Browse content similar to The Ring. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This film contains some strong language. | 0:00:05 | 0:00:13 | |
RAIN PATTERING | 0:00:21 | 0:00:24 | |
TEENAGED GIRL: I hate television. | 0:00:26 | 0:00:29 | |
Gives me headaches. | 0:00:29 | 0:00:31 | |
WOMAN ON TV: ..makes your colour-treated hair... | 0:00:31 | 0:00:33 | |
You know, I heard there's | 0:00:33 | 0:00:34 | |
so many magnetic waves travelling through the air | 0:00:34 | 0:00:36 | |
because of TV and telephones, that we're losing, like | 0:00:36 | 0:00:38 | |
ten times as many brain cells as we're supposed to. | 0:00:38 | 0:00:41 | |
Like, all the molecules in our heads are all unstable. | 0:00:41 | 0:00:44 | |
All the companies know about it | 0:00:44 | 0:00:46 | |
but they're not doing anything about it. | 0:00:46 | 0:00:48 | |
It's, like, a big conspiracy. | 0:00:48 | 0:00:50 | |
SIGHING: You can pick something. | 0:00:50 | 0:00:52 | |
I don't care. | 0:00:52 | 0:00:53 | |
'Say hello to luscious, full bod...' | 0:00:53 | 0:00:56 | |
You have any idea how many electro-rays | 0:00:56 | 0:00:59 | |
are travelling through our head every second? | 0:00:59 | 0:01:02 | |
I got a better one. | 0:01:02 | 0:01:04 | |
Have you heard about this videotape | 0:01:04 | 0:01:06 | |
that kills you when you watch it? | 0:01:06 | 0:01:07 | |
What kind of tape? | 0:01:07 | 0:01:09 | |
A tape, a regular tape. | 0:01:09 | 0:01:10 | |
People rent it, I don't know. | 0:01:10 | 0:01:12 | |
You start to play it | 0:01:12 | 0:01:13 | |
and it's, like, somebody's nightmare. | 0:01:13 | 0:01:17 | |
Then suddenly, this woman comes on | 0:01:17 | 0:01:21 | |
smiling at you, right? | 0:01:21 | 0:01:23 | |
Seeing you through the screen... | 0:01:23 | 0:01:25 | |
and as soon as it's over... | 0:01:25 | 0:01:28 | |
your phone rings. | 0:01:28 | 0:01:30 | |
Someone knows you've watched it | 0:01:30 | 0:01:33 | |
and what they say is... | 0:01:33 | 0:01:35 | |
"You will die in seven days." | 0:01:35 | 0:01:38 | |
And exactly seven days later... | 0:01:38 | 0:01:41 | |
Who told you that? | 0:01:41 | 0:01:42 | |
Somebody from Revere. I don't... | 0:01:42 | 0:01:44 | |
Who told you? | 0:01:44 | 0:01:45 | |
What's your problem? | 0:01:45 | 0:01:47 | |
I've watched it. | 0:01:47 | 0:01:50 | |
SIGHING: It's a story, Katie. | 0:01:50 | 0:01:52 | |
No, me and Josh, we saw it last weekend. | 0:01:52 | 0:01:54 | |
I thought you were with your parents. I wanted to tell you. | 0:01:54 | 0:01:56 | |
You were with Josh all weekend? | 0:01:56 | 0:01:57 | |
Some of his friends got this, this place | 0:01:57 | 0:01:59 | |
up in the mountains. | 0:01:59 | 0:02:00 | |
They were trying to record a football game. | 0:02:00 | 0:02:02 | |
I guess the reception was so bad... | 0:02:02 | 0:02:04 | |
What are you talking about? Listen to me! | 0:02:04 | 0:02:06 | |
When we played the tape, the game wasn't there. | 0:02:06 | 0:02:08 | |
It was... | 0:02:08 | 0:02:11 | |
What? | 0:02:11 | 0:02:12 | |
Wh-what was it? | 0:02:12 | 0:02:14 | |
It was something else. | 0:02:14 | 0:02:17 | |
We thought it was some kind of sick joke... | 0:02:19 | 0:02:23 | |
and then the phone rang. | 0:02:23 | 0:02:25 | |
It was a week ago... | 0:02:27 | 0:02:29 | |
One week ago tonight. | 0:02:29 | 0:02:33 | |
CHUCKLES NERVOUSLY | 0:02:33 | 0:02:35 | |
You're just trying to scare me. | 0:02:35 | 0:02:37 | |
GAGGING | 0:02:41 | 0:02:43 | |
GAGGING CONTINUING | 0:02:45 | 0:02:46 | |
Oh, my God, Katie! | 0:02:46 | 0:02:48 | |
Are you OK? | 0:02:48 | 0:02:50 | |
Katie...oh, my... | 0:02:50 | 0:02:51 | |
SNICKERING | 0:02:51 | 0:02:53 | |
You freak! | 0:02:53 | 0:02:55 | |
LAUGHING: You totally fell for it! | 0:02:55 | 0:02:57 | |
No. | 0:02:57 | 0:02:58 | |
So...did you guys, you know, do anything? | 0:02:58 | 0:03:03 | |
Like what? | 0:03:03 | 0:03:05 | |
Oh, my God, you totally did! | 0:03:05 | 0:03:08 | |
You ho! | 0:03:08 | 0:03:09 | |
Tell me now! | 0:03:09 | 0:03:10 | |
PHONE RINGING | 0:03:10 | 0:03:12 | |
TICKING | 0:03:14 | 0:03:16 | |
RINGING CONTINUING | 0:03:16 | 0:03:18 | |
There really is a tape? | 0:03:26 | 0:03:28 | |
RINGING CONTINUING | 0:03:28 | 0:03:32 | |
RINGING CONTINUING | 0:03:37 | 0:03:40 | |
SIGHS | 0:03:50 | 0:03:52 | |
This is so lame. | 0:03:52 | 0:03:53 | |
Wait, don't! Embrey residence. | 0:03:53 | 0:03:56 | |
PANTS NERVOUSLY | 0:03:56 | 0:03:58 | |
Hello. | 0:04:13 | 0:04:16 | |
Hi, Mom. | 0:04:16 | 0:04:18 | |
SIGHS ANGRILY | 0:04:18 | 0:04:20 | |
Yeah, that was Becca. | 0:04:20 | 0:04:21 | |
My mom says hi. She's glad you're here. | 0:04:21 | 0:04:23 | |
Ask her where she keeps the Vicodin. | 0:04:23 | 0:04:26 | |
CHUCKLES | 0:04:26 | 0:04:27 | |
Yeah, we're about to go to sleep. | 0:04:27 | 0:04:29 | |
OK. Yeah, I will. | 0:04:29 | 0:04:31 | |
OK! OK, yeah, yeah, I will. | 0:04:31 | 0:04:35 | |
No, I won't. | 0:04:35 | 0:04:38 | |
Bye, Mom. | 0:04:38 | 0:04:40 | |
BEEPS | 0:04:40 | 0:04:41 | |
TV STATIC BLARING | 0:04:41 | 0:04:44 | |
STATIC CONTINUING | 0:04:53 | 0:04:55 | |
Becca, quit being a bitch. | 0:05:04 | 0:05:05 | |
Where's the remote? | 0:05:05 | 0:05:07 | |
RAIN CONTINUING | 0:05:12 | 0:05:16 | |
TV STATIC RESUMES | 0:05:16 | 0:05:19 | |
STATIC CONTINUES | 0:05:27 | 0:05:29 | |
Becca, quit it! | 0:05:31 | 0:05:33 | |
STATIC CONTINUES | 0:05:33 | 0:05:35 | |
WHIMPERS | 0:05:39 | 0:05:41 | |
PANTING NERVOUSLY | 0:05:41 | 0:05:44 | |
SIGHS | 0:05:44 | 0:05:45 | |
GASPS, EERIE RUMBLING | 0:05:45 | 0:05:49 | |
PANTING | 0:06:07 | 0:06:10 | |
WHIMPERS SOFTLY | 0:06:10 | 0:06:12 | |
WHIMPERS, THUMP | 0:06:17 | 0:06:19 | |
Becca, can you hear me? | 0:06:29 | 0:06:32 | |
PANTING | 0:06:32 | 0:06:35 | |
STATIC HISSING | 0:06:39 | 0:06:41 | |
HISSING CONTINUING | 0:06:51 | 0:06:53 | |
BREATHING NERVOUSLY | 0:07:00 | 0:07:02 | |
HIGH-PITCHED ELECTRONIC WHINE | 0:07:07 | 0:07:10 | |
STATIC BLARING | 0:07:10 | 0:07:12 | |
RAIN CONTINUING | 0:07:12 | 0:07:14 | |
RAIN PATTERING | 0:07:24 | 0:07:28 | |
DISTANT DOOR OPENS | 0:07:28 | 0:07:29 | |
WOMAN: Don't tell me what to write! | 0:07:29 | 0:07:31 | |
That asshole's screaming for my attention | 0:07:31 | 0:07:33 | |
and I'm not going to give it to him. | 0:07:33 | 0:07:34 | |
I am being objective! | 0:07:34 | 0:07:35 | |
Listen, Harvey, you punctilious prick | 0:07:35 | 0:07:37 | |
you touch my column | 0:07:37 | 0:07:38 | |
and I'm coming down there and poking your eye out | 0:07:38 | 0:07:41 | |
with that little red pencil you like so much! | 0:07:41 | 0:07:44 | |
Harvey? | 0:07:44 | 0:07:45 | |
Shit! | 0:07:45 | 0:07:47 | |
Hey... | 0:07:49 | 0:07:51 | |
Hey. | 0:07:51 | 0:07:53 | |
Sorry I'm late. | 0:07:53 | 0:07:55 | |
No worries. | 0:07:55 | 0:07:57 | |
I'll wait in the car. | 0:07:57 | 0:07:59 | |
Have you got a moment, Ms Keller? | 0:08:01 | 0:08:03 | |
Um, sure. | 0:08:03 | 0:08:05 | |
Call me Rachel. | 0:08:05 | 0:08:06 | |
Please, sit down. | 0:08:06 | 0:08:08 | |
He certainly is very independent, isn't he? | 0:08:08 | 0:08:11 | |
Oh, yeah, he sure is. | 0:08:11 | 0:08:12 | |
I never have to tell him to do anything. | 0:08:12 | 0:08:14 | |
Well, if that's a problem | 0:08:14 | 0:08:16 | |
you'd be the first teacher in history to say so. | 0:08:16 | 0:08:18 | |
- Ms Keller... - Rachel. | 0:08:18 | 0:08:20 | |
I know that Aidan recently lost | 0:08:20 | 0:08:23 | |
his cousin... | 0:08:23 | 0:08:24 | |
Yes, and I'm doing what I can | 0:08:24 | 0:08:26 | |
to find him some good daycare. It's just... | 0:08:26 | 0:08:27 | |
Oh, no, that's not what I meant. | 0:08:27 | 0:08:29 | |
By all means, take your time. | 0:08:29 | 0:08:30 | |
I know they were very close, Aidan and his cousin. | 0:08:30 | 0:08:32 | |
Yeah. They spent a few nights a week together. | 0:08:32 | 0:08:35 | |
Did he talk to you about her death? | 0:08:35 | 0:08:38 | |
