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This film contains very strong language. | 0:00:02 | 0:00:09 | |
GUNFIRE AND EXPLOSIONS | 0:00:36 | 0:00:39 | |
'We can't hold out much longer, sir!' | 0:00:39 | 0:00:42 | |
'General Hummel, get us outta here!' | 0:01:09 | 0:01:12 | |
'I won't let you down, son.' | 0:01:12 | 0:01:14 | |
'How long do we have to wait? I've lost 15 men already.' | 0:01:18 | 0:01:22 | |
'They're lighting us up like a firestorm!' | 0:01:22 | 0:01:25 | |
'This is Hummel. Get my men out.' | 0:01:27 | 0:01:32 | |
'We can't go behind enemy lines.' | 0:01:29 | 0:01:32 | |
'They're not coming, sir.' | 0:01:36 | 0:01:38 | |
'Congressman Weaver and members of the Armed Services Committee, | 0:01:45 | 0:01:51 | |
'I come to protest a grave injustice.' | 0:01:51 | 0:01:54 | |
'It has to stop.' | 0:02:07 | 0:02:09 | |
I miss you so much. | 0:02:51 | 0:02:53 | |
There's something I've got to do, Barb. | 0:03:02 | 0:03:05 | |
Something I couldn't do while you were here. | 0:03:05 | 0:03:09 | |
I tried. | 0:03:09 | 0:03:11 | |
You know I tried everything, | 0:03:11 | 0:03:13 | |
and I still don't have their attention. | 0:03:13 | 0:03:16 | |
Let's hope | 0:03:16 | 0:03:19 | |
this elevates their thinking. Whatever happens, | 0:03:19 | 0:03:23 | |
please don't think less of me. | 0:03:25 | 0:03:28 | |
Marine, tell the CO General Hummel's here for a security inspection. | 0:04:09 | 0:04:14 | |
It's an honour having you, sir. | 0:04:14 | 0:04:17 | |
I got the access card. | 0:05:05 | 0:05:07 | |
The darts wear off in 30 minutes. | 0:05:07 | 0:05:10 | |
Move it! | 0:05:10 | 0:05:12 | |
The access card, sir. | 0:05:15 | 0:05:18 | |
Let's do it. | 0:05:19 | 0:05:22 | |
Twenty-four hundred magazine check! | 0:05:26 | 0:05:29 | |
It's wet out there. | 0:05:43 | 0:05:47 | |
Check me through, will you? | 0:05:44 | 0:05:47 | |
Clear! | 0:05:56 | 0:05:57 | |
I want 16, Major. | 0:06:24 | 0:06:26 | |
Evac! Seal the door! | 0:06:52 | 0:06:54 | |
Seal it! | 0:06:55 | 0:06:57 | |
Let me out! Oh, God! | 0:07:02 | 0:07:05 | |
Let me out! | 0:07:05 | 0:07:07 | |
Clear out. | 0:07:07 | 0:07:08 | |
Get outta here! | 0:07:08 | 0:07:11 | |
Argh! | 0:07:11 | 0:07:12 | |
Sorry. | 0:07:16 | 0:07:18 | |
Let's move out. | 0:07:24 | 0:07:26 | |
That'll be 5, Isherwood. | 0:07:43 | 0:07:46 | |
I suck. | 0:07:46 | 0:07:48 | |
You guys have too much time on your hands. | 0:07:54 | 0:07:58 | |
She's here. Bring it to me. Thank you, Phil | 0:07:58 | 0:08:02 | |
Why did you get it sent here? | 0:08:02 | 0:08:04 | |
Carla won't approve. She thinks it's dumb to spend 600 on an LP. | 0:08:04 | 0:08:09 | |
She's right. Why don't you spend 13 on a CD? | 0:08:09 | 0:08:13 | |
First, because I'm a Beatlemaniac. Second, these sound better. | 0:08:13 | 0:08:18 | |
ALARM SOUNDS | 0:08:18 | 0:08:23 | |
Could be serious. May be sarin gas. | 0:08:19 | 0:08:23 | |
A dog out at JFK caught a whiff of something in this package addressed | 0:08:23 | 0:08:28 | |
to a Bosnian refugee camp. Could be detergent or sarin gas. | 0:08:28 | 0:08:32 | |
Bosnian refugee camp? | 0:08:32 | 0:08:37 | |
500,000 Serbians live in the US. They don't like Bosnians. | 0:08:33 | 0:08:37 | |
Get suited up. | 0:08:37 | 0:08:39 | |
You bring the cockroaches? | 0:08:41 | 0:08:44 | |
Got 'em. | 0:08:44 | 0:08:46 | |
We have airlock. You're set. | 0:08:46 | 0:08:48 | |
October 1... | 0:08:52 | 0:08:54 | |
0900 hours. | 0:08:54 | 0:08:56 | |
Agent Stanley Goodspeed | 0:08:56 | 0:08:58 | |
and agent-trainee Marvin Isherwood examining crate. | 0:08:58 | 0:09:03 | |
Suspicion of sarin gas inside. Marvin, sarin is a...? | 0:09:03 | 0:09:06 | |
GB aerosol. | 0:09:06 | 0:09:08 | |
That is correct. | 0:09:08 | 0:09:10 | |
Some dirty magazines. Stone Age Cave Girls In The Raw. | 0:09:10 | 0:09:14 | |
Kinky. | 0:09:14 | 0:09:16 | |
Not a good sign. | 0:09:16 | 0:09:18 | |
Ooh! Little baby doll. | 0:09:18 | 0:09:21 | |
Look, Stan. | 0:09:21 | 0:09:22 | |
Hi there, Stanley. | 0:09:22 | 0:09:26 | |
Marvin, don't! | 0:09:23 | 0:09:26 | |
Hi, Stan. | 0:09:26 | 0:09:27 | |
Move back! | 0:09:27 | 0:09:29 | |
Hang on. We'll clear the room. 50 seconds and you'll be OK. | 0:09:32 | 0:09:36 | |
Jesus Christ! | 0:09:36 | 0:09:38 | |
I've got some bad news and some really bad news. | 0:09:38 | 0:09:42 | |
The bad news is the gas is corrosive. It's eating our suits. | 0:09:42 | 0:09:46 | |
It's on my hand. | 0:09:46 | 0:09:48 | |
There's enough C-4 explosive and gas to kill everyone in the building. | 0:09:48 | 0:09:53 | |
Everybody out of the room! Now! | 0:09:53 | 0:09:57 | |
Seal us inside. | 0:09:55 | 0:09:57 | |
Where are the sprinklers, Lonner? | 0:10:01 | 0:10:04 | |
The acid is eating my fucking suit, all right? | 0:10:04 | 0:10:07 | |
Just wash us off. | 0:10:08 | 0:10:11 | |
-Where's my sprinklers? -It's a flow problem. | 0:10:11 | 0:10:14 | |
That's a big problem. Fix it now! | 0:10:14 | 0:10:16 | |
How much time on the detonator? | 0:10:16 | 0:10:18 | |
-A minute ten. -Look at this. | 0:10:18 | 0:10:20 | |
Tell them to take the atropine. | 0:10:20 | 0:10:24 | |
Atropine. | 0:10:24 | 0:10:27 | |
Where's my water, Lonner?! | 0:10:25 | 0:10:27 | |
Marvin, the atropine! Now! | 0:10:27 | 0:10:30 | |
Inject it into your heart before your suit melts. | 0:10:30 | 0:10:34 | |
Shit! | 0:10:32 | 0:10:34 | |
Take your dose! | 0:10:34 | 0:10:38 | |
Where's that water? | 0:10:35 | 0:10:38 | |
Get it away from me! | 0:10:38 | 0:10:39 | |
Come on, Phil. Fix it! | 0:10:39 | 0:10:41 | |
Take the atropine, now! | 0:10:41 | 0:10:44 | |
We're fucked. | 0:10:44 | 0:10:46 | |
The poison's mixing. | 0:10:46 | 0:10:51 | |
Why are you waiting? Take the fucking needle! | 0:10:47 | 0:10:51 | |
Oh, fuck! Oh, shit! | 0:10:52 | 0:10:54 | |
40 seconds! | 0:10:54 | 0:10:57 | |
If that suit melts and you die, | 0:10:55 | 0:10:57 | |
we all die! Inject your heart, then defuse the bomb! | 0:10:57 | 0:11:01 | |
What if I miss my heart? I can't see. | 0:11:01 | 0:11:03 | |
Do it now! | 0:11:03 | 0:11:08 | |
You want me to stick this into my heart? | 0:11:05 | 0:11:08 | |
Are you fucking nuts? | 0:11:08 | 0:11:12 | |
Sprinklers are coming. | 0:11:10 | 0:11:12 | |
Sprinklers activated! | 0:11:16 | 0:11:18 | |
How much time left? | 0:11:18 | 0:11:22 | |
20 seconds. | 0:11:20 | 0:11:22 | |
We're not gonna make it. | 0:11:23 | 0:11:26 | |
15. | 0:11:26 | 0:11:27 | |
Clear! | 0:11:33 | 0:11:36 | |
Get me outta here! I nearly stabbed myself in the heart with this. | 0:11:38 | 0:11:43 | |
PLUCKS GUITAR | 0:11:43 | 0:11:45 | |
Stan? | 0:11:45 | 0:11:48 | |
Hey, darling. | 0:11:46 | 0:11:48 | |
Hi, baby. | 0:11:48 | 0:11:50 | |
I had such an interesting day. | 0:11:54 | 0:11:57 | |
I had kind of an interesting day, too. | 0:11:57 | 0:12:00 | |
OK. You go first. | 0:12:00 | 0:12:03 | |
Some terrorists decided to send a box of goodies, | 0:12:03 | 0:12:07 | |
which had to be neutralised before blowing up the office. | 0:12:07 | 0:12:12 | |
I took the rest of the day off. Some wine, guitar. I'm relaxing. | 0:12:12 | 0:12:16 | |
Wow. | 0:12:16 | 0:12:18 | |
The world is being Fedexed to hell on a handcart. | 0:12:18 | 0:12:21 | |
Anyone who is thinking about | 0:12:21 | 0:12:24 | |
having a child in this world is considering an act of cruelty. | 0:12:24 | 0:12:28 | |
I'm rambling. I'm complaining. Sorry. What's your news, baby? | 0:12:28 | 0:12:32 | |
I'm pregnant. | 0:12:32 | 0:12:36 | |
I'm sorry? | 0:12:34 | 0:12:36 | |
I'm pregnant. | 0:12:36 | 0:12:38 | |
HE LAUGHS NERVOUSLY | 0:12:38 | 0:12:40 | |
Really? | 0:12:41 | 0:12:44 | |
Yeah. | 0:12:42 | 0:12:44 | |
Wow. | 0:12:44 | 0:12:48 | |
Is that all you're gonna say? | 0:12:46 | 0:12:48 | |
You're pregnant? | 0:12:48 | 0:12:52 | |
Three weeks. | 0:12:49 | 0:12:52 | |
How do you know? | 0:12:50 | 0:12:52 | |
Blue. It just turned blue. | 0:12:52 | 0:12:57 | |
So I went to the doctor. | 0:12:57 | 0:12:59 | |
Did you mean what you said? | 0:12:59 | 0:13:02 | |
When? | 0:13:00 | 0:13:02 | |
When you said bringing a child into the world is an act of cruelty. | 0:13:02 | 0:13:07 | |
I meant it at the time. | 0:13:07 | 0:13:11 | |
It was seven and a half seconds ago. | 0:13:08 | 0:13:11 | |
Gosh, kind of a lot has happened since then. | 0:13:11 | 0:13:14 | |
We're not even married. | 0:13:14 | 0:13:16 | |
I know. It's funny you should mention that. | 0:13:16 | 0:13:19 | |
It's funny? | 0:13:19 | 0:13:22 | |
Do you love me? | 0:13:20 | 0:13:22 | |
Of course I love you. | 0:13:22 | 0:13:25 | |
Good. | 0:13:24 | 0:13:25 | |
Will you marry me? | 0:13:27 | 0:13:30 | |
Whoa, whoa. Hey, Marriage Police, pull over. | 0:13:30 | 0:13:33 | |
Come on. I'm proposing to you right now. | 0:13:33 | 0:13:37 | |
"The Rock" is the most famous and most feared prison ever built. | 0:13:46 | 0:13:51 | |
Is it true there was never an escape? | 0:13:51 | 0:13:54 | |
From 1936 until it closed in 1963, | 0:13:54 | 0:13:56 | |
there were 14 attempts. No-one made it to shore. | 0:13:56 | 0:14:00 | |
Alive, at least. | 0:14:00 | 0:14:02 | |
No, er, hey! Tourists are not allowed back here. | 0:14:02 | 0:14:06 | |
I don't give a shit. | 0:14:06 | 0:14:08 | |
Do you give a shit? | 0:14:08 | 0:14:12 | |
Come here. Move. | 0:14:09 | 0:14:12 | |
Girls, are you having a good time? Will you do something for me? | 0:14:12 | 0:14:17 | |
Tell your teacher you need to get back on the boat and go right now. | 0:14:17 | 0:14:22 | |
Ladies and gentlemen, welcome to Broadway. | 0:14:22 | 0:14:26 | |
This cellblock housed the most awesome scum in America. | 0:14:26 | 0:14:31 | |
Ladies and gentlemen, I, Ranger Bob, | 0:14:31 | 0:14:34 | |
invite you to be inmates of Alcatraz. Temporarily, of course. | 0:14:34 | 0:14:38 | |
On the line! | 0:14:41 | 0:14:43 | |
Pretty tight quarters, huh? | 0:14:43 | 0:14:46 | |
Like being a caged animal. Spend a couple of years in there... | 0:14:46 | 0:14:51 | |
Something wrong with the tour? | 0:14:51 | 0:14:54 | |
Tour's over, Bob. | 0:14:54 | 0:14:56 | |
What kind of fucked-up tour is this?! | 0:15:02 | 0:15:05 | |
General Hummel, Captains Frye and Darrow reporting. | 0:15:16 | 0:15:20 | |
Welcome to The Rock. Land the choppers on the back and deploy. | 0:15:20 | 0:15:25 | |
-Aye-aye, sir. -Move out. | 0:15:25 | 0:15:27 | |
I'm not allowed to carry a gun. | 0:15:27 | 0:15:31 | |
You don't have a gun? I got a gun. | 0:15:28 | 0:15:31 | |
If I'd known this was gonna happen, I'd've brought it. Help! | 0:15:31 | 0:15:35 | |
This is our new home. I want my command centre here. | 0:15:37 | 0:15:42 | |
I want coms up. | 0:15:48 | 0:15:51 | |
Yes, sir. | 0:15:50 | 0:15:51 | |
Put the satellite there. I want to be up at 1600. | 0:15:51 | 0:15:56 | |
Move it. | 0:15:56 | 0:15:57 | |
System's up. | 0:16:07 | 0:16:08 | |
Penetration point in shower. We're setting anti-intrusion. | 0:16:08 | 0:16:12 | |
I brought an anti-motion trembler device. | 0:16:12 | 0:16:16 | |
It's custom-made. Nobody knows about it and nobody expects it. | 0:16:16 | 0:16:21 | |
What's it do? | 0:16:21 | 0:16:25 | |
We head-fake them with a laser beam. | 0:16:22 | 0:16:25 | |
If they disturb Mr Back-up, we own them. | 0:16:25 | 0:16:28 | |
GUNSHOT | 0:16:37 | 0:16:39 | |
SCREAMING | 0:16:39 | 0:16:41 | |
You are being detained against your will. For that, I apologise. | 0:16:41 | 0:16:46 | |
