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This film contains some violent scenes and very strong language. | 0:00:17 | 0:00:28 | |
Ah... Dito... | 0:00:49 | 0:00:55 | |
Ah. | 0:00:55 | 0:00:58 | |
Oh, my goodness. | 0:00:58 | 0:01:00 | |
I can't believe to hear your voice on this machine. | 0:01:00 | 0:01:04 | |
It's your mother. | 0:01:04 | 0:01:05 | |
Dito, I called your friend Nerf to call you. | 0:01:08 | 0:01:11 | |
He's a good kid. Uh... | 0:01:11 | 0:01:13 | |
I don't know what else to do. Your father's sick. | 0:01:15 | 0:01:18 | |
He's real sick and he won't go to the hospital. | 0:01:18 | 0:01:20 | |
You know how he is, and I'm sorry. | 0:01:20 | 0:01:23 | |
I don't know what else to do. | 0:01:23 | 0:01:25 | |
Your friend Nerf, | 0:01:27 | 0:01:30 | |
he's a good kid, you know. He said he'd pick you up at the airport if you came. | 0:01:30 | 0:01:35 | |
I know that it's far. | 0:01:35 | 0:01:38 | |
I'm sorry. | 0:01:38 | 0:01:39 | |
I, er... | 0:01:42 | 0:01:44 | |
I'm gonna hang up now, Dito. | 0:01:44 | 0:01:46 | |
OK, I love you. No matter what you do, | 0:01:46 | 0:01:49 | |
I love you. | 0:01:49 | 0:01:51 | |
Tonight we have the author of a wonderful, wonderful book. | 0:02:15 | 0:02:21 | |
A Guide to Recognising Your Saints. | 0:02:21 | 0:02:23 | |
Dito Montiel. | 0:02:23 | 0:02:24 | |
-APPLAUSE -Thanks. | 0:02:24 | 0:02:29 | |
By the end of all this, Giuseppe, | 0:02:59 | 0:03:01 | |
his brother Antonio used to call him Little Sister cos he slept with Noxzema on his face every night. | 0:03:01 | 0:03:07 | |
It never even made sense, being everything else about him was a mess. | 0:03:07 | 0:03:11 | |
Well, he loved the face cream, you know? | 0:03:11 | 0:03:14 | |
Anyway, Giuseppe, he's gonna be dead. | 0:03:14 | 0:03:17 | |
Yeah, I know. It sucks. | 0:03:17 | 0:03:19 | |
There'll be another guy you'll meet too, same with him. | 0:03:19 | 0:03:22 | |
And then another little boy. | 0:03:22 | 0:03:24 | |
He's gonna die, too. What a mess, huh? | 0:03:24 | 0:03:27 | |
And I don't even know why I feel I gotta tell you this... | 0:03:27 | 0:03:31 | |
up front, but I do. And don't worry, like, | 0:03:31 | 0:03:35 | |
I'm not giving away any big ending, you know, | 0:03:36 | 0:03:40 | |
with this. A whole lot of other shit's gotta happen first. | 0:03:40 | 0:03:42 | |
But I just... | 0:03:45 | 0:03:47 | |
I wanna remember | 0:03:47 | 0:03:49 | |
who these people are and what they meant to me. | 0:03:51 | 0:03:53 | |
What they mean to me. | 0:03:55 | 0:03:58 | |
And they are real. | 0:03:58 | 0:03:59 | |
My name's Dito. | 0:04:24 | 0:04:25 | |
I'm gonna leave everybody in this film. | 0:04:29 | 0:04:31 | |
I see Laurie's and Diane's walkin' down 31st Street. | 0:04:39 | 0:04:42 | |
Hot pink leg warmers. | 0:04:42 | 0:04:45 | |
Red, white and blue roach clip feathered earrings. | 0:04:45 | 0:04:47 | |
The Song Remains the Same painted on the back of their jackets. | 0:04:47 | 0:04:50 | |
-And they wanna know, "Yo, Dito, you Rock or Disco?" -EXPLOSION | 0:04:50 | 0:04:54 | |
What the fuck? | 0:04:54 | 0:04:57 | |
-You fuckin' idiot! -I see innocent Giuseppe's walking down the streets | 0:04:57 | 0:05:01 | |
where Puerto Ricans still listen to Journey. | 0:05:01 | 0:05:04 | |
-I ain't coming home no more. -Dito, what's up, man? | 0:05:04 | 0:05:07 | |
Really, It's true. Puerto Ricans listen to Journey. | 0:05:07 | 0:05:10 | |
-Yo, Steve Perry's the shit, bro! -Antonio! | 0:05:10 | 0:05:14 | |
When this place isn't covered in violence... | 0:05:14 | 0:05:17 | |
Hey, what are you doing, man? Where the fuckin' shit from the toilet go? | 0:05:17 | 0:05:21 | |
-And even sometimes when it is... -You're drinking it like an idiot. | 0:05:21 | 0:05:25 | |
You taking a bath and shit, man... | 0:05:25 | 0:05:26 | |
-..this place is heaven. -Get the fuck off him! | 0:05:26 | 0:05:29 | |
Whoa, whoa. Stop, stop, stop! | 0:05:29 | 0:05:30 | |
What's wrong with you? What the fuck? | 0:05:32 | 0:05:35 | |
What the fuck is that? | 0:05:35 | 0:05:37 | |
Motherfucker sounds like he's prayin' and shit. | 0:05:37 | 0:05:42 | |
Yes. Praying and shit, huh? | 0:05:42 | 0:05:45 | |
Oh, ladies. | 0:05:51 | 0:05:52 | |
Uh, which one of you wanna suck, suck me off first? You? | 0:05:52 | 0:05:56 | |
You? You ain't got shit! | 0:05:59 | 0:06:00 | |
-What about that? -It's cute. | 0:06:03 | 0:06:08 | |
-I like it. -You got it. | 0:06:08 | 0:06:10 | |
Hey, clean this shit up, too. | 0:06:15 | 0:06:16 | |
Hey yo, check it out. I wrote Bruce Lee up there. | 0:06:19 | 0:06:22 | |
-Nerf, you climbed all the way up there to write Bruce Lee? -Yeah. | 0:06:22 | 0:06:25 | |
What are you, fuckin' stupid, man? | 0:06:25 | 0:06:27 | |
What the fuck is the matter with you? | 0:06:27 | 0:06:29 | |
Yo, that's fucked up. Somebody wrote some shit on your house, man. | 0:06:31 | 0:06:36 | |
Reaper, he's from Queensbridge. | 0:06:36 | 0:06:38 | |
They wrote Satan and shit | 0:06:38 | 0:06:39 | |
-all over the church, too. -Hey, Dito. -It's so hot outside. You got out, yet? | 0:06:39 | 0:06:46 | |
Tell him it's hot because it's summer, you know. | 0:06:46 | 0:06:49 | |
Antonio, come in. Look at you guys. | 0:06:49 | 0:06:52 | |
-You're filthy. What did you do, roll around in the mud? -You want juice? | 0:06:52 | 0:06:54 | |
Yeah, give me a juice. Hey, look who's here. | 0:06:54 | 0:06:57 | |
Antonio, what's going on? | 0:06:57 | 0:06:59 | |
-Are you fixin'... What are you doing? -Could you keep it down, | 0:06:59 | 0:07:03 | |
down there? | 0:07:03 | 0:07:05 | |
-Hello! Could you please... -Do you want me to say somethin' to 'em? -No, it's OK. No. It's all right. | 0:07:05 | 0:07:11 | |
Come on in. | 0:07:11 | 0:07:13 | |
Giuseppe, sit down. Good to see you. | 0:07:13 | 0:07:15 | |
Antonio, where you been lately? | 0:07:15 | 0:07:17 | |
What do you mean? I've been around. | 0:07:17 | 0:07:19 | |
Around where?! I haven't seen you at the handball courts. You guys getting tired of getting beat, huh? | 0:07:19 | 0:07:23 | |
-Dito didn't tell you we been at the Boys' club, boxing? -Boxing. | 0:07:23 | 0:07:26 | |
Yeah. They got the Golden Gloves coming up. | 0:07:26 | 0:07:28 | |
-The only thing you'll ever box is oranges. -Dad, this is serious. | 0:07:28 | 0:07:30 | |
-They got bags and everything. The real thing. It's cheap. 10. -10. Where you guys gonna get 10 from? | 0:07:30 | 0:07:37 | |
It's just 10. | 0:07:37 | 0:07:39 | |
You guys wanna be Golden Gloves? You learn from the best. | 0:07:39 | 0:07:41 | |
Up from the waist, down from the chin. That's Golden Gloves. | 0:07:41 | 0:07:44 | |
Yeah, OK. Stop it already. Seriously. | 0:07:44 | 0:07:46 | |
You're serious? Come here. | 0:07:46 | 0:07:48 | |
-Shake my hand. I'm glad to meet you, Serious. -That's a funny joke as if I was five years old. Stop it. | 0:07:48 | 0:07:53 | |
-The joke is five years old. -Stop it. The joke is five years old. | 0:07:53 | 0:07:57 | |
-Antonio, how old is this guy? -He's serious. I don't know how old he is. | 0:07:57 | 0:07:59 | |
What happened to your nose? It's bleeding. | 0:07:59 | 0:08:03 | |
It's my father. He's stupid, whatever... | 0:08:03 | 0:08:05 | |
Don't say that about your father, what's the matter with you? | 0:08:05 | 0:08:08 | |
Hand him a dish rag. Wipe his nose there. What's the matter with him? | 0:08:08 | 0:08:11 | |
-Are you all right? Are you getting a job? What are you doing with your life? -Yeah, for sure. I'm doing... | 0:08:11 | 0:08:17 | |
Yeah, you're not doing anything. | 0:08:17 | 0:08:19 | |
You wanna box, you wanna be boxers. Forget about these Golden Gloves. | 0:08:19 | 0:08:22 | |
You wanna learn the Golden Gloves? You come to me, cos I'm the king. And the king sits right here. | 0:08:22 | 0:08:27 | |
Monty's throne, right? | 0:08:27 | 0:08:29 | |
-Monty's throne. -I'm the king. -Oh, you're the king. | 0:08:29 | 0:08:31 | |
-Yeah. -I'm gonna get up right now. I'm gonna show you... | 0:08:31 | 0:08:34 | |
Are gonna get up? What? | 0:08:34 | 0:08:37 | |
I'm gonna show him. I'm going to show you that left hook. | 0:08:37 | 0:08:39 | |
Bye, Mom. Antonio, come on. Antonio! | 0:08:39 | 0:08:42 | |
-All right, man. -Come on. Antonio, come on! | 0:08:42 | 0:08:45 | |
Where you go? What's the matter with him? | 0:08:46 | 0:08:49 | |
What's the matter? Where you going? | 0:08:49 | 0:08:51 | |
-He wants to go. -Come on. | 0:08:51 | 0:08:53 | |
Giuseppe, come on, man. Say goodbye. | 0:08:53 | 0:08:55 | |
-OK, Guiseppe. -I appreciate it very much. | 0:08:55 | 0:08:58 | |
-It was a pleasure talking to you. -Thank you very much. | 0:08:58 | 0:09:01 | |
That kid doesn't say two words. He scares me, that kid. | 0:09:01 | 0:09:04 | |
Antonio? Listen, tonight I want you to come back. I want you to have dinner with Dito | 0:09:04 | 0:09:07 | |
and the family, all right? You take care of that nose, kid. | 0:09:07 | 0:09:12 | |
Absolutely. Yeah. | 0:09:12 | 0:09:14 | |
They're all right. | 0:09:17 | 0:09:19 | |
They're all right. | 0:09:19 | 0:09:21 | |
-Good dancing. -Look who we got here. | 0:09:23 | 0:09:26 | |
Oh, shit! Friggin' pistachio dick. | 0:09:26 | 0:09:28 | |
Look at these girls. | 0:09:28 | 0:09:30 | |
It curves like a banana, right? Isn't that what you say? | 0:09:30 | 0:09:32 | |
-No, like a pistachio. -Do you want some? | 0:09:32 | 0:09:35 | |
You. | 0:09:35 | 0:09:37 | |
It's as hot as a fuckin' oven in here. | 0:09:49 | 0:09:52 | |
Get the fuck off me! It's like 250 degrees. Get off me! | 0:09:58 | 0:10:03 | |
I feel like a piece of roast beef. But look at me. I'm fuckin' sticky. Look at me. | 0:10:03 | 0:10:08 | |
-So? -Fuckin' landlord's got the fuckin' radiators on in the summer. | 0:10:08 | 0:10:13 | |
You better not fuckin' cum in me. | 0:10:26 | 0:10:29 | |
You better not fuckin' cum in me. Ah! What the fuck? | 0:10:29 | 0:10:35 | |
-Fuck! -Fuckin' radiator burned me and shit! | 0:10:37 | 0:10:40 | |
-Fuck me. -Come here. | 0:10:40 | 0:10:41 | |
You want me to come over there and give you a hug or some shit? | 0:10:44 | 0:10:46 | |
-I don't want you to fuckin' hug me. -Look what we got here. You guys are two naughty fuckers. -Who the fuck | 0:10:46 | 0:10:51 | |
-is this guy? -My fucking little retarded sister. | 0:10:51 | 0:10:54 | |
-You're the bitch who works at the pool with Diane. -Who the fuck are you? | 0:10:54 | 0:10:56 | |
-I just got done fuckin' her. -Get the fuck out of here. | 0:10:56 | 0:10:59 | |
I'm virile and I'm virile and I'm virile and I'm ready to do that shit. | 0:10:59 | 0:11:04 | |
I just stole this dildo from Mr Duran's, and I was wondering if you do that shit, baby? | 0:11:04 | 0:11:08 | |
Two on one action? | 0:11:08 | 0:11:10 | |
All I'm saying, if I was an ugly bitch and two hot studs like this wanted to fuck me, I'd be into it. | 0:11:10 | 0:11:15 | |
I'm taking a shit and I'm out. | 0:11:15 | 0:11:18 | |
What are you thinking about? | 0:11:43 | 0:11:45 | |
I don't know. | 0:11:45 | 0:11:47 | |
You're really beautiful, you know. | 0:11:50 | 0:11:52 | |
Thank you. | 0:11:52 | 0:11:56 | |
You know, are you pushing up on me? | 0:12:01 | 0:12:05 | |
Do you wanna kiss me? | 0:12:07 | 0:12:09 | |
