Browse content similar to Yellow Canary. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHURCH BELLS RING | 0:00:21 | 0:00:24 | |
CLOCK STRIKES NINE | 0:00:35 | 0:00:38 | |
I'm afraid the judge decided against it. What have you been doing? Busy day? | 0:01:07 | 0:01:14 | |
I was in the British Museum - textual criticism, Shakespeare. | 0:01:14 | 0:01:19 | |
Bacon. Bacon, my foot! | 0:01:19 | 0:01:23 | |
Dr Johnson said that if Bacon didn't write Shakespeare, he missed a great opportunity. | 0:01:23 | 0:01:29 | |
My dear chap, could Bacon have written, "Be not afeard, the isle is full of noises, | 0:01:29 | 0:01:36 | |
"Sounds and sweet airs that give delight and hurt not, sometimes a thousand twangling instruments..."? | 0:01:36 | 0:01:43 | |
LOUD EXPLOSION IN DISTANCE | 0:01:43 | 0:01:46 | |
Ack-ack over the estuary. King Three, ack-ack over the estuary. All right, Centre. | 0:01:46 | 0:01:52 | |
Raid coming in from the southeast. | 0:01:52 | 0:01:55 | |
Later than usual. | 0:01:58 | 0:02:01 | |
Somebody's signalling. | 0:02:01 | 0:02:04 | |
Better give them the plot. | 0:02:06 | 0:02:09 | |
Direction 41 on Sound Circle. | 0:02:12 | 0:02:14 | |
Somebody's signalling. Direction 41 on Sound Circle. | 0:02:14 | 0:02:19 | |
AIR RAID SIRENS WAIL | 0:02:19 | 0:02:22 | |
Cockspur and Lower Regent Street? Right! | 0:02:24 | 0:02:27 | |
Inspector Scott, Observer Call Centre reports signalling top floor, office building, | 0:02:27 | 0:02:34 | |
Cockspur and Lower Regent Street locality. Get busy! | 0:02:34 | 0:02:38 | |
SIRENS WAIL | 0:02:38 | 0:02:41 | |
AIRCRAFT ENGINES ROAR | 0:02:51 | 0:02:53 | |
Buckingham Palast! | 0:03:04 | 0:03:07 | |
BELL RINGS | 0:03:10 | 0:03:13 | |
KNOCK ON DOOR | 0:03:28 | 0:03:31 | |
Hello, Skipper! Something here. | 0:03:45 | 0:03:48 | |
Dead as mutton. | 0:04:00 | 0:04:02 | |
< Looks like a suicide job. | 0:04:02 | 0:04:05 | |
Torch. | 0:04:13 | 0:04:16 | |
.38 Webley revolver. | 0:04:23 | 0:04:26 | |
One round fired. | 0:04:27 | 0:04:30 | |
"Oscar Burrell." | 0:04:38 | 0:04:41 | |
LAUGHTER | 0:05:16 | 0:05:19 | |
Don't tell us you'll think of it on the way home! | 0:05:24 | 0:05:29 | |
This is the tale of Queenie Feather, fire watch in all sorts of weather! | 0:05:29 | 0:05:34 | |
But being rather scared of bombs, she made herself some tin-lined coms | 0:05:34 | 0:05:39 | |
Soppy thing! So went on duty unafraid, tin hat, tin coms, bucket and spade! | 0:05:39 | 0:05:45 | |
One night on hearing the alert, she filled her bucket up with dirt | 0:05:45 | 0:05:50 | |
Then scudded up the attic stairs to stand among the falling flares | 0:05:50 | 0:05:55 | |
Well, just as she was feeling tired, an anti-aircraft gun was fired | 0:05:55 | 0:06:00 | |
And as the shell went whizzing past, the tin coms couldn't stand the blast | 0:06:00 | 0:06:06 | |
And though poor Queenie tried to duck it, she fell head first in her bucket! | 0:06:06 | 0:06:13 | |
Aren't I common? | 0:06:13 | 0:06:16 | |
So holding her...courage in her hand, | 0:06:16 | 0:06:19 | |
she stood like an ostrich in the sand | 0:06:19 | 0:06:21 | |
The shell which bent Queenie double landed a Jerry plane in trouble | 0:06:21 | 0:06:26 | |
As the pilot shouted, "Here I come!" it landed on poor Queenie's back | 0:06:26 | 0:06:32 | |
The tin coms acted like a skewer and Hitler's air force was one fewer | 0:06:32 | 0:06:37 | |
Now like a soldier of the line our Queenie is a heroine | 0:06:37 | 0:06:41 | |
The George Medal awarded, the Mayor to give it, and for the coms, a golden rivet! | 0:06:41 | 0:06:48 | |
WHISTLES AND APPLAUSE | 0:06:48 | 0:06:51 | |
-I'd almost given you up. -Would you rather I went home? -No, but it's hard to keep a table. | 0:06:56 | 0:07:03 | |
I say, look who's blown in! | 0:07:05 | 0:07:08 | |
< Sally from Unter den Linden! | 0:07:08 | 0:07:11 | |
She has the nerve to come here! Not so loud. | 0:07:18 | 0:07:22 | |
I thought you promised to ship her out to Canada. When? | 0:07:22 | 0:07:27 | |
That's a question you don't ask. Why can she leave the country? | 0:07:27 | 0:07:31 | |
Put her into Brixton Jail with all the other 18Bs! | 0:07:31 | 0:07:36 | |
Ladies and gentlemen, you've all heard me recite Dreaming Of Thee. | 0:07:36 | 0:07:41 | |
I'll now give you the latest version which I've dedicated to a young lady whose name for the moment escapes me. | 0:07:41 | 0:07:50 | |
Dreaming of thee, dreaming of thee | 0:07:52 | 0:07:55 | |
Dreaming of her Fuhrer love she be | 0:07:55 | 0:07:58 | |
She went to see old Hitler down the famous Wilhelmstrass' | 0:07:58 | 0:08:03 | |
He rose to greet her, then sat down, then jumped up, what a farce! | 0:08:03 | 0:08:08 | |
He'd sat down on his Iron Cross which, structurally, being brass... | 0:08:08 | 0:08:14 | |
Now she's dreaming of her darling love, of him. | 0:08:14 | 0:08:19 | |
APPLAUSE | 0:08:19 | 0:08:22 | |
Was her journey really necessary? | 0:08:23 | 0:08:26 | |
Sally, do you think you're wise in staying? | 0:08:45 | 0:08:49 | |
I came for a good reason. I won't be driven out by a few cheap jibes that amuse halfwits! | 0:08:49 | 0:08:56 | |
I hope that I'm the good reason, not the halfwit. | 0:08:56 | 0:09:00 | |
Let's dance. | 0:09:00 | 0:09:03 | |
-Why not ditch them and have a real birthday party? -Jimmy, it's not your birthday. -Won't matter. Come on. | 0:09:07 | 0:09:14 | |
All right. It's a date. | 0:09:14 | 0:09:17 | |
-Sir, Colonel Hargreaves wishes to have a word with you. -Colonel Hargreaves? -He's at that table. | 0:09:17 | 0:09:24 | |
-George, will you have the waiter send up another bottle? -With pleasure. -Be back in a flash! | 0:09:24 | 0:09:31 | |
Here he comes. | 0:09:37 | 0:09:40 | |
-Hello, Colonel. Mrs Hargreaves. -Congratulations, Jimmy. I suppose one mustn't ask what it's for. -No. | 0:09:40 | 0:09:48 | |
-You wanted to see me, Colonel? -Yes. Excuse me, my dear. | 0:09:48 | 0:09:52 | |
I've been searching for you all day. | 0:09:52 | 0:09:55 | |
-I've been doing some celebrating. -I've got an important job for you. | 0:09:55 | 0:10:00 | |
-You're leaving for Canada tomorrow night. -Tomorrow night? -I'm afraid so. | 0:10:00 | 0:10:06 | |
I should have stopped her from coming in, but her friend had already booked a table and he's a very good client. | 0:10:14 | 0:10:21 | |
George, it wasn't your fault. Thank you very much. | 0:10:21 | 0:10:25 | |
Her father an Admiral, her mother in the Red Cross, her brother and sister in the Navy! | 0:10:25 | 0:10:32 | |
Something's fishy. She's trying to draw attention to herself. | 0:10:32 | 0:10:36 | |
LOUD EXPLOSION | 0:10:36 | 0:10:39 | |
-Do you want to go down to the shelter? -Do you? -No. | 0:10:39 | 0:10:43 | |
I'm quite happy where I am. | 0:10:43 | 0:10:46 | |
-No-one's to have an inkling of what you're doing. -I understand. | 0:10:46 | 0:10:51 | |
You must keep her under close observation. It needs initiative and courage. You're the man for the job. | 0:10:51 | 0:10:59 | |
-Thank you, Colonel. -There she is. Take a good look at her. | 0:10:59 | 0:11:03 | |
I had a good look at her. Everybody has! | 0:11:03 | 0:11:07 | |
What time did I arrive here? | 0:11:07 | 0:11:09 | |
It was pretty late. I wondered what had happened to you. | 0:11:09 | 0:11:14 | |
I had an appointment. It kept me later than I expected. | 0:11:14 | 0:11:18 | |
Oscar Burrell. Couldn't be suicide if he was signalling. | 0:11:18 | 0:11:23 | |
-The report reached here at 9.04. -PHONE RINGS | 0:11:23 | 0:11:27 | |
-You were at the location...? -9.09. -Rigor mortis had set in. There must be someone else in this. | 0:11:27 | 0:11:34 | |
-They hit Buckingham Palace. -Were Their Majesties...? -In the country. -Thank God for that! | 0:11:34 | 0:11:41 | |
Bad news? The news is all bad. | 0:11:42 | 0:11:45 | |
And will be for months until it gets better. | 0:11:45 | 0:11:49 | |
Another bit about Sally. Dragging our name through the mud! Leave it there. | 0:11:49 | 0:11:57 | |
A mistake. A great mistake ever letting her go to Germany. My fault. | 0:11:57 | 0:12:04 | |
'London in der vergangenen Nacht von der Luftwaffe angegriffen. | 0:12:04 | 0:12:09 | |
'Die Bevolkerung von London ist vollkommen terrorisiert. | 0:12:09 | 0:12:13 | |
'Alle bleiben im Luftschutzkeller... KNOCK ON DOOR | 0:12:13 | 0:12:17 | |
-Sir William and Her Ladyship are at breakfast, Miss Sally. -Thank you. | 0:12:17 | 0:12:23 | |
'..ein wichtiges Gebaude in London erhielt einen Volltreffer.' | 0:12:23 | 0:12:28 | |
Sometimes I think it was my fault for ever having produced her. Betty! | 0:12:28 | 0:12:34 | |
-Hello, Mother! -Darling! | 0:12:34 | 0:12:36 | |
-Hello, Dad. -Good to see you. | 0:12:36 | 0:12:39 | |
-How long have you got? > -48. -Where were you? -The other end of nowhere! Nothing to eat for ages. | 0:12:39 | 0:12:46 | |
-You must be starving. Have a cup of coffee. -I'd love one. | 0:12:46 | 0:12:51 | |
-Miss Betty! -Reynolds, how are you? -In exceptional health. | 0:12:51 | 0:12:55 | |
-What's that? Scrambled eggs? -Dehydrated. -They look all right. | 0:12:55 | 0:13:00 | |
-They have a resemblance to scrambled eggs. May I help you? -Thank you. | 0:13:00 | 0:13:05 | |
-It's grand to be home. -One saccharin or two? -One, please. | 0:13:05 | 0:13:09 | |
-Betty, what are you doing here? -48 hours' leave. Do you mind? | 0:13:09 | 0:13:14 | |
-Morning, Mother. -Morning, my dear. | 0:13:14 | 0:13:17 | |
