Browse content similar to The Third Man. Check below for episodes and series from the same categories and more!
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BIG BEN CHIMES THE HOUR | 0:00:02 | 0:00:05 | |
MUSIC: HARRY LIME THEME PLAYED ON ZITHER | 0:00:19 | 0:00:26 | |
I never knew the old Vienna before the war, | 0:01:40 | 0:01:44 | |
with its Strauss music and easy charm. | 0:01:44 | 0:01:48 | |
Constantinople suited me better. | 0:01:48 | 0:01:50 | |
I knew it during the Black Market we'd run anything through for money! | 0:01:50 | 0:01:56 | |
Amateurs were tempted, but they couldn't outlast professionals! | 0:01:56 | 0:02:02 | |
The city is divided into four zones, | 0:02:02 | 0:02:05 | |
the American, the British, the Russian and the French. | 0:02:05 | 0:02:10 | |
The centre of the city is policed | 0:02:10 | 0:02:13 | |
by an international patrol drawn from the four powers. | 0:02:13 | 0:02:17 | |
What a hope with only a smattering of German! | 0:02:17 | 0:02:21 | |
But they did their best, you know. | 0:02:21 | 0:02:25 | |
Vienna looks no worse than other European cities, bombed about a bit. | 0:02:25 | 0:02:31 | |
I'll tell you about Holly Martins | 0:02:31 | 0:02:34 | |
who came here to visit his friend, Harry Lime. | 0:02:34 | 0:02:38 | |
Martins was broke and Lime had offered him a job. | 0:02:38 | 0:02:42 | |
There he was, poor chap happy as a lark and without a cent! | 0:02:42 | 0:02:45 | |
MUSIC: HARRY LIME THEME ON ZITHER | 0:02:50 | 0:02:54 | |
-Passport, please! -Oh... | 0:02:55 | 0:02:58 | |
-Why are you here? -A friend offered me a job. -Where are you staying? -15, Stiftgasse. | 0:02:58 | 0:03:04 | |
-His name? -Harry Lime. -OK. -Thought he'd be here. | 0:03:04 | 0:03:09 | |
A MAN UPSTAIRS HUMS TO HIMSELF | 0:03:28 | 0:03:32 | |
Mein Herr, Sie kommen um 10 Minuten zu spaet! Sie lauten um sonst! | 0:03:38 | 0:03:45 | |
You speak English? | 0:03:45 | 0:03:47 | |
Eh...na ja... Little...little. | 0:03:47 | 0:03:51 | |
Sie kommen um 10 Minuten zu spaet. ..Er...ten minutes...too late. | 0:03:51 | 0:03:58 | |
-Already gone. -Who? | 0:03:58 | 0:04:00 | |
His friends...and... ze...ze...coffin. | 0:04:00 | 0:04:05 | |
-Coffin!? -Mr Lime's... Accident. | 0:04:05 | 0:04:08 | |
Knocked over by a car... Here. | 0:04:08 | 0:04:12 | |
I have seen it myself. Killed at once! | 0:04:12 | 0:04:16 | |
Already in hell... Or in...heaven! | 0:04:16 | 0:04:21 | |
Sorry for ze grave-diggers. Hard work in this frost. | 0:04:21 | 0:04:26 | |
Can you tell me...er...whose...? | 0:04:36 | 0:04:39 | |
Fellow called Lime. | 0:04:39 | 0:04:42 | |
Gelitten unter Pontius Pilatus, | 0:04:50 | 0:04:53 | |
gestorben and begraben, und am dritten Tage wieder auferstanden von den Toten. | 0:04:53 | 0:05:00 | |
Wer IST das? | 0:05:01 | 0:05:05 | |
Ich glaube an den heiligen Geist, die heilige Katholische Kirche, | 0:05:05 | 0:05:10 | |
an die Auferstehung des Fleisches... | 0:05:10 | 0:05:15 | |
Im Namen des Vaters, des Sohnes, und des heiligen Geistes... Amen. | 0:05:15 | 0:05:21 | |
Moment, bitte. | 0:05:50 | 0:05:53 | |
Like a lift to town? | 0:06:04 | 0:06:07 | |
I've got a car here. | 0:06:09 | 0:06:11 | |
Thanks. | 0:06:17 | 0:06:18 | |
-My name's Calloway. -Martins. -You a friend of Lime? -Yeah. | 0:06:26 | 0:06:31 | |
-Been here long? -No. | 0:06:31 | 0:06:34 | |
You've had a shock. You could do with a drink. | 0:06:44 | 0:06:48 | |
-Could you buy me one? -Of course. Schmolka! | 0:06:48 | 0:06:52 | |
-I guess nobody knew Harry like he did... -I -did. -How long ago? | 0:06:52 | 0:06:59 | |
Back in school. I was never so lonesome till he showed up. | 0:06:59 | 0:07:04 | |
-When did you see him last? -1939. -When the business started? -Mmm. | 0:07:04 | 0:07:09 | |
-Before that? -He was my best friend. | 0:07:09 | 0:07:13 | |
That sounds like a cheap novelette. | 0:07:13 | 0:07:15 | |
I WRITE cheap novelettes! | 0:07:18 | 0:07:20 | |
-What's your name again? -Holly Martins. -No. Sorry. | 0:07:20 | 0:07:25 | |
-Ever hear of "The Lone Rider of Santa Fe" ? -Can't say I have. | 0:07:25 | 0:07:30 | |
-"Death at Double-X Ranch... Ra-a-anch" ? -No. | 0:07:30 | 0:07:34 | |
He must have known I was broke. Even sent me an airplane ticket. | 0:07:36 | 0:07:41 | |
-It's a shame. -What? | 0:07:41 | 0:07:43 | |
-Him dying like that. -Best thing that ever happened to him! -Wha-at!? | 0:07:43 | 0:07:50 | |
-He was a racketeer. -Policeman, huh? -Have another drink. | 0:07:50 | 0:07:56 | |
-I don't like sheriffs! -Ever seen one? | 0:07:56 | 0:08:01 | |
Pin it on a dead man! Some petty racket with gasoline... | 0:08:01 | 0:08:07 | |
-You're a real cop, I suppose? -It wasn't petrol! | 0:08:07 | 0:08:12 | |
So it wasn't petrol! So it was tyres or saccharin... | 0:08:12 | 0:08:18 | |
Why don't you catch a few murderers? | 0:08:18 | 0:08:21 | |
Murder WAS part of his racket. | 0:08:21 | 0:08:25 | |
It's all right, Paine. Take Mr Holly Martins home. | 0:08:25 | 0:08:30 | |
Holly Martins, sir? | 0:08:30 | 0:08:32 | |
The writer!? The author of "Death at Double-X Ranch" ? | 0:08:32 | 0:08:37 | |
-Listen, Callaghan... -Calloway! | 0:08:37 | 0:08:40 | |
-You won't close your files at a dead man's expense! -You'll find the crooks? | 0:08:40 | 0:08:45 | |
Sounds like one of your stories! | 0:08:45 | 0:08:47 | |
-You should leave Vienna! -Here's some money. Don't drink too much! | 0:08:47 | 0:08:54 | |
We'll get you on tomorrow's plane. | 0:08:54 | 0:08:56 | |
Please be careful, sir. Up we come. | 0:08:59 | 0:09:03 | |
-Written anything lately? -Take him to Sachers. | 0:09:03 | 0:09:07 | |
Don't hit him if he behaves. It's a military hotel! | 0:09:07 | 0:09:12 | |
I've read quite a few of your books, sir. | 0:09:12 | 0:09:16 | |
I like a good Western. | 0:09:16 | 0:09:19 | |
-You can't put them down easily. Mr Hartman... -Sir? | 0:09:19 | 0:09:23 | |
-This gentleman's to have a room. -Passport, please. | 0:09:23 | 0:09:28 | |
I can't introduce you to everybody! | 0:09:28 | 0:09:32 | |
Would you fill this in, sir? | 0:09:32 | 0:09:35 | |
-Mr Crabbin... -Yes, Sergeant? -Mr Holly Martins, the author. | 0:09:35 | 0:09:40 | |
-Never heard of him! -I've read some of his books. -Have you, Sgt? Thank you. | 0:09:40 | 0:09:48 | |
Mr Martins, my name is Crabbin. | 0:09:48 | 0:09:50 | |
-I represent the CRS of GHQ. -You do? | 0:09:50 | 0:09:54 | |
Cultural Re-education Section- very important in this place. | 0:09:54 | 0:09:59 | |
We do a little show. Last week we had Hamlet and the week before... | 0:09:59 | 0:10:04 | |
-..Striptease, sir. -Yes, Hindu dancers. Thanks, Sgt. | 0:10:04 | 0:10:08 | |
-Now we welcome an American author! -Welcome!? | 0:10:08 | 0:10:12 | |
On Wednesday, we're having a lecture on the contemporary novel. | 0:10:12 | 0:10:16 | |
-Would you speak? -They don't know me! | 0:10:16 | 0:10:19 | |
-Your novels are popular here. -Very, sir. -Are you here long? | 0:10:19 | 0:10:25 | |
I can't stay long on THIS money. | 0:10:25 | 0:10:28 | |
Mr Martins, would you stay as our guest? | 0:10:28 | 0:10:31 | |
-Oh...? -Yes! -He leaves tomorrow, sir. | 0:10:31 | 0:10:36 | |
Have you got toothache? | 0:10:38 | 0:10:40 | |
Come upstairs. Somebody hit me, that's all. | 0:10:40 | 0:10:45 | |
-Bitte. -Were they trying to rob you? | 0:10:45 | 0:10:48 | |
-I tried to punch a Major. -A Major? Really? | 0:10:48 | 0:10:52 | |
-Heard of Harry Lime? -Yes, but I don't know him. | 0:10:52 | 0:10:56 | |
-Died on Thursday. -That's awkward. | 0:10:56 | 0:10:59 | |
-Just "awkward"!? -Mr Martins! | 0:10:59 | 0:11:02 | |
-Telephone. -Who is it? | 0:11:02 | 0:11:05 | |
-Baron Kurtz. -Must be some mistake. Yes? | 0:11:05 | 0:11:09 | |
-'I was a friend of Harry Lime.' -I'd like to meet you, Baron. | 0:11:09 | 0:11:15 | |
-Could we meet at the Mozart Cafe? -Where? -Just around the corner. | 0:11:15 | 0:11:21 | |
-How will I know you? -'I'll carry one of your books.' | 0:11:21 | 0:11:26 | |
-'Harry gave it to me.' -I'll be there! | 0:11:26 | 0:11:30 | |
-You'll put me up? -Certainly! -It's a deal. | 0:11:30 | 0:11:34 | |
Did you read "The Lone Rider of Santa Fe?" | 0:11:34 | 0:11:36 | |
-No, sir. -It's about a man hunting down a bad sheriff. | 0:11:36 | 0:11:41 | |
-Seems exciting. -And I'm after YOUR Major! -Sounds anti-British. | 0:11:41 | 0:11:47 | |
