
Browse content similar to Broken Flowers. Check below for episodes and series from the same categories and more!
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'(TYPEWRITER KEYS CLACK)' | 0:00:02 | 0:00:04 | |
This programme contains some strong langauage. | 0:00:05 | 0:00:10 | |
'(CAR ENGINE GROWLS)' | 0:00:19 | 0:00:22 | |
# "There Is An End" - The Greenhornes with Holly Golightly | 0:00:28 | 0:00:31 | |
# Words disappear | 0:00:37 | 0:00:40 | |
# Words once so clear | 0:00:41 | 0:00:44 | |
# Only echoes passing through the night | 0:00:46 | 0:00:50 | |
# The lines on my face | 0:00:54 | 0:00:57 | |
# Your fingers once traced | 0:00:58 | 0:01:01 | |
# Fading reflection of what was | 0:01:03 | 0:01:07 | |
# Thoughts rearrange | 0:01:20 | 0:01:23 | |
# Familiar now strange | 0:01:24 | 0:01:27 | |
# All my schemes drifting on the wind | 0:01:28 | 0:01:33 | |
# Spring brings the rain | 0:01:37 | 0:01:40 | |
# With winter comes pain | 0:01:41 | 0:01:44 | |
# Every season has an end | 0:01:46 | 0:01:50 | |
# I tried to see through your disguise | 0:01:53 | 0:01:58 | |
# But the clouds were there | 0:02:01 | 0:02:04 | |
# Blocking out the sun | 0:02:04 | 0:02:07 | |
# The sun | 0:02:07 | 0:02:09 | |
# Thoughts rearrange | 0:02:28 | 0:02:31 | |
# Familiar now strange | 0:02:33 | 0:02:36 | |
# All my schemes drifting on the wind | 0:02:37 | 0:02:42 | |
# Spring brings the rain | 0:02:46 | 0:02:48 | |
# With winter comes pain | 0:02:50 | 0:02:53 | |
# Every season has an end | 0:02:54 | 0:02:59 | |
# There's an end # | 0:03:01 | 0:03:04 | |
(MUSIC EMANATES FROM HOUSE) | 0:03:23 | 0:03:25 | |
-(TV) -"Did you ever meet Don Juan?" -"Never! Not once." | 0:04:27 | 0:04:31 | |
-"Then, why are you in mourning?" -"Because I've never met him." | 0:04:31 | 0:04:35 | |
"It's amazing. I had no idea my own funeral | 0:04:35 | 0:04:39 | |
-could be so delightful." -"Certainly brought your career to a happy end." | 0:04:39 | 0:04:43 | |
-"End?" -"Leave off while they still think of you as you were." | 0:04:43 | 0:04:46 | |
-"All these wrinkles, lines, grey hairs." -"You'd spoil any party!" | 0:04:46 | 0:04:50 | |
"Even a funeral." | 0:04:50 | 0:04:53 | |
"Oh, no, no, my friend. This is a great sight." | 0:04:53 | 0:04:56 | |
"Women and women and women. The eternal hunger of women for love." | 0:04:56 | 0:05:00 | |
I pretty much have all my stuff. | 0:05:09 | 0:05:11 | |
Looks like you got a love letter from one of your other girlfriends. | 0:05:19 | 0:05:23 | |
I don't have any other girlfriend, Sherry. Come on! | 0:05:23 | 0:05:26 | |
(SIGHS) Alright. I get it. | 0:05:26 | 0:05:29 | |
No, you don't. | 0:05:29 | 0:05:32 | |
But it's OK. That's the way you are and you're never gonna change. | 0:05:32 | 0:05:36 | |
I just don't think I wanna be with, er,... | 0:05:36 | 0:05:39 | |
..an over-the-hill Don Juan any more. | 0:05:39 | 0:05:42 | |
-What do you want, Sherry? -What do you want, Don? | 0:05:45 | 0:05:49 | |
I mean, I'm, like, your mistress. Except you're not even married. | 0:05:49 | 0:05:55 | |
Look at your friend Winston next door. | 0:05:55 | 0:05:59 | |
It looks like they're having a great time. | 0:05:59 | 0:06:02 | |
Don't you ever wanna have a family? | 0:06:02 | 0:06:05 | |
Well, is that what you want? | 0:06:07 | 0:06:09 | |
I don't know what I want. I just want to figure it out by myself. | 0:06:12 | 0:06:16 | |
By yourself. | 0:06:16 | 0:06:19 | |
Yeah. | 0:06:19 | 0:06:21 | |
Maybe I'll call you sometime. | 0:06:21 | 0:06:23 | |
Sherry. | 0:06:33 | 0:06:35 | |
-"What are you but a female?" -"Same as you!" | 0:07:17 | 0:07:20 | |
"He never kissed you. It was an impudent lie." | 0:07:20 | 0:07:23 | |
"Yes! It was only publicity." | 0:07:23 | 0:07:26 | |
-"Don't you..." -"And who are you to give orders here?" -"Who am I?" | 0:07:26 | 0:07:30 | |
"The girl whose kiss Don Juan had sought on a thousand women's lips." | 0:07:30 | 0:07:33 | |
"He'd never love anybody else in his life." | 0:07:33 | 0:07:36 | |
"He loved you so much he went straight from you to another woman!" | 0:07:36 | 0:07:40 | |
-"He loved me! And loathed women like you." -"Cat!" -"Cow!" -"Snake!" -"Pig!" | 0:07:40 | 0:07:44 | |
-"(BOTH SCREAM)" -"Oh, no, no!" | 0:07:44 | 0:07:47 | |
(PHONE RINGS) | 0:08:12 | 0:08:15 | |
Yeah? | 0:08:22 | 0:08:24 | |
Hey, Winston. You at work? | 0:08:25 | 0:08:29 | |
It's Saturday. Of course. Yeah. | 0:08:30 | 0:08:33 | |
(CLEARS THROAT) | 0:08:35 | 0:08:37 | |
No, I just got up. | 0:08:39 | 0:08:41 | |
What, you can't access the site? | 0:08:44 | 0:08:47 | |
Yeah, alright. I'll be right over. | 0:08:51 | 0:08:53 | |
Yes. | 0:08:55 | 0:08:57 | |
Coffee would be good. | 0:08:57 | 0:08:59 | |
Will it be a cup of Ethiopian coffee? | 0:08:59 | 0:09:03 | |
OK. | 0:09:05 | 0:09:07 | |
Good morning. | 0:09:39 | 0:09:41 | |
Morning, Don! | 0:09:41 | 0:09:44 | |
Hey, you two. Keep your eyes on the Cheerios. | 0:09:50 | 0:09:54 | |
-How's the sweetest grape on the vine? -I'm good. | 0:09:58 | 0:10:01 | |
Winston is in the back on his computer in his office. | 0:10:01 | 0:10:06 | |
-Irie. -(CHUCKLES) | 0:10:06 | 0:10:09 | |
Thanks, Don. | 0:10:14 | 0:10:16 | |
-What's up, Winston? -Hey, Don. I can't seem to access this site. | 0:10:21 | 0:10:24 | |
-I need your computer expertise. -Yeah? What is it? | 0:10:24 | 0:10:28 | |
It's, like, a system for breaking down the plots in detective fiction, | 0:10:28 | 0:10:32 | |
or the solution of crimes. Yeah. Click. | 0:10:32 | 0:10:35 | |
Yes. You see? | 0:10:35 | 0:10:38 | |
-And click. I tried before. -Stay calm. | 0:10:38 | 0:10:42 | |
Click. Oh! A-ha. | 0:10:42 | 0:10:44 | |
-Go get 'em, Sherlock. -Cool, cool, cool. | 0:10:44 | 0:10:47 | |
Oh, this is my kind of information, man! I love the net. | 0:10:50 | 0:10:54 | |
(CHUCKLES) | 0:10:54 | 0:10:56 | |
The whole world of information - through the wall, click. | 0:10:56 | 0:11:00 | |
-You sure you don't want a computer at your house? -No. | 0:11:00 | 0:11:04 | |
Seems awful strange to me - a man who made all his money off computers | 0:11:04 | 0:11:08 | |
