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'So now we are here. I, Captain Jacques St Ives of Napoleon's Hussars, | 0:01:14 | 0:01:20 | |
'who has lost his family to the revolution, will not lose the opportunity of a splendid night out. | 0:01:20 | 0:01:28 | |
'Paris is a place of duels, wine and women. It is said any hussar not dead by 30 is a blackguard. | 0:01:28 | 0:01:35 | |
'Today I'm 34 and living, it seems, on borrowed time.' | 0:01:35 | 0:01:40 | |
At last! Now we can get drunk. | 0:01:40 | 0:01:43 | |
Francois, if you knew how much I dislike back-slapping... | 0:01:43 | 0:01:47 | |
I do. That's why I do it. Not so fast, monsieur. | 0:01:47 | 0:01:52 | |
-I am Capitaine Robert Coupelain of the Paris Guard. -My condolences, Capitaine. | 0:01:52 | 0:01:58 | |
You have insulted me! I demand satisfaction. | 0:01:58 | 0:02:02 | |
We'll meet at dawn in le Bois de Boulogne. | 0:02:03 | 0:02:08 | |
You have choice of weapons. | 0:02:08 | 0:02:10 | |
Pistols. | 0:02:10 | 0:02:12 | |
Your name, monsieur? I demand to know your name. | 0:02:17 | 0:02:21 | |
-Le Vicomte Jacques de Keroual de St Ives. -And he fears no-one(!) | 0:02:21 | 0:02:27 | |
-This is fast becoming a full-time occupation. -What is, Francois? | 0:02:31 | 0:02:37 | |
Being your second. | 0:02:37 | 0:02:40 | |
-Do you think he'd accept an abject apology? -No. | 0:02:53 | 0:02:57 | |
You told him I'm with child? | 0:02:57 | 0:03:00 | |
He was unmoved. If you are killed, I shall never speak to you again. | 0:03:00 | 0:03:05 | |
I understand. | 0:03:05 | 0:03:08 | |
You each have one shot. Whatever the result, honour will be deemed to be satisfied. | 0:03:08 | 0:03:14 | |
Take care. They may be loaded. | 0:03:15 | 0:03:18 | |
Ten paces, gentlemen. | 0:03:19 | 0:03:22 | |
1...2... | 0:03:22 | 0:03:24 | |
3...4...5... | 0:03:24 | 0:03:27 | |
6...7...8... | 0:03:27 | 0:03:30 | |
9...10. | 0:03:30 | 0:03:32 | |
Gentlemen, I shall say "ready" and then count to three. | 0:03:35 | 0:03:40 | |
< Fire at any time between one and three. | 0:03:41 | 0:03:45 | |
Are you ready? > | 0:03:48 | 0:03:50 | |
Ready! | 0:03:50 | 0:03:53 | |
-If you die, may I have your boots? -You may...and my debts. | 0:03:53 | 0:03:57 | |
Ready! | 0:03:57 | 0:04:00 | |
< 1... | 0:04:00 | 0:04:02 | |
..2... | 0:04:03 | 0:04:05 | |
< 3! | 0:04:09 | 0:04:11 | |
Honour has been satisfied. | 0:04:22 | 0:04:25 | |
< Let us now consider the matter settled. | 0:04:25 | 0:04:28 | |
Kill him. | 0:04:30 | 0:04:33 | |
Here! | 0:04:36 | 0:04:38 | |
-You're lucky it's just a flesh wound. -Come on, I'm late. -Late? What for? | 0:04:57 | 0:05:02 | |
..No, Jacques, that fellow's friend will be looking for you everywhere. | 0:05:02 | 0:05:07 | |
-Let him. Remember my family motto. -No. -You're a plebeian. | 0:05:07 | 0:05:11 | |
-That remark is beneath you. -A position shortly to be occupied by the singer. -Wit(!) You're jealous. | 0:05:11 | 0:05:19 | |
-What is there to be jealous about? Her eyes so full of fire... -Beauty is skin-deep. | 0:05:19 | 0:05:25 | |
That's it. I cannot love a man who loves a cliche. | 0:05:25 | 0:05:30 | |
Le Vicomte Jacques de St Ives at your service. | 0:05:40 | 0:05:44 | |
-You are wounded. -It's nothing. | 0:05:44 | 0:05:47 | |
It seems I'm breakfasting with the most infamous man in Paris. | 0:05:47 | 0:05:52 | |
-You'd think Paris would have something better to talk about. -Capitaine de St Ives? | 0:05:52 | 0:05:58 | |
Pistols. Le Bois de Boulogne at dawn tomorrow. | 0:06:01 | 0:06:05 | |
So, monsieur, you are a vicomte, and yet you serve Napoleon? | 0:06:12 | 0:06:17 | |
I like the uniform. | 0:06:17 | 0:06:20 | |
Capitaine de St Ives? | 0:06:20 | 0:06:22 | |
Sabres. Bois de Boulogne. 8am. | 0:06:25 | 0:06:29 | |
And is Monsieur le Vicomte a rich man? | 0:06:35 | 0:06:39 | |
At the moment, I am the richest man in Paris. | 0:06:39 | 0:06:43 | |
..The earliest I can accommodate you is 9am. | 0:06:43 | 0:06:47 | |
-I'd hoped that we might find some time together tomorrow, but you are engaged. -Today? | 0:06:51 | 0:06:57 | |
-I have a matinee. -And after? -An evening performance. | 0:06:57 | 0:07:02 | |
-After that? -A prior engagement... -Ah? -..which cannot be broken. | 0:07:02 | 0:07:07 | |
-Wednesday, we perform at Versailles. -And I return to the battlefield. | 0:07:07 | 0:07:12 | |
-It must be tomorrow morning. -I can be with you by ten. | 0:07:12 | 0:07:17 | |
Capitaine de St Ives? | 0:07:18 | 0:07:21 | |
-I demand you grant me satisfaction. -Can you make 9.15? | 0:07:22 | 0:07:26 | |
Noon or you're a disgrace to your uniform and France. | 0:07:26 | 0:07:30 | |
-Only officers can fight duels? -Officers of the same rank, yes. | 0:07:30 | 0:07:35 | |
Good. I wouldn't like to wait in line behind an entire regiment. | 0:07:35 | 0:07:39 | |
Noon. | 0:07:40 | 0:07:43 | |
Mademoiselle, forgive me for what I am about to do. I have our best interests at heart. | 0:07:47 | 0:07:54 | |
-Something I've said? -Yes. I'll pay my respects first thing tomorrow. | 0:07:54 | 0:08:00 | |
At what time do you rise? | 0:08:00 | 0:08:03 | |
-As soon as I wake. -Until tomorrow, then. | 0:08:03 | 0:08:07 | |
Capitaine de St Ives requesting demotion, sir. | 0:08:21 | 0:08:26 | |
You are a liar and a cheat, a drunkard and a disgrace. | 0:08:32 | 0:08:37 | |
A hot-headed, hot-blooded Casanova. | 0:08:37 | 0:08:42 | |
A useless, feckless, worthless hobbledehoy. | 0:08:42 | 0:08:48 | |
Have you nothing to say for yourself? | 0:08:48 | 0:08:51 | |
