Browse content similar to Ae Fond Kiss. Check below for episodes and series from the same categories and more!
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This film contains strong language. | 0:00:02 | 0:00:09 | |
Imagine I lumped Christians George Bush, the Pope, | 0:02:46 | 0:02:51 | |
Henrik Larsson and Willie the Jannie all into one person, you'd laugh. | 0:02:51 | 0:02:56 | |
Why? Cos it's dumb. | 0:02:56 | 0:02:58 | |
That's exactly what the West does with Islam. | 0:02:58 | 0:03:01 | |
As if one billion Muslims in 50 countries with hundreds of different | 0:03:01 | 0:03:04 | |
languages and countless ethnic groups are all one and the same. | 0:03:04 | 0:03:07 | |
Take my family. | 0:03:07 | 0:03:09 | |
My sister considers herself as a Muslim first | 0:03:09 | 0:03:12 | |
and, because she has a political streak, calls herself black. | 0:03:12 | 0:03:16 | |
My dad's been in this country for over 40 years | 0:03:16 | 0:03:21 | |
and is 100% Pakistani, or so he thinks. | 0:03:21 | 0:03:25 | |
I reject the West's definition of terrorism, which excludes | 0:03:25 | 0:03:28 | |
the hundreds of thousands of victims of state terror. | 0:03:28 | 0:03:32 | |
I reject the West's claim of moral high ground | 0:03:32 | 0:03:34 | |
after two of its main Jesus lovers tore up the UN Charter. | 0:03:34 | 0:03:38 | |
But above all, | 0:03:38 | 0:03:41 | |
I reject the West's simplification | 0:03:41 | 0:03:44 | |
of a Muslim. | 0:03:44 | 0:03:45 | |
I am a Glaswegian, Pakistani, teenager, woman, | 0:03:48 | 0:03:55 | |
woman of Muslim descent, | 0:03:55 | 0:03:58 | |
who supports Glasgow Rangers in a Catholic school. | 0:03:58 | 0:04:04 | |
Cos I'm a mixture and I'm proud of it. | 0:04:04 | 0:04:08 | |
APPLAUSE | 0:04:08 | 0:04:09 | |
I call on this house to defeat this hypocritical motion. | 0:04:09 | 0:04:12 | |
Bring it on, yes! | 0:04:12 | 0:04:15 | |
Look at the state of you. Celtic rule! Yeah! | 0:04:15 | 0:04:18 | |
I can call you back. | 0:04:29 | 0:04:31 | |
Give me my bag! | 0:04:33 | 0:04:34 | |
-What's going on here? -It's a fuckin' coconut. | 0:04:34 | 0:04:36 | |
Shut it, you! Beat it! | 0:04:36 | 0:04:39 | |
-Whoo hey! Nothin' worse than an uptight Paki! -D'you what? -Wha'? | 0:04:39 | 0:04:42 | |
-Paki Huns! Agh! Agh! -Come on, then! | 0:04:42 | 0:04:44 | |
Get in the car. Calm down and get in. | 0:04:49 | 0:04:51 | |
Here. | 0:04:51 | 0:04:54 | |
They fucking started it. | 0:05:00 | 0:05:01 | |
Can you just calm down? | 0:05:01 | 0:05:02 | |
Disgusting, little shite! | 0:05:02 | 0:05:04 | |
Tahara, calm down! Tahara, come back. | 0:05:04 | 0:05:07 | |
I'm gonna kill you. | 0:05:09 | 0:05:10 | |
Nae running in the corridor, OK? | 0:05:10 | 0:05:12 | |
-I'm goin' get youse. -Tahara come back. -Hey you, come back here. | 0:05:12 | 0:05:16 | |
-Oi! Stop! -I'll fucking kill you! | 0:05:16 | 0:05:20 | |
-Oi! -Stop! -Come on, out the way. | 0:05:20 | 0:05:22 | |
For John's sake, out the way! | 0:05:27 | 0:05:30 | |
Shit! Go to the right, go to the right. | 0:05:32 | 0:05:34 | |
I'm gonna kill you! | 0:05:34 | 0:05:35 | |
-Where did those guys go? -What, sir? | 0:05:37 | 0:05:39 | |
-The guys who were running up here just now? -Upstairs, sir. -Right! | 0:05:39 | 0:05:42 | |
What's going on? | 0:05:47 | 0:05:48 | |
Excuse me. Tahara! Excuse me. | 0:05:50 | 0:05:54 | |
-Thank you. -Calm down. | 0:05:54 | 0:05:55 | |
Can you two sit down now, thank you? | 0:05:55 | 0:05:57 | |
And you two, outside. | 0:05:57 | 0:05:58 | |
What do you think you're doing? | 0:06:00 | 0:06:02 | |
-It's not our fault... -I don't care a damn. Get out! | 0:06:02 | 0:06:05 | |
And you can wait for... Get out now! | 0:06:05 | 0:06:07 | |
Are you OK? Is this someone you want to be with? | 0:06:09 | 0:06:14 | |
This is my brother. He was only picking me up. | 0:06:14 | 0:06:17 | |
It's not his fault. | 0:06:17 | 0:06:19 | |
I take it they insulted you? | 0:06:19 | 0:06:22 | |
Something like that. | 0:06:22 | 0:06:24 | |
They looked pretty scared. | 0:06:24 | 0:06:27 | |
I'm sorry, miss. | 0:06:27 | 0:06:28 | |
It's OK. | 0:06:28 | 0:06:30 | |
Come on, let's go. | 0:06:30 | 0:06:33 | |
-Careful you don't drop it. -Sorry. | 0:06:36 | 0:06:38 | |
Right, Jacqueline. | 0:06:47 | 0:06:49 | |
On with the lesson. You've got a competition to win. | 0:06:49 | 0:06:53 | |
OK? | 0:06:54 | 0:06:56 | |
# Ae fond kiss, and then we sever! | 0:07:02 | 0:07:08 | |
# Ae fareweel, and then for ever! | 0:07:08 | 0:07:16 | |
# Deep in heart-wrung tears I'll pledge thee | 0:07:16 | 0:07:22 | |
# Warring sighs and groans I'll wage thee. # | 0:07:22 | 0:07:32 | |
Is that this side, this one? | 0:07:32 | 0:07:34 | |
Aye, that's the garden there. | 0:07:34 | 0:07:36 | |
-Right. -If we start pegging it out in that corner, | 0:07:36 | 0:07:39 | |
then you'll get an idea what it's gonna look like. | 0:07:39 | 0:07:41 | |
-OK, so are we gonna do it? -Aye. | 0:07:41 | 0:07:43 | |
-Aye, let's do that. -OK, so I go? | 0:07:43 | 0:07:45 | |
Aye. | 0:07:45 | 0:07:46 | |
Right, one, two, three, four, five. | 0:07:46 | 0:07:49 | |
-Right, now what? -That's the steps you're gonna take? OK. Follow on that line... -Aye. | 0:07:49 | 0:07:54 | |
-Six steps that way. -OK. One, two, three, four... -Dad! | 0:07:54 | 0:07:58 | |
-Five, six. -Dad, watch Mum's plants! | 0:07:58 | 0:08:00 | |
-That's the first position. -Casim, come here. | 0:08:00 | 0:08:02 | |
-What are you doin'? -Come on, come on! -In there? | 0:08:02 | 0:08:05 | |
-In the plants? -Yeah. Stand here. | 0:08:05 | 0:08:07 | |
-Are you sure? -Yeah, yeah. | 0:08:07 | 0:08:09 | |
-The plants... -Stand there! | 0:08:09 | 0:08:11 | |
We're gonna get shot, Dad. | 0:08:11 | 0:08:12 | |
Just you come in. You stand there. Now, Big Danny. | 0:08:12 | 0:08:17 | |
-Hey, where are you? -Right, I'm here. | 0:08:17 | 0:08:19 | |
No, but where are you? What is there? | 0:08:19 | 0:08:21 | |
This is a kitchen corner. The wall. | 0:08:21 | 0:08:24 | |
I thought that was gonna be a games room, Mr Khan. | 0:08:24 | 0:08:26 | |
Games room? | 0:08:26 | 0:08:27 | |
Listen, we're going to have a bedroom and a living room for his wife to be. You not hear me? | 0:08:27 | 0:08:32 | |
We're going to come down from there on to the kitchen. | 0:08:32 | 0:08:35 | |
Again, tail and board, lining the house, three steps down that way. | 0:08:35 | 0:08:38 | |
-Right. -Easy on the flowers. | 0:08:38 | 0:08:39 | |
Wait a minute. OK. Right. Don't worry about the flowers! | 0:08:39 | 0:08:42 | |
Let me get on with it! | 0:08:42 | 0:08:44 | |
Two, three... | 0:08:44 | 0:08:45 | |
Everyone! Tahara, come here. | 0:08:45 | 0:08:49 | |
You just come here. Listen to me. | 0:08:49 | 0:08:51 | |
-What about the heat, man? -See, bloody kids! They don't listen. | 0:08:51 | 0:08:55 | |
They just stand there... What is it? | 0:08:55 | 0:08:58 | |
You're either gonna have an extension, missus, | 0:08:58 | 0:09:00 | |
or you're going to have a garden! You cannae have both of them. | 0:09:00 | 0:09:05 | |
Once the extension is built, we'll make more flowers, we'll make more gardens. Don't worry about it! | 0:09:05 | 0:09:10 | |
Just you go in there. Right, Danny, what do I do? | 0:09:10 | 0:09:13 | |
Right, we're starting to get an idea of it now. | 0:09:13 | 0:09:16 | |
You're gonna follow this line again... | 0:09:16 | 0:09:19 | |
-This line there? -Once step to here. | 0:09:19 | 0:09:21 | |
One. Right. Roddie. | 0:09:21 | 0:09:22 | |
Come here. Never mind tea. | 0:09:22 | 0:09:24 | |
-Stand there. -This'll cost you extra, Mr Khan. | 0:09:24 | 0:09:26 | |
-Right, OK. -So you've just met the bedroom there with the kitchen. | 0:09:26 | 0:09:30 | |
-You're coming down this line. -Aye. | 0:09:30 | 0:09:31 | |
Keep it in mind. Get a sense of it. | 0:09:31 | 0:09:33 | |
-OK. -This way, three steps. -OK. | 0:09:33 | 0:09:35 | |
Same size of steps you've been taking. | 0:09:35 | 0:09:37 | |
One, two, three. Agh! | 0:09:37 | 0:09:39 | |
Next week? Well, that's tomorrow. | 0:09:49 | 0:09:51 | |
I don't think you'll remember me. | 0:09:56 | 0:09:59 | |
-Tahara's brother. -Catch you later. | 0:09:59 | 0:10:01 | |
-Elsie, see you later. -I owe you a new guitar, Miss Hanlon. | 0:10:01 | 0:10:03 | |
That's very thoughtful of you. | 0:10:03 | 0:10:05 | |
What do you want me to do with it? | 0:10:05 | 0:10:08 | |
Well, the music room's locked up now. | 0:10:08 | 0:10:11 | |
Shall I leave it in your car for you? | 0:10:11 | 0:10:13 | |
You could if I had one. | 0:10:13 | 0:10:15 | |
-No, I'll take here. -No, no. | 0:10:15 | 0:10:16 | |
-Where is it you stay? -On the other side of the city. | 0:10:16 | 0:10:19 | |
-I'll give you a lift. -Don't be silly. | 0:10:19 | 0:10:21 | |
No, I'll give you a lift. | 0:10:21 | 0:10:23 | |
-Give me your bag. -Are you sure? -Of course. | 0:10:23 | 0:10:24 | |
Could you do me a favour? Would you duck down for a second? | 0:10:53 | 0:10:56 | |
-What?! -Duck down for a second. | 0:10:56 | 0:10:58 | |
