
Browse content similar to The Rainbow. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains some strong language & some scenes of a sexual nature. | 0:00:24 | 0:00:30 | |
LAUGHS | 0:00:32 | 0:00:33 | |
Ursula! > | 0:00:52 | 0:00:55 | |
Ursula! | 0:00:55 | 0:00:57 | |
Ursula, come back 'ere! | 0:00:57 | 0:01:00 | |
Ursula! | 0:01:00 | 0:01:03 | |
Ursula! | 0:01:04 | 0:01:06 | |
Come back 'ere! It's dangerous! | 0:01:06 | 0:01:12 | |
LAUGHS | 0:01:09 | 0:01:12 | |
Ursula! Wait for me! > | 0:01:10 | 0:01:12 | |
Who didn't come, then?! Was it you, Miss Puddleduck? | 0:01:17 | 0:01:21 | |
Were you off for a swim? | 0:01:21 | 0:01:24 | |
No. | 0:01:23 | 0:01:24 | |
What is it, me lady? | 0:01:27 | 0:01:30 | |
I want that, Daddy. | 0:01:28 | 0:01:30 | |
Can't have it, it's not for catching | 0:01:30 | 0:01:33 | |
Want it! | 0:01:33 | 0:01:40 | |
It's too far off, lass. If you're a good girl I'll make you one for tea. | 0:01:34 | 0:01:40 | |
They were naughty to fight. Losing their feathers. They'll be sorry when it's cold. | 0:01:47 | 0:01:54 | |
I just saved this one from the river | 0:01:55 | 0:01:58 | |
Off you get. | 0:02:00 | 0:02:02 | |
Perhaps we'll have that gate fixed. | 0:02:03 | 0:02:07 | |
You left the door open! | 0:02:05 | 0:02:07 | |
What if I did?! The baker came and the baby woke up. | 0:02:07 | 0:02:11 | |
Why do you niggle me?! I don't just sit around designing lace hankies. | 0:02:11 | 0:02:18 | |
Soup again? You spoil me. | 0:02:15 | 0:02:18 | |
Oh, is our little blackbird tuning up? Sing up, lad, and drown your mother out. | 0:02:18 | 0:02:25 | |
You put such pressure in my head. | 0:02:25 | 0:02:29 | |
Oh, get off! | 0:02:27 | 0:02:29 | |
# When the pie was opened The birds began to sing | 0:02:29 | 0:02:34 | |
# Wasn't that a dainty dish... # | 0:02:34 | 0:02:37 | |
Still there, Daddy. Can't I have it? | 0:03:01 | 0:03:04 | |
You're a persistent little madam. I'd not forgotten. | 0:03:04 | 0:03:08 | |
There you are. On you jump. | 0:03:08 | 0:03:11 | |
There we go. What about that, then? | 0:03:11 | 0:03:14 | |
Want a taste? | 0:03:15 | 0:03:17 | |
Uh-uh. | 0:03:17 | 0:03:21 | |
A little taste. Just a little one. No? | 0:03:17 | 0:03:21 | |
Uh. | 0:03:21 | 0:03:26 | |
Oh, I see. You want the real one. | 0:03:22 | 0:03:26 | |
Well, you can't have it, my lass. | 0:03:26 | 0:03:29 | |
"And again, I say unto you, it is easier for a camel to pass through the eye of the needle... > | 0:05:05 | 0:05:13 | |
..than for a rich man to enter the kingdom of God." > | 0:05:13 | 0:05:18 | |
The collection is for Mrs Hartley... | 0:05:18 | 0:05:21 | |
..widowed by the Grange Pit tragedy. I know you will give generously. | 0:05:21 | 0:05:27 | |
On a happier note, there will be a resumption of christenings. | 0:05:27 | 0:05:32 | |
Thanks to the restoration of the font by our organist - Will Brangwen. | 0:05:32 | 0:05:38 | |
PLAYS ORGAN | 0:05:43 | 0:05:46 | |
He's like my dolly. | 0:06:07 | 0:06:09 | |
This church takes up too much time, but it's a fine hand you've carved. | 0:06:09 | 0:06:15 | |
It's an ogre's hand. | 0:06:15 | 0:06:19 | |
It's the hand of God, Billy. | 0:06:16 | 0:06:19 | |
Assisting at the birth of Eve. | 0:06:19 | 0:06:23 | |
He's not a midwife! | 0:06:21 | 0:06:23 | |
It was my hand you used as a model. | 0:06:23 | 0:06:26 | |
That's not so, it's after Donatello's "Frances". | 0:06:26 | 0:06:33 | |
Perhaps that's how it started. | 0:06:30 | 0:06:33 | |
Oh, never! | 0:06:31 | 0:06:33 | |
For all you know, Donatello may have used his wife as a model. | 0:06:37 | 0:06:45 | |
Don't be ridiculous. The hand of God is a man's hand. | 0:06:40 | 0:06:45 | |
Like taking Eve out of Adam's body, when man is born of woman? The impudence of men! | 0:06:45 | 0:06:52 | |
Oh, Mother, don't fuss so! | 0:06:52 | 0:06:58 | |
I have said, Ursula, do not speak to me like that. | 0:06:54 | 0:06:58 | |
How could a great big camel pass through an eye of a needle? | 0:06:58 | 0:07:03 | |
With great difficulty, I'd think. | 0:07:03 | 0:07:06 | |
RUNNING FOOTSTEPS | 0:07:58 | 0:08:00 | |
It's locked. Open the door, Ursula. > | 0:08:04 | 0:08:08 | |
She won't answer, she's dead. > | 0:08:09 | 0:08:12 | |
Go away. I'm not dead. What do you want? | 0:08:12 | 0:08:16 | |
Mother says you have to come down to dinner. > | 0:08:16 | 0:08:20 | |
There's a soldier downstairs with Uncle Henry. > | 0:08:20 | 0:08:25 | |
DOOR HANDLE RATTLES | 0:08:25 | 0:08:28 | |
You're not fibbing, are you?! Cos I'll pull your hair out. Even if it is Sunday. | 0:08:30 | 0:08:37 | |
< I always used to ask strangers to stay. | 0:08:42 | 0:08:45 | |
It was rather trying for my parents. | 0:08:45 | 0:08:48 | |
It's our Lazarus. And Billy said you were dead. | 0:08:48 | 0:08:55 | |
Might as well be sometimes. | 0:08:52 | 0:08:55 | |
LAUGHTER | 0:08:53 | 0:08:55 | |
I wanted some peace. I didn't realise you were coming. | 0:08:56 | 0:09:05 | |
Or she'd have had a sherry. | 0:09:00 | 0:09:05 | |
Likes a tipple, does she? > | 0:09:02 | 0:09:05 | |
Give your Uncle Henry a kiss. | 0:09:06 | 0:09:08 | |
Drink the health of my friend - Lt Anton Skrebensky. | 0:09:08 | 0:09:13 | |
He's staying at the hall. His father was the parish priest. | 0:09:13 | 0:09:18 | |
Are you staying long? | 0:09:18 | 0:09:21 | |
This is my last day. | 0:09:19 | 0:09:21 | |
I have to report back tomorrow. | 0:09:21 | 0:09:23 | |
To what do you report? | 0:09:23 | 0:09:29 | |
I'm in the Engineers. And you? I suppose you're at school. | 0:09:24 | 0:09:29 | |
My last term. I'm taking my matriculation exams soon. | 0:09:30 | 0:09:34 | |
You'll be going out to work? | 0:09:34 | 0:09:41 | |
Don't put ideas in her head. My daughters don't need to work. | 0:09:36 | 0:09:41 | |
I'm considering my field of action. | 0:09:41 | 0:09:44 | |
There's stockings need mending. They could be your field of action. | 0:09:44 | 0:09:50 | |
What would you like to be? | 0:09:51 | 0:09:56 | |
I don't know. A teacher, perhaps. | 0:09:53 | 0:09:56 | |
I could never study. The brains of the Army are in the Engineers. | 0:09:57 | 0:10:02 | |
I joined to get the credit of other people's brains. | 0:10:02 | 0:10:05 | |
Brains don't matter. | 0:10:05 | 0:10:08 | |
What does matter, then? | 0:10:08 | 0:10:10 | |
Whether people have courage or not. | 0:10:10 | 0:10:14 | |
Courage for what? | 0:10:12 | 0:10:14 | |
For everything. | 0:10:14 | 0:10:20 | |
Like a soldier, you mean? | 0:10:17 | 0:10:20 | |
That's another field of action you wouldn't like. | 0:10:20 | 0:10:24 | |
She should join the Royal Engineers. | 0:10:24 | 0:10:27 | |
No need for courage to build a privvy. | 0:10:27 | 0:10:30 | |
Are you not lonely, being an orphan? | 0:10:44 | 0:10:47 | |
I have got a guardian. And Henry. And my aunts. | 0:10:47 | 0:10:52 | |
I'm really fond of them all. But my real home is the Army. | 0:10:53 | 0:10:58 | |
Do you like being on your own? | 0:10:59 | 0:11:02 | |
I think so. | 0:11:02 | 0:11:05 | |
I went to school early. | 0:11:05 | 0:11:07 | |
The outside world was more of a home to me than the vicarage. | 0:11:07 | 0:11:14 | |
This house used to be a vicarage. | 0:11:11 | 0:11:14 | |
Really? | 0:11:14 | 0:11:17 | |
Do you not feel like... | 0:11:19 | 0:11:21 | |
..like a bird, flown out of its own latitude? | 0:11:21 | 0:11:26 | |
CHUCKLES | 0:11:24 | 0:11:26 | |
I find things much as I like them. | 0:11:27 | 0:11:30 | |
You look very lazy. | 0:11:32 | 0:11:36 | |
I am lazy. | 0:11:33 | 0:11:36 | |
You look really floppy. | 0:11:36 | 0:11:40 | |
I am floppy. | 0:11:38 | 0:11:40 | |
Can't you stop? | 0:11:40 | 0:11:43 | |
I don't want to stop. | 0:11:41 | 0:11:43 | |
It looks like there isn't a bone in your body. | 0:11:43 | 0:11:49 | |
That's how I like to feel. | 0:11:46 | 0:11:49 | |
I don't admire your taste. | 0:11:49 | 0:11:52 | |
That's my misfortune. | 0:11:52 | 0:11:54 | |
Damn it! Why can't I rock?! | 0:11:55 | 0:11:57 | |
Men don't rock themselves. | 0:11:58 | 0:12:04 | |
Girls don't pull men's hair. | 0:12:00 | 0:12:04 | |
You've seen that they do. | 0:12:01 | 0:12:04 | |
My father used to rock me on the swingboats. | 0:12:09 | 0:12:13 | |
Would you like to go on one again? | 0:12:13 | 0:12:17 | |
Oh, I didn't mean... | 0:12:15 | 0:12:17 | |
When? | 0:12:17 | 0:12:20 | |
Now! > | 0:12:18 | 0:12:20 | |
You arrange it with mother while I change. | 0:12:20 | 0:12:24 | |
Our families go a long way back. | 0:12:46 | 0:12:53 | |
My grandmother told me stories of her life in Poland. | 0:12:48 | 0:12:53 | |
She knew your father in Warsaw. | 0:12:54 | 0:12:57 | |
She married his friend, Dr Lensky, just before the uprising. They fought together. | 0:12:57 | 0:13:03 | |
Dr Lensky and Baron Skrebensky. Don't you find Polish names extremely musical? | 0:13:03 | 0:13:10 | |
They're a musical nation. And very patriotic. They make poor exiles. | 0:13:10 | 0:13:16 | |
They all die young, humming Chopin's "Funeral March". | 0:13:16 | 0:13:21 | |
You Lenskys seem to be an exception. | 0:13:21 | 0:13:27 | |