A good-for-nothing blackguard and a slubberdegullion. | 0:08:51 | 0:08:56 | |
-Colonel, may I say...? -You may not. | 0:08:56 | 0:08:59 | |
St Ives, you marched in here a captain of hussars. You will march out a private. | 0:08:59 | 0:09:05 | |
A what? | 0:09:05 | 0:09:08 | |
-A private. -There's some mistake. | 0:09:08 | 0:09:11 | |
-Reduced in rank, of course, but reduced TO the ranks...? -No mistake. | 0:09:11 | 0:09:16 | |
A private in the infantry. | 0:09:16 | 0:09:19 | |
The infantry. | 0:09:21 | 0:09:23 | |
Take him away and find him a particularly itchy uniform. | 0:09:23 | 0:09:29 | |
Fusilier Jacques St Ives reporting for duty. | 0:09:40 | 0:09:44 | |
Well, the uniform has changed. | 0:09:44 | 0:09:47 | |
The man beneath remains the same. | 0:09:47 | 0:09:49 | |
I do hope so. | 0:09:51 | 0:09:54 | |
May I offer some small compensation for the sacrifices you've made? | 0:10:09 | 0:10:15 | |
You may. | 0:10:15 | 0:10:17 | |
En avance! | 0:10:22 | 0:10:25 | |
Was it worth it? | 0:10:47 | 0:10:49 | |
'It was worth it.' | 0:10:49 | 0:10:52 | |
-Was it worth it? -It was worth it. | 0:10:54 | 0:10:58 | |
SNORING | 0:11:10 | 0:11:13 | |
-Wake up, Francois. -What is it? -Come with me. -Hm? | 0:11:13 | 0:11:18 | |
Corporal Harry! > | 0:11:24 | 0:11:27 | |
British soldiers. There can't be more than 200 of them. | 0:11:27 | 0:11:32 | |
-You and I will take them prisoner. -Good idea. You surround them, I'll go back to bed. -We'll be heroes. | 0:11:32 | 0:11:39 | |
-Will they write songs about us? -Yes. You will recommend my reinstatement. | 0:11:39 | 0:11:44 | |
-You concede it was not worth it? -I do no such thing. -Same old... | 0:11:44 | 0:11:48 | |
Ah-h-h-h! | 0:11:48 | 0:11:50 | |
Bonjour, messieurs. | 0:11:58 | 0:12:01 | |
There's your place. Make yourself at home. | 0:13:12 | 0:13:17 | |
I did not expect to be incarcerated in a toy shop. | 0:13:28 | 0:13:32 | |
The jail is open to the public each Saturday. They jabber like monkeys but pay good money for our toys. | 0:13:32 | 0:13:39 | |
Let's see what you can do. | 0:13:42 | 0:13:45 | |
-BELL RINGS -Open up. | 0:13:52 | 0:13:55 | |
-Major Chevening. -Ah, Miss Gilchrist, you're here. | 0:14:10 | 0:14:14 | |
Welcome. I'm so glad you were able to... And that you managed to persuade your niece... | 0:14:14 | 0:14:21 | |
-She took no persuading. Did you, Flora? -Good. Good. Good. | 0:14:21 | 0:14:26 | |
This way, ladies. The guided tour. | 0:14:26 | 0:14:29 | |
Some of the work is, I think you'll agree, quite exquisite. | 0:14:29 | 0:14:34 | |
-May I see what you have made? -Alas, mademoiselle, I am no craftsman. | 0:14:57 | 0:15:02 | |
You may call this a box if you are very indulgent. | 0:15:02 | 0:15:06 | |
-And this? -My coat of arms. | 0:15:06 | 0:15:09 | |
-Do you suffer in your captivity, monsieur? -Really, Flora! | 0:15:10 | 0:15:16 | |
What am I to say? If you were carried from this country of moors, rocks, streams, winds and rain, | 0:15:17 | 0:15:25 | |
would you not regret, do you think? | 0:15:25 | 0:15:28 | |
You speak perfect English, monsieur. | 0:15:28 | 0:15:31 | |
As a child, I had an English tutor. | 0:15:31 | 0:15:34 | |
-I should like to purchase your carving. -It is not for sale. | 0:15:34 | 0:15:38 | |
But please do accept it as a gift. | 0:15:39 | 0:15:42 | |
My niece cannot accept a gift, monsieur. | 0:15:44 | 0:15:48 | |
-Then allow me. -Thank you, Major. | 0:15:48 | 0:15:50 | |
You have a great many initials, monsieur. | 0:15:57 | 0:16:01 | |
-Jacques de Keroual de St Ives at your service. -Flora! | 0:16:01 | 0:16:06 | |
The major wishes to show us his gun emplacement. | 0:16:06 | 0:16:10 | |
< RIPPING | 0:16:21 | 0:16:23 | |
I was a rope maker before I was a sailor. | 0:16:28 | 0:16:32 | |
You intend to use that to escape? | 0:16:32 | 0:16:35 | |
-How long is it? -Ten fathoms. | 0:16:44 | 0:16:47 | |
-And the wall? -The same. -On the other side? | 0:16:47 | 0:16:52 | |
It's a brave man who goes first. | 0:16:55 | 0:16:58 | |
-You're volunteering? -A recent wound makes it impossible for me to do anything suicidal. | 0:16:58 | 0:17:05 | |
DOOR SLAMS | 0:17:05 | 0:17:07 | |
CLOCK CHIMES | 0:17:34 | 0:17:37 | |
KNOCK AT DOOR | 0:17:49 | 0:17:52 | |
I am of the opinion that you are a gentleman. | 0:18:03 | 0:18:07 | |
I'm a soldier, nothing more. | 0:18:07 | 0:18:11 | |
-Have you seen much action? -Yes. | 0:18:11 | 0:18:14 | |
This is not a romantic posting, | 0:18:15 | 0:18:18 | |
not like leading a battalion into battle in close order. | 0:18:18 | 0:18:23 | |
People get killed doing that, Major. You're better off here. | 0:18:23 | 0:18:28 | |
The fact remains this is not the kind of posting that impresses a young woman. | 0:18:28 | 0:18:34 | |
I confess I was moved to admire your manner today, | 0:18:34 | 0:18:39 | |
the way you spoke to Miss Gilchrist. | 0:18:39 | 0:18:42 | |
The point is that while the French have nothing to teach us on the battlefield, I must concede | 0:18:42 | 0:18:48 | |
that in the language of... | 0:18:48 | 0:18:51 | |
-The boudoir? -Not at all, nothing of the sort. I was about to say love. | 0:18:51 | 0:18:56 | |
We English gentlemen may have something to learn...from you... | 0:18:56 | 0:19:01 | |
Frenchies...in that department. | 0:19:01 | 0:19:04 | |
My father always said if you want to win a woman, use your tongue. | 0:19:04 | 0:19:09 | |
To flatter her. Women, young or old, like to be complimented. | 0:19:10 | 0:19:15 | |
Oh, I see. Yes, of course. | 0:19:15 | 0:19:18 | |
Exactly. | 0:19:18 | 0:19:21 | |