doesn't want to have one in his house. | 0:11:08 | 0:11:11 | |
Ohhh,... | 0:11:13 | 0:11:16 | |
..cool, cool. This is fascinating. | 0:11:16 | 0:11:19 | |
Supposedly you can use this to write a mystery novel | 0:11:19 | 0:11:22 | |
or to solve a complicated crime. | 0:11:22 | 0:11:25 | |
Don. | 0:11:27 | 0:11:29 | |
You alright? | 0:11:29 | 0:11:31 | |
What? | 0:11:32 | 0:11:34 | |
Is something wrong? | 0:11:36 | 0:11:38 | |
Ah, it's probably nothing. | 0:11:39 | 0:11:42 | |
Ah. | 0:11:42 | 0:11:44 | |
Love letter from one of your lovely ladies. | 0:11:44 | 0:11:46 | |
Something like that. | 0:11:46 | 0:11:49 | |
I'll read it to you. | 0:11:51 | 0:11:53 | |
"Dear Don, sometimes life brings some strange surprises." | 0:11:53 | 0:11:58 | |
"It's been almost 20 years since we've seen each other, | 0:11:58 | 0:12:01 | |
but now there's something I need to tell you." | 0:12:01 | 0:12:05 | |
"Years ago, after our story ended, | 0:12:05 | 0:12:07 | |
I discovered I was pregnant." | 0:12:07 | 0:12:10 | |
"I decided to go through with the pregnancy, and I had a baby." | 0:12:10 | 0:12:14 | |
"A son. Your son." | 0:12:14 | 0:12:16 | |
"I decided to raise him by myself because our time together | 0:12:16 | 0:12:20 | |
had come to a close." | 0:12:20 | 0:12:23 | |
"My son is now almost 19." | 0:12:23 | 0:12:25 | |
"He's somewhat shy and secretive, unlike you, | 0:12:26 | 0:12:30 | |
but a sensitive, wonderful person." | 0:12:30 | 0:12:33 | |
"A few days ago he left on a mysterious road trip, | 0:12:33 | 0:12:36 | |
but I'm almost certain he's searching for his father." | 0:12:36 | 0:12:39 | |
"I've told him almost nothing about you, | 0:12:39 | 0:12:42 | |
but he's resourceful and imaginative." | 0:12:42 | 0:12:45 | |
"Anyway, if this is, in fact, your correct address, | 0:12:45 | 0:12:49 | |
well, I just felt I should let you know." | 0:12:49 | 0:12:52 | |
There's no signature. | 0:12:53 | 0:12:56 | |
And no return address. | 0:12:57 | 0:12:59 | |
Hey! Congratulations! You're a father. | 0:12:59 | 0:13:02 | |
Er, you're really upset by this. Can I see it? | 0:13:05 | 0:13:08 | |
The address is handwritten. | 0:13:17 | 0:13:20 | |
But printed. | 0:13:20 | 0:13:22 | |
Red ink on pink paper. | 0:13:22 | 0:13:25 | |
Typewriter. | 0:13:26 | 0:13:28 | |
A red ribbon. Curious. | 0:13:29 | 0:13:33 | |
"Dear Don, sometimes..." (MUTTERS THE WORDS UNDER HIS BREATH) | 0:13:35 | 0:13:39 | |
Damn. This postmark is too faint to read. That's fucked up. | 0:13:46 | 0:13:50 | |
(CHUCKLES) And you have no idea who this is from? | 0:13:51 | 0:13:55 | |
Nope. | 0:13:55 | 0:13:57 | |
None. | 0:13:57 | 0:13:59 | |
But from what I know, you are like, er, like Don Juan or something. | 0:13:59 | 0:14:04 | |
Don Juan. | 0:14:06 | 0:14:08 | |
(MUTTERS INDISTINCTLY) | 0:14:10 | 0:14:14 | |
I gotta go. | 0:14:14 | 0:14:16 | |
You want me to keep the letter for forensic evidence, or clues or...? | 0:14:19 | 0:14:24 | |
Don! | 0:14:24 | 0:14:26 | |
"(MOURNFUL, OPERATIC TUNE PLAYS)" | 0:14:39 | 0:14:42 | |
(DOORBELL RINGS) | 0:14:47 | 0:14:50 | |
Hey, it's me. | 0:14:52 | 0:14:55 | |
I see that. | 0:14:55 | 0:14:57 | |
It's kind of lonely in here, man. | 0:15:04 | 0:15:07 | |
Do you mind? (TURNS VOLUME DOWN) | 0:15:11 | 0:15:14 | |
-Sherry coming home? -No. | 0:15:23 | 0:15:27 | |
She left. | 0:15:27 | 0:15:30 | |
What do you mean, "she left"? She went on a trip? | 0:15:30 | 0:15:33 | |
No. I mean she left. | 0:15:33 | 0:15:36 | |
Sorry. | 0:15:38 | 0:15:40 | |
Yeah, me, too. I think. | 0:15:40 | 0:15:43 | |
Knowing Sherry, she probably hasn't played her last card yet, right? | 0:15:47 | 0:15:51 | |
Probably not. | 0:15:51 | 0:15:53 | |
Anyway, you've never had trouble finding interesting females. | 0:15:53 | 0:15:57 | |
That's the way your life's been, though, right? You're like Don Juan. | 0:15:57 | 0:16:01 | |
Winston, please stop saying that. | 0:16:01 | 0:16:04 | |
About this letter. I did examine the postmark under my microscope | 0:16:12 | 0:16:17 | |
and it is too faint to read, but the stamp, | 0:16:17 | 0:16:20 | |
it's got on it a woodpecker. What does that mean to you? | 0:16:20 | 0:16:25 | |
Anything? | 0:16:25 | 0:16:26 | |
Well, what I think we should do | 0:16:28 | 0:16:31 | |
is to narrow down the possibilities. | 0:16:31 | 0:16:33 | |
Winston, this is probably someone playing a joke on me. | 0:16:33 | 0:16:37 | |
And if not, then,... whatever. | 0:16:37 | 0:16:41 | |
It seems so unfair, someone to write a letter like this and not sign it. | 0:16:42 | 0:16:48 | |
-Don't you want to know who's the mom of your son? -My hypothetical son? | 0:16:48 | 0:16:52 | |
No, Winston, I don't, OK? | 0:16:52 | 0:16:55 | |
OK. | 0:16:55 | 0:16:57 | |
Then, we can just drop it. | 0:16:57 | 0:16:59 | |
-We can? -We can. Of course. | 0:16:59 | 0:17:02 | |
-OK. -Good. -It's dropped. | 0:17:02 | 0:17:06 | |
But then how can you ignore something like this? | 0:17:24 | 0:17:27 | |
You need to treat this as a sign. | 0:17:27 | 0:17:30 | |
-What kind of sign? -Of the direction of your life. | 0:17:30 | 0:17:33 | |
Of this present moment. | 0:17:33 | 0:17:36 | |
You need to solve this mystery and find out which of your women it was | 0:17:36 | 0:17:41 | |
-that you impregnated with your semen 20 years ago. -Winston... | 0:17:41 | 0:17:46 | |
What happened to that grooving CD I burned for you? | 0:17:50 | 0:17:53 | |
Here it is. Do you mind? | 0:17:56 | 0:17:59 | |
"(ARABIC-STYLE JAZZY MUSIC)" | 0:18:05 | 0:18:08 | |
Ah, that's nice. Ethiopian sounds. It's good for the heart. | 0:18:10 | 0:18:13 | |
Look, come over tomorrow for, er, Sunday brunch | 0:18:27 | 0:18:30 | |
and we'll talk a little further about our investigative plan, huh? | 0:18:30 | 0:18:34 | |
-I'll leave that right there. -Go home and leave me alone. | 0:18:34 | 0:18:37 | |
OK, man. Love you, too(!) | 0:18:37 | 0:18:40 | |
I think your father's real name is Sam Spade. | 0:19:05 | 0:19:08 | |
-My father isn't Sam Spade. -No? | 0:19:08 | 0:19:11 | |
Think he's Sherlock Holmes? | 0:19:11 | 0:19:13 | |
No! | 0:19:13 | 0:19:16 | |