-Baron Kurtz? -Mr Martins...? | 0:11:59 | 0:12:02 | |
Delighted to meet you. Let's sit down here. | 0:12:02 | 0:12:06 | |
-Ober! Zwei...would you like tea or coffee? -Coffee. | 0:12:06 | 0:12:12 | |
Zwei Schwarze. | 0:12:12 | 0:12:14 | |
-The tension is wonderful. -Tension? -Suspense. | 0:12:14 | 0:12:18 | |
-You liked it? -You are kept guessing. | 0:12:18 | 0:12:22 | |
-You were a friend of Harry's? -His best, except for you. | 0:12:22 | 0:12:28 | |
-The police think he was mixed up in a racket. -Everybody in Vienna is. | 0:12:28 | 0:12:34 | |
We all sell cigarettes and that kind of thing. | 0:12:34 | 0:12:38 | |
I have done things that would have seemed unthinkable before the war. | 0:12:38 | 0:12:43 | |
I once sold tyres on the Black Market. | 0:12:43 | 0:12:46 | |
I wonder what my father would have said! | 0:12:46 | 0:12:50 | |
-The police meant more than that! -They get absurd ideas sometimes. | 0:12:50 | 0:12:55 | |
But he won't mind now! | 0:12:55 | 0:12:58 | |
I won't leave it at this. Will you help me? | 0:12:58 | 0:13:02 | |
I wish I could, but you know... I am an Austrian. | 0:13:03 | 0:13:08 | |
I must be careful with the police. | 0:13:08 | 0:13:12 | |
I'm afraid I can't help you, | 0:13:12 | 0:13:14 | |
except...with advice, of course. Advice... | 0:13:14 | 0:13:19 | |
We came out of this place like this...and were walking this way. | 0:13:20 | 0:13:26 | |
A friend of his called him from over there. | 0:13:26 | 0:13:30 | |
He went across, and from up there... came the truck. | 0:13:30 | 0:13:34 | |
It was just about here. | 0:13:34 | 0:13:37 | |
Here? | 0:13:37 | 0:13:40 | |
Yes. | 0:13:40 | 0:13:42 | |
His friend and I picked him up... | 0:13:42 | 0:13:45 | |
carried him across...over here... It was terrible. | 0:13:45 | 0:13:49 | |
We laid him down... just about here. | 0:13:53 | 0:13:57 | |
And this is where he died. | 0:13:58 | 0:14:00 | |
-Even at the end, his thoughts were of you. -What did he say? | 0:14:00 | 0:14:05 | |
I don't remember exactly... May I call you Holly? He always did. | 0:14:05 | 0:14:10 | |
He wanted me to look after you... | 0:14:10 | 0:14:13 | |
To see that you got safely home... Tickets... | 0:14:13 | 0:14:16 | |
But he said died instantaneously? | 0:14:16 | 0:14:19 | |
He died before the ambulance came. | 0:14:23 | 0:14:26 | |
-There was only you and this friend. Who is he? -A Romanian. Mr Popescu. | 0:14:26 | 0:14:33 | |
-I'd like to talk to him. -He...has left Vienna. | 0:14:33 | 0:14:36 | |
-Excuse me... -Yes? | 0:14:40 | 0:14:43 | |
Did you know Mr Lime well? | 0:14:43 | 0:14:45 | |
-Mr Lime... Yes. -You remember me? -Yes, I do. | 0:14:45 | 0:14:50 | |
-Who used to visit Mr Lime? -"Visit"...? Was will er wissen? | 0:14:50 | 0:14:55 | |
Wer hier verkehrt hat. Es kommen so viele Leute hier... | 0:14:55 | 0:15:01 | |
-Popescu... Ich kenne alle nicht. -What does he say? | 0:15:01 | 0:15:06 | |
-He doesn't know everybody. -Karl... | 0:15:06 | 0:15:09 | |
-Kannst du herein kommen? -Moment... | 0:15:09 | 0:15:13 | |
-Du musst ans Telefon! -Excuse me. | 0:15:13 | 0:15:17 | |
Who else was at the funeral? | 0:15:20 | 0:15:22 | |
-Only his doctor, Dr Winkel. -Wasn't there a girl? | 0:15:22 | 0:15:27 | |
Some theatre girl. | 0:15:27 | 0:15:29 | |
You know Harry... Speaking to her would cause her pain. | 0:15:29 | 0:15:34 | |
Not necessarily. She'd probably want to help. | 0:15:34 | 0:15:38 | |
Why have a post mortem? | 0:15:38 | 0:15:40 | |
Suppose you dig up something... discreditable to Harry? | 0:15:40 | 0:15:45 | |
Will you give me your address? | 0:15:45 | 0:15:48 | |
I work at the Casanova Club every night. | 0:15:48 | 0:15:52 | |
-What's this girl's name? -I...never heard it. | 0:15:52 | 0:15:57 | |
-You DID mention the theatre... -The Josefstadt. | 0:15:57 | 0:16:02 | |
But I think it won't do Harry | 0:16:02 | 0:16:04 | |
any good. You'd do better to think of yourself. | 0:16:04 | 0:16:08 | |
I'll be all right. | 0:16:08 | 0:16:11 | |
I'm SO glad I've met you. | 0:16:11 | 0:16:14 | |
A master of suspense. Such a good cover, I think. | 0:16:14 | 0:16:19 | |
No 8, please. | 0:16:21 | 0:16:23 | |
-Your plane ticket, sir. -Tell the Major I won't need it. | 0:16:23 | 0:16:27 | |
Porter, order me a theatre ticket. | 0:16:27 | 0:16:30 | |
-Ah, Mr Martins... -Mr Crabbin. | 0:16:30 | 0:16:33 | |
I've to take you to the airfield, sir. | 0:16:33 | 0:16:36 | |
I'm staying with Mr Crabbin in HQ BMT! | 0:16:36 | 0:16:39 | |
-Ich bitte dich! -Ich bitte dich! -Ich bitte dich! | 0:16:39 | 0:16:46 | |
So erfahren wir alles! | 0:16:46 | 0:16:48 | |
Um Goteswillen... Nur DAS nicht! | 0:16:48 | 0:16:52 | |
-Ich spreche nur die Wahrheit! -Das ist aber Erpressung! | 0:16:52 | 0:16:57 | |
Wenn ich drei Maedeln nicht fertig machen koennte, | 0:17:00 | 0:17:04 | |
dann waere das eine Geschichte! | 0:17:04 | 0:17:06 | |
THE AUDIENCE APPLAUDS | 0:17:06 | 0:17:09 | |
I was a friend of Harry Lime. | 0:17:29 | 0:17:33 | |
Afterwards. | 0:17:35 | 0:17:37 | |
Ich habe gleich vier, und geniesse die Ehe in vierfacher Auflauf! | 0:17:37 | 0:17:42 | |
LAUGHTER FROM THE AUDIENCE | 0:17:42 | 0:17:45 | |
Mein Kind, ich bitte dich... | 0:17:47 | 0:17:50 | |
-Miss...Schmidt...? -Oh, come in. | 0:17:57 | 0:18:02 | |
-Sit down. -Thank you. I enjoyed the play. | 0:18:02 | 0:18:06 | |
-Gute Nacht, Anna. -Gute Nacht. -You were good! | 0:18:06 | 0:18:10 | |
-You know German? -I could... follow it fine. -Oh, yes? | 0:18:10 | 0:18:15 | |
Perhaps Harry mentioned me, | 0:18:15 | 0:18:17 | |
-Holly Martins? -No, he didn't. Some tea? -Thank you. | 0:18:17 | 0:18:22 | |
Someone threw this last week. | 0:18:22 | 0:18:25 | |
Sometimes the British do. Some whisky? | 0:18:25 | 0:18:29 | |
-Tea's fine. -Good, I'll sell it. Oh, there's some tea left. | 0:18:29 | 0:18:35 | |
You knew him...some time? | 0:18:35 | 0:18:39 | |
Yes. | 0:18:39 | 0:18:41 | |
I wanted to talk to you about him. | 0:18:41 | 0:18:44 | |
There's nothing to talk about, is there? Nothing. | 0:18:44 | 0:18:49 | |
-I...saw you at the funeral. -I'm sorry. I didn't notice much. | 0:18:49 | 0:18:54 | |
-You were in love with him, weren't you? -I don't know. | 0:18:57 | 0:19:01 | |
I don't know anything any more | 0:19:01 | 0:19:04 | |
except I want to be dead too. Some more tea? | 0:19:04 | 0:19:09 | |
No more tea. Would you like a cigarette? | 0:19:09 | 0:19:14 | |
Oh, American. I like them. | 0:19:14 | 0:19:16 | |
-I talked to another friend of his, Baron Kurtz. You know him? -No. | 0:19:16 | 0:19:22 | |
-He has a little dog. -Oh, yes. | 0:19:22 | 0:19:24 | |
I don't understand what Harry saw in him. | 0:19:24 | 0:19:28 | |
He brought me money when Harry died. | 0:19:28 | 0:19:31 | |
-He said Harry was anxious at the end. -He remembered me too. | 0:19:31 | 0:19:36 | |
-Seems to show he...wasn't in much pain. -Dr Winkel told me that. | 0:19:36 | 0:19:41 | |
-Dr Winkel... Who's he? -The doctor | 0:19:41 | 0:19:45 | |
Harry went to. He was passing just after it happened. | 0:19:45 | 0:19:49 | |
-His own doctor? -Yes. | 0:19:49 | 0:19:52 | |
-Were...you at the inquest? -Yes. | 0:19:52 | 0:19:56 | |
It wasn't the driver's fault. Harry often said he was careful. | 0:19:56 | 0:20:01 | |
-He was Harry's driver!? -Mmmm. | 0:20:01 | 0:20:04 | |
I...don't get it... | 0:20:05 | 0:20:08 | |
All of them there, Kurtz, this Romanian, Popescu, | 0:20:08 | 0:20:13 | |
his own driver knocks him down. His doctor's there, no strangers at all! | 0:20:13 | 0:20:19 | |
I wondered if it really was an accident. | 0:20:19 | 0:20:24 | |
-What difference does it make? He's dead. -But if it wasn't an... | 0:20:28 | 0:20:33 | |
-Frau Schmidt...? -Ja, ich gehe schon. I must hurry. | 0:20:33 | 0:20:40 | |
-The porter saw it! -Why worry? | 0:20:40 | 0:20:43 | |
Do you know that porter? | 0:20:46 | 0:20:50 | |
Yes. | 0:20:50 | 0:20:51 | |
Sehen Sie gleich da unten. Da ist es passiert. | 0:20:53 | 0:20:57 | |
-What's he saying? -It happened right down there. | 0:20:57 | 0:21:01 | |
-Happened...right down there. -You SAW it? -Not saw, heard. | 0:21:01 | 0:21:05 | |
I heard the brakes... Wham! | 0:21:05 | 0:21:08 | |
I saw them carry the body... to the other side of the...Josef... | 0:21:08 | 0:21:14 | |