-Are you serious? -Quickly. Please. | 0:10:58 | 0:11:00 | |
See that takeaway there? | 0:11:02 | 0:11:04 | |
I can't from here, no. | 0:11:04 | 0:11:05 | |
That's my mum's cousin's and son's, or something like that. | 0:11:05 | 0:11:08 | |
If they see me in the car with a strange woman, there'll be trouble. | 0:11:08 | 0:11:12 | |
Can I come up now? | 0:11:12 | 0:11:14 | |
Yeah. | 0:11:15 | 0:11:17 | |
-Thanks. -That's OK. | 0:11:17 | 0:11:19 | |
Can I ask you something? | 0:11:43 | 0:11:45 | |
-Course you can. -I don't suppose you know of anyone who could shift a grand piano, do you? | 0:11:45 | 0:11:49 | |
-A what? -A grand piano. | 0:11:49 | 0:11:51 | |
A grand piano. | 0:11:51 | 0:11:53 | |
You're in luck, Miss Hanlon. | 0:11:53 | 0:11:54 | |
You've just met an entrepreneur. | 0:11:54 | 0:11:56 | |
It's Roisin. | 0:11:56 | 0:11:58 | |
-This your club? -No, not yet. | 0:11:58 | 0:12:00 | |
We got the cards made up first and we'll see how things go after that. | 0:12:00 | 0:12:04 | |
Oh, right. OK. | 0:12:04 | 0:12:05 | |
-OK, a piano? -Yeah. | 0:12:05 | 0:12:07 | |
Jesus! | 0:12:09 | 0:12:11 | |
-All right? -Right. | 0:12:11 | 0:12:13 | |
It's just up the one floor. | 0:12:16 | 0:12:18 | |
OK? | 0:12:18 | 0:12:20 | |
-Are you Irish? -Yep. | 0:12:20 | 0:12:22 | |
Could you not have just stuck with a tin whistle or something? | 0:12:22 | 0:12:25 | |
Round this bend and just horse it up these stairs, boys! | 0:12:25 | 0:12:29 | |
OK? | 0:12:29 | 0:12:31 | |
Roddie, you're putting me through the wall, you... | 0:12:31 | 0:12:33 | |
I'm sorry, Danny! | 0:12:33 | 0:12:35 | |
I'm going park the strain there. | 0:12:37 | 0:12:40 | |
He told us we were shifting a dresser for an old pensioner. | 0:12:40 | 0:12:43 | |
She's older than she looks. Shut it! | 0:12:43 | 0:12:45 | |
-Thanks very much. -Come on! | 0:12:45 | 0:12:47 | |
Take the fucking weight, you fat bastard! | 0:12:47 | 0:12:49 | |
I cannae, Danny man! | 0:12:49 | 0:12:51 | |
I cannae do it. It's turning into an octopus. | 0:12:51 | 0:12:56 | |
Agh, agh! It's on my fingers, Danny. Oh! | 0:12:56 | 0:12:59 | |
You useless fucking bastard, Roddie! | 0:13:01 | 0:13:03 | |
Calm down, Danny! | 0:13:03 | 0:13:05 | |
Right. All right, wee man? | 0:13:09 | 0:13:10 | |
Whoa! Agh! | 0:13:10 | 0:13:13 | |
Oh, Jesus my piano! | 0:13:13 | 0:13:15 | |
-You stupid bastard. -You all right? | 0:13:19 | 0:13:22 | |
-Danny. -Are you OK, wee man? | 0:13:22 | 0:13:25 | |
-It landed on my balls. -Oh, for fuck's sake. -Agh! | 0:13:25 | 0:13:30 | |
-All right? -You stupid bastard, you. | 0:13:30 | 0:13:34 | |
I think we may need to retune this. | 0:13:34 | 0:13:36 | |
No, I meant the piano. | 0:13:37 | 0:13:39 | |
Wee man has just had his meat and two veg mangled by a piano. | 0:13:39 | 0:13:43 | |
OK, wee man? | 0:13:43 | 0:13:44 | |
I feel sick. | 0:13:44 | 0:13:45 | |
I thought I heard the perfect high, see when that hit you. | 0:13:45 | 0:13:48 | |
Very fucking funny. | 0:13:48 | 0:13:49 | |
Well, it's sounded better. | 0:14:00 | 0:14:02 | |
It survived, just. | 0:14:02 | 0:14:04 | |
HE PLAYS TWINKLE TWINKLE LITTLE STAR | 0:14:04 | 0:14:08 | |
Very good. | 0:14:12 | 0:14:14 | |
I really miss this. | 0:14:14 | 0:14:15 | |
-Whose was the fancy pad we picked up from? -An ex. | 0:14:15 | 0:14:19 | |
You two fall out? | 0:14:19 | 0:14:21 | |
No. Just changed. | 0:14:21 | 0:14:24 | |
At least, I did. | 0:14:24 | 0:14:26 | |
He looked upset. | 0:14:26 | 0:14:27 | |
Did he? | 0:14:27 | 0:14:29 | |
Do you want a cup of tea? | 0:14:36 | 0:14:37 | |
No, no, thanks. I'd better be off. | 0:14:37 | 0:14:39 | |
I'm helping my dad at the shop. | 0:14:39 | 0:14:41 | |
-OK. -See you later. | 0:14:41 | 0:14:42 | |
-Excuse me. Are you the lady with the grand piano? -Might be. | 0:15:44 | 0:15:49 | |
Don't suppose you fancy coming to a gig tonight? | 0:15:49 | 0:15:52 | |
I'm meeting a friend. | 0:15:52 | 0:15:53 | |
Very low key. Blues and swing. | 0:15:53 | 0:15:56 | |
I have to work tomorrow. | 0:15:56 | 0:15:58 | |
-What time do you start? -Nine. | 0:15:58 | 0:16:00 | |
You'll be back in by seven, I promise. | 0:16:00 | 0:16:02 | |
-Hammid. -All right, mate? How you doing? | 0:16:30 | 0:16:32 | |
Is he keeping you entertained? | 0:16:32 | 0:16:35 | |
I'd say the least. He's been telling about this new club of yours. | 0:16:35 | 0:16:39 | |
We've got a new place ten minutes away from here, maybe 15 minutes. | 0:16:39 | 0:16:43 | |
It's an old barn that we've converted into a fuck off nightclub. | 0:16:43 | 0:16:46 | |
It's unbelievable, by the way. | 0:16:46 | 0:16:48 | |
It'll be the latest and trendiest club. | 0:16:48 | 0:16:50 | |
This man's gonna be DJing and I'll be promoting. | 0:16:50 | 0:16:52 | |
-When do we get to go? -Well, depends on how tonight goes. | 0:16:52 | 0:16:56 | |
What you doing later on? | 0:16:56 | 0:16:58 | |
I don't know what we're doing. There's your sister. | 0:16:58 | 0:17:02 | |
Your sister. Is she all right? | 0:17:04 | 0:17:08 | |
-What are you doing here? -Hi, Miss Hanlon. How you doing? | 0:17:08 | 0:17:11 | |
-Hi, girls. -Miss Hanlon?! How do you know them? | 0:17:11 | 0:17:15 | |
Bet you didn't have to climb out the window, miss. | 0:17:15 | 0:17:18 | |
-I nearly broke my neck. -Tahara, come here. | 0:17:18 | 0:17:20 | |
She's in trouble, in't she? | 0:17:21 | 0:17:23 | |
Come here. | 0:17:26 | 0:17:28 | |
What the fuck are you doing here? | 0:17:30 | 0:17:32 | |
Well, what do you think? | 0:17:34 | 0:17:36 | |
I'm out with my mates, like you are. | 0:17:36 | 0:17:38 | |
-Leave. -No. -Please. | 0:17:38 | 0:17:40 | |
You're no hanging about here dressed like that in front of me. | 0:17:40 | 0:17:44 | |
-Just leave. -Why's Miss Hanlon in here? | 0:17:44 | 0:17:46 | |
-She was having a drink, that's what she's doing here. -Oh, really? | 0:17:46 | 0:17:49 | |
Listen, I'm working here, right? | 0:17:49 | 0:17:51 | |
I'm working here. I'm here with Hammid, OK? | 0:17:51 | 0:17:54 | |
-Yeah, whatever. -Yes, whatever. Move. | 0:17:54 | 0:17:57 | |
-Are you worried? -Why should I worry? | 0:18:07 | 0:18:09 | |
-Are you sure? -Not at all. -Maybe just fix that for you there. | 0:18:09 | 0:18:12 | |
Oh, just a wee bit strangled my neck there. | 0:18:12 | 0:18:15 | |
-OK. -OK, thanks. | 0:18:15 | 0:18:17 | |
Yes! Hoo-hoo! | 0:18:18 | 0:18:20 | |
Are they here yet? | 0:18:20 | 0:18:23 | |
No, they're late, Rukhsana. | 0:18:23 | 0:18:25 | |
I bet he's a plucky ferret from Bradford. | 0:18:25 | 0:18:27 | |
Oi. I heard that he's over six feet tall. | 0:18:27 | 0:18:31 | |
-He has a fair complexion and he's got a full head of hair. -Ugh! | 0:18:31 | 0:18:36 | |
-What do you mean? That sounds nice. -Yeah. | 0:18:36 | 0:18:38 | |
You make him sound like a Viking. | 0:18:38 | 0:18:39 | |
It's supposed to be just tea, Mum. | 0:18:39 | 0:18:43 | |
-There's a car coming. -Oh, what a car! | 0:18:43 | 0:18:47 | |
It's pretty gorgeous, isn't it? | 0:18:50 | 0:18:51 | |
-Oh, wow! -Is that them? | 0:18:51 | 0:18:54 | |
Oh, my God. | 0:18:54 | 0:18:56 | |
You two, on your best behaviour. | 0:19:01 | 0:19:02 | |
-Oh, he's stunning. -He's all right, by the way. | 0:19:02 | 0:19:05 | |
Hello, young man. | 0:19:19 | 0:19:22 | |
Sorry at the mess. | 0:19:27 | 0:19:29 | |
I did my Bachelor of Science degree from Imperial College, London. | 0:19:48 | 0:19:51 | |
It's going really well. | 0:20:34 | 0:20:35 | |
I've got a great team. | 0:20:35 | 0:20:37 | |
Highly motivated. | 0:20:37 | 0:20:40 | |
I foresee myself spending a long time in Manchester. | 0:20:40 | 0:20:43 | |
Very good. You are very lucky. You are lovely parents. | 0:20:43 | 0:20:46 | |
Thank you. | 0:20:46 | 0:20:48 | |
So what do you think of Glasgow? | 0:20:48 | 0:20:52 | |
Excuse me, Tahara. Do you want to sit there for a minute? | 0:20:52 | 0:20:56 | |
You go in there. | 0:20:56 | 0:20:58 | |
Just, sorry. You go in there. | 0:20:58 | 0:21:00 | |
That's right. Have a seat there. | 0:21:00 | 0:21:03 | |
That's a good girl. | 0:21:03 | 0:21:05 | |
-Psychology. -Psychology. Very nice. | 0:21:19 | 0:21:22 | |
So you're an accountant? | 0:21:38 | 0:21:39 | |
I'm doing a feasibility study. It's just to do with import and export. | 0:21:39 | 0:21:44 | |
A journalist. | 0:21:57 | 0:21:58 | |
-Aerobics? -Yeah. | 0:22:16 | 0:22:18 | |
Do you enjoy that? | 0:22:18 | 0:22:20 | |
-It's OK. It's good to do some voluntary work in the communities. -OK. | 0:22:20 | 0:22:26 | |
She's beautiful. | 0:22:43 | 0:22:44 | |
-Thank you very much. -Casim, you're a lucky young man. | 0:22:44 | 0:22:47 | |
Very lucky. | 0:22:47 | 0:22:48 | |
-Is this it? -This is it. | 0:23:44 | 0:23:46 | |
-OK. -Is this it? | 0:23:48 | 0:23:50 | |
This is it. This is my place. | 0:23:50 | 0:23:53 | |
-My club. -Yeah, but I thought you said... | 0:23:53 | 0:23:55 | |
A touch of paint is what you said. | 0:23:55 | 0:23:57 | |
Look at the potential in this place. | 0:23:57 | 0:23:59 | |
