Browse content similar to The Man Who Never Was. Check below for episodes and series from the same categories and more!
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Last night, I dreamed a deadly dream. | 0:00:26 | 0:00:30 | |
Beyond the Isle of Skye, | 0:00:30 | 0:00:33 | |
I saw a dead man win a fight, | 0:00:33 | 0:00:36 | |
and I think that man was I. | 0:00:36 | 0:00:39 | |
CHURCHILL: This we may say. | 0:02:06 | 0:02:10 | |
The sun of victory has begun to touch our soldiers' helmets. | 0:02:10 | 0:02:15 | |
I have this day received the following communication from General Alexander: | 0:02:15 | 0:02:22 | |
"Sir, the orders you gave me on August the 15th, 1942, have been fulfilled. | 0:02:22 | 0:02:30 | |
"His Majesty's enemies, together with their impedimenta, | 0:02:30 | 0:02:35 | |
"have been completely eliminated from Egypt, Cyrenaica, Libya and Tripolitania. | 0:02:35 | 0:02:42 | |
"I now await your further instructions." | 0:02:42 | 0:02:46 | |
Well, we shall now have to think of something else. | 0:02:46 | 0:02:51 | |
I'm sure the House will bear with me if I do not publicly proclaim what that something else will be. | 0:02:51 | 0:02:59 | |
Sicily. It's the obvious choice. | 0:02:59 | 0:03:03 | |
Too obvious. We're all along the African coast, except for Tunisia, and here's Jerry opposite. | 0:03:03 | 0:03:10 | |
He knows we're almost certain to come through here. | 0:03:10 | 0:03:14 | |
All he's got to do is sit and wait for us. | 0:03:14 | 0:03:18 | |
-As a member of the bar, Montagu, you've defended a man in peril of his life? -Yes, sir. | 0:03:18 | 0:03:25 | |
Well, here's your chance to defend thousands of men. | 0:03:25 | 0:03:29 | |
If we land in Sicily we'll have 30% casualties. | 0:03:29 | 0:03:34 | |
We talk about casualties as though they were just figures on paper. | 0:03:34 | 0:03:39 | |
I take it we've to think up a cover plan? | 0:03:39 | 0:03:43 | |
To make Jerry think we're going somewhere else. Greece, Sardinia, the south of France. | 0:03:43 | 0:03:50 | |
I'm told Corsica is very pleasant, | 0:03:50 | 0:03:53 | |
but the Germans know we need Sicily. They must go on defending it. | 0:03:53 | 0:03:58 | |
But they may thin their defences if they think we're attacking elsewhere. | 0:03:58 | 0:04:04 | |
Your outfit must drop everything for it. | 0:04:04 | 0:04:07 | |
If we can get Jerry to move one single battalion, a battery, or even a gun, | 0:04:07 | 0:04:14 | |
it's going to save a lot of lives. | 0:04:14 | 0:04:17 | |
LOUD-HAILER: 'To your left, you'll see a further wave of aircraft. | 0:04:17 | 0:04:21 | |
'You see the multicoloured chutes dropping before you. | 0:04:21 | 0:04:26 | |
'There's one taking a short cut. | 0:04:26 | 0:04:29 | |
'We call that jumping to a conclusion, gentlemen.' | 0:04:29 | 0:04:34 | |
-I thought someone had had it. -It's not as safe as it's made out to be. | 0:04:34 | 0:04:40 | |
There's nothing for us here, George. Troops would take too long to set up. | 0:04:40 | 0:04:47 | |
"Next phase, use of natural cover." | 0:04:47 | 0:04:50 | |
Let's slide out. | 0:04:51 | 0:04:53 | |
Monty. That parachute that didn't open. | 0:04:56 | 0:05:00 | |
Suppose we dropped someone with papers saying we were going to invade Greece, | 0:05:00 | 0:05:06 | |
and his parachute didn't open. | 0:05:06 | 0:05:09 | |
The Germans would find the papers and say, "Look at this. | 0:05:09 | 0:05:13 | |
"Officer with secret papers. They're going to invade Greece." | 0:05:13 | 0:05:18 | |
Do we tell the man who jumps, or does he find out on the way down? | 0:05:18 | 0:05:24 | |
-It'd have to be someone we didn't mind about. -Are you volunteering? It wouldn't work. | 0:05:24 | 0:05:30 | |
-What about using a dead man? -The autopsy would show he died before. | 0:05:30 | 0:05:36 | |
Let's get back and think again. | 0:05:36 | 0:05:39 | |
If your boys drink any more coffee they won't sleep. | 0:05:45 | 0:05:50 | |
They gave up sleep two days ago. | 0:05:50 | 0:05:53 | |
Will you get it while it's hot, sir? | 0:06:08 | 0:06:11 | |
We want something simple. The simpler the better. | 0:06:11 | 0:06:16 | |
Good boy, George. You're right. | 0:06:16 | 0:06:19 | |
Suppose we issue Greek dictionaries to the troops. That'd fool them. | 0:06:19 | 0:06:25 | |
Eskimo dictionaries would really fool them. | 0:06:25 | 0:06:29 | |
Pam, I want you to get me full details | 0:06:29 | 0:06:33 | |
of the tides and currents between Gibraltar and the Portuguese border. | 0:06:33 | 0:06:39 | |
-Where? -Gibraltar and the Portuguese border. -Yes, sir. | 0:06:39 | 0:06:43 | |
-Going for a swim? -Sardine fishing. | 0:06:43 | 0:06:46 | |
-Pam, you'd better get home. -You don't want some sandwiches? | 0:06:46 | 0:06:51 | |
My dear child, you think of nothing but my stomach(!) | 0:06:51 | 0:06:55 | |
Go on, hop it. | 0:06:55 | 0:06:58 | |
Leave the coffee. | 0:06:58 | 0:07:00 | |
Poor Pam. How she fusses over you. | 0:07:02 | 0:07:05 | |
Close the door, George. | 0:07:05 | 0:07:08 | |
Come here. | 0:07:11 | 0:07:13 | |
-That idea about the dead man in the parachute. -Yes. | 0:07:15 | 0:07:20 | |
It won't work your way, but... | 0:07:20 | 0:07:23 | |
I know something that might work. | 0:07:23 | 0:07:26 | |
-AIR-RAID SIREN Good night, Miss. -Good night. | 0:07:26 | 0:07:31 | |
PIANO PLAYS > | 0:07:48 | 0:07:52 | |
-You there, Lucy? -Come on in, Pam. | 0:08:26 | 0:08:30 | |
Joe, this is Pam, who runs this war single-handedly till midnight. | 0:08:31 | 0:08:36 | |
-Pam, this is Joe. -Hello, Pam. -I'm just passing through. | 0:08:36 | 0:08:41 | |
-Before you pop off, shall I fetch you a drink? Joe brought gin. -Later. | 0:08:41 | 0:08:48 | |
So that's Pam? She looks all right. | 0:08:48 | 0:08:52 | |
But Lu...why don't you have a place on your own? | 0:08:52 | 0:08:57 | |
This place is rent-free from her parents. | 0:08:57 | 0:09:01 | |
Besides, I need someone sensible around. Somebody to protect me. | 0:09:01 | 0:09:06 | |
-From me? -I hope so. | 0:09:06 | 0:09:09 | |
-Come on. You've got to go. -I know. | 0:09:11 | 0:09:15 | |
-You flying tomorrow? -Maybe. | 0:09:15 | 0:09:18 | |
-Does it scare you, Joe? -I get used to it. | 0:09:18 | 0:09:22 | |
-You'll ring me? -As soon as I can. -Never forget to ring. | 0:09:22 | 0:09:26 | |
-If you didn't, I'd go mad. -I will, or if anything stops me, Larry will. | 0:09:26 | 0:09:32 | |
-What do you mean, if anything stops you? -Oh, just anything. | 0:09:32 | 0:09:36 | |
-Home long? -About seven. They get their money's worth out of you. | 0:09:47 | 0:09:53 | |
I always thought Joe was an American. | 0:09:54 | 0:09:58 | |
I don't know how you keep away from these boys. | 0:09:58 | 0:10:02 | |
I know me. If I started that I'd probably fall in love. | 0:10:02 | 0:10:07 | |
I'd only want one, and then where would we be? | 0:10:07 | 0:10:11 | |
Let's get the war over, first. | 0:10:11 | 0:10:14 | |
I'm afraid you'll fall in love with someone you can't have. | 0:10:14 | 0:10:19 | |
-You'll only get hurt. -Who, me? Lucy the languishing librarian? | 0:10:19 | 0:10:24 | |
If I fall in love it'll be with a guy who goes out at nine and comes back at six. | 0:10:24 | 0:10:31 | |