-Morning, Dad. -Eh? Oh, morning. | 0:13:17 | 0:13:20 | |
-Are those eggs real? -Quite real, but not the old-fashioned sort. -Toast and butter for me. | 0:13:20 | 0:13:27 | |
Margarine, Miss Sally. There you are, Miss Betty. | 0:13:27 | 0:13:31 | |
Plenty of butter and eggs in Canada. | 0:13:33 | 0:13:36 | |
-Won't that be nice? -Betty, dear! | 0:13:36 | 0:13:38 | |
Sorry, Mother. This is an occasion. Sally's last breakfast before her departure to the land of plenty. | 0:13:38 | 0:13:46 | |
-And safety. -Won't you be glad, all of you? -The post, my lady. > | 0:13:46 | 0:13:51 | |
Thank you. | 0:13:53 | 0:13:56 | |
It's from Jack. He's all right. | 0:13:58 | 0:14:01 | |
-What does he say? -Wait a minute, dear. Wait a minute. | 0:14:01 | 0:14:05 | |
Listen, everyone. He says, "Unless you're very careful, you will have a DSO in the family." | 0:14:08 | 0:14:15 | |
A DSO? By Gad, that's fine, that's splendid! That's pretty good. | 0:14:15 | 0:14:21 | |
You're not excited about your brother's decoration. | 0:14:21 | 0:14:25 | |
I've just got one of my own. | 0:14:25 | 0:14:29 | |
"A canary is a yellow bird." More humour! Exhibit A! | 0:14:30 | 0:14:35 | |
-You've earned it! -Well, I've got it. | 0:14:36 | 0:14:40 | |
-We used to be a happy, united family. -We're not now and what's the use of pretending we are? | 0:14:40 | 0:14:47 | |
Family or no family, Sally's behaving disgracefully! | 0:14:47 | 0:14:51 | |
-May I have some coffee? -Yes. Oh, have another cup. | 0:14:51 | 0:14:56 | |
You think it's fun to be the sister of the notorious Sally Maitland? | 0:14:56 | 0:15:01 | |
So I'm spoiling the fun of your little game of tin sailors! | 0:15:01 | 0:15:05 | |
That's a rotten thing to say. | 0:15:05 | 0:15:08 | |
Men and women in uniform and out of uniform fighting the foulest thing that's happened in the world | 0:15:08 | 0:15:16 | |
-and you behave without decency or patriotism! -You forget. I've lived in Germany. -How can we forget? | 0:15:16 | 0:15:23 | |
-I know what's happening there. -And what they're fighting for? | 0:15:23 | 0:15:28 | |
-Girls! -What are YOU fighting for? | 0:15:28 | 0:15:31 | |
Amongst other things, freedom. | 0:15:31 | 0:15:34 | |
Does that include freedom of thought and speech and action? | 0:15:34 | 0:15:38 | |
You want everyone to think as you think. English hypocrisy! | 0:15:38 | 0:15:43 | |
Oh, really, Sally! | 0:15:43 | 0:15:45 | |
News Standard! Buckingham Palace bombed! | 0:15:50 | 0:15:55 | |
-Shall I keep your parents informed of your whereabouts? -I don't think they'll be interested. | 0:15:55 | 0:16:02 | |
-Final blow-up, eh? -The blow-up to end all blow-ups. -I'm sorry, Sally. -Don't worry, I'm not. | 0:16:02 | 0:16:08 | |
'The 7.35 train for Liverpool will leave from Platform 13, calling at Crewe...' | 0:16:08 | 0:16:15 | |
-I suppose you'll be glad to get away. -I shan't be sorry. -I hope you'll find things pleasanter over there. | 0:16:15 | 0:16:23 | |
-I expect my reputation will have preceded me. -I'm afraid it has. Here we are. Thank you. | 0:16:23 | 0:16:29 | |
-Your trunk's in the van. Would you like an evening paper? -No, thanks. | 0:16:30 | 0:16:35 | |
Does this train go to Liverpool? Yes. Thank you. | 0:16:35 | 0:16:39 | |
WHISTLE BLOWS | 0:16:45 | 0:16:48 | |
-Goodbye, Sally. -Goodbye, Colonel. -Take care of yourself. | 0:16:48 | 0:16:53 | |
Buckingham Palace bombed! > | 0:17:07 | 0:17:10 | |
News Standard! Buckingham Palace bombed! > | 0:17:10 | 0:17:15 | |
God bless you, Sally. | 0:17:15 | 0:17:17 | |
News Standard! Buckingham Palace bombed! | 0:17:21 | 0:17:26 | |
'We used to be a happy, united family. | 0:17:26 | 0:17:30 | |
'And you behave without decency or patriotism! | 0:17:30 | 0:17:34 | |
'English hypocrisy!' | 0:17:34 | 0:17:36 | |
EXPLOSION | 0:18:17 | 0:18:19 | |
LOUD CRASH | 0:18:23 | 0:18:26 | |
-Are you all right? -I'm quite all right, thank you. | 0:18:26 | 0:18:30 | |
That was a near miss. Tickets, please. | 0:18:30 | 0:18:34 | |
EXPLOSION | 0:18:37 | 0:18:40 | |
Where are they? | 0:18:41 | 0:18:44 | |
Right over our heads. If they get any nearer, you'd better lie on the floor. All of you. | 0:18:44 | 0:18:51 | |
EXPLOSION | 0:18:57 | 0:18:59 | |
EXPLOSION | 0:19:08 | 0:19:11 | |
-Lie on the floor! -Will you let me go? -They're aiming at this train. | 0:19:11 | 0:19:16 | |
-Just because you're scared. -Don't be so brave! -LOUD EXPLOSION | 0:19:16 | 0:19:22 | |
-May I help? -There don't seem to be any stewards about. I've rather a heavy bag down there. | 0:19:44 | 0:19:51 | |
-May I? -If you would. -Thank you. | 0:19:51 | 0:19:54 | |
To think I used to dangle her over the rail when she was a baby! Pity you didn't let her drop. | 0:20:04 | 0:20:10 | |
Saved her father a few headaches. And her mother a few heartaches. | 0:20:10 | 0:20:15 | |
-Captain Foster. You don't remember me? -Yes, you're Sally Maitland. | 0:20:15 | 0:20:20 | |
-I suppose I have changed a bit. -Yes, you have. Excuse me. | 0:20:20 | 0:20:24 | |
I don't think you should be seen with me. I'm not very popular. | 0:20:24 | 0:20:29 | |
Most real men and women of the world were unpopular. | 0:20:29 | 0:20:34 | |
-Quite a philosopher! If you feel like that about it, perhaps you'll bring those bags along. -A pleasure. | 0:20:34 | 0:20:41 | |
2472. | 0:20:53 | 0:20:55 | |
Yellow Canary. | 0:20:55 | 0:20:58 | |
SS Carina, Liverpool today. | 0:20:59 | 0:21:02 | |
She's on board. | 0:21:02 | 0:21:04 | |
They persuaded me to make the trip and now we're in the same cabin! Disgraceful! | 0:21:05 | 0:21:13 | |
I'll sleep on the floor and share a cabin with two women from Balham. Good Lord! | 0:21:13 | 0:21:19 | |
Peters, take these three to 17. Very good, sir. | 0:21:19 | 0:21:23 | |
If there's any trouble, could you see that I'm in number 3 lifeboat? | 0:21:23 | 0:21:28 | |
You're in 7 now. All right, Commander, I'll fix that. | 0:21:28 | 0:21:32 | |
-Mister, please. -Aye-aye, sir. Not now, thanks. | 0:21:32 | 0:21:36 | |
-Your lifeboat station's number 3, Miss. Follow the arrows. -Thank you. | 0:21:41 | 0:21:46 | |
-You're lucky. Miss Cholmondley, calls herself "Chumley", she's moved out. -That's very lucky. | 0:21:46 | 0:21:53 | |
She's sharing a mattress on the floor with two others. No accounting for taste! | 0:21:53 | 0:22:00 | |
-Captain Orlock at your service. -Thank you, Captain. | 0:22:00 | 0:22:04 | |
Are you saying goodbye to your country? | 0:22:19 | 0:22:23 | |
Not quite. My country is saying goodbye to me. | 0:22:23 | 0:22:27 | |
-I'm sorry. -How do you know I mind? -Goodbyes are always difficult. | 0:22:27 | 0:22:32 | |
-The rarest thing in the world is a happy ending. -That's the second thing you've said I'll remember. | 0:22:32 | 0:22:40 | |
How nice of you to remember! There's our escort. | 0:22:40 | 0:22:45 | |
-Hello! -I seem to have one of my own. -Oh, we've met before. | 0:22:48 | 0:22:53 | |
-I don't think so. -On the floor. Your head was on my shoulder. Hitler makes strange bedfellows. | 0:22:53 | 0:23:00 | |
-What are you talking about? -Just talking to myself. -I hope you find it interesting. -I do. Very. | 0:23:00 | 0:23:07 | |
-What is your name? -Never mind. -I do mind. When I lie on the floor with someone, I like to know their name. | 0:23:07 | 0:23:15 | |
-It's not what I do with anyone, either! -Mr Garrick, the Captain would like a word with you. -Right. | 0:23:15 | 0:23:22 | |
-Probably wants to warn you about talking to strangers. Ask him my name. -I will! | 0:23:22 | 0:23:28 | |
-I don't think he'll bother me again. -I don't think he will. Shall we walk? -Yes, all right. | 0:23:28 | 0:23:35 | |
-Morning, Captain. -Morning, Commander. I understand you want to be called Mr Garrick. -That's right. | 0:23:35 | 0:23:43 | |
-Any good reason? -Very. | 0:23:43 | 0:23:45 | |
-Glass of sherry? -Sherry? Thank you. | 0:23:45 | 0:23:48 | |
-What takes you over to the other side? -Well... -I shouldn't have asked. | 0:23:48 | 0:23:53 | |
I don't mind your knowing. It's hush-hush. It mustn't go further. | 0:23:53 | 0:23:58 | |
It's a supply job for the Canadian Navy. Everything from tin hats to toothpicks. | 0:23:58 | 0:24:05 | |
-Nothing hush-hush about that. -That's not the exact truth, but that's the sort of thing it is. -I see. | 0:24:05 | 0:24:12 | |
-Who is that girl? -You don't know Sally Maitland? | 0:24:12 | 0:24:16 | |
-Sally Maitland? She's attractive, isn't she? -You think so? You're welcome to her. | 0:24:16 | 0:24:23 | |
Thanks. I'll see what I can do about it. Cheers. | 0:24:23 | 0:24:27 | |
Feindliche Schiffe, Kapitan. Steuerbord voraus. | 0:24:31 | 0:24:35 | |
"SS Carina." | 0:24:39 | 0:24:42 | |
Englisches Schiff, SS Carina. Steuerbord voraus. | 0:24:43 | 0:24:47 | |
"Carina reported by U-Boat 78. | 0:25:00 | 0:25:03 | |
"Latitude 54-20 north, longitude 15-1 west." | 0:25:03 | 0:25:08 | |
-It's certain Fraulein Maitland is aboard? -Yes. Full steam ahead, north by northeast. | 0:25:08 | 0:25:14 | |
Grosse Fahrt voraus. Kurs, nord zu ost. | 0:25:14 | 0:25:18 | |
Tomorrow we'll lose our escort. We're on our own. | 0:25:22 | 0:25:26 | |
In the event of an alarm, you will assemble at your allotted boat station. | 0:25:26 | 0:25:33 | |
All life belts must be worn | 0:25:33 | 0:25:35 | |
or carried. Do not undress... | 0:25:35 | 0:25:39 | |
-Excuse me, Major. You've got yours on upside down. -Have I? Doesn't make any difference. | 0:25:39 | 0:25:46 | |