Bars all across the side there, both sides. | 0:24:01 | 0:24:05 | |
A dance floor so big it covers the whole back. | 0:24:05 | 0:24:08 | |
Hundreds of bodies just dancing to the beat. | 0:24:08 | 0:24:11 | |
Me, up on the podium, raised so I can look over everyone. | 0:24:11 | 0:24:16 | |
VIP rooms. Different music rooms everywhere. | 0:24:18 | 0:24:20 | |
You with your grand piano away in a room over there. | 0:24:20 | 0:24:23 | |
They'll be lights flashing from everywhere. | 0:24:25 | 0:24:27 | |
All these angles. Can you not see it? | 0:24:27 | 0:24:31 | |
That's gonna cost you millions. | 0:24:31 | 0:24:33 | |
£56,0000. | 0:24:33 | 0:24:35 | |
56,000? | 0:24:35 | 0:24:36 | |
There won't be any dress codes. | 0:24:37 | 0:24:39 | |
No dress codes? | 0:24:39 | 0:24:40 | |
Cos there's no expectation. There's never expectation. | 0:24:40 | 0:24:43 | |
Anyone's allowed. | 0:24:43 | 0:24:44 | |
Transvestites to anoraks? | 0:24:44 | 0:24:46 | |
Or a cast of G-strings! | 0:24:46 | 0:24:47 | |
Where even shy girls can make the first move? | 0:24:47 | 0:24:50 | |
And nervous little boys won't run away. | 0:24:50 | 0:24:52 | |
Doesn't feel quite the same without the grand piano. | 0:25:13 | 0:25:16 | |
-You're strong, aren't you? -For a wee Irish girl I am. | 0:26:43 | 0:26:46 | |
Oh. | 0:27:00 | 0:27:02 | |
Two one to me. | 0:27:02 | 0:27:03 | |
OK. Truce then. | 0:27:09 | 0:27:11 | |
-Truce? -Yeah. -Promise? | 0:27:11 | 0:27:13 | |
Swear to God. | 0:27:13 | 0:27:16 | |
Over my dead body, you mug. | 0:27:19 | 0:27:21 | |
I forgot to say, | 0:27:55 | 0:27:57 | |
I like your name. | 0:27:57 | 0:28:00 | |
Ooh. | 0:28:00 | 0:28:02 | |
I forgot to say, | 0:28:04 | 0:28:06 | |
I like your hands. | 0:28:06 | 0:28:09 | |
# Is there for honest poverty that hangs his head, an all that | 0:28:51 | 0:28:57 | |
# The coward slave, we pass him by | 0:28:57 | 0:29:02 | |
# We dare be poor for all that | 0:29:02 | 0:29:06 | |
# For all that, and all that Our toil's obscure and all that | 0:29:06 | 0:29:14 | |
# The rank is but the guinea's stamp | 0:29:14 | 0:29:19 | |
# The man's the gowd for all that | 0:29:19 | 0:29:24 | |
# Then let us pray that come what may | 0:29:24 | 0:29:28 | |
# As come it will for all that | 0:29:28 | 0:29:32 | |
# That sense and worth | 0:29:32 | 0:29:34 | |
# O'er all the Earth | 0:29:34 | 0:29:36 | |
# They bear the gree an' all that | 0:29:36 | 0:29:40 | |
# For all that an' all that It's coming yet for all that... # | 0:29:40 | 0:29:48 | |
Ah, Roisin, Elsie. | 0:29:49 | 0:29:51 | |
Can I ask you whose idea it was to sing a Burns' song? | 0:29:51 | 0:29:54 | |
Oh, it was the modern studies class. | 0:29:54 | 0:29:56 | |
They thought it would fit in with their Third World debt project. | 0:29:56 | 0:29:59 | |
I don't think a song written by a well known drunken fornicator | 0:29:59 | 0:30:02 | |
is really appropriate for the holy sacrifice of the mass. | 0:30:02 | 0:30:06 | |
-Is that right? -Roisin. Roisin. | 0:30:06 | 0:30:10 | |
Just had a telephone call from David, | 0:30:10 | 0:30:13 | |
and he tells me he's going to take early retirement. | 0:30:13 | 0:30:15 | |
So it's my intention to offer you a full-time post. | 0:30:15 | 0:30:20 | |
-And I won't take no for an answer. -Really? | 0:30:20 | 0:30:23 | |
Well, you enjoy the midterm break | 0:30:23 | 0:30:25 | |
and I hope you'll come back as a permanent member of staff. | 0:30:25 | 0:30:28 | |
-What about an interview? -We needn't worry about that. | 0:30:28 | 0:30:31 | |
We've seen your work for the past nine months and I don't want to lose you. | 0:30:31 | 0:30:34 | |
Thanks a lot. That's great. | 0:30:34 | 0:30:36 | |
That's OK. I'll catch you later. | 0:30:36 | 0:30:38 | |
-I've just been made permanent. -That is fantastic. | 0:30:39 | 0:30:42 | |
I can't believe it. | 0:30:42 | 0:30:43 | |
Girls, hurry along to your next class, OK? | 0:30:47 | 0:30:49 | |
To Spain? | 0:31:17 | 0:31:19 | |
Leaving tomorrow? | 0:31:23 | 0:31:24 | |
Come on, big man! Have you got your own directory enquiries service? | 0:31:24 | 0:31:28 | |
Jesus Christ! | 0:31:28 | 0:31:30 | |
You just booked them? | 0:31:30 | 0:31:31 | |
It's a bit short notice. | 0:31:37 | 0:31:39 | |
That mortar's gonna fucking get hard if you don't put that back on. | 0:31:39 | 0:31:42 | |
I don't know. Is it under here somewhere? | 0:31:42 | 0:31:47 | |
Where the fuck are you going? | 0:31:55 | 0:31:56 | |
I've got to go to London for a few days. | 0:31:57 | 0:32:00 | |
We may have a backer for the club. | 0:32:00 | 0:32:02 | |
Three days, Mum. | 0:32:07 | 0:32:10 | |
I'm just going to get some stuff ready now. | 0:32:14 | 0:32:16 | |
Don't! | 0:33:04 | 0:33:05 | |
Let me go in in my own time. | 0:33:05 | 0:33:06 | |
No! | 0:33:06 | 0:33:08 | |
-Thank you. -Gracias. | 0:33:14 | 0:33:15 | |
THEY SPEAK IN SPANISH | 0:33:15 | 0:33:17 | |
So what about angels? | 0:33:21 | 0:33:24 | |
We have angels. | 0:33:24 | 0:33:26 | |
-Virgin birth? -Yep. | 0:33:26 | 0:33:28 | |
We've even got a special chapter on Mary. | 0:33:28 | 0:33:30 | |
-Really? -Hmm. | 0:33:30 | 0:33:32 | |
Um, transubstantiation? | 0:33:34 | 0:33:36 | |
What's that? | 0:33:36 | 0:33:38 | |
That's where the priest turns the bread and wine | 0:33:38 | 0:33:40 | |
into the body and blood of Jesus Christ. | 0:33:40 | 0:33:43 | |
-What are you laughing at. -Nothing. | 0:33:43 | 0:33:46 | |
I suppose you believe the Archangel Gabriel, in a cave, | 0:33:46 | 0:33:50 | |
-whispered the word of God word by word into Mohammad's ear? -Exactly. | 0:33:50 | 0:33:54 | |
There's still so much I'm proud of. | 0:33:56 | 0:33:59 | |
Do you know what Zakah means? | 0:33:59 | 0:34:01 | |
It's when you give a percentage of your income to the poor. | 0:34:01 | 0:34:04 | |
My dad still to this day gives exactly to the penny to asylum seekers. | 0:34:04 | 0:34:08 | |
Kill a man, kill all of humanity. | 0:34:10 | 0:34:13 | |
We can be higher than angels and lower than dogs. | 0:34:13 | 0:34:15 | |
Love thy neighbour as thyself. | 0:34:15 | 0:34:18 | |
None of us truly believe until we wish for our brothers and sisters what we wish for ourselves. | 0:34:18 | 0:34:23 | |
To the Prophet. | 0:34:23 | 0:34:25 | |
To Jesus, a lesser prophet, but what the hell! | 0:34:25 | 0:34:28 | |
Well, at least people believe that life is one long, | 0:34:30 | 0:34:33 | |
miserable test and the Day of Judgment is fast approaching. | 0:34:33 | 0:34:37 | |
So to paradise. | 0:34:37 | 0:34:38 | |
-Our friends. -Paradise. | 0:34:38 | 0:34:41 | |
To be honest with you, I think I was lonely more than anything else, you know. | 0:34:49 | 0:34:53 | |
Cos I have no family. | 0:34:53 | 0:34:55 | |
It's kind of why I got married. | 0:34:55 | 0:34:57 | |
-Got married? -Yeah. -How old were you? | 0:34:57 | 0:35:01 | |
-19. -19! | 0:35:01 | 0:35:03 | |
Um. Big, white, fluffy, meringue dress and pointy shoes. The works. | 0:35:03 | 0:35:09 | |
-Jesus. -19! -Um. | 0:35:09 | 0:35:10 | |
In front of all our friends and God and state and church. | 0:35:10 | 0:35:14 | |
I swore with all my heart that, no matter what, I would live with him for the rest of my life. | 0:35:14 | 0:35:18 | |
-What's he like? -Ach, he's lovely. | 0:35:18 | 0:35:21 | |
He's a really kind man, you know? | 0:35:21 | 0:35:24 | |
Just more of a friend. | 0:35:24 | 0:35:27 | |
What's wrong with companionship? | 0:35:27 | 0:35:29 | |
There's nothing wrong with it. I just need more. | 0:35:29 | 0:35:32 | |
-Like what? -Um. | 0:35:32 | 0:35:36 | |
A match, you know? | 0:35:36 | 0:35:38 | |
A real, equal match. | 0:35:38 | 0:35:40 | |
-Yeah. -A wee twinkle in the eye. | 0:35:40 | 0:35:43 | |
If that's not there, I just... | 0:35:43 | 0:35:45 | |
I'd rather be on my own. | 0:35:45 | 0:35:46 | |
That's OK, isn't it? | 0:35:48 | 0:35:50 | |
Do you ever get scared now? | 0:36:06 | 0:36:08 | |
Um, sometimes, yeah. Late at night, you know, if I'm in my bed | 0:36:10 | 0:36:13 | |
or half asleep, I just feel a wee bit down. | 0:36:13 | 0:36:16 | |
But I've got this fella to keep me company. | 0:36:16 | 0:36:19 | |
-Is that a butterfly? -Um. | 0:36:24 | 0:36:26 | |
You're a coatie. | 0:36:31 | 0:36:32 | |
A coatie? What a compliment. | 0:36:32 | 0:36:34 | |
-A lovely, little coatie. -Um. | 0:36:34 | 0:36:36 | |
Do you know what you are? | 0:36:57 | 0:36:58 | |
What? | 0:36:58 | 0:37:01 | |
-A durdu. -Durdu? | 0:37:01 | 0:37:05 | |
What's that? | 0:37:05 | 0:37:07 | |
-A frog. -What?! | 0:37:07 | 0:37:10 | |
A frog? | 0:37:10 | 0:37:12 | |
Thanks very much. | 0:37:12 | 0:37:14 | |
SHE MOANS | 0:37:31 | 0:37:34 | |
Hello. | 0:38:59 | 0:39:00 | |
You're up early. | 0:39:00 | 0:39:03 | |
Couldn't sleep. | 0:39:05 | 0:39:07 | |
Something I've got to tell you. | 0:39:17 | 0:39:18 | |
I'm due to marry my first cousin Jasmine in nine weeks. | 0:39:23 | 0:39:28 | |
Very funny. | 0:39:29 | 0:39:31 | |
-Honestly. -I don't believe you. | 0:39:35 | 0:39:38 | |
Eleven words. | 0:39:38 | 0:39:39 | |