Not one of these flyers. Here today and...gone tomorrow. | 0:10:31 | 0:10:37 | |
-KNOCK AT DOOR -Come in. | 0:10:57 | 0:11:00 | |
Commander Montagu and Lieutenant Ackers, sir. | 0:11:00 | 0:11:05 | |
-Sir Bernard. -How are you? -Well. | 0:11:05 | 0:11:08 | |
My assistant, George Ackers. Sir Bernard Spillsby. | 0:11:08 | 0:11:12 | |
-I've wanted to meet you since you gave evidence in the shotgun murders. You were masterly. -Thank you. | 0:11:12 | 0:11:20 | |
-Mind you... -George, I'm sure Sir Bernard will give you an autograph. | 0:11:20 | 0:11:25 | |
-May we get on? -Yes, sir. -Thank you. -Sit down. -Thank you. | 0:11:25 | 0:11:31 | |
Sir Bernard, may I ask some odd questions | 0:11:31 | 0:11:35 | |
-without explaining why I'm asking them? -You may. | 0:11:35 | 0:11:38 | |
Suppose I wanted to put a body in the sea, let it float ashore and make those who find it | 0:11:38 | 0:11:46 | |
think it was the victim of an air crash at sea. What sort of body would I need? | 0:11:46 | 0:11:53 | |
-Do you want the body to show any physical damage? -No. | 0:11:55 | 0:12:00 | |
-But to look as though he died by drowning. -Yes. | 0:12:01 | 0:12:05 | |
-Could he be wearing a Mae West? -Yes. | 0:12:05 | 0:12:09 | |
-How long in the water? -That depends on the information I get from you. | 0:12:09 | 0:12:15 | |
You want someone who's died of pneumonia. | 0:12:16 | 0:12:20 | |
Pneumonia causes fluid in the lungs. After a few days in the water you couldn't say that he hadn't drowned. | 0:12:20 | 0:12:29 | |
-Unless one had reason to be suspicious. -You mean you could spot it? | 0:12:29 | 0:12:35 | |
I would if it came here. But I don't suppose it would. | 0:12:35 | 0:12:40 | |
I won't ask awkward questions, but where might this body be found? | 0:12:43 | 0:12:48 | |
Shall we say, Spain? | 0:12:48 | 0:12:50 | |
I doubt if anyone there would examine the body closely enough to spot what I have in mind. | 0:12:50 | 0:12:57 | |
One other thing, Sir Bernard. | 0:12:57 | 0:13:00 | |
If we had to keep the body, how would we stop it decomposing? | 0:13:00 | 0:13:05 | |
-Refrigeration. -And while it was being transported? | 0:13:05 | 0:13:09 | |
-I'd suggest an airtight canister packed with dry ice. -Why dry ice? | 0:13:09 | 0:13:15 | |
It melts, giving off carbon dioxide which dispels the air which causes decomposition. | 0:13:15 | 0:13:22 | |
You could store a body for quite a while. | 0:13:22 | 0:13:26 | |
Thank you. That gives me a start. | 0:13:26 | 0:13:29 | |
-You won't mind if we come back to you on these points? -By all means. | 0:13:29 | 0:13:34 | |
You should ask my man Adams about refrigeration. The fellow who brought you in. | 0:13:34 | 0:13:41 | |
-He has all the facilities here. -That would help a great deal. | 0:13:41 | 0:13:46 | |
If I were you, I'd want to know what the blazes this is about. | 0:13:46 | 0:13:51 | |
If you were, you'd remember what we were told in the nursery. | 0:13:51 | 0:13:56 | |
-"Ask me no questions, I'll tell you no lies." Go on, George. -Goodbye. | 0:13:56 | 0:14:02 | |
Thank you very much. | 0:14:02 | 0:14:05 | |
So far, so good. That part seems to be practical. | 0:14:09 | 0:14:13 | |
-Provided we can get a body. -Any undertaker will fix us up with a body. That's no problem. | 0:14:13 | 0:14:21 | |
So, in essence, the idea is this. | 0:14:23 | 0:14:26 | |
The body of a dead man, dressed as an officer, | 0:14:26 | 0:14:30 | |
will be put in the sea by submarine off the coast of Spain, near Huelva. | 0:14:30 | 0:14:36 | |
On the body will be secret documents suggesting our main attack will be Greece, not Sicily. | 0:14:36 | 0:14:45 | |
The body will drift ashore, will be picked up and the papers found. | 0:14:45 | 0:14:50 | |
The impression will be that the officer drowned when his plane crashed into the sea. | 0:14:50 | 0:14:58 | |
-Why Huelva? -Two reasons, sir. | 0:15:02 | 0:15:05 | |
First, there are strong currents and a prevailing wind which will carry the body inshore. | 0:15:05 | 0:15:13 | |
Second, one of the sharpest German agents in Spain operates there. | 0:15:13 | 0:15:18 | |
But the beauty is, it involves only one man, | 0:15:18 | 0:15:22 | |
and therefore might be possible in the short time allowed us. | 0:15:22 | 0:15:27 | |
May I have your views, sir? | 0:15:29 | 0:15:31 | |
-In 30 years of intelligence work I've heard of nothing like it. -Neither have the Germans. | 0:15:31 | 0:15:38 | |
It's the most outrageous, disgusting, not to say barbaric idea. | 0:15:38 | 0:15:44 | |
-But work out details for the war Cabinet Office tomorrow. -Thank you. | 0:15:44 | 0:15:49 | |
You'll need a codename. | 0:15:49 | 0:15:52 | |
You can have Jumbo, Trader, Wigwam, | 0:15:52 | 0:15:57 | |
-Mincemeat, Jubilee... -With your permission, sir, Mincemeat. | 0:15:57 | 0:16:02 | |
Operation Mincemeat. Comments and criticisms. Admiral? | 0:16:03 | 0:16:07 | |
Well, it's an ingenious idea. | 0:16:07 | 0:16:10 | |
-There are four major flaws. -More like 40. | 0:16:10 | 0:16:15 | |
First, your body may not drift ashore. | 0:16:15 | 0:16:19 | |
Next, it may be handed to the British consul. | 0:16:19 | 0:16:22 | |
Next, the papers may not leak to the Germans. | 0:16:22 | 0:16:27 | |
And finally, they may guess they're fake. | 0:16:27 | 0:16:30 | |
That's true. There are ways in which it can go wrong. | 0:16:30 | 0:16:35 | |
But that's true of any deception plan. Dickie? | 0:16:35 | 0:16:39 | |
Why not the south of France? | 0:16:39 | 0:16:43 | |
Then you'd be sure the Germans would get the documents. | 0:16:43 | 0:16:47 | |
-Sir, perhaps you would allow Commander Montagu to answer this? -Well, Montagu? | 0:16:47 | 0:16:54 | |
We chose Spain as we don't want the Germans to get the body and examine it closely. | 0:16:54 | 0:17:01 | |
Even without these snags, surely we're being far too ambitious. | 0:17:01 | 0:17:07 | |
You can't expect the Germans to swallow fake letters from the Vice-Chief to General Alexander. | 0:17:07 | 0:17:13 | |
It'd be too good to be true. | 0:17:13 | 0:17:16 | |
Montagu, surely the first question German intelligence will ask | 0:17:16 | 0:17:21 | |
is why the letter wasn't sent by the normal channels. | 0:17:21 | 0:17:26 | |
It was my intention to ask for a personal letter from you to General Alexander. | 0:17:26 | 0:17:34 | |
It might contain certain references to other people. | 0:17:34 | 0:17:39 | |
-Saying someone important is a nitwit? -Yes, sir. | 0:17:39 | 0:17:43 | |
There are already suitable jokes in circulation. | 0:17:43 | 0:17:47 | |
Where is this officer going? What's his job? | 0:17:47 | 0:17:52 | |
We'd like him to be a major in the Royal Marines, sir, on your staff. | 0:17:52 | 0:17:58 | |
You're lending him to General Eisenhower, to whom he also carries a letter. | 0:17:58 | 0:18:04 | |
-I write a letter as well? -Yes, sir. -He has jobs for all of us. Can I be rude about somebody, too? | 0:18:04 | 0:18:11 | |
If the Germans see through this then you'll pinpoint Sicily. | 0:18:11 | 0:18:17 | |
-Quite right. -We must get on. | 0:18:17 | 0:18:19 | |