You'll float upside down. It'll keep your feet dry. | 0:25:46 | 0:25:50 | |
-Are you pulling my leg? -Me, sir? -Yes, sir. -No, sir. -That's all right. | 0:25:50 | 0:25:55 | |
A lighted cigarette can be seen for 3/4 of a mile. An open porthole will endanger the safety of this ship. | 0:25:55 | 0:26:03 | |
Or any other ships in the vicinity. | 0:26:04 | 0:26:07 | |
All electric razors must be handed to the purser. | 0:26:07 | 0:26:11 | |
Why's that? They send out wavelengths. The U-Boats pick them up. | 0:26:11 | 0:26:17 | |
What did he say? The used blades float on the waves and the U-Boats pick them up. | 0:26:17 | 0:26:23 | |
Electric razors don't have blades. Who told you that? | 0:26:23 | 0:26:27 | |
I spoke to the Captain about you. | 0:26:27 | 0:26:30 | |
-What did he say? -Not much. You have an exaggerated idea of yourself. | 0:26:30 | 0:26:35 | |
-You don't think much of the war. -I don't. -I agree. It's messed up a lot of things. | 0:26:35 | 0:26:41 | |
-If you don't mind, I'd rather not discuss the war. -I agree. What shall we talk about? | 0:26:41 | 0:26:48 | |
-May I help you? -No, thank you. | 0:26:48 | 0:26:51 | |
-Hello. -Would you mind? -Certainly. | 0:26:52 | 0:26:55 | |
Thank you. | 0:26:56 | 0:26:59 | |
Repeat. SS Carina reported. | 0:27:10 | 0:27:14 | |
Latitude...60...15...north, | 0:27:14 | 0:27:18 | |
longitude 20-15 west. | 0:27:18 | 0:27:21 | |
Lighted porthole observed by U-Boat 93. | 0:27:21 | 0:27:25 | |
We should sight her within 24 hours. | 0:27:25 | 0:27:29 | |
Is it necessary before blackout? It's stifling in here. | 0:27:29 | 0:27:33 | |
Sorry, Miss. Captain's orders. Somebody left a porthole open last night. On this side! | 0:27:33 | 0:27:40 | |
They are so refreshing. Especially Mrs Burton. Delicious caustic wit. Thank God I have a sense of humour! | 0:27:40 | 0:27:48 | |
And a proverbial heart of gold. | 0:27:48 | 0:27:50 | |
She asked if I'd sleep in her bed and she'd sleep on the floor. | 0:27:50 | 0:27:55 | |
Jolly good. Did you accept? Have you ever slept on the floor? Quite. | 0:27:55 | 0:28:02 | |
Ah, Mr Garrick! Oh, please don't get up! | 0:28:02 | 0:28:06 | |
CHILDREN LAUGHING | 0:28:08 | 0:28:10 | |
Watch this. > | 0:28:10 | 0:28:13 | |
One...two...three. | 0:28:13 | 0:28:17 | |
Where is it? | 0:28:17 | 0:28:20 | |
See? Did you see that? | 0:28:20 | 0:28:22 | |
Children, that's the end of children's hour for today. See you tomorrow at 11 o'clock. | 0:28:22 | 0:28:29 | |
Goodbye. | 0:28:29 | 0:28:32 | |
It was the worst blitz in Balham. After the bomb had burst, she was in her bed. | 0:28:32 | 0:28:38 | |
There was no bedroom. There wasn't even a house, but she was quite calm. | 0:28:38 | 0:28:43 | |
Here comes that woman. | 0:28:43 | 0:28:46 | |
As Mrs Burton would say, "dolled up like a tart". | 0:28:46 | 0:28:50 | |
-I hope she's not your friend. -Never set eyes on her before this trip. | 0:28:50 | 0:28:55 | |
But you know all about her? Pro-Nazi? Fifth Columnist? Not so loud, but don't stop. | 0:28:55 | 0:29:02 | |
-Why are you making this dangerous journey to Canada? -Don't you know? | 0:29:02 | 0:29:07 | |
I hear rumours, but I don't trust them. | 0:29:07 | 0:29:11 | |
Someone should warn that nice Polish Captain about her. | 0:29:11 | 0:29:15 | |
-He certainly hangs around. -Probably trying to reform her. | 0:29:15 | 0:29:20 | |
They're so sentimental, the Poles. | 0:29:20 | 0:29:23 | |
-Why are you going to Canada? -To see my mother. She's an invalid. | 0:29:23 | 0:29:28 | |
-I'm sorry. -Did you ever go to Warsaw? | 0:29:28 | 0:29:32 | |
Hear that, Major? He's inviting her to Warsaw! | 0:29:32 | 0:29:36 | |
I don't think she'll go because I hear, strictly between ourselves, | 0:29:36 | 0:29:41 | |
that the real trouble between Hitler and Hess was... | 0:29:41 | 0:29:45 | |
HORN BLOWS | 0:29:45 | 0:29:48 | |
Do you know the real trouble between Hitler and Hess was all because...? | 0:29:50 | 0:29:55 | |
HORN BLOWS AGAIN | 0:29:55 | 0:29:58 | |
Hear that? That isn't news, buddy. Everybody on this ship knows that. | 0:29:58 | 0:30:05 | |
Of course it's true. I ought to know. Haven't I been doing her for nearly a week? | 0:30:07 | 0:30:14 | |
Yes. That's why they nearly ducked her in the pond at Hyde Park. | 0:30:14 | 0:30:19 | |
Don't you resent all these vile things people say about you? | 0:30:22 | 0:30:26 | |
What's the use? | 0:30:26 | 0:30:29 | |
Do you think any cause is worth it? | 0:30:29 | 0:30:32 | |
Don't let's talk about that. | 0:30:32 | 0:30:34 | |
Tell me some more about Warsaw. | 0:30:34 | 0:30:37 | |
What more else is there to tell? | 0:30:37 | 0:30:40 | |
We lost it. Yes, we lost everything. | 0:30:40 | 0:30:43 | |
Our cities, people, country, our children. | 0:30:43 | 0:30:48 | |
Suddenly, literally, out of the clouds, death, destruction, blown to pieces. | 0:30:49 | 0:30:56 | |
Hello! Carry on, Captain. Everything's gonna be all right. | 0:30:59 | 0:31:04 | |
Quiet trip so far. Yes, they said it would be. The devil sure takes care of his own. | 0:31:13 | 0:31:20 | |
BELL RINGS Oh-oh! There she goes! | 0:31:20 | 0:31:24 | |
Mummy, if the war goes on for years, shall we be Canadians? | 0:31:24 | 0:31:29 | |
But the war can't go on for years, darling. | 0:31:29 | 0:31:32 | |
Mrs Burton told me that it sometimes takes three weeks to cross. | 0:31:32 | 0:31:37 | |
Good Lord! To think I was born on the Queen Mary when she won the blue riband! | 0:31:37 | 0:31:43 | |
SNORING | 0:31:43 | 0:31:46 | |
Yes, it all seems very far away now - those evenings on our lovely terrace overlooking Warsaw, | 0:31:46 | 0:31:53 | |
my mother playing the piano. Beautiful. Even Paderewski was one of her admirers. | 0:31:53 | 0:31:59 | |
Then friends joining in singing folk songs, smoking, sipping Wisniowka. | 0:31:59 | 0:32:05 | |
It must seem very far away. | 0:32:05 | 0:32:08 | |
Does your mother still play? | 0:32:08 | 0:32:11 | |
No, she will never play again. | 0:32:11 | 0:32:13 | |
How sad! | 0:32:15 | 0:32:18 | |
There's a ship to starboard, sir. | 0:32:21 | 0:32:24 | |
Strange-looking craft. Maybe a Norwegian, sir. | 0:32:27 | 0:32:32 | |
It's a raider. And a big one. | 0:32:32 | 0:32:35 | |
-SS Carina on port side. -Fire a salvo across her bows. Signal the heave-to. | 0:32:35 | 0:32:42 | |
Schuss vor dem Bug. Signal - beidrehen. | 0:32:42 | 0:32:46 | |
Sally, it would be so easy to fall in love with you. | 0:32:46 | 0:32:50 | |
How do you know I'd mind? | 0:32:50 | 0:32:53 | |
SHELLFIRE | 0:33:04 | 0:33:07 | |
SHOUTING | 0:33:11 | 0:33:14 | |
She's signalling us to heave to. Come on! | 0:33:14 | 0:33:18 | |
Sound the alarm. Make a dash for it! | 0:33:21 | 0:33:24 | |
ALARM RINGS | 0:33:24 | 0:33:27 | |
Miss Cholmondley, here it is. Yes, Major, here it is. I wonder how I shall behave. | 0:33:33 | 0:33:40 | |
There's no time to wonder about that now. Get into your life belt! | 0:33:40 | 0:33:45 | |
-She's changed direction and speeded up. -Give her one round. | 0:33:48 | 0:33:53 | |
Mit Granaten geladen. Ein Schuss. Feuer! | 0:33:53 | 0:33:57 | |
-Shall we give her another? -No. Repeat signal - heave to. -Signal - beidrehen! | 0:34:06 | 0:34:12 | |
From the Third Officer, hit the midships, number two hold flooding. | 0:34:12 | 0:34:17 | |
Another shot and we'll be at the bottom. Signal we're heaving to. | 0:34:17 | 0:34:22 | |
-She's heaving to. -Signal we'll send a boarding party. | 0:34:25 | 0:34:30 | |
-Signal - Prisenmannschaft kommt an Bord. -You'd better go yourself. | 0:34:30 | 0:34:36 | |
Last time this happened, they took out a couple of passengers. | 0:34:37 | 0:34:42 | |
Maybe they'll take one back to where she belongs. Better go and meet them. | 0:34:42 | 0:34:48 | |
It's funny a cruiser boarding a little tub like this. Could have sunk us in five minutes. | 0:34:49 | 0:34:56 | |
-It must mean something. -I suppose it must. | 0:34:56 | 0:35:00 | |
-Swine! Murderers of women and children! -Wollen Sie Ihren Mund halten? | 0:35:13 | 0:35:19 | |
Ihr Nazis habt nur Courage, wenn ihr unbewaffnete Leute vor euch habt. | 0:35:19 | 0:35:24 | |
-Shut up! -I will not shut up! I want everyone to hear and understand! | 0:35:24 | 0:35:30 | |
You Nazis are only happy when you have unarmed people in your power. Without arms, you are nothing! | 0:35:30 | 0:35:37 | |
-Halt's Maul! -Aber euer Stern geht unter! -Wollen Sie Ihren Mund halten! -Und wenn er wieder aufgeht... | 0:35:37 | 0:35:45 | |
Strutting peacocks! Your blood pressure, Major. | 0:35:49 | 0:35:53 | |
I must keep it off the boil before I do something violent! | 0:35:53 | 0:35:57 | |
-Heil Hitler. -What do you want? -I want to take off one of your passengers. -I cannot stop you. | 0:35:59 | 0:36:06 | |
-Send for Lieutenant-Commander Garrick. -We have a Mr Garrick... -Lieutenant-Commander Garrick! | 0:36:06 | 0:36:13 | |
Ask Mr Garrick to come on the bridge. | 0:36:13 | 0:36:17 | |
What's happened? | 0:36:18 | 0:36:20 | |
The Captain would like to see you. | 0:36:20 | 0:36:23 | |
-What's it mean? -I'm afraid they're going to take you off. -Are they? | 0:36:27 | 0:36:34 | |
You are carrying metals for aircraft production, 72 passengers and a crew of 54? | 0:36:34 | 0:36:41 | |
-Are you asking me to confirm your information? -It has been confirmed from a reliable source. | 0:36:41 | 0:36:48 | |