We do not intend to harm you. | 0:16:46 | 0:16:49 | |
We will free you when our mission is complete. | 0:16:49 | 0:16:52 | |
Attention on deck. | 0:16:57 | 0:16:59 | |
Stand easy, men. | 0:17:01 | 0:17:03 | |
Make no mistake about it, gentlemen, | 0:17:03 | 0:17:06 | |
we are now in harm's way. | 0:17:06 | 0:17:08 | |
For Major Baxter and I, this is the last campaign in a career | 0:17:08 | 0:17:12 | |
dating back to Tet '68. Likewise for Captain Hendrix | 0:17:12 | 0:17:16 | |
and Sgt Crisp who cut their teeth with me | 0:17:16 | 0:17:19 | |
in Desert Storm. Frye and Darrow, this is my first situation with you. | 0:17:19 | 0:17:25 | |
Your conduct reflects your reputations. | 0:17:25 | 0:17:29 | |
-Thank you, General. -Sir. | 0:17:27 | 0:17:29 | |
We got here using poise, precision and audacity. We must add resolve. | 0:17:29 | 0:17:35 | |
We'll be branded traitors, the gravest crime, | 0:17:35 | 0:17:38 | |
punishable by death. | 0:17:38 | 0:17:40 | |
A couple of hundred years ago, | 0:17:40 | 0:17:43 | |
a few guys named Washington, Jefferson and Adams | 0:17:43 | 0:17:46 | |
were branded as traitors by the British. | 0:17:46 | 0:17:49 | |
And now they're called patriots. | 0:17:49 | 0:17:52 | |
In time, so shall we. | 0:17:52 | 0:17:54 | |
God willing, in less then 48 hours, you will evacuate this island | 0:17:54 | 0:17:59 | |
in gunships under cover of hostages and VX-gas warheads. | 0:17:59 | 0:18:03 | |
Your destination - a non-extradition treaty country. | 0:18:03 | 0:18:07 | |
You will each be paid 1 million. | 0:18:07 | 0:18:09 | |
But you can never again set foot on your native soil. | 0:18:09 | 0:18:14 | |
Can you live with that? | 0:18:15 | 0:18:17 | |
ALL: Yes, sir! | 0:18:17 | 0:18:19 | |
The men of Marine Force Recon | 0:18:19 | 0:18:21 | |
carry out illegal operations throughout the world. | 0:18:21 | 0:18:25 | |
When they don't come home, | 0:18:25 | 0:18:27 | |
their families are told lies about what happened | 0:18:27 | 0:18:31 | |
and are denied compensation. | 0:18:31 | 0:18:34 | |
I have choked on these lies my entire career. | 0:18:34 | 0:18:38 | |
Here and now the lies stop! | 0:18:38 | 0:18:40 | |
God be with all of you. Man your positions, men. | 0:18:46 | 0:18:49 | |
PHONE RINGS | 0:18:49 | 0:18:53 | |
This is FBI Director Womack. | 0:18:53 | 0:18:55 | |
Director, be advised, | 0:18:55 | 0:18:57 | |
81, I say again, 81 civilians are under my control as of this moment. | 0:18:57 | 0:19:04 | |
You are to take measures to keep this a need-to-know classified fact. | 0:19:04 | 0:19:09 | |
Who is this? | 0:19:09 | 0:19:11 | |
You have a very serious problem. | 0:19:11 | 0:19:14 | |
VX-gas rockets are presently deployed to deliver a lethal strike | 0:19:14 | 0:19:19 | |
on San Francisco. I'll call at 0000 hours with demands. | 0:19:19 | 0:19:23 | |
Who am I talking to? | 0:19:23 | 0:19:30 | |
Brigadier General Francis X Hummel, US Marine Corps, from Alcatraz. Out. | 0:19:25 | 0:19:30 | |
I'll cancel your reservations. | 0:19:30 | 0:19:33 | |
Get the Pentagon. | 0:19:33 | 0:19:35 | |
Call the San Francisco office. Alcatraz was just reopened. | 0:19:35 | 0:19:40 | |
Last night, General Hummel using brutal force | 0:19:40 | 0:19:44 | |
walked off with 15 VX-poison gas rockets. | 0:19:44 | 0:19:48 | |
He lost one of his men in the process. | 0:19:48 | 0:19:51 | |
Hummel in Vietnam. He was a major at the time. | 0:19:51 | 0:19:55 | |
Three tours in Vietnam, Panama, Grenada, Desert Storm, | 0:19:55 | 0:19:59 | |
three Purple Hearts, two Silver Stars, the Congressional Medal of... | 0:19:59 | 0:20:04 | |
Jesus, this man is a hero. | 0:20:04 | 0:20:06 | |
I think "legend" is a better description. | 0:20:06 | 0:20:09 | |
We can add kidnapping and extortion to his list of accolades. | 0:20:09 | 0:20:14 | |
General Hummel is a man of honour. | 0:20:14 | 0:20:16 | |
General, it's him. | 0:20:16 | 0:20:18 | |
Frank, it's Al Kramer. | 0:20:20 | 0:20:22 | |
Hi, Al. How you doing? | 0:20:22 | 0:20:26 | |
'I don't know, Frank. You tell me.' | 0:20:23 | 0:20:26 | |
I got a lot of worried people here. | 0:20:26 | 0:20:29 | |
83 Force Recon Marines have died under my various commands. | 0:20:29 | 0:20:34 | |
47 in Laos and southern China. | 0:20:34 | 0:20:37 | |
We never admitted sending troops into China. | 0:20:37 | 0:20:40 | |
'Who is this? Identify yourself.' | 0:20:40 | 0:20:45 | |
Chief of Staff Hayden Sinclair. | 0:20:42 | 0:20:45 | |
How old are you, Chief of Staff Sinclair? | 0:20:45 | 0:20:48 | |
I'm 33. | 0:20:48 | 0:20:51 | |
'You've no idea what I'm talking about. | 0:20:51 | 0:20:54 | |
'When you were 9, I was on black ops in China. My men had 200 kills. | 0:20:54 | 0:20:59 | |
'Put some tape over Mr Sinclair's mouth. He's wasting my time.' | 0:20:59 | 0:21:04 | |
You wanna continue? | 0:21:04 | 0:21:05 | |
Remember Desert Storm? The hits made by smart bombs, covered on CNN? | 0:21:05 | 0:21:11 | |
'My men made those hits possible by lasing targets. | 0:21:11 | 0:21:15 | |
'20 of them were left to rot outside Baghdad after the war.' | 0:21:15 | 0:21:19 | |
No benefits were paid to families. No medals conferred. | 0:21:19 | 0:21:23 | |
'These men died for the US and weren't given a military burial. | 0:21:23 | 0:21:29 | |
'This situation is unacceptable. | 0:21:29 | 0:21:33 | |
'Transfer 100 million from Grand Cayman Red Sea Trading Company. | 0:21:33 | 0:21:39 | |
'1 million will be paid to each of the 83 marines' families. | 0:21:39 | 0:21:44 | |
'The rest I will disperse at my discretion.' | 0:21:44 | 0:21:48 | |
Do I make myself clear? | 0:21:48 | 0:21:50 | |
Except for the Red Sea Trading Company. | 0:21:50 | 0:21:54 | |
Identify yourself. | 0:21:52 | 0:21:54 | |
FBI Director Womack. | 0:21:54 | 0:21:56 | |
It's a Pentagon slush fund from illegal arms sales. | 0:21:56 | 0:22:00 | |
This is classified information. | 0:22:00 | 0:22:02 | |
Alert the media, I launch the gas. Refuse payment, I launch the gas. | 0:22:02 | 0:22:08 | |
'You've got until noon the day after tomorrow to transfer the money. | 0:22:08 | 0:22:14 | |
'I know your countermeasure. It won't work. Hummel, out. | 0:22:14 | 0:22:18 | |
Identify the hostages and contact their families. | 0:22:20 | 0:22:24 | |
Tell 'em something. Make up a story. | 0:22:24 | 0:22:27 | |
We've got to keep this undercover. If it gets out, there'll be anarchy. | 0:22:27 | 0:22:33 | |
Wait a minute. What is the potential casualty rate | 0:22:33 | 0:22:36 | |
for a single rocket armed with VX gas, | 0:22:36 | 0:22:39 | |
General Peterson? | 0:22:39 | 0:22:42 | |
60 or 70. | 0:22:40 | 0:22:42 | |
That's not so bad. | 0:22:42 | 0:22:44 | |
Thousand. Seventy thousand. Dead. | 0:22:44 | 0:22:48 | |
One teaspoon of this hits the floor, it's lethal up to 100 feet. | 0:22:48 | 0:22:53 | |
One teaspoon in the atmosphere will kill everything within eight blocks. | 0:22:53 | 0:22:59 | |
Get the point? | 0:22:59 | 0:23:01 | |
Yeah. | 0:23:01 | 0:23:03 | |
The countermeasure? | 0:23:03 | 0:23:09 | |
Standard poison is countered by napalm, it burns it up. | 0:23:04 | 0:23:09 | |
VX-poison gas is designed | 0:23:09 | 0:23:11 | |
to withstand napalm. That's where thermite plasma comes in. | 0:23:11 | 0:23:16 | |
Thermite plasma incendiary systems burn hot enough to consume VX, | 0:23:16 | 0:23:21 | |
but it's in the test phase. It's not operational. Hummel knows this. | 0:23:21 | 0:23:26 | |
He's a smart sonofabitch. | 0:23:26 | 0:23:28 | |
What'll it take to equip F-18s with thermite plasma within 36 hours? | 0:23:28 | 0:23:34 | |
An act of God. | 0:23:34 | 0:23:36 | |
Excuse me? | 0:23:36 | 0:23:43 | |
We can try. But please consider this as a secondary initiative. | 0:23:38 | 0:23:43 | |
Let's go to our primary initiative. Admiral? | 0:23:43 | 0:23:46 | |
Bring in our SEAL commander - Commander Anderson. | 0:23:46 | 0:23:50 | |
Mr Womack, who is your best chemical-biological man? | 0:23:50 | 0:23:55 | |
That's interesting. | 0:23:55 | 0:23:57 | |
That's very compelling. | 0:23:57 | 0:23:59 | |
You like my pigtails? | 0:24:02 | 0:24:05 | |
Oh, yeah. The pigtails are very naughty. Naughty, naughty. | 0:24:05 | 0:24:10 | |
Amaretto cream and peach sorbet persuasion. | 0:24:10 | 0:24:13 | |
PHONE RINGS | 0:24:13 | 0:24:16 | |
This isn't happening. | 0:24:14 | 0:24:16 | |
Don't answer it. | 0:24:16 | 0:24:19 | |
This isn't happening! | 0:24:17 | 0:24:19 | |
Don't answer it. It's OK. | 0:24:19 | 0:24:21 | |
It's the office. They know I'm home. | 0:24:21 | 0:24:25 | |
How could they know? | 0:24:23 | 0:24:25 | |
It's the FBI. | 0:24:25 | 0:24:27 | |
Stanley... | 0:24:29 | 0:24:31 | |
Goodspeed. | 0:24:31 | 0:24:33 | |
OK. Yeah. I'll be down. Downstairs in ten minutes. | 0:24:33 | 0:24:37 | |
No, you won't. | 0:24:37 | 0:24:39 | |
I have to go to San Francisco. | 0:24:40 | 0:24:43 | |
No, you don't. | 0:24:43 | 0:24:45 | |
You do not have to go to San Francisco. | 0:24:45 | 0:24:48 | |
You need to stay and talk to me about things. | 0:24:48 | 0:24:52 | |
I've got to go. | 0:24:50 | 0:24:52 | |
Do you realise I'm Catholic? | 0:24:52 | 0:24:54 | |
I am pregnant and unmarried. This causes a serious problem for me. | 0:24:54 | 0:25:00 | |
I love you. | 0:25:13 | 0:25:15 | |
I will marry you. I just didn't plan on this, that's all. | 0:25:15 | 0:25:19 | |
Come to San Francisco. | 0:25:19 | 0:25:22 | |
Really? | 0:25:22 | 0:25:28 | |
I'm sure it's a training exercise. Order champagne in the hotel. | 0:25:23 | 0:25:28 | |
We'll finish what we started. You're going to marry me? | 0:25:28 | 0:25:32 | |
Ow! Oh, I got to go! | 0:25:35 | 0:25:38 | |
A night-time airdrop incursion is out due to the full moon. | 0:25:38 | 0:25:43 | |
If shots are fired, | 0:25:43 | 0:25:45 | |
Hummel might launch. We can attack from within. | 0:25:45 | 0:25:49 | |
Penetrate through the tunnels under the prison. | 0:25:49 | 0:25:52 | |
We can jump the marines and take the rockets without firing a shot. | 0:25:52 | 0:25:59 | |
You've studied the architectural plans? | 0:25:59 | 0:26:02 | |
Alcatraz has been rebuilt. Under there is a maze of shit. | 0:26:02 | 0:26:07 | |
We need first-hand intelligence of the tunnels. | 0:26:07 | 0:26:10 | |
What about the warden? | 0:26:10 | 0:26:15 | |
Died in 1979. The guards we contacted | 0:26:12 | 0:26:15 | |
were useless. | 0:26:15 | 0:26:17 | |
There is someone who I think can help us. | 0:26:17 | 0:26:20 | |
This is for national security. | 0:26:22 | 0:26:30 | |
It was national security that got us here 33 years ago. I knew. | 0:26:24 | 0:26:30 | |
I knew this would come back to bite us. Forget it. He does not exist. | 0:26:30 | 0:26:35 | |
He does. We chose to forget him for 30 years. We threw away the key. | 0:26:35 | 0:26:40 | |
He broke out of two maximum-security prisons. If he hits the streets... | 0:26:40 | 0:26:45 | |
He won't, Jim. 30 years ago, he was a highly-trained SAS operative. | 0:26:45 | 0:26:51 | |
He's my age now. I get up three times a night to take a piss. | 0:26:51 | 0:26:55 | |
We can't risk letting him out. | 0:26:55 | 0:26:58 | |
'He is a professional escape artist.' | 0:26:58 | 0:27:02 | |
Neat. Neat plane. | 0:27:34 | 0:27:36 | |
Dr Goodspeed. James Womack. | 0:27:36 | 0:27:39 | |
It's a pleasure to meet you. | 0:27:39 | 0:27:41 | |