Very good. | 0:19:21 | 0:19:23 | |
So... | 0:19:23 | 0:19:26 | |
how? | 0:19:26 | 0:19:28 | |
My darling, your cheeks are as soft as July peaches, | 0:19:36 | 0:19:41 | |
-your eyes as deeply dark as are the desert skies. -Good God! | 0:19:41 | 0:19:46 | |
Your beauty maddens the soul like wine. Kiss me! | 0:19:46 | 0:19:50 | |
Kiss me! | 0:19:50 | 0:19:53 | |
-Well, you try. -Really, I couldn't possibly. | 0:19:53 | 0:19:57 | |
My darling, your cheeks... | 0:19:57 | 0:19:58 | |
-My darling, your cheeks... -My darling, your cheeks... | 0:19:58 | 0:20:00 | |
..are as soft as July peaches... | 0:20:00 | 0:20:02 | |
-..are as soft as July peaches... -..are as soft as July peaches... | 0:20:02 | 0:20:05 | |
Your eyes... | 0:20:05 | 0:20:07 | |
-Your eyes... -Your eyes... | 0:20:07 | 0:20:08 | |
..are as deeply dark as are the desert skies. | 0:20:08 | 0:20:12 | |
..are as dark as the desert skies. | 0:20:12 | 0:20:16 | |
Your beauty maddens the soul like wine. | 0:20:16 | 0:20:22 | |
-Kiss me! -Yes. -Kiss me! -Yes. | 0:20:22 | 0:20:24 | |
..Yes, what is it? | 0:20:24 | 0:20:27 | |
S-Sorry, sorry, sir. I'm, um... I had no idea, um... | 0:20:27 | 0:20:32 | |
-Sorry. -What the devil is the matter with the man? | 0:20:32 | 0:20:37 | |
'Le Vicomte Jacques de Keroual de St Ives at your service.' | 0:20:48 | 0:20:53 | |
The Count of St Ives! | 0:20:53 | 0:20:56 | |
DRESS TEARS | 0:21:51 | 0:21:53 | |
May I ask what you are doing here? | 0:22:13 | 0:22:18 | |
You are unharmed, mademoiselle. | 0:22:18 | 0:22:21 | |
You are the Count de St Ives. | 0:22:21 | 0:22:23 | |
Forgive me. I am Miss Flora Gilchrist. | 0:22:23 | 0:22:27 | |
I came here today because of this. | 0:22:29 | 0:22:32 | |
Would it surprise you to learn that it was fashioned by a French prisoner of war | 0:22:33 | 0:22:39 | |
who calls himself Jacques de Keroual de St Ives? | 0:22:39 | 0:22:43 | |
Jean. | 0:22:44 | 0:22:45 | |
Perhaps you'd have a drink with me? | 0:22:48 | 0:22:51 | |
The first I knew of the revolution | 0:22:53 | 0:22:55 | |
was when I woke to find the villagers smashing the dovecot. | 0:22:55 | 0:23:01 | |
My gamekeeper tried to stop them. They shot him dead. | 0:23:01 | 0:23:05 | |
It was then I knew that there was no hope. | 0:23:05 | 0:23:09 | |
I begged my son to leave with my grandchildren. | 0:23:09 | 0:23:14 | |
He would not be persuaded. | 0:23:14 | 0:23:16 | |
My stubborn, stupid, beautiful son. | 0:23:18 | 0:23:22 | |
I left without them. | 0:23:25 | 0:23:28 | |
'They left it too late. | 0:23:38 | 0:23:41 | |
'My son, his wife and my two grandsons - Jacques and Alain - | 0:23:41 | 0:23:47 | |
'were hunted down by our own tenants. | 0:23:47 | 0:23:50 | |
'Somehow, Alain escaped. | 0:24:22 | 0:24:25 | |
'He fled France and came here to me, a frightened boy.' | 0:24:25 | 0:24:31 | |
He wept. | 0:24:31 | 0:24:34 | |
He told me he watched as his father, his mother and his brother Jacques all perished. | 0:24:34 | 0:24:41 | |
But surely, sir, your grandson, Alain, would not lie about the death of his brother? | 0:24:41 | 0:24:48 | |
I tell you plainly my grandson, Alain, is a disappointment to me. | 0:24:48 | 0:24:54 | |
He has lived here with me from that day to this and made my life a misery. | 0:24:54 | 0:25:01 | |
Lying to me would be the least of his sins. | 0:25:01 | 0:25:05 | |
Is there any good reason why you're still here? | 0:25:07 | 0:25:12 | |
I've not been paid yet. | 0:25:12 | 0:25:14 | |
You've had the instruction of a lifetime. I, no doubt, have been poxed. 'Tis you should pay me. | 0:25:14 | 0:25:22 | |
That swine will be the ruination of my family. | 0:25:22 | 0:25:27 | |
I must see this prisoner. | 0:25:28 | 0:25:31 | |
But you may see him. | 0:25:31 | 0:25:34 | |
-Come to the jail. -The journey would be too much for me. | 0:25:34 | 0:25:38 | |
Our carpenter must come here. | 0:25:40 | 0:25:43 | |
The major is expecting me. | 0:25:46 | 0:25:49 | |
-Miss Gilchrist! -Ah! Major! -What a pleasant surprise. | 0:26:03 | 0:26:08 | |
Um...my aunt was wondering if you'd dine with us at Swanston this Saturday? | 0:26:08 | 0:26:14 | |
Dine? Saturday? Swanston? | 0:26:14 | 0:26:17 | |
What a great pleasure. I shall be free of my duties here by seven. | 0:26:17 | 0:26:22 | |
Do I have the pleasure of addressing le Vicomte Jacques de St Ives? | 0:26:27 | 0:26:34 | |
-I do not call myself that...though I have a right to if I choose. -I knew it! -How did you know it? | 0:26:34 | 0:26:41 | |
Your crest. Your grandfather lives here in Scotland not 20 miles away, at Inveresk. | 0:26:41 | 0:26:47 | |
He gave me this map to aid you in your escape. | 0:26:47 | 0:26:51 | |
Why are you doing this? | 0:26:51 | 0:26:54 | |
I want to help you. | 0:26:54 | 0:26:57 | |
-You think this helps me? -He's desperate to see you. -Why, then, has he not come? | 0:26:57 | 0:27:03 | |
-My grandfather abandoned us, fled while my parents and brother were slaughtered... -No! Your brother... | 0:27:03 | 0:27:10 | |
Miss Gilchrist, you shouldn't be in here. | 0:27:14 | 0:27:18 | |
No, you should not. | 0:27:19 | 0:27:22 | |
Miss Gilchrist! | 0:27:26 | 0:27:28 | |
I would be the first man down the rope. | 0:27:43 | 0:27:47 | |
-Your hand? -Miraculously healed. | 0:27:47 | 0:27:51 | |
APPROACHING FOOTSTEPS | 0:28:01 | 0:28:04 | |
-Ah, Biggerstaff, I'm dining at Swanston this evening. -May I? | 0:28:04 | 0:28:09 | |
I expect everything to be shipshape on my return. | 0:28:09 | 0:28:14 | |
-Are you wearing perfume? -A little eau de cologne. -Wash it off, man. You smell like a pansy. | 0:28:14 | 0:28:21 | |