Well, like you said, he's not the talkative type. | 0:08:38 | 0:08:41 | |
That doesn't mean he has nothing to say. | 0:08:41 | 0:08:43 | |
He knows I'm there. | 0:08:45 | 0:08:47 | |
Yes, I'm sure he does | 0:08:47 | 0:08:50 | |
but he may be expressing himself in...other ways. | 0:08:50 | 0:08:54 | |
I'd like to show you something. | 0:08:54 | 0:08:57 | |
That's his cousin. | 0:09:07 | 0:09:10 | |
That's Katie. | 0:09:10 | 0:09:11 | |
Ms Keller... I'm bothered by these drawings. | 0:09:11 | 0:09:16 | |
Listen, I appreciate your concern, | 0:09:18 | 0:09:21 | |
but my son lost his best friend three nights ago. | 0:09:21 | 0:09:24 | |
He's just trying to deal with it. | 0:09:24 | 0:09:25 | |
Yes, I understand, but these pictures... | 0:09:25 | 0:09:27 | |
Are Aidan's way of working it out... | 0:09:27 | 0:09:29 | |
of expressing himself, like you said. | 0:09:29 | 0:09:31 | |
KEYS JINGLING | 0:09:31 | 0:09:32 | |
He'll be OK. | 0:09:32 | 0:09:35 | |
You say she died three nights ago? | 0:09:37 | 0:09:40 | |
Yeah, that's right. | 0:09:40 | 0:09:41 | |
Aidan drew these last week. | 0:09:41 | 0:09:44 | |
What? | 0:10:07 | 0:10:10 | |
Nothing. | 0:10:10 | 0:10:12 | |
Shall we read something? | 0:10:20 | 0:10:23 | |
I'm kind of tired. | 0:10:23 | 0:10:24 | |
OK. | 0:10:24 | 0:10:26 | |
Sweet dreams. | 0:10:28 | 0:10:29 | |
We don't have enough time. | 0:10:32 | 0:10:33 | |
Oh, honey, I know I've been working a lot | 0:10:37 | 0:10:39 | |
and I'm sorry, | 0:10:39 | 0:10:40 | |
but I promise you, I'm going to make it up to you. | 0:10:40 | 0:10:43 | |
I'm not talking about that. | 0:10:43 | 0:10:44 | |
I'm talking about time before we die. | 0:10:44 | 0:10:47 | |
You have lots of time. | 0:10:50 | 0:10:51 | |
So, you know when I'm going to die? | 0:10:51 | 0:10:53 | |
No. No-one does, | 0:10:53 | 0:10:56 | |
but I know you don't have to worry about it. | 0:10:56 | 0:10:59 | |
Katie knew. | 0:10:59 | 0:11:01 | |
She told me. | 0:11:01 | 0:11:03 | |
Katie told you she was going to die? | 0:11:03 | 0:11:04 | |
She said she didn't have enough time. | 0:11:04 | 0:11:08 | |
Good night, Rachel. | 0:11:10 | 0:11:12 | |
TRAFFIC PASSING | 0:11:25 | 0:11:29 | |
RACHEL: Oh, shit! | 0:11:29 | 0:11:31 | |
GRUNTING | 0:11:31 | 0:11:34 | |
Aidan... | 0:11:34 | 0:11:36 | |
Goddamn it! | 0:11:38 | 0:11:39 | |
Honey?! | 0:11:39 | 0:11:41 | |
Have you seen my black dress? | 0:11:41 | 0:11:43 | |
Aidan? | 0:11:43 | 0:11:45 | |
Have you seen my black... | 0:11:45 | 0:11:47 | |
dress? | 0:11:47 | 0:11:50 | |
It's a little wrinkled. | 0:11:52 | 0:11:54 | |
It's fine. | 0:12:00 | 0:12:01 | |
Yeah. Thank you. | 0:12:39 | 0:12:41 | |
Kids don't have strokes... | 0:13:06 | 0:13:08 | |
unless they're on drugs. | 0:13:08 | 0:13:10 | |
So, then, why the closed coffin? | 0:13:10 | 0:13:12 | |
Oh, Ruthie. | 0:13:16 | 0:13:18 | |
I'm so sorry. | 0:13:18 | 0:13:21 | |
SNIFFLES | 0:13:21 | 0:13:24 | |
You all right, Dave? | 0:13:30 | 0:13:32 | |
Yeah, I'm fine. | 0:13:34 | 0:13:37 | |
How are you? | 0:13:37 | 0:13:38 | |
He sleeps all day. | 0:13:46 | 0:13:50 | |
He doesn't move. | 0:13:50 | 0:13:51 | |
DISH CLATTERS | 0:13:51 | 0:13:52 | |
It's too much for him. | 0:13:52 | 0:13:55 | |
It doesn't make any sense, Rachel. | 0:13:56 | 0:14:00 | |
I spent four hours on the internet | 0:14:00 | 0:14:03 | |
and I couldn't find one single case | 0:14:03 | 0:14:05 | |
of a 16-year-old girl's heart just stopping. | 0:14:05 | 0:14:08 | |
I spoke to three different doctors and not one of them | 0:14:08 | 0:14:12 | |
could tell me exactly what happened to my daughter. | 0:14:12 | 0:14:15 | |
DISH CLATTERS | 0:14:15 | 0:14:17 | |
WATER STOPS RUNNING | 0:14:17 | 0:14:20 | |
She was close... with you... | 0:14:20 | 0:14:24 | |
And Aidan. | 0:14:24 | 0:14:26 | |
But she confided in you. | 0:14:26 | 0:14:28 | |
Yeah, but she never said anything... | 0:14:28 | 0:14:30 | |
nothing that would explain what happened. | 0:14:30 | 0:14:33 | |
But you could find out. | 0:14:33 | 0:14:35 | |
It's what you do, isn't it - | 0:14:35 | 0:14:38 | |
ask questions? | 0:14:38 | 0:14:39 | |
Rachel, please. | 0:14:41 | 0:14:44 | |
I saw her face. | 0:14:48 | 0:14:50 | |
TEENAGED GIRL: I knew Becca. | 0:14:59 | 0:15:01 | |
I mean, she was a little intense | 0:15:01 | 0:15:03 | |
but she wasn't crazy. | 0:15:03 | 0:15:04 | |
They don't put you in booties and a straitjacket | 0:15:04 | 0:15:05 | |
if you're just freaked out. | 0:15:05 | 0:15:07 | |
Something scared the shit out of her. | 0:15:07 | 0:15:09 | |
Hi. | 0:15:09 | 0:15:11 | |
MUSIC PLAYING SOFTLY | 0:15:11 | 0:15:13 | |
So, who's in the mental hospital? | 0:15:13 | 0:15:16 | |
Becca... | 0:15:16 | 0:15:18 | |
Katie's friend. | 0:15:18 | 0:15:19 | |
Oh, right. She was the one who was... | 0:15:19 | 0:15:21 | |
There when it happened. | 0:15:21 | 0:15:23 | |
So, what do you think they were doing up there? | 0:15:23 | 0:15:27 | |
Oh, thanks. | 0:15:28 | 0:15:30 | |
I remember I was that age. | 0:15:30 | 0:15:33 | |
Me and my girlfriend used to | 0:15:33 | 0:15:34 | |
sneak up to my room, get high. | 0:15:34 | 0:15:37 | |
Do you think maybe she was into...? | 0:15:37 | 0:15:39 | |
TEENAGED BOY: It's not about that. | 0:15:39 | 0:15:42 | |
It's about the tape. | 0:15:42 | 0:15:44 | |
Kellen, don't even. | 0:15:44 | 0:15:45 | |
What tape? | 0:15:45 | 0:15:47 | |
The one that kills you when you watch it. | 0:15:47 | 0:15:49 | |
Oh, please. | 0:15:49 | 0:15:50 | |
What was on the tape? | 0:15:50 | 0:15:53 | |
I haven't seen it, obviously. | 0:15:53 | 0:15:55 | |
RACHEL: But Katie told you she saw this tape? | 0:15:55 | 0:15:57 | |
Not Katie. | 0:15:57 | 0:15:59 | |
I heard it from her boyf... | 0:15:59 | 0:16:01 | |
You heard it from who? | 0:16:01 | 0:16:03 | |
She was dating this guy Josh. | 0:16:03 | 0:16:06 | |
He goes to Revere. | 0:16:06 | 0:16:07 | |
It was kind of a secret. | 0:16:07 | 0:16:09 | |
Kind of? | 0:16:09 | 0:16:10 | |
Where is he - Josh? Is-is he here? | 0:16:10 | 0:16:13 | |
KELLEN: Josh is dead. | 0:16:13 | 0:16:14 | |
RACHEL: What? | 0:16:14 | 0:16:16 | |
What happened? | 0:16:16 | 0:16:18 | |
Supposedly, he killed himself... | 0:16:18 | 0:16:20 | |
the same night that Katie died. | 0:16:20 | 0:16:22 | |
EERIE RUMBLING | 0:17:28 | 0:17:30 | |
RAIN FALLING OUTSIDE | 0:17:33 | 0:17:36 | |
Aidan...what are you doing in here? | 0:17:41 | 0:17:45 | |
Come on. | 0:17:47 | 0:17:48 | |
We shouldn't be in her room. | 0:17:48 | 0:17:51 | |
It's not her room any more. | 0:17:51 | 0:17:53 | |
RAIN CONTINUING | 0:17:53 | 0:17:56 | |
RAIN CONTINUING | 0:18:06 | 0:18:09 | |
TRAIN RUMBLING | 0:18:34 | 0:18:37 | |
SIGHS | 0:18:54 | 0:18:56 | |
TRAFFIC PASSING | 0:19:16 | 0:19:18 | |
RACHEL: 10:00pm. | 0:19:26 | 0:19:28 | |
10:00pm. | 0:19:44 | 0:19:48 | |
RACHEL: Time of death, Wade, | 0:19:48 | 0:19:51 | |
that's all I want to know. | 0:19:51 | 0:19:53 | |
The name's Katie Embrey. | 0:19:53 | 0:19:54 | |
Pull the report and read the time. | 0:19:54 | 0:19:57 | |
No, that's OK. I'll hold. | 0:19:57 | 0:19:58 | |
"Punctilious prick"? | 0:19:58 | 0:20:01 | |
Nice alliteration, huh? | 0:20:01 | 0:20:03 | |
You're fired. No, I'm not. | 0:20:03 | 0:20:05 | |
Yes, you are. | 0:20:05 | 0:20:06 | |
No, I'm not. | 0:20:06 | 0:20:08 | |
I'm cooking too good a story. | 0:20:08 | 0:20:11 | |
What is it? | 0:20:11 | 0:20:12 | |
Yeah, I'm still here. | 0:20:12 | 0:20:14 | |
Shh! | 0:20:16 | 0:20:17 | |
OK, so what's the time of death? | 0:20:20 | 0:20:22 | |
BELL DINGS | 0:21:02 | 0:21:04 | |
DOOR CREAKS | 0:21:04 | 0:21:06 | |
Hi. I was wondering... | 0:21:06 | 0:21:08 | |
Pick a card, any card. | 0:21:08 | 0:21:10 | |
Go ahead. | 0:21:10 | 0:21:12 | |
OK, put it back. | 0:21:12 | 0:21:15 | |
Don't let me see it. | 0:21:15 | 0:21:17 | |
That your card? | 0:21:21 | 0:21:23 | |
