
Browse content similar to A Walk in the Sun. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This book tells a story that happened long ago, way back in 1943, | 0:00:18 | 0:00:25 | |
when the Lee Platoon of the Texas Division hit the beach at Salerno, sunny Italy. | 0:00:25 | 0:00:31 | |
It tells of Sergeant Tyne, | 0:00:31 | 0:00:35 | |
never had much urge to travel. | 0:00:35 | 0:00:36 | |
Providence Rhode Island may not be much as cities go, but it was all he wanted... | 0:00:36 | 0:00:41 | |
a one-town man. | 0:00:41 | 0:00:42 | |
Rivera, Italian American. | 0:00:42 | 0:00:44 | |
Likes opera and would like a wife and kids, plenty of kids. | 0:00:44 | 0:00:49 | |
Friedman, lathe operator and amateur boxing champion... | 0:00:49 | 0:00:53 | |
New York City. | 0:00:53 | 0:00:55 | |
Windy, minister's son. Canton, Ohio. | 0:00:57 | 0:01:01 | |
Used to take long walks alone and just think. | 0:01:01 | 0:01:05 | |
Sergeant Ward, farmer. | 0:01:07 | 0:01:10 | |
Knows his soil. | 0:01:10 | 0:01:12 | |
Good farmer. | 0:01:12 | 0:01:14 | |
MacWilliams, first aid man. | 0:01:14 | 0:01:18 | |
Slow, Southern, dependable. | 0:01:18 | 0:01:23 | |
Archimbeau, platoon scout and prophet. | 0:01:23 | 0:01:27 | |
Talks a lot, but he's all right. | 0:01:27 | 0:01:29 | |
Porter, Sergeant Porter, | 0:01:29 | 0:01:34 | |
well, he has a lot on his mind. | 0:01:34 | 0:01:37 | |
A lot on his mind. | 0:01:37 | 0:01:39 | |
Tranella speaks two languages. | 0:01:39 | 0:01:41 | |
Italian and Brooklyn. | 0:01:41 | 0:01:44 | |
And a lot of other men. | 0:01:44 | 0:01:47 | |
Here's a song about them. Listen. | 0:01:49 | 0:01:53 | |
# And poets are writing | 0:02:01 | 0:02:04 | |
# The tale of that fight | 0:02:04 | 0:02:06 | |
# And songs for children to sing | 0:02:06 | 0:02:10 | |
# Let them sing of the men of the fighting platoon | 0:02:10 | 0:02:14 | |
# Let them sing of the job they done | 0:02:14 | 0:02:18 | |
# How they came across the sea | 0:02:18 | 0:02:21 | |
# To sunny Italy | 0:02:21 | 0:02:23 | |
# And took a little walk in the sun | 0:02:23 | 0:02:26 | |
# They took a little walk in the sun. # | 0:02:27 | 0:02:31 | |
Douse that light. Douse that light. | 0:02:41 | 0:02:44 | |
GUNFIRE AND EXPLOSIONS | 0:02:44 | 0:02:47 | |
Dear Frances, | 0:03:07 | 0:03:09 | |
I'm writing you this letter relaxing on the deck of a luxury liner | 0:03:09 | 0:03:13 | |
and sure, the natives have just spotted us and they're getting up a little reception... | 0:03:14 | 0:03:19 | |
fireworks, music and that sort of stuff. | 0:03:19 | 0:03:21 | |
The musicians in our own band have also struck up a little tune. | 0:03:23 | 0:03:27 | |
Ha-ha. | 0:03:27 | 0:03:29 | |
The gentle waters of Mare Nostrum. | 0:03:29 | 0:03:32 | |
That's really good. | 0:03:34 | 0:03:35 | |
Mare Nostrum. | 0:03:35 | 0:03:37 | |
Hey, Tinker, hey, Tinker. | 0:03:40 | 0:03:43 | |
Hey do you spell Mari Nostrum? | 0:03:46 | 0:03:48 | |
-What's that? -Mediterranean. That's what the eye-ties call it. | 0:03:48 | 0:03:53 | |
It means our sea. | 0:03:53 | 0:03:54 | |
-I want to know how to spell it. -Why? | 0:03:54 | 0:03:57 | |
I'm writing to my sister. | 0:03:57 | 0:03:58 | |
What do you mean, you're writing to your sister? | 0:03:58 | 0:04:01 | |
You're packed on a landing barge, bouncing on your Mare Nostrum, | 0:04:01 | 0:04:04 | |
waiting to hit the beach like the rest of us slobs. | 0:04:04 | 0:04:08 | |
I'm writing the letter in my head. | 0:04:08 | 0:04:09 | |
When I get a minute I put down what I remember in my head and the letter's written. | 0:04:11 | 0:04:15 | |
It's the best way. | 0:04:15 | 0:04:16 | |
-What a system. Does it work? -Sure. | 0:04:16 | 0:04:19 | |
You just make up the letter in your head, then write it down later. | 0:04:19 | 0:04:23 | |
That's pretty good. | 0:04:23 | 0:04:24 | |
Maybe I'll try it. | 0:04:24 | 0:04:26 | |
-Works, huh? -Every time. | 0:04:26 | 0:04:28 | |
Suppose you've got a bad memory. | 0:04:28 | 0:04:30 | |
-Have you got a bad memory? -I've got a good one. | 0:04:30 | 0:04:33 | |
Then why are you worrying? | 0:04:33 | 0:04:35 | |
I'm not. I just wondered. | 0:04:35 | 0:04:37 | |
What was that word you wanted to spell? | 0:04:37 | 0:04:39 | |
Mare Nostrum. | 0:04:39 | 0:04:41 | |
I never learned what isn't the city of Saint Paul. | 0:04:41 | 0:04:44 | |
Still up there. | 0:04:47 | 0:04:48 | |
You're going to get killed. | 0:04:50 | 0:04:51 | |
EXPLOSION! | 0:04:51 | 0:04:53 | |
All one, too high. | 0:04:55 | 0:04:57 | |
-Those shells ain't interested in us. -And vice versa. | 0:04:57 | 0:05:00 | |
When a shell's looking for a guy, it don't whine, it snarls. | 0:05:00 | 0:05:04 | |
You kill me. You guys kill me. | 0:05:06 | 0:05:08 | |
At Messina they missed a few strikes. | 0:05:08 | 0:05:11 | |
Here, no control. | 0:05:11 | 0:05:13 | |
What's so funny about Messina? | 0:05:13 | 0:05:15 | |
Lost a lot of good Joes there. | 0:05:17 | 0:05:19 | |
What do you want us to do? Cry about it? | 0:05:19 | 0:05:21 | |
That's a lot of cocky chatter. | 0:05:21 | 0:05:23 | |
Better than having the jitters. | 0:05:23 | 0:05:25 | |
-Would it make you feel better if we told you we had the jitters? -Yeah. | 0:05:25 | 0:05:29 | |
It would. | 0:05:29 | 0:05:31 | |
Well...we got them. | 0:05:31 | 0:05:35 | |
Bet that new lieutenant's got them bad. | 0:05:35 | 0:05:37 | |
Don't hold your pack on the other guy's shoulders. | 0:05:37 | 0:05:40 | |
I'm not. | 0:05:40 | 0:05:43 | |
His first time out leading a platoon he's never worked with before. | 0:05:43 | 0:05:47 | |
Boy, I wouldn't want his job for anything. | 0:05:47 | 0:05:50 | |
Nobody's giving it to you. | 0:05:50 | 0:05:52 | |
Porter. | 0:05:52 | 0:05:54 | |
It's a fine time you picked to go to sleep, soldier. | 0:06:10 | 0:06:13 | |
HE GROANS | 0:06:13 | 0:06:15 | |
Anything the matter, sir? | 0:06:15 | 0:06:17 | |
Mary and Joseph, oh, God... | 0:06:19 | 0:06:22 | |
Pete. Hey, Pete. | 0:06:25 | 0:06:27 | |
-What? -The shells got the lieutenant. | 0:06:27 | 0:06:29 | |
Smashed his face. | 0:06:29 | 0:06:31 | |
-I can't see anything. -I can feel it. It's messy. | 0:06:31 | 0:06:35 | |
I think it took his whole face away. | 0:06:35 | 0:06:37 | |
-Where's your flashlight? -You can't shine a light here. | 0:06:37 | 0:06:39 | |
I can shine a light if I have to shine a light. Where is it? | 0:06:39 | 0:06:42 | |
Take a quick look. | 0:06:42 | 0:06:44 | |
Told you. | 0:06:48 | 0:06:49 | |
Left cheek and his eye, covered with blood. | 0:06:49 | 0:06:51 | |
Can't even tell whether the eye's there or not. | 0:06:51 | 0:06:55 | |
Douse that light. | 0:06:55 | 0:06:57 | |
Go and get the first aid man, what's his name? | 0:06:57 | 0:07:00 | |
-Williams. -Yeah. He might as well start earning his money. | 0:07:00 | 0:07:03 | |
-Where is he? -Down in the stern. | 0:07:03 | 0:07:05 | |
I saw him down in the stern. | 0:07:05 | 0:07:07 | |
Where's MacWilliams? | 0:07:09 | 0:07:10 | |
Where's MacWilliams, the first aid man? | 0:07:12 | 0:07:14 | |
-Who's that? -Sergeant Porter. | 0:07:15 | 0:07:17 | |
Oh, here I am, Sergeant. | 0:07:17 | 0:07:20 | |
-You want me, Sergeant? -Lieutenant's hurt. | 0:07:20 | 0:07:22 | |
-Sergeant Halverson said for you to go up. -What's wrong with him? | 0:07:22 | 0:07:25 | |
Get up there and see. | 0:07:25 | 0:07:27 | |
Just asking. | 0:07:27 | 0:07:28 | |
What is it, Mac? What's up? | 0:07:34 | 0:07:36 | |
Lieutenant. | 0:07:36 | 0:07:37 | |
BLAST! | 0:07:37 | 0:07:39 | |
That last shell, uh? | 0:07:39 | 0:07:42 | |
Don't know. Going up to see. | 0:07:42 | 0:07:43 | |
I told him. | 0:07:50 | 0:07:52 | |
What's the matter with the lieutenant, Sarge? | 0:07:52 | 0:07:56 | |
He had his head over the side. Looking through binoculars. | 0:07:56 | 0:07:59 | |
What was he looking at? | 0:07:59 | 0:08:01 | |
Is he dead? | 0:08:01 | 0:08:03 | |
Not yet. | 0:08:03 | 0:08:05 | |
What do you know. | 0:08:05 | 0:08:07 | |
It's a purple heart, sure as little apples. | 0:08:09 | 0:08:11 | |
How would you like to have a purple heart, Jake? | 0:08:11 | 0:08:13 | |
Depends on where I got the purple heart. In the legs, OK. | 0:08:13 | 0:08:16 | |
In the guts, no. | 0:08:16 | 0:08:18 | |
Purple heart means a nice quiet trip to Jersey City. | 0:08:18 | 0:08:21 | |
I would like a nice trip to Jersey City. | 0:08:21 | 0:08:24 | |
I'd like a nice quiet trip anywhere. | 0:08:24 | 0:08:27 | |
Haven't had a nice quiet trip since this war started. | 0:08:27 | 0:08:30 | |
Jersey City would do fine. | 0:08:30 | 0:08:32 | |
-I should go back and see if I can do anything. -Why don't you? | 0:08:32 | 0:08:35 | |
Lieutenant's going to die, he's going to die. | 0:08:41 | 0:08:44 | |
Nothing I can do about it. Nothing in the world. | 0:08:44 | 0:08:47 | |
There's a hole in the side of his head. | 0:08:47 | 0:08:49 | |
In the head, no. I don't want a purple heart in the head. | 0:08:49 | 0:08:52 | |
Joey Sims got one in the head. | 0:08:52 | 0:08:54 | |
I'll bet he'll look better when they're through with him than you do now. | 0:08:54 | 0:08:58 | |
I don't want a purple heart in the head. | 0:08:58 | 0:09:00 | |
Is Sergeant Halverson in command now, Sergeant? | 0:09:00 | 0:09:03 | |
He knows what to do. | 0:09:03 | 0:09:05 | |
-He always knows what to do. -Shut up. | 0:09:05 | 0:09:08 | |
What did the lieutenant do before the Army? | 0:09:13 | 0:09:16 | |
He was a businessman. He worked in an office. | 0:09:16 | 0:09:18 | |
Well, I worked in an office, but I was no businessman. | 0:09:18 | 0:09:21 | |
The whole Army's made up of businessmen. | 0:09:21 | 0:09:23 | |
He'll kill me. | 0:09:23 | 0:09:26 | |
He'll be a businessman in 1956 while we're fighting the battle today. | 0:09:26 | 0:09:30 | |
I've got the facts down cold. | 0:09:32 | 0:09:34 | |
Put him on a nice hospital ship and take him to a nice hospital | 0:09:35 | 0:09:38 | |
and give him a couple of nice medals and take him home and give him his walking papers | 0:09:38 | 0:09:43 | |
and he'll go back to business while we're fighting. | 0:09:43 | 0:09:46 | |
I've got the facts. | 0:09:48 | 0:09:50 | |
Maybe he'll die. | 0:09:50 | 0:09:51 | |
Nobody dies. | 0:09:51 | 0:09:54 | |
Nobody dies. | 0:09:57 | 0:10:00 | |
# These are the men of the Texas division | 0:10:00 | 0:10:04 | |
# United States infantry They are moving into hell | 0:10:04 | 0:10:12 | |
# And high water | 0:10:12 | 0:10:14 | |
# Here for three months and a quarter | 0:10:14 | 0:10:18 | |
# A Texan from Jersey And one from Dakota | 0:10:18 | 0:10:23 | |
# A Texan from out near Duluth, Minnesota | 0:10:23 | 0:10:27 | |
# Kansas, Maine and Tennessee, Lord God | 0:10:27 | 0:10:32 | |
# They're all in the Texas Infantry | 0:10:32 | 0:10:34 | |
# They're all in the Texas infantry. # | 0:10:36 | 0:10:38 | |
I've got to get word to the captain. | 0:10:41 | 0:10:43 | |
-As soon as we land, I've got to get word to him. -Do you know what to do? | 0:10:43 | 0:10:47 | |
Course. We've been briefed. | 0:10:47 | 0:10:48 | |
-The farmhouse may be pretty hard to find. -It's on the map. | 0:10:50 | 0:10:54 | |
There's a road from the beach that leads right past. | 0:10:54 | 0:10:56 | |
Six miles is a long way. | 0:10:56 | 0:10:58 | |
What do they expect? A reception committee with a dozen taxis? | 0:10:58 | 0:11:01 | |
That's the story. | 0:11:01 | 0:11:03 | |
How's it coming, Mac? | 0:11:03 | 0:11:04 | |
All right, I guess. | 0:11:04 | 0:11:07 | |
We'd better get him to a doctor, though. | 0:11:07 | 0:11:10 | |
He ain't going to be pretty any more. | 0:11:10 | 0:11:13 | |
Might not be alive any more, either. | 0:11:13 | 0:11:15 | |
-Bad, huh? -I guess so. | 0:11:15 | 0:11:17 | |
Trying to talk all the time. | 0:11:18 | 0:11:21 | |
Can't you hear him? | 0:11:21 | 0:11:22 | |
-I didn't hear anything. -Not words. | 0:11:23 | 0:11:27 | |
-Just talk. -Is he comfortable, Mac? | 0:11:27 | 0:11:30 | |
He wouldn't know if he was comfortable or not. | 0:11:30 | 0:11:34 | |
-Tough ticket. -He don't mind. | 0:11:34 | 0:11:36 | |
Nearly time. | 0:11:41 | 0:11:42 | |
Mac, you can pick us up later. | 0:11:45 | 0:11:46 | |
When it gets lighter, you'll see a road running from the beach. | 0:11:46 | 0:11:49 | |
We'll be on that road. | 0:11:49 | 0:11:51 | |
Hoist tail! Hoist tail! | 0:11:52 | 0:11:56 | |
Hoist tail! | 0:11:56 | 0:11:57 | |
There'll be a honey of a shore on that beach. | 0:11:59 | 0:12:03 | |
A honey of a shore. | 0:12:03 | 0:12:05 | |
Take them up 100 yards from the beach and hit them direct. | 0:12:05 | 0:12:08 | |
I've got to get word to the captain, then I'll pick you up. | 0:12:08 | 0:12:12 | |
Let me get word to the captain. | 0:12:12 | 0:12:13 | |
Remember, 100 yards from the beach and hit the dirt. | 0:12:13 | 0:12:16 | |
Doesn't matter where you are. Don't care if it's a pig pen. | 0:12:16 | 0:12:19 | |
OK, Hal. | 0:12:19 | 0:12:20 | |
I was wrong, Eddie, they did give you the job. | 0:12:20 | 0:12:23 | |
You know the lieutenant got wounded. | 0:12:23 | 0:12:25 | |
As platoon sergeant, I'm in command. | 0:12:25 | 0:12:27 | |
Each one of you knows what to do. | 0:12:27 | 0:12:29 | |
Porter will take you up on the beach. | 0:12:29 | 0:12:31 | |
Go with him and do as he tells you. | 0:12:31 | 0:12:33 | |
Understand? | 0:12:33 | 0:12:35 | |
Cold water. Every time, it's cold water. | 0:12:35 | 0:12:38 | |
I'll take you in a wheelchair. You and your purple heart. | 0:12:38 | 0:12:41 | |
Get them up there, won't you? | 0:12:41 | 0:12:42 | |
Sure thing, Hal. | 0:12:42 | 0:12:44 | |
101, 102. | 0:13:19 | 0:13:22 | |
Hope this beach isn't mined. | 0:13:22 | 0:13:23 | |
-109. -Hey, where's the fire? | 0:13:23 | 0:13:24 | |
113. You think I want to get caught out on the beach. | 0:13:24 | 0:13:27 | |
Anything could happen there. 118, 119. | 0:13:27 | 0:13:30 | |