Farewell, my love. | 0:28:24 | 0:28:27 | |
# Rumpety, rumpety, rumpety-rump Here I come on my charger | 0:28:29 | 0:28:34 | |
# Rumpety, rumpety, rumpety-rump Just like an Indian rajah | 0:28:34 | 0:28:39 | |
# All the girls, they do declare that I am a gay young stager | 0:28:39 | 0:28:44 | |
# Hey, hey, clear the way Here comes the galloping major! # | 0:28:44 | 0:28:49 | |
Major, I'm so happy you could come. | 0:28:59 | 0:29:01 | |
It's a honour. What a delightful setting. | 0:29:01 | 0:29:05 | |
Yes. In high summer, we eat al fresco almost every evening. | 0:29:05 | 0:29:10 | |
-Beats roast beef every time. -Actually, we're having roast beef. -My favourite! | 0:29:10 | 0:29:17 | |
Excuse me for a moment. | 0:29:27 | 0:29:29 | |
Miss Gilchrist, I wonder... may I call you Flora? | 0:29:33 | 0:29:38 | |
Of course you may. It is my name, after all. | 0:29:38 | 0:29:42 | |
Flora... your cheeks are as soft as a... | 0:29:44 | 0:29:49 | |
as a... | 0:29:49 | 0:29:51 | |
-peach. -What? | 0:29:51 | 0:29:54 | |
-Would you like a peach? -Do you have one? -No. | 0:29:54 | 0:29:58 | |
Then I won't, thank you. | 0:29:58 | 0:30:00 | |
Flora? | 0:30:00 | 0:30:03 | |
Your eyes...are good? You don't need eye glasses? | 0:30:03 | 0:30:07 | |
Excellent! | 0:30:07 | 0:30:09 | |
CLOCK CHIMES | 0:30:13 | 0:30:16 | |
They'll be slopping out back at the prison about now. | 0:30:18 | 0:30:22 | |
I must say | 0:30:51 | 0:30:53 | |
your father has collected a great many fascinating nick-nacks on his travels. | 0:30:53 | 0:31:00 | |
-The "nick-nacks" were not collected by my father. They were collected by my aunt. -Good Lord! Is that so? | 0:31:00 | 0:31:08 | |
-Have you travelled far? -Italy, all through the Ottoman Empire, | 0:31:08 | 0:31:13 | |
Constantinople. | 0:31:13 | 0:31:16 | |
-Good Lord! -Persia, the Holy Land... | 0:31:16 | 0:31:19 | |
-You must have seen a great deal of the world yourself, Major, with the Army. -Not THAT much. | 0:31:19 | 0:31:27 | |
-You have been somewhere exotic, surely? -Salisbury. | 0:31:27 | 0:31:32 | |
-Nice little town. -Tell us about it, Major. | 0:31:32 | 0:31:36 | |
Might my niece be permitted to call you by your first name, Major? | 0:31:36 | 0:31:40 | |
Indeed she may. | 0:31:40 | 0:31:43 | |
-What is it? -Hm? | 0:31:43 | 0:31:46 | |
-Your name? -Farquhar. | 0:31:46 | 0:31:49 | |
-Bless you. -No, my name - Farquhar. | 0:31:49 | 0:31:52 | |
-It's Gaelic. -How charming. | 0:31:52 | 0:31:55 | |
-It means "manly". -Which of course you are. | 0:31:56 | 0:32:00 | |
I sincerely hope so. | 0:32:00 | 0:32:03 | |
Would you please excuse me? | 0:32:18 | 0:32:22 | |
Might I say something, Farquhar? Sit. | 0:32:27 | 0:32:31 | |
Young women are not interested in whether the percussion cap will replace the flintlock | 0:32:31 | 0:32:38 | |
nor whether the British brown bess is superior to the French musket. | 0:32:38 | 0:32:43 | |
When I withdraw, sit closer to her. | 0:32:43 | 0:32:46 | |
Look into her eyes. | 0:32:46 | 0:32:48 | |
Take her hand. | 0:32:48 | 0:32:51 | |
Compliment her - her hair, her clothes, her complexion. | 0:32:51 | 0:32:57 | |
And above all, please tell her you were joking | 0:32:57 | 0:33:01 | |
and that your name is something a touch more heroic. | 0:33:01 | 0:33:06 | |
-Miss Gilchrist, Miss Gilchrist, may I just say your beauty maddens the soul like wine? -No, you may not. | 0:33:06 | 0:33:13 | |
Absolutely. Thank you very much indeed. | 0:33:13 | 0:33:17 | |
< Please! Don't shoot! | 0:33:39 | 0:33:42 | |
Give me that. | 0:33:44 | 0:33:46 | |
Hurry! A man's escaping on the west wall! Go after him! > | 0:33:46 | 0:33:51 | |
Ah-ha! | 0:34:00 | 0:34:03 | |
GUNSHOT | 0:34:05 | 0:34:08 | |
Of course, the bashibazouks, with whom I lived in Turkey, | 0:34:08 | 0:34:13 | |
heated a mixture of fresh opium and ashes of the drug. | 0:34:13 | 0:34:17 | |
Sadly, all we have is old Jamaican shag. | 0:34:17 | 0:34:22 | |
-The water cools and purifies the smoke most wonderfully. -Quite so. | 0:34:22 | 0:34:28 | |
-What is it, Sim? -A message for Major Shivering, ma'am. | 0:34:28 | 0:34:33 | |
-Chevening. -A man's dead. | 0:34:33 | 0:34:36 | |
-Who? -Leave this to me, ladies. -Who? Who is dead? Who is dead? | 0:34:36 | 0:34:41 | |
-Forgive me, Father. -Ah! | 0:35:12 | 0:35:15 | |
Where are you going so early in the morning, Padre? | 0:35:35 | 0:35:40 | |
Not so much early, my son, as late, making my way back to my own bed. | 0:35:40 | 0:35:45 | |
Arrest him... | 0:35:45 | 0:35:47 | |
Get after him! | 0:35:47 | 0:35:50 | |
HE WHISTLES LA MARSEILLAISE | 0:36:24 | 0:36:30 | |
Out! It was in. | 0:37:31 | 0:37:34 | |
Out. In. | 0:37:34 | 0:37:36 | |
Jean? Monsieur? In or out? | 0:37:36 | 0:37:39 | |
..IN or OUT? In? | 0:37:39 | 0:37:43 | |
Out. ..Well, get out! | 0:37:43 | 0:37:47 | |
But leave the tray. | 0:37:47 | 0:37:49 | |
His mother was a crab, you know. | 0:37:57 | 0:37:59 | |
-Monseigneur? -Who is it? | 0:38:09 | 0:38:12 | |
Who are you? | 0:38:14 | 0:38:17 | |
I'm Jacques. | 0:38:17 | 0:38:19 | |
Will you be so kind as to uncork the wine | 0:38:20 | 0:38:25 | |
and pour two glasses? | 0:38:25 | 0:38:27 | |
The soil and the sun - the smell of my childhood. | 0:38:42 | 0:38:47 | |
This is Chateau St Ives. | 0:38:47 | 0:38:50 | |
I prayed that it would be you. | 0:38:56 | 0:38:59 | |
My boy! | 0:39:00 | 0:39:03 | |
We were seized - my mother, my father and Alain - and thrown into prison. | 0:39:07 | 0:39:13 | |