Well, I know he's one of those famous detectives. Mike Hammer! | 0:19:16 | 0:19:19 | |
No! Not Mike Hammer. | 0:19:19 | 0:19:22 | |
Oh, I know. He's that Dolemite guy, right? | 0:19:22 | 0:19:26 | |
-No, not Dolemite. -No? | 0:19:26 | 0:19:28 | |
He's down. | 0:19:34 | 0:19:36 | |
-Keep your eyes open. He may be Dolemite. -No! | 0:19:40 | 0:19:43 | |
Mona, thank you. | 0:19:43 | 0:19:46 | |
-That was so delicious. -(CHUCKLES) You're welcome. Any time. | 0:19:46 | 0:19:51 | |
-Really? -Mmm-hmm. -What time's dinner? -(GIGGLES) | 0:19:51 | 0:19:54 | |
-You are the most perfect woman in the world. -Let me tell you something. | 0:19:54 | 0:19:59 | |
That's mine! Come, come, come. | 0:19:59 | 0:20:01 | |
No cigarettes. | 0:20:01 | 0:20:04 | |
That's where you get your appetite. | 0:20:13 | 0:20:15 | |
Your woman cooks too good. | 0:20:15 | 0:20:18 | |
-I'd like to look at that pink letter again. -I burned it last night. | 0:20:18 | 0:20:22 | |
-Microwave. -Yes, little Rita? | 0:20:22 | 0:20:25 | |
-Papa, you're smoking again. -No, no, no. This is just herbs. | 0:20:25 | 0:20:29 | |
-It's just a little cheeba. -Let me see that. | 0:20:29 | 0:20:32 | |
-He's right. It's just cannabis sativa. -Just a little indigo, baby. | 0:20:38 | 0:20:42 | |
Cos Mama says no more smoking tobacco any more. | 0:20:42 | 0:20:45 | |
-Yeah, I know! I gave it up. -Never! -Never. | 0:20:45 | 0:20:49 | |
-No more tobacco. I promise. -OK. | 0:20:49 | 0:20:52 | |
Come, come, come, come. Let me see this mysterious pink letter. | 0:20:55 | 0:20:59 | |
OK. What you have to do for me is make a list. | 0:21:16 | 0:21:20 | |
A list? | 0:21:20 | 0:21:22 | |
I need the possibilities of who the mother might be. | 0:21:22 | 0:21:26 | |
You give me a list of all your girlfriends from back then, | 0:21:26 | 0:21:30 | |
and then I can plan everything. | 0:21:30 | 0:21:33 | |
I think I'm going home, Sherlock. | 0:21:38 | 0:21:40 | |
Just destroy that letter when you're through with it, will you? | 0:21:40 | 0:21:44 | |
Work on that list! | 0:21:44 | 0:21:46 | |
(PHONE RINGS) | 0:21:50 | 0:21:52 | |
(RINGING CONTINUES) | 0:21:55 | 0:21:57 | |
Hello, Winston? | 0:21:59 | 0:22:01 | |
What list? | 0:22:03 | 0:22:05 | |
No, haven't even thought about it. | 0:22:07 | 0:22:09 | |
Are you on the cellphone? | 0:22:10 | 0:22:13 | |
Yeah. Is it OK if I run in and grab that list? | 0:22:13 | 0:22:17 | |
-Sure. Why not? -OK. Hold on a second. | 0:22:18 | 0:22:21 | |
Any other info on where they might be? | 0:22:26 | 0:22:29 | |
Not really. That's where they lived, where their families lived. | 0:22:29 | 0:22:33 | |
-That's all I can remember. -Good. Cool. | 0:22:33 | 0:22:36 | |
-OK. Sorry about that. -It's OK. | 0:22:37 | 0:22:40 | |
I'm all over this. The day after tomorrow, I have everything ready. | 0:22:40 | 0:22:44 | |
Knock yourself out. | 0:22:44 | 0:22:46 | |
-Come on, man. My lunch break's almost over. -Sorry. What's up? | 0:23:49 | 0:23:53 | |
Look, I got all the info right here, based on your list, | 0:23:53 | 0:23:57 | |
plus the whole plan. | 0:23:57 | 0:24:00 | |
You got addresses, married names, in some cases even their jobs. | 0:24:01 | 0:24:05 | |
-I've got some sad news, though. -What? | 0:24:05 | 0:24:07 | |
That girl named Michelle Pepe, | 0:24:07 | 0:24:09 | |
she died in a car accident five years ago. | 0:24:09 | 0:24:14 | |
I found the name of the cemetery where she,... well, where she is. | 0:24:14 | 0:24:19 | |
-Little Michelle Pepe? -Yeah. I'm sorry. | 0:24:19 | 0:24:22 | |
But the other four, I got all their info. | 0:24:22 | 0:24:26 | |
Well, that's very impressive, Winston. | 0:24:27 | 0:24:30 | |
I don't know why you did all this. What am I supposed to do about it? | 0:24:30 | 0:24:34 | |
Look. Your whole trip. It's all planned. Reservations, rental cars, | 0:24:34 | 0:24:39 | |
everything you need. All you have to do is give them the credit card. | 0:24:39 | 0:24:43 | |
-What are you talking about? -You go visit them, you go to their houses, | 0:24:43 | 0:24:46 | |
you see them, bring pink flowers. You're just checking in. | 0:24:46 | 0:24:50 | |
Just checking in? | 0:24:50 | 0:24:54 | |
I even got maps. Everything you need. | 0:24:54 | 0:24:58 | |
And I burned you a new CD. | 0:24:58 | 0:25:02 | |
-That's travelling music. -That I'll take. | 0:25:02 | 0:25:05 | |
Er, just coffee, please, Avis. Thank you. | 0:25:07 | 0:25:10 | |
A few tips, though. Dress conservative. | 0:25:10 | 0:25:13 | |
A little classy. Don't give anything away. | 0:25:13 | 0:25:15 | |
And always, always bring flowers. Pink flowers. | 0:25:15 | 0:25:20 | |
And look for clues about your son - photographs, anything. | 0:25:20 | 0:25:23 | |
Or hints, like pink stationery and red ink. | 0:25:23 | 0:25:26 | |
Handwriting, if possible. And find that typewriter. | 0:25:26 | 0:25:30 | |
Bring me that typewriter, and I can forensically match the type | 0:25:30 | 0:25:34 | |
-to the letter. -(SIGHS) You're insane, Winston. | 0:25:34 | 0:25:38 | |
Even if you could possibly rope me into this nonsense, which you can't, | 0:25:38 | 0:25:43 | |
I'm not a detective or a private eye in one of your crime novels. | 0:25:43 | 0:25:47 | |
Forget it. No fucking way. | 0:25:49 | 0:25:53 | |
-But after all the work I've done? -Well, you do it. | 0:25:53 | 0:25:56 | |
-You take the trip, I'll pay for it. -Me? Impossible. | 0:25:56 | 0:26:00 | |
I've got three jobs and five kids. Besides, it's your life. | 0:26:00 | 0:26:04 | |
I have merely prepared the strategy. But only you can solve the mystery. | 0:26:04 | 0:26:10 | |
And why is that? | 0:26:10 | 0:26:12 | |
Because you understand women. | 0:26:12 | 0:26:14 | |
Let me ask you something. | 0:26:28 | 0:26:30 | |
Suppose I took this ridiculous trip | 0:26:30 | 0:26:33 | |
and say this kid really exists | 0:26:33 | 0:26:36 | |
and he shows up while I'm gone. | 0:26:36 | 0:26:39 | |
-Don, don't worry. I'll monitor your house every day. -Yeah? Then what? | 0:26:39 | 0:26:43 | |
-What do you do? -If he shows up? Don't worry! I apprehend him. | 0:26:43 | 0:26:47 | |