Reliable, yes. I have women and children aboard. I want time to take to the boats before you sink me. | 0:36:48 | 0:36:55 | |
That is a matter for our Captain. | 0:36:55 | 0:36:58 | |
-< Mr Garrick! -Lieutenant-Commander Garrick! | 0:36:58 | 0:37:02 | |
You are my prisoner. Gefangenen abfuhren! | 0:37:02 | 0:37:06 | |
-Is that all you want? -You will signal to our ship that we are returning and await further orders. | 0:37:08 | 0:37:16 | |
Heil Hitler! | 0:37:16 | 0:37:18 | |
Lower the boats. Prepare to abandon ship. | 0:37:18 | 0:37:22 | |
Wouldn't it be nice to do something violent? | 0:37:52 | 0:37:56 | |
Heil Hitler! | 0:37:56 | 0:37:59 | |
-Du alte Sau! -Please don't apologise. The pleasure is entirely mine. | 0:38:02 | 0:38:07 | |
Jolly good show. What did he say? | 0:38:10 | 0:38:13 | |
He just called me an old sow. | 0:38:13 | 0:38:17 | |
-Fraulein Maitland has some important work ahead. -So it seems. | 0:38:32 | 0:38:37 | |
-Natural mistake to make in the blackout. A pal of mine met a girl in Piccadilly... -Very clever! | 0:38:37 | 0:38:44 | |
-I suppose you have something more important to do. -I must borrow a hat and coat. | 0:38:44 | 0:38:51 | |
The Fuhrer does not approve of our friends being watched. | 0:38:51 | 0:38:56 | |
-Except by the Gestapo. -They'll be surprised to see you. -Yes, very. | 0:38:56 | 0:39:01 | |
What does this mean? I was placed under orders, sir. | 0:39:01 | 0:39:05 | |
Message received, sir. Proceed. Proceed? Thank God for that! Cancel that last order. | 0:39:05 | 0:39:11 | |
I'm going to my cabin. Tell Garrick I want to see him. | 0:39:11 | 0:39:15 | |
-Sorry, but the job I'm on requires my personal services. -He was the finest Second I've ever had. | 0:39:15 | 0:39:22 | |
-He was the finest Second I'VE ever had. -What? -He was the finest Second I've ever had. | 0:39:22 | 0:39:29 | |
He's got the chance he's been waiting for since the war started. | 0:39:29 | 0:39:34 | |
-Get it? -I get it. Elementary, my dear Watson. | 0:39:34 | 0:39:38 | |
Took most of the skin off my shin, but it was worth it. | 0:39:38 | 0:39:42 | |
Mrs Burton, how thoughtful! After the excitement of tonight, I really need a tot. Bottoms up! | 0:39:42 | 0:39:49 | |
Lucky escape! It's a bleeding miracle! | 0:39:54 | 0:39:58 | |
It's all over now bar the shouting. | 0:39:58 | 0:40:01 | |
Somebody left a porthole open after blackout. Second night! | 0:40:01 | 0:40:06 | |
Sorry. Very absent-minded...of them. | 0:40:06 | 0:40:09 | |
I'll say! I was torpedoed last April. Lost everything! | 0:40:09 | 0:40:13 | |
Jolly bad luck. I've been torpedoed five times. | 0:40:13 | 0:40:17 | |
Good Lord! I don't know what my pals would say if they could see me now. | 0:40:17 | 0:40:23 | |
Everything from a Father Confessor to washing nappies! Revolting! | 0:40:23 | 0:40:28 | |
I endangered the whole ship. | 0:40:28 | 0:40:31 | |
No, I was wrong. | 0:40:31 | 0:40:34 | |
But, Sally... | 0:40:34 | 0:40:36 | |
I want you to understand this. | 0:40:36 | 0:40:39 | |
When I saw those Nazis... I got crazy. | 0:40:39 | 0:40:43 | |
If I could kill only one, it might ease the hate in me, hate like a pain the whole time. | 0:40:43 | 0:40:50 | |
-Do you understand? -I have my way of looking at the war. You have yours. Jan, please leave it at that. -Sally! | 0:40:50 | 0:40:58 | |
-When that bomb hit our house, my mother was nearly blinded. She will never walk again. -I'm very sorry, | 0:40:58 | 0:41:05 | |
but war has always meant suffering. | 0:41:05 | 0:41:08 | |
But this war is different. We're fighting Nazis. Nazis aren't human! | 0:41:08 | 0:41:13 | |
They are out to destroy everything. Everything that's good. | 0:41:13 | 0:41:17 | |
Sally, from the first moment I saw you, I wanted to persuade you to see that. | 0:41:17 | 0:41:24 | |
I've failed, but I know someone who would. | 0:41:24 | 0:41:28 | |
-Who's that? -My mother. | 0:41:28 | 0:41:30 | |
If only you would meet her. | 0:41:30 | 0:41:33 | |
I would like to meet your mother. | 0:41:34 | 0:41:36 | |
What do you know about Orlock? | 0:41:36 | 0:41:39 | |
Polish refugee. Crossing to see his mother. She was hurt at Warsaw. You can't help sympathising. | 0:41:39 | 0:41:46 | |
-The Chief tells me he let the Boche have it! -Certainly shot his head off. | 0:41:46 | 0:41:51 | |
-Why that raider didn't sink us is beyond me. -I'd like to know that too. | 0:41:51 | 0:41:57 | |
Good night. | 0:41:58 | 0:42:01 | |
Good night, Jan. | 0:42:01 | 0:42:04 | |
KNOCK AT DOOR | 0:42:24 | 0:42:26 | |
Sally... I can't leave you tonight without telling you how I feel about you. | 0:42:26 | 0:42:33 | |
-Oh, Jan! -I don't care about your views. All I know is I love you. | 0:42:33 | 0:42:38 | |
KNOCK AT DOOR | 0:42:38 | 0:42:41 | |
-Come in. -I thought you might sleep more soundly if you knew the Captain... -Jump in the ocean! | 0:42:41 | 0:42:48 | |
-At 20 below zero? -You're annoying Miss Maitland! | 0:42:48 | 0:42:52 | |
I feel that my motive hasn't been entirely appreciated. Good night. | 0:42:52 | 0:42:57 | |
Shall I shut the door or leave it on the latch? | 0:42:57 | 0:43:01 | |
Jan, I think you'd better go. | 0:43:01 | 0:43:04 | |
-But, Sally... -No, please. | 0:43:04 | 0:43:06 | |
-Sally... -Please, you must go, Jan! | 0:43:09 | 0:43:12 | |
Good night. | 0:43:12 | 0:43:14 | |
I'm instructing Truscott to sell my London house. Berkeley Square? | 0:43:38 | 0:43:44 | |
From now on, I'm going to live. I'm moving to Balham. | 0:43:44 | 0:43:48 | |
Halifax. | 0:43:48 | 0:43:50 | |
Mighty important place, Halifax. | 0:43:51 | 0:43:54 | |
-Gateway to Europe. -I imagine that comes under the category of "careless talk". | 0:43:55 | 0:44:02 | |
-I suppose it was rather stupid saying that. -Particularly to me. | 0:44:02 | 0:44:07 | |
Somehow I never feel that way about you. | 0:44:07 | 0:44:11 | |
-You'd better. -Does Poland feel that way about you? | 0:44:11 | 0:44:15 | |
Wouldn't you like to know, flatfoot Garrick! | 0:44:15 | 0:44:20 | |
Well, I would like to know what you find to talk about all the time. | 0:44:20 | 0:44:25 | |
I expect you would. | 0:44:25 | 0:44:27 | |
Does he manage to keep off the war? | 0:44:27 | 0:44:30 | |
-I don't propose discussing it with you. -You certainly do make conversation rather difficult. | 0:44:30 | 0:44:37 | |
I don't seem to. | 0:44:37 | 0:44:40 | |
How long will you be staying in Canada? Two months. | 0:44:52 | 0:44:57 | |
How long will you be staying in Canada, Captain? Two weeks. | 0:44:57 | 0:45:03 | |
Have a pleasant stay. Thank you. | 0:45:03 | 0:45:06 | |
Au revoir, Captain! What a hero! Stout fellow! | 0:45:06 | 0:45:10 | |
How long will you be staying in Canada? Three months. | 0:45:10 | 0:45:15 | |
No more luxury liners! Only way to travel, this! | 0:45:15 | 0:45:19 | |
Even with the U-Boat scare. | 0:45:19 | 0:45:22 | |
If I can be of any service to you while you're in Halifax, don't hesitate to call on me. | 0:45:22 | 0:45:28 | |
Thank you. How very kind! Did you hear that, Major? | 0:45:28 | 0:45:32 | |
Charming. Canadian hospitality. Jolly good show. Who is he? | 0:45:32 | 0:45:37 | |
Just a haberdasher. | 0:45:41 | 0:45:43 | |
-Miss Sally Maitland. -Yes. -How long will you be staying in Canada? | 0:45:47 | 0:45:52 | |
-Indefinitely. -Have you got a room reserved in Halifax? | 0:45:52 | 0:45:57 | |
The hotels are packed. I could fix it for you. I've got influence. | 0:45:57 | 0:46:02 | |
I can manage quite well by myself. | 0:46:02 | 0:46:05 | |
Queer cargo they're sending us these days! | 0:46:05 | 0:46:09 | |
-How long will you be staying in Canada? -Indefinitely. | 0:46:09 | 0:46:13 | |
-Weren't you rude to Miss Maitland? -This is a free country. We can say what we please. -So I see. | 0:46:13 | 0:46:20 | |
You have a room for Miss Maitland? | 0:46:29 | 0:46:32 | |
No, I can see no reservation in the name of Maitland. | 0:46:32 | 0:46:36 | |
It was booked before I left England. | 0:46:36 | 0:46:39 | |
We have a long waiting list and the guests are sleeping in the corridors. | 0:46:39 | 0:46:44 | |
One moment, Miss. I think you'd better call Miss Stander. | 0:46:44 | 0:46:49 | |
Miss Stander, there's a Miss Maitland here. She said she made reservations. | 0:46:50 | 0:46:55 | |
-Miss Sally Maitland? -Yes. -Yes. | 0:46:56 | 0:47:00 | |
Her room is 73. I will take care of her myself. | 0:47:00 | 0:47:04 | |
Your reservation had been made. Miss Stander will show you to your room. Fill in this form, please. | 0:47:04 | 0:47:12 | |
Sally Maitland est arrivee. | 0:47:14 | 0:47:16 | |
Je vais m'en occuper personellement. | 0:47:16 | 0:47:19 | |
Bien. Bien sur. | 0:47:19 | 0:47:22 | |
I have a room reserved. Joan Ward. Oh, yes. | 0:47:24 | 0:47:29 | |
How long will you be staying? Just overnight. | 0:47:29 | 0:47:33 | |
-Miss Sally Maitland? -Yes. -I'm sorry there was a mistake about your reservation. | 0:47:33 | 0:47:39 | |
Number 73. Have Miss Maitland's luggage taken up to her room. | 0:47:39 | 0:47:44 | |
-I will take you. -Thank you. | 0:47:44 | 0:47:47 | |
-You're very busy. -Yes, we're very busy. | 0:47:51 | 0:47:55 | |
-Are these all occupied? -Yes, they are all occupied. | 0:47:55 | 0:48:00 | |
Marie, is Number 73 ready for Miss Maitland? Quite ready, mademoiselle. | 0:48:00 | 0:48:06 | |
Your room faces the sea which makes a blackout necessary. You will be very careful about it. | 0:48:11 | 0:48:18 | |
