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THEY GIGGLE | 0:01:10 | 0:01:13 | |
LAUGHING CONTINUES | 0:01:24 | 0:01:27 | |
DISTANT MECHANICAL ROARING | 0:01:28 | 0:01:31 | |
-What's that? -Sounds like a jet, doesn't it? | 0:01:33 | 0:01:36 | |
That's no jet! Maggie! Look! | 0:01:36 | 0:01:39 | |
-What is it? -Down! Get down! Down! | 0:01:39 | 0:01:43 | |
Maggie! Maggie! | 0:01:43 | 0:01:45 | |
Get inside! Get inside! | 0:01:50 | 0:01:52 | |
Inside! | 0:01:52 | 0:01:54 | |
Maggie? | 0:02:07 | 0:02:09 | |
I'm all right, Dad. | 0:02:09 | 0:02:11 | |
-We saw it coming out of the sky! It was glowing ... -You two stay over there, keep away from the windows! | 0:02:11 | 0:02:17 | |
It's probably a meteor. Isn't it? | 0:02:19 | 0:02:21 | |
-Whatever it is... -Dad, don't go out there! Please, Dad, don't go out! -DOG BARKS | 0:02:21 | 0:02:26 | |
Get over there! If the telephone's still on, call the police. | 0:02:26 | 0:02:30 | |
BARKING CONTINUES | 0:02:30 | 0:02:33 | |
HORSE WHINNIES | 0:02:33 | 0:02:35 | |
FIRE ENGINE BELL SOUNDS | 0:02:50 | 0:02:52 | |
MEGAPHONE: 'Will you all please return to your homes. | 0:03:14 | 0:03:17 | |
'You are only hampering operations by crowding the street. | 0:03:17 | 0:03:20 | |
'Please return to your homes. | 0:03:20 | 0:03:22 | |
'Please get back out of the road, onto the pavement, please, come along now, please. | 0:03:22 | 0:03:26 | |
'Please return to your homes.' FIRE ENGINE BELL RINGS | 0:03:26 | 0:03:30 | |
Get back. Get back, keep the lane clear, right back, please. | 0:03:55 | 0:03:58 | |
Right back, right back. | 0:03:58 | 0:04:00 | |
Keep clear, keep clear. | 0:04:00 | 0:04:02 | |
-You'll be all right, they'll take care of you. -OK, George, let's have a look at you. | 0:04:24 | 0:04:28 | |
Oh, don't you start fussing too, I've got singed, that's all. | 0:04:28 | 0:04:33 | |
It's still too hot to put water on. It could do with another pump. | 0:04:33 | 0:04:37 | |
-It should be them now. -What's all this about? | 0:04:37 | 0:04:40 | |
-Could be practically anything. -FIRE ENGINE BELL RINGS | 0:04:40 | 0:04:43 | |
The object was first sighted at about 9.15 this evening. | 0:04:54 | 0:04:58 | |
And its approach was widely observed over the southern counties. | 0:04:58 | 0:05:03 | |
A statement just issued by the Home Office stresses that there is no general danger. | 0:05:03 | 0:05:08 | |
Members of the public, however, are warned to stay away from the area. | 0:05:08 | 0:05:13 | |
I will repeat that... | 0:05:13 | 0:05:15 | |
The Home Office stresses that there's no immediate danger. | 0:05:17 | 0:05:20 | |
Do you realise what you'll have to face if this turns out to be a disaster, Quatermass? | 0:05:20 | 0:05:23 | |
-How much further? -15 miles, sir. -Quatermass, I am talking to you. | 0:05:23 | 0:05:25 | |
For the last 20 miles I've been painfully aware of that. | 0:05:25 | 0:05:28 | |
Well then answer, man. What went wrong? | 0:05:28 | 0:05:30 | |
For the first time in the history of the world, man has sent a rocket 1,500 miles into space. | 0:05:30 | 0:05:35 | |
-You can't expect it to be perfect. -You must have had some idea! | 0:05:35 | 0:05:38 | |
-I'm a scientist, not a fortune teller! -Well, you had radio contact. | 0:05:38 | 0:05:42 | |
We lost it for over 57 hours, sir. It broke loose and we don't even know how far it's been. | 0:05:42 | 0:05:46 | |
-We had no further contact even when it returned to the orbit. -You brought it down by your own control. | 0:05:46 | 0:05:51 | |
Well, tell your ministry - Quatermass sent it up and he brought it back. | 0:05:51 | 0:05:55 | |
-Please! -Couldn't you pick some other time for this? -I'm sorry, Mrs Carroon. | 0:05:55 | 0:05:59 | |
I happen to be concerned with the Ministry of Defence. | 0:05:59 | 0:06:01 | |
I'm a doctor, and I happen to be concerned with the three men who were in that rocket. | 0:06:01 | 0:06:06 | |
Oakley Green. This is it. | 0:06:06 | 0:06:08 | |
Certainly no secret. | 0:06:08 | 0:06:10 | |
-Sorry, no-one allowed past. -It's all right, Ministry of Defence. | 0:06:14 | 0:06:19 | |
Oh, yes, sir. All right, open up. | 0:06:19 | 0:06:21 | |
Hey! Sorry, Miss, you must keep back. | 0:06:34 | 0:06:37 | |
Oi, Miss! Hey, just a minute, please! Miss! | 0:06:37 | 0:06:42 | |
Aye aye, chasing the girls again? | 0:06:42 | 0:06:45 | |
You'd think it was a bank holiday, the way they come flocking out. | 0:06:45 | 0:06:48 | |
-I'd like to flock home. -You stay put my lad, until that thing cools off. | 0:06:48 | 0:06:51 | |
-Or blows up. -Now, don't start that story going around. | 0:06:51 | 0:06:54 | |
-They've said it's not a bomb. -Then why can't we put water on it? -We've had instructions. | 0:06:54 | 0:06:59 | |
They didn't tell us why. | 0:06:59 | 0:07:01 | |
Hey! Hey, just a minute! | 0:07:01 | 0:07:03 | |
Mr Blake, Ministry of Defence! | 0:07:03 | 0:07:06 | |
-Try and get through to him, Marsh. -Right, Sir. | 0:07:16 | 0:07:18 | |
Give me a temperature reading. | 0:07:18 | 0:07:19 | |
-Why don't you go wait in the car, Judith? -It's funny. | 0:07:22 | 0:07:26 | |
It looks exactly the same, yet it's been who knows how far? | 0:07:26 | 0:07:31 | |
There isn't a word. | 0:07:31 | 0:07:33 | |
Hello? Hello? | 0:07:33 | 0:07:35 | |
Q1, Q1. This is Marsh. | 0:07:40 | 0:07:43 | |
Hello Carroon, Green, Reichenheim. | 0:07:43 | 0:07:45 | |
You receive me, over? | 0:07:45 | 0:07:48 | |
-Keep trying. -Mr Blake? | 0:07:48 | 0:07:50 | |
-I'm Quatermass. I'll be in charge form here on, Inspector. -Fine. What's the next move? | 0:07:50 | 0:07:55 | |
We can't do anything until that cools off. | 0:07:55 | 0:07:58 | |
-How long will that be, Sir? -Three or four hours at least. | 0:07:58 | 0:08:01 | |
Q1, Q1, this is Marsh. Do you hear me? Do you hear me? | 0:08:01 | 0:08:05 | |
-Over. -Leave them in there for four hours? -You'd like me to open it up right now, huh? | 0:08:05 | 0:08:09 | |
-One blast of air in against that heat would incinerate them. -Some reporters from London would like some facts. | 0:08:09 | 0:08:14 | |
-They'll get some later. -They'll get some now. | 0:08:14 | 0:08:16 | |
-Shouldn't we find out a few more ourselves first? -Bring them, Major. -Q1? Are you hearing me? | 0:08:16 | 0:08:22 | |
This is Marsh calling Q1. Q1, over. | 0:08:22 | 0:08:24 | |
If I ever gave them all the facts you'd find one or two of them difficult to explain. | 0:08:32 | 0:08:37 | |
Don't drag me through the mud, Blake. You might splash you and your committee. | 0:08:37 | 0:08:41 | |
You launched that rocket without waiting for official sanction. | 0:08:41 | 0:08:44 | |
If the world waited for official sanction, it'd be standing still. You took too long, I made my decision. | 0:08:44 | 0:08:49 | |
-To gamble with three men's lives. -Every experiment is a gamble. They know that. | 0:08:49 | 0:08:54 | |
Did she know that? That woman over there, waiting, hoping and praying? | 0:08:54 | 0:08:57 | |
-Dropped another 100 degrees since we arrived. -Still got a long way to go. | 0:08:57 | 0:09:00 | |
-Let's hope that insulation lining doesn't crack. -If it did, those three men in there are dead. | 0:09:00 | 0:09:06 | |
Dead or alive, they'll be heroes. Let me tell you something, Blake. | 0:09:06 | 0:09:09 | |