Oh, OK. Great. You apprehend him. | 0:26:47 | 0:26:50 | |
Look, I've got seven minutes before I'm due to punch in. | 0:26:50 | 0:26:54 | |
Tomorrow morning, on my way to the plant, I'll drop you at the airport. | 0:26:54 | 0:26:59 | |
-No problem. I got you an early flight. -It's not gonna happen. | 0:26:59 | 0:27:02 | |
No way. | 0:27:02 | 0:27:05 | |
I'll pick you up tomorrow morning at 7am sharp. | 0:27:05 | 0:27:08 | |
# "I Want You" - Marvin Gaye | 0:27:41 | 0:27:44 | |
# I want you the right way | 0:27:47 | 0:27:51 | |
# I want you | 0:27:51 | 0:27:54 | |
# But I want you to want me, too | 0:27:54 | 0:27:58 | |
# Just like I want you | 0:27:59 | 0:28:04 | |
# Da-da, da-da, da, da, da | 0:28:05 | 0:28:07 | |
# Oh, I give you all the love | 0:28:07 | 0:28:11 | |
# I want in return, sweet darling | 0:28:11 | 0:28:15 | |
# But half a love | 0:28:16 | 0:28:19 | |
# Is all I feel | 0:28:19 | 0:28:23 | |
# Don't play with something | 0:28:26 | 0:28:28 | |
# You should cherish for life, oh, baby | 0:28:28 | 0:28:32 | |
# Don't you wanna care? | 0:28:35 | 0:28:38 | |
# Ain't it lonely out there? | 0:28:38 | 0:28:43 | |
# I want you | 0:28:43 | 0:28:45 | |
# The right way, baby | 0:28:45 | 0:28:47 | |
# I want you, baby | 0:28:47 | 0:28:49 | |
# But I want you | 0:28:49 | 0:28:51 | |
# To want me, too, babe | 0:28:51 | 0:28:53 | |
# Want you to want me, baby... # | 0:28:53 | 0:28:58 | |
"(PA BEEPS)" | 0:30:07 | 0:30:10 | |
-I can't believe your mom let you come on this trip. -She doesn't know. | 0:30:20 | 0:30:24 | |
She thinks I'm with your family. She wouldn't have let me come. | 0:30:24 | 0:30:28 | |
-What if she calls my mom? -She won't! She thinks she's here. It's perfect. | 0:30:28 | 0:30:32 | |
-It'll be fine. Don't worry about it. -Do I need to call my mom? -No! | 0:30:32 | 0:30:37 | |
I want to go to the party tonight and meet some cute guys. | 0:30:37 | 0:30:41 | |
That guy is so cute that is sitting behind me. Can you see him? | 0:30:41 | 0:30:44 | |
-Oh, my God! He is really cute. -Don't stare at him! | 0:30:44 | 0:30:47 | |
He looks like a supermodel. No, he looks like a Calvin Klein model | 0:30:47 | 0:30:51 | |
-like on the side of the bus. -(BOTH TALK OVER EACH OTHER) | 0:30:51 | 0:30:55 | |
-Think Ali will take us for something to eat? -She better! I'm starving! | 0:30:55 | 0:30:59 | |
-That's why you need the mix-and-match! -We're such heifers! | 0:30:59 | 0:31:02 | |
-I look so fat. -Doughnut girl! | 0:31:02 | 0:31:05 | |
(BOTH TALK OVER EACH OTHER) | 0:31:05 | 0:31:08 | |
"(LAIDBACK, JAZZY MUSIC)" | 0:31:51 | 0:31:54 | |
Look for clues. | 0:32:19 | 0:32:21 | |
Like a typewriter. Like something pink. | 0:32:21 | 0:32:24 | |
This will be very easy. | 0:32:24 | 0:32:27 | |
Hi, Laura. It's me, Don. Remember me? | 0:33:07 | 0:33:10 | |
(RINGS DOORBELL) | 0:34:00 | 0:34:02 | |
Hi. Who are you? | 0:34:14 | 0:34:16 | |
-Don Johnston. -(CHUCKLES) Really? | 0:34:16 | 0:34:19 | |
You're Don Johnson? | 0:34:19 | 0:34:21 | |
-Yeah. No. Johnston with a T. -Oh. | 0:34:21 | 0:34:24 | |
Does Laura Daniels who was formerly Laura Miller live here? | 0:34:24 | 0:34:28 | |
-Yeah. That's my mom. -Well, I'm a very old friend of hers. | 0:34:28 | 0:34:31 | |
-I haven't seen her... in over... -Well, come on in. | 0:34:31 | 0:34:35 | |
So, my mom will be home from work soon, so just sit down. Here. | 0:34:42 | 0:34:46 | |
Make yourself comfortable. | 0:34:46 | 0:34:49 | |
So, my name's Lola. Well, sometimes people call me Lo. | 0:34:53 | 0:34:57 | |
But my really real name is Lolita. | 0:34:57 | 0:34:59 | |
Lolita? | 0:34:59 | 0:35:02 | |
Yeah. (CHUCKLES) | 0:35:02 | 0:35:05 | |
Well, do you want something? Cos we've got Popsicles. | 0:35:08 | 0:35:12 | |
-No, thanks. -OK. (GIGGLES) | 0:35:14 | 0:35:17 | |
-Lolita. -Yeah. | 0:35:17 | 0:35:19 | |
Do you have any brothers or sisters? | 0:35:19 | 0:35:22 | |
Why? Do you think I need some? | 0:35:22 | 0:35:26 | |
-(PHONE RINGS) -Oh, that's my phone. Stay there. I'll be right back, OK? | 0:35:29 | 0:35:34 | |
OK. | 0:35:34 | 0:35:37 | |
(MOBILE PHONE RINGS) | 0:36:33 | 0:36:35 | |
Really? (GIGGLES) | 0:36:40 | 0:36:43 | |
That's so sick! He didn't? Wait. Hold on. My cellphone's ringing. | 0:36:43 | 0:36:47 | |
Hello? (LAUGHS) Yeah, I know. I just talked to her. That's crazy, right? | 0:36:47 | 0:36:53 | |
Can I help you with something? | 0:37:23 | 0:37:26 | |
Donny, is that you? | 0:37:33 | 0:37:35 | |
Hey, Laura. | 0:37:37 | 0:37:39 | |
What are you doing here? | 0:37:42 | 0:37:44 | |
(CHUCKLES) | 0:37:44 | 0:37:47 | |
We're having chicken for dinner. | 0:38:06 | 0:38:09 | |
-That was quite an outfit you weren't wearing earlier. -(CHUCKLES) | 0:38:14 | 0:38:18 | |
Well, here we are. | 0:38:19 | 0:38:22 | |
Then Larry exploded in a wall of flames at the track. | 0:38:36 | 0:38:42 | |
That happened, and now it's just me and Lo. | 0:38:42 | 0:38:46 | |
It was even on TV. | 0:38:52 | 0:38:55 | |
Well, I'm sorry. | 0:38:57 | 0:39:00 | |
Lo, your head looks just like a pineapple. | 0:39:02 | 0:39:05 | |
Mom! | 0:39:05 | 0:39:07 | |
-Doesn't it? -Yeah, it does look like a pineapple. | 0:39:07 | 0:39:11 | |
So, what, er,... | 0:39:13 | 0:39:15 | |
-..where do you work? -Oh, Mom has her own business. Right? | 0:39:17 | 0:39:21 | |
-Yeah. -Really? -I'm a professional closet organiser. | 0:39:21 | 0:39:25 | |
-Come on. -No, I organise people's closets. | 0:39:25 | 0:39:29 | |
I even do their drawers. | 0:39:29 | 0:39:31 | |
I label everything, I get them all organised. | 0:39:31 | 0:39:35 | |
I even colour-coordinate them. | 0:39:36 | 0:39:39 | |
Yeah, and they pay her for that. It's amazing. | 0:39:39 | 0:39:42 | |
-Hmm. -Mmm-hmm. | 0:39:42 | 0:39:45 | |
Ohh! | 0:39:45 | 0:39:47 | |
Lolita, I said you... Lolita! | 0:39:47 | 0:39:50 | |
I said you could have a taste. Now, come on. That's enough of that. | 0:39:50 | 0:39:54 | |
That's not cool. | 0:39:54 | 0:39:56 | |
Lolita. Interesting choice of name, Laura. | 0:39:58 | 0:40:01 | |
What? | 0:40:03 | 0:40:05 | |
So, Donny, I heard you made it big in business a few years ago. | 0:40:08 | 0:40:12 | |