Do you wanna kiss me? | 0:12:11 | 0:12:14 | |
For sure. | 0:12:14 | 0:12:15 | |
Kiss you. | 0:12:15 | 0:12:17 | |
Fuck you. | 0:12:17 | 0:12:19 | |
I'm sorry. I just, just wanna fuck you, you know. | 0:12:19 | 0:12:22 | |
All right. | 0:12:22 | 0:12:23 | |
-All right? -No. | 0:12:25 | 0:12:29 | |
-You're bugging, man. -I don't know why I said that. I wanna fuck you, you know. | 0:12:29 | 0:12:34 | |
I wanna fuck you, too. I do. | 0:12:34 | 0:12:39 | |
-I really do. -For real? | 0:12:39 | 0:12:40 | |
For real. | 0:12:40 | 0:12:42 | |
Class, this is Michael O'Shea. | 0:12:44 | 0:12:46 | |
He's a new student. He just moved here this winter from Ireland. | 0:12:46 | 0:12:49 | |
And besides making music, Michael wants to be a writer just like his father. | 0:12:49 | 0:12:53 | |
On his first day here, he wants to read a poem about America. | 0:12:53 | 0:12:57 | |
Here you go. | 0:12:57 | 0:13:00 | |
My name's Michael O'Shea, and I'm from Scotland. | 0:13:00 | 0:13:03 | |
Scotland. | 0:13:03 | 0:13:05 | |
Er... | 0:13:05 | 0:13:07 | |
..my father says poems don't always have to rhyme. | 0:13:07 | 0:13:11 | |
This one doesn't. My New Friend. | 0:13:11 | 0:13:16 | |
I know he likes me, | 0:13:16 | 0:13:18 | |
but I think he needs me. | 0:13:18 | 0:13:20 | |
I definitely need him, too. | 0:13:20 | 0:13:21 | |
This is a scary place sometimes. | 0:13:21 | 0:13:24 | |
But my new friend, he needs me because together we're not like everybody else. | 0:13:24 | 0:13:29 | |
That was very nice, Michael. Thank you. | 0:13:29 | 0:13:32 | |
OK, class, let's turn to page 64, please. Thank you. | 0:13:32 | 0:13:35 | |
It's hot as shit out here. | 0:13:37 | 0:13:40 | |
What the fuck you looking at? | 0:13:40 | 0:13:42 | |
Don't even fuckin' try that shit. | 0:13:42 | 0:13:44 | |
Want some gum? | 0:13:44 | 0:13:47 | |
Yo, did you really take a shit in there? | 0:13:49 | 0:13:52 | |
-What the fuck is wrong with you? -You smell like open ass, man. | 0:13:52 | 0:13:55 | |
Hey! Hey, old bitch. Hey, hey. | 0:13:59 | 0:14:01 | |
Hey, put your ass here. Go ahead. | 0:14:01 | 0:14:04 | |
Nice dress. | 0:14:06 | 0:14:09 | |
Fuckin' looking like a cheetah. | 0:14:09 | 0:14:11 | |
-Clean that shit up! -What? -Fucker! | 0:14:11 | 0:14:15 | |
What the fuck is wrong with you, man? | 0:14:16 | 0:14:18 | |
-Clean your shit up and tell him to fuck off! -Police'll be here in five minutes. | 0:14:18 | 0:14:24 | |
Antonio, come on. No, no, no, no. Wait, wait. | 0:14:24 | 0:14:27 | |
Open the door, man. | 0:14:27 | 0:14:29 | |
Hey, come on, open the fuckin' door! | 0:14:29 | 0:14:32 | |
Yo, meet me at the park. Meet me at the park, all right. | 0:14:32 | 0:14:34 | |
-Meet me at the park. -You fucker. You better fuckin' flinch. | 0:14:34 | 0:14:38 | |
You're the new kid from my class, right? From Ireland. | 0:14:58 | 0:15:01 | |
Scotland. | 0:15:01 | 0:15:03 | |
We came and lived in Manhattan for a bit but now, yeah. | 0:15:03 | 0:15:06 | |
Fucking crazy there, right? | 0:15:09 | 0:15:12 | |
-I'm Dito. I'm... I'm Dito. -Mick... | 0:15:13 | 0:15:17 | |
Mike. Mick... Mike. | 0:15:17 | 0:15:21 | |
And then Giuseppe was the kid climbing on the window. | 0:15:22 | 0:15:25 | |
The church, the roof, right. | 0:15:25 | 0:15:27 | |
My friend, he was running naked on the... You remember that? | 0:15:27 | 0:15:31 | |
-Yeah. -On the roof? -He was funny. | 0:15:31 | 0:15:34 | |
Where you going? | 0:15:34 | 0:15:37 | |
Just got bored, you know? | 0:15:37 | 0:15:39 | |
Kind of ride the subway around. | 0:15:39 | 0:15:41 | |
Back and forth, and back and forth. | 0:15:41 | 0:15:43 | |
And back and forth. Back and forth. | 0:15:43 | 0:15:46 | |
-Stupid thing. -Just back and forth? | 0:15:46 | 0:15:49 | |
Yeah. | 0:15:49 | 0:15:51 | |
I was gonna ride it to Coney Island or something. | 0:15:51 | 0:15:54 | |
Go there and I don't know, ride back. | 0:15:54 | 0:15:57 | |
I was thinking about going to Coney Island, you know. | 0:15:57 | 0:16:00 | |
Yeah, cos I've never been. | 0:16:02 | 0:16:05 | |
You've never been? | 0:16:05 | 0:16:06 | |
No. I went to the zoo once but that was like in the Bronx or something. | 0:16:06 | 0:16:10 | |
-It's not really... -That's not travelling. -No. It's not realy travelling. It sucks, too. | 0:16:10 | 0:16:14 | |
There's nothing really there. | 0:16:14 | 0:16:16 | |
-What are you looking at? -That dot. | 0:16:19 | 0:16:21 | |
Close one eye like this. | 0:16:23 | 0:16:25 | |
Fly right over it. | 0:16:27 | 0:16:30 | |
Oh, shit. I got it. | 0:16:34 | 0:16:36 | |
You want China? | 0:16:47 | 0:16:48 | |
That's what they got Chinatown for. | 0:16:48 | 0:16:50 | |
You want Italy? You go to Georgie. | 0:16:50 | 0:16:52 | |
Where's the Italians they go? | 0:16:52 | 0:16:54 | |
-Mulberry Street. -Little Italy, that's right. | 0:16:54 | 0:16:57 | |
Wanna go to Puerto Rico? Go uptown. | 0:16:57 | 0:16:58 | |
There's Puerto Ricans everywhere. | 0:16:58 | 0:17:01 | |
You know what Antonio just told me? | 0:17:01 | 0:17:03 | |
There's wild dogs in Italy, right? | 0:17:03 | 0:17:05 | |
-Who needs that? Right. -Not me. | 0:17:05 | 0:17:07 | |
I don't wanna be there. | 0:17:07 | 0:17:10 | |
How are you? Nice seeing you. | 0:17:10 | 0:17:12 | |
-Uncle George, how are you doing? -Oh, here he is. | 0:17:12 | 0:17:13 | |
I'm just boiling. | 0:17:13 | 0:17:15 | |
It's summertime. That's why you're boiling. | 0:17:15 | 0:17:17 | |
-You want some juice? -Where you been? | 0:17:17 | 0:17:21 | |
I was in Coney Island. | 0:17:21 | 0:17:23 | |
-Coney Island, what were you doing there? -I was on the train. | 0:17:23 | 0:17:25 | |
I met up with this guy from school. This Mike kid. He's from Ireland. Like from the country, Ireland. | 0:17:25 | 0:17:31 | |
It's crazy and he was telling me about how he wants to do some music, like a band or something. | 0:17:31 | 0:17:35 | |
-You just went to Coney Island. -Yeah. Is it just me or is it 100 degrees in this house? | 0:17:35 | 0:17:39 | |
What do you want, it's summer. That's why it's hot. OK? | 0:17:39 | 0:17:41 | |
-Right, Antonio? -Yeah. | 0:17:41 | 0:17:43 | |
-Tell 'em. -It's summer. | 0:17:43 | 0:17:44 | |
It's, summer, baby. It's hot. | 0:17:44 | 0:17:46 | |
-What can I tell you? -Will you just stop teasing? | 0:17:46 | 0:17:49 | |
The heat's unbearable. We gotta get a fan, Monty. | 0:17:49 | 0:17:52 | |
We gotta get a fan. | 0:17:52 | 0:17:54 | |
Maria, you still breathing under there? | 0:17:54 | 0:17:56 | |
I have to attach this machine. | 0:17:56 | 0:17:58 | |
She's gonna set this place on fire! What the hell is she doing in there. Can I see what's going on? | 0:17:58 | 0:18:03 | |
I brought the tape. I brought the machine to show you, Monty. | 0:18:03 | 0:18:06 | |
-I don't care about that machine. -You can play things from the television whenever you want. | 0:18:06 | 0:18:10 | |
-So it's that machine, yeah. -DOORBELL RINGS | 0:18:10 | 0:18:12 | |
-Let's see that again. -Dito, where you going? It's showtime over here, you know. | 0:18:12 | 0:18:16 | |
Are you expecting a date with that girl? That swimmer? | 0:18:16 | 0:18:21 | |
We heard from your friend you have a girlfriend now, huh? She's a swimmer? | 0:18:21 | 0:18:25 | |
A swimmer? Who, Laurie? She sells food at the pool. | 0:18:25 | 0:18:28 | |
Yeah, she's a swimmer, she sells food at the pool. | 0:18:28 | 0:18:30 | |
That swimmer girl? Right, Antonio? | 0:18:30 | 0:18:32 | |
The swimmer girl. | 0:18:32 | 0:18:34 | |
Uncle George, she's not a swimmer. She sells food at the pool. | 0:18:34 | 0:18:38 | |
-That's what she does. -What does she do? Like races or marathons? | 0:18:38 | 0:18:41 | |
Maybe it was the guy from Coney Island. The Irish guy. | 0:18:41 | 0:18:44 | |
The guy who wants the band. Right, Monty? | 0:18:44 | 0:18:47 | |
She's a swimmer. What's she doing at the pool if she don't swim? | 0:18:47 | 0:18:51 | |
ANSAPHONE: You have seven new messages. | 0:18:54 | 0:18:58 | |
Dito, this is Nerf. | 0:18:58 | 0:19:00 | |
Your old friend Nerf. | 0:19:00 | 0:19:03 | |
Monty's not, not doing too good, man. | 0:19:03 | 0:19:06 | |
I know Antonio called you and, er... | 0:19:06 | 0:19:11 | |
your father's real sick, man. | 0:19:11 | 0:19:14 | |
Your mom called me and... | 0:19:14 | 0:19:17 | |
she really wants you to come home, you know. | 0:19:17 | 0:19:21 | |
So you should. | 0:19:21 | 0:19:23 | |
-Hey, come back. -Fuck you! | 0:19:23 | 0:19:25 | |
I hate those fucks! | 0:19:25 | 0:19:28 | |
-What are you doing? -Pay, thank. | 0:19:28 | 0:19:30 | |
Oh, my God. | 0:19:30 | 0:19:33 | |
That's right, you pay. | 0:19:35 | 0:19:38 | |
-Why does your dad call us swimmers? -Cos you work at a pool. -But I'm not a swimmer. | 0:19:38 | 0:19:42 | |
You better tell Antonio and his fucking brother not to come around my house. | 0:19:42 | 0:19:47 | |
-Why? You hate everybody. -I don't like that asshole. | 0:19:47 | 0:19:51 | |
Diane, don't worry about it, all right. | 0:19:51 | 0:19:52 | |
He's a controlling little fuck! I could tell just by looking at him. | 0:19:52 | 0:19:55 | |
You're making it bigger. | 0:19:55 | 0:19:57 | |
Stop being crazy, | 0:19:57 | 0:19:59 | |
-all right? -Yo, is it just me or does that nigger seem retarded? | 0:19:59 | 0:20:03 | |
What the fuck are you doing? That's my friend's mother's store. | 0:20:03 | 0:20:05 | |
That's the shit they wrote on your house! | 0:20:05 | 0:20:08 | |
-What the fuck are you doing right now. -You got a problem? | 0:20:08 | 0:20:11 | |
-Get off him right now. I'm not playing. -What the fuck? | 0:20:11 | 0:20:13 | |
-Are you crazy? Fucking bitch! -That's right, asshole. | 0:20:13 | 0:20:16 | |
You got a problem? | 0:20:16 | 0:20:18 | |
I don't have a fucking problem. Laurie, go get Antonio. | 0:20:18 | 0:20:21 | |
You need a bitch to go get your man now? I should fuckin' kill you! | 0:20:21 | 0:20:24 | |
I should fuckin' kill you. | 0:20:24 | 0:20:25 | |
I'm gonna get you. I got you, baby. | 0:20:25 | 0:20:28 | |
-I got you, you stupid fuckin' bitch! -You nappy-ass motherfucker! | 0:20:28 | 0:20:31 | |
I got you! | 0:20:31 | 0:20:33 | |
Wait a minute, explain this to me. You and this swimmer got into some trouble? | 0:20:35 | 0:20:38 | |
-Mr Montiel, I don't even swim. -She doesn't even swim. | 0:20:38 | 0:20:40 | |
-You don't swim. -No. -Look at that eye. | 0:20:40 | 0:20:43 | |
We collect tickets where the food is at the swimming pool. | 0:20:43 | 0:20:45 | |
I'm thinking of quitting. Maybe working at the supermarket. It's just like too many kids. | 0:20:45 | 0:20:51 | |
Yeah, we care, really. | 0:20:51 | 0:20:53 | |
Fuck you, OK? | 0:20:53 | 0:20:55 | |
Put this on your eye, all right? | 0:20:55 | 0:20:56 | |
-Meat. -Meat, yeah. -I'm not putting meat on my eye. | 0:20:56 | 0:20:59 | |
It'll keep the swelling down. | 0:20:59 | 0:21:01 | |
Get out of here. I'm not putting that on my face. People stopped doing that 100 years ago. | 0:21:01 | 0:21:04 | |
Let me tell you, you don't want to put it on your face, I just want to know what's going on, all right. | 0:21:04 | 0:21:08 | |
-Tell me what happened. -Nothing's going on. It's very simple. | 0:21:08 | 0:21:11 | |
-What happened to your eye? -What is she doing, watch her. | 0:21:11 | 0:21:14 | |