-Of course. -It is the responsibility of the guests. The penalties are very severe. -I understand. | 0:48:18 | 0:48:25 | |
Would you like me to unpack your bags? | 0:48:25 | 0:48:29 | |
-Thank you, no. I'll do them myself. -Very well, madam. | 0:48:29 | 0:48:33 | |
Miss Maitland, do not judge Canadian hospitality by Miss Stander. | 0:48:33 | 0:48:39 | |
Downstairs we call her Sourpuss. | 0:48:39 | 0:48:41 | |
I don't wonder! | 0:48:41 | 0:48:44 | |
The Barrington? Advise the RCMP that Sally Maitland is at the Barrington Hotel. | 0:48:44 | 0:48:51 | |
We'll do our best, but it won't be very good. | 0:48:53 | 0:48:57 | |
INAUDIBLE | 0:48:57 | 0:49:00 | |
Yes. Yes, all right. Goodbye. | 0:49:03 | 0:49:06 | |
Did you tell 'em? They already knew, sir. And the room number is 73. | 0:49:06 | 0:49:13 | |
You'd better ring them again and ask them to detail a couple of men to keep Miss Maitland under observation. | 0:49:13 | 0:49:20 | |
Yes, sir. | 0:49:20 | 0:49:23 | |
-Hello. Glad to see you again. How about a drink? -No, thank you. | 0:49:39 | 0:49:44 | |
-I don't want to be a nuisance, but... -You're very considerate. | 0:49:44 | 0:49:49 | |
-That's the first kind word you've said. Free for dinner? -No. | 0:49:49 | 0:49:54 | |
-I'll have to spend the rest of the evening in the bar. -Too bad. Hello! | 0:49:54 | 0:49:59 | |
-In case you don't know, there are no bars in Halifax. -If you please... | 0:49:59 | 0:50:04 | |
Chateau Brochet. | 0:50:13 | 0:50:16 | |
Yeah, that's her. | 0:50:40 | 0:50:42 | |
What a reputation she's made for herself! Yeah. | 0:50:42 | 0:50:47 | |
-Sally, this is our good friend, Maria Balska. -How do you do? -You're very welcome. | 0:50:49 | 0:50:55 | |
Where's Mother? She's resting. The excitement of seeing you has exhausted her. | 0:50:55 | 0:51:02 | |
-Would you prefer that I...? -No, Madame Orlock receives few visitors. | 0:51:02 | 0:51:07 | |
She's so looking forward to meeting you. May I take your hat and coat? | 0:51:07 | 0:51:13 | |
-Thank you, no. If Madame is tired, I won't stay long. -Very thoughtful. | 0:51:13 | 0:51:18 | |
-What an unusual house. -Yes, it has quite an atmosphere of Europe, of our own home. | 0:51:18 | 0:51:24 | |
-You must have a lovely view here. -Oh, yeah. | 0:51:24 | 0:51:28 | |
There she goes. | 0:51:31 | 0:51:33 | |
-Blackout, Sally! -I'm sorry. It isn't that I haven't been warned. | 0:51:33 | 0:51:38 | |
-How do they run things here? -The Royal Canadian Mounted Police are responsible for security. | 0:51:38 | 0:51:45 | |
They contact us or the military or the air force in any matters that concern our services. | 0:51:45 | 0:51:52 | |
-They know everything and everybody. PHONE RINGS -So I understand. | 0:51:52 | 0:51:59 | |
Right. She's at the Chateau Brochet. That's the Polish woman. | 0:51:59 | 0:52:03 | |
-What do you know about Madame Orlock? -Apportez-moi le dossier d'Orlock. | 0:52:03 | 0:52:10 | |
She's quite a remarkable old lady. Why are you so interested in her? | 0:52:10 | 0:52:15 | |
-I don't want her to get into bad company. -Her son came over with you. | 0:52:15 | 0:52:20 | |
-Yes, I know. I couldn't get him out of my hair. -Bien. | 0:52:20 | 0:52:24 | |
She's rented the chateau for the duration. Polish refugee, very well to do, good family. | 0:52:24 | 0:52:31 | |
Aristocratic. Papers are in order. | 0:52:31 | 0:52:34 | |
Ah, there you are! | 0:52:41 | 0:52:43 | |
-Mother, this is... -Sally Maitland. | 0:52:43 | 0:52:47 | |
Well, well, well! | 0:52:47 | 0:52:49 | |
Come a bit closer, my dear. | 0:52:51 | 0:52:54 | |
-My eyes... -Yes, Mother, I told her. | 0:52:54 | 0:52:57 | |
Sit down, dear. Here, near me, will you? | 0:52:57 | 0:53:01 | |
Jan, this is an occasion. We have very few visitors nowadays. | 0:53:02 | 0:53:07 | |
Bring some wine, Jan. | 0:53:07 | 0:53:10 | |
Yes... | 0:53:10 | 0:53:13 | |
A strong face and a fine couch - one who is not afraid to be alone | 0:53:14 | 0:53:21 | |
against a crowd, to swim against the stream. | 0:53:21 | 0:53:25 | |
You're very understanding, madam. | 0:53:26 | 0:53:29 | |
Now that you are with us in Halifax, are you going to stay here? | 0:53:29 | 0:53:34 | |
I expect so. I have no plans. | 0:53:34 | 0:53:37 | |
Have you any friends here? | 0:53:37 | 0:53:40 | |
I left my friend... That is, I haven't any. | 0:53:40 | 0:53:44 | |
-I hope to make new friends. -You must come here whenever you care to. | 0:53:45 | 0:53:51 | |
And now that we have met, you must not wait for Jan to bring you. | 0:53:51 | 0:53:57 | |
That's very kind of you. | 0:53:57 | 0:53:59 | |
-Sally... -Thank you. | 0:53:59 | 0:54:02 | |
Mother? | 0:54:02 | 0:54:04 | |
You know, Jan has set me a task. | 0:54:04 | 0:54:07 | |
Or should I rather say, a labour of love. | 0:54:07 | 0:54:11 | |
So I believe. | 0:54:11 | 0:54:14 | |
Here's to a happier future for the world! | 0:54:14 | 0:54:18 | |
To the new order! | 0:54:18 | 0:54:21 | |
-Sally, how could you...? -I'm sorry, Jan. -That's all right. | 0:54:22 | 0:54:27 | |
I shall drink to the new freedom. | 0:54:27 | 0:54:30 | |
Or as I don't care much for new things, I'll drink to the old freedom restored | 0:54:30 | 0:54:36 | |
and leave it to Jan and his friends to fight for theirs. Freedom is never a thing to take for granted. | 0:54:36 | 0:54:44 | |
-So, to the past! -To the future! | 0:54:44 | 0:54:47 | |
That leaves me with the present. | 0:54:47 | 0:54:50 | |
After all, it's usually the most important. | 0:54:50 | 0:54:54 | |
-She thinks I'm a halfwit. The last place she'd expect to find me is in an intelligence department. -Good. | 0:54:54 | 0:55:01 | |
-Miss Maitland just left the chateau. -Can I get a lift to the hotel? | 0:55:01 | 0:55:06 | |
-Take my car. It's at the side entrance. -Thank you, sir. Good night. -Good night. Let's have coffee, Paul! | 0:55:06 | 0:55:14 | |
Had the fog cleared at the chateau, Captain? | 0:55:15 | 0:55:19 | |
Yes. Not nearly so thick. Thank you, Captain. | 0:55:19 | 0:55:23 | |
Good night. | 0:55:32 | 0:55:34 | |
-Goodbye, Jan. -Goodbye? -It's better if we don't see each other again. | 0:55:34 | 0:55:39 | |
-Why? -I wrecked a pleasant evening, I distressed your mother. -My mother understands as I do. | 0:55:39 | 0:55:46 | |
-I don't think you do. -Sally, we must meet again and talk everything over. | 0:55:46 | 0:55:51 | |
-It will lead to the same... -I will take no refusal. I will call for you at three. Good night. -Good night. | 0:55:51 | 0:55:59 | |
Good night! | 0:56:09 | 0:56:12 | |
-What are you doing there? -Getting a night's rest. -Why outside my door? | 0:56:12 | 0:56:18 | |
-Last bed in the hotel. Last in Halifax. -I thought you had influence. -That's how I got this. | 0:56:18 | 0:56:25 | |
Good night! Happy dreams! | 0:56:25 | 0:56:28 | |
A policeman's first duty is to his feet. Yours would get a better rest if you took your boots off. | 0:56:30 | 0:56:38 | |
Heck, blue booties! | 0:56:39 | 0:56:42 | |
Citadel Hill is my favourite spot. I get such a feeling of spaciousness here. | 0:56:43 | 0:56:49 | |
-I can see it all so clearly in my imagination. -Halifax has a wonderful history. | 0:56:49 | 0:56:55 | |
Yes, Jan told me all about it. He is a great reader. You know, Sally, | 0:56:55 | 0:57:02 | |
your great Nelson used Halifax for refitting his fleet. | 0:57:02 | 0:57:06 | |
And in the American Civil War, it was a home port for the blockade runners. | 0:57:06 | 0:57:13 | |
And in the last war it was as it is now - a gateway to the Battle of the Atlantic. | 0:57:13 | 0:57:20 | |
Don't distress yourself by too much talking. | 0:57:20 | 0:57:24 | |
The real miracle of Halifax is its resurrection after destruction. | 0:57:24 | 0:57:29 | |
In 1917 a great ship loaded with TNT collided with another in the harbour. | 0:57:29 | 0:57:34 | |
-A drum of petrol overturned on deck and caught fire. A British cruiser was nearby. -The Highflyer. | 0:57:34 | 0:57:41 | |
You know the story? | 0:57:41 | 0:57:44 | |
I must have read it somewhere, possibly in the Reader's Digest. | 0:57:44 | 0:57:49 | |
-Didn't a group of sailors try to put the fire out? -Yes. It was one of the greatest explosions ever heard! | 0:57:49 | 0:57:57 | |
Every ship in the harbour was wrecked, a huge tidal wave. Thousands of people were killed and injured. | 0:57:57 | 0:58:05 | |
A devastating blow to the Allies! | 0:58:05 | 0:58:07 | |
-It was. -Children, as if there weren't enough horrors today without recalling the past ones! | 0:58:07 | 0:58:14 | |
-I think it must be getting on for teatime. -You will be coming with us, Sally? | 0:58:14 | 0:58:20 | |
-If I may. -Of course. Come along, Jan - tea! | 0:58:20 | 0:58:25 | |
It'll be better to do it while she's with them. They'll go back to the chateau? | 0:58:25 | 0:58:31 | |
It's practically certain. Do we pull any punches, sir? No, make it a frontal attack. | 0:58:31 | 0:58:38 | |
Although make it clear we're acting in a friendly spirit. That's all. | 0:58:38 | 0:58:43 | |
GENTLE PIANO MUSIC | 0:58:44 | 0:58:47 | |
More tea, Sally? | 0:58:47 | 0:58:50 | |
Listening to music is one of my greatest delights. | 0:58:52 | 0:58:56 | |
It even means more now than it did, now that I cannot play myself any more. | 0:58:56 | 0:59:03 | |
-Two men have called, Madame. -Two men? -Who? I've never seen them before. | 0:59:03 | 0:59:10 | |
-British? Yes. They wish to know if you are at home. -Of course. Show them in. | 0:59:10 | 0:59:17 | |
