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-# -They're after me with guns | 0:00:23 | 0:00:25 | |
-# -And knives | 0:00:25 | 0:00:27 | |
-# -And fast, fast horses | 0:00:27 | 0:00:30 | |
-# -They're after me with bombs and drugs | 0:00:30 | 0:00:32 | |
-# -And fast, fast women | 0:00:32 | 0:00:34 | |
-# -They're gonna tail me | 0:00:35 | 0:00:37 | |
-# -Trail me, try to nail me there | 0:00:37 | 0:00:40 | |
-# -But they haven't got a prayer | 0:00:43 | 0:00:46 | |
# Aah, ah-ah, ah-ah ah-ah aah, ah-ah ah-ah aah | 0:00:51 | 0:00:55 | |
# They call him Captain Apache | 0:00:55 | 0:00:57 | |
# Aah, ah-ah, ah-ah ah-ah aah, ah-ah ah-ah aah | 0:00:57 | 0:01:03 | |
# He's a red-skinned cavalry blue | 0:01:03 | 0:01:06 | |
-# -They're comin' from the north | 0:01:19 | 0:01:22 | |
-# -The south, and across the border | 0:01:22 | 0:01:24 | |
-# -The enemies of peace and truth | 0:01:26 | 0:01:29 | |
-# -And law and order | 0:01:29 | 0:01:30 | |
-# -They try to cheat me, beat me | 0:01:32 | 0:01:35 | |
-# -When they need me there | 0:01:35 | 0:01:37 | |
-# -But they haven't got a prayer | 0:01:41 | 0:01:43 | |
# Aah, ah-ah, ah-ah ah-ah aah, ah-ah ah-ah aah | 0:01:46 | 0:01:52 | |
# They call him Captain Apache | 0:01:52 | 0:01:54 | |
# Aah, ah-ah, ah-ah ah-ah aah, ah-ah ah-ah aah | 0:01:54 | 0:01:57 | |
# He's a red-skinned cavalry blue | 0:01:57 | 0:02:01 | |
-# -They're waitin' in the bars | 0:02:04 | 0:02:06 | |
-# -The streets and the quiet places | 0:02:06 | 0:02:09 | |
-# -They're wearin' shiny boots andspurs | 0:02:09 | 0:02:13 | |
-# -And smilin' faces | 0:02:13 | 0:02:15 | |
-# -They're gonna stall me | 0:02:15 | 0:02:19 | |
-# -Maul me, try to call me there | 0:02:19 | 0:02:22 | |
-# -But they haven't got a prayer | 0:02:26 | 0:02:28 | |
# Aah, ah-ah, ah-ah ah-ah aah, ah-ah ah-ah aah | 0:02:31 | 0:02:35 | |
# They call him Captain Apache | 0:02:35 | 0:02:38 | |
# Aah, ah-ah, ah-ah ah-ah aah, ah-ah ah-ah aah | 0:02:38 | 0:02:44 | |
# He's a red-skinned cavalry blu-u-ue... # | 0:02:44 | 0:02:49 | |
You off the reservation, redass? | 0:02:52 | 0:02:55 | |
STRING QUARTET PLAYS | 0:03:01 | 0:03:05 | |
I'm afraid I have to leave now. Forgiveme. | 0:03:32 | 0:03:35 | |
Ah! | 0:03:54 | 0:03:54 | |
Uh-ugh! | 0:03:55 | 0:03:56 | |
Agh! | 0:03:56 | 0:03:58 | |
You dropped a coin onyourwayin,sir. | 0:04:05 | 0:04:08 | |
CRUNCH OF FOOTSTEPS | 0:04:49 | 0:04:52 | |
What are we doing onthereservation? | 0:05:03 | 0:05:06 | |
This is where it happened. Ididn'tdoit! | 0:05:06 | 0:05:10 | |
'We were going to the reservation. | 0:05:10 | 0:05:13 | |
'IthappenedsofastIdidn'tknow whereall the firingcamefrom.' | 0:05:13 | 0:05:18 | |
TWO SHOTS RING OUT | 0:05:19 | 0:05:21 | |
'He was riddled with shots rightinthe back. | 0:05:21 | 0:05:25 | |
'I heard him try to say something.' | 0:05:26 | 0:05:29 | |
April morning. | 0:05:32 | 0:05:34 | |
'Then I saw the Indians. | 0:05:37 | 0:05:39 | |
'I know it wasn't them who didit. Theyloved that old man. | 0:05:39 | 0:05:45 | |
'Mr Collier was like a father tothem.All he did for them. | 0:05:45 | 0:05:50 | |
'He was like a father to everyone, evenme.' | 0:05:50 | 0:05:53 | |
What are you gonna do with me? | 0:05:53 | 0:05:56 | |
-Whybring me here? -Youwerewith himwhen he died. What did he say? | 0:05:56 | 0:06:02 | |
"April morning." | 0:06:02 | 0:06:04 | |
Then why are you so scared? | 0:06:04 | 0:06:06 | |
You're a crazy Indian. | 0:06:06 | 0:06:09 | |
He tried to tell us something. What? | 0:06:09 | 0:06:12 | |
I told you, I don't know! | 0:06:12 | 0:06:16 | |
Well then, find out...by tomorrow. | 0:06:16 | 0:06:19 | |
THEY WHOOP AND HOLLER | 0:06:26 | 0:06:30 | |
< Ah, Senor Griffin. | 0:06:54 | 0:06:57 | |
We've been waiting impatiently foryou. | 0:06:57 | 0:07:00 | |
Show the lieutenant. | 0:07:00 | 0:07:02 | |
-The general will be pleased. -Whereishisexcellency? -Thisway. | 0:07:12 | 0:07:16 | |
HE SPEAKS SPANISH GRUFFLY | 0:07:21 | 0:07:25 | |
-Welcome, Senor Griffin, welcome. -Your excellency. | 0:07:40 | 0:07:44 | |
He has delivered therifles,mygeneral. | 0:07:44 | 0:07:48 | |
Sit down, Senor Griffin.Sit down. | 0:07:48 | 0:07:52 | |
You're a man of your word, senor. | 0:07:55 | 0:07:58 | |
I'm counting on you, General, tobea man of your word too. | 0:07:58 | 0:08:03 | |
Many years ago...I promised mymother that one day... | 0:08:06 | 0:08:12 | |
I would become governor... ofthisprovince. | 0:08:12 | 0:08:17 | |
With your guns... Iwillkeepthatpromise. | 0:08:21 | 0:08:25 | |
Beforedoing that, General, try toremember your promisetome. | 0:08:25 | 0:08:30 | |
Oh. | 0:08:30 | 0:08:31 | |
Lieutenant, what was it wepromisedSenor Griffin? | 0:08:33 | 0:08:37 | |
Don'task him. Justtakeamomentand think. | 0:08:37 | 0:08:41 | |
Oh. | 0:08:41 | 0:08:43 | |
Patience, senor... | 0:08:49 | 0:08:52 | |
I am thinking. | 0:08:52 | 0:08:54 | |
You promised me only a month ago. | 0:08:54 | 0:08:56 | |
Youremembered your mother's fromyearsago. | 0:08:56 | 0:09:00 | |
Ah, a son's promise to his dyingmother is something sacred. | 0:09:00 | 0:09:06 | |
To forget would anger God. | 0:09:06 | 0:09:09 | |
Your excellency, God is in heaven, | 0:09:09 | 0:09:12 | |
I'm here. | 0:09:12 | 0:09:14 | |
And I'm getting very angry. | 0:09:14 | 0:09:17 | |
-You are profane, senor. -Youtry to remember, yourexcellency. | 0:09:17 | 0:09:22 | |
I remember nothing. | 0:09:22 | 0:09:24 | |
Then, I'm leaving... andI'mtakingmy guns. | 0:09:25 | 0:09:29 | |
The guns are staying. | 0:09:32 | 0:09:34 | |
And you are not leaving. | 0:09:34 | 0:09:37 | |
You want it all. | 0:09:37 | 0:09:39 | |
I have it all. | 0:09:41 | 0:09:43 | |
I have 100 men. | 0:09:43 | 0:09:44 | |
-You have six. -Seven. | 0:09:44 | 0:09:47 | |
Lieutenant, you said there were six with him altogether. | 0:09:47 | 0:09:51 | |