I'm telling you, nothing happened, OK? Some jerk was acting like a wise guy. | 0:21:14 | 0:21:17 | |
-You wanna relax, all right. -Yeah. | 0:21:17 | 0:21:19 | |
Daddy, some jerk was acting like a wise guy. That's it. That's it, OK? | 0:21:19 | 0:21:23 | |
-You got cut a little bit. -He grabbed him by the face and cut him. | 0:21:23 | 0:21:27 | |
Who grabbed him by the face? | 0:21:27 | 0:21:29 | |
-A Puerto Rican? -The one that spray painted all the graffiti outside. | 0:21:29 | 0:21:33 | |
-A Puerto Rican did this? Was it the Reaper guy? -Please, stop it. | 0:21:33 | 0:21:36 | |
Don't ask me to stop it. This guy better worry now. | 0:21:36 | 0:21:39 | |
-And I know where he is. Nerf told me where they stay by Queensbridge. -Remember what I said. Two shots. | 0:21:39 | 0:21:45 | |
Six inches, they go right down. | 0:21:45 | 0:21:47 | |
Two shots? Shit. | 0:21:47 | 0:21:49 | |
Shut the fuck up. I'm sorry, Monty. I don't mean to be cursing in your house. | 0:21:49 | 0:21:52 | |
That's enough, OK? Hey! | 0:21:52 | 0:21:54 | |
That's right, God gave me this mouth so I can use it and that's what I'm doing. | 0:21:57 | 0:22:01 | |
Am I gonna have to smack this girl? | 0:22:01 | 0:22:02 | |
-She's just talking. -Get the fuck out of my way! | 0:22:02 | 0:22:04 | |
Yo, yo, get the fuck out! | 0:22:12 | 0:22:14 | |
Hey, Nerf, where the fuck did you get a car? | 0:22:14 | 0:22:17 | |
-My mother let me take it to practise for my licence. -You stole the shit? How'd your mother get a car? | 0:22:17 | 0:22:21 | |
I gotta practise for my licence. | 0:22:21 | 0:22:23 | |
Hey, get off the car! Get the fuck off my car! | 0:22:23 | 0:22:25 | |
What the fuck? | 0:22:25 | 0:22:28 | |
-Get in, get in. Let's go. -No, don't get in. | 0:22:28 | 0:22:32 | |
-I'm coming back. I'm coming back. -You're gonna leave me, then? | 0:22:32 | 0:22:34 | |
This thing is huge! I'm coming back. | 0:22:34 | 0:22:37 | |
We're gonna go around the block. | 0:22:37 | 0:22:40 | |
-What happened to your face? -They hit him in the face with a bottle. | 0:22:40 | 0:22:43 | |
Your graffiti friends hit him in the face with a bottle. | 0:22:43 | 0:22:45 | |
They fucked up your mom's store. Come on. Dito. | 0:22:45 | 0:22:48 | |
I don't know what you're talking about. | 0:22:48 | 0:22:52 | |
-Take us own to Queensbridge. -I gotta take the car back to my mother's. -Take me to Queensbridge right now. | 0:22:52 | 0:22:57 | |
No, I can't. | 0:22:57 | 0:22:58 | |
-Fuck it. I'll drive. -No, no, no, no... | 0:22:58 | 0:23:01 | |
-I'll drive. -All right. Shut up! Are you gonna call me? | 0:23:02 | 0:23:05 | |
I'm gonna be on this corner. You better call me, Dito. | 0:23:05 | 0:23:08 | |
Your graffiti friends hit him in the face with a bottle. | 0:23:10 | 0:23:14 | |
Hey, what, are you fuckin' stupid? | 0:23:28 | 0:23:32 | |
-What did you say? -He's my brother. | 0:23:38 | 0:23:40 | |
Hey, you know the guy that writes graffiti around here? | 0:23:45 | 0:23:47 | |
No hablo ingles. | 0:23:47 | 0:23:49 | |
No habla fuckin' ingles. | 0:23:49 | 0:23:51 | |
What the fuck you doing out so late, man? | 0:23:53 | 0:23:57 | |
-So you know the kids that write graffiti and shit, right? -Yeah. | 0:23:59 | 0:24:02 | |
How you know them? | 0:24:02 | 0:24:04 | |
Because one of, one of the members are my brother. | 0:24:04 | 0:24:09 | |
Is your brother? | 0:24:09 | 0:24:11 | |
Your bro... Brother? | 0:24:11 | 0:24:14 | |
-Reaper. -Reaper? | 0:24:14 | 0:24:17 | |
You see my friend right there? | 0:24:17 | 0:24:20 | |
He's cut, right? | 0:24:20 | 0:24:23 | |
Your brother did that. | 0:24:23 | 0:24:25 | |
Yeah, he cut Dito. Can you say that? | 0:24:25 | 0:24:27 | |
Can you say his name? | 0:24:27 | 0:24:28 | |
-He cut Dito. -Yeah. | 0:24:28 | 0:24:31 | |
You can tell him Antonio came by? | 0:24:31 | 0:24:33 | |
-Yeah? -He's a little kid, man. | 0:24:33 | 0:24:34 | |
-You can remember to tell him that for me? -He cut Dito. -He cut Dito. | 0:24:34 | 0:24:37 | |
I like this kid. I like this kid. | 0:24:37 | 0:24:39 | |
I like him. | 0:24:39 | 0:24:41 | |
This kid's good. | 0:24:41 | 0:24:43 | |
-All right, I like this kid. -Are you fuckin' stupid? | 0:24:43 | 0:24:45 | |
What's the fucking wrong with you? | 0:24:47 | 0:24:48 | |
Let's get out of here! Let's go. Come on, let's go. | 0:24:48 | 0:24:50 | |
I sent a little fuckin' message. | 0:24:50 | 0:24:52 | |
Your father's not stupid. | 0:25:13 | 0:25:14 | |
I swear your father's a good guy, man. | 0:25:18 | 0:25:19 | |
If anybody ever fucked with him, forget it. | 0:25:19 | 0:25:22 | |
Antonio's not a well kid. He shouldn't be hanging out with him. | 0:25:22 | 0:25:26 | |
-He's a good kid. -No! -I was any different? Come on, stop it. | 0:25:26 | 0:25:31 | |
-You were so much different. -Stop it. Stop it. | 0:25:31 | 0:25:33 | |
You are a great father. | 0:25:33 | 0:25:34 | |
Not this guy's dad. He beats him to a pulp. | 0:25:34 | 0:25:37 | |
ON ANSAPHONE: He's a good guy, you know? He's a good guy. | 0:25:46 | 0:25:50 | |
That's right, motherfucker! | 0:26:29 | 0:26:32 | |
That's the song? That's right, motherfucker! | 0:26:32 | 0:26:35 | |
Man, I'm telling you, your band's gonna be fuckin' hardcore, man. | 0:26:37 | 0:26:41 | |
Yo, Radioman, what's up, my man? | 0:26:41 | 0:26:43 | |
Who the fuck is that guy? | 0:26:43 | 0:26:44 | |
He's fucking cool, man. | 0:26:44 | 0:26:46 | |
We need to be like Black Flag, Bad Brains, Urban Waste, Major Conflict, all of them. | 0:26:46 | 0:26:52 | |
Those bands rule. That's fuckin' music. | 0:26:52 | 0:26:54 | |
Our band needs to be fuckin' cool. | 0:26:54 | 0:26:55 | |
We need a good name. | 0:26:55 | 0:26:57 | |
-For what? -The band. | 0:26:57 | 0:26:59 | |
-This is it. -Right here? | 0:26:59 | 0:27:02 | |
-This is Frank? -This is Frank. | 0:27:02 | 0:27:04 | |
-What's the deal with this Frank? We can do the job together. -Definitely. | 0:27:04 | 0:27:07 | |
He's going to go on about Job. You know, the guy from the Bible. | 0:27:07 | 0:27:11 | |
Just say you know. | 0:27:11 | 0:27:12 | |
-Which one's the Job? -He's got like everything going on, man. He's cool. | 0:27:12 | 0:27:17 | |
I told him you don't have to be a fag to talk like a fag. | 0:27:17 | 0:27:21 | |
Therefore you don't have to be a fag to have your dogs walked by a fag. | 0:27:21 | 0:27:25 | |
Watch the little one. Watch the little one. I gotta go, Raul. | 0:27:25 | 0:27:26 | |
I gotta call this pain in the ass before it gets too late. | 0:27:26 | 0:27:29 | |
Yeah, I gotta call this pain in the ass before it gets too late. Yeah... | 0:27:29 | 0:27:31 | |
Oh, unbelievable! | 0:27:33 | 0:27:36 | |
-Frank, this is Dito. -Hi. | 0:27:37 | 0:27:40 | |
OK. Mikey, there's 10 I owe you in dimes. It's on the floor. | 0:27:40 | 0:27:44 | |
Take it for train fares, OK? | 0:27:44 | 0:27:46 | |
DOORBELL RINGS | 0:27:46 | 0:27:48 | |
Yes! | 0:27:48 | 0:27:50 | |
Miss Levitt, I was just gonna call you. | 0:27:50 | 0:27:53 | |
I would never take little Bobo onto the subway. Please! | 0:27:53 | 0:27:56 | |
George, come here. Come here! | 0:27:56 | 0:28:00 | |
I'm serious. You gotta tell me who would say things like that about me. | 0:28:00 | 0:28:03 | |
I mean, that's not fair, you know. | 0:28:03 | 0:28:05 | |
No... Wha... I got somebody here. Let me ask. Listen, hey! | 0:28:07 | 0:28:13 | |
You know the video of Lionel Richie with the blind lady? | 0:28:13 | 0:28:18 | |
-Hello. -Hello. Yes. | 0:28:18 | 0:28:21 | |
She heard you. I love that song, too. | 0:28:21 | 0:28:25 | |
Yes. Yes, 9am. | 0:28:25 | 0:28:29 | |
Thank you! Oh! | 0:28:29 | 0:28:31 | |
Nightmare! | 0:28:31 | 0:28:32 | |
OK. Let's go. Come on. | 0:28:34 | 0:28:36 | |
I got Shakespeare. Let's go, guys. | 0:28:36 | 0:28:39 | |
Come on. Let's go. Come on, come on! | 0:28:39 | 0:28:42 | |
Come on. Did you take the dimes for the train fare? OK, let's go. | 0:28:42 | 0:28:45 | |
Come on. And close the door. | 0:28:45 | 0:28:48 | |
You see, they are insects, fuckin' horseflies like animals in this place. | 0:28:48 | 0:28:51 | |
I don't want them getting out. | 0:28:51 | 0:28:52 | |
Get George. Get George. Let's go. That's it, come on. | 0:28:52 | 0:28:56 | |
Let's go, come on. | 0:28:56 | 0:28:58 | |
So my good friend here says your name is Titi or Chiti or Rodito. | 0:29:00 | 0:29:04 | |
Dito. | 0:29:04 | 0:29:05 | |
And you guys are gonna do a band? | 0:29:05 | 0:29:08 | |
-Dito's gonna sing. -Oh, how gay. | 0:29:08 | 0:29:09 | |
I mean, great. | 0:29:09 | 0:29:11 | |
Is this gonna be like Lionel Richie or you guys rock out? | 0:29:11 | 0:29:14 | |
No, Frank. We're gonna be hardcore like Black Flag. | 0:29:14 | 0:29:16 | |
Oh, you know one of my clients, Bobby, he has the Pomeranian. | 0:29:16 | 0:29:20 | |
He's like an entertainment manager, like music or something. | 0:29:20 | 0:29:24 | |
I'll have you guys walk his dog. | 0:29:24 | 0:29:26 | |
You never know, right? Hello there, Abigail. | 0:29:26 | 0:29:29 | |
Taking the dog out for a drag again, I see. | 0:29:29 | 0:29:31 | |
She's too cheap to pay the six bucks for me to walk that thing. | 0:29:33 | 0:29:36 | |
I mean, come on, they're older than the dirt. | 0:29:36 | 0:29:39 | |
Frank, what's the job about? | 0:29:39 | 0:29:40 | |
Miss Abigail needs some hot young action, right lovely? | 0:29:40 | 0:29:43 | |
Come here, George. | 0:29:43 | 0:29:45 | |
She can't hear worth shit. | 0:29:45 | 0:29:47 | |
You walk dogs for half an hour or until they crap. | 0:29:47 | 0:29:50 | |
I charge 'em 6. I give you 4. | 0:29:50 | 0:29:52 | |
I thought we get 3. | 0:29:52 | 0:29:54 | |
This is one honest young man, this boy. Like Job from the Bible. | 0:29:54 | 0:29:58 | |
You know who Job is, Condito? | 0:29:58 | 0:30:00 | |
Yeah. I already told him, Frank. | 0:30:00 | 0:30:01 | |
Well, you just got a raise then, for the band. | 0:30:01 | 0:30:04 | |
Cos we walk dogs, you know? | 0:30:04 | 0:30:06 | |
You walk dogs. Whole wide world walks fuckin' dogs. | 0:30:06 | 0:30:10 | |
Always carry paper. Pretend you pick up the crap. | 0:30:10 | 0:30:13 | |
Ay! How loud is this freaking city? | 0:30:15 | 0:30:18 | |
Nerf! | 0:30:49 | 0:30:50 | |
-Oh, my God. -It's good to see you, man. | 0:30:50 | 0:30:54 | |
You too. Thanks for picking me up. | 0:30:54 | 0:30:56 | |
Hey, no problem, man. I couldn't believe it when you called, dude. | 0:30:56 | 0:31:01 | |
I still can't fuckin' believe it, but you're here. It's fucked up, right? | 0:31:01 | 0:31:04 | |
It's been a long time, and it's great to see you. | 0:31:04 | 0:31:07 | |
So you bugged out when Antonio called, huh? | 0:31:07 | 0:31:09 | |
I still can't believe it, you know. That's all. | 0:31:09 | 0:31:12 | |
Guess who I saw the other day? | 0:31:12 | 0:31:14 | |
Fuckin' Laurie. Your old fuckin' girl, right? | 0:31:14 | 0:31:17 | |
Still up on Ditmars. She's got a kid now. | 0:31:17 | 0:31:19 | |
-Kid's a fuckin' rat. -She's got a kid? | 0:31:19 | 0:31:21 | |
-Mmm. -Who with? | 0:31:21 | 0:31:23 | |
-I don't fuckin' know. -Not that Guido who used to hit on her? | 0:31:23 | 0:31:26 | |
Guido Tony! No, no. | 0:31:26 | 0:31:28 | |
Fuckin' no. That motherfucker went to the army or some shit. | 0:31:28 | 0:31:32 | |