They'll fire the imagination so that there will be a hundred men begging for the same privilege | 0:09:09 | 0:09:13 | |
-when we launch the second rocket. You can't stop it now. -You mean I can't stop YOU now? | 0:09:13 | 0:09:18 | |
That's right. | 0:09:18 | 0:09:20 | |
This is Marsh calling Q1. | 0:09:20 | 0:09:22 | |
Marsh calling Q1. Do you hear me? Do you hear me, over? | 0:09:22 | 0:09:25 | |
-Nothing, Sir. -Quatermass. You know what you've done? -I launched it and I brought it back. | 0:09:30 | 0:09:34 | |
-That's quite an achievement, I think! -Those three men in there... -Quiet! | 0:09:34 | 0:09:38 | |
-What is it, Marsh? -Something came through. | 0:09:38 | 0:09:42 | |
Pull up, pull up. | 0:09:42 | 0:09:44 | |
There's a tapping. Coming from inside. | 0:09:46 | 0:09:48 | |
By the hull, near the transmitter. | 0:09:48 | 0:09:51 | |
Q1, Q1. | 0:09:51 | 0:09:52 | |
Green, Reichenheim, Carroon. | 0:09:52 | 0:09:55 | |
This is Quatermass, Quatermass. We can hear you, can you hear us? | 0:09:55 | 0:09:59 | |
Over. | 0:09:59 | 0:10:01 | |
Q1, Q1, can you hear me? | 0:10:09 | 0:10:11 | |
You've landed in England. We're here, not 50 yards from you. | 0:10:11 | 0:10:14 | |
Are you all right, over? | 0:10:14 | 0:10:16 | |
Tapping's stopped. We can't wait, we've got to get them out of there now. Bring me the bio-key. | 0:10:22 | 0:10:27 | |
-Set the remote control. -Are you mad? We can't open that rocket door now! | 0:10:27 | 0:10:31 | |
One of them is alive, in an hour he may not be. | 0:10:31 | 0:10:34 | |
But you said that would incinerate them! You can't! | 0:10:34 | 0:10:36 | |
-Don't tell me what to do! -Shell temperature is still 300 degrees. | 0:10:36 | 0:10:40 | |
-So we wait till it's absolutely safe and then bring them out? Dead? -Door control set, Sir. | 0:10:40 | 0:10:45 | |
-Hold it. Where's that fire chief? -Get an ambulance moved in to stand-by. | 0:10:45 | 0:10:49 | |
-You want me, Sir? -Yes. | 0:10:50 | 0:10:52 | |
Move in all your men and machinery as close as possible. | 0:10:52 | 0:10:56 | |
We'll open the rocket door from here by remote control. | 0:10:56 | 0:10:59 | |
When the door opens, I want every hose turned full force around that entrance. | 0:10:59 | 0:11:04 | |
-Got it? -That thing's still as hot as blazes, If you pump water on it... | 0:11:04 | 0:11:08 | |
-Don't argue with me, I know what I'm doing. -I hope so, Sir. -Major. | 0:11:08 | 0:11:12 | |
I want this whole field cleared. | 0:11:12 | 0:11:14 | |
-When they come out of the rocket I want absolutely no-one on the field. No-one. -Don't worry, Sir. | 0:11:14 | 0:11:19 | |
We don't know what condition they'll be in, so get everything out. Oxygen, morphine, glucose... | 0:11:31 | 0:11:37 | |
-Well, now it's up to you. -Keep your eye on me, I'll give you the signal. | 0:11:46 | 0:11:51 | |
-All set? -Set, Sir. | 0:11:51 | 0:11:53 | |
-Start it up. Let me know when you're minus ten to pressure. -Right, Sir. | 0:11:53 | 0:11:57 | |
Minus 10... Nine... | 0:11:59 | 0:12:03 | |
Eight... Seven... | 0:12:04 | 0:12:08 | |
Six... Five... | 0:12:10 | 0:12:12 | |
Four... | 0:12:16 | 0:12:17 | |
Three... | 0:12:19 | 0:12:21 | |
Two... | 0:12:21 | 0:12:23 | |
One... | 0:12:23 | 0:12:25 | |
Zero. | 0:12:27 | 0:12:28 | |
WHISTLE BLOWS | 0:12:32 | 0:12:34 | |
Turn off the water. | 0:13:08 | 0:13:11 | |
-It's Mr Carroon! -Victor, Victor! | 0:13:29 | 0:13:31 | |
-Get him into the ambulance. -Darling, darling. -What about the others? | 0:13:31 | 0:13:35 | |
Green! | 0:13:40 | 0:13:42 | |
Reichenheim! | 0:13:42 | 0:13:44 | |
What happened, sir? | 0:13:44 | 0:13:45 | |
The access chamber to the motors! | 0:13:50 | 0:13:53 | |
Quick, the manual controls. | 0:13:57 | 0:14:00 | |
Where are the others? | 0:14:00 | 0:14:02 | |
Think it'll work? | 0:14:02 | 0:14:04 | |
It's free, sir! | 0:14:04 | 0:14:06 | |
-They're not there. -What do you mean, they're not there? -They're not on the rocket, either one of them. | 0:14:24 | 0:14:28 | |
-That's impossible! -He's right, sir. They've gone. -The pressure suits! -Empty. | 0:14:28 | 0:14:33 | |
They're still linked. Helmets are still attached. But they're empty. | 0:14:33 | 0:14:37 | |
-But how could they possibly have got out? -I'm trying to find out. | 0:14:37 | 0:14:42 | |
-Help bring the camera down. -Do you think the door opened and they were swept away? | 0:14:42 | 0:14:47 | |
If the door had opened it'd be raised. No, that door has not been opened. | 0:14:47 | 0:14:52 | |
-What is it you're trying to tell me? -I'm not trying to tell you anything. I'll let the camera do that. | 0:14:56 | 0:15:01 | |
I'm afraid the camera won't tell us anything. | 0:15:01 | 0:15:05 | |
CROWD CHATTER | 0:15:12 | 0:15:15 | |
-Are they all right? -Something happened, they're not there. | 0:15:18 | 0:15:22 | |
Victor. Where's Green? | 0:15:25 | 0:15:28 | |
Where's Reichenheim? What happened? | 0:15:28 | 0:15:30 | |
-Please, not now. -Quatermass! | 0:15:30 | 0:15:33 | |
-He's in no condition to talk. He's in a state of shock. He must be treated! -He's got to talk first. | 0:15:33 | 0:15:38 | |
-He's got to tell me what happened. -Gordon? | 0:15:38 | 0:15:41 | |
-VICTOR MUMBLES -What is it, Victor? | 0:15:41 | 0:15:44 | |
What is it? | 0:15:44 | 0:15:46 | |
He said, "Help me." | 0:16:04 | 0:16:06 | |
That's all he said. | 0:16:06 | 0:16:08 | |
"Help me." | 0:16:08 | 0:16:10 | |
-Did you get it? -Yes, sir. | 0:16:48 | 0:16:51 | |
Good. | 0:16:51 | 0:16:52 | |
SHAVER BUZZES | 0:17:10 | 0:17:12 | |
-It doesn't make me any prettier, but I've got a lunch date with the wife. -Any special reason? | 0:17:14 | 0:17:19 | |
Her favourite day of the month - pay day. Oh, I'm a big man on pay day. | 0:17:19 | 0:17:25 | |
Yes, sir. | 0:17:25 | 0:17:27 | |
-See the papers? -Quatermass? | 0:17:27 | 0:17:30 | |
Stirring it up. How dare we take fingerprints from a sick man! | 0:17:30 | 0:17:34 | |
Nothing else I could do! He couldn't talk or answer questions. | 0:17:34 | 0:17:38 | |
Thought we might as well get his prints. You never know. | 0:17:38 | 0:17:41 | |
-No, you never know. -He's a weird one, all right. | 0:17:41 | 0:17:44 | |
The skin...just like shaking hands with a piece of ice. | 0:17:44 | 0:17:49 | |
Sergeant! That's no way to talk about a public hero! | 0:17:49 | 0:17:53 | |
-KNOCK ON DOOR -Come in. | 0:17:53 | 0:17:56 | |
-A Mr Quatermass to see you, sir. -Well, speaking of public heroes. | 0:17:56 | 0:18:00 | |
-All right, wheel him in. -Yes, sir. -Quatermass, eh? | 0:18:00 | 0:18:05 | |
This is what's known as penetrating into enemy territory. | 0:18:05 | 0:18:09 | |
-Inspector Lomax? -I'm Lomax, this is Sergeant Best. | 0:18:13 | 0:18:16 | |
-Seat? -Inspector, I will not have your men coming into my research centre | 0:18:16 | 0:18:21 | |
and treating Victor Carroon as a criminal. He's a sick man. | 0:18:21 | 0:18:25 | |
-He's been through an ordeal that very few men could survive. -Two men didn't survive it, did they? | 0:18:25 | 0:18:30 | |
-What exactly do you mean by that? -I wish you'd sit down. | 0:18:30 | 0:18:34 | |
If I sit and you stand I'm being rude, and I'm longing to sit down. | 0:18:34 | 0:18:37 | |
You see, Mr Quatermass, I'm an old-fashioned sort of chap. | 0:18:40 | 0:18:43 | |