No. | 0:21:23 | 0:21:24 | |
Damn. | 0:21:24 | 0:21:27 | |
I was wondering if you'd remember someone from a week ago. | 0:21:27 | 0:21:30 | |
Was there a problem? | 0:21:30 | 0:21:32 | |
It's my niece. | 0:21:32 | 0:21:33 | |
She sort of ran out | 0:21:33 | 0:21:35 | |
on her parents. | 0:21:35 | 0:21:36 | |
No. | 0:21:36 | 0:21:38 | |
I have some photos here. | 0:21:38 | 0:21:40 | |
That's her and her friends. | 0:21:40 | 0:21:42 | |
I think they stayed here a night or so. | 0:21:42 | 0:21:43 | |
Yeah, they were in cabin 12. | 0:21:43 | 0:21:46 | |
They didn't pay. | 0:21:46 | 0:21:49 | |
Had a number of complaints, about the TV, mainly. | 0:21:49 | 0:21:52 | |
Uh, reception's never good here. | 0:21:52 | 0:21:55 | |
That's why we bought | 0:21:55 | 0:21:56 | |
tape players for videos. | 0:21:56 | 0:21:59 | |
Quite a selection. | 0:21:59 | 0:22:01 | |
SCOFFS | 0:22:01 | 0:22:04 | |
Mostly they're hand-me-downs left by other guests. | 0:22:04 | 0:22:06 | |
Anyway, they didn't pay. | 0:22:06 | 0:22:09 | |
And kids like that sometimes don't. | 0:22:09 | 0:22:12 | |
Miss? | 0:22:12 | 0:22:13 | |
You know, I'm kind of tired. | 0:22:13 | 0:22:15 | |
I'm thinking I might take a nap before I drive back. | 0:22:15 | 0:22:18 | |
SNIFFLES | 0:22:18 | 0:22:19 | |
I'll take cabin 12. | 0:22:19 | 0:22:20 | |
Hey. | 0:22:33 | 0:22:35 | |
This is your card, right? | 0:22:35 | 0:22:38 | |
That's it. | 0:22:38 | 0:22:42 | |
INSECTS CHIRPING | 0:22:42 | 0:22:44 | |
ELECTRONIC WHIRRING | 0:23:18 | 0:23:21 | |
STATIC | 0:23:29 | 0:23:30 | |
SIGHS | 0:23:30 | 0:23:34 | |
EERIE HUMMING AND WHINING | 0:23:34 | 0:23:36 | |
WHINING STOPS | 0:23:42 | 0:23:45 | |
WOMAN SINGING SOFTLY | 0:23:52 | 0:23:55 | |
EERIE RUMBLING, HISSING | 0:24:00 | 0:24:05 | |
GURGLING | 0:24:06 | 0:24:08 | |
PIERCING WHINE | 0:24:08 | 0:24:10 | |
CRACKLING | 0:24:10 | 0:24:14 | |
WHINE CONTINUES | 0:24:22 | 0:24:24 | |
STATIC | 0:24:26 | 0:24:29 | |
WHINING FADES | 0:24:29 | 0:24:32 | |
FLUTE PLAYING SOFTLY | 0:24:36 | 0:24:40 | |
EERIE RUMBLING, HISSING | 0:24:40 | 0:24:45 | |
STATIC | 0:24:53 | 0:24:55 | |
WIND BLOWING HOLLOWLY | 0:25:00 | 0:25:03 | |
STATIC | 0:25:03 | 0:25:06 | |
ELECTRONIC WHIRRING | 0:25:08 | 0:25:10 | |
PHONE RINGING | 0:25:11 | 0:25:13 | |
BREATHING HEAVILY | 0:25:22 | 0:25:25 | |
GIRL WHISPERING: Seven days. | 0:25:25 | 0:25:27 | |
BREATHING SHAKILY | 0:25:27 | 0:25:30 | |
RAIN PELTING | 0:25:39 | 0:25:42 | |
I'm going to school. | 0:25:55 | 0:25:57 | |
BREATHING SHAKILY | 0:26:03 | 0:26:08 | |
DOOR CLOSES | 0:26:08 | 0:26:09 | |
Hold up. | 0:26:09 | 0:26:12 | |
RACHEL: What do you think? | 0:26:32 | 0:26:34 | |
MAN: Well, it's a pretty cool effect. | 0:26:34 | 0:26:37 | |
What does this have to do with the tape? | 0:26:37 | 0:26:40 | |
Take my picture. | 0:26:41 | 0:26:43 | |
Are you going to look at me at least? | 0:26:49 | 0:26:51 | |
CAMERA BEEPS | 0:26:53 | 0:26:55 | |
This the same camera? | 0:26:56 | 0:26:58 | |
No. Scan the rest. | 0:26:58 | 0:27:01 | |
BEEPING | 0:27:03 | 0:27:04 | |
So, what do you think? | 0:27:04 | 0:27:06 | |
Well, look, I thought you said this was about a tape. | 0:27:10 | 0:27:13 | |
SHE SIGHS | 0:27:13 | 0:27:15 | |
I'm thinking maybe you shouldn't see it. | 0:27:19 | 0:27:21 | |
CHUCKLING | 0:27:21 | 0:27:22 | |
No, I should know more about it first. | 0:27:22 | 0:27:24 | |
Well, isn't that why I'm here? | 0:27:24 | 0:27:26 | |
So you can benefit from my wisdom? | 0:27:26 | 0:27:29 | |
Four kids are dead, Noah. | 0:27:29 | 0:27:30 | |
Not from watching a videotape. | 0:27:30 | 0:27:34 | |
Come on, show it to me. | 0:27:37 | 0:27:39 | |
EERIE HUMMING AND WHINING | 0:27:44 | 0:27:49 | |
HIGH-PITCHED SCREECHING | 0:27:49 | 0:27:51 | |
TRAFFIC HUM | 0:27:57 | 0:27:59 | |
DOOR SLIDES OPEN | 0:28:49 | 0:28:50 | |
Roll credits. | 0:28:50 | 0:28:51 | |
That was very student film. | 0:28:53 | 0:28:54 | |
I'm sure it's a lot... scarier at night. | 0:28:56 | 0:28:59 | |
PHONE RINGING | 0:28:59 | 0:29:01 | |
BREATHING SHAKILY | 0:29:01 | 0:29:04 | |
RINGING CONTINUES | 0:29:04 | 0:29:06 | |
You going to get that? | 0:29:06 | 0:29:08 | |
RINGING CONTINUES | 0:29:08 | 0:29:10 | |
RINGING STOPS | 0:29:20 | 0:29:22 | |
So, you been working a lot? | 0:29:26 | 0:29:28 | |
I'm not tired, Noah. | 0:29:28 | 0:29:30 | |
OK. | 0:29:30 | 0:29:31 | |
That tape didn't scare you? | 0:29:31 | 0:29:34 | |
No, not really. Sorry. | 0:29:34 | 0:29:35 | |
Four people are dead. | 0:29:35 | 0:29:36 | |
Yeah, but like I said, not from watching... | 0:29:36 | 0:29:38 | |
Four people who watched it. | 0:29:38 | 0:29:40 | |
Come on, we watched it. | 0:29:40 | 0:29:41 | |
We're hanging. It...takes a week. | 0:29:41 | 0:29:44 | |
Right. Yeah, I'm just going to go downtown. | 0:29:44 | 0:29:47 | |
I got to pick up some cameras from this guy | 0:29:47 | 0:29:49 | |
and then I got to prep this thing | 0:29:49 | 0:29:50 | |
that I may end up doing next week. | 0:29:50 | 0:29:52 | |
Noah... Would you say that I'm gullible? | 0:29:52 | 0:29:54 | |
No. | 0:29:54 | 0:29:55 | |
Easily rattled? Definitely not. | 0:29:55 | 0:29:57 | |
I mean, you're a little | 0:29:57 | 0:30:00 | |
highly strung maybe. | 0:30:00 | 0:30:01 | |
And you ain't much of a dresser. | 0:30:01 | 0:30:03 | |
Who made it? Where'd it come from? | 0:30:03 | 0:30:06 | |
All right. | 0:30:08 | 0:30:09 | |
Make me a copy. I'll see what I can do. | 0:30:09 | 0:30:11 | |
Thanks. | 0:30:15 | 0:30:17 | |
Yeah. | 0:30:19 | 0:30:21 | |
DOOR CLOSES | 0:30:21 | 0:30:23 | |
BEEP | 0:30:41 | 0:30:43 | |
WHIRRING | 0:30:58 | 0:31:01 | |
EERIE HUMMING AND WHINING | 0:31:09 | 0:31:11 | |
WOMAN SINGING SOFTLY | 0:31:21 | 0:31:24 | |
WHIRRING | 0:32:00 | 0:32:02 | |
You sure this is a copy? | 0:32:05 | 0:32:07 | |
Yeah, why? | 0:32:07 | 0:32:09 | |
The numbers are all screwed up. | 0:32:11 | 0:32:14 | |
The same problem got copied, I guess. | 0:32:14 | 0:32:19 | |
That's impossible. | 0:32:19 | 0:32:20 | |
The numbers of the control track | 0:32:20 | 0:32:22 | |
they put on the tape whenever it's recorded | 0:32:22 | 0:32:24 | |
which means theoretically | 0:32:24 | 0:32:25 | |
there shouldn't be any images. | 0:32:25 | 0:32:26 | |
Hey, Noah, can you pretend for one minute | 0:32:26 | 0:32:29 | |
that I don't read video geek magazine? | 0:32:29 | 0:32:31 | |
OK, when you record a tape, | 0:32:31 | 0:32:34 | |
the make-up of the tracks is like a signature | 0:32:34 | 0:32:35 | |
for whatever did the recording | 0:32:35 | 0:32:37 | |
like a camcorder, VCR, whatever. | 0:32:37 | 0:32:40 | |
So the control track could tell us where it came from. | 0:32:40 | 0:32:42 | |
But to not have one... | 0:32:42 | 0:32:43 | |
I mean, that's like being born without fingerprints. | 0:32:43 | 0:32:46 | |
Then, how did this get recorded? | 0:32:46 | 0:32:48 | |
I don't know. | 0:32:48 | 0:32:49 | |
But I'm going to find out. | 0:32:49 | 0:32:53 | |
NOAH: All right, take a look. | 0:32:53 | 0:32:55 | |
You should be able to see the camera here | 0:32:55 | 0:32:57 | |
in the reflection. | 0:32:57 | 0:32:59 | |
The angle's straight on, but you don't. | 0:32:59 | 0:33:01 | |
Hmm. What's that? | 0:33:01 | 0:33:02 | |
It looks like she's walking away, whoever she is. | 0:33:02 | 0:33:05 | |
No, I mean up there at the top. | 0:33:05 | 0:33:07 | |
Oh, no, that's just the tracking. I can fix that. | 0:33:07 | 0:33:10 | |
Whup, sorry. | 0:33:10 | 0:33:12 | |
Wait, go back. There's something there. | 0:33:12 | 0:33:14 | |
Yeah, you're right. | 0:33:14 | 0:33:15 | |
There's more picture. Hold on. | 0:33:15 | 0:33:17 | |
I'm going to stretch the alignment. | 0:33:17 | 0:33:19 | |
It's working. It won't go any further. | 0:33:19 | 0:33:21 | |
No, no, no, no, let me do it. | 0:33:21 | 0:33:22 | |
Wait, it won't go any further. | 0:33:22 | 0:33:24 | |