Give me another cup, Jan. | 0:59:17 | 0:59:19 | |
Madame, we're from Headquarters, Royal Canadian Mounted Police. | 0:59:28 | 0:59:34 | |
-How can I help you? This is my son Jan. -How do you do? | 0:59:34 | 0:59:38 | |
-And... -Miss Maitland, we know. | 0:59:38 | 0:59:41 | |
The point is this. It's confirmed by Miss Maitland being here. | 0:59:41 | 0:59:46 | |
And being at Citadel Hill with you. | 0:59:46 | 0:59:49 | |
Miss Maitland is pro-Nazi and makes no attempt to hide it. | 0:59:49 | 0:59:54 | |
In England she was conspicuous by her anti-British feeling. And was thrown out. | 0:59:54 | 1:00:01 | |
But this is purely an unofficial visit, a friendly one to warn you. | 1:00:01 | 1:00:06 | |
You are guests in Canada and we don't want you to put yourselves in an embarrassing position. | 1:00:06 | 1:00:13 | |
It would be unwise of you to continue to entertain Miss Maitland during her stay in Halifax. | 1:00:13 | 1:00:20 | |
-- Good afternoon. - Good afternoon. -Good afternoon. | 1:00:20 | 1:00:25 | |
I'm sorry. I'll go at once. | 1:00:30 | 1:00:32 | |
-I will not have you driven from my home. -Thank you for your kindness. I'm sorry for this unpleasantness. | 1:00:32 | 1:00:40 | |
-I'd rather go. -Jan, go with her. | 1:00:40 | 1:00:42 | |
-Yes. -Goodbye. | 1:00:42 | 1:00:45 | |
They talk about the Gestapo! Those men bursting into your house like that - it's outrageous! | 1:00:46 | 1:00:53 | |
-I shall leave Halifax tomorrow. -But, Sally... -No, Jan, I've made up my mind. | 1:00:53 | 1:00:59 | |
Sally, I want you to stay here and we will repay them with interest. | 1:00:59 | 1:01:04 | |
-What do you mean? -I have many friends in Halifax. | 1:01:04 | 1:01:08 | |
-Stop talking in riddles. -Sally, let's sit down. | 1:01:08 | 1:01:12 | |
I'm in your hands, Sally. | 1:01:33 | 1:01:36 | |
Rather the other way round, isn't it? I'm in yours. | 1:01:36 | 1:01:40 | |
-Does your mother know? -Never say a word to her about this. She couldn't bear the shock. You swear? | 1:01:40 | 1:01:48 | |
-Yes, of course. -I knew I could trust you. | 1:01:48 | 1:01:52 | |
It was my mission to follow you from England and keep watch over you. | 1:01:52 | 1:01:57 | |
You won the Fuhrer's admiration. I myself heard him speak highly of you. | 1:01:57 | 1:02:02 | |
Now you have the honour to serve him. | 1:02:02 | 1:02:04 | |
-What do you want me to do? -Important work. We have a great organisation. -You are the leader? -No. | 1:02:04 | 1:02:11 | |
-Only a very few know who the leader is. -Are there many of you? | 1:02:11 | 1:02:17 | |
Enough. And none of us a suspect. | 1:02:17 | 1:02:19 | |
Well? | 1:02:23 | 1:02:25 | |
-When do I start? -Aber euer Stern geht unter. Wenn er wieder aufgeht... | 1:02:25 | 1:02:31 | |
I've heard that somewhere before. | 1:02:31 | 1:02:34 | |
On the ship. I gave that message to our commander. It was too important to trust our infallible channels. | 1:02:34 | 1:02:41 | |
This star is waning. When it rises again... | 1:02:42 | 1:02:47 | |
-That's very soon. -Almost immediately. | 1:02:47 | 1:02:51 | |
Jan, you've given me the opportunity I've been waiting for - to serve the cause I believe in. | 1:02:51 | 1:02:58 | |
The cause for which I would die. | 1:02:58 | 1:03:00 | |
A true Nazi. | 1:03:01 | 1:03:04 | |
This was given to me by the Fuhrer himself. Take it. | 1:03:04 | 1:03:09 | |
To draw from it the courage to carry out his great work. | 1:03:10 | 1:03:14 | |
I simply couldn't resist calling and meeting his mother. | 1:03:15 | 1:03:20 | |
You would have been very proud of how he went for that Boche. He called me an old sow, the swine! | 1:03:20 | 1:03:27 | |
Captain, you must be surprised to see me here. I am delighted. | 1:03:27 | 1:03:33 | |
I've been hearing of your terrifying experience. Why didn't you tell me? | 1:03:33 | 1:03:38 | |
It was nothing to worry you with. How modest! | 1:03:38 | 1:03:42 | |
Talking of modesty, the modesty of Mr Garrick. What do you think? I haven't the faintest idea. | 1:03:42 | 1:03:49 | |
Neither had I. Lieutenant-Commander in the British Naval Intelligence. | 1:03:49 | 1:03:55 | |
DSO for something very hush-hush. > | 1:03:55 | 1:03:58 | |
It just shows you how careful you must be. | 1:03:58 | 1:04:02 | |
LOUD THUMP | 1:05:10 | 1:05:12 | |
Put your hands up. | 1:05:21 | 1:05:24 | |
Turn round. | 1:05:24 | 1:05:26 | |
I thought so. | 1:05:26 | 1:05:29 | |
-Here we are. I suppose you know who I am. -British Intelligence following me around. | 1:05:29 | 1:05:35 | |
-Correct. -Now that you are here, watch that door for me. This is my pigeon, not yours. -OK, Chief. | 1:05:35 | 1:05:43 | |
-After all the preparation this took, can't they trust me? -This is a pretty risky job. | 1:05:43 | 1:05:50 | |
-I was told to stand by in case I'm needed. -All this stuff has been planted for our benefit. | 1:05:50 | 1:05:57 | |
Not up to their usual standard. | 1:05:57 | 1:06:00 | |
-PIANO MUSIC -Somebody playing to the old lady. -Can't be Jan. He's gone out. | 1:06:00 | 1:06:07 | |
If you hear anyone coming, switch the light off. Get behind these curtains. | 1:06:07 | 1:06:13 | |
Hello! | 1:06:13 | 1:06:16 | |
We were expected. Quite a bonfire! There's no point wasting time here, but I must have a talk with you. | 1:06:16 | 1:06:24 | |
-We might even have a drink. -We'd better not leave together. | 1:06:24 | 1:06:28 | |
-You first. -If they catch you, you've no excuse. I'm one of them now. Off you go. | 1:06:28 | 1:06:35 | |
-This may be your pigeon, but you're my pigeon. Off YOU go! -Have it your way. -Wait for me at the Barrington. | 1:06:35 | 1:06:42 | |
I'll pick you up. | 1:06:42 | 1:06:45 | |
I was beginning to think he never would give himself away, | 1:06:46 | 1:06:51 | |
but having myself denounced at the Orlock home did the trick. He spilt the beans within an hour! | 1:06:51 | 1:06:58 | |
-Pretty smart work. -Now I'm in it with them up to my neck. They've got something very big and very soon. | 1:06:58 | 1:07:06 | |
-What makes you think that? -Aber euer Stern geht unter. Wenn er wieder aufgeht... | 1:07:06 | 1:07:12 | |
-I'm not too good at conundrums. -When did you first get on to Jan? | 1:07:12 | 1:07:17 | |
-When he shouted back in perfect German. -Pretty smart work. | 1:07:17 | 1:07:22 | |
Aber euer Stern geht unter und wenn er wieder aufgeht... | 1:07:38 | 1:07:42 | |
Versteh' ich nicht. | 1:07:42 | 1:07:45 | |
May I see your identification card and passport, please? | 1:07:45 | 1:07:50 | |
Ihre Reisenpass und Ausweiskarte. | 1:07:51 | 1:07:54 | |
-What is your authority? -RCMP and Naval Intelligence. -Good enough. | 1:07:54 | 1:07:59 | |
OK. But you might remember. German is not a very popular language round here. | 1:08:05 | 1:08:11 | |
-So I see. -Pretty smart work! I think we'd better beat it. | 1:08:11 | 1:08:16 | |
-Taking time by the Orlock, as you might say. -That takes me straight to bed. -I'll come with you. -Pardon? | 1:08:16 | 1:08:23 | |
Well, good night. | 1:08:26 | 1:08:28 | |
-You should ask them for a room. Get a decent night's rest. -I'm getting attached to that. | 1:08:28 | 1:08:35 | |
-I'm afraid I've been rude to you. -Yes, I've taken plenty of brushing off. | 1:08:35 | 1:08:41 | |
Do you think I enjoy doing it? | 1:08:41 | 1:08:44 | |
-You seemed to be having a heck of a good time. -Did I? -Yes, you did. | 1:08:44 | 1:08:49 | |
I'm sorry. After all, we weren't exactly being ourselves, were we? | 1:08:49 | 1:08:54 | |
It might be fun being ourselves. | 1:08:54 | 1:08:58 | |
Yes, I... I think it might. | 1:08:59 | 1:09:02 | |
Here goes. Hold on to your hat! | 1:09:02 | 1:09:05 | |
-Now who's taking time by the Orlock? -Does that guy always have to butt in? -Good night. | 1:09:07 | 1:09:14 | |
Good night. | 1:09:14 | 1:09:16 | |
-Would you mind telling me what you mean by that joke? -What joke? | 1:09:22 | 1:09:27 | |
-The joke on my name. -Oh, that! Shocking bad joke, wasn't it? Typically British. | 1:09:27 | 1:09:34 | |
-I was throwing it back where it came from. -Mr Garrick? -Yes, it fits him. | 1:09:34 | 1:09:39 | |
-You're friendly with him. -Yes. -He's in British Intelligence. -Yes, I know. | 1:09:39 | 1:09:44 | |
-Yet you exchange bad jokes with him and confidences. -Jan, aren't you being a little difficult? | 1:09:44 | 1:09:52 | |
I've started my new job. Being offhand with him was a mistake. | 1:09:52 | 1:09:57 | |
Tonight we've made friends, we've exchanged all sorts of confidences. | 1:09:57 | 1:10:02 | |
-Mr Garrick will be useful. -You expect me to believe that? | 1:10:02 | 1:10:06 | |
-Yes. We have to trust each other. -GUN CLICKS -What's all this? | 1:10:06 | 1:10:13 | |
Put on your hat and coat. Walk out of this hotel. Ask the commissionaire to call a taxi. I'll follow you. | 1:10:13 | 1:10:21 | |
Any trick and it will be too bad. | 1:10:21 | 1:10:24 | |
I see. You've caught me. | 1:10:24 | 1:10:27 | |
-It's my own fault. I should have checked up on you. -Go on. | 1:10:27 | 1:10:32 | |
What else is there to say? You're in the British Secret Service and you've got me. | 1:10:32 | 1:10:38 | |
-Anything else? -Yes. Yes, there is one thing. | 1:10:38 | 1:10:43 | |
Don't let them take me back to England. Let them deal with it here. | 1:10:43 | 1:10:49 | |
You rat! | 1:10:52 | 1:10:54 | |
I really believed you when you said you loved me. | 1:10:54 | 1:10:59 | |