THEY SCREAM | 0:09:54 | 0:09:56 | |
Oh, it's nothing. Wearejustgetting a new general. | 0:09:56 | 0:10:01 | |
< GUNSHOT | 0:10:13 | 0:10:15 | |
Agh! | 0:10:20 | 0:10:21 | |
I'd better send you moreammunition. | 0:10:24 | 0:10:27 | |
Bury him next to his mother. | 0:10:35 | 0:10:37 | |
SPEAKS SPANISH | 0:10:37 | 0:10:40 | |
You remember what to do, andwhen? | 0:10:40 | 0:10:43 | |
I will cross the border in time for April morning. | 0:10:43 | 0:10:47 | |
Agh! Aa-ah! | 0:10:47 | 0:10:49 | |
Ugh! | 0:10:49 | 0:10:50 | |
OJ, what are you doing? I want it now. | 0:10:50 | 0:10:54 | |
-Hit him again, OJ. -Aagh! | 0:10:54 | 0:10:57 | |
What does "April morning" mean? | 0:10:59 | 0:11:01 | |
I don't know! | 0:11:01 | 0:11:03 | |
I've only got till tomorrow. One of you better come up with the answer. | 0:11:03 | 0:11:09 | |
How many lumps? | 0:11:09 | 0:11:11 | |
We should have killed the lousy Apache! | 0:11:13 | 0:11:17 | |
All right, you get him. Get him! | 0:11:17 | 0:11:20 | |
You relax, OJ, you'll have his scalp for breakfast. | 0:11:20 | 0:11:24 | |
TWO GUNSHOTS | 0:11:29 | 0:11:31 | |
THUD! | 0:11:31 | 0:11:33 | |
I hope you don't think me forward asking you to dine with me, Captain. | 0:11:39 | 0:11:44 | |
-I don't know what's come over me, I never speak to stangers. -I'm sure. | 0:11:44 | 0:11:50 | |
-I come from a very strict family. -Mmm. | 0:11:50 | 0:11:53 | |
-I never even kissed a boy until I got my degree from finishing school. -It shows. | 0:11:53 | 0:12:00 | |
-I only came out West to study the Indians. Savages fascinate me. -How! | 0:12:00 | 0:12:06 | |
-The Indians are the only people with truly strict morality. -I agree. | 0:12:08 | 0:12:13 | |
-White men behave disgracefully... especially to women. -So I hear. | 0:12:13 | 0:12:19 | |
-I wouldn't marry a man who didn't treat a woman with utmost respect. -You shouldn't. | 0:12:19 | 0:12:25 | |
-My mother said that no man respects a woman who doesn't respect herself. -Fine person. | 0:12:25 | 0:12:32 | |
-You wouldn't want a wife to be any other way. -Certainly not. | 0:12:32 | 0:12:36 | |
-When I marry it's going to be for ever and ever. -Mmm. Me, too. | 0:12:36 | 0:12:41 | |
-I believe a woman can have only one great love in her life. -That's true. | 0:12:41 | 0:12:47 | |
-Somewhere, someplace, there is the right man for me. -That's good. | 0:12:47 | 0:12:53 | |
And until that day, you see me as I am - lovely and untouched. | 0:12:53 | 0:12:58 | |
Mm-hm. | 0:12:58 | 0:13:00 | |
-Let's go. -HE BELCHES | 0:13:00 | 0:13:03 | |
OK, red ass, what's so important about "April morning"? | 0:13:20 | 0:13:24 | |
-That's what I'm tryin' to find out. -Why? | 0:13:25 | 0:13:29 | |
Take it easy, lady. | 0:13:31 | 0:13:33 | |
I don't want to blow your brains out. | 0:13:35 | 0:13:38 | |
You're no gentleman. | 0:13:44 | 0:13:46 | |
Us savages can be socially unpredictable. | 0:13:46 | 0:13:50 | |
GUN DROPS TO FLOOR | 0:13:50 | 0:13:52 | |
Suicide. | 0:14:01 | 0:14:03 | |
He had a helluva time making up his mind(!) | 0:14:03 | 0:14:07 | |
-You do it? -Me?! I wouldn't do a thing like that. I'm not like that. | 0:14:07 | 0:14:12 | |
He was like a father to me. | 0:14:12 | 0:14:15 | |
What was he to you? | 0:14:18 | 0:14:20 | |
Looks like you've got a lot to find out. | 0:14:20 | 0:14:24 | |
Don't make me do it. | 0:14:26 | 0:14:29 | |
All I can tell you is... | 0:14:29 | 0:14:32 | |
-once a month OJ rode across the border to meet somebody. -Who? | 0:14:32 | 0:14:37 | |
-I don't know. -Where? | 0:14:37 | 0:14:40 | |
El Lobo. A cantina. | 0:14:40 | 0:14:43 | |
I'll be back. | 0:14:47 | 0:14:49 | |
GENTLE GUITAR MUSIC PLAYS | 0:14:55 | 0:14:59 | |
Welcome to Mexico, CapitanApache. | 0:16:17 | 0:16:21 | |
-How do you know who I am? -I'mawitch - I know everything. -Thentell me why I'm here. | 0:16:21 | 0:16:28 | |
What you're looking for is not here. | 0:16:28 | 0:16:32 | |
Why are they dead? | 0:16:32 | 0:16:34 | |
So there will be no witnesses totell about your death. | 0:16:34 | 0:16:39 | |
HORSE WHINNIES | 0:16:40 | 0:16:42 | |
GUITAR PLAYING CONTINUES | 0:17:29 | 0:17:32 | |
WHISTLE OUTSIDE | 0:17:41 | 0:17:43 | |
CLATTER OF APPROACHING HOOVES | 0:18:51 | 0:18:55 | |
You're late, Sergeant. | 0:19:02 | 0:19:04 | |
We ran into the border patrol. Wehad to take a detour. | 0:19:04 | 0:19:09 | |
Having trouble? | 0:19:13 | 0:19:16 | |
Somebody stole my horse. | 0:19:16 | 0:19:18 | |
Here's a live one, sir! | 0:19:18 | 0:19:22 | |
Bring him in. Posttheothermenround here. | 0:19:23 | 0:19:26 | |
HE GROANS FEEBLY | 0:19:34 | 0:19:37 | |
-Who owns this place? -Ido. -Whywas I set up? | 0:19:43 | 0:19:48 | |
Don't answer him. | 0:19:48 | 0:19:50 | |
I told you not to take the money. I told you it would come to nogood. | 0:19:55 | 0:20:01 | |
I did it for you. | 0:20:01 | 0:20:03 | |
Ah! | 0:20:05 | 0:20:07 | |
Now I am a widow again! | 0:20:11 | 0:20:14 | |
You won't be for long. | 0:20:16 | 0:20:18 | |
-Are you interested? -Waittillafterthe funeral. | 0:20:18 | 0:20:23 | |
-Should we take her, sir? -Sergeant, have you no respect? | 0:20:24 | 0:20:29 | |
Can't you see this poor woman's out of her mind with grief(?) | 0:20:29 | 0:20:35 | |
Indio! Hijo de pera! | 0:20:39 | 0:20:42 | |
Thanks for keeping an eye on her(!) | 0:20:52 | 0:20:55 | |
-Put your shoes on. -Where are we going? | 0:20:55 | 0:20:58 | |
-Your husband worked for Rodriguez. -What do you want? -I want to meet him. | 0:20:58 | 0:21:04 | |
-SHE MUTTERS -Sergeant, help the lady find her shoes. -Sir! | 0:21:04 | 0:21:09 | |
< Off my land! Sure you don't want to sell? | 0:21:09 | 0:21:12 | |
This land is mine. I worked it with my own two hands. | 0:21:12 | 0:21:17 | |
Aah! | 0:21:17 | 0:21:19 | |
- Why didn't you let him finish? - They all say the same thing. | 0:21:21 | 0:21:26 | |