Couldn't get them out. | 0:39:41 | 0:39:42 | |
So what the fuck is this? | 0:39:48 | 0:39:50 | |
Hm? | 0:39:52 | 0:39:54 | |
Is it some last minute fling before you settle down to married life? | 0:39:54 | 0:39:57 | |
-No, no. -No? | 0:39:57 | 0:39:59 | |
What the fuck am I? | 0:39:59 | 0:40:01 | |
Some cheap fucking tart in a stag party? Jesus Christ! | 0:40:01 | 0:40:05 | |
I don't believe this! | 0:40:08 | 0:40:10 | |
Eleven little words, was it? | 0:40:20 | 0:40:22 | |
Well, here's another two for you. | 0:40:23 | 0:40:25 | |
Fuck off! | 0:40:25 | 0:40:27 | |
I mean, why couldn't you tell me before you got on the plane? | 0:40:34 | 0:40:37 | |
-I couldn't. -Why? | 0:40:37 | 0:40:39 | |
Why didn't you tell me last night? | 0:40:39 | 0:40:42 | |
I'm sorry. | 0:40:45 | 0:40:47 | |
I can't stand lies, d'you here me? | 0:40:53 | 0:40:55 | |
I can't fucking stand them! | 0:40:55 | 0:40:57 | |
You really had me fooled. | 0:41:04 | 0:41:07 | |
I mean, I've been with some pricks in my time | 0:41:08 | 0:41:12 | |
and I knew it at the time and I suffered the consequences. | 0:41:12 | 0:41:16 | |
But I really trusted you. | 0:41:21 | 0:41:24 | |
Are you all right, Roisin? | 0:42:13 | 0:42:14 | |
I shouldn't have let this happen. | 0:42:18 | 0:42:20 | |
I should have foreseen the hurt. | 0:42:22 | 0:42:24 | |
Should, should, should. The story of my fucking life. | 0:42:26 | 0:42:30 | |
But I didn't. | 0:42:32 | 0:42:35 | |
It's made me realise something. | 0:42:35 | 0:42:38 | |
I'm going to go back home and cancel the wedding. | 0:42:41 | 0:42:43 | |
It's too much for you to understand and I don't expect you to. | 0:42:46 | 0:42:49 | |
It will probably blow my family apart. | 0:42:52 | 0:42:54 | |
But what the fuck. | 0:42:56 | 0:42:59 | |
I don't want you to ever think that you were just a cheap fling. | 0:43:01 | 0:43:05 | |
It wasn't like that. I promise, it was never like that. | 0:43:07 | 0:43:10 | |
I'm going to book an early flight. | 0:43:10 | 0:43:13 | |
Thank you. | 0:43:43 | 0:43:45 | |
Been away for three days. | 0:44:37 | 0:44:39 | |
My mum has left five messages. | 0:44:39 | 0:44:42 | |
And you're lucky. I want you to meet my friends by the way. | 0:44:42 | 0:44:45 | |
I was thinking of having a dinner party. | 0:44:45 | 0:44:47 | |
Hi, miss! | 0:44:53 | 0:44:55 | |
-Hi, miss! -Hi. | 0:44:55 | 0:44:57 | |
There's half the school! | 0:44:59 | 0:45:01 | |
Look who it is! It's the incredible disappearing man. | 0:45:17 | 0:45:21 | |
-How are you? -Have you been away, big man? I never even noticed. | 0:45:21 | 0:45:25 | |
-You were that useless when you were here. -Your maw's looking for you. | 0:45:25 | 0:45:30 | |
Has she not brought any doughnuts yet? | 0:45:30 | 0:45:32 | |
What? I've not had a doughnut for a week, big man. I can feel my ribs. | 0:45:32 | 0:45:35 | |
Mum? | 0:45:37 | 0:45:39 | |
Just tried to phone you so many times, but your mobile was off or something. I don't know. | 0:45:55 | 0:46:00 | |
Erm, guess what? | 0:46:00 | 0:46:02 | |
What? | 0:46:02 | 0:46:04 | |
You tell him. | 0:46:04 | 0:46:05 | |
-I think you should tell him. -You tell him. -No, you tell him. | 0:46:07 | 0:46:12 | |
What is it? | 0:46:12 | 0:46:13 | |
We're getting married. | 0:46:14 | 0:46:16 | |
-Thank you. -Excellent. Mum, you must be so happy? | 0:46:19 | 0:46:23 | |
Thanks. That's great. | 0:46:39 | 0:46:42 | |
Listen. | 0:46:59 | 0:47:01 | |
Listen, let's get one thing quite clear, right? | 0:47:01 | 0:47:04 | |
You're gonna get married. | 0:47:04 | 0:47:06 | |
You're gonna have kids. | 0:47:06 | 0:47:07 | |
You're gonna do the mum and dad thing. | 0:47:07 | 0:47:10 | |
Which is the right thing. | 0:47:10 | 0:47:12 | |
Shag who the fuck you want to shag, | 0:47:12 | 0:47:15 | |
but don't fuck up your whole family and her family back home. | 0:47:15 | 0:47:19 | |
-It's not just about shagging, Hammid. -What's it about, then? | 0:47:19 | 0:47:23 | |
What's it about? | 0:47:23 | 0:47:25 | |
There's so many birds out there, and you've went daft over one bird. | 0:47:25 | 0:47:30 | |
I've not went daft over her. | 0:47:30 | 0:47:31 | |
What? You're gonna split up your whole family? | 0:47:31 | 0:47:34 | |
-I'm just supposed to marry somebody I don't know? -Aye. | 0:47:34 | 0:47:37 | |
Just do it. Who cares? You've got a family to think about. | 0:47:37 | 0:47:41 | |
You've got your religion to think about. | 0:47:41 | 0:47:44 | |
You've got that to think about. | 0:47:44 | 0:47:46 | |
How are you gonna walk into there? | 0:47:46 | 0:47:48 | |
I'll lose her. | 0:47:48 | 0:47:49 | |
I don't give a fuck if you lose her. | 0:47:49 | 0:47:52 | |
Would you rather lose your family, or would you rather lose this bird? | 0:47:52 | 0:47:55 | |
-This bird, she's a nobody. -She's not a nobody. | 0:47:55 | 0:47:58 | |
She is a nobody compared to your family, right? Your family back home. | 0:47:58 | 0:48:02 | |
You've got a mosque right there. | 0:48:02 | 0:48:04 | |
Listen, you're being stupid if you think for one minute everyone's gonna understand. | 0:48:04 | 0:48:09 | |
No-one's going to understand. | 0:48:09 | 0:48:11 | |
As far as they're concerned she's a gori. She's a white girl. That's it. | 0:48:11 | 0:48:15 | |
She's not a Muslim. | 0:48:15 | 0:48:16 | |
Sarah can't make it, by the way. It's just going to be the five of us. | 0:48:18 | 0:48:22 | |
I'm not coming. | 0:48:22 | 0:48:24 | |
I'm not coming up. | 0:48:29 | 0:48:31 | |
What d'you mean? | 0:48:31 | 0:48:33 | |
Why not? | 0:48:36 | 0:48:37 | |
Talk to your folks? | 0:48:40 | 0:48:42 | |
I tried to tell them last night. | 0:48:42 | 0:48:44 | |
I just couldn't find the words. | 0:48:47 | 0:48:49 | |
I feel so strong when I'm around you. | 0:48:54 | 0:48:56 | |
It will break their hearts. | 0:48:58 | 0:49:00 | |
It will destroy them. | 0:49:01 | 0:49:02 | |
What about your heart? | 0:49:02 | 0:49:05 | |
And my heart? | 0:49:10 | 0:49:13 | |
Jasmine? | 0:49:14 | 0:49:16 | |
Do you love her? | 0:49:17 | 0:49:18 | |
You don't understand. It's not about love. | 0:49:20 | 0:49:24 | |
It's much more than that. | 0:49:26 | 0:49:28 | |
So, what, you're just going to sit back and let your parents make all your choices for you? | 0:49:28 | 0:49:34 | |
Or are you actually going to do something about it and say something to them? | 0:49:35 | 0:49:39 | |
They won't understand. | 0:49:39 | 0:49:41 | |
I can't let them down. | 0:49:45 | 0:49:47 | |
I can't. | 0:49:47 | 0:49:48 | |
Casim... | 0:49:55 | 0:49:57 | |
We're good together, you know? | 0:50:01 | 0:50:02 | |
I mean...it's easy. | 0:50:03 | 0:50:08 | |
It feels right, you know? | 0:50:10 | 0:50:11 | |
And I think that we can... | 0:50:14 | 0:50:16 | |
if we want to, we can make it work. | 0:50:16 | 0:50:18 | |
For how long? | 0:50:18 | 0:50:20 | |
I don't know! But who knows that? | 0:50:20 | 0:50:23 | |
Does anybody ever really know that? | 0:50:23 | 0:50:25 | |
You just... | 0:50:25 | 0:50:27 | |
You just take a chance. | 0:50:29 | 0:50:31 | |
I can't match you, Roisin. | 0:50:31 | 0:50:34 | |
I can't match you. | 0:50:38 | 0:50:40 | |
DOOR CLOSES | 0:50:47 | 0:50:49 | |
SHE SOBS | 0:50:53 | 0:50:55 | |
# Ae fond kiss, and then we sever | 0:50:59 | 0:51:06 | |
# Ae fareweel, and then for ever | 0:51:06 | 0:51:13 | |
# Deep in heart-wrung tears I'll pledge thee | 0:51:13 | 0:51:21 | |
# Warring sighs and groans I'll wage thee. # | 0:51:21 | 0:51:31 | |
I've got some good news, guys. | 0:51:39 | 0:51:41 | |
Dad. | 0:51:43 | 0:51:44 | |
-Sorry? -Dad. -What is it? | 0:51:44 | 0:51:47 | |
Erm... I got some really good news today. | 0:51:47 | 0:51:50 | |
I've been offered an unconditional place at Edinburgh University. | 0:51:53 | 0:51:57 | |
Here, Dad. | 0:51:59 | 0:52:00 | |
There's 20 students chasing every place. | 0:52:12 | 0:52:15 | |
Wait a minute. What's going on here? | 0:52:17 | 0:52:19 | |
Why Edinburgh? | 0:52:19 | 0:52:22 | |
Erm, because the course I want to do is, erm, in Edinburgh. | 0:52:22 | 0:52:27 | |
Listen, dear, there are four or five universities in this bloody city. | 0:52:27 | 0:52:32 | |
What is the community going to say? | 0:52:32 | 0:52:34 | |
It's a good university. It's the only course I want to do. | 0:52:36 | 0:52:40 | |
Your brother... Your sister went to Glasgow University, | 0:52:41 | 0:52:45 | |
and your brother went to university in Glasgow. | 0:52:45 | 0:52:48 | |
Are they not good enough for you? | 0:52:48 | 0:52:49 | |
No, Dad, it's not that. It's just... | 0:52:49 | 0:52:51 | |
-They say you were there for an interview. -Yes. | 0:52:51 | 0:52:54 | |
You never asked us. | 0:52:54 | 0:52:56 | |
You never mentioned and got permission in the house to go for an interview. | 0:52:56 | 0:53:00 | |
Look, I've got an unconditional place. It's amazing for someone my age. | 0:53:00 | 0:53:04 | |
If you could go for an interview without getting permission, what could you do when you're there? | 0:53:04 | 0:53:10 | |