Maybe he invented something. I don't know. | 0:31:32 | 0:31:35 | |
Hey, remember this place? | 0:31:37 | 0:31:39 | |
Greek Pancyprian Club. Yo! | 0:31:39 | 0:31:42 | |
Uh, this place rock or disco? | 0:31:42 | 0:31:45 | |
I hate that shit. Fuckers. | 0:31:46 | 0:31:50 | |
It's a full-on yuppie club now, man. | 0:31:52 | 0:31:55 | |
Unbelievable. | 0:31:55 | 0:31:57 | |
Better that way, though. People always dress up and shit. | 0:31:57 | 0:32:01 | |
It looks a little bit better around here, you know. | 0:32:01 | 0:32:04 | |
Your mom's still here, huh? | 0:32:04 | 0:32:06 | |
Yeah. | 0:32:06 | 0:32:09 | |
But she's sleeping. I mean, | 0:32:09 | 0:32:11 | |
everybody says I should get my own place, but...I ain't got to pay rent. | 0:32:11 | 0:32:17 | |
You get free food. | 0:32:17 | 0:32:18 | |
-For now, you know. -Thanks for letting me stay. I can get a hotel if you want. | 0:32:18 | 0:32:22 | |
Hotel? | 0:32:22 | 0:32:24 | |
Hell, man. My mom's got the room all cleaned out. She's all excited. | 0:32:24 | 0:32:27 | |
She thinks you know all the movie stars in California. | 0:32:27 | 0:32:32 | |
Wait a minute. Let's just...let's just hang here a minute, OK? | 0:32:32 | 0:32:36 | |
I mean, damn. I didn't think I was ever gonna see you again, you know. | 0:32:38 | 0:32:42 | |
Upstairs, we can't really talk. | 0:32:42 | 0:32:44 | |
You want some? | 0:32:46 | 0:32:49 | |
Uh, no, no. That's cool. | 0:32:49 | 0:32:50 | |
I just take a little. | 0:32:50 | 0:32:52 | |
-Yeah, sure. -We should go to Monty's right now. | 0:32:54 | 0:32:56 | |
Nah, it's late. It's late. | 0:32:56 | 0:32:59 | |
-What time is it? -OK, we'll go in the morning, then. | 0:32:59 | 0:33:03 | |
I hate to...I hate seeing him like he is, man. He's fucked up. | 0:33:06 | 0:33:10 | |
And your mom, she...she didn't think you'd come back. | 0:33:14 | 0:33:17 | |
She told me that, uh...she tells everybody about your book. | 0:33:18 | 0:33:25 | |
It's like your friend, remember? That, that kid, fuckin' Irish. | 0:33:25 | 0:33:31 | |
So...how are you? | 0:33:31 | 0:33:36 | |
-How am I? -Are you all right? | 0:33:37 | 0:33:39 | |
How am I? Ah! I don't know how to answer that, man. | 0:33:39 | 0:33:45 | |
It's like my fuckin' mom, like I told you. | 0:33:45 | 0:33:48 | |
I told you how she's so excited to see you, and then with me, you know, it's like... | 0:33:48 | 0:33:54 | |
when I...she sees me on the street, she hides. | 0:33:54 | 0:34:00 | |
And she's so fat, you know. | 0:34:00 | 0:34:02 | |
And she tries to hide behind these skinny little poles. | 0:34:02 | 0:34:06 | |
Poles like that right there. | 0:34:06 | 0:34:08 | |
Even she hides from me, and she's my fuckin' mom. | 0:34:11 | 0:34:15 | |
They're not supposed to do that. | 0:34:15 | 0:34:18 | |
I know. Things will...things will pick up and get better. | 0:34:18 | 0:34:21 | |
No, man. | 0:34:23 | 0:34:25 | |
Things don't get better here, man. | 0:34:25 | 0:34:27 | |
You tell me that they fuckin' do, but... | 0:34:27 | 0:34:29 | |
It's really, it's fuckin' good to see you, man. | 0:34:37 | 0:34:40 | |
That's the truth. That's the truth. | 0:34:40 | 0:34:45 | |
Shit! Oh, shit. | 0:34:51 | 0:34:55 | |
You know, they got this...thing over the Empire State Building which is like Ripley's Believe It Or Not. | 0:35:04 | 0:35:09 | |
Mike was telling me about this guy he saw. He's humongous. | 0:35:09 | 0:35:12 | |
It's a ten foot tall statue of this real guy and a bunch of other shit Michael was telling me about. | 0:35:12 | 0:35:16 | |
-That's where the niggers stay at, right? -No, that's 42nd Street. | 0:35:16 | 0:35:20 | |
Oh, yeah. Needledick was saying they got triple X movies over there. | 0:35:20 | 0:35:24 | |
-Like fuckin' people fuckin' pigs and shit. -People fuckin' pigs? | 0:35:24 | 0:35:28 | |
Get the fuck out of here! | 0:35:28 | 0:35:30 | |
This guy is, like, ten feet tall. He's fuckin' huge, man. | 0:35:30 | 0:35:33 | |
There's loads of cool shit there. | 0:35:33 | 0:35:35 | |
Check this guy out. | 0:35:35 | 0:35:37 | |
-What do you wanna see, some fuckin' titties or a giant? -Yeah, I wanna see a pig get fucked. | 0:35:37 | 0:35:41 | |
Exactly. | 0:35:41 | 0:35:44 | |
Mike, huh? Dito says that you guys work for some faggot, right? | 0:35:44 | 0:35:49 | |
Think he can give me a job? | 0:35:49 | 0:35:52 | |
I'll see. | 0:35:52 | 0:35:54 | |
-Yeah? -Yeah, man. I'll check out. | 0:35:54 | 0:35:57 | |
Yo, this weed is bogus. | 0:35:57 | 0:35:59 | |
I know a guy from school. He's got great weed. | 0:35:59 | 0:36:02 | |
-That shit will fuck you up. He's cool as well. Guy is cool. -Wow! | 0:36:02 | 0:36:07 | |
You can get weed, huh? | 0:36:07 | 0:36:09 | |
This guy's pretty fuckin' cool. | 0:36:09 | 0:36:11 | |
He can get fuckin' pot. | 0:36:11 | 0:36:15 | |
That's pretty fuckin'... Yeah. This guy's pretty cool. | 0:36:15 | 0:36:17 | |
You can understand what he says too? | 0:36:17 | 0:36:19 | |
-Cos I can't fuckin' understand him. -Yo, Dito, | 0:36:19 | 0:36:22 | |
-I'm going to take off, man. -Where you goin'? | 0:36:22 | 0:36:24 | |
Where you goin'? | 0:36:24 | 0:36:26 | |
What's your problem, man? | 0:36:28 | 0:36:31 | |
Antonio, I don't want any trouble. | 0:36:31 | 0:36:33 | |
I just wanna hang out. If you got a problem with me, I'll go. | 0:36:33 | 0:36:36 | |
No, man. I ain't got no problem. You can hang out as much as you want. | 0:36:36 | 0:36:40 | |
You can show us where the giants are and all that. I like this guy. | 0:36:40 | 0:36:43 | |
He's, he's fun. He's a good guy. | 0:36:43 | 0:36:46 | |
We're getting something to eat, and she wants to go to White Castle. | 0:36:46 | 0:36:51 | |
Why don't you shut the fuck up? | 0:36:51 | 0:36:53 | |
Antonio, why you got to do this? | 0:36:53 | 0:36:55 | |
-What'd you say? -Why you got to do that shit? | 0:36:55 | 0:36:57 | |
Don't you fuckin' move, Diane. | 0:36:57 | 0:36:59 | |
Cut the fucking shit, all right? | 0:36:59 | 0:37:02 | |
-Do what? -You know what. It's just played out. | 0:37:02 | 0:37:05 | |
What's played out? | 0:37:05 | 0:37:07 | |
-She moved. -I'm fucking serious. | 0:37:13 | 0:37:16 | |
That shit's not funny! | 0:37:16 | 0:37:18 | |
-Giuseppe, that's enough. I'm getting the fuck out of here. -Yeah? Go ahead. Bye. | 0:37:20 | 0:37:23 | |
Antonio, could you do something about your fucking crazy brother? | 0:37:23 | 0:37:26 | |
Fuck you, Giuseppe, all right? | 0:37:26 | 0:37:28 | |
You fuckin' piece of shit! Fuck you! | 0:37:28 | 0:37:31 | |
She wants to go to White Castle, all right? | 0:37:34 | 0:37:39 | |
This bitch loves going to White Castle. | 0:37:39 | 0:37:41 | |
-Laurie? Come on. -Where you going? | 0:37:43 | 0:37:47 | |
Fuck them. It's played out here. | 0:37:47 | 0:37:50 | |
Laurie. Laurie, can you stop for a sec? | 0:37:50 | 0:37:53 | |
Laurie, come on! | 0:37:53 | 0:37:55 | |
-Did you really see what that fucker did? -I know. -You think that's funny? | 0:37:55 | 0:37:59 | |
I know it's not funny. | 0:37:59 | 0:38:01 | |
I don't think it's funny. | 0:38:01 | 0:38:04 | |
Hold on a second! I'm sorry. I don't fuckin' like that, either. | 0:38:04 | 0:38:08 | |
Yeah, right. You do. I'm coming. I'll be right there, | 0:38:08 | 0:38:12 | |
-all right? -I am sorry. -Whatever. | 0:38:12 | 0:38:17 | |
# Trouble, oh, trouble, set me free | 0:38:23 | 0:38:29 | |
# I have seen your face and it's too much, too much for me | 0:38:29 | 0:38:37 | |
# Trouble, oh, trouble, can't you see? | 0:38:39 | 0:38:44 | |
# You're eatin' my heart away | 0:38:44 | 0:38:48 | |
# And there's nothin' much left of me | 0:38:48 | 0:38:51 | |
# I've drunk your wine | 0:38:53 | 0:38:58 | |
# You have made your work mine So won't you be fair? | 0:38:58 | 0:39:03 | |
# So won't you be fair? # | 0:39:05 | 0:39:08 | |
Hey, my name is Diane. | 0:39:08 | 0:39:10 | |
I like to fuck. | 0:39:10 | 0:39:11 | |
Hey, my name is Jenny. And everybody in this place is a fuckin' joke. | 0:39:13 | 0:39:17 | |
My name's Nerf. And this shit sucks. | 0:39:19 | 0:39:23 | |
I'm Giuseppe, Antonio's brother. | 0:39:23 | 0:39:26 | |
I'm Laurie. And everybody's gonna leave me. I know they are. | 0:39:28 | 0:39:33 | |
I'm a fuckin' piece of shit. And that's who I am. | 0:39:37 | 0:39:42 | |
# You have made me a wreck | 0:39:45 | 0:39:49 | |
# Now won't you leave me in my misery? | 0:39:49 | 0:39:52 | |
# I've seen your eyes | 0:39:55 | 0:39:59 | |
# And I can see death's disguise | 0:40:00 | 0:40:02 | |
# Hangin' on me | 0:40:02 | 0:40:06 | |
# Hangin' on me | 0:40:07 | 0:40:10 | |
# I'm beat, I'm torn | 0:40:10 | 0:40:15 | |
# Shattered and tossed and worn... # | 0:40:16 | 0:40:19 | |
Hey, listen, Antonio. I'm sorry about this played out shit. | 0:40:27 | 0:40:31 | |
-Don't worry about it. -No, that's fucked up! | 0:40:31 | 0:40:33 | |
Now, that's fucked up. | 0:40:39 | 0:40:41 | |
I'm going to go in. | 0:40:45 | 0:40:46 | |
Do you want me to come? | 0:40:48 | 0:40:49 | |
No. Don't worry. I'm good. | 0:40:49 | 0:40:53 | |
I'll call you tomorrow. | 0:40:53 | 0:40:55 | |
Monty said he wanted to play some handball tomorrow, so I'm gonna come by, all right? | 0:40:55 | 0:40:59 | |
That's fucked up. | 0:41:01 | 0:41:02 | |
< He's my goddamned son, too. They run around like a pack of wolves! | 0:41:06 | 0:41:14 | |
< Do you even have any concern? | 0:41:14 | 0:41:16 | |
< Do you? No! | 0:41:16 | 0:41:18 | |
What's wrong? | 0:41:22 | 0:41:24 | |
-You OK, Mom? -I'm OK. | 0:41:24 | 0:41:26 | |
It's OK. | 0:41:26 | 0:41:28 | |
It's nothing. | 0:41:28 | 0:41:30 | |
Dito... | 0:41:48 | 0:41:50 | |
She, you know, she got excited, you know. | 0:41:52 | 0:41:56 | |
I was just, er...your mother, she...you know, went for a walk. | 0:41:57 | 0:42:01 | |
She gets excited. | 0:42:01 | 0:42:04 | |
-You OK? -Fine. | 0:42:04 | 0:42:06 | |
-I'm good. -What happened with you and Antonio? | 0:42:06 | 0:42:12 | |
He was here. He said you were mad at him. You had a fight or something? | 0:42:12 | 0:42:15 | |
It's all right. | 0:42:19 | 0:42:21 | |
How'd you get that? What's this on your face? | 0:42:23 | 0:42:26 | |
-You OK? -Yeah. | 0:42:27 | 0:42:30 | |
What happened to you? What is this? | 0:42:40 | 0:42:42 | |
It's nothing. | 0:42:42 | 0:42:45 | |
Hey, come on. You know me. | 0:42:45 | 0:42:47 | |
Rock of Gibraltar, right? | 0:42:47 | 0:42:49 | |
Yeah. | 0:42:49 | 0:42:51 | |
Yeah. | 0:42:51 | 0:42:53 | |
-You been taking your Dilantin? -What, are you writing a book, huh? | 0:42:55 | 0:42:58 | |
No, it's just... | 0:42:58 | 0:43:00 | |
I'm fine, OK? | 0:43:00 | 0:43:02 | |
You were on one of your journeys with that kid Mike, in Manhattan. | 0:43:02 | 0:43:07 | |
-Antonio was telling me. -I wasn't with Mike. | 0:43:07 | 0:43:09 | |
What if I did, though? What if I went to Manhattan | 0:43:09 | 0:43:13 | |
or I went somewhere else like, uh, I don't know? | 0:43:13 | 0:43:18 | |
Come on. You're not going anywhere, Dito. | 0:43:22 | 0:43:24 | |
Come on. | 0:43:24 | 0:43:27 | |
Come here. | 0:43:27 | 0:43:29 | |
How are you, Dito, huh? | 0:43:29 | 0:43:33 | |
Since when are you here at this time? | 0:43:33 | 0:43:36 | |
Put on the TV. Give your old man a break, huh? | 0:43:36 | 0:43:39 | |
Forget it. | 0:44:07 | 0:44:09 | |