Let me do it. Shit! | 0:33:24 | 0:33:26 | |
Oh... DOOR OPENS | 0:33:26 | 0:33:29 | |
Hey, Noah I picked up the cameras. | 0:33:29 | 0:33:30 | |
They're in really good shape. | 0:33:30 | 0:33:32 | |
Did you see the reprints I did | 0:33:32 | 0:33:34 | |
of that Guatemala stuff? Cos they came out kind of... | 0:33:34 | 0:33:37 | |
overexposed. | 0:33:37 | 0:33:38 | |
You working? | 0:33:38 | 0:33:40 | |
This is a friend, Rachel Keller. | 0:33:40 | 0:33:42 | |
She writes for the PI. | 0:33:42 | 0:33:44 | |
Rachel, this is Beth, my assistant. | 0:33:44 | 0:33:47 | |
Well, I prefer "partner in crime." | 0:33:47 | 0:33:49 | |
She's a journalism student at Kirkland, actually. | 0:33:49 | 0:33:51 | |
Well, I'll stay out of your way. | 0:33:51 | 0:33:53 | |
I'm not even here. | 0:33:53 | 0:33:54 | |
Rachel is researching a story. It's this video hoax. | 0:33:56 | 0:33:58 | |
It's sort of interesting. So you know video. | 0:33:58 | 0:34:00 | |
Why don't you come take a look | 0:34:00 | 0:34:01 | |
at this thing with the tracking? | 0:34:01 | 0:34:03 | |
RACHEL: You know, I'm late. I really should go. | 0:34:03 | 0:34:05 | |
Yeah, but why are you taking...? | 0:34:05 | 0:34:06 | |
I got to go. | 0:34:06 | 0:34:07 | |
It's good to meet you. | 0:34:07 | 0:34:09 | |
ELEVATOR GRINDING | 0:34:11 | 0:34:14 | |
So you're taking the tape? | 0:34:14 | 0:34:16 | |
I don't want her to see it. | 0:34:16 | 0:34:17 | |
Whoa. You don't want her to see it? | 0:34:17 | 0:34:19 | |
What about me seeing it? | 0:34:19 | 0:34:20 | |
You had no problem showing it to me. I did have a problem. | 0:34:20 | 0:34:22 | |
You're angry. I'm not angry. | 0:34:22 | 0:34:24 | |
Oh, no? What are you then? | 0:34:24 | 0:34:26 | |
In a hurry. | 0:34:26 | 0:34:28 | |
HE SCOFFS | 0:34:28 | 0:34:30 | |
Look, I'm sorry, but I'm not going to get all worked up | 0:34:30 | 0:34:32 | |
over some high school rumour. | 0:34:32 | 0:34:34 | |
What are you thinking? | 0:34:36 | 0:34:38 | |
I'm thinking this is the part where I say, | 0:34:38 | 0:34:40 | |
"You're a flake, never finishes anything." | 0:34:40 | 0:34:42 | |
Then you say I'm "an obsessive bitch. | 0:34:42 | 0:34:44 | |
"Needs to lighten up." Then I storm out | 0:34:44 | 0:34:47 | |
all pissed off, kicking myself for ever thinking | 0:34:47 | 0:34:50 | |
that you could just... | 0:34:50 | 0:34:51 | |
grow up. | 0:34:51 | 0:34:53 | |
So, why don't we just cut to that part right now | 0:34:56 | 0:34:59 | |
and save ourselves a lot of grief? | 0:34:59 | 0:35:02 | |
All right. | 0:35:04 | 0:35:05 | |
Bye. | 0:35:05 | 0:35:08 | |
EERIE RUMBLING | 0:35:28 | 0:35:29 | |
Watch out, missy. | 0:35:34 | 0:35:35 | |
Bad luck. You don't need that. | 0:35:35 | 0:35:37 | |
WHEELS SQUEAKING AND CLICKING | 0:35:40 | 0:35:43 | |
SQUEAKING CONTINUES | 0:35:52 | 0:35:54 | |
GAME SHOW PLAYS ON TV | 0:35:54 | 0:35:58 | |
SQUEAKING CONTINUES | 0:35:58 | 0:36:01 | |
Becca? | 0:36:07 | 0:36:08 | |
Becca. | 0:36:08 | 0:36:11 | |
We're almost there. | 0:36:11 | 0:36:14 | |
RACHEL: Do you remember anything about that night... | 0:36:21 | 0:36:25 | |
that night with Katie? | 0:36:25 | 0:36:27 | |
Do you remember... | 0:36:29 | 0:36:31 | |
how she died? | 0:36:31 | 0:36:33 | |
Becca? | 0:36:37 | 0:36:38 | |
She told you about a videotape, didn't she? | 0:36:48 | 0:36:50 | |
She was afraid, wasn't she? | 0:36:55 | 0:36:58 | |
Something was happening to her. | 0:36:58 | 0:37:01 | |
Becca... | 0:37:01 | 0:37:03 | |
how did she die? | 0:37:03 | 0:37:06 | |
Please. | 0:37:06 | 0:37:08 | |
I need to know. | 0:37:08 | 0:37:10 | |
And you will. | 0:37:13 | 0:37:15 | |
She'll show you. | 0:37:19 | 0:37:21 | |
Who? | 0:37:21 | 0:37:22 | |
Who will show me? | 0:37:22 | 0:37:25 | |
Not now. | 0:37:25 | 0:37:28 | |
Four days. | 0:37:33 | 0:37:37 | |
WOMAN: Yeah, well, your home VCRs will give you a tracking window | 0:37:42 | 0:37:45 | |
but they won't let you stretch it. | 0:37:45 | 0:37:46 | |
There's no point, really, unless you're talking restoration. | 0:37:46 | 0:37:49 | |
Archives will come in here | 0:37:49 | 0:37:50 | |
with these crummy old tapes sometimes. | 0:37:50 | 0:37:52 | |
Tracks totally shot - servos can't line them up. | 0:37:52 | 0:37:55 | |
But the big box here's a warhorse. Totally analogue. | 0:37:55 | 0:37:57 | |
She'll read to the very edge of your tape. | 0:37:57 | 0:37:59 | |
Just don't force her or she'll get pissy with you. | 0:37:59 | 0:38:01 | |
Your tracking, your monitor, your printer, if you need it. | 0:38:01 | 0:38:05 | |
So, er... | 0:38:05 | 0:38:07 | |
what are we watching, home movies or something? | 0:38:07 | 0:38:09 | |
I'd really rather watch it alone. | 0:38:09 | 0:38:12 | |
Really. | 0:38:12 | 0:38:14 | |
Whatever. | 0:38:14 | 0:38:16 | |
WHIRRING | 0:38:18 | 0:38:21 | |
SIGHS HEAVILY | 0:38:24 | 0:38:26 | |
Come on... | 0:38:30 | 0:38:32 | |
SOFT, HIGH-PITCHED HUMMING | 0:38:34 | 0:38:37 | |
Come on. | 0:38:37 | 0:38:38 | |
HUMMING INTENSIFIES | 0:38:44 | 0:38:46 | |
Lighthouse. | 0:38:51 | 0:38:53 | |
Shit. | 0:38:56 | 0:38:58 | |
Hello? Somebody? | 0:38:58 | 0:39:00 | |
TAPE DECK WHIRRING | 0:39:03 | 0:39:05 | |
GRUNTING SOFTLY | 0:39:05 | 0:39:06 | |
Damn. | 0:39:06 | 0:39:09 | |
SLOW WHIRRING | 0:39:20 | 0:39:22 | |
Something you needed help with? | 0:39:41 | 0:39:44 | |
FLY BUZZES | 0:39:44 | 0:39:45 | |
Hey, you...you got a...ya... | 0:39:45 | 0:39:48 | |
Well, that seems to be the lot of it. | 0:39:57 | 0:39:59 | |
Thank you. | 0:39:59 | 0:40:01 | |
SHE SIGHS | 0:40:16 | 0:40:18 | |
"Moesko Island." | 0:40:41 | 0:40:43 | |
EERIE RUMBLING | 0:41:13 | 0:41:16 | |
"Anna Morgan." | 0:41:26 | 0:41:28 | |
Oh, my God. | 0:41:49 | 0:41:51 | |
BOOKS AND PAPERS THUDDING | 0:41:51 | 0:41:53 | |
SHE GRUNTS | 0:41:57 | 0:42:00 | |
"Mysterious sickness strikes Morgan ranch horses. | 0:42:08 | 0:42:11 | |
"Investigators search for answers | 0:42:11 | 0:42:14 | |
"after second horse drowning." | 0:42:14 | 0:42:16 | |
EERIE RUMBLING | 0:42:16 | 0:42:17 | |
(Anna Morgan.) | 0:42:32 | 0:42:34 | |
"Horses recovering after breeder's suicide." | 0:42:41 | 0:42:44 | |
"..suffered from hallucinations." | 0:42:54 | 0:42:58 | |
"Eola...County Psychiatric." | 0:42:59 | 0:43:04 | |
What happened to you, Anna? | 0:43:07 | 0:43:09 | |
Pack of double lights. Thanks, Lani. | 0:43:20 | 0:43:23 | |
15.33. | 0:43:23 | 0:43:25 | |
You're gonna die. | 0:43:28 | 0:43:31 | |
My cousin was two packs a day. | 0:43:31 | 0:43:33 | |
Used the patch... never looked back. | 0:43:33 | 0:43:36 | |
All right, well, I'll keep that in mind. | 0:43:36 | 0:43:38 | |
Have a nice day. | 0:43:38 | 0:43:40 | |
You, too. | 0:43:40 | 0:43:42 | |
EERIE RUMBLING | 0:43:50 | 0:43:53 | |
SHE SIGHS HEAVILY | 0:44:07 | 0:44:09 | |
STATIC HISSES ON TV | 0:44:15 | 0:44:17 | |
SHRIEKS, ANXIOUS LAUGH | 0:44:25 | 0:44:27 | |
Hi. Sorry I'm late. | 0:44:27 | 0:44:29 | |
Uh...mmm...no. No problem. | 0:44:29 | 0:44:31 | |
Everything OK? | 0:44:31 | 0:44:33 | |
Oh, yeah. He was an angel. | 0:44:33 | 0:44:36 | |
I-I...went in to tell him that it was bedtime | 0:44:36 | 0:44:39 | |
and he was already under the covers. | 0:44:39 | 0:44:41 | |
And then he read me a bedtime story. | 0:44:41 | 0:44:43 | |
Um... CLEARS THROAT | 0:44:43 | 0:44:45 | |
..he learned the word "conundrum." | 0:44:45 | 0:44:47 | |
Really? | 0:44:47 | 0:44:48 | |
Yeah. And then... he drew my picture. | 0:44:48 | 0:44:52 | |
Well, here you go. | 0:44:52 | 0:44:54 | |
Thanks. Sure. | 0:44:54 | 0:44:56 | |
Hey, Ruthie, it's me. | 0:45:27 | 0:45:28 | |
I'm sorry to call so late, but I need a favour. | 0:45:28 | 0:45:31 | |
I have to go upstate to do this story | 0:45:31 | 0:45:32 | |
and I need you to watch Aidan for me. | 0:45:32 | 0:45:34 | |
RUTHIE ON PHONE: 'Oh, Rachel, I don't know. | 0:45:34 | 0:45:36 | |
'How long will you be gone?' | 0:45:36 | 0:45:37 | |