-One second, Dad. Couldn't you just commute? -What's the point, then? | 0:53:10 | 0:53:14 | |
I might as well stay in Glasgow. The whole part of this is so I can... | 0:53:14 | 0:53:18 | |
What's more important to you, education or staying away from home? | 0:53:18 | 0:53:22 | |
There's unis in Glasgow, as well. | 0:53:23 | 0:53:26 | |
Can't you just commute, Tahara? | 0:53:26 | 0:53:28 | |
How can you say that? It's not fair. I'll miss out on a whole different life. I don't want to do that! | 0:53:28 | 0:53:35 | |
Why did you even get married and come here and have kids? | 0:53:35 | 0:53:39 | |
What's the point in having kids here? | 0:53:39 | 0:53:41 | |
We're Western. I'm sorry, but we're not from Pakistan. | 0:53:41 | 0:53:44 | |
Listen, don't change the subject. You are going to study in Glasgow! | 0:53:44 | 0:53:49 | |
I'm not changing the subject! It's the same bloody subject! | 0:53:49 | 0:53:52 | |
Don't talk to me like that! Right? Enough is enough! | 0:53:52 | 0:53:55 | |
Is this the way we got you educated? | 0:53:55 | 0:53:58 | |
That this day had to come? | 0:53:58 | 0:54:00 | |
You cannae go, and that's final! | 0:54:00 | 0:54:02 | |
I'm sorry. | 0:54:07 | 0:54:09 | |
It's really hard. It means so much... | 0:54:10 | 0:54:12 | |
Do you know how much work I've...? | 0:54:12 | 0:54:15 | |
Do you know how much work I did? No, Mum, please... | 0:54:15 | 0:54:19 | |
I worked my arse off. | 0:54:19 | 0:54:22 | |
SHE SOBS | 0:54:22 | 0:54:24 | |
-You're just over-dramatic. -Oh, just fuck off! | 0:54:24 | 0:54:27 | |
SHE SOBS | 0:54:27 | 0:54:29 | |
Don't you ever talk to me like that again. | 0:54:29 | 0:54:32 | |
You are such a hypocrite! | 0:54:34 | 0:54:37 | |
Casim, look at me. | 0:54:39 | 0:54:41 | |
Look at me. What's wrong? | 0:54:41 | 0:54:43 | |
You're such a fucking hypocrite! | 0:54:43 | 0:54:46 | |
Look at me. | 0:54:46 | 0:54:47 | |
I'll never forgive you for this. | 0:54:49 | 0:54:51 | |
Mum... | 0:54:55 | 0:54:56 | |
SOBBING CONTINUES | 0:54:58 | 0:55:00 | |
I can't go ahead with it. | 0:55:53 | 0:55:55 | |
I sell the car. I'll give you all the money back for the extension. | 0:56:07 | 0:56:10 | |
I can't go ahead with it. | 0:56:10 | 0:56:12 | |
SHE SOBS | 0:56:35 | 0:56:38 | |
Yeah. | 0:56:45 | 0:56:47 | |
What, birthday parties? | 0:56:47 | 0:56:49 | |
Are you having a fucking laugh, mate? | 0:56:49 | 0:56:51 | |
I've not been doing birthday parties for the last ten years. | 0:56:51 | 0:56:55 | |
But, listen, if you want to, phone back, I'm on the other line. I need to take this other call. | 0:56:55 | 0:57:00 | |
Listen, my other phone's ringing, so do you wanna call back? | 0:57:00 | 0:57:04 | |
Oh, I'll speak to you soon. OK, mate. ..Yeah. Hello. | 0:57:04 | 0:57:07 | |
Yeah, Glam Stuff. Yeah. That's us, yeah. | 0:57:07 | 0:57:10 | |
Aye, I can sell you anything you want, bud. | 0:57:13 | 0:57:16 | |
I can give you fucking Mull Of Kintyre, Abba, anything you want. | 0:57:16 | 0:57:19 | |
Uh-huh. | 0:57:19 | 0:57:21 | |
I can get the DJ, no problem. > | 0:57:24 | 0:57:25 | |
The guy you're probably looking for, I take it, is Casim? > | 0:57:25 | 0:57:30 | |
Eh, 750 quid. | 0:57:30 | 0:57:32 | |
That's the fucking deposit, mate. That's the deposit! | 0:57:33 | 0:57:37 | |
CHATTER, MUSIC PLAYS | 0:57:37 | 0:57:39 | |
You're actually dressed all right tonight, Casim. | 0:57:41 | 0:57:45 | |
Thank God! | 0:57:45 | 0:57:46 | |
My wee sweetheart... THEY LAUGH | 0:57:46 | 0:57:50 | |
We can't talk about girls. | 0:57:50 | 0:57:52 | |
He's dressed no' bad. He doesn't usually dress like that. | 0:57:53 | 0:57:57 | |
CONVERSATION INDISTINCT | 0:57:57 | 0:58:01 | |
Roisin... | 0:58:28 | 0:58:30 | |
How have you been? | 0:58:31 | 0:58:33 | |
Great. | 0:58:35 | 0:58:36 | |
I don't want to disturb you. You look busy. | 0:58:36 | 0:58:38 | |
I'm kept busy. | 0:58:40 | 0:58:41 | |
I don't suppose you fancy meeting up some time? | 0:58:44 | 0:58:47 | |
No. | 0:58:50 | 0:58:51 | |
No, I don't really see the point. | 0:58:52 | 0:58:54 | |
I really miss you. | 0:58:55 | 0:58:58 | |
Roisin, I think about you all the time. | 0:59:02 | 0:59:05 | |
I have to go now. | 0:59:09 | 0:59:11 | |
BELL RINGS | 0:59:28 | 0:59:30 | |
Hi, dear. Is that all you want? | 0:59:57 | 0:59:59 | |
-Yeah, thanks. -47p, please. | 0:59:59 | 1:00:01 | |
-There you are. -Thank you. | 1:00:04 | 1:00:06 | |
-You'll manage, or you want a bag? -That's fine, thank you. -OK, that's great. Thanks very much. | 1:00:06 | 1:00:11 | |
BELL RINGS | 1:00:11 | 1:00:12 | |
Miss Hanlon. | 1:00:14 | 1:00:16 | |
You don't have a cat, miss, do you? | 1:00:19 | 1:00:21 | |
No. | 1:00:23 | 1:00:24 | |
Were you here to see Casim, miss? | 1:00:26 | 1:00:28 | |
No, Tahara, I wasn't. | 1:00:28 | 1:00:30 | |
INAUDIBLE | 1:00:30 | 1:00:32 | |
That's better. It is much better. You did it a little bit again. | 1:00:47 | 1:00:50 | |
-Roisin. Sorry, could I have a word, please? -> | 1:00:50 | 1:00:53 | |
Yeah, course you can. Do you want to just give a wee practice? I'll be back in a second. | 1:00:53 | 1:00:59 | |
-Hi. -I noticed that your Certificate of Approval is out of date | 1:01:00 | 1:01:04 | |
and we need one to finalise all the details. | 1:01:04 | 1:01:07 | |
If you could get one, take it to your parish priest, ask him to sign it and that's it - full-time post. | 1:01:07 | 1:01:12 | |
OK, great. Thanks. | 1:01:12 | 1:01:14 | |
RUNNING FOOTSTEPS | 1:01:26 | 1:01:29 | |
Walk. | 1:01:29 | 1:01:30 | |
Walk! | 1:01:31 | 1:01:33 | |
'Hello.' | 1:01:38 | 1:01:40 | |
Tahara told me you called off the wedding... | 1:01:42 | 1:01:45 | |
and that you've moved out of home. | 1:01:45 | 1:01:48 | |
DOOR OPENS | 1:01:55 | 1:01:57 | |
Hi. | 1:01:57 | 1:01:58 | |
Ohhh! | 1:02:03 | 1:02:04 | |
What was that for? | 1:02:05 | 1:02:07 | |
Cos you're a bastard. | 1:02:07 | 1:02:08 | |
You deserve it. | 1:02:08 | 1:02:11 | |
You're the bastard. | 1:02:12 | 1:02:13 | |
I am not. | 1:02:13 | 1:02:15 | |
You're a prick. | 1:02:15 | 1:02:17 | |
Take it. | 1:02:19 | 1:02:20 | |
Take it. | 1:02:20 | 1:02:22 | |
Take it. | 1:02:25 | 1:02:26 | |
I really missed you. | 1:02:52 | 1:02:54 | |
I missed you. | 1:02:54 | 1:02:56 | |
Let's fuck. | 1:02:58 | 1:03:00 | |
BHANGRA MUSIC PLAYS | 1:03:01 | 1:03:03 | |
Roisin, you're going to have to duck down. Quickly. Seriously. | 1:03:38 | 1:03:41 | |
-Are you serious? -Seriously. -Casim. | 1:03:41 | 1:03:44 | |
It's another one of my cousin's takeaways. | 1:03:44 | 1:03:46 | |
-That's you. -I tell you, that's the last time I'm doing that. | 1:03:46 | 1:03:49 | |
-No, you have to do it again if I see... -How many cousins do you have? | 1:03:49 | 1:03:53 | |
There you go. | 1:04:07 | 1:04:08 | |
Oh, lovely. | 1:04:08 | 1:04:10 | |
Gulab Jamun and ice cream. | 1:04:10 | 1:04:12 | |
Gulab jammy? | 1:04:12 | 1:04:14 | |
-No, Gulab Jamun and ice cream. -Jamun? | 1:04:14 | 1:04:17 | |
Thanks very much. What is it? | 1:04:17 | 1:04:19 | |
Gulab Jamun and ice cream. | 1:04:19 | 1:04:22 | |
Thank you. | 1:04:24 | 1:04:26 | |
PHONE RINGS | 1:04:33 | 1:04:35 | |
It's my mum. | 1:04:40 | 1:04:42 | |
Hello. | 1:04:42 | 1:04:44 | |
Mum... Don't cry, Mum. | 1:04:53 | 1:04:56 | |
Promise, Mum. | 1:05:04 | 1:05:06 | |
Mum, don't cry. | 1:05:09 | 1:05:11 | |
Mum... Don't say that. | 1:05:13 | 1:05:15 | |
What's wrong? | 1:05:26 | 1:05:28 | |
She found my dad lying on my bed. He had a nightmare. | 1:05:28 | 1:05:33 | |
I'll show you something. | 1:05:37 | 1:05:39 | |
My dad's a twin. | 1:05:47 | 1:05:48 | |
Is he? Oh, look. They're lovely. | 1:05:48 | 1:05:52 | |
Where were these taken? | 1:05:57 | 1:05:59 | |
India. | 1:05:59 | 1:06:01 | |
Their eighth birthday. | 1:06:01 | 1:06:03 | |
Two months before partition, 1947. | 1:06:03 | 1:06:06 | |
Those Muslims living in India had to get over to Pakistan. | 1:06:06 | 1:06:11 | |
Sikhs and Hindus fled the other way. | 1:06:12 | 1:06:14 | |
15 million people on the march. Plus two. | 1:06:16 | 1:06:21 | |
He said it was like a journey from hell. | 1:06:25 | 1:06:28 | |
The whole fucking place exploded in hysteria. | 1:06:29 | 1:06:32 | |
Muslims butchered Hindus. Hindus slaughtered Muslims. | 1:06:32 | 1:06:37 | |
Hundreds and hundreds of thousands of people died. | 1:06:37 | 1:06:41 | |
Halfway through, they were caught in an ambush outside a village. | 1:06:47 | 1:06:51 | |
My dad's brother was kidnapped. | 1:06:52 | 1:06:54 | |
He was never, ever seen again. | 1:06:57 | 1:06:59 | |
This marked my dad for life. | 1:07:01 | 1:07:03 | |
What was his name? | 1:07:07 | 1:07:08 | |
Casim. | 1:07:09 | 1:07:11 | |
I'd love to meet them. | 1:07:16 | 1:07:18 | |
Yeah, get to know them slowly. | 1:07:19 | 1:07:21 | |
-Did you ever imagine being a Muslim? -No! | 1:07:21 | 1:07:25 | |
Under any circumstances? | 1:07:27 | 1:07:29 | |
No. | 1:07:31 | 1:07:33 | |
They can't imagine me being with someone who's not a Muslim. | 1:07:33 | 1:07:36 | |