They say Granddad died with a stethoscope on. | 0:13:23 | 0:13:27 | |
He had connections with the medical profession and had a practice in Beldover. That's where Mum was born. | 0:13:27 | 0:13:34 | |
I've always thought it romantic to have Polish blood. | 0:13:34 | 0:13:39 | |
More than British? Is your father not romantic? | 0:13:39 | 0:13:43 | |
Of course, or he wouldn't have swept Mum off her feet. | 0:13:43 | 0:13:47 | |
They were married in that church. Shall we go in? | 0:13:47 | 0:13:51 | |
Oh, dear. I thought I'd escaped church parade today. | 0:13:51 | 0:13:56 | |
Come along. | 0:13:56 | 0:13:59 | |
Beg pardon, sir, didn't hear you. | 0:14:15 | 0:14:20 | |
This is dreadful. | 0:14:18 | 0:14:20 | |
Dreadful and wonderful. | 0:14:20 | 0:14:22 | |
Then let's stay a minute. | 0:14:22 | 0:14:25 | |
You loved flying high, didn't you? | 0:14:41 | 0:14:50 | |
Better than being earthbound. You'd think so if you lived in our house. | 0:14:44 | 0:14:50 | |
This reminds me of Ingram from my platoon. | 0:14:54 | 0:14:59 | |
Why's that? | 0:14:57 | 0:14:59 | |
He had a girl in Rochester. They'd make love in the cathedral. | 0:14:59 | 0:15:05 | |
How nice. | 0:15:03 | 0:15:05 | |
Ended badly. The verger caught them, got their names, made a row about it | 0:15:05 | 0:15:11 | |
What a shame. He shouldn't have objected. | 0:15:11 | 0:15:17 | |
He said it was a profanity. | 0:15:14 | 0:15:17 | |
No, I think it's right. | 0:15:17 | 0:15:19 | |
To make love in the house of God. | 0:15:21 | 0:15:24 | |
I promised your mother I'd have you home early, you've school tomorrow. | 0:15:41 | 0:15:46 | |
Come along, I'll buy you a lolly. | 0:15:49 | 0:15:52 | |
Push and glide! Push and glide! | 0:16:03 | 0:16:06 | |
Ethel, as the arms complete their stroke, bend the legs back. | 0:16:06 | 0:16:11 | |
Don't let your feet break water. | 0:16:11 | 0:16:14 | |
Push and glide! Heads steady. All right. | 0:16:14 | 0:16:19 | |
WHISTLE | 0:16:17 | 0:16:19 | |
WHISTLE | 0:16:23 | 0:16:26 | |
Come on, I'll race you. | 0:16:40 | 0:16:43 | |
I've won. But you've good form. What's your name? | 0:17:05 | 0:17:09 | |
Ursula, Miss Inger. Ursula Brangwen. | 0:17:09 | 0:17:12 | |
Right, Ursula Brangwen. | 0:17:13 | 0:17:15 | |
Class dismissed. No lingering in the cubicles - Class Three are due. | 0:17:20 | 0:17:25 | |
Do you think it's wicked to let a man kiss you - a man you've just met? | 0:17:27 | 0:17:34 | |
I should think. It depends. | 0:17:32 | 0:17:34 | |
Real kisses, I mean. Not just flirting. He's a soldier. | 0:17:34 | 0:17:40 | |
Where did he kiss you? | 0:17:41 | 0:17:43 | |
In church. | 0:17:43 | 0:17:45 | |
I see. And what time was it? | 0:17:46 | 0:17:48 | |
Erm. About a quarter to seven. | 0:17:48 | 0:17:52 | |
Oh, yes, I think it'd be very wrong. | 0:17:53 | 0:17:56 | |
What do you think of the new athletics mistress? | 0:17:57 | 0:18:03 | |
Not a lot. She was rough with me. | 0:18:00 | 0:18:03 | |
Ursula. Ursula. | 0:18:11 | 0:18:13 | |
I enjoyed our race, did you? | 0:18:17 | 0:18:22 | |
Erm, yes. Yes, I did. | 0:18:19 | 0:18:22 | |
Tell me, have you a bicycle? | 0:18:23 | 0:18:27 | |
No. Er, yes. | 0:18:25 | 0:18:27 | |
My sister does, we share it. | 0:18:27 | 0:18:29 | |
Would you like to come for a swim on Saturday? I've a cottage on the river, you could stay for tea. | 0:18:30 | 0:18:38 | |
Thank you. Yes, I'd like that. | 0:18:38 | 0:18:41 | |
Come along, Class Three. Come on, girls. Come along. | 0:18:45 | 0:18:50 | |
Into the water. You'll be swimming like dolphins in no time. | 0:18:50 | 0:18:55 | |
NO, YOU CAN'T! I NEED IT! LISTEN TO ME! | 0:19:01 | 0:19:05 | |
STOP, WILL YA?! I SAID NO! | 0:19:05 | 0:19:08 | |
Stop! Oh, I hate you. | 0:19:09 | 0:19:12 | |
Mmm! Such peace. | 0:19:28 | 0:19:30 | |
Be more comfortable with your boots off. Here. | 0:19:30 | 0:19:35 | |
How do you spend your weekends? | 0:19:35 | 0:19:40 | |
Helping Mother. Going to church. | 0:19:37 | 0:19:40 | |
Church is peaceful. | 0:19:40 | 0:19:44 | |
GIGGLES | 0:19:41 | 0:19:44 | |
< Why do you laugh? | 0:19:42 | 0:19:44 | |
The last time it was anything but! | 0:19:44 | 0:19:47 | |
I was with a friend looking for seclusion. | 0:19:47 | 0:19:50 | |
Choir practice? | 0:19:50 | 0:19:53 | |
Restoration. | 0:19:53 | 0:19:55 | |
Do you think it's blasphemous to make love in church? | 0:19:56 | 0:20:01 | |
No. Merely uncomfortable. | 0:20:01 | 0:20:04 | |
Such narrow pews. | 0:20:04 | 0:20:07 | |
Or did you do it standing up in a confessional? | 0:20:08 | 0:20:13 | |
We were only kissing. | 0:20:10 | 0:20:13 | |
Oh, I thought you meant fucking. Who was he? | 0:20:13 | 0:20:17 | |
A soldier. | 0:20:17 | 0:20:19 | |
What's the matter? | 0:20:22 | 0:20:27 | |
My father was a soldier. Coarse brute. | 0:20:23 | 0:20:27 | |
Treated my mother little better than a whore. | 0:20:27 | 0:20:32 | |
How do you mean? | 0:20:30 | 0:20:32 | |
As a person in her own right my mother did not exist. | 0:20:32 | 0:20:37 | |
She was an instrument for his perverted sexuality. | 0:20:37 | 0:20:41 | |
Was there no love? | 0:20:41 | 0:20:44 | |
The best you'll ever get from a man is passion. | 0:20:44 | 0:20:48 | |
Even that can't last. | 0:20:49 | 0:20:51 | |
I think we're in for a storm - the milk's turned. | 0:20:51 | 0:20:55 | |
Perhaps I should be off. | 0:20:55 | 0:20:57 | |
Don't say that, not before our swim. | 0:20:57 | 0:21:01 | |
In the rush I forgot my costume. Besides, it looks like rain. | 0:21:01 | 0:21:07 | |
In the water what do raindrops matter? | 0:21:07 | 0:21:11 | |
Besides, it's best in the rain. | 0:21:11 | 0:21:14 | |
It's safe, the grounds are private. | 0:21:14 | 0:21:17 | |
We'll undress inside and run down. It's all right. | 0:21:17 | 0:21:21 | |
DISTANT THUNDER | 0:21:25 | 0:21:27 | |
BOTH LAUGH | 0:21:50 | 0:21:52 | |
Come on. | 0:22:07 | 0:22:09 | |
You're tickling me! | 0:22:34 | 0:22:40 | |
Relax! You're in the hands of a qualified osteopath. | 0:22:36 | 0:22:40 | |
That's lovely. | 0:22:42 | 0:22:44 | |
I think you better go soon, it's getting late. | 0:22:46 | 0:22:51 | |
Can I not stay with you? | 0:22:48 | 0:22:51 | |
Your parents wouldn't approve. | 0:22:51 | 0:22:54 | |
When will we see each other again? | 0:22:54 | 0:22:57 | |
Monday, silly. | 0:22:55 | 0:22:57 | |
Swimming class. | 0:22:57 | 0:23:00 | |
I meant like this. | 0:23:00 | 0:23:02 | |
I was thinking of taking a school party to the Lakes next weekend. Want to come? | 0:23:04 | 0:23:10 | |
I'm not that fond of hiking. | 0:23:10 | 0:23:13 | |
I wouldn't bother, then. | 0:23:13 | 0:23:15 | |
I meant a party of one. | 0:23:16 | 0:23:19 | |
I love hiking! | 0:23:19 | 0:23:21 | |
Your mother'll think you've been kidnapped. Come along. | 0:23:26 | 0:23:31 | |
You heard me. I need it to get the groceries. | 0:23:33 | 0:23:37 | |
I had to carry them home. What have you got to say? | 0:23:37 | 0:23:42 | |
Damn the groceries! I'm sick of being told what to do. | 0:23:46 | 0:23:50 | |
-ALL: -# We're bading in the sea, Mother | 0:23:52 | 0:23:55 | |
# We're bading in the sea, Mother... # | 0:23:55 | 0:23:57 | |
And I am standing here with your nightshirt. | 0:24:00 | 0:24:04 | |
# We're bading in the sea, Mother... # | 0:24:04 | 0:24:08 | |
Come on, Rupert, get up now. | 0:24:05 | 0:24:08 | |
Will somebody love me, Mother? | 0:24:10 | 0:24:16 | |
We say "bathing", not bading. We all love you. | 0:24:12 | 0:24:16 | |
But will somebody love me ? | 0:24:16 | 0:24:19 | |
Some man will love you, because that's your nature. | 0:24:19 | 0:24:23 | |
I hope he loves you for what you are, not what he wants of you. | 0:24:23 | 0:24:31 | |
What did you want for yourself? | 0:24:28 | 0:24:31 | |
What I've got. | 0:24:31 | 0:24:34 | |
Billy, where is your nightshirt? | 0:24:36 | 0:24:41 | |
I don't know. | 0:24:38 | 0:24:41 | |
Then look for it! | 0:24:38 | 0:24:41 | |
Marie pulled my hair. | 0:24:39 | 0:24:41 | |
Oh, you two, get along. | 0:24:41 | 0:24:44 | |
We have a right to what we want. | 0:24:44 | 0:24:47 | |
Now then! What you up to? | 0:24:47 | 0:24:49 | |
Nothing. | 0:24:49 | 0:24:54 | |
Yes you are, you wicked lad. Up you get, plenty of room. | 0:24:50 | 0:24:54 | |
Why aren't they in bed?! | 0:24:54 | 0:24:58 | |
The children must live. | 0:24:56 | 0:24:58 | |
But I must live, too. | 0:24:58 | 0:25:02 | |
We all live together, lass. | 0:25:00 | 0:25:02 | |
My teacher's taking a party to the Lakes next weekend. | 0:25:03 | 0:25:08 | |
You're Uncle Henry's invited us to the hall on Saturday. | 0:25:09 | 0:25:15 | |
Anton'll be there. | 0:25:13 | 0:25:15 | |
I think not. I really must go with my school. | 0:25:18 | 0:25:23 | |
Your mother's right. | 0:25:30 | 0:25:32 | |
Men have fixed ideas of what a woman should be. | 0:25:32 | 0:25:36 | |
Any woman who fits their definition, they say they love her. | 0:25:36 | 0:25:40 | |
They're only in love with themselves. | 0:25:40 | 0:25:43 | |
Like a serpent who swallows his tail when he's hungry. | 0:25:43 | 0:25:48 | |