It's an imaginative plan, but it needs careful consideration. | 0:18:19 | 0:18:24 | |
We'd better leave it for now. | 0:18:24 | 0:18:27 | |
Time is short, sir. We must get going soon. | 0:18:27 | 0:18:32 | |
I'll put it on the agenda for the next meeting. | 0:18:32 | 0:18:36 | |
It'd be easier to convince the Germans than our masters. | 0:18:39 | 0:18:43 | |
They've got a lot to think about. | 0:18:43 | 0:18:47 | |
-Why can't they give us a plain yes or no? -They want to mull it over. | 0:18:47 | 0:18:52 | |
The moment they agree, you go ahead. Till then you'll just have to wait. | 0:18:52 | 0:18:58 | |
Sticky? | 0:19:05 | 0:19:08 | |
Like trying to swim in syrup. | 0:19:08 | 0:19:11 | |
They just want to chew their cud and gaze into the distance. | 0:19:11 | 0:19:16 | |
-While we get on with our knitting(!) -I'll wager they won't turn it down. | 0:19:16 | 0:19:22 | |
I'll take a chance and jump the gun. | 0:19:22 | 0:19:25 | |
You get a body, I'll work on drawings for a canister. | 0:19:25 | 0:19:30 | |
AEROPLANES PASS | 0:19:30 | 0:19:33 | |
-Mosquitos. -One engine. He'll be lucky if he makes it. | 0:19:33 | 0:19:38 | |
BELL RINGS | 0:19:38 | 0:19:41 | |
-Harry. -You all right? -Steve's had it. | 0:19:54 | 0:19:58 | |
-Steve. -Light flak. He went down fast. No time to bail out. | 0:19:58 | 0:20:04 | |
PHONE RINGS | 0:20:09 | 0:20:13 | |
Hello? Hello? Joe? | 0:20:19 | 0:20:23 | |
I saw them come in. Are you all right, Joey? | 0:20:25 | 0:20:30 | |
I'm all right, baby. I'm fine. It was easy. | 0:20:30 | 0:20:34 | |
I'm glad. | 0:20:35 | 0:20:38 | |
PHONE BUZZES | 0:20:38 | 0:20:41 | |
-439. -Is Commander Montagu there? -Yes, he's here now, sir. | 0:20:44 | 0:20:49 | |
-Hello? -Montagu? -Yes. -General Nye wants a word. -Thank you. | 0:20:49 | 0:20:55 | |
-Montagu? -Good evening, sir. | 0:20:55 | 0:20:58 | |
I want you to be at 10 Downing Street tomorrow morning at 10.30. | 0:20:58 | 0:21:03 | |
Of course, sir. Tomorrow at 10.30. I'll be there. | 0:21:03 | 0:21:07 | |
It's going to the Prime Minister. | 0:21:09 | 0:21:12 | |
-CHURCHILL: And Nye. -Sir? | 0:21:43 | 0:21:46 | |
They know we'll go through Sicily, anyway, so we've got everything to gain and nothing to lose. | 0:21:46 | 0:21:54 | |
-Let the plan be implemented. -Thank you, sir. | 0:21:54 | 0:21:58 | |
-You've got the all clear. -And your submarine's fixed. Jewel is sailing for Malta on Friday. | 0:21:58 | 0:22:04 | |
-Jewel? -The man who put Mark Clark ashore in Africa. | 0:22:04 | 0:22:09 | |
-Can you make it? -I assure you, we shall make it. -Good, carry on. | 0:22:09 | 0:22:15 | |
Yes, I'll hold on. | 0:22:18 | 0:22:20 | |
George, we've got right of way from the old man himself. "Let the plan be implemented." | 0:22:20 | 0:22:27 | |
I knew he wouldn't shoot it down. | 0:22:27 | 0:22:30 | |
What are you up to? | 0:22:30 | 0:22:33 | |
I've got a blister. I've walked more than 50 miles. | 0:22:33 | 0:22:38 | |
-It doesn't matter if he shoots it down. The whole thing's impracticable. -What? | 0:22:38 | 0:22:44 | |
-Won't go. Not on. -Why not? | 0:22:44 | 0:22:47 | |
There's no way of getting a body. | 0:22:47 | 0:22:50 | |
You say, "George, go get a body." Well, you try. | 0:22:50 | 0:22:55 | |
-There are hospitals, mortuaries... -I've tried them. Not a hope. | 0:22:55 | 0:22:59 | |
Every body belongs to somebody, and people don't want it messed about. | 0:22:59 | 0:23:05 | |
-What about the fellow in St Lukes? -He recovered. Very unreliable type. | 0:23:05 | 0:23:11 | |
-Have you tried Spielsberg? -Yes, but he wants his bodies for himself. | 0:23:12 | 0:23:18 | |
-I think I'm on to something. -Where? -A small hospital in St John's Wood. I said you'd come to see the father. | 0:23:18 | 0:23:27 | |
-When did he die? -This morning. | 0:23:31 | 0:23:34 | |
-Pneumonia? -Bronchial pneumonia. | 0:23:34 | 0:23:36 | |
-Any other relatives? -I don't think so. I gather the wife's dead. | 0:23:36 | 0:23:41 | |
-Is the father with him? -He's waiting for you. | 0:23:41 | 0:23:46 | |
Wait here. I'll deal with this by myself. | 0:23:46 | 0:23:50 | |
Perhaps you'd like to sit down. Thank you. | 0:24:02 | 0:24:06 | |
I'll be back soon. Right. | 0:24:06 | 0:24:08 | |
It has been explained that we cannot tell you why we are asking you this? | 0:24:17 | 0:24:24 | |
Yes, that has been explained. | 0:24:24 | 0:24:27 | |
If there is any question you wish to ask, sir, I will answer if I can. | 0:24:27 | 0:24:34 | |
I'll try not to embarrass you. | 0:24:34 | 0:24:37 | |
Can you assure me, Commander Montagu, as an officer and a gentleman, | 0:24:41 | 0:24:47 | |
that if I agree to your request, my son's body will be treated with respect? | 0:24:47 | 0:24:53 | |
I give you my word. | 0:24:53 | 0:24:56 | |
His name will never be revealed? | 0:24:56 | 0:24:59 | |
Never. | 0:25:00 | 0:25:02 | |
And finally, his body will have Christian burial? | 0:25:02 | 0:25:08 | |
I cannot absolutely promise that, | 0:25:08 | 0:25:11 | |
but I am fairly certain of it. | 0:25:11 | 0:25:14 | |
I was never the one...nor was he... | 0:25:17 | 0:25:21 | |
to mind very much about the last resting place of the body... | 0:25:21 | 0:25:26 | |
..being more concerned with the repose of the spirit. | 0:25:28 | 0:25:32 | |
But still, I would like to be sure that this thing you're going to do | 0:25:33 | 0:25:39 | |
is good...and worthy of him. | 0:25:39 | 0:25:44 | |
I can assure you that this is an opportunity for your son to do a great thing for England. | 0:25:45 | 0:25:53 | |
My son, sir, was a Scotsman, and very proud of it. | 0:25:53 | 0:25:58 | |
I beg your pardon. | 0:25:59 | 0:26:02 | |
Never mind. We're used to that. | 0:26:02 | 0:26:05 | |
You English always talk about England when you mean Britain. | 0:26:05 | 0:26:10 | |
Goodbye, son. | 0:26:19 | 0:26:22 | |
I don't know what they want with you. It doesn't matter now. | 0:26:24 | 0:26:29 | |
Because, you're not here any more. | 0:26:31 | 0:26:35 | |
You're somewhere else, in peace. | 0:26:37 | 0:26:40 | |
Good day to you. | 0:26:52 | 0:26:54 | |
I have no son now, but you have a body. | 0:26:56 | 0:27:00 | |
I think William Martin is a good name. | 0:27:17 | 0:27:21 | |
One naval identity card in the name of Captain, acting Major, William Martin, Royal Marines. | 0:27:21 | 0:27:28 | |
Born in Cardiff, 1907. | 0:27:28 | 0:27:31 | |
I thought of Glasgow, but I don't want to say he's a Scot. | 0:27:31 | 0:27:35 | |
Also a Combined Operations pass. | 0:27:35 | 0:27:38 | |
You'll need a photograph for the identity card. | 0:27:38 | 0:27:42 | |
-So we shall. -It's only a passport photograph. It needn't look like him. | 0:27:42 | 0:27:47 | |
We need things for his pockets. Cigarettes, keys... | 0:27:47 | 0:27:51 | |
-How's he carrying the documents? -Briefcase. -But he's in the water. Is it in his hand, or what? | 0:27:51 | 0:27:58 | |
What about those things that go round the waist and clip onto the case? | 0:27:58 | 0:28:04 | |
Get one and we'll see. | 0:28:04 | 0:28:07 | |
-He'll need a wallet, money, watch... -George. -Hmm? | 0:28:07 | 0:28:12 | |
I think we're tackling this wrong. | 0:28:12 | 0:28:14 | |