Are you scared? I would be. | 0:44:09 | 0:44:14 | |
If a guy wrote on my house I was dead, he's already fucked you up. | 0:44:14 | 0:44:19 | |
-I'd be having a fuckin' heart attack. -They just write shit. | 0:44:19 | 0:44:26 | |
Locker room disinfectant stuff, right? | 0:44:26 | 0:44:30 | |
Check this shit out. | 0:44:30 | 0:44:32 | |
"Do not inhale/ breathe. | 0:44:32 | 0:44:34 | |
"Avoid skin/eye contact. Eye irritant. Skin irritant. Unsafe". | 0:44:34 | 0:44:38 | |
-Eye irritant? -"Eye irritant. | 0:44:38 | 0:44:40 | |
"Skin irritant. Unsafe. | 0:44:40 | 0:44:42 | |
"Keep away from all body parts." | 0:44:42 | 0:44:44 | |
Wanna try it? | 0:44:46 | 0:44:47 | |
-What do you do, drink it? -Sniff it. | 0:44:47 | 0:44:52 | |
Mike, I'm sorry Antonio's a fuckin' asshole, man. | 0:44:58 | 0:45:01 | |
He's not always like that. It's just when he gets around people and shit. | 0:45:01 | 0:45:05 | |
Fuck him. | 0:45:05 | 0:45:07 | |
You're always fuckin' afraid of him. Give me that shit, man. | 0:45:07 | 0:45:11 | |
No, I'm not afraid. | 0:45:11 | 0:45:14 | |
He's a dick. | 0:45:14 | 0:45:15 | |
Fuck him. | 0:45:21 | 0:45:23 | |
I'm scared, Mike. It's just...I'm sorry. | 0:45:26 | 0:45:30 | |
I don't even fuckin' know what I'm saying when smoking. | 0:45:30 | 0:45:34 | |
What the fuck are you sorry for, Mike? | 0:45:34 | 0:45:36 | |
If some guys were after me like that, I would be shitting myself. | 0:45:36 | 0:45:39 | |
California's probably the best, right? | 0:45:43 | 0:45:45 | |
I always think about that place. | 0:45:47 | 0:45:49 | |
-Well, let's go, then. -What do you mean? | 0:45:49 | 0:45:52 | |
Let's just fucking go. | 0:45:52 | 0:45:54 | |
I saw this, uh, | 0:45:54 | 0:45:56 | |
TV commercial, right? | 0:45:56 | 0:45:57 | |
You can take like a, a bus, right? | 0:45:57 | 0:46:03 | |
It's 39. | 0:46:03 | 0:46:05 | |
39? That's crazy. | 0:46:05 | 0:46:08 | |
Hey, is your fuckin' head goin' like boom, boom, boom? | 0:46:11 | 0:46:14 | |
Like a heart. | 0:46:14 | 0:46:16 | |
Laurie. | 0:46:46 | 0:46:47 | |
Laurie? | 0:46:49 | 0:46:52 | |
You're so stupid. | 0:46:52 | 0:46:54 | |
-Huh? -You're stupid. I'm not talking to you. | 0:46:54 | 0:46:56 | |
-Why not? -I'm still not gonna talk to you. -Come on. | 0:46:56 | 0:47:00 | |
I'm not talking. Why are you here? | 0:47:00 | 0:47:03 | |
-Why are you even here? -Cos I wanna be here. | 0:47:03 | 0:47:05 | |
-Yeah? -Yeah. | 0:47:05 | 0:47:08 | |
Yeah? | 0:47:08 | 0:47:09 | |
Yeah. | 0:47:09 | 0:47:10 | |
What's wrong? Why are you still mad? | 0:47:13 | 0:47:15 | |
You forgot, right? You let Giuseppe throw knives at me and Diane. | 0:47:15 | 0:47:19 | |
Oh, you still mad about that? | 0:47:19 | 0:47:21 | |
Yeah. Like, I'm not even mad. | 0:47:21 | 0:47:24 | |
I just feel like the whole shit was stupid, you know? | 0:47:24 | 0:47:29 | |
-Hello? Shit. -Huh? -You're drunk. | 0:47:30 | 0:47:36 | |
-No. -Oh, shit. | 0:47:36 | 0:47:39 | |
You're stoned. | 0:47:39 | 0:47:41 | |
-No, I'm not. -Yeah, you are. | 0:47:41 | 0:47:42 | |
-No, I'm not. -You are. | 0:47:42 | 0:47:45 | |
You know what I'm gonna do if you let me in? | 0:47:45 | 0:47:48 | |
-No. -You know what I'll do? -What are you gonna do? | 0:47:48 | 0:47:51 | |
I'm not even gonna fuck you. | 0:47:51 | 0:47:53 | |
Wow! You're not gonna even fuck me! | 0:47:53 | 0:47:56 | |
Not even if I let you in? | 0:47:56 | 0:47:58 | |
No. I'm just gonna lick your pussy. | 0:48:00 | 0:48:02 | |
Oh, my God! My mother's right there. She can hear you right now. | 0:48:02 | 0:48:06 | |
You know why? | 0:48:06 | 0:48:09 | |
No, why? | 0:48:09 | 0:48:11 | |
Why what? | 0:48:11 | 0:48:13 | |
What are you talking about? | 0:48:15 | 0:48:17 | |
I don't know...I don't know why you're gonna lick my pussy. | 0:48:17 | 0:48:20 | |
That's what you want me to say. | 0:48:20 | 0:48:22 | |
Because, um, I'm gonna lick your pussy because me and Mike, we're going to California | 0:48:22 | 0:48:27 | |
with our band and shit. | 0:48:27 | 0:48:29 | |
And I want you to come, you know, because I love you. | 0:48:29 | 0:48:32 | |
Because the fuckin' Mets won... | 0:48:32 | 0:48:33 | |
What? | 0:48:33 | 0:48:35 | |
What did you say? | 0:48:35 | 0:48:38 | |
You said you love me. | 0:48:38 | 0:48:39 | |
-What? -You said you love me, right? | 0:48:39 | 0:48:42 | |
I'm serious. That shit means a lot to me, you know. | 0:48:44 | 0:48:47 | |
Yeah, I love you. I love you cos I love you, cos... | 0:48:50 | 0:48:54 | |
I can't... | 0:48:54 | 0:48:56 | |
Stupid. | 0:48:58 | 0:49:00 | |
Hey, yo! Hey, yo, I stole us a Spalding from Fishbein's. | 0:49:08 | 0:49:14 | |
I swear, fuckin' Charlie is getting blind as he can be. I can't wait to get that motherfucker. | 0:49:14 | 0:49:19 | |
I would play. I just gotta go back. I gotta go to the city right now. | 0:49:19 | 0:49:22 | |
Why d'you wanna go to Manhattan? Monty wanted to play handball. | 0:49:22 | 0:49:25 | |
-You OK? What happened? -It was my fuckin' father. | 0:49:25 | 0:49:28 | |
Yo, you wanna go first to the park? | 0:49:28 | 0:49:30 | |
No, I gotta go fuckin' with the dogs. | 0:49:30 | 0:49:31 | |
Mike, with the dogs? Come on. Hey! | 0:49:31 | 0:49:34 | |
Maybe you could see if I can get a job there, man. | 0:49:34 | 0:49:37 | |
Tell your friend I ain't gonna fuck with him, right? Maybe we can hang out later. | 0:49:37 | 0:49:41 | |
-Look who's here. -Sorry. I got lost changing trains. | 0:49:46 | 0:49:49 | |
Take little Geronimo here. You got to go through the teeth over here. | 0:49:49 | 0:49:53 | |
Look at Young Geronimo. Careful, motherfucker, | 0:49:54 | 0:49:57 | |
the teeth are lethal. | 0:49:57 | 0:49:58 | |
Take Bobo and Lulu too, because Miss Levitt will have a fuckin' heart attack. | 0:49:58 | 0:50:03 | |
You gotta go through here. | 0:50:03 | 0:50:04 | |
Merry go round. | 0:50:04 | 0:50:06 | |
Could they make it a little more heat in this city, or what? | 0:50:06 | 0:50:09 | |
Sorry, he's blind. Poor kid. | 0:50:09 | 0:50:11 | |
So this guy has a Pomeranian, Marilyn. | 0:50:11 | 0:50:13 | |
You gotta walk the thing sometimes for like an hour before it craps. | 0:50:13 | 0:50:17 | |
On 2nd Avenue. Bobby, the owner, he can be a real pain in the ass. | 0:50:17 | 0:50:21 | |
He'll check the dog's ass, so make sure it just does it. OK? | 0:50:21 | 0:50:25 | |
Thank you, ma'am. They're OK. Those things always end up with you going to hell. | 0:50:25 | 0:50:29 | |
So, remember he's like an entertainment manager, or, like he owns a store or something. | 0:50:29 | 0:50:33 | |
Fish and lizards. But music, too. | 0:50:33 | 0:50:35 | |
Whatever. I told him about you guys and the music, and that maybe he should do something. | 0:50:35 | 0:50:40 | |
You never know, OK? I gotta head downtown. | 0:50:40 | 0:50:42 | |
Mikey, you have the address. You can walk from here. | 0:50:42 | 0:50:45 | |
And break a leg. That's what they say in the big time. | 0:50:45 | 0:50:47 | |
-OK, Frank. -See you later, Frank. | 0:50:47 | 0:50:49 | |
Your mothers must be really proud of you. | 0:50:58 | 0:51:00 | |
I could jump from one side to the other like this. | 0:51:08 | 0:51:11 | |
Jesse Owens would've, but you're not a track star, man. I'm sorry. | 0:51:11 | 0:51:14 | |
I hate to tell you this. You're not makin' it. | 0:51:14 | 0:51:16 | |
What, you think you're cute, Giuseppe? | 0:51:20 | 0:51:22 | |
-I'm not cute. I'm handsome. -Who the fuck told you that? -Girls. | 0:51:22 | 0:51:28 | |
Go get my ball, man. | 0:51:28 | 0:51:30 | |
Go get my...go get my ball. | 0:51:30 | 0:51:32 | |
Hey, Bobby. This is Dito. | 0:51:35 | 0:51:38 | |
Hey, there. I'll bring him right back. Thanks. Let's go. | 0:51:39 | 0:51:43 | |
No, don't fuck with that. | 0:51:43 | 0:51:45 | |
-Come on, man. -Touch it with your finger. | 0:51:45 | 0:51:47 | |
With your finger. | 0:51:47 | 0:51:50 | |
What the fuck are you doing, man? | 0:51:50 | 0:51:51 | |
I heard if you put both feet on it at the same time, nothing happens. | 0:51:51 | 0:51:55 | |
You, like, conduct electricity and shit. | 0:51:55 | 0:51:57 | |
What are you, Einstein? | 0:51:57 | 0:51:59 | |
You sound like an idiot. | 0:51:59 | 0:52:00 | |
You're worried about me, Antonio, aren't you? | 0:52:04 | 0:52:06 | |
Am I fuckin' worried about you? | 0:52:06 | 0:52:08 | |
The fuckin' train is coming. You don't see it? | 0:52:08 | 0:52:10 | |
The train is fucking coming. I don't give a fuck about you. Get my ball, man. | 0:52:10 | 0:52:13 | |
You don't give a shit? | 0:52:13 | 0:52:15 | |
-Now how about giving a shit? -You're sittin' in nasty shit, man. | 0:52:15 | 0:52:18 | |
The fuckin' train is coming. You don't see it? | 0:52:18 | 0:52:21 | |
-Tell me you're worried about me. -I don't give a fuck about you. You wanna fucking die, go ahead. | 0:52:21 | 0:52:27 | |
You're not gonna tell me you're worried about me, are you? | 0:52:27 | 0:52:29 | |
What the fuck? Come on, man. Seriously, get the fuck up here. | 0:52:29 | 0:52:31 | |
What the fuck are you doing, man? The train's coming right at you. | 0:52:31 | 0:52:35 | |
-You're my brother. -Get the fuck out of there! Look at the fuckin' train! | 0:52:35 | 0:52:39 | |
You gonna fucking be retarded and just sit down? I don't give a fuck. | 0:52:39 | 0:52:42 | |
Get the fuck out, already! Get the fuck out! Get the fuck out! | 0:52:42 | 0:52:46 | |
-I was calling. You OK? -Yeah, I'm fine. -When I call, you always call me back. | 0:53:14 | 0:53:18 | |
You didn't call back, so I got worried. | 0:53:18 | 0:53:22 | |
-This is messed up, huh? -It's just fucked up. | 0:53:22 | 0:53:24 | |
It's just fucked up. | 0:53:24 | 0:53:26 | |
I'm getting out of here. Me and Mike, we're going to California. | 0:53:28 | 0:53:32 | |
-I know, remember? You told me. You wanted me to go with you... -Yeah. | 0:53:32 | 0:53:37 | |
What? You don't want me to go with you? Is that what you're saying? | 0:53:38 | 0:53:41 | |
-I'm gonna talk to Antonio. -No, no, no. -I'm just going to talk. | 0:53:41 | 0:53:45 | |
-Why can't you even look at me right now? -I'm looking at you. | 0:53:45 | 0:53:47 | |
-You're not looking at me. -How do you mean? | 0:53:47 | 0:53:49 | |
How else can I look at you? | 0:53:49 | 0:53:52 | |
-You said that you loved me, right? Did you mean that? -Laurie, I'm sorry. | 0:53:52 | 0:53:56 | |
I'm gonna talk to Antonio. | 0:53:56 | 0:53:58 | |
You better not. You better talk to me right now. | 0:53:58 | 0:53:59 | |
Laurie. | 0:53:59 | 0:54:01 | |
You OK? | 0:54:07 | 0:54:09 | |
-Huh? -You OK? -Don't worry about it. | 0:54:09 | 0:54:10 | |
What are you gonna do? It's fucked up. | 0:54:10 | 0:54:13 | |
He's, he's fucking...he's stupid. | 0:54:13 | 0:54:16 | |
He's fuckin'... now he's dead AND he's stupid. | 0:54:16 | 0:54:18 | |
You know Giuseppe. | 0:54:18 | 0:54:20 | |
He's fuckin'...he's an idiot. | 0:54:20 | 0:54:21 | |
Oh, I found out where the fuckin' Reaper guy is. | 0:54:21 | 0:54:25 | |
I found him for sure this time. I know where they hang out. | 0:54:25 | 0:54:27 | |
-Don't worry about that, either. I'm gonna fuckin' kill his ass. -Whoa...Giuseppe... | 0:54:27 | 0:54:33 | |
Antonio, you're here for your brother. That's your brother in a box. That's your brother - Giuseppe. | 0:54:33 | 0:54:37 | |