You come highly recommended. BA, Columbia. MA, PhD, Johns Hopkins. | 0:27:41 | 0:27:46 | |
Biochemistry-toxicology. | 0:27:46 | 0:27:50 | |
Fortunately, I like my job, sir. | 0:27:48 | 0:27:50 | |
Got a chemistry set at 7. Blew my eyebrows off. Been hooked since. | 0:27:50 | 0:27:56 | |
What do you know about VX gas? | 0:27:56 | 0:27:58 | |
Failed pesticide discovered by mistake. | 0:27:58 | 0:28:02 | |
Like champagne. Franciscan monks were making white wine. Voila! | 0:28:02 | 0:28:07 | |
The gas, Dr Goodspeed. | 0:28:07 | 0:28:13 | |
It's very horrible, sir. Something we wish we could disinvent. | 0:28:09 | 0:28:13 | |
It isn't a training exercise, is it? | 0:28:15 | 0:28:21 | |
No, Dr Goodspeed, it's not a training exercise. | 0:28:17 | 0:28:21 | |
Morning, Director. | 0:28:57 | 0:29:02 | |
Ernest Paxton, Agent in Charge, West Coast. | 0:28:58 | 0:29:02 | |
Dr Goodspeed. | 0:29:02 | 0:29:05 | |
How do you do, sir? | 0:29:03 | 0:29:05 | |
It's been an interesting day. The prisoner's here. | 0:29:05 | 0:29:09 | |
My boys can't find a file on him. Who is he? | 0:29:09 | 0:29:12 | |
John Mason. A British national incarcerated on Alcatraz in 1962. | 0:29:12 | 0:29:18 | |
Escaped in 1963. | 0:29:18 | 0:29:21 | |
I thought no-one ever escaped from Alcatraz? | 0:29:21 | 0:29:25 | |
Paxton, don't argue. | 0:29:23 | 0:29:25 | |
He has no identity in the US or the UK. He does not exist. Understand? | 0:29:25 | 0:29:31 | |
I want one thing - | 0:29:31 | 0:29:33 | |
how he escaped The Rock. The route through the tunnels. | 0:29:33 | 0:29:37 | |
The papers are in order, sir. | 0:29:37 | 0:29:39 | |
Offer him a full pardon. Paxton, | 0:29:39 | 0:29:42 | |
no strong-arming Mason. I know him too well. | 0:29:42 | 0:29:45 | |
Why don't you question him? | 0:29:45 | 0:29:48 | |
He'll remember me. I don't want his anger clouding the issue. | 0:29:48 | 0:29:54 | |
I'll take care of it. | 0:29:52 | 0:29:54 | |
Mr Mason, I'm Special Agent in Charge, Ernest Paxton. | 0:30:01 | 0:30:06 | |
In charge of what? Fucking me over for another three decades? | 0:30:06 | 0:30:10 | |
I don't know about that. There's a situation you could help us with. | 0:30:10 | 0:30:15 | |
What might that be? | 0:30:15 | 0:30:17 | |
I've been in jail longer than Nelson Mandela. Do you want me | 0:30:17 | 0:30:21 | |
to be President? | 0:30:21 | 0:30:24 | |
Not exactly. | 0:30:22 | 0:30:24 | |
Pity. I feel rather like Alcimedes. | 0:30:24 | 0:30:28 | |
Who? | 0:30:28 | 0:30:32 | |
He was imprisoned by his king in ancient Greece. | 0:30:29 | 0:30:32 | |
Like Sir Walter Raleigh. | 0:30:32 | 0:30:36 | |
James the First. | 0:30:34 | 0:30:36 | |
Even someone as bright as you | 0:30:36 | 0:30:38 | |
must be aware there's a pattern emerging here. | 0:30:38 | 0:30:42 | |
Alexander Solzhenitsyn. | 0:30:42 | 0:30:47 | |
Didn't he play hockey for the fucking Red Wings? | 0:30:44 | 0:30:47 | |
That's the chap. | 0:30:47 | 0:30:51 | |
Get this straight. I don't | 0:30:48 | 0:30:51 | |
like you any more than you like me. | 0:30:51 | 0:30:53 | |
I'm here to make you an offer. | 0:30:53 | 0:30:55 | |
You want to hear it or not? | 0:30:55 | 0:30:58 | |
'By all means, dear Paxton. By all means.' | 0:30:58 | 0:31:01 | |
We've got a problem in a place you know. Hostages on Alcatraz. | 0:31:01 | 0:31:06 | |
Hostages? | 0:31:06 | 0:31:09 | |
81 tourists. | 0:31:09 | 0:31:11 | |
The Rock has become a tourist attraction? | 0:31:11 | 0:31:15 | |
Cut the shit. You broke out of The Rock. | 0:31:15 | 0:31:17 | |
Yes, successfully. | 0:31:17 | 0:31:21 | |
Yeah. | 0:31:19 | 0:31:21 | |
Do yourself a favour and help us. | 0:31:21 | 0:31:23 | |
Get out of jail while you're vertical. | 0:31:23 | 0:31:26 | |
While you've still got lead in your pencil. | 0:31:26 | 0:31:29 | |
While I'm considering your offer, I want a suite at the Fairmont Hotel. | 0:31:31 | 0:31:35 | |
You know, I'm here to cut you a deal. | 0:31:38 | 0:31:40 | |
I'm not here to bend over and take it up the ass from you. | 0:31:40 | 0:31:45 | |
Here. Here's a quarter. | 0:31:45 | 0:31:48 | |
Do yourself a favour, call your lawyer. You're going back to jail. | 0:31:52 | 0:31:57 | |
You're sending him back to jail? | 0:31:59 | 0:32:06 | |
No. We're giving him something to think about. | 0:32:01 | 0:32:06 | |
We don't have time. | 0:32:06 | 0:32:08 | |
Oh, really? | 0:32:08 | 0:32:12 | |
Goodspeed's right. You talk to him. | 0:32:09 | 0:32:12 | |
Me? I'm not qualified for that. | 0:32:12 | 0:32:15 | |
-You're an FBI agent. -What's your speciality? | 0:32:15 | 0:32:19 | |
Chemical weapons. | 0:32:17 | 0:32:19 | |
Don't mention that. | 0:32:19 | 0:32:21 | |
You want me to lie? | 0:32:23 | 0:32:25 | |
Yeah, lie. We got less than 24 hours. Give it a shot. | 0:32:25 | 0:32:30 | |
OK. | 0:32:32 | 0:32:34 | |
Hi. | 0:32:39 | 0:32:41 | |
I'm an agent with the er... | 0:32:41 | 0:32:43 | |
Federal... FBI. | 0:32:43 | 0:32:46 | |
I'm Stanley Goodspeed. | 0:32:48 | 0:32:50 | |
Of course you are. | 0:32:50 | 0:32:52 | |
He got his name right. | 0:32:52 | 0:32:54 | |
Of course I am. | 0:32:54 | 0:32:57 | |
And you have an emergency. | 0:32:57 | 0:33:00 | |
That's right. | 0:32:58 | 0:33:00 | |
And you need my help. | 0:33:02 | 0:33:05 | |
Exactly right. | 0:33:03 | 0:33:05 | |
Coffee. | 0:33:05 | 0:33:08 | |
No, I'm fine. Thank you. | 0:33:08 | 0:33:10 | |
Offer me coffee. | 0:33:10 | 0:33:12 | |
Oh, yes. That was going to be my next... | 0:33:12 | 0:33:16 | |
Can we get a cup of coffee in here? | 0:33:16 | 0:33:18 | |
And offer to take these off. | 0:33:18 | 0:33:21 | |
Mr Mason, really... | 0:33:21 | 0:33:24 | |
As a gesture of your good faith. | 0:33:24 | 0:33:26 | |
-Prisoner requests to have his handcuffs removed. -(No, no.) | 0:33:30 | 0:33:33 | |
Why don't you go ahead and take his handcuffs off? | 0:33:33 | 0:33:38 | |
Well, I guess that's one way to go. | 0:33:38 | 0:33:41 | |
This is a pardon from the Attorney General. You're a free man, | 0:33:43 | 0:33:47 | |
provided you cooperate. | 0:33:47 | 0:33:51 | |
If you'll just sign where it says... | 0:33:51 | 0:33:55 | |
"Signature?" | 0:33:55 | 0:33:58 | |
Yes. "Signature." | 0:33:57 | 0:33:58 | |
Timeo Danaos | 0:34:00 | 0:34:02 | |
et dona ferentis. | 0:34:02 | 0:34:05 | |
"I fear the Greeks | 0:34:03 | 0:34:05 | |
"even when they bring gifts." | 0:34:05 | 0:34:07 | |
An educated man. That rules out the possibility | 0:34:07 | 0:34:11 | |
of you being a field agent. | 0:34:11 | 0:34:13 | |
In fact, I am a field agent, Mr Mason. | 0:34:13 | 0:34:16 | |
Really? | 0:34:16 | 0:34:20 | |
Yes. | 0:34:17 | 0:34:20 | |
In which field? | 0:34:18 | 0:34:20 | |
Anti-terrorism. | 0:34:20 | 0:34:23 | |
You're trained in weaponry, explosives, mortal combat. | 0:34:23 | 0:34:27 | |
Well trained. | 0:34:27 | 0:34:29 | |
It's the Fairmont. | 0:34:30 | 0:34:32 | |
OK. | 0:34:34 | 0:34:36 | |
I want a suite. A shower, a shave, and the feel of a suit. | 0:34:36 | 0:34:43 | |
May I also suggest a haircut? | 0:34:43 | 0:34:46 | |
Am I out of style? | 0:34:46 | 0:34:51 | |
Not for a 20-year-old guitarist from Seattle. It's grunge. | 0:34:47 | 0:34:51 | |
Grunge? | 0:34:51 | 0:34:55 | |
Yeah. Well...thank you very much. | 0:34:53 | 0:34:55 | |
Call the Fairmont. Close the floor. | 0:34:55 | 0:34:58 | |
Seal it off. He gets two hours max. | 0:34:58 | 0:35:02 | |
Great job, Goodspeed. | 0:35:17 | 0:35:21 | |
Why not give him a trip to Tahiti? | 0:35:18 | 0:35:21 | |
This goes to the Attorney General? | 0:35:21 | 0:35:25 | |
No, give it to me. | 0:35:23 | 0:35:25 | |
Take Attorney Reynolds to his car. | 0:35:25 | 0:35:28 | |
That's a signed federal document. Isn't that illegal? | 0:35:30 | 0:35:34 | |
You don't know the full facts. | 0:35:34 | 0:35:37 | |
I'd like some clarification, sir. | 0:35:37 | 0:35:39 | |
I gave him my word. | 0:35:39 | 0:35:43 | |
You're on a need-to-know basis. | 0:35:41 | 0:35:43 | |
You don't need to know. | 0:35:43 | 0:35:45 | |
It's kind of curious, but... | 0:35:45 | 0:35:48 | |
Sir Walter Raleigh, Alcimedes, Solzhenitsyn | 0:35:48 | 0:35:51 | |
were all wrongfully imprisoned. | 0:35:51 | 0:35:54 | |
ALARM SOUNDS | 0:35:59 | 0:36:02 | |
Womack? | 0:36:02 | 0:36:03 | |
Why am I not surprised? | 0:36:03 | 0:36:05 | |
You piece of shit. | 0:36:05 | 0:36:07 | |
Peace! Peace. | 0:36:07 | 0:36:10 | |
-ANSWERING MACHINE: -'We're not home. Leave a message.' | 0:36:17 | 0:36:21 | |
It's me. Listen. Don't come to San Francisco. Do not come. | 0:36:21 | 0:36:26 | |
Stanley, no! Like hell I'm not coming! | 0:36:26 | 0:36:30 | |
Wait, Carla. | 0:36:30 | 0:36:32 | |
Who's Carla? | 0:36:35 | 0:36:37 | |
Why don't you want her to come to San Francisco? | 0:36:37 | 0:36:40 | |
You're on a need-to-know basis. You don't need to know. | 0:36:44 | 0:36:49 | |
HE BARKS | 0:36:48 | 0:36:49 | |
Watch it. He'll bite you. | 0:36:49 | 0:36:52 | |
Good. Mobile Command is fully operational. | 0:36:59 | 0:37:02 | |
We'll be there in two hours. | 0:37:02 | 0:37:05 | |
I'm not armed, sir. I'm unarmed, sir. | 0:37:05 | 0:37:08 | |
Where's your issue? | 0:37:08 | 0:37:09 | |
I left it... | 0:37:09 | 0:37:11 | |
HE CLEARS THROAT ..in my sock drawer. | 0:37:11 | 0:37:14 | |
A gun? For what? You're a chemical freak. | 0:37:15 | 0:37:20 | |
I'm a chemical super-freak, actually. But I still need a gun. | 0:37:20 | 0:37:24 | |
Give him a goddamn gun. | 0:37:24 | 0:37:27 | |
You fired one since the Academy? | 0:37:29 | 0:37:33 | |
RADIO PLAYS "San Francisco (Be Sure To Wear Flowers In Your Hair)" by Scott McKenzie | 0:37:33 | 0:37:39 | |
# ..in your hair | 0:37:39 | 0:37:41 | |
# If you're going to San Francisco | 0:37:41 | 0:37:44 | |
# You're sure to meet some | 0:37:45 | 0:37:48 | |
# Gentle people there | 0:37:48 | 0:37:51 | |
# And you come from... | 0:37:51 | 0:37:53 | |
# If you're going to San Francisco... # | 0:37:55 | 0:37:58 | |
Room service? | 0:37:58 | 0:38:00 | |
This is the penthouse. Do you have any snacks, drinks? | 0:38:00 | 0:38:05 | |
Hello? | 0:38:05 | 0:38:08 | |
You the barber? | 0:38:06 | 0:38:08 | |
No, stylist. | 0:38:08 | 0:38:11 | |
Barber. | 0:38:09 | 0:38:11 | |
Just clippers, no scissors. | 0:38:11 | 0:38:13 | |
No scissors? You're kidding. Did they tell Picasso, "No brush"? | 0:38:13 | 0:38:18 | |
He could kill you. | 0:38:18 | 0:38:20 | |
I can't cut anyone's balls off with a trimmer, can I? | 0:38:20 | 0:38:24 | |
Let's do this outside. Get some sun. | 0:38:24 | 0:38:27 | |
Who did this to you? It's just not right. | 0:38:29 | 0:38:33 | |
It's nasty. | 0:38:33 | 0:38:36 | |
It's a grunge thing. | 0:38:34 | 0:38:36 | |
Do we have time for a sea-kelp protein pack and some colour? | 0:38:36 | 0:38:40 | |
No. | 0:38:40 | 0:38:44 | |
OK. | 0:38:42 | 0:38:44 | |
Not very nice, is he? | 0:38:44 | 0:38:48 | |
No, he's not. | 0:38:46 | 0:38:48 | |
Somebody ordered it. Can't let it go to waste. | 0:39:04 | 0:39:08 | |
Don't you ever stop eating? | 0:39:08 | 0:39:10 | |
Not when it's free. | 0:39:10 | 0:39:13 | |
We're on duty. | 0:39:11 | 0:39:13 | |
He's an old man. | 0:39:13 | 0:39:18 | |
The boss is watching him. Try some lobster. | 0:39:14 | 0:39:18 | |
My secretary here will settle the bill. | 0:39:18 | 0:39:21 | |
So, what do you have in store for me, Womack, when this is over? | 0:39:21 | 0:39:26 | |
You'll get your life back. | 0:39:26 | 0:39:31 | |