HE LAUGHS CRUELLY | 0:21:26 | 0:21:29 | |
Howdy, Mr Griffin. | 0:21:29 | 0:21:31 | |
I see we've made a deal. | 0:21:35 | 0:21:38 | |
Ma'am, don't think I've stolen this land from your husband. | 0:21:40 | 0:21:45 | |
When I said I made a deal, I meant it. | 0:21:45 | 0:21:49 | |
You're gonna get all the nice things this poor man could only dream of giving you. | 0:21:49 | 0:21:55 | |
You're wasted in this wilderness. | 0:21:55 | 0:21:58 | |
You should be surrounded by lovely things... | 0:21:58 | 0:22:02 | |
like red plush, crystal chandeliers, rustling silk, French perfume, | 0:22:02 | 0:22:08 | |
laughter, music, the clink of coins. | 0:22:08 | 0:22:10 | |
Pack up her stuff, Moon. | 0:22:12 | 0:22:14 | |
Tell Bella to fixa roomforthe lovely lady at the Paradise Hotel. | 0:22:14 | 0:22:20 | |
Ma'am. | 0:22:22 | 0:22:23 | |
Carlos! Carlos! | 0:22:26 | 0:22:29 | |
Apache. | 0:22:29 | 0:22:31 | |
-Is that Rodriguez? -No. Buthecantell you where he is. | 0:22:31 | 0:22:37 | |
Captain, what'sanAmericanofficer doing here? | 0:22:45 | 0:22:49 | |
-I have a warrantforaman called Rodriguez. -The man whosells guns to the Indians! | 0:22:49 | 0:22:56 | |
-He's a very bad man. -He's here, isn't he? -He's inside the church. | 0:22:56 | 0:23:01 | |
Go away! | 0:23:14 | 0:23:16 | |
I came for Rodriguez. | 0:23:16 | 0:23:18 | |
Rodriguez claims sanctuary. Go! | 0:23:18 | 0:23:21 | |
I just want to talk to him! | 0:23:21 | 0:23:24 | |
You see, Captain, our priest is a very stubborn man. | 0:23:24 | 0:23:29 | |
So am I. | 0:23:29 | 0:23:31 | |
Make yourself at home, Captain. Enjoy refreshment at our pueblo. | 0:23:32 | 0:23:37 | |
Thank you, Sergeant, I will. | 0:23:37 | 0:23:39 | |
Why did you bring him here? I couldn't get rid of him. | 0:23:45 | 0:23:49 | |
And...I... I wanted...to be with you. | 0:23:58 | 0:24:04 | |
HAMMERING | 0:24:06 | 0:24:10 | |
-How's business? -Can't complain. | 0:24:21 | 0:24:24 | |
-When's the funeral? -They'rewaitingfor me. -Oh. | 0:24:25 | 0:24:29 | |
How d'you like two of these... forthat? | 0:24:33 | 0:24:36 | |
-For who? -For me. | 0:24:36 | 0:24:38 | |
Ten of these and your funeral willbe the talk of the town. | 0:24:39 | 0:24:44 | |
BAND PLAYS SLOW MARCH | 0:24:44 | 0:24:47 | |
Go away! It'stimefortheservice. | 0:25:00 | 0:25:03 | |
It's too early. Ican'ttakehimback! | 0:25:03 | 0:25:06 | |
ORGAN PLAYS SOLEMNLY | 0:25:10 | 0:25:14 | |
INAUDIBLE WHISPER | 0:25:56 | 0:25:58 | |
The Apache's inside. | 0:26:09 | 0:26:11 | |
GivehimaChristian burial. I'll get mourners. | 0:26:11 | 0:26:15 | |
CHURCH BELL CHIMES | 0:26:34 | 0:26:38 | |
INAUDIBLE | 0:26:43 | 0:26:46 | |
You sure put 'em away fast, Padre. | 0:27:32 | 0:27:34 | |
-Where's Rosita? -Where's Rodriguez? | 0:27:38 | 0:27:41 | |
Just a second, Padre. | 0:27:41 | 0:27:43 | |
I don't think you're hiding from Rodriguez. | 0:27:43 | 0:27:47 | |
I don't even think you're a priest. | 0:27:47 | 0:27:50 | |
Your Latin is lousy...Rodriguez. | 0:27:50 | 0:27:53 | |
Who did I bury? | 0:27:53 | 0:27:55 | |
Rodriguez, why was Commissioner Collier killed? | 0:27:55 | 0:27:59 | |
There's just a few minutes of air left in that box. | 0:28:02 | 0:28:07 | |
He found out about "Aprilmorning". | 0:28:07 | 0:28:10 | |
What about "April morning"? | 0:28:11 | 0:28:13 | |
I'm not a priest, but I can't lie on a Bible. I buy guns for the Indians. | 0:28:13 | 0:28:19 | |
All right. You'd better go unbury that coffin. | 0:28:22 | 0:28:26 | |
Open it! Hurry! | 0:28:30 | 0:28:32 | |
You idiot! | 0:28:38 | 0:28:40 | |
I come in peace. | 0:28:53 | 0:28:55 | |
You are not ready to speak to us in that uniform of our enemy. | 0:28:57 | 0:29:02 | |
Damn! Do I have to go through this every time I talk to an Indian?! | 0:29:02 | 0:29:07 | |
Can we talk NOW? | 0:29:18 | 0:29:20 | |
-What do you want? -You were there when Collier was killed. | 0:29:20 | 0:29:25 | |
We carried him into the reservation. We discovered two bullet holes in his chest. | 0:29:25 | 0:29:31 | |
-We buried him as he wished - among OUR people. -Who killed him? -I saw nothing. I heard only the bullets. | 0:29:32 | 0:29:40 | |
-If you are innocent, why do you hide? -Collier was my friend. When he lived we were not afraid. | 0:29:40 | 0:29:47 | |
-What did his last words mean? -"April morning". No-one knows the meaning. | 0:29:47 | 0:29:54 | |
You will not leave to betray our hiding place. | 0:29:54 | 0:29:58 | |
RIFLE SHOT ECHOES | 0:29:58 | 0:30:00 | |
Let him go! | 0:30:01 | 0:30:03 | |
STRING QUARTET PLAYS | 0:30:06 | 0:30:09 | |
You ain't said a word yet, red ass. | 0:30:26 | 0:30:29 | |
Aintcha grateful to us for rescuing you from them BAD Indians? | 0:30:29 | 0:30:34 | |
Firewater heap good. | 0:30:39 | 0:30:41 | |
VOICES DROWNED BY MUSIC | 0:30:51 | 0:30:56 | |
Play the cards. | 0:31:02 | 0:31:04 | |
Thank you, boys. Take the bottle with you. | 0:31:09 | 0:31:12 | |
I suppose it's you I thank. | 0:31:26 | 0:31:28 | |
I'd like you to answer one question for me. | 0:31:28 | 0:31:32 | |
"April morning." | 0:31:34 | 0:31:36 | |
-Do I have to repeat it, Captain? -No, sir, I heard you. | 0:31:40 | 0:31:44 | |
What do you know about it? | 0:31:44 | 0:31:47 | |
-There's a live one in there. You wouldn't want it to go off with all these people. -They wouldn't notice. | 0:31:55 | 0:32:02 | |
Those that don't work for me are in debt to me. Suppose I help you carry out your orders? | 0:32:02 | 0:32:09 | |
-..You know my orders? -To the letter. | 0:32:09 | 0:32:13 | |
-You also own the telegraph? -..It's in the hands of friends. | 0:32:20 | 0:32:26 | |
You know the killers of Commissioner Collier? | 0:32:26 | 0:32:29 | |
They're sitting right behind you. Moon and Snake. | 0:32:32 | 0:32:37 | |