What are you into? | 0:40:12 | 0:40:15 | |
-It was computers. -Oh. High-tech stuff. | 0:40:15 | 0:40:18 | |
More high-tech than pencils, I guess. | 0:40:18 | 0:40:21 | |
Mr Fancy Pants! (LAUGHS) | 0:40:21 | 0:40:25 | |
-(GIGGLES) -Yeah. My pants are fancy. So what? | 0:40:25 | 0:40:29 | |
-So, I see you're having a yard sale. -Oh. You got me. | 0:40:34 | 0:40:37 | |
-It's something we do on Saturdays. -Yeah. Larry had all this crap | 0:40:37 | 0:40:41 | |
-in the garage. -Yeah. And I got this neighbour to paint a sign for us. | 0:40:41 | 0:40:45 | |
It's fun. | 0:40:45 | 0:40:48 | |
Are you gonna be selling any old typewriters? | 0:40:48 | 0:40:51 | |
-No! -(BOTH GIGGLE) | 0:40:51 | 0:40:53 | |
-What? That's so 20th century. -(CHUCKLES) | 0:40:53 | 0:40:56 | |
Did you come all the way down here to get a typewriter, Don? | 0:40:57 | 0:41:01 | |
What do you want a typewriter for? | 0:41:01 | 0:41:04 | |
An old friend asked me if I'd look around for a typewriter. | 0:41:06 | 0:41:10 | |
I just remembered it. | 0:41:10 | 0:41:13 | |
Well,... | 0:41:19 | 0:41:21 | |
..you know, I forgot to make dessert. | 0:41:21 | 0:41:24 | |
Oh, Don doesn't like Popsicles. | 0:41:24 | 0:41:26 | |
Donny! What are you doing here? | 0:42:01 | 0:42:04 | |
I was just looking for a typewriter. | 0:42:06 | 0:42:09 | |
Oh. | 0:42:09 | 0:42:11 | |
I remember. | 0:42:11 | 0:42:13 | |
(Bye.) | 0:42:25 | 0:42:26 | |
Hey. | 0:42:32 | 0:42:34 | |
Bye, Don. | 0:42:41 | 0:42:43 | |
Goodbye, Laura. | 0:42:43 | 0:42:44 | |
Come back sometime. | 0:42:49 | 0:42:52 | |
See you, Laura. | 0:42:52 | 0:42:54 | |
Lo! Go. Put some clothes on. | 0:43:11 | 0:43:14 | |
"(FUNKY MUSIC)" | 0:43:34 | 0:43:37 | |
"(ARABIC-STYLE JAZZY MUSIC)" | 0:44:25 | 0:44:27 | |
(KNOCKS AT DOOR / RINGS DOORBELL) | 0:46:09 | 0:46:13 | |
-Can I help you? -Dora? | 0:46:30 | 0:46:32 | |
Yes. | 0:46:32 | 0:46:34 | |
It's me, Don. | 0:46:35 | 0:46:38 | |
Remember me? | 0:46:38 | 0:46:40 | |
Oh, Don! | 0:46:40 | 0:46:42 | |
What are you doing here? | 0:46:43 | 0:46:46 | |
I brought these flowers. | 0:46:48 | 0:46:50 | |
So beautiful. | 0:46:55 | 0:46:57 | |
Wanna come in? | 0:46:59 | 0:47:02 | |
So,... | 0:47:23 | 0:47:25 | |
..what brings you out here? | 0:47:27 | 0:47:29 | |
Well, I was kind of in the area, so I thought I'd drop in. | 0:47:29 | 0:47:33 | |
I see. | 0:47:33 | 0:47:36 | |
How,... how did you track me down exactly? | 0:47:36 | 0:47:39 | |
Er, on the computer. They can do anything. | 0:47:39 | 0:47:43 | |
-Nice place you've got here. -Oh, thank you. It's a nice example. | 0:47:57 | 0:48:02 | |
My husband and I are in real estate. | 0:48:02 | 0:48:04 | |
We sell landscape lots and reconstructed designer homes. | 0:48:04 | 0:48:09 | |
-Or do you already have this information from your computer? -No. | 0:48:10 | 0:48:15 | |
Your card is pink. | 0:48:16 | 0:48:19 | |
Yes. | 0:48:19 | 0:48:21 | |
Ron, my husband, thought it would be cute if mine was pink and his blue. | 0:48:21 | 0:48:25 | |
I like those pearls. | 0:48:34 | 0:48:37 | |
Did I give you those? | 0:48:39 | 0:48:42 | |
I don't think so. | 0:48:46 | 0:48:48 | |
I should have. | 0:48:49 | 0:48:51 | |
It's very strange, you showing up like this. | 0:49:02 | 0:49:06 | |
Yeah. It is strange. | 0:49:08 | 0:49:11 | |
It's my husband. | 0:49:16 | 0:49:19 | |
Hey. How's my perfect little wi...? | 0:49:19 | 0:49:24 | |
Well, what have we here? | 0:49:24 | 0:49:26 | |
Hi. Don... Johnston. | 0:49:29 | 0:49:31 | |
I'm a really old friend of Dora's. | 0:49:31 | 0:49:34 | |
Oh. You don't look really old. Just kinda old. (LAUGHS) | 0:49:34 | 0:49:39 | |
I'm Ron. | 0:49:39 | 0:49:41 | |
Don Johnston. | 0:49:41 | 0:49:43 | |
He's an old flame of yours, right, honey? | 0:49:45 | 0:49:48 | |
Don just dropped in completely unexpectedly. | 0:49:48 | 0:49:51 | |
Wow. Nice to meet you, Don. | 0:49:51 | 0:49:55 | |
Ron and Don. (CHUCKLES) | 0:49:55 | 0:49:59 | |
Hey, is Don gonna stay for dinner, I hope? | 0:49:59 | 0:50:03 | |
No. I really couldn't. | 0:50:03 | 0:50:06 | |
Well, sure you could. | 0:50:06 | 0:50:08 | |
Right? Honey? | 0:50:08 | 0:50:11 | |
Computers, huh? | 0:50:22 | 0:50:24 | |
Well, that's gotta be a lucrative field. | 0:50:24 | 0:50:28 | |
-Yeah, I've done pretty well. -Hmm. | 0:50:28 | 0:50:31 | |
-Well, real estate has been very good to us, right? -Mmm. | 0:50:31 | 0:50:35 | |
At first I had the idea of going into bottled water. | 0:50:35 | 0:50:39 | |
I think in the near future water will be worth more than oil or gold. | 0:50:39 | 0:50:43 | |
Yeah. You're dying of thirst, you can't take a swig of oil. | 0:50:43 | 0:50:48 | |
Right? Or gold, for that matter. | 0:50:48 | 0:50:52 | |
Well, you are certainly right about that. | 0:50:52 | 0:50:55 | |
But for right now, | 0:50:57 | 0:50:59 | |
we decided that real estates and quality prefab homes | 0:50:59 | 0:51:03 | |
was the right way to go. And it has been quite lucrative. | 0:51:03 | 0:51:07 | |
-Hun, those are beautiful flowers. -Mm. | 0:51:14 | 0:51:18 | |
Hey... (CHUCKLES) | 0:51:23 | 0:51:26 | |
Don, I wanna show you something. Excuse me. | 0:51:26 | 0:51:29 | |
(CHUCKLES) Isn't this the coolest photo? | 0:51:36 | 0:51:40 | |
Wow. Yeah. | 0:51:40 | 0:51:43 | |
Yeah? This is crazy, right? My straight little Dora. | 0:51:43 | 0:51:48 | |
My adorable little Dora. | 0:51:49 | 0:51:51 | |
-Young hippy chick. (LAUGHS) -That's great, Ron. | 0:51:53 | 0:51:56 | |
-Now, could you please put it back? -Sorry, baby. | 0:51:56 | 0:51:59 | |
Probably brings back one or two memories, huh, Dora? | 0:52:01 | 0:52:04 | |
-I took that photo, didn't I? -(CHUCKLES) | 0:52:09 | 0:52:13 | |
Mm-hm. | 0:52:13 | 0:52:15 | |
Well, you know, it's... strange how people's lives change, isn't it? | 0:52:17 | 0:52:23 | |
So, any kids? | 0:52:33 | 0:52:35 | |
Well, that's,... that's kind of a touchy subject. | 0:52:40 | 0:52:44 | |
See,... I always wanted to have kids with Dora, | 0:52:44 | 0:52:48 | |
you know,... I mean, kids of our own, but she didn't, really, | 0:52:48 | 0:52:51 | |