You could've given me my life back years ago. | 0:39:28 | 0:39:31 | |
Why should I trust you now? | 0:39:35 | 0:39:37 | |
You've got my word. | 0:39:37 | 0:39:40 | |
Will you shake on it? | 0:39:40 | 0:39:42 | |
Freeze, mister! | 0:39:53 | 0:39:55 | |
Help! | 0:39:57 | 0:39:59 | |
Drop the gun, or I drop your boss. | 0:39:59 | 0:40:02 | |
You will not. | 0:40:02 | 0:40:03 | |
Argh! | 0:40:03 | 0:40:06 | |
He's getting very heavy. | 0:40:06 | 0:40:10 | |
Then pull him up! | 0:40:08 | 0:40:10 | |
Please don't. | 0:40:12 | 0:40:15 | |
Help! Shit! | 0:40:17 | 0:40:20 | |
Have a scallop. Come on. Catch. | 0:40:20 | 0:40:22 | |
You hoist him. | 0:40:29 | 0:40:31 | |
Help! Help! Help me! | 0:40:32 | 0:40:34 | |
Hang on! | 0:40:34 | 0:40:36 | |
Where's Mason?! | 0:40:36 | 0:40:38 | |
-Mason's gone? -Gone? | 0:40:38 | 0:40:40 | |
Living room's clear! | 0:40:43 | 0:40:46 | |
Oh, my God. Oh, my God. | 0:40:46 | 0:40:48 | |
Signal six! He's in the hotel! | 0:40:49 | 0:40:52 | |
I know nothing. I never saw you throw that man off the balcony. | 0:40:58 | 0:41:03 | |
All I care about is are you happy with your haircut? | 0:41:03 | 0:41:07 | |
Watch it, you fuckhead! | 0:41:10 | 0:41:12 | |
You're gonna pull my arm out. | 0:41:12 | 0:41:14 | |
HE SHOUTS IN CHINESE | 0:41:26 | 0:41:29 | |
That's my Humvee. I don't want any scratches, or I'll have your ass. | 0:41:57 | 0:42:02 | |
Hey, stop! Hey! | 0:42:02 | 0:42:04 | |
FBI. | 0:42:14 | 0:42:16 | |
Suspect is in a black Humvee. | 0:42:39 | 0:42:41 | |
Heading west on California at 70mph. | 0:42:41 | 0:42:45 | |
Out of the way! | 0:42:51 | 0:42:53 | |
I want a net on this sonofabitch. | 0:42:57 | 0:42:59 | |
He's hitting everything. Block him! | 0:43:31 | 0:43:34 | |
Are you insured? | 0:44:10 | 0:44:11 | |
Why not? | 0:44:21 | 0:44:23 | |
You're goin' down! | 0:44:38 | 0:44:40 | |
PHONE RINGS | 0:44:55 | 0:44:58 | |
Hello? | 0:45:01 | 0:45:07 | |
'Sie haben meinen Hummer gestohlen!' | 0:45:02 | 0:45:07 | |
I'm only borrowing it. | 0:45:05 | 0:45:07 | |
Information? | 0:45:11 | 0:45:13 | |
San Francisco. | 0:45:13 | 0:45:15 | |
Jade Angelou. A-N-G-... | 0:45:15 | 0:45:18 | |
Welcome aboard. How you doing? | 0:45:20 | 0:45:22 | |
Hang on. | 0:45:25 | 0:45:27 | |
Holy shit! | 0:45:31 | 0:45:32 | |
Save yourselves! | 0:45:53 | 0:45:55 | |
My baby! | 0:46:00 | 0:46:01 | |
Oh, God. | 0:46:28 | 0:46:30 | |
Oh, God. | 0:46:30 | 0:46:32 | |
Hey, man, you just fucked up your Ferrari. | 0:46:50 | 0:46:53 | |
It's not mine. | 0:46:53 | 0:46:56 | |
Neither is this. | 0:46:56 | 0:46:59 | |
Damn! This sucks! Where is that sonofabitch? | 0:47:01 | 0:47:06 | |
I'll hunt him down! He ain't safe nowhere! | 0:47:06 | 0:47:10 | |
-PHONE RINGS -Isherwood. | 0:47:10 | 0:47:12 | |
Look up Wolfburg Federal Penitentiary. | 0:47:12 | 0:47:16 | |
The inmate is Mason, John. | 0:47:16 | 0:47:18 | |
I'm getting out of this shithole. I'm going to design roach motels. | 0:47:18 | 0:47:23 | |
I stole a motorcycle. I don't feel good about it! Wolfburg! | 0:47:23 | 0:47:28 | |
Yeah, I got it. Magrane, Masconi, Masters. No Mason. | 0:47:28 | 0:47:32 | |
Go to February '76. Who was transferred there from San Quentin? | 0:47:32 | 0:47:37 | |
This is weird. | 0:47:37 | 0:47:39 | |
They've got medical records, place of birth - Glasgow, but no name. | 0:47:39 | 0:47:45 | |
They've got a next of kin. Jade Angelou of 32 Stenson Drive, | 0:47:45 | 0:47:49 | |
'San Francisco.' | 0:47:49 | 0:47:51 | |
Jade? | 0:48:10 | 0:48:12 | |
I'm Stacy. Jade's friend. | 0:48:12 | 0:48:15 | |
Were you afraid to come alone? | 0:48:19 | 0:48:21 | |
Yeah. | 0:48:21 | 0:48:23 | |
It's OK. | 0:48:25 | 0:48:27 | |
I'll be over here if you need me. | 0:48:27 | 0:48:30 | |
The last photograph I had of you, you were about ten. | 0:48:30 | 0:48:34 | |
I found a picture of you among my mom's things when she died. | 0:48:34 | 0:48:39 | |
Oh, yeah? Well, er... | 0:48:40 | 0:48:43 | |
Let's take a walk. | 0:48:45 | 0:48:47 | |
I got him. The Palace of Fine Arts. | 0:48:47 | 0:48:49 | |
Your mother, well, she was very special. | 0:48:49 | 0:48:53 | |
She was. We shouldn't romanticise what happened between you and her. | 0:48:53 | 0:48:59 | |
Meeting in a bar after a Led Zeppelin concert. | 0:48:59 | 0:49:02 | |
Hit out and I was the result. | 0:49:02 | 0:49:06 | |
I'd like to think it would have | 0:49:04 | 0:49:06 | |
led somewhere if only... | 0:49:06 | 0:49:13 | |
Six marshals hadn't kicked down her door and dragged you back to prison. | 0:49:08 | 0:49:13 | |
I'm sorry. | 0:49:13 | 0:49:16 | |
It's all right. | 0:49:16 | 0:49:18 | |
So, they let you out? | 0:49:19 | 0:49:22 | |
Yeah. | 0:49:20 | 0:49:22 | |
That's good. | 0:49:22 | 0:49:24 | |
What did you do? | 0:49:26 | 0:49:28 | |
Jade, | 0:49:32 | 0:49:34 | |
I don't have a great deal of time here. | 0:49:34 | 0:49:37 | |
But I'll be coming back and er... | 0:49:39 | 0:49:42 | |
maybe we can... | 0:49:42 | 0:49:46 | |
What? We can what? | 0:49:44 | 0:49:46 | |
You know, | 0:49:46 | 0:49:48 | |
you're almost the only evidence that I exist. | 0:49:48 | 0:49:53 | |
But I don't know you. | 0:49:53 | 0:49:55 | |
That's what I want to change. | 0:49:55 | 0:49:58 | |
I've rehearsed this speech a thousand times in case we met. | 0:50:02 | 0:50:07 | |
Here we are and I'm lost. | 0:50:07 | 0:50:09 | |
I don't know how I'm supposed to feel, either. | 0:50:09 | 0:50:12 | |
Jade, I'm not an evil man. | 0:50:12 | 0:50:15 | |
If you can believe that, then it's a start. | 0:50:15 | 0:50:19 | |
OK. | 0:50:23 | 0:50:25 | |
SIRENS WAIL | 0:50:25 | 0:50:27 | |
Is this about you? | 0:50:35 | 0:50:37 | |
You broke out of prison? | 0:50:49 | 0:50:51 | |
Why did you come to me? | 0:50:53 | 0:50:56 | |
FBI. He's working with us. | 0:50:54 | 0:50:56 | |
Helping us resolve a dangerous situation. | 0:50:56 | 0:51:00 | |
He is? | 0:51:00 | 0:51:03 | |
Yes. We'd better get going. | 0:51:01 | 0:51:03 | |
Whatever you say, Stanley. | 0:51:03 | 0:51:07 | |
Thank you for that. | 0:51:13 | 0:51:16 | |
What do you say we cut the chitchat, A-hole?! | 0:51:16 | 0:51:19 | |
You almost got me killed twice and my jaw hurts like hell. | 0:51:19 | 0:51:23 | |
Good. | 0:51:23 | 0:51:24 | |
Cocksucker, if I had my way, you'd be shipped | 0:51:24 | 0:51:28 | |
back to Wolfburg for fucking life! You wrecked half the city! | 0:51:28 | 0:51:34 | |
Tell me about the tunnels. | 0:51:37 | 0:51:39 | |
If you know the system, | 0:51:39 | 0:51:42 | |
it will take you anywhere. | 0:51:42 | 0:51:44 | |
There's an intake pipe here below low tide. | 0:51:44 | 0:51:48 | |
Is that our best access? | 0:51:48 | 0:51:50 | |
Yes. That's where I came out. | 0:51:50 | 0:51:52 | |
Beneath the cistern is the septic system. How many feet? | 0:51:52 | 0:51:56 | |
Er... | 0:51:56 | 0:51:58 | |
57 paces. | 0:51:58 | 0:52:00 | |
Where do we go from there? | 0:52:00 | 0:52:02 | |
Where do you go from there? | 0:52:04 | 0:52:07 | |
That's a good question. | 0:52:08 | 0:52:10 | |
I've no idea. | 0:52:11 | 0:52:13 | |
What? | 0:52:13 | 0:52:15 | |
I mean, I'll know when we're all inside. | 0:52:15 | 0:52:18 | |
No. You're not goddamn going. Show us | 0:52:18 | 0:52:21 | |
on the blueprints. | 0:52:21 | 0:52:25 | |
I can't. My blueprint was in my head. | 0:52:22 | 0:52:25 | |
I was underground for three days in the dark, | 0:52:25 | 0:52:29 | |
just waiting for the tides to be right. | 0:52:29 | 0:52:32 | |
It'll all come back to me. | 0:52:32 | 0:52:34 | |
You're not going anywhere, Mason. | 0:52:34 | 0:52:39 | |
Wait a second. | 0:52:36 | 0:52:39 | |
He might be the only chance those people have. | 0:52:39 | 0:52:42 | |
Why did we get him out of jail? | 0:52:42 | 0:52:45 | |
He's smart. | 0:52:45 | 0:52:49 | |
I got him out to get you in, not go with you. | 0:52:46 | 0:52:49 | |
If it's the only way, he goes. | 0:52:49 | 0:52:55 | |
He'll fuck with you. | 0:52:51 | 0:52:55 | |
You compromise my men's lives, I'll bury you. | 0:52:55 | 0:52:59 | |
Now, Womack, | 0:53:00 | 0:53:02 | |
you're between The Rock and a hard case. | 0:53:02 | 0:53:05 | |
How's your bowling arm? | 0:53:07 | 0:53:09 | |
The goal is to take out the launchers then neutralise the VX. | 0:53:12 | 0:53:18 | |
The poison is in the prison morgue. | 0:53:15 | 0:53:18 | |
We know from satellite thermal imaging, these colourised dots. | 0:53:18 | 0:53:22 | |
Have you seen one of these devices? | 0:53:22 | 0:53:26 | |
No, but I've studied them. | 0:53:24 | 0:53:26 | |
I'll brief you on defusing and detoxification. I've got a layout | 0:53:26 | 0:53:31 | |
of the chem round and the rocket. Let's roll. | 0:53:31 | 0:53:35 | |
That won't be necessary. | 0:53:33 | 0:53:35 | |
Oh, it's very necessary, sir. | 0:53:35 | 0:53:38 | |
The power of this chemical is beyond anything you can imagine. | 0:53:38 | 0:53:42 | |
An ecological disaster, sir. | 0:53:42 | 0:53:45 | |
The devices are complicated. | 0:53:45 | 0:53:49 | |
So you're coming with us. | 0:53:47 | 0:53:49 | |
I am? | 0:53:52 | 0:53:54 | |
You're the expert. What's your problem? | 0:53:54 | 0:53:57 | |
You mean I'm going, going out there, under the water? | 0:53:57 | 0:54:02 | |
Earlier, you wanted a gun. Now you get a gun and a wet suit. | 0:54:02 | 0:54:06 | |
Have you ever been in combat? | 0:54:06 | 0:54:08 | |
Define "combat", sir. | 0:54:08 | 0:54:10 | |
Shep? | 0:54:10 | 0:54:15 | |
An incursion to retake a fortress held by elite Marines | 0:54:11 | 0:54:15 | |
holding hostages and 15 rockets armed with VX-poison gas. | 0:54:15 | 0:54:19 | |
Oh. | 0:54:19 | 0:54:21 | |
In that case, no, sir. Excuse me. | 0:54:21 | 0:54:24 | |
HE RETCHES | 0:54:24 | 0:54:26 | |
Here. | 0:54:30 | 0:54:33 | |
Thank you. | 0:54:31 | 0:54:33 | |
You don't look too good. | 0:54:34 | 0:54:36 | |
In fact, you look like shit. | 0:54:36 | 0:54:38 | |
My stomach is doing hula hoops around my ass. | 0:54:39 | 0:54:43 | |
You OK? Are you going to make it through this thing? | 0:54:44 | 0:54:48 | |
I don't know. I always expected something like this would happen, | 0:54:48 | 0:54:53 | |
but nothing prepares you for it. | 0:54:53 | 0:54:55 | |
Now I'm responsible | 0:54:55 | 0:54:58 | |
for a whole city. | 0:54:58 | 0:55:00 | |
I know this isn't easy for you. | 0:55:02 | 0:55:05 | |
You were trained for this, it'll come back to you. | 0:55:05 | 0:55:09 | |
You got the best US SEALs with you. | 0:55:09 | 0:55:12 | |
OK. | 0:55:12 | 0:55:14 | |
You're right. | 0:55:14 | 0:55:16 | |
I'll be on the wire to talk you through it. | 0:55:16 | 0:55:19 | |
There's something else. | 0:55:19 | 0:55:21 | |
It's terrible. | 0:55:21 | 0:55:23 | |
No, it's wonderful. | 0:55:23 | 0:55:25 | |
Except it isn't. | 0:55:25 | 0:55:27 | |
My girlfriend's pregnant. | 0:55:28 | 0:55:30 | |
And she's just flown in to see me. | 0:55:31 | 0:55:36 | |
Keep your mind on what you're doing. | 0:55:36 | 0:55:38 | |
We'll pick up your girlfriend and bring her here. | 0:55:38 | 0:55:42 | |
Hummel. | 0:55:53 | 0:55:59 | |
'Hello, Frank. Lou Linstrom. I'm at the White House' | 0:55:54 | 0:55:59 | |
with General Kramer. | 0:55:59 | 0:56:01 | |
We're having problems with the transfer. | 0:56:01 | 0:56:04 | |
'Don't tell me problems, tell me solutions.' | 0:56:04 | 0:56:07 | |
You're aware of the President's stance on terrorism. | 0:56:07 | 0:56:11 | |
This is about justice | 0:56:11 | 0:56:13 | |