I don't know much about travelling in space. I don't read science fiction, I'm a simple Bible man. | 0:18:43 | 0:18:48 | |
-I have a routine mind and I have to do routine things. -Such as fingerprinting an unconscious man? | 0:18:48 | 0:18:54 | |
When three men take off in a rocket and only one comes back, in our reckoning that leaves minus two. | 0:18:54 | 0:18:59 | |
So we have to investigate plus one. Whether he's conscious, | 0:18:59 | 0:19:03 | |
unconscious or a gibbering idiot. | 0:19:03 | 0:19:05 | |
Fine. I think I can save you a lot of time, Inspector, with your so-called investigation. | 0:19:05 | 0:19:11 | |
I have here the particulars on all three members of the crew. | 0:19:11 | 0:19:14 | |
Charles Green, Ludwig Reichenheim, Victor Carroon. | 0:19:14 | 0:19:17 | |
You'll find everything there, Inspector. | 0:19:17 | 0:19:20 | |
Medical histories, personal description, academic achievements, | 0:19:20 | 0:19:23 | |
-professional activities, politics, and even fingerprints. -Why, that's very thoughtful of you. | 0:19:23 | 0:19:27 | |
There's only one investigation likely to serve any good purpose in this situation, Inspector. | 0:19:27 | 0:19:32 | |
That's a scientific one. | 0:19:32 | 0:19:34 | |
I'm sure even you'll agree that between us, I am the best qualified for that. Good day, Inspector. | 0:19:38 | 0:19:45 | |
Well, you might almost say we've been given a rocket. | 0:19:45 | 0:19:49 | |
Yes, sir. | 0:19:49 | 0:19:51 | |
ERRATIC, POUNDING HEARTBEAT | 0:19:59 | 0:20:01 | |
It's unbelievable. It isn't clinically possible that his heart should respond like this. | 0:20:01 | 0:20:05 | |
Pulse, blood pressure, the same, impossibly low. | 0:20:05 | 0:20:09 | |
-He shouldn't be alive, but he is. -Can't you do something to increase the metabolic rate? | 0:20:09 | 0:20:14 | |
-Tried everything. -I never knew pressure effects to last this long. | 0:20:14 | 0:20:18 | |
These aren't just pressure effects, it isn't only his face, take a look at his skin. | 0:20:18 | 0:20:24 | |
Anyway, here, on the shoulder. Feel it. | 0:20:24 | 0:20:27 | |
Swollen. Coarsened. | 0:20:27 | 0:20:29 | |
Yes, and that's not all, either. Look at the contours of the face. | 0:20:29 | 0:20:34 | |
You mean the bone structure? | 0:20:34 | 0:20:36 | |
Yes, I could be wrong about a limb, but not about the shape of the bones. There has been a change. | 0:20:36 | 0:20:42 | |
Is he any better? | 0:20:43 | 0:20:45 | |
-He's coming along fine. -If only he'd say something - | 0:20:45 | 0:20:49 | |
give us a sign that he's thinking, that he knows we're here. | 0:20:49 | 0:20:53 | |
He knows, Judith, he knows we're trying to help him. | 0:20:53 | 0:20:56 | |
-What is happening to him? -We're trying to find out. -Shouldn't he be in a hospital? | 0:20:56 | 0:21:01 | |
That's exactly where he should be. Briscoe, I can't take this responsibility any longer, | 0:21:01 | 0:21:07 | |
I haven't got the proper equipment here to do the right tests. | 0:21:07 | 0:21:09 | |
He belongs in a hospital. | 0:21:09 | 0:21:11 | |
I suppose you're right. | 0:21:13 | 0:21:16 | |
I suppose you're both right. | 0:21:16 | 0:21:17 | |
He does belong in a hospital. | 0:21:17 | 0:21:20 | |
But can a hospital do more than you can do? | 0:21:20 | 0:21:24 | |
Would a hospital know what goes on out there in space? | 0:21:24 | 0:21:28 | |
there's a whole new world out there - a wilderness, uncharted. | 0:21:28 | 0:21:32 | |
And he's been there, and come back. | 0:21:32 | 0:21:34 | |
-He's got the map. Unlock his mind for me, Briscoe, and find it, I know you can. -It isn't just a question of... | 0:21:34 | 0:21:40 | |
I know the strain you've been under, but to stop now when we're on the brink of something tremendous, | 0:21:40 | 0:21:46 | |
the fringe of some great discovery, we can't stop now, Briscoe. | 0:21:46 | 0:21:50 | |
It's our only chance to learn what happened to the others. | 0:21:50 | 0:21:53 | |
-A hospital has the most modern... -Would they know how to deal with a man exposed to rocket radiation? | 0:21:53 | 0:21:57 | |
-In his bloodstream... -Or the effects of pressure at 1500 miles up? | 0:21:57 | 0:22:02 | |
-During training, he took seven times the force of gravity without even a headache. -We know that. | 0:22:02 | 0:22:07 | |
But would a hospital know it? | 0:22:07 | 0:22:09 | |
I'll try another transfusion, see if that will help. | 0:22:17 | 0:22:20 | |
Thanks. | 0:22:24 | 0:22:25 | |
You'll stay with him, won't you, Judith? He needs you. | 0:22:25 | 0:22:31 | |
Victor... | 0:22:40 | 0:22:42 | |
We'll move him into the office, we can make him more comfortable in there. Would you help me, please? | 0:23:02 | 0:23:08 | |
-Of course. Thank you for all you're doing, Gordon. -Mm? I only wish I could do more. | 0:23:08 | 0:23:13 | |
The solution is elementary, my dear inspector. | 0:23:20 | 0:23:23 | |
Mr Carroon killed the two men, removed their pressure suits, | 0:23:23 | 0:23:26 | |
pushed their bodies into space and linked the suits together again. | 0:23:26 | 0:23:29 | |
-Now, what do you want? -Two things - I want to return these files - Greene, Reichenheim, Carroon. | 0:23:29 | 0:23:34 | |
-Very interesting. -Number two? | 0:23:34 | 0:23:37 | |
-I want you to give me your solemn word... -Inspector, I'm a very busy man. | 0:23:37 | 0:23:41 | |
Look, sir, nobody ever wins a cold war. | 0:23:41 | 0:23:43 | |
One of us had better come over to the other side. | 0:23:43 | 0:23:45 | |
-I'm not proud, I'll come over to yours. -Solemn word about what? | 0:23:45 | 0:23:49 | |
-That these were Carroon's fingerprints. -Of course - everybody in the centre gets fingerprinted. | 0:23:49 | 0:23:55 | |
-What are you getting at? -To be quite honest, I don't quite know, sir. | 0:23:55 | 0:23:58 | |
There's nothing unusual about these. | 0:23:58 | 0:24:01 | |
-These are the fingerprints we took off Carroon last night. -So? -Compare them. | 0:24:01 | 0:24:06 | |
-Is this a joke? -This is no joke, sir. | 0:24:15 | 0:24:18 | |
The man who took those had his training in the fingerprint section. | 0:24:18 | 0:24:21 | |
But these prints aren't even... PHONE RINGS | 0:24:23 | 0:24:27 | |
..human. Yes? | 0:24:27 | 0:24:29 | |
You found what? I'll be right there. | 0:24:30 | 0:24:33 | |
Wherever you're going, I might as well keep you company, mightn't I? | 0:24:33 | 0:24:37 | |
Thank you. That's very nice of you. | 0:24:37 | 0:24:39 | |
Check the safety casing on the wiring. Right there. | 0:24:42 | 0:24:46 | |
-Can you get at it? -No. | 0:24:55 | 0:24:58 | |
It's right in a crevice. Hand me the sample spoon from my box. | 0:24:58 | 0:25:02 | |
-Any more of that? -Yes, sir, lots. | 0:25:28 | 0:25:32 | |
On the left. By the rivet frame. | 0:25:32 | 0:25:34 | |
Mind if I have a sample for our people? | 0:25:34 | 0:25:38 | |
Sure, we'll give you a sample. | 0:25:38 | 0:25:40 | |
Briscoe, what do you think it is? | 0:25:44 | 0:25:47 | |
I don't want to think, I want to be sure. | 0:25:47 | 0:25:50 | |
I've been in this thing all night. | 0:25:50 | 0:25:53 | |
-Nice to know that stuff's been around the whole time. -Lamp. | 0:25:53 | 0:25:57 | |
Have you got the same bright thoughts that I have? | 0:25:57 | 0:26:00 | |