They're like brothers- devoted,loyal andselfless inpursuingmyinterest. | 0:32:38 | 0:32:45 | |
But for themurder ofCollier I'll turn themovertojustice. | 0:32:45 | 0:32:51 | |
The court's gotta believe that(!) | 0:32:51 | 0:32:53 | |
I'll give youeyewitnesses... evena voluntaryconfession. | 0:32:53 | 0:32:58 | |
I'll guarantee a jury that'll convict them and, if necessary, I'll hang them from my own balcony. | 0:32:58 | 0:33:06 | |
Is it a deal? | 0:33:07 | 0:33:10 | |
I just wannahang themanthathired them. | 0:33:12 | 0:33:16 | |
What day is today? | 0:33:16 | 0:33:18 | |
-It's two days to April. -That'snotmuch time. | 0:33:18 | 0:33:22 | |
We could be partners. Tell mewhat you knowabout "Aprilmorning". | 0:33:22 | 0:33:27 | |
Whatever I find out I'll tell you. Together we can get tothebottomof it. | 0:33:27 | 0:33:33 | |
We won't find the answerhere. | 0:33:33 | 0:33:36 | |
Spoken like a man of action. | 0:33:36 | 0:33:39 | |
-I'll trouble you for my gun. -Certainly, partner. | 0:33:39 | 0:33:43 | |
Now let's go to your office andgetto work. | 0:33:44 | 0:33:48 | |
They don't look like killers tome...more like chicken thieves! | 0:33:50 | 0:33:55 | |
Looking for something? | 0:34:09 | 0:34:11 | |
Yes. | 0:34:11 | 0:34:13 | |
What? | 0:34:13 | 0:34:14 | |
I don't know. But it's surprising what youfindif you keeplooking. | 0:34:14 | 0:34:20 | |
-It's locked. -Safes usually are. | 0:34:25 | 0:34:28 | |
-Do youremember thecombination? -Never had a head forfigures. | 0:34:28 | 0:34:34 | |
..I just happen to have therightcombination with me. | 0:34:34 | 0:34:39 | |
-May I have alight,MrGriffin? -Willthisdo? | 0:34:57 | 0:35:02 | |
Thank you. | 0:35:02 | 0:35:04 | |
LOCK CLICKS | 0:35:41 | 0:35:43 | |
-How was your tea, Captain? -Fine,thanks. | 0:36:15 | 0:36:19 | |
Did you know the captain graduatedfrom West Point? | 0:36:20 | 0:36:24 | |
Really? | 0:36:24 | 0:36:26 | |
Cookie, Captain? IthinkI'vegotsome right here. | 0:36:30 | 0:36:35 | |
I don't eat cookies. | 0:36:35 | 0:36:37 | |
CUP AND SAUCER RATTLE | 0:36:43 | 0:36:46 | |
Oh, sorry. | 0:36:51 | 0:36:53 | |
Let me out! | 0:37:08 | 0:37:10 | |
GUNSHOT | 0:37:17 | 0:37:19 | |
You mean it was never even locked?! | 0:37:24 | 0:37:27 | |
-That figures. -The house always has the edge. | 0:37:27 | 0:37:31 | |
You dirty bastards! | 0:37:31 | 0:37:34 | |
Where's your sheriff?! | 0:37:40 | 0:37:43 | |
FIRES RIFLE | 0:37:43 | 0:37:45 | |
I want to deliver him these two heathen! | 0:37:46 | 0:37:50 | |
Looks like this town's got no proper lawman. | 0:37:50 | 0:37:54 | |
That's all right. I'll hang 'em myself. | 0:37:56 | 0:38:00 | |
Hold it. Just hold it. | 0:38:16 | 0:38:19 | |
-What for? -We got the law in this town. | 0:38:19 | 0:38:23 | |
The captain wouldn't take kindly to you hanging a couple of Indians. | 0:38:23 | 0:38:27 | |
Him, the law? That red ass! | 0:38:27 | 0:38:30 | |
Be careful what you say, stranger. The captain's a very dangerous man. | 0:38:32 | 0:38:37 | |
The name is JP Soames. And I ain't afraid of nobody. | 0:38:37 | 0:38:44 | |
That's the spirit, Mr Soames, real true pioneering spirit. | 0:38:44 | 0:38:50 | |
For that, you get the privilege of whacking my horse. | 0:38:50 | 0:38:54 | |
Hah. | 0:38:54 | 0:38:56 | |
-Well, Captain, are you gonna let him break the law? -No law's been broken, Mr Griffin. | 0:38:56 | 0:39:03 | |
Not until you whack that horse. | 0:39:03 | 0:39:05 | |
Well, let's get on with the hanging. | 0:39:05 | 0:39:08 | |
I didn't come all the way from Tucson to get into legal disputes. | 0:39:08 | 0:39:13 | |
-What's that? -What's what? | 0:39:13 | 0:39:16 | |
You came all the way from Tucson. Why? | 0:39:16 | 0:39:19 | |
I got the word. | 0:39:19 | 0:39:21 | |
What word? | 0:39:21 | 0:39:23 | |
-"April morning." -Where did you hear that? | 0:39:23 | 0:39:29 | |
It's none of your damn business! | 0:39:29 | 0:39:32 | |
"April morning" - why did that bring you here? | 0:39:32 | 0:39:35 | |
And I don't have to tell you neither, red ass. | 0:39:35 | 0:39:40 | |
That's right, Mr Soames, you don't have to answer that man's question. | 0:39:40 | 0:39:45 | |
I'll talk to anybody I damn please! | 0:39:45 | 0:39:49 | |
-You're not gonna talk to anybody. -You touch me...! | 0:39:49 | 0:39:53 | |
Don't! | 0:39:53 | 0:39:54 | |
Nice shooting(!) Twobulletsintheheart. | 0:40:04 | 0:40:07 | |
-# -They're waitin' in the bars, thestreets and the quiet places | 0:40:32 | 0:40:37 | |
-# -They're wearin' shiny boots andspurs and smilin' faces | 0:40:37 | 0:40:42 | |
-# -They're gonna stall me, maul me, try to call me there. -# | 0:40:44 | 0:40:48 | |
KNOCK ON DOOR | 0:40:53 | 0:40:56 | |
Are you alone? | 0:41:05 | 0:41:06 | |
I think you were expected. | 0:41:09 | 0:41:11 | |
Someone following you? | 0:41:13 | 0:41:16 | |
-No, no, no, no. -Stayawayfromthewindow! | 0:41:16 | 0:41:20 | |
This is important. | 0:41:22 | 0:41:24 | |
-There's something you don't know. -Why tell me? | 0:41:24 | 0:41:27 | |
-You'retheonlyhonestman intown. -What gave youreligion(?) -Well, I don't wanna die! | 0:41:27 | 0:41:34 | |
That's why I came here. | 0:41:34 | 0:41:37 | |
-Who wants to kill ya? -I don't know. | 0:41:37 | 0:41:40 | |
If only she hadn't told me. Nowmydays are numbered. I'mamarkedman.I need help. | 0:41:40 | 0:41:46 | |
Come to the point orI'llkillyou myself. | 0:41:46 | 0:41:50 | |
All right, all right, I'll tell you. I... | 0:41:50 | 0:41:53 | |
-But you gotta promise to protect me! -OK... All right. | 0:41:53 | 0:41:59 | |
-Do you know why Mr Soames come all the way here from Tucson? -Tell me. | 0:41:59 | 0:42:04 | |
Can't be too careful. | 0:42:07 | 0:42:09 | |
MUSIC AND CHATTER | 0:42:20 | 0:42:23 | |
Damn! | 0:42:36 | 0:42:38 | |
KNOCK ON DOOR | 0:42:43 | 0:42:45 | |
Who's there? | 0:42:45 | 0:42:47 | |
-Ma-aude! -Just a minute! | 0:42:47 | 0:42:50 | |