-..Emperor Josef...statue. -Why didn't they bring him in here? | 0:21:14 | 0:21:20 | |
-Could he have been conscious? -"Conscious"...? | 0:21:44 | 0:21:48 | |
Er...was he...still alive? | 0:21:48 | 0:21:51 | |
Er...alive...! | 0:21:51 | 0:21:53 | |
He couldn't have been with his head like it was. | 0:21:53 | 0:21:58 | |
-I thought he DIDN'T die at once. -Mein Herr, er war gleich tot! | 0:21:58 | 0:22:03 | |
-No, I mean... -Er war gleich tot! Momentchen! Fraeulein Schmidt...! | 0:22:03 | 0:22:08 | |
-Wie sagt man, "Er war gleich tot" ? -He was quite dead. | 0:22:08 | 0:22:14 | |
Na ja... He was quite dead. | 0:22:14 | 0:22:18 | |
That's crazy! How could he talk about me and this lady AFTER he was dead? | 0:22:18 | 0:22:24 | |
Why didn't you say this before!? | 0:22:24 | 0:22:27 | |
It's better not to get mixed up in zese things. | 0:22:27 | 0:22:32 | |
-Things like what? -I...was not the only one who did not... give evidence. | 0:22:32 | 0:22:38 | |
-Who else? -Three men carried your friend. | 0:22:38 | 0:22:43 | |
-Kurtz? -Yes. -The Romanian? -Yes. -And...? -There was a third man. | 0:22:43 | 0:22:49 | |
-The doctor? -No. He came later. | 0:22:49 | 0:22:52 | |
-After they carried him. -What was he like? | 0:22:52 | 0:22:55 | |
I didn't see his face. | 0:22:56 | 0:22:58 | |
He didn't look up. He was quite... gewoehnlich... Ordinary. | 0:23:01 | 0:23:06 | |
He might have been... | 0:23:07 | 0:23:11 | |
'just anybody.' | 0:23:11 | 0:23:13 | |
Just anybody... | 0:23:14 | 0:23:16 | |
PHONE RINGS | 0:23:16 | 0:23:17 | |
Hello...? | 0:23:19 | 0:23:21 | |
Wer ist das? | 0:23:21 | 0:23:23 | |
Hallo...!? | 0:23:23 | 0:23:25 | |
Warum antworten Sie nicht? | 0:23:26 | 0:23:30 | |
Hello...? | 0:23:30 | 0:23:33 | |
Who was that? | 0:23:33 | 0:23:36 | |
-They didn't answer. -I thought there were TWO men. | 0:23:36 | 0:23:40 | |
-You gotta tell this to the police! -Why the police!? | 0:23:40 | 0:23:44 | |
Das ist alles Bloedsinn! It was an accident. | 0:23:44 | 0:23:49 | |
You only saw a dead man being carried. | 0:23:49 | 0:23:53 | |
I should have listened to my wife. She said you were up to no good. | 0:23:53 | 0:23:59 | |
-Suppose -I -go to the police!? | 0:23:59 | 0:24:02 | |
Ich will mit der Polizei nichts zu tun haben! | 0:24:02 | 0:24:05 | |
-Hold on! -Und ich habe Sie sehr freundlich behandelt! | 0:24:05 | 0:24:10 | |
-I saw nothing! It's not my business. -Make it your business! | 0:24:10 | 0:24:15 | |
THE PORTER RANTS ON IN GERMAN | 0:24:15 | 0:24:18 | |
Fraeulein Schmidt, Sie waren mir immer sehr sympatisch... | 0:24:22 | 0:24:26 | |
But don't bring him again! Go at once, please. | 0:24:26 | 0:24:30 | |
Sonst vergesse ich meinen wienerischen Charme! | 0:24:30 | 0:24:34 | |
THE PORTER RANTS ON | 0:24:34 | 0:24:38 | |
You shouldn't get mixed up in this. | 0:24:40 | 0:24:43 | |
-Well, if I DO find out something, can I look you up again? -Go home. | 0:24:43 | 0:24:51 | |
Verstecken Sie sich, Fraeulein! Die Polizei ist oben! | 0:24:51 | 0:24:55 | |
-Sie lesen alle Ihre Briefe, als waere man ein Verbrecher! -What? | 0:24:55 | 0:25:01 | |
-Was WILL die Polizei von Ihnen!? -Ich weiss nicht! | 0:25:01 | 0:25:05 | |
-Ohne Gruende kommen die Polizei NICHT ins Haus! -What's she saying? -The police are searching my room. | 0:25:05 | 0:25:12 | |
Mein Gott, das ist doch schrecklich! | 0:25:12 | 0:25:16 | |
Man ist nicht mehr Herr in seinem eigenen Haus! | 0:25:16 | 0:25:22 | |
Nicht Oesterreicher, sondern Amerikaner, Russen, Franzosen... | 0:25:22 | 0:25:26 | |
Und mitten in der Nacht...! | 0:25:26 | 0:25:30 | |
Seit sechzig Jahren wohne ich in diesem Haus... | 0:25:30 | 0:25:35 | |
What the devil...? | 0:25:40 | 0:25:42 | |
-Getting around, Martins? -Pinning things on girls, now? | 0:25:42 | 0:25:47 | |
I'd like to see your papers, please. | 0:25:47 | 0:25:50 | |
Don't you give him anything. | 0:25:50 | 0:25:54 | |
Thank you. | 0:25:54 | 0:25:56 | |
-You were born in Gratz of Austrian parents? -Yes. | 0:25:57 | 0:26:02 | |
Paine... | 0:26:03 | 0:26:05 | |
Mmmm. | 0:26:11 | 0:26:12 | |
-It's very good, sir. Isn't it? -How much did you pay for this? | 0:26:19 | 0:26:24 | |
I'll have to keep it. | 0:26:26 | 0:26:29 | |
-She NEEDS her papers! -Give her a receipt, Paine. -This way, miss. | 0:26:29 | 0:26:34 | |
Harry Lime was murdered and you haven't bothered about evidence! | 0:26:34 | 0:26:40 | |
-Must you take those? -They'll be returned, miss. | 0:26:48 | 0:26:52 | |
-They're...private letters. -That's all right, we're used to it. | 0:26:52 | 0:26:57 | |
Like Doctors. | 0:26:57 | 0:26:59 | |
Isn't it peculiar there was a third man there? | 0:26:59 | 0:27:03 | |
I'm not interested in how Lime died. | 0:27:03 | 0:27:06 | |
The only important thing is he's dead. | 0:27:06 | 0:27:10 | |
I'm sorry. | 0:27:10 | 0:27:12 | |
-Tactful, eh, Callaghan? -Calloway! | 0:27:12 | 0:27:15 | |
-Must you take those letters? -Yes. -They're Harry's. -That's the reason. | 0:27:15 | 0:27:20 | |
You'll not learn anything from them. They are only love letters. | 0:27:20 | 0:27:26 | |
-They'll be returned to you. -There's nothing in them. | 0:27:26 | 0:27:31 | |
Harry never did anything... Only a small thing once... | 0:27:31 | 0:27:37 | |
-What was that? -You have it in your hand. | 0:27:37 | 0:27:41 | |
-Major Calloway... -Finished? -Yes. OK. | 0:27:41 | 0:27:45 | |
You'll have to come with us. | 0:27:46 | 0:27:49 | |
-You're not locking her up!? -Go home, Martins! | 0:27:49 | 0:27:53 | |
-Get the next plane. -As soon as I solve this! | 0:27:53 | 0:27:57 | |
Leave death to the professionals! | 0:27:57 | 0:28:00 | |
Can I use that in a Western?! | 0:28:00 | 0:28:03 | |
-There's your receipt, miss. -I don't want it! | 0:28:03 | 0:28:07 | |
I've got it when you want it, miss. | 0:28:07 | 0:28:10 | |
(Anything really wrong with your papers?) | 0:28:13 | 0:28:15 | |
They're forged. | 0:28:18 | 0:28:19 | |
-Why? -The Russians would claim me. I come from Czechoslovakia. | 0:28:23 | 0:28:28 | |
Wie die Vandalen! Wo schleppen Sie das wieder hin? | 0:28:28 | 0:28:34 | |
Sie koennen doch das ganze Haus nicht auf dem Kopf stellen! | 0:28:34 | 0:28:39 | |
Mensch...hier ist kein Wirtshaus. Hier ist das Schlafzimmer einer Dame! | 0:28:39 | 0:28:45 | |
-Fraeulein Schmidt... Erklaeren Sie doch...! -Ja, ja... | 0:28:45 | 0:28:50 | |
-What did she say? -She's complaining about their behaviour. | 0:28:50 | 0:28:55 | |
Hier sind frueher Fuersten aus und eingegangen! | 0:28:55 | 0:28:59 | |
Give her some cigarettes. | 0:28:59 | 0:29:02 | |
-Damals hat man sich noch anstaendig benommen! -Zigarette? -Danke. | 0:29:02 | 0:29:08 | |
-Danke. -Miss Schmidt... | 0:29:08 | 0:29:12 | |
Ready? | 0:29:12 | 0:29:14 | |
Er...look... I'll straighten out all this nonsense about Harry. | 0:29:15 | 0:29:20 | |
You'll be all right. | 0:29:22 | 0:29:24 | |
He said I laughed too much. | 0:29:26 | 0:29:29 | |
-Er...what was the name of Harry's doctor? -Dr Winkel. | 0:29:31 | 0:29:36 | |
-Why do you need a doctor? -A bruised lip! -Good. | 0:29:36 | 0:29:41 | |
Sie sind Amerikaner. | 0:29:41 | 0:29:44 | |
Waere so etwas in Ihrem Land moeglich!? | 0:29:44 | 0:29:47 | |
Befreiung habe ich mir ganz anders vorgestellt! | 0:29:47 | 0:29:52 | |
Laboratory? We're coming down. | 0:29:54 | 0:29:57 | |
You wait here, Miss Schmidt. | 0:30:04 | 0:30:07 | |
Haben Sie lieber den Flugel oder das Bein? | 0:30:32 | 0:30:35 | |
DOORBELL BUZZES | 0:30:35 | 0:30:38 | |
-Is Dr Winkel in? -Die Sprechstunde | 0:30:38 | 0:30:41 | |
-ist zwischen 3 und 5. -I don't speak German. -Nein. | 0:30:41 | 0:30:45 | |
Won't you say I'm a friend of Harry Lime? | 0:30:45 | 0:30:49 | |
Fuehren Sie den Herrn herein! | 0:30:49 | 0:30:52 | |
Bitte! | 0:30:52 | 0:30:54 | |
Bitte sehr. | 0:30:55 | 0:30:57 | |
Guten Abend. | 0:31:06 | 0:31:08 | |
Doctor Winkel...? | 0:31:08 | 0:31:11 | |
-Vinkel ! -Dr VIN-kel.... | 0:31:11 | 0:31:14 | |
-You've got quite a collection. -Yes. | 0:31:14 | 0:31:19 | |
DOG YELPS | 0:31:19 | 0:31:20 | |
Was willst du hier? Du hast nichts verloren. Komm, komm, komm! | 0:31:20 | 0:31:26 | |
Sei brav, ja? | 0:31:26 | 0:31:28 | |
Mach schon! So ist es gut. | 0:31:28 | 0:31:31 | |
Is that YOUR dog? | 0:31:31 | 0:31:32 | |
-Yes, Mr... -..Martins. -Come to the point. -Thank you. | 0:31:32 | 0:31:38 | |