Forgive me, darling. | 1:11:01 | 1:11:04 | |
I do love you. But you see, I had to make sure. | 1:11:04 | 1:11:08 | |
Tonight we strike and you are to play a vital part. I'm taking you to meet the council and the leader. | 1:11:08 | 1:11:15 | |
-They're accepting you on my responsibility. -I see. | 1:11:15 | 1:11:20 | |
Don't ever do that again. | 1:11:20 | 1:11:22 | |
You scared me. | 1:11:22 | 1:11:25 | |
No need. If everything goes well tonight, I have decided we shall be married immediately. | 1:11:25 | 1:11:32 | |
-How nice. -Yes. | 1:11:32 | 1:11:34 | |
-And now we must hurry. We're late already. We're due now. -Now? | 1:11:35 | 1:11:40 | |
Yes, now. | 1:11:40 | 1:11:43 | |
Sally... | 1:11:46 | 1:11:48 | |
What a mess I've made of your face! | 1:11:48 | 1:11:51 | |
Wait a minute. | 1:11:51 | 1:11:53 | |
-There. Get my coat out of that cupboard over there. -Right. -I'll fix my lips. | 1:11:53 | 1:12:00 | |
There are several coats here. Which one, darling? | 1:12:01 | 1:12:05 | |
-The fur one. -Fur one. | 1:12:05 | 1:12:07 | |
You know, Sally, I really ought to object to that. The Fuhrer frowns upon such vanities. | 1:12:16 | 1:12:23 | |
When I first met him in 1937, I had on this identical shade. He rather liked it. | 1:12:23 | 1:12:29 | |
That, of course, is different. | 1:12:29 | 1:12:32 | |
-Oh. -Yes, that English fool outside. -Wait. | 1:12:32 | 1:12:36 | |
He's asleep. | 1:12:42 | 1:12:44 | |
We'd better not be seen going out of my room together. | 1:12:50 | 1:12:55 | |
That would never do. I'll go first, meet you at the top of the staircase. | 1:12:55 | 1:13:00 | |
-Make it the back staircase, right opposite. -Right. | 1:13:00 | 1:13:04 | |
Tonight we make amends for our one great failure. | 1:13:54 | 1:13:58 | |
-Your efficient organisation? -On this occasion, even we failed. | 1:13:58 | 1:14:03 | |
-When was that? -The night before we left England we missed dealing a blow the English couldn't have taken. | 1:14:03 | 1:14:11 | |
-How? -The King and Queen and the Princesses were either at Buckingham Palace or in the country. | 1:14:11 | 1:14:18 | |
The Luftwaffe was approaching. Our member was to signal at which place the Royal Family were. | 1:14:18 | 1:14:25 | |
We knew the precise spot in the country where they were, | 1:14:25 | 1:14:30 | |
but he sent up the wrong signal, Buckingham Place was bombed and the Royal Family escaped. | 1:14:30 | 1:14:36 | |
-What happened to your member? -Oscar Burrell? He was found dead. -Suicide? -What else could he have done? | 1:14:36 | 1:14:44 | |
Of course. What else? | 1:14:44 | 1:14:47 | |
She threw that at me. He must have been in her room the whole time. | 1:14:47 | 1:14:52 | |
-How he got in there... -"Go HQ. Wait." She's got her wits about her. -She's terrific. | 1:14:52 | 1:14:58 | |
Sir, I must see you alone. Speak in front of Cdr Garrick. Jack Cardwell, a promising youngster. | 1:14:58 | 1:15:05 | |
Thank you, sir. Go ahead. I'm on to something important. | 1:15:05 | 1:15:10 | |
Sally Maitland is up to her tricks. | 1:15:10 | 1:15:13 | |
We've been discussing her. I think you can safely leave that young woman to us. | 1:15:13 | 1:15:19 | |
It's the Queen Mary. Sabotage. We'll get on to that. In the meanwhile, you lay off, Cardwell. | 1:15:19 | 1:15:26 | |
Aye-aye, sir. Very good work. | 1:15:26 | 1:15:29 | |
-Don't any of your boys know about Sally? -No. | 1:15:29 | 1:15:33 | |
Only myself and the head of the Mounties. That's how they wanted it. | 1:15:33 | 1:15:38 | |
They've built her up, so we agreed. | 1:15:38 | 1:15:41 | |
-Fancy being accused of sabotaging the Queen Mary! -We can forget that! | 1:15:41 | 1:15:46 | |
-You looked surprised to find me in your room. -I was. How did you get in? -Our organisation is very efficient. | 1:15:46 | 1:15:54 | |
-So it seems. -And the Fuhrer always watches over good friends of the Third Reich. | 1:15:54 | 1:16:00 | |
-The canary? -Mm-hm. -You put it in my cabin? -And sent you one in London. | 1:16:00 | 1:16:05 | |
-Just in case I should change my opinion of the British? -Precisely. | 1:16:05 | 1:16:10 | |
-Well, well! Today has been full of surprises. -And you will have a few more before the day is over. | 1:16:10 | 1:16:18 | |
Ihr habt alle grossartige Arbeit geleistet. | 1:16:28 | 1:16:32 | |
Der Fuhrer ist zufrieden. | 1:16:32 | 1:16:35 | |
Der Fuhrer erwartet heute abend von euch allen aussersten Einsatz! | 1:16:35 | 1:16:41 | |
Ihr konnt stolz darauf sein, | 1:16:41 | 1:16:43 | |
die Befehle des Fuhrers ausfuhren zu durfen. | 1:16:43 | 1:16:47 | |
DOORBELL Das ist Kurt. Und Fraulein Maitland. | 1:16:47 | 1:16:52 | |
Heil Hitler. | 1:17:05 | 1:17:08 | |
ALL: Heil Hitler! | 1:17:08 | 1:17:11 | |
Heil Hitler. | 1:17:11 | 1:17:13 | |
Meine Damen und Herren, ich freue mich am heutigen Abend, eine neue Mitarbeiterin vorstellen zu durfen. | 1:17:13 | 1:17:21 | |
Fraulein Sally Maitland! | 1:17:21 | 1:17:24 | |
I will now introduce. Karl-Heinz Stetto. | 1:17:24 | 1:17:29 | |
-Freut mich sehr, mein Fraulein. -Surely... -It's queer cargo they're sending us these days. | 1:17:29 | 1:17:35 | |
< Fraulein Gretl Kuhne. Unsere Organisation ist unseres Fuhrers wurdig. | 1:17:35 | 1:17:41 | |
-I thought you were too good to be true. -And the means of my getting into your room. Frau Brehme! | 1:17:41 | 1:17:48 | |
-I am glad to see you complied with the blackout regulations. -The penalties were severe. | 1:17:48 | 1:17:55 | |
< Herr von Kamnitz. Sehr geehrt, gnadiges Fraulein. I hope you found Room 73 comfortable. | 1:17:55 | 1:18:03 | |
-I must say you've been looking after me. -Our organisation... -Very efficient. -Thank you. | 1:18:03 | 1:18:10 | |
-Orlock and Sally have just gone into the chateau. -I'll get going, sir. -Where? -To the chateau. | 1:18:13 | 1:18:20 | |
-I think you'd better wait here. She asked you to. -I suppose I better. | 1:18:20 | 1:18:25 | |
Achtung! The leader! | 1:18:26 | 1:18:28 | |
Heil Hitler! | 1:18:43 | 1:18:45 | |
ALL: Heil Hitler! | 1:18:45 | 1:18:48 | |
Heil Hitler. | 1:18:48 | 1:18:50 | |
So we are gathered in this room for the last time. | 1:18:57 | 1:19:02 | |
After months of preparation, the hour has come. Tonight we strike. | 1:19:02 | 1:19:07 | |
Herr Stetto, Frau Kuhne and Brehme, Herr von Kamnitz, return to work. | 1:19:07 | 1:19:12 | |
Within a few hours, you may have to lay down your lives for the Fuhrer. You will do so readily. | 1:19:12 | 1:19:19 | |
-If you escape this calamity, you will get further instructions. Heil Hitler. -Heil Hitler! | 1:19:19 | 1:19:25 | |
So, Fraulein Maitland, | 1:19:28 | 1:19:31 | |
-your attention. -Madame Orlock, I'm all attention. -Before I tell you your part in this undertaking, | 1:19:31 | 1:19:38 | |
I must tell you that Jan - Kurt - is not my son and we are not Poles. | 1:19:38 | 1:19:43 | |
-Madame Orlock... -To make such a pretence even for the cause is most distasteful! | 1:19:43 | 1:19:50 | |
-Six people have entered the house now. No-one's left it yet. -A thick fog is coming up from the harbour. | 1:19:50 | 1:19:58 | |
-If it gets worse, it'll be hard to keep the house under observation. -I hope she's all right, sir. | 1:19:58 | 1:20:05 | |
She will be. There's obviously a council meeting and she's in on it. It's just what we all hoped for. | 1:20:05 | 1:20:12 | |
-She'll get a message through. -She'll have a mouthful to tell us tomorrow. | 1:20:12 | 1:20:18 | |
Long before morning everything will be over. "It must have been a devastating blow to the Allies." | 1:20:18 | 1:20:25 | |
Remember saying that when Kurt told you about the Halifax explosion in the last war? | 1:20:25 | 1:20:32 | |
-Yes, I remember. -You never spoke a truer word. | 1:20:32 | 1:20:36 | |
Even as I am speaking, a great convoy is nearing its destination. | 1:20:36 | 1:20:41 | |
Last night, under the cover of fog, number four of the convoy, manned by Fifth Columnists, | 1:20:41 | 1:20:47 | |
was substituted for a ship manned by a German crew. | 1:20:47 | 1:20:51 | |
Das bevorstehende Unternehmen ist von allergrosster Bedeutung fur das dritte Reich. | 1:20:51 | 1:20:58 | |
Im Namen des Fuhrers verleihe ich ihnen fur die ganze Besatzung das Eiserne Kreuz erste Klasse im voraus. | 1:20:58 | 1:21:06 | |
Sieg Heil! Heil Hitler! | 1:21:06 | 1:21:08 | |
On board are tons of TNT. The crew will abandon ship and a time fuse will do its work. | 1:21:08 | 1:21:15 | |
The explosion of 1917 will be repeated. The gateway to the Battle of the Atlantic will be shattered. | 1:21:15 | 1:21:22 | |
-How ingenious! How clever! -Neither ingenious nor clever. Anyone could have thought of it. | 1:21:22 | 1:21:29 | |
Most people would have thought it could not be done. It took years of preparing for it. | 1:21:29 | 1:21:36 | |
-That's all. -What is my part to be? | 1:21:36 | 1:21:38 | |
You are a suspect with the British Intelligence. We must have attention diverted. | 1:21:38 | 1:21:45 | |
At the far end of the basin is the Queen Mary. She is due to sail tomorrow and full of troops. | 1:21:45 | 1:21:53 | |
Tell your friend Garrick of the sabotage plot. | 1:21:53 | 1:21:57 | |
We made sure this rumour has reached Naval Intelligence. | 1:21:57 | 1:22:01 | |
Tell him every available man is needed to prevent the catastrophe. | 1:22:01 | 1:22:06 | |
-He's at the Barrington. I'll... -No, he left there and is now at British Naval Intelligence. | 1:22:06 | 1:22:13 | |