Coming! | 0:42:55 | 0:42:56 | |
Are you alone? | 0:43:01 | 0:43:03 | |
Kinda. | 0:43:03 | 0:43:04 | |
Come on in. Sit down. Stayawayfrom the door. | 0:43:14 | 0:43:18 | |
And stay away from the window. | 0:43:19 | 0:43:22 | |
-Shall I turn the lights down? -Don't rush it. | 0:43:26 | 0:43:31 | |
You want some champagne first? | 0:43:31 | 0:43:34 | |
Ooh...be nice. | 0:43:34 | 0:43:37 | |
-MUSIC WAFTS FROM DOWNSTAIRS -Listen to it. I love music. I'd love to dance. | 0:43:38 | 0:43:45 | |
-..It's a little crowded in here. -We can manage. | 0:43:45 | 0:43:50 | |
MUSIC SWELLS | 0:43:53 | 0:43:56 | |
You're so light on your feet. | 0:44:01 | 0:44:03 | |
"It's the spirit that dances, not the man." Indian proverb. | 0:44:03 | 0:44:08 | |
-Are we waiting for someone? -Why? | 0:44:13 | 0:44:16 | |
I think he's already here. | 0:44:16 | 0:44:18 | |
Luke! | 0:44:20 | 0:44:21 | |
Who did it? | 0:44:23 | 0:44:25 | |
-Who'd want to kill him? -That does it! I'll let you in on something. | 0:44:26 | 0:44:32 | |
Luke's uncle works the telegraph. He has a direct wire to Tucson. | 0:44:32 | 0:44:37 | |
He sent for Mr Soames. | 0:44:37 | 0:44:39 | |
Moon! | 0:44:57 | 0:44:58 | |
What are you doing here? > | 0:44:58 | 0:45:01 | |
I've come for my lesson. | 0:45:02 | 0:45:05 | |
It's late. Can we do it tomorrow? | 0:45:05 | 0:45:07 | |
Ah-ha! April's only a few days. | 0:45:07 | 0:45:11 | |
There ain't much time, Freddie. | 0:45:14 | 0:45:16 | |
Stop it! That key's alive. Practice on that. | 0:45:21 | 0:45:24 | |
HE TAPS KEY | 0:45:24 | 0:45:26 | |
What...er...town is that key to? What's the difference? | 0:45:26 | 0:45:31 | |
Wouldn't be Tucson, would it? | 0:45:31 | 0:45:34 | |
Was it you who sent for Mr Soames? | 0:45:35 | 0:45:39 | |
The lesson's over, Moon. | 0:45:40 | 0:45:43 | |
HE LAUGHS | 0:45:43 | 0:45:45 | |
POW! RIFLE DOESN'T FIRE | 0:45:45 | 0:45:48 | |
< You're a dead man, Freddie. | 0:45:55 | 0:45:58 | |
Hey! What are you doing out so late, Captain? | 0:46:15 | 0:46:19 | |
-I thought I'd send a telegram. -Write a letter instead. | 0:46:19 | 0:46:23 | |
Right over there. | 0:46:39 | 0:46:41 | |
Take off your coat. | 0:46:46 | 0:46:49 | |
Git over there. | 0:47:00 | 0:47:03 | |
Pick up that stool and sit down. | 0:47:07 | 0:47:09 | |
Hey, Snake...did you ever see aredassinablue uniform? | 0:47:27 | 0:47:32 | |
Tell me...General... | 0:47:32 | 0:47:36 | |
do the other officers letyoueatwith them? | 0:47:36 | 0:47:40 | |
They bring himinto theirhomes. Eh,red ass? | 0:47:40 | 0:47:44 | |
Do those fancy white ladies eversay hello to you? | 0:47:44 | 0:47:49 | |
Aw! What's the matter? We hit you where it hurts? | 0:47:49 | 0:47:54 | |
You think you're the only one? We've been eating crap for as long as you! | 0:47:55 | 0:48:00 | |
We've been kicked around from the cradle on. As an Indian you know what it's like. | 0:48:00 | 0:48:07 | |
Aw, come on. | 0:48:07 | 0:48:09 | |
We all three are brothers under the skin. | 0:48:09 | 0:48:13 | |
< That still don't make him one of us. | 0:48:13 | 0:48:17 | |
What are you one of? | 0:48:17 | 0:48:19 | |
We used to be Griffin's boys. > | 0:48:19 | 0:48:22 | |
But no more. | 0:48:22 | 0:48:24 | |
We went in business for ourselves. | 0:48:24 | 0:48:27 | |
And we are offering to make you a full partner. | 0:48:28 | 0:48:32 | |
Of what? | 0:48:32 | 0:48:35 | |
One third of "April morning". | 0:48:35 | 0:48:38 | |
It's a deal. | 0:48:40 | 0:48:42 | |
Partner! | 0:48:44 | 0:48:46 | |
Now, let's put the pieces together. | 0:48:47 | 0:48:50 | |
-From what you know and what we know, we can have it all. -What d'you know? | 0:48:50 | 0:48:56 | |
You say first! | 0:48:56 | 0:48:58 | |
-If I get a lead on "April morning" someone gets killed. -And? -That's it. I'm no further than when I started. | 0:48:58 | 0:49:06 | |
All right, red ass, you wanna play tough Indian? | 0:49:08 | 0:49:12 | |
Get her in here. GET HER IN HERE! | 0:49:14 | 0:49:18 | |
You still alive?! Shut up and mix the stuff! | 0:49:29 | 0:49:33 | |
Come on. | 0:49:40 | 0:49:42 | |
You're gonna drink this. | 0:49:44 | 0:49:47 | |
- Drink. - Don't spill a drop. | 0:49:52 | 0:49:56 | |
How do ya feel? | 0:50:15 | 0:50:17 | |
Don't ask, look at him. | 0:50:17 | 0:50:19 | |
-Right in the back. -The back. -Inhischest. | 0:50:47 | 0:50:51 | |
In the chest. | 0:50:51 | 0:50:53 | |
The back. The chest. Theback.Thechest. | 0:50:54 | 0:50:59 | |
Ugh! Aagh! | 0:50:59 | 0:51:01 | |
DISTORTED, ECHOEY VOICE: Tellus.Tell us. Tell us. Tell us. | 0:52:30 | 0:52:37 | |
STRANGE VOICE CONTINUES | 0:52:37 | 0:52:43 | |
I know who killed Collier. | 0:52:47 | 0:52:49 | |
Who cares?! What about "Aprilmorning?" What's that?! | 0:52:49 | 0:52:54 | |
What about "April morning"? | 0:52:55 | 0:52:58 | |
..Agh! Aagh! I'm burning alive! | 0:52:58 | 0:53:01 | |
THE WITCH: He knows! HeknowswhokilledCollier! | 0:53:46 | 0:53:52 | |
Agh! | 0:54:05 | 0:54:06 | |
Agh! Ugh! | 0:54:06 | 0:54:08 | |
Aaagh! THUD! | 0:54:21 | 0:54:23 | |
Snake?!Areyouupthere? | 0:54:28 | 0:54:31 | |
THEY GRUNT AND PANT | 0:54:57 | 0:55:00 | |
Agh! | 0:55:34 | 0:55:36 | |
Ugh! | 0:55:36 | 0:55:37 | |
If you kill everyone who had anything to do with Collier | 0:56:03 | 0:56:07 | |
how you gonna prove anything? | 0:56:07 | 0:56:09 | |
They didn't do it. I want my gun. | 0:56:09 | 0:56:12 | |
Who did? | 0:56:19 | 0:56:21 | |
OJ and his deputies. | 0:56:21 | 0:56:23 | |
Where is Sanchez? We must see him. | 0:56:32 | 0:56:35 | |
The general is... It's very important. Muy importante. | 0:56:35 | 0:56:39 | |
Have you got the whisky, old fool? | 0:56:50 | 0:56:53 | |
Enough for you all to get drunk for a month. | 0:56:53 | 0:56:56 | |
Abra la puerta! | 0:56:56 | 0:56:59 | |
CHEERS FROM OUTSIDE | 0:57:09 | 0:57:11 | |