120. We'll hold here! | 0:13:30 | 0:13:32 | |
Spread out. Hit the dirt. | 0:13:32 | 0:13:33 | |
-Why here? -100 yards. | 0:13:33 | 0:13:35 | |
100 yards is 120 paces, I figured out back there. | 0:13:35 | 0:13:38 | |
EXPLOSIONS | 0:13:38 | 0:13:41 | |
-All here. -Good. | 0:13:41 | 0:13:42 | |
-Dig in. -What for? We'll be out of here in a couple of minutes. | 0:13:42 | 0:13:46 | |
Taking no chances. Dig! | 0:13:46 | 0:13:48 | |
Well, I just can't get Italy. | 0:13:49 | 0:13:51 | |
You can have it. I don't want any part of it. | 0:13:51 | 0:13:54 | |
I ain't going to give you any part of it. I found it and it's mine. | 0:13:54 | 0:13:57 | |
-It's yours, cold. -It can't be cold. | 0:13:57 | 0:13:59 | |
-It's sunny Italy. -You read the wrong book. | 0:13:59 | 0:14:01 | |
I read the soldiers' handbook that said this was sunny Italy. | 0:14:01 | 0:14:04 | |
-You calling the soldiers' handbook a liar? -What page? -I forget. | 0:14:04 | 0:14:08 | |
-You always do. I wouldn't trust you with a popgun. -You've got to trust me with a popgun. | 0:14:08 | 0:14:12 | |
And a machine gun, with a machine gun. | 0:14:12 | 0:14:14 | |
'Things on that beach suddenly went dead quiet. | 0:14:17 | 0:14:22 | |
'The silence was bad. | 0:14:22 | 0:14:24 | |
'Very bad. | 0:14:24 | 0:14:26 | |
'Was the enemy 50 miles away? | 0:14:26 | 0:14:29 | |
'Was he just behind the beach head... | 0:14:29 | 0:14:32 | |
'waiting? | 0:14:32 | 0:14:34 | |
'If a machine gun would only start up, | 0:14:34 | 0:14:37 | |
'a man would know what to do. | 0:14:37 | 0:14:40 | |
'But a man can't fight a vacuum.' | 0:14:40 | 0:14:42 | |
-How long will Halverson will take? -Shouldn't be much longer. -How do you know? | 0:14:45 | 0:14:49 | |
I know everything. What do you think they gave me a medal for? | 0:14:49 | 0:14:52 | |
For pulling a nurse out of a swimming pool. | 0:14:52 | 0:14:54 | |
I didn't think you knew. | 0:14:54 | 0:14:55 | |
I know everything. Who held up the platoon in Sicily while he stuck his snout in a barrel of wine? | 0:14:55 | 0:15:00 | |
I'd do it again if I knew where there was a barrel. | 0:15:00 | 0:15:03 | |
Do you know where there's a barrel? | 0:15:03 | 0:15:06 | |
-GUNFIRE -There it comes. | 0:15:06 | 0:15:08 | |
Well, we know where we are now, all right. | 0:15:11 | 0:15:14 | |
Bet they get her in ten minutes. | 0:15:14 | 0:15:16 | |
When they do, the war will be over. | 0:15:16 | 0:15:18 | |
We just have to sit here and watch the rest of it being fought out. | 0:15:18 | 0:15:21 | |
What are you betting your guns about? | 0:15:21 | 0:15:24 | |
It's cold. | 0:15:26 | 0:15:27 | |
A profound comment. | 0:15:29 | 0:15:31 | |
It's always cold at dark. | 0:15:32 | 0:15:34 | |
Even if I'm up all night with a girl, or playing cards, or getting blasted, dawn comes around, I begin to shiver. | 0:15:34 | 0:15:40 | |
My feet grow icy, my teeth chatter. | 0:15:40 | 0:15:42 | |
Me, I'm hot. You kill me. | 0:15:42 | 0:15:44 | |
Nothing can warm me. | 0:15:44 | 0:15:46 | |
-Fire wouldn't be bad. -No. | 0:15:46 | 0:15:48 | |
Not even a fire would do any good. | 0:15:48 | 0:15:50 | |
Profound comment. | 0:15:52 | 0:15:53 | |
Nine and one half minutes to get the gun? | 0:15:54 | 0:15:57 | |
-Why should it take Halverson so long? -He'll show. | 0:15:57 | 0:15:59 | |
There was no need for the lieutenant to get hurt. No need at all. | 0:15:59 | 0:16:03 | |
He got it, anyway. | 0:16:03 | 0:16:04 | |
What are you going to do if Halverson doesn't come back, Porter? | 0:16:04 | 0:16:08 | |
How do I know? They'll be sending the planes over soon. | 0:16:08 | 0:16:11 | |
The planes come over, we'll take a powder. | 0:16:11 | 0:16:13 | |
Halverson can take a powder where? | 0:16:13 | 0:16:16 | |
Try and find that farmhouse. | 0:16:16 | 0:16:18 | |
ARTILLERY FIRE CONTINUES | 0:16:18 | 0:16:22 | |
The sun will be up soon. | 0:16:22 | 0:16:25 | |
Even at nine o'clock in the morning and the sun, I'd still be. | 0:16:25 | 0:16:28 | |
-Why? -Don't ask me why. | 0:16:28 | 0:16:31 | |
-That's the way it is. -You guys kill me. You kill me. | 0:16:31 | 0:16:35 | |
Sergeant, I want a discharge. | 0:16:35 | 0:16:38 | |
I'm all fought out. In the last war, they sent a guy to France. | 0:16:38 | 0:16:42 | |
It's all there was to it. They sent him to France, then he went home. | 0:16:42 | 0:16:46 | |
Simple. Real simple. | 0:16:46 | 0:16:48 | |
But what do they do this time? Do they send you to France? | 0:16:48 | 0:16:51 | |
No, they do not send you to France, they send you to Tunisia, | 0:16:51 | 0:16:54 | |
then Sicily, then Italy. | 0:16:54 | 0:16:56 | |
Who knows where they'll send you after that. | 0:16:56 | 0:16:59 | |
Maybe we'll be in France next year, around Christmas time, maybe. | 0:16:59 | 0:17:04 | |
Then we'll work our way east. | 0:17:04 | 0:17:06 | |
Yugoslavia. Greece. Turkey. | 0:17:06 | 0:17:08 | |
No, not Turkey. | 0:17:09 | 0:17:11 | |
All I know is in 1958, we're gonna fight the battle of Tibet. I got the facts. | 0:17:11 | 0:17:15 | |
-Kill that! -So I want a discharge. | 0:17:15 | 0:17:18 | |
An honourable discharge. | 0:17:18 | 0:17:20 | |
I've done my share. The next guy can pick up where I left off. | 0:17:20 | 0:17:23 | |
-You tell 'em, Jack. -I think I hear planes. | 0:17:23 | 0:17:27 | |
I guess I was wrong. I thought I heard them. | 0:17:29 | 0:17:32 | |
They'd probably be ours, anyway. | 0:17:32 | 0:17:34 | |
They'd better be. We've got enough guys in the airforce. | 0:17:34 | 0:17:37 | |
THUNDERING EXPLOSIONS | 0:17:37 | 0:17:40 | |
There goes Gerry's gun. | 0:17:40 | 0:17:42 | |
Told you. Eight minutes. | 0:17:42 | 0:17:44 | |
It should have been you, Rivera. | 0:17:44 | 0:17:47 | |
Always, it should have been you. | 0:17:47 | 0:17:48 | |
It always is me. | 0:17:48 | 0:17:50 | |
Archimbeau, go take a look down there. | 0:17:50 | 0:17:54 | |
Every dirty job in the army is my personal property. | 0:17:57 | 0:17:59 | |
-Nobody's going to shoot you. Go on your gut. -Why the gut then? | 0:17:59 | 0:18:02 | |
Because I said the gut. | 0:18:02 | 0:18:04 | |
You kill me. | 0:18:04 | 0:18:06 | |
Butt me. | 0:18:12 | 0:18:13 | |
Last pack. Get your filthy hands off it. | 0:18:13 | 0:18:15 | |
Ask and I'll give. | 0:18:15 | 0:18:18 | |
You call that claw clean? | 0:18:18 | 0:18:20 | |
My own dirt I can eat. | 0:18:20 | 0:18:22 | |
Match. | 0:18:25 | 0:18:27 | |
They are kind of dirty. | 0:18:36 | 0:18:38 | |
A man's hands never seem to get clean, even if you don't touch nothing. | 0:18:40 | 0:18:44 | |
Just stay dirty. | 0:18:44 | 0:18:46 | |
It's sort of a special kind of dirt. | 0:18:46 | 0:18:48 | |
GI dirt. | 0:18:48 | 0:18:51 | |
Bet one of them criminologists could take a sample out of a guy's fingernail, | 0:18:51 | 0:18:55 | |
put it under his microscope and say, "That's GI dirt." | 0:18:55 | 0:18:59 | |
The dirt's always the same colour, | 0:18:59 | 0:19:01 | |
no matter what country you're fighting in. | 0:19:01 | 0:19:04 | |
Funny thing. I wonder why. | 0:19:04 | 0:19:05 | |
Say! Never saw that fella 'till he moved! | 0:19:08 | 0:19:11 | |
Camouflage. | 0:19:11 | 0:19:13 | |
See, I bet that's what GI dirt is. | 0:19:14 | 0:19:17 | |
Camouflage. | 0:19:17 | 0:19:19 | |
Think I'll write Frances a letter about that. | 0:19:19 | 0:19:22 | |
-Dear Frances... -I can't see the beach or the water. | 0:19:23 | 0:19:27 | |
It's all stopped. No shouting, no firing, no sound of mortars. | 0:19:27 | 0:19:30 | |
-The war is over. -Smells like rain. -See if you can smell me a plane. | 0:19:30 | 0:19:34 | |
A little while ago, the place was crawling with troops and now, for all we know, we might be here alone. | 0:19:34 | 0:19:39 | |
The planes will be coming soon. | 0:19:39 | 0:19:41 | |
They always come soon. | 0:19:41 | 0:19:44 | |
If we were in those woods... | 0:19:44 | 0:19:46 | |
-Halverson said he was... -Yeah. I know. Halverson said. | 0:19:46 | 0:19:49 | |
I never saw anything like it, never in my life. | 0:19:49 | 0:19:52 | |
Everybody's gone away. They forgot us. | 0:19:52 | 0:19:55 | |
They don't want us in the war. | 0:19:55 | 0:19:57 | |
Halverson must be playing black jack down in the barges. | 0:19:57 | 0:20:00 | |
-A butt. -What happened to the one I just gave you? | 0:20:02 | 0:20:05 | |
I sent it home. They're cutting down on the butts at home. A butt. | 0:20:05 | 0:20:10 | |
A match. | 0:20:11 | 0:20:14 | |
Thanks. | 0:20:14 | 0:20:15 | |
Pays to have friends. | 0:20:15 | 0:20:18 | |
-What's the dough? -No dice. I didn't see Halverson anywhere. | 0:20:24 | 0:20:28 | |
-They're bringing down the wounded now. -From where? | 0:20:28 | 0:20:30 | |
-I spoke a couple of guys there. They ran into some trouble with their machine gun. -And Halverson? | 0:20:30 | 0:20:35 | |
I told you, I don't know anything about Halverson. | 0:20:35 | 0:20:38 | |
I saw Mac though. He said the lieutenant's dying. | 0:20:39 | 0:20:42 | |
Mac says if the lieutenant dies, he'll go and look for Halverson. | 0:20:42 | 0:20:46 | |
The ocean's full of stuff now. I guess they're bringing in the rolling stock, the heavy stuff. | 0:20:46 | 0:20:51 | |
-The place is crawling. -How does the beach look? -Empty. | 0:20:51 | 0:20:54 | |
Where was the machine gun? | 0:20:54 | 0:20:55 | |
-They didn't tell me. Over there, somewhere. -Who didn't tell you? -The two guys. | 0:20:55 | 0:20:59 | |
Hit the dirt! | 0:21:08 | 0:21:09 | |
Seems like this war is nothing but waiting. | 0:21:47 | 0:21:50 | |
Waiting for your chow, | 0:21:50 | 0:21:52 | |
waiting for your pay, | 0:21:52 | 0:21:54 | |
waiting for a letter from home. | 0:21:54 | 0:21:56 | |
# It's a long, long time a man spends a-waiting | 0:21:58 | 0:22:05 | |
# Waiting around in a war | 0:22:05 | 0:22:11 | |
# I think of a girl I've never seen | 0:22:11 | 0:22:18 | |
# Her hair is black and her eyes are green | 0:22:18 | 0:22:26 | |
# Her name is Helen or maybe Irene | 0:22:26 | 0:22:36 | |
# It's a long, long time a-waiting | 0:22:36 | 0:22:45 | |
# I think of all the things I haven't done | 0:22:48 | 0:22:55 | |
# All of the women I haven't won | 0:22:55 | 0:23:02 | |
# It seems like my life ain't really begun | 0:23:02 | 0:23:11 | |
# It's a long, long time a-waiting. # | 0:23:11 | 0:23:21 | |
If they think I'm going to spend the rest of my life here, they're crazy. | 0:23:29 | 0:23:34 | |
Take the subway home. Here's a nickel. | 0:23:34 | 0:23:36 | |
It's the only nickel I got. | 0:23:36 | 0:23:37 | |
My last tie with the States. | 0:23:37 | 0:23:39 | |
Take it, it's yours. It's worth it to get rid of you. | 0:23:39 | 0:23:42 | |
Take a tank. Or a franc. | 0:23:42 | 0:23:44 | |
Tank. Franc. A poet. A Shakespeare. | 0:23:44 | 0:23:48 | |
The Bard of Avenue 8. The card of Avenue 8. | 0:23:48 | 0:23:50 | |
You guys kill me. | 0:23:50 | 0:23:52 | |
He's worked to death. | 0:23:52 | 0:23:54 | |
He's got those open period blues. | 0:23:54 | 0:23:56 | |
He had to crawl down to Jones beach he's worked to death! | 0:23:56 | 0:24:00 | |
He wouldn't have kicked it if it hadn't been Coney Island. | 0:24:00 | 0:24:03 | |
When I'm out of the Army and you're sweating it out in Tibet, you'll be | 0:24:03 | 0:24:07 | |
laughing the other side of your face. | 0:24:07 | 0:24:09 | |
Hey, Sergeant. How long are we going to stay here? My tail's cold. | 0:24:11 | 0:24:16 | |
We'll stay here 'till it freezes to the ground. There's a lot to spare. | 0:24:16 | 0:24:19 | |
Any ideas where to go, Trasker? | 0:24:19 | 0:24:21 | |
Yeah. Pikes Peak. If I was there, I'd run up backwards. | 0:24:21 | 0:24:24 | |
I'd go on my hands, pushing a Pinot with my nose then I'd take a train. | 0:24:24 | 0:24:28 | |
Railroads are jammed these days. | 0:24:28 | 0:24:31 | |
Oh, for Pete's sake. | 0:24:31 | 0:24:33 | |
Come on over here with me, Bill. | 0:24:33 | 0:24:35 | |
You too, Hoskins. | 0:24:35 | 0:24:36 | |
Look, something's wrong. I know something's wrong. | 0:24:40 | 0:24:43 | |
-Halverson should have been back by this time. Am I right? -Sounds right. | 0:24:43 | 0:24:47 | |
There's no sense in it. We hang around here any longer, we'll screw up the whole works. | 0:24:47 | 0:24:52 | |
-Planes'll be over soon. -Sure as little apples, they will. | 0:24:52 | 0:24:55 | |
And they'll be sending a few tanks along here soon while we're still up in the air. | 0:24:55 | 0:24:59 | |
We ought to leave somebody here in case Halverson shows up and go ahead while he's waiting. | 0:24:59 | 0:25:04 | |
-Six miles is a long way. -A long and weary way. | 0:25:04 | 0:25:07 | |
-What do you think? -It's up to you, Eddie. You know what you're doing. | 0:25:09 | 0:25:13 | |
-I've got to know. -Do it, then. | 0:25:13 | 0:25:15 | |
-I've got something up, too. -Listen! | 0:25:15 | 0:25:17 | |
LOW HUM OF PLANES OVERHEAD | 0:25:17 | 0:25:20 | |
-Planes. Do you hear anything? -Guns. -Hey, Sergeant, it's guns. | 0:25:22 | 0:25:26 | |
-Where are they coming from? -They're coming from out to sea, aren't they? -I think so. -You sure? -Probable sure. | 0:25:26 | 0:25:32 | |
-That's it, then. -Must be a ship shooting a plane. | 0:25:32 | 0:25:34 | |
That's the way it is. | 0:25:34 | 0:25:36 | |
Sure as little apples, the way it is. | 0:25:36 | 0:25:38 | |
-All right. Off and on. -Here we go, Tink. | 0:25:38 | 0:25:41 | |
Going over in the woods. Squadrons! | 0:25:41 | 0:25:43 | |
Up to it. Hoist tail! | 0:25:43 | 0:25:46 | |
How do we know those aren't our planes? | 0:25:46 | 0:25:49 | |
Cos the ships are ours, dope. | 0:25:49 | 0:25:52 | |
We've got the only ships in the water. | 0:25:52 | 0:25:54 | |
Boy, I wouldn't be a sailor for nothing. | 0:25:54 | 0:25:57 | |
-We're going to stay here, Eddie. -For what? -Halverson. -I don't know. | 0:25:58 | 0:26:02 | |
-I'll stay. -OK, Bill. You stay here. | 0:26:02 | 0:26:05 | |