-I have guests. -We both knew Harry Lime... -I was his doctor. | 0:31:38 | 0:31:43 | |
-I want to find out... -..Find out? -..the details. -He was run over by a car. | 0:31:43 | 0:31:50 | |
-He was dead...when I arrived. -Who was there? | 0:31:50 | 0:31:54 | |
-Two friends of his. -Are you sure...two? | 0:31:54 | 0:31:59 | |
Quite sure. | 0:31:59 | 0:32:02 | |
Could he have been...conscious? | 0:32:02 | 0:32:04 | |
He was...while they carried him | 0:32:04 | 0:32:08 | |
-across the road. -In great pain? -Not necessarily. | 0:32:08 | 0:32:12 | |
Could he have made plans | 0:32:14 | 0:32:16 | |
for me and others...during those few moments? | 0:32:16 | 0:32:21 | |
-I believe he left instructions before he died. -I was not there! | 0:32:21 | 0:32:26 | |
My opinion is limited... to the causes of death. | 0:32:26 | 0:32:31 | |
Have you any reason to be dissatisfied? | 0:32:32 | 0:32:36 | |
Was it possible...that his death... might have been...not accidental? | 0:32:36 | 0:32:42 | |
Could he have been... | 0:32:43 | 0:32:45 | |
Could he have been... | 0:32:45 | 0:32:47 | |
pushed, Dr Winkel? | 0:32:47 | 0:32:50 | |
"VIN-kel"! | 0:32:51 | 0:32:53 | |
I cannot give an opinion. | 0:32:53 | 0:32:55 | |
The injuries to the head and skull would have been the same. | 0:32:55 | 0:33:00 | |
-Major, may I see you, please? -Certainly, Brodsky. | 0:33:07 | 0:33:11 | |
-Yes? -This forgery is clever. | 0:33:11 | 0:33:14 | |
-Have you arrested the girl? -Not yet. | 0:33:14 | 0:33:19 | |
Keep this passport until we make | 0:33:19 | 0:33:22 | |
-some enquiries, Major. -Of course. -Thank you. | 0:33:22 | 0:33:26 | |
-Sit down, Miss Schmidt. We'll send your letters on. -And my passport? | 0:33:26 | 0:33:31 | |
We'll need that for a while longer. | 0:33:31 | 0:33:33 | |
-What did he mean? -You know as much as I do. | 0:33:37 | 0:33:41 | |
Miss Schmidt...you were intimate with Lime, weren't you? | 0:33:42 | 0:33:46 | |
-We loved each other. -Do you know this man? -No, I don't. | 0:33:48 | 0:33:53 | |
-Joseph Harbin? -No. -He works in the military hospital. -No. | 0:33:53 | 0:33:59 | |
It's stupid to lie to me, Miss Schmidt. I can help you. | 0:33:59 | 0:34:02 | |
I'm not lying. | 0:34:02 | 0:34:05 | |
You're wrong about Harry. | 0:34:05 | 0:34:08 | |
In one letter, he asked you to call a good friend called Joseph | 0:34:08 | 0:34:12 | |
at the Casanova Club where friends of Lime used to go. | 0:34:12 | 0:34:18 | |
-It wasn't important. -What was the message? | 0:34:18 | 0:34:23 | |
About meeting Harry at his home. | 0:34:23 | 0:34:26 | |
Harbin disappeared that same day. We MUST find him. | 0:34:26 | 0:34:30 | |
You can help. | 0:34:30 | 0:34:32 | |
What can I tell you? You've got everything upside down! | 0:34:32 | 0:34:37 | |
OK. Your American friend is still waiting for you. | 0:34:37 | 0:34:41 | |
He won't do you much good. | 0:34:43 | 0:34:44 | |
Thank you, Miss Schmidt. We'll send for you when we want you. | 0:34:47 | 0:34:50 | |
Bitte schoen. | 0:34:57 | 0:34:59 | |
Hello, Mr Martins. I've arranged | 0:34:59 | 0:35:02 | |
-that lecture for tomorrow. -What about? | 0:35:02 | 0:35:05 | |
-On the modern novel. -Oh! -Talk on the Crisis of Faith. -What's that? | 0:35:05 | 0:35:10 | |
I thought YOU'D know, you're a writer. | 0:35:10 | 0:35:13 | |
Good night. I'll let you know the time later. | 0:35:13 | 0:35:16 | |
-Drink? -Whisky. -Two whiskies. | 0:35:26 | 0:35:29 | |
HE PLAYS A SLOW, ROMANTIC MELODY | 0:35:29 | 0:35:33 | |
-Zwei whisky. -How much? -20 Schilling, bitte. | 0:35:34 | 0:35:38 | |
They don't take army money. | 0:35:38 | 0:35:40 | |
How much did he say? | 0:35:40 | 0:35:43 | |
-Harry? -Yes. He moved his head, but the rest is good, isn't it? | 0:35:43 | 0:35:48 | |
-Good evening. -Good evening. | 0:36:04 | 0:36:07 | |
So, you have found out my secret! | 0:36:07 | 0:36:10 | |
Have you proved the police wrong? | 0:36:10 | 0:36:14 | |
-Not yet. -Our friend, Dr Winkel, | 0:36:14 | 0:36:17 | |
said you called. Wasn't HE helpful? | 0:36:17 | 0:36:21 | |
-Limited. -Mr Popescu is here. -The Romanian? -Yes. That's the one. | 0:36:21 | 0:36:27 | |
-I thought he'd left? -He's back. | 0:36:27 | 0:36:30 | |
-I want to meet all Harry's friends. -I'll bring him to you. | 0:36:30 | 0:36:35 | |
Haven't you done enough tonight? | 0:36:35 | 0:36:37 | |
The porter said three men carried him and two are here. | 0:36:37 | 0:36:42 | |
-Who are you looking for now? -(Ssshhh! Don't, please!) | 0:36:47 | 0:36:52 | |
Silly looking bunch! | 0:36:52 | 0:36:55 | |
-Mr Popescu. Mr Martins. How are you? -Fine. | 0:36:55 | 0:36:59 | |
-Harry was my friend. -I'll leave you. -Hello, Miss Schmidt. | 0:36:59 | 0:37:05 | |
-I helped Harry fix her papers. -Oh, you did? | 0:37:05 | 0:37:08 | |
Not something I should confess to a total stranger! | 0:37:08 | 0:37:13 | |
-Cigarette, Miss Schmidt? -Danke! -Keep the pack. | 0:37:13 | 0:37:18 | |
I understand you were with Harry... | 0:37:18 | 0:37:21 | |
-Two large whiskies... Und Sie? -Gar nichts. -Entschuldigen Sie. | 0:37:21 | 0:37:26 | |
I was crossing the road to go to Harry... | 0:37:26 | 0:37:30 | |
He and the Baron were on the sidewalk. | 0:37:30 | 0:37:34 | |
If I hadn't crossed, it wouldn't have happened. | 0:37:34 | 0:37:38 | |
I wish things had been different. | 0:37:38 | 0:37:41 | |
Anyway, he saw me and stepped off the sidewalk to meet me... | 0:37:41 | 0:37:46 | |
and the truck... | 0:37:46 | 0:37:47 | |
It was terrible, Mr Martins. I've never seen a man killed before. | 0:37:47 | 0:37:52 | |
There's something funny about it... | 0:37:52 | 0:37:55 | |
-Funny? -Something wrong. -Of course there was. | 0:37:55 | 0:37:58 | |
-Some ice for Mr Martins. -You think so, too? | 0:37:58 | 0:38:02 | |
For a man like Harry to be killed in a street accident... | 0:38:02 | 0:38:07 | |
-That's all ? What else? -Who was the third man? | 0:38:07 | 0:38:11 | |
Hmmm... I oughtn't to drink it. | 0:38:11 | 0:38:14 | |
It makes me acid. What man, Mr Martins? | 0:38:14 | 0:38:19 | |
I was told a third man helped carry the body. | 0:38:19 | 0:38:22 | |
I don't know how you got that idea. | 0:38:22 | 0:38:26 | |
There was just me and the Baron. Who told you such a story? | 0:38:26 | 0:38:31 | |
-The porter at Harry's place. -He...saw the accident? | 0:38:31 | 0:38:36 | |
No. But he saw three men carrying the body. | 0:38:36 | 0:38:40 | |
Why wasn't he at the enquiry? | 0:38:40 | 0:38:43 | |
He didn't want to get involved. | 0:38:43 | 0:38:45 | |
It was his DUTY to give the evidence. Even so, he was wrong! | 0:38:45 | 0:38:52 | |
What else did he tell you? | 0:38:52 | 0:38:54 | |
Harry was dead before you got him to that statue. | 0:38:54 | 0:38:58 | |
-He probably knows more. Somebody's lying. -Not necessarily. | 0:38:58 | 0:39:03 | |
The police say he was in some racket. | 0:39:03 | 0:39:06 | |
Impossible. He did his duty. | 0:39:06 | 0:39:09 | |
Kurtz thinks it was possible. | 0:39:09 | 0:39:12 | |
The Baron hasn't travelled, you know. | 0:39:12 | 0:39:16 | |
He's been around a bit. Do you know a man called...Harbin? | 0:39:16 | 0:39:22 | |
-No. -Joseph Harbin? -Joseph Harbin...? No. | 0:39:22 | 0:39:27 | |
That's a nice girl, that. | 0:39:28 | 0:39:31 | |
But she ought to go careful in Vienna. | 0:39:31 | 0:39:34 | |
Everybody ought to in a city like this. | 0:39:34 | 0:39:37 | |
He will meet us at the bridge. Good! | 0:39:41 | 0:39:43 | |
Hello...! | 0:40:19 | 0:40:21 | |
-Is it so very important for you? -Yes, it is. | 0:40:21 | 0:40:25 | |
-I'll tell you something... -How did the car...? | 0:40:25 | 0:40:30 | |
Come tonight. My wife goes out. | 0:40:30 | 0:40:33 | |
-I'll come back.... -Sh. Tonight! | 0:40:33 | 0:40:37 | |
KNOCK AT THE DOOR | 0:40:48 | 0:40:51 | |
Wer ist da? | 0:40:51 | 0:40:52 | |
-Does that mean come in? -Oh, yes! | 0:40:52 | 0:40:56 | |
The porter will talk to us tonight. | 0:40:56 | 0:40:59 | |
-Must we? -I can manage alone. Are you busy? | 0:40:59 | 0:41:02 | |
-Just another part I must learn. -Can I hear you? | 0:41:02 | 0:41:07 | |
-In German? -I can try. | 0:41:07 | 0:41:09 | |
-Is it comedy or tragedy? -I don't play tragedy. | 0:41:09 | 0:41:13 | |
-Do I...? -Read this. | 0:41:13 | 0:41:15 | |
Oh...well... "Gestern beim Hurigen..." | 0:41:16 | 0:41:21 | |