-so... I respect that. -Erm, I don't know | 0:52:51 | 0:52:55 | |
if I would have had the time and patience to be a good mother | 0:52:55 | 0:52:59 | |
to Ron's children. | 0:52:59 | 0:53:02 | |
I'm just happy to have my Dora. | 0:53:03 | 0:53:06 | |
What about you, Don? You married? | 0:53:16 | 0:53:19 | |
No, I'm still a bachelor. | 0:53:22 | 0:53:24 | |
A bachelor? | 0:53:25 | 0:53:28 | |
Wow. | 0:53:28 | 0:53:30 | |
-But any kids? -He said he was still a bachelor. | 0:53:30 | 0:53:33 | |
(LAUGHS) Well, honey, you know,... you never know. | 0:53:33 | 0:53:37 | |
One or two could have gotten away. (CHUCKLES) | 0:53:37 | 0:53:41 | |
-No, no kids I know of. -(LAUGHS) | 0:53:41 | 0:53:44 | |
(PHONE RINGS) | 0:54:58 | 0:55:01 | |
Hello, Winston. | 0:55:12 | 0:55:14 | |
Just a crazy guess. | 0:55:15 | 0:55:17 | |
Look,... I don't know what I'm doing up here - I'm getting nowhere. | 0:55:19 | 0:55:23 | |
Yeah, I saw her. | 0:55:24 | 0:55:27 | |
Yeah, I saw her, too. Yesterday. | 0:55:28 | 0:55:31 | |
No, no clues. No typewriters. | 0:55:33 | 0:55:37 | |
Couldn't you have rented me,... like, a Porsche | 0:55:40 | 0:55:43 | |
or some car that I might really drive? I'm a stalker in a Taurus! | 0:55:43 | 0:55:47 | |
I have done everything that you wanted me to do,... you know. | 0:55:50 | 0:55:54 | |
I-I-I've really had enough of this. | 0:55:54 | 0:55:57 | |
I think I ought to go back today. | 0:55:57 | 0:55:59 | |
Yeah, but I don't think I wanna see her. | 0:56:01 | 0:56:04 | |
No, Winston. | 0:56:08 | 0:56:10 | |
Winston, let me,... let me talk to you later, OK? Can I just...? | 0:56:12 | 0:56:15 | |
Yeah. Let me talk to you later. Please? OK? | 0:56:16 | 0:56:20 | |
Thanks. | 0:56:20 | 0:56:22 | |
(HORSE NEIGHS) | 0:56:47 | 0:56:50 | |
(CHATS INDISTINCTLY) | 0:57:40 | 0:57:43 | |
(PA) "Ladies and gentlemen, we're now on our final descent." | 0:57:58 | 0:58:02 | |
"Please make sure your seat belts are securely fastened. Thank you." | 0:58:02 | 0:58:06 | |
"(JAZZ MUSIC BLARES FROM CAR STEREO)" | 0:58:15 | 0:58:17 | |
(TALKS) | 0:59:41 | 0:59:43 | |
I understand how you feel. | 0:59:48 | 0:59:50 | |
I understand and I'll try to do better next time. Hi. | 0:59:50 | 0:59:54 | |
It takes a lot of courage to say what you said. | 0:59:54 | 0:59:57 | |
I'm very, very proud of you and I want you to know | 0:59:57 | 1:00:00 | |
that I think you are doing very, very well. (CONTINUES TALKING) | 1:00:00 | 1:00:05 | |
Yeah, she speaks to iguanas. | 1:00:05 | 1:00:07 | |
OK. That's right. | 1:00:08 | 1:00:11 | |
Call back on Monday and we'll happily schedule you and Iggy. | 1:00:11 | 1:00:14 | |
Sure. OK. Thank you. | 1:00:14 | 1:00:17 | |
I'm sorry, Mr Johnston, but Doctor Markowski only takes appointments, | 1:00:18 | 1:00:22 | |
and she's in a session right now. | 1:00:22 | 1:00:24 | |
Is your animal friend with you? | 1:00:24 | 1:00:26 | |
Er, no, I don't have any animal friend. | 1:00:26 | 1:00:29 | |
I'm an old friend of Carm,... er, Dr Markowski. | 1:00:29 | 1:00:33 | |
Erm, Carmen has a really tight schedule. | 1:00:33 | 1:00:36 | |
-She may have a minute if you wanna sit down. -OK. | 1:00:36 | 1:00:40 | |
No, no, no, of course I won't forget you, Cleo. | 1:01:41 | 1:01:45 | |
-Yes, I promise. -Thank you, Dr Markowski. | 1:01:45 | 1:01:50 | |
-Bye, now. -Bye, Cleo! See you next week, Mrs Dorston. | 1:01:50 | 1:01:54 | |
So, what do we have next? | 1:02:03 | 1:02:06 | |
Don? | 1:02:14 | 1:02:17 | |
So, you're an animal psychic? | 1:02:23 | 1:02:26 | |
-No, I'm a communicator. -And you're a doctor now? | 1:02:26 | 1:02:31 | |
-Mmm. -When we were together | 1:02:31 | 1:02:34 | |
you were so passionate about becoming a lawyer. | 1:02:34 | 1:02:38 | |
I mean, you were... very passionate. | 1:02:38 | 1:02:41 | |
Yeah, well, passion is a funny thing. | 1:02:41 | 1:02:46 | |
I have a doctorate in animal behaviour | 1:02:47 | 1:02:50 | |
but that was sort of after the fact. | 1:02:50 | 1:02:53 | |
It's an odd story. | 1:02:55 | 1:02:57 | |
I'm getting into odd stories. | 1:02:58 | 1:03:01 | |
Well, I was a very successful lawyer. | 1:03:01 | 1:03:05 | |
I had no life, though, outside my work, | 1:03:05 | 1:03:08 | |
except for my... dog, Winston. | 1:03:08 | 1:03:10 | |
Your dog's named Winston? | 1:03:13 | 1:03:16 | |
Yes. | 1:03:16 | 1:03:18 | |
But then he died... suddenly. | 1:03:18 | 1:03:21 | |
-I'm sorry. -Oh, no, it was, er,... it was years ago | 1:03:23 | 1:03:27 | |
but... my new ability was this gift. | 1:03:27 | 1:03:31 | |
This gift from Winston. | 1:03:33 | 1:03:36 | |
Alright, you can come in again. | 1:03:52 | 1:03:55 | |
Anyway, after Winston died I got this gift. | 1:04:01 | 1:04:04 | |
To,... to read animals' minds? | 1:04:04 | 1:04:08 | |
-No, I told you,... -No. -..I'm a communicator. | 1:04:08 | 1:04:13 | |
You see, soon after Winston died... I realised | 1:04:14 | 1:04:19 | |
that I could hear animals speak to me. | 1:04:19 | 1:04:22 | |
I mean, I certainly hadn't been aware of that before. | 1:04:22 | 1:04:25 | |
And I don't read animals' minds, | 1:04:26 | 1:04:28 | |
but when they want to communicate, I can hear them. | 1:04:28 | 1:04:32 | |
You know, like you and I are talking. But we don't read | 1:04:34 | 1:04:37 | |
each other's minds. | 1:04:37 | 1:04:39 | |
Is he saying something? | 1:04:44 | 1:04:46 | |
He says you have a hidden agenda. | 1:04:54 | 1:04:57 | |
He,... he said that? | 1:04:58 | 1:05:00 | |
I think you'd better go back outside now, Ramon. | 1:05:01 | 1:05:06 | |
Animals can tell us what they want | 1:05:13 | 1:05:16 | |
but that, er,... doesn't mean that that's what's best for them. | 1:05:16 | 1:05:20 | |
-(KNOCK AT DOOR) -Yes? | 1:05:23 | 1:05:26 | |
Excuse me, Carmen, but Mr Renaldo and Skippy are here | 1:05:26 | 1:05:29 | |
-for your next session. -Oh, OK. | 1:05:29 | 1:05:31 | |
Er,... give me one more minute. | 1:05:31 | 1:05:35 | |
Sorry, Don, but I really can't keep Skippy waiting. | 1:05:46 | 1:05:49 | |
Do you think you could tell Skippy | 1:05:49 | 1:05:52 | |
that you're just gonna walk me to my car? | 1:05:52 | 1:05:54 | |