But women - they have fixed ideas, too. | 0:25:48 | 0:25:52 | |
Can you see it? Can you make out what it is? | 0:25:53 | 0:25:58 | |
No. | 0:25:59 | 0:26:03 | |
Can't you? | 0:26:01 | 0:26:03 | |
Up there, on the summit. The lion lays down with the lamb. | 0:26:03 | 0:26:08 | |
Can you see it now? | 0:26:08 | 0:26:13 | |
Yes! It's good, isn't it? | 0:26:10 | 0:26:13 | |
Can we get up there? | 0:26:13 | 0:26:18 | |
Let's have a drink before we tackle it. | 0:26:14 | 0:26:18 | |
Wave to the ladies. | 0:26:24 | 0:26:27 | |
Hello! | 0:26:25 | 0:26:27 | |
How I love lions. | 0:26:29 | 0:26:31 | |
God is like a lion to me. | 0:26:31 | 0:26:33 | |
Not like those silly toy lambs in church. | 0:26:33 | 0:26:37 | |
Lambs or lions. | 0:26:37 | 0:26:39 | |
Buddha or Apollo. Christ or Zeus. | 0:26:39 | 0:26:42 | |
They're only symbols of man's instinctual desires - illusions. | 0:26:42 | 0:26:48 | |
Who do you worship? | 0:26:48 | 0:26:50 | |
I worship this. | 0:26:52 | 0:26:54 | |
GROWLS: I would like to be proud and strong like a lion. | 0:26:55 | 0:27:00 | |
Not weak like a lamb, who only exists to be loved and sacrificed. | 0:27:00 | 0:27:05 | |
To love and be loved are equally important. | 0:27:06 | 0:27:10 | |
When the lion lays down with the lamb in you, you'll know peace. | 0:27:10 | 0:27:16 | |
EXPLOSION | 0:27:16 | 0:27:18 | |
We're workin' the mine! Be off with you! | 0:27:20 | 0:27:23 | |
Didn't you read the sign, woman! > | 0:27:23 | 0:27:31 | |
You are a monster. How dare you come here with your filthy mind? | 0:27:26 | 0:27:31 | |
EXPLOSION | 0:27:31 | 0:27:33 | |
Come on, Ursula! | 0:27:33 | 0:27:36 | |
Man is terrible. The works of man are more terrible still. | 0:27:40 | 0:27:45 | |
The mines are the most terrible of his works. | 0:27:46 | 0:27:50 | |
My Uncle Henry owns several of the Grange pits. | 0:27:50 | 0:27:55 | |
Really? Remember the painting at the cottage? It's Mack. | 0:27:55 | 0:28:00 | |
I sometimes model for the old rascal. | 0:28:01 | 0:28:04 | |
Mack! > | 0:28:04 | 0:28:06 | |
< We saw it so clearly from below. Where is it? | 0:28:07 | 0:28:11 | |
< Where d'ya think? Use your eyes. | 0:28:11 | 0:28:19 | |
If you're looking for a public convenience it's behind a rock. | 0:28:13 | 0:28:19 | |
I'm looking for the lion and the lamb | 0:28:19 | 0:28:24 | |
It's behind you, silly. | 0:28:21 | 0:28:24 | |
It's an illusion - the lion laying down with the lamb. | 0:28:24 | 0:28:29 | |
You're the third person today to say that. Must be true. | 0:28:29 | 0:28:35 | |
Distance lends enchantment. This is Ursula, one of our favourite sorts. | 0:28:35 | 0:28:40 | |
Is she now? | 0:28:40 | 0:28:42 | |
Do you always meet casually on mountains? | 0:28:43 | 0:28:47 | |
More often in the studio. Do you think she'd pose for me, Fred? | 0:28:47 | 0:28:55 | |
Would you like to, Ursula? | 0:28:52 | 0:28:55 | |
I don't know, I'm a bit of a fidget. When? | 0:28:55 | 0:28:59 | |
There'll be some pocket money in it for you. How's next Saturday? | 0:28:59 | 0:29:05 | |
I'll come along, if you like. | 0:29:06 | 0:29:10 | |
No, it's all right. | 0:29:08 | 0:29:10 | |
I'm not a child. | 0:29:11 | 0:29:13 | |
I shall call it, "Experience Rewarding Innocence". | 0:29:18 | 0:29:23 | |
I generally choose titles with cynicism, but this is an exception. | 0:29:24 | 0:29:29 | |
I'd almost given up hope of finding purity in a girl your age. | 0:29:29 | 0:29:34 | |
Would you like me to smile? | 0:29:35 | 0:29:41 | |
It's not your face I'm painting at the moment. | 0:29:37 | 0:29:41 | |
You're a good girl, Ursula, are you not? | 0:29:41 | 0:29:47 | |
My parents don't always think so. | 0:29:44 | 0:29:47 | |
Parents seldom do. | 0:29:47 | 0:29:49 | |
Do they smack your bottom? | 0:29:50 | 0:29:52 | |
Not any more. | 0:29:52 | 0:29:59 | |
Domestic bliss is a pleasure I've been denied. | 0:29:54 | 0:29:59 | |
I'm childless and wifeless. | 0:29:59 | 0:30:02 | |
I have to rely on others for my creature comforts. | 0:30:03 | 0:30:07 | |
Free spirits, untamed by convention. | 0:30:07 | 0:30:11 | |
Jolly good sports, like Fred. | 0:30:12 | 0:30:15 | |
I feel you are such a kindred spirit, Ursula. | 0:30:16 | 0:30:20 | |
< You have the power to make me the happiest of men. | 0:30:20 | 0:30:25 | |
At first the idea of my chastising you may seem abhorrent. | 0:30:25 | 0:30:30 | |
That is merely through association. | 0:30:30 | 0:30:33 | |
When you see the delight it affords me... | 0:30:33 | 0:30:37 | |
..you'll see it, not as a violation, but an act of love. | 0:30:37 | 0:30:42 | |
I'll awaken in you a world of sensuality. | 0:30:43 | 0:30:48 | |
You'll not find my gratitude ungenerous. | 0:30:48 | 0:30:51 | |
The pain is nothing, passes in a moment. And the marks soon fade. | 0:30:51 | 0:30:57 | |
But should I draw blood you'll feel the salt of my tears in your wounds. | 0:30:59 | 0:31:05 | |
I believe you mentioned a fee. | 0:31:08 | 0:31:11 | |
Get out! | 0:31:13 | 0:31:15 | |
< How dare you lead me on, you money-grabbing bitch?! | 0:31:15 | 0:31:20 | |
You disgusting little trollop! | 0:31:20 | 0:31:23 | |
Get out! | 0:31:23 | 0:31:25 | |
Ha! | 0:31:35 | 0:31:37 | |
Halt! | 0:31:37 | 0:31:39 | |
Quite commendable. You have the skill, but you lack the desire to win. | 0:31:44 | 0:31:50 | |
Yes, miss. Thank you. | 0:31:53 | 0:31:55 | |
And desire, girls, is the source of all truth and good. | 0:31:56 | 0:32:00 | |
Class dismissed. | 0:32:00 | 0:32:02 | |
There'll be no instruction next week owing to exams, so good luck. | 0:32:04 | 0:32:10 | |
-ALL: -Thank you, miss. | 0:32:08 | 0:32:10 | |
So, you got picked on today. | 0:32:11 | 0:32:14 | |
Ursula, I'm sorry about Mack. I should have thought it through. | 0:32:17 | 0:32:22 | |
It was... | 0:32:22 | 0:32:25 | |
An act of love, perhaps. | 0:32:22 | 0:32:25 | |
In a way. | 0:32:25 | 0:32:27 | |
There are things one should understand about life, even artists. | 0:32:27 | 0:32:32 | |
It's best to be prepared. | 0:32:33 | 0:32:39 | |
Who prepared me for that? | 0:32:34 | 0:32:39 | |
Experience is the best teacher. | 0:32:36 | 0:32:39 | |
I was half expecting you last weekend. | 0:32:41 | 0:32:44 | |
I was studying. | 0:32:46 | 0:32:48 | |
What are you doing in the holidays? | 0:32:49 | 0:32:52 | |
Uncle Henry's invited me to Grange Hall. I said I'd bring you. | 0:32:52 | 0:32:58 | |
You will come, won't you? | 0:32:58 | 0:33:01 | |
HORN | 0:33:14 | 0:33:17 | |
Out the way! | 0:33:15 | 0:33:17 | |
Nearly late for his own funeral. | 0:33:17 | 0:33:26 | |
Has there been a death in the family? | 0:33:20 | 0:33:26 | |
No, miss, it were only a miner. | 0:33:22 | 0:33:26 | |
A miner? | 0:33:24 | 0:33:26 | |
He leaves a wife and two bairns. | 0:33:26 | 0:33:28 | |
Was it an accident? | 0:33:28 | 0:33:31 | |
Consumption. | 0:33:30 | 0:33:31 | |
It gets them sooner or later. He died gradually - fretful. | 0:33:31 | 0:33:36 | |
My father went the same. It's a relief when it's over. | 0:33:36 | 0:33:42 | |
Gruesome. | 0:33:40 | 0:33:42 | |
And the widow? | 0:33:42 | 0:33:46 | |
She'll be getting married again directly. | 0:33:43 | 0:33:46 | |
< Her two sisters have just changed husbands. | 0:33:46 | 0:33:49 | |
Is Uncle Henry going to the funeral? | 0:33:49 | 0:33:56 | |
No, miss, but he'll send biggest wreath. | 0:33:52 | 0:33:56 | |
Ah! There you are! | 0:34:09 | 0:34:12 | |
About time, too. You missed Anton, I'm afraid. He was disappointed. | 0:34:12 | 0:34:18 | |
Never mind. I'm pleased your friend could manage it. | 0:34:20 | 0:34:25 | |
Hello. | 0:34:25 | 0:34:27 | |
I'm Henry Brangwen. | 0:34:27 | 0:34:33 | |
Hello. | 0:34:29 | 0:34:33 | |
Welcome to Grange Hall. | 0:34:29 | 0:34:33 | |
Thank you. | 0:34:31 | 0:34:33 | |
I'm so glad that... | 0:34:33 | 0:34:35 | |
I'm sorry. You're upset? | 0:34:35 | 0:34:38 | |
No. | 0:34:37 | 0:34:38 | |
She saw your wreath and burst into tears at the thought of that miner. | 0:34:38 | 0:34:44 | |
I did no such thing, I've a smut in my eye. | 0:34:44 | 0:34:50 | |
From one of your filthy pit chimneys. | 0:34:47 | 0:34:50 | |
Let me see. Williams should have had the top down, he's bone idle. | 0:34:50 | 0:34:55 | |
Just look up. | 0:34:55 | 0:34:57 | |
There! | 0:35:00 | 0:35:03 | |
Souvenir. | 0:35:13 | 0:35:15 | |
Why are the men so sad? | 0:35:30 | 0:35:37 | |
Are they? | 0:35:32 | 0:35:37 | |
They seem unutterably sad. | 0:35:34 | 0:35:37 | |
I wouldn't go as far as that. | 0:35:37 | 0:35:44 | |
They just take it all for granted. They accept their lot. | 0:35:39 | 0:35:44 | |
Why don't they alter it? | 0:35:49 | 0:35:54 | |
They alter themselves to fit the pits... | 0:35:51 | 0:35:54 | |
..rather than alter the pits to fit themselves. | 0:35:54 | 0:35:59 | |
It's easier. | 0:35:57 | 0:35:59 | |
You, of all people, agree... | 0:35:59 | 0:36:02 | |
..that human beings should adapt themselves to all kinds of horrors?! | 0:36:02 | 0:36:07 | |
We could easily do without the pits. | 0:36:07 | 0:36:11 | |