Is that all you think about, the Reaper guy? | 0:54:37 | 0:54:39 | |
-What? -It's your brother's funeral. -What the fuck do you mean, is that all I ever fuckin' think about? | 0:54:39 | 0:54:44 | |
What do you mean? | 0:54:44 | 0:54:46 | |
What do you mean by that? | 0:54:47 | 0:54:50 | |
-What'd I say? -All I ever think about is you? | 0:54:50 | 0:54:53 | |
Is that what you're saying? | 0:54:53 | 0:54:54 | |
I think about you? | 0:54:54 | 0:54:56 | |
I'm asking you a fuckin' question. What did you mean by that? | 0:54:56 | 0:54:59 | |
-I didn't mean anything by it. -Get the fuck out! I don't even fuckin' care about you! | 0:54:59 | 0:55:03 | |
-Do you hear me? I don't give a fuck. -Antonio! | 0:55:03 | 0:55:08 | |
I'm sorry, Monty. | 0:55:09 | 0:55:10 | |
Fuck! Fuck! | 0:55:11 | 0:55:13 | |
You all right? | 0:55:22 | 0:55:24 | |
Hey. Did you know this used to be a candy store here? | 0:55:46 | 0:55:49 | |
Can you believe it? | 0:55:49 | 0:55:51 | |
What does the stop mean? | 0:56:12 | 0:56:13 | |
Do you see the hand? Stop! | 0:56:13 | 0:56:16 | |
It means you don't cross the street. You stop. | 0:56:16 | 0:56:19 | |
Go! | 0:56:19 | 0:56:21 | |
Yo! Don't be making no transactions on my corner here, all right? | 0:56:21 | 0:56:25 | |
Yo. | 0:56:26 | 0:56:28 | |
Fuckin' Hector. Little kids here, man. | 0:56:29 | 0:56:33 | |
I'm serious! I'm serious, Hector. | 0:56:33 | 0:56:37 | |
Fuckin' television. Yo, that works? | 0:56:37 | 0:56:40 | |
Hey, is that flatscreen? | 0:56:40 | 0:56:43 | |
Yo, I'm serious. That works? | 0:56:43 | 0:56:45 | |
Did you used to be a swimmer? | 0:56:52 | 0:56:55 | |
Oh, you used to be a swimmer, right? | 0:56:55 | 0:56:57 | |
Hey. | 0:56:59 | 0:57:01 | |
Hey. | 0:57:01 | 0:57:03 | |
Who's that? | 0:57:03 | 0:57:06 | |
Shit. This is Joey. Look. | 0:57:06 | 0:57:08 | |
Joseph. Mr Joey. | 0:57:08 | 0:57:10 | |
Joey, like Giuseppe? | 0:57:12 | 0:57:13 | |
Like Joseph. | 0:57:16 | 0:57:18 | |
It's his father's name. | 0:57:18 | 0:57:20 | |
-Joseph. -Mommy, who's that man? | 0:57:20 | 0:57:22 | |
He's gone now. He wants to know who you are. | 0:57:22 | 0:57:24 | |
I've known your mother since she was this big. | 0:57:24 | 0:57:28 | |
She can't be this big, you know. | 0:57:28 | 0:57:30 | |
Your mom said you were coming into town. | 0:57:32 | 0:57:34 | |
Yeah, I'm gonna see my father and, you know. | 0:57:34 | 0:57:36 | |
Yeah, Nerf told me, you know, you'd be here in your corner. | 0:57:36 | 0:57:40 | |
My corner. Nerf. | 0:57:40 | 0:57:43 | |
Wow. | 0:57:44 | 0:57:45 | |
Wow. | 0:57:45 | 0:57:47 | |
Laurie, you look beautiful. | 0:57:48 | 0:57:51 | |
You know, I'm in my bests. I'm looking really good. | 0:57:51 | 0:57:53 | |
My best slippers. You should see them, actually. Manolos. | 0:57:53 | 0:57:57 | |
Anyway, you're staying at your mother's, right? | 0:57:59 | 0:58:02 | |
-Nerf's. -Nerf's mother's. All right. | 0:58:02 | 0:58:05 | |
Yeah. All right. Well, I'll be around, you know. | 0:58:05 | 0:58:09 | |
Maybe later I'll come back, or you wanna come down? | 0:58:09 | 0:58:12 | |
You wanna come out and play? | 0:58:12 | 0:58:14 | |
It was really nice to see you. | 0:58:14 | 0:58:17 | |
I gotta make dinner now, but...it's good to see you. | 0:58:17 | 0:58:20 | |
All right. See you, Mr Joey. | 0:58:22 | 0:58:24 | |
Antonio! | 0:58:55 | 0:58:57 | |
Yo! | 0:58:57 | 0:58:58 | |
Antonio. | 0:58:58 | 0:59:00 | |
-Yo, Antonio. -Yo, Dito, what's up, man? | 0:59:00 | 0:59:04 | |
Come on. I'm sorry. | 0:59:04 | 0:59:06 | |
What's up, Dito? Where the fuck you been? | 0:59:06 | 0:59:08 | |
I know where he's been, since he's all I ever think about. | 0:59:08 | 0:59:11 | |
-He's all I ever fuckin' think about. -I'm fuckin' working. | 0:59:11 | 0:59:14 | |
-What are you so fuckin' pissed off for? -I'm not pissed off. | 0:59:14 | 0:59:17 | |
You know your father had a seizure? | 0:59:17 | 0:59:18 | |
This guy don't even know his fuckin' father had a seizure, and he's acting like there's nothing wrong. | 0:59:18 | 0:59:25 | |
You're in fuckin' Niggerville. | 0:59:25 | 0:59:26 | |
Nerf's dad is black. What happened to my father? | 0:59:26 | 0:59:29 | |
-My father's Dominican. -He's black. -Nerf's fuckin' Nerf, man. | 0:59:29 | 0:59:33 | |
You're never even around any more. | 0:59:33 | 0:59:34 | |
Where the fuck were you? Where the fuck are you? Nowhere! | 0:59:34 | 0:59:37 | |
This fuckin' guy. Come on, let's go. | 0:59:37 | 0:59:40 | |
I don't fuckin' know you any more! Yo, tell me who the fuck... | 0:59:40 | 0:59:43 | |
Look, yo, you don't think I'd fuck you up? | 0:59:43 | 0:59:45 | |
-Chill out, Antonio. -You have no idea how fuckin' close you are. | 0:59:45 | 0:59:49 | |
Nerf, let's just fuckin' go. | 0:59:49 | 0:59:52 | |
-Antonio! -Nerf. Nerf! | 0:59:52 | 0:59:55 | |
What's up, motherfucker? Think you can hide from me? | 1:00:13 | 1:00:16 | |
Think you can fuck with my family? | 1:00:16 | 1:00:18 | |
Think you can fuck with my family, nigger? | 1:00:18 | 1:00:21 | |
Don't fuck with me, cos I know your family! I know your father. | 1:00:26 | 1:00:30 | |
I know where you live. | 1:00:30 | 1:00:32 | |
Don't fuck with TSS! | 1:00:32 | 1:00:34 | |
Next time, I'll kill you. That's my word. | 1:00:34 | 1:00:36 | |
I know your family. I know you live right here. Don't ever fuck with me! | 1:00:36 | 1:00:40 | |
Hurry up. | 1:00:40 | 1:00:42 | |
You're scared. | 1:00:47 | 1:00:49 | |
Yo! | 1:00:52 | 1:00:54 | |
What the fuck, man? | 1:00:54 | 1:00:56 | |
Yo, yo, yo, yo. | 1:00:56 | 1:00:58 | |
Just fuckin' lay there for a second. Yo, come here. | 1:00:58 | 1:01:02 | |
Come here. Look at me. Oh, fuck. You're fucked up. | 1:01:02 | 1:01:05 | |
-Don't be mad, OK? -No, no, no. | 1:01:05 | 1:01:07 | |
Nerf, get your mother's car. Go get your mother's car right now. | 1:01:07 | 1:01:10 | |
You're fucked up. | 1:01:10 | 1:01:11 | |
That fuckin'...it's... | 1:01:11 | 1:01:13 | |
OH, FUCK! | 1:01:16 | 1:01:18 | |
INAUDIBLE | 1:01:22 | 1:01:26 | |
Every day, something's different with you guys. | 1:01:29 | 1:01:31 | |
I don't know what it is. Every day, something, huh? | 1:01:31 | 1:01:33 | |
-Right, Antonio? Every day, something. -Yeah. | 1:01:33 | 1:01:37 | |
So what happened this time? A dog bite you? Huh? | 1:01:39 | 1:01:42 | |
I told you, I fell off a park fence. | 1:01:42 | 1:01:44 | |
Oh, you fell off a fence? | 1:01:44 | 1:01:47 | |
Never mind about that, OK? Just tell me what happened. | 1:01:47 | 1:01:50 | |
-Hi. -It's two in the morning. | 1:01:54 | 1:01:56 | |
I know, I just wanted to see what happened. | 1:01:56 | 1:01:59 | |
-Sorry. -You wanna see what happened? | 1:02:00 | 1:02:02 | |
What happened? | 1:02:02 | 1:02:04 | |
-There, now you see. Now go. -Shut up. | 1:02:04 | 1:02:09 | |
I said, I just want to know what happened. | 1:02:09 | 1:02:11 | |
It's the freaking graffiti guys, you know, the Reaper. Your fuckin' race. | 1:02:11 | 1:02:16 | |
-They whacked him with a bat. -A bat? | 1:02:16 | 1:02:18 | |
-He's not my race. -< Monty? | 1:02:18 | 1:02:21 | |
< What are you doing out there? | 1:02:21 | 1:02:22 | |
Uh, don't worry, Flori. | 1:02:22 | 1:02:24 | |
I'm talking to Dito and Antonio, OK? | 1:02:24 | 1:02:28 | |
It's so late! | 1:02:28 | 1:02:29 | |
These guys, they knew who you were too. | 1:02:31 | 1:02:33 | |
The Reaper guy. The bat man. But don't worry about it. | 1:02:33 | 1:02:37 | |
-I'll take care of it. Just trust me. -Why do they care who -I -am? | 1:02:37 | 1:02:40 | |
-They care who you are. These guys are crazy, Mr Montiel. -Crazy. | 1:02:40 | 1:02:43 | |
Dad, me and Mike are planning to go to California for a month, maybe in August. | 1:02:46 | 1:02:49 | |
California? You kidding me, man? | 1:02:49 | 1:02:51 | |
Listen to Antonio, OK? What do you mean, you wanna go somewhere? | 1:02:51 | 1:02:55 | |
You wanna go to China, go to China Town. | 1:02:55 | 1:02:56 | |
-You don't even listen to anything. -What are you saying? | 1:02:56 | 1:02:59 | |
I'm sorry. You're not listening to what he's saying. | 1:02:59 | 1:03:02 | |
Sorry, Dad, I'm serious. | 1:03:02 | 1:03:04 | |
You said to me that if I were to leave, that you wouldn't talk to me any more. | 1:03:04 | 1:03:08 | |
-And if I were to go, would you -not talk to me? That's what you said you were gonna do. | 1:03:08 | 1:03:13 | |
But you're not going anywhere, Dito. | 1:03:13 | 1:03:16 | |
You're not going anywhere. You stay right here at home with us, OK? | 1:03:16 | 1:03:21 | |
Daddy, can you be my fuckin' father for a second? | 1:03:21 | 1:03:24 | |
I wanna go somewhere. I wanna do something for once. | 1:03:24 | 1:03:26 | |
I can't be here any more. It's a fuckin' nightmare here. | 1:03:26 | 1:03:29 | |
-< What's going on out there? -Flori, just a minute. Everything's gonna be all right. | 1:03:29 | 1:03:33 | |
Who do you think you are, talking to me like that? | 1:03:33 | 1:03:36 | |
-He's your son. -Just mind your business. | 1:03:36 | 1:03:38 | |
-I feel like... -I told you to mind your business. All right. | 1:03:38 | 1:03:41 | |
You wanna go, then go! Is that what you wanna hear? | 1:03:41 | 1:03:44 | |
Then go. Don't you ever talk to me like that again. | 1:03:44 | 1:03:46 | |
Antonio is gonna make everything right. Right, Antonio? | 1:03:46 | 1:03:49 | |
He's gonna make it right. Yes! | 1:03:49 | 1:03:52 | |
-He's gonna make it right! He's gonna take care, OK? -No, he's not. | 1:03:52 | 1:03:54 | |
-Why don't you shut the fuck up? Listen to him. Why don't you leave my fuckin' house? | 1:03:54 | 1:03:59 | |
Listen to me. Antonio, you're going to make it right, right? | 1:03:59 | 1:04:03 | |
-He's not going nowhere. -Get the fuck out of my house! Get the fuck out of my house. | 1:04:03 | 1:04:07 | |
Hey, hey. Hey! | 1:04:07 | 1:04:10 | |
-What are you doing? -Get the fuck out! I hate you! | 1:04:10 | 1:04:14 | |
What the hell are you saying to me? You hate me? You hate your father? | 1:04:14 | 1:04:18 | |
Monty? | 1:04:22 | 1:04:23 | |
INAUDIBLE | 1:04:30 | 1:04:34 | |
Hold his head! | 1:04:34 | 1:04:36 | |
INAUDIBLE | 1:04:39 | 1:04:42 | |
Dito, where are you going, man? | 1:04:42 | 1:04:45 | |
What is happening? | 1:04:45 | 1:04:48 | |
We're all right. We're all right. | 1:04:54 | 1:04:57 | |
We're all right. | 1:04:58 | 1:05:00 | |
Dito. | 1:05:56 | 1:05:58 | |
Hi. | 1:05:59 | 1:06:01 | |
Dito. | 1:06:02 | 1:06:04 | |
Come here. | 1:06:04 | 1:06:06 | |
Look at you. | 1:06:12 | 1:06:13 | |
You look beautiful. | 1:06:13 | 1:06:15 | |
Momma, you do. | 1:06:20 | 1:06:22 | |
Monty? | 1:06:29 | 1:06:30 | |
Monty. | 1:06:32 | 1:06:33 | |
Look who's here. | 1:06:33 | 1:06:35 | |
Hey. Look at you. | 1:06:40 | 1:06:42 | |
Long time, no see. | 1:06:42 | 1:06:44 | |
Daddy. | 1:06:51 | 1:06:53 | |
Antonio and Nerf called. Said you were sick. | 1:06:53 | 1:06:56 | |
-Me? Rock of Gibraltar, man. -Yeah? | 1:06:59 | 1:07:02 | |
You don't look so good. | 1:07:09 | 1:07:11 | |
He came all this way to tell me I don't look so good, Flori. | 1:07:14 | 1:07:18 | |
No. | 1:07:22 | 1:07:24 | |
He's here to take you to the hospital because you're sick, right? | 1:07:24 | 1:07:28 | |
Well...thanks for coming. | 1:07:32 | 1:07:35 | |