A friend who's been living with his girlfriend for seven years, | 1:07:36 | 1:07:40 | |
his parents think there's a whole bunch of them | 1:07:40 | 1:07:43 | |
-share a flat together. -Jesus. | 1:07:43 | 1:07:45 | |
I couldn't live a lie like that, Casim. No way. | 1:07:45 | 1:07:47 | |
It's easy for you. Nothing to lose. | 1:07:47 | 1:07:52 | |
You can't live a lie. It's a self-indulgence. | 1:07:52 | 1:07:56 | |
What are you talking about? | 1:07:56 | 1:07:58 | |
Do you want me to break with my family? | 1:07:58 | 1:08:00 | |
I mean, break for ever? | 1:08:00 | 1:08:03 | |
Could you do that with your mum? | 1:08:06 | 1:08:08 | |
What do you ask of them? | 1:08:12 | 1:08:13 | |
They can't make the jump, Roisin. They can't. | 1:08:16 | 1:08:19 | |
So people can't change? | 1:08:19 | 1:08:21 | |
They're beyond that. I mean, if they see me living here, | 1:08:21 | 1:08:25 | |
my whole life would be destroyed with them. | 1:08:25 | 1:08:28 | |
So what are we going to do? | 1:08:30 | 1:08:32 | |
Just tell little lies for the rest of our time together? | 1:08:34 | 1:08:39 | |
I almost said "lives". | 1:08:41 | 1:08:43 | |
-Hello, I'm here to see Father Chambers. -Are you expected? | 1:09:01 | 1:09:04 | |
Yeah, I've got an appointment. | 1:09:04 | 1:09:05 | |
-Who shall I tell him it is? -It's Roisin Hanlon. | 1:09:10 | 1:09:13 | |
-Morning, Father. -Straight through. | 1:09:21 | 1:09:23 | |
I haven't seen you at mass for some time, Roisin. | 1:09:30 | 1:09:33 | |
I take it you've been attending another parish? | 1:09:33 | 1:09:35 | |
Erm, the school have offered me a permanent position | 1:09:37 | 1:09:40 | |
and since I'll be moving from a temporary contract into a full-time post, | 1:09:40 | 1:09:44 | |
I just need my Certificate of Approval updated. | 1:09:44 | 1:09:47 | |
So I'd be grateful if you could sign it for me. | 1:09:47 | 1:09:50 | |
And that's it, yes? | 1:09:50 | 1:09:52 | |
Simple as that. "Thank you, Father. Goodbye, Father." | 1:09:52 | 1:09:56 | |
I was given this by the arch-diocese. | 1:09:56 | 1:09:59 | |
The appropriate section being the update of the Education Scotland Act 1918. In particular, | 1:09:59 | 1:10:04 | |
the amendments of 1989, schedule ten, paragraph eight. | 1:10:04 | 1:10:08 | |
"Each teacher shall be approved | 1:10:08 | 1:10:10 | |
"as to his religious belief and character by the representative | 1:10:10 | 1:10:14 | |
"of the church in whose interests the school is being conducted." | 1:10:14 | 1:10:18 | |
What do you think is the rationale behind Catholic schools? | 1:10:19 | 1:10:22 | |
Erm... | 1:10:22 | 1:10:25 | |
"It is a community of faith, where pupils and teachers work together, | 1:10:25 | 1:10:29 | |
"recognising that they share the same Christian values." | 1:10:29 | 1:10:33 | |
What do you make of that? That is the law of the land. | 1:10:35 | 1:10:38 | |
I wasn't aware of the details, Father. | 1:10:41 | 1:10:43 | |
Well, it's even more specific than you think. | 1:10:43 | 1:10:46 | |
As parish priest, I have to satisfy myself that the teacher in question | 1:10:46 | 1:10:51 | |
is "giving public witness to their faith in their daily lives". | 1:10:51 | 1:10:55 | |
Now that is quite clear, Roisin. | 1:10:55 | 1:10:58 | |
OK. I'm not going to beat around the bush. | 1:10:59 | 1:11:03 | |
Are you living with a man? | 1:11:03 | 1:11:05 | |
Sorry? | 1:11:05 | 1:11:07 | |
Are you having sex outside of marriage? | 1:11:07 | 1:11:11 | |
That's none of your business... | 1:11:11 | 1:11:12 | |
It is my business. You've not been listening. | 1:11:12 | 1:11:15 | |
I've a responsibility to the parents of those Catholic children that you teach. | 1:11:15 | 1:11:19 | |
I am a priest. I'm not some bureaucrat who's here just to rubber stamp things. | 1:11:19 | 1:11:24 | |
You think you can get into bed with any Tom, Dick or Muhammad | 1:11:24 | 1:11:27 | |
and then teach wee Catholic kids? | 1:11:27 | 1:11:29 | |
-What did you say?! -You heard fine well what I said! | 1:11:29 | 1:11:32 | |
-Who have you been talking to? -None of your business! -None of my business?! | 1:11:32 | 1:11:36 | |
This is my life you're talking about. | 1:11:36 | 1:11:38 | |
It's my job, my career. And who do you think you are to speak to me | 1:11:38 | 1:11:43 | |
like I'm your housekeeper or some altar boy? | 1:11:43 | 1:11:46 | |
I am your parish priest! I'll speak to you in whatever manner I see fit! | 1:11:46 | 1:11:51 | |
Now, sit down! I warn ye! | 1:11:51 | 1:11:53 | |
If you want to keep this job, I suggest you take a seat. Now, sit! | 1:11:53 | 1:11:58 | |
Now, let's both take a deep breath and see if we can sort this out amicably now. | 1:12:01 | 1:12:08 | |
I do not doubt for a second that you are a wonderful teacher. | 1:12:08 | 1:12:11 | |
I've got letters from the school saying you're fantastic. | 1:12:11 | 1:12:14 | |
But I have to listen to my conscience. | 1:12:14 | 1:12:16 | |
In the eyes of the Catholic Church, you are still a married woman. | 1:12:16 | 1:12:21 | |
Now, you're a young woman. You can apply for annulment. | 1:12:21 | 1:12:24 | |
This boy you're living with, is he a Catholic? | 1:12:24 | 1:12:27 | |
No... | 1:12:27 | 1:12:30 | |
Would he consider becoming a Catholic? | 1:12:30 | 1:12:32 | |
What? We haven't spoken about it. | 1:12:32 | 1:12:35 | |
Well, I suggest you do. | 1:12:35 | 1:12:36 | |
And anyway, even if he doesn't want to become a Catholic, we're not living in the Dark Ages. | 1:12:36 | 1:12:41 | |
When you get an annulment, you can get a special dispensation from the Church | 1:12:41 | 1:12:45 | |
and can get married on the condition that you both vow | 1:12:45 | 1:12:48 | |
that you will bring up your children as Catholics. | 1:12:48 | 1:12:51 | |
Now, in the meantime, you cannot live in sin and come in here | 1:12:51 | 1:12:57 | |
and ask me to rubber stamp it or give you some seal of approval. | 1:12:57 | 1:13:02 | |
You might not like that, but that's simply the way it is. | 1:13:02 | 1:13:05 | |
The faith of our fathers is not for the faint-hearted. | 1:13:05 | 1:13:09 | |
Now, I'll give you some advice. You go home, you kick him out and you get married. | 1:13:09 | 1:13:14 | |
And if you're not prepared to do that, | 1:13:14 | 1:13:16 | |
I suggest you go and teach the Protestants. | 1:13:16 | 1:13:19 | |
DOOR SLAMS | 1:13:33 | 1:13:35 | |
He was rude. He was patronising. He was horrible. | 1:13:35 | 1:13:41 | |
The whole thing was horrible. | 1:13:41 | 1:13:43 | |
I mean, it's an ordinary school, supported 100% by public taxes, our taxes at that. | 1:13:43 | 1:13:48 | |
What my private life has to do with anything, I've no idea. | 1:13:48 | 1:13:51 | |
Oh! Living in sin! Fucking cheek of him! | 1:13:51 | 1:13:55 | |
What would your mum have made of all this? | 1:13:56 | 1:13:58 | |
Och, I don't know. I mean, she would have supported me. | 1:13:58 | 1:14:02 | |
She probably would have said, "I just want you to be happy, Roisin." | 1:14:02 | 1:14:05 | |
And probably a day or two later she would have said, "What about the children?" | 1:14:05 | 1:14:10 | |
That's what everybody will think. They won't say it. | 1:14:10 | 1:14:13 | |
What colour are they going to be? Their hair? | 1:14:13 | 1:14:15 | |
Are they circumcised? What school are you going to send them to? | 1:14:15 | 1:14:18 | |
What religious stamp will you use? | 1:14:18 | 1:14:20 | |
I mean, they're fucking bigots, they drive you fucking insane! | 1:14:20 | 1:14:25 | |
If it's not the holy willy priest and his cronies on one side, | 1:14:25 | 1:14:29 | |
it's your dad and fucking mullahs and we're stuck in the middle. | 1:14:29 | 1:14:32 | |
-Don't say that, Roisin. -Hey? | 1:14:32 | 1:14:34 | |
Don't call my dad a bigot. | 1:14:34 | 1:14:35 | |
-What is he then? -He could be a lot of things, but not a bigot. | 1:14:35 | 1:14:38 | |
You said so yourself, Casim. | 1:14:38 | 1:14:40 | |
-You don't know him. -You said he'd... -I don't care, he's not a bigot. | 1:14:40 | 1:14:44 | |
-I care! -You don't know him, Roisin | 1:14:44 | 1:14:45 | |
-You're too scared to introduce me! -You're white, you don't understand! | 1:14:45 | 1:14:49 | |
Oh! | 1:14:49 | 1:14:50 | |
Sign it. | 1:14:59 | 1:15:00 | |
-Is that my resignation? -Your contract. | 1:15:02 | 1:15:05 | |
-I haven't got the Certificate of Approval. -I don't care. | 1:15:05 | 1:15:08 | |
-This is your head on the line, Michael. -I said, sign it. | 1:15:10 | 1:15:15 | |
You do know I'm still living with him? | 1:15:15 | 1:15:18 | |
That's none of my business, Roisin, and as far as I'm concerned, | 1:15:18 | 1:15:21 | |
it's none of that old fanatic's business either. | 1:15:21 | 1:15:23 | |
You've done a first-class job here. | 1:15:23 | 1:15:26 | |
Do I have to forge that signature for you? | 1:15:26 | 1:15:29 | |
Ha! No! | 1:15:29 | 1:15:31 | |
Excuse me. Are you Miss Hanlon? | 1:15:53 | 1:15:58 | |
-Yeah. -My name's Rukhsana Kahn. I'm Casim's older sister. | 1:15:58 | 1:16:02 | |