-How about later? You wanna get a drink? -No, I don't drink. | 1:05:58 | 1:06:01 | |
-Maybe get something to eat? -I don't, er,... eat. | 1:06:02 | 1:06:07 | |
You don't? | 1:06:08 | 1:06:10 | |
-Er,... take a walk? -(CHUCKLES) -I know you walk. | 1:06:10 | 1:06:15 | |
I don't feel like it. | 1:06:15 | 1:06:17 | |
-Do you have a typewriter? -A typewriter? | 1:06:20 | 1:06:23 | |
Are you married? | 1:06:28 | 1:06:30 | |
You know, I think you should probably go now. | 1:06:30 | 1:06:33 | |
Oh, c'mon, Carmen. | 1:06:33 | 1:06:36 | |
-Can't you answer me? -No. | 1:06:37 | 1:06:39 | |
-No, you won't answer me? -(CHUCKLES) No, I'm not married. | 1:06:40 | 1:06:45 | |
I was, though. | 1:06:47 | 1:06:49 | |
Any kids? | 1:06:51 | 1:06:53 | |
Yes. | 1:06:55 | 1:06:57 | |
I have a daughter, Lianna. She's 16. (SIGHS) | 1:06:59 | 1:07:04 | |
-She's in Sweden. -Sweden? | 1:07:04 | 1:07:08 | |
Am I supposed to ask about you? | 1:07:08 | 1:07:10 | |
-It seems like I've told you my whole life story. So... -Me? | 1:07:10 | 1:07:14 | |
-No, I'm not married... -Of course you aren't. | 1:07:14 | 1:07:19 | |
..and I don't have any kids. | 1:07:20 | 1:07:23 | |
Do I? | 1:07:24 | 1:07:26 | |
-How would I know that? -Sorry, Carmen, but Mr Renaldo and Skippy | 1:07:28 | 1:07:33 | |
-have been waiting in the session room. -I know. I'm sorry. | 1:07:33 | 1:07:36 | |
I'll be right there. | 1:07:36 | 1:07:38 | |
Well,... my time is really up. | 1:07:46 | 1:07:49 | |
So... bye. | 1:07:49 | 1:07:53 | |
Bye, Carmen. | 1:07:53 | 1:07:55 | |
Mr Johnston, you forgot your flowers. | 1:08:15 | 1:08:18 | |
(PHONE RINGS) | 1:08:42 | 1:08:45 | |
(RINGING STOPS) | 1:08:53 | 1:08:55 | |
Hey. Excuse me! Excuse me. | 1:11:21 | 1:11:24 | |
Excuse me, er,... do you know where Atwood Road is? | 1:11:26 | 1:11:30 | |
I'm lost. | 1:11:30 | 1:11:32 | |
-(BARKS) -Oh! Hey. | 1:12:48 | 1:12:51 | |
-(CONTINUES BARKING) -Hey, it's OK. | 1:12:51 | 1:12:55 | |
It's OK. | 1:12:56 | 1:12:59 | |
-Can I help you? -Does Penny live here? | 1:12:59 | 1:13:04 | |
Who's askin'? | 1:13:04 | 1:13:06 | |
I'm an old friend of Penny's - Don. Don Johnston. | 1:13:06 | 1:13:11 | |
-She's in the house. Go around there, a screen door. -Thanks. | 1:13:13 | 1:13:18 | |
(KNOCKS ON DOOR) | 1:13:53 | 1:13:56 | |
Penny? | 1:13:56 | 1:13:58 | |
Hello? | 1:14:09 | 1:14:11 | |
-Penny? -Yeah? | 1:14:11 | 1:14:14 | |
Donny. | 1:14:22 | 1:14:24 | |
So, what the fuck do you want, Donny? | 1:14:30 | 1:14:33 | |
Oh, I just... thought I'd drop by. Just checkin' in. | 1:14:34 | 1:14:39 | |
Well, I don't remember any happy ending between us, Don. | 1:14:42 | 1:14:46 | |
No... reconciliation, nothing. | 1:14:46 | 1:14:50 | |
You left me, Penny, remember? | 1:14:50 | 1:14:52 | |
Yeah,... very clearly. | 1:14:52 | 1:14:56 | |
-So, what is it you wanted? -Everything OK over there, Pen?! | 1:14:59 | 1:15:04 | |
Not sure yet! | 1:15:04 | 1:15:07 | |
Goddammit. | 1:15:09 | 1:15:12 | |
What is it you wanted? | 1:15:13 | 1:15:16 | |
Penny, do you have,... do you have a son? | 1:15:17 | 1:15:22 | |
Fuck you, Donny! | 1:15:30 | 1:15:33 | |
Danny, grab that fucker! | 1:15:39 | 1:15:42 | |
Penny! | 1:15:46 | 1:15:48 | |
-Shut up. -I didn't say anything. | 1:15:50 | 1:15:53 | |
What the hell's your fuckin' problem? | 1:16:12 | 1:16:14 | |
-I was just leaving. -What are you doing upsetting Penny like that? | 1:16:14 | 1:16:18 | |
-I just needed to ask her a question. -I know you asked her a question. | 1:16:18 | 1:16:22 | |
I just... don't think it's... very sensitive of you | 1:16:22 | 1:16:26 | |
comin' out here, you know, to try to hurt Penny's feelings, | 1:16:26 | 1:16:29 | |
you know, to get back at her or whatever. | 1:16:29 | 1:16:33 | |
That just seems so rude. | 1:16:35 | 1:16:38 | |
(STARTS ENGINE) | 1:17:50 | 1:17:52 | |
(GROANS) | 1:18:01 | 1:18:03 | |
-You said all pink, right? -It's best that they're all pink, yeah. | 1:18:57 | 1:19:01 | |
-Oh, you're very good at this. That's beautiful. -Thanks. | 1:19:08 | 1:19:12 | |
-Are you OK? -Er, it was just a minor misunderstanding. | 1:19:13 | 1:19:19 | |
Mind if I take a look? | 1:19:19 | 1:19:22 | |
Oh! That's nasty. Did you even wash it? | 1:19:26 | 1:19:30 | |
Sort of. | 1:19:30 | 1:19:33 | |
Let me take care of it. | 1:19:33 | 1:19:35 | |
What's your name? | 1:19:48 | 1:19:50 | |
-Sun. Sun Green. -Sun Green? | 1:19:50 | 1:19:54 | |
-Perfect. -What's yours? | 1:19:55 | 1:19:59 | |
Don. Don Johnston. | 1:19:59 | 1:20:02 | |
(GIGGLES) Really? Don Johnson? | 1:20:02 | 1:20:05 | |
Johnston. With a T. | 1:20:05 | 1:20:07 | |
So,... | 1:20:10 | 1:20:13 | |
..if I continue down this road, I will find the Riverview Cemetery? | 1:20:16 | 1:20:21 | |
Yeah, you just go down the hill. | 1:20:21 | 1:20:24 | |
You'll see the entrance on your right. | 1:20:24 | 1:20:27 | |
-Thank you, Sun Green. -You're welcome. | 1:20:32 | 1:20:35 | |
Hello, beautiful. | 1:21:03 | 1:21:05 | |
Red ink on pink paper. | 1:22:09 | 1:22:12 | |
'I don't know what I want.' | 1:22:41 | 1:22:43 | |
'He says you have a hidden agenda.' | 1:22:43 | 1:22:46 | |
Fuck you, Donny! | 1:22:46 | 1:22:48 | |
Circle Drive, please. No rush. | 1:23:45 | 1:23:47 | |
"The wheel of fortune turns." | 1:24:31 | 1:24:33 | |
"Round and round it goes. Where it stops, no-one knows." | 1:24:33 | 1:24:36 | |
"Boy." | 1:24:41 | 1:24:44 | |
(SWITCHES TV OFF) | 1:24:45 | 1:24:48 | |
That's my report, Sherlock - the general outline | 1:25:34 | 1:25:38 | |
-of what you put me through. -And that's it? | 1:25:38 | 1:25:43 | |
And after all that, you're still no closer to knowing | 1:25:43 | 1:25:46 | |
-who's the mother of your son? -That's right. | 1:25:46 | 1:25:50 | |
But... there was that one typewriter and, er, the pink motorcycle. | 1:25:51 | 1:25:56 | |
And it was Dora's pink, er, business card | 1:25:56 | 1:25:59 | |
and Laura's pink bathrobe. | 1:25:59 | 1:26:01 | |
I think this whole thing is a farce, a fiasco. | 1:26:01 | 1:26:04 | |
As far as I know,... you may have written that letter to me. | 1:26:05 | 1:26:10 | |