- What are you doing here? - That Apache knows we killed Collier. | 0:57:18 | 0:57:24 | |
GENERAL: Does he know why? MEN: No. | 0:57:24 | 0:57:26 | |
Did he follow you here? > No. | 0:57:28 | 0:57:30 | |
MEN: But he's looking for us. GENERAL: My connection is secret. | 0:57:30 | 0:57:36 | |
MEN: You gotta hide us or he'll find us. | 0:57:36 | 0:57:39 | |
And when he does...you'll talk. | 0:57:39 | 0:57:42 | |
So you MUST hide us. Yeah, you'd better. | 0:57:42 | 0:57:45 | |
Hide them. | 0:57:51 | 0:57:53 | |
We move out tomorrow! | 0:57:57 | 0:57:59 | |
No drinking tonight. Destroy those barrels. | 0:58:01 | 0:58:05 | |
CHORUS OF LOUD PROTESTS | 0:58:09 | 0:58:13 | |
Always keep a table for you, sir. | 0:58:48 | 0:58:51 | |
Amigo, good to see you. You going somewhere, mister? | 0:58:54 | 0:58:59 | |
-Why not let him out in thesun nowand then? -Repeat that. | 0:58:59 | 0:59:04 | |
Oh, for Christ's sake, sit down! | 0:59:04 | 0:59:07 | |
Hold on, mister. > | 0:59:07 | 0:59:09 | |
-Didn't I say to sit down? -That was my brother. | 0:59:10 | 0:59:13 | |
And I don't take it lightly. | 0:59:13 | 0:59:16 | |
Freaks like you come in pairs?! | 0:59:16 | 0:59:18 | |
Didn't my boys make it clear you're intruding? | 0:59:25 | 0:59:28 | |
Keep your freaks away from me. | 0:59:28 | 0:59:31 | |
Why insult people who can kill you? | 0:59:40 | 0:59:43 | |
I like to see a man enjoy his work. | 0:59:43 | 0:59:45 | |
Someone's missing. | 0:59:46 | 0:59:49 | |
-If you're looking for Maude, she's getting married. -To who? | 0:59:49 | 0:59:53 | |
To me. | 0:59:53 | 0:59:55 | |
I wonder if you know a Mexican bandit who calls himself a general? | 0:59:56 | 1:00:01 | |
I don't believe I know any bandit... | 1:00:03 | 1:00:05 | |
of any nationality. | 1:00:05 | 1:00:07 | |
Name is Sanchez. | 1:00:07 | 1:00:10 | |
You're at the wrong table in the wrong hotel and the wrong town. | 1:00:10 | 1:00:15 | |
And you may be in the wrong line of business. | 1:00:15 | 1:00:19 | |
-My food's getting cold. -What's Sanchez got to do with "April morning"? | 1:00:19 | 1:00:24 | |
Captain! > | 1:00:24 | 1:00:26 | |
-General! -I came to congratulate you. -Thank you, sir, but what for? | 1:00:28 | 1:00:33 | |
No false modesty. Damn fine job getting Collier's murderers. | 1:00:33 | 1:00:38 | |
How did you know? | 1:00:38 | 1:00:40 | |
It's in this telegram you sent me. It's true, isn't it? | 1:00:40 | 1:00:44 | |
Yes, sir. | 1:00:52 | 1:00:54 | |
-General, tomorrow's April. -Hm? | 1:00:54 | 1:00:56 | |
Yes, yes. So? | 1:00:56 | 1:00:58 | |
-We still don't understand Collier's last words. -Don't worry about that! | 1:01:00 | 1:01:06 | |
We have other men. Take a 30-day leave. There might be a promotion in it for you. | 1:01:06 | 1:01:12 | |
Thank you, sir. | 1:01:12 | 1:01:14 | |
You send nice telegrams! | 1:01:23 | 1:01:25 | |
I might make a general out of you yet! | 1:01:25 | 1:01:28 | |
-Where are you going on vacation? -Right here. | 1:01:28 | 1:01:32 | |
In this dull town? | 1:01:32 | 1:01:34 | |
I don't have friends anywhere else. | 1:01:34 | 1:01:37 | |
You don't have any friends here. | 1:01:37 | 1:01:40 | |
Whose funeral? | 1:01:56 | 1:01:58 | |
It's that Mr Soames, the man from Tucson. | 1:02:00 | 1:02:05 | |
'You came from Tucson. Why?' | 1:02:05 | 1:02:07 | |
'I got the word...' | 1:02:07 | 1:02:10 | |
'"April Morning."' | 1:02:10 | 1:02:12 | |
Thanks. | 1:02:15 | 1:02:16 | |
This office has been closed by headquarters, sir. | 1:02:32 | 1:02:36 | |
Captain! You can't go in those files. | 1:02:36 | 1:02:40 | |
Pay attention to your keys, soldier. | 1:02:41 | 1:02:43 | |
-But you can't! -Ssh. | 1:02:43 | 1:02:46 | |
I warn you, sir, I have my orders. | 1:02:47 | 1:02:50 | |
Don't do that. | 1:02:50 | 1:02:52 | |
It's OK. I'll take care of this. > | 1:02:55 | 1:02:57 | |
-Can I help you, Captain? -I want your Tucson files, Sergeant. | 1:03:00 | 1:03:05 | |
Oh, if it was up to me... But those files are private. | 1:03:05 | 1:03:09 | |
Then it'll be just between the two of us. | 1:03:11 | 1:03:14 | |
- We'll just forget all about this, Billy. - Right, Sergeant. | 1:03:14 | 1:03:20 | |
Did you find what you were looking for? | 1:03:28 | 1:03:31 | |
Yeah. | 1:03:32 | 1:03:33 | |
It's in your pocket. | 1:03:36 | 1:03:38 | |
(Oh, my!) | 1:03:51 | 1:03:53 | |
Oh, my! | 1:03:53 | 1:03:55 | |
Oh, my! | 1:03:56 | 1:03:58 | |
Thank you. | 1:03:58 | 1:04:00 | |
Shut the door. | 1:04:02 | 1:04:04 | |
And take your hat off. | 1:04:07 | 1:04:10 | |
-Celebrating your engagement(?) -The wedding's not until June. | 1:04:12 | 1:04:16 | |
If I'm in the neighbourhood I'll be there. | 1:04:19 | 1:04:22 | |
We were thinking of asking you to be best man. | 1:04:22 | 1:04:26 | |
Mr Griffin mentioned it last night. | 1:04:26 | 1:04:30 | |
Is that for me? | 1:04:30 | 1:04:32 | |
-Uh-uh. Mr Griffin. Hasn't he got a first name? -Who's it from? | 1:04:32 | 1:04:36 | |
-There's no signature. -Well, what does it say? | 1:04:36 | 1:04:40 | |
"April morning on schedule." | 1:04:43 | 1:04:45 | |
-What does that mean? -HowshouldIknow? -It'saddressedtoyou. -Sohelpme. | 1:04:45 | 1:04:52 | |
You know...I believe you. | 1:04:54 | 1:04:57 | |
If youreceived this, who'dyoushow it to? | 1:04:59 | 1:05:03 | |
Mr Griffin,Iguess. | 1:05:03 | 1:05:06 | |
OK. | 1:05:08 | 1:05:09 | |
You shamed us, mister. | 1:05:33 | 1:05:35 | |
We want satisfaction. | 1:05:35 | 1:05:38 | |
I don't fight with freaks. | 1:05:50 | 1:05:52 | |
Nowyou ain't a captain nomore... maybe you can drink with usfreaks. | 1:06:05 | 1:06:10 | |
BANGS BAR | 1:06:15 | 1:06:16 | |
It sure was nice of him to invite us, wasn't it, Ben? | 1:06:18 | 1:06:23 | |
I misjudged him. He's really a nice fella. > | 1:06:23 | 1:06:27 | |
Yeah. | 1:06:27 | 1:06:28 | |
My brother is waiting. | 1:06:35 | 1:06:37 | |