It's just for two days, I promise. | 0:45:37 | 0:45:39 | |
'This isn't the best time for me.' | 0:45:39 | 0:45:40 | |
COUGHS | 0:45:40 | 0:45:42 | |
'Rachel? Rachel, are you there?' | 0:45:42 | 0:45:44 | |
Hold on a sec... Sorry. | 0:45:44 | 0:45:46 | |
COUGHING AND GASPING | 0:45:46 | 0:45:49 | |
'Rachel? Is this about Katie?' | 0:45:49 | 0:45:51 | |
SHE RETCHES | 0:45:54 | 0:45:57 | |
RETCHING AND GASPING | 0:46:06 | 0:46:09 | |
Ruthie... | 0:46:14 | 0:46:17 | |
SHE GASPS | 0:46:25 | 0:46:28 | |
Aidan? | 0:46:37 | 0:46:39 | |
EERIE RUMBLING | 0:46:41 | 0:46:43 | |
UNEARTHLY SCREECHING | 0:46:54 | 0:46:56 | |
SHE GASPS | 0:46:58 | 0:47:00 | |
SHE PANTS | 0:47:09 | 0:47:12 | |
SHE GRUNTS | 0:47:42 | 0:47:44 | |
No! | 0:47:47 | 0:47:49 | |
STATIC HISSING | 0:47:49 | 0:47:53 | |
Why, baby, why? Why?! | 0:47:57 | 0:47:59 | |
I couldn't sleep. | 0:47:59 | 0:48:01 | |
Who is she, Rachel? | 0:48:06 | 0:48:09 | |
PHONE RINGING | 0:48:09 | 0:48:11 | |
RINGING STOPS | 0:48:20 | 0:48:22 | |
SHE GASPS | 0:48:22 | 0:48:24 | |
RINGING | 0:48:24 | 0:48:26 | |
Leave him alone! | 0:48:26 | 0:48:28 | |
NOAH ON PHONE: 'Rachel?' | 0:48:28 | 0:48:29 | |
SHE SOBS | 0:48:29 | 0:48:32 | |
Noah... | 0:48:32 | 0:48:34 | |
'L-listen to me. R-Rachel...' | 0:48:34 | 0:48:35 | |
I need to talk to you, OK? | 0:48:35 | 0:48:37 | |
I... | 0:48:37 | 0:48:39 | |
I believe you. | 0:48:42 | 0:48:44 | |
'Rachel, you there?' | 0:48:44 | 0:48:47 | |
QUIET SOBBING | 0:48:47 | 0:48:49 | |
He... He watched the tape. | 0:48:49 | 0:48:51 | |
Who? Who watched it? | 0:48:51 | 0:48:54 | |
SOBS | 0:48:54 | 0:48:57 | |
Our son. | 0:48:58 | 0:49:00 | |
You took my picture. | 0:49:23 | 0:49:25 | |
I've seen you. | 0:49:29 | 0:49:32 | |
When I'm in the yard at school. | 0:49:32 | 0:49:34 | |
You're there. | 0:49:36 | 0:49:38 | |
You wish I was around more? | 0:49:39 | 0:49:41 | |
No. | 0:49:41 | 0:49:43 | |
Do you want to be around more? | 0:49:43 | 0:49:45 | |
Rachel and I were... | 0:49:47 | 0:49:48 | |
Young. | 0:49:48 | 0:49:50 | |
Mom's told me that story. | 0:49:50 | 0:49:52 | |
The thing is, I... | 0:49:55 | 0:49:58 | |
I don't think I'd make a good father. | 0:49:58 | 0:50:01 | |
Maybe it was because my own was... | 0:50:02 | 0:50:05 | |
such a...disappointment. | 0:50:05 | 0:50:08 | |
Thing is, I don't want anyone else to do it, either. | 0:50:17 | 0:50:19 | |
Be your father. | 0:50:22 | 0:50:24 | |
It's a conundrum. | 0:50:24 | 0:50:26 | |
HE LAUGHS | 0:50:26 | 0:50:28 | |
Yeah, it is. | 0:50:30 | 0:50:32 | |
DOOR OPENS | 0:51:06 | 0:51:08 | |
Time to go, mister. | 0:51:08 | 0:51:10 | |
I'm not finished. | 0:51:10 | 0:51:12 | |
Noah said to make one for you. | 0:51:15 | 0:51:16 | |
RACHEL: You could almost draw a line through her life. | 0:51:24 | 0:51:27 | |
On one side, there's this happy woman | 0:51:27 | 0:51:30 | |
who spends her time with her husband, riding horses | 0:51:30 | 0:51:34 | |
everything sheltered, protected and comfortable. | 0:51:34 | 0:51:37 | |
Her face, there's...light, there's pride. | 0:51:37 | 0:51:42 | |
And then, one day, something happens | 0:51:42 | 0:51:44 | |
and she takes this hard corner and the light...goes out | 0:51:44 | 0:51:49 | |
and then she ends up at Eola County Psychiatric | 0:51:49 | 0:51:52 | |
all alone. | 0:51:52 | 0:51:54 | |
NOAH: What happened to her? | 0:51:54 | 0:51:56 | |
I don't know yet | 0:51:56 | 0:51:58 | |
but I think it has something to do with the horses. | 0:51:58 | 0:52:01 | |
I think we should go to the island together. | 0:52:01 | 0:52:03 | |
It's Tuesday, Noah. I only have one day left. | 0:52:03 | 0:52:05 | |
I need you to go to the hospital | 0:52:05 | 0:52:06 | |
and find out as much as you can about Anna. | 0:52:06 | 0:52:08 | |
The images on the tape are leading us somewhere. | 0:52:08 | 0:52:12 | |
Katie saw them all, too. | 0:52:12 | 0:52:14 | |
I think...before you die | 0:52:14 | 0:52:17 | |
you see the ring. | 0:52:17 | 0:52:20 | |
Shit! | 0:52:31 | 0:52:33 | |
Hey, Rach! Wait! | 0:52:33 | 0:52:35 | |
BELL CLANGING | 0:52:53 | 0:52:56 | |
A daughter? | 0:53:28 | 0:53:29 | |
FOOTSTEPS APPROACHING | 0:54:02 | 0:54:04 | |
SHE CHUCKLES SOFTLY | 0:54:06 | 0:54:07 | |
Hey, you. | 0:54:07 | 0:54:09 | |
Ooh. | 0:54:11 | 0:54:13 | |
It's OK. | 0:54:15 | 0:54:17 | |
I'm not going to hurt you. | 0:54:17 | 0:54:19 | |
Yeah. | 0:54:19 | 0:54:20 | |
Easy, boy. | 0:54:20 | 0:54:21 | |
That's it. | 0:54:25 | 0:54:28 | |
WHINNYING NERVOUSLY | 0:54:28 | 0:54:31 | |
Hey, boy. I'm not going to hurt you. | 0:54:33 | 0:54:37 | |
WHINNYING FRANTICALLY | 0:54:37 | 0:54:38 | |
It's OK. Calm down. | 0:54:41 | 0:54:43 | |
WHINNYING | 0:54:43 | 0:54:44 | |
Somebody! | 0:54:46 | 0:54:48 | |
WHINNIES | 0:54:48 | 0:54:50 | |
Jesus Christ! HORSE WHINNIES | 0:54:57 | 0:54:59 | |
Somebody help! | 0:55:02 | 0:55:03 | |
GRUNTING | 0:55:05 | 0:55:06 | |
Daddy, my horse! | 0:55:08 | 0:55:10 | |
Whoa! Whoa! Whoa! | 0:55:11 | 0:55:12 | |
HORSE WHINNYING He's going out! | 0:55:12 | 0:55:14 | |
Over here! | 0:55:14 | 0:55:16 | |
Whoa! Whoa! Easy! | 0:55:16 | 0:55:18 | |
Come on. | 0:55:18 | 0:55:20 | |
SNORTING | 0:55:20 | 0:55:23 | |
YELLING | 0:55:23 | 0:55:25 | |
WHINNYING No, down! No! | 0:55:25 | 0:55:27 | |
GRUNTING AND GASPING | 0:55:29 | 0:55:31 | |
WHINNYING | 0:55:41 | 0:55:43 | |
SHE GASPS | 0:55:45 | 0:55:47 | |
WHIMPERING | 0:55:47 | 0:55:50 | |
WHINNYING | 0:55:50 | 0:55:52 | |
SHE PANTS | 0:55:54 | 0:55:57 | |
SCREAMING | 0:56:13 | 0:56:15 | |
HORN BLOWING | 0:56:15 | 0:56:16 | |
SPEAKING INDISTINCTLY | 0:56:19 | 0:56:23 | |
I need to see the records | 0:56:23 | 0:56:24 | |
for a patient named Anna Morgan. | 0:56:24 | 0:56:26 | |
Are you a relative? | 0:56:26 | 0:56:29 | |
Well, no. | 0:56:29 | 0:56:30 | |
I'm sorry, sir. | 0:56:30 | 0:56:31 | |
We're a mental health facility. | 0:56:31 | 0:56:33 | |
Our records are private. | 0:56:33 | 0:56:34 | |
Well, she's been dead 24 years. | 0:56:34 | 0:56:36 | |
I don't think she'll mind. | 0:56:36 | 0:56:37 | |
I'm sorry. | 0:56:37 | 0:56:39 | |
It's impossible. | 0:56:39 | 0:56:40 | |
Look... | 0:56:40 | 0:56:42 | |
I've seen them before. | 0:56:42 | 0:56:44 | |
I've been up there. MAN: Nice try. | 0:56:44 | 0:56:47 | |
The record rooms are downstairs, guy. | 0:56:47 | 0:56:50 | |
CHUCKLES SOFTLY | 0:56:50 | 0:56:52 | |
You win. | 0:56:52 | 0:56:54 | |
GRUNTING | 0:56:54 | 0:56:57 | |
Jerk off! | 0:56:57 | 0:56:59 | |
Are you in here, Anna? | 0:57:38 | 0:57:40 | |
Hello? | 0:58:28 | 0:58:30 | |
EERIE RUMBLING | 0:58:52 | 0:58:54 | |
HAMMERING | 0:59:10 | 0:59:12 | |
HAMMERING CONTINUES | 0:59:18 | 0:59:21 | |
Excuse me, Mr Morgan. | 0:59:25 | 0:59:27 | |
I was wondering if you'd have a moment to speak with me. | 0:59:27 | 0:59:30 | |
My name's Rachel Keller. | 0:59:30 | 0:59:31 | |
I'm a writer with the Seattle PI | 0:59:31 | 0:59:33 | |
You want to know about the horses. | 0:59:33 | 0:59:35 | |
I didn't mean to... | 0:59:36 | 0:59:38 | |
It's just I wasn't able to find a number to reach you. | 0:59:38 | 0:59:41 | |
Every now and then, a writer comes along... | 0:59:41 | 0:59:44 | |
heard about what happened. | 0:59:44 | 0:59:45 | |
What's left to write about, though, I don't know. | 0:59:45 | 0:59:49 | |
I was hoping you had just a few minutes. | 0:59:49 | 0:59:52 | |
Well, work never ends around here, really... | 0:59:52 | 0:59:56 | |
but I guess I got a few. | 0:59:56 | 0:59:57 | |
So, what is it you're writing, Miss? | 0:59:57 | 1:00:00 | |
About horses in general | 1:00:00 | 1:00:02 | |
or just those that go strange? | 1:00:02 | 1:00:04 | |
I read you had to put so many down. | 1:00:04 | 1:00:07 | |
Most put themselves down. | 1:00:07 | 1:00:09 | |
They drowned. | 1:00:09 | 1:00:10 | |
How'd they get out? | 1:00:10 | 1:00:11 | |
They just broke | 1:00:11 | 1:00:13 | |