Until the wood ran out. | 0:36:11 | 0:36:13 | |
Perhaps their lives aren't so bad. | 0:36:13 | 0:36:16 | |
They are pretty bad. The pits are deep and hot, and in some places wet. | 0:36:16 | 0:36:21 | |
But they're paid good wages. They're sold to the pit. | 0:36:22 | 0:36:27 | |
And the women? | 0:36:29 | 0:36:31 | |
What do they get? | 0:36:33 | 0:36:35 | |
They get what's left. | 0:36:35 | 0:36:38 | |
BIRDSONG | 0:36:39 | 0:36:41 | |
How delightful to hear birds singing at night. | 0:36:48 | 0:36:53 | |
COUGHS | 0:36:51 | 0:36:53 | |
You will excuse me. | 0:36:54 | 0:36:56 | |
Good night! | 0:36:56 | 0:36:58 | |
Oh dear! What have I done now? | 0:37:07 | 0:37:09 | |
It's the canaries I breed for the pits. | 0:37:10 | 0:37:13 | |
The men take them down when they go to work. | 0:37:13 | 0:37:17 | |
How lovely. | 0:37:15 | 0:37:17 | |
When they stop singing, there's gas. One whiff and they're dead. The men have a minute. | 0:37:17 | 0:37:24 | |
Oh. | 0:37:24 | 0:37:29 | |
Ursula doesn't approve. They've saved many lives. | 0:37:25 | 0:37:29 | |
I get the impression that Ursula doesn't approve of you at all. | 0:37:29 | 0:37:35 | |
She loathes the fact that my pits support her family. | 0:37:35 | 0:37:42 | |
Perhaps I should go to her. | 0:37:39 | 0:37:42 | |
As you wish. I was about to retire myself. | 0:37:42 | 0:37:45 | |
Must be tiring working the pit. | 0:37:45 | 0:37:52 | |
The pits work themselves. It's my ankle - a strained tendon. | 0:37:47 | 0:37:52 | |
My doctor prescribes mustard baths. | 0:37:52 | 0:37:55 | |
Very anti-social. | 0:37:55 | 0:38:03 | |
I've heard of them prescribed for rheumatism, but not strains. | 0:37:57 | 0:38:03 | |
Really? | 0:38:01 | 0:38:03 | |
I'm a qualified osteopath. | 0:38:03 | 0:38:11 | |
Are you, now? | 0:38:05 | 0:38:11 | |
Would you like me to look at it? | 0:38:07 | 0:38:11 | |
Where? | 0:38:11 | 0:38:14 | |
Anywhere. | 0:38:12 | 0:38:14 | |
Here, if you like. | 0:38:16 | 0:38:18 | |
I don't know, they... | 0:38:20 | 0:38:23 | |
Are your servants. | 0:38:23 | 0:38:25 | |
They are rather limiting types. | 0:38:26 | 0:38:28 | |
Should they see my foot in your hand, they may... | 0:38:28 | 0:38:32 | |
May think I had a fetish. | 0:38:32 | 0:38:35 | |
Aye, they might. | 0:38:35 | 0:38:38 | |
It feels so strange - as if a kitten had swallowed a snake. | 0:38:53 | 0:38:58 | |
Give him to Jacobs before he has one of your fingers. > | 0:38:58 | 0:39:04 | |
What's the object of this caper? | 0:39:01 | 0:39:04 | |
Tell her, Jacobs. | 0:39:04 | 0:39:12 | |
Aye, sir. To save our prize lettuce from the rabbits. | 0:39:05 | 0:39:12 | |
They make such lovely pets - lettuce. | 0:39:10 | 0:39:12 | |
Ursula, do grow up. | 0:39:12 | 0:39:14 | |
Well, there's another prize lettuce - saved. | 0:39:18 | 0:39:25 | |
Right. You shall have it for lunch. | 0:39:21 | 0:39:25 | |
I can see how this game amuses you. | 0:39:26 | 0:39:29 | |
It's like your pit, this warren. Your men haven't got a hope. | 0:39:29 | 0:39:36 | |
They certainly breed like them. | 0:39:34 | 0:39:36 | |
Catch them in a net, or they perish in the dark. | 0:39:41 | 0:39:45 | |
Either way they're doomed. | 0:39:45 | 0:39:48 | |
Ursula lacks the courage of her convictions. | 0:39:58 | 0:40:03 | |
LAUGHS | 0:40:01 | 0:40:03 | |
Do you want to help me? | 0:41:01 | 0:41:04 | |
Yes, Daddy. | 0:41:02 | 0:41:04 | |
Help plant some taties if you like. | 0:41:04 | 0:41:08 | |
See these? > | 0:41:11 | 0:41:18 | |
Hmm. | 0:41:12 | 0:41:18 | |
These are the sprouts. They have to stand straight. | 0:41:13 | 0:41:18 | |
We've to put them so far apart, do you see? | 0:41:18 | 0:41:22 | |
You stay here, I'll go down there and we'll meet in the middle. | 0:41:22 | 0:41:27 | |
What are you doing?! You're tramping on them! | 0:41:56 | 0:42:00 | |
That's like you - following your stupid nose. | 0:42:00 | 0:42:04 | |
Ursula, dearest, what have I done? | 0:42:56 | 0:42:59 | |
Nothing. | 0:42:59 | 0:43:01 | |
Is it because of your Uncle Henry and me? | 0:43:01 | 0:43:05 | |
No... I'm glad. | 0:43:02 | 0:43:05 | |
He's invited me to stay on after you've gone. | 0:43:08 | 0:43:12 | |
But if you'd rather you and I went off somewhere... | 0:43:12 | 0:43:16 | |
No, I have to go home. I'm expecting my examination results. | 0:43:16 | 0:43:20 | |
You've nothing to worry about there. | 0:43:23 | 0:43:26 | |
You are fond of him, aren't you? | 0:43:26 | 0:43:33 | |
I've been fond of him ever since I was a child. | 0:43:28 | 0:43:33 | |
He's a man by himself. He has something apart from the rest. | 0:43:33 | 0:43:39 | |
Yes, I thought you'd get on. | 0:43:39 | 0:43:42 | |
I know you did. | 0:43:42 | 0:43:44 | |
"Love seeketh not itself to please." | 0:43:45 | 0:43:48 | |
But... Henry! | 0:43:48 | 0:43:50 | |
Why not Henry? | 0:43:50 | 0:43:52 | |
I'd like to destroy his colliery. | 0:43:52 | 0:43:55 | |
And put everyone out of work? | 0:43:55 | 0:44:02 | |
I'd rather they starve and grub the earth for roots. | 0:43:57 | 0:44:02 | |
And what about us poor women? Huh? | 0:44:02 | 0:44:05 | |
Yes, I'll stay. | 0:44:15 | 0:44:17 | |
It'll be best. | 0:44:17 | 0:44:19 | |
Now, tell me you love me. | 0:44:24 | 0:44:27 | |
SIGHS: Yes. | 0:44:28 | 0:44:29 | |
DAD! | 0:44:39 | 0:44:41 | |
DAD! | 0:44:43 | 0:44:45 | |
Dad, guess what! | 0:44:46 | 0:44:52 | |
Has Billy had too much birthday cake and disgraced himself? | 0:44:48 | 0:44:52 | |
Oh, Dad, please! | 0:44:52 | 0:44:54 | |
Does he like his tent? | 0:44:54 | 0:45:00 | |
Can't get him out of it. Dad, I passed my exams! | 0:44:56 | 0:45:00 | |
Hey! Well done, lass. | 0:45:00 | 0:45:03 | |
It came second post with a letter from my headmistress about a job. | 0:45:03 | 0:45:07 | |
A job? | 0:45:07 | 0:45:11 | |
Can't I go out to work? | 0:45:08 | 0:45:11 | |
Whatever for? You've enough to do helping your mother. | 0:45:11 | 0:45:15 | |
But I want some other kind of life! | 0:45:15 | 0:45:20 | |
What on earth do you mean by that? | 0:45:17 | 0:45:20 | |
-We'll discuss it after us tea. -IMITATES FANFARE | 0:45:20 | 0:45:24 | |
# Happy birthday to you | 0:45:25 | 0:45:27 | |
# Happy birthday, dear Billy, Happy birthday... # | 0:45:27 | 0:45:32 | |
COMMOTION | 0:45:34 | 0:45:36 | |
CHILD CRIES > | 0:45:37 | 0:45:39 | |
Here, come here! | 0:45:42 | 0:45:45 | |
What's the matter? Billy, what have you done to Rupert? | 0:45:45 | 0:45:50 | |
Mother, do something with him. | 0:45:50 | 0:45:53 | |
Come here, let me show you... | 0:45:53 | 0:45:56 | |
Your turn next, Ursula. What would you like? | 0:46:00 | 0:46:06 | |
Get her a bicycle, Dad, please. | 0:46:03 | 0:46:06 | |
To be free to earn my own keep. That's what I'd like best. | 0:46:06 | 0:46:11 | |
How will you do that? | 0:46:11 | 0:46:13 | |
I can become a teacher. I'm qualified by my matric. | 0:46:13 | 0:46:17 | |
Aye. | 0:46:17 | 0:46:19 | |
How much are you qualified to earn by your matric? | 0:46:20 | 0:46:24 | |
£50 a year. It's not much, but it's enough to live on. | 0:46:24 | 0:46:28 | |
What kind of teacher will you make? | 0:46:34 | 0:46:37 | |
You've no patience with your own brothers and sisters. | 0:46:37 | 0:46:41 | |
Some people don't think so. | 0:46:41 | 0:46:47 | |
Oh? | 0:46:43 | 0:46:47 | |
My headmistress, for one. | 0:46:44 | 0:46:47 | |
"I deeply sympathise with your desire to do something." | 0:46:47 | 0:46:52 | |
< "I shall be proud to see you win economic independence." | 0:46:52 | 0:46:56 | |
"It provides freedom of choice." | 0:46:57 | 0:47:00 | |
You did it behind our backs! | 0:47:00 | 0:47:03 | |
What do you mean? | 0:47:02 | 0:47:03 | |
School-leavers always have an interview with the headmistress. | 0:47:03 | 0:47:09 | |
"I see no reason why you shouldn't make a good teacher." | 0:47:12 | 0:47:17 | |
"After a year as an uncertified instructor, you could take a degree." | 0:47:17 | 0:47:22 | |
"That would give you the self-respect nothing else can." | 0:47:22 | 0:47:26 | |
She even sent an application form. | 0:47:26 | 0:47:29 | |
What's this about Kingston? | 0:47:33 | 0:47:36 | |
It's her old school. They've a vacancy. I can apply for an interview and have you sign it. | 0:47:36 | 0:47:43 | |
There's no way you're dancing off to London. | 0:47:43 | 0:47:48 | |
It's a good place to go. | 0:47:45 | 0:47:48 | |
How do you know?! | 0:47:48 | 0:47:52 | |
It's on the Thames, it's lovely. | 0:47:49 | 0:47:52 | |
You said, Mother, we have a right to what we want. | 0:47:52 | 0:47:58 | |
It's up to your father. | 0:47:55 | 0:47:58 | |
Why not get a post near here? | 0:47:58 | 0:48:03 | |
Something in town. | 0:48:00 | 0:48:03 | |
That slum! | 0:48:01 | 0:48:03 | |
I'd rather go right away. I'm fed up with housework. | 0:48:04 | 0:48:09 | |
Indeed?! You have too much opinion of yourself. | 0:48:09 | 0:48:13 | |
There's a place for me and I want to go. | 0:48:13 | 0:48:17 | |
You're not going. | 0:48:17 | 0:48:21 | |
Why not?! | 0:48:18 | 0:48:21 | |
That's why not! | 0:48:19 | 0:48:21 | |