We were questioned - Alain was the first - | 0:39:13 | 0:39:17 | |
questioned day and night about our supposed support for the royalist cause. | 0:39:17 | 0:39:23 | |
I said nothing, even when they told me Alain had been guillotined and I would be next. | 0:39:23 | 0:39:30 | |
One morning, they prepared us for execution. My father was first. | 0:39:30 | 0:39:35 | |
I heard the blade fall. | 0:39:35 | 0:39:38 | |
My mother went by the same road to heaven. | 0:39:38 | 0:39:42 | |
Then it was my turn. The steps to the scaffold were steep. | 0:39:42 | 0:39:47 | |
Suddenly a man took hold of me. I was passed over the heads of the crowd. They were laughing. | 0:39:47 | 0:39:54 | |
Someone dropped me. I crawled amongst the legs then I was running. | 0:39:54 | 0:39:59 | |
I was 12 years old. I enlisted in the army. | 0:39:59 | 0:40:04 | |
I saw my first action at 13, | 0:40:04 | 0:40:06 | |
and by 14, I was fighting under the command of General Napoleon himself. | 0:40:06 | 0:40:12 | |
The army has been my family. | 0:40:12 | 0:40:14 | |
Every day has been a torture to me... | 0:40:14 | 0:40:17 | |
since the day I left France. | 0:40:17 | 0:40:21 | |
Until today. | 0:40:21 | 0:40:23 | |
Today, the sun has shone for the first time in 20 years. | 0:40:23 | 0:40:28 | |
Now, wait behind that door. I will call you. | 0:40:32 | 0:40:36 | |
Jean, light the candles | 0:40:43 | 0:40:46 | |
and assemble the entire household in this room. The ENTIRE household. Oui, monsieur. | 0:40:46 | 0:40:53 | |
What's going on? | 0:40:55 | 0:40:57 | |
Is there a fire? God, I hope so. | 0:40:57 | 0:41:01 | |
Anything, anything to rid me of this ennui. | 0:41:01 | 0:41:05 | |
< I wish to introduce someone to you, | 0:41:23 | 0:41:26 | |
someone I thought lost to me for ever. | 0:41:26 | 0:41:31 | |
< Jacques, step forward. | 0:41:31 | 0:41:35 | |
Alain? | 0:41:46 | 0:41:48 | |
Oh, Alain, it's you. | 0:41:53 | 0:41:56 | |
You survived. | 0:41:56 | 0:41:59 | |
I don't know you. | 0:42:04 | 0:42:07 | |
-It's me, your brother. -Don't touch me! | 0:42:07 | 0:42:11 | |
My brother's dead. | 0:42:11 | 0:42:14 | |
I don't know this man. | 0:42:16 | 0:42:19 | |
I call upon all of you here gathered to witness | 0:42:26 | 0:42:30 | |
that I do discard and disinherit this gentleman who you all know, | 0:42:30 | 0:42:35 | |
le Vicomte Alain, | 0:42:35 | 0:42:37 | |
and recognise as my sole heir and representative, my younger grandson le Vicomte Jacques. | 0:42:37 | 0:42:45 | |
I am deeply grateful to you all. | 0:42:45 | 0:42:49 | |
-I do not understand. -I -understand. | 0:42:52 | 0:42:55 | |
Yes. I understand only too well. | 0:42:56 | 0:43:00 | |
Ride to Queensferry Jail. Tell them we have an escaped French prisoner in the house. I'll take care of him. | 0:43:01 | 0:43:09 | |
The rest of you, get out! Go on, go! Hurry up! > | 0:43:09 | 0:43:14 | |
You, sir, are an imposter | 0:43:14 | 0:43:16 | |
who's taken advantage of a gullible old man. | 0:43:16 | 0:43:20 | |
Defend yourself, Jacques! | 0:43:23 | 0:43:26 | |
Go on, kill me. | 0:43:47 | 0:43:50 | |
I am nothing to you. Kill me. | 0:43:50 | 0:43:54 | |
You are dearer to me than life itself. | 0:43:54 | 0:43:59 | |
Shoot him. | 0:44:06 | 0:44:09 | |
SHOOT HIM! | 0:44:14 | 0:44:16 | |
Give it here! You cowardly swine! Shut up, old man! | 0:44:19 | 0:44:24 | |
I want what's mine! | 0:44:25 | 0:44:27 | |
Leave him. By morning, you will be the Count of St Ives. > | 0:44:51 | 0:44:57 | |
St Ives? | 0:45:42 | 0:45:45 | |
Shh, shh, shh! | 0:45:49 | 0:45:52 | |
-My brother's alive. -Yes. | 0:45:52 | 0:45:55 | |
He gave me a less than cordial welcome. | 0:45:55 | 0:45:59 | |
-He did this? -Fortunately, he's always been a poor shot. | 0:45:59 | 0:46:03 | |
-I'm sorry. -No, it is -I -who should apologise... | 0:46:03 | 0:46:08 | |
for coming here. | 0:46:08 | 0:46:11 | |
I'm pursued from all sides. | 0:46:11 | 0:46:14 | |
I shall come for you when it is safe. | 0:46:25 | 0:46:29 | |
Ah-h-h... | 0:46:42 | 0:46:44 | |
Are you always so well equipped? | 0:46:44 | 0:46:47 | |
Always. | 0:46:49 | 0:46:52 | |
My father was a naval surgeon. | 0:46:53 | 0:46:55 | |
He was killed in action. | 0:46:55 | 0:46:58 | |
Against the French? | 0:46:58 | 0:47:01 | |
Yes. | 0:47:08 | 0:47:10 | |
It requires a stitch. | 0:47:14 | 0:47:16 | |
-Your father taught you? -No, but it can't be that difficult. | 0:47:16 | 0:47:21 | |
You must hold still. | 0:47:24 | 0:47:27 | |
Scissors? | 0:48:03 | 0:48:05 | |
There. | 0:48:14 | 0:48:17 | |
Thank you. | 0:48:17 | 0:48:19 | |
AUNT: Flora! > | 0:48:24 | 0:48:26 | |
WHISTLING: "Soldier, Soldier, Won't You Marry Me?" | 0:48:35 | 0:48:40 | |
# So off she went to her father's chest | 0:48:40 | 0:48:44 | |
# And she brought him some clothes of the very, very best | 0:48:44 | 0:48:49 | |
# She brought him some clothes of the very, very best | 0:48:49 | 0:48:54 | |
# And the soldier put them on. # | 0:48:54 | 0:48:57 | |
Thank you. | 0:48:59 | 0:49:02 | |
Shh! | 0:49:05 | 0:49:07 | |
(My aunt sleeps up there.) | 0:49:12 | 0:49:15 | |
I have a toast to propose. | 0:49:39 | 0:49:42 | |
I do not know what will befall me or my family, but I shall take the memory of your kindness, beauty... | 0:49:42 | 0:49:50 | |
AUNT: Whom do I have the pleasure? | 0:49:50 | 0:49:53 | |
Flora? | 0:49:53 | 0:49:56 | |
May I present the Vicomte Jacques de Keroual de St Ives? | 0:49:56 | 0:50:00 | |
Monsieur le Vicomte, you do us plain people a great deal too much honour. | 0:50:00 | 0:50:06 | |