-What's that...? -"Hurigen..." | 0:41:21 | 0:41:26 | |
-"Hu..." -No. That's not the cue. It means she must sit. | 0:41:26 | 0:41:31 | |
Well... "Frau...Haus...man..." | 0:41:35 | 0:41:39 | |
No, no... | 0:41:39 | 0:41:41 | |
It's no good. | 0:41:41 | 0:41:44 | |
Bad day? | 0:41:45 | 0:41:48 | |
It's always bad about this time. | 0:41:48 | 0:41:51 | |
He used to look in around 6pm. | 0:41:51 | 0:41:55 | |
I've been frightened at being alone without friends and money. | 0:41:55 | 0:42:00 | |
But I've never known anything like this. Please talk. | 0:42:00 | 0:42:05 | |
-Tell me about him. -What? -Oh, anything... | 0:42:05 | 0:42:10 | |
When did you last see him? | 0:42:10 | 0:42:12 | |
-When? What did you do? -We didn't make much sense. | 0:42:12 | 0:42:17 | |
Drank too much... | 0:42:17 | 0:42:18 | |
-Once he tried to steal my girl. -Where is she? | 0:42:18 | 0:42:23 | |
-That was years ago. -Tell me more. | 0:42:23 | 0:42:26 | |
It's very difficult. You knew Harry. | 0:42:26 | 0:42:29 | |
We didn't do anything very amusing. | 0:42:29 | 0:42:32 | |
He made everything seem...fun. | 0:42:32 | 0:42:35 | |
-Was he clever as a boy? -He could fix anything. -What sort of things? | 0:42:35 | 0:42:41 | |
How to put your temperature up before an exam... The best cribs... | 0:42:41 | 0:42:45 | |
-How to avoid this and that. -He fixed my papers for me. | 0:42:46 | 0:42:50 | |
He heard the Russians were repatriating Czechs. | 0:42:50 | 0:42:55 | |
He got my stamps forged. | 0:42:55 | 0:42:58 | |
He taught me the three-card trick when he was only 14! | 0:42:58 | 0:43:04 | |
He never grew up. The world grew up round him, that's all. | 0:43:04 | 0:43:09 | |
-And buried him. -Anna... | 0:43:12 | 0:43:15 | |
-You'll fall in love again. -I don't want to! Never! | 0:43:16 | 0:43:22 | |
-Come out and have a drink! -Why did you say that? | 0:43:22 | 0:43:26 | |
-Seemed like a good idea. -It's just what HE used to say. | 0:43:26 | 0:43:32 | |
I didn't learn that from him. | 0:43:32 | 0:43:35 | |
If we're seeing the porter we'd better go. | 0:43:35 | 0:43:38 | |
Can't we talk for a minute? | 0:43:38 | 0:43:41 | |
-I thought... -YOU said you didn't want to see him! | 0:43:41 | 0:43:45 | |
-We're both in it, Harry. -Holly! | 0:43:45 | 0:43:48 | |
-I'm so sorry. -It's all right. | 0:43:48 | 0:43:51 | |
You might get my name right! | 0:43:52 | 0:43:54 | |
You know, you ought to find yourself a girl. | 0:43:56 | 0:44:00 | |
His English is bad, | 0:44:00 | 0:44:02 | |
-so he can talk German, if you'll trans... -Look! | 0:44:02 | 0:44:05 | |
-That's Harry's place! -Yes. | 0:44:07 | 0:44:11 | |
-Let's go away. -What's the matter? | 0:44:11 | 0:44:13 | |
-Let's not get into any more trouble. -Wait here. | 0:44:13 | 0:44:18 | |
-Er...what is...los? -Der Portier ist umgebracht worden. | 0:44:22 | 0:44:26 | |
-I don't understand. -The...porter...dead. | 0:44:26 | 0:44:31 | |
Kaputt! | 0:44:31 | 0:44:32 | |
-The porter ist...kaputt! -What? -He is murdered. | 0:44:32 | 0:44:38 | |
PAPA! | 0:44:38 | 0:44:40 | |
-Was ist denn, Hans? -Der war es! | 0:44:41 | 0:44:45 | |
Was...? Der Herr da!? | 0:44:45 | 0:44:49 | |
Ja, ich hab's doch gesehen! | 0:44:49 | 0:44:51 | |
DER ist der Moerder! | 0:44:51 | 0:44:54 | |
-HANS: -Moerder! Moerder! | 0:44:54 | 0:44:57 | |
Haben Sie einen Streit mit dem Portier gehabt? | 0:44:57 | 0:45:01 | |
I don't understand. | 0:45:01 | 0:45:04 | |
Hey, wo gehst du hin? Oh, Papa, der war es! Der war es! | 0:45:04 | 0:45:10 | |
Der war es! | 0:45:10 | 0:45:14 | |
-What is it? -The porter's been murdered. | 0:45:14 | 0:45:18 | |
-Er hat Streit mit ihm gehabt. -Wahrscheinlich! | 0:45:18 | 0:45:23 | |
They think YOU did it. | 0:45:23 | 0:45:26 | |
Er hat's getan! | 0:45:27 | 0:45:30 | |
-HANS CHANTS: -Moerder! | 0:45:30 | 0:45:36 | |
Papa... DER war es! | 0:45:36 | 0:45:39 | |
Hallo! Warten Sie ein bisschen! | 0:45:39 | 0:45:43 | |
-Moment mal...! -PAPA! | 0:45:43 | 0:45:47 | |
-PAPA! -Bleiben Sie stehen, mein Herr! | 0:45:50 | 0:45:54 | |
That money's no good here! Zwei, bitte. | 0:46:13 | 0:46:17 | |
GERMAN FILM SHOWS | 0:46:25 | 0:46:28 | |
Sneak out and go back to your theatre. | 0:46:30 | 0:46:34 | |
-What will you do? -I dunno! | 0:46:34 | 0:46:36 | |
Be sensible. Tell Major Calloway. | 0:46:36 | 0:46:39 | |
-Bestellte Mr Martins einen Taxi? -Nein. | 0:46:42 | 0:46:48 | |
HONKS HORN | 0:46:53 | 0:46:55 | |
Get Major Callaghan on the phone. | 0:46:58 | 0:47:01 | |
-Hurry! -What number? -I don't know. | 0:47:01 | 0:47:05 | |
Is there a car I can use? | 0:47:05 | 0:47:09 | |
He is waiting for you! | 0:47:09 | 0:47:12 | |
Bitte schoen. | 0:47:12 | 0:47:14 | |
Never mind about the number. | 0:47:14 | 0:47:16 | |
Take me to the Head... | 0:47:22 | 0:47:24 | |
-I haven't told you where to take me! -Ruhe! | 0:47:28 | 0:47:33 | |
Driver! | 0:47:34 | 0:47:36 | |
Slow down! | 0:47:38 | 0:47:40 | |
You'll kill me! | 0:47:42 | 0:47:45 | |
Bitte schoen. Gehen Sie 'rein. | 0:48:11 | 0:48:14 | |
LAUGHTER | 0:48:14 | 0:48:17 | |
Ah, Mr Martins. I thought something had happened to you! | 0:48:17 | 0:48:22 | |
Everything's ready for you! | 0:48:22 | 0:48:26 | |
I thought you hadn't got my message. | 0:48:26 | 0:48:30 | |
We're set for a wonderful evening. | 0:48:30 | 0:48:32 | |
You'll find the audience most appreciative. | 0:48:32 | 0:48:36 | |
I'll take your coat. Come along, Mr M. Follow me! | 0:48:36 | 0:48:41 | |
Here we are, ladies and gentlemen. | 0:48:41 | 0:48:44 | |
All's well that ends well. Would you sit there? | 0:48:44 | 0:48:48 | |
Here is Mr Holly Martins from the other side. | 0:48:48 | 0:48:52 | |
APPLAUSE | 0:48:52 | 0:48:55 | |
Well... | 0:48:56 | 0:48:59 | |
Bring the car...and anyone else who'd like to come. | 0:49:00 | 0:49:04 | |
Don't be long, huh? | 0:49:04 | 0:49:06 | |
-Well, I suppose that is what I meant to say. -Of course! | 0:49:09 | 0:49:15 | |
Do you believe in the stream of consciousness? | 0:49:15 | 0:49:19 | |
Stream of consciousness... Well...well... | 0:49:19 | 0:49:24 | |
What author has influenced you? | 0:49:24 | 0:49:27 | |
-Grey. -What Grey!? | 0:49:27 | 0:49:30 | |
-Zane Grey! -Mr Martins' joke! | 0:49:30 | 0:49:33 | |
We all know that Zane Grey wrote Westerns! | 0:49:33 | 0:49:38 | |
'Mr James Joyce... Where would you put him?' | 0:49:38 | 0:49:43 | |
Would you mind repeating that question? | 0:49:43 | 0:49:47 | |
WHERE would you put James Joyce? | 0:49:47 | 0:49:50 | |
In what category? | 0:49:50 | 0:49:53 | |
Is Mr Martins writing a new book? | 0:49:53 | 0:49:56 | |
-Yes. It's called "The Third Man." -A novel, Mr Martins? | 0:49:56 | 0:50:01 | |
It's a murder story... based on fact. | 0:50:01 | 0:50:06 | |
A very great pleasure to see you here, Mr Popescu. | 0:50:06 | 0:50:10 | |
Mr Popescu is a supporter of our medical charity. | 0:50:10 | 0:50:15 | |
-Are you a slow writer, Mr Martins? -Not when I get interested. | 0:50:15 | 0:50:20 | |
-You're doing something dangerous this time. -Yeah? | 0:50:20 | 0:50:24 | |
-Mixing fact and fiction. -Should I make it all fact? | 0:50:24 | 0:50:30 | |
Stick to fiction! | 0:50:30 | 0:50:32 | |
I'm too far on with it! | 0:50:32 | 0:50:35 | |
-Haven't you ever scrapped a book? -Never! -Pity. | 0:50:35 | 0:50:40 | |
Ladies and gentlemen, if there are no more questions, | 0:50:40 | 0:50:45 | |
I'll close the meeting. | 0:50:45 | 0:50:47 | |
Los! | 0:51:04 | 0:51:06 | |
A SUDDEN NOISE SOUNDS | 0:51:20 | 0:51:23 | |
(Who's that? Who's there?) | 0:51:25 | 0:51:28 | |
(It's all right. It's all right.) | 0:51:31 | 0:51:34 | |
COCKATOO SQUAWKS | 0:51:34 | 0:51:37 | |
FOOTSTEPS APPROACH | 0:51:40 | 0:51:44 | |
A TRAIN WHISTLE SOUNDS | 0:52:02 | 0:52:05 | |
I told you to go away, Martins. | 0:52:33 | 0:52:36 | |
This isn't Santa Fe, I'm not a sheriff and you're not a cowboy. | 0:52:36 | 0:52:40 | |
You've run around with racketeers and now you're wanted for murder! | 0:52:40 | 0:52:45 | |
-Drunk and disorderly too. -Yes! | 0:52:45 | 0:52:48 | |
-What's wrong with your hand? -A parrot bit me. -Don't be a fool! | 0:52:48 | 0:52:53 | |
I'm only a little fool. You've been | 0:52:53 | 0:52:55 | |
shaking your cap and bells all over town. | 0:52:55 | 0:52:58 | |
-Paine, get Mr Martins a large whisky. -No thanks, Calloway! | 0:52:58 | 0:53:05 | |