-You take care, OK? -Take care? | 1:07:35 | 1:07:38 | |
-Yeah. -When I came all the way here to see you? | 1:07:38 | 1:07:40 | |
Dito, it's nice to see you again. | 1:07:40 | 1:07:43 | |
You came and everything. Now you take care. | 1:07:43 | 1:07:46 | |
I see what he's doing. | 1:07:46 | 1:07:47 | |
Nice. | 1:07:47 | 1:07:49 | |
I see what you're doing. | 1:07:49 | 1:07:51 | |
That's because you're a very smart guy. | 1:07:51 | 1:07:54 | |
Well, I'm your son. | 1:07:54 | 1:07:57 | |
You know that, right? | 1:07:57 | 1:07:58 | |
-You're my son? -Yeah, I'm your son. | 1:07:58 | 1:08:00 | |
-Remember? -You're my son? | 1:08:00 | 1:08:02 | |
You're not my son. | 1:08:02 | 1:08:04 | |
I'm not gonna fight. | 1:08:07 | 1:08:09 | |
You want me to leave? | 1:08:09 | 1:08:10 | |
Big shot comes here... | 1:08:10 | 1:08:12 | |
..comes 15, comes 3,000 miles. | 1:08:13 | 1:08:18 | |
Comes 3,000 miles in 15 years. | 1:08:18 | 1:08:22 | |
You go back to California like the rat you are. | 1:08:22 | 1:08:25 | |
You leave me, your mother. | 1:08:25 | 1:08:28 | |
You don't see your friend, Antonio. | 1:08:28 | 1:08:31 | |
-Monty. -Not once? | 1:08:31 | 1:08:34 | |
Once? | 1:08:34 | 1:08:36 | |
You can go. | 1:08:38 | 1:08:40 | |
You take care. | 1:08:40 | 1:08:42 | |
Used to be Antonio's house. | 1:09:19 | 1:09:22 | |
House of horrors, the poor kid. | 1:09:22 | 1:09:24 | |
Look how nice it is now. | 1:09:26 | 1:09:28 | |
It's nice, huh? | 1:09:28 | 1:09:30 | |
I wasn't upset when he went to prison. Not a bit. | 1:09:35 | 1:09:38 | |
That's where me and your father are different. | 1:09:38 | 1:09:41 | |
You know, if you hooked your father up to a lie detector test | 1:09:44 | 1:09:50 | |
and asked if he was the best father who ever lived, ever, he'd pass with flying colours. | 1:09:50 | 1:09:57 | |
That's because he loved you | 1:09:58 | 1:10:01 | |
with everything he had. | 1:10:01 | 1:10:03 | |
Every last bit. He loved you. | 1:10:03 | 1:10:06 | |
He loved coming up here with you. | 1:10:06 | 1:10:08 | |
You know, people used to think he was your grandfather. | 1:10:11 | 1:10:16 | |
He thought that was funny. | 1:10:16 | 1:10:18 | |
You know, one generation can be funny, I guess. | 1:10:18 | 1:10:22 | |
But two? We were too old to have such a young boy. | 1:10:22 | 1:10:26 | |
We needed you probably more than you needed us. | 1:10:30 | 1:10:34 | |
Or, you know... | 1:10:34 | 1:10:36 | |
But your father was so crazy about you. | 1:10:36 | 1:10:39 | |
I never saw nothing like it. | 1:10:39 | 1:10:41 | |
You were more his buddy than a son. | 1:10:44 | 1:10:46 | |
He couldn't wait for you to come out and play. | 1:10:46 | 1:10:49 | |
I'm sorry, Ma. | 1:10:53 | 1:10:54 | |
You can't come back with hatred for your father. | 1:10:57 | 1:11:00 | |
You can't. | 1:11:00 | 1:11:02 | |
How could you love him so much in that book, and not see him for so long? | 1:11:02 | 1:11:08 | |
I know you have your reasons. | 1:11:12 | 1:11:14 | |
We all missed you here. | 1:11:16 | 1:11:18 | |
You're my son, too. | 1:11:19 | 1:11:21 | |
Look at you. | 1:11:26 | 1:11:29 | |
You're a man now. | 1:11:30 | 1:11:32 | |
It's good to see you again. | 1:11:45 | 1:11:47 | |
To say your name, | 1:11:48 | 1:11:50 | |
to you. | 1:11:50 | 1:11:52 | |
I've thought of this every day, and now it's here. | 1:12:03 | 1:12:06 | |
Every day. | 1:12:07 | 1:12:09 | |
Give me my fucking shirt back. I'm serious. | 1:12:14 | 1:12:17 | |
Give her her shirt, come on. | 1:12:17 | 1:12:20 | |
You asked your dad, right? | 1:12:20 | 1:12:21 | |
How can we afford California? | 1:12:23 | 1:12:25 | |
Frank. | 1:12:27 | 1:12:28 | |
Remember the commercial you told me about? You told me about that. | 1:12:28 | 1:12:32 | |
I saw it. The 39 buses. | 1:12:32 | 1:12:35 | |
We get the money from Frank, and we can go. | 1:12:35 | 1:12:38 | |
Hey, Ronnie, give her her shirt back. | 1:12:40 | 1:12:43 | |
I just wanna get the fuck out of here. | 1:12:43 | 1:12:45 | |
I'm not gonna go without you. | 1:12:45 | 1:12:48 | |
And we're going, right? | 1:12:48 | 1:12:50 | |
Yeah. | 1:12:50 | 1:12:51 | |
I want my fuckin' shirt back. | 1:12:54 | 1:12:56 | |
Can you give her back her freaking shirt? | 1:12:56 | 1:12:58 | |
I'm serious, Ronnie. | 1:12:58 | 1:13:00 | |
< I'm serious. Ronnie! | 1:13:00 | 1:13:02 | |
Ronnie! | 1:13:05 | 1:13:07 | |
Give her the fuckin' shirt back. | 1:13:07 | 1:13:09 | |
Why you do this shit every time? | 1:13:09 | 1:13:11 | |
Fuckin' little pervert. | 1:13:11 | 1:13:13 | |
Here. I gave you your shirt. Tell your friend to talk to me. | 1:13:13 | 1:13:16 | |
Your friend has a mind of her own. | 1:13:16 | 1:13:19 | |
Tell her mind to talk to me. | 1:13:19 | 1:13:21 | |
My mind is not gonna talk to you. I don't wanna talk to you. | 1:13:21 | 1:13:24 | |
You don't think I'm gonna get in there now? | 1:13:25 | 1:13:27 | |
You're not gonna get in. | 1:13:27 | 1:13:29 | |
You didn't think I was gonna get in? | 1:13:32 | 1:13:35 | |
Huh? | 1:13:35 | 1:13:36 | |
I'm sorry, Laurie. | 1:13:38 | 1:13:40 | |
At my fuckin' house, I didn't mean to... | 1:13:40 | 1:13:43 | |
-I didn't mean to. -You were so mean to me. You were really mean to me. | 1:13:44 | 1:13:49 | |
I was pissed off. I was pissed off. | 1:13:49 | 1:13:51 | |
I lost it, you know. I fuckin'... | 1:13:51 | 1:13:53 | |
What is that? | 1:13:55 | 1:13:58 | |
Is that a bruise? | 1:13:58 | 1:13:59 | |
-I did that to you? -Yeah. | 1:13:59 | 1:14:02 | |
-Don't worry. I bruise easily. It's fine. -When I grabbed you? -Yeah. | 1:14:02 | 1:14:05 | |
Yo, Dito. | 1:14:05 | 1:14:08 | |
The Reaper's over there. We gotta go. Let's go. | 1:14:08 | 1:14:10 | |
What? Get up out of the pool. | 1:14:10 | 1:14:12 | |
Antonio found the dude that hit you with the bat. He's waiting for you. Come on! | 1:14:12 | 1:14:17 | |
-You going over there is so fuckin' stupid. -Let's go! Dito, come on, man. | 1:14:17 | 1:14:23 | |
-You don't need that fuckin' asshole. He is the fuckin' worst! -Where are you going? | 1:14:23 | 1:14:27 | |
You're so full of shit, man. | 1:14:27 | 1:14:28 | |
You say you wanna get out of here, but you're running after Antonio. | 1:14:28 | 1:14:32 | |
The guy's a fuckin' dick, Dito. | 1:14:32 | 1:14:34 | |
It's because of him you're fucked up. What's your problem? | 1:14:34 | 1:14:37 | |
-Fuckin' go, then! Go! -I'll be right back! | 1:14:37 | 1:14:39 | |
You're not coming back! | 1:14:39 | 1:14:41 | |
What's up, Dito? The fuckin' spic is right there, man. | 1:15:01 | 1:15:05 | |
Nerf told you, right? | 1:15:07 | 1:15:09 | |
-Yeah. -That's our motherfucker right there. | 1:15:09 | 1:15:11 | |
He's in there playing Asteroids. | 1:15:15 | 1:15:17 | |
Yo, get down. Get down. | 1:15:22 | 1:15:24 | |
Yeah, let him go. Let him go. | 1:15:27 | 1:15:29 | |
He'll be in there all alone. | 1:15:33 | 1:15:35 | |
I'm gonna show this fucker what's up. | 1:15:37 | 1:15:39 | |
MUSIC: "Baker Street" by Gerry Rafferty | 1:16:01 | 1:16:04 | |
SIREN WAILS | 1:16:19 | 1:16:23 | |
MUSIC CONTINUES | 1:16:23 | 1:16:25 | |
Frank? ..Frank? | 1:16:25 | 1:16:28 | |
Oh, shit. | 1:16:42 | 1:16:44 | |
What's up? Is it Saturday? | 1:16:46 | 1:16:49 | |
It ain't Saturday, Frank. | 1:16:50 | 1:16:53 | |
Sit down. Sit down. | 1:16:53 | 1:16:56 | |
Frank, we need our money. Remember I was telling you... | 1:16:58 | 1:17:01 | |
You guys know this shit's no good. | 1:17:01 | 1:17:04 | |
Huh? You like this song? | 1:17:04 | 1:17:06 | |
You can hear it, right? Listen, listen, listen. | 1:17:06 | 1:17:10 | |
Oh, fuck! D'you hear that? | 1:17:12 | 1:17:14 | |
D'you hear that? | 1:17:14 | 1:17:16 | |
It's like... Oh, I love it! | 1:17:17 | 1:17:20 | |
Right? | 1:17:24 | 1:17:26 | |
And these things, like, fuckin' ultrasonic. | 1:17:29 | 1:17:32 | |
They're, like, walkie-talkie shit. But in your head. | 1:17:32 | 1:17:35 | |
Like, it's out there, but it's in here too. | 1:17:35 | 1:17:37 | |
You know what I mean? It's out there, but it's in here too. | 1:17:37 | 1:17:39 | |
You know what I mean? Walkie-talkie shit, I'm telling ya. | 1:17:39 | 1:17:42 | |
Out there, in here. Out there, in here. | 1:17:42 | 1:17:45 | |
It's amazing! | 1:17:45 | 1:17:47 | |
Frank, you ain't paid us for three weeks. | 1:17:47 | 1:17:51 | |
Damn. This shit is impossible! You hear that? | 1:17:51 | 1:17:55 | |
Come on, Frank. We know the fuckin' money's in the fridge. You gonna give it to me...? | 1:17:59 | 1:18:03 | |
Fucking great song. I love this song. | 1:18:03 | 1:18:06 | |
I love this song. | 1:18:06 | 1:18:08 | |
Frank, enough shit, already! The fuckin' money's in the fridge and we both know it, | 1:18:08 | 1:18:12 | |
so either you get it for us, or we're gonna take it. | 1:18:12 | 1:18:16 | |
What are you gonna do? | 1:18:16 | 1:18:18 | |
Wait. | 1:18:20 | 1:18:22 | |
Mikey, you came here to rob me? | 1:18:22 | 1:18:25 | |
Frank, we're friends, man. I didn't come to rob you. | 1:18:25 | 1:18:28 | |
Frank, we didn't come here to rob you. | 1:18:28 | 1:18:31 | |
We just want to get paid, you know. | 1:18:31 | 1:18:33 | |
You haven't paid us for three fuckin' weeks. | 1:18:33 | 1:18:36 | |
Three weeks? I haven't paid you in three weeks? | 1:18:36 | 1:18:39 | |
OK. OK. I mean, it's cool. It's cool. | 1:18:44 | 1:18:47 | |
I owe you money. I mean, you know... | 1:18:47 | 1:18:50 | |
I got a gun in here too, you know. | 1:18:52 | 1:18:55 | |
And if you rob me, you know, | 1:18:56 | 1:18:59 | |
I would've had to have used it. | 1:18:59 | 1:19:02 | |
But I wouldn't have. I would never. | 1:19:04 | 1:19:05 | |
I'm sorry. | 1:19:05 | 1:19:07 | |
How much do I owe you? | 1:19:07 | 1:19:10 | |
-300 for both. -300. | 1:19:10 | 1:19:12 | |
You know what? | 1:19:15 | 1:19:18 | |
Take it all, Mike. Take it all. | 1:19:18 | 1:19:20 | |
It's only 300, Frank. All we want is what we're owed. We're not asking... | 1:19:20 | 1:19:24 | |
Like Job. | 1:19:24 | 1:19:26 | |
Remember, from the Bible? | 1:19:26 | 1:19:29 | |
Like him. You're so good, Mikey. You're so good. | 1:19:29 | 1:19:32 | |
But here is no good any more. Here is no good. | 1:19:32 | 1:19:36 | |
You're always talking about the music, or California. | 1:19:36 | 1:19:40 | |
Here's no good any more, OK? | 1:19:40 | 1:19:43 | |
Here's no good any more. Take it! | 1:19:43 | 1:19:45 | |
Just take the money, please. | 1:19:45 | 1:19:46 | |
-Take the money. -It's time to go. Listen to Dito! | 1:19:46 | 1:19:49 | |
He knows when it's time to go! | 1:19:49 | 1:19:51 | |
It's time to go. | 1:19:51 | 1:19:53 | |
Mikey...it's time to go. | 1:19:53 | 1:19:58 | |
Take it. | 1:20:00 | 1:20:03 | |
Take it. | 1:20:03 | 1:20:04 | |
Take it all. | 1:20:09 | 1:20:11 | |
Take it all. | 1:20:13 | 1:20:15 | |
It's time to go. | 1:20:15 | 1:20:16 | |
'Yeah, yeah. | 1:20:32 | 1:20:34 | |
'That's me. | 1:20:34 | 1:20:36 | |
'No conscience. No conscience. | 1:20:41 | 1:20:45 | |
'These motherfuckers. | 1:20:45 | 1:20:48 | |
'Do what they want. | 1:20:49 | 1:20:52 | |
'Do exactly what they want. | 1:20:52 | 1:20:53 | |
'No conscience. | 1:20:58 | 1:21:00 | |
'No conscience, these motherfuckers. | 1:21:00 | 1:21:02 | |
'You show them what's up. | 1:21:02 | 1:21:04 | |
'What's right. | 1:21:04 | 1:21:06 | |