and people you found it politically convenient to forget. | 0:56:13 | 0:56:18 | |
This is going nowhere. | 0:56:18 | 0:56:21 | |
I'll tell you what is. 15 VX-gas rockets | 0:56:21 | 0:56:24 | |
into San Francisco. You've got 17 hours. | 0:56:24 | 0:56:27 | |
Or be prepared to reap the whirlwind. | 0:56:27 | 0:56:30 | |
What's the word from Mojave? | 0:56:33 | 0:56:36 | |
General Peterson can give us no assurance on the thermite plasma. | 0:56:36 | 0:56:40 | |
That is the word. | 0:56:40 | 0:56:42 | |
Green light the SEAL incursion. | 0:56:45 | 0:56:49 | |
Fall in! | 0:57:06 | 0:57:07 | |
All right, listen up. | 0:57:07 | 0:57:10 | |
Mr Mason will run point. | 0:57:10 | 0:57:12 | |
Shepard will be attached to his hip. You breathe, he breathes. | 0:57:12 | 0:57:16 | |
You piss, he helps. Understood? | 0:57:16 | 0:57:20 | |
When Dr Goodspeed neutralises the threat | 0:57:20 | 0:57:23 | |
we launch green flares and wait for the cavalry. | 0:57:23 | 0:57:27 | |
Make no mistake, we are in the fight of our lives against | 0:57:27 | 0:57:31 | |
the greatest commander in the Vietnam War. I shit you not. | 0:57:31 | 0:57:34 | |
Any questions? | 0:57:34 | 0:57:37 | |
Load up. | 0:57:38 | 0:57:40 | |
After you, Ace. | 0:57:47 | 0:57:49 | |
Pass out and activate | 0:58:10 | 0:58:13 | |
the minicams. | 0:58:13 | 0:58:15 | |
Minicams operational? | 0:58:18 | 0:58:20 | |
Roger, sir. We are on line. | 0:58:20 | 0:58:23 | |
Shep, what's the status on that operational gear for Mr Mason? | 0:58:27 | 0:58:32 | |
Let's see. We have er... | 0:58:34 | 0:58:36 | |
we have one quart of kerosene in a squeeze bottle. | 0:58:36 | 0:58:40 | |
Three washers. Waterproof matches. | 0:58:42 | 0:58:45 | |
Use green flares when the threat is neutralised. | 0:58:47 | 0:58:51 | |
This is atropine. If you're in contact | 0:58:51 | 0:58:54 | |
with the gas, inject this into your heart. It may save your life. | 0:58:54 | 0:58:59 | |
I have three incoming bogeys reading 275. Range - | 0:59:02 | 0:59:06 | |
6,000 metres. | 0:59:06 | 0:59:07 | |
FBI Command Centre? | 0:59:11 | 0:59:13 | |
I'd just love for you to tell me what's going on. | 0:59:13 | 0:59:16 | |
Stanley Godspeed is my boyfriend. Actually, my fiance. Where is he? | 0:59:16 | 0:59:22 | |
Classified, lady. | 0:59:20 | 0:59:22 | |
You sit here and act like a Bureau bonehead. | 0:59:22 | 0:59:27 | |
Where are you going? Goddamn it. | 0:59:25 | 0:59:27 | |
Decoy choppers on way to Alcatraz. | 0:59:32 | 0:59:35 | |
I just lost one, sir. | 0:59:36 | 0:59:38 | |
We only got two. I lost one. | 0:59:38 | 0:59:42 | |
Shit. | 0:59:40 | 0:59:42 | |
In my day | 0:59:51 | 0:59:53 | |
we did it with a snorkel and flippers. | 0:59:53 | 0:59:57 | |
Your day? | 0:59:55 | 0:59:57 | |
Yes. Didn't you read my resume? | 0:59:57 | 1:00:01 | |
I don't know anything about you. | 0:59:58 | 1:00:01 | |
-I know about you, Godspell. -Goodspeed. | 1:00:01 | 1:00:04 | |
Goodspeed, Godspeed, Godspell. | 1:00:04 | 1:00:07 | |
You never went to any anti-terrorist school. | 1:00:07 | 1:00:10 | |
Make sure you don't get us all killed. | 1:00:10 | 1:00:13 | |
We're going dark. | 1:00:14 | 1:00:17 | |
Night vision. | 1:00:17 | 1:00:19 | |
Raider One is below radar coverage around Treasure Island. | 1:00:20 | 1:00:24 | |
Two bogeys bearing due east and closing. | 1:00:26 | 1:00:29 | |
Decoys? | 1:00:34 | 1:00:36 | |
Prepare to deploy! | 1:00:36 | 1:00:39 | |
Good luck. | 1:00:38 | 1:00:39 | |
Raider One is at drop zone. | 1:00:44 | 1:00:46 | |
Stanley is not a very good swimmer. He can't even snorkel. | 1:00:46 | 1:00:51 | |
Everyone good to go? | 1:00:51 | 1:00:54 | |
Good to go! | 1:00:54 | 1:00:58 | |
Good to go! | 1:00:56 | 1:00:58 | |
SDUs deployed. The Eagles are in the water. | 1:01:06 | 1:01:10 | |
I want the perimeter patrolled to the west. | 1:01:19 | 1:01:24 | |
Yes, sir. Hendrix! | 1:01:22 | 1:01:24 | |
-Lead the patrol. -Aye, sir. | 1:01:24 | 1:01:26 | |
Let's move. Move out! Move out! | 1:01:26 | 1:01:29 | |
Eagles are on The Rock. They're in the cistern room. | 1:02:22 | 1:02:26 | |
Thank you, Mr Mason. You've brought us into a room with no exit. | 1:02:30 | 1:02:36 | |
Any ideas, Dillinger? | 1:02:39 | 1:02:41 | |
Think. We're sitting ducks. | 1:02:41 | 1:02:45 | |
We're tight on time. | 1:02:43 | 1:02:45 | |
Stand by the door until I open it. | 1:02:45 | 1:02:48 | |
How do you plan on accomplishing that? | 1:02:48 | 1:02:51 | |
Through here. | 1:02:51 | 1:02:53 | |
You're shitting me. | 1:02:59 | 1:03:01 | |
I memorised the timing. I hope it hasn't been changed. | 1:03:01 | 1:03:04 | |
You catch a flame burst, you're a corpse. | 1:03:04 | 1:03:08 | |
Thank you. | 1:03:08 | 1:03:09 | |
You said never leave him, but... | 1:03:09 | 1:03:13 | |
Stand fast, Lieutenant. | 1:03:11 | 1:03:13 | |
Have a nice day. | 1:03:13 | 1:03:16 | |
Where did you dig up this guy? | 1:03:36 | 1:03:39 | |
That's classified. | 1:03:39 | 1:03:41 | |
Clear here, sir. | 1:03:47 | 1:03:49 | |
'No motion sensors tripped.' | 1:03:49 | 1:03:52 | |
Nothing. | 1:03:50 | 1:03:52 | |
Tell them to stay out there. | 1:03:52 | 1:03:55 | |
Sweep forward. | 1:03:55 | 1:03:57 | |
Looks like he fucked us, Commander. | 1:04:04 | 1:04:07 | |
I knew it. That sonofabitch jumped ship. | 1:04:07 | 1:04:11 | |
Welcome to The Rock. | 1:04:16 | 1:04:18 | |
Mason. | 1:04:32 | 1:04:34 | |
That's a no-no. That's the subway. | 1:04:34 | 1:04:36 | |
That goes to the tunnels. | 1:04:36 | 1:04:40 | |
Do it. | 1:04:38 | 1:04:40 | |
The Eagles have breached the tunnel system. | 1:04:57 | 1:05:00 | |
Are you enjoying this? | 1:05:04 | 1:05:07 | |
It's more enjoyable than my average day. | 1:05:07 | 1:05:10 | |
Reading philosophy, avoiding gang rape in the wash rooms. | 1:05:10 | 1:05:15 | |
That's less of a problem these days. Maybe I'm losing my sex appeal. | 1:05:15 | 1:05:20 | |
Seismic activity - storm grate, north side. | 1:05:24 | 1:05:27 | |
Continue patrolling the area. | 1:05:27 | 1:05:30 | |
Sweep forward! | 1:05:30 | 1:05:32 | |
Hold it. We got movement. | 1:05:33 | 1:05:35 | |
They're hearing sounds above, sir. | 1:05:36 | 1:05:40 | |
West drain's clear. | 1:05:48 | 1:05:49 | |
97 paces to the shower room. | 1:05:54 | 1:05:58 | |
Eagles are at the tunnel under the shower room. | 1:06:02 | 1:06:05 | |
Fibre optics. | 1:06:12 | 1:06:14 | |
Something's not right. | 1:06:17 | 1:06:21 | |
I got a bad feeling. | 1:06:19 | 1:06:21 | |
CONSOLE BEEPS | 1:06:35 | 1:06:39 | |
Quiet. | 1:06:39 | 1:06:41 | |
Motion sensors. | 1:06:49 | 1:06:51 | |
Beams cutting across the manhole covers. | 1:06:51 | 1:06:55 | |
Deal with it. | 1:06:55 | 1:06:58 | |
Commander, the beam is hitting some sort of reflective device, | 1:07:00 | 1:07:05 | |
possibly a prism. | 1:07:05 | 1:07:07 | |
I want to use the mirror to cut the beam and send the beam | 1:07:09 | 1:07:14 | |
back to its source. Then I'll move the prism. | 1:07:14 | 1:07:18 | |
ALARM BEEPS | 1:07:18 | 1:07:19 | |
Motion on the shower-room trembler. | 1:07:22 | 1:07:24 | |
We got visitors. Move. | 1:07:24 | 1:07:27 | |
Got it. | 1:07:28 | 1:07:30 | |
Good to go. | 1:07:30 | 1:07:32 | |
I knew this would happen! Fuck! | 1:07:34 | 1:07:37 | |
We'll secure the area. | 1:07:37 | 1:07:39 | |
They're entering the shower room, sir. | 1:07:50 | 1:07:53 | |
They're securing the area. | 1:07:54 | 1:07:57 | |
Just sit tight. | 1:08:06 | 1:08:09 | |
Drop your weapons! | 1:08:10 | 1:08:12 | |
Drop 'em! | 1:08:13 | 1:08:15 | |
Drop your weapons! | 1:08:16 | 1:08:19 | |
Hold your fire! | 1:08:17 | 1:08:19 | |
It's a fucking trap. | 1:08:21 | 1:08:23 | |
This is General Hummel. Drop your weapons. | 1:08:25 | 1:08:28 | |
Drop 'em! | 1:08:28 | 1:08:30 | |
Anderson here, General Hummel. Commander. Team leader. | 1:08:30 | 1:08:35 | |
If you have concern for your men, order them to place their weapons | 1:08:35 | 1:08:40 | |
-'on the deck.' -This is not happening. | 1:08:40 | 1:08:43 | |
We know why you're out here. God knows, I agree with you. | 1:08:43 | 1:08:48 | |
Like you, I swore to defend this country against all enemies, | 1:08:48 | 1:08:52 | |
foreign, sir, and domestic. | 1:08:52 | 1:08:56 | |
General, | 1:08:56 | 1:08:58 | |
we've spilled blood in the same mud. | 1:08:58 | 1:09:01 | |
You know I can't give that order. | 1:09:01 | 1:09:04 | |
We're dead. | 1:09:04 | 1:09:05 | |
You're covered from an elevated position. | 1:09:05 | 1:09:07 | |
I'm not going to ask again. | 1:09:07 | 1:09:10 | |
Don't do anything stupid. | 1:09:10 | 1:09:12 | |
No-one has to die here. | 1:09:12 | 1:09:15 | |
You men following the General, | 1:09:15 | 1:09:17 | |
you are under oath as US Marines. Have you forgotten that? | 1:09:17 | 1:09:22 | |
We all have shipmates we remember. Some were | 1:09:22 | 1:09:25 | |
pissed on by the Pentagon. | 1:09:25 | 1:09:27 | |
That doesn't give you the right to mutiny! | 1:09:27 | 1:09:31 | |
Call it what you want. You walked into the wrong goddamn room! | 1:09:31 | 1:09:35 | |
Stand fast. | 1:09:35 | 1:09:39 | |
Tell your men to drop their weapons. | 1:09:36 | 1:09:39 | |
I cannot give that order! | 1:09:39 | 1:09:44 | |
-I won't repeat it! -I won't give that order! | 1:09:41 | 1:09:44 | |
-What is wrong with you?! -Stand fast! | 1:09:44 | 1:09:46 | |
-My God. -Let's waste these fuckers. | 1:09:46 | 1:09:48 | |
Order your men to drop their weapons. | 1:09:48 | 1:09:51 | |
Cease-fire! | 1:09:56 | 1:10:00 | |
Don't go. | 1:10:18 | 1:10:21 | |
Cease-fire! | 1:10:23 | 1:10:25 | |
Cease-fire! | 1:10:33 | 1:10:35 | |
Let go of me! Let go! | 1:10:35 | 1:10:38 | |
Don't go. | 1:10:38 | 1:10:39 | |
It's over. | 1:11:28 | 1:11:30 | |
Oh, God! | 1:11:40 | 1:11:42 | |
CONSOLE BEEPS | 1:12:09 | 1:12:11 | |
We got some movement. Two of 'em. | 1:12:11 | 1:12:15 | |
Who is it? | 1:12:15 | 1:12:18 | |
Goodspeed and Mason. | 1:12:16 | 1:12:18 | |
Get a team together. We've got to move with the second option. | 1:12:18 | 1:12:24 | |
For another massacre? No way. | 1:12:21 | 1:12:24 | |
We've got a 60-year-old convict and a lab rat. It's over. | 1:12:24 | 1:12:28 | |
Not for Mason it isn't. | 1:12:28 | 1:12:31 | |
Goodspeed. | 1:12:41 | 1:12:43 | |
I'm not gonna kill you. | 1:12:43 | 1:12:46 | |
Where are you going? | 1:12:47 | 1:12:51 | |
Off this bloody island. | 1:12:49 | 1:12:51 | |
Why? What for? | 1:12:51 | 1:12:53 | |
'Goodspeed? Goodspeed? Do you read me?' | 1:12:53 | 1:12:57 | |
It's for you. | 1:12:55 | 1:12:57 | |
Sir? | 1:12:59 | 1:13:02 | |
'What's the status?' | 1:13:00 | 1:13:02 | |
The status is they're dead! It's just me and Mason. He's leaving. | 1:13:02 | 1:13:07 | |
'That is unacceptable. Unacceptable.' | 1:13:07 | 1:13:10 | |
Well, there's a problem, sir. He's got a gun. | 1:13:10 | 1:13:14 | |
You got a water pistol? | 1:13:14 | 1:13:16 | |
No, sir. | 1:13:16 | 1:13:20 | |
'Go after him and stop him.' | 1:13:17 | 1:13:20 | |
I didn't want this. | 1:13:21 | 1:13:23 | |
We knew it might happen, Frank. | 1:13:24 | 1:13:27 | |
Maybe now they'll pay up. | 1:13:27 | 1:13:30 | |
Maybe they won't. | 1:13:28 | 1:13:30 | |
Maybe we need to execute hostages. | 1:13:30 | 1:13:32 | |
I got a live one. | 1:13:32 | 1:13:37 | |
Put a bullet in him. | 1:13:33 | 1:13:37 | |
You heard him. End it. | 1:13:35 | 1:13:37 | |
Holster that gun, Captain. | 1:13:37 | 1:13:39 | |