I don't want another murder, so you are going to hear the facts. | 0:53:05 | 0:53:09 | |
-You haven't told me any yet! -Have you heard of penicillin? | 0:53:09 | 0:53:15 | |
-Well...? -In Vienna, there wasn't enough, so a nice trade started. | 0:53:15 | 0:53:21 | |
Stealing penicillin from military hospitals, | 0:53:21 | 0:53:24 | |
diluting it, and then selling it to patients. | 0:53:24 | 0:53:29 | |
You're too busy chasing penicillin to investigate a murder? | 0:53:29 | 0:53:34 | |
These WERE murders. Men with | 0:53:34 | 0:53:36 | |
gangrene legs, women in childbirth, and children, too. | 0:53:36 | 0:53:41 | |
They used it against meningitis, the lucky children died. | 0:53:41 | 0:53:46 | |
Others went off their heads! | 0:53:46 | 0:53:50 | |
-Harry Lime organised the racket. -You haven't shown me any evidence. | 0:53:50 | 0:53:55 | |
We're just coming to that. Paine! Magic lantern show. | 0:53:55 | 0:54:00 | |
Paine's a devoted reader. | 0:54:00 | 0:54:03 | |
He's lending me one of your books. Which one? | 0:54:03 | 0:54:07 | |
"The Lone Rider of Santa Fe", sir. | 0:54:07 | 0:54:10 | |
-I'd like to visit Texas. -Show me what you have. | 0:54:10 | 0:54:14 | |
-All right, Paine? -Yes, sir. | 0:54:14 | 0:54:18 | |
Paine...! | 0:54:19 | 0:54:22 | |
Oh! It's the new lot from Mr Crabbin. | 0:54:22 | 0:54:26 | |
You see this man? | 0:54:26 | 0:54:28 | |
A medical orderly called Harbin at the general hospital. | 0:54:28 | 0:54:33 | |
He stole stuff for Lime from the laboratories. | 0:54:33 | 0:54:37 | |
His information led us as far as Kurtz and Lime. | 0:54:37 | 0:54:41 | |
We didn't arrest them as we didn't want to miss getting the others. | 0:54:41 | 0:54:47 | |
I'd like a word with...Harbin. | 0:54:47 | 0:54:50 | |
-So would I. -Bring him in. | 0:54:50 | 0:54:52 | |
-He disappeared. -This is like a morgue! -We have better witnesses. | 0:54:52 | 0:54:57 | |
Look here... | 0:54:57 | 0:54:58 | |
How could he have done it? | 0:55:25 | 0:55:28 | |
£70 a tube. Go back to the hotel and DO keep out of trouble. | 0:55:28 | 0:55:33 | |
-I'll fix things with the Austrian police, but I can't help you on the streets. -I don't want help. | 0:55:33 | 0:55:40 | |
-I'm sorry, Martins. -I'm sorry, too. | 0:55:40 | 0:55:45 | |
Still got that airplane ticket? | 0:55:46 | 0:55:50 | |
-We'll send one to your hotel. -Thank you. Excuse me. | 0:55:50 | 0:55:55 | |
-Get me Austrian police HQ. -Can I have Anna Schmidt's passport? | 0:55:55 | 0:56:00 | |
We're not going to pick her up for that!? | 0:56:00 | 0:56:05 | |
What can WE do? We have our instructions. | 0:56:05 | 0:56:08 | |
LATIN AMERICAN MUSIC PLAYS | 0:56:15 | 0:56:18 | |
KNOCK AT THE DOOR | 0:56:49 | 0:56:51 | |
-Wer ist das? -Me! | 0:56:51 | 0:56:54 | |
(It's me!) | 0:56:58 | 0:57:00 | |
Hello. | 0:57:04 | 0:57:06 | |
What is it? What's happened? | 0:57:06 | 0:57:09 | |
-I just came to see you. -Come in. | 0:57:09 | 0:57:14 | |
I thought you were going away. | 0:57:14 | 0:57:16 | |
-Are the police after you? -I dunno. -You're drunk! | 0:57:16 | 0:57:21 | |
A bit, sorry. | 0:57:21 | 0:57:22 | |
But I DID want to say goodbye before I pushed off. | 0:57:25 | 0:57:28 | |
-I'm going back home. -Why? -It's what you've always wanted. | 0:57:29 | 0:57:35 | |
All of you. | 0:57:35 | 0:57:38 | |
Kitty... | 0:57:38 | 0:57:40 | |
Here, kitty, kitty, kitty! | 0:57:40 | 0:57:43 | |
Are you sleepy, kitty? | 0:57:43 | 0:57:46 | |
-Not very sociable, is he? -No. He only liked Harry. | 0:57:46 | 0:57:51 | |
What made you decide so suddenly? | 0:57:51 | 0:57:54 | |
-I brought you these. -What happened to your hand? | 0:57:54 | 0:57:59 | |
A parrot... Let it go. | 0:57:59 | 0:58:02 | |
Have you seen Calloway? | 0:58:02 | 0:58:05 | |
-Imagine a parrot nipping a man! -Have you? | 0:58:05 | 0:58:08 | |
It's... | 0:58:08 | 0:58:11 | |
Oh, I...I... | 0:58:11 | 0:58:13 | |
I've said goodbye...all over! | 0:58:13 | 0:58:16 | |
-He told you, didn't he? -Told me? | 0:58:16 | 0:58:20 | |
-About Harry. -Do you know? | 0:58:20 | 0:58:24 | |
I've seen Major Calloway today. | 0:58:25 | 0:58:28 | |
KITTEN MIAOWS | 0:58:55 | 0:58:58 | |
He's better dead. | 0:59:09 | 0:59:11 | |
I knew he was mixed up, but not like that. | 0:59:11 | 0:59:15 | |
I knew him for 20 years, or thought I did. | 0:59:15 | 0:59:19 | |
-He was laughing at us all the time. -He liked to laugh. | 0:59:19 | 0:59:23 | |
£70 a tube...! He wanted me to write for his medical charity. | 0:59:23 | 0:59:28 | |
I'll put these in water. | 0:59:28 | 0:59:31 | |
Perhaps I could have raised the price to £80! | 0:59:31 | 0:59:36 | |
Stop making him in your image! | 0:59:36 | 0:59:39 | |
He wasn't just your friend and my lover. He was Harry! | 0:59:39 | 0:59:43 | |
Don't preach wisdom to me. | 0:59:43 | 0:59:46 | |
You talk about him as if he had occasional bad manners. | 0:59:46 | 0:59:52 | |
I dunno... I'm just a hack writer who drinks too much | 0:59:52 | 0:59:56 | |
and...falls in love with girls. | 0:59:56 | 1:00:00 | |
You. | 1:00:00 | 1:00:02 | |
Me? | 1:00:02 | 1:00:04 | |
Of course! | 1:00:04 | 1:00:06 | |
If you'd rung me, I wouldn't have known if you were fair or dark! | 1:00:08 | 1:00:13 | |
I AM leaving Vienna. | 1:00:13 | 1:00:16 | |
I don't care whether Harry was murdered by Kurtz, | 1:00:16 | 1:00:20 | |
Popescu or the third man... | 1:00:20 | 1:00:22 | |
Whoever killed him...there was... | 1:00:22 | 1:00:25 | |
some sort of justice. Maybe I'd have killed him. | 1:00:25 | 1:00:29 | |
A person doesn't change. | 1:00:29 | 1:00:32 | |
I have a splitting headache and you stand there and talk! | 1:00:32 | 1:00:36 | |
I hate it! | 1:00:36 | 1:00:37 | |
First time I ever saw you laugh. | 1:00:40 | 1:00:43 | |
Do it again! | 1:00:43 | 1:00:44 | |
There isn't enough for two laughs. | 1:00:49 | 1:00:53 | |
I'll make comic faces... | 1:01:01 | 1:01:04 | |
and stand on my head and grin at you between my legs... | 1:01:04 | 1:01:09 | |
..and tell all sorts of jokes. | 1:01:10 | 1:01:13 | |
I wouldn't stand a chance, would I ? | 1:01:15 | 1:01:19 | |
Well... | 1:01:29 | 1:01:31 | |
You DID tell me I had to find myself a girl. | 1:01:32 | 1:01:35 | |
KITTEN MIAOWS | 1:01:55 | 1:01:58 | |
What kind of a spy do you think YOU are, satchel-foot!? | 1:02:04 | 1:02:08 | |
What are you tailing ME for? | 1:02:10 | 1:02:11 | |
Cat got your tongue!? | 1:02:14 | 1:02:16 | |
Come out! | 1:02:18 | 1:02:20 | |
Come out, come out, whoever you are! | 1:02:20 | 1:02:24 | |
Let's have a look at ya! | 1:02:24 | 1:02:27 | |
-Who's your boss! -Was ist los!? | 1:02:27 | 1:02:32 | |
ANGRY WOMAN: Was machen Sie denn da!? Ja, SIE, meine ich! | 1:02:32 | 1:02:37 | |
So eine Frechheit soll nicht sein! | 1:02:38 | 1:02:42 | |
Harry...! | 1:02:44 | 1:02:47 | |
So einer Krawall! | 1:02:48 | 1:02:51 | |
BLAST ON CAR HORN | 1:02:55 | 1:02:57 | |
SOMEONE RUNNING AWAY | 1:03:02 | 1:03:05 | |
HARRY! | 1:03:11 | 1:03:13 | |
I followed his shadow until suddenly... | 1:03:58 | 1:04:02 | |
-Well...? -This is where he vanished. -I see. | 1:04:02 | 1:04:06 | |
-I suppose you don't believe me? -No! | 1:04:06 | 1:04:10 | |
-You think I'm blind!? -Yes! Where were you? -50 yards away. | 1:04:10 | 1:04:15 | |
-Which side of the road? -That side. There are no turnings either side. | 1:04:15 | 1:04:20 | |
-What about doorways? -I HEARD him running! -Yes, yes, yes (!) | 1:04:20 | 1:04:24 | |
Then he vanishes in a puff of smoke and ... | 1:04:24 | 1:04:28 | |
It WASN'T the German gin! | 1:04:44 | 1:04:47 | |
What's this? Where are we? | 1:05:14 | 1:05:17 | |
The main sewer. | 1:05:17 | 1:05:19 | |
Runs into the Blue Danube. Smells sweet, doesn't it? | 1:05:19 | 1:05:24 | |
We should have dug deeper than a grave. | 1:05:27 | 1:05:30 | |
So, bitte... | 1:05:48 | 1:05:50 | |
-Bringen Sie den Sarg 'rauf. -Aufmachen! | 1:05:50 | 1:05:54 | |
-You knew him...Major? -Mmm. Yes. | 1:06:16 | 1:06:20 | |
Yes. Joseph Harbin. Medical orderly at the General Hospital. | 1:06:21 | 1:06:26 | |
He used to work for Harry Lime. | 1:06:26 | 1:06:29 | |
-Joseph Harbin? -Yes... | 1:06:29 | 1:06:32 | |
I told you he was missing. | 1:06:32 | 1:06:35 | |
Next time, we'll have a foolproof coffin. | 1:06:35 | 1:06:39 | |
Smirnoff! | 1:06:46 | 1:06:48 | |