through the fences and ran to the shore. | 1:00:13 | 1:00:15 | |
So, they went crazy? It would seem so, yes... | 1:00:15 | 1:00:19 | |
or maybe they just sense things before we do. | 1:00:19 | 1:00:22 | |
So, where are your horses now? | 1:00:23 | 1:00:26 | |
I don't breed anymore. | 1:00:28 | 1:00:29 | |
I guess you wouldn't... | 1:00:29 | 1:00:31 | |
not after what happened. | 1:00:31 | 1:00:34 | |
That must've been hard... on both of you... | 1:00:34 | 1:00:39 | |
you and your wife. | 1:00:39 | 1:00:41 | |
THUNDER RUMBLING | 1:00:41 | 1:00:44 | |
I'm sorry, Miss, what's your name again? | 1:00:44 | 1:00:46 | |
Rachel. | 1:00:49 | 1:00:50 | |
Well, Rachel... | 1:00:50 | 1:00:52 | |
you want to tell me what's really on your mind? | 1:00:52 | 1:00:54 | |
Do you know what this is? | 1:00:57 | 1:00:59 | |
I think it's a message... | 1:01:02 | 1:01:04 | |
from your wife. | 1:01:04 | 1:01:06 | |
Anna's on this tape. | 1:01:07 | 1:01:09 | |
She's right there in that room. | 1:01:09 | 1:01:10 | |
You can see the lighthouse, the horses... | 1:01:10 | 1:01:13 | |
Where'd you get that? | 1:01:15 | 1:01:17 | |
Shelter Mountain Inn. | 1:01:17 | 1:01:19 | |
Is that the only one? | 1:01:21 | 1:01:23 | |
I made a copy. | 1:01:25 | 1:01:27 | |
HE SIGHS | 1:01:28 | 1:01:30 | |
I've got a lot of work to do today... | 1:01:32 | 1:01:36 | |
a lot of acres out there. | 1:01:36 | 1:01:38 | |
Minute I think I'm done with one thing... | 1:01:38 | 1:01:42 | |
..another thing needs fixing. | 1:01:44 | 1:01:47 | |
You don't want to see this tape? | 1:01:47 | 1:01:50 | |
You're not even curious? | 1:01:50 | 1:01:52 | |
Curious? | 1:01:52 | 1:01:53 | |
No. I don't think so. | 1:01:53 | 1:01:56 | |
Mr Morgan... | 1:01:57 | 1:01:59 | |
I can't help you. | 1:01:59 | 1:02:01 | |
Where's your daughter? | 1:02:02 | 1:02:04 | |
Maybe she could help... | 1:02:04 | 1:02:05 | |
I don't have a daughter. | 1:02:05 | 1:02:07 | |
Excuse me? | 1:02:07 | 1:02:10 | |
What is it with reporters? | 1:02:10 | 1:02:12 | |
You take one person's tragedy | 1:02:12 | 1:02:13 | |
and force the world to experience it... | 1:02:13 | 1:02:16 | |
spread it like sickness. | 1:02:16 | 1:02:19 | |
Mr Morgan... Tell me, Miss... | 1:02:19 | 1:02:22 | |
what is it you think you know? | 1:02:22 | 1:02:24 | |
Then leave it alone. | 1:02:26 | 1:02:29 | |
SHE SIGHS | 1:02:34 | 1:02:37 | |
BANGING | 1:03:31 | 1:03:33 | |
(Anna.) | 1:03:40 | 1:03:42 | |
"Anna Morgan's... | 1:03:46 | 1:03:49 | |
"hallucinations"? | 1:03:49 | 1:03:51 | |
What's wrong with you? | 1:03:51 | 1:03:53 | |
"'65, conceived." | 1:03:57 | 1:04:00 | |
"'65, miscarriage." | 1:04:00 | 1:04:02 | |
"'66, conceived." | 1:04:02 | 1:04:03 | |
"'66, miscarriage." | 1:04:03 | 1:04:05 | |
Christ, she wouldn't give up. | 1:04:05 | 1:04:07 | |
FILE FALLS ON FLOOR | 1:04:11 | 1:04:13 | |
"Sessions terminated... at father's request. | 1:04:36 | 1:04:41 | |
"See video record S-M-0-1-5." | 1:04:41 | 1:04:45 | |
PHONE RINGING | 1:04:45 | 1:04:47 | |
GRINDING FURIOUSLY | 1:04:47 | 1:04:50 | |
RUTH: Aidan? | 1:04:53 | 1:04:55 | |
Aidan, it's your mom. | 1:04:55 | 1:04:57 | |
AIDAN OVER TELEPHONE: 'Hi, Mom.' | 1:05:05 | 1:05:07 | |
Honey, the house you drew for me... | 1:05:07 | 1:05:09 | |
'Uh-huh?' | 1:05:09 | 1:05:10 | |
Where did you see it? | 1:05:10 | 1:05:12 | |
Did you see it in your head? Is that why you drew it? | 1:05:12 | 1:05:15 | |
'In my head?' | 1:05:15 | 1:05:16 | |
Aidan...why did you draw that house? | 1:05:16 | 1:05:19 | |
'Because she told me to.' | 1:05:19 | 1:05:20 | |
Who? | 1:05:20 | 1:05:22 | |
'Who told you to?' | 1:05:22 | 1:05:25 | |
The little girl. | 1:05:25 | 1:05:26 | |
She talks to you? | 1:05:30 | 1:05:34 | |
'No. She shows me things.' | 1:05:34 | 1:05:36 | |
Did she show you the horses? | 1:05:36 | 1:05:39 | |
She doesn't like it in the barn. | 1:05:39 | 1:05:42 | |
The horses keep her up at night. | 1:05:42 | 1:05:45 | |
So, she still lives there? | 1:05:45 | 1:05:49 | |
No. | 1:05:50 | 1:05:53 | |
(She lives in a dark place now.) | 1:05:53 | 1:05:56 | |
CLOCK TICKING | 1:06:04 | 1:06:05 | |
TICKING LOUDLY | 1:06:15 | 1:06:18 | |
PUZZLE PIECES CLICKING | 1:06:18 | 1:06:19 | |
DOOR OPENS | 1:06:20 | 1:06:22 | |
WOMAN: You're getting a little old | 1:06:22 | 1:06:23 | |
to be crabbing out there, Cal. | 1:06:23 | 1:06:25 | |
Your body's about outlived its warranty, you know. | 1:06:25 | 1:06:27 | |
You ain't exactly the catch of the day. | 1:06:27 | 1:06:30 | |
Oh...let's see you catch one better! | 1:06:30 | 1:06:31 | |
CAL: Yeah... | 1:06:31 | 1:06:33 | |
Good afternoon. I'm Dr Grasnik. | 1:06:33 | 1:06:36 | |
I think he was here before me. | 1:06:36 | 1:06:38 | |
Darby? Darby's always here. | 1:06:38 | 1:06:41 | |
Aren't you, Darby? | 1:06:41 | 1:06:43 | |
He's my son's boy. | 1:06:43 | 1:06:46 | |
Come over on the ferry, did you? | 1:06:46 | 1:06:48 | |
Yes. | 1:06:48 | 1:06:49 | |
Um...have you lived here long? | 1:06:49 | 1:06:52 | |
Born and raised. Only doctor on the island. | 1:06:52 | 1:06:54 | |
Then you know the Morgans and their daughter. | 1:06:54 | 1:06:58 | |
Do you know their daughter? | 1:06:58 | 1:07:00 | |
Do you know their daughter? | 1:07:00 | 1:07:03 | |
What's this about? | 1:07:04 | 1:07:06 | |
Look, I'm sorry. | 1:07:06 | 1:07:07 | |
I-I don't know how to say this | 1:07:07 | 1:07:10 | |
but I'm seeing things in my head - images- | 1:07:10 | 1:07:13 | |
and so is my son. | 1:07:13 | 1:07:15 | |
My son, that... that's why I'm here | 1:07:15 | 1:07:19 | |
and somehow, I don't know how, but... | 1:07:19 | 1:07:23 | |
it's because of that girl. | 1:07:23 | 1:07:26 | |
Haven't heard anybody say that in a long time. | 1:07:28 | 1:07:32 | |
SQUEAKING LOUDLY | 1:07:33 | 1:07:35 | |
She wanted a child more than anything. | 1:07:35 | 1:07:36 | |
Poor Anna. | 1:07:36 | 1:07:37 | |
They tried hard for years | 1:07:37 | 1:07:39 | |
but sometimes it's just not meant to be. | 1:07:39 | 1:07:42 | |
Then one winter, they went away. | 1:07:42 | 1:07:44 | |
When they came back | 1:07:44 | 1:07:45 | |
it was with Samara. | 1:07:45 | 1:07:47 | |
Adopted, they said. | 1:07:47 | 1:07:49 | |
Never did say from where. | 1:07:49 | 1:07:51 | |
Said the mother had died of complications. | 1:07:51 | 1:07:54 | |
But they had their baby, they had their horses - | 1:07:54 | 1:07:58 | |
everything was fine... | 1:07:58 | 1:07:59 | |
till Anna started coming to see me. | 1:07:59 | 1:08:01 | |
Said she was suffering visions... | 1:08:01 | 1:08:03 | |
seeing things... | 1:08:03 | 1:08:05 | |
horrible things... | 1:08:05 | 1:08:06 | |
like they'd been burned inside her... | 1:08:06 | 1:08:09 | |
and it only happened | 1:08:09 | 1:08:11 | |
around Samara... | 1:08:11 | 1:08:12 | |
that the girl put them there. | 1:08:12 | 1:08:15 | |
Were you Samara's doctor, too? | 1:08:16 | 1:08:19 | |
Was there anything wrong with her? | 1:08:19 | 1:08:22 | |
You mean medically? | 1:08:22 | 1:08:24 | |
I mean whatever you mean. | 1:08:24 | 1:08:26 | |
When Darby, there, was born... | 1:08:28 | 1:08:31 | |
we knew something wasn't right with him... | 1:08:31 | 1:08:36 | |
but we loved him anyway. | 1:08:36 | 1:08:39 | |
Takes work, you know. | 1:08:39 | 1:08:41 | |
Some people have limits. | 1:08:41 | 1:08:44 | |
So, what happened to her? | 1:08:46 | 1:08:49 | |
I referred them to Eola Psychiatric | 1:08:49 | 1:08:51 | |
on the mainland. | 1:08:51 | 1:08:52 | |
I assume she's still there. | 1:08:52 | 1:08:55 | |
You don't know? | 1:08:55 | 1:08:57 | |
How can you not know? | 1:08:57 | 1:09:01 | |
We've been through... | 1:09:01 | 1:09:04 | |
a lot of hard years out here... | 1:09:04 | 1:09:06 | |
mean winters... small hauls, no fish... | 1:09:06 | 1:09:10 | |
and that was long before the horses. | 1:09:10 | 1:09:14 | |
See, when you live on an island | 1:09:14 | 1:09:16 | |
