | 1:40:54 | |
Look out! Look out! | 1:41:09 | 1:41:11 | |
-TANNOY: -'Attention, please. All passengers...' | 1:41:18 | 1:41:22 | |
Look out! Coming through! | 1:41:31 | 1:41:33 | |
Coming through! | 1:41:37 | 1:41:39 | |
Watch it! | 1:41:39 | 1:41:42 | |
Come on! | 1:41:40 | 1:41:42 | |
'Please stand clear of the doors.' | 1:42:37 | 1:42:40 | |
WOMAN SCREAMS | 1:43:09 | 1:43:12 | |
NO! | 1:43:10 | 1:43:12 | |
Shite! | 1:43:21 | 1:43:23 | |
'The next train...' | 1:43:24 | 1:43:26 | |
I'm at Capitol Heights. | 1:43:34 | 1:43:38 | |
INAUDIBLE | 1:43:40 | 1:43:42 | |
Shit! | 1:43:45 | 1:43:46 | |
SOUND OF RUNNING FOOTSTEPS | 1:44:09 | 1:44:12 | |
ARGHHH! | 1:45:08 | 1:45:10 | |
HE GROANS | 1:45:39 | 1:45:41 | |
Hey! | 1:45:41 | 1:45:45 | |
SCREAMING | 1:45:43 | 1:45:45 | |
SHE SCREAMS | 1:45:49 | 1:45:53 | |
Shut up! | 1:45:50 | 1:45:53 | |
Get out! Get out of here! | 1:45:53 | 1:45:56 | |
SHE SCREAMS | 1:45:56 | 1:45:58 | |
FRIGHTENED SHOUTING | 1:45:58 | 1:46:01 | |
SOBBING | 1:46:07 | 1:46:09 | |
Please! Please! | 1:46:09 | 1:46:12 | |
Help me! Please! | 1:46:29 | 1:46:31 | |
Help me! | 1:46:37 | 1:46:39 | |
Say, "Help me, Declan!" | 1:46:41 | 1:46:46 | |
Help me, Declan! HELP ME, DECLAN! | 1:46:43 | 1:46:46 | |
Please help me! | 1:46:52 | 1:46:54 | |
Please, Declan! Help me! | 1:46:56 | 1:46:59 | |
Please! | 1:46:59 | 1:47:01 | |
Help me! Help! | 1:47:01 | 1:47:03 | |
-SHE SOBS: -Declan! | 1:47:03 | 1:47:05 | |
Now! | 1:47:09 | 1:47:13 | |
-HELP ME, DECLAN! -Help me, Declan! | 1:47:10 | 1:47:13 | |
Where's the man with the gun? | 1:47:14 | 1:47:19 | |
In the corner. | 1:47:16 | 1:47:19 | |
Good girl, good girl. | 1:47:19 | 1:47:21 | |
What are you going to do, Declan? | 1:47:24 | 1:47:26 | |
You just can't seem to protect any of your women. | 1:47:26 | 1:47:30 | |
Let her go! She's nothing to do with this. | 1:47:30 | 1:47:36 | |
You can save her. What's your name? | 1:47:32 | 1:47:36 | |
-Maggie. -Maggie! You can save Maggie! | 1:47:36 | 1:47:39 | |
You can save Maggie, you see? Right now! | 1:47:39 | 1:47:42 | |
Just put down your little gun! | 1:47:42 | 1:47:45 | |
OK? MAGGIE SOBS | 1:47:47 | 1:47:49 | |
DECLAN! | 1:47:52 | 1:47:54 | |
SCREAMING AND GUNSHOT | 1:47:55 | 1:47:58 | |
NO! | 1:47:56 | 1:47:58 | |
JACKAL CHUCKLES | 1:47:58 | 1:48:01 | |
Go ahead. Take the shot. | 1:48:02 | 1:48:05 | |
SHE SOBS | 1:48:05 | 1:48:07 | |
Oh, Maggie! You did so good! You did so good. | 1:48:10 | 1:48:14 | |
HE CHUCKLES | 1:48:14 | 1:48:16 | |
SHE SOBS | 1:48:16 | 1:48:18 | |
You're slipping, Declan. | 1:48:18 | 1:48:20 | |
Now, let her go. | 1:48:25 | 1:48:27 | |
Step away from the gun. | 1:48:27 | 1:48:30 | |
STEP AWAY FROM THE GUN! | 1:48:30 | 1:48:32 | |