Wallet, money, watch. They're all right, but he must have had some private life. | 0:28:14 | 0:28:21 | |
There ought to be something more intimate on him, like photographs. Maybe some private letters. | 0:28:21 | 0:28:28 | |
-He'd better have a love letter from a girlfriend. -You'll have to make it convincing. -Hmm. | 0:28:28 | 0:28:36 | |
Pam can do it. You wouldn't mind, would you? | 0:28:37 | 0:28:41 | |
-Will you, Pam? -Anything to help with the work, sir. | 0:28:41 | 0:28:46 | |
-Hang on, I'll be back. -OK, sir. | 0:28:54 | 0:28:58 | |
-I won't come up, Lu. There isn't time. -All right. | 0:29:09 | 0:29:13 | |
-Goodbye, Joey. -Remember, you're my girl, now. Official. | 0:29:14 | 0:29:19 | |
I won't ever forget. | 0:29:19 | 0:29:22 | |
Victoria station. | 0:29:26 | 0:29:29 | |
-Hi, Pam. How goes it? -I'm a bit tired. | 0:29:57 | 0:30:01 | |
I've got some news that might make you angry. | 0:30:01 | 0:30:05 | |
-Tell me later, Lucy. -OK. | 0:30:05 | 0:30:08 | |
-I'll make coffee. -It's already done. | 0:30:08 | 0:30:12 | |
You're SO inefficient(!) | 0:30:12 | 0:30:15 | |
-You want some? -No, thanks. | 0:30:15 | 0:30:18 | |
"Dearest Willy"? That's the greatest opening I've ever heard. | 0:30:22 | 0:30:27 | |
It's just something I've got to do. | 0:30:27 | 0:30:30 | |
Love letters always are. What's it for? | 0:30:30 | 0:30:34 | |
It's a story I've got to make up. | 0:30:34 | 0:30:37 | |
Let me help. I'm cheap. My work, I mean. What's the story? | 0:30:37 | 0:30:42 | |
They've just got engaged, he's going on a dangerous job and she's writing to him. | 0:30:42 | 0:30:49 | |
-Oh, that one. -It's the start that's sticking me. | 0:30:49 | 0:30:53 | |
"Dearest Willy." His name's Willy Martin, | 0:30:53 | 0:30:57 | |
-"It was lovely seeing you." -Willy Martin. What a name. | 0:30:57 | 0:31:02 | |
"Dearest Willy." | 0:31:02 | 0:31:05 | |
Take dictation. | 0:31:07 | 0:31:10 | |
"Darling, when you went away tonight, something went with you. | 0:31:16 | 0:31:23 | |
"I think it must have been my heart, | 0:31:23 | 0:31:26 | |
"because now I'm cold and empty. | 0:31:26 | 0:31:30 | |
"It's always bad when you go away, but it was worse tonight, because the day was so good. | 0:31:31 | 0:31:39 | |
"You shouldn't have bought the ring, and I knew you shouldn't, | 0:31:42 | 0:31:47 | |
"and you did because you love me, and I let you because I love you. | 0:31:47 | 0:31:52 | |
"There's not much more to be had from a day. | 0:31:52 | 0:31:56 | |
"I won't wear it, darling. | 0:31:56 | 0:31:59 | |
"I told you I wouldn't. Because if I did, that would mean that you are real, | 0:31:59 | 0:32:06 | |
"that you belong to me, and that they couldn't take you away. | 0:32:06 | 0:32:12 | |
"Whereas, now they can send you away and leave me to wonder if I'll ever see you again, | 0:32:12 | 0:32:19 | |
"whether I may wake up and find I've dreamed you. | 0:32:19 | 0:32:24 | |
"Maybe there'll be a time when it's all over, | 0:32:25 | 0:32:30 | |
"and you're still there, and real, and love me, | 0:32:30 | 0:32:34 | |
"and then I'll wear your ring until I die. | 0:32:34 | 0:32:38 | |
"Oh, God, darling, take care of yourself. | 0:32:40 | 0:32:45 | |
"As if you ever could or would. | 0:32:45 | 0:32:48 | |
"I suppose I mean, oh, God take care of you. | 0:32:48 | 0:32:53 | |
"I love you. I love you." | 0:32:54 | 0:32:58 | |
I had no idea you were a writer, Pam. | 0:33:35 | 0:33:39 | |
-I didn't do it, sir. -Oh? | 0:33:39 | 0:33:41 | |
A friend of mine did it. That's why I've signed it "Lucy". | 0:33:41 | 0:33:46 | |
-You didn't tell her anything? -No, sir. -She did it just for fun? | 0:33:46 | 0:33:51 | |
-Just for fun. -Have you seen this? -I told you there were hidden depths. | 0:33:51 | 0:33:57 | |
-Mr Ackers... -It happens to the nicest people. | 0:33:57 | 0:34:01 | |
Monty, I got the letter about Willy's bank overdraft. | 0:34:01 | 0:34:06 | |
-I told the manager just enough. -Fine. | 0:34:06 | 0:34:09 | |
-Does this alleged girlfriend of yours wear thick spectacles? -No. | 0:34:09 | 0:34:14 | |
-Good to look at? -Very. -Then we want a photograph for Willy. | 0:34:14 | 0:34:19 | |
-It needn't be her. -Don't spoil it. | 0:34:19 | 0:34:23 | |
I want to see this passionate Lucy creature. | 0:34:23 | 0:34:27 | |
-What are you doing? -It's got to look like it's been in his pocket for a while. | 0:34:27 | 0:34:34 | |
-Can we get a snap of this girl? -I think so. -Good. | 0:34:34 | 0:34:38 | |
Now about dates. He's got to have something to show when he left. | 0:34:38 | 0:34:44 | |
A bill from the Naval and Military Club. He stayed there for a night. | 0:34:44 | 0:34:49 | |
And he went to the theatre. He has the ticket stubs. | 0:34:49 | 0:34:54 | |
Item: two theatre tickets for the night of April 22nd. Dress circle. | 0:34:54 | 0:35:00 | |
-Make it four. -And what's going on in that bright little mind? | 0:35:00 | 0:35:05 | |
Well, Willy can't use them, we might as well. | 0:35:05 | 0:35:09 | |
-There's three of us, and with Pam's alleged girlfriend... -I understand. | 0:35:09 | 0:35:14 | |
Make it four. | 0:35:14 | 0:35:17 | |
I've hacked it about, as agreed. | 0:35:21 | 0:35:24 | |
It now reads, "General Sir Harold Alexander. | 0:35:24 | 0:35:28 | |
"My dear Alex, I am taking this opportunity to send a personal letter | 0:35:28 | 0:35:34 | |
regarding our intention in the Mediterranean. | 0:35:34 | 0:35:38 | |
-Good. -Then the personal stuff, | 0:35:38 | 0:35:40 | |
then, "The 5th and 56th divisions will be reinforced, | 0:35:40 | 0:35:45 | |
"and form the main force for the attack on Greece." | 0:35:45 | 0:35:50 | |
Then, "The heavy bombardment of Sicily will continue | 0:35:50 | 0:35:54 | |
"to make the enemy think that it is still our main objective." | 0:35:54 | 0:36:00 | |
-Exactly right, sir. -And the rest as before. | 0:36:00 | 0:36:04 | |
-Let's hope it foxes 'em. -I won't touch it, sir. -Why? | 0:36:05 | 0:36:09 | |
I want only you and your secretary's fingerprints on it. | 0:36:09 | 0:36:13 | |
-What should I do? -Fold it, sir. | 0:36:13 | 0:36:16 | |
As sharp folds as you can. | 0:36:22 | 0:36:25 | |
Now, put it in the envelope. | 0:36:30 | 0:36:33 | |
If you'll wrap a piece of paper round it, I'll get your secretary to seal it. | 0:36:35 | 0:36:42 | |
-Thank you, sir. -Any more chores? | 0:36:45 | 0:36:48 | |
No, thank you, sir. And thank you very much. | 0:36:48 | 0:36:52 | |
Thank you. | 0:37:09 | 0:37:11 | |
-Sorry I'm late. Got his clothes? -There. -Where's Adams? -Downstairs. | 0:37:11 | 0:37:17 | |
MUFFLED AIR-RAID SIREN | 0:37:40 | 0:37:44 | |
-All ready, Mr Adams? -Yes, sir. | 0:37:47 | 0:37:50 | |
Identity discs. | 0:38:24 | 0:38:27 | |
Underwear. | 0:38:30 | 0:38:32 | |
-Laundry marks fixed? -Yes. | 0:38:34 | 0:38:38 | |
MUFFLED EXPLOSIONS | 0:38:40 | 0:38:43 | |
Socks and shirt. | 0:38:53 | 0:38:56 | |
-It's new. -He just bought it from Gieves. The bill's in his pocket. | 0:38:58 | 0:39:03 | |
Collar and tie. | 0:39:21 | 0:39:24 | |
-Awkward, this. -Let me, sir. | 0:39:37 | 0:39:41 | |
Now the uniform. Trousers. | 0:39:41 | 0:39:44 | |
-Things in the pockets first? -After. | 0:39:44 | 0:39:47 | |