-He's the French prisoner who gave me the carving. -French prisoners are all very well in their place, | 0:50:06 | 0:50:13 | |
-but I cannot see that their place is in my drawing room. My port? -Yes. | 0:50:13 | 0:50:18 | |
Then you had better pour me a glass and explain yourselves. | 0:50:18 | 0:50:23 | |
Old Jamaican shag. | 0:50:31 | 0:50:33 | |
-Perhaps we should look south-west now, sir. -Don't be ridiculous. | 0:50:33 | 0:50:38 | |
South-west would lead directly... | 0:50:38 | 0:50:41 | |
Harder, man, for God's sake! | 0:50:44 | 0:50:47 | |
..to Swanston. | 0:50:49 | 0:50:52 | |
It's an extraordinary story, but the fact remains you are an escaped prisoner of war. | 0:50:58 | 0:51:04 | |
Yet I can't hand you over to the authorities without incriminating Flora. You may stay the night. | 0:51:04 | 0:51:12 | |
You take Flora's room. Flora will sleep with me. BANGING AT DOOR | 0:51:12 | 0:51:17 | |
Oh, God. Quickly! Upstairs. | 0:51:17 | 0:51:20 | |
Flora! Flora! No time! Get into a nightdress. | 0:51:26 | 0:51:30 | |
KNOCKING AT DOOR > | 0:51:35 | 0:51:38 | |
Who is it? | 0:51:41 | 0:51:43 | |
-Hercules! -I beg your pardon? | 0:51:43 | 0:51:46 | |
Major Chevening. Major Hercules Chevening. Open up! | 0:51:46 | 0:51:50 | |
There's been an escape. I have orders to search every building. | 0:51:56 | 0:52:00 | |
-Really? -With your permission, of course. -Of course. | 0:52:00 | 0:52:06 | |
-..You and you... -Hercules. -..start in here. I shall start upstairs. | 0:52:06 | 0:52:11 | |
BREAKING GLASS | 0:52:17 | 0:52:20 | |
Please forgive the intrusion. | 0:52:20 | 0:52:22 | |
This door is locked. | 0:52:32 | 0:52:34 | |
Locked? | 0:52:39 | 0:52:42 | |
-Farquhar! -Hercules! | 0:52:48 | 0:52:51 | |
Hercules, since that night you dined with us, | 0:52:51 | 0:52:55 | |
I have been unable to put you from my thoughts. | 0:52:55 | 0:52:59 | |
The kiss that I planted on your cheek has taken root in my bosom and grown with each passing day. | 0:52:59 | 0:53:06 | |
Grown. Swollen. | 0:53:06 | 0:53:08 | |
Burst into flower - | 0:53:08 | 0:53:11 | |
-huge, rare, exotic blooms of desire. You said my beauty maddened your soul like wine? -So it does... | 0:53:11 | 0:53:19 | |
Take me! Let Hercules himself do what he may. The cat will mew and dog will have his day. | 0:53:19 | 0:53:25 | |
-I can't... -Drink me, quaff me, swill me, drain me to the dregs! | 0:53:25 | 0:53:31 | |
Oh, Hercules. | 0:53:31 | 0:53:35 | |
About! | 0:53:36 | 0:53:38 | |
Get me my horse! | 0:53:39 | 0:53:42 | |
Thank you. | 0:53:45 | 0:53:48 | |
He is safe. | 0:53:48 | 0:53:50 | |
Now go back to my room and try to sleep. | 0:53:52 | 0:53:57 | |
-You have something to write, monsieur? -A note. -A note. For whom? | 0:54:00 | 0:54:06 | |
For you, thanking you, but no need since I can thank you in person. | 0:54:06 | 0:54:11 | |
The pieces, please. | 0:54:12 | 0:54:15 | |
"I love you." Why, monsieur, you hardly know me(!) | 0:54:21 | 0:54:26 | |
-You mock me, madame. -No, monsieur, it is you who mocks me. | 0:54:26 | 0:54:30 | |
-Your claims to be a gentleman. -I AM a gentleman, madame. | 0:54:30 | 0:54:35 | |
Then you will understand why I must ask you to leave first thing, | 0:54:35 | 0:54:40 | |
-and for the sake of Flora's name, to sever all communication... -Madame... -..now and for ever. | 0:54:40 | 0:54:47 | |
-Why, Major. Won't you come in? -Thank you, no. | 0:56:04 | 0:56:08 | |
-Forgive me for calling unannounced, but I, uh... -Yes? | 0:56:08 | 0:56:13 | |
The last time I called, I noticed - correct me if I'm wrong - | 0:56:13 | 0:56:19 | |
that you thought of me with a certain...fondness. That is to say, a not unfond feeling. | 0:56:19 | 0:56:26 | |
-No, that is perfectly correct. -In the light of that, given there is to be a masked ball... | 0:56:26 | 0:56:33 | |
-Yes. -I wondered if you would do me the honour...? -Yes. -No, of course not. You're too busy. | 0:56:33 | 0:56:39 | |
I said yes. It would be a pleasure. | 0:56:39 | 0:56:43 | |
It would? | 0:56:43 | 0:56:45 | |
Oh, yes. | 0:56:45 | 0:56:48 | |
And, of course, Miss Flora, if she chooses. We are promised a full orchestra and balloon flights. | 0:56:48 | 0:56:56 | |
I shall see to it that she comes. | 0:56:56 | 0:56:59 | |
Splendid. Until Saturday, then? | 0:56:59 | 0:57:02 | |
Splendid! | 0:57:06 | 0:57:08 | |
Splendid! | 0:57:08 | 0:57:10 | |
Until Saturday. | 0:57:13 | 0:57:15 | |
It is! Hello! Hello! | 0:57:40 | 0:57:44 | |
Hamish Crabtree... | 0:57:48 | 0:57:51 | |
Cynthia Landsdale and son. | 0:57:56 | 0:57:59 | |
Sir Richard and Lady Ross. | 0:57:59 | 0:58:04 | |
Jock and Jenny Malarky. | 0:58:05 | 0:58:08 | |
Miss Susan Gilchrist, Miss Flora Gilchrist. | 0:58:11 | 0:58:15 | |
-Only in Scotland. -What? | 0:58:15 | 0:58:18 | |
Would one be announced at a masked ball. Such mystery, such romance. | 0:58:18 | 0:58:23 | |
-May I? -You may. | 0:58:23 | 0:58:25 | |
May I have the pleasure? | 0:58:41 | 0:58:44 | |
I do not dance, I'm afraid. | 0:58:44 | 0:58:47 | |
Nonsense, Flora. | 0:58:47 | 0:58:50 | |
You dance well. | 0:59:09 | 0:59:12 | |
St Ives! | 0:59:13 | 0:59:15 | |
Why have you not returned to France? | 0:59:15 | 0:59:19 | |
-I had to see you. -Why? | 0:59:19 | 0:59:22 | |
-I had to ask you... -Yes? | 0:59:22 | 0:59:25 | |
..to give me back my heart which you have stolen. | 0:59:25 | 0:59:31 | |
I cannot. | 0:59:31 | 0:59:34 | |
-Then I must tell you... -Yes? | 0:59:34 | 0:59:37 | |
..to keep it now and for ever. | 0:59:37 | 0:59:40 | |
Yes, I will. | 0:59:42 | 0:59:44 | |