Bottoms up. | 1:06:39 | 1:06:41 | |
My brother is waiting. | 1:06:53 | 1:06:56 | |
Bottoms up. | 1:06:59 | 1:07:01 | |
I do like a man who takes time out for a friendly drink. | 1:07:09 | 1:07:14 | |
Bottoms up. | 1:07:18 | 1:07:21 | |
You ain't gonna be unfriendly, now... | 1:07:21 | 1:07:24 | |
-are you? -You boys aren't keeping up with me. | 1:07:24 | 1:07:28 | |
I'm drinking two to your one. | 1:07:28 | 1:07:30 | |
Brothers. What happens to Ben happens to me. | 1:07:30 | 1:07:34 | |
Drink. | 1:07:34 | 1:07:36 | |
All the way. | 1:07:43 | 1:07:45 | |
I'd better not. | 1:07:45 | 1:07:47 | |
You'd better not offend my brother. | 1:07:47 | 1:07:50 | |
I'm an Indian. | 1:07:54 | 1:07:56 | |
One more and I go crazy. | 1:07:56 | 1:07:59 | |
Drink it. | 1:08:00 | 1:08:01 | |
Let's see. | 1:08:01 | 1:08:03 | |
OK. | 1:08:06 | 1:08:08 | |
Watch. | 1:08:09 | 1:08:11 | |
INDIAN DRUM AND BELLS SOUND IN HIS HEAD | 1:08:19 | 1:08:23 | |
Ah! Ugh! | 1:08:25 | 1:08:27 | |
Those boys cost me a fortune. | 1:08:43 | 1:08:45 | |
You've ruined 'em. | 1:08:45 | 1:08:47 | |
-Why are you still here? -Where should I be? | 1:08:49 | 1:08:52 | |
EMPTIES GUN | 1:08:52 | 1:08:54 | |
Your fiancee just left town with a travelling bag. | 1:08:54 | 1:08:59 | |
-Doesn't it worry you? -She's always doing that. She always comes back. | 1:08:59 | 1:09:04 | |
As best man I want to make sure the wedding comes off. | 1:09:04 | 1:09:08 | |
We don't have to do this. I can tell you where she went. | 1:09:08 | 1:09:13 | |
-She went to catch a train at Corleda. -Where's she headed? | 1:09:13 | 1:09:17 | |
Tucson...to buy herself a trousseau. | 1:09:17 | 1:09:21 | |
Well, I need a new uniform. Let's all go shopping together. | 1:09:21 | 1:09:26 | |
All right. | 1:09:27 | 1:09:29 | |
TRAIN WHISTLE BLOWS | 1:09:37 | 1:09:41 | |
There are plenty of seats. We want a little... | 1:10:02 | 1:10:06 | |
privacy. | 1:10:06 | 1:10:08 | |
-You're sitting with my fiancee. -What? | 1:10:08 | 1:10:12 | |
-Mr Griffin and I are engaged to be married. -What does that make us? | 1:10:12 | 1:10:17 | |
Lovers! | 1:10:17 | 1:10:19 | |
What are you doing here, Sergeant? | 1:10:21 | 1:10:24 | |
-Official business. -Let me see your travel orders. | 1:10:24 | 1:10:28 | |
I asked to change station. I can't get along with my superior officer. | 1:10:28 | 1:10:33 | |
-How d'you meet her? -That's my question. How did you? | 1:10:33 | 1:10:38 | |
She came to send a telegram. | 1:10:38 | 1:10:41 | |
-In answer to this? -The captain doesn't understand. Telegrams are privileged communications. | 1:10:41 | 1:10:49 | |
I don't mind. I wired my dressmaker. | 1:10:49 | 1:10:52 | |
So we're all gonna be on this train April 1st. | 1:10:52 | 1:10:56 | |
Still convinced...that something awful's gonna happen April 1st? | 1:10:56 | 1:11:02 | |
Isn't it? | 1:11:02 | 1:11:04 | |
-Hey! I'm sorry you followed me. -Why? -I don't want you to think badly of me. | 1:11:11 | 1:11:17 | |
-You come at the wrong time. -Is there a right time? | 1:11:17 | 1:11:21 | |
-There was for us once. -Lots of boots been under your bed since. | 1:11:21 | 1:11:26 | |
It's your fault. You never encouraged me. | 1:11:26 | 1:11:30 | |
Seeing OJ hanging discouraged me. | 1:11:30 | 1:11:33 | |
I had nothing to do with that! | 1:11:33 | 1:11:36 | |
What do you have anything to do with? | 1:11:36 | 1:11:39 | |
I don't know. I'm playing a hunch, like you. | 1:11:39 | 1:11:43 | |
I don't know...but, sonofabitch, I keep believing you. | 1:11:45 | 1:11:50 | |
Then listen to me. | 1:11:51 | 1:11:53 | |
There's a bridge coming. | 1:11:53 | 1:11:55 | |
Before we cross, the train slows down. It's your chance to get off. | 1:11:57 | 1:12:02 | |
Why, Maude? Tell me. | 1:12:03 | 1:12:06 | |
Something's going to happen tonight. | 1:12:09 | 1:12:11 | |
What? | 1:12:11 | 1:12:12 | |
You're gonna get killed. | 1:12:14 | 1:12:16 | |
WHISTLE SCREAMS | 1:12:25 | 1:12:27 | |
LAUGHTER | 1:12:35 | 1:12:38 | |
ROSITA: Look, it's the Indian. Come and sit with me. | 1:12:42 | 1:12:47 | |
-What brings you this side of the border? -You might call it... | 1:12:49 | 1:12:54 | |
a goodwill tour. | 1:12:54 | 1:12:56 | |
Where are you going, Captain? | 1:12:57 | 1:13:00 | |
I'm joining your party. | 1:13:00 | 1:13:02 | |
INAUDIBLE | 1:13:02 | 1:13:04 | |
You must be very strong. | 1:13:13 | 1:13:16 | |
Like an ox. | 1:13:17 | 1:13:19 | |
-Find your own woman! -General, I thought this was a goodwill tour! | 1:13:19 | 1:13:23 | |
-What's your name, sweetheart? -Abigail. | 1:13:23 | 1:13:27 | |
-Abigail? -Mm-hm. | 1:13:27 | 1:13:29 | |
Abigail, did you know something terrible was going to happen? | 1:13:29 | 1:13:34 | |
-To me? -To all of us. | 1:13:34 | 1:13:38 | |
Don't listen to him. | 1:13:38 | 1:13:41 | |
Ask General Sanchez. | 1:13:43 | 1:13:45 | |
General! | 1:13:54 | 1:13:55 | |
-Ah, Captain. Sit down. -Thank you, sir. -Want a cigar? -No, thank you, sir. | 1:13:56 | 1:14:03 | |
Are you going all the way to Tucson? | 1:14:03 | 1:14:06 | |
No, I get off at Santa Cruz. My sister's there. Married a rancher. | 1:14:06 | 1:14:11 | |
I can stay there when I retire. | 1:14:11 | 1:14:14 | |
30 years in the service, and I'll be taken in by my brother-in-law! | 1:14:14 | 1:14:19 | |
I'm glad we ran into each other. It's nice to know someone on a train. | 1:14:19 | 1:14:23 | |
-Seems like I know everybody here. -Is that so? | 1:14:23 | 1:14:27 | |
General Sanchez. | 1:14:27 | 1:14:29 | |
-Know him? -Abigail and Rosita too. | 1:14:30 | 1:14:33 | |
-Really? -Know who's in the next car, General? | 1:14:35 | 1:14:39 | |
Yep, Sergeant O'Rourke. He boarded with a lady. I think he was embarrassed to see me. | 1:14:39 | 1:14:46 | |
-Do you know the lady? -I wish I did. She's attractive. | 1:14:46 | 1:14:50 | |