Hoist tail! Get moving! We haven't got all day! | 0:26:05 | 0:26:08 | |
Get those squads moving. Spread them out. | 0:26:08 | 0:26:11 | |
-We'll be over in the woods, Bill. -Leave me your glasses, will you? | 0:26:11 | 0:26:14 | |
OK. | 0:26:14 | 0:26:15 | |
Come on! Shake it, shake it! | 0:26:28 | 0:26:30 | |
The way you come walking over that ridge, like you were back in Missouri looking for daisies. | 0:26:50 | 0:26:55 | |
Nothing to worry about. | 0:26:55 | 0:26:57 | |
I looked the situation over very carefully. | 0:26:57 | 0:27:00 | |
Made up my mind there was no danger, so I walked instead of crawled. | 0:27:00 | 0:27:04 | |
Picked this up for self protection. | 0:27:04 | 0:27:07 | |
-Where is everybody? -Gone into the woods. | 0:27:08 | 0:27:11 | |
Afraid planes were headed this way. | 0:27:11 | 0:27:13 | |
Yeah. I heard them. | 0:27:13 | 0:27:15 | |
Lieutenant's dead. | 0:27:21 | 0:27:24 | |
-It's too bad. -Yeah. | 0:27:24 | 0:27:27 | |
Halverson's dead, too. | 0:27:27 | 0:27:29 | |
Deader than a doornail. | 0:27:29 | 0:27:30 | |
Are you sure? | 0:27:30 | 0:27:32 | |
A guy in A Company told me. | 0:27:32 | 0:27:34 | |
Machine gun got him coming out of the water. | 0:27:34 | 0:27:36 | |
Stitched him right across the middle. | 0:27:36 | 0:27:38 | |
That leaves it up to Porter. | 0:27:38 | 0:27:41 | |
-Four ways from the jack. -What? | 0:27:41 | 0:27:44 | |
Nothing. What's going on down there? | 0:27:44 | 0:27:46 | |
Well, do you mind if I smoke? Is it OK? | 0:27:46 | 0:27:50 | |
Well, they're bringing in the big stuff now. | 0:27:50 | 0:27:52 | |
And coastguards, everywhere you look, coastguards. | 0:27:52 | 0:27:55 | |
Gee, I'm glad I'm not down on that beach any more. | 0:27:55 | 0:27:57 | |
The place is sure going to get strafed. | 0:27:59 | 0:28:01 | |
-It sure is. -We'd better be getting over to the woods. | 0:28:01 | 0:28:04 | |
The planes will be here in a minute. | 0:28:04 | 0:28:06 | |
-Noisy. -Put out that butt. | 0:28:12 | 0:28:15 | |
Do you know, the lieutenant never moved his hands? | 0:28:18 | 0:28:21 | |
Good devil never even moved. | 0:28:21 | 0:28:23 | |
EXPLOSIONS AND ARTILLERY FIRE | 0:28:26 | 0:28:28 | |
Dropping sticks on our transport. | 0:28:32 | 0:28:33 | |
From the sound of the explosions, they missed. | 0:28:33 | 0:28:36 | |
THUNDERING EXPLOSION | 0:28:36 | 0:28:38 | |
That was no miss. | 0:28:46 | 0:28:48 | |
No miss, at all. | 0:28:48 | 0:28:51 | |
We'd better sit tight here. | 0:28:51 | 0:28:53 | |
There may be a few fighters around somewhere. | 0:28:53 | 0:28:56 | |
-Don't want any fighters to catch me in an open field. -I don't want that either. | 0:28:56 | 0:29:00 | |
Wonder what's happening now. | 0:29:05 | 0:29:07 | |
Plenty. Plenty of plenty. | 0:29:07 | 0:29:10 | |
Must be a honey of a shore on that beach. | 0:29:12 | 0:29:16 | |
Wonder what it will be like when we hit France, Mac. | 0:29:16 | 0:29:20 | |
I don't know. I've never seen France. | 0:29:20 | 0:29:22 | |
Bet it's just a long concrete wall with a gun every yard. | 0:29:22 | 0:29:27 | |
What's happening down there's worth seeing, too. | 0:29:27 | 0:29:29 | |
Bet they'll set the water on fire with oil, too. | 0:29:29 | 0:29:33 | |
Boy, when that day comes, I want to be somewhere else, far far away. | 0:29:33 | 0:29:37 | |
This is bad enough. | 0:29:37 | 0:29:39 | |
This isn't so bad. At least you know where everything is. | 0:29:39 | 0:29:43 | |
You're here and the bombs are out there. | 0:29:43 | 0:29:46 | |
Simple. | 0:29:46 | 0:29:48 | |
You're where you are and guys being killed, | 0:29:48 | 0:29:52 | |
or where they are. | 0:29:52 | 0:29:54 | |
-It's simple. -Yeah, I guess you're right. We've got a grandstand seat. | 0:29:54 | 0:29:58 | |
Yeah. Only trouble is you can't see nothing. | 0:29:58 | 0:30:00 | |
That's the whole trouble with the war, you never get to see nothing. | 0:30:00 | 0:30:04 | |
You fight them by ear. | 0:30:04 | 0:30:05 | |
Got to guess what's going on. | 0:30:05 | 0:30:07 | |
Got to guess unless you see. | 0:30:08 | 0:30:11 | |
Sarge, can I go take a look? | 0:30:11 | 0:30:13 | |
You stay where you are. I want you here. | 0:30:13 | 0:30:16 | |
EXPLOSIONS | 0:30:16 | 0:30:20 | |
Good thing, dirt. | 0:30:28 | 0:30:29 | |
I see the planes, Mac. | 0:30:37 | 0:30:39 | |
-Six of them. -Is that all? | 0:30:39 | 0:30:42 | |
It's not many, is it? | 0:30:42 | 0:30:43 | |
Gee, you'd think they'd have a couple of hundred around, up there. | 0:30:43 | 0:30:47 | |
-Just goes to show you... -Just goes to show you what? | 0:30:47 | 0:30:50 | |
-Just goes to show you. -Funny. | 0:30:51 | 0:30:53 | |
Maybe there's more coming. | 0:30:53 | 0:30:55 | |
No. | 0:30:57 | 0:30:59 | |
Just six of them. | 0:30:59 | 0:31:00 | |
I tell you what, Sarge, what say I take the glasses and go over the ridge and take a look at the water? | 0:31:00 | 0:31:05 | |
We ought to know what's going on. | 0:31:05 | 0:31:08 | |
We know what's going on, Mac. There's no point in it. | 0:31:08 | 0:31:11 | |
No point in guessing. | 0:31:11 | 0:31:12 | |
We got to be getting along to the plateau. | 0:31:14 | 0:31:16 | |
Sarge, you wouldn't go through an open field with them planes up there, would you? | 0:31:16 | 0:31:21 | |
I wouldn't do that. | 0:31:21 | 0:31:22 | |
No. I wouldn't, either. | 0:31:22 | 0:31:24 | |
They're out of range, now. | 0:31:26 | 0:31:28 | |
Probably gone after bigger game. | 0:31:28 | 0:31:30 | |
Suppose I took the glasses and went over the ridge? Maybe there's a new landing coming off. | 0:31:30 | 0:31:35 | |
We'd want to know if there was. It stands to reason. | 0:31:35 | 0:31:39 | |
Go and take a look, Mac. Go and take a look. | 0:31:39 | 0:31:42 | |
It's just for the record. | 0:31:42 | 0:31:44 | |
Get it off your mind. | 0:31:44 | 0:31:46 | |
-I think it's a good ida. -Don't hang around, though. Those bombers may be back. | 0:31:46 | 0:31:50 | |
Here, take a good look. | 0:31:50 | 0:31:51 | |
EXPLOSIONS | 0:32:07 | 0:32:08 | |
What is it? What is it? What do you mean? | 0:32:11 | 0:32:15 | |
HE MOUTHS | 0:32:20 | 0:32:22 | |
Come back, McWilliams! | 0:32:42 | 0:32:43 | |
In a minute, Sarge! | 0:32:43 | 0:32:46 | |
Hurry back! Hurry! | 0:32:47 | 0:32:48 | |
Come back! | 0:32:50 | 0:32:51 | |
ARTILLERY FIRE | 0:32:51 | 0:32:54 | |
ARTILLERY FIRE | 0:33:33 | 0:33:36 | |
The leg. The right leg. | 0:33:48 | 0:33:49 | |
It's Trask. | 0:33:52 | 0:33:54 | |
In the middle of a word. | 0:33:54 | 0:33:56 | |
He was just speaking when it got him right in the mouth. | 0:33:56 | 0:34:00 | |
In the middle of a word. | 0:34:00 | 0:34:02 | |
Gee, I'm scared. | 0:34:45 | 0:34:47 | |
# This is the story of one little job | 0:35:08 | 0:35:13 | |
# One day from dawn until noon | 0:35:13 | 0:35:17 | |
# Just one battle more in a long, long war | 0:35:17 | 0:35:21 | |
# And the men of a single platoon | 0:35:21 | 0:35:25 | |
# It was 53 men started out that day | 0:35:25 | 0:35:30 | |
# Along the Italian shore | 0:35:30 | 0:35:34 | |
# And some of those were mighty good joes | 0:35:34 | 0:35:38 | |
# Who'll never see the sun rise any more, poor boys | 0:35:38 | 0:35:43 | |
# They'll never see the sun rise any more. # | 0:35:43 | 0:35:48 | |
-Don't you want to live here? -I didn't say I wanted to live here. | 0:35:48 | 0:35:52 | |
It's a nice country, full of opportunity. Just look around you. | 0:35:52 | 0:35:55 | |
Opportunity, that's the big thing. | 0:35:55 | 0:35:57 | |
-This country is full of opportunity. -You can have it. | 0:35:57 | 0:36:00 | |
Is that a way to talk about a country where you're a guest? | 0:36:00 | 0:36:03 | |
-They'll kick you out. -No, they won't. | 0:36:03 | 0:36:06 | |
Do you know who you're fighting? | 0:36:06 | 0:36:08 | |
They never told me. | 0:36:08 | 0:36:10 | |
-Germans. -That's all I want to know. | 0:36:10 | 0:36:13 | |
-You're screwy. -That's life. | 0:36:13 | 0:36:16 | |
We were the same draft boy. Same day. | 0:36:16 | 0:36:19 | |
Forget it. | 0:36:19 | 0:36:21 | |
-He was a good guy. -OK. | 0:36:21 | 0:36:24 | |
Too bad. | 0:36:28 | 0:36:29 | |
OK. | 0:36:29 | 0:36:31 | |
Go away. A butt. | 0:36:49 | 0:36:52 | |
-Arch is taking it hard. -Nobody dies. | 0:36:52 | 0:36:55 | |
Saturday Evening Post has the best covers. That guy, | 0:36:55 | 0:37:00 | |
what's his name? | 0:37:00 | 0:37:02 | |
Norman Rockwell. He can draw covers to beat all. | 0:37:02 | 0:37:04 | |
He had some covers about the army. | 0:37:04 | 0:37:06 | |
I'll take a camera picture any day. Drawing's OK but it ain't real. I like things to be real. | 0:37:06 | 0:37:10 | |
This guy Rockwell made it look just like a picture. | 0:37:10 | 0:37:13 | |
I used to look at them. Looks just like a picture, I used to say. You'd never have known it was painted. | 0:37:13 | 0:37:18 | |
Should have taken a picture and saved time. | 0:37:18 | 0:37:20 | |
-You can't get the touch in a picture. -Drawings was all right when we didn't have cameras. | 0:37:20 | 0:37:25 | |
-Now they've got cameras, you don't have to draw. -That's screwy. -Why? | 0:37:25 | 0:37:29 | |
You might as well say now they got moving pictures, there's no sense in taking pictures. | 0:37:29 | 0:37:33 | |
-You might just as well have a movie on the cover of magazines. -Some day they'll have it. Maybe. | 0:37:33 | 0:37:38 | |
No, they won't. | 0:37:38 | 0:37:41 | |
Maybe, some day, they'll have movies that'll smell, though. | 0:37:41 | 0:37:44 | |
Maybe the scene will be in a garden, or something and you can smell the flowers. | 0:37:44 | 0:37:48 | |
I'd like to see one in set in a brewery so I could smell the beer. | 0:37:48 | 0:37:52 | |
If a guy asked me, "What'd you give for this beer?", | 0:37:52 | 0:37:54 | |
I'd give him my GI rifle and my GI pants. | 0:37:54 | 0:37:56 | |
It's time. | 0:37:56 | 0:37:59 | |
Hey, Sarge, it's time. | 0:38:01 | 0:38:03 | |
Well, come on. Come on, for Pete's sake, what happened? | 0:38:11 | 0:38:15 | |
Halverson's dead. McWilliams is dead, too. | 0:38:15 | 0:38:17 | |
Plane got him. The lieutenant died. | 0:38:17 | 0:38:20 | |
-That does it. Trasker's dead here. Hoskins and are Giorgio got wounded. -I got the lieutenant's map case. | 0:38:20 | 0:38:25 | |
-Did you get it from Halverson? -A barge. I had it all the time. | 0:38:25 | 0:38:28 | |
-I was going to give it to you. -What's in it? -I don't know. Look in it and see. | 0:38:28 | 0:38:32 | |
There's the sea coast. There's the beach. | 0:38:39 | 0:38:42 | |
Here's the wood where we are. | 0:38:42 | 0:38:43 | |
There's the road. About 100 yards to the south. | 0:38:43 | 0:38:46 | |
-Halverson was a little off. -Where's the farmhouse? -Here. This must be it. The only house. | 0:38:46 | 0:38:51 | |
-See, where's the scale? -There is it. | 0:38:51 | 0:38:53 | |
It's about six miles, all right. | 0:38:53 | 0:38:55 | |
-It's nearer to seven. -What's that? | 0:38:55 | 0:38:58 | |
Rocks. High ground. | 0:38:58 | 0:38:59 | |
Marked from a machine gun. | 0:38:59 | 0:39:01 | |
-Farm buildings marked from a machine gun, too. -That's me. I like to work indoors. | 0:39:01 | 0:39:05 | |
Bring it over here. Let me see it. | 0:39:06 | 0:39:09 | |
Giving you trouble? | 0:39:15 | 0:39:17 | |
Well... | 0:39:17 | 0:39:20 | |
-That bridge. -What about it? | 0:39:20 | 0:39:22 | |
-You have to blow it. -Yeah. | 0:39:22 | 0:39:24 | |
Blow it. Gerry will bring stuff over that bridge. | 0:39:24 | 0:39:27 | |
Pain getting bad? | 0:39:27 | 0:39:29 | |
-Tiny buzzards. -Do you want somebody to help you down to the beach? | 0:39:29 | 0:39:32 | |
Not me. They'll be strafing that place for weeks. | 0:39:32 | 0:39:35 | |
Going to stay right here. | 0:39:35 | 0:39:36 | |
-What about Giorgio? -What about Giorgio? | 0:39:36 | 0:39:38 | |
Look, man, you're in command. Don't ask so many dopey questions. | 0:39:38 | 0:39:42 | |
Leave me alone. | 0:39:42 | 0:39:43 | |
Cousins, go and ask Giorgio if he can get back to the beach by himself. | 0:39:49 | 0:39:53 | |
ARTILLERY FIRE IN THE DISTANCE | 0:39:53 | 0:39:57 | |
Light stuff coming from inland. | 0:39:59 | 0:40:01 | |
Battle's beginning. | 0:40:04 | 0:40:05 | |
Better get moving. Get your squads together. Get them on the road. | 0:40:05 | 0:40:09 | |
-Giogio says you can have the beach. He wants to go alone. -He can't. | 0:40:09 | 0:40:12 | |
There'll be a hospital here soon. Tell him to stay here. | 0:40:12 | 0:40:14 | |
Tell him yourself. You're wearing the stripes. | 0:40:14 | 0:40:18 | |
Squad three. Fall in. On the road. | 0:40:18 | 0:40:20 | |
Second squad, fall in. | 0:40:20 | 0:40:22 | |
-You'd better go down to the beach, Giorgio. -Wait, Sarge. I'm wounded. | 0:40:22 | 0:40:26 | |
I've got privileges. I don't want to go down to the beach. | 0:40:26 | 0:40:29 | |
-I want to go alone. -You can't go alone. | 0:40:29 | 0:40:31 | |
You won't do any good. You can't do anything. | 0:40:31 | 0:40:33 | |
-Now, go on down to the beach. -I'll stay here with the Sarge. | 0:40:33 | 0:40:38 | |
Suit yourself. | 0:40:39 | 0:40:41 | |
-Let's go. We've got to move. -Where are the binoculars, Bill? | 0:40:49 | 0:40:53 | |
Holy mackerel. I forgot them. McWilliams has them. The only pair we had. Not doing him any good. | 0:40:53 | 0:40:58 | |
-I'll go back and get them. -Oh, never mind. | 0:40:58 | 0:41:00 | |
Sunny Italy. | 0:41:05 | 0:41:08 | |
Another little hike. | 0:41:08 | 0:41:09 | |
You should have to carry this. | 0:41:09 | 0:41:11 | |
I am happy with you, dear. You make me very happy. | 0:41:11 | 0:41:14 | |
Now, listen, men. | 0:41:16 | 0:41:17 | |
When we hit the road, we'll go from three squads. | 0:41:17 | 0:41:20 | |
We'll bust Hoskins' squad up. Kramer, you take the first squad. | 0:41:20 | 0:41:24 | |
Archimbeau, Cousins, scouts. | 0:41:24 | 0:41:28 | |
Franklin, connecting file. | 0:41:28 | 0:41:30 | |