Oh, Maggie. | 1:48:33 | 1:48:35 | |
You're so brave. You'll remember this for the rest of your life. | 1:48:35 | 1:48:40 | |
Kneel down. | 1:48:46 | 1:48:48 | |
Kneel down. | 1:48:51 | 1:48:53 | |
HE SIGHS Sorry, Declan. | 1:49:16 | 1:49:19 | |
ARGHHHH! | 1:49:47 | 1:49:48 | |
Uh... | 1:49:51 | 1:49:52 | |
ARGHHHHH! | 1:50:31 | 1:50:33 | |
It's all right. It's OK. | 1:50:40 | 1:50:42 | |
It's OK. | 1:50:42 | 1:50:44 | |
It's finished. | 1:50:50 | 1:50:52 | |
I wonder if we'll ever know who the hell he really was. | 1:51:36 | 1:51:40 | |
We know all we need to. He was evil. | 1:51:41 | 1:51:44 | |
He's dead and he's gone. Nothing more matters. | 1:51:46 | 1:51:49 | |
Sorry they didn't give you your pardon. You'll get minimum security. | 1:51:50 | 1:51:55 | |
It's like a country club. Director Brown sends his warmest thanks. | 1:51:55 | 1:52:01 | |
Oh, that's nice(!) Look forward to playing tennis with him(!) | 1:52:01 | 1:52:05 | |
Did I tell you I'm going back to Russia? | 1:52:05 | 1:52:08 | |
I'm going to stay until Terek Murad rots in prison or in the grave. | 1:52:08 | 1:52:13 | |
She'd appreciate that. | 1:52:13 | 1:52:16 | |
I think so. And Isabella? | 1:52:16 | 1:52:18 | |
Back safely with her family. For good. | 1:52:21 | 1:52:24 | |
I know about that key she gave you. | 1:52:26 | 1:52:28 | |
I know you could have used it to take off any time you wanted to. | 1:52:28 | 1:52:32 | |
You've got one of those drop boxes, too, like the Jackal? | 1:52:32 | 1:52:36 | |
Did you read the paper? I'm quite the hero because of you. | 1:52:38 | 1:52:42 | |
The agent who saved the First Lady! | 1:52:42 | 1:52:45 | |
I could screw everything else up for the rest of my life | 1:52:45 | 1:52:49 | |
and still be untouchable. | 1:52:49 | 1:52:51 | |
Is that a fact? | 1:52:52 | 1:52:55 | |
Going back to that drop box, | 1:52:53 | 1:52:55 | |
an operative with your experience with a clean passport, | 1:52:55 | 1:53:01 | |
a wad of cash... | 1:53:01 | 1:53:03 | |
I'll bet, if you had taken off... | 1:53:04 | 1:53:06 | |
HE LAUGHS | 1:53:06 | 1:53:09 | |
..we never would have found you! | 1:53:09 | 1:53:12 | |
Do you drink coffee? | 1:53:15 | 1:53:17 | |
Oh, no, that's right. They drink Guinness in Ireland. | 1:53:17 | 1:53:21 | |
I'll ask across the street, see if they've got any. | 1:53:21 | 1:53:24 | |
Coffee, I mean. I'll be back in... | 1:53:24 | 1:53:27 | |
..30 minutes? OK? | 1:53:29 | 1:53:32 | |
Thanks, Declan. For everything. | 1:53:37 | 1:53:40 | |
No. Thank you, Da. | 1:53:40 | 1:53:42 | |
HE CHUCKLES | 1:53:46 | 1:53:47 | |
Subtitles by Mary Thompson, IMS | 1:54:46 | 1:54:49 | |
E-mail [email protected] | 1:54:49 | 1:54:51 |