Sir? | 1:13:56 | 1:13:58 | |
'You made a terrible mistake. | 1:14:01 | 1:14:04 | |
'More of our brothers have died in vain. | 1:14:04 | 1:14:07 | |
'Damn you for forcing me into this position.' | 1:14:07 | 1:14:10 | |
I need to talk to you right now, alone. | 1:14:13 | 1:14:16 | |
You said I'm on a need-to-know basis. | 1:14:16 | 1:14:19 | |
I need to know who the fuck John Mason is right now, sir. | 1:14:19 | 1:14:24 | |
You want to know? 1962 - J Edgar Hoover is head of the FBI, | 1:14:24 | 1:14:28 | |
some say the country. | 1:14:28 | 1:14:30 | |
He kept files on prominent Americans and Europeans - | 1:14:30 | 1:14:35 | |
De Gaulle, British MPs, the Prime Minister. He had dirt on everyone. | 1:14:35 | 1:14:40 | |
I know all the stories. Where does Mason fit in? | 1:14:40 | 1:14:44 | |
He was the British spy who stole the files. | 1:14:44 | 1:14:47 | |
We caught him at the Canadian border. | 1:14:47 | 1:14:50 | |
The British claimed they'd never heard of him. | 1:14:50 | 1:14:53 | |
We held him without trial until he gave up the microfilm. | 1:14:53 | 1:14:58 | |
But he never did. | 1:14:58 | 1:15:00 | |
Why didn't Hoover use his daughter? | 1:15:00 | 1:15:05 | |
Hoover died in '72. She wasn't born. | 1:15:02 | 1:15:05 | |
Today, well, it's a different Bureau. | 1:15:05 | 1:15:09 | |
Held without trial his whole life? No wonder he's pissed. | 1:15:09 | 1:15:13 | |
He knows our secrets from the last 50 years. | 1:15:13 | 1:15:17 | |
The alien landing at Roswell. | 1:15:17 | 1:15:19 | |
The truth about the JFK assassination. | 1:15:19 | 1:15:22 | |
Mason's angry. He's lethal. He's a trained killer. | 1:15:22 | 1:15:27 | |
And he is the only hope that we have got. | 1:15:27 | 1:15:31 | |
Mason? Mason? | 1:15:31 | 1:15:34 | |
There are 81 hostages still up there. | 1:15:34 | 1:15:38 | |
Yeah. Like me. | 1:15:38 | 1:15:40 | |
You want to play tough with me? OK! FBI! | 1:15:40 | 1:15:44 | |
Freeze, sucker! | 1:15:44 | 1:15:47 | |
I'll fire. | 1:15:47 | 1:15:49 | |
No, you won't. | 1:15:49 | 1:15:51 | |
Throw down. | 1:15:51 | 1:15:53 | |
You're not the sort. | 1:15:53 | 1:15:55 | |
Let's find out. | 1:15:55 | 1:15:56 | |
I could. You, no. | 1:16:00 | 1:16:02 | |
Besides, | 1:16:02 | 1:16:04 | |
the safety's on. | 1:16:04 | 1:16:06 | |
'Goodspeed, have you resolved the situation?' | 1:16:06 | 1:16:10 | |
Not yet. | 1:16:10 | 1:16:13 | |
He's got all the guns now. | 1:16:13 | 1:16:16 | |
Shit! | 1:16:16 | 1:16:18 | |
I don't use guns and I don't kick down doors. This is what I do. | 1:16:18 | 1:16:22 | |
I haven't got my glasses. | 1:16:22 | 1:16:28 | |
It says, "Chemical Weapons Specialist." | 1:16:24 | 1:16:28 | |
That's right. I got a lunatic with 15 missiles armed with funky stuff. | 1:16:28 | 1:16:34 | |
That lying Womack. | 1:16:34 | 1:16:36 | |
You could have told my daughter. | 1:16:36 | 1:16:40 | |
It was classified. Look, I'm in the same situation. | 1:16:40 | 1:16:44 | |
I got my pregnant girlfriend in the city. | 1:16:44 | 1:16:47 | |
I can defuse the rockets. | 1:16:47 | 1:16:49 | |
I really can. But I'm gonna need your help right now. | 1:16:49 | 1:16:53 | |
This man's weapons and radio are missing! | 1:17:00 | 1:17:03 | |
Shit! We got a rodent problem. Flush the pipes! | 1:17:03 | 1:17:07 | |
There's probably a maze of tunnels. Check every access. | 1:17:07 | 1:17:12 | |
Even if you escape the island, you can't escape the rockets. | 1:17:16 | 1:17:22 | |
So, where you gonna go? | 1:17:23 | 1:17:26 | |
What are you gonna do? | 1:17:26 | 1:17:27 | |
Show me where the morgue is, Mason. | 1:17:31 | 1:17:33 | |
I'm out of here. | 1:17:33 | 1:17:35 | |
What about your daughter? | 1:17:35 | 1:17:39 | |
Mason? | 1:17:39 | 1:17:41 | |
Rodents located. | 1:17:42 | 1:17:44 | |
The way I see it, you don't have a choice, do you? | 1:17:44 | 1:17:47 | |
I don't think you do. | 1:17:47 | 1:17:50 | |
Move! | 1:18:01 | 1:18:02 | |
They're onto us. | 1:18:26 | 1:18:28 | |
Burn them out. | 1:18:28 | 1:18:31 | |
This'll blow big! | 1:18:33 | 1:18:35 | |
EAR-PIERCING ROAR | 1:18:48 | 1:18:51 | |
How could we lose radio contact all of a sudden? | 1:19:15 | 1:19:19 | |
We still got them on locators. | 1:19:19 | 1:19:21 | |
So, what's it going to be? | 1:19:28 | 1:19:30 | |
What? | 1:19:30 | 1:19:34 | |
How do you like your choices? | 1:19:31 | 1:19:34 | |
I don't. | 1:19:35 | 1:19:38 | |
That's what I thought. | 1:19:36 | 1:19:38 | |
Come on. | 1:19:39 | 1:19:42 | |
This is the oldest part of Alcatraz. | 1:19:42 | 1:19:45 | |
Did you know it was originally a Civil War fort? | 1:19:45 | 1:19:50 | |
Really? Wow(!) | 1:19:48 | 1:19:50 | |
I like history, too. After this, we can stop by the souvenir shop. | 1:19:50 | 1:19:55 | |
But right now, I just wanna find some rockets. | 1:19:55 | 1:19:58 | |
Don't tempt me. | 1:19:58 | 1:20:01 | |
We are going to the morgue. | 1:20:01 | 1:20:04 | |
Are you ready for this? | 1:20:26 | 1:20:29 | |
I'll do my best. | 1:20:27 | 1:20:29 | |
Your best? | 1:20:29 | 1:20:32 | |
Losers always whine about their best. | 1:20:32 | 1:20:35 | |
Winners go home and fuck the prom queen. | 1:20:35 | 1:20:39 | |
Carla was the prom queen. | 1:20:39 | 1:20:42 | |
Really? | 1:20:42 | 1:20:46 | |
Yeah. | 1:20:44 | 1:20:46 | |
Locaters have them approaching the morgue. | 1:20:47 | 1:20:53 | |
Come on. You can do it, doc. | 1:20:50 | 1:20:53 | |
You must never hesitate. | 1:21:00 | 1:21:03 | |
You're shooting too close to the rocket. Him, but not the rocket. | 1:21:25 | 1:21:30 | |
Any other news, professor? | 1:21:30 | 1:21:32 | |
Not the rocket! Not the rocket! | 1:21:34 | 1:21:37 | |
I got something for you. | 1:21:51 | 1:21:53 | |
Yeah. OK. That's just about the most awful thing I've ever seen. | 1:22:15 | 1:22:20 | |
Mason. | 1:22:21 | 1:22:23 | |
The second you don't respect this, it kills you. Put it over there. | 1:22:23 | 1:22:28 | |
You've been around a lot of corpses. Is that normal? | 1:22:38 | 1:22:43 | |
-The feet thing? -Yeah, the feet thing. | 1:22:43 | 1:22:46 | |
That happens. | 1:22:46 | 1:22:50 | |
I can't concentrate. Do something. | 1:22:47 | 1:22:50 | |
Like what? Kill him again? | 1:22:50 | 1:22:53 | |
I'm a biochemist. I work in a glass jar and lead an uneventful life. | 1:22:53 | 1:22:59 | |
I drive a Volvo, a beige one. But what I'm dealing with | 1:22:59 | 1:23:03 | |
is a very deadly substance. Cut me some frigging slack! | 1:23:03 | 1:23:09 | |
An elegant string-of-pearls configuration. | 1:23:23 | 1:23:27 | |
Unfortunately, very unstable. | 1:23:27 | 1:23:32 | |
What exactly does this stuff do? | 1:23:29 | 1:23:32 | |
If it's rendered aerosol, it can kill a city. | 1:23:32 | 1:23:35 | |
Really? | 1:23:35 | 1:23:37 | |
And what happens if you drop one? | 1:23:37 | 1:23:40 | |
Happily, it'll just kill you and me. | 1:23:40 | 1:23:43 | |
How? | 1:23:43 | 1:23:49 | |
It stops the brain sending messages down your spinal cord. | 1:23:44 | 1:23:49 | |
Any epidermal exposure, and you'll know. | 1:23:49 | 1:23:52 | |
A twinge in your back as the poison seizes your nervous system. | 1:23:52 | 1:23:57 | |
Do not move that! | 1:23:57 | 1:23:59 | |
Your muscles freeze. You can't breathe. | 1:23:59 | 1:24:03 | |
You spasm so hard you break your back and spit your guts out. | 1:24:03 | 1:24:07 | |
That's after your skin melts off. | 1:24:07 | 1:24:11 | |
My God. | 1:24:09 | 1:24:11 | |
I think we'd like God on our side, don't you? | 1:24:12 | 1:24:16 | |
What I'm doing now is removing the guidance-system chips | 1:24:16 | 1:24:20 | |
so the rocket will splash down after 500 feet. | 1:24:20 | 1:24:23 | |
Let go. Just back away. Back away. | 1:24:25 | 1:24:28 | |
Sir, morgue team has not checked in. | 1:24:29 | 1:24:33 | |
Blackbird One, this is Blackbird. | 1:24:33 | 1:24:37 | |
'Blackbird One, this is Blackbird. Come in, goddamn it!' | 1:24:37 | 1:24:41 | |
Somebody's still here. | 1:24:41 | 1:24:44 | |
Let's move it! Rats alive. | 1:24:44 | 1:24:47 | |
Close on the morgue! | 1:24:47 | 1:24:49 | |
Go, go, go, go, go, go! | 1:24:49 | 1:24:51 | |
Frye, Darrow, hustle up! We got more company! | 1:24:51 | 1:24:56 | |
Hold it! Converge on the morgue! Move out! | 1:24:57 | 1:25:02 | |
Goodspeed, come on. Come over here. | 1:25:03 | 1:25:06 | |
I love pressure, I eat it for breakfast. | 1:25:06 | 1:25:09 | |
Come on. Time's up! | 1:25:09 | 1:25:13 | |
We have to find three more rockets. | 1:25:10 | 1:25:13 | |
Come on! | 1:25:15 | 1:25:17 | |
I'm too old for this. | 1:25:40 | 1:25:43 | |
Where does it go?! | 1:25:41 | 1:25:43 | |
I have no idea. | 1:25:43 | 1:25:45 | |
Sir, the guidance chips are gone. | 1:25:45 | 1:25:48 | |
You didn't kill the rats. Two dead men suggest you finish the job. | 1:25:48 | 1:25:55 | |
Yes, sir. Yes, sir! | 1:25:55 | 1:25:57 | |
Rios, Royce, let's go! | 1:25:57 | 1:25:59 | |
You don't know where this goes? | 1:26:06 | 1:26:11 | |
No, I don't. | 1:26:07 | 1:26:11 | |
You know how to slow it down? | 1:26:09 | 1:26:11 | |
No. | 1:26:11 | 1:26:13 | |
Argh! | 1:26:22 | 1:26:24 | |
God! | 1:26:36 | 1:26:39 | |
Mason? You all right? | 1:26:50 | 1:26:52 | |
Yes, perfectly OK, you fucking idiot! | 1:26:52 | 1:26:56 | |
They're coming. | 1:26:57 | 1:27:00 | |
Who? | 1:27:00 | 1:27:03 | |
The Marines! | 1:27:01 | 1:27:03 | |
Where? | 1:27:02 | 1:27:03 | |
No! No! No! | 1:27:51 | 1:27:55 | |
No! Aaargh! | 1:27:55 | 1:27:57 | |
What's going on? | 1:28:03 | 1:28:06 | |
Let's cut him off. | 1:28:04 | 1:28:06 | |
Mason? | 1:28:28 | 1:28:30 | |
Mason? | 1:28:32 | 1:28:34 | |
You motherfucker! | 1:29:46 | 1:29:49 | |
Die! | 1:29:49 | 1:29:50 | |
Die! Die! | 1:29:50 | 1:29:53 | |
I'm rather glad | 1:30:11 | 1:30:13 | |
you didn't hesitate too long. | 1:30:13 | 1:30:16 | |
How do you...do it? | 1:30:18 | 1:30:22 | |
Oh, I was trained by the best. | 1:30:22 | 1:30:25 | |
British Intelligence. | 1:30:25 | 1:30:28 | |
Come on. | 1:30:28 | 1:30:31 | |
But in retrospect, I'd rather have been a poet or a farmer. | 1:30:31 | 1:30:35 | |
OK. | 1:30:35 | 1:30:38 | |
OK. The President arrives in three hours. | 1:30:41 | 1:30:45 | |
He says string Hummel along until the air strike is operational. | 1:30:45 | 1:30:51 | |
What's the word from Mojave? | 1:30:49 | 1:30:51 | |
Same as last time. They're going as fast as they can. | 1:30:51 | 1:30:55 | |
What do we have here? | 1:31:01 | 1:31:04 | |
On your knees! | 1:31:02 | 1:31:04 | |
'Navy SEALS, you got something that belongs to me.' | 1:31:13 | 1:31:17 | |
12 guidance chips, to be precise. | 1:31:17 | 1:31:19 | |
Let me remind you there are civilian lives at stake. | 1:31:19 | 1:31:23 | |
Speak up. | 1:31:23 | 1:31:25 | |
Speak up! | 1:31:25 | 1:31:27 | |
I er... | 1:31:27 | 1:31:30 | |
Tell them your name. | 1:31:28 | 1:31:30 | |
My name is Larry Henderson. | 1:31:30 | 1:31:32 | |
Oh, man. | 1:31:32 | 1:31:34 | |
'I am a father of three.' | 1:31:34 | 1:31:37 | |
They got a gun to my head. | 1:31:37 | 1:31:40 | |
You've got three minutes | 1:31:40 | 1:31:42 | |
'to return the guidance chips or he won't have a head.' | 1:31:42 | 1:31:46 | |
Now, three to go. | 1:31:49 | 1:31:51 | |
You find them and defuse them, OK? | 1:31:51 | 1:31:55 | |
All right. | 1:31:55 | 1:31:59 | |
I'll try and delay Hummel | 1:31:56 | 1:31:59 | |
and give you more time. | 1:31:59 | 1:32:03 | |
Hey. What about Mr Henderson's head? | 1:32:00 | 1:32:03 | |