Look, I'm really sorry that you got beat up and everything. | 1:26:13 | 1:26:16 | |
-I feel that it was somehow my fault. -It was. | 1:26:16 | 1:26:21 | |
Kind of strange, too, how, er,... Carmen's magic dog was named Winston. | 1:26:24 | 1:26:30 | |
Yeah... Look, man, I really put a lot of work into this thing. | 1:26:32 | 1:26:37 | |
I thought that it was really important that you know | 1:26:37 | 1:26:40 | |
whether or not you had a son. I mean,... it's your life. | 1:26:40 | 1:26:43 | |
-You've got to live your life, right? -I was living my life, Winston. | 1:26:43 | 1:26:47 | |
I still am. | 1:26:49 | 1:26:52 | |
What's this? It's pink. | 1:26:52 | 1:26:55 | |
It's a note I found in my foyer when I got back - | 1:26:55 | 1:26:58 | |
red ink on pink paper. | 1:26:58 | 1:27:01 | |
-It's from Sherry. -What? From Sherry? | 1:27:01 | 1:27:05 | |
Why didn't you tell me? May I see it? | 1:27:05 | 1:27:08 | |
Envelope and paper not exactly... the same size. | 1:27:08 | 1:27:13 | |
You know, the handwriting... seems pretty close | 1:27:15 | 1:27:18 | |
to the address on the envelope but I can't be sure. | 1:27:18 | 1:27:22 | |
Sherry still likes you. | 1:27:23 | 1:27:25 | |
You think that Sherry could have sent the first letter | 1:27:28 | 1:27:31 | |
-and made the whole thing up just to fuck with you? -Who knows? | 1:27:31 | 1:27:36 | |
You know, I've got to go. I think I have just enough time | 1:27:37 | 1:27:41 | |
to stop home and compare the handwriting | 1:27:41 | 1:27:43 | |
and then, hopefully, punch in at work on time. | 1:27:43 | 1:27:47 | |
-You coming? -No. | 1:27:47 | 1:27:49 | |
I just need a little... break from all of this. | 1:27:49 | 1:27:53 | |
Look, don't worry. We're still going to solve this mystery. | 1:27:54 | 1:27:59 | |
-Didn't I see you at the airport last night? -I dunno. | 1:28:48 | 1:28:52 | |
-Did you? -Yeah. | 1:28:52 | 1:28:55 | |
-You on a road trip? -Yeah, somethin' like that. | 1:28:55 | 1:28:59 | |
You look hungry. Can I buy you a sandwich or something? | 1:29:02 | 1:29:06 | |
Er, no, that's OK. | 1:29:06 | 1:29:08 | |
You can relax - I'm not gay, I'm not a cop, | 1:29:08 | 1:29:11 | |
just a guy who sees a guy who might need a sandwich. | 1:29:11 | 1:29:14 | |
OK. Thanks. | 1:29:16 | 1:29:18 | |
-Could you get something to go? I'd sorta rather stay outside. -Sure. | 1:29:19 | 1:29:24 | |
-How about a nice club sandwich? -I'm vegetarian. | 1:29:24 | 1:29:27 | |
-You eat cheese? -Yeah, sometimes. | 1:29:29 | 1:29:32 | |
-I like cheese. -OK, I got it. | 1:29:32 | 1:29:36 | |
I'll be right back. | 1:29:36 | 1:29:38 | |
-Thanks. -You're welcome. | 1:29:52 | 1:29:55 | |
Hey. | 1:30:25 | 1:30:27 | |
-You found us a place. -Alright. | 1:30:27 | 1:30:31 | |
Let's see here. | 1:30:35 | 1:30:38 | |
Big cheese-and-veggie sandwich... with mushrooms,... | 1:30:38 | 1:30:42 | |
..fries, extra large,... | 1:30:44 | 1:30:47 | |
..two waters,... | 1:30:51 | 1:30:53 | |
..two coffees. | 1:30:57 | 1:30:59 | |
My mom put that there... for good luck. | 1:31:06 | 1:31:10 | |
-Thanks for the food. -No problem, chief. | 1:31:15 | 1:31:19 | |
You called me chief? | 1:31:24 | 1:31:26 | |
Yeah. Why? | 1:31:28 | 1:31:30 | |
What happened to your eye? | 1:31:36 | 1:31:39 | |
I, er... | 1:31:39 | 1:31:41 | |
I ran into somebody,... somebody's fist. | 1:31:43 | 1:31:46 | |
You a gangster? | 1:31:49 | 1:31:52 | |
No. I wish! | 1:31:52 | 1:31:54 | |
No, I was, er, I was in computers. | 1:31:54 | 1:31:57 | |
Computers and girls. | 1:31:59 | 1:32:01 | |
What about you, chief? | 1:32:03 | 1:32:05 | |
I'm interested in, er, philosophy. | 1:32:05 | 1:32:08 | |
Philosophy and girls. | 1:32:10 | 1:32:12 | |
Sounds pretty good. | 1:32:16 | 1:32:18 | |
Think so? | 1:32:19 | 1:32:21 | |
So, er,... | 1:32:28 | 1:32:30 | |
..as just a guy who gave another guy a sandwich,... | 1:32:31 | 1:32:35 | |
..do you have any,... like, philosophical tips or anything... | 1:32:37 | 1:32:42 | |
..for a guy on a... kind of road trip? | 1:32:44 | 1:32:48 | |
Are you asking me? | 1:32:48 | 1:32:50 | |
Yeah. | 1:32:52 | 1:32:54 | |
Well,... | 1:32:54 | 1:32:56 | |
..the past is gone,... I know that. | 1:33:00 | 1:33:03 | |
The future... | 1:33:05 | 1:33:07 | |
..isn't here yet, whatever it's going to be. | 1:33:08 | 1:33:12 | |
So... all there is | 1:33:14 | 1:33:17 | |
is,... is this - | 1:33:17 | 1:33:20 | |
the present. | 1:33:20 | 1:33:22 | |
That's it. | 1:33:29 | 1:33:31 | |
Are you a Buddhist? | 1:33:33 | 1:33:35 | |
No. Are you? | 1:33:37 | 1:33:40 | |
Er, I'm not sure yet. | 1:33:40 | 1:33:42 | |
I'm sorry, that's the best I have to offer at... the moment. | 1:33:43 | 1:33:48 | |
No, I appreciate it. | 1:33:48 | 1:33:51 | |
I like what you said. | 1:33:51 | 1:33:53 | |
Much better than some,... like,... fatherly-sounding bullshit. | 1:33:54 | 1:33:59 | |
Is that... what your father's like? | 1:34:03 | 1:34:06 | |
Ah, that's not a good subject. | 1:34:13 | 1:34:16 | |
-Hey, I gotta go, man. -I'm sorry. | 1:34:16 | 1:34:19 | |
-Thanks again for the sandwich and stuff. -Hold on a second. Wait. | 1:34:19 | 1:34:24 | |
I know you think that I'm your father, don't you? | 1:34:26 | 1:34:29 | |
-What? -Just tell me. You can talk to me, chief. | 1:34:32 | 1:34:36 | |
-Man, you're fucked up. -Wait a second. Wait a second. | 1:34:36 | 1:34:39 | |
Wait! | 1:34:39 | 1:34:41 | |
(CAR STEREO BLARES) | 1:35:11 | 1:35:14 | |
# "There Is An End" - The Greenhornes with Holly Golightly | 1:36:31 | 1:36:34 | |
# Words disappear | 1:36:40 | 1:36:43 | |
# Words once so clear | 1:36:45 | 1:36:47 | |
# Only echoes passing through the night | 1:36:49 | 1:36:53 | |
# The lines on my face | 1:36:57 | 1:37:00 | |
# Your fingers once traced | 1:37:02 | 1:37:05 | |
# Fade in reflection of what was | 1:37:06 | 1:37:11 | |
# Thoughts rearrange | 1:37:23 | 1:37:26 | |
# Familiar now strange | 1:37:28 | 1:37:31 | |
# All my schemes drifting on the wind | 1:37:32 | 1:37:37 | |
# Spring brings the rain | 1:37:41 | 1:37:43 | |
# With winter comes pain | 1:37:45 | 1:37:47 | |
# Every season has an end... | 1:37:49 | 1:37:54 |