Blouse. | 0:40:00 | 0:40:02 | |
Shoes. | 0:40:04 | 0:40:06 | |
BOMBING GROWS LOUDER | 0:40:13 | 0:40:16 | |
WOMAN SCREAMS | 0:40:16 | 0:40:19 | |
Not bad. The shoulder crowns look a bit new. | 0:40:32 | 0:40:37 | |
He's just been promoted. | 0:40:37 | 0:40:40 | |
Right. Get the Mae West and the trench coat. | 0:40:40 | 0:40:44 | |
Now, the personal effects. | 0:41:00 | 0:41:02 | |
-One wristwatch. -Right. | 0:41:05 | 0:41:08 | |
Wallet containing one five-pound note, three one-pound notes, | 0:41:08 | 0:41:13 | |
-letter from bank, book of stamps, photograph of fiancee. -Correct. | 0:41:13 | 0:41:19 | |
-Ten shillings in change to go in trouser pocket. -Correct. | 0:41:19 | 0:41:24 | |
-Letter from fiancee to go next to wallet. -Correct. | 0:41:25 | 0:41:30 | |
-Bill for shirt and receipt for room at the Naval and Military. -Correct. | 0:41:30 | 0:41:36 | |
-Two ticket stubs to theatre. -Correct. | 0:41:36 | 0:41:40 | |
-Cigarettes, matches, bunch of keys. -Correct. | 0:41:40 | 0:41:45 | |
-Combined Operations pass and naval identity card. -Correct. | 0:41:45 | 0:41:50 | |
-Briefcase. -I'll fasten the trench coat, sir. | 0:41:50 | 0:41:54 | |
Thank you, Adams. | 0:41:54 | 0:41:56 | |
-Apart from the cover stuff, letter from General Nye to General Alexander. -Right. | 0:41:58 | 0:42:05 | |
-Letter to General Eisenhower from Admiral Mountbatten. -Right. | 0:42:05 | 0:42:10 | |
Shouldn't he have the key? He has, on his key ring. | 0:42:17 | 0:42:21 | |
Well...I think Major Martin is ready to go to war. | 0:43:02 | 0:43:07 | |
Ten o'clock. We'll have to keep up a steady average. Thank you, Adams. | 0:43:37 | 0:43:43 | |
Thank you. | 0:43:43 | 0:43:46 | |
Attention! | 0:44:58 | 0:45:00 | |
Try to launch the body with only officers on deck. | 0:45:48 | 0:45:52 | |
-The fewer who know, the better. -Sailors are a superstitious lot. | 0:45:52 | 0:45:57 | |
What are you telling the crew? | 0:46:00 | 0:46:03 | |
That it's a secret weather buoy. | 0:46:03 | 0:46:07 | |
Well, I think that's the lot. | 0:46:11 | 0:46:14 | |
-Best of luck. -Thank you. We'll try and do a good job for you. | 0:46:14 | 0:46:19 | |
Carry on, McGuire. | 0:46:30 | 0:46:33 | |
-There we are. -No sherry or whisky. -What's this? -Egg flip. | 0:47:47 | 0:47:51 | |
-My alleged friend wants a light. -Why your alleged friend? -George isn't sure you exist. | 0:47:51 | 0:47:58 | |
That's all I do. No doubt about that. | 0:47:58 | 0:48:02 | |
I never suspected that George was such a fast worker. | 0:48:02 | 0:48:07 | |
You should see him with the typists. | 0:48:07 | 0:48:09 | |
-I think we should drink to the Major. -We must. -He got us the seats. | 0:48:09 | 0:48:16 | |
I don't know him, but I'm sure he won't mind me drinking his health. | 0:48:16 | 0:48:21 | |
Let's drink the health of all the majors...and all the lieutenants. | 0:48:21 | 0:48:26 | |
The Major. May he have a successful journey. | 0:48:26 | 0:48:29 | |
ALL: The Major. | 0:48:29 | 0:48:31 | |
DEPTH CHARGE EXPLODES | 0:48:34 | 0:48:38 | |
EXPLOSION | 0:48:47 | 0:48:49 | |
EXPLOSION | 0:48:57 | 0:48:59 | |
EXPLOSION | 0:49:07 | 0:49:10 | |
EXPLOSION | 0:49:18 | 0:49:21 | |
-Steady as you go. -Steady, sir. Course 272, sir. | 0:49:31 | 0:49:36 | |
PIGEONS COO | 0:49:38 | 0:49:39 | |
All right, my beauties. Not long now. | 0:49:39 | 0:49:44 | |
60 feet. | 0:49:51 | 0:49:53 | |
55 feet, sir. | 0:49:54 | 0:49:56 | |
50 feet, sir. | 0:49:58 | 0:50:00 | |
45 feet. | 0:50:01 | 0:50:03 | |
40 feet. | 0:50:03 | 0:50:05 | |
-OK, get going. -Aye, aye, sir. | 0:50:05 | 0:50:08 | |
-Up periscope. -30 feet. | 0:50:08 | 0:50:11 | |
25 feet, sir. | 0:50:13 | 0:50:15 | |
Blast those fishermen. Haven't they got homes? | 0:50:31 | 0:50:35 | |
Down periscope. Stand by to surface. | 0:50:35 | 0:50:38 | |
Check main vents. Open master blowers. | 0:50:38 | 0:50:41 | |
'Check main vents. Open master blowers.' | 0:50:41 | 0:50:44 | |
Canister party on casing. | 0:51:12 | 0:51:14 | |
Take hook! | 0:51:14 | 0:51:17 | |
Hooked up. Take the weight. | 0:51:18 | 0:51:22 | |
Steady. Steady does it. | 0:51:22 | 0:51:25 | |
Back down. | 0:51:31 | 0:51:33 | |
Right up. | 0:51:33 | 0:51:35 | |
Boats. ..Dinghy first. | 0:51:59 | 0:52:02 | |
Unto God we commend the soul of our departed brother, and we commit his body to the deep. | 0:53:03 | 0:53:10 | |
The Lord gave and hath taken away. Blessed be the name of the Lord. | 0:53:10 | 0:53:16 | |
All right, chaps. Come on. | 0:53:34 | 0:53:36 | |
-Canister party back on casing. -'Canister party on casing.' | 0:53:42 | 0:53:47 | |
All right. Down below. | 0:53:59 | 0:54:01 | |
Dame la cartera. > | 0:55:19 | 0:55:21 | |
-Es Ingles? -Si, senor. -Puede hacerme cambio de aquello? -Imposible, tiene que ser reconocido oficialmente. | 0:56:50 | 0:56:58 | |
Sollte ich sehen was der los ist? Ja. Gute idee. Gehen sie mit. | 0:57:01 | 0:57:06 | |
PHONE BUZZES | 0:57:27 | 0:57:30 | |
-907. -Yes. -Montagu? -Yes. | 0:57:32 | 0:57:36 | |
This is DNI. Scramble, will you? | 0:57:36 | 0:57:40 | |
I've got some news. The Major's arrived. | 0:57:43 | 0:57:47 | |
I've just received a signal. The Vice-Consul at Huelva is worried. | 0:57:47 | 0:57:52 | |
-He says the body had an official case, and he's pulling strings to retrieve it. -Not too hard, I hope. | 0:57:52 | 0:58:01 | |
I think it'll help if I signal telling him to get hold of it. | 0:58:01 | 0:58:07 | |
That'd be the natural thing to do. | 0:58:07 | 0:58:10 | |
Good. Meantime, I'll put Major Martin in the casualty lists. | 0:58:10 | 0:58:16 | |
-That's the first thing they'll check. -Right. | 0:58:16 | 0:58:20 | |
PRIEST CONDUCTS SERVICE IN SPANISH | 0:58:30 | 0:58:34 | |
< SPANISH SOLDIER SHOUTS ORDERS | 0:58:41 | 0:58:45 | |
RIFLES SALUTE | 0:58:47 | 0:58:50 | |
I called on the magistrate. All Major Martin's belongings have been returned. | 0:59:01 | 0:59:07 | |
And the briefcase, senor? Yes, AND the briefcase. | 0:59:07 | 0:59:12 | |
Well, that's a bit of a blow. | 0:59:15 | 0:59:18 | |
Maybe the Nazis are too dumb. | 0:59:18 | 0:59:21 | |
Lazy beggars. Doesn't anything ever penetrate those Prussian skulls? | 0:59:21 | 0:59:27 | |
The net result of operation Mincemeat is losing two bob. | 0:59:27 | 0:59:32 | |
Everything else is horribly intact. | 0:59:32 | 0:59:35 | |
You can open letters without using a knife with marmalade on it. | 0:59:35 | 0:59:40 | |
And close them again. | 0:59:40 | 0:59:43 | |
-I'd like to hear what the scientific boys have to say. -Agreed. | 0:59:45 | 0:59:50 | |
-Well? -Of course, this has been in water. -Yes. | 0:59:59 | 1:00:03 | |
-Sea water. -Yes. | 1:00:38 | 1:00:40 | |
-It's difficult when it's been in sea water. -What can you tell us? | 1:00:40 | 1:00:46 | |
I'm afraid, very little. Sea water obscures so much. | 1:00:46 | 1:00:51 | |
-But has it been opened? -Opened? Oh, yes. | 1:00:51 | 1:00:55 | |
-It HAS been opened? -By somebody who knows his business. | 1:00:55 | 1:00:59 | |
It's been stretched out and held at the corners to be photographed. | 1:00:59 | 1:01:05 | |
-I wish I could be more helpful. -You've done splendidly. | 1:01:05 | 1:01:09 | |