London's full of troops off to South Africa - no place for a girl. | 0:48:29 | 0:48:35 | |
We'll see the local authorities about a place here. | 0:48:35 | 0:48:40 | |
You can put me off, but one day I'll get a place and I won't stop at home. | 0:48:40 | 0:48:46 | |
NOBODY WANTS YOU TO STOP AT HOME! | 0:48:46 | 0:48:49 | |
# Il etait une bergere Et ron et ron petit patapon # | 0:48:53 | 0:48:58 | |
# Il etait une bergere Qui gardait ses moutons Qui gardait ses moutons... # | 0:48:58 | 0:49:05 | |
KNOCKING | 0:49:36 | 0:49:39 | |
Come in. | 0:49:37 | 0:49:39 | |
Isn't it a nasty morning? | 0:49:45 | 0:49:48 | |
Yes, not much of weather. | 0:49:48 | 0:49:51 | |
Am I early? | 0:49:52 | 0:49:54 | |
Twenty-five past - you're second to come. I'm first this morning. | 0:49:55 | 0:50:00 | |
Must you do so many? | 0:50:05 | 0:50:07 | |
COUGHS | 0:50:07 | 0:50:09 | |
Fifty-six. | 0:50:10 | 0:50:12 | |
But they're not all for your class. | 0:50:12 | 0:50:17 | |
Why aren't they? | 0:50:15 | 0:50:17 | |
It's too many. | 0:50:16 | 0:50:17 | |
-CHUCKLES: -You've got about the same. | 0:50:17 | 0:50:21 | |
FOOTSTEPS | 0:50:21 | 0:50:23 | |
That'll be Miss Hardy, Headmaster's assistant. | 0:50:23 | 0:50:27 | |
Oh! You are early. | 0:50:30 | 0:50:32 | |
I'll warrant you don't keep that up. | 0:50:33 | 0:50:37 | |
That...is Mr Harvey's peg. | 0:50:39 | 0:50:42 | |
This...is yours. | 0:50:45 | 0:50:47 | |
Aren't you taking your hat off? | 0:50:49 | 0:50:52 | |
Standard Five teacher always has that one. | 0:50:52 | 0:50:55 | |
Isn't it a beastly morning? | 0:51:07 | 0:51:12 | |
POKES FIRE VIOLENTLY | 0:51:09 | 0:51:12 | |
Beastly! | 0:51:10 | 0:51:12 | |
If there's one thing I hate it's a wet Monday morning... | 0:51:12 | 0:51:17 | |
..kids trailing in anyhow. | 0:51:17 | 0:51:20 | |
This...belongs over there. | 0:51:20 | 0:51:22 | |
You've brought your apron, haven't you? | 0:51:25 | 0:51:28 | |
You've no idea what a sight you'll look before half past four. | 0:51:29 | 0:51:35 | |
Jim Richards! What are you doing, peering in? Come here! | 0:51:35 | 0:51:40 | |
I want you to go and askmyma for a pinny for Miss Brangwen. | 0:51:42 | 0:51:47 | |
Yes, miss. | 0:51:47 | 0:51:49 | |
What are you going for? And what shall you say to my ma? | 0:51:49 | 0:51:55 | |
School pinny, miss. | 0:51:53 | 0:51:55 | |
"Please, Mrs Harby, Miss Harby says to send down another pinafore for Miss Brangwen... | 0:51:55 | 0:52:03 | |
..because she's come without one." | 0:52:03 | 0:52:10 | |
Yes, miss. | 0:52:06 | 0:52:10 | |
< What are you going to say?! | 0:52:07 | 0:52:10 | |
Miss Harby wants a pinny for Miss Brangwin. | 0:52:10 | 0:52:14 | |
Miss BrangWEN. Be quick about it. | 0:52:14 | 0:52:17 | |
He's a caution, that boy - but not bad. Follow me! | 0:52:17 | 0:52:22 | |
Here we are. Standards Three, Four, Five and Six. | 0:52:30 | 0:52:36 | |
This is your place - Standard Five. | 0:52:37 | 0:52:41 | |
-TUTS: -Mr Harvey will be teaching through there. | 0:52:41 | 0:52:46 | |
He'll be keeping an eye on you. | 0:52:47 | 0:52:50 | |
If you can find your way back to the teachers' room he'll be there. | 0:52:51 | 0:52:56 | |
You had a wet walk. | 0:53:06 | 0:53:11 | |
I don't mind. I'm used to it. | 0:53:08 | 0:53:11 | |
You will sign your name here. | 0:53:23 | 0:53:26 | |
And the time when you come and go. | 0:53:28 | 0:53:31 | |
CHILDREN PLAY OUTSIDE | 0:53:31 | 0:53:34 | |
Miss Brangwen, there are some exercise books on the top shelf. | 0:53:34 | 0:53:39 | |
Get them, would you ? | 0:53:39 | 0:53:41 | |
I'm so sorry. | 0:53:57 | 0:53:59 | |
CLEARS THROAT > | 0:54:13 | 0:54:15 | |
I'd let them in now. | 0:54:15 | 0:54:18 | |
Miss Brangwen, you will go to the lobby with Mr Brunt. | 0:54:19 | 0:54:24 | |
Door! | 0:54:26 | 0:54:28 | |
Sharp! Sharp! | 0:54:34 | 0:54:36 | |
Wake up! Wake up! | 0:54:36 | 0:54:38 | |
QUIET DOWN! QUIET! | 0:54:39 | 0:54:41 | |
In line! | 0:54:41 | 0:54:46 | |
WHAT DID I SAY?! QUIET! | 0:54:43 | 0:54:46 | |
Leaders in place! Standards Four, Five and Six... | 0:54:47 | 0:54:52 | |
..FALL IN! | 0:54:54 | 0:54:56 | |
PIANO PLAYS MARCHING TUNE | 0:55:00 | 0:55:03 | |
Class Five, quick march. | 0:55:09 | 0:55:12 | |
HALT! | 0:55:33 | 0:55:35 | |
Who told Standard Five to come in first like this? | 0:55:39 | 0:55:44 | |
I am responsible, Mr Harby. | 0:55:47 | 0:55:50 | |
This is Miss Brangwen, replacement teacher for Standard Five. | 0:55:51 | 0:55:56 | |
For her benefit we'll start again. | 0:55:57 | 0:56:00 | |
CRACKS KNUCKLES | 0:56:21 | 0:56:23 | |
PIANO | 0:56:25 | 0:56:27 | |
Describe the modern factory and the assembly of a given product. | 0:56:51 | 0:56:57 | |
I will expect you... | 0:56:57 | 0:57:00 | |
We will start with a composition. | 0:57:06 | 0:57:09 | |
Write me a short essay on... | 0:57:10 | 0:57:13 | |
..the rabbit. | 0:57:13 | 0:57:15 | |
ALL GROAN | 0:57:15 | 0:57:17 | |
Miss, I got the pinny. | 0:57:17 | 0:57:20 | |
Thank you. Timmy, isn't it? | 0:57:20 | 0:57:26 | |
No, miss, it's Jim. | 0:57:22 | 0:57:26 | |
I'm sorry. Thank you. | 0:57:23 | 0:57:26 | |
ROARS OF LAUGHTER | 0:57:36 | 0:57:38 | |
WHO IS RESPONSIBLE FOR THIS?! > | 0:57:42 | 0:57:45 | |
Yes, Richards? | 0:57:49 | 0:57:50 | |
Sir, Miss forgot her pinny, and Miss Harby sent me for one of hers. | 0:57:50 | 0:57:56 | |
I put it in my satchel so it wouldn't get rained on... | 0:57:56 | 0:58:00 | |
..and there were chalk in it. I forgot, sir. | 0:58:00 | 0:58:05 | |
Spell the word "pinafore". | 0:58:03 | 0:58:05 | |
P-I-N-A-F-O-U-R | 0:58:06 | 0:58:10 | |
CHILDREN LAUGH | 0:58:10 | 0:58:12 | |
You will write "pinafore" 100 times on the blackboard after school. | 0:58:12 | 0:58:17 | |
Miss Brangwen will supervise you. This time she will supply the chalk. | 0:58:18 | 0:58:23 | |
LAUGHTER | 0:58:23 | 0:58:25 | |
Silence. Resume your studies. | 0:58:26 | 0:58:30 | |
I will examine your efforts in the morning. | 0:58:31 | 0:58:35 | |
Isn't it done? | 0:59:05 | 0:59:08 | |
Not yet. | 0:59:06 | 0:59:08 | |
I didn't know we had a stove. Must be jolly bringing lunch. | 0:59:08 | 0:59:12 | |
On the other hand, if one lived here it would be jollier to go home. | 0:59:13 | 0:59:19 | |
Miss Brangwen, if I were you I'd get a tighter hand on my class. | 0:59:19 | 0:59:24 | |
Would you? Aren't I strict enough? | 0:59:24 | 0:59:27 | |
They'll get you down if you don't tackle them. | 0:59:27 | 0:59:31 | |
They'll pull you down till Harby has you shifted. | 0:59:31 | 0:59:35 | |
You won't last a month if you don't tackle them. | 0:59:35 | 0:59:39 | |
But I... | 0:59:39 | 0:59:42 | |
He's got his eye on you. | 0:59:40 | 0:59:42 | |
< Get in his bad books and you'll be out. | 0:59:42 | 0:59:45 | |
Not that it matters to me, except I might have to cope with your class. | 0:59:46 | 0:59:52 | |
Will it be so terrible? | 0:59:53 | 0:59:58 | |
I don't know about terrible. | 0:59:55 | 0:59:58 | |
I do feel frightened. The children seem so... | 0:59:59 | 1:00:03 | |
So...what? | 1:00:03 | 1:00:05 | |
Mr Brunt says I must tackle my class. | 1:00:06 | 1:00:09 | |
You have to keep order to teach. | 1:00:09 | 1:00:14 | |
If you want to survive. | 1:00:11 | 1:00:14 | |
If you can't do that, what good are you? | 1:00:14 | 1:00:18 | |
You'll have to do it by yourself. | 1:00:18 | 1:00:21 | |
Indeed. | 1:00:21 | 1:00:23 | |
Some people can't be helped. | 1:00:23 | 1:00:26 | |
Do you think there will be a war? | 1:00:26 | 1:00:32 | |
More like a bloody massacre in your case. | 1:00:28 | 1:00:32 | |
When you say "Their fur is brown", how do you spell "their"? | 1:00:38 | 1:00:43 | |
Please, miss - T-H-E-I-R! | 1:00:43 | 1:00:46 | |
Richards. Stand up. | 1:00:46 | 1:00:48 | |
Who told you to call out? | 1:00:48 | 1:00:50 | |
I was answering, sir. | 1:00:50 | 1:00:53 | |
Go to my desk. | 1:00:51 | 1:00:53 | |
Pens down. | 1:00:57 | 1:00:59 | |
Fold arms. | 1:01:00 | 1:01:02 | |
What is the subject of your composition? | 1:01:02 | 1:01:06 | |
I wouldn't advise you to call out. | 1:01:06 | 1:01:09 | |
Well, Alice? | 1:01:09 | 1:01:13 | |
The rabbit, sir. | 1:01:11 | 1:01:13 | |
Not very difficult for Standard Five. Or very original. | 1:01:13 | 1:01:18 | |
Don't nibble your lip. You've written about rabbits so often you're turning into one. | 1:01:19 | 1:01:26 | |
BEATS BOY SIX TIMES > | 1:01:37 | 1:01:40 | |
That'll do, Richards, you can go. | 1:02:02 | 1:02:07 | |
But the master said 100 times. | 1:02:04 | 1:02:07 | |
I know, but you may go home now. | 1:02:07 | 1:02:10 | |
I said go home. | 1:02:10 | 1:02:12 | |
OW! | 1:02:45 | 1:02:47 | |
I cut my finger on a nail. | 1:02:58 | 1:03:00 | |
Where was that? | 1:03:04 | 1:03:08 | |
Erm...on my desk. | 1:03:05 | 1:03:08 | |
Show me, I'll take care of it. | 1:03:08 | 1:03:13 | |
Yes, thank you, I will tomorrow. | 1:03:10 | 1:03:13 | |
That Richards, Miss Brangwen, you've made a rod for your own back. | 1:03:18 | 1:03:23 | |
You're very young and inexperienced. | 1:03:24 | 1:03:27 | |
Hardly out of school yourself. | 1:03:27 | 1:03:30 | |