Ward, you take the second squad. | 0:41:30 | 0:41:33 | |
Tyne, you take the third. | 0:41:33 | 0:41:36 | |
You bring up the rear. Get it? | 0:41:36 | 0:41:38 | |
Now, for Pete's sake, keep your eyes open. | 0:41:38 | 0:41:40 | |
Anything may be coming down that road. If they bring... | 0:41:40 | 0:41:43 | |
If they bring up tanks, they'll probably bring them along the road. | 0:41:43 | 0:41:47 | |
Be ready to pan out at any time and keep the bazookas ready. | 0:41:47 | 0:41:50 | |
When I blow my whistle, head for cover. | 0:41:50 | 0:41:53 | |
And I mean cover. | 0:41:53 | 0:41:55 | |
Keep your eyes open for planes. | 0:41:55 | 0:41:57 | |
They may try to shell the road, too. | 0:41:57 | 0:41:59 | |
I don't think they're wide awake yet, but they're going to be. | 0:41:59 | 0:42:02 | |
-It's a stinking situation, right? -ALL: Right. -OK. Let's go. | 0:42:02 | 0:42:06 | |
Mail this for me, will, you, Sarge? | 0:42:15 | 0:42:18 | |
It's a letter to my wife. | 0:42:19 | 0:42:21 | |
Yeah. | 0:42:21 | 0:42:23 | |
-Sure. -Thanks, Sarge. | 0:42:23 | 0:42:25 | |
-How is it, Hosk? -It'll keep. | 0:42:30 | 0:42:32 | |
-Got it on ice. -Take it easy. | 0:42:32 | 0:42:35 | |
Tyne, you're a smart apple. | 0:42:35 | 0:42:37 | |
-Keep your head. -I'm the boy. | 0:42:37 | 0:42:39 | |
-I mean it. Keep your head, you may need it. -Always have. | 0:42:39 | 0:42:42 | |
I ran into an Australian. | 0:42:44 | 0:42:46 | |
He slugged one into his leg. | 0:42:46 | 0:42:49 | |
He's always going to walk with a limp. | 0:42:49 | 0:42:52 | |
That's a tough ticket. | 0:42:52 | 0:42:54 | |
-Ruins you with the Army. -You'll be all right, Hosk. | 0:42:54 | 0:42:56 | |
You're a smart apple. | 0:42:56 | 0:42:58 | |
-Keep your head. -Better hang on to this. You may need more than you have. | 0:42:58 | 0:43:02 | |
Thanks. | 0:43:02 | 0:43:04 | |
Keep your eye on Porter. I think he's going to crack. | 0:43:04 | 0:43:07 | |
-What makes you think that? -I've seen him crack. | 0:43:07 | 0:43:09 | |
He screams just like anyone else. | 0:43:09 | 0:43:11 | |
Once in a while, a guy steps past the scream. It's hard to tell. | 0:43:11 | 0:43:15 | |
He's a good man but I think he's going to crack. | 0:43:15 | 0:43:17 | |
That's the way it goes. He's got a lot on his mind. | 0:43:17 | 0:43:21 | |
-Keep your head on. -OK, Hosk. | 0:43:21 | 0:43:24 | |
So long, Giorgio. | 0:43:24 | 0:43:27 | |
That's a funny thing. | 0:43:27 | 0:43:29 | |
-What? -Giorgio. He's an Italian. His old man came from this country. | 0:43:29 | 0:43:32 | |
All he'll ever see of it is a beach and a piece of wood. | 0:43:32 | 0:43:35 | |
-Funny thing. -Yeah. | 0:43:35 | 0:43:37 | |
-Funny thing. -Well, see you around, Hosk. | 0:43:37 | 0:43:40 | |
Yep. | 0:43:44 | 0:43:46 | |
Around. | 0:43:46 | 0:43:47 | |
Hey, Sergeant... | 0:44:08 | 0:44:10 | |
EXPLOSIONS | 0:44:10 | 0:44:12 | |
-Supposing this road is mined? -Don't worry about it. | 0:44:12 | 0:44:15 | |
HE WHISTLES | 0:44:20 | 0:44:23 | |
That's one thing I want to do when I get back. | 0:44:23 | 0:44:25 | |
I want a nice collection of records. | 0:44:25 | 0:44:27 | |
I know a guy who must have had millions of records, millions that guy had. | 0:44:27 | 0:44:29 | |
He worked in the MBC Studios. He had all kinds of autographs. | 0:44:29 | 0:44:32 | |
You couldn't name anybody he didn't have an autograph of. | 0:44:32 | 0:44:34 | |
He even used to sign his records. He had a record of the Andrew Sisters, all three of their autographs. | 0:44:34 | 0:44:38 | |
-That's the kind of life. -Just the music is all I want. | 0:44:38 | 0:44:41 | |
I got one collection but I want a big one. | 0:44:41 | 0:44:43 | |
I got all the Bing Crosby records except the last one. | 0:44:43 | 0:44:45 | |
You know Russ Columbo? My sister used to be nuts about Russ Columbo. | 0:44:45 | 0:44:48 | |
She stayed in her room all the time the day he died. | 0:44:48 | 0:44:50 | |
-When did he die, anyway? -I don't know. | 0:44:50 | 0:44:52 | |
Must have been about ten years ago. She was a kid. She's married now. | 0:44:52 | 0:44:55 | |
-Her husband in the Army? -Beats me. I never heard from him. | 0:44:55 | 0:44:57 | |
-Maybe he's in a war plant. -That's the life, the war plant. | 0:44:57 | 0:44:59 | |
I read some place, those guys make 400 or 500 bucks a week. | 0:44:59 | 0:45:02 | |
I don't care about the dough, I'd just like to be able to go home at night. | 0:45:05 | 0:45:08 | |
-If I didn't go in the Army, I was going to California. -Got a job there? | 0:45:08 | 0:45:11 | |
No. I just always wanted to go to California. Out with the movie stars. | 0:45:11 | 0:45:14 | |
Could have been something else. Could have been the engineers or the tanks. | 0:45:17 | 0:45:20 | |
Could even have been the Navy. | 0:45:20 | 0:45:22 | |
They looked at me and said here's a guy that can walk. | 0:45:22 | 0:45:25 | |
-They finished me, all right. -Everybody walks. Even monkeys. | 0:45:25 | 0:45:28 | |
There are limits, plenty of limits. | 0:45:28 | 0:45:29 | |
I've been thinking, how long have we been in the Army? | 0:45:29 | 0:45:31 | |
Rivera, look at Hoskins. | 0:45:31 | 0:45:34 | |
Gets a lousy little dig in the leg and he's out of the Army, but he doesn't want to be out of the Army. | 0:45:34 | 0:45:38 | |
Justice. | 0:45:38 | 0:45:41 | |
-Where are we going, Rivera? -I'm going someplace where I can set off this weapon. | 0:45:41 | 0:45:44 | |
Then I'm going to shoot this weapon. I'm not going to walk any more. | 0:45:44 | 0:45:47 | |
There are limits. | 0:45:47 | 0:45:49 | |
Archimbeau's sure angry at this country. Look at them beating it to death. | 0:45:58 | 0:46:02 | |
You're an insensitive lump. | 0:46:02 | 0:46:03 | |
He's still got Trasker on his mind. | 0:46:03 | 0:46:06 | |
I've got lots of dead guys on my mind. | 0:46:06 | 0:46:09 | |
EXPLOSION | 0:46:09 | 0:46:11 | |
Plane! | 0:46:16 | 0:46:18 | |
Hit the deck, hit the deck. | 0:46:19 | 0:46:21 | |
HE BLOWS ON WHISTLE | 0:46:21 | 0:46:22 | |
PLANE APPROACHES | 0:46:29 | 0:46:31 | |
GUNFIRE | 0:46:38 | 0:46:40 | |
Anybody hurt? | 0:46:42 | 0:46:44 | |
- Anybody hurt? Anybody hurt? - All right here. | 0:46:44 | 0:46:47 | |
Did you see that? Did you see that? | 0:46:47 | 0:46:48 | |
Right out of the blasted sun, the dirty kraut. | 0:46:48 | 0:46:50 | |
There's some wounded across the road. My squad, I think. I'd better go over. | 0:46:50 | 0:46:53 | |
- Wait a minute. He may be back. - I'll take my chances. | 0:46:53 | 0:46:55 | |
Want a hand, Sergeant? | 0:47:00 | 0:47:02 | |
Won't help him. | 0:47:02 | 0:47:03 | |
EXPLOSION Get over to that ditch. | 0:47:03 | 0:47:05 | |
-Did he get one? -Yeah. | 0:47:05 | 0:47:07 | |
Get in the ditch. Where did he get it? | 0:47:07 | 0:47:09 | |
-Arm and shoulder. -Give me a hand. | 0:47:09 | 0:47:11 | |
-Get in the ditch. -Who's that? | 0:47:11 | 0:47:13 | |
Never mind. | 0:47:13 | 0:47:14 | |
-Dugan's dead. -I know. | 0:47:30 | 0:47:32 | |
Look at that Jerry. | 0:47:33 | 0:47:34 | |
Shoot him. Shoot him. Beautiful! | 0:47:49 | 0:47:52 | |
No more waving to that baby. | 0:48:03 | 0:48:05 | |
Hey, somebody, you guys want me to die of gangrene? | 0:48:10 | 0:48:14 | |
They've looked you over, Smithy. What you've got is no worse than a scratch. | 0:48:14 | 0:48:17 | |
It hurts, burns like fire. | 0:48:17 | 0:48:19 | |
Doesn't yet. But it will. Take over, Joe. | 0:48:19 | 0:48:22 | |
What'll we do with him? | 0:48:28 | 0:48:29 | |
-Will we leave him here? -We'll have to. We can't take him with us. | 0:48:29 | 0:48:32 | |
-Think we'd better get on with it then. -I'd wait a while if I were you. | 0:48:32 | 0:48:35 | |
There might be more planes where that last one came from. | 0:48:35 | 0:48:37 | |
-Better take ten, anyway. -Tell them, will you? | 0:48:37 | 0:48:39 | |
Take ten. Take ten. | 0:48:39 | 0:48:43 | |
Take ten. | 0:48:45 | 0:48:46 | |
-Say Sarge, can I smoke? -Burn. Take ten. Take ten. | 0:48:46 | 0:48:51 | |
Butt me, Friedman. | 0:48:51 | 0:48:53 | |
7.35. | 0:48:53 | 0:48:55 | |
-Match. -Take ten. | 0:48:55 | 0:48:57 | |
It is 7.35, Friedman. And in 30 minutes, we've covered a mile. | 0:48:57 | 0:49:00 | |
On a dry track, too. A whole mile. | 0:49:00 | 0:49:03 | |
Stop driving. At least you're a mile away from the beach and the shells. | 0:49:03 | 0:49:06 | |
What was that plane shooting at us, jellybeans? | 0:49:06 | 0:49:09 | |
Oh, by the way, have you dined yet, Sergeant? | 0:49:09 | 0:49:11 | |
Yeah. And you have, too. | 0:49:11 | 0:49:13 | |
How can he turn down a tasty dish like this? | 0:49:15 | 0:49:17 | |
-You know where they get this stuff? -Sure. | 0:49:17 | 0:49:21 | |
I know where they get everything. | 0:49:21 | 0:49:23 | |
Where'd they get this stuff? | 0:49:23 | 0:49:25 | |
-You know the sewers? -What sewers? | 0:49:25 | 0:49:27 | |
-Any sewers. The Hoboken sewers. -How do you know? | 0:49:27 | 0:49:29 | |
-You got a brother works in the sewers? -Never mind my relations. | 0:49:29 | 0:49:31 | |
You want me to tell you how they get it out of the sewers? | 0:49:31 | 0:49:33 | |
No. I'm eating it. | 0:49:33 | 0:49:35 | |
We should be in the Heine Army. | 0:49:35 | 0:49:37 | |
They wouldn't take me. | 0:49:37 | 0:49:39 | |
Why should we be in the Heine Army? | 0:49:39 | 0:49:41 | |
The food. Good food. | 0:49:41 | 0:49:43 | |
How do you know? Are you a spy or something? | 0:49:43 | 0:49:45 | |
How about that HQ we walked into in Sicily? | 0:49:45 | 0:49:47 | |
Wine on the tables. Steak. | 0:49:47 | 0:49:50 | |
-A picture. -That was Officers' Mess. | 0:49:50 | 0:49:52 | |
So what? Do our Officers' Mess get wine on the table? Do they get steak? | 0:49:52 | 0:49:55 | |
The Heines are really eating. | 0:49:55 | 0:49:57 | |
They won't be. | 0:49:57 | 0:49:59 | |
Listen, chum. In three years, the whole world will be eating C-rations. | 0:49:59 | 0:50:03 | |
-I got it from a friend. -Give it back to him. I ain't interested. | 0:50:03 | 0:50:07 | |
What do you get out of it, Friedman? | 0:50:07 | 0:50:08 | |
-Out of what? -The business. -What business? -This business. | 0:50:08 | 0:50:11 | |
I ain't a member of the firm. | 0:50:11 | 0:50:13 | |
You saw that Messerschmitt. Yeah. | 0:50:13 | 0:50:15 | |
-It was after you. -I wasn't in when he called. | 0:50:15 | 0:50:18 | |
Be another one along any minute now. | 0:50:18 | 0:50:20 | |
-I won't be in that, either. -Friedman, you're a draft dodger. | 0:50:20 | 0:50:23 | |
-You're yellow, Friedman. -That's what I am, all right. | 0:50:23 | 0:50:26 | |
I catch you kidding me again, I'll catch you in the gut. | 0:50:44 | 0:50:48 | |
-What's eating him? -Don't YOU know? | 0:50:56 | 0:51:00 | |
-I've got a headache. A rotten headache. -Tough. | 0:51:06 | 0:51:09 | |
-Do you trust this operation? -How do you mean? -You know. | 0:51:10 | 0:51:13 | |
I don't like the ring of it. It doesn't ring true. | 0:51:13 | 0:51:16 | |
Something funny about it. | 0:51:16 | 0:51:18 | |
GROANING | 0:51:18 | 0:51:19 | |
I wish he'd cut out that groaning. | 0:51:19 | 0:51:21 | |
He ain't too bad. He's just working for his Purple Heart. | 0:51:21 | 0:51:23 | |
-I don't like the responsibility. -You're stuck with it. | 0:51:23 | 0:51:27 | |
We'd better get moving, hadn't we? | 0:51:27 | 0:51:29 | |
I think we had. If I were you, I'd keep off the road. | 0:51:29 | 0:51:32 | |
-Why? -Tanks. | 0:51:32 | 0:51:34 | |
Let's take it along the ditch. | 0:51:34 | 0:51:36 | |
OK. | 0:51:36 | 0:51:38 | |
-What about Smith? -I'll talk to him. | 0:51:38 | 0:51:42 | |
How you feeling, Smithy? | 0:51:45 | 0:51:47 | |
In the pink, Sarge. In the pink. | 0:51:47 | 0:51:49 | |
Do you think you can stay here by yourself for a while? | 0:51:49 | 0:51:51 | |
-Leave me some butts. -Sure you'll be all right? | 0:51:51 | 0:51:54 | |
Sure, Sarge. Just leave me some butts. | 0:51:54 | 0:51:57 | |
Somebody'll be along to pick you up. | 0:51:57 | 0:51:58 | |
He'll stay. | 0:52:01 | 0:52:02 | |
We'd better get started then. | 0:52:05 | 0:52:07 | |
HE BLOWS WHISTLE | 0:52:08 | 0:52:09 | |
All right. Hoist sail. | 0:52:14 | 0:52:16 | |
We'll stick close to the ditch this time. | 0:52:16 | 0:52:19 | |
Keep the same formation, but stick close to the ditch. | 0:52:19 | 0:52:22 | |
EXPLOSIONS | 0:52:27 | 0:52:29 | |
GUNFIRE | 0:52:32 | 0:52:33 | |
Hey, Smithy. Could I bum one of those butts back? | 0:52:48 | 0:52:51 | |
Sure, Sarge. Help yourself. | 0:52:51 | 0:52:53 | |
How long do you think I'll be here? | 0:52:53 | 0:52:54 | |
Beats me. Shouldn't be long, though. | 0:52:54 | 0:52:57 | |
-There'll be plenty of company coming up this way soon. -What company? | 0:52:57 | 0:53:00 | |
Any kind you want. Just take it easy, Smith. | 0:53:00 | 0:53:03 | |
If I want anything, I'll ring. | 0:53:03 | 0:53:05 | |
Hey, Smithy...you forgot to groan. | 0:53:07 | 0:53:09 | |
Hey, Cousins. | 0:53:30 | 0:53:32 | |
-What comes after Tibet? -What comes where after Tibet? | 0:53:35 | 0:53:39 | |
In the war. Where are we going to fight the war after Tibet? | 0:53:39 | 0:53:43 | |
-How do I know? In bed. -There's a country... Can't think of its name. -There's a million countries. | 0:53:43 | 0:53:51 | |
-I can't think of their names. -All right. I just asked. Forget it. | 0:53:51 | 0:53:56 | |
Ask Victor McLaglen. In the movies, he's always fighting that country around Tibet. | 0:53:56 | 0:54:00 | |
You kill me, just kill me. | 0:54:00 | 0:54:03 | |
Hey, Arch, look. | 0:54:03 | 0:54:05 | |
HE BLOWS WHISTLE | 0:54:14 | 0:54:16 | |
-Two guys, 500 yards to the left, I seen them. -What are they? | 0:54:19 | 0:54:23 | |
Search me. Too far away. | 0:54:23 | 0:54:24 | |
Ward. | 0:54:24 | 0:54:26 | |
Two guys, 500 yards off to the left. Take a couple of men. Get down and see. | 0:54:28 | 0:54:32 | |
-Johnson. Riddle. -Take it easy. | 0:54:32 | 0:54:35 | |
Fan out. | 0:54:41 | 0:54:43 | |