OK? What do you mean? | 1:32:07 | 1:32:10 | |
OK. | 1:32:14 | 1:32:16 | |
General. | 1:32:29 | 1:32:32 | |
Who the hell are you? | 1:32:30 | 1:32:32 | |
I'm all that is left of the enemy. | 1:32:32 | 1:32:36 | |
Bingo. | 1:32:49 | 1:32:51 | |
Stand easy. | 1:32:58 | 1:33:00 | |
I thought I'd been in the service a long time. | 1:33:04 | 1:33:08 | |
Name and rank, sailor? | 1:33:08 | 1:33:12 | |
It's army, actually. | 1:33:10 | 1:33:12 | |
Answer and address him as "General, sir." | 1:33:12 | 1:33:16 | |
Captain John Patrick Mason, General, sir, | 1:33:16 | 1:33:21 | |
of Her Majesty's SAS. | 1:33:21 | 1:33:23 | |
Retired, of course. | 1:33:23 | 1:33:25 | |
You're a long way from home. How are you involved in this? | 1:33:28 | 1:33:33 | |
I have a unique knowledge of this prison facility. | 1:33:33 | 1:33:37 | |
I was formerly a guest here. | 1:33:37 | 1:33:39 | |
Hi, sweetie. | 1:33:52 | 1:33:54 | |
Come back here, little boy. | 1:34:01 | 1:34:04 | |
Did they bother to tell you why I'm doing this? Or are they using you? | 1:34:06 | 1:34:12 | |
All I know is | 1:34:10 | 1:34:12 | |
you were big in Vietnam. I saw it on TV. | 1:34:12 | 1:34:14 | |
Then you don't know what it means | 1:34:14 | 1:34:17 | |
to see men's memories betrayed by their government. | 1:34:17 | 1:34:20 | |
I don't see how you cherish the memory of the dead | 1:34:20 | 1:34:24 | |
by killing another million. And... | 1:34:24 | 1:34:27 | |
this is not combat. | 1:34:27 | 1:34:30 | |
It's an act of lunacy, | 1:34:30 | 1:34:32 | |
General, sir. | 1:34:32 | 1:34:34 | |
I think you're a fucking idiot. | 1:34:34 | 1:34:37 | |
"The tree of liberty must be refreshed | 1:34:40 | 1:34:43 | |
"with the blood of patriots and tyrants." Thomas Jefferson. | 1:34:43 | 1:34:47 | |
"Patriotism is the virtue | 1:34:47 | 1:34:50 | |
"of the vicious." Oscar Wilde. | 1:34:50 | 1:34:53 | |
Thank you for making my point. | 1:34:57 | 1:35:00 | |
Where are the guidance chips? Where are the chips? | 1:35:00 | 1:35:04 | |
I destroyed them. | 1:35:04 | 1:35:06 | |
Bad move, soldier. | 1:35:06 | 1:35:08 | |
Does that mean you'll execute us both? | 1:35:08 | 1:35:11 | |
GUNFIRE | 1:35:18 | 1:35:19 | |
Lucky Hummel wants you alive. | 1:35:38 | 1:35:43 | |
I'd take pleasure in gutting you, boy. | 1:35:40 | 1:35:43 | |
I'd take pleasure in gutting you, boy. | 1:35:50 | 1:35:55 | |
I'll take pleasure in gutting you, boy. | 1:35:55 | 1:35:59 | |
What's wrong with these people, Mason? | 1:35:59 | 1:36:02 | |
There's a lot of anger floating around this island. | 1:36:02 | 1:36:06 | |
Kind of a pubescent volatility. | 1:36:06 | 1:36:09 | |
A lot of angst, "I'm 16. I'm angry at my father" syndrome. Grow up! | 1:36:09 | 1:36:15 | |
We're stuck here with a bunch of psychopathic Marines! | 1:36:15 | 1:36:19 | |
Shame on them! | 1:36:19 | 1:36:21 | |
Anyway, I only got one chem round. There's two left. | 1:36:21 | 1:36:26 | |
Mason? | 1:36:26 | 1:36:28 | |
Yes, I'm here. | 1:36:28 | 1:36:30 | |
I was just thinking how wonderful it was | 1:36:30 | 1:36:33 | |
when the inmates weren't allowed to talk. | 1:36:33 | 1:36:36 | |
Not allowed to talk? | 1:36:36 | 1:36:39 | |
How did you do it? | 1:36:39 | 1:36:41 | |
I nurtured the hope that there was hope. | 1:36:42 | 1:36:45 | |
That one day, I'd breathe free air. | 1:36:45 | 1:36:49 | |
Perhaps meet my daughter. | 1:36:49 | 1:36:52 | |
Modest hopes, but they kept a man alive. | 1:36:52 | 1:36:56 | |
What did they put you away for, John? | 1:36:56 | 1:36:59 | |
Well, that's a long story. | 1:36:59 | 1:37:02 | |
Well, I'm not going anywhere. | 1:37:02 | 1:37:05 | |
When did we last hear from our men on Alcatraz? | 1:37:05 | 1:37:08 | |
Seven hours. | 1:37:08 | 1:37:11 | |
Thermite plasma is operational. | 1:37:12 | 1:37:16 | |
Get me the President. | 1:37:14 | 1:37:16 | |
Consider yourselves on Ground Alert. If we receive launch authority, | 1:37:16 | 1:37:22 | |
your mission is the destruction of Alcatraz. | 1:37:22 | 1:37:25 | |
The island is to be blanketed. Not one inch missed. | 1:37:25 | 1:37:29 | |
81 civilians and a number of US Marines will die in this air strike. | 1:37:29 | 1:37:35 | |
Why didn't you tell them where the microfilm was and create a solution? | 1:37:35 | 1:37:40 | |
The moment they had the microfilm, they'd suicide me. | 1:37:41 | 1:37:46 | |
Some solution. | 1:37:46 | 1:37:49 | |
And you ended up here. | 1:37:47 | 1:37:49 | |
I have another question. You broke out - | 1:37:50 | 1:37:54 | |
let's get this right - you went down the incinerator chute | 1:37:54 | 1:37:58 | |
on the mine cart through the tunnels to the power plant, | 1:37:58 | 1:38:02 | |
under the steam engine - that was really cool - | 1:38:02 | 1:38:06 | |
and into the cistern through the intake pipe. | 1:38:06 | 1:38:10 | |
But how, in the name of Zeus's butthole, | 1:38:10 | 1:38:13 | |
did you get out of your cell? | 1:38:13 | 1:38:16 | |
I only ask because in our current situation, | 1:38:16 | 1:38:20 | |
well, it could prove to be useful information, maybe! | 1:38:20 | 1:38:25 | |
Trade secrets, | 1:38:41 | 1:38:43 | |
my son. | 1:38:43 | 1:38:45 | |
Wow. | 1:38:45 | 1:38:47 | |
Two operational rockets left. | 1:38:48 | 1:38:51 | |
One's at the lighthouse and one's on the roof. Both are ready. | 1:38:51 | 1:38:56 | |
Can you hear me? | 1:38:56 | 1:38:59 | |
I heard you, Captain. | 1:38:57 | 1:38:59 | |
Just making sure. | 1:38:59 | 1:39:00 | |
Should we... | 1:39:00 | 1:39:03 | |
prepare for launch? | 1:39:03 | 1:39:05 | |
I'll handle the strategy, Captain. | 1:39:05 | 1:39:10 | |
Yes, sir. | 1:39:07 | 1:39:10 | |
The hour is approaching. Just letting you know. | 1:39:10 | 1:39:14 | |
I'm very aware of the time, Captain. | 1:39:14 | 1:39:17 | |
Aye, sir. Letting you know. | 1:39:17 | 1:39:19 | |
We're ready to cock, lock and rock. | 1:39:19 | 1:39:22 | |
Mason, where are you going? | 1:39:22 | 1:39:28 | |
30 years ago, I vowed I wouldn't die in this toilet. | 1:39:24 | 1:39:28 | |
You're not leaving! There's a madman in there with his hand on a button! | 1:39:28 | 1:39:33 | |
Ssh! Some sniper is gonna get his ass. | 1:39:33 | 1:39:37 | |
Stop moving, Mason. | 1:39:37 | 1:39:39 | |
Mason, stop moving. | 1:39:40 | 1:39:42 | |
Hummel won't do it. He's a soldier not a murderer. | 1:39:42 | 1:39:47 | |
I read it in his eyes. | 1:39:47 | 1:39:50 | |
You read his eyes? | 1:39:48 | 1:39:50 | |
Everything's fine. I can't afford to take that chance! | 1:39:50 | 1:39:55 | |
Why don't you talk louder? | 1:39:53 | 1:39:55 | |
Three minutes to go, sir. | 1:39:55 | 1:39:58 | |
They're not gonna call. | 1:40:00 | 1:40:05 | |
They will if we fire a rocket up their ass, | 1:40:01 | 1:40:05 | |
sir. | 1:40:05 | 1:40:07 | |
PHONE RINGS | 1:40:07 | 1:40:10 | |
Hummel. | 1:40:12 | 1:40:16 | |
'It's Al Kramer. How's it going?' | 1:40:13 | 1:40:16 | |
How do you think? | 1:40:16 | 1:40:20 | |
'We need another hour, Frank.' | 1:40:18 | 1:40:20 | |
You've got three minutes. | 1:40:20 | 1:40:25 | |
'We need to hear from the President.' | 1:40:22 | 1:40:25 | |
You've got three minutes. | 1:40:25 | 1:40:29 | |
'Don't do anything stupid.' | 1:40:26 | 1:40:29 | |
They want another hour. | 1:40:31 | 1:40:34 | |
That's bullshit. General, they're lying. | 1:40:34 | 1:40:37 | |
They're calling our bluff. | 1:40:37 | 1:40:39 | |
They're playing you for a fool, sir. | 1:40:39 | 1:40:42 | |
Order the launch, General. | 1:40:42 | 1:40:46 | |
Come on, General. Let's be all we can be. | 1:40:46 | 1:40:49 | |
The mission is not complete. | 1:41:03 | 1:41:07 | |
Well, mine is. | 1:41:05 | 1:41:07 | |
When this is over, you'll go back home, | 1:41:07 | 1:41:10 | |
driving Carla and the baby insane in your beige Volvo. | 1:41:10 | 1:41:14 | |
I'll be dead or in prison, which is the same thing. | 1:41:14 | 1:41:19 | |
You're not leaving. | 1:41:17 | 1:41:19 | |
Oh! | 1:41:19 | 1:41:21 | |
HE GASPS | 1:41:21 | 1:41:23 | |
All right. | 1:41:23 | 1:41:25 | |
I'll do it myself. | 1:41:25 | 1:41:28 | |
I've got three weeks' weapons training. | 1:41:28 | 1:41:32 | |
I'll kick the... | 1:41:32 | 1:41:34 | |
out of a platoon full of Marines. No problem. | 1:41:34 | 1:41:37 | |
Patch me into Roof Battery. | 1:41:49 | 1:41:51 | |
Aye, sir. | 1:41:51 | 1:41:56 | |
Fire open control coordinates to the roof, sir. | 1:41:52 | 1:41:56 | |
Let's go! | 1:41:56 | 1:41:59 | |
Powered up! | 1:42:04 | 1:42:05 | |
Oh, no! | 1:42:05 | 1:42:07 | |
I said, on your knees. | 1:42:07 | 1:42:10 | |
My name is Stanley Goodspeed. | 1:42:10 | 1:42:13 | |
I'm a chemical weapons specialist for the FBI. Glass or plastic? | 1:42:13 | 1:42:18 | |
Glass or plastic? | 1:42:18 | 1:42:21 | |
Shut the fuck up! | 1:42:19 | 1:42:21 | |
If the winds change, we'll all die! | 1:42:21 | 1:42:24 | |
Shut up! | 1:42:24 | 1:42:28 | |
You'll end up in a glass jar or a plastic bag. | 1:42:25 | 1:42:28 | |
What do you say? Do the maths, hand over the gun, | 1:42:28 | 1:42:32 | |
and let's find some rockets. | 1:42:32 | 1:42:35 | |
Shut the fuck up! | 1:42:34 | 1:42:35 | |
You made the right choice. | 1:42:42 | 1:42:44 | |
I decided I didn't want your child growing up without a father. | 1:42:44 | 1:42:49 | |
Last time I swam this channel, I was your age. | 1:42:49 | 1:42:53 | |
I'm fucked either way. Come on. | 1:42:53 | 1:42:55 | |
Weapon is hot. Standing by for launch. | 1:42:55 | 1:42:58 | |
Killing SEALs is one thing. Is this for real? | 1:42:58 | 1:43:01 | |
Hey, it's business. | 1:43:01 | 1:43:04 | |
Access code entered. Weapon available for release. | 1:43:05 | 1:43:09 | |
Launch coordinates - 675459. | 1:43:09 | 1:43:15 | |
The weapon is hot. I'm standing by for launch command. | 1:43:17 | 1:43:21 | |
That's affirmative. | 1:43:21 | 1:43:23 | |
Standing by for command. | 1:43:30 | 1:43:32 | |
Waiting for launch command. | 1:43:40 | 1:43:42 | |
Fire. | 1:43:49 | 1:43:51 | |
Fire! | 1:43:51 | 1:43:53 | |
Missile loose! | 1:43:57 | 1:43:59 | |
Origin - Alcatraz 67253725. | 1:44:05 | 1:44:10 | |
What's the heading? | 1:44:10 | 1:44:14 | |
185 degrees south-southeast. | 1:44:11 | 1:44:14 | |
-Speed? -300 knots. | 1:44:14 | 1:44:16 | |
It's headed to Oakland. | 1:44:16 | 1:44:19 | |
The football game. | 1:44:17 | 1:44:19 | |
Oh, my God. | 1:44:22 | 1:44:24 | |
Changing direction. | 1:44:46 | 1:44:48 | |
New direction. 275 degrees west. It's headed out to sea. | 1:44:54 | 1:44:58 | |
Holy Christ. | 1:44:58 | 1:45:01 | |
Missile losing altitude. Falling. | 1:45:02 | 1:45:06 | |
Falling. 300 feet. | 1:45:06 | 1:45:08 | |
200. 100. | 1:45:08 | 1:45:09 | |
Bogey detonated underwater. | 1:45:12 | 1:45:15 | |
What the fuck?! | 1:45:17 | 1:45:19 | |
It missed. | 1:45:19 | 1:45:22 | |
That's great. | 1:45:20 | 1:45:22 | |
It's really great, but there's still one left. | 1:45:22 | 1:45:26 | |
What happened? What happened to the coordinates? | 1:45:26 | 1:45:30 | |
What is going on? Sir?! Major?! | 1:45:30 | 1:45:33 | |
Captain, step outside. | 1:45:31 | 1:45:33 | |
Talk to me, sir. | 1:45:33 | 1:45:35 | |
Captain, step outside! | 1:45:35 | 1:45:38 | |
Get me the Pentagon. | 1:45:50 | 1:45:53 | |
What the hell was that, Frank? | 1:46:05 | 1:46:08 | |
-I said, what the hell... -I heard what you said. Have a little more respect. | 1:46:09 | 1:46:14 | |