David Linlithgow! | 0:59:47 | 0:59:50 | |
The Count de St Ives! | 0:59:50 | 0:59:53 | |
-My God, Alain. -St Ives? -Alain! | 0:59:54 | 0:59:57 | |
-The escaped prisoner. -What's happened to our grandfather? | 1:00:02 | 1:00:06 | |
MY grandfather died in his sleep last week. | 1:00:10 | 1:00:15 | |
-I don't see what business it is of yours. -My, God, what have you done? | 1:00:15 | 1:00:21 | |
Arrest him! | 1:00:28 | 1:00:31 | |
Guard! | 1:00:32 | 1:00:33 | |
St Ives! | 1:00:41 | 1:00:43 | |
I've got him! | 1:00:54 | 1:00:57 | |
-Don't shoot or we'll be blown to kingdom come! -St Ives! -Farquhar! | 1:01:15 | 1:01:21 | |
Pull, man! | 1:01:26 | 1:01:29 | |
It will not rip. The British tailor is the best in the world. | 1:01:31 | 1:01:37 | |
RIPPING | 1:01:37 | 1:01:39 | |
THUNDER RUMBLES | 1:01:59 | 1:02:02 | |
Dear Father, I entreat you, save the man I love. | 1:02:06 | 1:02:11 | |
Let your divine breath blow him to safety. | 1:02:11 | 1:02:15 | |
THUNDER CLAPS | 1:02:15 | 1:02:18 | |
Well, I'll say one thing, Jacques, it's an ill wind that blows nobody good. | 1:02:18 | 1:02:25 | |
-What exactly does that mean, Farquhar? -I'm not absolutely certain, Jacques. | 1:02:25 | 1:02:31 | |
What a splendid sight! | 1:02:31 | 1:02:34 | |
British cavalry - no finer horsemen in the world. | 1:02:34 | 1:02:38 | |
HELLO! | 1:02:38 | 1:02:40 | |
HELLO! ..I imagine I'll see Miss Flora before you. Any message? | 1:02:40 | 1:02:45 | |
-Just tell her, "Now and for ever". -Now and for ever? Will do. | 1:02:45 | 1:02:51 | |
-I'll make sure you're treated with the respect due to an officer and a gentleman. -They're French. -What? | 1:02:51 | 1:02:58 | |
-The finest horsemen in the world. They're French. -Oh, my God! -We're in France. -Oh, my God! | 1:02:58 | 1:03:06 | |
-Run. -What? | 1:03:06 | 1:03:08 | |
Take your uniform. At least then you'll not be shot as a spy. Run! | 1:03:08 | 1:03:14 | |
Go on, Farquhar! I'll hold them. | 1:03:16 | 1:03:19 | |
Jacques de St Ives reporting for duty. | 1:03:33 | 1:03:36 | |
St Ives, you are a liar and a cheat, | 1:03:36 | 1:03:41 | |
a drunkard and a disgrace. | 1:03:41 | 1:03:44 | |
A rash headstrong ruffian and we have pressing need of your services. | 1:03:44 | 1:03:50 | |
Consider yourself returned to the rank of capitaine. | 1:03:52 | 1:03:56 | |
Thank you, my colonel. | 1:03:56 | 1:03:59 | |
-What news of Francois Rouet? -Have you not heard? | 1:03:59 | 1:04:05 | |
Francois? | 1:04:17 | 1:04:19 | |
Francois? | 1:04:20 | 1:04:22 | |
Jacques! | 1:04:28 | 1:04:30 | |
Jacques, my dear friend. | 1:04:30 | 1:04:33 | |
Sit. Let me look at you. | 1:04:33 | 1:04:35 | |
-You look well. -So do you. | 1:04:40 | 1:04:42 | |
I'm on the mend... thanks to the love of a good woman. | 1:04:42 | 1:04:47 | |
The singer? | 1:04:49 | 1:04:52 | |
-It's not possible. -Isn't she magnificent? | 1:04:53 | 1:04:57 | |
Yes, though, of course, beauty is only skin-deep. | 1:04:57 | 1:05:01 | |
That's it. Our friendship is at an end. I cannot love a man who loves a cliche. | 1:05:01 | 1:05:09 | |
-A spy, sir. Found him skulking at the edge of the camp. -I am not a spy and I was not skulking! | 1:05:19 | 1:05:25 | |
-Chevers? Chevers, is that you? -Johnny! | 1:05:25 | 1:05:29 | |
'Imagine my relief when I looked up and saw old Johnny Elfinstone, a chum from school.' | 1:05:34 | 1:05:41 | |
"Scotland to France in a balloon, some sort of record, surely. | 1:05:41 | 1:05:46 | |
"Now at last I will see action. | 1:05:46 | 1:05:49 | |
"Perhaps in the future all wars will be fought from the air, fire..." | 1:05:49 | 1:05:55 | |
Yes, yes, yes. What news of St Ives? | 1:05:55 | 1:05:58 | |
"But to news of Jacques St Ives. | 1:06:01 | 1:06:04 | |
"He IS alive and well and reunited with his countrymen. | 1:06:06 | 1:06:11 | |
"His last words to me were a message for Flora. | 1:06:11 | 1:06:16 | |
"Now or never...or now and then... or SOMETHING!" | 1:06:16 | 1:06:21 | |
I must go. I must go to him today. | 1:06:21 | 1:06:24 | |
No, Flora, you cannot. It is dangerous, wild, impetuous! | 1:06:24 | 1:06:29 | |
..I will come with you. | 1:06:29 | 1:06:32 | |
Do use your whip, Fergus, | 1:06:35 | 1:06:38 | |
or the war in France will be won before we get there. | 1:06:38 | 1:06:42 | |
-Mrs Chevening is here, sir. -Good Lord! The mater! | 1:07:02 | 1:07:06 | |
-No, sir, your wife. -Thank God for that. Show her in. -Yes, sir. | 1:07:06 | 1:07:11 | |
-Wait... Did you say my wife? -Your wife and daughter, sir. Travelled up from Calais with the reinforcements. | 1:07:11 | 1:07:19 | |
-Miss Gilchrist! -Yes. | 1:07:20 | 1:07:23 | |
How did you...? When did you...? I mean, why did you...? | 1:07:23 | 1:07:28 | |
-Kiss me. -With the greatest pleasure. | 1:07:28 | 1:07:31 | |
-I should cross the French lines in disguise. -You'll do no such thing. | 1:07:36 | 1:07:41 | |
-Write to Mr St Ives. -Write? How will that quell the fire in my soul? | 1:07:41 | 1:07:46 | |
You sound as if you stepped from the pages of Mrs Radcliffe's The Italian. | 1:07:46 | 1:07:52 | |
I read that. All spies, disguises and murder. Complete tosh. | 1:07:52 | 1:07:57 | |
Good evening, ladies. | 1:08:00 | 1:08:03 | |
I was once taken prisoner by the Pasha Khali Kibay, | 1:08:11 | 1:08:16 | |
and I did find that by imitating the movements of the Egyptian cobra, | 1:08:16 | 1:08:22 | |
I was finally able to slip my bonds. | 1:08:22 | 1:08:26 | |
# He who would valiant be 'gainst all disaster | 1:08:26 | 1:08:31 | |
-# Let him... # -What are you doing?! | 1:08:31 | 1:08:34 | |