you catch a cold, it's everybody's cold. | 1:09:16 | 1:09:19 | |
No offence, ma'am | 1:09:19 | 1:09:20 | |
but what the hell does that mean? | 1:09:20 | 1:09:22 | |
It means ever since that girl's been gone | 1:09:22 | 1:09:25 | |
things have been better. | 1:09:25 | 1:09:27 | |
SQUEAKING CONTINUES | 1:09:27 | 1:09:30 | |
MAN: 1978. | 1:09:30 | 1:09:32 | |
Man, we're really going back in time, here. | 1:09:32 | 1:09:34 | |
Yeah, the lady at reception said it should still be here. | 1:09:34 | 1:09:37 | |
Should be. You say you're the patient's father, right? | 1:09:37 | 1:09:39 | |
Yep. Richard Morgan, that's me. What is your secret? | 1:09:39 | 1:09:42 | |
Diet and exercise, man. | 1:09:42 | 1:09:44 | |
No shit! | 1:09:44 | 1:09:45 | |
Yeah, that's all it takes. | 1:09:45 | 1:09:47 | |
You know, I'm not an idiot. | 1:09:47 | 1:09:48 | |
You try and walk out of here with my file | 1:09:48 | 1:09:52 | |
and I'll be on you like white on rice. | 1:09:52 | 1:09:54 | |
You understand? | 1:09:54 | 1:09:55 | |
No, man. | 1:09:55 | 1:09:56 | |
I just want to watch it. | 1:09:56 | 1:09:59 | |
I'm responsible for every file tape in here. | 1:09:59 | 1:10:02 | |
I have a system... and I don't want anyone | 1:10:02 | 1:10:05 | |
disarranging it. | 1:10:05 | 1:10:06 | |
I'd never... disarrange... | 1:10:06 | 1:10:10 | |
Long as we understand each other. | 1:10:10 | 1:10:13 | |
OK, now I'm mad. | 1:10:16 | 1:10:17 | |
Does it say who was the last person to watch it? | 1:10:17 | 1:10:21 | |
Yeah. | 1:10:23 | 1:10:24 | |
It was you. | 1:10:24 | 1:10:25 | |
Come on, come on! | 1:10:27 | 1:10:29 | |
PHONE BEEPS | 1:10:29 | 1:10:31 | |
MAN OVER PHONE: 'The mobile unit you've called is not responding | 1:10:31 | 1:10:34 | |
'or is outside the coverage area.' | 1:10:34 | 1:10:36 | |
You piece of shit! | 1:10:36 | 1:10:37 | |
Come on, Rachel. | 1:10:40 | 1:10:42 | |
CRICKETS CHIRPING | 1:10:44 | 1:10:45 | |
Hello? | 1:10:53 | 1:10:55 | |
Mr Morgan? | 1:11:02 | 1:11:04 | |
Mr Morgan? | 1:11:16 | 1:11:18 | |
DOOR RATTLES | 1:11:35 | 1:11:37 | |
EERIE RUMBLING | 1:11:45 | 1:11:47 | |
MAN ON TAPE: 'This is S-M-0-0-1-5 | 1:12:48 | 1:12:52 | |
'Samara Morgan, hour 14. | 1:12:52 | 1:12:55 | |
'So, what is it that's keeping you awake? | 1:12:59 | 1:13:03 | |
'You must sleep sometime. | 1:13:03 | 1:13:05 | |
'Do you dream about something? | 1:13:05 | 1:13:08 | |
'Samara? | 1:13:10 | 1:13:12 | |
'Let's talk about the pictures. | 1:13:16 | 1:13:19 | |
'How did you make them? | 1:13:21 | 1:13:22 | |
'Samara? | 1:13:25 | 1:13:28 | |
'How did you make these pictures?' | 1:13:28 | 1:13:30 | |
'I don't... | 1:13:32 | 1:13:34 | |
'make them. | 1:13:34 | 1:13:37 | |
'I see them... | 1:13:37 | 1:13:39 | |
'and then... | 1:13:39 | 1:13:42 | |
'they just...are.' | 1:13:42 | 1:13:45 | |
MAN: 'Samara... | 1:13:45 | 1:13:48 | |
'I need you to start telling me the truth, OK?' | 1:13:48 | 1:13:51 | |
'Can I see my mommy?' | 1:13:51 | 1:13:54 | |
'No, Samara. | 1:13:54 | 1:13:55 | |
'Not until we understand what's wrong with you.' | 1:13:55 | 1:13:57 | |
'I love my mommy.' | 1:13:58 | 1:14:00 | |
'Yes, you do. | 1:14:00 | 1:14:03 | |
'But you don't want to hurt her anymore, now, do you? | 1:14:03 | 1:14:07 | |
'You don't want to hurt anyone.' | 1:14:07 | 1:14:10 | |
'But I do, and I'm sorry. | 1:14:10 | 1:14:13 | |
'It won't stop.' | 1:14:15 | 1:14:17 | |
'Well, that's why you're here. | 1:14:17 | 1:14:19 | |
'So that I can help you to make it stop.' | 1:14:19 | 1:14:22 | |
'He's going to leave me here.' | 1:14:23 | 1:14:25 | |
'Who?' | 1:14:25 | 1:14:28 | |
'Daddy.' | 1:14:28 | 1:14:30 | |
'They just want to help you.' | 1:14:30 | 1:14:33 | |
'Not Daddy.' | 1:14:33 | 1:14:36 | |
'Your daddy loves you.' | 1:14:36 | 1:14:39 | |
'Daddy loves the horses. | 1:14:39 | 1:14:41 | |
'He wants me to go away.' | 1:14:41 | 1:14:45 | |
'No, he doesn't.' | 1:14:47 | 1:14:49 | |
'But he doesn't know...' | 1:14:49 | 1:14:53 | |
'He doesn't know what? Samara?' | 1:14:53 | 1:14:56 | |
STATIC HISSING | 1:14:56 | 1:14:58 | |
She's never gonna whisper in my fucking ear ever again! | 1:15:01 | 1:15:04 | |
What did you do to her? | 1:15:04 | 1:15:07 | |
She was your daughter! | 1:15:11 | 1:15:13 | |
You killed Samara, didn't you? | 1:15:17 | 1:15:18 | |
You killed her, and when your wife... | 1:15:18 | 1:15:20 | |
My wife was not supposed to have a child! | 1:15:20 | 1:15:23 | |
Mr Morgan... | 1:15:31 | 1:15:33 | |
What are you doing? | 1:15:34 | 1:15:36 | |
The whispers...you can hear them all the time. | 1:15:36 | 1:15:38 | |
At night. In your sleep. | 1:15:38 | 1:15:40 | |
Even the damn horses. | 1:15:40 | 1:15:41 | |
Mr Morgan, come out of there. | 1:15:41 | 1:15:43 | |
And those pictures. | 1:15:43 | 1:15:45 | |
Oh, good Christ. | 1:15:45 | 1:15:46 | |
The things she'd show you. | 1:15:46 | 1:15:48 | |
She's still showing them. | 1:15:48 | 1:15:50 | |
And she'll never stop. | 1:15:50 | 1:15:52 | |
You coming here proves that. | 1:15:52 | 1:15:55 | |
Where is she? Please. | 1:15:57 | 1:15:59 | |
I have to stop her. | 1:15:59 | 1:16:00 | |
If I don't, my son will die! | 1:16:00 | 1:16:02 | |
Oh, yes. | 1:16:02 | 1:16:04 | |
He will. | 1:16:04 | 1:16:06 | |
She never sleeps. | 1:16:06 | 1:16:08 | |
Wait. No... | 1:16:08 | 1:16:10 | |
No! | 1:16:10 | 1:16:12 | |
No! | 1:16:15 | 1:16:17 | |
No! | 1:16:17 | 1:16:19 | |
Rachel! Shh! Shh! | 1:16:19 | 1:16:20 | |
It's all right! Shh, shh, shh, shh, shh. | 1:16:20 | 1:16:23 | |
It's OK. It's OK. You're OK. | 1:16:23 | 1:16:25 | |
Shh, shh, shh! | 1:16:25 | 1:16:27 | |
You're OK. | 1:16:27 | 1:16:29 | |
You're OK. | 1:16:29 | 1:16:30 | |
You OK? | 1:16:30 | 1:16:32 | |
NOAH: Oh, Jesus. | 1:16:40 | 1:16:43 | |
AIDAN: 'She doesn't like the barn. | 1:16:56 | 1:16:57 | |
'The horses keep her up at night.' | 1:16:57 | 1:17:02 | |
She doesn't like the barn. | 1:17:08 | 1:17:11 | |
What? | 1:17:11 | 1:17:12 | |
The horses keep her awake. | 1:17:12 | 1:17:16 | |
(Samara...) | 1:17:46 | 1:17:47 | |
He kept her here. | 1:18:23 | 1:18:24 | |
Her mother was going crazy. | 1:18:27 | 1:18:31 | |
Morgan blamed the child. | 1:18:31 | 1:18:34 | |
So he kept her here. | 1:18:34 | 1:18:36 | |
Alone. | 1:18:39 | 1:18:40 | |
Not alone. | 1:18:40 | 1:18:43 | |
Rachel... | 1:19:11 | 1:19:13 | |
There's something under here. | 1:19:17 | 1:19:19 | |
It looks like it's etched into the wood. | 1:19:26 | 1:19:29 | |
Or burned. | 1:19:35 | 1:19:38 | |
I've seen this tree before. | 1:20:03 | 1:20:06 | |
Yeah, it was on the tape. | 1:20:06 | 1:20:08 | |
No. | 1:20:08 | 1:20:10 | |
I've been there. | 1:20:10 | 1:20:13 | |
Shelter Mountain. | 1:20:15 | 1:20:17 | |
RACHEL: The sun came through the leaves, lit them up like it was on fire. | 1:20:45 | 1:20:50 | |
Right at sunset. | 1:20:51 | 1:20:53 | |
Right when I watched the tape. | 1:20:57 | 1:20:59 | |
That was a week ago. | 1:21:05 | 1:21:07 | |
SHE SIGHS HEAVILY | 1:21:13 | 1:21:15 | |
We're back to where we started from. | 1:21:15 | 1:21:17 | |
Something led us here. | 1:21:17 | 1:21:19 | |
The tree, the drawing on the wall... | 1:21:19 | 1:21:20 | |
It doesn't matter. | 1:21:20 | 1:21:22 | |
We're too late. | 1:21:22 | 1:21:25 | |
You have to help him. | 1:21:27 | 1:21:29 | |
What are you talking about? | 1:21:29 | 1:21:31 | |
Aidan. | 1:21:31 | 1:21:33 | |
It's up to you now. | 1:21:33 | 1:21:34 | |
Just use the time you have and figure something out. | 1:21:34 | 1:21:37 | |
We'll figure this out together, right now! | 1:21:37 | 1:21:38 | |
It's too late, Noah! | 1:21:38 | 1:21:40 | |
Stop it, OK? there's a reason that we're here! | 1:21:40 | 1:21:42 | |
What?! I don't know, OK? | 1:21:42 | 1:21:43 | |
There's something in this room! | 1:21:43 | 1:21:45 | |
I mean, it's in this phone! | 1:21:45 | 1:21:47 | |