Cut the crap. What are you doing? | 1:46:14 | 1:46:17 | |
I'm not ready to kill. | 1:46:17 | 1:46:20 | |
-Ask for more time. -No. | 1:46:18 | 1:46:20 | |
Do it, Frank! We're coming loose. | 1:46:20 | 1:46:23 | |
You are. The rest of us are in control. | 1:46:23 | 1:46:26 | |
-Set up a new deadline. -Put the phone down. | 1:46:26 | 1:46:29 | |
-The men are falling apart. -They are Marines. -Are they? | 1:46:29 | 1:46:32 | |
I want to talk to General Kramer. | 1:46:32 | 1:46:37 | |
You've been asked by an old friend. | 1:46:34 | 1:46:37 | |
-Put him on the phone. -You've been ordered. | 1:46:37 | 1:46:40 | |
This is Major Baxter. | 1:46:40 | 1:46:44 | |
Your last chance. Put it down. | 1:46:41 | 1:46:44 | |
I thought you weren't ready to kill. | 1:46:47 | 1:46:50 | |
I'm warming up. | 1:46:50 | 1:46:52 | |
At ease. | 1:46:52 | 1:46:55 | |
They need a decision, Mr President. | 1:47:01 | 1:47:04 | |
These past few hours | 1:47:13 | 1:47:15 | |
have been the longest, darkest of my life. | 1:47:15 | 1:47:19 | |
How does one weigh human life? | 1:47:19 | 1:47:24 | |
One million civilians against 81 hostages. | 1:47:24 | 1:47:28 | |
And in the middle, Frank Hummel. | 1:47:28 | 1:47:31 | |
That we have | 1:47:31 | 1:47:33 | |
ignored, abandoned or marginalised | 1:47:33 | 1:47:36 | |
a great soldier like Frank Hummel, | 1:47:36 | 1:47:39 | |
and American boys have paid for that in blood, | 1:47:39 | 1:47:43 | |
is equally real | 1:47:43 | 1:47:45 | |
and equally tragic. | 1:47:45 | 1:47:48 | |
We are at war with terror. | 1:47:50 | 1:47:53 | |
Fighting a war means casualties. | 1:47:53 | 1:47:56 | |
This is the worst call I've ever had to make. | 1:47:56 | 1:48:00 | |
Air strike approved. | 1:48:01 | 1:48:05 | |
'Requesting clearance.' | 1:48:09 | 1:48:11 | |
With the amount of firepower they're going to drop, | 1:48:11 | 1:48:16 | |
it will be over in a few seconds. | 1:48:16 | 1:48:20 | |
General, sir, with all due respect to you, | 1:48:26 | 1:48:30 | |
what is going on? | 1:48:30 | 1:48:34 | |
You changed the coordinates. | 1:48:31 | 1:48:34 | |
That's affirmative. | 1:48:32 | 1:48:34 | |
They'll think we're gutless. That we won't do it. | 1:48:34 | 1:48:38 | |
They'll come at us. They'll bomb our ass back to the Stone Age. | 1:48:38 | 1:48:42 | |
They don't know we missed on purpose. | 1:48:42 | 1:48:46 | |
Great. | 1:48:44 | 1:48:46 | |
We're not gutless, we're incompetent. Is that right? | 1:48:46 | 1:48:51 | |
I don't think I like your tone. | 1:48:51 | 1:48:53 | |
Put the VX and four hostages in choppers and evacuate. | 1:48:53 | 1:48:57 | |
I'll face the consequences alone. | 1:48:57 | 1:49:02 | |
Excuse me, but what about the fucking money? | 1:48:59 | 1:49:02 | |
There is no money. Mission's over. | 1:49:02 | 1:49:05 | |
Bullshit it's over. | 1:49:05 | 1:49:10 | |
He's a general, soldier. Maintain discipline. | 1:49:06 | 1:49:10 | |
The day we took hostages we became mercenaries. | 1:49:10 | 1:49:15 | |
And mercenaries get paid! | 1:49:15 | 1:49:17 | |
I want my fucking money! | 1:49:17 | 1:49:19 | |
This mission was based on the threat of force. I won't kill 80,000 | 1:49:19 | 1:49:25 | |
innocent people. Do you think I'm out of my fucking mind? | 1:49:25 | 1:49:29 | |
We bluffed, they called. Mission's over. | 1:49:29 | 1:49:32 | |
Who said we're bluffing? | 1:49:35 | 1:49:38 | |
Stand down, Captain. | 1:49:38 | 1:49:41 | |
Stand down, Captain! | 1:49:44 | 1:49:46 | |
Take these men to the choppers. | 1:49:53 | 1:49:56 | |
That's a simple order, Major! | 1:49:57 | 1:50:00 | |
It's not so simple, Frank. | 1:50:00 | 1:50:03 | |
Sergeant Crisp, secure the General. | 1:50:03 | 1:50:07 | |
I'm relieving you of command, sir. | 1:50:07 | 1:50:10 | |
Sergeant! | 1:50:14 | 1:50:16 | |
I'll have that sidearm, sir. | 1:50:22 | 1:50:24 | |
This sidearm? | 1:50:24 | 1:50:26 | |
Major Baxter, you're with us or against us. | 1:50:34 | 1:50:37 | |
It's been the greatest honour of my life to serve with you, General. | 1:50:41 | 1:50:47 | |
But like he said, | 1:50:51 | 1:50:53 | |
it's over. | 1:50:53 | 1:50:56 | |
Get him. | 1:51:12 | 1:51:14 | |
Mason! | 1:51:18 | 1:51:20 | |
My God, what have I done? | 1:51:23 | 1:51:25 | |
Where's the last rocket? Where is it? | 1:51:25 | 1:51:28 | |
Where's the last rocket? | 1:51:31 | 1:51:34 | |
Lower lighthouse. | 1:51:33 | 1:51:34 | |
Lower lighthouse. | 1:51:34 | 1:51:37 | |
Go! | 1:51:35 | 1:51:37 | |
Go to the lighthouse. I'll take care of this fucker! | 1:51:49 | 1:51:52 | |
One, two, three. | 1:51:58 | 1:52:01 | |
Eat that! | 1:52:01 | 1:52:02 | |
Come here. Come here, you little chicken shit! | 1:52:47 | 1:52:51 | |
You shoot me, I drop this. We're both dead. | 1:52:51 | 1:52:55 | |
Don't be scared. I won't hurt you. | 1:52:55 | 1:52:59 | |
You know how this shit works? | 1:52:57 | 1:52:59 | |
You know how this shit works? | 1:52:59 | 1:53:01 | |
Come on. | 1:53:04 | 1:53:05 | |
I'll put the gun down. | 1:53:07 | 1:53:09 | |
Let's play. Come on. | 1:53:09 | 1:53:12 | |
Come on. | 1:53:12 | 1:53:14 | |
We got started off on the wrong foot. Stan Goodspeed, FBI. | 1:53:14 | 1:53:18 | |
Do you like Elton John's Rocket Man? | 1:53:18 | 1:53:21 | |
I don't like soft-ass shit. | 1:53:21 | 1:53:23 | |
Oh, oh, oh. | 1:53:23 | 1:53:26 | |
I only mentioned it because it's you. You're the rocket man. | 1:53:26 | 1:53:31 | |
Like how that shit works? | 1:53:37 | 1:53:39 | |
Second rocket's away! | 1:53:39 | 1:53:41 | |
It's in the bay. No detonation. | 1:53:49 | 1:53:53 | |
Shit. | 1:53:51 | 1:53:53 | |
Darrow! | 1:54:13 | 1:54:14 | |
Open up! | 1:54:16 | 1:54:18 | |
Come on! | 1:54:20 | 1:54:22 | |
Open up! | 1:54:22 | 1:54:24 | |
Hey, you mother! | 1:54:50 | 1:54:52 | |
I'll get you now. | 1:55:26 | 1:55:28 | |
I got you. I got you, baby. | 1:55:36 | 1:55:38 | |
Come on. | 1:55:38 | 1:55:40 | |
Fucker! | 1:55:57 | 1:55:58 | |
Red Thunder Strike Leader. Time on target, seven minutes. | 1:56:24 | 1:56:28 | |
English prick! | 1:56:44 | 1:56:46 | |
My old man was Irish. | 1:56:46 | 1:56:48 | |
Maintain airspeed of 450 knots. | 1:56:50 | 1:56:53 | |
Fuck! | 1:56:58 | 1:57:00 | |
It's me and you, pal. | 1:57:18 | 1:57:20 | |
I want that fucking chip! | 1:57:20 | 1:57:23 | |
I love pressure. | 1:57:32 | 1:57:34 | |
I know you're in here and can hear me. | 1:57:41 | 1:57:44 | |
Pay the piper. Come out like a man. | 1:57:44 | 1:57:47 | |
Increase speed to 500 knots. | 1:58:14 | 1:58:18 | |
Motherfucker! | 1:58:18 | 1:58:19 | |
Die! | 1:58:19 | 1:58:21 | |
I'll choke my million bucks outta you. You're gonna die. | 1:58:25 | 1:58:29 | |
Eat that, you fucker! | 1:58:29 | 1:58:31 | |
Time on target, 60 seconds. | 1:58:59 | 1:59:01 | |
Come to course heading 142 degrees. | 1:59:06 | 1:59:10 | |
'When he neutralises the threat | 1:59:17 | 1:59:19 | |
'we launch green flares and wait for the cavalry.' | 1:59:19 | 1:59:23 | |
Tighten formation. | 1:59:27 | 1:59:29 | |
God have mercy on your souls. | 1:59:29 | 1:59:31 | |
Please don't let this happen. Do something. | 1:59:31 | 1:59:34 | |
Drop to the deck. 100 feet below radar. | 1:59:44 | 1:59:47 | |
Target acquired. Rolling in. | 1:59:56 | 1:59:59 | |
Master arm. | 2:00:02 | 2:00:04 | |
Master armed. | 2:00:05 | 2:00:06 | |
Time on target, 12 seconds. | 2:00:07 | 2:00:10 | |
'TOT, ten seconds.' | 2:00:12 | 2:00:14 | |
Stay tight. | 2:00:19 | 2:00:21 | |
I got green smoke. | 2:00:24 | 2:00:28 | |
CQ One, we have green smoke! | 2:00:25 | 2:00:28 | |
Give me that! Abort! | 2:00:28 | 2:00:30 | |
Abort! | 2:00:30 | 2:00:31 | |
Abort! Abort! | 2:00:31 | 2:00:34 | |
I already dropped them! | 2:00:36 | 2:00:37 | |
Aaarrrggghhh! | 2:00:37 | 2:00:41 | |
Get out of my way. Let me through. Let me through. | 2:00:53 | 2:00:56 | |
The cells did not get hit. The bombs hit the back of the island. | 2:00:59 | 2:01:04 | |
I'm fed up saving your ass. | 2:01:24 | 2:01:27 | |
I'm amazed you ever got passed puberty. | 2:01:27 | 2:01:30 | |
This will make a great bedtime story for your kid. | 2:01:30 | 2:01:34 | |
You're insane. The kid'll have nightmares. | 2:01:34 | 2:01:37 | |
I'll spend all my money on shrinks. | 2:01:37 | 2:01:40 | |
Goodspeed, come in. | 2:01:40 | 2:01:42 | |
Goodspeed, do you read me? Come in. | 2:01:42 | 2:01:46 | |
Scanning all frequencies. | 2:01:46 | 2:01:48 | |
Goodspeed, do you read me? | 2:01:48 | 2:01:50 | |
'Goodspeed, do you read me? Come in.' | 2:01:50 | 2:01:53 | |
Goodspeed? | 2:01:59 | 2:02:00 | |
'Do you read me? Come in.' | 2:02:00 | 2:02:02 | |
This is Goodspeed. | 2:02:02 | 2:02:04 | |
Are the hostages alive? | 2:02:06 | 2:02:08 | |
Every one of them. | 2:02:10 | 2:02:12 | |
CHEERING | 2:02:12 | 2:02:17 | |
Goodspeed, it's Womack! | 2:02:13 | 2:02:17 | |
'What about Mason?' | 2:02:17 | 2:02:19 | |
He's dead, sir. | 2:02:26 | 2:02:29 | |
'How? When?' | 2:02:27 | 2:02:29 | |
Just come and get me. | 2:02:29 | 2:02:31 | |
Womack tore up your pardon. | 2:02:34 | 2:02:36 | |
But of course. I knew he would. | 2:02:36 | 2:02:38 | |
The scuba gear should still be where we came ashore. | 2:02:38 | 2:02:43 | |
At the Pan Pacific Hotel there's clothes and 200 in the Bible. | 2:02:43 | 2:02:47 | |
Room 26. | 2:02:47 | 2:02:49 | |
It's been a long time since I've said thank you to anybody. | 2:02:49 | 2:02:54 | |
But thank you. | 2:02:54 | 2:02:57 | |
Well, Stanley, this is when we go our separate ways. | 2:02:59 | 2:03:03 | |
But I'm sure you know the etymology of your name | 2:03:04 | 2:03:08 | |
"Goodspeed". | 2:03:08 | 2:03:13 | |
Godspeed. To wish someone a prosperous journey. Why? | 2:03:09 | 2:03:13 | |
Well, if you fancy a journey, I recommend Fort Walton, Kansas. | 2:03:13 | 2:03:20 | |
I was thinking of Maui. | 2:03:20 | 2:03:22 | |
No. | 2:03:22 | 2:03:24 | |
Forget Maui. | 2:03:29 | 2:03:31 | |
"Saint Michael's Church, Fort Walton, Kansas. | 2:03:37 | 2:03:41 | |
"Front pew, right leg, | 2:03:41 | 2:03:43 | |
"hollow." | 2:03:43 | 2:03:45 | |
Is this what I think it is? | 2:03:45 | 2:03:47 | |
Mason?! | 2:03:49 | 2:03:51 | |
Congratulations, Dr Goodspeed, you did it. | 2:04:04 | 2:04:09 | |
Thank you, sir. | 2:04:07 | 2:04:09 | |
I didn't think you'd make it. Well done, son. | 2:04:09 | 2:04:12 | |
So, where's Mason? | 2:04:14 | 2:04:18 | |
Vaporised. | 2:04:16 | 2:04:18 | |
Blown out to sea. | 2:04:18 | 2:04:20 | |
Blown out to sea, huh? | 2:04:20 | 2:04:22 | |
Yeah. | 2:04:22 | 2:04:24 | |
Poor bastard. | 2:04:24 | 2:04:26 | |
Where's Mason's body? I want to see him. | 2:04:29 | 2:04:33 | |
Vaporised, sir. Excuse me, gentlemen. | 2:04:34 | 2:04:37 | |
What? | 2:04:37 | 2:04:40 | |
Vaporised? A body can vaporise? | 2:04:40 | 2:04:42 | |
Oh, yeah. Absolutely, sir. | 2:04:42 | 2:04:45 | |
St Michael's Church. Front pew, | 2:04:48 | 2:04:51 | |
right leg. Front pew, right leg. | 2:04:51 | 2:04:54 | |
Vandals! Vandals! | 2:04:54 | 2:04:56 | |
Oh, yes, baby! Come on! | 2:04:56 | 2:04:58 | |
Stop! Vandals! | 2:04:58 | 2:05:02 | |
I'm sorry! | 2:05:00 | 2:05:02 | |
-Come on, baby! -I got it. Let's go! | 2:05:02 | 2:05:05 | |
Stop! | 2:05:05 | 2:05:06 | |
Sorry! | 2:05:06 | 2:05:08 | |
Stop! Hey, you! | 2:05:08 | 2:05:11 | |
Vandals! Vandals! | 2:05:13 | 2:05:15 | |
Honey, | 2:05:15 | 2:05:17 | |
you wanna know who really killed JFK? | 2:05:17 | 2:05:21 | |
IMS Subtitles by Steven Finbow | 2:06:11 | 2:06:15 |