THEY SPEAK IN RUSSIAN | 1:06:48 | 1:06:52 | |
Sie koennen nicht allein dahin aufgehen! | 1:06:58 | 1:07:01 | |
Warten Sie doch bis ich nachkomme. | 1:07:01 | 1:07:04 | |
Das Haus ist keine Kaserne! | 1:07:04 | 1:07:09 | |
FOOTSTEPS | 1:07:09 | 1:07:12 | |
-HAMMERING ON DOOR Aufmachen! -Wer ist da? | 1:07:14 | 1:07:19 | |
Internationale Polizei. | 1:07:19 | 1:07:22 | |
-Fraeulein Schmidt? -Ja, was wollen Sie? | 1:07:38 | 1:07:43 | |
-Sie muessen mit uns kommen. -Warum? | 1:07:43 | 1:07:46 | |
Ist das Ihr Pass? | 1:07:46 | 1:07:49 | |
Ja. | 1:07:49 | 1:07:51 | |
Bitte, ziehen Sie sich an! | 1:07:51 | 1:07:54 | |
LANDLADY: Was IST denn wieder los!? | 1:08:08 | 1:08:12 | |
Was machen Sie da d'rin!? | 1:08:12 | 1:08:16 | |
Antworten Sie mir doch! Ach, "Nichten" kann jeder! | 1:08:16 | 1:08:20 | |
Koennen Sie nicht Deutsch? | 1:08:20 | 1:08:23 | |
Unsere Sprache haetten Sie laengst lernen koennen! | 1:08:23 | 1:08:27 | |
Warum starren Sie mich so an? | 1:08:27 | 1:08:30 | |
-Where are you taking me? -International Police Headquarters. | 1:08:43 | 1:08:47 | |
-So eine Schande! -Regen Sie sich nicht auf. | 1:08:47 | 1:08:52 | |
Ist gut! Sind Sie fertig, Fraeulein? | 1:08:52 | 1:08:55 | |
It's protocol, miss. | 1:08:55 | 1:08:57 | |
-I don't know what it means! -Nor do I, miss! | 1:08:57 | 1:09:01 | |
Mademoiselle... Your lipstick. | 1:09:01 | 1:09:04 | |
Anna, what's happened? | 1:09:16 | 1:09:19 | |
-Keep outta this! -I've seen a dead man walking! | 1:09:19 | 1:09:24 | |
-Get back! -I saw him buried! | 1:09:24 | 1:09:27 | |
And now I've seen him alive! | 1:09:27 | 1:09:29 | |
Just a minute. Bring her in here. | 1:09:35 | 1:09:39 | |
You stay out here. | 1:09:43 | 1:09:45 | |
Come in, Miss Schmidt. | 1:09:45 | 1:09:48 | |
It's not about your papers. | 1:09:48 | 1:09:51 | |
That's for the Russians. When did you last see Lime? | 1:09:51 | 1:09:55 | |
-Two weeks ago. -I want the truth. We know he's alive. | 1:09:55 | 1:09:59 | |
-It IS true, then? -Joseph Harbin's body was found in the coffin. | 1:09:59 | 1:10:03 | |
-What did you say? I'm sorry... -Another man was buried in his place. | 1:10:03 | 1:10:09 | |
-Where's Harry? -THAT'S what we want to find out! | 1:10:09 | 1:10:14 | |
I'm sorry, I don't seem able to understand anything you say. | 1:10:16 | 1:10:21 | |
He's alive! Now, this minute. | 1:10:21 | 1:10:24 | |
We know he's in the Russian Sector. You may as well help us. | 1:10:24 | 1:10:29 | |
Col Brodsky will question you about your papers. Tell me where Lime is. | 1:10:29 | 1:10:34 | |
-I don't know. -If you help me, I'm prepared to help you. | 1:10:34 | 1:10:39 | |
Martins said you were a fool. | 1:10:39 | 1:10:42 | |
Vienna is a closed city, Miss Schmidt. | 1:10:42 | 1:10:46 | |
-He can't get away. Right. -Poor Harry! | 1:10:46 | 1:10:49 | |
I wish he WAS dead. | 1:10:49 | 1:10:52 | |
He would be safe from all of you then! | 1:10:52 | 1:10:56 | |
RINGS BELL | 1:11:00 | 1:11:02 | |
Why, that's you! | 1:11:04 | 1:11:06 | |
Come up! Winkel, look who's here! | 1:11:06 | 1:11:11 | |
-I want to speak to you! -Come up! -I'll wait here. | 1:11:11 | 1:11:15 | |
-I don't understand. -I want to talk to Harry. -Are you mad? | 1:11:15 | 1:11:21 | |
You tell Harry I wanna see him! | 1:11:21 | 1:11:26 | |
Be reasonable. Come up and talk! | 1:11:26 | 1:11:29 | |
No thanks. I like the open! | 1:11:29 | 1:11:32 | |
Tell him I'll wait by that wheel there. | 1:11:32 | 1:11:36 | |
Or do ghosts only rise by night, Dr Winkel? Got an opinion on that? | 1:11:36 | 1:11:42 | |
HARRY LIME THEME ON ZITHER | 1:11:50 | 1:11:54 | |
-Hello, old man! How ARE you? -Hello, Harry. | 1:12:43 | 1:12:47 | |
-They're giving you a busy time. -Now, listen... | 1:12:47 | 1:12:51 | |
-I wanna talk to you. -Of course. Come on. | 1:12:51 | 1:12:55 | |
-Kids used to ride this a lot. -Zwei Stueck? -In Ordnung. | 1:12:59 | 1:13:04 | |
-Harry, I didn't believe... -Good to see you. | 1:13:04 | 1:13:08 | |
-I WAS at your funeral. -That WAS pretty smart! | 1:13:08 | 1:13:12 | |
Same old indigestion, Holly. These tablets help. | 1:13:12 | 1:13:16 | |
I can't get them in Europe any more. | 1:13:16 | 1:13:19 | |
Do you know your girl's been arrested? | 1:13:19 | 1:13:22 | |
Don't worry. They won't hurt her. | 1:13:22 | 1:13:25 | |
-They're giving her to the Russians. -What can I do? -You can help! | 1:13:25 | 1:13:31 | |
Exactly WHO did you tell about me? | 1:13:31 | 1:13:34 | |
-I told the police. -Unwise, Holly. -And Anna. -Unwise. | 1:13:34 | 1:13:38 | |
-Did the...er...police believe you? -You don't care about Anna, do you? | 1:13:38 | 1:13:43 | |
I've got a lot on my mind. What do you want me to do? | 1:13:43 | 1:13:47 | |
Get somebody else... | 1:13:47 | 1:13:49 | |
You expect me to give myself up!? | 1:13:49 | 1:13:52 | |
-Why not? -Holly, you and I aren't heroes. | 1:13:52 | 1:13:56 | |
-They're in your stories! -You have contacts! -I must be careful... | 1:13:56 | 1:14:02 | |
I'm safe in the Russian Zone as long as they can use me. | 1:14:02 | 1:14:07 | |
-What? -I'd like out. | 1:14:07 | 1:14:09 | |
-YOU told them about Anna! -Don't try to be a policeman. | 1:14:09 | 1:14:14 | |
What do you expect? | 1:14:14 | 1:14:16 | |
Don't interfere. I've never cut you out of anything. | 1:14:16 | 1:14:20 | |
When they raided the gambling joint | 1:14:20 | 1:14:23 | |
-you knew a safe way out. -Sure. -Safe for you! | 1:14:23 | 1:14:27 | |
You never should have gone to the police. | 1:14:27 | 1:14:31 | |
You ought to leave this thing alone. | 1:14:31 | 1:14:34 | |
Have you ever SEEN any of your victims. | 1:14:34 | 1:14:37 | |
I don't feel comfortable on these. Victims...? | 1:14:37 | 1:14:41 | |
Don't be melodramatic. Look down there. | 1:14:41 | 1:14:45 | |
Would you feel pity if one of those dots stopped moving for ever? | 1:14:45 | 1:14:51 | |
If I offered you £20,000 for every dot that stopped, would you say no? | 1:14:51 | 1:14:56 | |
Or would you calculate how many dots | 1:14:56 | 1:14:59 | |
you could afford to spare? Free of income tax! | 1:14:59 | 1:15:04 | |
-It's the only way to save! -You'll go to jail! | 1:15:04 | 1:15:08 | |
That jail's in another Zone. | 1:15:08 | 1:15:11 | |
There's no proof against me, besides you. | 1:15:11 | 1:15:15 | |
-I should be pretty easy to get rid of. -Pretty easy. | 1:15:22 | 1:15:28 | |
-I wouldn't be too sure. -I carry a gun. | 1:15:28 | 1:15:31 | |
They wouldn't look for bullet wounds after you hit that ground. | 1:15:31 | 1:15:37 | |
They've dug up your coffin. | 1:15:37 | 1:15:39 | |
And found Harbin? | 1:15:43 | 1:15:46 | |
Hmm, hmm... Pity! | 1:15:50 | 1:15:53 | |
Pity! | 1:15:53 | 1:15:55 | |
What fools we are talking like this. | 1:15:55 | 1:15:59 | |
As if I'd do anything to you or you to me! | 1:15:59 | 1:16:02 | |
You're just mixed up about things. | 1:16:02 | 1:16:05 | |
Nobody thinks in terms of human beings. | 1:16:05 | 1:16:09 | |
Governments talk about people and the proletariat. | 1:16:09 | 1:16:13 | |
I talk about suckers and the mugs. | 1:16:13 | 1:16:16 | |
They have THEIR five-year plans. So have I. | 1:16:16 | 1:16:20 | |
-You used to believe in God. -I still do, old man. | 1:16:20 | 1:16:25 | |
I believe in God...and mercy... and all that. | 1:16:25 | 1:16:30 | |
The dead are happier dead. | 1:16:30 | 1:16:32 | |
They don't miss much here... poor devils. | 1:16:32 | 1:16:36 | |
What do you believe in? | 1:16:39 | 1:16:41 | |
If you ever get Anna out of this mess, be kind to her. | 1:16:41 | 1:16:46 | |
I wish I'd asked you to bring me some of those tablets from home. | 1:16:46 | 1:16:50 | |
I'd like to cut you in, old man. We always did everything together. | 1:16:50 | 1:16:56 | |
When you decide, I'll meet you any place, any time. | 1:16:56 | 1:17:00 | |
And when we DO meet, it's YOU | 1:17:00 | 1:17:03 | |
I want to see and not the police. Remember that! | 1:17:03 | 1:17:07 | |
And don't be so gloomy. | 1:17:07 | 1:17:09 | |
It's not THAT awful. Remember what the fellow said, | 1:17:09 | 1:17:14 | |
"Italy under the Borgias knew terror and murder, but they produced Michelangelo and da Vinci. | 1:17:14 | 1:17:21 | |
"In Switzerland, they had 500 years of democracy and peace and that produced the cuckoo clock!" | 1:17:21 | 1:17:28 | |