-Well? -Mincemeat swallowed whole. -Mincemeat?! | 1:01:09 | 1:01:14 | |
-Well? -Nothing new from Madrid, Admiral. | 1:01:32 | 1:01:36 | |
The Fuhrer believes the documents are genuine. | 1:01:36 | 1:01:40 | |
-He doesn't doubt them? -He's sure. | 1:01:40 | 1:01:43 | |
The Fuhrer has certain advantages over mere intelligence officers. | 1:01:43 | 1:01:49 | |
He has his intuition, whereas we have to rely on our brains. | 1:01:49 | 1:01:54 | |
-And he's sure God is on his side. -But you are not? | 1:01:54 | 1:02:00 | |
Not to the extent of handing me the enemy's plans. | 1:02:00 | 1:02:04 | |
There's no way of checking the genuineness of these papers. | 1:02:05 | 1:02:11 | |
They appear to be Nye's and Mountbatten's signatures. | 1:02:13 | 1:02:18 | |
The question is whether what is in the letters is true... | 1:02:21 | 1:02:25 | |
..and only those who wrote them could tell us. | 1:02:26 | 1:02:30 | |
-But we can check the genuineness of the bearer. -In what sense, Admiral? | 1:02:30 | 1:02:37 | |
We know a great deal about Major Martin. | 1:02:37 | 1:02:41 | |
We know the address of his club, of his bank, we even know about his debts. | 1:02:41 | 1:02:48 | |
I think someone had better ask a few questions in London, to make sure there was such a man. | 1:02:48 | 1:02:55 | |
-From Dublin, Mr Reilly? -Right. -Staying long? -Three days. | 1:03:09 | 1:03:14 | |
-London? -Yeah. -Business? -Yes. | 1:03:14 | 1:03:18 | |
-All right, thank you. -Thank you. | 1:03:18 | 1:03:21 | |
-Is this all your luggage? -Yes. -Read this, please. | 1:03:30 | 1:03:34 | |
-Any articles subject to duty? -No. -I'll open this one up. | 1:03:34 | 1:03:39 | |
Thank you. Shut it up again. | 1:03:43 | 1:03:46 | |
Is this all your luggage, madam? Read this, please. | 1:03:48 | 1:03:52 | |
Any articles subject to duty? | 1:03:52 | 1:03:55 | |
Will you drive me to 57 Landsmere Gardens? | 1:04:16 | 1:04:20 | |
57 Landsmere Gardens? All right, step in. | 1:04:20 | 1:04:24 | |
I trust you had a pleasant journey. | 1:04:36 | 1:04:38 | |
-I am here with thee and thy goat. -Where from? -Dublin. | 1:04:38 | 1:04:43 | |
Above your head there's a plate with a telephone number. Memorise it. | 1:04:43 | 1:04:49 | |
If it's absolutely necessary, ring that number for a cab to pick you up at Hyde Park Corner tube station. | 1:04:50 | 1:04:58 | |
Go there and wait for me. Don't ring unless it's important. | 1:04:58 | 1:05:03 | |
I'm not responsible for you. | 1:05:03 | 1:05:06 | |
-I'm to deliver you and your luggage, that's all. -I won't bother you much. | 1:05:06 | 1:05:11 | |
It's nothing to do with me, but why were you chosen for this job? | 1:05:11 | 1:05:17 | |
Because I'm so fond of the English. | 1:05:17 | 1:05:21 | |
Yes, they are a lovable people. | 1:05:21 | 1:05:24 | |
Your other bag, sir. | 1:05:38 | 1:05:41 | |
-Thank you. -Three and sixpence on the clock, sir. | 1:05:42 | 1:05:46 | |
Thank you, sir. Good luck, sir. | 1:05:46 | 1:05:49 | |
-Yes? -I'm O'Reilly. You have a room for me? | 1:06:02 | 1:06:06 | |
-The gentleman from Dublin? -That's right. -Come in. -Thank you. | 1:06:06 | 1:06:11 | |
I'll take you up. Give me a case. | 1:06:14 | 1:06:17 | |
-Never let it be said I let a lady carry for me. -You're all the same. | 1:06:17 | 1:06:23 | |
There's nobody like the Irish for manners. My grandad was Irish. | 1:06:23 | 1:06:28 | |
He used to say all the Irish are kings' sons. | 1:06:28 | 1:06:33 | |
You're on the first floor. That's the bathroom and this is your room. | 1:06:34 | 1:06:39 | |
I do hope you'll be comfortable. | 1:06:41 | 1:06:44 | |
I expect you'd like a cup of tea? | 1:06:46 | 1:06:49 | |
No, thank you. I'll just unpack me things. | 1:06:49 | 1:06:53 | |
You will be careful about the blackout, won't you? I had the police round three times last week. | 1:06:53 | 1:07:00 | |
Don't worry. I'll be very careful. | 1:07:00 | 1:07:03 | |
Well, I'll leave you to yourself. | 1:07:03 | 1:07:06 | |
In case you want to stay out late, I'll put the key on the hall table. | 1:07:06 | 1:07:12 | |
-If you want anything else, just call "cooee" and I'll pop up. -Thank you. | 1:07:12 | 1:07:18 | |
HE SIGNALS IN MORSE CODE | 1:08:37 | 1:08:40 | |
'Polar...bear... | 1:08:40 | 1:08:43 | |
'Polar...bear. | 1:08:43 | 1:08:46 | |
'Stand...by...tonight.' | 1:08:46 | 1:08:49 | |
Thank you, sir. Good morning. | 1:09:13 | 1:09:16 | |
-Good morning, sir. -I'd like some khaki shirts, please. | 1:09:18 | 1:09:23 | |
-Made to measure? -Ready-made. | 1:09:23 | 1:09:25 | |
-Collar size? -16. | 1:09:25 | 1:09:28 | |
I think you'll like these. A very fine poplin. | 1:09:31 | 1:09:35 | |
-They're very nice, but they're not the ones I had in mind. -No, sir? | 1:09:35 | 1:09:40 | |
You sold some to a friend of mine recently. Major William Martin of the Royal Marines. | 1:09:40 | 1:09:47 | |
-They were cotton with separate collars. -I know the one you mean. | 1:09:47 | 1:09:52 | |
Take a look at those, sir. Separate collars, cotton. | 1:09:54 | 1:09:58 | |
Oh, good morning, sir. Won't keep you a moment. | 1:09:59 | 1:10:04 | |
-These look like the ones. -Good, sir. | 1:10:06 | 1:10:09 | |
But I'm not sure. Could you look up Major Martin's account and see...? | 1:10:09 | 1:10:15 | |
-Sir, if your friend got his cotton shirts from us, those are certainly the ones. -Oh. | 1:10:15 | 1:10:22 | |
-I won't doubt the word of an honest man. I'll take two. -Thank you, sir. | 1:10:23 | 1:10:29 | |
-So, I said to the chap... > -Excuse me. | 1:10:31 | 1:10:34 | |
-Is this the Naval and Military Club? -Yes. -Thank you. | 1:10:34 | 1:10:38 | |
I wonder if you could help me. | 1:10:54 | 1:10:56 | |
-Could you help me? -I'll do my best, sir. | 1:11:01 | 1:11:04 | |
I'm looking for a friend. Major William Martin of the Royal Marines. | 1:11:04 | 1:11:10 | |
I believe he's a member here. Have you seen him lately? | 1:11:10 | 1:11:16 | |
There's a Major Martin who's a Gunner, sir. | 1:11:16 | 1:11:20 | |
-No, he's in the Royal Marines. -Eh? -The Royal Marines! | 1:11:20 | 1:11:25 | |
I don't know him personally. Is he a regular officer? | 1:11:25 | 1:11:30 | |
There I couldn't be sure. | 1:11:30 | 1:11:33 | |
If he's a temporary I shouldn't know him, sir. | 1:11:33 | 1:11:37 | |
Martin, Brigadeer, AT. | 1:11:37 | 1:11:41 | |
Martin, Captain, L. | 1:11:41 | 1:11:44 | |
Martin, Major, W, RA. | 1:11:44 | 1:11:47 | |
No Major Martin what's a Marine here, sir. | 1:11:47 | 1:11:51 | |
-Surely that's odd if he's a member? -Eh? | 1:11:51 | 1:11:54 | |
-Surely that's odd! -Not necessarily, sir. | 1:11:54 | 1:11:58 | |
What with the bomb damage, we're a bit behind. | 1:11:58 | 1:12:03 | |
He may not be on the file yet. | 1:12:03 | 1:12:06 | |
-You can leave a message, then if he comes in... -No, thanks. It can wait. | 1:12:06 | 1:12:11 | |
-I'm grateful, all the same. -Eh? | 1:12:11 | 1:12:14 | |
-I'm grateful, all the same! -Oh, thank you, sir. | 1:12:14 | 1:12:19 | |
This is the manager's secretary. Who is it? ..Thank you. | 1:12:32 | 1:12:36 | |
Hold on a moment, please. | 1:12:38 | 1:12:41 | |