Hi. | 1:16:02 | 1:16:03 | |
Um, is it possible to have a chat with you? | 1:16:03 | 1:16:06 | |
Yeah, sure. Do you wanna come up? | 1:16:06 | 1:16:08 | |
Could we go elsewhere? | 1:16:08 | 1:16:11 | |
-Tea? -Yeah, thanks. Thanks. | 1:16:15 | 1:16:18 | |
Roisin, you must be wondering why I've asked to... | 1:16:28 | 1:16:31 | |
Well, I've come to see you, I suppose. | 1:16:31 | 1:16:33 | |
You must think it's very odd, | 1:16:33 | 1:16:35 | |
but basically, I feel that I had to talk to you, | 1:16:35 | 1:16:38 | |
because of what's going on just now with my family... | 1:16:38 | 1:16:41 | |
Casim's left home and he's living with you. | 1:16:44 | 1:16:47 | |
And as far as my family's concerned and my community's concerned, | 1:16:47 | 1:16:51 | |
it's brought a great deal of shame on all of us. | 1:16:51 | 1:16:54 | |
See, we have this concept called "izzat", | 1:16:54 | 1:16:58 | |
which, I guess, is family honour and that's really, really important to people. | 1:16:58 | 1:17:04 | |
And my parents all their lives have worked | 1:17:04 | 1:17:06 | |
very, very hard to maintain that, to keep that | 1:17:06 | 1:17:09 | |
and they've built up respect and trust in the community. | 1:17:09 | 1:17:12 | |
And what Casim has done has basically taken that away. | 1:17:15 | 1:17:19 | |
And not only that... I don't know if Casim told you, | 1:17:19 | 1:17:24 | |
but... | 1:17:24 | 1:17:27 | |
I met Amar through my family and we got on really well. | 1:17:27 | 1:17:33 | |
Our families got on really well. We were very fond of each other. | 1:17:33 | 1:17:36 | |
In the short time that we've known each other, we feel very strongly. | 1:17:38 | 1:17:41 | |
We both want to get married. | 1:17:41 | 1:17:44 | |
But because of what Casim's done... | 1:17:46 | 1:17:49 | |
..his mother phoned up and cancelled the wedding. | 1:17:51 | 1:17:55 | |
I love your brother. Why can't you accept that? | 1:17:59 | 1:18:04 | |
For how long? | 1:18:04 | 1:18:06 | |
I don't know. | 1:18:09 | 1:18:11 | |
When will you know? | 1:18:11 | 1:18:14 | |
When everybody's lives are fucked up? | 1:18:14 | 1:18:16 | |
Can't you understand what's going on? | 1:18:16 | 1:18:19 | |
Can't you understand that because of your "love", so many people's lives are being destroyed? | 1:18:19 | 1:18:26 | |
You clearly don't understand, do you? | 1:18:28 | 1:18:31 | |
Roisin, I'm just going to ask you straight. | 1:18:33 | 1:18:36 | |
Will you leave my brother? | 1:18:36 | 1:18:38 | |
Please, will you leave my brother? | 1:18:40 | 1:18:43 | |
No. | 1:18:45 | 1:18:46 | |
# Southern trees | 1:19:12 | 1:19:17 | |
# Bare strange fruit | 1:19:17 | 1:19:24 | |
# Blood on the leaves | 1:19:24 | 1:19:28 | |
# And blood at the roots | 1:19:28 | 1:19:33 | |
# Black bodies swinging | 1:19:33 | 1:19:37 | |
# In the Southern breeze | 1:19:37 | 1:19:43 | |
# Strange fruit hangin'... # | 1:19:43 | 1:19:47 | |
Roisin, can I have a word with you, please? | 1:19:49 | 1:19:51 | |
I need to have a quick word with you. Come over here. | 1:20:00 | 1:20:02 | |
Away from the classroom. | 1:20:02 | 1:20:05 | |
Roisin, I am so sorry. I just had a call from the Director of Education. | 1:20:05 | 1:20:11 | |
And I'm afraid you're out and I'm in a bit of trouble. | 1:20:11 | 1:20:14 | |
They're going to move you on to a non-denominational school on Monday, | 1:20:14 | 1:20:18 | |
so I'm afraid this is your last day. | 1:20:18 | 1:20:21 | |
This is ridiculous. | 1:20:23 | 1:20:24 | |
I agree. | 1:20:24 | 1:20:26 | |
So I start in another school on Monday? | 1:20:28 | 1:20:30 | |
Yes, I'm afraid so. | 1:20:30 | 1:20:33 | |
What about the students? Can I not work until the end of the term? | 1:20:33 | 1:20:37 | |
I know. I know and I regret that bitterly, | 1:20:37 | 1:20:40 | |
but I'm afraid all you can do is to go back in there | 1:20:40 | 1:20:43 | |
and say you're having to leave and this will be the last day. | 1:20:43 | 1:20:47 | |
It's shocking, I know. | 1:20:48 | 1:20:49 | |
And they will be as disappointed as I am. | 1:20:50 | 1:20:53 | |
PHONE RINGS | 1:21:04 | 1:21:07 | |
-Hello? -Casim. It's me. | 1:21:12 | 1:21:14 | |
-OK. -Listen. Right, we're gonna fuck up this whole deal... | 1:21:14 | 1:21:18 | |
-OK. -So are we gonna move it? -Give me a minute. | 1:21:18 | 1:21:21 | |
-I'm just coming. Give me a minute. -..Move it! | 1:21:21 | 1:21:25 | |
I need to go. I'm meeting those backers from London. | 1:21:25 | 1:21:28 | |
Can't you postpone? | 1:21:28 | 1:21:30 | |
I can't. They're at the airport just now. | 1:21:30 | 1:21:32 | |
-Why don't you give him the plans and he can go on his own? -He needs me to come along with him. | 1:21:32 | 1:21:37 | |
Well, I kinda need you here, Casim. I lost my job today. | 1:21:37 | 1:21:40 | |
I'll be back in a couple of hours. It won't take long. | 1:21:40 | 1:21:43 | |
If it's not Hammid, it's the priest. If it's not the priest, | 1:21:43 | 1:21:46 | |
-it's your bloody sister. -My sister's OK. | 1:21:46 | 1:21:48 | |
She's OK?! She asked me to leave you. | 1:21:48 | 1:21:52 | |
Roisin, I need to go. It's important to me. | 1:21:52 | 1:21:55 | |
And this is important to me! | 1:21:55 | 1:21:57 | |
Look, I've tried to understand your sister, Casim, I really have. | 1:21:57 | 1:22:01 | |
I tried to understand your whole family, in fact. | 1:22:01 | 1:22:03 | |
If your dad's so great, I don't see why he can't start treating me like a human being. | 1:22:03 | 1:22:08 | |
-If you'd been in his shoes, you might not be... -Here we go again! | 1:22:08 | 1:22:11 | |
Here we go again? Here we go again! | 1:22:11 | 1:22:13 | |
Have you ever had a dog set on you, Roisin? | 1:22:13 | 1:22:15 | |
Have kids chasing after you making monkey noises? | 1:22:15 | 1:22:18 | |
I don't think so. Have you any idea how many times he had to keep his mouth shut? | 1:22:18 | 1:22:23 | |
The humiliation, the insults he's been through? No, none whatsoever. | 1:22:23 | 1:22:27 | |
Have you ever been spat on, in fact? | 1:22:27 | 1:22:29 | |
Ask Rukhsana what it feels like to have gob on your face. | 1:22:29 | 1:22:32 | |
-OK, so there's racist bastards... -I found my father stabbed, Roisin. | 1:22:32 | 1:22:36 | |
He nearly bled to death in my arms. | 1:22:36 | 1:22:38 | |
So excuse fucking me! | 1:22:38 | 1:22:40 | |
HORN BEEPS | 1:22:46 | 1:22:48 | |
I'm fucking coming. Wait! Wait! | 1:22:48 | 1:22:50 | |
That's not fair, Casim. | 1:22:50 | 1:22:53 | |
It's not my fault. | 1:22:53 | 1:22:55 | |
And it's not my family's fault if they're treated like Paki foreigners, | 1:22:56 | 1:23:00 | |
not quite up to the mark. | 1:23:00 | 1:23:01 | |
HORN BEEPS | 1:23:04 | 1:23:07 | |
I need to go, Roisin. | 1:23:10 | 1:23:11 | |
It's really important I meet them. | 1:23:13 | 1:23:15 | |
Stay. | 1:23:15 | 1:23:16 | |
-I'll be back as soon as I can. -Casim, I'm asking you to stay, please. | 1:23:16 | 1:23:20 | |
It's our backers from London. | 1:23:20 | 1:23:21 | |
-Yeah, I know that, but I'm... -If they like us, it's our big chance. | 1:23:21 | 1:23:25 | |
Maybe your sister's right then. | 1:23:25 | 1:23:28 | |
-Maybe we shouldn't be with each other. -Maybe we shouldn't. | 1:23:28 | 1:23:30 | |
-Well, fuck you, then! -Fuck off, then! -Whatever. | 1:23:30 | 1:23:33 | |
TAXI DRIVES OFF | 1:23:56 | 1:23:58 | |
Roisin? | 1:24:17 | 1:24:18 | |
Roisin, can you take the chain off, please? | 1:24:22 | 1:24:25 | |
Is everything OK? | 1:24:30 | 1:24:32 | |
-She's not answering her mobile. -Still not got hold of her? -It's off. | 1:24:32 | 1:24:36 | |
Here, babes. Don't worry. Maybe she's gone out or something. | 1:24:36 | 1:24:39 | |
OK? Don't worry. | 1:24:39 | 1:24:41 | |
'Hey, Roisin, If you're in... I can't call your mobile, it's off. | 1:24:46 | 1:24:51 | |
'I'm so sorry. | 1:24:51 | 1:24:52 | |
'I feel like shit. I promise I'll make it up to you. | 1:24:52 | 1:24:55 | |
'If you're making me squirm, honey, it's working. | 1:24:55 | 1:24:59 | |
'I've got some good news. They've put up the money for the club. | 1:24:59 | 1:25:02 | |
'They're all going out to celebrate. I can't do that without you. | 1:25:02 | 1:25:04 | |
'I'll have no-one to spin on the dance-floor. | 1:25:04 | 1:25:07 | |
'Please phone me when you get back in. | 1:25:07 | 1:25:08 | |
'And if you're in, please pick up, honey.' | 1:25:08 | 1:25:10 | |
INDISTINCT | 1:25:10 | 1:25:14 | |
Casim. | 1:25:24 | 1:25:25 | |
What? | 1:25:25 | 1:25:27 | |
That was your mum on the phone. | 1:25:27 | 1:25:28 | |
What did she say? | 1:25:28 | 1:25:29 | |
That you're always engaged. She's trying to get hold of you. Phone her back. | 1:25:29 | 1:25:33 | |
Anything else? | 1:25:33 | 1:25:35 | |
-Well, she's not going to tell me. -Give her a wee phone. | 1:25:35 | 1:25:38 | |
Hello, Tahara? | 1:25:41 | 1:25:43 | |
Wh...? Tahara? | 1:25:45 | 1:25:48 | |
Are you still there? | 1:25:48 | 1:25:50 | |
What was that? > | 1:25:51 | 1:25:53 | |
-She got cut off. -It may have been a bad reception. Don't worry about it. | 1:25:54 | 1:25:58 | |