Something happened in here. | 0:26:03 | 0:26:05 | |
Something beyond our understanding at the moment. | 0:26:05 | 0:26:09 | |
-If I only knew where to begin. -Maybe the film would help. -Film? | 0:26:09 | 0:26:13 | |
-Yes, the lab should've developed it by now. -The camera was smashed. | 0:26:13 | 0:26:17 | |
-It was badly damaged, but I managed to get the film out. -Why didn't you tell me? | 0:26:17 | 0:26:20 | |
-The lab said they didn't know if they could develop it or not. -They've got to develop it. | 0:26:20 | 0:26:24 | |
-Tell them they've got to develop that film. -Yes, sir. -I'll have no delays or excuses. | 0:26:24 | 0:26:30 | |
-Get the best process man in the country, but I've got to have that film. -Right, sir. | 0:26:30 | 0:26:35 | |
This is one premiere I don't want to miss. | 0:26:35 | 0:26:38 | |
-Well? -It's harmless, it's organic, it's jelly. End of analogies. | 0:27:49 | 0:27:54 | |
-No definite identification? -It might conceivably represent the dead remnants of cell tissue. | 0:27:54 | 0:27:58 | |
-What sort of cell tissue? -Could be animal, could be human. | 0:27:58 | 0:28:02 | |
-Human? -Could be. | 0:28:02 | 0:28:05 | |
-Do you know what you're saying? -I know what I'm thinking. | 0:28:07 | 0:28:11 | |
Are you sure it's not some sort of plant cell? | 0:28:11 | 0:28:15 | |
-Positive. -You're asking me to believe that that is the remains of two human beings? | 0:28:15 | 0:28:21 | |
No. You asked the question, I answered it. | 0:28:21 | 0:28:25 | |
-Does she know? -No, this is the first sleep she's had in nights. | 0:28:27 | 0:28:30 | |
What about the police analysts, what did they say? | 0:28:30 | 0:28:33 | |
No report through yet. | 0:28:33 | 0:28:34 | |
But I don't doubt it'll be the same. | 0:28:34 | 0:28:37 | |
It's almost beyond human understanding. | 0:28:37 | 0:28:41 | |
Some fantastic, invisible force converted two men...into jelly? | 0:28:41 | 0:28:47 | |
-Is that the slide? -That's the slide. | 0:28:47 | 0:28:49 | |
I'm about to call it a day, Quatermass. | 0:28:49 | 0:28:52 | |
-Beyond this, I'm a... -Gordon! | 0:28:52 | 0:28:55 | |
All right, get him up. No, wait a minute. | 0:29:00 | 0:29:03 | |
His hand. | 0:29:03 | 0:29:04 | |
Another change. Get him back to bed. | 0:29:06 | 0:29:09 | |
Look what's happening to his skin in just the last few moments. | 0:29:17 | 0:29:22 | |
I'll go and get him a sedative. | 0:29:22 | 0:29:24 | |
You've done this to him. He'd have been better off if he'd been killed or stayed out there. | 0:29:24 | 0:29:29 | |
-Judith! -You've destroyed him just like everything else you've touched. | 0:29:29 | 0:29:32 | |
-Destroyed him? I've brought him back, I've saved him. -For what? | 0:29:32 | 0:29:35 | |
For further experiments? I can help him more than you or anyone. | 0:29:35 | 0:29:39 | |
There's no room for personal feelings in science, Judith. | 0:29:39 | 0:29:42 | |
You should be proud to have a husband who's willing to risk his life for the betterment of the world. | 0:29:42 | 0:29:47 | |
What world? Your world? The world of Quatermass. | 0:29:47 | 0:29:51 | |
I've sent for an ambulance - he's going to the central clinic. | 0:29:51 | 0:29:55 | |
All right, Briscoe, send him to the clinic, | 0:29:57 | 0:30:00 | |
but I want him to have complete isolation. You understand? Complete isolation. | 0:30:00 | 0:30:05 | |
No-one is to see him. | 0:30:05 | 0:30:08 | |
No-one. Until I say so. | 0:30:08 | 0:30:10 | |
We've tried three different grades of stock, developed each one to as high a gamma as possible, | 0:30:22 | 0:30:26 | |
-and still it's made no difference. Look at this, it's grainy and dull... -All I want is a print. | 0:30:26 | 0:30:31 | |
We don't like any print that isn't up to standard. | 0:30:31 | 0:30:32 | |
-Is there a picture on it? -There's a picture, but it's dull and grainy... | 0:30:32 | 0:30:36 | |
I don't care how dull and grainy it is, I must have this now. | 0:30:36 | 0:30:39 | |
It could be altitude or an extreme change of temperature, or penetration of cosmic rays. | 0:30:39 | 0:30:43 | |
-I'll tell him that. -I don't know what the old man will say. | 0:30:43 | 0:30:45 | |
Tell your old man that our old man said if he didn't get this print, he'd dynamite the building. | 0:30:45 | 0:30:51 | |
I can't tell the ministry this, they'll think I've lost my senses. | 0:30:51 | 0:30:54 | |
That's exactly why you must tell them nothing. | 0:30:54 | 0:30:58 | |
Now you see why I must have absolute authority to isolate the room. | 0:30:58 | 0:31:00 | |
But every newspaper has a story on him being admitted to the clinic, | 0:31:00 | 0:31:02 | |
-they'll want to know what's happened to him, and to the others. -Do you want to tell them? | 0:31:02 | 0:31:07 | |
-Not telling them won't stop the panic. -So don't start a panic. -What about the police analysis? | 0:31:07 | 0:31:11 | |
-The same, Mr Blake. -What's the next move? | 0:31:11 | 0:31:14 | |
-We've agreed to isolation until we know more. -PHONE RINGS | 0:31:14 | 0:31:20 | |
Yes? | 0:31:21 | 0:31:23 | |
The film is ready. | 0:31:27 | 0:31:30 | |
-See that? It works. -What works? -Automatic prism, it cuts in the panel readings. | 0:32:10 | 0:32:15 | |
-Well, is that all? -Once in the observation zone, the camera is geared to cut out at regularly. | 0:33:13 | 0:33:18 | |
This will be the 0.16 period. | 0:33:18 | 0:33:20 | |
That must be where we lost 'em. | 0:33:25 | 0:33:28 | |
What on earth could have happened?! | 0:33:40 | 0:33:42 | |
Look at that fantastic temperature drop. | 0:33:42 | 0:33:44 | |
Run it again. | 0:35:21 | 0:35:23 | |
He's in surgery. But I'll get word to him as soon as possible. | 0:35:29 | 0:35:33 | |
Yes? What's the name, please? | 0:35:34 | 0:35:37 | |
That's two Ts? | 0:35:37 | 0:35:39 | |
Uh-uh. Yes, I'll see that he gets it. | 0:35:42 | 0:35:46 | |
Yes. | 0:35:46 | 0:35:48 | |
Sorry, Miss, the visiting hours are over. | 0:35:48 | 0:35:51 | |
I just wanted to know how my husband is. | 0:35:51 | 0:35:54 | |
Well, I'll try and find out for you, Miss. What was the name, please? | 0:35:54 | 0:35:57 | |
-Carroon. Victor Carroon. -Oh. | 0:35:57 | 0:36:00 | |
-He's OK, isn't he? -Mrs Carroon, I wish I could let you go up, | 0:36:00 | 0:36:03 | |
but we have strict orders... | 0:36:03 | 0:36:05 | |
All I want to know is how is he? Is there any change? | 0:36:05 | 0:36:09 | |
Just a minute. | 0:36:09 | 0:36:12 | |
Hello, Mabel. Alf here. Listen, how is 4B? | 0:36:14 | 0:36:17 | |
I know all about the orders, but I only want you to think out loud. | 0:36:17 | 0:36:23 | |
Thank you, Mabel, thank you. | 0:36:23 | 0:36:25 | |
He's going along about the same, Mrs Carroon, no change, but no worse. | 0:36:25 | 0:36:29 | |
If I could see him, just for a few minutes. | 0:36:29 | 0:36:32 | |
I should be shot at dawn. But don't you worry, he is in good hands. | 0:36:32 | 0:36:36 | |
-They don't leave him alone, do they? -Oh, not for a moment, Tucker, his night nurse, is with him now, | 0:36:36 | 0:36:41 | |
-and Perkins comes on in about half an hour. -Could I wait for the night nurse when he comes off duty, | 0:36:41 | 0:36:47 | |
if only to talk to someone who's has been with him? Please. | 0:36:47 | 0:36:51 | |