DISTANT GUNFIRE | 0:54:43 | 0:54:45 | |
Hit the dirt. | 0:54:49 | 0:54:51 | |
HE SHOUTS IN ITALIAN | 0:54:58 | 0:54:59 | |
HE SPEAKS ITALIAN | 0:55:05 | 0:55:08 | |
Wait a minute. | 0:55:08 | 0:55:10 | |
Wait a minute. You speak English? | 0:55:10 | 0:55:12 | |
-HE SPEAKS ITALIAN AGAIN -Oh, shut up. Come on. | 0:55:12 | 0:55:17 | |
A couple of Eye-ties. | 0:55:28 | 0:55:29 | |
-Can they speak English? -Not my kind. | 0:55:29 | 0:55:31 | |
-Hey, Giorgio. -Giorgio got wounded. | 0:55:31 | 0:55:35 | |
Yeah. What's the matter with me? | 0:55:35 | 0:55:38 | |
Tranella. | 0:55:38 | 0:55:39 | |
You want me, Sarge? | 0:55:40 | 0:55:42 | |
-Can you talk Italian? -Sure. I can talk Italian. | 0:55:42 | 0:55:45 | |
Talk to these guys. | 0:55:45 | 0:55:46 | |
-What do I say? -Ask them where they come from, for Pete's sake. | 0:55:46 | 0:55:49 | |
THEY SPEAK ITALIAN | 0:55:51 | 0:55:54 | |
Hey, Tranella. | 0:56:06 | 0:56:07 | |
THEY SPEAK ITALIAN | 0:56:07 | 0:56:09 | |
He says he's from Turin. | 0:56:11 | 0:56:13 | |
-Where's that? -It's north. Way up north. | 0:56:13 | 0:56:16 | |
-I don't mean that. Find out where they're coming from now? -Oh. | 0:56:16 | 0:56:19 | |
Where are you coming from now? Oh, I mean... | 0:56:19 | 0:56:21 | |
THEY SPEAK ITALIAN | 0:56:21 | 0:56:26 | |
He says there's a battle up there, they were running away from the battle. | 0:56:31 | 0:56:35 | |
-They're no longer fighting. -Ask them what's going on up there. | 0:56:35 | 0:56:38 | |
HE SPEAKS ITALIAN | 0:56:38 | 0:56:39 | |
HE RESPONDS IN ITALIAN | 0:56:39 | 0:56:42 | |
He says they were lying along the road | 0:56:44 | 0:56:46 | |
-and they saw the Germans bringing up some tanks. -When was this? | 0:56:46 | 0:56:49 | |
THEY SPEAK ITALIAN | 0:56:49 | 0:56:52 | |
Says he's got no watch. He's not sure. Maybe a couple of hours. Maybe less. | 0:56:55 | 0:56:59 | |
-See what you can find out. Ask him some questions. -I am, Sergeant! | 0:56:59 | 0:57:03 | |
-Find out something. -Ask if he knows this country. -SPEAKS ITALIAN | 0:57:03 | 0:57:06 | |
HE RESPONDS IN ITALIAN | 0:57:06 | 0:57:08 | |
He's from the north but he knows this country. | 0:57:09 | 0:57:12 | |
-He was once stationed here. -Good. Where's the map, Eddie? -What map? Oh, it's here. | 0:57:12 | 0:57:17 | |
We have here a map of the area. Tell him that, Tranella. | 0:57:25 | 0:57:28 | |
THEY SPEAK ITALIAN | 0:57:28 | 0:57:32 | |
Says he knows all about maps, he's a corporal. | 0:57:35 | 0:57:38 | |
We're about here, I think. | 0:57:38 | 0:57:41 | |
Ask him if I'm right. | 0:57:41 | 0:57:43 | |
HE SPEAKS ITALIAN | 0:57:43 | 0:57:44 | |
HE RESPONDS IN ITALIAN | 0:57:48 | 0:57:50 | |
He says that over there's where the battle is and over here's where he saw the tanks. | 0:57:50 | 0:57:54 | |
-Is it a bad country? -THEY SPEAK ITALIAN | 0:57:54 | 0:57:57 | |
He says that... | 0:58:00 | 0:58:02 | |
he says that it's a good country for defence, rough with a lot of ravines. | 0:58:02 | 0:58:07 | |
The young punk says it's dusty. | 0:58:07 | 0:58:09 | |
-How many Germans? -THEY SPEAK ITALIAN | 0:58:09 | 0:58:12 | |
-Says he doesn't know how many Germans are around. -He must have said more than that. | 0:58:13 | 0:58:18 | |
Well, he says that they're beaten, that they're no longer soldiers. | 0:58:18 | 0:58:22 | |
THEY SPEAK ITALIAN | 0:58:22 | 0:58:26 | |
-What did he say? -The young punk says he knocked off a Kraut. | 0:58:26 | 0:58:30 | |
-Ask him where. -THEY SPEAK ITALIAN | 0:58:30 | 0:58:32 | |
Hey, Tranella... | 0:58:42 | 0:58:44 | |
THEY CONTINUE IN ITALIAN | 0:58:44 | 0:58:46 | |
Tranella, what are you talking about now? | 0:58:50 | 0:58:52 | |
About Italy. He's from near where my old man came from. | 0:58:52 | 0:58:56 | |
He says he didn't want the Germans, but there was no choice. | 0:58:56 | 0:58:59 | |
These guys are looking for a way out. | 0:58:59 | 0:59:01 | |
What do you know? My old man told me that they've been fighting | 0:59:01 | 0:59:04 | |
-the Germans since they came in and they're still fighting -OK. OK. OK. | 0:59:04 | 0:59:08 | |
HE SPEAKS ITALIAN | 0:59:08 | 0:59:11 | |
-What's he saying? -He says now they can't go home, that the Germans cover the north, like beetles. | 0:59:14 | 0:59:19 | |
He says there's a lot the matter with Italy. | 0:59:19 | 0:59:21 | |
-You're letting him tell us what's the matter with Italy. -My old man would like to know. | 0:59:21 | 0:59:26 | |
Let him read it in the papers. I know what's the matter with Italy. | 0:59:26 | 0:59:29 | |
Find out about that hill with the farmhouse on it. | 0:59:29 | 0:59:32 | |
-This farmhouse here. Ask him if he knows anything about it. -THEY SPEAK ITALIAN | 0:59:32 | 0:59:36 | |
He says yeah. | 0:59:36 | 0:59:38 | |
Ask him what kind of bridge this is. | 0:59:38 | 0:59:40 | |
THEY SPEAK ITALIAN | 0:59:40 | 0:59:44 | |
He says he don't remember. Could be wood. It could be steel. | 0:59:47 | 0:59:51 | |
-It could be concrete. -A great help he is(!) | 0:59:51 | 0:59:54 | |
-Ask him, does he know where I can get our pizza. -Shut up! | 0:59:54 | 0:59:57 | |
HE SPEAKS ITALIAN | 0:59:57 | 0:59:59 | |
-He says there's lots of Krauts a few miles along. -How many? | 0:59:59 | 1:00:02 | |
THEY SPEAK ITALIAN | 1:00:02 | 1:00:03 | |
He says he hasn't got any idea. | 1:00:03 | 1:00:05 | |
-We might as well go on. -Might as well. | 1:00:05 | 1:00:07 | |
All right, men, get going. | 1:00:07 | 1:00:09 | |
-Thanks, Tranella. -Any time, Sarge. | 1:00:09 | 1:00:12 | |
Tell them they can go. | 1:00:12 | 1:00:13 | |
HE SPEAKS ITALIAN Hey, Sergeant, now they both want butts. | 1:00:13 | 1:00:17 | |
-Give them a couple. -Out of my own pack, for the love...! -Give him a couple. | 1:00:17 | 1:00:21 | |
HE SPEAKS ITALIAN Hey, Sarge, | 1:00:21 | 1:00:25 | |
-he says they're our prisoners and they'll come along. -Over my dead body. | 1:00:25 | 1:00:29 | |
THEY SPEAK ITALIAN | 1:00:29 | 1:00:32 | |
Hey, Sarge, they don't want to go. | 1:00:32 | 1:00:35 | |
-That's too bad. -HE SPEAKS ITALIAN | 1:00:35 | 1:00:39 | |
Now the punks say they're hungry. | 1:00:39 | 1:00:41 | |
-Give them some K-ration. -They can take this. | 1:00:41 | 1:00:43 | |
When they eat that, they'll wish Italy never went out of the war. | 1:00:45 | 1:00:49 | |
-They'll think twice about the Americans next time. -Hup! | 1:00:49 | 1:00:52 | |
That's a tough ticket, but I've got to leave you. | 1:00:52 | 1:00:56 | |
-How did it go? -They don't know anything. | 1:00:57 | 1:01:00 | |
-We don't know any more than we did before. -You expect to? -They might have known something. | 1:01:00 | 1:01:05 | |
HE SPEAKS ITALIAN | 1:01:08 | 1:01:09 | |
Slap-happiest people I ever saw. | 1:01:15 | 1:01:18 | |
"Dear Frances, | 1:01:32 | 1:01:34 | |
"just left a couple of Italian soldiers standing in the road." | 1:01:34 | 1:01:37 | |
No, cross that out. | 1:01:37 | 1:01:39 | |
"Just left a couple of Italian ex-soldiers standing in the road. | 1:01:39 | 1:01:43 | |
"Poor suckers. They still don't know what hit them. | 1:01:43 | 1:01:47 | |
"And in a way, it's their own fault. | 1:01:47 | 1:01:49 | |
"They let themselves be sold a story that they were going to boss the world. | 1:01:49 | 1:01:53 | |
"And now the guys that sold to them have gone and they're left holding the bag. | 1:01:53 | 1:01:58 | |
"Poor suckers. Right now, they don't even own their own country." | 1:01:58 | 1:02:02 | |
-Bill? You ever had a feeling that something was going to happen to you? -I have it all the time. | 1:02:08 | 1:02:14 | |
-I've got it now. -Don't worry about it. | 1:02:14 | 1:02:17 | |
I've never had it before. I don't like it. | 1:02:17 | 1:02:20 | |
-Something's happened to me. -What? | 1:02:20 | 1:02:22 | |
I don't know. Can't figure it out. | 1:02:22 | 1:02:25 | |
It's not that I'm scared, I know I'm not. | 1:02:25 | 1:02:28 | |
It's just that I can't figure things out. | 1:02:28 | 1:02:32 | |
Look, if you have to, will you take over? | 1:02:32 | 1:02:36 | |
I don't feel good. Got a headache. | 1:02:36 | 1:02:40 | |
-What are you going to do after the war? -Join a mob, become a mobster. | 1:02:40 | 1:02:44 | |
-What did you do before the war? -Three million and sixty times you asked me that. I was an undertaker. | 1:02:44 | 1:02:49 | |
I undertook stiffs. Made my hands smell. | 1:02:49 | 1:02:52 | |
-Why don't you join the registration squad at the QMC? That's right up your alley. -I can't spell. | 1:02:52 | 1:02:57 | |
Hey, Johnson... | 1:02:57 | 1:02:58 | |
..you look like a bright boy. | 1:03:00 | 1:03:01 | |
Why don't you join the registration squad of QMC? | 1:03:01 | 1:03:04 | |
-How's the pay? -Stinks. -Any future in it? | 1:03:04 | 1:03:07 | |
What do you care? You ain't even living in the present. | 1:03:07 | 1:03:11 | |
That's right, Jake, give a smart apple, Jake, a reader of character. | 1:03:11 | 1:03:15 | |
What do you mean, I ain't living in the present? | 1:03:15 | 1:03:17 | |
-I'll ask him. Where are you now? -Italy. | 1:03:17 | 1:03:20 | |
How do you know you're in Italy? Have you seen any signposts in Italian? | 1:03:20 | 1:03:24 | |
-We just landed in Italy. -How do you know you landed in Italy? | 1:03:24 | 1:03:27 | |
-Just because somebody told you? -I've just seen a couple of Italians. | 1:03:27 | 1:03:31 | |
You see a million Italians. Is that Italy? No. | 1:03:31 | 1:03:34 | |
You're ignorant, Johnson. | 1:03:34 | 1:03:36 | |
All right. If we're not in Italy, where are we? | 1:03:36 | 1:03:38 | |
Sunny France. Where do you think we was? | 1:03:38 | 1:03:41 | |
-Italy. -I give up. | 1:03:44 | 1:03:46 | |
-So do I. I want to get out of this damned Army. -Me, too. Move over. | 1:03:46 | 1:03:50 | |
ENGINE BEHIND | 1:03:51 | 1:03:54 | |
BLOWS WHISTLE | 1:03:56 | 1:03:57 | |
Hit the decks. | 1:03:57 | 1:03:59 | |
Hey, look, it's a jeep. | 1:04:05 | 1:04:07 | |
MEN SHOUT | 1:04:07 | 1:04:09 | |
Where you from? | 1:04:18 | 1:04:19 | |
-We're reconnaissance. Seen anything around here? -Not so far. | 1:04:19 | 1:04:22 | |
-What's your mission? -Objective is some high ground with a farmhouse on it, three miles up the road. | 1:04:22 | 1:04:28 | |
-Anything up there? -Wish I knew. | 1:04:28 | 1:04:30 | |
-Want me to run up and see? -Be nice if you'd scout a couple of miles. | 1:04:30 | 1:04:35 | |
Take a lot off my mind, anyway. | 1:04:35 | 1:04:36 | |
OK. It's the first time I've been to Italy. Like to see the country. | 1:04:36 | 1:04:40 | |
That's the kind of job to have. No walking. Solid comfort. | 1:04:44 | 1:04:49 | |
Between you and me, Jake, motorcycles scare the life out of me. | 1:04:49 | 1:04:52 | |
-I didn't think you were scared of anything. -Women and motorcycles, Jake. | 1:04:52 | 1:04:56 | |
-A butt. -When I run out of butts, you'll be in a right mess. -I'll find a new friend. | 1:04:56 | 1:05:00 | |
I feel better. If the road's clear, it might be all right, after all. | 1:05:00 | 1:05:04 | |
How long do you think it will take him to get back? | 1:05:04 | 1:05:08 | |
About ten or 15 minutes. | 1:05:08 | 1:05:09 | |
BLOWS WHISTLE | 1:05:09 | 1:05:11 | |
What's the idea of leaving the ditch? We got no orders. | 1:05:36 | 1:05:40 | |
The road's easier on the feet. Simple. | 1:05:40 | 1:05:43 | |
It's time that rider was coming back. | 1:05:44 | 1:05:47 | |
He's only been gone ten minutes. | 1:05:47 | 1:05:49 | |
-Everything in the Army is simple. -You live or you die. | 1:05:49 | 1:05:53 | |
I'd still like to be sitting in his boots. | 1:05:53 | 1:05:55 | |
-Whose boots? -The guy in the motorcycle. | 1:05:55 | 1:05:58 | |
-That's a life. -Why? Are you feeling a lousy hero? | 1:05:58 | 1:06:01 | |
-I like my comfort. -The guys are dead pigeons. | 1:06:01 | 1:06:04 | |
-High mortality rates. -So what?! | 1:06:04 | 1:06:06 | |
So what? That's the first sergeant I ever saw on a motorcycle. | 1:06:06 | 1:06:09 | |
Most of them are lucky to make corporal. | 1:06:09 | 1:06:11 | |
-Do you think you'll make corporal? -I just want to make civilian. | 1:06:11 | 1:06:15 | |
-You've got no imagination, Riviera. You're a lump. -That's what I am, all right. | 1:06:15 | 1:06:20 | |
Suppose you still think they'll be back? | 1:06:20 | 1:06:22 | |
May have gone further than we thought. Might have got a flat. | 1:06:22 | 1:06:26 | |
He didn't go too far and he didn't get a flat. | 1:06:26 | 1:06:29 | |
He ran into trouble. | 1:06:29 | 1:06:30 | |
-Did you hear any firing? -Didn't hear a thing. -He ran into trouble. | 1:06:30 | 1:06:34 | |
Eddie, I don't know what's the matter with you, | 1:06:34 | 1:06:36 | |
-but you need to snap out of it. What's eating you? -I don't know. | 1:06:36 | 1:06:41 | |
Still wanna be on a motorcycle, ugly? | 1:06:41 | 1:06:43 | |
-Sure. It's a life. -In that guy's case, the question is, is it a life? | 1:06:43 | 1:06:46 | |
He's probably sitting under a tree somewhere, reading a book. | 1:06:46 | 1:06:49 | |
People like you that cause all the trouble in the world. Where would he get a book? | 1:06:49 | 1:06:54 | |
How do I know where he'd get a book? | 1:06:54 | 1:06:56 | |
-CLICKS FINGERS -Last pack. I'll let you watch me. | 1:06:56 | 1:06:59 | |
-You've got another loving pack. -All I got, baby. | 1:06:59 | 1:07:01 | |
-A drag. -I'll consider it. | 1:07:01 | 1:07:03 | |
Well, it's a funny thing, how many people you meet in the Army who cross your path for a few seconds | 1:07:03 | 1:07:08 | |
-and you never see them again. -Who do you mean? | 1:07:08 | 1:07:10 | |
You've never seen them before, you never see it again. Can't forget it. | 1:07:10 | 1:07:14 | |
Guy on the motorcycle? Phil, I'm scared of the tanks. | 1:07:14 | 1:07:17 | |
If they catch us on this road they've got us cold, like mackerel. | 1:07:17 | 1:07:20 | |
BLOWS WHISTLE | 1:07:20 | 1:07:23 | |
Tell them to take a break. | 1:07:25 | 1:07:27 | |