I could be very useful to you, Miss Brangwen. | 1:03:30 | 1:03:34 | |
I could make it easier for you. | 1:03:34 | 1:03:36 | |
So much easier. If only you'd... | 1:03:36 | 1:03:39 | |
I could swallow you whole. | 1:03:43 | 1:03:45 | |
You see, Miss Brangwen, only my cane rules this school. | 1:03:46 | 1:03:51 | |
SOBS | 1:04:00 | 1:04:02 | |
Hello, lass! How did it go? | 1:04:32 | 1:04:34 | |
Fine, Dad. It was a bit strange at first. | 1:04:34 | 1:04:38 | |
Bound to be. Hey, you just missed your Uncle Henry. | 1:04:38 | 1:04:43 | |
Oh? | 1:04:43 | 1:04:48 | |
Dropped in with a lady. | 1:04:45 | 1:04:48 | |
Oh? | 1:04:48 | 1:04:51 | |
< Your old teacher. | 1:04:49 | 1:04:51 | |
Miss Inger? | 1:04:51 | 1:04:53 | |
Aye. Seems they're getting married. | 1:04:54 | 1:04:57 | |
And guess what. | 1:04:57 | 1:04:59 | |
They want you to be chief bridesmaid. | 1:04:59 | 1:05:03 | |
LAUGHS > | 1:05:03 | 1:05:05 | |
< TAPPING ON GLASS | 1:05:12 | 1:05:14 | |
< Relations, neighbours, friends, lift up your glasses and drink to the hearth and the home. | 1:05:14 | 1:05:21 | |
The hearth, the home, and may they enjoy them. | 1:05:21 | 1:05:27 | |
-ALL: -The hearth, the home! | 1:05:24 | 1:05:27 | |
Night and day and may they enjoy it. | 1:05:27 | 1:05:32 | |
-ALL: -Night and day! | 1:05:29 | 1:05:32 | |
Hammer and tongs, and may they enjoy them. | 1:05:32 | 1:05:37 | |
Hammer and tongs! | 1:05:34 | 1:05:37 | |
Bed and blessings, and may they enjoy them. | 1:05:37 | 1:05:43 | |
-LAUGHS: -Bed and blessings! | 1:05:39 | 1:05:43 | |
Marriage... Marriage... | 1:05:45 | 1:05:49 | |
CHATTER CONTINUES | 1:05:47 | 1:05:49 | |
Marriage is... | 1:05:49 | 1:05:53 | |
HUSH DESCENDS | 1:05:50 | 1:05:53 | |
It's what we're made for. | 1:05:51 | 1:05:53 | |
A man enjoys being a man. | 1:05:53 | 1:05:56 | |
< For what purpose was he made a man if not to enjoy it? | 1:05:56 | 1:06:01 | |
And likewise a woman enjoys being a woman. | 1:06:02 | 1:06:06 | |
Least in my eyes she does. | 1:06:06 | 1:06:09 | |
Now, for a man to be a man it takes a woman... | 1:06:10 | 1:06:14 | |
..and for a woman to be a woman it takes a man. > | 1:06:15 | 1:06:19 | |
And therefore we have marriage. | 1:06:22 | 1:06:27 | |
Don't run us off our legs. | 1:06:24 | 1:06:27 | |
There is no marriage in heaven, but on earth there is. | 1:06:27 | 1:06:31 | |
If there are no marriages in heaven, where do the angels come from? | 1:06:31 | 1:06:37 | |
LAUGHTER | 1:06:35 | 1:06:37 | |
Angels... If there's got to be angels... | 1:06:38 | 1:06:42 | |
There's got to be, hasn't there? | 1:06:42 | 1:06:44 | |
If there's got to be angels, and there are no men or women amongst them... | 1:06:44 | 1:06:51 | |
..it seems to me as a married couple makes one angel. | 1:06:51 | 1:06:56 | |
It's the drink! | 1:06:57 | 1:06:59 | |
Go on. | 1:07:01 | 1:07:02 | |
An angel has got to be more than a human being. | 1:07:04 | 1:07:09 | |
So I say an angel is the soul of a man and a woman in one. | 1:07:09 | 1:07:15 | |
And, and, and...! | 1:07:17 | 1:07:19 | |
No, wait! They rise up, united in the Judgement Day, as one angel. | 1:07:19 | 1:07:24 | |
Aye! | 1:07:25 | 1:07:27 | |
I had an angel up my nose once. | 1:07:27 | 1:07:31 | |
LAUGHTER | 1:07:29 | 1:07:31 | |
My mother said, "Why are you poking about up there?" | 1:07:32 | 1:07:36 | |
I said, "I've got an angel up my nose." She gave me such a swipe. | 1:07:36 | 1:07:41 | |
We called dandelion seeds "angels" and I'd stuffed one up my nose. | 1:07:43 | 1:07:48 | |
If I become an angel, it'll be my married soul, not my single soul. | 1:07:52 | 1:07:58 | |
So I say...an angel is the soul of a man and a woman... | 1:07:58 | 1:08:04 | |
..in one. | 1:08:04 | 1:08:06 | |
How lovely. | 1:08:09 | 1:08:12 | |
Praise the Lord. | 1:08:10 | 1:08:12 | |
ALL: Praise the Lord! | 1:08:13 | 1:08:15 | |
Praise the Lord! | 1:08:16 | 1:08:18 | |
BRASS BAND | 1:08:20 | 1:08:23 | |
Isn't it nice to have a wedding? | 1:08:29 | 1:08:34 | |
You have confetti in your hair. | 1:08:31 | 1:08:34 | |
I hear you're teaching. | 1:08:34 | 1:08:37 | |
Yes. I thought you might have gone off to war. | 1:08:37 | 1:08:42 | |
I embark at Southampton on Friday. | 1:08:39 | 1:08:42 | |
Do you want to go? | 1:08:43 | 1:08:46 | |
I want to go, yes. | 1:08:44 | 1:08:46 | |
Ladies and gentlemen, take your partners for the Lancers, please. | 1:08:47 | 1:08:52 | |
# JOLLY MUSIC # | 1:08:52 | 1:08:56 | |
Why do you want to go to war? | 1:08:57 | 1:09:00 | |
To do something genuine. It's a toy life, as it is. | 1:09:00 | 1:09:04 | |
What'll you be doing? | 1:09:04 | 1:09:10 | |
Making railways, building bridges, working like a slave. | 1:09:06 | 1:09:10 | |
But they'll be pulled down when the Army's done with them. | 1:09:10 | 1:09:15 | |
It's like a game. | 1:09:15 | 1:09:19 | |
Not to those taking part. | 1:09:16 | 1:09:19 | |
It's about the most serious business there is, fighting. | 1:09:19 | 1:09:23 | |
Why is fighting more serious than teaching, for instance? | 1:09:24 | 1:09:29 | |
You kill or get killed. It's serious enough, killing. | 1:09:29 | 1:09:34 | |
When you're dead you don't matter. | 1:09:34 | 1:09:39 | |
But it matters whether we settle the Boers. | 1:09:36 | 1:09:39 | |
Not to you or me. Do you want to live in Africa? | 1:09:39 | 1:09:43 | |
No, but we have to do this or it's the end of the nation. | 1:09:43 | 1:09:47 | |
But we aren't the nation. Heaps of others are. | 1:09:47 | 1:09:51 | |
Everybody could say that. | 1:09:51 | 1:09:53 | |
If everybody said it, there'd be no nation, but I should be myself. | 1:09:53 | 1:09:58 | |
You'd be at the mercy of every robber that came along. | 1:09:58 | 1:10:03 | |
They wouldn't get much. | 1:10:01 | 1:10:03 | |
I'd rather be swept off my feet by a robber than a soldier. | 1:10:04 | 1:10:08 | |
Only because you can't imagine me out of uniform. | 1:10:09 | 1:10:12 | |
Will this do? | 1:11:19 | 1:11:21 | |
Now may I steal your heart? | 1:11:23 | 1:11:26 | |
It's not my heart you want but my soul. | 1:11:26 | 1:11:29 | |
Kiss me. | 1:11:31 | 1:11:33 | |
Kiss me, Anton! Kiss me! Kiss me! | 1:13:12 | 1:13:18 | |
MUSIC & CHATTER | 1:13:28 | 1:13:30 | |
They see war as a game, anyway. | 1:14:02 | 1:14:05 | |
Bang! | 1:14:06 | 1:14:09 | |
Arghhhh! | 1:14:07 | 1:14:09 | |
Anton? | 1:14:24 | 1:14:28 | |
What? | 1:14:26 | 1:14:28 | |
Come back to me. | 1:14:28 | 1:14:31 | |
Yes. | 1:14:29 | 1:14:31 | |
You will come back to me? | 1:14:31 | 1:14:34 | |
I will come back. | 1:14:32 | 1:14:34 | |
I'm going to dance with Anton. | 1:14:35 | 1:14:38 | |
May I take the soldier? | 1:14:39 | 1:14:41 | |
Ursula's looking a bit upset. | 1:15:09 | 1:15:13 | |
Oh? | 1:15:11 | 1:15:13 | |
< Ask her to dance. | 1:15:13 | 1:15:15 | |
Go and ask her. Go and ask her now. | 1:15:16 | 1:15:19 | |
As father of the chief bridesmaid, may I have the pleasure? | 1:15:21 | 1:15:26 | |
Such a condition in a class. | 1:15:43 | 1:15:45 | |
I don't believe it. Simply disgraceful. | 1:15:47 | 1:15:50 | |
I can't think how you've been allowed to get like it. | 1:15:51 | 1:15:55 | |
Every Monday I shall examine these books... | 1:15:55 | 1:15:58 | |
..so don't think you can unlearn everything you've learned... | 1:15:58 | 1:16:04 | |
..and go back to Standard Three. | 1:16:04 | 1:16:07 | |
Why are you writing in pencil? | 1:16:07 | 1:16:12 | |
There aren't enough pens to go round. | 1:16:09 | 1:16:12 | |
Not enough pens, Miss Brangwen? | 1:16:12 | 1:16:16 | |
No. We are five short. | 1:16:16 | 1:16:18 | |
Oh. And how is that? | 1:16:18 | 1:16:21 | |
How many are here today? | 1:16:24 | 1:16:28 | |
Twenty-four. | 1:16:26 | 1:16:28 | |
How many pens are there? Staples? | 1:16:29 | 1:16:32 | |
Please, sir, 19. | 1:16:33 | 1:16:35 | |
That's very curious. A few days ago there were 24 pens. | 1:16:35 | 1:16:40 | |
Now there are 19. What's 19 from 24, Richards? | 1:16:40 | 1:16:44 | |
Please, sir? | 1:16:44 | 1:16:48 | |
I'm waiting, Richards. | 1:16:46 | 1:16:48 | |
Eleven, sir. | 1:16:49 | 1:16:51 | |
I would advise you to attend. 19 from 24 is 5, so there are five pens to account for. | 1:16:51 | 1:16:58 | |
Have you looked for them, Staples? | 1:16:58 | 1:17:03 | |
Yes, sir. | 1:17:01 | 1:17:03 | |
Am I to have thieving, besides your dirt, bad work and bad behaviour? | 1:17:04 | 1:17:09 | |
Not content with being the worst class in the school, you are thieves as well. | 1:17:09 | 1:17:16 | |
Pens do not melt into the air, or mizzle away into nothing. | 1:17:16 | 1:17:21 | |
They must be somewhere and they must be found by Standard Five. | 1:17:21 | 1:17:27 | |
They were lost by Standard Five and they must be found! | 1:17:27 | 1:17:33 | |
WHISTLE | 1:17:30 | 1:17:33 | |
No recreation until all pens are found. | 1:17:33 | 1:17:37 | |
Miss Brangwen will organise the search. | 1:17:37 | 1:17:41 | |
To start with, you will turn out your desks completely. | 1:17:43 | 1:17:48 | |
Not just your books, but conkers, string, sweets, everything. | 1:17:48 | 1:17:53 | |