-Then I can go... -No, my dear. You will not leave here. You will never leave us again. | 1:22:13 | 1:22:20 | |
At the far end of the narrows is a launch. At Sable Island is a U-Boat. | 1:22:20 | 1:22:25 | |
It will take us to Germany, the country to which we belong. | 1:22:25 | 1:22:30 | |
-Our organisation is very efficient. -Yes, very. Well... -You will telephone him. Kurt! | 1:22:30 | 1:22:37 | |
FOGHORN BLASTS | 1:22:38 | 1:22:41 | |
Good. Even the elements are with us. | 1:22:43 | 1:22:46 | |
Sally... | 1:22:46 | 1:22:48 | |
Thick like a blanket. | 1:22:51 | 1:22:53 | |
The number is Halifax 2421. | 1:22:55 | 1:22:58 | |
Tell the monitor you are on British Intelligence staff and not to disconnect your call | 1:22:58 | 1:23:04 | |
-although she can listen in. -You think of everything. -Of course. | 1:23:04 | 1:23:09 | |
-Now, there is a plot to blow up the Queen Mary. -Within the next hour. -Within the next hour. | 1:23:09 | 1:23:16 | |
-Send every available man. -Good. You were born for the Secret Service. | 1:23:16 | 1:23:22 | |
I hope so. | 1:23:22 | 1:23:24 | |
-Halifax...? -2421. | 1:23:24 | 1:23:27 | |
2421? You must not discuss shipping, troop movements or any information of use to the enemy. | 1:23:27 | 1:23:34 | |
I have something urgent for Naval Intelligence. Listen, but don't cut me off. | 1:23:34 | 1:23:40 | |
PHONE RINGS | 1:23:40 | 1:23:43 | |
No, not that one. | 1:23:43 | 1:23:45 | |
Hello, hello? Yes...? Sally! | 1:23:45 | 1:23:49 | |
Listen, I'm at a Bund meeting. The council. | 1:23:49 | 1:23:53 | |
But, darling, you must believe me. It's desperately urgent. | 1:23:54 | 1:23:59 | |
The Queen Mary is sailing tomorrow. | 1:23:59 | 1:24:03 | |
-The Queen Mary? It is the Queen Mary. -RCMP! | 1:24:03 | 1:24:07 | |
Yes, I know, but I can't go through with it. I'm terrified. | 1:24:07 | 1:24:12 | |
You've got to act quickly. Tonight. Within an hour! | 1:24:12 | 1:24:17 | |
-SHOUTING -Forget about the Queen Mary! | 1:24:17 | 1:24:21 | |
A ship is approaching Halifax loaded with TNT. | 1:24:21 | 1:24:25 | |
-A convoy due in Halifax tonight, a ship full of TNT to be exploded in the narrows. -Admiral Dixon! | 1:24:25 | 1:24:33 | |
Sally! I'm off to the chateau, sir. | 1:24:33 | 1:24:35 | |
-Das Licht, Maria! GUNSHOT -Maria, Licht! | 1:24:35 | 1:24:40 | |
Maria, das Auto! Nach vorne! Schnell! | 1:24:40 | 1:24:44 | |
-I told you I never trusted that girl! Du dummer Junge! -BOTH SHOUT AT ONCE | 1:24:44 | 1:24:51 | |
-Get rid of her! -I'll get rid of her. | 1:24:51 | 1:24:54 | |
Drop that phone. | 1:24:54 | 1:24:57 | |
Drop it! | 1:24:57 | 1:24:59 | |
Hands up! | 1:24:59 | 1:25:02 | |
You rotten cheat! You make me look a stupid fool. | 1:25:02 | 1:25:06 | |
You've done more harm to our cause... | 1:25:06 | 1:25:09 | |
-You're wasting valuable time. -Anything else you would like to say? | 1:25:09 | 1:25:14 | |
-Yes. -You'd better be quick. | 1:25:14 | 1:25:17 | |
GUNSHOT | 1:25:17 | 1:25:20 | |
Gosh, there's one humdinger of a row going on here. Hello! | 1:25:20 | 1:25:25 | |
-Is she dead? -I made no mistake about that. -Kurt! | 1:25:25 | 1:25:29 | |
Get over there! Put your hands up! Put 'em up! | 1:25:29 | 1:25:33 | |
-Hello! -Hello, monitor! Monitor, flash this line! | 1:25:33 | 1:25:38 | |
Right. Urgent. This is Lieutenant-Commander Garrick, Naval Intelligence. | 1:25:38 | 1:25:45 | |
Verify Headquarters. | 1:25:45 | 1:25:48 | |
-Message. Call RCMP... -GUNSHOT | 1:25:48 | 1:25:52 | |
Not you, Mama! Sit down! | 1:25:52 | 1:25:54 | |
Tell RCMP, full steam ahead, Chateau Brochet. Brochet! | 1:25:54 | 1:26:00 | |
I've got it. You're holding Madame Orlock and the phoney Captain. I've got it. | 1:26:00 | 1:26:07 | |
Send doctor, ambulance. If this message is understood, flash again. | 1:26:07 | 1:26:12 | |
-TWO BLIPS -Right, you sons of Fritzes... | 1:26:12 | 1:26:17 | |
Call all patrol cars and have them converge on the Chateau Brochet. Report to that point! | 1:26:17 | 1:26:23 | |
Make a signal, urgent. Number Four in S Convoy loaded TNT, due for destruction on arrival. | 1:26:23 | 1:26:30 | |
Number Four in convoy, loaded TNT. German crew, out to destroy Halifax? | 1:26:30 | 1:26:35 | |
How thick is the fog? Visibility zero. Fog thickening. | 1:26:35 | 1:26:40 | |
Number Four's in the centre of the convoy. I'll head her off. | 1:26:40 | 1:26:45 | |
Signal every ship that passes and identify code numbers. Aye-aye, sir. | 1:26:45 | 1:26:51 | |
That's her. | 1:26:53 | 1:26:56 | |
Ahoy there! What's your number? | 1:26:56 | 1:26:59 | |
Ahoy there! What's your number? > | 1:27:02 | 1:27:04 | |
Number four! | 1:27:05 | 1:27:08 | |
Heave to! | 1:27:08 | 1:27:10 | |
Stimmt etwas nicht. Sind wir entdeckt? Dann geht's aber los! | 1:27:10 | 1:27:15 | |
Volle Kraft voraus! | 1:27:15 | 1:27:18 | |
Number Four, heave to or I'll sink you! | 1:27:20 | 1:27:25 | |
Then you'll sink the whole convoy! | 1:27:25 | 1:27:28 | |
Make a signal for every ship to disperse and meet at the final rendezvous. | 1:27:28 | 1:27:35 | |
Sagen Sie dem ersten Offizier, volle Kraft voraus! | 1:27:35 | 1:27:39 | |
Make a signal. RCAF. Ask for a bomber flight to head for this position. Aye-aye, sir. | 1:27:39 | 1:27:46 | |
Make a signal. RCAF operations. | 1:27:46 | 1:27:49 | |
Yes, I've got it. | 1:27:49 | 1:27:52 | |
Ops Room, urgent message, sir, from Naval HQ. | 1:27:52 | 1:27:56 | |
Send bomber flight, latitude... | 1:27:56 | 1:27:59 | |
- Lookout, visibility? - Visibility ten yards, sir. No sign of Number Four. | 1:28:11 | 1:28:18 | |
Any sign of her? No. What do the instruments say? | 1:28:24 | 1:28:28 | |
500 yards to starboard on a course west by nor'west. | 1:28:28 | 1:28:32 | |
As a last resort, we'll ram her. The convoy's well out of close range. | 1:28:32 | 1:28:37 | |
AIRCRAFT ENGINES ROAR | 1:29:02 | 1:29:05 | |
Flugzeuge. Ja. | 1:29:08 | 1:29:12 | |
Squadron Leader reports Number Four visible above low fog, sir, about 600 yards to our starboard. | 1:29:14 | 1:29:21 | |
Make a signal. Squadron Leader... | 1:29:22 | 1:29:25 | |
What does he say? Finish her off. | 1:29:27 | 1:29:31 | |
Full speed ahead, sou' by sou'west. | 1:29:32 | 1:29:35 | |
All hands stand by in life belts. All rafts at the ready. | 1:29:35 | 1:29:39 | |
Schnell ansteuern! | 1:29:57 | 1:29:59 | |
Any chance, Doctor? | 1:30:16 | 1:30:18 | |
Sit down, my dear. No need to fuss round like that. Much better to get on with breakfast. | 1:30:31 | 1:30:38 | |
Breakfast isn't in yet. There's the coffee. | 1:30:38 | 1:30:42 | |
Oh, dear, oh, dear! Coffee, my dear? | 1:30:42 | 1:30:45 | |
-Yes, please. -Is it one saccharin or two? -One, please. | 1:30:45 | 1:30:50 | |
When I think of that last day she was here, that yellow canary, the things you said to her. | 1:30:50 | 1:30:57 | |
-You were just as bad. -Was I? I suppose I was. Oh, dear, oh, dear! | 1:30:57 | 1:31:03 | |
Why was I such a blind fool? You couldn't help it. If she'd only given us a hint... | 1:31:03 | 1:31:09 | |
-She was in the SECRET Service. -Why didn't she wear a uniform? | 1:31:09 | 1:31:14 | |
DOORBELL Front door! Don't get excited! | 1:31:14 | 1:31:19 | |
Hello, Hargreaves. What are you doing here? Sorry to sound inhospitable, but... | 1:31:19 | 1:31:26 | |
- We were expecting... - She's done her last job for us. Be prepared for a shock. | 1:31:26 | 1:31:33 | |
She's a very different Sally from the girl who left a few months ago. | 1:31:33 | 1:31:38 | |
-Sally! Darling! -Mother! | 1:31:38 | 1:31:42 | |
-How lovely to see you. -Betty! Dad, how are you? | 1:31:42 | 1:31:46 | |
-All the better for seeing you. What's this tin sailor business? -I was so envious of Betty in hers. | 1:31:46 | 1:31:53 | |
That's splendid. That's pretty good. | 1:31:53 | 1:31:56 | |
-The rotten things I said to you - I should have known! -I was more scared about fooling you than the others! | 1:31:56 | 1:32:03 | |
-What are you doing? -Kissing my mother-in-law. -Who are you? | 1:32:03 | 1:32:08 | |
-Your son-in-law. -Who is this man? -My husband. -Your husband? | 1:32:08 | 1:32:13 | |
-God bless my soul! Will you stay for breakfast? -Thank you. -Charles? | 1:32:13 | 1:32:19 | |
Yes, I'm ravenous! Made this morning, Miss Sally. | 1:32:19 | 1:32:23 | |
-Oh, Reynolds! -We shall want two more places. Miss Sally and her husband, | 1:32:23 | 1:32:28 | |
-Mr...? -Garrick. -Have a cigarette while you're waiting. -Thanks. | 1:32:28 | 1:32:34 | |
-Will you...? -No, thank you. | 1:32:34 | 1:32:36 | |
-I must be dreaming. I thought I saw a swastika. -You did. That saved Sally's life. | 1:32:36 | 1:32:43 | |
-How? -Not now, Mother. It's far too long a story. | 1:32:43 | 1:32:48 | |
-Let me see. -Of course. -Did you know about this? | 1:32:48 | 1:32:51 | |
- About him? - No, about Sally and the swastika. | 1:32:51 | 1:32:56 | |
-The Colonel invented Sally from Unter den Linden. -How could you! | 1:32:56 | 1:33:01 | |
Sorry. It had to be done. But it's over now. The Sally Maitland myth has been exploded. | 1:33:01 | 1:33:08 | |
There's one thing you don't know. Not even you, Colonel. Something that justified deceiving all of you. | 1:33:08 | 1:33:16 | |
I heard Ribbentrop tell the Fuhrer the British were decadent and would not fight. You think I'd stand that? | 1:33:16 | 1:33:23 | |
Not bloody likely! | 1:33:23 | 1:33:25 | |
THEY LAUGH | 1:33:25 | 1:33:28 |