Tucker comes off in half an hour and nips through the staff entrance. | 0:36:51 | 0:36:55 | |
-Through the door, and it's on the right. -Thank you. | 0:36:55 | 0:36:57 | |
Wait for him outside, and if they ask me, I never told you nothing. | 0:36:57 | 0:37:01 | |
-There's only the nurse with him. His name's Tucker. -His name? You mean I've got to flirt with a he? | 0:37:25 | 0:37:29 | |
It's only about half an hour before the relief nurse comes on duty. | 0:37:29 | 0:37:32 | |
-His name is Perkins. -Money, money, money. Cash before delivery, | 0:37:32 | 0:37:36 | |
-it always gives me more confidence, especially when my investigating is this private. -Room 4B. | 0:37:36 | 0:37:41 | |
Give me 15 minutes, I'll put him in the lift and send him down, and he's all yours, I never saw you in my... | 0:37:48 | 0:37:53 | |
-Please hurry, he's very sick. -Don't worry, I'll mother him like a baby. | 0:37:53 | 0:37:58 | |
-You've got to get him. -Relax, you're shaking the building. | 0:38:17 | 0:38:21 | |
-Evening. -Hello. | 0:38:44 | 0:38:47 | |
-Evening. I'm from Casualty, Perkins is sick, they sent me to take over his night shift. -Hi. | 0:38:52 | 0:38:57 | |
I know I'm too honest, but you're not due for another half-hour! | 0:38:57 | 0:39:00 | |
Night shift is night shift, what's a half-an-hour here or there? | 0:39:00 | 0:39:03 | |
-You'll go to heaven for this. -We should get some fun out of life. | 0:39:03 | 0:39:06 | |
-What's his trouble? -He doesn't seem to know. He's the star patient. | 0:39:06 | 0:39:10 | |
He just lies and stares, never opens his mouth. | 0:39:10 | 0:39:12 | |
But if it does, press that bell, and quick. Well, happy nightmare. | 0:39:12 | 0:39:16 | |
-Any special instructions? -They're on the chart. Good night. -Good night. | 0:39:16 | 0:39:20 | |
News, my friend. Your wife is waiting for you downstairs. | 0:39:23 | 0:39:28 | |
I'm the man who's going to get you out of here. Does that make you happy? | 0:39:28 | 0:39:31 | |
It does? Good. But we don't have too much time, so, up we get. | 0:39:31 | 0:39:35 | |
-Hello. -Hello. -What time are you off? | 0:39:46 | 0:39:49 | |
-Ask him whether he's going to...? -Operating? | 0:39:49 | 0:39:51 | |
-For about three-and-a-half-hours, at least. -You, too? | 0:39:51 | 0:39:54 | |
-Me, too. -Chinese restaurant is open till midnight, I'll take you both - | 0:39:54 | 0:39:58 | |
beautiful sweet and sour pork, roast duck, fried shrimps. | 0:39:58 | 0:40:01 | |
You've talked us into it! | 0:40:01 | 0:40:02 | |
There we are. Now, the jacket. | 0:40:02 | 0:40:05 | |
There's a good boy. Can't meet the lady looking sloppy. | 0:40:11 | 0:40:16 | |
It's funny, wives usually employ me to get them away from their husbands. | 0:40:16 | 0:40:21 | |
Oh, you're a sad one. | 0:40:21 | 0:40:23 | |
Well, to each his own. | 0:40:23 | 0:40:25 | |
Hey, steady, steady. | 0:40:25 | 0:40:28 | |
Stay here while Christie goes and gets the lift. Won't be a minute. | 0:40:28 | 0:40:32 | |
All clear. Hey, come on, hurry. | 0:40:58 | 0:41:02 | |
That's the boy. Christie's got you. | 0:41:02 | 0:41:04 | |
What have you got there? | 0:41:29 | 0:41:32 | |
What are you hiding? | 0:41:32 | 0:41:34 | |
What is it? | 0:41:36 | 0:41:37 | |
Victor. Oh, Victor, darling, I've got the car outside. | 0:41:54 | 0:41:59 | |
Please try and be quick. | 0:41:59 | 0:42:00 | |
You can make it, dear. | 0:42:00 | 0:42:02 | |
Everything's going to be all right, Victor. | 0:42:16 | 0:42:18 | |
I'll get you the best treatment, the finest doctors. | 0:42:18 | 0:42:21 | |
I'll get you well and strong, we'll make a new life for ourselves, | 0:42:22 | 0:42:26 | |
away from all of this. | 0:42:26 | 0:42:28 | |
Away from him. | 0:42:28 | 0:42:31 | |
Our life will be our own. | 0:42:31 | 0:42:32 | |
Would you like one? | 0:42:40 | 0:42:42 | |
Victor, I... | 0:42:47 | 0:42:50 | |
Victor... | 0:42:55 | 0:42:57 | |
Your hand... Are you in pain? | 0:43:05 | 0:43:08 | |
Well, this is one case I don't think we'll find listed in forensic medicine. | 0:43:25 | 0:43:30 | |
Looks as though the life was drawn right out of him. | 0:43:30 | 0:43:32 | |
Have the body examined. I'd like the report as soon as possible. | 0:43:32 | 0:43:36 | |
You wouldn't mind if the Home Office pathologist also took a little peep? | 0:43:36 | 0:43:40 | |
-They've picked up Mrs Carroon the other side of town. -And Carroon? -No sign of him. | 0:43:40 | 0:43:44 | |
Stupid idiot, trying to take the whole thing into her own hands. | 0:43:44 | 0:43:47 | |
-What did she say? -She didn't say anything. | 0:43:47 | 0:43:49 | |
Anything about him. She's in a pretty bad state of shock. | 0:43:49 | 0:43:52 | |
-The doctor said she may even go out of her mind. -Out of her mind about what? | 0:43:52 | 0:43:56 | |
Well, when they found her, she was sitting at the wheel of her car... | 0:43:56 | 0:44:00 | |
and moaning, something about a hand being all grey... | 0:44:00 | 0:44:06 | |
with thorns, like a cactus. | 0:44:06 | 0:44:09 | |
I remember there was a cactus in his room in this pot. | 0:44:22 | 0:44:27 | |
Hello? | 0:44:29 | 0:44:30 | |
Get me Scotland Yard. | 0:44:32 | 0:44:34 | |
'Car 39, car 39, proceed immediately to 34 Main Street | 0:44:37 | 0:44:42 | |
'and investigate report of prowler by resident. | 0:44:42 | 0:44:45 | |
'Maybe Carroon - proceed with caution, car 39...' | 0:44:45 | 0:44:50 | |
'Join river police at Hayes Wharf to search area bounded by...' | 0:44:52 | 0:44:56 | |
TELEPHONE RINGS | 0:45:00 | 0:45:02 | |
'River Patrol 4, River Patrol 4... | 0:45:02 | 0:45:04 | |
'join mobile police at Hayes Wharf to search area bordered | 0:45:04 | 0:45:09 | |
'by Tooley Street, Hayes Lane and Strand Thames.' | 0:45:09 | 0:45:13 | |
'River Patrol 4. Roger. Out.' | 0:45:13 | 0:45:15 | |
This growth on the face - half plant, half... | 0:45:46 | 0:45:50 | |
Look at this! | 0:45:50 | 0:45:52 | |
The whole tissue structure is eaten away. The bone is powder. | 0:45:52 | 0:45:57 | |
Well, that takes care of my supper tonight! | 0:45:57 | 0:46:00 | |
What if there is a form of life in space? | 0:46:01 | 0:46:06 | |
Not on some planet, but just drifting? | 0:46:06 | 0:46:08 | |
Right, nurse. | 0:46:08 | 0:46:10 | |
Not life as we know it. | 0:46:13 | 0:46:15 | |
With intelligence, yes, but pure energy with no organic structure - invisible. | 0:46:15 | 0:46:20 | |
-Invisible?! -Now, the rocket passed through its path. | 0:46:20 | 0:46:23 | |
It entered the rocket, found living specimens of OUR form of life. Cell organisms - human. | 0:46:23 | 0:46:28 | |
-Green and Reichenheim. -And Carroon. Exactly. | 0:46:28 | 0:46:32 | |
Now, if, even by accident, it could enter one of those structures, | 0:46:32 | 0:46:37 | |
what a way to invade the Earth! | 0:46:37 | 0:46:39 | |
I'm not over intelligent, but when you... | 0:46:39 | 0:46:41 | |
You saw the film, you know what happened! | 0:46:41 | 0:46:43 | |
Only God knows where and how far that rocket travelled. | 0:46:43 | 0:46:46 | |
-But only two of them died! -Something got into that rocket! | 0:46:46 | 0:46:50 | |
Took the blood out of the other two and now it's using Carroon! | 0:46:50 | 0:46:53 | |
And it's found other forms of life. | 0:46:53 | 0:46:55 | |