Jack, Phelps, Dubrusky, Long, Tranella, Tinker, | 1:07:30 | 1:07:36 | |
Archimbeau and all bazooka men, front and centre. | 1:07:36 | 1:07:40 | |
The rest of you, take a break, into the woods. | 1:07:40 | 1:07:43 | |
Sergeant Porter wants you bazooka men up ahead. | 1:07:48 | 1:07:50 | |
< I'm giving you ample protection. | 1:07:50 | 1:07:52 | |
< When you get a mile ahead of us, we'll follow. | 1:07:52 | 1:07:55 | |
Good hunting. | 1:07:55 | 1:07:56 | |
Archimbeau, you stay here. | 1:08:04 | 1:08:06 | |
-Watch the road. If you see that rider coming back, wave to me. -I'll never stand it till then. | 1:08:06 | 1:08:11 | |
-Till when? -Till the Battle of Tibet. | 1:08:11 | 1:08:13 | |
Every dead-end job in the Army is my personal property. | 1:08:13 | 1:08:17 | |
Something's up with the Sergeant. | 1:08:29 | 1:08:32 | |
-Which Sergeant? -Porter. | 1:08:32 | 1:08:34 | |
-Nobody tells me nothing. -Keep your eyes open. | 1:08:34 | 1:08:36 | |
If you weren't smoking your last butts and getting smoke in your eyes, | 1:08:36 | 1:08:40 | |
you might know more about what's going on. Butt. | 1:08:40 | 1:08:43 | |
-What's up with Porter? -How do I know? I ain't a doctor. | 1:08:43 | 1:08:46 | |
Thanks, Bill. | 1:09:01 | 1:09:03 | |
It's nothing. You just didn't think of it, that's all. | 1:09:03 | 1:09:07 | |
Yeah. I didn't think of it. | 1:09:09 | 1:09:12 | |
Apples. | 1:09:17 | 1:09:18 | |
What did you say, Sergeant? | 1:09:20 | 1:09:22 | |
Oh, guess I said apples. | 1:09:23 | 1:09:25 | |
Why? | 1:09:25 | 1:09:26 | |
I'm just thinking of them. | 1:09:26 | 1:09:29 | |
-Oh. -What kind of apples, Sergeant? | 1:09:29 | 1:09:32 | |
All kinds. Bald ones. McIntosh. Reds. Pippins. Russets. | 1:09:32 | 1:09:36 | |
I was thinking I would like to be cutting one open, right now. | 1:09:36 | 1:09:39 | |
And licking that juice off a knife. | 1:09:39 | 1:09:42 | |
Cut it out, will you, Sarge? | 1:09:42 | 1:09:44 | |
Now you got me thinking about something juicy. | 1:09:44 | 1:09:46 | |
CHUCKLING | 1:09:46 | 1:09:48 | |
You like apples, Sergeant? | 1:09:48 | 1:09:50 | |
Not especially. Apple juice just happened to pop into my head. | 1:09:50 | 1:09:53 | |
-I like beer better. -Maybe we'll come across some growing around here. | 1:09:53 | 1:09:57 | |
-We won't. -How do you know, Sergeant? | 1:09:57 | 1:09:59 | |
I'm a farmer. A good one. | 1:09:59 | 1:10:02 | |
The soil's no good around here. | 1:10:02 | 1:10:05 | |
It's no good, at all. | 1:10:05 | 1:10:07 | |
It's old and tired and worn out. See? | 1:10:07 | 1:10:09 | |
They say up north it's different. | 1:10:09 | 1:10:11 | |
They say up north they grow grapes as big as a man's head. | 1:10:11 | 1:10:14 | |
You can't convince me. My mind's made up. | 1:10:14 | 1:10:16 | |
You know, once I make up my mind about something, nothing changes it except an act of God. | 1:10:17 | 1:10:23 | |
Or my wife. | 1:10:24 | 1:10:25 | |
Yes. Soil's no good. It's no good, at all. | 1:10:28 | 1:10:30 | |
Maybe too many soldiers have been walking on it. | 1:10:31 | 1:10:34 | |
They've been walking on it for a long time. | 1:10:34 | 1:10:37 | |
That's what always happens to a country when soldiers walk on it. | 1:10:39 | 1:10:42 | |
I wrote a letter to my wife. | 1:10:46 | 1:10:48 | |
All right. | 1:10:48 | 1:10:50 | |
I wrote it in the landing barge. | 1:10:50 | 1:10:53 | |
It's hard to write something when you can't see it. | 1:10:53 | 1:10:55 | |
Why didn't you wait 'till daylight? | 1:10:55 | 1:10:57 | |
You never can tell. | 1:10:57 | 1:10:59 | |
A man don't want to take no chances. | 1:10:59 | 1:11:01 | |
I even wrote the envelope in the dark. | 1:11:01 | 1:11:03 | |
-It looked good. -How do you know it looked good? | 1:11:03 | 1:11:06 | |
I saw it in the daylight. | 1:11:06 | 1:11:08 | |
Then I give it to Sergeant Hoskins. | 1:11:08 | 1:11:10 | |
-What for? -To mail for me. | 1:11:11 | 1:11:14 | |
The guy'll probably tear it open and read it. | 1:11:14 | 1:11:16 | |
He'll be reading it right now. | 1:11:16 | 1:11:18 | |
-He wouldn't do that. -You never know - they do some funny things. | 1:11:18 | 1:11:21 | |
-He wouldn't. -How do you know? | 1:11:21 | 1:11:22 | |
Maybe he thinks there's money in it. Maybe he's using it for a bandage. | 1:11:22 | 1:11:26 | |
He's got a bullet hole and he may have stuffed it in the bullet hole. | 1:11:26 | 1:11:29 | |
You're crazy. You can't stuff paper in a bullet hole. | 1:11:29 | 1:11:32 | |
-How do you know you can't? -It crinkles. | 1:11:32 | 1:11:35 | |
Boy, what a dope. Next time you get a bullet hole in you, | 1:11:36 | 1:11:39 | |
stuff some paper in and see how it feels, then you'll know. | 1:11:39 | 1:11:42 | |
Cut that out, Riddle. He'll mail the letter. Now, leave him alone. | 1:11:42 | 1:11:46 | |
I were just kidding, all right. | 1:11:46 | 1:11:48 | |
You've got a mean streak, Riddle. | 1:11:48 | 1:11:50 | |
Someone'll paste you one of these days. | 1:11:50 | 1:11:52 | |
I'll wait. | 1:11:52 | 1:11:53 | |
OK, Johnson. You mailed your letter. | 1:11:53 | 1:11:56 | |
But you never know what Sergeants will do. | 1:11:59 | 1:12:02 | |
They won't do anything. | 1:12:04 | 1:12:06 | |
It's time we got moving, Eddie. | 1:12:07 | 1:12:09 | |
Call Ward, will you? | 1:12:14 | 1:12:16 | |
Ward. | 1:12:18 | 1:12:20 | |
He don't feel so good. | 1:12:29 | 1:12:31 | |
A guy can pick up anything in this kind of country. | 1:12:31 | 1:12:34 | |
Ward...I can't go on. Tyne is taking over. | 1:12:34 | 1:12:38 | |
Well, it's OK with me. | 1:12:40 | 1:12:41 | |
Tyne's a good man. | 1:12:41 | 1:12:43 | |
I know he is. | 1:12:43 | 1:12:45 | |
You can work with him, Ward. | 1:12:45 | 1:12:47 | |
-I know I can. -You can go on, Eddie. -I don't know. | 1:12:47 | 1:12:51 | |
Do you ever feel like you want to lie down and never get up? | 1:12:51 | 1:12:55 | |
-Sure I have. -It's the way I feel. | 1:12:55 | 1:12:57 | |
I want to lie down. I've got to get up. | 1:12:57 | 1:13:00 | |
A guy gets tired after a while. | 1:13:00 | 1:13:01 | |
-You've been at it a long time. -We've all have. | 1:13:01 | 1:13:04 | |
-Why don't you lie down, Eddie? You might feel better. -Need... | 1:13:04 | 1:13:08 | |
water. | 1:13:08 | 1:13:10 | |
Maybe if I rest...? | 1:13:10 | 1:13:12 | |
I've got to lie down. | 1:13:14 | 1:13:16 | |
HE SOBS | 1:13:16 | 1:13:20 | |
Poor dirt. | 1:13:25 | 1:13:26 | |
Poor country. | 1:13:30 | 1:13:31 | |
Armoured car coming! Enemy armoured car! Take cover! | 1:13:45 | 1:13:49 | |
Eddie. Eddie. | 1:13:56 | 1:13:57 | |
-That was close, Sergeant. That was close. -Leave him alone. | 1:14:05 | 1:14:09 | |
-What's the matter? -He's sick. How did they get by our bazookas? | 1:14:09 | 1:14:12 | |
-I almost threw a grenade at it. -It's a good thing you didn't. | 1:14:12 | 1:14:15 | |
-What do you think, Ward? -I don't like it, none. -Go on back, Archim. | 1:14:15 | 1:14:18 | |
-Keep your eyes open. -Why do I have to pull this stuff? | 1:14:18 | 1:14:21 | |
-How about someone else? -OK. -I'll do it. | 1:14:21 | 1:14:23 | |
Here, Arch, watch this rifle - it gets in my way. You... | 1:14:23 | 1:14:27 | |
< CRACK OF GUNFIRE | 1:14:31 | 1:14:32 | |
< EXPLOSION IN DISTANCE | 1:14:32 | 1:14:35 | |
-Hank. -Yeah. | 1:14:35 | 1:14:36 | |
Our bazookas are letting the armoured car go by | 1:14:36 | 1:14:39 | |
to get at the tanks. It'll be coming back. We've got to get it. | 1:14:39 | 1:14:42 | |
After the bazookas we'll have a sweet job. | 1:14:42 | 1:14:44 | |
Might go off with a grenade under the belly - | 1:14:44 | 1:14:46 | |
knock it off the road and take off the driver. | 1:14:46 | 1:14:48 | |
-Machine guns? -Use everything we've got. Eddie? | 1:14:48 | 1:14:51 | |
-Leave him alone. Nothing you can do. -No, guess you're right. | 1:14:51 | 1:14:53 | |
Send your squad as close as you can get. Throw grenades on the whistle. | 1:14:53 | 1:14:57 | |
Just this side or they'll throw grenades in each other's laps. | 1:14:57 | 1:14:59 | |
Rivera? | 1:14:59 | 1:15:00 | |
-Got a butt, Sarge? -How's your gun? -OK. | 1:15:04 | 1:15:06 | |
Set up by the road. When the car comes, we'll get it with grenades. | 1:15:06 | 1:15:09 | |
When the grenades go off, let the car have everything you've got. | 1:15:09 | 1:15:12 | |
-Wreck it, compris? -Yes. Sure. -Set up in a hurry. -Right. | 1:15:12 | 1:15:14 | |
-I got a job. They hired me. 100 bucks a minute. Coming? -I'm invited? | 1:15:17 | 1:15:21 | |
I got a silver-plated bullet with your name on it. | 1:15:21 | 1:15:23 | |
-Yeah. That's me, all right. -Then you're invited. -I'll come. | 1:15:23 | 1:15:26 | |
Good, since you've got the ammo. | 1:15:26 | 1:15:28 | |
Line up your squad, Ward. | 1:15:28 | 1:15:29 | |
When the armoured car gets abreast of that boulder, see. | 1:15:29 | 1:15:33 | |
Yeah. | 1:15:33 | 1:15:34 | |
-I'll count ten, then blow the whistle. OK. -OK. | 1:15:34 | 1:15:37 | |
-Squad, off and on. -Don't let anyone else do anything. | 1:15:38 | 1:15:41 | |
Stay back and hang on. Shoot the works. You get that? | 1:15:41 | 1:15:43 | |
-Don't let anyone else do anything. Just sit tight. -Ward, you there. | 1:15:43 | 1:15:47 | |
Riddle, you get in there. | 1:15:47 | 1:15:49 | |
OK. When you get the whistle. | 1:15:49 | 1:15:52 | |
And so help me, the first guy that throws before he gets the whistle | 1:15:52 | 1:15:56 | |
is going to get this grenade right between his teeth. | 1:15:56 | 1:15:58 | |
You want to live, throw straight. | 1:15:58 | 1:16:00 | |
You won't get another chance. | 1:16:00 | 1:16:02 | |
Johnson, you understand? | 1:16:02 | 1:16:04 | |
What do you think I am, Sergeant? An amateur? | 1:16:04 | 1:16:06 | |
No. | 1:16:06 | 1:16:08 | |
Windy? Watch Porter. Don't let him move around. | 1:16:15 | 1:16:21 | |
You're crying, Porter. | 1:16:43 | 1:16:45 | |
You're crying because you're wounded. | 1:16:46 | 1:16:48 | |
You don't have to be bleeding to be wounded. | 1:16:48 | 1:16:51 | |
You've just had one battle to many. | 1:16:51 | 1:16:53 | |
Yeah. You're out of it now. | 1:16:57 | 1:17:00 | |
No more guesswork and waiting and wondering for you. | 1:17:01 | 1:17:04 | |
You've built yourself a foxhole... | 1:17:04 | 1:17:07 | |
up there. | 1:17:07 | 1:17:09 | |
Ain't nothing in the world that can make you come out of it. | 1:17:10 | 1:17:13 | |
Go ahead, Porter, keep crying. We understand. | 1:17:14 | 1:17:17 | |
(Not yet.) | 1:17:26 | 1:17:29 | |
Ever go to Coney Island? | 1:17:32 | 1:17:34 | |
All the time. Some joint. | 1:17:34 | 1:17:35 | |
Ever shoot those electric guns that shoot down the airplanes. | 1:17:35 | 1:17:38 | |
Sure. I'm a shock at this stuff. | 1:17:38 | 1:17:40 | |
-Want to know a secret, Friedman? -You ain't got any secrets. | 1:17:40 | 1:17:43 | |
You're an open book. You ain't proud enough to have any secrets. | 1:17:43 | 1:17:46 | |
-This is a secret, Jake. -What is it? | 1:17:46 | 1:17:48 | |
I never could hit those airplanes. | 1:17:48 | 1:17:50 | |
I used to miss those airplanes all the time. | 1:17:50 | 1:17:52 | |
Better go away. Maybe you ain't safe to be with. | 1:17:52 | 1:17:55 | |
How did you get to be a machine gunner? | 1:17:55 | 1:17:56 | |
-I bribed a guy. -I want a transfer. | 1:17:56 | 1:17:59 | |
Friedman, it's too late. You're stuck with me. | 1:17:59 | 1:18:02 | |
How are you going to get that car. | 1:18:04 | 1:18:06 | |
I'm going to aim for the knees and then I work north. | 1:18:06 | 1:18:09 | |
-You think this stuff will go through armour? -Never has yet. | 1:18:09 | 1:18:13 | |
Easy. Easy. | 1:18:23 | 1:18:26 | |
Two, three, four, five, six, seven, eight, nine. | 1:18:44 | 1:18:49 | |
WHISTLE BLAST | 1:18:49 | 1:18:50 | |
EXPLOSIONS | 1:18:52 | 1:18:54 | |
-Put some shots through the slits? -I'll stop Rivera. -OK. | 1:19:45 | 1:19:48 | |
RATTLE OF GUNFIRE | 1:19:48 | 1:19:54 | |
Halt your fire. | 1:19:58 | 1:20:01 | |
Stay where you are. There's nothing out here you haven't seen before. | 1:20:16 | 1:20:21 | |
OK. | 1:20:21 | 1:20:23 | |
Nice looking ruby. Wonder where he stole that? | 1:20:25 | 1:20:28 | |
I don't know if they heard all this noise up ahead | 1:20:28 | 1:20:30 | |
-but whether they did or not, we'd better blow out of here. -Right. | 1:20:30 | 1:20:33 | |
-Get that gun down. -Right. | 1:20:37 | 1:20:39 | |
-Some smoke screen. -That car's probably full of holes. | 1:20:43 | 1:20:46 | |
-Like a cheese. Like a cheese. -I bet you never put a hole in it. | 1:20:46 | 1:20:49 | |
-I never miss. -Coney Island? -Those were airplanes on Coney Island. | 1:20:49 | 1:20:53 | |
-Rivera, you're a terror. -I'm a killer. | 1:20:53 | 1:20:55 | |
I don't know what the platoon'd do without me. | 1:20:55 | 1:20:57 | |
-Win the war? -Win the war. | 1:20:57 | 1:20:59 | |
-Right. -You take over my squad. | 1:20:59 | 1:21:02 | |
-Why me? -Why anybody else? | 1:21:02 | 1:21:04 | |
-Fair enough. -Oh, Johnson. | 1:21:04 | 1:21:07 | |
-Yes, Sergeant. -You're staying here with the Sergeant. | 1:21:07 | 1:21:10 | |
Don't let him do anything. Just keep him here, you understand? | 1:21:10 | 1:21:13 | |
-Suppose he tries to go somewhere. -Don't let him. | 1:21:13 | 1:21:15 | |
-How? -I don't care how. Just don't let him. | 1:21:15 | 1:21:18 | |
Eddie? | 1:21:19 | 1:21:22 | |
Eddie, how do you feel? OK, watch him, Johnson. | 1:21:22 | 1:21:26 | |
Listen, men. Getting that Jerry car was just a lucky break. | 1:21:32 | 1:21:35 | |
We heard tanks up ahead and still don't know what's happened. | 1:21:35 | 1:21:38 | |
Next time, we may not be so lucky, so stay on the alert. | 1:21:38 | 1:21:41 | |
Archimbeau and Cousins, go on ahead. | 1:21:41 | 1:21:42 | |
If you see anything, just shoot. OK. | 1:21:42 | 1:21:44 | |
-You've got the direction, Arch? -Can't miss. | 1:21:46 | 1:21:50 | |
All right. Let's go. | 1:21:50 | 1:21:52 | |