So long, Holly! | 1:17:30 | 1:17:32 | |
MUSIC: HARRY LIME THEME ON ZITHER | 1:17:32 | 1:17:36 | |
You could meet him at some cafe in the International Zone. | 1:17:39 | 1:17:44 | |
It wouldn't work. | 1:17:44 | 1:17:45 | |
-We'll never get him in the Russian Zone. -You expect too much! | 1:17:45 | 1:17:49 | |
He deserves to hang, but 20 years is a long time. | 1:17:49 | 1:17:54 | |
I can't tie the rope. | 1:17:54 | 1:17:57 | |
OK. Forget it. | 1:17:57 | 1:18:00 | |
-Busy, Major? -What is it? | 1:18:00 | 1:18:03 | |
We identified the girl. Here is her report. | 1:18:03 | 1:18:05 | |
We've got nothing against her. | 1:18:08 | 1:18:11 | |
She has no right to be here. | 1:18:11 | 1:18:15 | |
I've asked your people to help with Lime. | 1:18:17 | 1:18:21 | |
It's being looked into. So long. | 1:18:21 | 1:18:24 | |
In the last war, a General | 1:18:26 | 1:18:28 | |
would hang his opponent's picture on the wall. | 1:18:28 | 1:18:31 | |
He got to know him that way. I'm beginning to know Lime. | 1:18:31 | 1:18:37 | |
This would work, with your help. | 1:18:37 | 1:18:40 | |
What price would you pay? | 1:18:46 | 1:18:48 | |
Name it! | 1:18:54 | 1:18:56 | |
TRAIN DESTINATIONS ANNOUNCED IN GERMAN OVER TANNOY | 1:18:56 | 1:19:01 | |
Here we are. You'll be all right here, miss. | 1:19:24 | 1:19:28 | |
-I don't understand the Major. -He likes you, miss. -But why this? | 1:19:31 | 1:19:36 | |
You're well out of things, miss. | 1:19:36 | 1:19:39 | |
There we are, miss. | 1:19:39 | 1:19:41 | |
-Thank you. You've been so kind. -I'll say goodnight. | 1:19:41 | 1:19:45 | |
-Goodnight, miss. -Goodbye. | 1:19:47 | 1:19:49 | |
Are you going, too? | 1:20:26 | 1:20:28 | |
Oh... | 1:20:28 | 1:20:30 | |
-What are you doing here? -Seeing you off. -From here!? | 1:20:30 | 1:20:35 | |
-I watched you onto the train. -How did you know I'd be here? | 1:20:35 | 1:20:41 | |
I...heard something about it at Police HQ. | 1:20:41 | 1:20:45 | |
Have you seen Major Calloway again? | 1:20:45 | 1:20:48 | |
No. I don't live in his pocket. | 1:20:48 | 1:20:51 | |
Harry, what is it? | 1:20:51 | 1:20:55 | |
-For heaven's sake, stop calling me Harry! -I'm sorry. | 1:20:55 | 1:20:59 | |
TANNOY SOUNDS | 1:20:59 | 1:21:01 | |
-Come on. -Why did you hide? -Hide!? I wanted a drink. | 1:21:01 | 1:21:05 | |
-Here. -I'm -all right. Wire me when you arrive. | 1:21:05 | 1:21:09 | |
-Where's Harry? -Russian Zone. | 1:21:09 | 1:21:11 | |
-How do you know? -I saw him. -How is he? -He's OK. -What did he say? | 1:21:11 | 1:21:17 | |
-The usual. -Did YOU tell Calloway? -Of course I didn't. | 1:21:17 | 1:21:22 | |
The Russians will make trouble. | 1:21:22 | 1:21:24 | |
-That's HIS headache. -His? You're lying! | 1:21:24 | 1:21:28 | |
-We're getting you out of here! -I'm not going! | 1:21:28 | 1:21:32 | |
Don't you recognise a good turn? | 1:21:32 | 1:21:35 | |
You HAVE seen Calloway! | 1:21:35 | 1:21:38 | |
Well, they asked me to help take him... And I'm helping. | 1:21:40 | 1:21:45 | |
Poor Harry. | 1:21:53 | 1:21:56 | |
Poor Harry (!) | 1:21:56 | 1:21:58 | |
He wouldn't even lift a finger to help you. | 1:21:59 | 1:22:03 | |
-You've got your precious honesty! -You STILL want him! | 1:22:03 | 1:22:09 | |
I don't want him any more. | 1:22:09 | 1:22:12 | |
But he's still a part of me. That's a fact. | 1:22:12 | 1:22:15 | |
I couldn't harm him. | 1:22:15 | 1:22:18 | |
TRAIN WHISTLE BLOWS | 1:22:18 | 1:22:22 | |
Oh, Anna, why must we always quarrel? | 1:22:36 | 1:22:41 | |
If you want to sell your services... I'm not willing to be the price. | 1:22:41 | 1:22:46 | |
I loved him. YOU loved him. | 1:22:48 | 1:22:51 | |
What good have we done him? Love... | 1:22:51 | 1:22:55 | |
Look at yourself ! They have a name for faces like that... | 1:22:56 | 1:23:01 | |
-Calloway... -There isn't much time. -..I want out tonight! | 1:23:21 | 1:23:26 | |
-She talked you out of it? -She gave me these. | 1:23:26 | 1:23:30 | |
-A girl of spirit. -She's right, it IS none of my business. | 1:23:32 | 1:23:37 | |
-It makes no difference. I'll get him. -I won't have helped. | 1:23:37 | 1:23:43 | |
I always wanted you to catch that plane. | 1:23:43 | 1:23:48 | |
-You all did! -I'll see if anyone's at the terminus. | 1:23:48 | 1:23:52 | |
You may need a priority. | 1:23:52 | 1:23:55 | |
-Mind if I drop off on the way? Won't take five minutes. -Of course. | 1:23:55 | 1:24:00 | |
Come in. It might interest you. | 1:24:00 | 1:24:03 | |
All the kids in here are the result of Lime's penicillin racket. | 1:24:05 | 1:24:10 | |
He had meningitis... | 1:24:31 | 1:24:33 | |
They gave him Lime's penicillin. | 1:24:33 | 1:24:36 | |
Terrible pity. Isn't it? | 1:24:36 | 1:24:39 | |
Paine lent me one of your books, "Oklahoma Kid", I think. | 1:25:03 | 1:25:08 | |
It's pretty good. What made you take up this sort of thing? | 1:25:08 | 1:25:13 | |
-Doing it for long? -OK. You win! | 1:25:13 | 1:25:15 | |
I never knew there were snake charmers in Texas! | 1:25:15 | 1:25:19 | |
-I said you win. -Win what? | 1:25:19 | 1:25:21 | |
I'll be your dumb...decoy duck. | 1:25:21 | 1:25:24 | |
(Pssst!) | 1:26:15 | 1:26:17 | |
Paine... | 1:26:26 | 1:26:28 | |
Look, sir! | 1:26:53 | 1:26:55 | |
How much longer will you sit here? | 1:27:02 | 1:27:04 | |
-Shall I go over there, sir. -No. Leave them for a while. | 1:27:04 | 1:27:09 | |
-Mein Herr... Ballon? -Nein, danke... Nein. | 1:27:27 | 1:27:32 | |
-Ballon? -Weiter gehen! -Scarper! | 1:27:35 | 1:27:39 | |
-Ballon? -Gehen Sie weiter. Bitte! | 1:27:41 | 1:27:45 | |
Nur einer. Come on! Schnell, schnell! | 1:27:46 | 1:27:50 | |
All right! Only one. Go on! Scarper! | 1:27:50 | 1:27:54 | |
MUSIC: HARRY LIME THEME ON ZITHER | 1:27:58 | 1:28:03 | |
You should have gone. | 1:28:30 | 1:28:32 | |
How did you know I was here? | 1:28:32 | 1:28:34 | |
From Kurtz. They've been arrested. Harry won't come. He's not a fool. | 1:28:34 | 1:28:40 | |
-Go and see what she's up to. -Right, sir. | 1:28:40 | 1:28:44 | |
Don't tell me you're doing all this for nothing! | 1:28:44 | 1:28:49 | |
-What's your price? -No price, Anna. | 1:28:49 | 1:28:51 | |
Honest, sensible, sober, harmless Holly Martins... (!) | 1:28:51 | 1:28:56 | |
Holly... What a silly name! | 1:28:56 | 1:28:59 | |
You must feel proud to be a police informer (!) | 1:28:59 | 1:29:04 | |
Harry...get away! The police are outside! | 1:29:04 | 1:29:08 | |
-Quick! -Anna! | 1:29:09 | 1:29:11 | |
SIR! | 1:29:14 | 1:29:17 | |
The back! | 1:29:17 | 1:29:18 | |
POLICE WHISTLE BLOWS | 1:29:18 | 1:29:20 | |
WHISTLES BLOWING, DOGS BARKING | 1:29:22 | 1:29:25 | |
That way? | 1:30:15 | 1:30:17 | |
SHOTS FIRE | 1:30:19 | 1:30:22 | |
(Martins, get back!) | 1:30:26 | 1:30:29 | |
Drei Mann unten! | 1:30:41 | 1:30:43 | |
Licht! | 1:30:57 | 1:30:59 | |
Los! | 1:31:05 | 1:31:07 | |
HALT! | 1:31:27 | 1:31:28 | |
Hier ist nichts. Los! Gehen wir in Richtung Stadtpark. | 1:31:41 | 1:31:46 | |
Licht! Da ist er! | 1:32:38 | 1:32:42 | |
Los! | 1:32:42 | 1:32:44 | |
Halt! | 1:33:23 | 1:33:25 | |
HALT! Stehen bleiben! | 1:33:50 | 1:33:53 | |
AUSTRIAN VOICES ALL AROUND | 1:34:04 | 1:34:08 | |
Achtung! | 1:34:11 | 1:34:13 | |
THE VOICES CLOSE IN | 1:34:15 | 1:34:20 | |
HARRY! | 1:34:32 | 1:34:35 | |
-Is that you? -Come out, Harry. You're through! | 1:34:35 | 1:34:40 | |
-What do you want? -You might as well give up. | 1:34:40 | 1:34:44 | |
Mr Martins, sir, get back! | 1:34:44 | 1:34:47 | |
MARTINS! MARTINS! | 1:36:19 | 1:36:22 | |
DON'T TAKE ANY CHANCES, MARTINS! | 1:36:22 | 1:36:26 | |
IF YOU SEE HIM, SHOOT! | 1:36:26 | 1:36:29 | |
A SINGLE SHOT RINGS OUT | 1:36:48 | 1:36:51 | |
Herr, gib' ihm ewige Ruhe... | 1:37:02 | 1:37:05 | |
Lass' ihn in Frieden. Amen. | 1:37:05 | 1:37:08 | |
MUSIC: HARRY LIME THEME ON ZITHER | 1:37:10 | 1:37:15 | |
-What time is it? -2:30. | 1:37:27 | 1:37:32 | |
I'll have to step on it. | 1:37:35 | 1:37:38 | |
Calloway, can't you do something about Anna? | 1:37:38 | 1:37:43 | |
I'll do what I can, if she'll let me. | 1:37:43 | 1:37:46 | |
-Let me out. -There's not much time. | 1:37:56 | 1:37:59 | |
One can't just...leave. Please. | 1:37:59 | 1:38:03 | |
Be sensible, Martins. | 1:38:03 | 1:38:06 | |
I haven't got a sensible name, Calloway! | 1:38:06 | 1:38:10 | |
MUSIC: A ROMANTIC MELODY ON ZITHER | 1:38:12 | 1:38:17 |