-The cactus. -You mean Carroon...? -Is a carrier. | 0:46:55 | 0:46:59 | |
He's now only the shell of a man being transformed. | 0:46:59 | 0:47:04 | |
If the cactus plant was subject to the same mutation, there could be a union between plant and animal. | 0:47:04 | 0:47:09 | |
With the ability to destroy! | 0:47:09 | 0:47:12 | |
-And possess. -And multiply. | 0:47:12 | 0:47:15 | |
At will. | 0:47:17 | 0:47:19 | |
-Multiply?! -Yes, but to multiply, first it has to live. And like any living thing, to live... | 0:47:19 | 0:47:27 | |
To live, it must have food. | 0:47:27 | 0:47:30 | |
-I'm sorry, we're closed! -KNOCKING CONTINUES | 0:47:56 | 0:47:59 | |
All right! Just a minute! Oh, dear... | 0:47:59 | 0:48:03 | |
Look, we only open till... | 0:48:03 | 0:48:05 | |
Hey! Wait a minute! | 0:48:05 | 0:48:07 | |
You can't come into a place like this! Leave those things alone! | 0:48:07 | 0:48:12 | |
What do you think you're doing?! | 0:48:12 | 0:48:13 | |
-HE SOBS -Are you in pain? | 0:48:18 | 0:48:21 | |
Is it something to do with your arm? | 0:48:25 | 0:48:27 | |
Look, I'll just take a look. I won't hurt it, I promise. | 0:48:27 | 0:48:32 | |
PHONE RINGS | 0:48:46 | 0:48:48 | |
It's all right, love, I'll get it. | 0:48:50 | 0:48:52 | |
HE WHISTLES | 0:48:52 | 0:48:55 | |
Hello? ..Yes, please. | 0:48:56 | 0:48:58 | |
What?! When? | 0:48:58 | 0:49:01 | |
Cordon off the area. Tell Quatermass and Briscoe to meet us there. | 0:49:01 | 0:49:06 | |
Barb? | 0:49:06 | 0:49:08 | |
-Now what? -I've got to go back. -But you've only just come in! | 0:49:08 | 0:49:12 | |
They just can't do without me, love! | 0:49:12 | 0:49:14 | |
I don't know why you don't move into the office! | 0:49:14 | 0:49:16 | |
You'd never believe I was there. | 0:49:16 | 0:49:18 | |
-What makes you think I do now? -Ha ha! -Have your tea at least. | 0:49:18 | 0:49:21 | |
Haven't got time, love. | 0:49:21 | 0:49:23 | |
The things you do to that poor stomach of yours! | 0:49:23 | 0:49:26 | |
I ought to get you a picnic basket! | 0:49:26 | 0:49:28 | |
What I'm going on is no picnic! | 0:49:28 | 0:49:30 | |
-What about dinner? -Cook it and keep your fingers crossed! | 0:49:30 | 0:49:33 | |
Bye, love. | 0:49:33 | 0:49:35 | |
-What d'you think he was trying to do? -I'd like to think kill himself. | 0:49:41 | 0:49:44 | |
-If these were mixed, the normal result would be death in five minutes. -What? | 0:49:44 | 0:49:48 | |
-What is it? -I have a bit of a sick feeling it was something to speed up a change going on inside him. | 0:49:48 | 0:49:52 | |
-But Carroon was an engineer! He didn't know anything about chemistry! -Carroon...didn't know. | 0:49:52 | 0:49:58 | |
-What do you think he was doing here? -Well... -We're not certain. | 0:49:58 | 0:50:02 | |
We're not certain about anything with this customer! | 0:50:02 | 0:50:05 | |
Nobody in the street heard anything. | 0:50:05 | 0:50:07 | |
They're all at church or in the local. He must have... | 0:50:07 | 0:50:11 | |
Evans, come in quick, and quiet. | 0:50:20 | 0:50:23 | |
HE PANTS | 0:51:16 | 0:51:17 | |
CHURCH BELLS RING | 0:51:58 | 0:51:59 | |
-There we are! -SHE HUMS | 0:52:16 | 0:52:20 | |
And there's just the two of us today. | 0:52:20 | 0:52:24 | |
We'll have our own tea-party. | 0:52:24 | 0:52:26 | |
I don't like those other girls anyway. All they do is talk about their new clothes and dolls. | 0:52:26 | 0:52:31 | |
You don't care about those things, do you? | 0:52:31 | 0:52:34 | |
You don't care about new clothes or anything. We're friends. | 0:52:34 | 0:52:37 | |
Now, you sit there and be a good girl while I make the tea. | 0:52:40 | 0:52:43 | |
There's the teapot... there's the cups. | 0:52:46 | 0:52:49 | |
I brought the most delicious cakes and biscuits! | 0:52:55 | 0:52:59 | |
The others never serve anything, but WE do! | 0:52:59 | 0:53:02 | |
Look - aren't they lovely? | 0:53:02 | 0:53:05 | |
-CREAKING -Don't be frightened. That's only the old rats that live in this old boat. | 0:53:05 | 0:53:10 | |
Now, tea is ready. | 0:53:12 | 0:53:13 | |
Sugar? One? | 0:53:15 | 0:53:16 | |
Two? All right. | 0:53:16 | 0:53:18 | |
Now you may have a cake. This one. | 0:53:18 | 0:53:21 | |
It's filled with jellies. | 0:53:21 | 0:53:23 | |
I like the other one because it's full of chocolate. | 0:53:23 | 0:53:26 | |
Oh! We thought you were rats. | 0:53:27 | 0:53:30 | |
Won't you stay and have tea with us? | 0:53:31 | 0:53:33 | |
We'd very much like you to stay. | 0:53:35 | 0:53:37 | |
You look so tired. | 0:53:37 | 0:53:39 | |
There's plenty, if that's what you're worried about. | 0:53:39 | 0:53:42 | |
And cakes, too. | 0:53:42 | 0:53:45 | |
Go on, Dolly - you ask him. | 0:53:45 | 0:53:48 | |
-IN DOLL'S VOICE -Please, won't you have tea and cakes with us? | 0:53:48 | 0:53:52 | |
We would like you to stay very much. | 0:53:52 | 0:53:55 | |
And you may have the cake that has all the chocolate inside. | 0:53:55 | 0:54:00 | |
HE WHIMPERS | 0:54:00 | 0:54:03 | |
Yes? What time was this? | 0:54:25 | 0:54:28 | |
Was it an eyewitness? | 0:54:28 | 0:54:30 | |
-I see. -We're doing fine - he's been positively seen in Liverpool, Margate, Ostend and the Orkneys! | 0:54:30 | 0:54:37 | |
Yes? Yes. The Deptford area? | 0:54:37 | 0:54:40 | |
-What? -A kid told her mother... Yes? | 0:54:40 | 0:54:43 | |
About two hours ago? Hold it, please. | 0:54:43 | 0:54:45 | |
-A kid got her doll broken by a man down by some derelict boats near Deptford. -So it had to be Carroon? | 0:54:45 | 0:54:52 | |
Deptford said the description could fit Carroon. | 0:54:52 | 0:54:55 | |
Oh right? Well, that's why there's a police station at Deptford! | 0:54:55 | 0:54:58 | |
Thank you, Deptford. Keep us informed. | 0:54:58 | 0:55:01 | |
Mobile - there's a Deptford alert on Carroon. | 0:55:01 | 0:55:04 | |
Yes, I know it is - so your boys can have another little drive! | 0:55:04 | 0:55:07 | |
Cover derelict boats, warehouses and bomb shelters. | 0:55:07 | 0:55:11 | |
All right, so do it again! | 0:55:11 | 0:55:14 | |
Where is he getting food? | 0:55:14 | 0:55:16 | |
No, no, shut up, Simba - you've had your dinner, it's time to go to bed! | 0:55:17 | 0:55:20 | |
Go on - off you go! Go on, don't stand there bleating at me - off you go to bed. | 0:55:20 | 0:55:24 | |
Goodnight, fellas! Sleep well! | 0:55:36 | 0:55:39 | |
Hello, Joey! You know something? | 0:55:39 | 0:55:41 | |
Could have sworn I saw you having tea in a cafe this afternoon! | 0:55:41 | 0:55:44 | |
Turned out to be a customer, though! | 0:55:44 | 0:55:47 | |
MONKEY SCREECHES | 0:56:16 | 0:56:19 | |
GROWLING | 0:57:01 | 0:57:04 | |
ANIMALS CALL OUT | 0:57:14 | 0:57:16 | |
ANIMALS GROW AGITATED | 0:58:15 | 0:58:18 | |
GROWLING AND SNARLING | 0:58:29 | 0:58:32 | |
This is exactly as the keeper found them when he came on duty. | 0:59:21 | 0:59:24 | |
-Are there others? -Yes, over here. | 0:59:24 | 0:59:26 | |
We found three more outside the Antelope House. | 0:59:38 | 0:59:40 | |
-Well, what was left of them. -Look! | 0:59:40 | 0:59:42 | |
-Look at that - complete absorption this time. -That's what I've been afraid of. | 0:59:47 | 0:59:51 | |
Inspector, get this place closed and everybody out. | 0:59:51 | 0:59:54 | |
Quickly and quietly. No panic, no excitement. | 0:59:54 | 0:59:57 | |