No, I was calling the house phone. | 1:25:58 | 1:26:00 | |
I think it might have something to do with your mum, no? | 1:26:00 | 1:26:03 | |
-ANSWERING MACHINE: -'Hi, Miss Hanlon. This is Rukhsana, Casim's sister. | 1:26:06 | 1:26:09 | |
'I was hoping that I could meet up with you.' | 1:26:09 | 1:26:12 | |
Hello. | 1:26:12 | 1:26:13 | |
Hi. | 1:26:15 | 1:26:16 | |
What is it? | 1:26:20 | 1:26:21 | |
Show me what? | 1:26:23 | 1:26:25 | |
Salaam alaykum, Dad. | 1:26:52 | 1:26:54 | |
How nice to see you, Casim. | 1:26:54 | 1:26:56 | |
Is everything all right? | 1:26:56 | 1:26:57 | |
Fine. Everything is fine, but we miss you. | 1:26:57 | 1:27:00 | |
Oh, so nice to see you, eh? | 1:27:00 | 1:27:04 | |
Ah, leave it. Leave it. | 1:27:05 | 1:27:08 | |
What do you think of it? | 1:27:08 | 1:27:10 | |
Is Tahara OK? | 1:27:10 | 1:27:11 | |
Tahara? She's in her room studying. Come on... She's fine. | 1:27:11 | 1:27:15 | |
And what do you think of it? We got it finished. | 1:27:15 | 1:27:18 | |
-All done? -Aye. Come and I'll show you inside of it. | 1:27:18 | 1:27:23 | |
There you are. Open it up. | 1:27:23 | 1:27:25 | |
This is your fitted kitchen. | 1:27:29 | 1:27:31 | |
See. Real McCoy stuff. | 1:27:34 | 1:27:37 | |
And, Casim, see that? | 1:27:42 | 1:27:44 | |
Real pinewood. | 1:27:44 | 1:27:45 | |
And your sister, Rukhsana, thought you would need the internet stuff. | 1:27:48 | 1:27:51 | |
-What do you call it? -Laptop. | 1:27:51 | 1:27:54 | |
Right. There you are, it's all yours. | 1:27:54 | 1:27:56 | |
Why have we stopped here? | 1:28:09 | 1:28:10 | |
Um, this is our house. Um... | 1:28:10 | 1:28:14 | |
What am I doing here, Rukhsana? | 1:28:19 | 1:28:21 | |
Just-just wait and see. | 1:28:22 | 1:28:24 | |
That's Amar there. | 1:28:26 | 1:28:28 | |
That's the extension my father's been working on. | 1:28:30 | 1:28:33 | |
He was completely obsessed with it. | 1:28:33 | 1:28:35 | |
Well, are we going to go in or just...? | 1:28:35 | 1:28:38 | |
Just, just... That's my mum. | 1:28:39 | 1:28:42 | |
She's missed Casim so much. | 1:28:44 | 1:28:46 | |
Casim? | 1:28:46 | 1:28:48 | |
Are we going to go and meet them? | 1:28:53 | 1:28:55 | |
Just wait one second. | 1:28:57 | 1:28:58 | |
ROISIN SIGHS | 1:28:59 | 1:29:01 | |
Who are they? | 1:29:31 | 1:29:33 | |
That's, um...Jasmine, Casim's fiancee. | 1:29:33 | 1:29:37 | |
Oh, for fuck's sake, Rukhsana! What the fuck am I doing here? | 1:29:37 | 1:29:41 | |
What are you trying to do? Just rub it in my face, is it? | 1:29:41 | 1:29:44 | |
-I didn't mean to upset you. That's not... -Oh, did you not?! | 1:29:46 | 1:29:49 | |
What did you think you were trying to do to me, huh? | 1:29:49 | 1:29:51 | |
My intention's not to upset you. I just want you to see | 1:29:51 | 1:29:53 | |
what's going on, how we live, what our family's like. | 1:29:53 | 1:29:56 | |
Can't you see that this will all be destroyed if... | 1:29:56 | 1:29:59 | |
I was told that the wedding is off. Is the wedding off? | 1:30:00 | 1:30:04 | |
No. | 1:30:04 | 1:30:05 | |
You'll see. Casim will go ahead with the marriage. | 1:30:05 | 1:30:08 | |
ROISIN LAUGHS | 1:30:08 | 1:30:10 | |
His family's very important to him. | 1:30:13 | 1:30:15 | |
Are you just going to leave me sitting here like some fucking eejit and rub it in my face? | 1:30:20 | 1:30:25 | |
Roisin, my intention is to show you what's going on here and show you | 1:30:25 | 1:30:28 | |
that that's my family. I care about them. OK? | 1:30:28 | 1:30:31 | |
I'm not prepared to give all of that up, plus Amar up, | 1:30:31 | 1:30:33 | |
for someone who doesn't even know they're going to love my brother next week. | 1:30:33 | 1:30:38 | |
You're fucked, Rukhsana! You and your whole fucking family's fucked! | 1:30:38 | 1:30:42 | |
Dad, what did I say before I left? | 1:31:22 | 1:31:24 | |
Casim, Casim, I've been trying to tell you, but they've got my mobile. | 1:31:30 | 1:31:34 | |
-They've got Roisin outside. -What? -They're got Roisin outside. | 1:31:34 | 1:31:37 | |
They're in the car. Rukhsana's car. | 1:31:37 | 1:31:39 | |
-FATHER: -Eh, come back, you! Rukhsana! -What's going on? | 1:31:39 | 1:31:43 | |
-< -You come back here! | 1:31:44 | 1:31:46 | |
MOTHER SPEAKS URDU RUKHSANA: I don't know. She's gone. | 1:31:46 | 1:31:48 | |
I can't fucking believe this! What's going on? | 1:31:48 | 1:31:50 | |
-Listen, you come back here. -She's gone. | 1:31:50 | 1:31:52 | |
-Where is she? -You come back here. | 1:31:52 | 1:31:54 | |
-Come here. -No, I'm not coming back anywhere. -Forget her! -No. | 1:31:56 | 1:31:59 | |
Rukhsana, take your mum inside. Listen... | 1:32:03 | 1:32:05 | |
-Is this some sort of fucking joke? -I may not be as clever educated like you are, but I'm your father. | 1:32:05 | 1:32:09 | |
Please try to understand. Right, listen. | 1:32:09 | 1:32:12 | |
See, you could be with them 100 years, they'll still call you black bastard. Right? | 1:32:12 | 1:32:17 | |
You're still the same to them. | 1:32:17 | 1:32:18 | |
Think of 25 years down the road. | 1:32:18 | 1:32:21 | |
What happens when you don't have your health, your money, your resources, your business? | 1:32:21 | 1:32:26 | |
What happens? She'll kick you out, eh? | 1:32:26 | 1:32:29 | |
-You don't know that, Dad. -Listen, don't let a cheap gori come between us. | 1:32:29 | 1:32:33 | |
She'll throw you out, Casim. She'll find another man. | 1:32:33 | 1:32:36 | |
Proper values. Right? | 1:32:36 | 1:32:38 | |
-What about your culture, your religion? Right? -< Casim... | 1:32:38 | 1:32:41 | |
Listen to your mum. | 1:32:41 | 1:32:42 | |
We're your parents. | 1:32:42 | 1:32:43 | |
We'll die for you. We'll do anything for you. | 1:32:43 | 1:32:46 | |
You're our only son. | 1:32:46 | 1:32:48 | |
-You're our future. -Respect my choice then, Dad, that's all I ask of you! | 1:32:48 | 1:32:51 | |
-We do! -Respect my fucking choice! -We do, we do! -< Casim... | 1:32:51 | 1:32:54 | |
-You don't understand that, right? -Meet her then! Her name's Roisin. | 1:32:54 | 1:32:58 | |
Meet her, get to know her! Can you do that? | 1:32:58 | 1:33:00 | |
Listen, I'll ask you one more time... | 1:33:00 | 1:33:03 | |
You're not asking me, Dad, you're telling me. | 1:33:03 | 1:33:05 | |
You've done that your whole life. | 1:33:05 | 1:33:06 | |
Your whole fucking life you've told me. | 1:33:06 | 1:33:08 | |
-Don't swear like that to me. -Just give her a chance. -Don't swear like that to me. Casim! | 1:33:08 | 1:33:13 | |
Come back! | 1:33:13 | 1:33:14 | |
Oh, God! Hey, you bastard you. | 1:33:15 | 1:33:19 | |
I did that for them! | 1:33:19 | 1:33:22 | |
Bastard! Bastard! Bastard! | 1:33:22 | 1:33:26 | |
Bastards! | 1:33:26 | 1:33:28 | |
Come on! Don't fucking do that! | 1:33:30 | 1:33:34 | |
Roisin? | 1:33:40 | 1:33:42 | |
Roisin? | 1:33:43 | 1:33:45 | |
How's your hand? > | 1:34:21 | 1:34:23 | |
It's better. It's better. | 1:34:23 | 1:34:24 | |
Dad... SHE SIGHS | 1:34:27 | 1:34:31 | |
..I know how you feel about...me wanting to be a journalist | 1:34:31 | 1:34:35 | |
and about Edinburgh University. | 1:34:35 | 1:34:38 | |
I just want you to know that...I really want to go | 1:34:38 | 1:34:43 | |
and I'm going to go. | 1:34:43 | 1:34:45 | |
And I'm going to keep speaking to Casim. | 1:34:46 | 1:34:48 | |
I can't not speak to him. FATHER CRIES | 1:34:48 | 1:34:50 | |
He's my brother. | 1:34:50 | 1:34:52 | |
Thanks, Mum. | 1:34:59 | 1:35:01 | |
PIANO PLAYS SOFTLY IN THE DISTANCE | 1:35:21 | 1:35:25 | |
PIANO CONTINUES | 1:35:37 | 1:35:39 | |
SHE PLAYS A POIGNANT TUNE | 1:36:12 | 1:36:15 | |
I've been looking for you everywhere, Roisin. | 1:36:26 | 1:36:29 | |
I went to a bar. | 1:36:29 | 1:36:31 | |
Several, actually. | 1:36:31 | 1:36:33 | |
Nearly fucked a complete stranger. Can you believe that? | 1:36:34 | 1:36:37 | |
I was a tad lonely, to be honest. | 1:36:39 | 1:36:42 | |
SHE PLAYS A FEW NOTES | 1:36:42 | 1:36:44 | |
Have you come to pick up your stuff? | 1:36:45 | 1:36:47 | |
That depends. | 1:36:51 | 1:36:52 | |
What on? | 1:36:54 | 1:36:55 | |
Whether you'll grow tired of me. | 1:36:59 | 1:37:00 | |
Absolutely. | 1:37:03 | 1:37:05 | |
Will you throw me out if I get sick? | 1:37:07 | 1:37:09 | |
Definitely. | 1:37:09 | 1:37:11 | |
Watch too much telly? | 1:37:11 | 1:37:13 | |
Most certainly. | 1:37:13 | 1:37:14 | |
Become bankrupt and penniless? | 1:37:14 | 1:37:16 | |
Without a doubt. | 1:37:16 | 1:37:18 | |
If I get depressed and lose my mind? | 1:37:18 | 1:37:21 | |
I'll send you a card. | 1:37:21 | 1:37:23 | |
-I'd better pick up my stuff then. -Yeah, you'd better. | 1:37:25 | 1:37:28 | |
And what about... | 1:37:29 | 1:37:30 | |
..when I get very, very, very old, Miss Hanlon? | 1:37:32 | 1:37:38 | |
I'll let you know. | 1:37:40 | 1:37:42 | |
Crazy durdu. | 1:37:54 | 1:37:56 | |
Smelly gori. | 1:37:57 | 1:37:59 | |
Subtitles by Red Bee Media Ltd. | 1:39:05 | 1:39:08 | |
E-mail [email protected] | 1:39:08 | 1:39:11 |