Here's the contract you asked for. | 1:12:49 | 1:12:51 | |
-And there's a Mr Phillips on the phone. -What does he want? | 1:12:51 | 1:12:56 | |
He's enquiring about a Major Martin. | 1:12:56 | 1:12:59 | |
-About who? -A Major Martin. | 1:12:59 | 1:13:02 | |
-Put him through, and get a note of what we say. -Yes, Mr Emberton. | 1:13:06 | 1:13:12 | |
-Switchboard. -There's a call on my outside line. -Yes, sir. | 1:13:14 | 1:13:19 | |
-Contact the exchange and have it traced. -Yes, sir. | 1:13:19 | 1:13:23 | |
PHONE RINGS | 1:13:23 | 1:13:26 | |
-Hello? -Is that the manager? -Speaking. | 1:13:27 | 1:13:31 | |
I wonder if you can help me? My name is Phillips, and I'm enquiring about Major William Martin. | 1:13:32 | 1:13:39 | |
-Yes. -I believe he was a customer of yours? | 1:13:39 | 1:13:44 | |
Only, he's dead, and I'm trying to help clear up his affairs. | 1:13:44 | 1:13:49 | |
I see. I'm sure you'll understand it's a rule of the bank | 1:13:49 | 1:13:54 | |
not to discuss a client's affairs with anyone. | 1:13:54 | 1:13:59 | |
-Certainly not on the telephone. -I am on to the right branch? | 1:13:59 | 1:14:03 | |
It would be best if you could drop in. | 1:14:03 | 1:14:07 | |
I'm pretty full up this morning, but if you'd like to come in at quarter past two and ask for me. | 1:14:07 | 1:14:16 | |
-Yes, I suppose that would be a good idea. A quarter past two. -Yes. | 1:14:16 | 1:14:22 | |
All right. | 1:14:22 | 1:14:24 | |
-You were very smart to get this. -My secretary often notes calls. | 1:14:41 | 1:14:47 | |
-You say he had a slight accent? -Yes, but not a foreign accent. | 1:14:47 | 1:14:52 | |
Possibly from the West Country. | 1:14:52 | 1:14:55 | |
-Did you trace the call? -It came from a public telephone. -Obviously. | 1:14:55 | 1:15:00 | |
-And he agreed to an appointment? -Yes, but he wasn't enthusiastic. | 1:15:00 | 1:15:06 | |
Could this be a coincidence? It's a common name. He may have mistaken the bank. | 1:15:06 | 1:15:12 | |
-It's possible... -But not probable. You've handled this beautifully. | 1:15:12 | 1:15:18 | |
Frankly, I don't think he'll turn up, but we'll both be back at two. | 1:15:18 | 1:15:23 | |
-I'll be waiting for you. -Thank you. | 1:15:23 | 1:15:26 | |
-He's a good chap. -Very good. | 1:15:28 | 1:15:30 | |
If someone's ringing Willy Martin's bank it means Jerry's putting the whole thing under a microscope. | 1:15:30 | 1:15:38 | |
Now, where, if anywhere, is there a weak link? | 1:15:38 | 1:15:42 | |
I'm going to talk to General Cockburn of the Special Branch. | 1:15:44 | 1:15:49 | |
-A voice from a telephone isn't much of a start. -I realise that, sir. | 1:15:50 | 1:15:55 | |
I wondered if you'd had any reports that might help. | 1:15:55 | 1:15:59 | |
A gentleman's just arrived from Sweden, but he's nothing to do with Major Martin. | 1:15:59 | 1:16:06 | |
I'd like to have a couple of your men at the bank. | 1:16:06 | 1:16:10 | |
Of course. We must be in on it. Always like to make a new friend. | 1:16:10 | 1:16:15 | |
Besides, he may turn up. I guess he's only here for this job. He knows we haven't got tabs on him. | 1:16:15 | 1:16:22 | |
He's the sort who might take chances. | 1:16:22 | 1:16:26 | |
-Wash-out. -Yes, sir. | 1:17:10 | 1:17:12 | |
-We'll stand by, sir. -Right. | 1:17:12 | 1:17:16 | |
-Pity. D'you think he suspected Emberton? -I don't know. | 1:17:16 | 1:17:20 | |
He obviously can't show himself. | 1:17:20 | 1:17:23 | |
TELEPHONE RINGS | 1:18:40 | 1:18:43 | |
Hello? 'The American library?' Yes. | 1:18:49 | 1:18:52 | |
'Miss Sherwood, please.' Just a moment. | 1:18:52 | 1:18:55 | |
Lucy, tell him not to ring here. I'm sorry. | 1:18:55 | 1:19:00 | |
Hello, Joe? | 1:19:00 | 1:19:02 | |
Lucy...this is Larry. | 1:19:02 | 1:19:05 | |
Hello, Larry. 'You know why I'm phoning?' | 1:19:06 | 1:19:11 | |
Sure...sure. | 1:19:11 | 1:19:14 | |
Oh, no, he's gone. I knew it would come. | 1:19:18 | 1:19:22 | |
Thank you, Larry. You all right? | 1:19:23 | 1:19:26 | |
Yes, he was a good flyer. | 1:19:28 | 1:19:31 | |
Thank you for ringing, Larry. | 1:19:31 | 1:19:34 | |
Would you check this book out? | 1:19:34 | 1:19:37 | |
Lucy? | 1:20:25 | 1:20:26 | |
Lucy? | 1:20:27 | 1:20:30 | |
Good evening. Sorry to disturb you. The door was open. | 1:21:00 | 1:21:05 | |
Yes, what do you want? | 1:21:05 | 1:21:08 | |
I'm enquiring after my friend, Willy Martin. | 1:21:08 | 1:21:12 | |
-Willy Martin? -Yes. | 1:21:13 | 1:21:15 | |
-He's... Will you come in? -Thank you. | 1:21:17 | 1:21:20 | |
Won't you sit down? | 1:21:26 | 1:21:29 | |
-Willy's death was a great shock to me. -Yes, it was a great pity. | 1:21:29 | 1:21:34 | |
I take it you're not his fiancee? | 1:21:37 | 1:21:40 | |
No, I hardly knew him. | 1:21:40 | 1:21:43 | |
I understood he'd recently become engaged and his fiancee lived here. That's why I came. | 1:21:43 | 1:21:50 | |
That's the girl who lives with me, Lucy Sherwood. | 1:21:50 | 1:21:54 | |
Will you have a cigarette? | 1:21:54 | 1:21:57 | |
Thank you. | 1:22:02 | 1:22:04 | |
Lucy Sherwood. That's right, I remember. | 1:22:06 | 1:22:10 | |
I'll get you a light. | 1:22:10 | 1:22:12 | |
-I'd like to see her. -She's out tonight. | 1:22:14 | 1:22:18 | |
-When will she be back? -Late. | 1:22:18 | 1:22:21 | |
-But if you could come tomorrow, I'd say that you'd called. -Yes. | 1:22:21 | 1:22:26 | |
I knew Willy from when he was a boy in Cardiff. | 1:22:31 | 1:22:36 | |
-Did he come from Cardiff? -Is his fiancee very upset? | 1:22:36 | 1:22:41 | |
Well, naturally. | 1:22:41 | 1:22:43 | |
I won't take up your time, but I'll do everything I can to help. | 1:22:43 | 1:22:49 | |
-So, if you'd give his fiancee my address... -Your address? -Yes. | 1:22:49 | 1:22:55 | |
Perhaps you'd care to take it down? | 1:22:55 | 1:22:58 | |
My name is Patrick O'Reilly, R-E-I-L-L-Y, | 1:23:10 | 1:23:15 | |
and my address is 57 Landsmere Gardens, North West One. | 1:23:15 | 1:23:22 | |
-I am to be found there...any time. -Right. | 1:23:25 | 1:23:30 | |
DOOR CLOSES | 1:23:35 | 1:23:38 | |
Oh, sorry. Don't mind me, I'm just passing through. | 1:23:39 | 1:23:44 | |
You are Miss Lucy Sherwood? | 1:23:44 | 1:23:47 | |
That's right. Where's your manners, Pam? Introduce your handsome friend. | 1:23:47 | 1:23:53 | |
-This is Mr Patrick O'Reilly. -Hello. | 1:23:53 | 1:23:57 | |
-Mr O'Reilly is making enquiries about Willy Martin. -Willy Martin? | 1:23:57 | 1:24:03 | |
Willy Martin! Dearest Willy? | 1:24:03 | 1:24:06 | |
It's no good enquiring about him, Mister, | 1:24:06 | 1:24:10 | |
Willy Martin doesn't exist. | 1:24:10 | 1:24:13 | |
At least, he's dead, which is the same thing. That's right, isn't it? | 1:24:18 | 1:24:24 | |
He's dead, so he doesn't exist. | 1:24:24 | 1:24:27 | |
It's the same with all these boys. Here today and gone tomorrow. What's real about that? | 1:24:28 | 1:24:35 | |
-I was sorry to hear of his death. -Why should you be? | 1:24:35 | 1:24:41 | |
You didn't love him. He didn't give you a ring. I never wore it. | 1:24:41 | 1:24:47 | |
Now I never will. Ever, ever! | 1:24:47 | 1:24:51 | |
-Lucy... -I knew him in the old days in Cardiff. | 1:24:53 | 1:24:57 | |