-On patrol ahead! -On patrol. | 1:21:59 | 1:22:03 | |
We lost Phelps, Dubovski and Long. | 1:22:07 | 1:22:10 | |
But we knocked out two tanks and an armoured car. | 1:22:10 | 1:22:12 | |
Took every bit of bazooka ammo we had to do it. | 1:22:12 | 1:22:15 | |
-Might as well get rid of these. -Turn them over to Summers. -OK. | 1:22:15 | 1:22:18 | |
I hope we don't meet any more tanks. | 1:22:18 | 1:22:20 | |
Without bazookas, I don't want to meet any more tanks... | 1:22:20 | 1:22:23 | |
or armoured cars, either. Where's Tinker? | 1:22:23 | 1:22:25 | |
He's all right. He's up ahead. | 1:22:25 | 1:22:27 | |
OK. Let's go. | 1:22:27 | 1:22:29 | |
Did you ever go camping when you were a kid? | 1:22:54 | 1:22:56 | |
Every time we get in a bunch of trees you ask me the same question. | 1:22:56 | 1:22:59 | |
When I'm in a bunch of trees, I remember. | 1:22:59 | 1:23:02 | |
For the millionth time, I never went camping - I lived in the city. | 1:23:02 | 1:23:05 | |
I lived in the city, too. | 1:23:05 | 1:23:07 | |
-I got on a train. -You told me. -Well, I'm telling you again. | 1:23:07 | 1:23:10 | |
You're a jukebox. Somebody keeps putting nickels in. | 1:23:10 | 1:23:12 | |
I ain't talking to you, any more. | 1:23:12 | 1:23:14 | |
-Hey, Judson? -Yeah. | 1:23:14 | 1:23:16 | |
-Do you ever go camping in the woods? -What woods? | 1:23:17 | 1:23:20 | |
-Get that, will you? Any woods. -No. | 1:23:20 | 1:23:24 | |
You don't know what you're missing | 1:23:24 | 1:23:26 | |
You've never lived till you've toasted over the coals. | 1:23:26 | 1:23:29 | |
It ain't like the Army chow. | 1:23:29 | 1:23:31 | |
You can sit around a camp fire, and shoot it all night. | 1:23:31 | 1:23:34 | |
You can go fishing. | 1:23:34 | 1:23:35 | |
-Outdoor men. -Next time they make you a civilian, Judson, | 1:23:35 | 1:23:39 | |
try camping in the woods. | 1:23:39 | 1:23:40 | |
-Just tell them I sent you. -Tell who? -The birds and the bees. | 1:23:40 | 1:23:43 | |
Did your old man ever tell you about the birds and the bees? | 1:23:43 | 1:23:47 | |
-No. -Did you hear that, Friedman? | 1:23:47 | 1:23:49 | |
-Judson's never heard of the birds and bees. -That's terrible. | 1:23:49 | 1:23:52 | |
-Shall we tell him? -Maybe we'd better. | 1:23:52 | 1:23:54 | |
Give us a butt, Judson, we'll tell you all about the birds and the bees. | 1:23:54 | 1:23:58 | |
I haven't got a butt. | 1:23:58 | 1:24:00 | |
Good thing they invented trains for travelling salesmen. | 1:24:09 | 1:24:12 | |
-What's the gag? -No gag. | 1:24:12 | 1:24:14 | |
If they didn't have trains, all the travelling salesmen would have to walk. What a job that would be. | 1:24:14 | 1:24:19 | |
You're a travelling salesman. You taken a train lately? | 1:24:19 | 1:24:22 | |
I'm a travelling salesman? I'm a murderer. | 1:24:22 | 1:24:25 | |
You're a travelling salesman, selling democracy to the natives. | 1:24:25 | 1:24:28 | |
So that's what I am, eh? | 1:24:28 | 1:24:30 | |
What do you know(!) | 1:24:30 | 1:24:32 | |
-Where did you get that malarkey, Jake? -Out of a book. -A book? | 1:24:32 | 1:24:35 | |
-You're a decadent democrat, Riviera. -Well, I am, all right. | 1:24:35 | 1:24:39 | |
To get back to travelling salesmen, how many of those joes do you think | 1:24:39 | 1:24:42 | |
would become one if they had to walk everywhere? | 1:24:42 | 1:24:45 | |
-I don't know. I never knew a travelling salesman. -Maybe I'll be one after the war. | 1:24:45 | 1:24:49 | |
You get to cover a large hunk of territory. | 1:24:49 | 1:24:51 | |
Baby, you cover a large hunk of territory and you ain't nothing. | 1:24:51 | 1:24:55 | |
Friedman, I've been good to you. Every time you needed it, I'd always give you my last franc. | 1:24:55 | 1:25:00 | |
I treated you like a brother. And every chance you get, you needle me up the back?! | 1:25:00 | 1:25:04 | |
I'm antisocial. | 1:25:04 | 1:25:06 | |
-You should go off somewhere. -Where? -How should I know? | 1:25:06 | 1:25:09 | |
I treat you like a brother and you stick a knife in my back. | 1:25:09 | 1:25:12 | |
-He's a crumb, isn't he, Judson? -Yeah. Everybody's is. | 1:25:12 | 1:25:14 | |
Wish I was home in bed. | 1:25:14 | 1:25:16 | |
-Anybody who would sleep at noontime is a dope. -He's a dope. | 1:25:18 | 1:25:22 | |
-Take it easy. Don't get too far ahead. -Didn't know I was. | 1:25:26 | 1:25:29 | |
I was almost asleep on my feet. | 1:25:29 | 1:25:31 | |
Didn't get any sleep at all last night. | 1:25:31 | 1:25:33 | |
-Keep awake now. -OK. | 1:25:33 | 1:25:35 | |
Say, Sarge, do you think I'll make Sarge by the battle of Tibet? | 1:25:35 | 1:25:39 | |
-Sure. They'll make you a General. -That's all I wanted to know. | 1:25:39 | 1:25:42 | |
-How much further's this path? -We ought to be breaking into the field below now. | 1:25:42 | 1:25:46 | |
-Keep your eyes open and stop when you see the field. -Right. | 1:25:46 | 1:25:49 | |
-How's it going, Tim? -I've been here before. -How's baby? | 1:25:52 | 1:25:55 | |
I'll wake her up when it's time to feed her. | 1:25:55 | 1:25:58 | |
Still thinking about apples, Sergeant? | 1:26:03 | 1:26:05 | |
Yeah. And I've been doing my darndest to think about other things like | 1:26:05 | 1:26:08 | |
cold well water, cold cider fresh in a jug, ice-cream. | 1:26:08 | 1:26:13 | |
But it don't do no good. I still keep thinking about apples. | 1:26:13 | 1:26:16 | |
-A guy always wants something when he can't get it. -Yep. | 1:26:16 | 1:26:19 | |
We should be thinking about that farmhouse up ahead. | 1:26:19 | 1:26:23 | |
About how many men are there. And how we're going to take it. | 1:26:23 | 1:26:26 | |
It's all I keep thinking about, is a big red apple. | 1:26:28 | 1:26:31 | |
Some day, some country will put out a rug that says Welcome. | 1:26:32 | 1:26:36 | |
And they're going to let me walk in on it. | 1:26:36 | 1:26:38 | |
-When? -Next Tuesday, chowder head. How do I know when? 1983. | 1:26:38 | 1:26:42 | |
I'll look you up then. | 1:26:42 | 1:26:43 | |
-It's a loving way to see Europe. -If it hadn't been for this war, | 1:26:43 | 1:26:48 | |
-you wouldn't have got near Europe. -Anybody can go to Europe. | 1:26:48 | 1:26:51 | |
I know a guy, once, wigged his way over on a cattle boat. | 1:26:51 | 1:26:54 | |
-Why? -Wanted to see it. | 1:26:54 | 1:26:56 | |
-Must have been a honey of a dope. -He was my cousin. -Then I know he was. | 1:26:56 | 1:26:59 | |
I'm going to take you up to the barn and beat the bajavas out of you. | 1:26:59 | 1:27:03 | |
-What with? -The barrel of this gun. | 1:27:03 | 1:27:04 | |
I thought you were really going to get tough! | 1:27:04 | 1:27:07 | |
That farmhouse is sure little apples full of krauts. | 1:27:07 | 1:27:10 | |
Sure as little apples is. | 1:27:10 | 1:27:12 | |
There she is. | 1:27:23 | 1:27:25 | |
That's it, all right. | 1:27:31 | 1:27:33 | |
On the nose. On the nose. | 1:27:33 | 1:27:35 | |
-What do you think? -I don't know yet, but I want to go up and take a look. | 1:27:35 | 1:27:39 | |
Arch, you come along. | 1:27:39 | 1:27:40 | |
Take it easy. | 1:27:42 | 1:27:44 | |
Wish I had those binoculars now. | 1:28:03 | 1:28:05 | |
-Do you see anything? -Not a thing. | 1:28:05 | 1:28:07 | |
-How about the windows? -Sun's on them. | 1:28:07 | 1:28:10 | |
-Wish I knew. Wish I knew. -Knew what? | 1:28:12 | 1:28:16 | |
Nothing. Let's get back. | 1:28:16 | 1:28:18 | |
-How's it look? -It's quiet. I don't like it. It's too quiet. | 1:28:26 | 1:28:29 | |
Yeah. It's bad when it's too quiet. | 1:28:29 | 1:28:31 | |
-Windy? -Yeah. -Come here. | 1:28:31 | 1:28:34 | |
Here's the setup. | 1:28:35 | 1:28:37 | |
There's a stone wall, runs clear around. | 1:28:37 | 1:28:41 | |
And there's a clear slope up to the house, from the wall. | 1:28:41 | 1:28:45 | |
Not much cover. Pretty hard to tell just what the story is. | 1:28:45 | 1:28:48 | |
If I had that pair of binoculars I would have been able to see more. | 1:28:48 | 1:28:51 | |
-Anyone there? -That's what we don't know. | 1:28:51 | 1:28:53 | |
We're not going to take any chances. We'll send a patrol up first. | 1:28:53 | 1:28:56 | |
-Four or five guys. -I'll take it. -And they need you here. | 1:28:56 | 1:29:00 | |
I want to take it. | 1:29:00 | 1:29:02 | |
OK. You take it. Pick yourself four men. | 1:29:02 | 1:29:04 | |
I'll go. | 1:29:04 | 1:29:07 | |
No, you don't. I need this little instrument. | 1:29:07 | 1:29:09 | |
I want four volunteers. | 1:29:09 | 1:29:11 | |
Four congressional medal of honours with volunteers. | 1:29:11 | 1:29:15 | |
-Any extra pay? -Oh, no. | 1:29:15 | 1:29:17 | |
-I'll go anyway, just to make them feel ashamed. -Good. | 1:29:17 | 1:29:20 | |
I'm a hero. I've been up front all day. | 1:29:20 | 1:29:22 | |
-I might as well stay there. -All right. | 1:29:22 | 1:29:24 | |
-I'll go along, Sarge. -OK. One more. | 1:29:24 | 1:29:26 | |
First guys who get to that farmhouse will get the wine. I'll go. | 1:29:26 | 1:29:29 | |
That's four. Pass out the purple hearts, Mother. | 1:29:29 | 1:29:32 | |
You take your gun down by the road where you can keep your eye on the road and the farmhouse. | 1:29:32 | 1:29:37 | |
-In my head. -Keep it there. | 1:29:37 | 1:29:39 | |
-And remember to cover if anyone needs it. -OK, chief. Let's go. | 1:29:39 | 1:29:42 | |
All right. Let's go. | 1:29:44 | 1:29:47 | |
They have portable walls to go with every wall. | 1:30:25 | 1:30:27 | |
See they have them next time. Wouldn't want you to be disappointed. | 1:30:27 | 1:30:31 | |
It's a pretty good spot. | 1:30:37 | 1:30:39 | |
It'll do for a while. | 1:30:39 | 1:30:41 | |
I ain't planning to raise a family here. | 1:30:41 | 1:30:43 | |
How's the farmhouse look to you? | 1:30:43 | 1:30:45 | |
I'll rake the joint. | 1:30:47 | 1:30:50 | |
-Do you think it's OK? Plenty of grenades? -Yeah. | 1:30:50 | 1:30:54 | |
-OK. -Stay five yards apart. | 1:30:54 | 1:30:57 | |
Keep on your guard. Five yards apart. | 1:30:57 | 1:30:59 | |
Go on your gut. | 1:30:59 | 1:31:01 | |
-Good luck. -Same to you. Fix bayonets. | 1:31:01 | 1:31:04 | |
Let's go. | 1:31:09 | 1:31:10 | |
GUNFIRE | 1:31:36 | 1:31:40 | |
Go back, go back! Patrol, go back! | 1:31:42 | 1:31:45 | |
Now, Riviera, now. | 1:31:45 | 1:31:47 | |
Why don't we open up? Why don't we open up? | 1:31:50 | 1:31:53 | |
Break, everyone, over the wall! | 1:32:01 | 1:32:03 | |
BULLET PANGS | 1:32:10 | 1:32:11 | |
-Did you get hit? -No. | 1:32:15 | 1:32:16 | |
You shouldn't have tried it. You shouldn't have tried it. | 1:32:16 | 1:32:19 | |
-Did everybody get back? -Tinker. They got Tinker. | 1:32:19 | 1:32:22 | |
Rankin - Rankin didn't come back. | 1:32:22 | 1:32:24 | |
I knew it. I knew. I thought there was only three. | 1:32:24 | 1:32:27 | |
-Is that Tinker? -Yeah. | 1:32:28 | 1:32:31 | |
-Why don't you pull him in? -He's dead. | 1:32:31 | 1:32:33 | |
-How do you know he's dead? -I can tell when a man's dead. | 1:32:33 | 1:32:36 | |
What a mess. What a rotten, filthy, stinking, no good mess. | 1:32:36 | 1:32:39 | |
Could have been worse. They could have waited till you all got up there. | 1:32:39 | 1:32:43 | |
-Could have been a lot worse. -Bad enough. | 1:32:43 | 1:32:45 | |
-You all right, Tranella? -In the pink. | 1:32:48 | 1:32:50 | |
-Cousins? -OK. | 1:32:50 | 1:32:52 | |
Tough luck. | 1:32:52 | 1:32:55 | |
-Now we've really got a job on our hands. -Yeah. | 1:32:55 | 1:32:58 | |
No element of surprise. They've got us cold. | 1:32:58 | 1:33:00 | |
Probably a machine gun in every window. Can't get near enough to use a grenade. | 1:33:00 | 1:33:05 | |
If we only had just one rocket left for our bazooka. | 1:33:05 | 1:33:07 | |
-But we haven't got a rocket. -No. How about waiting until dark. | 1:33:07 | 1:33:11 | |
We can't. We've got to get in there and get in there fast. | 1:33:11 | 1:33:14 | |
We'll have to figure something out. | 1:33:14 | 1:33:16 | |
Wonder who they knocked off. | 1:33:16 | 1:33:18 | |
It's too far away to see. | 1:33:18 | 1:33:20 | |
Hope it ain't anybody I like. | 1:33:20 | 1:33:22 | |
-Hope it ain't anybody I know. -Me neither. | 1:33:22 | 1:33:24 | |
It was beautiful, the way I messed up that house. | 1:33:24 | 1:33:26 | |
I could do that 50 times a day. | 1:33:26 | 1:33:28 | |
Keep your eyes open or they'll be sending one with a grenade in his mitt. | 1:33:28 | 1:33:32 | |
We only have to do that once. Knuckles to them. | 1:33:32 | 1:33:34 | |
I've seen them coming round my end by the millions. | 1:33:34 | 1:33:37 | |
I'm indestructible. Nobody dies. | 1:33:37 | 1:33:39 | |
-Nobody dies. -OK, cops. | 1:33:39 | 1:33:43 | |
BULLET BLASTS | 1:33:43 | 1:33:46 | |
Close. Somebody's careless with firearms... | 1:33:46 | 1:33:51 | |
Joke. | 1:33:51 | 1:33:52 | |
I can't think of a thing. | 1:33:55 | 1:33:57 | |
They've got us cold. Pretty and cold. | 1:33:57 | 1:34:00 | |
It's no place for a gentleman. | 1:34:00 | 1:34:01 | |
-Please, teacher, can I leave the room? -You and Tinker. | 1:34:01 | 1:34:04 | |
We should have given you some cover, too. | 1:34:08 | 1:34:11 | |
It wouldn't have made any difference. | 1:34:11 | 1:34:13 | |
The only thing I hope is they haven't put through a call to send tanks. | 1:34:13 | 1:34:16 | |
-That'd really put the screws on us. -I don't think they will. We've got a lot of planes around here. | 1:34:16 | 1:34:21 | |
-They'd be afraid the planes would see them. -What makes you think so? | 1:34:21 | 1:34:25 | |
-I just got a feeling. -I just got a feeling, too. | 1:34:25 | 1:34:28 | |
I wonder if Rankin's dead. | 1:34:28 | 1:34:30 | |
Oh, gee. I don't know. | 1:34:30 | 1:34:32 | |
I guess he's safe where he is. | 1:34:33 | 1:34:35 | |
He can hang on. | 1:34:35 | 1:34:37 | |
Yeah. If anybody can hang on, Rankin can hang on. | 1:34:37 | 1:34:41 | |
Just look at this leaf. | 1:34:42 | 1:34:44 | |
-What about it? -Look at the complications. | 1:34:44 | 1:34:47 | |