Be quiet, Wesley. What is it? | 1:17:59 | 1:18:04 | |
Please, miss, Richards hit me. | 1:18:01 | 1:18:04 | |
Come in front, Richards. | 1:18:04 | 1:18:06 | |
I said come in front! | 1:18:06 | 1:18:10 | |
I SHAN'T! | 1:18:08 | 1:18:10 | |
Ah! Get off! | 1:18:12 | 1:18:15 | |
STAND STILL! | 1:18:18 | 1:18:20 | |
Fold your arms! | 1:18:20 | 1:18:22 | |
LAUGHTER | 1:18:23 | 1:18:25 | |
Get off me, you bitch! | 1:18:25 | 1:18:28 | |
OW! | 1:18:26 | 1:18:28 | |
OW! | 1:18:28 | 1:18:30 | |
Get off! > | 1:18:39 | 1:18:41 | |
WHAT IS GOING ON HERE?! | 1:18:52 | 1:18:55 | |
I've thrashed him. | 1:18:58 | 1:19:00 | |
Get up! Go and stand by my desk! | 1:19:03 | 1:19:06 | |
If you settle Benson and Staples the same way, you'll be all right. | 1:19:19 | 1:19:24 | |
Put your things away tidily! | 1:19:24 | 1:19:27 | |
Sharp! Sharp! | 1:19:25 | 1:19:27 | |
I said... put your things away tidily! | 1:19:29 | 1:19:33 | |
There will be no more time wasted looking for lost pens. | 1:19:35 | 1:19:40 | |
New pens will be issued first thing Monday morning. | 1:19:41 | 1:19:45 | |
Carry on! | 1:19:45 | 1:19:47 | |
What's he say? | 1:20:12 | 1:20:14 | |
You know perfectly well. | 1:20:14 | 1:20:16 | |
Since it's all about the weather, it must be in code. | 1:20:16 | 1:20:20 | |
There's a tatie pot in the oven for you. | 1:20:20 | 1:20:24 | |
Thanks, Mother. | 1:20:24 | 1:20:26 | |
Dad in church? | 1:20:35 | 1:20:37 | |
As usual. | 1:20:37 | 1:20:39 | |
Aren't you hungry? | 1:20:39 | 1:20:41 | |
Pay day! | 1:20:41 | 1:20:46 | |
You've been there a month already? | 1:20:43 | 1:20:46 | |
This is my board. | 1:20:46 | 1:20:48 | |
Fifty shillings. | 1:20:50 | 1:20:52 | |
Aye. | 1:20:52 | 1:20:54 | |
Come and get your dinner. Billy, bedtime. | 1:20:55 | 1:20:59 | |
That was the happiest day of her life. | 1:21:41 | 1:21:44 | |
A souvenir from the class bouquet? | 1:21:44 | 1:21:47 | |
A memento of her time at that prison. | 1:21:47 | 1:21:51 | |
I thought she enjoyed the challenge. | 1:21:51 | 1:21:54 | |
Nobody likes school. | 1:21:54 | 1:21:56 | |
You don't like your art school? | 1:21:56 | 1:21:59 | |
That's different. | 1:21:57 | 1:21:59 | |
Here's us at Scarborough in the holidays. | 1:21:59 | 1:22:02 | |
A few sunny days on parole. | 1:22:02 | 1:22:05 | |
Dad and I ran the handicrafts school. | 1:22:05 | 1:22:08 | |
Ursula spent her time at the harbour with the sailors. | 1:22:08 | 1:22:12 | |
No souvenirs of them? | 1:22:13 | 1:22:15 | |
Not here. There's plenty of you, though. | 1:22:15 | 1:22:19 | |
I've often wondered about this one. Who are those wretched folk? | 1:22:19 | 1:22:24 | |
The Boers. The enemy. | 1:22:24 | 1:22:27 | |
But they're civilians. And that woman - were you fighting women? | 1:22:27 | 1:22:32 | |
She had six notches in her rifle. | 1:22:32 | 1:22:38 | |
Why? | 1:22:35 | 1:22:38 | |
Six notches - six lives. | 1:22:35 | 1:22:38 | |
Carlisle College with the suffragettes - and the teachers. | 1:22:38 | 1:22:42 | |
Another prison? | 1:22:42 | 1:22:44 | |
This is beautiful. | 1:22:47 | 1:22:49 | |
A cross section of human hair. Such delicate abstraction. | 1:22:49 | 1:22:54 | |
I prefer the coarse reality. | 1:22:55 | 1:22:58 | |
Gudrun! | 1:22:57 | 1:22:58 | |
Anton was just admiring...your hair. | 1:23:09 | 1:23:13 | |
She was only being polite. | 1:23:14 | 1:23:17 | |
We were waiting for you. | 1:23:19 | 1:23:21 | |
Yes. Exams started late. | 1:23:21 | 1:23:24 | |
How did you do? | 1:23:24 | 1:23:29 | |
Not very well. You shouldn't have encouraged her. | 1:23:25 | 1:23:29 | |
No. But I was all agog. | 1:23:29 | 1:23:32 | |
You've been very busy these last two years, haven't you? | 1:23:33 | 1:23:38 | |
Yes. So have you, I gather. | 1:23:38 | 1:23:41 | |
Yes. | 1:23:41 | 1:23:43 | |
I'm very happy to see you. | 1:23:46 | 1:23:50 | |
Thank you. | 1:23:48 | 1:23:50 | |
Is there anything you'd like to do? | 1:23:50 | 1:23:53 | |
Is there anything we can do? | 1:23:53 | 1:23:59 | |
There's nothing to do here. | 1:23:55 | 1:23:59 | |
Then let's walk. | 1:23:57 | 1:23:59 | |
By the river? | 1:23:59 | 1:24:01 | |
I was quite flattered by the space allocated to me in your scrapbook. | 1:24:12 | 1:24:17 | |
Soldiering is more important than teaching. | 1:24:17 | 1:24:21 | |
I'd hoped you'd forgotten that. | 1:24:22 | 1:24:24 | |
The number of times I've regretted that last evening. | 1:24:24 | 1:24:29 | |
It could have ended there and then. | 1:24:29 | 1:24:32 | |
No, you were right. I enjoyed that awful school because I had such high hopes for college. | 1:24:32 | 1:24:39 | |
I saw it as a kind of religious retreat, a temple dedicated to truth and learning. | 1:24:39 | 1:24:46 | |
In reality, it's just a factory where you learn to make money. | 1:24:46 | 1:24:51 | |
In the Army, we earn glory. | 1:24:51 | 1:24:53 | |
I read the casualty lists every week. It was horrible. | 1:24:53 | 1:24:57 | |
I knew I'd come back. | 1:24:57 | 1:24:59 | |
I went back to our church once. Everything was clean and orderly. | 1:24:59 | 1:25:04 | |
Seemed like a dream. | 1:25:04 | 1:25:06 | |
It's getting dark. | 1:25:07 | 1:25:09 | |
Shall I hold your hand? | 1:25:09 | 1:25:11 | |
I'm not afraid of the dark in England - it's soft and natural. | 1:25:15 | 1:25:20 | |
It's my medium. Especially when you are here. | 1:25:20 | 1:25:24 | |
The darkness, were you afraid of it in Africa? | 1:25:24 | 1:25:28 | |
Yes. The darkness there is filled with fear, like the smell of blood. | 1:25:28 | 1:25:34 | |
The blacks know it. They worship it. | 1:25:34 | 1:25:37 | |
The darkness. One almost likes it. The fear -... | 1:25:37 | 1:25:41 | |
..something sensual. | 1:25:42 | 1:25:44 | |
Did you think of me in the darkness? | 1:25:45 | 1:25:48 | |
You were at the back of everything. | 1:25:48 | 1:25:51 | |
I had to come back to you. | 1:25:51 | 1:25:54 | |
This is lovely. | 1:26:44 | 1:26:46 | |
The last time I was here it was under false pretences, too. | 1:26:46 | 1:26:51 | |
Another lover? | 1:26:51 | 1:26:57 | |
Yes! | 1:26:52 | 1:26:57 | |
Aren't I the first? | 1:26:53 | 1:26:57 | |
First and last. No, it was Winifred. | 1:26:54 | 1:26:57 | |
Really? | 1:26:57 | 1:26:59 | |
She was my first great passion. | 1:26:59 | 1:27:02 | |
I'm sure she said above the front door. Here we are. | 1:27:02 | 1:27:06 | |
Welcome. | 1:27:07 | 1:27:09 | |
I'm glad you're not always naked or all the women'd fall in love with you | 1:27:20 | 1:27:26 | |
They do, regularly. I'm considered quite a catch. | 1:27:26 | 1:27:30 | |
Oh! Not a fish out of water, I hope, flapping about on the ground. | 1:27:30 | 1:27:36 | |
Oh, no, there's my colonel's daughter, for instance. | 1:27:36 | 1:27:40 | |
SNIFFS | 1:28:22 | 1:28:24 | |
Scent? | 1:28:24 | 1:28:28 | |
Soap. | 1:28:25 | 1:28:28 | |
Soap! | 1:28:27 | 1:28:28 | |
GIGGLES | 1:28:31 | 1:28:33 | |
Would you rather live in India or England when we're married? | 1:28:36 | 1:28:41 | |
India, by far. Nice of you to ask. | 1:28:38 | 1:28:41 | |
It was decided long ago, wasn't it? When I first kissed you. | 1:28:41 | 1:28:46 | |
You'll like India. There's a good social life, hunting, polo. | 1:28:46 | 1:28:51 | |
I'll teach you to ride. | 1:28:51 | 1:28:53 | |
Plenty of servants...who'll cook, bathe babies, keep you cool. | 1:28:53 | 1:28:59 | |
I'll teach little Hindus to write essays on the rabbit! | 1:28:59 | 1:29:04 | |
You wouldn't have to teach, you wouldn't have to do anything. | 1:29:06 | 1:29:11 | |
But I do want to teach, and I don't want to be with other people. | 1:29:11 | 1:29:16 | |
I want to be like this. Isn't this enough? | 1:29:16 | 1:29:20 | |
It's enough for now. | 1:29:20 | 1:29:22 | |
Then let's have no more talk of marriage. | 1:29:22 | 1:29:26 | |
Which means that I'm to get supper tomorrow? | 1:29:26 | 1:29:32 | |
I'll keep you to that! | 1:29:29 | 1:29:32 | |
BLOWS HORN | 1:29:38 | 1:29:40 | |
Strawberries! Strawberries! Fresh ripe strawberries! | 1:29:40 | 1:29:44 | |
Shush, you'll wake them. | 1:29:44 | 1:29:46 | |
All this hollering and pounding. | 1:29:46 | 1:29:49 | |
I expected them up at this hour. | 1:29:49 | 1:29:55 | |
Woman, you have a fickle memory. | 1:29:52 | 1:29:55 | |
Strawberries! Fresh ripe strawberries! | 1:29:55 | 1:29:58 | |
What a bore! | 1:29:58 | 1:30:04 | |
She's supposed to be chaperoning us. We're supposed to be her guests. | 1:29:59 | 1:30:04 | |
Were you expecting her? | 1:30:04 | 1:30:08 | |
Didn't I say? | 1:30:06 | 1:30:08 | |
< Lt Skrebensky, your staff sergeant here. | 1:30:08 | 1:30:12 | |
< Ursula! Anton! I wonder where they are. | 1:30:12 | 1:30:16 | |
< Maybe they've gone out. | 1:30:16 | 1:30:20 | |
< Don't be stupid, woman. | 1:30:18 | 1:30:20 | |
BABY CRIES | 1:30:22 | 1:30:24 | |
Good morning, grocer. Kindly leave them on the doorstep and go away! | 1:30:29 | 1:30:34 | |
Why have you got your bloomers round your neck? | 1:30:35 | 1:30:40 | |
< Anton's wearing my nightie! | 1:30:40 | 1:30:43 | |