Did you? I bet you knew his old man, too, and his Ma and his sister, and the whole shooting match. | 1:24:57 | 1:25:05 | |
Well, I didn't. They were just photographs. | 1:25:05 | 1:25:09 | |
Photographs with folks looking the way folks do. | 1:25:09 | 1:25:14 | |
But I never knew 'em. In the time I barely knew him. | 1:25:14 | 1:25:19 | |
Three months. What sort of time is that? | 1:25:19 | 1:25:22 | |
And yet, I knew him well enough. | 1:25:28 | 1:25:31 | |
Then they took him away from me, and killed him...in the sea. | 1:25:33 | 1:25:38 | |
"Down, down into the sea To be lost evermore in the Main." | 1:25:38 | 1:25:44 | |
Tennyson. Do you know Tennyson? | 1:25:44 | 1:25:47 | |
Why should you? Why should I know Tennyson?! | 1:25:48 | 1:25:53 | |
He almost made it. | 1:25:54 | 1:25:57 | |
"Darling, I dreamed you." I was always afraid I had. Always afraid. | 1:25:57 | 1:26:02 | |
Lucy, you ought to go to bed. | 1:26:02 | 1:26:05 | |
There's plenty of time to go to bed. | 1:26:05 | 1:26:08 | |
Years and years with nothing else to do, and everything cold, and then... | 1:26:08 | 1:26:14 | |
Why can't you all let me alone? | 1:26:14 | 1:26:17 | |
-Is she all right? -Yes, I think so. | 1:26:25 | 1:26:28 | |
But I must get her to bed. | 1:26:28 | 1:26:31 | |
-I'm sorry I've intruded. You have my address? -Yes. | 1:26:31 | 1:26:36 | |
-Lucy? Lucy? -DOOR SLAMS | 1:26:42 | 1:26:46 | |
'Polar...bear... | 1:27:16 | 1:27:18 | |
'Polar...bear. | 1:27:18 | 1:27:21 | |
'Martin...probably...genuine. | 1:27:22 | 1:27:26 | |
'But...to be...certain... | 1:27:27 | 1:27:31 | |
'have...deliberately...revealed... my...identity...to enemy. | 1:27:31 | 1:27:39 | |
'Stand by...for...confirmation... | 1:27:40 | 1:27:45 | |
'in...one...hour... | 1:27:45 | 1:27:47 | |
'but...if...no...message... | 1:27:47 | 1:27:51 | |
'at...that...time... | 1:27:51 | 1:27:55 | |
'have...been...arrested. | 1:27:55 | 1:27:59 | |
'Therefore...Martin...false.' | 1:27:59 | 1:28:03 | |
-He had it all pat, eh? -Yes. Here's the address. | 1:28:51 | 1:28:56 | |
-What's he like? -Tall, dark, Irish-sounding, good-looking. | 1:28:56 | 1:29:00 | |
-I'll tell General Cockburn. May I use the phone? -In there. | 1:29:00 | 1:29:04 | |
-What chance he believed you? -I don't know, but he believed Lucy. | 1:29:04 | 1:29:10 | |
-You really think so? -Yes, I saw his face. | 1:29:10 | 1:29:14 | |
-It was true! -Don't start blubbering, girl. | 1:29:14 | 1:29:19 | |
-How long did he stay? -About ten minutes. | 1:29:19 | 1:29:22 | |
And you didn't even get us a lead?! | 1:29:22 | 1:29:25 | |
Steady, Monty. She got his name and address. | 1:29:25 | 1:29:29 | |
I didn't. He gave it to me. | 1:29:29 | 1:29:31 | |
-He wants us to check this address. -Is there such an address? -Yes. | 1:29:31 | 1:29:37 | |
I don't see what else we can do. | 1:29:37 | 1:29:40 | |
Don't worry. It's all right. | 1:29:41 | 1:29:43 | |
Leave a man to cover the apartment. You lead. | 1:29:45 | 1:29:49 | |
CAR PULLS UP | 1:30:24 | 1:30:27 | |
- Good night, George. - Cheerio, old boy. ..Beg pardon. | 1:30:41 | 1:30:47 | |
Why should he give Pam a phoney address? Why? | 1:30:55 | 1:31:00 | |
Unless... George, I'm off my head. Stop the car. | 1:31:00 | 1:31:05 | |
-No, stop French. -Make up your mind. -Hurry! | 1:31:05 | 1:31:09 | |
Blow your horn, you idiot. | 1:31:16 | 1:31:20 | |
For Pete's sake, let's use our brain. | 1:31:25 | 1:31:29 | |
Monty, what is all this? | 1:31:29 | 1:31:32 | |
-What's the matter? -We're making fools of ourselves. | 1:31:32 | 1:31:36 | |
-But General Cockburn thinks he might be there. -He is. I'm certain of it. | 1:31:36 | 1:31:41 | |
-Shouldn't we get on? -Go and cover the house, but don't be spotted. | 1:31:41 | 1:31:47 | |
-And if he comes out? -He won't. I'm sure he won't. | 1:31:47 | 1:31:51 | |
And no action without orders. | 1:31:51 | 1:31:54 | |
-We're not to scoop him up? -No. | 1:31:54 | 1:31:57 | |
-But my orders... -I don't give a damn. Do as I say. I'll talk to Cockburn. | 1:31:57 | 1:32:03 | |
Thank you very much, Commander. | 1:32:03 | 1:32:06 | |
- French, carry out my orders. - Yes, sir. | 1:32:07 | 1:32:10 | |
Sir, will you listen to me for one moment? | 1:32:10 | 1:32:14 | |
Montagu, he almost certainly isn't there. If he is, every moment... | 1:32:14 | 1:32:20 | |
-Sir, he is there. -Then why countermand my orders? | 1:32:20 | 1:32:25 | |
If you send your men to the house, you will arrest one spy and we may lose 30,000 men. | 1:32:25 | 1:32:31 | |
You must cover the house and let me explain. | 1:32:31 | 1:32:35 | |
-You're very sure of yourself. -I'm sure of nothing, | 1:32:35 | 1:32:40 | |
but I've used my brains and I must stand by what they tell me. | 1:32:40 | 1:32:45 | |
Your decision, sir. | 1:32:45 | 1:32:48 | |
French, cover the house and wait for orders. | 1:32:48 | 1:32:51 | |
Yes, sir. | 1:32:51 | 1:32:54 | |
-Well? -I prefer not to talk about it in the street. | 1:32:54 | 1:32:58 | |
-Assume the address is genuine. If so, what happens? -We pick him up. | 1:33:42 | 1:33:48 | |
-Suppose he doesn't mind. -He'll mind being shot. | 1:33:48 | 1:33:52 | |
Suppose he's prepared to risk his life to be sure? | 1:33:52 | 1:33:56 | |
If we turn up, it'll mean we've been tipped off, and that the whole story is a plant. | 1:33:56 | 1:34:03 | |
He'll have committed suicide, but Jerry will know, | 1:34:03 | 1:34:07 | |
and our operation will be blown. | 1:34:07 | 1:34:10 | |
-I'm sorry. We mustn't touch him. -Till after he's sent a message? | 1:34:10 | 1:34:16 | |
No, right up till the landings. No further messages from him might give the game away. | 1:34:16 | 1:34:22 | |
-He'll get out of the country. -And we must let him go. He's done us no harm. | 1:34:22 | 1:34:30 | |
-Masterly inactivity. -They also serve, who only stand and wait. | 1:34:30 | 1:34:36 | |
'Polar...bear... | 1:35:45 | 1:35:47 | |
'Polar...bear... | 1:35:47 | 1:35:50 | |
'Martin...genuine.' | 1:35:50 | 1:35:53 | |
Martin genuine. Three batteries will leave Sicily for Sardinia. | 1:35:55 | 1:36:00 | |
The first Panzer division will proceed to Greece. | 1:36:00 | 1:36:05 | |
Six flotillas of R-boats will leave Sicily for the Aegean. | 1:36:05 | 1:36:10 | |
Martin genuine. Martin genuine! | 1:36:10 | 1:36:14 | |
Lieutenant Commander Ewen Montagu, Royal Naval Volunteer Reserve. | 1:36:33 | 1:36:38 | |
Lieutenant Commander John Adams, Royal Navy. | 1:36:52 | 1:36:57 | |
Lieutenant Commander David Hebdon, Royal Navy. | 1:36:59 | 1:37:04 | |
"MARTIN'S" FATHER: 'Can you assure me, Commander, as an officer and a gentleman, | 1:37:05 | 1:37:12 | |
'that this thing you are going to do is good and worthy of him? | 1:37:12 | 1:37:18 | |
'That, if I agree to your request, | 1:37:18 | 1:37:21 | |
'my son's body will be treated decently and with respect, | 1:37:21 | 1:37:27 | |
'and that, finally, he will have Christian burial?' | 1:37:27 | 1:37:31 | |
Last night, I dreamed a deadly dream. | 1:38:25 | 1:38:30 | |
Beyond the Isle of Skye, | 1:38:30 | 1:38:33 | |
I saw a dead man win a fight, | 1:38:33 | 1:38:36 | |
and I think that man was I. | 1:38:36 | 1:38:38 |