Think of all the trouble it took to make this leaf. | 1:34:47 | 1:34:50 | |
You never saw nothing as complicated as this. | 1:34:50 | 1:34:53 | |
I'm as complicated as that. | 1:34:53 | 1:34:54 | |
The human body's the most complicated thing in the world. | 1:34:54 | 1:34:57 | |
-It ain't more complicated than this leaf. -Sure it is. | 1:34:57 | 1:35:00 | |
That leaf's little. The human body's bigger. | 1:35:00 | 1:35:02 | |
That's what I mean. It's got a lot more to be complicated about. | 1:35:02 | 1:35:06 | |
This leaf ain't got nothing to be complicated about when you get right down to it. | 1:35:06 | 1:35:10 | |
What's so fancy about it? | 1:35:10 | 1:35:12 | |
Look at the veins, for instance. | 1:35:12 | 1:35:14 | |
These veins are more important than human veins?! | 1:35:14 | 1:35:17 | |
I didn't say that. I only said look at them. | 1:35:17 | 1:35:19 | |
All right. I'm looking. So what? | 1:35:21 | 1:35:23 | |
They're fancy. | 1:35:25 | 1:35:26 | |
The trouble with this map is there's no detail about the farm. | 1:35:26 | 1:35:30 | |
It says the wall ends down by the river. We know that already. | 1:35:30 | 1:35:33 | |
Doesn't show us anything new at all. | 1:35:33 | 1:35:35 | |
Might as well toss it away. | 1:35:35 | 1:35:37 | |
If we tried the river... | 1:35:42 | 1:35:44 | |
What did you say? | 1:35:45 | 1:35:47 | |
Nothing. I didn't say anything. | 1:35:49 | 1:35:51 | |
Oh, come on, Windy. This is no time to be writing letters to your sister. What did you say? | 1:35:51 | 1:35:56 | |
I was thinking that... | 1:35:56 | 1:35:58 | |
Spit it out. | 1:35:58 | 1:36:00 | |
Well, I said, I'd bet if we tried the river. | 1:36:00 | 1:36:03 | |
What about if we tried the river? | 1:36:03 | 1:36:05 | |
Well, we could circle the farm by the river and then crawl along by the bank. | 1:36:05 | 1:36:10 | |
Maybe he's got something there. Go on, what else? | 1:36:10 | 1:36:12 | |
Forgetting the farm entirely. Just crawling along the wall, | 1:36:12 | 1:36:16 | |
then wading along the bank till the bridge then we blow her? How about it? | 1:36:16 | 1:36:20 | |
Say, you're a pretty shrewd guy, Windy. | 1:36:20 | 1:36:22 | |
I tell that to myself all the time. | 1:36:22 | 1:36:24 | |
-Doesn't sound bad. -Sounds good. -We'll have to work fast. -Awful fast. | 1:36:24 | 1:36:28 | |
Yeah. | 1:36:28 | 1:36:30 | |
What we'll do is this. | 1:36:30 | 1:36:32 | |
Ward, you take a patrol and go first. | 1:36:32 | 1:36:34 | |
Windy, you take another one and follow. | 1:36:34 | 1:36:36 | |
If Ward gets jammed, you'll pitch in. | 1:36:36 | 1:36:38 | |
I'll stay here with the rest of the platoon. | 1:36:38 | 1:36:41 | |
I'll give you exactly 30 minutes. | 1:36:41 | 1:36:43 | |
Then we'll hop over this wall and head for the house. | 1:36:43 | 1:36:45 | |
You can tell when we start cos I'll put Riviera to work. | 1:36:45 | 1:36:48 | |
The krauts will think we're coming up on this side, | 1:36:48 | 1:36:50 | |
so they'll pay us all the attention, then you can blow the bridge. | 1:36:50 | 1:36:54 | |
As soon as we hear you blow it, we'll get up and rush the joint. | 1:36:54 | 1:36:57 | |
-How does it sound? -Sounds all right. How about you, Windy? | 1:36:57 | 1:37:00 | |
-OK. -Well, that's the story, then. | 1:37:00 | 1:37:03 | |
You've cut yourself out a tough job. | 1:37:03 | 1:37:05 | |
It's suicide. I'm a hero. We're all heroes. This'll mean a good conduct medal. | 1:37:05 | 1:37:09 | |
OK. Pick your men. You too, Windy. | 1:37:09 | 1:37:12 | |
Joe, Sam, Rye, Horn, Ross, Tranella, Monty, Miles. | 1:37:15 | 1:37:21 | |
Ward and Windy will tell you what the setup is. | 1:37:28 | 1:37:30 | |
It's kind of simple. So it could go wrong easily. | 1:37:30 | 1:37:33 | |
Can't be any worse than Louisiana manoeuvres. | 1:37:33 | 1:37:37 | |
I don't know what else to say except it's a stinking situation. Right? | 1:37:37 | 1:37:43 | |
Right. | 1:37:43 | 1:37:44 | |
Good luck. | 1:37:44 | 1:37:46 | |
OK, you gravel agitator, let's go. | 1:37:46 | 1:37:48 | |
Jack? | 1:37:56 | 1:37:58 | |
Can you take a note to Riviera? | 1:38:01 | 1:38:03 | |
Hey, Riviera. | 1:38:03 | 1:38:05 | |
Somebody's coming up there. | 1:38:05 | 1:38:07 | |
-Maybe it's Marlene Dietrich. Has it got legs? -I can't see. | 1:38:07 | 1:38:10 | |
It's the way they walk in the army. | 1:38:10 | 1:38:12 | |
-It's Joe Jack. Look at that guy travel. -Not much style. | 1:38:12 | 1:38:17 | |
Why do they always stick you out in left field? Why don't you hang around where a guy can get at you? | 1:38:23 | 1:38:28 | |
There are three ways to do things. The right way, the wrong way and the army way. | 1:38:28 | 1:38:31 | |
This is the army way. What you got, Joe? | 1:38:31 | 1:38:33 | |
Message from Tyne. | 1:38:33 | 1:38:35 | |
Wish I had my glasses. | 1:38:38 | 1:38:40 | |
Cut it. Cut it. What's he say? | 1:38:40 | 1:38:41 | |
Two patrols going try go round farm via river. | 1:38:41 | 1:38:45 | |
I taking rest platoon over field. | 1:38:45 | 1:38:47 | |
When blow my whistle synchronise watch 1140 hours. | 1:38:47 | 1:38:50 | |
Five minutes after going upfield on dock. | 1:38:50 | 1:38:52 | |
Give cover 15 seconds before. | 1:38:52 | 1:38:54 | |
Give cover upfield. Remember, cover 1144 and 45 seconds. | 1:38:54 | 1:38:57 | |
Hope ammo holds out. We are going all the way. | 1:38:57 | 1:39:00 | |
-That's all. -How's he signed? | 1:39:00 | 1:39:02 | |
Tyne. Sergeant. USA. | 1:39:02 | 1:39:04 | |
Formal, ain't he? | 1:39:04 | 1:39:07 | |
If this thing is right, it's two minutes to 11.45. | 1:39:07 | 1:39:10 | |
-Have the patrols left yet, Joe? -Yeah. | 1:39:10 | 1:39:12 | |
OK. Hop back and say we're all set. Tell Tyne I said good luck. | 1:39:12 | 1:39:15 | |
I'll tell him, Riviera. | 1:39:15 | 1:39:17 | |
Nobody dies. | 1:39:21 | 1:39:24 | |
-How's the ammo? -It's been worse and it's been better. | 1:39:24 | 1:39:28 | |
Tyne really cut himself a piece of cake. | 1:39:28 | 1:39:31 | |
Hey, Friedman, what's this mean? | 1:39:32 | 1:39:34 | |
Five minutes after going upfield on dock. I don't get it. | 1:39:34 | 1:39:37 | |
Let me see the note. | 1:39:37 | 1:39:38 | |
("Five minutes after going...") | 1:39:39 | 1:39:42 | |
Oh, I get it. It means that five minutes after he blows his whistle, | 1:39:42 | 1:39:46 | |
they're going up the field. | 1:39:46 | 1:39:47 | |
-He wants us to go to work 15 seconds before. -Oh, is that it? | 1:39:47 | 1:39:51 | |
-Suppose they'll give me money for overtime? -Sure. | 1:39:51 | 1:39:54 | |
It's a tricky business. | 1:39:54 | 1:39:56 | |
Looks like we'll be getting a new platoon pretty soon. | 1:39:58 | 1:40:02 | |
Mary and Joseph, there's a lot of good men going on in this war. | 1:40:02 | 1:40:05 | |
Why don't they let us alone? | 1:40:05 | 1:40:07 | |
I wish I had every Nazi right in the palm of my hand. | 1:40:07 | 1:40:09 | |
I'd crush them to a pulp. | 1:40:09 | 1:40:11 | |
Why don't they let us alone? | 1:40:11 | 1:40:13 | |
-You're catching on slow, Riviera, but you're catching on good. -Yeah. | 1:40:14 | 1:40:19 | |
Jack be nimble, Jack be quick. | 1:40:36 | 1:40:38 | |
What are you looking at? | 1:40:41 | 1:40:43 | |
Not looking. | 1:40:43 | 1:40:45 | |
Thinking. | 1:40:45 | 1:40:47 | |
Ward thinks we'll never make it across the field. | 1:40:49 | 1:40:52 | |
-Ward thinks you're throwing yourself away. -I don't care. | 1:40:52 | 1:40:55 | |
I'm in command here. | 1:40:55 | 1:40:57 | |
Wish that Jack would get back. | 1:40:57 | 1:40:59 | |
-Sorry I slipped, Sarge. -Sh! See that you don't slip again. | 1:41:19 | 1:41:23 | |
You ought to write a letter too, Tinker. | 1:41:36 | 1:41:38 | |
I forgot you're sprawled out of that wall. | 1:41:48 | 1:41:50 | |
OK, pal. I'll write that letter to your mom. | 1:41:52 | 1:41:54 | |
Dear Mom, | 1:41:58 | 1:42:01 | |
now sleeping against a wall somewhere in Italy. | 1:42:01 | 1:42:04 | |
Isn't very comfortable but a man has to lie where he can these days. | 1:42:06 | 1:42:10 | |
If you ever get to Italy, you must come and see me for I'm always going to be here. | 1:42:11 | 1:42:16 | |
Water's cold. | 1:42:21 | 1:42:22 | |
Funny thing on a hot day, when the water's cold. | 1:42:22 | 1:42:26 | |
-We've just come in under the wire. How'd it go? -Riviera said it's OK. | 1:42:28 | 1:42:32 | |
-He said good luck. -Nice of him. | 1:42:32 | 1:42:34 | |
All the watches are synchronised. We only have to check with Riviera. | 1:42:34 | 1:42:37 | |
WHISTLE BLOWS | 1:42:39 | 1:42:41 | |
There's Tyne's whistle right on the nose. | 1:42:42 | 1:42:44 | |
Even the second hand's right on the nose. | 1:42:44 | 1:42:46 | |
I'm going to cut that house right in two. | 1:42:46 | 1:42:48 | |
-If the ammo holds out. -The ammo had better hold out. | 1:42:48 | 1:42:51 | |
-Five minutes before demolition. -Yep. | 1:42:51 | 1:42:54 | |
If we go right behind that farm. | 1:42:54 | 1:42:56 | |
-Quiet. -That's good. | 1:42:56 | 1:42:58 | |
Hope it stays that way. | 1:42:58 | 1:43:00 | |
How do you feel about things, Arch? | 1:43:03 | 1:43:06 | |
It's a long war. | 1:43:06 | 1:43:09 | |
-That's all I know about it. -You still worried? | 1:43:09 | 1:43:12 | |
Yeah. | 1:43:12 | 1:43:13 | |
Sometimes I think we'll never get out of the army. | 1:43:15 | 1:43:19 | |
Honest. That's what I think. | 1:43:19 | 1:43:21 | |
I used to think I'd never get in. | 1:43:21 | 1:43:23 | |
I figure I'll get out, some day. | 1:43:23 | 1:43:25 | |
Could be worse. | 1:43:25 | 1:43:28 | |
I don't know how. You don't know either. | 1:43:28 | 1:43:32 | |
You don't get all the stinking details? | 1:43:32 | 1:43:34 | |
I've got a stinking detail right now. | 1:43:34 | 1:43:37 | |
Who hasn't? | 1:43:38 | 1:43:40 | |
Maybe we can sleep all day tomorrow. | 1:43:41 | 1:43:44 | |
Maybe Germany will surrender tomorrow. | 1:43:44 | 1:43:47 | |
Who knows? | 1:43:47 | 1:43:50 | |
Who knows? | 1:43:50 | 1:43:51 | |
I'm going to check with the men again. | 1:43:54 | 1:43:57 | |
When you hear the bridge blow, get up and run for the farmhouse. Run fast. Pass the word along. | 1:43:58 | 1:44:03 | |
When you hear the bridge blow, get up and run for the farmhouse and run fast. | 1:44:08 | 1:44:12 | |
Pass the word on. | 1:44:12 | 1:44:13 | |
What's the matter, Sarge? | 1:44:20 | 1:44:22 | |
Stomach. | 1:44:22 | 1:44:24 | |
It feels like it's screwed up in a tight knot. | 1:44:24 | 1:44:26 | |
I'm feeling a little sick and a little dizzy. | 1:44:27 | 1:44:30 | |
Who doesn't? | 1:44:30 | 1:44:32 | |
It's 45 seconds to go. | 1:44:37 | 1:44:40 | |
45 seconds before Riviera opens up. | 1:44:40 | 1:44:43 | |
Fix bayonets. Fix bayonets. | 1:44:43 | 1:44:46 | |
Dizzy. Sick and dizzy. | 1:44:57 | 1:44:58 | |
Hey, Arch. GUNFIRE IN DISTANCE | 1:45:21 | 1:45:24 | |
Good. | 1:45:26 | 1:45:27 | |
Five. Six. Seven. Eight. | 1:45:30 | 1:45:33 | |
Nine. Ten. Eleven. Twelve. | 1:45:33 | 1:45:35 | |
Thirteen. | 1:45:35 | 1:45:37 | |
Fourteen. Fifteen. HE BLOWS WHISTLE | 1:45:37 | 1:45:39 | |
Either those top gunners are dead or they're just playing with us. | 1:45:57 | 1:46:01 | |
It's deserted. Absolutely deserted. | 1:46:01 | 1:46:03 | |
Let's wait till they catch up. | 1:46:03 | 1:46:06 | |
Another second they'll blow us to kingdom come. | 1:46:06 | 1:46:09 | |
What are you laughing at? | 1:46:09 | 1:46:11 | |
It's so funny. We're going to blow up the German bridge. | 1:46:11 | 1:46:14 | |
I feel just like a little boy at Halloween, stealing the parson's cake. | 1:46:14 | 1:46:18 | |
Come on. | 1:46:18 | 1:46:20 | |
'Nothing slower than crawling. Nothing in the world. | 1:46:31 | 1:46:34 | |
'How long would it take to crawl around the world? | 1:46:34 | 1:46:37 | |
'100 years? 1000 years? | 1:46:37 | 1:46:40 | |
'Nobody dies. | 1:46:52 | 1:46:54 | |
'Nobody dies. | 1:47:18 | 1:47:19 | |
'We've come a long way. | 1:47:21 | 1:47:23 | |
'Long six miles. | 1:47:23 | 1:47:25 | |
'Six miles closer to San Francisco, Hoskins. | 1:47:27 | 1:47:31 | |
'Six miles closer to Joplin, Mack. | 1:47:31 | 1:47:34 | |
'Six miles closer to Saint Paul, Tinker. | 1:47:34 | 1:47:38 | |
'It's a long way. | 1:47:38 | 1:47:40 | |
'It's the shortest way home. | 1:47:40 | 1:47:43 | |
'The only way home for all the decent guys in the world. | 1:47:43 | 1:47:46 | |
'It all adds up. | 1:47:46 | 1:47:49 | |
'Nobody dies. | 1:47:49 | 1:47:51 | |
'My head's spinning. | 1:47:51 | 1:47:54 | |
'Everything's spinning.' | 1:47:54 | 1:47:55 | |
That house. | 1:47:55 | 1:47:57 | |
Field. | 1:47:58 | 1:48:00 | |
Sky. | 1:48:03 | 1:48:04 | |
EXPLOSION RUMBLES | 1:48:07 | 1:48:09 | |
WHISTLE BLOWS | 1:48:17 | 1:48:19 | |
The Kraut's stopped. | 1:49:53 | 1:49:54 | |
Nothing left, nothing to sink. No wonder it's stopped. | 1:49:54 | 1:49:57 | |
-They didn't find Baby. -No. They didn't find Baby. | 1:49:57 | 1:50:00 | |
Dear Frances, | 1:50:25 | 1:50:27 | |
we just blew a bridge and took a farmhouse. | 1:50:27 | 1:50:31 | |
It was so easy. | 1:50:31 | 1:50:33 | |
So terribly easy. | 1:50:33 | 1:50:35 | |
# It was just a little walk in the warm Italian sun | 1:50:51 | 1:50:57 | |
# But it wasn't an easy thing | 1:50:57 | 1:51:00 | |
# And poets are writing the tale of that fight | 1:51:00 | 1:51:05 | |
# And songs for children to sing | 1:51:05 | 1:51:08 | |
# Let them sing of the men | 1:51:09 | 1:51:11 | |
# Of the fighting platoon | 1:51:11 | 1:51:14 | |
# Let them sing of the job they've done | 1:51:14 | 1:51:17 | |
# How they came across the sea | 1:51:17 | 1:51:20 | |
# To sunny Italy | 1:51:20 | 1:51:22 | |
# And took a little walk in the sun | 1:51:22 | 1:51:25 | |
# It's that walk that leads down... # | 1:51:25 | 1:51:27 | |
LYRICS ARE SUNG | 1:51:27 | 1:51:31 | |
Subtitles by Red Bee Media Ltd | 1:51:50 | 1:51:55 | |
E-mail [email protected] | 1:51:55 | 1:51:59 |