But do you love him? | 1:30:51 | 1:30:54 | |
It isn't a question of love. I love him well enough. | 1:30:54 | 1:30:58 | |
More than anyone else. | 1:30:58 | 1:31:00 | |
And I shall never love anyone else the same again. | 1:31:00 | 1:31:04 | |
What does it mean, love? It doesn't lead anywhere. | 1:31:04 | 1:31:09 | |
It isn't supposed to lead anywhere. It's an end in itself. | 1:31:09 | 1:31:13 | |
Then I could love a hundred men one after the other. | 1:31:13 | 1:31:18 | |
Why should I end as Mrs Skrebensky, social wife? | 1:31:18 | 1:31:22 | |
Why not love all the types I fancy, as Ursula Brangwen, spinster, school mistress? | 1:31:22 | 1:31:29 | |
Then you don't love him. | 1:31:29 | 1:31:36 | |
I tell you, I do. Quite as much, and perhaps more, than any of the others. | 1:31:31 | 1:31:36 | |
But there are things that aren't in Anton that I'd love in other men. | 1:31:36 | 1:31:42 | |
Like what? | 1:31:40 | 1:31:42 | |
An understanding, a directness. A man who could let go - reckless and passionate. | 1:31:42 | 1:31:48 | |
What is this fantastic fulfilment you're hankering after? | 1:31:49 | 1:31:53 | |
Is it just other men? Hmm? > | 1:31:53 | 1:31:56 | |
If it is, you'd better marry Anton. | 1:31:57 | 1:32:01 | |
The other thing can only end badly. | 1:32:01 | 1:32:04 | |
So I'm to marry out of fear of myself? | 1:32:04 | 1:32:08 | |
< We're ready for you! | 1:32:09 | 1:32:11 | |
< Time for mixed doubles. | 1:32:11 | 1:32:13 | |
I can see you on an elephant - amongst adoring natives. | 1:32:16 | 1:32:21 | |
I shall be glad to leave England, it's so unspiritual. | 1:32:21 | 1:32:27 | |
Leave the home of democracy? | 1:32:24 | 1:32:27 | |
Democracy... is only for the degenerate races. | 1:32:27 | 1:32:32 | |
Why is democracy unspiritual? | 1:32:32 | 1:32:38 | |
Because only the ugly and the greedy succeed. | 1:32:33 | 1:32:38 | |
The people elect the government. | 1:32:38 | 1:32:41 | |
But what are the people? Each of them has a money interest, and they choose those who have money. | 1:32:41 | 1:32:48 | |
They rule in the name of money. | 1:32:48 | 1:32:51 | |
To me democracy means equality. | 1:32:51 | 1:32:54 | |
The equality of the wage packet is a democracy of dirt. | 1:32:54 | 1:32:58 | |
Then you should give away your worldly goods. | 1:32:58 | 1:33:03 | |
Or join us filthy aristocrats! | 1:33:00 | 1:33:03 | |
Up onto the pedestal! | 1:33:03 | 1:33:06 | |
Revolutionaries and aristocrats don't mix. | 1:33:06 | 1:33:10 | |
But she is an aristocrat - of the spirit. | 1:33:10 | 1:33:14 | |
YES! | 1:33:16 | 1:33:18 | |
Stay just as long as you like. | 1:33:19 | 1:33:22 | |
As long as you don't want to play croquet at the hall! | 1:33:22 | 1:33:26 | |
Bye! | 1:33:27 | 1:33:29 | |
Marriage agrees with them. | 1:33:36 | 1:33:40 | |
Meaning they agree with each other. | 1:33:37 | 1:33:40 | |
It's a little odd, though. | 1:33:40 | 1:33:45 | |
Odd? | 1:33:41 | 1:33:45 | |
Something unnatural about Winifred. | 1:33:42 | 1:33:45 | |
Yes, she has two left feet. | 1:33:45 | 1:33:48 | |
I meant her tendencies. | 1:33:46 | 1:33:48 | |
She should be in a freak show(!) | 1:33:48 | 1:33:51 | |
Your relationship isn't healthy. Just as well we're going to India. | 1:33:51 | 1:33:58 | |
You say the Indians aren't healthy. | 1:33:55 | 1:33:58 | |
We'll improve health standards. | 1:33:58 | 1:34:03 | |
I meant you might find them freakish. | 1:34:00 | 1:34:03 | |
Ursula, you must come with me for your own good. | 1:34:03 | 1:34:07 | |
You'll govern the Indians for their own good with your dead judgements. | 1:34:07 | 1:34:11 | |
If they have to bow down to you, I do not. You're so self-righteous! | 1:34:11 | 1:34:17 | |
Aren't you righteous, in your own mind? | 1:34:18 | 1:34:21 | |
Yes! But at least I am something. There's nobody there where you are. | 1:34:21 | 1:34:27 | |
Are you anybody, with your old dead things? | 1:34:27 | 1:34:30 | |
I didn't mean to hurt you. | 1:34:38 | 1:34:40 | |
Yes, you did. | 1:34:40 | 1:34:43 | |
The words came out without my knowing. | 1:34:44 | 1:34:48 | |
They didn't mean anything really. | 1:34:51 | 1:34:54 | |
You're a romantic, up on some hill... | 1:34:55 | 1:34:58 | |
..so you'll always be looking down, always disappointed. | 1:34:58 | 1:35:03 | |
Why must I climb that hill, Anton? Why not stay below? | 1:35:03 | 1:35:08 | |
Why force one's way up, step after step, for a moment of exhilaration at the top... | 1:35:09 | 1:35:15 | |
..only to plunge into a dark valley? | 1:35:15 | 1:35:18 | |
When shall we be married? | 1:35:18 | 1:35:24 | |
I don't know! | 1:35:20 | 1:35:24 | |
Don't you want to be married? | 1:35:21 | 1:35:24 | |
I don't think I do! | 1:35:24 | 1:35:26 | |
You mean never, or not yet? | 1:35:26 | 1:35:30 | |
I mean never. | 1:35:28 | 1:35:30 | |
He may take you back. You'll have to wait for his reply to your letter. | 1:35:33 | 1:35:39 | |
I was full of apologies for my perverse, selfish behaviour. | 1:35:39 | 1:35:43 | |
The child will make a difference. | 1:35:46 | 1:35:49 | |
That's what decided me. | 1:35:49 | 1:35:51 | |
I must go to him, because it's his child and because... | 1:35:52 | 1:35:56 | |
..he once loved me. | 1:35:56 | 1:35:58 | |
Is that the only reason? | 1:35:59 | 1:36:01 | |
Croquet! | 1:36:01 | 1:36:03 | |
I thought about my mother, too. | 1:36:03 | 1:36:06 | |
If it was enough for her to have her man and children, why not for me? | 1:36:06 | 1:36:12 | |
Why do I punish those who love me? I should be grateful for them. | 1:36:12 | 1:36:17 | |
Do your parents know? | 1:36:17 | 1:36:23 | |
I couldn't tell them so soon after failing my degree. | 1:36:19 | 1:36:23 | |
What if Anton says no? | 1:36:23 | 1:36:25 | |
I'll live at home with the child and go back to teaching. | 1:36:26 | 1:36:31 | |
You haven't even seen a midwife. | 1:36:31 | 1:36:34 | |
What if Anton says yes, you go to India and you find you're not with child? | 1:36:34 | 1:36:40 | |
You'll come straight back, that's what you'll do. | 1:36:44 | 1:36:49 | |
A child binds you to a man as securely as if you were handcuffed. | 1:36:50 | 1:36:55 | |
Aren't you and Henry...? | 1:36:56 | 1:36:59 | |
Very good companions. | 1:36:57 | 1:36:59 | |
But remember, you will always be welcome here. | 1:37:03 | 1:37:07 | |
GONG | 1:37:07 | 1:37:09 | |
Tea. | 1:37:09 | 1:37:14 | |
I won't stop. | 1:37:10 | 1:37:14 | |
Henry'll be back soon. | 1:37:11 | 1:37:14 | |
It's getting late. I'll get my things. | 1:37:14 | 1:37:17 | |
WHINNIES | 1:37:58 | 1:38:00 | |
WHINNYING | 1:38:17 | 1:38:19 | |
HOOVES THUNDER | 1:38:30 | 1:38:33 | |
LAUGHTER | 1:39:02 | 1:39:04 | |
-< ..SEVERAL VOICES: -< # ..Gently down the stream | 1:39:40 | 1:39:44 | |
< # Merrily, merrily, merrily, merrily, life is but a dream | 1:39:44 | 1:39:49 | |
< # Row, row, row your boat Gently down the stream... # | 1:39:49 | 1:39:53 | |
< SINGING CONTINUES | 1:39:53 | 1:39:55 | |
SCREAM | 1:41:28 | 1:41:30 | |
Your mother said to let you lie in, but I had to see you were all right. | 1:41:41 | 1:41:46 | |
Thanks, Dad. | 1:41:46 | 1:41:48 | |
< We wondered where you'd got to. | 1:41:51 | 1:41:54 | |
No bike or anything. | 1:41:55 | 1:41:57 | |
Me and your mother were worried. | 1:41:59 | 1:42:02 | |
And er...then we saw the telegram had gone. | 1:42:03 | 1:42:06 | |
Yes, I saw you'd opened it. | 1:42:06 | 1:42:09 | |
The boy asked if there was a reply. Naturally your mother thought... | 1:42:10 | 1:42:15 | |
No marriage, no bike, no wonder you were worried. | 1:42:17 | 1:42:21 | |
The bike's in a ditch. Is that where you expected to find me? | 1:42:23 | 1:42:28 | |
I can see there's nothing much wrong with you. | 1:42:28 | 1:42:32 | |
You were quite feverish earlier. | 1:42:33 | 1:42:35 | |
I caught a chill. | 1:42:35 | 1:42:38 | |
I heard the party. Didn't want to be a wet blanket. | 1:42:38 | 1:42:42 | |
Don't be so silly. | 1:42:42 | 1:42:44 | |
Your mother took the children out. Anything I can get you? | 1:42:46 | 1:42:51 | |
No thanks, Dad. I think I'll lie in for a while. | 1:42:51 | 1:42:55 | |
Thanks for the tea. | 1:42:55 | 1:42:57 | |
Aye. | 1:42:57 | 1:42:59 | |
Goodbye, lass. | 1:42:59 | 1:43:00 | |
Bye, Dad. | 1:43:00 | 1:43:02 | |
Don't work too hard. | 1:43:03 | 1:43:05 | |
I'm er... I'm in town today. Thought I'd drop in your old school. | 1:43:05 | 1:43:10 | |
Whatever for? | 1:43:11 | 1:43:13 | |
Well, now that you're... | 1:43:13 | 1:43:16 | |
Now that you're... | 1:43:16 | 1:43:18 | |
Now that I'm an old maid? | 1:43:18 | 1:43:22 | |
Let me finish. | 1:43:20 | 1:43:22 | |
Now you're not off to the other side of the world... | 1:43:22 | 1:43:25 | |
Or even the other side of London. | 1:43:25 | 1:43:28 | |
I was just going to say that... this has always been, and always will be, your home. | 1:43:28 | 1:43:35 | |
Hey, look, there's a rainbow. | 1:43:43 | 1:43:46 | |
Subtitles by Patrick Kelly & John McLoughlin, Intelfax | 1:44:46 | 1:44:49 | |
E-mail us at [email protected] | 1:44:49 | 1:44:51 |