-There's a man on board named Griffin. Ever heard of him? -What are you getting at? | 1:14:51 | 1:14:58 | |
There's something going on here and I'm putting the pieces together. | 1:14:58 | 1:15:03 | |
You know, Captain, I think you WERE overworked. You needed this rest. BRAKES SCREECH | 1:15:03 | 1:15:10 | |
-They're hooking a private car on. -Why's there a private car out here? | 1:15:10 | 1:15:15 | |
Easterners, probably. Hunting party. Millionaires looking for thrills. | 1:15:15 | 1:15:21 | |
They should try a few weeks in the cavalry! Let's stretch our legs. | 1:15:21 | 1:15:26 | |
Ah! Fresh air! | 1:15:33 | 1:15:35 | |
Invigorating...but chilly. | 1:15:35 | 1:15:38 | |
I'm going back inside. | 1:15:38 | 1:15:41 | |
LOUD CLATTER | 1:15:57 | 1:15:59 | |
CLATTER | 1:16:09 | 1:16:11 | |
WHISTLE SHRIEKS | 1:17:10 | 1:17:13 | |
Ugh! ..Aah! | 1:18:14 | 1:18:17 | |
Ugh! Ooph! | 1:18:21 | 1:18:23 | |
Agh! | 1:18:24 | 1:18:25 | |
Ugh! | 1:18:26 | 1:18:27 | |
Eugh! | 1:18:28 | 1:18:30 | |
Agh! | 1:18:41 | 1:18:43 | |
Ugh! | 1:18:44 | 1:18:45 | |
Eugh! | 1:18:47 | 1:18:48 | |
Ugh! | 1:18:50 | 1:18:52 | |
Ah, there you are. Will you join me? | 1:20:23 | 1:20:26 | |
There's nobody else to talk to. Guess I'll have to tell you. | 1:20:26 | 1:20:31 | |
-Tell me what? -Haven't you noticed? Everybody's gone. | 1:20:31 | 1:20:35 | |
-Are they in the next car? -The Mexican general rode away with some Indians. | 1:20:37 | 1:20:42 | |
-Did he? -Only they weren't Indians, they were Mexicans dressed as Indians. -Mexicans?! | 1:20:42 | 1:20:50 | |
-O'Rourke is dead. -What's that you say? | 1:20:51 | 1:20:55 | |
-He tried to kill me. -Why?! | 1:20:55 | 1:20:58 | |
Maybe because of this. | 1:20:58 | 1:21:00 | |
-This is a forgery! -It looks real. | 1:21:04 | 1:21:06 | |
-Why should -I -order a massacre of the Indians? | 1:21:06 | 1:21:10 | |
That private car we hooked onto, it has a name. | 1:21:10 | 1:21:15 | |
The name is April Morning. | 1:21:15 | 1:21:17 | |
Collier knew. That's why he was killed. | 1:21:17 | 1:21:21 | |
Now, General, who is in that car? | 1:21:21 | 1:21:26 | |
President Grant is in that car. | 1:21:26 | 1:21:29 | |
I'm glad you said that, sir. | 1:21:30 | 1:21:33 | |
The newspaper said he was coming to California. They'll assassinate him. | 1:21:33 | 1:21:38 | |
Griffin hired the bandits to attack this train. | 1:21:38 | 1:21:43 | |
He dressed the Mexicans as Indians so the Indians will be blamed. | 1:21:43 | 1:21:48 | |
Why assassinate the president?! | 1:21:48 | 1:21:50 | |
I don't know. But it's getting light out. We'd better get going. | 1:21:50 | 1:21:56 | |
WE'RE NOT! You're not going anywhere, red ass. | 1:21:56 | 1:22:01 | |
Red ass? | 1:22:03 | 1:22:04 | |
You call me red ass, too. | 1:22:07 | 1:22:09 | |
BANG! | 1:22:09 | 1:22:11 | |
Agh! | 1:22:11 | 1:22:13 | |
Oh! I shoot like a jealous wife - first shot right through the heart. | 1:22:16 | 1:22:21 | |
Where are they? | 1:22:28 | 1:22:30 | |
-The baggage car. -How many? -Eight. All of them. | 1:22:30 | 1:22:33 | |
-Come on. -What are you doing? Where are we going? Why do you want me? | 1:22:33 | 1:22:39 | |
-Open the door. -They'll shoot me. -Open it! | 1:22:44 | 1:22:47 | |
Hi. It's only me. | 1:22:51 | 1:22:53 | |
Oh! | 1:23:35 | 1:23:36 | |
Oh! | 1:23:36 | 1:23:38 | |
Oh! | 1:23:42 | 1:23:44 | |
NO! Stop it! | 1:23:46 | 1:23:49 | |
NO! | 1:23:53 | 1:23:55 | |
Ah! | 1:24:02 | 1:24:03 | |
Oh! No! | 1:24:05 | 1:24:07 | |
Agh! | 1:24:08 | 1:24:09 | |
You shot me! | 1:24:16 | 1:24:18 | |
My ear! | 1:24:18 | 1:24:20 | |
Call that shot? | 1:24:22 | 1:24:24 | |
Oh! | 1:24:24 | 1:24:26 | |
WHISTLE SHRIEKS | 1:24:34 | 1:24:37 | |
Not now. | 1:24:40 | 1:24:42 | |
Captain, someone here wants to thank you personally - the US president. | 1:25:51 | 1:25:56 | |
You're not the president. | 1:26:02 | 1:26:05 | |
I know General Grant. I served under him. | 1:26:05 | 1:26:09 | |
You're one smart Indian! The president stayed behind in Tucson. | 1:26:15 | 1:26:20 | |
You knew all the time but let me go through this. What the hell for?! | 1:26:20 | 1:26:25 | |
Carpetbaggers were trying to start an Indian war to grab the South West. | 1:26:25 | 1:26:31 | |
Who are you? | 1:26:32 | 1:26:33 | |
The new Indian Commissioner taking Collier's place. And you'll help me. | 1:26:33 | 1:26:39 | |
Oh...doing what? | 1:26:41 | 1:26:43 | |
The reservation land is too valuable. It will make trouble for your people. | 1:26:43 | 1:26:48 | |
We're gonna move them... to Yellowsnake Canyon. | 1:26:48 | 1:26:52 | |
..Yellowsnake Canyon? | 1:26:52 | 1:26:55 | |
It's full of snakes! | 1:26:57 | 1:26:59 | |
You're one dumb Indian! | 1:27:01 | 1:27:04 | |
Teach me they ways of the white man! | 1:27:12 | 1:27:16 | |
First...you steal a horse. | 1:27:16 | 1:27:20 | |
# Cos I got a date withanAprilmorning | 1:27:43 | 1:27:48 | |
# A date that cannot wait till dawn | 1:27:49 | 1:27:53 | |
# Got a date with an April morning | 1:27:53 | 1:27:57 | |
# A date with fate Ijustgottakeep... # | 1:27:58 | 1:28:03 | |
Subtitles by Kathy Jenkins BBC - 1995 | 1:28:15 | 1:28:21 | |
E-mail us at [email protected] | 1:28:21 | 1:28:24 | |
# ..Cos I got a date with an April morning | 1:28:27 | 1:28:31 | |
# A date that cannot wait till dawn | 1:28:32 | 1:28:36 | |
# Got a date with an April morning | 1:28:36 | 1:28:41 | |
# A date with fate I just gotta keep | 1:28:41 | 1:28:46 | |
-# -He's got a date with an April morning -Date with an April morning | 1:29:10 | 1:29:15 | |
-# -A date that cannot wait till dawn -A date that cannot wait till dawn | 1:29:15 | 1:29:19 | |
-# -He's got a date with an April morning -Date with an April morning | 1:29:19 | 1:29:24 | |
-# A date with fate I just gotta keep -Aa-aa-aa...gotta keep | 1:29:24 | 1:29:30 | |
# A date with fate I just gotta keep. # | 1:29:30 | 1:29:38 |