It's in this television! | 1:21:47 | 1:21:49 | |
Come on! Tell us now, why don't you?! | 1:21:49 | 1:21:52 | |
CLATTERING | 1:21:52 | 1:21:53 | |
Noah...look. | 1:21:53 | 1:21:58 | |
CLACKING | 1:21:58 | 1:22:00 | |
STONE SCRAPING | 1:23:22 | 1:23:24 | |
BOTH PANTING | 1:23:26 | 1:23:27 | |
Aw, Jesus. | 1:23:34 | 1:23:37 | |
How far down do you think it goes? | 1:23:37 | 1:23:39 | |
I can't see anything. | 1:23:39 | 1:23:41 | |
We should drop something. | 1:23:50 | 1:23:53 | |
STATIC HISSING | 1:23:55 | 1:23:57 | |
SCRAPING | 1:24:07 | 1:24:10 | |
BOTH BREATHING DEEPLY | 1:24:15 | 1:24:17 | |
Do you think she's down there? | 1:24:27 | 1:24:29 | |
Shh... | 1:24:29 | 1:24:31 | |
DEEP RUMBLING | 1:24:31 | 1:24:34 | |
SQUEAKING | 1:24:39 | 1:24:42 | |
WHOOSHING | 1:24:49 | 1:24:51 | |
SHE SCREAMS | 1:24:56 | 1:24:58 | |
ECHOING: Rachel! | 1:24:58 | 1:25:01 | |
SHE GASPS | 1:25:20 | 1:25:22 | |
Rachel! | 1:25:27 | 1:25:28 | |
SHE COUGHS | 1:25:28 | 1:25:30 | |
Rachel! | 1:25:30 | 1:25:33 | |
I'm here! | 1:25:33 | 1:25:35 | |
I'm all right! | 1:25:35 | 1:25:37 | |
QUIETLY: I think. | 1:25:37 | 1:25:40 | |
I'll go find something to get you out! | 1:25:40 | 1:25:42 | |
Hurry! | 1:25:43 | 1:25:45 | |
GASPING | 1:25:55 | 1:25:57 | |
EERIE SCREECHING | 1:26:20 | 1:26:24 | |
Noah? | 1:26:26 | 1:26:28 | |
STONE SCRAPING | 1:26:28 | 1:26:30 | |
Noah? | 1:26:37 | 1:26:38 | |
Noah! | 1:26:38 | 1:26:40 | |
STATIC BLIPS | 1:26:42 | 1:26:43 | |
HE GRUNTS | 1:26:43 | 1:26:44 | |
EERIE RUMBLING | 1:26:44 | 1:26:47 | |
HE YELLS Oh! | 1:26:47 | 1:26:51 | |
GASPING | 1:26:51 | 1:26:53 | |
PANTING | 1:26:58 | 1:27:00 | |
EERIE SCREAMING | 1:27:06 | 1:27:10 | |
SAMARA SINGS | 1:27:19 | 1:27:23 | |
# Here we go | 1:27:23 | 1:27:26 | |
# The world is spinning | 1:27:26 | 1:27:28 | |
# When it stops, it's just beginning. # | 1:27:28 | 1:27:36 | |
ANNA: Isn't it beautiful here, Samara? | 1:27:41 | 1:27:43 | |
So peaceful. | 1:27:46 | 1:27:49 | |
I know things will get better. | 1:27:51 | 1:27:54 | |
All I ever wanted was you. | 1:28:04 | 1:28:08 | |
EERIE RUMBLING | 1:28:16 | 1:28:18 | |
LOW RUMBLING | 1:28:30 | 1:28:32 | |
SHE GASPS | 1:28:36 | 1:28:38 | |
SHE PANTS | 1:28:38 | 1:28:41 | |
She was still alive. | 1:28:48 | 1:28:51 | |
Where did you go? | 1:28:56 | 1:28:58 | |
GASPING | 1:29:05 | 1:29:07 | |
It's OK now. | 1:29:26 | 1:29:29 | |
It's OK. | 1:29:29 | 1:29:31 | |
NOAH: Rachel! | 1:29:33 | 1:29:36 | |
Rachel, the sun's set! | 1:29:39 | 1:29:41 | |
The sun has set! | 1:29:43 | 1:29:45 | |
It's past sunset. Do you hear me? | 1:29:45 | 1:29:48 | |
It's past sunset! | 1:29:48 | 1:29:50 | |
Rachel? | 1:29:53 | 1:29:55 | |
Rachel? | 1:30:05 | 1:30:07 | |
Rachel, are you there? | 1:30:12 | 1:30:14 | |
SHE SHIVERS | 1:30:14 | 1:30:17 | |
I'm here. | 1:30:19 | 1:30:21 | |
SPEAKING INDISTINCTLY | 1:30:32 | 1:30:35 | |
They're going to bury her next week. | 1:30:37 | 1:30:39 | |
It's over. | 1:30:43 | 1:30:45 | |
You OK? | 1:30:51 | 1:30:54 | |
She wanted that child | 1:30:54 | 1:30:55 | |
more than anything in the world. | 1:30:55 | 1:30:59 | |
How could she have done that? | 1:30:59 | 1:31:02 | |
She just wanted to be heard. | 1:31:06 | 1:31:08 | |
Sometimes children... | 1:31:11 | 1:31:16 | |
yell or cry or draw pictures. | 1:31:16 | 1:31:18 | |
I want to go home. | 1:31:31 | 1:31:33 | |
I can't imagine being stuck down a well all alone like that. | 1:31:48 | 1:31:52 | |
How long could you survive? | 1:31:53 | 1:31:55 | |
Seven days. | 1:32:01 | 1:32:03 | |
You could survive for seven days. | 1:32:09 | 1:32:13 | |
Come on. | 1:32:40 | 1:32:42 | |
Hey. | 1:32:42 | 1:32:44 | |
Why don't you just call me sometime? | 1:33:18 | 1:33:21 | |
Unless you're renting a movie. | 1:33:21 | 1:33:23 | |
Call me tomorrow... | 1:33:26 | 1:33:28 | |
..and the day after that. | 1:33:32 | 1:33:35 | |
Rachel? | 1:34:13 | 1:34:16 | |
Hmm? | 1:34:16 | 1:34:19 | |
What time is it? | 1:34:19 | 1:34:22 | |
It's either really late or really early... | 1:34:22 | 1:34:24 | |
depending on how you look at it. | 1:34:24 | 1:34:28 | |
Don't you have to be at work? | 1:34:28 | 1:34:30 | |
Not today. | 1:34:30 | 1:34:33 | |
What happened to the girl? | 1:34:37 | 1:34:40 | |
Samara? | 1:34:40 | 1:34:42 | |
Is that her name? | 1:34:42 | 1:34:44 | |
Mm-hmm. | 1:34:44 | 1:34:45 | |
Is she still in the dark place? | 1:34:45 | 1:34:47 | |
No. | 1:34:47 | 1:34:49 | |
We set her free. | 1:34:49 | 1:34:51 | |
You helped her? | 1:34:53 | 1:34:55 | |
Yeah. | 1:34:55 | 1:34:57 | |
Why did you do that? | 1:34:57 | 1:34:59 | |
What's wrong, honey? | 1:35:00 | 1:35:02 | |
You weren't supposed to help her. | 1:35:02 | 1:35:04 | |
It's OK now. | 1:35:04 | 1:35:07 | |
She's not going to hurt you. | 1:35:07 | 1:35:09 | |
She... | 1:35:09 | 1:35:11 | |
Don't you understand, Rachel? | 1:35:15 | 1:35:17 | |
She never sleeps. | 1:35:19 | 1:35:21 | |
TV STATIC BLARING | 1:35:34 | 1:35:37 | |
STATIC STOPS | 1:35:57 | 1:36:00 | |
STATIC HISSING | 1:36:03 | 1:36:06 | |
RINGING | 1:36:12 | 1:36:16 | |
Pick up the phone, Noah. | 1:36:17 | 1:36:19 | |
Come on, pick up. | 1:36:19 | 1:36:23 | |
PHONE RINGING | 1:36:25 | 1:36:27 | |
STATIC HISSING | 1:36:27 | 1:36:30 | |
RINGING CONTINUES | 1:36:36 | 1:36:39 | |
EERIE WHIRRING | 1:36:45 | 1:36:47 | |
RINGING CONTINUES | 1:36:57 | 1:36:59 | |
TYRES SQUEAL | 1:37:03 | 1:37:06 | |
RACHEL: Come on, Noah! | 1:37:06 | 1:37:09 | |
Pick up the goddamn phone! | 1:37:09 | 1:37:11 | |
HORN HONKS | 1:37:11 | 1:37:12 | |
TRICKLING | 1:37:16 | 1:37:18 | |
PHONE RINGING | 1:37:18 | 1:37:20 | |
HE GASPS | 1:37:26 | 1:37:29 | |
RINGING CONTINUES | 1:37:29 | 1:37:31 | |
STATIC BLARING | 1:38:03 | 1:38:05 | |
BRAKES SQUEAL | 1:38:05 | 1:38:07 | |
SHE PANTS | 1:38:07 | 1:38:10 | |
Come on! | 1:38:13 | 1:38:14 | |
PHONE RINGING | 1:38:23 | 1:38:25 | |
STATIC HISSING | 1:38:25 | 1:38:28 | |
GLASS CRUNCHING | 1:38:49 | 1:38:52 | |
HISSING CONTINUES | 1:38:59 | 1:39:01 | |
SHE SIGHS | 1:39:11 | 1:39:13 | |
SHE SCREAMS | 1:39:17 | 1:39:19 | |
SCREAMS ECHO | 1:39:19 | 1:39:21 | |
THUD | 1:39:23 | 1:39:25 | |
ELEVATOR WHIRRING | 1:39:25 | 1:39:28 | |
ELEVATOR WHIRRING | 1:39:38 | 1:39:40 | |
SHE SOBS | 1:39:46 | 1:39:49 | |
Go to your room! | 1:39:57 | 1:39:59 | |
Now! | 1:39:59 | 1:40:00 | |
BREATHING ANXIOUSLY | 1:40:05 | 1:40:07 | |
What do you want? | 1:40:07 | 1:40:09 | |
What do you want?! | 1:40:09 | 1:40:10 | |
What do you want from me? | 1:40:10 | 1:40:12 | |
SHE SOBS | 1:40:20 | 1:40:23 | |
Why not me? | 1:40:30 | 1:40:32 | |
What did I do that he didn't? | 1:40:35 | 1:40:37 | |
CRYING STOPS | 1:40:41 | 1:40:43 | |
ECHOING: She just wanted to be heard. | 1:41:07 | 1:41:11 | |
He wants me to go away. | 1:41:11 | 1:41:14 | |
My wife was not supposed to have a child! | 1:41:14 | 1:41:16 | |
ANNA: All I ever wanted was you. | 1:41:16 | 1:41:18 | |
AIDAN: Don't you understand, Rachel? | 1:41:18 | 1:41:19 | |
But he doesn't know. | 1:41:19 | 1:41:21 | |
She never sleeps. | 1:41:21 | 1:41:23 | |
MORGAN: You take one person's tragedy | 1:41:23 | 1:41:24 | |
and force the world to experience it. | 1:41:24 | 1:41:27 | |
You spread it like sickness. | 1:41:27 | 1:41:29 | |
MAN: You don't want to hurt anyone. | 1:41:29 | 1:41:32 | |
But I do. | 1:41:32 | 1:41:34 | |
And I'm sorry. | 1:41:34 | 1:41:37 | |
It won't stop. | 1:41:37 | 1:41:40 | |
RACHEL: 'I made a copy.' | 1:41:43 | 1:41:46 | |
Push it in. | 1:41:47 | 1:41:50 | |
"Play." | 1:41:50 | 1:41:52 | |
Push. | 1:41:52 | 1:41:53 | |
It's going to keep killing, isn't it? | 1:42:00 | 1:42:04 | |
She'll never stop. | 1:42:04 | 1:42:06 | |
Don't worry, sweetie. | 1:42:06 | 1:42:08 | |
You're going to be OK. | 1:42:08 | 1:42:11 | |
What about the person we show it to? | 1:42:15 | 1:42:19 | |
What happens to them? | 1:42:19 | 1:42:22 | |
STATIC HISSING | 1:42:31 | 1:42:33 |