Close the whole place? | 0:59:57 | 0:59:59 | |
Sir, we know what we're doing. Just tell your men to co-operate, please. | 0:59:59 | 1:00:03 | |
I don't understand. What's happening, anyway? What killed these animals? | 1:00:03 | 1:00:07 | |
You'd better say natural causes for now. | 1:00:07 | 1:00:09 | |
-Sorry, ma'am. We're closed this morning. -But we've come all the way from Epping! | 1:00:11 | 1:00:15 | |
Sorry, ma'am, we're not open this morning. | 1:00:15 | 1:00:18 | |
-And this afternoon? -I wish I could tell you. | 1:00:18 | 1:00:20 | |
Sorry, folks, zoo closed. I'm very sorry, but we're closed. | 1:00:20 | 1:00:24 | |
-Closed? -Very sorry. | 1:00:24 | 1:00:25 | |
Quatermass! Inspector! | 1:01:00 | 1:01:03 | |
-What is it? -It was here. | 1:01:10 | 1:01:13 | |
Look at this. | 1:01:15 | 1:01:17 | |
-It's alive! -Looks pretty horrible, doesn't it! -Quick, the sample box! | 1:01:18 | 1:01:22 | |
Well, what manner or shape of thing do we look for now? | 1:01:27 | 1:01:31 | |
You'll know it when you see it. Just send your men out with a prayer that we find it in time. | 1:01:31 | 1:01:37 | |
It's almost too terrifying to think about. | 1:01:40 | 1:01:42 | |
In less than 12 minutes, every animal completely absorbed, | 1:01:42 | 1:01:46 | |
except one. Gone, like quicksand. | 1:01:46 | 1:01:49 | |
But this quicksand knows what it's doing. | 1:01:49 | 1:01:52 | |
-It's trebled its size in an hour. -Do you know what this means? | 1:01:52 | 1:01:55 | |
This is only a fragment of the main organism. | 1:01:55 | 1:01:58 | |
If the same thing is happening to him at the same rate of speed, if absorbing those mice can do this... | 1:01:58 | 1:02:03 | |
no living thing on Earth stands a chance against it. | 1:02:03 | 1:02:06 | |
How do we fight it? How do we stop it? | 1:02:06 | 1:02:09 | |
Hands off me, young man! | 1:02:09 | 1:02:11 | |
Please remember that I've come here of my own accord! | 1:02:11 | 1:02:14 | |
-Yes. -I come here to complain about something I saw. -You keep saying that... | 1:02:14 | 1:02:18 | |
I refuse to divulge it to any common constable | 1:02:18 | 1:02:21 | |
who has nothing else to do all day but to sit on his big flat fleet... | 1:02:21 | 1:02:25 | |
on his big fat fleet... | 1:02:25 | 1:02:27 | |
Now, come on, Rosie, old girl... | 1:02:27 | 1:02:30 | |
Don't you "old girl" me! | 1:02:30 | 1:02:31 | |
I'm young enough to be your mother! | 1:02:31 | 1:02:33 | |
-Although what respectable woman would want to be, I don't know. -All right, ma'am. | 1:02:33 | 1:02:38 | |
Here! I come in here of my own free will! | 1:02:38 | 1:02:40 | |
I come here of my own vole... violition. | 1:02:40 | 1:02:44 | |
And very glad we are to see you. What can we do for you? | 1:02:44 | 1:02:47 | |
I wish to make a report. | 1:02:47 | 1:02:48 | |
Miss Rosemary...Elizabeth... | 1:02:48 | 1:02:50 | |
Wrigley. What address this week? | 1:02:50 | 1:02:53 | |
I'm temporarily visiting. | 1:02:53 | 1:02:54 | |
-Bow Street? -With friends. | 1:02:54 | 1:02:56 | |
Salvation Army, Embankment. What did you see this time, Rosie? | 1:02:56 | 1:03:00 | |
It was terrible. | 1:03:00 | 1:03:01 | |
-Shocking. -I know. It always is. Just tell me what you saw. | 1:03:01 | 1:03:04 | |
It's a bit of a thing if a young woman can't walk the streets of London | 1:03:04 | 1:03:08 | |
without creepy-crawlies running about as they please! | 1:03:08 | 1:03:11 | |
What's the police for if not to protect us from the likes of that? | 1:03:11 | 1:03:15 | |
-Go on, tell me. Tell me, what's the police for? -Rosie! Rosie, | 1:03:15 | 1:03:20 | |
just tell me what you saw. And we, of the London Metropolitan Police, | 1:03:20 | 1:03:23 | |
will do all in our power to see it doesn't occur again. | 1:03:23 | 1:03:26 | |
My voice went so dry that I couldn't even yell for a copper. | 1:03:26 | 1:03:30 | |
I've still got this awful thirst. | 1:03:30 | 1:03:33 | |
It makes it hard to remember. | 1:03:33 | 1:03:35 | |
And water makes me as sick as a baby. | 1:03:35 | 1:03:37 | |
It'd better be worthwhile, Rosie. ..After you tell me. | 1:03:37 | 1:03:41 | |
I was sitting in a doorway, because I wasn't feeling so well. | 1:03:43 | 1:03:46 | |
The doctor says that too much walking's bad for my legs. | 1:03:46 | 1:03:50 | |
-It's my legs, you see. -You were sitting in a doorway. | 1:03:50 | 1:03:52 | |
Just for a minute or two. When suddenly I heard a... | 1:03:52 | 1:03:56 | |
-kind of rustling, it was. -Rustling? | 1:03:56 | 1:03:59 | |
So I looked. There, at the end of the street, | 1:03:59 | 1:04:03 | |
I saw something move. | 1:04:03 | 1:04:04 | |
-Something enormous. -What moved, Rosie? | 1:04:04 | 1:04:08 | |
I couldn't make out the shape properly. I usually make out the shape of these things. | 1:04:08 | 1:04:13 | |
Think carefully, Rosie. | 1:04:13 | 1:04:15 | |
Was it...? This something, was it walking quickly or slowly? | 1:04:15 | 1:04:21 | |
Walking? It was kind of crawling. | 1:04:21 | 1:04:24 | |
Up on a wall. | 1:04:24 | 1:04:26 | |
It wasn't like any of the things I see on Saturday nights. | 1:04:26 | 1:04:29 | |
I think this time you really saw it. | 1:04:29 | 1:04:31 | |
Get me the Yard. Cancel it! This is priority. | 1:04:31 | 1:04:34 | |
I'm very sorry. You mean this time it's not a hallu... | 1:04:34 | 1:04:38 | |
-it's not a gin goblin? -No, Rosie. This time it was real. | 1:04:38 | 1:04:41 | |
Really? | 1:04:41 | 1:04:43 | |
It's my legs! | 1:04:43 | 1:04:44 | |
Hello? Scotland Yard? | 1:04:44 | 1:04:46 | |
Yes, Inspector Lomax, please. | 1:04:46 | 1:04:48 | |
Lomax here. | 1:04:50 | 1:04:52 | |
Yes? | 1:04:52 | 1:04:54 | |
Say that again? | 1:04:54 | 1:04:56 | |
Get the commissioner right away. | 1:04:56 | 1:04:58 | |
PHONE RINGS | 1:04:59 | 1:05:02 | |
Hello? Yes. | 1:05:03 | 1:05:05 | |
Yes? | 1:05:05 | 1:05:07 | |
We'll be right there. | 1:05:07 | 1:05:09 | |
Lomax. | 1:05:09 | 1:05:11 | |
He said to find a brick wall 30 feet high. | 1:05:13 | 1:05:16 | |
There's no doubt at all he was here. | 1:05:54 | 1:05:56 | |
Quite recently, too. The trail ends on the wall. | 1:05:56 | 1:06:00 | |
Let me have that case up here. | 1:06:00 | 1:06:01 | |
Get him his case, Sergeant. It's in the car. | 1:06:01 | 1:06:04 | |
Use the car radio. I want a cordon round the entire area. Evacuate all public. | 1:06:04 | 1:06:09 | |
-Check out every movement that's likely to take place inside this radius tonight. -Yes, sir. | 1:06:09 | 1:06:14 | |
Warn everyone not to touch anything unusual they may find in the streets and gardens. | 1:06:14 | 1:06:19 | |
Warn the children especially. | 1:06:19 | 1:06:21 | |
It's got out? | 1:07:13 | 1:07:14 | |
-Look at the size of it now! -It's out for food. Those mice. | 1:07:17 | 1:07:21 | |
Here. | 1:07:21 | 1:07:22 | |
Yes. Don't touch it! Look at those sporangias. Spore-producing patches. | 1:07:25 | 1:07:29 | |
If it had completed this reproductive cycle, this room would have be full of tendrils. | 1:07:29 | 1:07:33 | |
How many more of these things are there? | 1:07:33 | 1:07:36 | |
Better phone Lomax. It's not a question of how many, but where? | 1:07:36 | 1:07:39 | |
If it can reproduce at this rate, another 24 hours, a few days... | 1:07:39 | 1:07:44 | |