-I thought a song would keep our spirits up. -It depresses mine most horribly! | 1:08:34 | 1:08:40 | |
Yes! There. Something is beginning to move. | 1:08:41 | 1:08:47 | |
-# Then fancies flee away...! # -Sh-h-h! | 1:08:47 | 1:08:51 | |
# I'll fear not what men say | 1:08:51 | 1:08:53 | |
# I'll labour night and day to be a pilgrim. # | 1:08:53 | 1:08:58 | |
Capitaine! | 1:09:12 | 1:09:14 | |
I have something of yours! | 1:09:14 | 1:09:17 | |
Release her or I will kill you. | 1:11:12 | 1:11:16 | |
Let her go. Then you may do what you wish to me. | 1:11:39 | 1:11:42 | |
Ever the optimist, Jacques. I've no need to bargain with you. | 1:11:47 | 1:11:52 | |
Why do you hate me so? | 1:12:02 | 1:12:04 | |
Because you are noble and true and I betrayed you to save my own skin. | 1:12:04 | 1:12:10 | |
-What...? -You still don't understand. It was me. I gave the committee all they needed. | 1:12:10 | 1:12:16 | |
You were just a boy, Alain. You didn't know what you were doing. | 1:12:16 | 1:12:21 | |
I knew exactly what I was doing. | 1:12:23 | 1:12:26 | |
Brother? | 1:13:12 | 1:13:15 | |
Mon frere. | 1:13:28 | 1:13:30 | |
I missed you. | 1:13:35 | 1:13:37 | |
I missed you. | 1:13:37 | 1:13:40 | |
# Come cheer up, my lad | 1:14:04 | 1:14:07 | |
# Here's to glory still | 1:14:07 | 1:14:11 | |
# To earn something more through this wonderful year | 1:14:11 | 1:14:15 | |
# To honour, we call you Not press you like slaves | 1:14:15 | 1:14:19 | |
# For who are so free as the... # | 1:14:19 | 1:14:22 | |
-Major Chevening. -Flora! Thank God! Untie us. | 1:14:24 | 1:14:28 | |
Your aunt has been entertaining me with tales of an Indian fakir. | 1:14:28 | 1:14:33 | |
..Ah! I do think you're tightening the rope rather. | 1:14:33 | 1:14:38 | |
-Ah... -Jacques! | 1:14:38 | 1:14:40 | |
Oh, my love. | 1:14:42 | 1:14:45 | |
St Ives, please. ..The Frenchman. | 1:14:53 | 1:14:56 | |
Miss Gilchrist. | 1:15:03 | 1:15:06 | |
-I have no desire to rub salt into your wounds. -Pleased to hear it. | 1:15:08 | 1:15:13 | |
But I do have some news for you. Paris has surrendered. | 1:15:13 | 1:15:18 | |
-Your generals have determined to put an end to it. -And Napoleon? | 1:15:18 | 1:15:23 | |
He has abdicated. | 1:15:23 | 1:15:25 | |
Then we shall have peace. | 1:15:25 | 1:15:28 | |
Long may it last. | 1:15:28 | 1:15:31 | |
We can go home. | 1:15:33 | 1:15:35 | |
May I just say that your cheeks are as soft as a July peach, | 1:16:37 | 1:16:42 | |
-your eyes as deeply dark as are the desert skies? -You may. | 1:16:42 | 1:16:47 | |
And may I add your beauty maddens the soul like wine? | 1:16:47 | 1:16:52 | |
-You may. -Then it only remains for... | 1:16:52 | 1:16:56 | |
Flora, now that the war is over, I feel I may speak freely. | 1:17:06 | 1:17:11 | |
Your eyes, your cheeks, your lips they are the whole world to me now. | 1:17:11 | 1:17:16 | |
-Arseholes... -I beg your pardon? -Arseholes... | 1:17:16 | 1:17:21 | |
Be very careful with your articulation there. | 1:17:21 | 1:17:25 | |
-Ah. -Carry on. | 1:17:25 | 1:17:28 | |
Our souls shall be as one. | 1:17:28 | 1:17:31 | |
If you will have me, I will climb your hills and walk your valleys | 1:17:31 | 1:17:36 | |
-and sail your seas from this day till my life's end. -Oh, dear, oh, dear. No, no, no, no. | 1:17:36 | 1:17:42 | |
What is it? | 1:17:42 | 1:17:45 | |
Jacques, country walks and boating are very fine and fun in their way, | 1:17:45 | 1:17:50 | |
-but they have nothing to do with love. -I was speaking metaphorically. | 1:17:50 | 1:17:56 | |
Yes, of course you were. | 1:17:56 | 1:17:59 | |
The fact remains that Miss Flora is hoping for a proposal of marriage, | 1:17:59 | 1:18:04 | |
not a day's sailing. | 1:18:04 | 1:18:06 | |
You see, in my experience, when it comes down to it... | 1:18:09 | 1:18:13 | |
..the tongue is a vastly overrated organ. | 1:18:16 | 1:18:20 | |
Fine words butter no parsnips. | 1:18:20 | 1:18:23 | |
Thank you, Farquhar. | 1:18:25 | 1:18:27 | |
Don't mention it. | 1:18:27 | 1:18:30 | |
-Flora? -Jacques. | 1:18:39 | 1:18:41 | |
-Now that the war is over... -Thank God. -Thank God. | 1:18:41 | 1:18:46 | |
-..I feel I may speak freely. -Please. | 1:18:46 | 1:18:49 | |
-Your eyes, your cheeks... -Late night, I'm afraid. | 1:18:49 | 1:18:54 | |
-Your cheeks... -The sun is rather fierce today. | 1:18:54 | 1:18:58 | |
-Your lips... -Yes? | 1:18:58 | 1:19:01 | |
-They are my lips. -Your body and your... God, Flora! | 1:19:01 | 1:19:06 | |
Marry me. | 1:19:06 | 1:19:08 | |
Yes, my love. Yes! | 1:19:08 | 1:19:12 | |
I, Susan Emily Gilchrist, take thee Farquhar Bollingbrooke Chevening... | 1:19:16 | 1:19:22 | |
I, Susan Emily Gilchrist... | 1:19:22 | 1:19:25 | |
-You've had your turn. -I beg your pardon. -I, Susan Emily Gilchrist, | 1:19:26 | 1:19:31 | |
take thee, Farquhar Bollingbrooke Chevening, to be my lawful wedded husband. | 1:19:31 | 1:19:38 | |
CHURCH BELLS RING | 1:19:39 | 1:19:43 | |
Look, look! Pull up! | 1:19:46 | 1:19:49 | |
Thank you. | 1:19:51 | 1:19:53 | |
After her, man! | 1:19:53 | 1:19:56 | |
Run, Flora, run! | 1:19:56 | 1:19:59 | |
-TALLY-HO! -RUN! | 1:19:59 | 1:20:02 | |
Will you be requiring any assistance, sir? | 1:20:05 | 1:20:10 | |
-With exactly what, Jean? -With, uh...the stairs, sir? | 1:20:10 | 1:20:14 | |
I require no assistance at all. | 1:20:14 | 1:20:17 | |
Ah! | 1:20:27 | 1:20:29 | |
SHE GIGGLES | 1:21:16 | 1:21:19 | |
Subtitles by Marie Campbell BBC Scotland 1999 | 1:21:31 | 1:21:36 | |
E-mail us at [email protected] | 1:21:36 | 1:21:38 |