'You go, boy. | 1:21:06 | 1:21:08 | |
'You go.' | 1:21:08 | 1:21:10 | |
'Pow!' | 1:21:15 | 1:21:16 | |
I was afraid maybe you'd drowned in here or something. | 1:21:32 | 1:21:36 | |
Listen, Dito... | 1:21:42 | 1:21:44 | |
..um...you know, | 1:21:46 | 1:21:48 | |
this thing with Antonio, you know... | 1:21:48 | 1:21:52 | |
Yeah, you know, don't worry. | 1:21:55 | 1:21:57 | |
You're kids. I spoke to the guy, the guy with the suit. | 1:21:57 | 1:22:01 | |
He said everything's gonna be OK. | 1:22:01 | 1:22:04 | |
It's gonna be good. He's gonna take care of it. I'm not worried about it. OK? | 1:22:04 | 1:22:09 | |
I'm sorry I ran away when you had the seizure, Dad. | 1:22:11 | 1:22:14 | |
Don't worry. Monday, instead of going to school, you take your ID card | 1:22:22 | 1:22:26 | |
and go to Riker's Island, you see Antonio. | 1:22:26 | 1:22:28 | |
Take your friend, Mike. He's a good kid. | 1:22:28 | 1:22:31 | |
Daddy, I wanted to tell you that... | 1:22:31 | 1:22:33 | |
I know. I just want you to understand everything. I like Antonio. | 1:22:33 | 1:22:38 | |
-Yeah. -Why don't you ever listen to anything I ever say? | 1:22:38 | 1:22:42 | |
-I'm listening to you. -You're not listening. -Listen to me. It's gonna be OK. All right? | 1:22:42 | 1:22:47 | |
-Don't fuckin' touch me. -Listen to me. -Get the fuck off me! | 1:22:48 | 1:22:52 | |
-Don't touch me. Don't fuckin' touch me. -Don't you talk to me like that! | 1:22:52 | 1:22:56 | |
Don't you raise your voice to me! You're my son. | 1:22:56 | 1:23:01 | |
-Come on. Dito. -Get the fuck off me! | 1:23:01 | 1:23:04 | |
What's the matter with you? It's gonna be all right. | 1:23:04 | 1:23:07 | |
-It's gonna be OK. -No, it won't. -It WILL be OK. | 1:23:07 | 1:23:10 | |
My friend Mike just died, Dad. He just got fuckin' shot. You don't know what's happening. | 1:23:10 | 1:23:14 | |
What are you talking about? | 1:23:14 | 1:23:16 | |
My friend Mike is dead. | 1:23:16 | 1:23:18 | |
-Come here. -Don't fuckin' touch me! Please, get the fuck off me! | 1:23:18 | 1:23:22 | |
What the fuck's the matter with you? You don't raise your hands to your father! | 1:23:22 | 1:23:26 | |
You don't raise your hands to your father. I love you. | 1:23:26 | 1:23:30 | |
I'm asking you not to fuckin' touch me! | 1:23:30 | 1:23:32 | |
It's OK. It's OK. It's OK. | 1:23:32 | 1:23:35 | |
Don't fuckin' do it! | 1:23:36 | 1:23:38 | |
Don't you raise your hands to me again! | 1:23:38 | 1:23:42 | |
I'm your father. | 1:23:42 | 1:23:45 | |
You're not supposed to hate your father. | 1:23:45 | 1:23:47 | |
When are you my father? | 1:23:47 | 1:23:49 | |
When are you my father? | 1:23:51 | 1:23:53 | |
You know, I, uh, I waited around for a year at my window when you left. | 1:24:15 | 1:24:22 | |
I bought California maps. | 1:24:22 | 1:24:26 | |
Any time I heard anything about it, I would think of you. | 1:24:26 | 1:24:29 | |
Embarrassing. | 1:24:29 | 1:24:31 | |
Dumb little girl. | 1:24:33 | 1:24:35 | |
Listen, I'm not heartbroken about it, all right? I'm over that shit. | 1:24:38 | 1:24:42 | |
I was just a dumb girl. | 1:24:42 | 1:24:44 | |
We were fuckin' kids. Whatever. | 1:24:44 | 1:24:46 | |
But you need to take your father to the hospital. | 1:24:46 | 1:24:49 | |
I mean, your mother... | 1:24:51 | 1:24:53 | |
I'm serious. | 1:24:54 | 1:24:56 | |
I got a little boy. He's a good kid. | 1:24:58 | 1:25:00 | |
And he's gonna look after me when we're older. | 1:25:00 | 1:25:03 | |
So you look after your mother. | 1:25:03 | 1:25:06 | |
You take care of your father. You take care of your mother. | 1:25:06 | 1:25:09 | |
It's real simple. Cos she's a good woman. | 1:25:10 | 1:25:12 | |
-I know what you're saying. -It's not a fuckin' stretch. | 1:25:12 | 1:25:15 | |
I know what you're saying. All right? Thanks for coming. | 1:25:15 | 1:25:17 | |
I should go. | 1:25:17 | 1:25:19 | |
Wow. | 1:25:19 | 1:25:21 | |
-Monty's son. -That's me. | 1:25:23 | 1:25:25 | |
But you know what? You're Flori's son as well. | 1:25:27 | 1:25:30 | |
-And that's why you're all fucked up. -Yeah, I'm all fucked up. | 1:25:30 | 1:25:33 | |
You think you're going? You're gonna fuckin' leave? Go ahead, fuckin' go. | 1:25:33 | 1:25:37 | |
You're not gonna go. | 1:25:37 | 1:25:40 | |
-You didn't fuckin' come all the way over so you could leave again. -You don't know. | 1:25:40 | 1:25:44 | |
You don't know what it was like in the house, OK? | 1:25:44 | 1:25:47 | |
Listen, you want it straight? | 1:25:47 | 1:25:50 | |
Cos I'm the only one who's gonna tell you, for some fuckin' reason. | 1:25:50 | 1:25:53 | |
You killed him. | 1:25:53 | 1:25:55 | |
You killed your father when you left. | 1:25:55 | 1:25:57 | |
Are you hearing me? You fuckin' killed him. | 1:25:58 | 1:26:00 | |
You left a trail of blood when you left. | 1:26:00 | 1:26:03 | |
So forget me. Forget all this shit. | 1:26:03 | 1:26:05 | |
Forget it, all right? | 1:26:05 | 1:26:07 | |
You killed your mother, and you killed your father. | 1:26:07 | 1:26:09 | |
And for the past fuckin' 20 years, he's been dying, just waiting for you to come home. | 1:26:09 | 1:26:14 | |
Say, "Daddy, you're fucked up. I hate your guts," | 1:26:14 | 1:26:17 | |
whatever you need to get out of your angsty little fuckin' head. | 1:26:17 | 1:26:20 | |
Touch my head one more fuckin' time, and I'm gonna go nuts. | 1:26:20 | 1:26:23 | |
Go ahead. Go fuckin' nuts. | 1:26:23 | 1:26:25 | |
Go fuckin' nuts. Let it out! Stop fuckin' running away. | 1:26:25 | 1:26:28 | |
You think you're a man? That's just a fuckin' tail between your legs. | 1:26:28 | 1:26:32 | |
Go home and take care of your mother. | 1:26:32 | 1:26:35 | |
Go home and take care of your father. | 1:26:35 | 1:26:36 | |
That's gonna make you a fuckin' man. | 1:26:36 | 1:26:39 | |
That's all you've got left. | 1:26:39 | 1:26:41 | |
-Cos if you don't do that shit, it's too fuckin' late. -OK, bye. | 1:26:41 | 1:26:44 | |
Yeah. | 1:26:44 | 1:26:47 | |
You're going to hospital. Where's Ma? | 1:26:51 | 1:26:53 | |
Ma? ..Where is she? | 1:26:55 | 1:26:57 | |
Why don't you get out? | 1:26:57 | 1:26:59 | |
-Get out of the house. -Did you love me? | 1:26:59 | 1:27:03 | |
-Ever? -I said go. -Dad, did you love me or not? | 1:27:03 | 1:27:07 | |
Daddy, I gotta know. | 1:27:07 | 1:27:10 | |
Lie to me and tell me you did. Let me feel like the piece of shit I am. | 1:27:10 | 1:27:12 | |
Did you love me or not? | 1:27:12 | 1:27:14 | |
Answer me! | 1:27:16 | 1:27:18 | |
-A father always... -Not a father - you! | 1:27:18 | 1:27:21 | |
Of course I did. | 1:27:33 | 1:27:35 | |
I told you I loved you the last time I saw you. | 1:27:48 | 1:27:51 | |
'I love you, Dito. | 1:28:03 | 1:28:06 | |
'All right? You're my son. I'm very proud of you. | 1:28:06 | 1:28:08 | |
'Now, Antonio, | 1:28:11 | 1:28:13 | |
'he doesn't have anybody to tell him something like this. | 1:28:13 | 1:28:16 | |
'Listen, Monday, you don't have to go to school. | 1:28:18 | 1:28:23 | |
'Monday, you take your ID. | 1:28:25 | 1:28:29 | |
'You go to Riker's. | 1:28:29 | 1:28:32 | |
'You see Antonio. | 1:28:32 | 1:28:33 | |
'Take your friend Mike with you. | 1:28:35 | 1:28:38 | |
'I like that kid. | 1:28:38 | 1:28:40 | |
'You take the bus there with your friend. | 1:28:42 | 1:28:45 | |
'You go see Antonio.' | 1:28:45 | 1:28:47 | |
Yeah, man. | 1:28:47 | 1:28:49 | |
Have fun. | 1:28:50 | 1:28:52 | |
'You're just kids, Dito. | 1:28:54 | 1:28:57 | |
'Just kids. | 1:28:57 | 1:28:58 | |
'But your friend Antonio, | 1:29:00 | 1:29:03 | |
'he needs you now. | 1:29:03 | 1:29:06 | |
'Cos he don't have anybody to tell him what I just told you.' | 1:29:06 | 1:29:09 | |
Come here. | 1:29:30 | 1:29:33 | |
OK, enough. > | 1:29:35 | 1:29:37 | |
Thank you for coming. | 1:29:47 | 1:29:48 | |
-I know I'm in the middle of no place, right? -No, no. I...I should've come, you know, | 1:29:50 | 1:29:55 | |
a long time go. | 1:29:55 | 1:29:57 | |
It's all right. | 1:29:57 | 1:29:58 | |
Damn, Dito. | 1:30:05 | 1:30:07 | |
I got so much I wanna say to you. | 1:30:10 | 1:30:12 | |
I just don't know what to say. | 1:30:16 | 1:30:18 | |
'I don't know what I was expecting to happen. | 1:30:38 | 1:30:41 | |
'Antonio exists. | 1:30:44 | 1:30:46 | |
'Crazy, huh? | 1:30:46 | 1:30:48 | |
'In the end, just like I said, | 1:30:50 | 1:30:54 | |
'I left everything and everyone. | 1:30:54 | 1:30:58 | |
'But no-one, no-one, has ever left me.' | 1:30:58 | 1:31:03 | |
MUSIC: "New York Groove" by Kiss | 1:31:13 | 1:31:17 | |
# Many years since I was here | 1:31:28 | 1:31:30 | |
# On the street I was passing my time away | 1:31:33 | 1:31:38 | |
# To the left and to the right | 1:31:38 | 1:31:40 | |
# Buildings towering to the sky | 1:31:40 | 1:31:42 | |
# It's out of sight In the dead of night | 1:31:42 | 1:31:47 | |
# Here I am, man in the city With a fistful of dollars | 1:31:48 | 1:31:54 | |
# And baby, you better believe | 1:31:54 | 1:31:57 | |
# I'm back, back in the New York groove | 1:31:57 | 1:31:59 | |
# I'm back, back in the New York groove | 1:31:59 | 1:32:02 | |
# I'm back, back in the New York groove | 1:32:02 | 1:32:05 | |
# I'm back, back in the New York groove | 1:32:06 | 1:32:10 | |
# Back in the New York groove | 1:32:11 | 1:32:14 | |
# In the New York groove | 1:32:14 | 1:32:16 | |
# In the back of my Cadillac | 1:32:21 | 1:32:24 | |
# A wicked lady sitting by my side, saying where are we? | 1:32:26 | 1:32:30 | |
# Stop at 3rd and 43 | 1:32:31 | 1:32:33 | |
# Exit to the night, it's gonna be ecstasy | 1:32:33 | 1:32:37 | |
# This place was meant for me | 1:32:37 | 1:32:39 | |
# Feels so good tonight | 1:32:42 | 1:32:44 | |
# Who cares about tomorrow? So baby, you better believe | 1:32:46 | 1:32:50 | |
# I'm back, back in the New York groove | 1:32:50 | 1:32:53 | |
# I'm back, back in the New York groove | 1:32:54 | 1:32:58 | |
# I'm back, back in the New York groove | 1:32:59 | 1:33:03 | |
# I'm back, back in the New York groove | 1:33:04 | 1:33:08 | |
# I'm back, back in the New York groove | 1:33:09 | 1:33:13 | |
# I'm back, back in the New York groove... # | 1:33:14 | 1:33:17 | |
'I will never forget him, brother. | 1:33:19 | 1:33:22 | |
'I'll never forget you, either. You're the first guy I met. You're the first guy I met. | 1:33:22 | 1:33:27 | |
'The first guy I met, yeah. You said "You wanna come to my house?" | 1:33:27 | 1:33:32 | |
'Then you put a baseball ball in my hand. | 1:33:32 | 1:33:34 | |
'I didn't even know how to catch.' | 1:33:34 | 1:33:36 | |
'I can't believe it. Time flies. | 1:33:36 | 1:33:38 | |
-'Don't worry, we'll see each other again. -Yeah. | 1:33:38 | 1:33:41 | |
'I give you my word on that.' | 1:33:41 | 1:33:43 | |
Poor Antonio. | 1:34:02 | 1:34:05 | |
He's in for life. | 1:34:05 | 1:34:07 | |
Maybe, maybe he'll get out. | 1:34:08 | 1:34:11 | |
Yeah, but he's got a bad temper. | 1:34:12 | 1:34:15 | |
With a bad temper, you can't be out of here. | 1:34:16 | 1:34:20 | |
-He's a good guy, though. -Mm? | 1:34:20 | 1:34:23 | |
-He's a good guy, though. -Oh, yeah. I like him. | 1:34:23 | 1:34:26 | |
But good guys don't get out of here. | 1:34:28 | 1:34:32 | |
They won't change. Not to worry, you know. | 1:34:34 | 1:34:37 |