Get me Scotland Yard quickly. | 1:07:44 | 1:07:46 | |
Suppose it had reached the mice? | 1:07:46 | 1:07:49 | |
Yes...yes, of course. | 1:07:49 | 1:07:52 | |
-The commissioner. -They're getting him, sir. -Right. | 1:07:52 | 1:07:55 | |
Get hold of Evans. I want him to get out an anti-panic statement. | 1:07:55 | 1:07:58 | |
-I want it broadcast, televised, and printed in all the nationals. -Yes, sir. | 1:07:58 | 1:08:02 | |
Yes? I want every man in the metropolitan area. | 1:08:02 | 1:08:05 | |
Immediate search of parks, fields, undergrounds and subways. | 1:08:05 | 1:08:09 | |
It's the Quatermass Experiment. You'll have to take it to top level. | 1:08:09 | 1:08:13 | |
I need troops and the civil defence. | 1:08:13 | 1:08:15 | |
Yes, sir, I'll be right up. | 1:08:15 | 1:08:16 | |
NO SOUND | 1:08:55 | 1:09:00 | |
This is all we need to start the programme with a swing. | 1:09:01 | 1:09:05 | |
-What's he talking about? -No-one must touch anything unusual they find in the streets. | 1:09:05 | 1:09:09 | |
Don't panic. Inform the nearest police station. | 1:09:09 | 1:09:12 | |
They've been putting it out all day on the radio. | 1:09:12 | 1:09:15 | |
Westminster Abbey? Yes? | 1:09:15 | 1:09:17 | |
Standing by. Opening announcement coming up. | 1:09:17 | 1:09:21 | |
OK. Stand by, cameras. | 1:09:21 | 1:09:23 | |
All right, camera one. Titles are in. | 1:09:29 | 1:09:31 | |
We'll be on you in five seconds. | 1:09:31 | 1:09:34 | |
Four, three, two, one... | 1:09:34 | 1:09:39 | |
On you, camera one! Where are you? | 1:09:43 | 1:09:46 | |
Right, quick. Take over, camera two. On you instead. | 1:09:46 | 1:09:49 | |
-What's that? What's happened? -Looks like a body. | 1:09:52 | 1:09:56 | |
Kill transmission! | 1:09:56 | 1:09:57 | |
Lime Grove? Fill in, will you? I'll get back as soon as possible. | 1:09:57 | 1:10:01 | |
-Tell Presentation. -Hello? | 1:10:01 | 1:10:04 | |
What goes on here? | 1:10:22 | 1:10:23 | |
He fell from the scaffolding. | 1:10:23 | 1:10:25 | |
-Slipped? -Dead before he fell. | 1:10:25 | 1:10:27 | |
Dead before he fell? | 1:10:27 | 1:10:29 | |
-Sweep this up. -I shouldn't, unless you have a strong stomach. | 1:10:29 | 1:10:32 | |
Better get the police. | 1:10:34 | 1:10:36 | |
-Yes, get the police. -Well, shall we go on with the programme? | 1:10:36 | 1:10:40 | |
-It's up to you, sir. -I'm all right. | 1:10:40 | 1:10:42 | |
We'd better carry on in another part of the abbey. | 1:10:42 | 1:10:44 | |
Pull that lot in over here, will you? Get a blanket and cover him up. | 1:10:44 | 1:10:49 | |
Come on, quick. | 1:10:49 | 1:10:50 | |
-It's Quatermass. -Right. | 1:10:55 | 1:10:57 | |
All right, I want the whole abbey cleared. Public, clergy, everyone. | 1:11:06 | 1:11:10 | |
-Quick. -Please, there's a transmission going on! -It's coming off. | 1:11:10 | 1:11:14 | |
I want you all out. Every second may count. | 1:11:14 | 1:11:16 | |
Inspector, not in front of the cameras. | 1:11:19 | 1:11:22 | |
-This is going all over England! -Listen, it's an emergency. | 1:11:22 | 1:11:26 | |
-Get this stopped. -I can't stop it! -Where's your producer? -On the truck. | 1:11:26 | 1:11:30 | |
..hidden under layers of paint and aged by the dust of time... | 1:11:30 | 1:11:35 | |
Ring for reinforcements. | 1:11:44 | 1:11:45 | |
Camera two, stand by on stained-glass window. | 1:11:48 | 1:11:51 | |
Camera three on scaffolding. Hold it. | 1:11:51 | 1:11:54 | |
-I'm Inspector Lomax. Get your people out of the abbey. -To you, camera three. | 1:11:54 | 1:11:58 | |
-Everyone in there is in deadly danger! -We're on transmission! | 1:11:58 | 1:12:01 | |
Coming to camera one. Pan up as high as you can. Now... | 1:12:01 | 1:12:05 | |
What in the name of...?! | 1:12:05 | 1:12:08 | |
It must be 20 feet across! | 1:12:08 | 1:12:10 | |
Kill transmission. | 1:12:12 | 1:12:14 | |
Camera one, hold that shot and lock off, then everybody out! | 1:12:14 | 1:12:18 | |
Hello? Hello, Presentation? | 1:12:19 | 1:12:21 | |
Carry on as best you can. We can't go on here. | 1:12:21 | 1:12:24 | |
Yes. Yes, fill in, will you? | 1:12:24 | 1:12:26 | |
Quatermass, quick, in the truck. | 1:12:29 | 1:12:31 | |
At the Abbey. There's an emergency. | 1:12:36 | 1:12:38 | |
You saw it? We don't know what it is. | 1:12:38 | 1:12:40 | |
Same pattern as the one in the lab. | 1:12:40 | 1:12:42 | |
Only 20 times the power of reproduction. | 1:12:42 | 1:12:44 | |
If those nodules spore, nothing will stop them. | 1:12:44 | 1:12:47 | |
They'll break out and spread by the million in the air and wind. | 1:12:47 | 1:12:51 | |
-How long before it reproduces again? -80 or 90 minutes. Within hours, for every one there'll be a million. | 1:12:51 | 1:12:56 | |
-It's coming lower. -We must stop it. -We'll need a miracle now! | 1:12:56 | 1:12:59 | |
-We'll get flame-throwers. -Parts may escape. All of it must be killed! | 1:12:59 | 1:13:03 | |
-Dynamite. -That would only spread it further. -It's stopped moving! | 1:13:03 | 1:13:07 | |
It's barely pulsating now. | 1:13:07 | 1:13:10 | |
-Our timing was out. It's in its last dormant stages, just before it reproduces. -It's changing again! | 1:13:10 | 1:13:15 | |
The beginning of new spore-producing zones - dozens. | 1:13:15 | 1:13:18 | |
The way it's hanging round the scaffolding! | 1:13:18 | 1:13:21 | |
Let's go. I think we can stop it. | 1:13:21 | 1:13:24 | |
-What now, Professor? -That scaffolding inside. I want to run cables to it, | 1:13:27 | 1:13:31 | |
then tap the main power line with enough current to burn it up. | 1:13:31 | 1:13:34 | |
Keep pouring current through it to melt it right down to the ground. | 1:13:34 | 1:13:38 | |
-The abbey! -I want all the current in London diverted here. -You'll bring the city to a standstill! | 1:13:38 | 1:13:43 | |
If that thing spores before we kill it, you won't have a city. | 1:13:43 | 1:13:46 | |
I hope you're right. I just hope you're right! | 1:13:46 | 1:13:49 | |
BELL TOLLS | 1:13:59 | 1:14:02 | |
-TANNOY: -'Attention, everybody. Attention, everybody. | 1:14:09 | 1:14:12 | |
'There is no cause for alarm. | 1:14:12 | 1:14:15 | |
'I repeat, there is no cause for alarm. | 1:14:15 | 1:14:18 | |
'Please do not run. | 1:14:18 | 1:14:19 | |
'Unless you have official business in this vicinity, please disperse. | 1:14:19 | 1:14:24 | |
'Go back to your homes. | 1:14:24 | 1:14:26 | |
'There is nothing to see. Go back to your homes.' | 1:14:26 | 1:14:30 | |
Hello, Battersea? Stand by. | 1:15:41 | 1:15:44 | |
Switch on. | 1:15:48 | 1:15:50 | |
SCREECHING | 1:15:57 | 1:16:00 | |
Well, this time you won. | 1:17:07 | 1:17:09 | |
In my simple Bible way, I did a lot of praying. | 1:17:09 | 1:17:12 | |
One world at a time's good enough for me. | 1:17:12 | 1:17:15 | |
Can we ease it all up now, sir? | 1:17:23 | 1:17:25 | |
Is it all right, sir? | 1:17:31 | 1:17:34 | |
Quatermass, why wasn't I involved with all this?! | 1:17:45 | 1:17:49 | |
I've only just heard, sir. I'd have been here sooner. | 1:17:51 | 1:17:54 | |
Is there anything I can do? | 1:17:54 | 1:17:55 | |
Yes, Mark, I'm going to need some help. | 1:17:55 | 1:17:58 | |
-Help, sir? What are you going to do? -I'm going to start again. | 1:17:58 | 1:18:02 | |
Subtitles by Red Bee Media Ltd | 1:18:18 | 1:18:21 |